1 00:00:09,960 --> 00:00:11,320 Speaker 1: Every game, every moment. 2 00:00:11,640 --> 00:00:14,600 Speaker 2: Ninety six point seven KFFAAN plus brings you the Men's 3 00:00:14,600 --> 00:00:17,160 Speaker 2: College of Basketball Tournament driven by David Smith Motors. 4 00:00:17,680 --> 00:00:19,120 Speaker 1: Coverage continues this Thursday. 5 00:00:19,600 --> 00:00:37,600 Speaker 2: Tune in on the free iHeartRadio app to catch the insanity. 6 00:00:38,880 --> 00:00:46,160 Speaker 3: I forgot my avocado today. One of those days, man, 7 00:00:46,240 --> 00:00:48,280 Speaker 3: But that's the worst thing that happens to me today. 8 00:00:48,320 --> 00:00:49,360 Speaker 1: And it wasn't I had. 9 00:00:50,200 --> 00:00:55,040 Speaker 3: I had at least three three plus today. That's just 10 00:00:55,080 --> 00:00:58,080 Speaker 3: not like me, but it was today. We're done with 11 00:00:58,160 --> 00:01:00,160 Speaker 3: our number one. We begin our number two. 12 00:01:00,200 --> 00:01:09,280 Speaker 1: Was always with five three four time now four? Five questions? Well, 13 00:01:09,360 --> 00:01:12,160 Speaker 1: actually three, but five sounds like more than four. Brought 14 00:01:12,200 --> 00:01:13,800 Speaker 1: to you by Willow River Company. 15 00:01:15,680 --> 00:01:21,119 Speaker 4: Question number one. 16 00:01:18,920 --> 00:01:24,120 Speaker 5: Well, when Twins we're ballingall it's now time to delve 17 00:01:24,240 --> 00:01:33,400 Speaker 5: deep into Twins territory. 18 00:01:33,920 --> 00:01:37,600 Speaker 2: Aaron Glehman in The Athletic made three bold predictions for 19 00:01:37,680 --> 00:01:40,920 Speaker 2: the Twins for the twenty twenty six season. They are 20 00:01:41,000 --> 00:01:44,640 Speaker 2: number one, Luke Kishel is an All Star at twenty three. 21 00:01:45,920 --> 00:01:47,920 Speaker 3: I'm gonna watch them develop. I'm gonna go to every 22 00:01:47,960 --> 00:01:49,120 Speaker 3: game to watch them develop. 23 00:01:49,320 --> 00:01:54,360 Speaker 2: Two Matt Walner leads the Twins in ops. Three, Mick 24 00:01:54,440 --> 00:01:57,520 Speaker 2: Abel is the Twins' best pitcher. Common which bold prediction 25 00:01:58,120 --> 00:02:02,920 Speaker 2: will most likely come to fruition. What is oldps based 26 00:02:02,920 --> 00:02:05,880 Speaker 2: plus lugging. It's bacially a power who's gonna lead us 27 00:02:05,880 --> 00:02:06,080 Speaker 2: in that? 28 00:02:06,680 --> 00:02:06,840 Speaker 1: Uh? 29 00:02:06,880 --> 00:02:11,320 Speaker 2: Walner, I'll believe that one, I says a Walner Valner. 30 00:02:11,720 --> 00:02:12,919 Speaker 2: I think because it's Volstead. 31 00:02:13,240 --> 00:02:17,880 Speaker 3: Ask what Rosen he would know? I think big things 32 00:02:17,880 --> 00:02:20,480 Speaker 3: have been predicted. 33 00:02:20,000 --> 00:02:23,760 Speaker 1: For Walner and Larnock for a long time. We just 34 00:02:23,800 --> 00:02:24,680 Speaker 1: haven't really seen it. 35 00:02:24,720 --> 00:02:28,920 Speaker 3: We've seen, you know, bits and pieces, small little snapshots. 36 00:02:30,000 --> 00:02:32,560 Speaker 2: I would also say, like, is leading the Twins and 37 00:02:32,600 --> 00:02:34,280 Speaker 2: Ops really that big of a challenge? 38 00:02:34,760 --> 00:02:37,600 Speaker 1: That's true too, that's awful negative of you tell me, 39 00:02:37,680 --> 00:02:38,480 Speaker 1: let me give you just well. 40 00:02:38,520 --> 00:02:41,520 Speaker 2: Same thing with the Kishole Allstar, Like I really like 41 00:02:41,720 --> 00:02:42,560 Speaker 2: vulner slash. 42 00:02:42,600 --> 00:02:44,760 Speaker 1: Walner's gonna have a great season. He's hit thirty plus 43 00:02:44,760 --> 00:02:45,320 Speaker 1: home runs. 44 00:02:46,400 --> 00:02:48,440 Speaker 2: Same with the thing with the Kishow Like that sounds 45 00:02:48,440 --> 00:02:51,320 Speaker 2: impressive that he'd be an All Star. But the Twins 46 00:02:51,360 --> 00:02:53,359 Speaker 2: have to have a representative. So somebody's going to be 47 00:02:53,360 --> 00:02:57,120 Speaker 2: an All Star off this team. Ah, we'll probably have 48 00:02:57,200 --> 00:02:59,120 Speaker 2: five or six All Stars because they're gonna be one 49 00:02:59,120 --> 00:03:01,160 Speaker 2: of the best teams in the league halfway through the season. 50 00:03:01,560 --> 00:03:03,560 Speaker 3: Now you're starting to look sound more like a Pollard 51 00:03:03,600 --> 00:03:07,680 Speaker 3: pocket protector. Yeah, they keep predicting big things for Kishel. 52 00:03:08,000 --> 00:03:11,080 Speaker 3: I think he's great, Keishaw Kishel, and the picture is 53 00:03:11,280 --> 00:03:14,560 Speaker 3: able that I've read some you know, you know, I'm 54 00:03:14,600 --> 00:03:17,679 Speaker 3: not paying a Skoals attention to Twins, but I've read 55 00:03:17,720 --> 00:03:19,480 Speaker 3: some nice things about him that they like him. He 56 00:03:19,520 --> 00:03:22,480 Speaker 3: came over in a trade, I think. I don't think 57 00:03:22,520 --> 00:03:24,400 Speaker 3: he was one of our homegrown guys. He came in 58 00:03:24,600 --> 00:03:27,520 Speaker 3: like the who is the guy the Louis Varlin trade, 59 00:03:27,600 --> 00:03:31,280 Speaker 3: I think, And we're really high on him, and he's 60 00:03:32,120 --> 00:03:34,960 Speaker 3: like he's got all the Of course, I think they 61 00:03:35,000 --> 00:03:36,480 Speaker 3: write this about every Twins. 62 00:03:36,480 --> 00:03:40,000 Speaker 1: Pit Young was a part of the John Duran right there, 63 00:03:40,120 --> 00:03:41,720 Speaker 1: there's one and it was one of those fires. 64 00:03:41,960 --> 00:03:45,360 Speaker 2: I mean, there was ten ten trades, right and he 65 00:03:45,480 --> 00:03:46,920 Speaker 2: apparently has a lot of upside. 66 00:03:47,120 --> 00:03:51,040 Speaker 3: And but you know again, Baseball, more than any other sports, 67 00:03:51,040 --> 00:03:54,200 Speaker 3: seems to have we got all these and I don't 68 00:03:54,200 --> 00:03:56,800 Speaker 3: know if it's just the Twins, if it's if it's 69 00:03:56,880 --> 00:03:58,160 Speaker 3: if it's only the Twins, or if. 70 00:03:58,040 --> 00:04:00,119 Speaker 1: It's lead teams all over the league where. 71 00:04:01,400 --> 00:04:03,680 Speaker 3: There's always we have so much great young talent with 72 00:04:03,840 --> 00:04:08,440 Speaker 3: so much upside, and then most of that great young 73 00:04:08,520 --> 00:04:16,840 Speaker 3: talent becomes players that just really never blossom to what 74 00:04:16,880 --> 00:04:21,680 Speaker 3: we think they might be. And it's so that's why 75 00:04:21,680 --> 00:04:24,800 Speaker 3: I don't know what to believe. But those are the names, 76 00:04:25,480 --> 00:04:28,039 Speaker 3: especially Keisha and Abel. And then they have another young 77 00:04:28,080 --> 00:04:31,080 Speaker 3: pitcher too that I think they have high hopes for. 78 00:04:31,120 --> 00:04:32,080 Speaker 1: And I'd love it. 79 00:04:32,160 --> 00:04:35,120 Speaker 3: I told you, ah, I would love nothing better than 80 00:04:35,160 --> 00:04:36,920 Speaker 3: to have the something it. 81 00:04:36,920 --> 00:04:40,000 Speaker 1: Keeps you preoccupied. I told you this, tim Me. 82 00:04:40,160 --> 00:04:42,160 Speaker 3: I watch early in the season just because there's so 83 00:04:42,200 --> 00:04:44,480 Speaker 3: many three o'clock starts. So I get home at four 84 00:04:44,480 --> 00:04:47,359 Speaker 3: o'clock in the afternoon, the weather's nice, kick the windows open, 85 00:04:47,360 --> 00:04:49,080 Speaker 3: turn on the Twins game, and watch a little bit. 86 00:04:49,600 --> 00:04:52,880 Speaker 1: Then once they're two and ten, I'm done. So we'll see. 87 00:04:53,440 --> 00:04:55,040 Speaker 3: Ah, you know what, We're gonna be ten and two 88 00:04:55,360 --> 00:04:56,480 Speaker 3: with a really good club. 89 00:04:58,760 --> 00:05:00,080 Speaker 1: Question number two. 90 00:05:01,560 --> 00:05:02,800 Speaker 5: Biking, let's win. 91 00:05:02,960 --> 00:05:06,080 Speaker 1: Let's game. I'll find some bikings. 92 00:05:06,320 --> 00:05:08,800 Speaker 5: It's now time to take an in depth look at 93 00:05:08,880 --> 00:05:09,839 Speaker 5: the state of the school. 94 00:05:12,920 --> 00:05:15,000 Speaker 2: That's kind of a rehash topic, but we'll bring it 95 00:05:15,040 --> 00:05:17,680 Speaker 2: up anyways because I just saw it again. Uh NFL 96 00:05:17,720 --> 00:05:21,080 Speaker 2: dot Com listed all thirty two NFL teams top five 97 00:05:21,120 --> 00:05:24,360 Speaker 2: biggest needs for the NFL Draft. For the Vikings, they 98 00:05:24,360 --> 00:05:31,320 Speaker 2: have defensive line, offensive line, safety, wide receiver, and cornerback. 99 00:05:31,400 --> 00:05:33,880 Speaker 2: Come and do you agree with their five biggest needs 100 00:05:33,880 --> 00:05:34,400 Speaker 2: for the NFL? 101 00:05:34,640 --> 00:05:43,159 Speaker 3: Why did they stop at five about linebacker, running back, quarterback, specialty, punter, punter, 102 00:05:43,800 --> 00:05:52,000 Speaker 3: place kicker. I am, I'm glad to hear defense and 103 00:05:52,080 --> 00:05:55,240 Speaker 3: offensive line because I'm now you know, and you know, 104 00:05:55,279 --> 00:06:00,479 Speaker 3: everybody's opinions change over time, right, most peoples anyways can 105 00:06:01,839 --> 00:06:05,640 Speaker 3: and you know, I yeah, I've always kind of believed 106 00:06:05,680 --> 00:06:10,600 Speaker 3: that games are one in the trenches. 107 00:06:12,440 --> 00:06:14,040 Speaker 1: Wey than the kind of guy I am. You're gonna 108 00:06:14,040 --> 00:06:15,600 Speaker 1: pass the ball? I'm just telling you they are. 109 00:06:15,680 --> 00:06:19,760 Speaker 3: I think if you have a really good that's where 110 00:06:19,760 --> 00:06:24,320 Speaker 3: the real work is done. You have five offensive linemen 111 00:06:25,279 --> 00:06:28,679 Speaker 3: battling four or five six defensive players trying to protect 112 00:06:28,720 --> 00:06:31,520 Speaker 3: the quarterbacks. We can throw the ball down field or 113 00:06:31,600 --> 00:06:34,360 Speaker 3: open holes for the running backs. And if you don't 114 00:06:34,360 --> 00:06:36,640 Speaker 3: have guys that can do that on a consistent level, sorry, 115 00:06:36,640 --> 00:06:37,960 Speaker 3: you're not gonna win a lot of games just the 116 00:06:38,000 --> 00:06:38,480 Speaker 3: way it is. 117 00:06:39,440 --> 00:06:41,440 Speaker 1: And I don't care that we have Darris Saw and 118 00:06:41,480 --> 00:06:42,200 Speaker 1: we have O'Neill. 119 00:06:42,279 --> 00:06:44,200 Speaker 3: We like this guy and that guy, and the is 120 00:06:44,240 --> 00:06:47,320 Speaker 3: that the Jackson kid we drafted. You can't have enough 121 00:06:47,360 --> 00:06:49,880 Speaker 3: offensive lineman, you can't have enough defense. We thought we 122 00:06:49,880 --> 00:06:52,760 Speaker 3: were stocked that defensive line last year. I thought we 123 00:06:52,760 --> 00:06:55,000 Speaker 3: were stocked that off. Remember we went and spent all 124 00:06:55,000 --> 00:06:58,640 Speaker 3: the money on those interior alignment for both offensive and defense. 125 00:06:58,880 --> 00:07:01,120 Speaker 3: Where that get us. None of them are with the 126 00:07:01,120 --> 00:07:06,279 Speaker 3: team anymore. I think they're all gone. So this idea 127 00:07:06,320 --> 00:07:08,080 Speaker 3: that we have to have a safety, and that's an 128 00:07:08,080 --> 00:07:11,720 Speaker 3: important position. I think Hitman's coming back anyways. I don't 129 00:07:11,720 --> 00:07:13,840 Speaker 3: think there's any question about that. But I guess we 130 00:07:13,880 --> 00:07:15,080 Speaker 3: don't know that, and. 131 00:07:15,280 --> 00:07:15,760 Speaker 1: We need defend. 132 00:07:15,800 --> 00:07:20,160 Speaker 3: We haven't long term safety, right, Sure, Yeah, I get that, But. 133 00:07:22,640 --> 00:07:24,320 Speaker 1: You know what if you haven't. Also think they missed 134 00:07:24,320 --> 00:07:26,200 Speaker 1: cam Beezy last year. I think they did. 135 00:07:26,840 --> 00:07:31,840 Speaker 3: If you have a fierce pass rushing uh offensive line, 136 00:07:32,320 --> 00:07:35,160 Speaker 3: your secondary can be just okay because the quarterbacks under 137 00:07:35,240 --> 00:07:35,880 Speaker 3: arrest constantly. 138 00:07:35,960 --> 00:07:37,120 Speaker 1: Now it's not gonna happen every time. 139 00:07:37,160 --> 00:07:41,720 Speaker 3: I get that, But you can't have the best secondary 140 00:07:41,720 --> 00:07:43,600 Speaker 3: and the best defensive line in the best core alignment. 141 00:07:43,760 --> 00:07:45,280 Speaker 3: Hard for one team to have all the very But 142 00:07:45,280 --> 00:07:47,240 Speaker 3: I guess unless you're a legion to Boom or what 143 00:07:47,280 --> 00:07:50,480 Speaker 3: do they call him now? In Seattle they got a 144 00:07:50,520 --> 00:07:58,880 Speaker 3: new name for yeah, soothsayers or doom sayers. 145 00:07:58,880 --> 00:08:03,400 Speaker 1: There's some nickname for their for their defense now. But yeah, 146 00:08:02,320 --> 00:08:05,960 Speaker 1: I think they need help in all of those categories, 147 00:08:05,960 --> 00:08:09,120 Speaker 1: and especially I think they need Are they the dark side? 148 00:08:09,200 --> 00:08:09,400 Speaker 5: Yeah? 149 00:08:09,480 --> 00:08:12,320 Speaker 3: Dark side, that's what it is. They need help on 150 00:08:12,360 --> 00:08:14,880 Speaker 3: the offensive and defensive lines. I think that's right. That's 151 00:08:14,880 --> 00:08:16,320 Speaker 3: why I start every draft. 152 00:08:18,200 --> 00:08:26,520 Speaker 4: Question number three. It's time now for a pullult a 153 00:08:26,600 --> 00:08:27,880 Speaker 4: full choice. 154 00:08:28,160 --> 00:08:30,600 Speaker 2: Which headline at DESPN dot com would you most likely 155 00:08:30,600 --> 00:08:35,080 Speaker 2: click on? A live sued by Distillery for trademark infringement 156 00:08:35,760 --> 00:08:40,800 Speaker 2: b LA spoils Tiger's return cruises the TGL title See 157 00:08:41,080 --> 00:08:45,960 Speaker 2: Elite longevity, Flacco forty one agrees to SINCI deal, d 158 00:08:46,240 --> 00:08:49,360 Speaker 2: Schiffrin wins record tying sixth World Cup title, or e 159 00:08:50,120 --> 00:08:53,800 Speaker 2: NBA Players Union calls for sixty five game rule change. 160 00:08:55,240 --> 00:08:57,120 Speaker 3: The only one I clicked on was the rule change 161 00:08:57,120 --> 00:09:07,600 Speaker 3: for games, so that would be my I they insted. 162 00:09:07,760 --> 00:09:09,280 Speaker 2: Actually was the only one I clicked on too, but 163 00:09:09,320 --> 00:09:11,160 Speaker 2: I thought it was for a different reason. I thought 164 00:09:11,160 --> 00:09:13,440 Speaker 2: they wanted to switch to just playing sixty five games, like, oh, 165 00:09:13,480 --> 00:09:14,160 Speaker 2: this is great. 166 00:09:14,040 --> 00:09:15,760 Speaker 1: I wish that's what they wanted to do. What it 167 00:09:15,800 --> 00:09:16,800 Speaker 1: was about was. 168 00:09:19,160 --> 00:09:22,960 Speaker 3: To be eligible for like postseason awards like MVP and 169 00:09:23,360 --> 00:09:25,640 Speaker 3: Defensive Player of the Year Offensive Player of the Year, 170 00:09:26,040 --> 00:09:28,360 Speaker 3: you have to play sixty five plus games. 171 00:09:28,440 --> 00:09:30,160 Speaker 1: And the reason that they wanted to. 172 00:09:30,200 --> 00:09:33,360 Speaker 3: Institute that rules it's the load management stuff. 173 00:09:33,920 --> 00:09:38,200 Speaker 1: Where you know, it's become almost. 174 00:09:37,559 --> 00:09:43,960 Speaker 3: An epidemic across the league where players just get time off, 175 00:09:44,040 --> 00:09:48,000 Speaker 3: and it used to never be that way, and maybe 176 00:09:48,000 --> 00:09:49,720 Speaker 3: it should have been that way all the time. Maybe 177 00:09:49,760 --> 00:09:53,280 Speaker 3: giving players time off keeps them fresher for the entire season. 178 00:09:53,640 --> 00:09:57,240 Speaker 3: I don't believe it. I don't think playing eighty two 179 00:09:57,240 --> 00:09:59,240 Speaker 3: games over six months is that big of a deal. 180 00:09:59,280 --> 00:10:02,439 Speaker 3: I really don't, especially when you have you sound like 181 00:10:02,480 --> 00:10:04,360 Speaker 3: you're playing all four unless you're with the Minnesota Goal 182 00:10:04,440 --> 00:10:06,160 Speaker 3: to Go for men's basketball team, you're not playing all 183 00:10:06,200 --> 00:10:08,720 Speaker 3: forty minutes. Right in the case of the NBA forty 184 00:10:08,760 --> 00:10:12,280 Speaker 3: eight minutes. There's always you come out for breaks, you 185 00:10:12,280 --> 00:10:17,479 Speaker 3: have halftime, so I but and so there are extenuating circumstances. 186 00:10:17,480 --> 00:10:19,080 Speaker 3: I can see why they might want to change that 187 00:10:19,360 --> 00:10:22,040 Speaker 3: because there are players I think that are getting legitimate 188 00:10:22,080 --> 00:10:24,120 Speaker 3: injuries and they're not hideous sixty five. But if they've 189 00:10:24,160 --> 00:10:25,760 Speaker 3: been so good at what they do, how can you 190 00:10:25,800 --> 00:10:26,560 Speaker 3: not consider them? 191 00:10:26,720 --> 00:10:27,319 Speaker 1: And I think a. 192 00:10:27,280 --> 00:10:29,040 Speaker 3: Lot of these guys not only is it just the 193 00:10:29,080 --> 00:10:31,520 Speaker 3: award of the prestige and the bragging rights, I think 194 00:10:31,559 --> 00:10:35,199 Speaker 3: there's probably in a lot of these contracts and everybody's got, 195 00:10:35,320 --> 00:10:39,480 Speaker 3: you know, incentives of some sort. So I mean, I 196 00:10:39,559 --> 00:10:41,720 Speaker 3: just I shouldn' admit this working at the All Sports station, 197 00:10:41,800 --> 00:10:42,120 Speaker 3: but I. 198 00:10:42,120 --> 00:10:44,640 Speaker 1: Just skimmed the story, you know, I didn't read it, 199 00:10:45,280 --> 00:10:49,680 Speaker 1: you know, intently, but I would just say, play more games, 200 00:10:49,760 --> 00:10:51,800 Speaker 1: you know, just try to play when you're ready. When 201 00:10:51,800 --> 00:10:53,760 Speaker 1: you're not. You don't need load management unless you are 202 00:10:53,760 --> 00:10:56,920 Speaker 1: really injured or are you a really old guy. But 203 00:10:57,040 --> 00:10:58,160 Speaker 1: other than that, I just play. 204 00:10:59,240 --> 00:11:05,960 Speaker 4: Yeah, question number three and now it's time to go. 205 00:11:08,200 --> 00:11:09,439 Speaker 1: In that paints. 206 00:11:09,840 --> 00:11:13,040 Speaker 2: The NBA Board of Governors approved a vote to explore 207 00:11:13,080 --> 00:11:16,800 Speaker 2: bids for expansion teams in Las Vegas and Seattle. The 208 00:11:16,840 --> 00:11:19,559 Speaker 2: bidding process is expected to generate offers in the seven 209 00:11:19,600 --> 00:11:22,800 Speaker 2: to ten billion dollar range for each team. If Vegas 210 00:11:22,800 --> 00:11:26,880 Speaker 2: and Seattle is added, common how should the league be structured? 211 00:11:28,480 --> 00:11:29,640 Speaker 1: Well, they'll both be in the West. 212 00:11:29,840 --> 00:11:32,560 Speaker 3: Yeah, and then the conversation has been we talked about 213 00:11:32,559 --> 00:11:34,240 Speaker 3: it while you were aware. Did you see they're going 214 00:11:34,280 --> 00:11:38,760 Speaker 3: to be more than likely Memphis or Minnesota moves to 215 00:11:38,840 --> 00:11:43,800 Speaker 3: the east. We took a look at I hop longitude, 216 00:11:43,880 --> 00:11:47,760 Speaker 3: latitude and changes in attitude, and Memphis is actually further 217 00:11:47,920 --> 00:11:51,560 Speaker 3: east than Minneapolis. Is not by a lot, by a 218 00:11:51,559 --> 00:11:55,280 Speaker 3: couple three hundred miles. So I don't know how they'll 219 00:11:55,320 --> 00:11:57,360 Speaker 3: make that decision, if it will be. I don't think 220 00:11:57,400 --> 00:12:02,920 Speaker 3: it's strictly on who's closer to the east than the 221 00:12:03,000 --> 00:12:06,280 Speaker 3: other team. But you know, right now, I think it 222 00:12:06,480 --> 00:12:08,720 Speaker 3: is a benefit to be in the West or the East. 223 00:12:08,840 --> 00:12:11,400 Speaker 1: Right it seems like for the past, it seems like 224 00:12:11,400 --> 00:12:12,080 Speaker 1: almost forever. 225 00:12:12,760 --> 00:12:15,760 Speaker 3: Yeah, the West has been shorter well, but but I 226 00:12:15,800 --> 00:12:16,880 Speaker 3: mean the West has. 227 00:12:16,720 --> 00:12:19,160 Speaker 1: Had, yeah, so many better teams. 228 00:12:19,200 --> 00:12:22,760 Speaker 3: You know, they're deeper with with quality clubs, and then 229 00:12:22,840 --> 00:12:25,000 Speaker 3: the travel, you know, that makes a difference as well. 230 00:12:25,120 --> 00:12:32,960 Speaker 3: So my guess is whatever is best for another franchise, 231 00:12:32,960 --> 00:12:35,000 Speaker 3: that's where you will go. Because that's what happens in Minnesota. 232 00:12:35,000 --> 00:12:37,920 Speaker 3: We never get, you know, any time situation, will Memphis 233 00:12:38,240 --> 00:12:38,600 Speaker 3: be Memphis. 234 00:12:38,640 --> 00:12:40,320 Speaker 1: That's it, that's it, And so we'll we'll we'll stay 235 00:12:40,360 --> 00:12:40,640 Speaker 1: in the way. 236 00:12:40,640 --> 00:12:43,120 Speaker 2: Well we are closer to Milwaukee and Chicago. If you're 237 00:12:43,160 --> 00:12:45,920 Speaker 2: looking for, yeah, some rivalry type stuff, now there is 238 00:12:45,960 --> 00:12:47,760 Speaker 2: that too, so we'll see how that goes. 239 00:12:48,600 --> 00:12:54,000 Speaker 4: And that's it for today's edition of five Questions. Well 240 00:12:54,040 --> 00:12:57,040 Speaker 4: actually three questions, but five sounds like more than four. 241 00:12:57,160 --> 00:12:59,880 Speaker 3: My favorite segment of the week Rock Talk. That's no 242 00:13:00,240 --> 00:13:01,400 Speaker 3: common man program on the fan. 243 00:13:09,400 --> 00:13:11,600 Speaker 1: Every game is a big game when it's Wild Hockey. 244 00:13:12,080 --> 00:13:14,840 Speaker 2: Feel the intensity and excitement at Grandcasine Arena this season. 245 00:13:15,240 --> 00:13:21,920 Speaker 2: Pitch your tickets today at wild dot com, slash tickets. 246 00:13:34,120 --> 00:13:35,640 Speaker 1: Uber birteen fourteen past. 247 00:13:35,720 --> 00:13:38,520 Speaker 3: I'm calm and he's tend to be excited and delighted. 248 00:13:39,200 --> 00:13:41,800 Speaker 1: Be joined by Brian Oh for a little rock talk. 249 00:13:41,840 --> 00:13:42,600 Speaker 1: How are you me boy? 250 00:13:42,720 --> 00:13:45,680 Speaker 6: I am doing fantastic A combination of the weather, a 251 00:13:45,800 --> 00:13:49,040 Speaker 6: great day. Just recorded one of the most upbeat podcasts 252 00:13:49,040 --> 00:13:51,240 Speaker 6: of the five hundred and sixty plus episodes of my 253 00:13:51,240 --> 00:13:53,920 Speaker 6: podcast I Do. It's called The Brian Oaks Show. It's 254 00:13:53,920 --> 00:13:57,920 Speaker 6: available widely through the iHeartRadio media app thing that they 255 00:13:57,960 --> 00:14:00,480 Speaker 6: do free. You can listen to it whenever you want, 256 00:14:00,520 --> 00:14:04,240 Speaker 6: no obligation. But yeah, a local legend one of your colleagues, 257 00:14:04,240 --> 00:14:07,720 Speaker 6: in fact, in the world of comedy. But also you know, 258 00:14:07,840 --> 00:14:10,000 Speaker 6: his claim to fame is he is the best looking 259 00:14:10,080 --> 00:14:13,360 Speaker 6: man in comedy. He's an icon, literally, an icon for 260 00:14:13,400 --> 00:14:17,240 Speaker 6: the Twin Cities. Once Fancy Ray macloney Fancy Ray was 261 00:14:17,280 --> 00:14:21,040 Speaker 6: on the podcast today. Both the mayors of these great 262 00:14:21,080 --> 00:14:23,520 Speaker 6: Twin cities that we live in have declared this Saturday 263 00:14:23,720 --> 00:14:27,120 Speaker 6: with an official government proclamation as Fancy Ray Day, and 264 00:14:27,160 --> 00:14:31,440 Speaker 6: he's celebrating with a great, big comedy cavalcade this Saturday 265 00:14:31,800 --> 00:14:33,840 Speaker 6: in Northeast. But even if you're not planning on going 266 00:14:33,840 --> 00:14:35,800 Speaker 6: to that, if you need a shot of positivity in 267 00:14:35,800 --> 00:14:38,320 Speaker 6: the or a shot in the arm today of positivity, 268 00:14:38,920 --> 00:14:41,240 Speaker 6: there's nobody like that. I'm still kind of exhausted. He 269 00:14:41,360 --> 00:14:45,000 Speaker 6: is so much input and so much stimulus. He's just 270 00:14:45,080 --> 00:14:47,640 Speaker 6: he's an amazing, amazing man, and so I'm fired up 271 00:14:47,640 --> 00:14:48,120 Speaker 6: from that man. 272 00:14:48,120 --> 00:14:49,600 Speaker 1: That's what I know. It's a good day out there. 273 00:14:49,640 --> 00:14:51,680 Speaker 6: Spring is on the way, or it's really unfolding in 274 00:14:51,720 --> 00:14:53,760 Speaker 6: front of us, and it's good to be alive. 275 00:14:53,920 --> 00:15:00,880 Speaker 3: I diddle, I've had the chance to not hang out 276 00:15:00,880 --> 00:15:03,400 Speaker 3: with but I'll passive crossed on a couple occasions. 277 00:15:03,440 --> 00:15:04,200 Speaker 1: I'm sure well could. 278 00:15:04,200 --> 00:15:06,800 Speaker 6: I mean, you know, he he's a big He gets 279 00:15:06,840 --> 00:15:09,400 Speaker 6: asked to mcl kinds of events like Taste of Minnesota 280 00:15:09,480 --> 00:15:11,880 Speaker 6: last year and a bunch of other things, and he's 281 00:15:11,960 --> 00:15:15,160 Speaker 6: just he's an icon man. There's nobody else like him, 282 00:15:15,280 --> 00:15:19,680 Speaker 6: and he's funny man. And he also he is an 283 00:15:19,760 --> 00:15:22,840 Speaker 6: absolute ray of light in terms of positivity, in terms 284 00:15:22,840 --> 00:15:26,240 Speaker 6: of community, and he picks out some sweet jams if 285 00:15:26,240 --> 00:15:29,400 Speaker 6: you're looking for some really good music. The episode that 286 00:15:29,560 --> 00:15:32,360 Speaker 6: just dropped, what less than an hour ago, episode five 287 00:15:32,480 --> 00:15:34,720 Speaker 6: hundred and sixty three I believe, of the Brian Oaks 288 00:15:34,720 --> 00:15:36,800 Speaker 6: Show podcast on the iHeartRadio app. 289 00:15:38,840 --> 00:15:42,560 Speaker 3: I was looped in on this by a listener, a 290 00:15:42,640 --> 00:15:47,600 Speaker 3: Gal Bass Gal, who said sent me an email last 291 00:15:47,640 --> 00:15:50,480 Speaker 3: week that said, common I listened to your show and 292 00:15:50,560 --> 00:15:53,800 Speaker 3: I've heard you talk about Dave Wagner of Crow Off 293 00:15:53,840 --> 00:15:55,920 Speaker 3: and Dave Wagner passed away the lead singer. 294 00:15:56,200 --> 00:15:58,360 Speaker 1: I've not seen it reported anywhere else. 295 00:15:58,800 --> 00:16:01,080 Speaker 6: Well, I only so it didn't pop up in any 296 00:16:01,080 --> 00:16:03,480 Speaker 6: of my regular places that I follow were subscribed to, 297 00:16:03,600 --> 00:16:05,800 Speaker 6: but you mentioned it, so I did look it up online. 298 00:16:06,280 --> 00:16:08,960 Speaker 6: I know, even on the crow official website. They if 299 00:16:08,960 --> 00:16:10,680 Speaker 6: you try to go to his page, they must be 300 00:16:10,800 --> 00:16:13,320 Speaker 6: updating it as we speak because you can't get to it. 301 00:16:13,840 --> 00:16:16,520 Speaker 6: But it's not been widely reported. And I think that 302 00:16:16,640 --> 00:16:18,640 Speaker 6: speaks a little bit to what Crow was and who 303 00:16:18,680 --> 00:16:21,480 Speaker 6: Crow was. I mean, Crow obviously was you know, they 304 00:16:21,560 --> 00:16:24,560 Speaker 6: were only active from sixty nine to seventy three, I think, 305 00:16:24,920 --> 00:16:27,600 Speaker 6: but as far as Minnesota bands go of the era, 306 00:16:27,840 --> 00:16:30,160 Speaker 6: probably the biggest band out of Minnesota in the air. 307 00:16:30,160 --> 00:16:33,240 Speaker 3: Well they were you know, I was talking to somebody 308 00:16:33,280 --> 00:16:35,560 Speaker 3: you know well as well, drummer guy, Yeah, Tom Cook, 309 00:16:35,880 --> 00:16:40,080 Speaker 3: Like he said, back then, when Crow had a big hit, 310 00:16:40,120 --> 00:16:41,640 Speaker 3: they signed a recording contract. 311 00:16:41,640 --> 00:16:44,760 Speaker 1: They had a song called Evil Woman Don't Play No 312 00:16:45,000 --> 00:16:47,440 Speaker 1: Games with Me that went number nineteen. It went to 313 00:16:47,520 --> 00:16:48,120 Speaker 1: number nineteen. 314 00:16:48,160 --> 00:16:51,560 Speaker 6: It was also covered by Black Sabbath on their solo 315 00:16:51,760 --> 00:16:54,720 Speaker 6: on their self titled debut record, the one the terribly 316 00:16:54,760 --> 00:16:57,200 Speaker 6: frightening image on the front. And so I mean that's 317 00:16:57,240 --> 00:17:00,080 Speaker 6: a big deal when one of the leaders of British 318 00:17:00,160 --> 00:17:03,160 Speaker 6: metal cover your song across the pond, and for a 319 00:17:03,200 --> 00:17:05,120 Speaker 6: band that a lot of people honestly don't know. 320 00:17:05,280 --> 00:17:07,840 Speaker 1: And as as. 321 00:17:07,320 --> 00:17:10,159 Speaker 3: As as drummer Guy said, he gave a lot of 322 00:17:10,240 --> 00:17:13,600 Speaker 3: hope to Minnesota garage bands of that kind of that 323 00:17:13,960 --> 00:17:14,240 Speaker 3: you know. 324 00:17:14,280 --> 00:17:15,680 Speaker 1: What, we can do this. 325 00:17:15,880 --> 00:17:17,840 Speaker 3: We can do this too, you know, because you see 326 00:17:17,840 --> 00:17:20,120 Speaker 3: as somebody local that's just you know that you knew 327 00:17:20,119 --> 00:17:22,280 Speaker 3: he's And I saw all sorts of you know when 328 00:17:22,280 --> 00:17:25,120 Speaker 3: I've listened to a couple of the songs, because anytime 329 00:17:25,160 --> 00:17:27,840 Speaker 3: some you know, somebody that that I admire a musician, 330 00:17:27,840 --> 00:17:31,199 Speaker 3: I go back and listen to their work, right, and uh, 331 00:17:31,880 --> 00:17:33,680 Speaker 3: when you when you go there, you'll see comments on 332 00:17:33,720 --> 00:17:34,080 Speaker 3: the songs. 333 00:17:34,160 --> 00:17:36,639 Speaker 1: It's like YouTube, for instance. And and top of you. 334 00:17:36,960 --> 00:17:39,800 Speaker 3: I remember when I saw him playing des Moine opening 335 00:17:39,840 --> 00:17:43,120 Speaker 3: for Whoever this and the other thing, and he had 336 00:17:43,119 --> 00:17:46,280 Speaker 3: a Dave Wagner had his unique a voice is you'll 337 00:17:46,920 --> 00:17:50,080 Speaker 3: you'll ever hear. And I've told the story so many times. 338 00:17:50,080 --> 00:17:52,080 Speaker 3: It's why she even said in any mission goes. I've 339 00:17:52,080 --> 00:17:57,840 Speaker 3: heard you talk about Crow at Medina several times. But 340 00:17:57,920 --> 00:17:59,480 Speaker 3: it was I I went to go to see Steppenwolf, 341 00:17:59,560 --> 00:18:00,840 Speaker 3: me and my buddy. You know, hey, John k is 342 00:18:00,840 --> 00:18:02,119 Speaker 3: coming town. It was a big step in wolf Gum 343 00:18:02,119 --> 00:18:03,360 Speaker 3: when I was a kid. Let's go see it. Living 344 00:18:03,359 --> 00:18:04,600 Speaker 3: in the past, right, And all of a sudden, they go, 345 00:18:04,680 --> 00:18:06,600 Speaker 3: ladies you don't know, please welcome Dave Wagner and Crow 346 00:18:06,640 --> 00:18:07,840 Speaker 3: and I'm like, what I had thought of it in 347 00:18:07,840 --> 00:18:09,879 Speaker 3: forever and he was brilliant. His daughter was playing in 348 00:18:09,880 --> 00:18:12,399 Speaker 3: the band at that time, and so he still played 349 00:18:12,440 --> 00:18:15,439 Speaker 3: sporadically across the Upper Midwest, but yeah, he was. 350 00:18:16,080 --> 00:18:17,000 Speaker 1: And it's funny, how you. 351 00:18:16,920 --> 00:18:20,159 Speaker 3: Know, it's just another one of those bands that was 352 00:18:20,240 --> 00:18:22,840 Speaker 3: really good but never quite got over the hump to 353 00:18:22,880 --> 00:18:26,520 Speaker 3: become mainstream and do several record deals and albums like that, 354 00:18:26,600 --> 00:18:28,760 Speaker 3: and a lot of it, I think just becomes Guys 355 00:18:28,760 --> 00:18:33,200 Speaker 3: are going in different directions, and sometimes it's just the material. 356 00:18:32,960 --> 00:18:34,600 Speaker 1: But to be able to write. 357 00:18:34,800 --> 00:18:36,359 Speaker 3: So I was just telling you about a story about 358 00:18:36,960 --> 00:18:38,800 Speaker 3: a guy that i'd heard the name before. We didn't 359 00:18:38,800 --> 00:18:40,679 Speaker 3: know much about him, but he's iconic. His name is 360 00:18:40,680 --> 00:18:43,560 Speaker 3: Towns van Zandt the age of early fifties. He wrote 361 00:18:43,560 --> 00:18:46,160 Speaker 3: Poncho and Lefty that Willie Nelson and Merle Hagger took 362 00:18:46,160 --> 00:18:48,439 Speaker 3: to number one on the country charts back in nineteen 363 00:18:48,440 --> 00:18:50,879 Speaker 3: eighty three, and he was very troubled, heroin out of 364 00:18:50,920 --> 00:18:54,160 Speaker 3: the whole thing. But he came from a wealthy family 365 00:18:54,160 --> 00:18:56,240 Speaker 3: and his dad told him, he said, you ought to 366 00:18:56,240 --> 00:18:58,719 Speaker 3: start right. You need to start writing your own music. 367 00:18:59,000 --> 00:19:01,399 Speaker 3: Because you're probably not going to make a big living 368 00:19:01,440 --> 00:19:02,320 Speaker 3: or get record contracts. 369 00:19:02,359 --> 00:19:04,640 Speaker 1: If you're doing covers. You know, you have an album. 370 00:19:04,720 --> 00:19:05,840 Speaker 1: You might have a cover or two. 371 00:19:05,920 --> 00:19:08,240 Speaker 3: Everybody does them, right, but you've got to be able 372 00:19:08,240 --> 00:19:11,600 Speaker 3: to pound out songs. And to me, I mean, you know, 373 00:19:11,640 --> 00:19:13,600 Speaker 3: I don't play guitar, I don't play the drums. You 374 00:19:13,600 --> 00:19:15,200 Speaker 3: know that didn't work, and that's the way you do it. 375 00:19:15,320 --> 00:19:18,480 Speaker 3: But I would think the songwriting part would be more 376 00:19:18,520 --> 00:19:20,520 Speaker 3: difficult than just learning how to shred a guitar. 377 00:19:20,680 --> 00:19:22,400 Speaker 1: Maybe I'm wrong right now. I don't know. I don't 378 00:19:22,400 --> 00:19:23,119 Speaker 1: think you're wrong at all. 379 00:19:23,160 --> 00:19:24,840 Speaker 6: I don't know if you know how you can quantify 380 00:19:24,880 --> 00:19:27,480 Speaker 6: what's harder and what's easier. But there's no question that 381 00:19:27,560 --> 00:19:30,600 Speaker 6: it's extremely difficult to write a song that is not 382 00:19:30,640 --> 00:19:33,560 Speaker 6: only entertaining and good. It's a toe tapper or it's 383 00:19:33,560 --> 00:19:35,760 Speaker 6: a heart wrencher or whatever kind of song it is, 384 00:19:36,080 --> 00:19:38,520 Speaker 6: but then it has to have that sort of secret 385 00:19:38,640 --> 00:19:40,800 Speaker 6: essence that no one's ever been able to quite distill 386 00:19:40,880 --> 00:19:43,679 Speaker 6: down perfectly, where it's got a universal appeal or an 387 00:19:43,720 --> 00:19:45,840 Speaker 6: appeal wider than just a regional thing. 388 00:19:45,920 --> 00:19:46,120 Speaker 1: Crow. 389 00:19:46,200 --> 00:19:48,160 Speaker 6: I think one of the reasons they maybe didn't cross 390 00:19:48,200 --> 00:19:50,600 Speaker 6: over any further than they did. That was still the 391 00:19:50,640 --> 00:19:52,680 Speaker 6: era we were kind of coming out of the era 392 00:19:52,800 --> 00:19:56,040 Speaker 6: of regional hits, where all these there were so many 393 00:19:56,080 --> 00:19:59,920 Speaker 6: incredible Minnesota garage bands like the Gestures and the Chancellors, 394 00:20:00,080 --> 00:20:05,320 Speaker 6: and a dozens, maybe even hundreds, hundreds hundreds possibly of 395 00:20:05,440 --> 00:20:08,760 Speaker 6: incredible bands that locally and regionally, they were the thing. 396 00:20:08,800 --> 00:20:10,200 Speaker 1: They were what people were going to see. 397 00:20:10,240 --> 00:20:12,800 Speaker 6: They were even starting to generate some radio interests locally, 398 00:20:13,040 --> 00:20:15,639 Speaker 6: but they just didn't pop on the national level. That 399 00:20:15,760 --> 00:20:18,560 Speaker 6: happens a lot, and to Towns van Zant's credit, he's 400 00:20:18,600 --> 00:20:23,240 Speaker 6: one of those guys again, a genuine songwriters, songwriter that 401 00:20:23,600 --> 00:20:26,960 Speaker 6: people speak about in hushed and reverential tones like he 402 00:20:27,320 --> 00:20:32,000 Speaker 6: although not a household name, extremely well respected among music fans, 403 00:20:32,040 --> 00:20:35,359 Speaker 6: and I would say even more so among music makers absolutely. 404 00:20:35,920 --> 00:20:37,359 Speaker 3: I watched a video of his last It was a 405 00:20:37,400 --> 00:20:40,239 Speaker 3: black and white where he paid Poncho and Lefty, and 406 00:20:40,320 --> 00:20:41,440 Speaker 3: he introduced. 407 00:20:41,000 --> 00:20:43,080 Speaker 1: It by going, he goes, I'm gonna play. 408 00:20:42,960 --> 00:20:47,679 Speaker 3: Medley my greatest hit, just the one just hit me, 409 00:20:47,760 --> 00:20:53,840 Speaker 3: you know, being of hits, but I was gonna say 410 00:20:53,840 --> 00:20:56,240 Speaker 3: about them, oh well, a band that you and I 411 00:20:56,280 --> 00:20:58,400 Speaker 3: share an affinity for the cars, Yeah, if you were. 412 00:20:58,520 --> 00:21:00,359 Speaker 3: Their story is kind of the same way. There was 413 00:21:00,400 --> 00:21:03,600 Speaker 3: a disc jockey. This is back in the days when 414 00:21:03,720 --> 00:21:07,000 Speaker 3: disc jockeys could, They could intersperse music they like. Now 415 00:21:07,040 --> 00:21:10,480 Speaker 3: that the playlists now are so I think unless there's 416 00:21:10,520 --> 00:21:11,359 Speaker 3: other Oh no. 417 00:21:11,240 --> 00:21:13,440 Speaker 6: No, I mean I started, you know, I did thirty 418 00:21:13,480 --> 00:21:17,040 Speaker 6: years of radio, and other than specialty segments or like 419 00:21:17,080 --> 00:21:19,840 Speaker 6: a weekend specialty show, I never got to pick any 420 00:21:19,840 --> 00:21:21,479 Speaker 6: of my own music, not even at a place as 421 00:21:21,600 --> 00:21:25,600 Speaker 6: legendary and you know, supposedly DIY as Revolution Radio back 422 00:21:25,600 --> 00:21:27,439 Speaker 6: in the nineties. I didn't get to pick any of 423 00:21:27,440 --> 00:21:30,080 Speaker 6: that music. It's all playlisted because we live in an 424 00:21:30,119 --> 00:21:32,920 Speaker 6: era where you can't afford to have the DJ mucking 425 00:21:33,000 --> 00:21:36,520 Speaker 6: about and possibly risking your listenership and tuning away, which 426 00:21:36,520 --> 00:21:39,160 Speaker 6: is why everything's gotten more homogenous and sounds the same, 427 00:21:39,160 --> 00:21:42,480 Speaker 6: because everything's audience tested to death. But back then, you're 428 00:21:42,520 --> 00:21:45,280 Speaker 6: absolutely right, DJs could take a flyer on something like 429 00:21:45,320 --> 00:21:46,639 Speaker 6: I'm getting a lot of buzz on this, a lot 430 00:21:46,680 --> 00:21:48,560 Speaker 6: of people calling in. That's why there used to be 431 00:21:48,600 --> 00:21:51,360 Speaker 6: those campaigns of like, hey, here's our single, make sure 432 00:21:51,400 --> 00:21:53,639 Speaker 6: you called so and so radio station and ask him 433 00:21:53,680 --> 00:21:57,439 Speaker 6: to play blah and it's still you know, rare is 434 00:21:57,480 --> 00:21:59,400 Speaker 6: the story. But the cars are a good example where 435 00:21:59,440 --> 00:22:02,280 Speaker 6: suddenly if a DJ takes interest in you, it can 436 00:22:02,320 --> 00:22:03,359 Speaker 6: literally make your career. 437 00:22:03,440 --> 00:22:05,399 Speaker 1: She had a cassette with some of their songs. 438 00:22:05,400 --> 00:22:07,879 Speaker 3: It was playing them off a cassette onto the radio 439 00:22:07,920 --> 00:22:09,840 Speaker 3: and the people call in who is this one to 440 00:22:09,880 --> 00:22:10,480 Speaker 3: hear this again? 441 00:22:10,520 --> 00:22:15,520 Speaker 1: And that helped get their career to where it was. Yeah. Cool. 442 00:22:15,960 --> 00:22:19,320 Speaker 6: No radio, I mean, obviously, before the proliferation of the internet, 443 00:22:19,640 --> 00:22:21,600 Speaker 6: radio is where you heard music, you know, unless you 444 00:22:21,600 --> 00:22:23,440 Speaker 6: were at a record store or you knew a bunch 445 00:22:23,520 --> 00:22:25,960 Speaker 6: of bands, you found out about music from the radio. 446 00:22:26,280 --> 00:22:28,639 Speaker 3: Let's do this, Let's take a break. When we do, 447 00:22:28,760 --> 00:22:31,200 Speaker 3: we'll come back. I got you, you have another you're. 448 00:22:31,000 --> 00:22:33,119 Speaker 6: The grummery person, I am. I got another Angel of 449 00:22:33,200 --> 00:22:35,080 Speaker 6: Death story for you. Just ahead, and I promise you 450 00:22:35,119 --> 00:22:37,800 Speaker 6: if you don't know his name, you absolutely know his music. 451 00:22:37,880 --> 00:22:40,680 Speaker 3: And I have another story that's actually a couple of 452 00:22:40,720 --> 00:22:42,320 Speaker 3: weeks old now, but I keep forgetting to get your 453 00:22:42,359 --> 00:22:45,159 Speaker 3: opinion on it. I think it's controversial and it raises 454 00:22:45,200 --> 00:22:46,359 Speaker 3: a lot of interesting issues. 455 00:22:46,359 --> 00:22:48,120 Speaker 1: So we'll do We'll do all of that and more, 456 00:22:48,320 --> 00:22:49,120 Speaker 1: including do we. 457 00:22:49,080 --> 00:22:53,200 Speaker 3: Have a rock rank today obviously rock Rank all that 458 00:22:53,280 --> 00:22:54,159 Speaker 3: and more here on rock Talk. 459 00:22:54,200 --> 00:22:55,280 Speaker 1: I'm the coming Man program on the. 460 00:22:55,200 --> 00:23:10,400 Speaker 2: Fans kiff Fan welcome some great shows to the Legy 461 00:23:10,440 --> 00:23:13,520 Speaker 2: Ampitheater this year. John mulaney will be there August twenty second, 462 00:23:13,960 --> 00:23:17,160 Speaker 2: and Blues Traveler and Jim Blossoms will be their September twelfth. 463 00:23:17,480 --> 00:23:19,639 Speaker 2: Got the complete details and all of our upcoming shows 464 00:23:19,640 --> 00:23:21,919 Speaker 2: on the concert page of kiffan dot com kybrid calendar. 465 00:23:22,520 --> 00:23:25,760 Speaker 3: Rock Talk continues pock Rose and joins us. Just before 466 00:23:25,880 --> 00:23:29,520 Speaker 3: too someone said, did the band Crow come out of 467 00:23:29,560 --> 00:23:30,200 Speaker 3: South forty? 468 00:23:30,240 --> 00:23:32,200 Speaker 1: They did? Indeed they were. They were. 469 00:23:32,480 --> 00:23:36,320 Speaker 3: Crow was formed in nineteen sixty seven by Wagner guitarist 470 00:23:36,400 --> 00:23:40,640 Speaker 3: Dick wygand his brother bass player Larry. Somebody Else's emailed 471 00:23:40,640 --> 00:23:42,719 Speaker 3: and said, Hey, I used to know those guys. They 472 00:23:42,760 --> 00:23:45,639 Speaker 3: lived The Ligands live right in Richfield, right down on me. 473 00:23:45,640 --> 00:23:47,280 Speaker 3: A lot of music dudes come out of that era. 474 00:23:48,000 --> 00:23:52,399 Speaker 3: Keyboardist Kink Middlemist and drummer Henry Nels. They played a 475 00:23:52,560 --> 00:23:55,800 Speaker 3: celth forty and then they changed their name eventually to Crow. 476 00:23:55,960 --> 00:23:58,520 Speaker 6: A lot of people lack perspective on why the Beatles 477 00:23:58,520 --> 00:24:00,479 Speaker 6: matter as much as they do and why they're so important, 478 00:24:00,520 --> 00:24:02,520 Speaker 6: and they were hardly the only rock and roll band, 479 00:24:02,880 --> 00:24:05,440 Speaker 6: but they were a band that reached literally every listening 480 00:24:05,520 --> 00:24:09,119 Speaker 6: ear in the Western world, and half the teenagers who 481 00:24:09,200 --> 00:24:11,480 Speaker 6: heard them fell in love with the music. The other 482 00:24:11,520 --> 00:24:14,240 Speaker 6: half said, I can do that, and they decided to form. 483 00:24:14,320 --> 00:24:17,240 Speaker 6: And nobody launched more bands than the Beatles. And so 484 00:24:17,400 --> 00:24:21,199 Speaker 6: this proliferation, this explosion not just among American teenagers, but 485 00:24:21,440 --> 00:24:25,359 Speaker 6: in South America, all across Europe everywhere. People were like, 486 00:24:25,440 --> 00:24:26,960 Speaker 6: I can do this. And so if you go back 487 00:24:27,000 --> 00:24:29,720 Speaker 6: and start doing some research on these little one off 488 00:24:29,960 --> 00:24:32,920 Speaker 6: or just a few singles type garage bands of the era, 489 00:24:33,520 --> 00:24:37,000 Speaker 6: there it's innumerable. You can never listen to all of them. 490 00:24:37,040 --> 00:24:39,359 Speaker 6: And they all have that free wheeling spirit of the 491 00:24:39,400 --> 00:24:42,000 Speaker 6: sixties garage act because there's nothing at stake, You've got 492 00:24:42,000 --> 00:24:43,840 Speaker 6: nothing to lose. Let's rock and roll and see what 493 00:24:43,880 --> 00:24:46,720 Speaker 6: we can do. And it's some of it's just brilliantly 494 00:24:46,760 --> 00:24:47,960 Speaker 6: fascinating and really good. 495 00:24:48,119 --> 00:24:50,640 Speaker 3: Stack the Marshall Amps as high as a camp. Let's 496 00:24:50,680 --> 00:24:53,040 Speaker 3: do this thing, like I told you, the garage band thing. 497 00:24:53,200 --> 00:24:55,640 Speaker 3: It's it's literally that's what they were. My brother who 498 00:24:55,640 --> 00:24:57,760 Speaker 3: played in bands forever. Of course, you would go to 499 00:24:57,760 --> 00:25:00,280 Speaker 3: a guy who had a garage, and you'd set up 500 00:25:00,280 --> 00:25:02,199 Speaker 3: your equipment in the garage. You play much of the 501 00:25:02,200 --> 00:25:04,000 Speaker 3: sugarin of some of the neighbors. 502 00:25:03,720 --> 00:25:05,520 Speaker 6: Or the people who lived there, who are like you 503 00:25:05,600 --> 00:25:07,800 Speaker 6: can't have your friends leave their drum kits set up, 504 00:25:07,800 --> 00:25:09,520 Speaker 6: and I need to park my car in there. 505 00:25:09,680 --> 00:25:10,080 Speaker 1: Exactly. 506 00:25:10,280 --> 00:25:13,199 Speaker 6: Huh, you're also the grum reaper. I am what do 507 00:25:13,200 --> 00:25:15,359 Speaker 6: you have for angel of death? Here to report that 508 00:25:15,400 --> 00:25:18,520 Speaker 6: we have lost a good one? American singer songwriter Chip 509 00:25:18,560 --> 00:25:20,720 Speaker 6: Taylor dead at the age of eighty six. Now, when 510 00:25:20,720 --> 00:25:22,800 Speaker 6: I heard the name Chip Taylor, I didn't know who 511 00:25:22,880 --> 00:25:25,000 Speaker 6: that was. I'm guessing you don't know who Chip Taylor is. 512 00:25:25,440 --> 00:25:27,840 Speaker 6: I promise you you know his music. So Chip Taylor 513 00:25:27,880 --> 00:25:30,840 Speaker 6: comes out of New York White Plains and he is 514 00:25:30,880 --> 00:25:33,879 Speaker 6: growing up and going to college, and before he decides 515 00:25:33,960 --> 00:25:35,800 Speaker 6: to get into the music industry, which is something his 516 00:25:35,840 --> 00:25:37,800 Speaker 6: father had done. He'd wanted to carve his own path. 517 00:25:38,560 --> 00:25:40,760 Speaker 6: Guess what he wanted to do, And he tried and 518 00:25:40,760 --> 00:25:43,000 Speaker 6: it didn't work out. So he ended up relenting and 519 00:25:43,040 --> 00:25:46,280 Speaker 6: going into the music business. No but close. He wanted 520 00:25:46,320 --> 00:25:50,040 Speaker 6: to be a professional golfer. Oh washed out. Turns out 521 00:25:50,160 --> 00:25:53,000 Speaker 6: that Apparently it is a little harder than it looks, unless, 522 00:25:53,040 --> 00:25:55,280 Speaker 6: of course, you are the common man who does a 523 00:25:55,320 --> 00:25:59,000 Speaker 6: better short game than what percentage of the players putters. 524 00:26:00,960 --> 00:26:02,479 Speaker 1: Better than them. 525 00:26:02,520 --> 00:26:04,439 Speaker 3: Ten tob Is had an experience that's not unlike that 526 00:26:04,480 --> 00:26:06,560 Speaker 3: of a PGA tour player, according to Paul Charge, because 527 00:26:06,600 --> 00:26:07,720 Speaker 3: they shot seventy. 528 00:26:07,320 --> 00:26:10,760 Speaker 6: Film time well nicely, Doug Tenna very good. 529 00:26:10,520 --> 00:26:12,119 Speaker 1: Well. 530 00:26:12,240 --> 00:26:14,959 Speaker 6: Chip Taylor goes into the music industry, tries to make 531 00:26:14,960 --> 00:26:17,159 Speaker 6: it as a singer songwriter, and it's not really. 532 00:26:17,560 --> 00:26:18,879 Speaker 1: It just doesn't happen for everybody. 533 00:26:18,960 --> 00:26:20,480 Speaker 6: Right, He's out there, he's laying it on the line, 534 00:26:20,480 --> 00:26:22,920 Speaker 6: he's in the in the music room every day, laying 535 00:26:22,920 --> 00:26:25,520 Speaker 6: it on the line, and he just didn't happen for him, 536 00:26:25,560 --> 00:26:28,200 Speaker 6: like it doesn't for the vast majority. However, he kept 537 00:26:28,200 --> 00:26:30,000 Speaker 6: at it, and he kept writing songs, and he met 538 00:26:30,000 --> 00:26:33,679 Speaker 6: other songwriters and got into the songwriting publishing world. His 539 00:26:33,840 --> 00:26:37,200 Speaker 6: very first big hit was a little jam called wild Thing, 540 00:26:37,359 --> 00:26:39,920 Speaker 6: which was taken to number one by the Trogs. 541 00:26:40,080 --> 00:26:42,399 Speaker 1: Yeah, the lead singer. 542 00:26:42,560 --> 00:26:44,639 Speaker 6: A lot of other people covered that song, but the 543 00:26:44,680 --> 00:26:47,639 Speaker 6: Trogs took it to number one. Suddenly he's making mailbox 544 00:26:47,680 --> 00:26:50,280 Speaker 6: money and is a known name and people start coming 545 00:26:50,280 --> 00:26:52,440 Speaker 6: to him, and he would have one other massive hit 546 00:26:52,480 --> 00:26:54,440 Speaker 6: that was first recorded in the sixties by a couple 547 00:26:54,520 --> 00:26:57,080 Speaker 6: of artists to some acclaim. But then in the eighties, 548 00:26:57,119 --> 00:27:00,359 Speaker 6: none other than Juice Newton would cover a Angel of 549 00:27:00,359 --> 00:27:00,800 Speaker 6: the Morning. 550 00:27:01,000 --> 00:27:02,080 Speaker 1: He didn't write that. 551 00:27:02,320 --> 00:27:05,240 Speaker 6: The guy who wrote wild Thing also wrote Angel of 552 00:27:05,320 --> 00:27:07,399 Speaker 6: the Morning again. Chip Taylor dead at the age of 553 00:27:07,440 --> 00:27:10,000 Speaker 6: eighty six. No cause of death has been released. But 554 00:27:10,040 --> 00:27:11,440 Speaker 6: he would go on to write a bunch of other 555 00:27:11,520 --> 00:27:14,240 Speaker 6: songs that most of us haven't heard of, but you'd 556 00:27:14,240 --> 00:27:18,320 Speaker 6: be performing his music would be performed by a wild 557 00:27:18,600 --> 00:27:22,320 Speaker 6: array of different artists over the years, Your Linda Ronstads, 558 00:27:22,359 --> 00:27:25,560 Speaker 6: your Marshall Crenshaw's, all kinds of people. But really, the 559 00:27:25,600 --> 00:27:28,120 Speaker 6: two big ones that he wrote that probably kept Mailbox 560 00:27:28,200 --> 00:27:31,399 Speaker 6: might still be making Mailbox money. Wild Thing and Angel 561 00:27:31,400 --> 00:27:31,879 Speaker 6: of the Morning. 562 00:27:32,600 --> 00:27:34,639 Speaker 1: May he rest in peace. May he rest in peace. 563 00:27:34,720 --> 00:27:38,439 Speaker 3: Now we've talked about I think this British singer's name 564 00:27:38,480 --> 00:27:40,320 Speaker 3: has come up on the show before Morrissey. 565 00:27:40,560 --> 00:27:42,920 Speaker 1: Oh huh, the latest with Morrissey. 566 00:27:42,960 --> 00:27:44,760 Speaker 6: Now, no, I haven't seen the latest, but I can 567 00:27:44,800 --> 00:27:48,160 Speaker 6: only imagine because his story is so ludicrous all the time, 568 00:27:48,200 --> 00:27:50,800 Speaker 6: and it only seems to be getting more outlandish. 569 00:27:50,840 --> 00:27:52,680 Speaker 1: What do you got for a couple of weeks ago? Okay? 570 00:27:52,720 --> 00:27:56,240 Speaker 3: British singer Morrissey has canceled a concert in Valencia after 571 00:27:56,280 --> 00:27:59,920 Speaker 3: being left sleep deprived, of course, during the city's Notori 572 00:28:00,440 --> 00:28:05,800 Speaker 3: Noisy Los Falla's festival. Statement's website set have been traveled 573 00:28:05,800 --> 00:28:08,199 Speaker 3: for two days by road. Morrissey reached the hotel in 574 00:28:08,240 --> 00:28:11,200 Speaker 3: Valencia late on Wednesday. Any form of sleep arrests throughout 575 00:28:11,200 --> 00:28:14,320 Speaker 3: the night was impossible due to festival noise, loud techno 576 00:28:14,400 --> 00:28:17,920 Speaker 3: singing and megaphone announcements. The statement went on to say 577 00:28:17,960 --> 00:28:21,160 Speaker 3: that this experience has left Morrissey in a catatonic station. 578 00:28:21,320 --> 00:28:24,320 Speaker 1: Oh my god, I bet he would not be performing 579 00:28:24,400 --> 00:28:25,040 Speaker 1: because of it. 580 00:28:25,200 --> 00:28:28,960 Speaker 6: Even in the eighties he was an insufferable fop. I 581 00:28:29,080 --> 00:28:31,200 Speaker 6: just I can't stand the dude, that's what you told me. 582 00:28:31,400 --> 00:28:33,639 Speaker 6: And as he has gotten throughout the years, you know, 583 00:28:33,680 --> 00:28:36,400 Speaker 6: he was very notorious even early on. In fact, their 584 00:28:36,400 --> 00:28:38,600 Speaker 6: most famous album is called The Smiths. The band he 585 00:28:38,640 --> 00:28:41,160 Speaker 6: was in originally is called Meeta His Murder. So he's 586 00:28:41,200 --> 00:28:45,760 Speaker 6: always been a very outspoken vegetarian, possibly vegan, I'm not sure, 587 00:28:46,280 --> 00:28:49,320 Speaker 6: but there have been incidents where at major festivals where 588 00:28:49,360 --> 00:28:51,720 Speaker 6: he's getting a five figure check to show up and play, 589 00:28:51,760 --> 00:28:55,520 Speaker 6: maybe a six figure check. In some cases he has 590 00:28:55,720 --> 00:28:59,480 Speaker 6: canceled or forced nearby food trucks near the stage to 591 00:28:59,520 --> 00:29:02,000 Speaker 6: close down if they were cooking meat. Yeah, that's in 592 00:29:02,040 --> 00:29:04,760 Speaker 6: this story because of course it is, because he has 593 00:29:04,840 --> 00:29:08,320 Speaker 6: a way of generating drama where there need be none, 594 00:29:08,680 --> 00:29:11,040 Speaker 6: but canceling a show because I couldn't get any rest. 595 00:29:11,360 --> 00:29:14,400 Speaker 6: It's rock and rolled, Morrissey, Get out there and play 596 00:29:14,400 --> 00:29:16,720 Speaker 6: the song. These people have been looking forward to seeing 597 00:29:16,720 --> 00:29:19,760 Speaker 6: you for months. They've paid a lot of money for tickets, 598 00:29:20,000 --> 00:29:22,040 Speaker 6: and you're too sleepy to go out and do your show. 599 00:29:22,200 --> 00:29:25,440 Speaker 6: Unacceptable and very very on brand for Morrissey. 600 00:29:25,520 --> 00:29:29,760 Speaker 3: He canceled a another showback on four because of technical 601 00:29:29,800 --> 00:29:31,800 Speaker 3: difficulties with this private aeroplane. 602 00:29:31,880 --> 00:29:33,480 Speaker 1: Of course he had had technical difficulty. 603 00:29:33,800 --> 00:29:35,880 Speaker 3: In twenty fourteen, he canceled again, this time and war 604 00:29:36,000 --> 00:29:38,400 Speaker 3: saw twenty five minutes into his performance, complaining not a 605 00:29:38,440 --> 00:29:40,560 Speaker 3: spectator shouted something extremely. 606 00:29:40,120 --> 00:29:42,080 Speaker 1: Offensive, unbelieved, so we left the stage. 607 00:29:42,440 --> 00:29:44,680 Speaker 3: A year later, he refused to perform at a festival 608 00:29:44,720 --> 00:29:48,400 Speaker 3: in ray Gibbeck after the organizer's denied his requests had 609 00:29:48,440 --> 00:29:49,880 Speaker 3: no meat be served during the advent. 610 00:29:50,000 --> 00:29:53,160 Speaker 6: Exactly again here, And there's nothing wrong with being a 611 00:29:53,240 --> 00:29:55,560 Speaker 6: vegetarian if that's the choice you make. But that's a 612 00:29:55,560 --> 00:29:57,680 Speaker 6: personal choice, right, you don't get to inflict it on 613 00:29:57,720 --> 00:30:01,720 Speaker 6: the world. And he's just he's notorious difficult cancel shows 614 00:30:01,720 --> 00:30:04,200 Speaker 6: at the drop of a hat for what appearingly apparently 615 00:30:04,240 --> 00:30:07,920 Speaker 6: sometimes are just ludicrous. Someone said an offensive thing from 616 00:30:07,960 --> 00:30:11,800 Speaker 6: the audience. Are you familiar with the phrase from the Oh, 617 00:30:11,800 --> 00:30:14,160 Speaker 6: I'm sure it goes back even further than kitten kaboodle. 618 00:30:14,200 --> 00:30:16,440 Speaker 6: Are you familiar with the phrase sticks and stones? 619 00:30:18,000 --> 00:30:20,360 Speaker 1: Yes, I'm very familiar. Yeah, So names will never heart age. 620 00:30:20,440 --> 00:30:23,320 Speaker 6: Just so, this kind of guy, he's in it for 621 00:30:23,400 --> 00:30:25,440 Speaker 6: the drama as much as the music. And he did 622 00:30:25,480 --> 00:30:27,200 Speaker 6: just put a new album out a few weeks ago, 623 00:30:27,320 --> 00:30:29,560 Speaker 6: and I couldn't care less haven't heard a song off 624 00:30:29,560 --> 00:30:31,360 Speaker 6: it that have zero intention of pursuing one. 625 00:30:31,400 --> 00:30:31,880 Speaker 1: Well, that's what he. 626 00:30:31,880 --> 00:30:34,480 Speaker 3: Says the twenty one Concerts book this year to promote 627 00:30:34,520 --> 00:30:38,400 Speaker 3: his new album. Yeah, Makeup is a lie five in 628 00:30:38,520 --> 00:30:41,840 Speaker 3: Sandy five in San Diego, Sigos, Atlanta. The Dominican Republican 629 00:30:41,880 --> 00:30:44,600 Speaker 3: Saints Peter have been already been canceled in one and 630 00:30:44,720 --> 00:30:46,760 Speaker 3: random mirage has been postponed. 631 00:30:47,080 --> 00:30:49,240 Speaker 1: The fanzine whatever that is like. 632 00:30:49,200 --> 00:30:51,760 Speaker 6: A fanzines like a magazine. Back in the eighties before 633 00:30:51,800 --> 00:30:54,120 Speaker 6: the Internet, people would put together like they were real 634 00:30:54,200 --> 00:30:56,800 Speaker 6: DIY and punk rock. They'd put together fanz eineness. They 635 00:30:56,800 --> 00:30:58,560 Speaker 6: would talk about all the punk rock bands and where 636 00:30:58,560 --> 00:31:00,320 Speaker 6: the shows are going to be, and so would be 637 00:31:00,360 --> 00:31:03,360 Speaker 6: a fanzine's probably specifically about morris So this one. 638 00:31:03,240 --> 00:31:05,719 Speaker 1: Was called we Heart Music. That's for the iHeart thing. 639 00:31:06,240 --> 00:31:09,640 Speaker 3: Fanzine's site we heart Music calculates that over the course 640 00:31:09,640 --> 00:31:12,920 Speaker 3: of his career, including his time with the Smiths before 641 00:31:12,920 --> 00:31:16,880 Speaker 3: going solo, the singer has canceled more than four hundred shows, 642 00:31:16,880 --> 00:31:19,240 Speaker 3: including almost half of the last one hundred. 643 00:31:19,480 --> 00:31:22,400 Speaker 6: Honest to god, just I mean, there's nothing you need 644 00:31:22,440 --> 00:31:25,520 Speaker 6: to say about that. The evidence that he is who 645 00:31:25,560 --> 00:31:28,160 Speaker 6: we thought he was. Okay, it's Morrissey. I'm not at 646 00:31:28,160 --> 00:31:31,320 Speaker 6: all surprised. I'm not even kind of shocked. It's so 647 00:31:31,560 --> 00:31:35,280 Speaker 6: on brand for who he is. And granted the Smiths 648 00:31:35,320 --> 00:31:38,560 Speaker 6: were seminal and some early. Morrissey is pretty important in 649 00:31:38,600 --> 00:31:41,480 Speaker 6: the development of alternative music, but he hasn't written a 650 00:31:41,520 --> 00:31:44,240 Speaker 6: song worth listening to in the last thirty plus years, 651 00:31:45,080 --> 00:31:47,440 Speaker 6: it's over man, And I don't know. And I get 652 00:31:47,520 --> 00:31:49,320 Speaker 6: people love what they love, right, and you don't get 653 00:31:49,360 --> 00:31:51,360 Speaker 6: to pick what you love. And I understand having reverence 654 00:31:51,400 --> 00:31:53,720 Speaker 6: for him, but just too difficult. I don't want to 655 00:31:53,720 --> 00:31:55,400 Speaker 6: go to a show and have it be canceled twenty 656 00:31:55,440 --> 00:31:57,360 Speaker 6: minutes in or find out the night before it's going 657 00:31:57,440 --> 00:31:58,040 Speaker 6: to be canceled. 658 00:31:58,080 --> 00:31:59,520 Speaker 1: That must be exhausting. 659 00:31:59,560 --> 00:32:03,040 Speaker 3: Being more the story that I'd say for a few 660 00:32:03,080 --> 00:32:05,360 Speaker 3: weeks that I kept forgetting to get to where kend 661 00:32:05,440 --> 00:32:06,040 Speaker 3: Ryan out of time. 662 00:32:06,120 --> 00:32:08,960 Speaker 1: But Journey is coming back and they say it's going 663 00:32:09,000 --> 00:32:10,160 Speaker 1: to be one of those last concerts. 664 00:32:10,280 --> 00:32:15,560 Speaker 3: Of course farewell they and and who's guitar player, Guy Neil. 665 00:32:16,680 --> 00:32:20,680 Speaker 3: He apparently said, and we think Steve Perry's going to 666 00:32:20,760 --> 00:32:24,080 Speaker 3: come back. Really Harry came back and said that's I'm 667 00:32:24,120 --> 00:32:26,920 Speaker 3: not going to do it, and you know, because he's 668 00:32:26,960 --> 00:32:29,720 Speaker 3: moved on to bigger. But my question for us, I wonder, 669 00:32:29,880 --> 00:32:33,400 Speaker 3: why what is the most you know, it's like, I'm 670 00:32:33,400 --> 00:32:36,240 Speaker 3: not does he really owe it to his fans? 671 00:32:36,320 --> 00:32:40,040 Speaker 1: But when you've built your career mostly on Journey and 672 00:32:40,160 --> 00:32:40,680 Speaker 1: he's had. 673 00:32:40,520 --> 00:32:42,480 Speaker 3: A lot of success, you know, and you know as 674 00:32:42,520 --> 00:32:44,360 Speaker 3: a as a as as a soul, but nothing like 675 00:32:44,440 --> 00:32:45,320 Speaker 3: his journey success. 676 00:32:45,440 --> 00:32:46,600 Speaker 1: Journey is what made him right. 677 00:32:46,960 --> 00:32:48,600 Speaker 3: And then you say it's going to be, you know, 678 00:32:48,800 --> 00:32:51,640 Speaker 3: allegedly the one last time they'd like to welcome you 679 00:32:51,760 --> 00:32:54,200 Speaker 3: back when you for your fans. I mean, I don't 680 00:32:54,280 --> 00:32:56,560 Speaker 3: think it's incumbent upon him to do it, but I 681 00:32:56,760 --> 00:33:00,360 Speaker 3: just feel like it's like, why can't I guess he 682 00:33:00,440 --> 00:33:02,080 Speaker 3: just doesn't want to. Why can't you go on tour 683 00:33:02,200 --> 00:33:04,960 Speaker 3: for ten dates, twenty dates, you know, and just say 684 00:33:05,240 --> 00:33:05,680 Speaker 3: let's do it. 685 00:33:05,760 --> 00:33:08,360 Speaker 1: One last time, give the fans. But you would think 686 00:33:08,400 --> 00:33:09,280 Speaker 1: he would just want to do it. 687 00:33:09,440 --> 00:33:11,200 Speaker 3: They say the same thing though about Robert Plant and 688 00:33:11,240 --> 00:33:13,320 Speaker 3: led Zeppelin too, Why doesn't he wanted it? And I 689 00:33:13,360 --> 00:33:16,840 Speaker 3: always wonder And so my question is, I don't think 690 00:33:16,880 --> 00:33:19,400 Speaker 3: they really owe it to their fan base, but do 691 00:33:19,560 --> 00:33:20,880 Speaker 3: they sort of kind of or not. 692 00:33:21,160 --> 00:33:23,880 Speaker 6: It's you know, there are so many different attitudes, and 693 00:33:23,920 --> 00:33:26,760 Speaker 6: the musicians are artists, right, and artists are by very 694 00:33:26,880 --> 00:33:30,600 Speaker 6: nature not like regular people. They are temperamental. In some cases, 695 00:33:30,640 --> 00:33:35,440 Speaker 6: where you have earned worldwide accolades and outrageous amounts of 696 00:33:35,560 --> 00:33:38,800 Speaker 6: personal fortune due to what you've done, there's no way 697 00:33:38,840 --> 00:33:41,000 Speaker 6: that that can't make your ego a little bit bigger. 698 00:33:41,120 --> 00:33:44,440 Speaker 3: Maybe if you cancel every other concert exactly, thank you 699 00:33:44,560 --> 00:33:47,640 Speaker 3: common for nice circling back there. 700 00:33:48,480 --> 00:33:51,560 Speaker 6: Callback that's what I was looking for. So there's going 701 00:33:51,600 --> 00:33:53,840 Speaker 6: to be ego involved no matter what, right, especially when 702 00:33:53,880 --> 00:33:56,800 Speaker 6: we're talking about decades long careers, all the accolades from 703 00:33:56,840 --> 00:34:00,240 Speaker 6: the fans. Journey is part of the still beating heart 704 00:34:00,320 --> 00:34:02,080 Speaker 6: of many people who were my age. When I was 705 00:34:02,120 --> 00:34:05,560 Speaker 6: a teenager, you heard Journey everywhere all the time, So 706 00:34:05,680 --> 00:34:09,279 Speaker 6: I think ego plays into it also sometimes, I mean, 707 00:34:09,360 --> 00:34:11,480 Speaker 6: and maybe there was such acrimony that you're like, I 708 00:34:11,600 --> 00:34:13,560 Speaker 6: will never even look at that person again. I'll there 709 00:34:13,719 --> 00:34:16,120 Speaker 6: be But even then, for the fans, you might rise 710 00:34:16,160 --> 00:34:18,360 Speaker 6: above to do it right. But then also, and I 711 00:34:18,440 --> 00:34:20,279 Speaker 6: think this is the case in Robert Plant. I can't 712 00:34:20,280 --> 00:34:22,160 Speaker 6: speak to Steve Perry. I don't know enough about him, 713 00:34:22,160 --> 00:34:24,799 Speaker 6: but everything I've ever seen about Plant, I don't think 714 00:34:24,840 --> 00:34:27,480 Speaker 6: it's acrimony. I don't think it's hatred. I think that 715 00:34:27,600 --> 00:34:30,320 Speaker 6: he genuinely, as an artist, believed that he has moved on. 716 00:34:30,480 --> 00:34:33,600 Speaker 6: Like led Zeppelin was important, it was foundational, it made 717 00:34:33,719 --> 00:34:36,200 Speaker 6: his name and who he was, and man if people 718 00:34:36,239 --> 00:34:38,759 Speaker 6: have not seen that becoming led Zeppelin documentary. It's a 719 00:34:38,840 --> 00:34:43,279 Speaker 6: short watch and it is fascinating, but that he's then 720 00:34:43,400 --> 00:34:45,560 Speaker 6: since moved on to do these other things, and I 721 00:34:45,640 --> 00:34:48,000 Speaker 6: think he really thinks of himself as Robert Plant the 722 00:34:48,080 --> 00:34:50,520 Speaker 6: solo artist. Some bands do, they're like, you know what 723 00:34:50,680 --> 00:34:52,640 Speaker 6: if this is the last hurrah, let's give the people 724 00:34:52,719 --> 00:34:53,400 Speaker 6: what they want. 725 00:34:53,360 --> 00:34:56,560 Speaker 3: Right, And he's got it. He's teamed up with Alison Kraus, right, 726 00:34:56,880 --> 00:35:00,879 Speaker 3: they're doing it. Yes, often they are a duo. 727 00:35:00,960 --> 00:35:02,880 Speaker 6: Yeah, I mean Alison still does tons of other stuff, 728 00:35:02,960 --> 00:35:05,879 Speaker 6: but yeah, no, their efforts as a duo are really 729 00:35:05,920 --> 00:35:08,000 Speaker 6: what have been his primary I think bread and Butter 730 00:35:08,080 --> 00:35:10,839 Speaker 6: for the last time, obviously still probably cashing. 731 00:35:10,600 --> 00:35:13,560 Speaker 1: Some decent checks from the led zeppelindees Tennebe Are You 732 00:35:13,680 --> 00:35:22,640 Speaker 1: Ready Always Rock R Rockline Rock R Rock Ran Rock 733 00:35:22,800 --> 00:35:26,560 Speaker 1: Ran Rock Right Rock Rock Rank. 734 00:35:26,880 --> 00:35:28,800 Speaker 2: A couple of weeks ago, we did your top five 735 00:35:29,120 --> 00:35:32,560 Speaker 2: bands or artists that have geography in their names. So 736 00:35:32,640 --> 00:35:34,960 Speaker 2: we're going to just continue with the geography theme, but 737 00:35:34,960 --> 00:35:36,640 Speaker 2: we're gonna have the songs and have a lot more options. 738 00:35:36,719 --> 00:35:39,520 Speaker 2: Now with so many options, this was your top five 739 00:35:39,640 --> 00:35:43,040 Speaker 2: songs with geography in the title. I want to start 740 00:35:43,080 --> 00:35:46,960 Speaker 2: out with apologies to you Tenna, because there are some 741 00:35:47,160 --> 00:35:49,279 Speaker 2: that you would absolutely put in here that I could 742 00:35:49,320 --> 00:35:52,640 Speaker 2: not crack into my top five. So honorable mentions going 743 00:35:52,719 --> 00:35:57,640 Speaker 2: to Weezer, Islands in the Sun, TLC. Waterfalls, and probably 744 00:35:57,719 --> 00:36:00,400 Speaker 2: your favorite would be Rainbow's Man on the Silver Mountain. 745 00:36:00,719 --> 00:36:02,160 Speaker 1: Uh huh. 746 00:36:02,320 --> 00:36:04,680 Speaker 3: You thought we were going to do like cities in 747 00:36:04,680 --> 00:36:09,520 Speaker 3: the town. That's what I was thinking of Chicago. Then 748 00:36:09,560 --> 00:36:11,240 Speaker 3: you should have said city names, Alforn. 749 00:36:12,120 --> 00:36:16,960 Speaker 6: No, there's not a single sitt from Alabama. Geography generally 750 00:36:17,280 --> 00:36:20,600 Speaker 6: means geographical features. If you'd said city names, we could 751 00:36:20,640 --> 00:36:22,960 Speaker 6: have done that. In all these countries are continents. Yeah, no, 752 00:36:23,160 --> 00:36:25,239 Speaker 6: what I've gotten? No, No that that next time I 753 00:36:25,280 --> 00:36:30,879 Speaker 6: went with geogeographical features, so things like hills, rivers, deserts, wastelands, 754 00:36:30,960 --> 00:36:31,520 Speaker 6: that kind of thing. 755 00:36:31,640 --> 00:36:33,879 Speaker 1: Well, that's it. Then my favorite of all time, without question, 756 00:36:34,000 --> 00:36:35,920 Speaker 1: number one with with with a Bullet. 757 00:36:35,640 --> 00:36:37,600 Speaker 3: As they used to say in the radio businesses, or 758 00:36:37,719 --> 00:36:40,160 Speaker 3: the Hills and Far Away by led Zeppelin, which is 759 00:36:40,200 --> 00:36:41,520 Speaker 3: my favorite led Zeppelin songs. 760 00:36:41,719 --> 00:36:43,640 Speaker 6: It's a genius one. They also have one that would 761 00:36:43,680 --> 00:36:46,879 Speaker 6: qualify called The Ocean, which is absolutely brilliant. But I'm 762 00:36:46,880 --> 00:36:49,800 Speaker 6: guessing your number one. You think it's led Zeppelin, but 763 00:36:49,920 --> 00:36:52,120 Speaker 6: it's probably not. It's my number four on my list, 764 00:36:52,160 --> 00:36:54,120 Speaker 6: so let's four. Let's let's dive into my life. 765 00:36:54,600 --> 00:36:58,320 Speaker 3: So well, let's let's do cities and countries and towns 766 00:36:58,320 --> 00:36:58,800 Speaker 3: and stuff like that. 767 00:37:02,680 --> 00:37:06,279 Speaker 1: It's so fun. I thought were gonna get California, dreaming California. 768 00:37:06,360 --> 00:37:09,600 Speaker 6: If we're talking about But then there are so many 769 00:37:10,040 --> 00:37:11,239 Speaker 6: we should break it into two. 770 00:37:11,560 --> 00:37:13,799 Speaker 1: At the cities, one is states. How do you feel 771 00:37:13,800 --> 00:37:17,239 Speaker 1: about that? North American cities? Okay, well we can worry 772 00:37:17,280 --> 00:37:19,080 Speaker 1: about that. After we just o cities. Galaxy. 773 00:37:19,200 --> 00:37:23,279 Speaker 6: After that, Oh, nice planets, solar structures, there's enough of 774 00:37:23,320 --> 00:37:26,160 Speaker 6: those as well planetary bodies. Today it's going to be 775 00:37:26,280 --> 00:37:30,560 Speaker 6: actual topographyological features. And at number five a song that 776 00:37:30,760 --> 00:37:33,839 Speaker 6: I remember very well from my coming of age days, 777 00:37:34,160 --> 00:37:36,640 Speaker 6: and anybody who spent any time and watched even part 778 00:37:36,680 --> 00:37:39,920 Speaker 6: of one episode of season four of Stranger Things knows 779 00:37:40,280 --> 00:37:44,239 Speaker 6: very very well, very unique iconic British female singer Kate 780 00:37:44,320 --> 00:37:47,080 Speaker 6: Bush with running up that Hill at number five. 781 00:37:47,760 --> 00:37:49,759 Speaker 1: Running at that Hill, let me ask you this, No, no, 782 00:37:50,560 --> 00:37:54,279 Speaker 1: my career. Do you guys not watch Stranger Things? 783 00:37:54,320 --> 00:37:54,360 Speaker 4: No? 784 00:37:54,520 --> 00:37:54,920 Speaker 1: I never know. 785 00:37:55,480 --> 00:37:58,720 Speaker 6: Well, literally, the beating heart, the soul of entire season 786 00:37:58,840 --> 00:38:01,080 Speaker 6: four is Kate Bushes running up that hill. 787 00:38:01,120 --> 00:38:03,480 Speaker 1: In fact, it saves Young Sam's like it'd be man 788 00:38:04,239 --> 00:38:06,759 Speaker 1: made geographical. 789 00:38:06,840 --> 00:38:09,920 Speaker 3: Those technically are it's not today, but it can be 790 00:38:09,960 --> 00:38:11,240 Speaker 3: because mine would be roundabout. 791 00:38:11,560 --> 00:38:16,080 Speaker 1: Oh yes, that would technically that qualified. That's another category 792 00:38:16,120 --> 00:38:17,200 Speaker 1: we'll do in five weeks from now. 793 00:38:17,560 --> 00:38:20,360 Speaker 6: Let me tell you about the number four song on 794 00:38:20,440 --> 00:38:22,440 Speaker 6: my list, and I guarantee you is the number one 795 00:38:22,480 --> 00:38:23,120 Speaker 6: song on your list. 796 00:38:23,160 --> 00:38:24,960 Speaker 1: In fact, I know it in my heart of hearts. 797 00:38:25,320 --> 00:38:25,719 Speaker 1: Look at you. 798 00:38:25,840 --> 00:38:31,040 Speaker 6: I love that You're okay? Number four the Beatles Strawberry Fields. Well, yeah, 799 00:38:31,120 --> 00:38:31,440 Speaker 6: that would be. 800 00:38:31,560 --> 00:38:32,120 Speaker 1: That's pretty good. 801 00:38:32,200 --> 00:38:34,719 Speaker 6: I mean that that would that would I was going 802 00:38:34,800 --> 00:38:36,279 Speaker 6: to say that that's going to be your number one 803 00:38:36,320 --> 00:38:39,960 Speaker 6: no matter what category. Yes, it's a field, strawberry fields, 804 00:38:40,000 --> 00:38:41,280 Speaker 6: it's a geographic location. 805 00:38:41,680 --> 00:38:43,800 Speaker 3: Do you think of it would have been like cantile 806 00:38:43,880 --> 00:38:45,960 Speaker 3: Lope Fields, for it wouldn't have worked as well. 807 00:38:46,480 --> 00:38:49,520 Speaker 6: No, but there is a song out there called Cantalope Island, 808 00:38:49,680 --> 00:38:52,879 Speaker 6: so really, oh yeah, that's would have worked. What Yeah, 809 00:38:53,640 --> 00:38:55,960 Speaker 6: there's a lot, there's a lot on there. Number three 810 00:38:56,160 --> 00:38:59,359 Speaker 6: as the British Gothic band Pop band, another eighties band 811 00:38:59,400 --> 00:39:02,080 Speaker 6: that was very, very very formative for me growing up 812 00:39:02,360 --> 00:39:04,680 Speaker 6: a British band by the Cure. You're familiar with The Cure, 813 00:39:04,920 --> 00:39:07,960 Speaker 6: just like Heaven. They have an early song called the Forest, 814 00:39:08,120 --> 00:39:10,879 Speaker 6: which is my single favorite song by the Cure. It's 815 00:39:10,960 --> 00:39:13,799 Speaker 6: called a Forest. It's spooky, it's gothic. It very much 816 00:39:13,840 --> 00:39:17,320 Speaker 6: evokes the sensation of being lost in a forest. And 817 00:39:17,520 --> 00:39:21,160 Speaker 6: if you're looking for good spooky woods out lost in 818 00:39:21,200 --> 00:39:24,120 Speaker 6: the woods kind of songs, a Forest is a great one. Okay, Yeah. 819 00:39:24,840 --> 00:39:28,200 Speaker 6: Number two, number two, Ike and Tina Turner. They had 820 00:39:28,239 --> 00:39:31,160 Speaker 6: many different phases of their career. Tina eventually broke parts 821 00:39:31,200 --> 00:39:33,400 Speaker 6: and she went off on her own. But when they 822 00:39:33,440 --> 00:39:35,080 Speaker 6: were Ike and Tina, and when they were at the 823 00:39:35,200 --> 00:39:37,440 Speaker 6: zenith of their powers, the shame Ike turned out to 824 00:39:37,520 --> 00:39:40,319 Speaker 6: be such a bad dude because he had some incredible 825 00:39:40,440 --> 00:39:42,960 Speaker 6: chops and really wrote some amazing music. And then you 826 00:39:43,040 --> 00:39:45,080 Speaker 6: pair that with Tina Turner, and then you put that 827 00:39:45,239 --> 00:39:49,319 Speaker 6: Phil Spector production on their River Deep Mountain High coming 828 00:39:49,360 --> 00:39:52,399 Speaker 6: into number two Ike and Tina Turner. It starts out 829 00:39:52,440 --> 00:39:55,920 Speaker 6: impossibly epic and only builds from there. It's a great, great. 830 00:39:55,800 --> 00:39:59,520 Speaker 1: Song, okay. And number one, number one, all right, well, 831 00:39:59,560 --> 00:40:00,879 Speaker 1: this one it hits close to home. 832 00:40:01,440 --> 00:40:04,560 Speaker 6: It is a song about the biggest open waterway, the 833 00:40:04,560 --> 00:40:07,600 Speaker 6: biggest river in the United States of America. And in 834 00:40:07,719 --> 00:40:10,960 Speaker 6: the opening verse it gets a name check. Our capital city, 835 00:40:11,000 --> 00:40:12,799 Speaker 6: Saint Paul, Minnesota, gets a name check. 836 00:40:13,760 --> 00:40:15,880 Speaker 1: Which one is it? It's not Mississippi Queen. I know 837 00:40:15,960 --> 00:40:16,640 Speaker 1: you were about to go. 838 00:40:17,320 --> 00:40:19,520 Speaker 6: You grabbed the mic like you were about to under 839 00:40:19,600 --> 00:40:23,240 Speaker 6: the day. You grabbed the mic like Chris Hockey grabs 840 00:40:23,280 --> 00:40:26,000 Speaker 6: the mic. You lunged in with the rock moves. Oh, 841 00:40:26,040 --> 00:40:28,960 Speaker 6: there's no way whatever song you're gonna say is better 842 00:40:29,000 --> 00:40:33,080 Speaker 6: than Mississippi. Johnny Cash's Big River. Absolutely, it's a better song. 843 00:40:33,280 --> 00:40:36,640 Speaker 6: Mississippi Queen is a great, great jam. But Big River 844 00:40:37,000 --> 00:40:39,480 Speaker 6: talks about how he met her in Saint Paul, Minnesota 845 00:40:39,560 --> 00:40:41,360 Speaker 6: and then he follows her all the way down that 846 00:40:41,520 --> 00:40:44,680 Speaker 6: big River. Trust me, as everyone out there that's got 847 00:40:44,719 --> 00:40:46,320 Speaker 6: a little free time where you're sitting around, put on 848 00:40:46,440 --> 00:40:49,319 Speaker 6: Johnny Cash's Big River and you'll be like, oh, yeah, 849 00:40:49,360 --> 00:40:49,920 Speaker 6: Oak was right. 850 00:40:50,560 --> 00:40:52,239 Speaker 1: Well I guess I could say that, But yes, it's 851 00:40:52,280 --> 00:40:54,839 Speaker 1: hard some honorable mentions. It didn't make it in here. 852 00:40:54,960 --> 00:40:58,319 Speaker 6: I've got Beatles, Fool on the Hill, led Upplin over 853 00:40:58,360 --> 00:40:59,799 Speaker 6: the Hills and far Away is at the very top 854 00:40:59,840 --> 00:41:02,920 Speaker 6: of my honorable mention Guns n' Roses, Welcome to the Jungle, 855 00:41:03,040 --> 00:41:04,160 Speaker 6: TLC Waterfalls. 856 00:41:04,160 --> 00:41:06,719 Speaker 1: As I mentioned, how about Bungle in the Jungle, I 857 00:41:06,800 --> 00:41:07,640 Speaker 1: didn't put that down. 858 00:41:07,719 --> 00:41:11,320 Speaker 6: That's another fine one right there about jungle boogie No jungle, 859 00:41:11,480 --> 00:41:14,160 Speaker 6: but oh another good We could do all jungle songs. Actually, 860 00:41:14,880 --> 00:41:17,760 Speaker 6: many rivers to cross by Jimmy Cliff, Dirk S. Bentley 861 00:41:17,880 --> 00:41:20,440 Speaker 6: somewhere on a beach for all you broke country fans 862 00:41:23,880 --> 00:41:28,480 Speaker 6: CCR Born on the Bayou CCR Green River, Donovan. There 863 00:41:28,560 --> 00:41:32,719 Speaker 6: is a mountain, Gorillas, Plastic Beach, Elvis, Presley, Island of Love, Granddaddy, 864 00:41:32,760 --> 00:41:35,520 Speaker 6: the Crystal Lake, Rush, the trees. I don't like rush, 865 00:41:35,600 --> 00:41:37,680 Speaker 6: but I know a lot of people really like them. 866 00:41:40,640 --> 00:41:42,880 Speaker 6: Here we go, and then I've got a bunch of 867 00:41:42,880 --> 00:41:45,800 Speaker 6: other little ones, but like sting Fields of Gold, Bruce Springs, 868 00:41:45,840 --> 00:41:49,279 Speaker 6: Stein with bad Lands. Yeah no, it's a great, great song. 869 00:41:49,440 --> 00:41:52,120 Speaker 6: So there's a million of them. So well, next time 870 00:41:52,160 --> 00:41:54,160 Speaker 6: I'll make sure to clarify. But next week, let's go 871 00:41:54,200 --> 00:41:57,080 Speaker 6: ahead and just do songs about cities. How do you 872 00:41:57,120 --> 00:41:59,040 Speaker 6: think about that? And then states a week. 873 00:41:59,000 --> 00:42:01,880 Speaker 2: After to American cities, because then we're gonna do like 874 00:42:01,880 --> 00:42:04,640 Speaker 2: an international Wow, okay, national one after that. 875 00:42:04,800 --> 00:42:05,360 Speaker 1: You know what this is. 876 00:42:05,640 --> 00:42:10,160 Speaker 6: This is rock talk musical travelogue is what we'll be 877 00:42:10,280 --> 00:42:11,440 Speaker 6: doing with our rock break. 878 00:42:11,280 --> 00:42:14,600 Speaker 1: Over the next We could do we could actually we 879 00:42:14,680 --> 00:42:14,960 Speaker 1: could do. 880 00:42:15,680 --> 00:42:18,640 Speaker 3: Here we go towns that are fifty thousand or less 881 00:42:18,719 --> 00:42:21,120 Speaker 3: one hundred thousand populations. 882 00:42:21,040 --> 00:42:24,880 Speaker 1: Market in media market, large market and major market. 883 00:42:25,000 --> 00:42:29,480 Speaker 3: Speaking of Rush, passage to Bangkok is such a great 884 00:42:29,560 --> 00:42:31,879 Speaker 3: there you go the entire I'm not a huge Rush 885 00:42:31,920 --> 00:42:34,040 Speaker 3: fan either, but that you know, you don't have to like. 886 00:42:34,160 --> 00:42:36,680 Speaker 1: Rush, but you do have to respect him. That's true. 887 00:42:36,719 --> 00:42:37,440 Speaker 1: I would agree with you. 888 00:42:37,640 --> 00:42:41,200 Speaker 3: It is considered one of the greatest. Certainly you could 889 00:42:41,239 --> 00:42:44,320 Speaker 3: say he was the best prog rock. 890 00:42:44,239 --> 00:42:46,320 Speaker 1: Drummer of all. I mean, he might be the greatest drummer, 891 00:42:46,840 --> 00:42:49,480 Speaker 1: one of the greatest. He certainly had the biggest kit. 892 00:42:49,960 --> 00:42:52,440 Speaker 1: Ye And now you know they're they're times. 893 00:42:53,480 --> 00:42:56,160 Speaker 3: They are starting another tour, right they And you know, 894 00:42:56,280 --> 00:42:58,359 Speaker 3: at first I think they said will never tour because 895 00:42:58,440 --> 00:43:00,040 Speaker 3: Neil and then avioudding us well. 896 00:43:00,160 --> 00:43:03,040 Speaker 1: Home Wow needs some money, Yeah, and there's nothing wrong 897 00:43:03,080 --> 00:43:03,239 Speaker 1: with that. 898 00:43:03,440 --> 00:43:06,000 Speaker 3: And last now it's it's I can't remember her name, 899 00:43:06,040 --> 00:43:07,240 Speaker 3: but they've got a gal drumming. 900 00:43:07,840 --> 00:43:10,040 Speaker 1: And what was interesting was I was reading a story 901 00:43:10,040 --> 00:43:11,160 Speaker 1: about it, and like they had. 902 00:43:11,080 --> 00:43:13,960 Speaker 3: Her comfort rehearsals, and after the first few times, it 903 00:43:14,120 --> 00:43:16,759 Speaker 3: was like a week's worth and they were thinking both 904 00:43:18,440 --> 00:43:22,600 Speaker 3: Getty Lee and what's guitar player's name? Oh life, Yeah, 905 00:43:22,880 --> 00:43:26,359 Speaker 3: and they basically were saying, it's ain't going to work. Yeah, 906 00:43:26,520 --> 00:43:28,759 Speaker 3: And then all of a sudden, on that last day, 907 00:43:29,880 --> 00:43:33,680 Speaker 3: something happened and she hit every beat exactly. 908 00:43:33,360 --> 00:43:35,600 Speaker 1: And they said, well, this is going to work. Okay. Yeah, 909 00:43:35,640 --> 00:43:39,640 Speaker 1: so she's but those are some mighty big drum kits 910 00:43:39,680 --> 00:43:41,799 Speaker 1: to fill. It's almost impossible. That's the thing. 911 00:43:42,400 --> 00:43:46,320 Speaker 6: She must be exquisite. She must be an absolute genius 912 00:43:46,440 --> 00:43:48,399 Speaker 6: and at the top of her game. Because again, I'm 913 00:43:48,400 --> 00:43:50,720 Speaker 6: not a rush guy, but you have to have respect 914 00:43:50,760 --> 00:43:52,640 Speaker 6: for all the musicians in there. It's like Steely Dan. 915 00:43:52,719 --> 00:43:55,680 Speaker 6: I can't stand Steely Dan, but you know that everyone 916 00:43:55,719 --> 00:43:57,080 Speaker 6: in there can play. You know what, they know what 917 00:43:57,120 --> 00:43:59,040 Speaker 6: they're doing when it comes to writing good songs and 918 00:43:59,080 --> 00:44:00,960 Speaker 6: consistent songs and endearing songs. 919 00:44:01,040 --> 00:44:03,239 Speaker 1: So yeah, I just did that. Good for them and 920 00:44:03,280 --> 00:44:04,399 Speaker 1: good for getting back on their own. 921 00:44:04,480 --> 00:44:08,960 Speaker 3: Passage to Bangkok is basically a song about they're looking 922 00:44:09,040 --> 00:44:10,759 Speaker 3: for the best marijuana they can find. 923 00:44:11,040 --> 00:44:14,200 Speaker 1: Want to travel all across every we're on our way 924 00:44:14,200 --> 00:44:14,440 Speaker 1: to bed. 925 00:44:14,680 --> 00:44:18,279 Speaker 3: We only stop for the best well, and they just 926 00:44:18,600 --> 00:44:20,399 Speaker 3: they're not going to stop if it's ditch weet. 927 00:44:20,520 --> 00:44:23,000 Speaker 6: Yeah, but if it's really good, we're in well. I mean, 928 00:44:23,040 --> 00:44:24,920 Speaker 6: you can get ditchweet here at home. The reason you 929 00:44:25,040 --> 00:44:26,799 Speaker 6: travel for it is you're looking for the good stuff. 930 00:44:26,880 --> 00:44:28,480 Speaker 6: And that was from an era where it wasn't all 931 00:44:28,520 --> 00:44:31,399 Speaker 6: hydroponically grown and it wasn't all seedless. So to find 932 00:44:31,440 --> 00:44:33,719 Speaker 6: the real real, to get that loud, you had to 933 00:44:33,800 --> 00:44:36,719 Speaker 6: travel to the far corners of the mysterious orient to 934 00:44:36,760 --> 00:44:37,399 Speaker 6: get your vote. 935 00:44:37,520 --> 00:44:41,080 Speaker 1: Way did you ever always Good to see you in 936 00:44:41,120 --> 00:44:42,839 Speaker 1: That podcast again is available? Yeah. 937 00:44:42,840 --> 00:44:45,080 Speaker 6: The podcast is the Brian Oakshow Podcast. Just did a 938 00:44:45,120 --> 00:44:46,840 Speaker 6: great one today. A couple of big ones coming up 939 00:44:46,840 --> 00:44:49,040 Speaker 6: next week and we'll talk about that next week. It 940 00:44:49,160 --> 00:44:51,080 Speaker 6: is available on the free iHeartRadio app. 941 00:44:51,440 --> 00:44:54,440 Speaker 1: We'll see you next week, obviously. Sounds good. That's Rock 942 00:44:54,520 --> 00:44:56,359 Speaker 1: Top with Brian OAP will take a break come back. 943 00:44:56,560 --> 00:44:58,120 Speaker 1: Mark ros enjoined us next. You're on the fan,