1 00:00:00,480 --> 00:00:03,920 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:08,480 --> 00:00:09,440 Speaker 2: Yeah, I mean Andy Reesmeyer. 3 00:00:09,480 --> 00:00:12,200 Speaker 3: We're live everywhere on the iHeartRadio app About an hour 4 00:00:12,280 --> 00:00:15,080 Speaker 3: left here. Coming up, Gary Cannon, comedian, will be joining 5 00:00:15,120 --> 00:00:18,280 Speaker 3: us to talk about what's going on in the news 6 00:00:18,520 --> 00:00:24,239 Speaker 3: and maybe what's going on for comedians this holiday. I'm 7 00:00:24,239 --> 00:00:25,840 Speaker 3: gonna try to say, see if he's going to the 8 00:00:26,120 --> 00:00:30,040 Speaker 3: laugh Factory, they're gonna hand out some meals. Always love 9 00:00:30,120 --> 00:00:32,720 Speaker 3: that nice one. Comedians can give back. Comedians, you know, 10 00:00:32,760 --> 00:00:35,360 Speaker 3: not necessarily known for being generous people. That's not really 11 00:00:35,400 --> 00:00:40,440 Speaker 3: like the thing every comedian I know. It's really taken 12 00:00:40,520 --> 00:00:42,720 Speaker 3: up a lot of the air in the room. I 13 00:00:42,800 --> 00:00:47,680 Speaker 3: love them, but giving unusual. So when you see them 14 00:00:47,680 --> 00:00:51,199 Speaker 3: doing that, it's pretty awesome. Now that I've roasted an 15 00:00:51,360 --> 00:00:54,640 Speaker 3: entire profession of which my upcoming guest is involved in, 16 00:00:54,680 --> 00:00:57,840 Speaker 3: I'm sure it will be a great interview. Campbell's employees 17 00:00:57,960 --> 00:01:02,360 Speaker 3: are upset because us. One of their own was fired 18 00:01:03,000 --> 00:01:07,880 Speaker 3: after complaining about something that a vice president said. This 19 00:01:07,959 --> 00:01:09,319 Speaker 3: is kind of one of those this is what you 20 00:01:09,400 --> 00:01:14,800 Speaker 3: fear the people in charge of corporations think about those 21 00:01:14,880 --> 00:01:20,520 Speaker 3: of us who buy their products. Listen, we have poor people. 22 00:01:21,840 --> 00:01:25,280 Speaker 4: And that's just part of an over an hour long rant, 23 00:01:25,480 --> 00:01:30,240 Speaker 4: says former security analyst for Campbell's Robert Garza of Monroe. 24 00:01:30,440 --> 00:01:34,200 Speaker 5: I don't buy it's barely anymore so healthy now that 25 00:01:34,200 --> 00:01:37,120 Speaker 5: I don't want to even. 26 00:01:36,800 --> 00:01:37,360 Speaker 6: I look at it. 27 00:01:37,520 --> 00:01:41,560 Speaker 2: At bio engineered me. I don't want to. You to 28 00:01:42,880 --> 00:01:44,920 Speaker 2: a piece of chicken. I came from a three D printer. 29 00:01:45,080 --> 00:01:49,120 Speaker 4: You The recording allegedly of Campbell's VP and Chief Information 30 00:01:49,200 --> 00:01:50,920 Speaker 4: security officer Martin. 31 00:01:50,680 --> 00:01:53,360 Speaker 7: Bally, he has no no uh no filter. 32 00:01:53,600 --> 00:01:57,080 Speaker 4: Bally, along with another supervisor and Campbell's soup company, named 33 00:01:57,120 --> 00:02:00,480 Speaker 4: in a lawsuit filed Thursday. The suit, claiming he made 34 00:02:00,560 --> 00:02:04,200 Speaker 4: racist remarks, admits to coming to work high and Garza 35 00:02:04,320 --> 00:02:05,760 Speaker 4: fired for coming forward. 36 00:02:06,760 --> 00:02:10,359 Speaker 2: This guy is racist. 37 00:02:10,720 --> 00:02:14,840 Speaker 3: He's talking smack about the soup, saying it's got bio 38 00:02:14,960 --> 00:02:19,160 Speaker 3: engineered meat, and he's coming to work after a cousin walk. 39 00:02:21,040 --> 00:02:21,679 Speaker 2: Unconscionable. 40 00:02:22,240 --> 00:02:24,160 Speaker 6: What do you think about the things that he was saying? 41 00:02:25,440 --> 00:02:27,320 Speaker 7: Oh, I just disappeared discussed. 42 00:02:27,639 --> 00:02:31,000 Speaker 4: Garzi says he usually worked remotely for Campbell's headquarters based 43 00:02:31,000 --> 00:02:34,000 Speaker 4: in Camden, New Jersey, but thinking he'd be discussing his 44 00:02:34,080 --> 00:02:38,080 Speaker 4: salary with Bally, he says the recording taken in person 45 00:02:38,160 --> 00:02:45,600 Speaker 4: at a restaurantly deep gone. Garzi says he felt sick 46 00:02:45,680 --> 00:02:49,040 Speaker 4: after the rant, deciding to go to his direct supervisor 47 00:02:49,120 --> 00:02:52,280 Speaker 4: in January, keeping the recordings to himself. 48 00:02:52,480 --> 00:02:54,600 Speaker 3: Now before we find out what happened here, because it 49 00:02:54,639 --> 00:02:58,160 Speaker 3: is heinous the idea that this is the guy who's 50 00:02:58,160 --> 00:03:00,360 Speaker 3: got a high up position at Campbells Soup, which, like 51 00:03:00,960 --> 00:03:04,799 Speaker 3: Campbell's soup is what you eat when you're sick. It's 52 00:03:04,840 --> 00:03:07,560 Speaker 3: like what you give to the food bank. It's like 53 00:03:08,120 --> 00:03:14,440 Speaker 3: the most homie, feel good, Oh just a nice warm 54 00:03:14,600 --> 00:03:17,960 Speaker 3: tomato soup chicken noodle situation. 55 00:03:19,600 --> 00:03:23,359 Speaker 2: And this is the guy that's wild. 56 00:03:23,200 --> 00:03:28,080 Speaker 6: Huntly deep gone. 57 00:03:28,760 --> 00:03:31,720 Speaker 4: Garza says he felt sick after the rant, deciding to 58 00:03:31,720 --> 00:03:36,000 Speaker 4: go to his direct supervisor in January, keeping the recordings 59 00:03:36,040 --> 00:03:37,120 Speaker 4: to himself. 60 00:03:37,160 --> 00:03:40,440 Speaker 3: He had never had any disciplinary action, They had never 61 00:03:40,600 --> 00:03:42,600 Speaker 3: written him up for poor work performance. 62 00:03:42,760 --> 00:03:46,240 Speaker 4: Garza says, no one at Campbell's ever followed up, and 63 00:03:46,280 --> 00:03:48,880 Speaker 4: it's taken him ten months to find a new job, 64 00:03:49,360 --> 00:03:53,200 Speaker 4: calling the way the can Soup company handled it simply terrible. 65 00:03:53,600 --> 00:03:55,520 Speaker 7: They have a model, you know, like we treat you 66 00:03:55,560 --> 00:03:57,840 Speaker 7: like family. You know here at Campbell's, you'll come work 67 00:03:57,880 --> 00:04:00,920 Speaker 7: for us, you know where we cheer while he's like family, 68 00:04:01,520 --> 00:04:03,160 Speaker 7: that's that's not the case. 69 00:04:03,560 --> 00:04:06,200 Speaker 2: Well it depends on the family. Well you want to 70 00:04:06,200 --> 00:04:07,480 Speaker 2: say this or do you want me to say it? 71 00:04:07,520 --> 00:04:09,080 Speaker 2: This is bad. 72 00:04:12,080 --> 00:04:14,040 Speaker 4: We did just receive a statement from Campbell's. 73 00:04:14,040 --> 00:04:15,720 Speaker 7: It says, quote if. 74 00:04:15,720 --> 00:04:18,800 Speaker 8: Accurate, the comments and the recording are unacceptable. They do 75 00:04:18,920 --> 00:04:21,640 Speaker 8: not reflect our values and the culture of our company. 76 00:04:21,960 --> 00:04:25,479 Speaker 8: We are actively investigating this manner. We've also reached out 77 00:04:25,520 --> 00:04:27,080 Speaker 8: directly to Martin Valley. 78 00:04:27,400 --> 00:04:29,920 Speaker 2: They know that this is how this guy is. 79 00:04:30,920 --> 00:04:33,960 Speaker 3: This is not a guy who doesn't always talk like 80 00:04:34,040 --> 00:04:40,560 Speaker 3: this one hundred percent. Now I don't know it obviously, 81 00:04:40,560 --> 00:04:42,560 Speaker 3: so I can't say that. But I just am speculating 82 00:04:42,680 --> 00:04:48,280 Speaker 3: based on my experience with people who say things like. 83 00:04:57,120 --> 00:04:58,400 Speaker 2: What a crazy thing? Man? 84 00:04:58,480 --> 00:04:59,920 Speaker 3: Do you think trying to go ask for a ray? 85 00:05:00,200 --> 00:05:02,880 Speaker 3: Are your boss? The bus starts talking smack about the company, 86 00:05:02,880 --> 00:05:06,120 Speaker 3: and then you record it and then they fire you. 87 00:05:07,120 --> 00:05:10,080 Speaker 3: That's a good story. That is a good story. But 88 00:05:10,160 --> 00:05:13,640 Speaker 3: there is something not great going on in the San 89 00:05:13,680 --> 00:05:17,880 Speaker 3: Fernando Valley. It is no such peace in the valley 90 00:05:17,920 --> 00:05:18,560 Speaker 3: for me. 91 00:05:21,920 --> 00:05:25,720 Speaker 9: Security video catches these crooks cursing in Spanish about something 92 00:05:25,839 --> 00:05:28,800 Speaker 9: while casually walking down an alley with an armful of 93 00:05:28,839 --> 00:05:34,120 Speaker 9: stolen goods. Those items belong to Josh and his family, 94 00:05:34,160 --> 00:05:35,560 Speaker 9: who now feel violated. 95 00:05:35,800 --> 00:05:39,200 Speaker 10: It's just not right emotionally. You know, my wife is 96 00:05:39,440 --> 00:05:41,839 Speaker 10: five months pregnant. We're going to be giving birth early 97 00:05:41,880 --> 00:05:43,560 Speaker 10: next year, God willing, at the right time. 98 00:05:44,920 --> 00:05:47,520 Speaker 2: And you know we're gonna be bringing a new person 99 00:05:47,560 --> 00:05:49,520 Speaker 2: into this world. And this is our first house. 100 00:05:49,800 --> 00:05:52,640 Speaker 9: The brazen break in happened around eight Friday evening in 101 00:05:52,720 --> 00:05:55,760 Speaker 9: Valley Village. Josh says he and his wife arrived home 102 00:05:55,800 --> 00:05:58,240 Speaker 9: from dinner to find their home had been ransacked. 103 00:05:58,400 --> 00:06:00,960 Speaker 10: The cushions were flipped up on our co ouch, Those 104 00:06:00,960 --> 00:06:03,560 Speaker 10: sheets were ripped off of our bed, the mattress was moved, 105 00:06:04,000 --> 00:06:07,679 Speaker 10: Our socks and underwear were thrown out of the drawers 106 00:06:07,680 --> 00:06:10,400 Speaker 10: onto the ground. Someone took my briefcase and dumped it out. 107 00:06:10,520 --> 00:06:13,239 Speaker 9: He claims that these got away with thousands of dollars 108 00:06:13,240 --> 00:06:17,000 Speaker 9: worth of watches, jewelry, and other valuables. Josh beliez he 109 00:06:17,120 --> 00:06:19,480 Speaker 9: was targeted and says he's seen a group of people 110 00:06:19,560 --> 00:06:21,160 Speaker 9: lurking behind his home before. 111 00:06:21,480 --> 00:06:24,800 Speaker 10: I remember seeing three individuals walking in the alleyway beside 112 00:06:24,839 --> 00:06:25,279 Speaker 10: our house. 113 00:06:25,960 --> 00:06:27,040 Speaker 7: Looked into my office. 114 00:06:27,040 --> 00:06:28,440 Speaker 2: I made eye contact with them. 115 00:06:28,760 --> 00:06:31,360 Speaker 10: They walked around the backside of my office and then 116 00:06:31,440 --> 00:06:33,920 Speaker 10: doubled back and left from that same alley. 117 00:06:34,200 --> 00:06:35,720 Speaker 2: Look at the damn You know this guy's in the 118 00:06:35,720 --> 00:06:37,960 Speaker 2: studio city, you know how you could tell at our house. 119 00:06:38,640 --> 00:06:41,120 Speaker 10: Looked into my office. I made eye contact with them. 120 00:06:41,440 --> 00:06:44,040 Speaker 10: They walked around the backside of my office and then 121 00:06:44,120 --> 00:06:45,719 Speaker 10: doubled back and left. 122 00:06:45,760 --> 00:06:48,400 Speaker 3: Just like a common thing all day from Burbank Airport 123 00:06:48,480 --> 00:06:50,800 Speaker 3: flying over. I lived it basically a block away from 124 00:06:50,839 --> 00:06:53,719 Speaker 3: CBS Radford, which is really close to where these people lived. 125 00:06:54,279 --> 00:06:56,520 Speaker 3: And it just do you hear that airplane that overhead 126 00:06:56,560 --> 00:06:57,359 Speaker 3: all day. 127 00:06:57,320 --> 00:06:59,680 Speaker 10: Walked around the back side of my office and then 128 00:06:59,680 --> 00:07:02,240 Speaker 10: double old back and left from that same alley. 129 00:07:02,560 --> 00:07:04,880 Speaker 9: Look at the damage to the dead boats to Josh's 130 00:07:04,920 --> 00:07:08,040 Speaker 9: front door and his second floor patio door. He thinks 131 00:07:08,040 --> 00:07:10,480 Speaker 9: some of the purps use this planter box to climb 132 00:07:10,560 --> 00:07:14,920 Speaker 9: up his property to get inside. LAPD responded and is investigating, 133 00:07:15,040 --> 00:07:16,800 Speaker 9: but so far no arrests. 134 00:07:17,080 --> 00:07:19,800 Speaker 10: You can run, but you kind of hight the men 135 00:07:19,800 --> 00:07:22,120 Speaker 10: and women of the lap D Eator are coming for you. 136 00:07:22,360 --> 00:07:25,560 Speaker 9: And all Josh Wily's three men and one woman was 137 00:07:25,640 --> 00:07:28,160 Speaker 9: involved in this break in. He wanted to share his 138 00:07:28,240 --> 00:07:31,200 Speaker 9: story so that he could alert other neighbors about what. 139 00:07:31,240 --> 00:07:35,000 Speaker 3: Is happening bad vibes there in the San Fernando Valley. 140 00:07:35,000 --> 00:07:37,120 Speaker 3: All right, coming up, Gary Cannon, we'll talk about more 141 00:07:37,240 --> 00:07:39,760 Speaker 3: that is happening in the news. Catch up with him, 142 00:07:39,760 --> 00:07:42,760 Speaker 3: the very funny, funny comedian. He's a stand up he's 143 00:07:42,760 --> 00:07:45,320 Speaker 3: also a warm up comic for the talk shows and 144 00:07:45,320 --> 00:07:49,320 Speaker 3: the game shows. The voice I hear one time he 145 00:07:49,320 --> 00:07:50,800 Speaker 3: made ariana grande laugh. 146 00:07:52,560 --> 00:07:54,520 Speaker 2: Is that like getting the sphinx to move? 147 00:07:55,440 --> 00:07:55,480 Speaker 5: No? 148 00:07:55,640 --> 00:07:58,520 Speaker 2: I mean, I'm sure she's a good laugh. I don't know. 149 00:07:58,640 --> 00:08:03,160 Speaker 5: Okay, I have made that up? Can he make us laugh? Ooh, 150 00:08:03,480 --> 00:08:06,160 Speaker 5: that's a good tease. Tough crowd, you'll have to stay tuned. 151 00:08:06,880 --> 00:08:09,560 Speaker 5: It's KIM six forty. I'm Andy Reesmeier. 152 00:08:11,160 --> 00:08:14,600 Speaker 1: You're listening to KFI AM six forty on demand. 153 00:08:17,120 --> 00:08:20,160 Speaker 3: I'm Andy Reesmeyer joining the studio right now by comedian 154 00:08:20,240 --> 00:08:23,400 Speaker 3: Gary Cannon. You may know him, might know him from 155 00:08:24,120 --> 00:08:26,920 Speaker 3: a legendary stand up career, but also a warm up 156 00:08:26,920 --> 00:08:31,320 Speaker 3: comic for basically every show that has a live studio audience, 157 00:08:31,400 --> 00:08:32,840 Speaker 3: or that ever had a live studio audience. 158 00:08:32,840 --> 00:08:34,880 Speaker 2: Here in Los Angeles. Well, I was just telling you 159 00:08:34,920 --> 00:08:37,160 Speaker 2: before we went on the air that we are very close. 160 00:08:37,320 --> 00:08:40,640 Speaker 2: You were near NBC, and so this is where the 161 00:08:40,679 --> 00:08:43,560 Speaker 2: Tonight Show taped with Johnny Carson with Jay Leno. It's 162 00:08:43,559 --> 00:08:48,320 Speaker 2: now the iHeart Studio. It's crazy. My very first warm 163 00:08:48,400 --> 00:08:51,880 Speaker 2: up gig ever ever full time was working for Last 164 00:08:51,880 --> 00:08:55,120 Speaker 2: Call with Carson Daily, and if you remember, it was 165 00:08:55,320 --> 00:08:57,880 Speaker 2: the Tonight Show, then it was Conan Yeah, and then 166 00:08:58,960 --> 00:09:02,280 Speaker 2: Carson Daily like yeah, yeah, So I remember. It was 167 00:09:02,320 --> 00:09:05,079 Speaker 2: my very first warm gig. Great gig. He was super nice. 168 00:09:05,520 --> 00:09:08,840 Speaker 2: But because of the show and other things going on 169 00:09:08,880 --> 00:09:11,440 Speaker 2: in town, we had to pay audience members a lot 170 00:09:11,559 --> 00:09:13,960 Speaker 2: to be there. Okay, so they didn't make that much money. 171 00:09:14,040 --> 00:09:16,520 Speaker 2: Maybe they made fourteen dollars to be there. So what 172 00:09:16,760 --> 00:09:19,040 Speaker 2: happened is there was a gate outside the main area 173 00:09:19,040 --> 00:09:21,960 Speaker 2: where everybody parked, and after the show, the audience members 174 00:09:21,960 --> 00:09:24,719 Speaker 2: would stand out there and collect their fourteen dollars. Was 175 00:09:24,760 --> 00:09:29,280 Speaker 2: a huge line dupating cash from the audience companies. One 176 00:09:29,400 --> 00:09:32,160 Speaker 2: day there was somebody who got word that there's a 177 00:09:32,240 --> 00:09:34,520 Speaker 2: line out there and somebody with a handful of cash 178 00:09:34,520 --> 00:09:38,560 Speaker 2: paying everybody. So the person passing out the money got robbed. 179 00:09:38,720 --> 00:09:41,480 Speaker 2: Get out of town. Literally got robbed, and obviously you 180 00:09:41,559 --> 00:09:45,640 Speaker 2: see one hundred audience members losing their food money to 181 00:09:45,679 --> 00:09:49,280 Speaker 2: go to Arco. Later that night, they chased the guy 182 00:09:49,320 --> 00:09:51,720 Speaker 2: down the road. Those they started feeding the hell up. 183 00:09:51,880 --> 00:09:55,120 Speaker 3: If you're waiting, If you're waiting outside of a studio 184 00:09:55,120 --> 00:09:59,120 Speaker 3: in Burbank for fourteen dollars, nobody is going to take 185 00:09:59,120 --> 00:10:00,840 Speaker 3: that away from you. No, you know that is the 186 00:10:00,840 --> 00:10:03,080 Speaker 3: person who has nothing else to lose and is going 187 00:10:03,160 --> 00:10:04,760 Speaker 3: to make sure they get that fourteen dollars. 188 00:10:04,880 --> 00:10:06,600 Speaker 2: I remember I did that show and there was a 189 00:10:06,679 --> 00:10:09,480 Speaker 2: woman who stood up during the warm up at one point, 190 00:10:09,520 --> 00:10:11,520 Speaker 2: this was year four that I'd been doing the show. 191 00:10:11,920 --> 00:10:13,600 Speaker 2: She said, I've been coming to the show every day 192 00:10:13,600 --> 00:10:15,360 Speaker 2: for four years and I've yet to get a T shirt. 193 00:10:15,400 --> 00:10:16,920 Speaker 2: And I was like, I don't know if I would 194 00:10:17,000 --> 00:10:19,920 Speaker 2: stand up and advertise that you've been coming to this 195 00:10:20,000 --> 00:10:22,400 Speaker 2: show for four years. People always like last call. 196 00:10:22,440 --> 00:10:24,079 Speaker 3: I mean, Carson is just one of those people who 197 00:10:24,120 --> 00:10:26,200 Speaker 3: has it, yes, and I think that no matter what, 198 00:10:26,679 --> 00:10:31,960 Speaker 3: Like I didn't ever see him as a late night 199 00:10:32,160 --> 00:10:34,960 Speaker 3: stand up type who was going to do a monologue 200 00:10:34,960 --> 00:10:38,160 Speaker 3: of Leno styled you know, twenty thirty jokes or whatever 201 00:10:38,200 --> 00:10:40,040 Speaker 3: and just kill It's like you just liked him because 202 00:10:40,080 --> 00:10:41,600 Speaker 3: he was a cool dude to hang out with, right, 203 00:10:41,600 --> 00:10:42,840 Speaker 3: And he's a dude who you would want to hang 204 00:10:42,840 --> 00:10:44,480 Speaker 3: out with at one thirty in the morning. Correct, you 205 00:10:44,559 --> 00:10:47,960 Speaker 3: knew all the musicians. He obviously was from TRL. He was, 206 00:10:48,040 --> 00:10:51,079 Speaker 3: I mean our version, I would say, our my generation's 207 00:10:51,160 --> 00:10:54,160 Speaker 3: version of Carson. Excuse me, Johnny Carson. 208 00:10:54,320 --> 00:10:56,640 Speaker 2: Well he was. I mean we broke out so many 209 00:10:56,840 --> 00:10:59,079 Speaker 2: musical artists on that show. I remember Green Day was 210 00:10:59,120 --> 00:11:01,560 Speaker 2: on that show. I remember not their first performance, but 211 00:11:01,679 --> 00:11:04,640 Speaker 2: Adell Panic at the disco fall Up Boy. There were 212 00:11:04,640 --> 00:11:08,360 Speaker 2: these amazing artists that you would sit and watch, and 213 00:11:08,520 --> 00:11:11,400 Speaker 2: I remember there were so many times where we would 214 00:11:11,400 --> 00:11:13,800 Speaker 2: have a band on that they weren't very well known, 215 00:11:14,280 --> 00:11:16,360 Speaker 2: and then for some reason there was an audio glitch 216 00:11:16,600 --> 00:11:18,400 Speaker 2: and we'd have to do the song again and I 217 00:11:18,440 --> 00:11:20,320 Speaker 2: would have to tell that to the audience and there 218 00:11:20,360 --> 00:11:24,360 Speaker 2: would be audible moans and booze. As the band is 219 00:11:24,360 --> 00:11:27,800 Speaker 2: standing right there on stage. They were annoyed. I think 220 00:11:27,920 --> 00:11:33,320 Speaker 2: they wanted to get out to their fourteen dollars they could. Yeah, yeah, yeah. 221 00:11:32,720 --> 00:11:36,880 Speaker 3: So when you think about how that has all changed 222 00:11:37,040 --> 00:11:40,200 Speaker 3: very quickly as far as the big studio shows. I 223 00:11:40,240 --> 00:11:42,600 Speaker 3: know that Colbert is going to be done next year. 224 00:11:44,040 --> 00:11:46,720 Speaker 3: Kimmel almost was done. I don't know how much is long, 225 00:11:46,920 --> 00:11:49,000 Speaker 3: how much longer is left for that. The Voice is 226 00:11:49,000 --> 00:11:51,320 Speaker 3: doing a show still, but in a very much smaller 227 00:11:51,360 --> 00:11:54,440 Speaker 3: stage than they used to. Hollywood's in a weird spot 228 00:11:54,520 --> 00:11:56,840 Speaker 3: right now. What is it like for warm up comics. 229 00:11:57,040 --> 00:12:00,600 Speaker 2: It's tough because there was a time there's a website 230 00:12:00,640 --> 00:12:03,800 Speaker 2: called Audiences Unlimited dot com and all they did was 231 00:12:03,840 --> 00:12:07,160 Speaker 2: handle sitcoms. You could go to their website get tickets 232 00:12:07,200 --> 00:12:10,319 Speaker 2: for any sitcom that filmed here in LA. That website 233 00:12:10,400 --> 00:12:13,880 Speaker 2: during COVID went out of business, gone, And I remember 234 00:12:14,200 --> 00:12:16,679 Speaker 2: back when I first moved here, there would be seven 235 00:12:16,800 --> 00:12:20,280 Speaker 2: eight shows filming a day here in town, Tons at 236 00:12:20,280 --> 00:12:23,960 Speaker 2: red for Tons at CBS, Television City, Warner Brothers, all 237 00:12:23,960 --> 00:12:27,000 Speaker 2: over the place. You can't find anything now. The audience 238 00:12:27,000 --> 00:12:29,920 Speaker 2: companies have dwindled down. But I would also think too, 239 00:12:30,080 --> 00:12:33,520 Speaker 2: because there are less shows that we would have bigger 240 00:12:33,600 --> 00:12:35,880 Speaker 2: audiences at some of our shows that we do, and 241 00:12:35,920 --> 00:12:37,960 Speaker 2: that's not the case. I don't know what it is. 242 00:12:38,080 --> 00:12:41,360 Speaker 2: For some reason, the numbers are limited now. I still 243 00:12:41,360 --> 00:12:43,240 Speaker 2: work at Jennifer Hudson at Warner Brothers and we get 244 00:12:43,240 --> 00:12:45,800 Speaker 2: great crowds out there. But a lot of shows, believe 245 00:12:45,800 --> 00:12:48,160 Speaker 2: it or not, still have to bring in a paid 246 00:12:48,200 --> 00:12:51,920 Speaker 2: audience if they want to fill certain seats. But it 247 00:12:52,000 --> 00:12:54,320 Speaker 2: is crazy. I mean, for me and for what I do. 248 00:12:54,840 --> 00:12:57,240 Speaker 2: The numbers have just dropped. There's just not as many 249 00:12:57,280 --> 00:12:59,719 Speaker 2: shows that are filming here, and the ones that do it, 250 00:13:00,080 --> 00:13:02,960 Speaker 2: the budgets are cut. They can't maybe bring somebody in 251 00:13:03,000 --> 00:13:06,000 Speaker 2: full time like yes do. It's just gone completely down. 252 00:13:06,040 --> 00:13:08,240 Speaker 3: And it's funny because it's like, it really is important 253 00:13:08,280 --> 00:13:11,520 Speaker 3: to have that step for the audience because you need 254 00:13:11,559 --> 00:13:13,880 Speaker 3: that warm up. You need this sort of like first 255 00:13:13,880 --> 00:13:15,360 Speaker 3: you got to suck all the air out of the room, 256 00:13:15,880 --> 00:13:18,320 Speaker 3: make the oxygen level a little bit lower so people 257 00:13:18,320 --> 00:13:21,000 Speaker 3: will laugh at anything. But really you are doing something 258 00:13:21,000 --> 00:13:23,920 Speaker 3: where you're warming up these like cold audience members who 259 00:13:23,960 --> 00:13:26,360 Speaker 3: are maybe have been waiting for hours. Oh yeah, maybe 260 00:13:26,360 --> 00:13:29,520 Speaker 3: they're frustrated, sure, and you are the guy who basically 261 00:13:29,520 --> 00:13:32,640 Speaker 3: gets them ready for Leno Letterman, et cetera. 262 00:13:32,960 --> 00:13:37,280 Speaker 2: There's so many different types of shows and different styles, right, 263 00:13:37,280 --> 00:13:40,000 Speaker 2: so when I did Conan, it was all about getting 264 00:13:40,000 --> 00:13:42,680 Speaker 2: them to laugh. Before Conan came out. That was the idea. 265 00:13:42,760 --> 00:13:44,880 Speaker 2: If they were laughing, having a good time, he comes out, 266 00:13:44,920 --> 00:13:47,480 Speaker 2: they're going to be great. Right. There's also that weird thing, 267 00:13:47,520 --> 00:13:49,920 Speaker 2: and I remember seeing this when I first started working 268 00:13:49,920 --> 00:13:52,000 Speaker 2: at Cone. It didn't happen often. But let's say I 269 00:13:52,080 --> 00:13:55,840 Speaker 2: go out there and they're having a blast, right, Cony 270 00:13:55,880 --> 00:13:58,360 Speaker 2: comes out maybe for some reason. So it doesn't happen 271 00:13:58,920 --> 00:14:00,240 Speaker 2: like a one percent chance. 272 00:14:00,280 --> 00:14:03,080 Speaker 3: You're saying, like in the situations where you upstage or 273 00:14:03,120 --> 00:14:05,640 Speaker 3: you you blow out the headliner. 274 00:14:05,960 --> 00:14:08,199 Speaker 2: Yeah, it doesn't happen very often, but like for some 275 00:14:08,400 --> 00:14:10,600 Speaker 2: But but then there's the so so there are times 276 00:14:10,600 --> 00:14:13,240 Speaker 2: where the host wants to know before they go out, 277 00:14:13,520 --> 00:14:14,920 Speaker 2: how are they right? 278 00:14:14,640 --> 00:14:14,760 Speaker 7: Right? 279 00:14:14,960 --> 00:14:17,480 Speaker 2: So, now let's say you go back to Conan or somebody. 280 00:14:17,559 --> 00:14:20,480 Speaker 2: You're like, hey, they're great. He comes out, maybe the 281 00:14:20,560 --> 00:14:23,960 Speaker 2: monologue is off for whatever reason. He goes out and 282 00:14:24,080 --> 00:14:27,480 Speaker 2: is shooting, fishing, not working right, not great. But then 283 00:14:27,520 --> 00:14:29,360 Speaker 2: you go back and you're like, hey, they're not great. 284 00:14:30,160 --> 00:14:32,320 Speaker 2: And then he's going out there with this idea in 285 00:14:32,400 --> 00:14:34,760 Speaker 2: his head. He's not going to guess and he goes 286 00:14:34,800 --> 00:14:37,520 Speaker 2: out there and he's doing great, right, So which do 287 00:14:37,560 --> 00:14:41,280 Speaker 2: you want or do you lie or whatnot? But a 288 00:14:41,280 --> 00:14:43,960 Speaker 2: show like Jennifer Udson, that's a daytime talk show, there's 289 00:14:44,120 --> 00:14:46,040 Speaker 2: no pressure to get them on. That's kind of nice. 290 00:14:46,120 --> 00:14:48,160 Speaker 2: It's a feel good show, so you want to just 291 00:14:48,200 --> 00:14:51,400 Speaker 2: get them in a good mood, happy, upbeat, smiling. Now, 292 00:14:51,400 --> 00:14:53,480 Speaker 2: did you create the spirit Tunnel? Was that your mood? 293 00:14:53,520 --> 00:14:53,640 Speaker 9: No? 294 00:14:53,880 --> 00:14:57,400 Speaker 2: But you know it's crazy that spirit tunnel has taken 295 00:14:57,560 --> 00:15:01,360 Speaker 2: over it crazy is the show? I mean, anybody that 296 00:15:01,400 --> 00:15:03,720 Speaker 2: I've ever talked to, I work at Jenniferdson, I haven't 297 00:15:03,720 --> 00:15:06,560 Speaker 2: seen the show, but I've seen that spiritunnel. Two producers 298 00:15:06,560 --> 00:15:07,760 Speaker 2: on our show created that whole thing. 299 00:15:07,880 --> 00:15:11,840 Speaker 3: It's like the carpool karaoke. Yes, it's like it's her thing. Yes, 300 00:15:11,880 --> 00:15:12,960 Speaker 3: and it stuck and it worked. 301 00:15:13,000 --> 00:15:16,040 Speaker 2: And did you see the Nicky Glazer bit Nicki Glazer 302 00:15:16,120 --> 00:15:18,960 Speaker 2: hotel now? And she did a spoof on it and 303 00:15:19,000 --> 00:15:22,280 Speaker 2: it was so flattering, and they showed that on our show. 304 00:15:22,360 --> 00:15:25,400 Speaker 2: They re aired it because it was so it was 305 00:15:25,440 --> 00:15:27,320 Speaker 2: a cool thing for our show, right. 306 00:15:27,240 --> 00:15:29,960 Speaker 3: Yeah, I mean, and Jennifer Hudson is such a superstar too, Yeah, 307 00:15:30,000 --> 00:15:32,680 Speaker 3: And she was always just like, it's interesting because you've 308 00:15:32,720 --> 00:15:36,640 Speaker 3: seen a lot of talk show hosts who came it 309 00:15:36,720 --> 00:15:39,360 Speaker 3: to it by the way of being studio musicians Kelly 310 00:15:39,360 --> 00:15:43,480 Speaker 3: Clarkson or touring musicians Jennifer Hudson as well, And and 311 00:15:43,520 --> 00:15:45,880 Speaker 3: then you see also the Tammer and Halls and then 312 00:15:46,040 --> 00:15:48,920 Speaker 3: sort of the more traditional talk show people. And it's 313 00:15:48,960 --> 00:15:52,120 Speaker 3: amazing because I'm happy that it's working for Drew and 314 00:15:52,200 --> 00:15:56,240 Speaker 3: for for Kelly Clarkson and for Jennifer Hudson. 315 00:15:55,920 --> 00:15:58,480 Speaker 2: Too, because they are just such you want. 316 00:15:58,520 --> 00:16:00,480 Speaker 3: You want those people to succeed, and you know they 317 00:16:00,480 --> 00:16:03,080 Speaker 3: already have it, which I think makes it work for that. 318 00:16:03,120 --> 00:16:04,200 Speaker 3: But I don't know if it would work if you 319 00:16:04,240 --> 00:16:05,880 Speaker 3: were going to try to make them tell jokes. 320 00:16:06,120 --> 00:16:08,040 Speaker 2: Yeah, And that was the thing, as you mentioned about 321 00:16:08,040 --> 00:16:10,680 Speaker 2: Carson Daily, he wasn't a joke teller, so he would 322 00:16:10,720 --> 00:16:12,800 Speaker 2: come out and try to do a monologue and it 323 00:16:12,880 --> 00:16:15,880 Speaker 2: was it just didn't hit. And I remember one day 324 00:16:15,920 --> 00:16:17,480 Speaker 2: I walked into the studio. We'd been off for like 325 00:16:17,480 --> 00:16:20,400 Speaker 2: two weeks, and I walked in. The set was gone, 326 00:16:20,440 --> 00:16:23,480 Speaker 2: the desk, the chairs, and he just had two chairs 327 00:16:23,880 --> 00:16:26,440 Speaker 2: sitting down on the stage. And I looked and I 328 00:16:26,480 --> 00:16:28,640 Speaker 2: was like, I think the job is coming to an end. 329 00:16:28,960 --> 00:16:32,440 Speaker 2: Because I really believed that that whole concept that they 330 00:16:32,480 --> 00:16:34,400 Speaker 2: needed somebody out there to get them in a good 331 00:16:34,400 --> 00:16:36,800 Speaker 2: mood so they could start laughing. There were just two 332 00:16:36,840 --> 00:16:39,160 Speaker 2: chairs and I was like, I think it's over. And 333 00:16:39,240 --> 00:16:42,440 Speaker 2: it lasted a little longer, but not much. But then 334 00:16:42,640 --> 00:16:44,080 Speaker 2: to the other side of it, you look at like 335 00:16:44,560 --> 00:16:47,160 Speaker 2: talk shows. I just wrapped up Season fourteen. To the 336 00:16:47,200 --> 00:16:50,480 Speaker 2: Mass Singer, that's a show. You have to bring that 337 00:16:50,680 --> 00:16:53,120 Speaker 2: energy up to one hundred and twenty miles per hour 338 00:16:53,680 --> 00:16:56,680 Speaker 2: for three and four hours. Amazing. They want that crowd 339 00:16:57,160 --> 00:17:02,160 Speaker 2: lit like they are at an amazing festival concert and 340 00:17:02,240 --> 00:17:04,640 Speaker 2: it's just never ending, and it could take a while 341 00:17:04,640 --> 00:17:06,439 Speaker 2: for us to film based on what's going on, and 342 00:17:06,640 --> 00:17:08,080 Speaker 2: maybe the character is not wanting to come out as 343 00:17:08,119 --> 00:17:10,639 Speaker 2: quick like there's a lot so all of these different 344 00:17:10,760 --> 00:17:14,719 Speaker 2: levels of style. Shows just depend on how your day 345 00:17:14,760 --> 00:17:15,119 Speaker 2: is going to go. 346 00:17:15,160 --> 00:17:17,160 Speaker 3: You don't know. Yeah, we're with Gary Cannon. We're gonna 347 00:17:17,160 --> 00:17:18,480 Speaker 3: take a quick break. You stick with us for the 348 00:17:18,520 --> 00:17:19,840 Speaker 3: next second. Yeah, wonderful. 349 00:17:21,400 --> 00:17:24,800 Speaker 1: You're listening to KFI AM six forty on demand. 350 00:17:27,359 --> 00:17:31,680 Speaker 3: I'm Andy Reestmeyer in studio still with Gary Cannon. Would 351 00:17:31,720 --> 00:17:33,960 Speaker 3: you call yourself you're a stand up, but you're a 352 00:17:34,000 --> 00:17:36,919 Speaker 3: comedian and you're more than that. Because you do corporate gigs, 353 00:17:37,000 --> 00:17:38,920 Speaker 3: you do warm up, you do kind of a little 354 00:17:38,920 --> 00:17:39,480 Speaker 3: bit of everything. 355 00:17:39,480 --> 00:17:43,000 Speaker 2: Anybody who will if the money's green. Gary, So I did? 356 00:17:43,040 --> 00:17:46,359 Speaker 2: I also do auctioneering. Oh that's wait a minute, yep, 357 00:17:46,920 --> 00:17:48,600 Speaker 2: can you give us a little you know what. I 358 00:17:48,640 --> 00:17:51,600 Speaker 2: don't talk. I talk quickly in my normal pattern of 359 00:17:51,800 --> 00:17:52,359 Speaker 2: every day. 360 00:17:52,440 --> 00:17:55,399 Speaker 3: Like if I had a nineteen seventy six Portsia nine 361 00:17:55,440 --> 00:17:58,400 Speaker 3: to eleven sc that I was trying to offload here, Yeah. 362 00:17:58,760 --> 00:18:00,840 Speaker 2: I couldn't know, but I do. I don't. You wouldn't. 363 00:18:00,880 --> 00:18:01,760 Speaker 2: I'm not going to make you do it, you know, 364 00:18:01,960 --> 00:18:06,679 Speaker 2: but I don't. I don't do like certain people have 365 00:18:06,720 --> 00:18:10,359 Speaker 2: that cadence. I don't. But I will say, here's why 366 00:18:10,440 --> 00:18:12,440 Speaker 2: I get in trouble with a lot of the auctions 367 00:18:12,440 --> 00:18:15,120 Speaker 2: that I do, and they don't have me back because 368 00:18:15,880 --> 00:18:17,560 Speaker 2: I'm a comic at heart. That's what I do. 369 00:18:17,720 --> 00:18:17,880 Speaker 4: Right. 370 00:18:18,320 --> 00:18:20,080 Speaker 2: So now I go into these events and we're trying 371 00:18:20,080 --> 00:18:23,560 Speaker 2: to raise money for the American Cancer Society or Autism 372 00:18:23,640 --> 00:18:26,879 Speaker 2: Speaks or these very high end events that if we 373 00:18:26,920 --> 00:18:29,720 Speaker 2: don't raise a half a million dollars, they're not going 374 00:18:29,800 --> 00:18:31,760 Speaker 2: to get their funding for the following year. It's a 375 00:18:31,760 --> 00:18:34,600 Speaker 2: lot of pressure. So all of a sudden, I'll start 376 00:18:34,640 --> 00:18:38,160 Speaker 2: looking at what we're auctioning off trip to Mexico, right, 377 00:18:38,640 --> 00:18:41,240 Speaker 2: So instead of playing it straight, all of a sudden, 378 00:18:41,280 --> 00:18:43,960 Speaker 2: I'm like, hey, guys, you may have seen this hotel 379 00:18:44,000 --> 00:18:46,480 Speaker 2: resort on Dateline NBC, but they're going to reopen in 380 00:18:46,520 --> 00:18:49,720 Speaker 2: six months once you clear them. And I start screwing 381 00:18:49,760 --> 00:18:52,840 Speaker 2: around and a lot of people do like it, but 382 00:18:52,920 --> 00:18:55,919 Speaker 2: at some point, like you're there and you forget that, 383 00:18:56,000 --> 00:18:58,359 Speaker 2: people are now starting to laugh. I just did an 384 00:18:58,400 --> 00:19:02,320 Speaker 2: auction back in Detroit for Habitat for Humanity and this 385 00:19:02,359 --> 00:19:03,480 Speaker 2: guy comes up to me and he said, you were 386 00:19:03,480 --> 00:19:05,560 Speaker 2: here last year. You were a favorite part of the event. 387 00:19:05,920 --> 00:19:08,720 Speaker 2: We were laughing, having a good time. We literally lost 388 00:19:08,760 --> 00:19:11,800 Speaker 2: money this year because I think people they're there for 389 00:19:11,880 --> 00:19:15,760 Speaker 2: the show and like they have to be and I'm 390 00:19:15,840 --> 00:19:19,520 Speaker 2: literally I got in trouble at a show that I 391 00:19:19,560 --> 00:19:22,720 Speaker 2: was doing doing warm up on we gave away airline 392 00:19:22,760 --> 00:19:27,040 Speaker 2: tickets to the audience for Breeze Airline. Breeze Airline based 393 00:19:27,040 --> 00:19:30,000 Speaker 2: out of Pittsburgh. They fly three flights a day, right, 394 00:19:30,520 --> 00:19:33,159 Speaker 2: and we gave away one hundred dollars vouchers everybody, and 395 00:19:33,200 --> 00:19:36,080 Speaker 2: I said, guys, you better book quickly because they're about 396 00:19:36,080 --> 00:19:37,879 Speaker 2: to go out of business. And then I said the 397 00:19:37,920 --> 00:19:40,520 Speaker 2: CEO of Breeze wanted to be here, but they couldn't 398 00:19:40,520 --> 00:19:43,920 Speaker 2: find a flight. So all of a sudden, audience laugh 399 00:19:43,960 --> 00:19:45,760 Speaker 2: and having a good time. I get a text meet 400 00:19:45,840 --> 00:19:48,960 Speaker 2: us in the control. They're like, do you know that 401 00:19:49,160 --> 00:19:52,760 Speaker 2: the Breeze airline representatives are here? Oh my god? I said, 402 00:19:52,880 --> 00:19:57,240 Speaker 2: I had no idea, so their thing? So now. But 403 00:19:57,280 --> 00:19:59,600 Speaker 2: I did this auction a week ago. It was at 404 00:19:59,600 --> 00:20:02,320 Speaker 2: a beautif full, high end art gallery in Beverly Hills. 405 00:20:02,840 --> 00:20:05,080 Speaker 2: So I always go in. I have my stuff that 406 00:20:05,119 --> 00:20:07,120 Speaker 2: I need to auction off. That's it. In and out. 407 00:20:07,680 --> 00:20:10,800 Speaker 2: So the pressure's not as great. It's an art house 408 00:20:10,840 --> 00:20:13,119 Speaker 2: in Beverly Hills. I mean, what are they doing funding for. 409 00:20:13,200 --> 00:20:16,480 Speaker 2: It's not it's not a high end event for cancer, right. 410 00:20:16,520 --> 00:20:18,160 Speaker 2: If we don't make it, we don't make it. So 411 00:20:19,400 --> 00:20:22,639 Speaker 2: they show me this. The art gallery was for a 412 00:20:22,640 --> 00:20:25,119 Speaker 2: guy named mister Brainwashed. You know, yeah, you do. 413 00:20:25,240 --> 00:20:28,200 Speaker 3: Of course, he was in that documentary about the Exit 414 00:20:28,200 --> 00:20:28,879 Speaker 3: through the gift Shop. 415 00:20:29,160 --> 00:20:31,320 Speaker 2: Okay, I don't know who this is. And I go in. 416 00:20:31,400 --> 00:20:34,680 Speaker 2: It's a beautiful, beautiful gallery. I don't know who this is. Right. 417 00:20:35,040 --> 00:20:37,000 Speaker 2: So they said to me, you have to auction off 418 00:20:38,400 --> 00:20:41,159 Speaker 2: an art piece by mister Brainwash for forty five grand 419 00:20:41,880 --> 00:20:44,320 Speaker 2: I said, I need him up there with me so 420 00:20:44,320 --> 00:20:46,920 Speaker 2: he can help me sell this thing. I have no idea, right. 421 00:20:47,359 --> 00:20:49,720 Speaker 2: His wife comes over to me, she's French, and she's like, 422 00:20:49,720 --> 00:20:51,440 Speaker 2: are you the auction there? And I was like yes. 423 00:20:51,480 --> 00:20:54,320 Speaker 2: She's like, you sell the piece for mister brainwash. Nobody 424 00:20:54,320 --> 00:20:56,719 Speaker 2: knows his first name. I guess right. Everybody's referring him 425 00:20:56,800 --> 00:20:59,840 Speaker 2: to as him as mister and I just said, I 426 00:21:00,080 --> 00:21:02,480 Speaker 2: need your husband up there with me. She's like, you 427 00:21:02,600 --> 00:21:06,320 Speaker 2: don't know the works of mister brainwash. And I almost 428 00:21:06,320 --> 00:21:08,399 Speaker 2: started laughing Andy, because I was like, you, no, I 429 00:21:08,720 --> 00:21:11,840 Speaker 2: buy my art at IKEA. I just can't fit his 430 00:21:12,040 --> 00:21:13,280 Speaker 2: work into my mini coop. 431 00:21:13,400 --> 00:21:16,200 Speaker 3: This isn't part of your your in your wheelhouse. Yeah, 432 00:21:16,200 --> 00:21:19,600 Speaker 3: that is that is a did you did you? Were 433 00:21:19,640 --> 00:21:20,720 Speaker 3: you able to successfully auction? 434 00:21:21,280 --> 00:21:24,159 Speaker 2: I was because there was somebody in the room that 435 00:21:24,400 --> 00:21:26,320 Speaker 2: was a shill bed or that bought it, of course, 436 00:21:26,320 --> 00:21:28,000 Speaker 2: so we didn't even have to do the whole pomp 437 00:21:28,080 --> 00:21:30,040 Speaker 2: beautiful stance. Yes, beautiful. He just took it. 438 00:21:30,080 --> 00:21:32,000 Speaker 3: There was one bid forty five grand in and out. 439 00:21:32,040 --> 00:21:35,320 Speaker 3: Of course, this is all alleged, mister brainwash. If you're listening, 440 00:21:35,359 --> 00:21:38,040 Speaker 3: this is all just uh, we're just speculating about this. 441 00:21:38,800 --> 00:21:41,720 Speaker 3: None of this is I'm not legally bound by any 442 00:21:41,760 --> 00:21:46,840 Speaker 3: of this divulging any of this information. No, uh but 443 00:21:46,840 --> 00:21:48,520 Speaker 3: but I mean I think that, like, you know, being 444 00:21:48,520 --> 00:21:52,520 Speaker 3: an auctioneer, what an unbelievable thing. And then laugh factory, 445 00:21:52,880 --> 00:21:54,440 Speaker 3: I know that said something you were a part of 446 00:21:54,440 --> 00:21:56,679 Speaker 3: for a long time. Are you gonna do the Thanksgiving 447 00:21:56,720 --> 00:21:57,399 Speaker 3: thing on Thursday? 448 00:21:57,440 --> 00:21:57,600 Speaker 9: Yeah? 449 00:21:57,640 --> 00:21:59,119 Speaker 2: I think so. They do that. Listen, they do a 450 00:21:59,119 --> 00:22:02,000 Speaker 2: wonderful thing. They feed the homeless. They do that on Thursday. 451 00:22:02,640 --> 00:22:04,240 Speaker 2: They'll do it for Thanksgiving, they do it for Christmas. 452 00:22:04,280 --> 00:22:06,840 Speaker 2: I'm actually in town, so I probably will do it. Shit, yeah, 453 00:22:06,840 --> 00:22:08,480 Speaker 2: it's great. What else are you doing? 454 00:22:08,600 --> 00:22:08,920 Speaker 5: I know? 455 00:22:09,160 --> 00:22:10,920 Speaker 2: And then I know you action for mister brainwash. 456 00:22:11,000 --> 00:22:14,199 Speaker 3: You were I remember that they had a big thing 457 00:22:14,280 --> 00:22:19,160 Speaker 3: set up at when I first moved to La I god, 458 00:22:19,200 --> 00:22:21,040 Speaker 3: I was probably twenty two years old and I lived 459 00:22:21,080 --> 00:22:23,439 Speaker 3: in West Hollywood border West Hollywood, Beverly Hills with like 460 00:22:23,600 --> 00:22:26,000 Speaker 3: a building with a bunch of divorces. Okay, it was 461 00:22:26,040 --> 00:22:27,520 Speaker 3: like me as a twenty two year old and a 462 00:22:27,520 --> 00:22:30,479 Speaker 3: bunch of fifty year old women who had just just 463 00:22:30,520 --> 00:22:34,440 Speaker 3: got out of the relationship. It was Pino Gregia wine 464 00:22:34,520 --> 00:22:37,920 Speaker 3: night every night. And I was near robertson Boulevard where 465 00:22:37,920 --> 00:22:39,280 Speaker 3: they have a bunch of those galleries and stuff, and 466 00:22:39,280 --> 00:22:41,320 Speaker 3: I would walk around there and I was thinking, you know, okay, 467 00:22:41,600 --> 00:22:44,480 Speaker 3: I'm so the things you think when you're twenty two. Oh, 468 00:22:44,520 --> 00:22:46,600 Speaker 3: I got to get some art for my place. Oh right, 469 00:22:46,680 --> 00:22:49,000 Speaker 3: So of course walked into one of those galleries that's 470 00:22:49,000 --> 00:22:51,480 Speaker 3: like at Beverly and Roberts are thinking that, like this 471 00:22:51,640 --> 00:22:53,160 Speaker 3: is just a place like you would go and get 472 00:22:53,520 --> 00:22:55,840 Speaker 3: a picture from Ikia walked in and I had the 473 00:22:55,880 --> 00:22:58,439 Speaker 3: whole like, oh, this is neat and it was a 474 00:22:58,480 --> 00:22:59,960 Speaker 3: mister brainwash, oh you know. 475 00:23:00,359 --> 00:23:01,719 Speaker 2: And I was like, this is a cool painting. How 476 00:23:01,760 --> 00:23:03,199 Speaker 2: much is it? You know, and it's like this is 477 00:23:03,320 --> 00:23:08,080 Speaker 2: seventy five thousand dollars and having to be like ooh ah, yeah, yeah, yeah, 478 00:23:08,160 --> 00:23:08,400 Speaker 2: I was. 479 00:23:08,720 --> 00:23:11,159 Speaker 3: A little more expensive. Yeah, no, this is probably not 480 00:23:12,359 --> 00:23:14,000 Speaker 3: I was just checked with Daddy about this. 481 00:23:14,240 --> 00:23:16,040 Speaker 2: Well, by the way, I had to let because I've 482 00:23:16,119 --> 00:23:18,600 Speaker 2: mentioned this story a couple of times and people he 483 00:23:18,720 --> 00:23:21,399 Speaker 2: is very popular. Yeah, and the painting don't get me 484 00:23:21,440 --> 00:23:25,000 Speaker 2: wrong was beautiful, but I just the way that the 485 00:23:25,000 --> 00:23:26,920 Speaker 2: wife had said it to me, it was so funny 486 00:23:27,040 --> 00:23:29,480 Speaker 2: and so like, you don't know. I was like, I'm 487 00:23:29,560 --> 00:23:32,479 Speaker 2: so out of the loop in that department, right, But 488 00:23:32,600 --> 00:23:34,320 Speaker 2: it just by the way. When I just did an 489 00:23:34,320 --> 00:23:37,479 Speaker 2: auction back in Detroit, and this is why I start 490 00:23:37,760 --> 00:23:40,119 Speaker 2: to get in trouble because we're raising money for something, 491 00:23:40,440 --> 00:23:43,080 Speaker 2: I start making fun of people. I feel like I'm 492 00:23:43,080 --> 00:23:43,600 Speaker 2: on stage. 493 00:23:43,640 --> 00:23:45,320 Speaker 3: I have a hard time even doing the news in 494 00:23:45,359 --> 00:23:50,120 Speaker 3: the morning, right, because my immediate inclination is too there 495 00:23:50,160 --> 00:23:52,639 Speaker 3: is a joke here, and how do I not say that? 496 00:23:52,800 --> 00:23:53,040 Speaker 2: Yeah? 497 00:23:53,040 --> 00:23:56,080 Speaker 3: Like, how do I control myself from not jumping in 498 00:23:56,119 --> 00:23:57,280 Speaker 3: and trying to hear funny about this? 499 00:23:57,400 --> 00:24:00,080 Speaker 2: Yeah? I literally had a guy who was in the 500 00:24:00,400 --> 00:24:02,320 Speaker 2: audience for the auction just give me, give me the 501 00:24:02,320 --> 00:24:05,120 Speaker 2: middle finger, and you're like, everybody sees this and we're 502 00:24:05,160 --> 00:24:08,240 Speaker 2: here for charity, right, And it was funny because I 503 00:24:08,240 --> 00:24:10,280 Speaker 2: even said there were people not bidding in the back, 504 00:24:10,320 --> 00:24:11,920 Speaker 2: and I said, oh, we're not going to get people 505 00:24:12,000 --> 00:24:14,200 Speaker 2: bidding back there. They got in for free or something 506 00:24:14,280 --> 00:24:16,800 Speaker 2: like that, and they were upset. So it's like there's 507 00:24:16,840 --> 00:24:19,120 Speaker 2: this balance, like you I'm having a good time because 508 00:24:19,119 --> 00:24:21,840 Speaker 2: I'm a stand up at all levels. Yeah, and I 509 00:24:22,040 --> 00:24:23,560 Speaker 2: just was like, oh, I got to pull back up 510 00:24:23,560 --> 00:24:23,879 Speaker 2: little bit. 511 00:24:23,960 --> 00:24:25,560 Speaker 3: No, it's funny. I know you're you're friends with Casey 512 00:24:25,680 --> 00:24:29,400 Speaker 3: also Kesey Montoya. You do her her her charity fix 513 00:24:29,440 --> 00:24:30,240 Speaker 3: and fighters. 514 00:24:29,960 --> 00:24:30,959 Speaker 2: Right, well do you? 515 00:24:31,000 --> 00:24:31,080 Speaker 4: So? 516 00:24:32,280 --> 00:24:34,440 Speaker 2: I did my second year, I did it this year, 517 00:24:34,480 --> 00:24:37,200 Speaker 2: but last year I did it and raised a bunch 518 00:24:37,200 --> 00:24:39,600 Speaker 2: of money. Everybody was super happy. And at the end 519 00:24:39,640 --> 00:24:42,320 Speaker 2: of the event, some woman came up to me who 520 00:24:42,720 --> 00:24:44,560 Speaker 2: I won't say, but came up to me and said, 521 00:24:45,080 --> 00:24:48,280 Speaker 2: you literally ruined this event because I was joking and 522 00:24:48,320 --> 00:24:50,200 Speaker 2: making fun and goofing around, but we raised a bunch 523 00:24:50,240 --> 00:24:52,840 Speaker 2: of money. You ruined it. I ruined it because she 524 00:24:53,000 --> 00:24:56,480 Speaker 2: felt like I was constantly making fun of the items, right, 525 00:24:56,720 --> 00:24:58,919 Speaker 2: so you know one of the she's selling the items, 526 00:24:59,000 --> 00:25:00,840 Speaker 2: or she was one of her it was one of her, 527 00:25:00,920 --> 00:25:02,440 Speaker 2: But I wasn't making fun of that one. I was 528 00:25:02,480 --> 00:25:04,439 Speaker 2: making fun of others, like, hey, you can do a 529 00:25:04,480 --> 00:25:05,760 Speaker 2: police helicopter ride. 530 00:25:06,280 --> 00:25:09,119 Speaker 3: The craziness of a stranger to come up to another 531 00:25:09,200 --> 00:25:12,160 Speaker 3: person the audacity and be like you ruined this rude. 532 00:25:12,200 --> 00:25:14,600 Speaker 2: It is correct. Never in a million years when I 533 00:25:14,600 --> 00:25:17,440 Speaker 2: ever feel like appropriate to say that she did. She did, 534 00:25:17,680 --> 00:25:19,720 Speaker 2: she said you ruined the event, and then it was 535 00:25:19,760 --> 00:25:23,560 Speaker 2: obviously Casey Montoya, right, And I didn't say anything to Casey. 536 00:25:23,640 --> 00:25:25,720 Speaker 2: And then she called me. She said, you got such 537 00:25:25,800 --> 00:25:27,600 Speaker 2: rave reviews, we want you to keep doing it. I 538 00:25:27,640 --> 00:25:30,119 Speaker 2: was like, well, I just got scolded by one of 539 00:25:30,160 --> 00:25:32,719 Speaker 2: your guests who donated an item. And by the way, 540 00:25:32,720 --> 00:25:36,840 Speaker 2: it's usually the people who haven't donated and aren't bidding. Yeah, right, whatever. 541 00:25:37,200 --> 00:25:40,400 Speaker 2: It's absolutely insane because there's there's these items where it's 542 00:25:40,440 --> 00:25:44,120 Speaker 2: like take a helicopter ride over Pasadena and then I'll 543 00:25:44,160 --> 00:25:45,800 Speaker 2: make a joke like you know, we'll go up to 544 00:25:45,880 --> 00:25:48,280 Speaker 2: Victorville and you can see where you know the police 545 00:25:48,359 --> 00:25:51,200 Speaker 2: chases are, and like it just takes over me and 546 00:25:51,240 --> 00:25:54,080 Speaker 2: I have to remember, like where they're raising money. That's right, 547 00:25:54,160 --> 00:25:55,280 Speaker 2: that's the idea. That's right. 548 00:25:55,440 --> 00:25:58,040 Speaker 3: Well, I appreciate you being here where you are allowed 549 00:25:58,040 --> 00:25:59,000 Speaker 3: to joke as much as you. 550 00:25:59,119 --> 00:26:02,120 Speaker 2: Last time I called and you called me out because 551 00:26:02,119 --> 00:26:04,000 Speaker 2: I turned off the car. I was in my car 552 00:26:04,080 --> 00:26:07,720 Speaker 2: and it starts beeping buicklessa. I was like, it was 553 00:26:07,760 --> 00:26:10,960 Speaker 2: like a grandpa. That was that was actually andy. That 554 00:26:11,000 --> 00:26:13,840 Speaker 2: was when I did the auction for Habitat when everybody 555 00:26:13,840 --> 00:26:16,280 Speaker 2: had a good time, but we lost forty grand. Well, 556 00:26:16,359 --> 00:26:19,080 Speaker 2: so everybody was left happy, but we didn't make it money. 557 00:26:19,119 --> 00:26:22,080 Speaker 3: Well, maybe maybe the Johnny Carson or Johnny Carson Cheez, 558 00:26:22,119 --> 00:26:27,520 Speaker 3: the uh Jimmy Carter Foundation can make a donation for Habitat. 559 00:26:27,720 --> 00:26:28,000 Speaker 2: I don't know. 560 00:26:28,320 --> 00:26:28,760 Speaker 1: They need to. 561 00:26:29,040 --> 00:26:32,160 Speaker 2: Gary Cannon find him on the internet at Garycannon dot com. 562 00:26:32,160 --> 00:26:35,480 Speaker 2: But I've shows this weekend Laugh Factory seven thirty Friday, 563 00:26:35,880 --> 00:26:39,679 Speaker 2: Improv nine thirty Friday, two shows back to back. Saturday. 564 00:26:39,840 --> 00:26:43,480 Speaker 2: I will be at the Laugh Factory, Long Beach to look. 565 00:26:43,320 --> 00:26:46,000 Speaker 3: At you all over town, Happy Thanksgiving. Thank you for 566 00:26:46,040 --> 00:26:48,640 Speaker 3: making time and your busy schedule to come see Thank 567 00:26:48,680 --> 00:26:49,760 Speaker 3: you any come back anytime. 568 00:26:51,640 --> 00:26:55,440 Speaker 1: You're listening to KFI AM six forty on demand. 569 00:27:00,160 --> 00:27:00,800 Speaker 2: Thanks forty. 570 00:27:00,960 --> 00:27:03,359 Speaker 3: I'm Andy Reesmeyer coming up in just a few minutes. 571 00:27:03,400 --> 00:27:05,560 Speaker 3: We will hand it over to George Norri for Coast 572 00:27:05,600 --> 00:27:07,959 Speaker 3: to Coast. George joins us now with a look at 573 00:27:07,960 --> 00:27:08,840 Speaker 3: what's coming up tonight. 574 00:27:10,000 --> 00:27:10,359 Speaker 7: Andy. 575 00:27:10,359 --> 00:27:13,439 Speaker 5: We're going to talk about how to reverse cognitive decline, 576 00:27:13,480 --> 00:27:17,520 Speaker 5: and then later on science and the supernatural on Coast 577 00:27:17,560 --> 00:27:17,920 Speaker 5: to Coach. 578 00:27:18,119 --> 00:27:22,560 Speaker 3: All right, can't wait doing anything fun for Thanksgiving. 579 00:27:23,600 --> 00:27:26,400 Speaker 9: Going over to my granddaughters, the whole family's. 580 00:27:25,960 --> 00:27:29,160 Speaker 5: Going, and then coming back to La right after Christians. 581 00:27:29,200 --> 00:27:33,840 Speaker 3: Hey, love it, have a great, great holiday. There we go, Andy, 582 00:27:33,960 --> 00:27:36,200 Speaker 3: George Nory coming up in just about eight minutes. 583 00:27:36,359 --> 00:27:38,560 Speaker 2: How fun. Love talking to George. 584 00:27:38,840 --> 00:27:42,120 Speaker 3: Mister Ronner. It's nice to see you again tonight. Welcome back. Wait, 585 00:27:42,160 --> 00:27:46,200 Speaker 3: I'm the one who's welcomed back, but I think it works. No, no, no, 586 00:27:46,280 --> 00:27:48,439 Speaker 3: we always have fun to go. Yeah, and I think, like, 587 00:27:48,920 --> 00:27:51,840 Speaker 3: I don't work here five days out of the week, 588 00:27:51,920 --> 00:27:53,480 Speaker 3: so you can say welcome back. 589 00:27:53,520 --> 00:27:55,440 Speaker 2: I was here yesterday. It's hard to keep track. 590 00:27:55,480 --> 00:27:57,879 Speaker 5: It's kind of a musical chair situation at the moment, 591 00:27:57,960 --> 00:27:59,480 Speaker 5: but it's it's been fun so far. 592 00:27:59,640 --> 00:28:00,199 Speaker 2: It has been one. 593 00:28:00,240 --> 00:28:02,080 Speaker 3: I've been really thankful to be able to have the 594 00:28:02,119 --> 00:28:04,400 Speaker 3: opportunity to do this. I don't sleep a lot anymore 595 00:28:04,760 --> 00:28:08,080 Speaker 3: well rating, but uh yeah, definitely. Like in twelve hours, 596 00:28:08,119 --> 00:28:12,119 Speaker 3: I will be almost ready to be done with the 597 00:28:12,160 --> 00:28:12,720 Speaker 3: morning show. 598 00:28:12,960 --> 00:28:14,919 Speaker 5: So how do you unwind or can you just go 599 00:28:15,000 --> 00:28:16,520 Speaker 5: right to sleep? I'm not good at it. 600 00:28:16,640 --> 00:28:19,200 Speaker 3: No, I I cause I need coffee to do this show, 601 00:28:19,440 --> 00:28:21,520 Speaker 3: so I'll I'm trying to taper off and drink a 602 00:28:21,520 --> 00:28:24,399 Speaker 3: little bit earlier, like drink the coffee earlier, so that 603 00:28:24,440 --> 00:28:25,400 Speaker 3: I'm able to. 604 00:28:25,359 --> 00:28:25,879 Speaker 2: Go to sleep. 605 00:28:26,400 --> 00:28:28,800 Speaker 3: But uh, I'll go home and I'll watch a little news, 606 00:28:29,200 --> 00:28:33,119 Speaker 3: you know, just that'll really see something relaxing like news. 607 00:28:33,560 --> 00:28:36,600 Speaker 2: Yeah, he on my friend's files. News will put you 608 00:28:36,680 --> 00:28:38,280 Speaker 2: right in the boot, can I tell you? You know, 609 00:28:38,400 --> 00:28:39,080 Speaker 2: I'm one of those people. 610 00:28:39,160 --> 00:28:40,800 Speaker 3: I have the TV on all the time because I 611 00:28:40,840 --> 00:28:43,480 Speaker 3: lived alone for most of my adult life, and so 612 00:28:43,560 --> 00:28:45,680 Speaker 3: I would have the news on in the background, especially 613 00:28:45,680 --> 00:28:49,200 Speaker 3: like KTLA or or any of the cable nets, you know, 614 00:28:49,280 --> 00:28:51,480 Speaker 3: just kind of bouncing around because I like news. And 615 00:28:51,480 --> 00:28:53,800 Speaker 3: then when I started working at KTLA, it started to 616 00:28:53,840 --> 00:28:56,840 Speaker 3: really freak me out because I'd come home and I'd 617 00:28:56,880 --> 00:28:59,800 Speaker 3: like have just left that place, and then the work 618 00:28:59,840 --> 00:29:02,680 Speaker 3: was always in the house too. So I've been trying 619 00:29:02,680 --> 00:29:05,280 Speaker 3: to sort of put a distance in between the two 620 00:29:05,320 --> 00:29:06,600 Speaker 3: of them, but it's hard to do that. 621 00:29:06,680 --> 00:29:10,560 Speaker 5: I compulsively read, watch, and listen to news constantly, and 622 00:29:10,600 --> 00:29:12,560 Speaker 5: I have to force myself not to. I have to 623 00:29:12,600 --> 00:29:14,880 Speaker 5: force myself to have some book time every day. That 624 00:29:15,000 --> 00:29:18,600 Speaker 5: kind of has to stop from just completely going insane. 625 00:29:18,680 --> 00:29:20,840 Speaker 3: Well, my palate cleans used to be listening to Tim 626 00:29:20,880 --> 00:29:24,520 Speaker 3: Conway Junior. I would be listening to KFI as a 627 00:29:24,520 --> 00:29:28,360 Speaker 3: way to like disconnect from work, and now I work here, 628 00:29:29,280 --> 00:29:30,840 Speaker 3: so I just can't escape it. 629 00:29:31,000 --> 00:29:36,280 Speaker 5: I think your only alternative is the hard drugs. We 630 00:29:36,360 --> 00:29:38,520 Speaker 5: got a couple of talkbacks to get to. Here's one 631 00:29:38,560 --> 00:29:40,200 Speaker 5: that's just called Roner. 632 00:29:40,600 --> 00:29:42,440 Speaker 2: Oh no, here's. 633 00:29:42,240 --> 00:29:46,400 Speaker 11: One for Ronnor. When people ask you a thanksgiving what 634 00:29:46,440 --> 00:29:50,480 Speaker 11: you're thankful for, tell them, well, you know, I'm a 635 00:29:50,600 --> 00:29:54,120 Speaker 11: very giving guy, and I thank god he gave me 636 00:29:54,160 --> 00:29:57,920 Speaker 11: two middle fingers, because sometimes giving somebody one is just 637 00:29:58,000 --> 00:29:58,520 Speaker 11: not enough. 638 00:29:58,960 --> 00:30:01,080 Speaker 2: Are you screening these or are you just playing in 639 00:30:01,160 --> 00:30:04,840 Speaker 2: Willy Reilly? It's not my job to clear It was. 640 00:30:04,840 --> 00:30:07,160 Speaker 6: Clean, and I thought it was a nice compliment. 641 00:30:07,240 --> 00:30:08,920 Speaker 5: Okay, I didn't know you were because I was clenched 642 00:30:08,960 --> 00:30:09,800 Speaker 5: up there for a second. 643 00:30:09,880 --> 00:30:11,160 Speaker 6: Yeah, i'd pay to see that. 644 00:30:11,320 --> 00:30:16,520 Speaker 2: Okay, let's move on screening our producer and my mom 645 00:30:16,560 --> 00:30:22,440 Speaker 2: made turkey and siladas. Oh turkey enchiladas. 646 00:30:21,880 --> 00:30:29,600 Speaker 11: Siladas, and she's only the brown meat. Why anyway, he's 647 00:30:29,680 --> 00:30:30,240 Speaker 11: really good. 648 00:30:30,400 --> 00:30:37,640 Speaker 2: That sounds delicious about see you tomorrow morning on kay Dla. 649 00:30:37,720 --> 00:30:40,040 Speaker 2: That's right, that's cool. Turkey andchilada sounds kind of good. 650 00:30:40,160 --> 00:30:40,960 Speaker 2: I want that now. 651 00:30:41,040 --> 00:30:43,960 Speaker 3: Yeah, yeah, and I think that I imagine you'd use that 652 00:30:44,000 --> 00:30:46,040 Speaker 3: because it's a fattier, more flavorful meat. 653 00:30:46,200 --> 00:30:46,400 Speaker 9: Well. 654 00:30:46,440 --> 00:30:49,800 Speaker 5: Also, you brought up something important earlier, which is turkey 655 00:30:49,840 --> 00:30:53,479 Speaker 5: needs some lube, and Enchiladas have the sauce. 656 00:30:53,520 --> 00:30:56,720 Speaker 3: That's right, Andilada's got the sauce A wet burrito if 657 00:30:56,720 --> 00:30:57,080 Speaker 3: you will. 658 00:30:57,920 --> 00:30:58,480 Speaker 2: I like that. 659 00:30:59,360 --> 00:31:03,320 Speaker 3: We can, you know, plan a show. I did plan 660 00:31:03,360 --> 00:31:07,000 Speaker 3: a show tonight and I got to maybe get third 661 00:31:07,000 --> 00:31:07,200 Speaker 3: of it. 662 00:31:07,240 --> 00:31:07,640 Speaker 2: I don't know. 663 00:31:07,680 --> 00:31:12,400 Speaker 12: How'd we do, Nikki, you did great, so good, so good? 664 00:31:12,880 --> 00:31:15,040 Speaker 12: Ten ten fingers up. 665 00:31:15,000 --> 00:31:18,720 Speaker 2: Ten fingers up, ten fingers up. I don't know who's 666 00:31:18,920 --> 00:31:20,280 Speaker 2: that's like, don't shoot. 667 00:31:21,520 --> 00:31:23,160 Speaker 6: Hands up, jazz hands. 668 00:31:23,200 --> 00:31:25,800 Speaker 5: Oh okay, well you have to you have to specify that. 669 00:31:26,120 --> 00:31:28,280 Speaker 2: I guess that's good. Are you doing anything for Thanksgiving? 670 00:31:28,440 --> 00:31:31,280 Speaker 6: I'm an immigrant. I don't have any family. 671 00:31:31,480 --> 00:31:34,400 Speaker 5: If anybody should appreciate Thanksgiving, it should be the immigrants. 672 00:31:34,560 --> 00:31:38,040 Speaker 6: I know nothing, John Snow, I don't know. 673 00:31:38,440 --> 00:31:41,120 Speaker 5: Maybe one of our listeners in their family would be 674 00:31:41,160 --> 00:31:44,120 Speaker 5: delighted to take in, oh someone from that. 675 00:31:44,760 --> 00:31:46,120 Speaker 6: A little single orphan. 676 00:31:46,360 --> 00:31:48,680 Speaker 2: Yeah sure, I'm just an urchin a streeter. 677 00:31:48,960 --> 00:31:50,840 Speaker 6: Take little orphan Annie over here. 678 00:31:51,080 --> 00:31:53,040 Speaker 2: Please, sir, can I can actually. 679 00:31:52,800 --> 00:31:55,360 Speaker 6: Played little orphan Annie in the school play. Of course, 680 00:31:55,480 --> 00:31:57,560 Speaker 6: because I was the only curly haired child. 681 00:31:58,560 --> 00:32:00,040 Speaker 2: You were kind of like the black Sheep. 682 00:31:59,800 --> 00:32:02,320 Speaker 6: Band because of my black curls. 683 00:32:02,480 --> 00:32:04,800 Speaker 2: Yeah, and like I'm assuming you had tattoos at that point. 684 00:32:04,800 --> 00:32:07,520 Speaker 12: All I was like four years old. Yeah, so yes, yes, 685 00:32:07,680 --> 00:32:08,640 Speaker 12: covered in tattoos. 686 00:32:08,680 --> 00:32:12,360 Speaker 5: Right, yeah, yeah, Annie needs some ink and he needs 687 00:32:12,360 --> 00:32:14,960 Speaker 5: some ink and he gets your gun. That's right, get 688 00:32:14,960 --> 00:32:15,760 Speaker 5: your tattoo gun. 689 00:32:16,800 --> 00:32:18,160 Speaker 3: I was gonna do this story about what would happen 690 00:32:18,200 --> 00:32:19,920 Speaker 3: if you walked into a black hole. This kind of 691 00:32:19,960 --> 00:32:23,800 Speaker 3: felt like a good segue into mister Norri's show. I 692 00:32:23,800 --> 00:32:26,800 Speaker 3: think I can do it pretty quickly here. If a 693 00:32:26,920 --> 00:32:31,120 Speaker 3: human fell into one, the force of gravity would be 694 00:32:31,160 --> 00:32:38,880 Speaker 3: so strong you'd undergo something called spaghettification. Spaghetification. Spaghettification. That's 695 00:32:38,920 --> 00:32:39,560 Speaker 3: not like when you. 696 00:32:41,080 --> 00:32:43,280 Speaker 2: Go to Italy. Oh, forget about it. 697 00:32:43,920 --> 00:32:45,800 Speaker 3: Since a black hole's gravity is so strong, there's an 698 00:32:45,840 --> 00:32:49,120 Speaker 3: extremely steep gravitational gradient. That means the forces affecting your 699 00:32:49,120 --> 00:32:51,560 Speaker 3: feet near the black hole would be much more powerful 700 00:32:51,600 --> 00:32:54,160 Speaker 3: than those affecting your head, so your body would be 701 00:32:54,280 --> 00:32:57,000 Speaker 3: yanked into a long line like a piece of spaghetti 702 00:32:57,080 --> 00:33:00,560 Speaker 3: being sucked up by the black hole. At the same time, 703 00:33:00,800 --> 00:33:05,600 Speaker 3: the intense radiation from orbiting material in the accretion disc 704 00:33:06,960 --> 00:33:11,200 Speaker 3: would blast you with incredibly powerful X rays. Strangely, as 705 00:33:11,240 --> 00:33:14,000 Speaker 3: your elongated body approaches the black hole, your perception of 706 00:33:14,000 --> 00:33:17,080 Speaker 3: time would start to radically diverge from anyone outside you 707 00:33:17,760 --> 00:33:20,800 Speaker 3: observing you from the outside. Anyone observing you from the 708 00:33:20,800 --> 00:33:25,320 Speaker 3: outside would only see you completely still, because you are 709 00:33:25,600 --> 00:33:27,600 Speaker 3: moving at that point faster than the speed of light, 710 00:33:28,200 --> 00:33:31,400 Speaker 3: so your feet would be spaghetti fied off into somewhere else. 711 00:33:31,440 --> 00:33:34,040 Speaker 3: And then you would just look to the outsider, who 712 00:33:34,120 --> 00:33:36,960 Speaker 3: I guess was imminently going to be experiencing this as well. 713 00:33:38,240 --> 00:33:40,000 Speaker 5: I don't think it's like it was depicted in two 714 00:33:40,080 --> 00:33:42,760 Speaker 5: thousand and one with the light show. And then and 715 00:33:42,800 --> 00:33:46,160 Speaker 5: then you emerge in like an old school or room 716 00:33:46,240 --> 00:33:47,400 Speaker 5: with high backed chairs. 717 00:33:47,520 --> 00:33:52,000 Speaker 3: Inception also or not inception Interstellar right where he goes 718 00:33:52,040 --> 00:33:53,800 Speaker 3: and he floats around and after he goes to the 719 00:33:53,840 --> 00:33:54,560 Speaker 3: black hole. 720 00:33:54,840 --> 00:33:57,560 Speaker 2: And then you reach your hand through a library. Library. Yeah, 721 00:33:57,600 --> 00:33:59,000 Speaker 2: that's what I'm where's that in this? 722 00:33:59,080 --> 00:33:59,200 Speaker 4: There? 723 00:33:59,320 --> 00:34:01,800 Speaker 5: Maybe artist stick license at work in there, I guess. 724 00:34:01,840 --> 00:34:03,280 Speaker 5: So I guess we'll have to find it out what 725 00:34:03,320 --> 00:34:06,680 Speaker 5: it wants to be spaghettified. No, not in the least. 726 00:34:06,840 --> 00:34:08,840 Speaker 5: I'm Andy Reesmeyer. Thanks for being with us tonight. 727 00:34:09,280 --> 00:34:15,000 Speaker 3: Thanks to Oliver, Nikki, Mark Ronner and of course Sam 728 00:34:15,360 --> 00:34:17,920 Speaker 1: Kf I AM six forty on demand.