1 00:00:00,120 --> 00:00:03,920 Speaker 1: This is a podcast from wor Now more of the 2 00:00:04,280 --> 00:00:09,360 Speaker 1: WOOR Saturday Morning Show and Larry Minty Welcome back. So 3 00:00:09,560 --> 00:00:13,920 Speaker 1: who is going to be the next James Bond? Let's 4 00:00:13,960 --> 00:00:17,760 Speaker 1: talk about that and tomorrow Night's Golden Globes with New 5 00:00:17,880 --> 00:00:22,320 Speaker 1: York Post entertainment critic Johnny Olegzinski. I might be one 6 00:00:22,360 --> 00:00:25,439 Speaker 1: of the few people probably not really looking forward to 7 00:00:25,480 --> 00:00:29,240 Speaker 1: the Golden Globes because I liked Nicki Glazer that much. 8 00:00:29,280 --> 00:00:32,440 Speaker 1: I thought she was incredible in the Tom Brady Roast. 9 00:00:32,479 --> 00:00:35,599 Speaker 1: I thought she was incredible last year. I don't care 10 00:00:35,640 --> 00:00:38,559 Speaker 1: about the awards at all or the ceremony. I just 11 00:00:38,600 --> 00:00:39,239 Speaker 1: want to see her. 12 00:00:39,479 --> 00:00:41,760 Speaker 2: You really just threw me a curveball with that looking 13 00:00:41,800 --> 00:00:43,559 Speaker 2: forward to the Golden Globes. S I almost did a 14 00:00:43,560 --> 00:00:46,720 Speaker 2: spit take. Didn't prepare that in my notes. I'm a 15 00:00:46,720 --> 00:00:50,360 Speaker 2: little bit flummoxed here. Yes, the Nicky Glazer part is 16 00:00:50,360 --> 00:00:52,959 Speaker 2: going to be very good because last year, last year, 17 00:00:53,000 --> 00:00:55,200 Speaker 2: she was sensational, and remember she was coming off of 18 00:00:55,240 --> 00:00:57,800 Speaker 2: that awful, awful Joe Coy, who was sort of the 19 00:00:58,000 --> 00:01:01,080 Speaker 2: worst host they'd ever had in the room. People were groaning, 20 00:01:01,200 --> 00:01:03,400 Speaker 2: and he went on this sort of apology tour for it, 21 00:01:03,440 --> 00:01:06,800 Speaker 2: and then she came and saved the day because she prepared. 22 00:01:06,920 --> 00:01:11,840 Speaker 2: She's naturally funny and mean and mean spirited in just 23 00:01:11,920 --> 00:01:14,120 Speaker 2: the right way. She kind of owned the room. So 24 00:01:14,160 --> 00:01:17,640 Speaker 2: I'm excited for her. She has an uphill climb, you know. 25 00:01:17,640 --> 00:01:20,080 Speaker 2: I don't know how she's gonna make jokes about the 26 00:01:20,080 --> 00:01:26,080 Speaker 2: film Surat and Brazil's the secret agent. But she's smart 27 00:01:26,160 --> 00:01:29,559 Speaker 2: enough that I hope she finds a way and lifts 28 00:01:29,600 --> 00:01:32,280 Speaker 2: what otherwise will be kind of a snoozy ceremony. 29 00:01:32,319 --> 00:01:35,559 Speaker 1: I suspect, yeah, she will go after people in the room. 30 00:01:35,760 --> 00:01:37,760 Speaker 1: I think she's going to ignore some of the movies, 31 00:01:37,880 --> 00:01:39,520 Speaker 1: but she's going to go after the people in the 32 00:01:39,600 --> 00:01:40,800 Speaker 1: room like she did last year. 33 00:01:40,920 --> 00:01:44,479 Speaker 2: The Golden Globes is tough because there's a legacy of well, 34 00:01:44,480 --> 00:01:46,840 Speaker 2: the Oscars has a legacy of great hosts too, but 35 00:01:46,880 --> 00:01:49,080 Speaker 2: that's when you're starting to go back to you know, 36 00:01:49,080 --> 00:01:52,880 Speaker 2: Billy Crystal and Steve or decades ago. There were great hosts, 37 00:01:53,360 --> 00:01:56,000 Speaker 2: and I liked Conan, but the Golden Globes had Remember 38 00:01:56,080 --> 00:02:00,440 Speaker 2: Ricky Gervais was so eviscerating, and he was this kind 39 00:02:00,440 --> 00:02:04,000 Speaker 2: of Hollywood outsider that would mock and destroy everybody so 40 00:02:04,000 --> 00:02:06,000 Speaker 2: everyone's sort of in the shadow of Ricky Gervais, and 41 00:02:06,000 --> 00:02:08,760 Speaker 2: you have Tina Fey and Amy Poehler, who are both 42 00:02:08,840 --> 00:02:13,160 Speaker 2: great and made hilarious jokes by James Cameron and Ben Affleck, 43 00:02:13,440 --> 00:02:15,040 Speaker 2: And now I bet we're going to see her, you know, 44 00:02:15,120 --> 00:02:16,160 Speaker 2: go really full out. 45 00:02:16,280 --> 00:02:18,880 Speaker 1: Oh, I hope, so, I hope so. I think the 46 00:02:18,919 --> 00:02:22,120 Speaker 1: only reason people will watch the Golden Globes is for her. 47 00:02:22,639 --> 00:02:24,240 Speaker 1: I don't think a lot of people are going. I 48 00:02:24,280 --> 00:02:26,760 Speaker 1: can't wait for the Golden Globes. It's never been a 49 00:02:26,800 --> 00:02:30,880 Speaker 1: precursor to anything that's going to happen afterwards. The award 50 00:02:30,960 --> 00:02:33,880 Speaker 1: itself has never mattered in the past that have been 51 00:02:33,880 --> 00:02:38,200 Speaker 1: downright silly. People watched, as you said, for Ricky Gervas, 52 00:02:38,240 --> 00:02:41,399 Speaker 1: people watch for Tina Fey and Amy Pohlar. I think 53 00:02:41,440 --> 00:02:42,520 Speaker 1: she has that same poll. 54 00:02:42,760 --> 00:02:46,160 Speaker 2: That and the fact that because they provide champagne at 55 00:02:46,200 --> 00:02:48,840 Speaker 2: the table for the stars, which the Oscars do not, 56 00:02:48,919 --> 00:02:51,119 Speaker 2: you know, you never see you know, the cash bar 57 00:02:51,200 --> 00:02:54,240 Speaker 2: at the Oscars, that the stars got a little bit 58 00:02:54,280 --> 00:02:58,160 Speaker 2: you know, slurry speech, and they're a bit more outrageous. 59 00:02:57,919 --> 00:03:00,160 Speaker 2: That's what makes it fun and not so much. I 60 00:03:00,200 --> 00:03:02,280 Speaker 2: don't care who wins the Golden I have to write 61 00:03:02,280 --> 00:03:04,359 Speaker 2: about it. So actually, when you read my combat, who won? 62 00:03:04,600 --> 00:03:06,960 Speaker 2: I do care? I care very very much. I care 63 00:03:07,120 --> 00:03:07,560 Speaker 2: very much. 64 00:03:08,080 --> 00:03:10,920 Speaker 1: There's some there was a rumor out there that Timothy 65 00:03:10,919 --> 00:03:14,680 Speaker 1: shell and May had been online as a performer. Not 66 00:03:15,160 --> 00:03:19,160 Speaker 1: everybody's guessing that it's him. Yes, yeah, yeah, we talked 67 00:03:19,200 --> 00:03:20,639 Speaker 1: about it on the air a couple of weeks ago 68 00:03:20,960 --> 00:03:26,760 Speaker 1: that he's actually this rapper from a masked rapper from Britain. 69 00:03:27,200 --> 00:03:30,799 Speaker 2: Meaning that it's really him. This is all just performance art. 70 00:03:30,880 --> 00:03:32,280 Speaker 2: Wait exactly. 71 00:03:32,560 --> 00:03:35,880 Speaker 1: He doesn't identify himself as as such, but everybody's saying 72 00:03:35,920 --> 00:03:37,280 Speaker 1: it's him. They can tell it's him. 73 00:03:37,480 --> 00:03:40,600 Speaker 2: Okay, so it's it's like it's Banksy or something. Yes, wow, 74 00:03:40,640 --> 00:03:43,720 Speaker 2: well he is. He is that weird where I'm not 75 00:03:43,800 --> 00:03:45,800 Speaker 2: going to discount that theory entirely. 76 00:03:48,080 --> 00:03:49,560 Speaker 1: I can't wait to read about it in the Post 77 00:03:49,600 --> 00:03:53,160 Speaker 1: once once you uncover this and you expose him as 78 00:03:53,200 --> 00:03:55,440 Speaker 1: being what's his name? Do you know what's the rapper? 79 00:03:57,200 --> 00:03:59,520 Speaker 1: Let's talk about the next James Bond? Is the casting 80 00:03:59,560 --> 00:03:59,920 Speaker 1: done for that? 81 00:04:00,640 --> 00:04:04,040 Speaker 2: Well? According to The Daily Mail, which is not as 82 00:04:04,120 --> 00:04:07,120 Speaker 2: reputable as sources the New York Post, they there was 83 00:04:07,160 --> 00:04:10,720 Speaker 2: a story in the Mail that an actor named Callum Turner, 84 00:04:10,960 --> 00:04:13,960 Speaker 2: who you know everyone, I can feel all of America's 85 00:04:13,960 --> 00:04:16,880 Speaker 2: blank stares right now, and I said Callum Turner that 86 00:04:17,000 --> 00:04:19,720 Speaker 2: he's been out telling his mates at the pub that 87 00:04:19,800 --> 00:04:21,839 Speaker 2: he has the job. A lot of you have probably 88 00:04:21,839 --> 00:04:24,039 Speaker 2: seen him if you watch There was a show called 89 00:04:24,080 --> 00:04:26,839 Speaker 2: Masters of Air that he was on. He was just 90 00:04:26,880 --> 00:04:29,760 Speaker 2: in a movie I hated called Eternity. He was not 91 00:04:29,800 --> 00:04:31,800 Speaker 2: because of him. He was fine. But that is the 92 00:04:31,839 --> 00:04:35,400 Speaker 2: size of actor that they would usually go for. They're 93 00:04:35,440 --> 00:04:39,280 Speaker 2: not all these names like like a Paul Meskull or 94 00:04:39,400 --> 00:04:42,320 Speaker 2: Harris Dickinson who you know, my draw blinks through there. 95 00:04:42,320 --> 00:04:45,680 Speaker 2: They're too big to become James Bond. They like someone 96 00:04:45,680 --> 00:04:48,520 Speaker 2: who's sort of early career but not entitled. They don't 97 00:04:48,560 --> 00:04:50,520 Speaker 2: only they want to go back to George lazenby just 98 00:04:50,560 --> 00:04:53,120 Speaker 2: picking a guy off the street who looks like Sean Connery. 99 00:04:53,240 --> 00:04:55,200 Speaker 1: I remember Masters of Air. I thought that was great. 100 00:04:55,200 --> 00:04:57,440 Speaker 1: That was the Tom Hanks bern that's right, yeah, yeah, yeah, 101 00:04:57,440 --> 00:04:59,200 Speaker 1: that was really good. And the guy that played Elvis 102 00:04:59,240 --> 00:05:01,680 Speaker 1: what's his name? He was Austin Butler Star. Yeah, Austin 103 00:05:01,720 --> 00:05:05,400 Speaker 1: Butler was in it too. Is Sydney Sweeney going to 104 00:05:05,480 --> 00:05:06,080 Speaker 1: be the it girl. 105 00:05:06,880 --> 00:05:10,000 Speaker 2: Oh she could well, as we know, Jeff Bezos is 106 00:05:10,040 --> 00:05:12,920 Speaker 2: obsessed with her. I'm sure they'll be in Saint Bart's 107 00:05:12,920 --> 00:05:16,360 Speaker 2: hanging out soon enough. And you know, when you're footing 108 00:05:16,360 --> 00:05:18,160 Speaker 2: the bill for the movie, you do get to make 109 00:05:18,200 --> 00:05:21,080 Speaker 2: lots lots of choices. She'd be fun. She'd go back 110 00:05:21,080 --> 00:05:23,280 Speaker 2: to the kind of the old Bond girls of the seventies. 111 00:05:23,720 --> 00:05:25,720 Speaker 1: Yeah, and a lot of people have been talking about that. 112 00:05:25,800 --> 00:05:28,040 Speaker 1: I mean, it's been in Variety that there there's a 113 00:05:28,080 --> 00:05:29,960 Speaker 1: push for her to be the new Bond girl, which 114 00:05:30,640 --> 00:05:32,400 Speaker 1: makes me believe it's already happened. 115 00:05:32,520 --> 00:05:34,640 Speaker 2: It could be, and she's the right age, right type. 116 00:05:34,800 --> 00:05:38,600 Speaker 1: Johnny Olezinski, New York Post entertainment critic. This has been 117 00:05:38,640 --> 00:05:40,760 Speaker 1: a podcast from wo R