1 00:00:00,000 --> 00:00:02,120 Speaker 1: All right, a late podcast today. I can't believe it. 2 00:00:02,120 --> 00:00:04,600 Speaker 1: It is eleven thirty and the after show is going on. 3 00:00:05,080 --> 00:00:08,479 Speaker 1: Hi everybody, it is Justin and producer Riley is here too, 4 00:00:08,520 --> 00:00:12,000 Speaker 1: working hard. Hi Riley, Hi, what's going on? Sorry to 5 00:00:12,000 --> 00:00:13,840 Speaker 1: pull you from your dungeon of work in there. 6 00:00:14,240 --> 00:00:16,600 Speaker 2: Oh it's okay, anything for a break. 7 00:00:17,200 --> 00:00:19,160 Speaker 1: I just you know, I could have done a podcast 8 00:00:19,239 --> 00:00:21,639 Speaker 1: by myself. Sometimes I do that. I come in and 9 00:00:21,680 --> 00:00:23,920 Speaker 1: talk and then when I'm done, I think to myself, 10 00:00:24,520 --> 00:00:25,440 Speaker 1: what did I just say? 11 00:00:25,840 --> 00:00:27,720 Speaker 2: Yeah, that's like what I do when I leave my 12 00:00:27,760 --> 00:00:31,080 Speaker 2: friends a voice note about things like instead of texting, 13 00:00:31,120 --> 00:00:33,959 Speaker 2: and I'll ramble for five minutes and be like, anyways, 14 00:00:34,120 --> 00:00:36,920 Speaker 2: sorry about that. You do that all the time. 15 00:00:37,000 --> 00:00:41,040 Speaker 1: Did you see Justin Bieber's his complaint this weekend? You 16 00:00:41,080 --> 00:00:44,159 Speaker 1: missed that it was about he was he was He 17 00:00:44,240 --> 00:00:46,280 Speaker 1: put a post up where he was yelling at Apple 18 00:00:46,840 --> 00:00:50,440 Speaker 1: because he doesn't like the structure of the design of 19 00:00:50,479 --> 00:00:54,160 Speaker 1: the microphone in the textbox that you text okay, because 20 00:00:54,200 --> 00:00:57,440 Speaker 1: when you hit it accidentally, it like messes up when 21 00:00:57,440 --> 00:00:59,880 Speaker 1: you're typing and then you type the microphone, it like 22 00:01:00,400 --> 00:01:00,960 Speaker 1: up the flow. 23 00:01:01,320 --> 00:01:01,640 Speaker 2: Okay. 24 00:01:01,680 --> 00:01:03,840 Speaker 1: So he was like yelling at Apple through a post. 25 00:01:03,880 --> 00:01:05,080 Speaker 1: I don't know what the hell's going on. 26 00:01:05,000 --> 00:01:07,600 Speaker 2: With Bieber, but well, when you used to be before 27 00:01:07,640 --> 00:01:09,600 Speaker 2: the update, you used to be able to hold where 28 00:01:09,640 --> 00:01:12,120 Speaker 2: the microphone is down and then you could leave a 29 00:01:12,200 --> 00:01:14,640 Speaker 2: voice note. Now you can't do that. Now you have 30 00:01:14,720 --> 00:01:17,880 Speaker 2: to go into the plus and then voice note. It's 31 00:01:17,920 --> 00:01:18,520 Speaker 2: kind of annoying. 32 00:01:18,600 --> 00:01:20,840 Speaker 1: So he must not have the new feature, I mean 33 00:01:20,840 --> 00:01:22,240 Speaker 1: the new update. Right. 34 00:01:22,400 --> 00:01:24,080 Speaker 2: Oh, I have no idea. 35 00:01:23,880 --> 00:01:26,959 Speaker 1: Because that actually doesn't happen anymore. I'm pressing. Oh there 36 00:01:27,000 --> 00:01:28,160 Speaker 1: it is that just popped up. 37 00:01:28,280 --> 00:01:30,240 Speaker 2: Yeah, I think I knew what he meant where that 38 00:01:30,360 --> 00:01:31,960 Speaker 2: It kind of does like serie or whatever. 39 00:01:32,240 --> 00:01:33,800 Speaker 1: Yeah, it stops your texting. 40 00:01:33,959 --> 00:01:35,000 Speaker 2: Yeah, that is annoying. 41 00:01:35,280 --> 00:01:35,760 Speaker 1: Yeah it is. 42 00:01:35,880 --> 00:01:38,040 Speaker 2: So I don't think I ever hit that, Like if 43 00:01:38,080 --> 00:01:40,080 Speaker 2: I'm in the middle of texting, I'm not like hitting 44 00:01:40,160 --> 00:01:40,520 Speaker 2: up there. 45 00:01:40,800 --> 00:01:42,880 Speaker 1: Yeah, I don't. Well, he's probably high as a kite. 46 00:01:42,880 --> 00:01:45,000 Speaker 2: Well could be that could be that he's trying to 47 00:01:45,000 --> 00:01:47,160 Speaker 2: like sing and he's just like not snoworking. 48 00:01:47,560 --> 00:01:51,120 Speaker 1: Anyway, Good weekend. The reason it's so late today is 49 00:01:51,480 --> 00:01:54,680 Speaker 1: Riley and I are working hard on the year end stuff. Right. 50 00:01:54,920 --> 00:01:55,040 Speaker 2: Oh. 51 00:01:55,120 --> 00:01:59,560 Speaker 1: Yeah, we did start recording the top twenty five moments 52 00:01:59,640 --> 00:02:02,160 Speaker 1: of twenty five. That's gonna be fun. That's going to 53 00:02:02,240 --> 00:02:04,720 Speaker 1: a special. It's going to run a couple of times 54 00:02:04,800 --> 00:02:07,200 Speaker 1: during the time that we're off. So that's been cool 55 00:02:07,240 --> 00:02:10,000 Speaker 1: reliving some of the big moments, like you know, Tom 56 00:02:10,080 --> 00:02:13,880 Speaker 1: Brady Parish from Love on the Spectrum, even just. 57 00:02:13,840 --> 00:02:15,480 Speaker 2: Like some of the fun topic times that we've done 58 00:02:15,520 --> 00:02:16,880 Speaker 2: that we're like, I forgot that we did that. 59 00:02:17,040 --> 00:02:20,200 Speaker 1: Yeah, like bad first dates, those are always good. So 60 00:02:20,280 --> 00:02:21,720 Speaker 1: you know, it's gonna be a good thing to kind 61 00:02:21,720 --> 00:02:23,920 Speaker 1: of catch up on as we say goodbye to twenty 62 00:02:23,919 --> 00:02:25,880 Speaker 1: twenty five and on to twenty twenty six. 63 00:02:26,080 --> 00:02:27,360 Speaker 2: Crazy. Ye I hate that. 64 00:02:27,560 --> 00:02:30,359 Speaker 1: It is pretty crazy. Twenty twenty six. 65 00:02:30,440 --> 00:02:33,520 Speaker 2: Imagine Oh Billy was talking about that. He's like, where 66 00:02:33,560 --> 00:02:34,359 Speaker 2: did December go? 67 00:02:34,960 --> 00:02:35,240 Speaker 1: I know? 68 00:02:35,560 --> 00:02:37,760 Speaker 2: I like, we have a less than a week to 69 00:02:37,840 --> 00:02:38,440 Speaker 2: jingle Ball. 70 00:02:38,639 --> 00:02:43,200 Speaker 1: I know, hello jingle Ball is this weekend? Are you going? 71 00:02:43,960 --> 00:02:46,119 Speaker 2: Yes? Okay, what kind of question is that? 72 00:02:46,639 --> 00:02:48,920 Speaker 1: Well, because we yes, we want you to go, but 73 00:02:48,960 --> 00:02:50,799 Speaker 1: we have to have the meeting on Thursday where they're 74 00:02:50,840 --> 00:02:53,160 Speaker 1: going to like decide who knows what. Yeah, that's going to. 75 00:02:53,120 --> 00:02:55,160 Speaker 2: Be sure that they're going to be like and you 76 00:02:55,240 --> 00:02:56,720 Speaker 2: are not going, Yeah, I'm be like. 77 00:02:56,720 --> 00:02:59,800 Speaker 1: What, Well, I'll do my best to make sure that 78 00:02:59,800 --> 00:03:02,680 Speaker 1: you there. Yeah, we need you there because we're short. 79 00:03:02,720 --> 00:03:04,760 Speaker 1: So it's only Billy, Lisa and I when he's not 80 00:03:04,760 --> 00:03:07,440 Speaker 1: gonna be there obviously, so you know, if there's things 81 00:03:07,440 --> 00:03:09,640 Speaker 1: that need to get done, Billy has a lot of 82 00:03:10,120 --> 00:03:13,360 Speaker 1: charities and people that are you know. Yeah, so you 83 00:03:13,400 --> 00:03:15,520 Speaker 1: have to like run around and do those things. 84 00:03:15,680 --> 00:03:19,520 Speaker 2: Yeah. Well in last year I was there literally just 85 00:03:19,600 --> 00:03:21,760 Speaker 2: doing that. But I want to get the liners. 86 00:03:21,800 --> 00:03:23,920 Speaker 1: Oh yeah, so you should say that. Yeah, so the 87 00:03:24,000 --> 00:03:27,240 Speaker 1: Liners is backstage. When the artists come back, before they 88 00:03:27,240 --> 00:03:29,119 Speaker 1: are interviewed by Billy, they have to read a piece 89 00:03:29,120 --> 00:03:31,120 Speaker 1: of paper that says like, hey, what's up as Ed Sharon, 90 00:03:31,360 --> 00:03:33,680 Speaker 1: you're listening to Kiss one to eight, you know, yeah, 91 00:03:33,680 --> 00:03:35,960 Speaker 1: and oh you're hanging with Billy Costas. You have to 92 00:03:36,120 --> 00:03:39,160 Speaker 1: kind of record those, right, and then Billy and I 93 00:03:39,200 --> 00:03:42,280 Speaker 1: are doing a live countdown, which is really I was 94 00:03:42,320 --> 00:03:44,760 Speaker 1: explaining it to my dad yesterday. He was at my house. 95 00:03:45,760 --> 00:03:47,720 Speaker 1: Nowhere else does this and I didn't know that. 96 00:03:47,960 --> 00:03:51,400 Speaker 2: Well, sorry, go ahead, No, I meant like, well, we're 97 00:03:51,440 --> 00:03:51,720 Speaker 2: like the. 98 00:03:51,680 --> 00:03:54,880 Speaker 1: Best, No, I know, it's just no other jingle ball 99 00:03:54,960 --> 00:03:58,320 Speaker 1: does that, you know. So basically Billy. So we have 100 00:03:58,360 --> 00:04:03,640 Speaker 1: the countdown from seven to ten live from backstage, secrets out. 101 00:04:03,680 --> 00:04:05,680 Speaker 1: It's not live, it's made the sound live. 102 00:04:05,840 --> 00:04:07,040 Speaker 2: It's live ish. 103 00:04:07,120 --> 00:04:10,880 Speaker 1: Yes, So Billy does interviews. I'm recording the interviews, okay. 104 00:04:10,920 --> 00:04:13,600 Speaker 1: So I prep Billy Riley, and I write up all 105 00:04:13,640 --> 00:04:16,200 Speaker 1: these sheets of information, so say Ed Sharon, some things 106 00:04:16,200 --> 00:04:17,800 Speaker 1: that he wants to talk about, you know, like his 107 00:04:17,880 --> 00:04:22,480 Speaker 1: Netflix dog, his new album Boston, things like that. So Billy, 108 00:04:22,520 --> 00:04:24,920 Speaker 1: who's like a master interviewer, well, look at the sheet 109 00:04:25,040 --> 00:04:27,120 Speaker 1: and then he'll just walk up there and he'll interview 110 00:04:27,200 --> 00:04:30,320 Speaker 1: Ed Sharon. So say it's a five minute interview. I'm 111 00:04:30,360 --> 00:04:32,960 Speaker 1: recording it and I'm listening to the questions and I'm like, okay, 112 00:04:32,960 --> 00:04:34,000 Speaker 1: I want to use that. I want to use that 113 00:04:34,040 --> 00:04:35,760 Speaker 1: when he's not and I'm making markers. And then as 114 00:04:35,760 --> 00:04:38,160 Speaker 1: soon as they're done, I edit it right there backstage, 115 00:04:38,320 --> 00:04:40,000 Speaker 1: and then I chop it into pieces, and then when 116 00:04:40,000 --> 00:04:42,560 Speaker 1: Billy's done, he comes over and then we insert it 117 00:04:42,560 --> 00:04:45,960 Speaker 1: into the countdown, So meaning Billy will record an intro like, hey, 118 00:04:45,960 --> 00:04:49,320 Speaker 1: what's up. We're backstage live at jingle Ball right now. 119 00:04:49,400 --> 00:04:52,200 Speaker 1: We're at number number sixteen, which is Ed Sharon, who 120 00:04:52,240 --> 00:04:54,200 Speaker 1: is standing with me right now or who I just 121 00:04:54,240 --> 00:04:56,200 Speaker 1: talked to a couple of minutes ago and we talked 122 00:04:56,200 --> 00:04:59,200 Speaker 1: about his Netflix doc and how it all came together. 123 00:04:59,520 --> 00:05:02,080 Speaker 1: Boom insert yeah, and then he gives me a close 124 00:05:02,360 --> 00:05:04,680 Speaker 1: all right, we'll have more with that, Sharon. Backstage at 125 00:05:04,720 --> 00:05:07,120 Speaker 1: jingle Ball twenty twenty five. I take that and then 126 00:05:07,160 --> 00:05:12,279 Speaker 1: I send it over the clouds to the radio station 127 00:05:12,320 --> 00:05:14,960 Speaker 1: where somebody is here to put it into the system 128 00:05:15,000 --> 00:05:17,280 Speaker 1: and play on the radio. Yes, so we do that 129 00:05:17,839 --> 00:05:20,240 Speaker 1: for literally hours, That's what I'm doing. 130 00:05:20,400 --> 00:05:20,640 Speaker 2: Yeah. 131 00:05:20,720 --> 00:05:22,360 Speaker 1: So it's fun to be there, but it's a lot 132 00:05:22,360 --> 00:05:22,760 Speaker 1: of work. 133 00:05:22,920 --> 00:05:26,520 Speaker 2: Well, it's fun for me too, who like really likes 134 00:05:26,560 --> 00:05:30,440 Speaker 2: watching you produce because you're like you're the best. Yeah, 135 00:05:31,440 --> 00:05:33,880 Speaker 2: say not to like get you a big head or whatever. Sorry, 136 00:05:35,960 --> 00:05:38,080 Speaker 2: nobody can see it, but it's literally getting bigger by 137 00:05:38,120 --> 00:05:41,719 Speaker 2: the second. But I've been backstage at jingle Ball with 138 00:05:41,760 --> 00:05:44,440 Speaker 2: you before, watching what you do. And I've also been 139 00:05:44,520 --> 00:05:46,320 Speaker 2: on the other side where I've been here in the 140 00:05:46,320 --> 00:05:51,200 Speaker 2: studio for Kiss concert two years ago, and it's really 141 00:05:51,279 --> 00:05:53,920 Speaker 2: interesting to like see you do it, but also to 142 00:05:53,960 --> 00:05:56,279 Speaker 2: be on this side, like receiving it and then putting 143 00:05:56,279 --> 00:05:59,200 Speaker 2: it in to the countdown. When you say it's like 144 00:05:59,360 --> 00:06:01,800 Speaker 2: not live, it's like it has like a delay of 145 00:06:01,839 --> 00:06:04,400 Speaker 2: like five minutes. Like the turnover that you have is 146 00:06:04,440 --> 00:06:05,719 Speaker 2: like actually insane. 147 00:06:05,839 --> 00:06:08,360 Speaker 1: Yeah. Yeah, like I'm producing it, I'm editing it, and 148 00:06:08,360 --> 00:06:10,040 Speaker 1: then I'm sending it and she's putting it right on. 149 00:06:10,000 --> 00:06:12,520 Speaker 2: The radio, which makes it even funnier when like people 150 00:06:12,560 --> 00:06:14,400 Speaker 2: are probably like, oh my god, like you guys have 151 00:06:14,440 --> 00:06:16,520 Speaker 2: gone to so many like jingle Balls. You see so 152 00:06:16,520 --> 00:06:18,680 Speaker 2: many artists who's like and it's like we don't even 153 00:06:18,680 --> 00:06:20,359 Speaker 2: really get to see some of them on stage. 154 00:06:20,560 --> 00:06:23,240 Speaker 1: No, not on stage. No, usually at the end we'll see. 155 00:06:23,440 --> 00:06:26,920 Speaker 1: It really sucks, like I want to see obviously Olivia Dean, 156 00:06:27,320 --> 00:06:29,080 Speaker 1: I want to see man I need and then they 157 00:06:29,080 --> 00:06:30,240 Speaker 1: do have a TV back there though. 158 00:06:30,560 --> 00:06:32,279 Speaker 2: Yeah, but it's like not the same. No, It's like 159 00:06:32,360 --> 00:06:34,280 Speaker 2: it's not like you're like at a concert. I want 160 00:06:34,320 --> 00:06:36,440 Speaker 2: to see Ed and Olivia. Yeah, so I'm like gonna 161 00:06:36,440 --> 00:06:37,640 Speaker 2: go out of my way to like try to get 162 00:06:37,680 --> 00:06:38,040 Speaker 2: down there. 163 00:06:38,400 --> 00:06:41,160 Speaker 1: Definitely you will see because he's likely closing the. 164 00:06:41,080 --> 00:06:43,040 Speaker 2: Show because we're gonna be done. 165 00:06:42,839 --> 00:06:47,320 Speaker 1: Is Yeah, so you'll watch that. I remember two years ago, 166 00:06:47,440 --> 00:06:51,000 Speaker 1: Sizza was the headliner and she did New interviews. She 167 00:06:51,080 --> 00:06:53,720 Speaker 1: came last minute, and so we're on stage waiting to 168 00:06:53,760 --> 00:06:56,479 Speaker 1: introduce her. She was the last act, and then she 169 00:06:56,640 --> 00:06:58,640 Speaker 1: came up on stage with her team and she was 170 00:06:58,640 --> 00:07:01,200 Speaker 1: standing right next to us, and so we didn't talk 171 00:07:01,200 --> 00:07:03,080 Speaker 1: to her. She's just sitting there and I'm looking at her, 172 00:07:03,520 --> 00:07:06,360 Speaker 1: and she has her phone on her iPhone and she's 173 00:07:06,520 --> 00:07:10,200 Speaker 1: reading comments on her Instagram and just scrolling. So if 174 00:07:10,240 --> 00:07:12,680 Speaker 1: you ever think that, you know, do celebrities read comments 175 00:07:12,680 --> 00:07:13,000 Speaker 1: and ship? 176 00:07:13,120 --> 00:07:13,520 Speaker 2: They do? 177 00:07:13,720 --> 00:07:14,120 Speaker 1: They do? 178 00:07:14,560 --> 00:07:16,560 Speaker 2: Yeah, I don't think I could be a celebrity for 179 00:07:16,560 --> 00:07:17,000 Speaker 2: that reason. 180 00:07:17,440 --> 00:07:19,560 Speaker 1: Are you driving with me, by the way or no? 181 00:07:21,240 --> 00:07:27,080 Speaker 2: That's I wasn't planning on it, but because last year 182 00:07:27,120 --> 00:07:29,760 Speaker 2: I had to be there like super early, like earlier 183 00:07:29,760 --> 00:07:31,640 Speaker 2: than you. Oh right, So I was just going to 184 00:07:31,720 --> 00:07:33,360 Speaker 2: wait to see what was going on. 185 00:07:33,400 --> 00:07:36,040 Speaker 1: You probably don't want to because you're gonna make me leave. 186 00:07:36,120 --> 00:07:38,120 Speaker 1: I'm gonna leave like before Ed's over. 187 00:07:38,800 --> 00:07:41,440 Speaker 2: Yeah, I figured you would do that. Well, my mom 188 00:07:41,520 --> 00:07:44,840 Speaker 2: is going, oh yeah, well and one of my friends. 189 00:07:44,640 --> 00:07:47,000 Speaker 1: Well, then you can come with me. Oh no, because 190 00:07:47,400 --> 00:07:49,600 Speaker 1: so I'm coming to the radio station like Matt Early. 191 00:07:49,840 --> 00:07:51,520 Speaker 1: Oh yeah, that's the thing. Oh yeah, you can't. 192 00:07:51,680 --> 00:07:53,800 Speaker 2: I'd have to meet you here and then have somebody 193 00:07:53,840 --> 00:07:54,640 Speaker 2: drop me back. 194 00:07:54,720 --> 00:07:58,720 Speaker 1: Yeah okay, yeah, because I come here at like eight am. 195 00:07:59,280 --> 00:07:59,920 Speaker 2: Yeah yeah. 196 00:08:00,400 --> 00:08:02,880 Speaker 1: Well, I work on all the final bios for all 197 00:08:02,880 --> 00:08:04,600 Speaker 1: the artists, and then I work on like a bunch 198 00:08:04,640 --> 00:08:06,760 Speaker 1: of year end stuff, which, by the way, turns the 199 00:08:06,800 --> 00:08:10,520 Speaker 1: transition the end of the year stuff, you know, like 200 00:08:10,600 --> 00:08:13,800 Speaker 1: Talkbacker of the Year. I'm really torn on that one. 201 00:08:13,960 --> 00:08:16,840 Speaker 2: Yeah, I know, it's like between like three people. 202 00:08:17,040 --> 00:08:21,600 Speaker 1: Yeah, so you got you got Sarah from Maine, Kim. Yeah, 203 00:08:21,640 --> 00:08:24,160 Speaker 1: Sarah from Maine did the Jordan Hudson thing. She's in 204 00:08:24,200 --> 00:08:26,600 Speaker 1: the running because obviously she's a regular talkbacker and she's 205 00:08:26,600 --> 00:08:30,040 Speaker 1: funny and all that. Well, she went above and beyond. 206 00:08:31,000 --> 00:08:33,559 Speaker 1: She did more than any other talkbacker, so that puts 207 00:08:33,559 --> 00:08:34,120 Speaker 1: her up front. 208 00:08:34,320 --> 00:08:37,040 Speaker 2: And they already give her a hoodie. Sorry, yes, okay, 209 00:08:37,080 --> 00:08:39,560 Speaker 2: so what is she going to win? Just like the title? 210 00:08:39,800 --> 00:08:41,800 Speaker 1: Oh no, are we giving a hoodie again? I just 211 00:08:41,880 --> 00:08:45,400 Speaker 1: assume maybe yeah, no, We'll give her a prize, okay, Aka, 212 00:08:45,520 --> 00:08:46,479 Speaker 1: I'll make Billy. 213 00:08:46,240 --> 00:08:48,840 Speaker 2: Buy something something like a gift card, you know, yeah, 214 00:08:48,840 --> 00:08:49,840 Speaker 2: that'd be nice. Yeah yeah. 215 00:08:49,840 --> 00:08:52,080 Speaker 1: And then Kim. You know, Kim's really funny. 216 00:08:52,160 --> 00:08:55,520 Speaker 2: Yeah, we love Ki cracks her talkback today was actually. 217 00:08:55,320 --> 00:08:59,360 Speaker 1: She's really fun yeah, and then uh, and then the 218 00:08:59,400 --> 00:09:00,600 Speaker 1: gay dude loves Billy. 219 00:09:00,720 --> 00:09:01,559 Speaker 2: Yeah, Billy's lover. 220 00:09:01,720 --> 00:09:03,880 Speaker 1: Yeah, Billy's lover. Although do you know the story with 221 00:09:03,920 --> 00:09:05,000 Speaker 1: that that current that. 222 00:09:04,920 --> 00:09:07,880 Speaker 2: Person, like, doesn't he work somewhere that like and nobody 223 00:09:07,880 --> 00:09:10,240 Speaker 2: knows he does that. It's like obviously a fake voice. 224 00:09:10,360 --> 00:09:14,840 Speaker 1: Yes, he works with my wife. Oh yeah, I don't 225 00:09:14,840 --> 00:09:17,319 Speaker 1: even I shouldn't even be saying this in case people listen. 226 00:09:17,440 --> 00:09:19,520 Speaker 1: But he works with my wife and he's like a 227 00:09:19,559 --> 00:09:23,000 Speaker 1: straight up, like normal dude. Yeah yeah, so I don't know. Yeah, 228 00:09:23,080 --> 00:09:25,760 Speaker 1: he he knows that my wife knows who he is, 229 00:09:26,040 --> 00:09:27,600 Speaker 1: but no one talks to him about it. 230 00:09:28,200 --> 00:09:31,080 Speaker 2: Yeah okay, yeah, yeah, this is connecting in my brain now. 231 00:09:31,080 --> 00:09:33,120 Speaker 1: And they have like group chats where they talk about it. 232 00:09:33,320 --> 00:09:35,520 Speaker 1: They love it. It's hilarious. Yeah, but they think it's 233 00:09:35,520 --> 00:09:38,280 Speaker 1: so funny that he has this alter ego, right that 234 00:09:38,320 --> 00:09:40,040 Speaker 1: they don't talk about you know. 235 00:09:40,120 --> 00:09:41,520 Speaker 2: Yeah, he's literally handah Montana. 236 00:09:41,800 --> 00:09:45,120 Speaker 1: Yeah. So for example, at work, he's a good worker 237 00:09:45,240 --> 00:09:48,200 Speaker 1: and he's very like serious, yeah, you know, he doesn't 238 00:09:48,280 --> 00:09:50,800 Speaker 1: really joke around. So when it was discovered that he 239 00:09:50,880 --> 00:09:54,719 Speaker 1: was leaving these talkbacks as Billy's gay lover. Nobody could 240 00:09:54,720 --> 00:09:57,679 Speaker 1: believe it. Yeah, like nobody. So that's so he's in 241 00:09:57,720 --> 00:10:00,199 Speaker 1: the running too. So I'm gonna have to decide there's 242 00:10:00,200 --> 00:10:01,280 Speaker 1: gonna be some upset people. 243 00:10:01,400 --> 00:10:04,120 Speaker 2: Now, Well, yeah, who can I blame. 244 00:10:03,920 --> 00:10:05,360 Speaker 1: It on you? 245 00:10:05,360 --> 00:10:05,800 Speaker 2: No? 246 00:10:05,800 --> 00:10:08,280 Speaker 1: No, because everything that falls on me, that's the that's 247 00:10:08,320 --> 00:10:10,240 Speaker 1: the the executive producer curse. 248 00:10:10,520 --> 00:10:13,160 Speaker 2: I know. Let's just say that Billy chose. 249 00:10:13,280 --> 00:10:15,560 Speaker 1: That could be good. Yeah, because Billy was gonna get 250 00:10:15,600 --> 00:10:18,120 Speaker 1: mad at him. Well, also, he doesn't read any comments. 251 00:10:18,280 --> 00:10:22,040 Speaker 1: He doesn't exactly watch anything like legit knows nothing. 252 00:10:22,280 --> 00:10:24,720 Speaker 2: I like them whenever he says he's like I am 253 00:10:24,760 --> 00:10:27,079 Speaker 2: I gonna get canceled for this, dude, you could get 254 00:10:27,080 --> 00:10:28,040 Speaker 2: canceled and you wouldn't even know. 255 00:10:28,080 --> 00:10:31,439 Speaker 1: He wouldn't even know. Like obviously there was like a 256 00:10:31,480 --> 00:10:33,680 Speaker 1: lot of outrage when when he was laid off, and 257 00:10:33,720 --> 00:10:35,440 Speaker 1: like there was some a lot of comments and things 258 00:10:35,480 --> 00:10:36,800 Speaker 1: like that. Billy had no idea yet. 259 00:10:36,840 --> 00:10:38,600 Speaker 2: I don't even know if he does. He follow kis 260 00:10:38,600 --> 00:10:41,400 Speaker 2: one way. 261 00:10:40,160 --> 00:10:43,000 Speaker 1: He knows nothing. He lives the most care free life. 262 00:10:43,160 --> 00:10:47,720 Speaker 2: I like. Sorry, I like when he's like everybody DM 263 00:10:47,760 --> 00:10:49,880 Speaker 2: me or like whatever, like he's like giving stuff away 264 00:10:49,920 --> 00:10:52,079 Speaker 2: or whatever, and then he's like, how do I do that? 265 00:10:52,240 --> 00:10:54,839 Speaker 2: Like behind the scenes, he's like, Okay, Riley, I need 266 00:10:54,920 --> 00:10:56,920 Speaker 2: you to do this. I'm like, you just need to 267 00:10:56,960 --> 00:11:00,240 Speaker 2: like go through, like just go through your phone. It's like, 268 00:11:00,320 --> 00:11:00,880 Speaker 2: I don't know. 269 00:11:01,520 --> 00:11:05,000 Speaker 1: The best with Billy is that he doesn't. So I 270 00:11:05,040 --> 00:11:06,840 Speaker 1: help him with a lot of stuff, right, especially if 271 00:11:07,120 --> 00:11:10,120 Speaker 1: you're going up everybody field, Oh yeah, you going up 272 00:11:10,120 --> 00:11:12,520 Speaker 1: and getting comfy. So I help him with all his 273 00:11:12,679 --> 00:11:15,520 Speaker 1: like you know, online stuff, and so there are times 274 00:11:15,520 --> 00:11:20,400 Speaker 1: when I help him with his banking. Yeah, so you know, 275 00:11:20,640 --> 00:11:23,520 Speaker 1: I'll be in there like helping him move money or whatever. 276 00:11:23,600 --> 00:11:28,360 Speaker 1: And you can imagine dollar amounts just infinity. Yeah, a 277 00:11:28,360 --> 00:11:31,040 Speaker 1: lot of zero's in commas, you know. And listen, Billy's 278 00:11:31,040 --> 00:11:34,040 Speaker 1: been working for fucking forty five years, like working his 279 00:11:34,120 --> 00:11:36,000 Speaker 1: he's the hardest working right now. So he makes a 280 00:11:36,000 --> 00:11:38,680 Speaker 1: good living. But every time I do it, I just 281 00:11:38,720 --> 00:11:42,480 Speaker 1: think to myself, like he has no idea, right, like 282 00:11:42,559 --> 00:11:44,640 Speaker 1: this would be a gold mine for someone like the 283 00:11:44,720 --> 00:11:45,199 Speaker 1: old me. 284 00:11:45,920 --> 00:11:47,520 Speaker 2: Or the guy that scammed you. 285 00:11:48,360 --> 00:11:50,920 Speaker 1: Or the guy that scammed me. No, Like he's Billy, 286 00:11:51,040 --> 00:11:55,040 Speaker 1: so oh he's so innocent but also dumb. I mean, hold, 287 00:11:55,040 --> 00:11:56,480 Speaker 1: I call hi dumb. I gave all my money away 288 00:11:56,480 --> 00:11:58,800 Speaker 1: to a scammer, but I come to win there and 289 00:11:58,840 --> 00:11:59,960 Speaker 1: just transfer money out. 290 00:12:00,080 --> 00:12:02,000 Speaker 2: Oh you have no idea, You have no idea? 291 00:12:02,080 --> 00:12:04,760 Speaker 1: How about this one? His venmo, which he shares with 292 00:12:04,800 --> 00:12:07,800 Speaker 1: his wife. I believe one time he was like, oh, 293 00:12:07,880 --> 00:12:10,480 Speaker 1: can you can you venmo this person? I open up there, like, 294 00:12:10,559 --> 00:12:13,160 Speaker 1: you know, a few grand in there. I could just 295 00:12:13,200 --> 00:12:14,560 Speaker 1: send myself five hundred bucks. 296 00:12:14,679 --> 00:12:17,520 Speaker 2: He would never In fact, he even if he did notice, 297 00:12:17,520 --> 00:12:19,640 Speaker 2: he'd probably be like that makes sense. Yeah, Like he 298 00:12:19,679 --> 00:12:21,840 Speaker 2: probably wouldn't even know. He'd probably be like, hey, did 299 00:12:21,840 --> 00:12:23,360 Speaker 2: I send you this money? And you'd be like yeah, 300 00:12:23,400 --> 00:12:26,360 Speaker 2: and he'd be like, okay, yeah, you're right, you deserve it. 301 00:12:27,120 --> 00:12:28,720 Speaker 1: Were you in here this morning when he was talking 302 00:12:28,760 --> 00:12:30,319 Speaker 1: about I don't think you are when he was talking 303 00:12:30,320 --> 00:12:34,640 Speaker 1: about the homeless people on the street. Okay, So he 304 00:12:34,679 --> 00:12:37,480 Speaker 1: comes in and he's like, yeah, he goes, I have 305 00:12:37,559 --> 00:12:40,680 Speaker 1: this new like way of thinking of people that you 306 00:12:40,679 --> 00:12:43,520 Speaker 1: know are homeless in there at the stop lights, you know, 307 00:12:43,559 --> 00:12:46,000 Speaker 1: with the signs and everything. Yeah, he goes. You know, 308 00:12:46,200 --> 00:12:48,000 Speaker 1: I always try to give if I have any extra 309 00:12:48,080 --> 00:12:50,120 Speaker 1: money or change, Like, I always give him something. He's like, 310 00:12:50,160 --> 00:12:52,920 Speaker 1: I know, maybe I'm contributing to their addiction or whatever. 311 00:12:52,960 --> 00:12:54,320 Speaker 1: But I always do. But he's like, now I have 312 00:12:54,360 --> 00:12:56,719 Speaker 1: a new new take on it. He goes, I'm at 313 00:12:56,720 --> 00:12:59,200 Speaker 1: this stop light over the weekend, and there's a guy 314 00:12:59,280 --> 00:13:01,199 Speaker 1: there and he doesn't have a sign, and he's just 315 00:13:01,200 --> 00:13:04,319 Speaker 1: like kind of making gestures like he wants something to eat. 316 00:13:04,520 --> 00:13:06,360 Speaker 1: He's like, so, you know, I rolled down my window 317 00:13:06,400 --> 00:13:08,080 Speaker 1: and I had like ten or twenty dollars, and so 318 00:13:08,120 --> 00:13:09,720 Speaker 1: he gave it to the guy and he goes. I 319 00:13:09,720 --> 00:13:13,240 Speaker 1: thought to myself, Wow, okay. Instead of thinking, man, like, 320 00:13:13,400 --> 00:13:15,400 Speaker 1: you know, here's some money, hopefully he can get a 321 00:13:15,480 --> 00:13:18,400 Speaker 1: job or something, I thought he thought to himself, that's 322 00:13:18,400 --> 00:13:21,439 Speaker 1: his job. And I was like, what do you mean. 323 00:13:21,440 --> 00:13:23,400 Speaker 1: He goes, Well, think about it. He's down on his luck, 324 00:13:23,440 --> 00:13:27,200 Speaker 1: he's homeless, obviously, he's at a low point in his life. 325 00:13:27,200 --> 00:13:29,559 Speaker 1: But he's still showing up every day. Yeah, stand out 326 00:13:29,600 --> 00:13:31,760 Speaker 1: here in the cold, right And I was like, Yeah, 327 00:13:31,760 --> 00:13:33,320 Speaker 1: that's actually one way to think about it. 328 00:13:33,360 --> 00:13:35,280 Speaker 2: He does it literally nine to five. 329 00:13:35,720 --> 00:13:38,000 Speaker 1: They just show up like you know, you know, obviously 330 00:13:38,040 --> 00:13:39,920 Speaker 1: I've been there. You know, I've been homeless and stuff, 331 00:13:39,960 --> 00:13:42,160 Speaker 1: so I know what that's like. And yeah, I mean 332 00:13:42,200 --> 00:13:43,920 Speaker 1: It is kind of a job. You stand out there 333 00:13:43,960 --> 00:13:46,960 Speaker 1: in the fucking cold all day long, which can't be fun, 334 00:13:47,240 --> 00:13:49,720 Speaker 1: hoping that people will give you money. Yeah, a lot 335 00:13:49,720 --> 00:13:54,640 Speaker 1: of struggling people out there, actually right near your house. Yeah, 336 00:13:54,679 --> 00:13:57,280 Speaker 1: on twenty eight there where Texas Roadhouse is. Yeah, they 337 00:13:57,280 --> 00:14:00,319 Speaker 1: get both sides there, so they get all down where 338 00:14:00,400 --> 00:14:03,360 Speaker 1: Low's is. They get there and then up near Texas Roadhouse. 339 00:14:03,559 --> 00:14:05,080 Speaker 1: They have him going both ways. 340 00:14:05,800 --> 00:14:07,640 Speaker 2: Yeah. I always feel really bad when I drive by 341 00:14:07,640 --> 00:14:08,840 Speaker 2: people because I try not to make that. 342 00:14:09,559 --> 00:14:11,880 Speaker 1: Yeah. Well it's you know, it's a weird thing, man. 343 00:14:12,240 --> 00:14:14,840 Speaker 2: But also it's like I don't have money either, right. 344 00:14:16,520 --> 00:14:17,240 Speaker 1: Living with my parents. 345 00:14:17,800 --> 00:14:19,440 Speaker 2: I'll be like, oh I ever gonn olivar, But like 346 00:14:19,440 --> 00:14:20,160 Speaker 2: what if I need it? 347 00:14:20,400 --> 00:14:22,880 Speaker 1: Yeah, well I told you. I've told that story before. 348 00:14:22,920 --> 00:14:25,760 Speaker 1: I remember, like in the grips of my like addictions, 349 00:14:26,080 --> 00:14:28,160 Speaker 1: I was in front of a pizza place in Boston, 350 00:14:28,280 --> 00:14:29,160 Speaker 1: and do you know the story? 351 00:14:29,320 --> 00:14:29,800 Speaker 2: I don't think. 352 00:14:29,840 --> 00:14:32,560 Speaker 1: So this guy walked into the pizza place. I was 353 00:14:32,600 --> 00:14:35,320 Speaker 1: asking people for money for food. Guy walked in. I go, hey, man, 354 00:14:35,400 --> 00:14:36,880 Speaker 1: do you spare a couple of dollars, like so I 355 00:14:36,880 --> 00:14:39,240 Speaker 1: can get some food? And he's like, I don't think 356 00:14:39,240 --> 00:14:40,800 Speaker 1: I have any money out. He goes on the pizza place. 357 00:14:41,000 --> 00:14:43,240 Speaker 1: So I'm standing out there. Ten minutes go by. He 358 00:14:43,320 --> 00:14:46,280 Speaker 1: comes out with a small pizza box and he's like hey, 359 00:14:46,280 --> 00:14:47,880 Speaker 1: I'm like yeah. He goes, I got you a small 360 00:14:47,920 --> 00:14:50,080 Speaker 1: pizza so you can eat. And I looked and I 361 00:14:50,080 --> 00:14:53,040 Speaker 1: looked at him, and I go, fucking want that? What 362 00:14:53,160 --> 00:14:55,840 Speaker 1: fun food? And he was a look on his face 363 00:14:56,080 --> 00:14:59,520 Speaker 1: like you're like cash, You really think I wanted food? No, 364 00:14:59,600 --> 00:15:00,440 Speaker 1: I want drugs. 365 00:15:00,960 --> 00:15:02,200 Speaker 2: I want to eat drugs. 366 00:15:02,360 --> 00:15:05,400 Speaker 1: Yeah, exactly, I don't want to eat pizza. 367 00:15:05,520 --> 00:15:07,480 Speaker 2: Oh my god, do you take the pizza? No. 368 00:15:07,800 --> 00:15:10,960 Speaker 1: I didn't want to know. I was dope Sickley. You 369 00:15:10,960 --> 00:15:14,320 Speaker 1: know what that means. I was withdrawing. When you're withdrawing, 370 00:15:14,320 --> 00:15:17,560 Speaker 1: you're not hungry. I would eat after I would I 371 00:15:17,560 --> 00:15:22,400 Speaker 1: would use. You know, you physically addicted Riley when you 372 00:15:22,440 --> 00:15:22,920 Speaker 1: were born. 373 00:15:23,800 --> 00:15:24,520 Speaker 2: Oh this is funny. 374 00:15:24,560 --> 00:15:27,400 Speaker 1: I was incarcerated. Think about that. Well it was March 375 00:15:27,400 --> 00:15:28,160 Speaker 1: of two thousand. 376 00:15:28,400 --> 00:15:31,960 Speaker 2: Yeah, okay, Wow, you were living very different lives. 377 00:15:32,040 --> 00:15:35,800 Speaker 1: I remember because I was. I got sentenced right before 378 00:15:35,960 --> 00:15:38,800 Speaker 1: two thousand. It was the turn of the century. 379 00:15:39,120 --> 00:15:41,360 Speaker 2: Yeah, it was the How old were you I was? 380 00:15:41,720 --> 00:15:46,320 Speaker 1: Let me say so, I was seventeen. Wow, yeah, seventeen crazy. 381 00:15:46,400 --> 00:15:48,600 Speaker 1: So I got sentenced and then I was in jail 382 00:15:48,680 --> 00:15:53,160 Speaker 1: pretty much all through the year two thousand. Yes, and 383 00:15:53,240 --> 00:15:56,360 Speaker 1: I was, and you were a little baby. Think about that, 384 00:15:58,080 --> 00:16:00,840 Speaker 1: and then think about this when I got clean, you 385 00:16:00,920 --> 00:16:01,360 Speaker 1: were eight. 386 00:16:02,400 --> 00:16:05,560 Speaker 2: Yeah, and now we're here. 387 00:16:05,600 --> 00:16:06,760 Speaker 1: Look at us, and now we're here. 388 00:16:06,840 --> 00:16:08,960 Speaker 2: It's like the Paul Rudd meme. Who would have thought, 389 00:16:09,600 --> 00:16:09,880 Speaker 2: not me? 390 00:16:10,400 --> 00:16:13,040 Speaker 1: That's so wild. Anyway, how was the weekend good? 391 00:16:13,320 --> 00:16:15,320 Speaker 2: Well, it was really good. Not to get too much 392 00:16:15,320 --> 00:16:18,480 Speaker 2: into it because nobody cares. But my driver won the 393 00:16:18,520 --> 00:16:22,160 Speaker 2: World Driver's Championship and I won, So I'm repping his 394 00:16:22,240 --> 00:16:24,480 Speaker 2: merch right now. Well it's from Abercrombie, but like. 395 00:16:24,760 --> 00:16:27,960 Speaker 1: Look at the back, Yeah, I like that. It's very 396 00:16:27,960 --> 00:16:28,720 Speaker 1: Travis Scott. 397 00:16:28,840 --> 00:16:31,520 Speaker 2: It's his helmet. It's his helmet with it with his name, 398 00:16:32,240 --> 00:16:36,840 Speaker 2: his name Landon Norris. He drives from McLaren But literally, okay, 399 00:16:36,920 --> 00:16:41,320 Speaker 2: so nobody cares. But this, this championship came down to, 400 00:16:41,360 --> 00:16:44,400 Speaker 2: like the last race, it was between Lando who's never 401 00:16:44,440 --> 00:16:47,120 Speaker 2: won a championship before, Max Verstappan, who this would have 402 00:16:47,120 --> 00:16:50,120 Speaker 2: been his fifth. He's like the goat of f one. Well, 403 00:16:50,200 --> 00:16:53,960 Speaker 2: Lewis Hamilton is also the but Lewis Hamilton. That's because 404 00:16:53,960 --> 00:16:57,000 Speaker 2: he's like also like cross genres. Now he's like a 405 00:16:57,440 --> 00:17:01,480 Speaker 2: like a pop culture figure kind of. Yeah, but yeah, 406 00:17:01,720 --> 00:17:03,760 Speaker 2: Max re Stappin is like also the goat. And then 407 00:17:04,040 --> 00:17:08,800 Speaker 2: Oscar Piastri, who is Lando's teammate, was leading the championship 408 00:17:08,840 --> 00:17:12,479 Speaker 2: for like the first like third of the season, and 409 00:17:12,520 --> 00:17:14,640 Speaker 2: then Lando was kind of took out over and then 410 00:17:14,800 --> 00:17:16,520 Speaker 2: Max was like catching up. It was crazy. It came 411 00:17:16,560 --> 00:17:18,960 Speaker 2: down to this race. It was a three way race. 412 00:17:19,119 --> 00:17:21,040 Speaker 2: I mean, for Oscar to win it, it would have been 413 00:17:21,040 --> 00:17:22,439 Speaker 2: like a whole thing, but it doesn't even matter. But 414 00:17:22,480 --> 00:17:24,440 Speaker 2: it literally came down to this race. Lando won the 415 00:17:24,520 --> 00:17:27,919 Speaker 2: championship by two points. Sorry, I don't know. 416 00:17:28,119 --> 00:17:31,720 Speaker 1: I don't know how how they score it. I don't know. 417 00:17:32,560 --> 00:17:34,440 Speaker 2: I don't actually know the numbers off the top of 418 00:17:34,480 --> 00:17:37,879 Speaker 2: my head. But like so there's twenty drivers on the grid, 419 00:17:38,280 --> 00:17:43,400 Speaker 2: and every race the top ten gets points. So obviously 420 00:17:43,560 --> 00:17:47,760 Speaker 2: number if you come on first, you get twenty five points, 421 00:17:48,040 --> 00:17:52,080 Speaker 2: second gets eighteen, third gets fifteen, and then it drops 422 00:17:52,119 --> 00:17:55,679 Speaker 2: down from there. But I think you need like one 423 00:17:55,720 --> 00:17:58,720 Speaker 2: hundred or three hundred and ninety points to you don't. 424 00:17:58,520 --> 00:18:00,360 Speaker 1: Point to that, and then you have whoever it's the. 425 00:18:00,280 --> 00:18:01,840 Speaker 2: Most points wins. 426 00:18:01,640 --> 00:18:03,840 Speaker 1: Wins, and so he got two more points than there. 427 00:18:04,400 --> 00:18:06,560 Speaker 2: He won the championship by two points because he came 428 00:18:06,600 --> 00:18:09,280 Speaker 2: in third in this race. It was in Abu Dhabi, 429 00:18:09,520 --> 00:18:13,399 Speaker 2: so they he got third, Max got first, and Oscar 430 00:18:13,440 --> 00:18:16,560 Speaker 2: got second, but he still won the championship because of 431 00:18:16,600 --> 00:18:19,600 Speaker 2: the way that the points came out right right. Also, sorry, 432 00:18:19,760 --> 00:18:22,840 Speaker 2: Benson Boone was in Abu Dhabi doing a hot lab 433 00:18:22,880 --> 00:18:24,040 Speaker 2: with Max for stopping hello. 434 00:18:24,240 --> 00:18:27,000 Speaker 1: Really like, let's see how the celebrity is going to 435 00:18:27,040 --> 00:18:30,320 Speaker 1: the events the other one so many? Yeah, yeah, no, 436 00:18:30,400 --> 00:18:32,359 Speaker 1: there's something to that. But do you want to tell 437 00:18:32,400 --> 00:18:35,520 Speaker 1: the after show, Army, how you got into F one? 438 00:18:36,040 --> 00:18:38,120 Speaker 2: Oh? Well, I watched Driver to Survive on. 439 00:18:38,080 --> 00:18:40,240 Speaker 1: Netflix, right and Billy Reality show? 440 00:18:41,119 --> 00:18:44,560 Speaker 2: Yeah kind of, but you thought they were hot? No, okay, 441 00:18:44,640 --> 00:18:47,280 Speaker 2: So here's the thing. Billy holds this against me forever. 442 00:18:48,800 --> 00:18:51,960 Speaker 2: I watched this because I was like bored in like COVID, 443 00:18:52,160 --> 00:18:53,919 Speaker 2: and I was like, you know what, actually, let me 444 00:18:54,040 --> 00:18:57,399 Speaker 2: let me check this out. I like sports, and so yes, 445 00:18:57,880 --> 00:19:02,959 Speaker 2: they are hot, but they're all rich hot men, Like sorry, 446 00:19:03,160 --> 00:19:05,879 Speaker 2: nothing wrong with that exactly, but when they're this is 447 00:19:05,920 --> 00:19:07,760 Speaker 2: what bothers me because it's like you only watch because 448 00:19:07,760 --> 00:19:12,280 Speaker 2: they're hot. They have helmets on the entire race, you 449 00:19:12,320 --> 00:19:15,360 Speaker 2: cannot see their faces. I'm sorry. I wouldn't be tuning 450 00:19:15,440 --> 00:19:17,919 Speaker 2: in for an hour and a half two hours to 451 00:19:18,000 --> 00:19:21,879 Speaker 2: watch them drive around the track with helmets on, like 452 00:19:21,920 --> 00:19:23,200 Speaker 2: if I was only looking for them to. 453 00:19:23,160 --> 00:19:26,040 Speaker 1: Be hot, if you weren't into the driving exactly, this 454 00:19:26,080 --> 00:19:28,040 Speaker 1: sport is cool. No, I get it. I know that's 455 00:19:28,040 --> 00:19:31,359 Speaker 1: billy though. No, No, I know, but originally you watch 456 00:19:31,400 --> 00:19:33,200 Speaker 1: the show and you were like, Wow, they're kind of hot, 457 00:19:33,240 --> 00:19:35,880 Speaker 1: and then you got into all their stories and their lives. 458 00:19:36,080 --> 00:19:38,040 Speaker 2: I know that you're like not into men, but like 459 00:19:38,440 --> 00:19:42,880 Speaker 2: Charles Leclair is the most beautiful man I've ever seen 460 00:19:42,920 --> 00:19:45,560 Speaker 2: in my life, and a lot of people agree with this. Also, 461 00:19:45,680 --> 00:19:47,600 Speaker 2: Lewis Hamilton is also a very beautiful man. 462 00:19:47,680 --> 00:19:51,080 Speaker 1: Hold on, because I'm very I'm very comfortable in my sexuality, 463 00:19:51,520 --> 00:19:53,680 Speaker 1: so I can tell when a guy is good looking 464 00:19:53,760 --> 00:19:57,439 Speaker 1: or not. His last name L E. C. Claire. 465 00:19:57,520 --> 00:19:58,320 Speaker 2: It should just come up to. 466 00:19:58,280 --> 00:20:01,080 Speaker 1: The first Clark. Yeah, how do you say that? 467 00:20:01,600 --> 00:20:06,439 Speaker 2: Well, he's okay from Monaco. No, you're not understanding. Go 468 00:20:06,480 --> 00:20:07,080 Speaker 2: to images. 469 00:20:08,560 --> 00:20:10,680 Speaker 1: I'm looking at him right now yeah. Yeah, he's very Yeah, 470 00:20:10,680 --> 00:20:11,640 Speaker 1: he's an attractive guy. 471 00:20:12,359 --> 00:20:15,040 Speaker 2: Yeah. Oh I see yeah, no, I okay, look at 472 00:20:15,080 --> 00:20:15,880 Speaker 2: Lando Norris. 473 00:20:16,000 --> 00:20:17,760 Speaker 1: Hold on, I see him right there. 474 00:20:18,000 --> 00:20:20,679 Speaker 2: Yeah, look he's beautiful Lando. 475 00:20:20,480 --> 00:20:21,359 Speaker 1: Norris, Lando. 476 00:20:21,800 --> 00:20:28,359 Speaker 2: Yeah, okay, my driver, he's not well, I think he's 477 00:20:28,440 --> 00:20:30,000 Speaker 2: really cute, but like he's not. 478 00:20:30,400 --> 00:20:32,880 Speaker 1: Charles is like, what do you like about him? 479 00:20:33,520 --> 00:20:36,000 Speaker 2: Lando? He's really funny. 480 00:20:36,480 --> 00:20:37,240 Speaker 1: Was he in the show? 481 00:20:37,480 --> 00:20:37,760 Speaker 2: Yeah? 482 00:20:37,760 --> 00:20:41,480 Speaker 1: In the Netflix show? Yes, Okay, what nationality is this guy? 483 00:20:41,680 --> 00:20:44,119 Speaker 2: British? Are we surprised? No? 484 00:20:44,359 --> 00:20:46,040 Speaker 1: Are there F one drivers from America? 485 00:20:46,520 --> 00:20:49,760 Speaker 2: So, Logan's sergeant used to be on the Grid for 486 00:20:49,840 --> 00:20:53,000 Speaker 2: like two seasons, but he raised for Williams, which is 487 00:20:53,040 --> 00:20:56,119 Speaker 2: like not the best team. I mean they're actually they 488 00:20:56,160 --> 00:20:58,359 Speaker 2: did pretty just in this season, not like good but 489 00:20:58,400 --> 00:21:01,040 Speaker 2: like not bad. It doesn't matter. But yeah, he like 490 00:21:01,080 --> 00:21:02,760 Speaker 2: crashed too much and they were like bye and they 491 00:21:02,800 --> 00:21:03,400 Speaker 2: replaced him. 492 00:21:03,560 --> 00:21:06,040 Speaker 1: You know what's unique about you? You're really into F 493 00:21:06,119 --> 00:21:09,480 Speaker 1: one and you're also into hockey. Yeah, two things that 494 00:21:09,600 --> 00:21:11,680 Speaker 1: typically males are into. 495 00:21:11,960 --> 00:21:14,399 Speaker 2: Well, not to like be too like, not to be 496 00:21:14,480 --> 00:21:18,119 Speaker 2: the woke friend, but like that also is like another 497 00:21:18,119 --> 00:21:20,280 Speaker 2: thing when people are like, you only watch hockey because 498 00:21:20,320 --> 00:21:23,439 Speaker 2: the guys are hot no again wearing a helmet. And 499 00:21:23,560 --> 00:21:26,960 Speaker 2: also they're all ugly for the most part. 500 00:21:27,400 --> 00:21:31,119 Speaker 1: They are. They beat up, like their faces a beat up. 501 00:21:31,119 --> 00:21:32,000 Speaker 1: The nose is. Yeah. 502 00:21:32,080 --> 00:21:33,760 Speaker 2: Like if I wanted to watch like a sport for 503 00:21:33,880 --> 00:21:36,000 Speaker 2: people being hot, which like do people actually do that? 504 00:21:36,200 --> 00:21:39,800 Speaker 2: I don't think so. No, Like I'm trying to think 505 00:21:39,800 --> 00:21:42,720 Speaker 2: of like a sport where it's like objectively every single 506 00:21:42,720 --> 00:21:45,639 Speaker 2: player is like really hot. Don't there's like none. I 507 00:21:45,680 --> 00:21:48,040 Speaker 2: don't know, but yeah, yeah, wouldn't waste my time. 508 00:21:48,119 --> 00:21:50,680 Speaker 1: Well, you're really into hockey, You're into like the sport itself. 509 00:21:50,920 --> 00:21:53,919 Speaker 2: Yeah, Well I work for the Bruins too, right. Busy 510 00:21:54,000 --> 00:21:56,920 Speaker 2: B Well me and you, Well, Busy B is kind 511 00:21:56,920 --> 00:21:57,400 Speaker 2: of funny. 512 00:21:57,840 --> 00:22:00,320 Speaker 1: Busy Be. We're we're all busy. We're all busy. I 513 00:22:00,359 --> 00:22:03,119 Speaker 1: had a good weekend, Riley. I was at the Boys 514 00:22:03,119 --> 00:22:06,560 Speaker 1: and Girls Club for Santa with my daughter and then 515 00:22:06,600 --> 00:22:09,280 Speaker 1: I had flag football with my son Abel. Hey, justin 516 00:22:09,520 --> 00:22:13,439 Speaker 1: it's mo. I think I saw you at the flag 517 00:22:13,440 --> 00:22:17,479 Speaker 1: football evaluations today. I think I saw you. 518 00:22:18,160 --> 00:22:20,200 Speaker 2: But I walked by fast and it was as we 519 00:22:20,200 --> 00:22:21,919 Speaker 2: were leaving, so I was going to turn around and 520 00:22:21,960 --> 00:22:25,000 Speaker 2: go say hi, but we were on our way out. 521 00:22:25,040 --> 00:22:29,439 Speaker 1: But anyway, I was wondering if that was you. Also, 522 00:22:29,560 --> 00:22:35,639 Speaker 1: I just got tickets for Oh's The Mentalist. I can't wait. 523 00:22:36,320 --> 00:22:38,040 Speaker 2: I'm kind of jealous. I wanted to go, but I'm 524 00:22:38,040 --> 00:22:40,359 Speaker 2: working in Bruin's camp that day The Mentalist. 525 00:22:40,560 --> 00:22:44,720 Speaker 1: Yeah it's a Sunday night. I know you're working. Yeah, yeah, 526 00:22:44,800 --> 00:22:47,600 Speaker 1: that was me at flag football. I figured, yep, that 527 00:22:47,720 --> 00:22:49,919 Speaker 1: was me. I was there with my son. So Mo, 528 00:22:50,119 --> 00:22:52,200 Speaker 1: if you see me out and about, don't be a schmo, 529 00:22:54,000 --> 00:22:54,520 Speaker 1: say hello. 530 00:22:54,760 --> 00:22:57,200 Speaker 2: I think it's really funny that she somehow manages to 531 00:22:57,240 --> 00:22:59,679 Speaker 2: see you like a decent amount. Salem is not that 532 00:22:59,760 --> 00:23:02,040 Speaker 2: big of a town. But I'll be honest with you. 533 00:23:02,119 --> 00:23:04,879 Speaker 2: I do not run into people in Salem. 534 00:23:04,720 --> 00:23:06,200 Speaker 1: Like like like listeners. 535 00:23:06,600 --> 00:23:09,720 Speaker 2: No, like people from nobody would recognize me. No, but 536 00:23:09,880 --> 00:23:11,560 Speaker 2: people like that I went to high school with that 537 00:23:11,720 --> 00:23:14,879 Speaker 2: still like live in town. I do not run into people. 538 00:23:15,560 --> 00:23:18,439 Speaker 1: Yeah, Salem is kind of big though it's but the 539 00:23:18,520 --> 00:23:21,600 Speaker 1: residentials areas are really big right way you run into well, 540 00:23:22,040 --> 00:23:24,159 Speaker 1: they have all twenty eight tuscins. 541 00:23:23,680 --> 00:23:27,600 Speaker 2: I know, like I don't know, like restaurants in Target 542 00:23:27,800 --> 00:23:31,000 Speaker 2: in Walmart. I don't run into people, which is good. 543 00:23:31,000 --> 00:23:33,880 Speaker 2: I don't want to run into people, but I mean 544 00:23:34,240 --> 00:23:37,359 Speaker 2: people from high school. Oh yeah, not listeners. If you 545 00:23:37,400 --> 00:23:39,680 Speaker 2: recognize me and you're a listener from Kiss one way, 546 00:23:40,359 --> 00:23:41,520 Speaker 2: you can come up to me always. 547 00:23:41,880 --> 00:23:45,240 Speaker 1: You know what's funny is I remember, like before I 548 00:23:45,320 --> 00:23:47,080 Speaker 1: was on the air full time, when I was only 549 00:23:47,119 --> 00:23:48,959 Speaker 1: on the air sometimes, like when I was a producer 550 00:23:48,960 --> 00:23:51,520 Speaker 1: for the Mattie in the Morning Show. You know, people 551 00:23:51,520 --> 00:23:54,280 Speaker 1: didn't like recognize me much. But you know, if I 552 00:23:54,359 --> 00:23:56,080 Speaker 1: was out with somebody and they said, oh, this is 553 00:23:56,280 --> 00:23:58,199 Speaker 1: Justin from Kiss one o eight, they would go, oh 554 00:23:58,280 --> 00:24:00,280 Speaker 1: my god, I know you. Yeah, that's kind of where 555 00:24:00,320 --> 00:24:02,680 Speaker 1: you're at, you know. And then as time goes on, 556 00:24:02,800 --> 00:24:05,959 Speaker 1: now people listen more. I'm on the air more, and 557 00:24:06,000 --> 00:24:08,680 Speaker 1: I'm on the Instagram a lot, so people will like 558 00:24:08,680 --> 00:24:11,000 Speaker 1: like Mike from Salem was at the Boys and Girls Club. 559 00:24:11,040 --> 00:24:13,119 Speaker 1: He was a nice guy, you know, and then I 560 00:24:13,160 --> 00:24:16,400 Speaker 1: Sai met I know another woman that came up at 561 00:24:16,480 --> 00:24:19,040 Speaker 1: fun City. That's another place that we frequent. 562 00:24:18,800 --> 00:24:19,800 Speaker 2: Is that the bouncy place. 563 00:24:19,880 --> 00:24:23,160 Speaker 1: Yeah, Park, you never been there because it came after 564 00:24:23,240 --> 00:24:24,160 Speaker 1: you were grown up. 565 00:24:24,240 --> 00:24:27,240 Speaker 2: Well it's funny because it used to be a bas 566 00:24:27,440 --> 00:24:30,440 Speaker 2: and they didn't change the outside. So the little blocks 567 00:24:30,480 --> 00:24:32,000 Speaker 2: that are from Babies r us are still on the 568 00:24:32,000 --> 00:24:33,760 Speaker 2: outside of Fun City and they take those down. 569 00:24:34,040 --> 00:24:36,080 Speaker 1: I know it's a good place, but I was there 570 00:24:36,160 --> 00:24:38,440 Speaker 1: with my friends and my kid, all of our kids, 571 00:24:38,480 --> 00:24:41,480 Speaker 1: and a woman came up and said, hey, I'm a 572 00:24:41,480 --> 00:24:43,840 Speaker 1: big fan of the show. I love you guys. And 573 00:24:43,880 --> 00:24:45,440 Speaker 1: she's like, I just want to tell you that your 574 00:24:45,560 --> 00:24:47,520 Speaker 1: son and I go, oh God, here we go, and 575 00:24:47,560 --> 00:24:50,000 Speaker 1: she goes, your son. Her son was a little bit younger. 576 00:24:50,359 --> 00:24:52,280 Speaker 1: He was looking out for my son and like protecting 577 00:24:52,400 --> 00:24:54,919 Speaker 1: him from something. I was like, oh, thank you. 578 00:24:54,960 --> 00:24:57,880 Speaker 2: So much raising a good little boy. 579 00:24:58,160 --> 00:25:00,560 Speaker 1: Listen, the thing with my son is outside the home. 580 00:25:00,680 --> 00:25:03,720 Speaker 1: He's great, like people love him right, but inside the 581 00:25:03,760 --> 00:25:05,960 Speaker 1: home is where he's more comfortable. I was going to say, 582 00:25:06,040 --> 00:25:09,200 Speaker 1: he can like wile out, yeah, and misbehave. 583 00:25:09,480 --> 00:25:12,199 Speaker 2: Honestly, sometimes I think that that's like a sign that 584 00:25:12,640 --> 00:25:15,040 Speaker 2: like a you guys are like parenting well and be like, 585 00:25:15,080 --> 00:25:16,440 Speaker 2: he's comfortable, Guys. 586 00:25:16,240 --> 00:25:19,760 Speaker 1: He's comfortable, And think about what I want at the opposite, 587 00:25:19,880 --> 00:25:22,200 Speaker 1: what I want him to be good at home, like yeah, 588 00:25:22,400 --> 00:25:24,560 Speaker 1: oh bad and then bad on the Outsideah, you know 589 00:25:24,600 --> 00:25:24,880 Speaker 1: you don't. 590 00:25:24,920 --> 00:25:26,760 Speaker 2: That was a great way to think about it. Yeah, 591 00:25:26,800 --> 00:25:27,760 Speaker 2: like at school or. 592 00:25:27,680 --> 00:25:31,280 Speaker 1: Whatever, Well, this has been fun, Riley, don't you have 593 00:25:31,320 --> 00:25:35,000 Speaker 1: a music meeting to go in? It's starting. You're late, 594 00:25:35,840 --> 00:25:38,240 Speaker 1: you're late. Oh, you're only nineteen minutes late. 595 00:25:38,560 --> 00:25:38,840 Speaker 2: Right? 596 00:25:38,880 --> 00:25:41,920 Speaker 1: So Riley sits sits in the music meetings where they 597 00:25:41,920 --> 00:25:43,240 Speaker 1: play all the new music. 598 00:25:43,000 --> 00:25:44,560 Speaker 2: On kiss No no, no, no no? 599 00:25:44,760 --> 00:25:46,560 Speaker 1: Oh? Is that not what we do that I don't 600 00:25:46,600 --> 00:25:46,919 Speaker 1: sit in? 601 00:25:47,240 --> 00:25:50,520 Speaker 2: Well I used to sit in on that one that 602 00:25:50,600 --> 00:25:53,239 Speaker 2: was on Thursdays, but then the bruin season started back up, 603 00:25:53,280 --> 00:25:54,120 Speaker 2: so I tend to leave. 604 00:25:54,200 --> 00:25:55,119 Speaker 1: So what the this mean? 605 00:25:55,240 --> 00:25:57,359 Speaker 2: This is like what we play per week? 606 00:25:57,560 --> 00:26:01,080 Speaker 1: Oh, they like that, they plan the next week. Okay, 607 00:26:01,200 --> 00:26:03,280 Speaker 1: so let's say what songs they gonna play ten times 608 00:26:03,280 --> 00:26:04,640 Speaker 1: in an hour type thing? Yes? 609 00:26:04,840 --> 00:26:07,560 Speaker 2: Yeah, and literally last week we moved like two songs. 610 00:26:07,880 --> 00:26:08,280 Speaker 1: That's it. 611 00:26:08,760 --> 00:26:10,840 Speaker 2: Who decides, Dylan and McCabe. 612 00:26:11,320 --> 00:26:12,399 Speaker 1: So what the fuck do you do? 613 00:26:13,000 --> 00:26:13,640 Speaker 2: I just sit there? 614 00:26:13,680 --> 00:26:15,080 Speaker 1: Do they ask your opinion? Yeah? 615 00:26:15,200 --> 00:26:17,720 Speaker 2: Oh yeah, okay, Like they'll be like, how do you 616 00:26:17,760 --> 00:26:22,160 Speaker 2: feel about us moving up Ophelia or Open Light or whatever? 617 00:26:22,200 --> 00:26:24,440 Speaker 2: And I go I love that song, Taylor's is My Girl. 618 00:26:25,440 --> 00:26:27,680 Speaker 2: And then mccab goes, I hate that song, and I go, well, 619 00:26:27,720 --> 00:26:28,280 Speaker 2: I don't really care. 620 00:26:28,440 --> 00:26:30,320 Speaker 1: Yeah, he hates the album. I had him on to 621 00:26:30,359 --> 00:26:32,920 Speaker 1: explain it on the podcast. I understood what he was saying, 622 00:26:32,920 --> 00:26:35,679 Speaker 1: but I kind of didn't because his whole thing was 623 00:26:35,880 --> 00:26:38,720 Speaker 1: he was he was expecting this great, big pop album, 624 00:26:38,800 --> 00:26:40,720 Speaker 1: and I'm like, but you go right, it is a 625 00:26:41,160 --> 00:26:41,680 Speaker 1: pop album. 626 00:26:41,760 --> 00:26:44,680 Speaker 2: I understood the people that were like, well she marketed 627 00:26:44,760 --> 00:26:47,480 Speaker 2: it like not as like the way like we were 628 00:26:47,480 --> 00:26:50,919 Speaker 2: expecting like this drawback the curtain and see and like 629 00:26:51,040 --> 00:26:52,600 Speaker 2: we didn't really get that. But then the more you 630 00:26:52,640 --> 00:26:54,720 Speaker 2: spend time with the album, you're like, that is kind 631 00:26:54,720 --> 00:26:55,280 Speaker 2: of what that is. 632 00:26:55,520 --> 00:26:58,639 Speaker 1: Actually, are we listening to the same album, right. 633 00:26:58,960 --> 00:27:01,120 Speaker 2: Yeah, I don't. I didn't really get that either. 634 00:27:00,960 --> 00:27:03,200 Speaker 1: To be honest, he's very moody, the moody Macabe. 635 00:27:03,320 --> 00:27:06,639 Speaker 2: Well, I went to Yeah, I went to the Actually 636 00:27:06,640 --> 00:27:08,440 Speaker 2: this is kind of a funny story, but I went 637 00:27:08,480 --> 00:27:10,800 Speaker 2: to when it was out in theaters. I like he 638 00:27:10,880 --> 00:27:13,000 Speaker 2: needed somebody to work it with him, and I was like, well, 639 00:27:13,040 --> 00:27:15,320 Speaker 2: I guess I'm free. So I went and then I 640 00:27:15,400 --> 00:27:18,800 Speaker 2: watched it with him, and like every time something happened 641 00:27:18,840 --> 00:27:20,679 Speaker 2: that he didn't like, he'd be like, I don't like that. 642 00:27:21,160 --> 00:27:24,400 Speaker 2: But we went to Taatee before because we had time 643 00:27:24,440 --> 00:27:27,720 Speaker 2: to Kill and we're in there like ordering a drink 644 00:27:28,119 --> 00:27:30,360 Speaker 2: and we were both wearing Taylor Swift merch and this 645 00:27:30,720 --> 00:27:32,919 Speaker 2: girl that was checking us out was like, oh, like, 646 00:27:34,000 --> 00:27:35,439 Speaker 2: oh Taylor Swift. And I was like, oh, have you 647 00:27:35,440 --> 00:27:36,720 Speaker 2: listened to the album? Like do you like it? She 648 00:27:36,760 --> 00:27:38,280 Speaker 2: was like, to be honest, I don't like it. And 649 00:27:38,320 --> 00:27:42,240 Speaker 2: we were like, oh, like whatever, it's okay, and she goes, oh, 650 00:27:42,280 --> 00:27:44,159 Speaker 2: but like, let's let me put you on somebody, like 651 00:27:44,720 --> 00:27:50,080 Speaker 2: do you guys know Tate McCrae. We were like, oh, yeah, 652 00:27:50,160 --> 00:27:52,639 Speaker 2: we do know Sate McCrae. Like she was like letting 653 00:27:52,680 --> 00:27:54,560 Speaker 2: us in on this secret. She's like, you know who 654 00:27:54,600 --> 00:27:55,360 Speaker 2: you should check out? 655 00:27:55,800 --> 00:27:57,720 Speaker 1: Tate m crowd idea who she's talking to. 656 00:27:58,720 --> 00:28:01,520 Speaker 2: Literally we were like okay, thanks, like and then we 657 00:28:01,680 --> 00:28:02,560 Speaker 2: liked to laugh about it. 658 00:28:03,359 --> 00:28:05,080 Speaker 1: He just looked into the door my cave. 659 00:28:05,280 --> 00:28:06,800 Speaker 2: Oh so he's not in the meeting either. 660 00:28:06,880 --> 00:28:08,920 Speaker 1: He just peaked his head in and then he walked away. 661 00:28:09,080 --> 00:28:10,360 Speaker 1: Oh so maybe it's already over. 662 00:28:10,440 --> 00:28:13,000 Speaker 2: Maybe I got canceled. Maybe well because Dylan's not here. 663 00:28:13,280 --> 00:28:16,280 Speaker 1: I know Dylan, our boss is at jingle ball. Yeah, 664 00:28:16,320 --> 00:28:19,600 Speaker 1: he's at Detroit and Chicago. He goes to the different 665 00:28:19,680 --> 00:28:22,680 Speaker 1: jingle balls around the country. Yeah, and then Friday is 666 00:28:22,760 --> 00:28:24,520 Speaker 1: New York and then they come Sunday. 667 00:28:25,400 --> 00:28:26,119 Speaker 2: I'm so excited. 668 00:28:26,160 --> 00:28:27,640 Speaker 1: Yeah, it's gonna be gat. It's gonna be a great show. 669 00:28:27,680 --> 00:28:31,520 Speaker 1: All right, Riley, that's it for everyone else. Tomorrow. Power 670 00:28:31,560 --> 00:28:33,439 Speaker 1: of Recovery will be back in the building. They came 671 00:28:33,600 --> 00:28:36,359 Speaker 1: once a month, So any questions you have from Maddie 672 00:28:36,359 --> 00:28:42,120 Speaker 1: and Damon about Power of Recovery, about addiction, relapse, sober houses. 673 00:28:42,240 --> 00:28:44,400 Speaker 1: Their new place, Power of Hope, which is a mental 674 00:28:44,400 --> 00:28:48,560 Speaker 1: health youth day center, just opened. Leave a talk back 675 00:28:48,640 --> 00:28:50,880 Speaker 1: if anything's going on in your life. They're they're super 676 00:28:50,880 --> 00:28:53,400 Speaker 1: fun and we'll chat with them tomorrow. 677 00:28:53,520 --> 00:28:55,360 Speaker 2: I can always tell when they're here because they both 678 00:28:55,360 --> 00:28:55,960 Speaker 2: smell so good. 679 00:28:56,160 --> 00:28:57,360 Speaker 1: Yeah, oh yeah, they're great. 680 00:28:57,520 --> 00:28:57,640 Speaker 2: Right. 681 00:28:57,720 --> 00:29:00,360 Speaker 1: Imagine what they used to smell like back in the day. Yeah, 682 00:29:00,480 --> 00:29:03,960 Speaker 1: not so much anymore. Anyway. Peace thirty minutes today, Right, 683 00:29:04,080 --> 00:29:04,320 Speaker 1: let's go 684 00:29:04,960 --> 00:29:10,360 Speaker 2: Wheeze chadding Bye.