1 00:00:00,160 --> 00:00:03,160 Speaker 1: Listen. There are certain free comedy Fridays that we get 2 00:00:03,200 --> 00:00:06,040 Speaker 1: a little extra pumped for. I'm not gonna lie. And 3 00:00:06,240 --> 00:00:09,880 Speaker 1: when our guy Finesse Mitchell is in town, it is 4 00:00:10,039 --> 00:00:13,640 Speaker 1: always a pleasure. And I love seeing my guy Finesse. 5 00:00:13,720 --> 00:00:16,640 Speaker 1: He's the best man. And so this is a little 6 00:00:16,640 --> 00:00:23,279 Speaker 1: different though, because I didn't mean to make tract I know, 7 00:00:23,640 --> 00:00:26,040 Speaker 1: I know, I got nothing but love for you, man, 8 00:00:26,280 --> 00:00:29,920 Speaker 1: nothing but love. Listen for years, bro, I tell you 9 00:00:29,960 --> 00:00:32,879 Speaker 1: for years. Yeah, I'm shocked. 10 00:00:32,520 --> 00:00:34,800 Speaker 2: That y'all is still on the air. First, I totally agree. 11 00:00:35,400 --> 00:00:36,520 Speaker 2: We're gonna be coming down. 12 00:00:36,400 --> 00:00:37,000 Speaker 1: Here this long. 13 00:00:37,040 --> 00:00:38,680 Speaker 2: And you to keep this outfit together. 14 00:00:38,880 --> 00:00:42,520 Speaker 1: Man, in all honesty, well you know what I mean. Listen, 15 00:00:43,159 --> 00:00:45,720 Speaker 1: we kind of, you know, figured out the secrets of 16 00:00:45,760 --> 00:00:49,480 Speaker 1: the sauce and we just be ourselves. And you know what, blackma, man, 17 00:00:51,880 --> 00:00:54,520 Speaker 1: have you got some pictures? You got some pictures without 18 00:00:54,520 --> 00:00:57,680 Speaker 1: a doubt, without a doubt. I don't know what's going on, man, 19 00:00:57,720 --> 00:01:00,960 Speaker 1: We're just counting our blessings. Every day you get a paycheck. 20 00:01:01,000 --> 00:01:03,600 Speaker 1: I'm like, this is great. So without doubt. But we 21 00:01:03,680 --> 00:01:06,199 Speaker 1: love having you in Finesse whenever you're whenever you're in town, 22 00:01:06,400 --> 00:01:07,880 Speaker 1: and you are going to be performing at the mic 23 00:01:07,959 --> 00:01:12,119 Speaker 1: Drop Comedy Club tonight. This is a very special show though, 24 00:01:12,560 --> 00:01:13,680 Speaker 1: because when. 25 00:01:13,480 --> 00:01:15,600 Speaker 2: I saw this on the Friends, I have friends. 26 00:01:15,400 --> 00:01:19,240 Speaker 1: Dude, this is shocking. This is shocking to me. I 27 00:01:19,280 --> 00:01:21,080 Speaker 1: saw this on the schedule and I did a double take. 28 00:01:21,080 --> 00:01:23,600 Speaker 3: It wasn't that you when you decided to just hit 29 00:01:23,640 --> 00:01:25,000 Speaker 3: the rock up and he hit me back? 30 00:01:25,120 --> 00:01:28,839 Speaker 1: Yes, of course, no, you do. That was crazy? Yeah, 31 00:01:28,880 --> 00:01:29,200 Speaker 1: it was it. 32 00:01:29,640 --> 00:01:35,560 Speaker 3: Munch people from Saturday Night Live, Fox, HBO, Showtime, Disney Champ. 33 00:01:35,400 --> 00:01:38,000 Speaker 1: As big as a guest, as big as guests. Yes, 34 00:01:38,360 --> 00:01:42,160 Speaker 1: when when people ask me who's the most famous personal my. 35 00:01:42,120 --> 00:01:45,360 Speaker 3: Man, I'm at least in your top three without that, yes, 36 00:01:45,959 --> 00:01:46,680 Speaker 3: one of the ghats. 37 00:01:46,840 --> 00:01:53,200 Speaker 1: Yes, I'm saying it. I'm saying it. Uh, William, I 38 00:01:53,200 --> 00:01:55,160 Speaker 1: don't know. I don't know. Cat No, No, I want to. 39 00:01:56,400 --> 00:02:00,920 Speaker 1: So I'm looking at this schedule, yes, and I see 40 00:02:00,960 --> 00:02:03,080 Speaker 1: Faness Mitchell and I get excited about Oh my guys, 41 00:02:03,080 --> 00:02:06,040 Speaker 1: come here you this is great. But then don't get 42 00:02:06,040 --> 00:02:10,200 Speaker 1: it twisted. This ain't just Vanesse Mitchell on the bill tonight. 43 00:02:11,160 --> 00:02:15,520 Speaker 1: Finess is doing a special tour and show tonight at 44 00:02:15,560 --> 00:02:20,959 Speaker 1: the Micdrop Comic Club with Tisha Campbell. Remember from Martin 45 00:02:23,720 --> 00:02:29,239 Speaker 1: Da Gina, Yes, and I went, wait, I don't get 46 00:02:29,280 --> 00:02:31,400 Speaker 1: what we're doing. I don't think she does stand up, don't. 47 00:02:31,440 --> 00:02:33,959 Speaker 1: I don't. Maybe she does, now I don't. I'm confused. 48 00:02:35,400 --> 00:02:39,400 Speaker 1: From Mark, that would be incredible. What is happeningss Mitchell 49 00:02:39,480 --> 00:02:41,040 Speaker 1: is so dope? Okay, stand up? 50 00:02:41,880 --> 00:02:44,240 Speaker 2: Here we go twenty seven plus years. 51 00:02:44,320 --> 00:02:47,560 Speaker 3: Yeah, yeah, I did a show with Tisha Campbell call 52 00:02:47,720 --> 00:02:49,040 Speaker 3: Out Matched on Fox. 53 00:02:49,080 --> 00:02:51,080 Speaker 2: Okay, we ran for a year. 54 00:02:51,400 --> 00:02:56,920 Speaker 3: Covid took us out, but we have the same agent. 55 00:02:57,639 --> 00:03:01,720 Speaker 3: And she did something for big time comedian now who 56 00:03:01,880 --> 00:03:04,280 Speaker 3: just blew up through covid'. His name is d Nice 57 00:03:04,760 --> 00:03:07,760 Speaker 3: and d Nice does his club quarantines and these big concerts, 58 00:03:07,800 --> 00:03:10,440 Speaker 3: and he asked t she to host. T Sha hosted it. 59 00:03:10,560 --> 00:03:12,640 Speaker 3: She was funny. By the time she got off stage. 60 00:03:13,200 --> 00:03:15,280 Speaker 3: My agent saw her and was like, I want to 61 00:03:15,280 --> 00:03:17,720 Speaker 3: be your agent. Oh, you should do stand up and 62 00:03:17,760 --> 00:03:19,080 Speaker 3: she's like, I don't know how to do stand up. 63 00:03:19,360 --> 00:03:20,800 Speaker 3: And then she said I need to put you with 64 00:03:20,800 --> 00:03:22,799 Speaker 3: somebody who knows how to do stand up. And she's 65 00:03:22,800 --> 00:03:24,880 Speaker 3: like who's that. She goes to, you know, Faness Mitchell. 66 00:03:24,919 --> 00:03:28,959 Speaker 3: She was like, I love Finesse Mitchell, who doesn't love? 67 00:03:30,120 --> 00:03:34,560 Speaker 3: Who doesn't love? And then next time they call me yeah, 68 00:03:35,400 --> 00:03:37,280 Speaker 3: and they asked me was I interested? I met her 69 00:03:37,280 --> 00:03:40,080 Speaker 3: at a coffee shop and I told her, I said, listen, 70 00:03:41,040 --> 00:03:42,480 Speaker 3: I take stand up very seriously. 71 00:03:43,560 --> 00:03:44,480 Speaker 2: It's my girlfriend. 72 00:03:44,600 --> 00:03:45,000 Speaker 1: Yeah. 73 00:03:45,280 --> 00:03:47,320 Speaker 2: You know, my wife is my wife. Stand up is 74 00:03:47,320 --> 00:03:47,640 Speaker 2: my girl. 75 00:03:48,680 --> 00:03:53,800 Speaker 3: Mistress is the side check the girlfriend stand up cross 76 00:03:54,080 --> 00:03:56,160 Speaker 3: makes sense. I have my wife knows I have to go, 77 00:03:56,280 --> 00:03:58,080 Speaker 3: you have to go. We have to split time. She 78 00:03:58,880 --> 00:04:00,960 Speaker 3: gets it, so she sense how serious it was. 79 00:04:01,880 --> 00:04:06,080 Speaker 2: Bro. We are like six months in, we are on 80 00:04:06,120 --> 00:04:07,080 Speaker 2: our tenth city. 81 00:04:07,160 --> 00:04:07,880 Speaker 1: Wow. 82 00:04:08,480 --> 00:04:11,960 Speaker 2: Tsha is now beast my wife and kids. 83 00:04:12,000 --> 00:04:14,200 Speaker 3: First of all, let me back up Shop of Horse. 84 00:04:15,280 --> 00:04:18,320 Speaker 3: Some people remember that musical back. Yeah, that's her and 85 00:04:18,560 --> 00:04:22,480 Speaker 3: Sheena Arnold, who was also on market, starting that together. 86 00:04:22,760 --> 00:04:27,680 Speaker 3: But school days another four to eight hours boomerang. The 87 00:04:27,760 --> 00:04:30,400 Speaker 3: list goes on and on them. But the great thing 88 00:04:30,400 --> 00:04:32,400 Speaker 3: about t Sha. My brother pointed this out to me. 89 00:04:32,480 --> 00:04:37,240 Speaker 3: He said, she you mean Martin Tcher. Yeah, that teacher Campbell. 90 00:04:37,279 --> 00:04:41,120 Speaker 3: I said, yeah, oh man, wait, Teacha Campbell, who was 91 00:04:41,120 --> 00:04:43,320 Speaker 3: with Damon Wayneam's on my wife and kids. 92 00:04:43,960 --> 00:04:47,880 Speaker 1: I said, yeah, okay, and now she's working with you. 93 00:04:50,520 --> 00:04:55,560 Speaker 3: He was like man, Hollywood, be just crazy crazy, like 94 00:04:55,640 --> 00:04:57,320 Speaker 3: to see her career go down like. 95 00:05:01,520 --> 00:05:05,200 Speaker 1: Grey. He mad, that's what he meant. Stand up, that's 96 00:05:05,200 --> 00:05:07,720 Speaker 1: what he meant. You got the directions wrong. Yeah, if 97 00:05:07,760 --> 00:05:09,760 Speaker 1: you know your family hate Yeah. Yeah. 98 00:05:11,400 --> 00:05:17,080 Speaker 3: Anyway, long story short, Uh, last night bro packed house 99 00:05:17,760 --> 00:05:20,280 Speaker 3: and now we only here for one night, two shows tonight, 100 00:05:20,680 --> 00:05:21,200 Speaker 3: mic drop. 101 00:05:22,000 --> 00:05:24,640 Speaker 1: So what does this show look like? You're sitting there 102 00:05:24,640 --> 00:05:27,400 Speaker 1: at the coffee shop, you know, you got your late 103 00:05:27,960 --> 00:05:31,040 Speaker 1: and you're chatting it up and and you go, what 104 00:05:31,080 --> 00:05:32,800 Speaker 1: are we gonna do? Like, what is this going to 105 00:05:32,880 --> 00:05:33,240 Speaker 1: look like? 106 00:05:33,360 --> 00:05:38,440 Speaker 3: By the way, I had a Coca Cola. 107 00:05:36,880 --> 00:05:41,520 Speaker 2: Coffee she drank. You know I drink Coca Cola. 108 00:05:41,720 --> 00:05:47,159 Speaker 3: Okay, the show is basically we have a dope host 109 00:05:47,720 --> 00:05:51,720 Speaker 3: and then Tisha just hits the stage and solo. 110 00:05:52,560 --> 00:05:52,800 Speaker 2: Yeah. 111 00:05:53,760 --> 00:05:56,840 Speaker 1: I assumed you guys were on stage to get am 112 00:05:56,880 --> 00:05:58,839 Speaker 1: I am? I completely out of my mind? 113 00:05:58,920 --> 00:05:59,599 Speaker 2: What you're missing? 114 00:06:01,160 --> 00:06:01,480 Speaker 3: You know? 115 00:06:01,520 --> 00:06:04,320 Speaker 2: How dope I am? Yes, I am the mentor. 116 00:06:04,839 --> 00:06:05,280 Speaker 1: I love that. 117 00:06:05,520 --> 00:06:09,800 Speaker 2: Wow, she is my karate kid. Okay, I missed me. 118 00:06:10,160 --> 00:06:13,839 Speaker 1: Yeah, she's ralph ma already. 119 00:06:14,000 --> 00:06:15,080 Speaker 2: Yes, she's rap. 120 00:06:17,240 --> 00:06:21,920 Speaker 1: She waxed off. Hello, we don't have to Yes, don't 121 00:06:21,920 --> 00:06:25,200 Speaker 1: make this music. Sorry, sorry, sorry. 122 00:06:27,600 --> 00:06:34,719 Speaker 2: She does for she still calls me chill out guy. 123 00:06:35,320 --> 00:06:36,760 Speaker 1: Sorry, DMS. 124 00:06:37,520 --> 00:06:39,280 Speaker 2: But yes, no, she's incredible. 125 00:06:39,320 --> 00:06:42,960 Speaker 1: Okay, now now now I am totally like a. 126 00:06:43,000 --> 00:06:46,240 Speaker 2: Legit stand up comedian. Now does her own set? Does 127 00:06:46,240 --> 00:06:48,200 Speaker 2: her own thirty five minutes set? 128 00:06:48,640 --> 00:06:52,480 Speaker 1: Thirty yeah, thirty five minutes. 129 00:06:53,000 --> 00:06:55,719 Speaker 2: Forty years yeah, you know how long with finness Mitchell? 130 00:06:56,200 --> 00:06:58,520 Speaker 2: Obviously six months? 131 00:06:57,440 --> 00:06:59,240 Speaker 1: Six months? 132 00:06:59,360 --> 00:07:02,040 Speaker 3: She gets a stand innovation every time. First of all, 133 00:07:02,040 --> 00:07:05,320 Speaker 3: she has heart fans. People show up to these shows 134 00:07:05,360 --> 00:07:10,200 Speaker 3: with a Martin T shirt, I bet bet sweatshirts. And 135 00:07:10,240 --> 00:07:12,360 Speaker 3: then the crazy thing is that, you know, I come 136 00:07:12,400 --> 00:07:15,720 Speaker 3: out after her, and I just I just I don't know. 137 00:07:15,800 --> 00:07:20,080 Speaker 3: It's lethal injection after that, it's comedy overloaded after that. Yeah, 138 00:07:20,120 --> 00:07:21,920 Speaker 3: but I still have to perform to a room full 139 00:07:21,920 --> 00:07:24,680 Speaker 3: of people in Martin sweat. Yeah, it's weird because I'm 140 00:07:24,720 --> 00:07:28,000 Speaker 3: like Disney Channel ant Farm was such a dope shot. 141 00:07:28,040 --> 00:07:31,600 Speaker 3: We should get merch because should have, right beause it's 142 00:07:31,640 --> 00:07:34,320 Speaker 3: still on Disney. Plus people are now in the twenties, 143 00:07:34,920 --> 00:07:39,360 Speaker 3: you know what I mean. But wait a minute, though, Okay, 144 00:07:39,480 --> 00:07:42,280 Speaker 3: so again goes out. I was thinking this was a 145 00:07:42,320 --> 00:07:45,120 Speaker 3: combo show. Then I come out, I do my thing, 146 00:07:45,400 --> 00:07:48,800 Speaker 3: then we come out together, and then that's when we 147 00:07:48,880 --> 00:07:52,280 Speaker 3: do the back and then our improv is so dope 148 00:07:52,320 --> 00:07:54,480 Speaker 3: because she's a she's. 149 00:07:54,240 --> 00:07:58,240 Speaker 1: AEDI and nobody is confused that that's Martin Lawrence up 150 00:07:58,240 --> 00:08:00,680 Speaker 1: there with her, because I, you know, would be worried 151 00:08:00,800 --> 00:08:01,280 Speaker 1: some for me. 152 00:08:02,640 --> 00:08:03,840 Speaker 2: I don't think they would be. 153 00:08:04,320 --> 00:08:07,000 Speaker 1: Okay, good, okay, good, okay, good, that's good. 154 00:08:07,120 --> 00:08:09,640 Speaker 2: I love Martin. Yeah I moved way faster. 155 00:08:09,880 --> 00:08:18,480 Speaker 3: Yeah down, I love Martin my top five. But right now, 156 00:08:18,680 --> 00:08:24,640 Speaker 3: everybody knows that Finesse is probably the most dopest underrated comedian. 157 00:08:24,800 --> 00:08:26,440 Speaker 1: I say it all the time. They say it all 158 00:08:26,440 --> 00:08:28,400 Speaker 1: the time. In fact, if they were making a new 159 00:08:28,440 --> 00:08:31,880 Speaker 1: Bad Boys what Give My Give my Guy called give 160 00:08:31,880 --> 00:08:33,240 Speaker 1: my Guy call. 161 00:08:33,040 --> 00:08:35,080 Speaker 2: I'm so dope, they would just have to call it 162 00:08:35,160 --> 00:08:35,679 Speaker 2: bad Boy. 163 00:08:36,960 --> 00:08:40,000 Speaker 1: I don't need you will, We don't need will anymore. 164 00:08:40,160 --> 00:08:42,640 Speaker 1: You will. We're good. We'll stop some mother fool. 165 00:08:42,720 --> 00:08:44,120 Speaker 2: Don't figure your life out right. 166 00:08:44,360 --> 00:08:47,480 Speaker 3: He just needs to be faness Mitchell, the bad boy, 167 00:08:47,559 --> 00:08:48,680 Speaker 3: the bad boy. 168 00:08:49,000 --> 00:08:50,000 Speaker 1: Yeah, we got something here. 169 00:08:50,040 --> 00:08:56,760 Speaker 3: We ride together, we die together, bad boy. 170 00:08:57,440 --> 00:09:01,840 Speaker 1: That's incredible. Well, I'm blown away by this. I honestly was. 171 00:09:02,200 --> 00:09:04,520 Speaker 1: My My friend of mine was completely off. 172 00:09:04,400 --> 00:09:05,439 Speaker 2: You know, what it is. 173 00:09:05,640 --> 00:09:05,920 Speaker 1: You know. 174 00:09:06,200 --> 00:09:08,160 Speaker 3: I love I love the fact that so many of 175 00:09:08,920 --> 00:09:10,320 Speaker 3: comedy fans get the same call. 176 00:09:10,520 --> 00:09:13,040 Speaker 2: They asked me the same thing. Is she funny, like 177 00:09:13,360 --> 00:09:14,200 Speaker 2: you got to come see it? 178 00:09:14,240 --> 00:09:14,880 Speaker 1: I'm sure she is. 179 00:09:15,120 --> 00:09:18,240 Speaker 3: Yeah. First of all, she's naturally funny, but her material 180 00:09:18,320 --> 00:09:21,400 Speaker 3: is funny, her performance is funny. Everything about the show 181 00:09:21,559 --> 00:09:25,760 Speaker 3: is dope. And so I don't know, man. I At 182 00:09:25,800 --> 00:09:29,040 Speaker 3: first I was like, I don't know when you first 183 00:09:29,080 --> 00:09:31,439 Speaker 3: time I saw her, Like, we wrote down. 184 00:09:31,240 --> 00:09:34,319 Speaker 1: Material, That's what I want to know. The process. So 185 00:09:34,720 --> 00:09:38,079 Speaker 1: you are there with her and you have to figure out, well, 186 00:09:38,120 --> 00:09:39,120 Speaker 1: what what's you're saying? 187 00:09:39,160 --> 00:09:39,640 Speaker 2: What's funny? 188 00:09:39,679 --> 00:09:39,839 Speaker 3: Yeah? 189 00:09:39,880 --> 00:09:40,360 Speaker 1: What funny? 190 00:09:40,600 --> 00:09:40,760 Speaker 4: Yeah? 191 00:09:40,880 --> 00:09:41,840 Speaker 2: What do you like talking about? 192 00:09:41,920 --> 00:09:42,120 Speaker 4: Yeah? 193 00:09:42,160 --> 00:09:43,800 Speaker 1: And then I figure out, okay, this is what do 194 00:09:43,840 --> 00:09:45,400 Speaker 1: you think about this kid? Yeah? What do you think 195 00:09:45,400 --> 00:09:51,559 Speaker 1: about this story? It's my son, Jack? He asked me. Well, 196 00:09:51,600 --> 00:09:54,480 Speaker 1: he asked me, Yeah, I'm gonna tell him. 197 00:09:55,600 --> 00:09:56,880 Speaker 2: We don't have to say it to his face, but. 198 00:09:58,360 --> 00:10:00,599 Speaker 1: All the time I'll never hear. I think it was 199 00:10:00,640 --> 00:10:03,280 Speaker 1: just said on the rate his face. Is that not right? 200 00:10:05,080 --> 00:10:05,640 Speaker 2: I think it's great? 201 00:10:05,679 --> 00:10:10,800 Speaker 1: Okaytment, Yeah, what's what's wrong with You can't slap in 202 00:10:10,800 --> 00:10:11,280 Speaker 1: the back of the. 203 00:10:11,200 --> 00:10:15,240 Speaker 2: Head one kid, right, that's perfect. 204 00:10:15,559 --> 00:10:17,240 Speaker 3: Yeah, he gets to stare at the other kid while 205 00:10:17,240 --> 00:10:20,920 Speaker 3: he's sleeping and stuff like that. He gets to go 206 00:10:21,000 --> 00:10:25,760 Speaker 3: in your room when you're talking, nap, waiting, if you're breathing. 207 00:10:26,559 --> 00:10:27,360 Speaker 1: This is really weird. 208 00:10:27,360 --> 00:10:29,200 Speaker 2: It's gonna work harder because he's gonna know. 209 00:10:29,640 --> 00:10:32,200 Speaker 3: I gotta push, gotta push man that puts on his 210 00:10:32,320 --> 00:10:33,640 Speaker 3: shoes on the wrong. 211 00:10:35,080 --> 00:10:40,160 Speaker 1: That has happened before. That happened kid. I think most 212 00:10:40,600 --> 00:10:44,319 Speaker 1: teenage boys, they're they're not smart. Most of them were 213 00:10:44,400 --> 00:10:45,080 Speaker 1: We are dopes. 214 00:10:45,200 --> 00:10:48,040 Speaker 2: My youngest daughter as cute as a button. 215 00:10:48,440 --> 00:10:50,200 Speaker 3: But if you tell her to tie her shoes and 216 00:10:50,240 --> 00:10:52,480 Speaker 3: she gets frustrated, she pulls the entire shoelace. 217 00:10:52,520 --> 00:10:56,800 Speaker 2: Out of the show. She's just walking around with flaps. 218 00:10:56,920 --> 00:10:59,640 Speaker 1: Okay, now what are we going to do? 219 00:11:00,120 --> 00:11:00,600 Speaker 2: I don't know. 220 00:11:04,520 --> 00:11:07,040 Speaker 1: In your face, finesse six years old, I don't know. Okay, 221 00:11:07,280 --> 00:11:10,439 Speaker 1: I'm done. That's fair. That's a great answer, and we 222 00:11:10,480 --> 00:11:14,160 Speaker 1: go to school is wow. 223 00:11:14,240 --> 00:11:14,440 Speaker 2: Yeah. 224 00:11:14,480 --> 00:11:18,520 Speaker 3: So she writes the material from her life, from her experiences, 225 00:11:18,600 --> 00:11:21,480 Speaker 3: talking about Martin, talking about David, but mostly talking about 226 00:11:21,480 --> 00:11:23,960 Speaker 3: her family because I always tell her that comedy starts 227 00:11:24,000 --> 00:11:24,400 Speaker 3: with you. 228 00:11:24,880 --> 00:11:26,280 Speaker 2: People want to know your story. 229 00:11:26,440 --> 00:11:27,920 Speaker 1: Yeah, tell personal. 230 00:11:27,559 --> 00:11:31,360 Speaker 4: Stories and she's just a I can't even say it. Wow, 231 00:11:31,440 --> 00:11:35,400 Speaker 4: that's great, it's great. I listen, there's two shows tonight. 232 00:11:35,480 --> 00:11:37,200 Speaker 4: I don't know if there's tickets left, but I'm telling 233 00:11:37,240 --> 00:11:39,520 Speaker 4: you got to try and get them because it's going 234 00:11:39,600 --> 00:11:42,520 Speaker 4: to be great. I mean, I'm I'm fired up. Obviously, 235 00:11:42,559 --> 00:11:45,200 Speaker 4: I'm fired up for my guy Finesse the bad Boy. 236 00:11:45,400 --> 00:11:55,880 Speaker 1: Yeah, but but just to go out there. It's huge. Yes, 237 00:11:56,040 --> 00:11:58,680 Speaker 1: but that's an Tis Campbell. That's crazy. What a what 238 00:11:58,760 --> 00:12:01,800 Speaker 1: a bill? That's what's huge. So go check about two 239 00:12:01,880 --> 00:12:04,160 Speaker 1: shows tonight, seven o'clock at nine thirty at Bike Drop 240 00:12:04,200 --> 00:12:07,520 Speaker 1: Comedy Club, Vanesse. Amazing, dude, this is as good as 241 00:12:07,520 --> 00:12:07,880 Speaker 1: it gets. 242 00:12:07,920 --> 00:12:10,160 Speaker 3: No, you know, thank you guys for always having me. 243 00:12:10,559 --> 00:12:13,640 Speaker 3: Of course, it's the weekend. People in San Diego are like, 244 00:12:13,720 --> 00:12:15,200 Speaker 3: what are we gonna do this weekend? 245 00:12:15,960 --> 00:12:16,959 Speaker 2: Mic Drop Comedy? 246 00:12:17,040 --> 00:12:18,800 Speaker 1: What's up to? What's up? 247 00:12:19,520 --> 00:12:20,560 Speaker 2: Are you a comedy fan? 248 00:12:20,840 --> 00:12:23,160 Speaker 3: Are you scrolling your phone all the time on the 249 00:12:23,240 --> 00:12:24,880 Speaker 3: toilet just looking at comedy? 250 00:12:25,160 --> 00:12:28,280 Speaker 1: Talk about it? And now we're in your city, do it. 251 00:12:28,360 --> 00:12:30,640 Speaker 2: Matt Ran here tonight ain't happening. 252 00:12:31,400 --> 00:12:36,600 Speaker 1: He ain't happen. I'm not here. Glaciers is not here. 253 00:12:37,160 --> 00:12:41,480 Speaker 3: William's not Here's not here, you know's here? 254 00:12:50,240 --> 00:12:52,840 Speaker 1: Love having you, Thank you for the best. Dude. All right, 255 00:12:52,920 --> 00:12:54,959 Speaker 1: we know Thor's new daddy. You know he's got a 256 00:12:55,000 --> 00:12:56,760 Speaker 1: three month old. You know that finess I tell you 257 00:12:56,800 --> 00:12:58,480 Speaker 1: last time. Yeah, just had a baby. 258 00:12:59,040 --> 00:12:59,640 Speaker 2: Avoid that. 259 00:13:01,440 --> 00:13:05,520 Speaker 1: I forgot try, I forgot man, he forgot thank you 260 00:13:06,040 --> 00:13:09,800 Speaker 1: standing up late. Uh it's rough rough, he was colocky, 261 00:13:09,880 --> 00:13:10,680 Speaker 1: So that got crazy. 262 00:13:10,800 --> 00:13:12,680 Speaker 2: Yeah, these hours in the morning. 263 00:13:13,440 --> 00:13:15,120 Speaker 1: Yeah, they're figuring it out. Though. 264 00:13:15,120 --> 00:13:17,319 Speaker 2: You look at your wife and like, Babe, I gotta go. 265 00:13:17,720 --> 00:13:18,000 Speaker 1: That's what 266 00:13:19,559 --> 00:13:19,880 Speaker 4: I'm doing.