1 00:00:00,080 --> 00:00:13,560 Speaker 1: And it must be for Craig Kilbourne to not any 2 00:00:13,640 --> 00:00:18,599 Speaker 1: longer have his musical requests honored because of the new rules, 3 00:00:18,640 --> 00:00:25,200 Speaker 1: the new iHeart Radio rules regarding safe for consumption. Legally speaking, 4 00:00:25,360 --> 00:00:27,880 Speaker 1: it does hurt the vibe bumper music. There's questions that 5 00:00:27,960 --> 00:00:31,480 Speaker 1: it does. By the way, we are getting some confirmation 6 00:00:32,840 --> 00:00:38,680 Speaker 1: that Kyler Murray has undergone a physical at TCO and 7 00:00:38,720 --> 00:00:43,320 Speaker 1: that KAOC helped him up onto the examining table. That 8 00:00:43,360 --> 00:00:46,599 Speaker 1: was inevitable. You knew something was gonna come that one sooner, 9 00:00:47,280 --> 00:00:50,440 Speaker 1: sooner or later. And by the way, that's me not 10 00:00:50,640 --> 00:00:53,040 Speaker 1: rising above what you said you were going to rise above. 11 00:00:53,400 --> 00:00:55,040 Speaker 1: I know, yeah, I'm sorry. I had to do it 12 00:00:55,080 --> 00:00:57,600 Speaker 1: once and it's via the text line and you know whatever. 13 00:00:58,480 --> 00:01:02,880 Speaker 1: All right, So Craig Kilbourne is back. He confirmed a 14 00:01:02,920 --> 00:01:06,240 Speaker 1: couple of interesting things already. One he did attend in 15 00:01:06,280 --> 00:01:12,000 Speaker 1: the Beautiful People's Sweet section Wolves Lakers a couple nights ago, 16 00:01:12,720 --> 00:01:15,880 Speaker 1: and that he turned off Wool's Clippers from his TV. 17 00:01:16,400 --> 00:01:19,200 Speaker 1: What'd you say three minutes into it? Two or three 18 00:01:19,480 --> 00:01:20,000 Speaker 1: or three? 19 00:01:20,640 --> 00:01:23,560 Speaker 2: When it was twelve to two? You said turnovers right away? 20 00:01:23,760 --> 00:01:26,760 Speaker 1: I couldn't five in our own But we're about to 21 00:01:26,840 --> 00:01:30,480 Speaker 1: learn about a new killborn project. And this is not 22 00:01:30,720 --> 00:01:32,880 Speaker 1: your return to late night. I don't think that would 23 00:01:32,920 --> 00:01:39,720 Speaker 1: be seismic. But it is bigger than merely good podcast fodder. Correct. 24 00:01:40,560 --> 00:01:43,080 Speaker 2: For me, it's a yes, sir, for me, it's a 25 00:01:43,160 --> 00:01:45,759 Speaker 2: dream come true. It's the biggest thing for me. It's 26 00:01:45,880 --> 00:01:47,160 Speaker 2: it's going to be a lot of work. It'll be 27 00:01:47,160 --> 00:01:49,000 Speaker 2: the hardest thing I ever do. I'd like to announce 28 00:01:49,040 --> 00:01:52,000 Speaker 2: it now only on your podcast. Next week I'll do 29 00:01:52,040 --> 00:01:54,720 Speaker 2: a couple of pods and announcement. I'd announced it nice 30 00:01:54,760 --> 00:01:56,480 Speaker 2: and I'm going to do it now. Do you guys 31 00:01:56,480 --> 00:01:58,280 Speaker 2: have a music or drum roll? Or is that not? 32 00:01:58,320 --> 00:01:59,680 Speaker 1: What do you want to do? Guardian? You got something 33 00:02:00,120 --> 00:02:01,720 Speaker 1: or the drum roll is? I'm going to find out 34 00:02:01,760 --> 00:02:03,920 Speaker 1: see if you can find a drum roll. Well, we'll 35 00:02:03,920 --> 00:02:06,880 Speaker 1: tap dance a little bit before then. Well, here's what 36 00:02:06,920 --> 00:02:08,360 Speaker 1: I'll say about this announcement. 37 00:02:08,560 --> 00:02:11,080 Speaker 2: I should have just said, you have been taught. 38 00:02:11,120 --> 00:02:14,560 Speaker 1: I mean, in all honesty, you've been talking, You've been 39 00:02:14,639 --> 00:02:19,600 Speaker 1: working on this, trying to make this happen literally for years, right, 40 00:02:19,680 --> 00:02:21,040 Speaker 1: this isn't like two months ago. 41 00:02:21,200 --> 00:02:22,440 Speaker 2: At least two years, so. 42 00:02:22,480 --> 00:02:25,400 Speaker 1: Because we've had conversations about this and part of the 43 00:02:25,520 --> 00:02:29,880 Speaker 1: challenge of haven't how you go about the business of 44 00:02:30,000 --> 00:02:32,840 Speaker 1: getting this done? What the kind of schmoozing you have 45 00:02:32,919 --> 00:02:35,200 Speaker 1: to do, the kinds of meetings you have to have, 46 00:02:35,760 --> 00:02:37,640 Speaker 1: the kind of glad handing you have to do. Do 47 00:02:37,680 --> 00:02:44,959 Speaker 1: we have anything guardsing? Oh? 48 00:02:45,000 --> 00:02:49,920 Speaker 2: Oh, hello Minnesota. It's Greg Kilbourne and I'm very excited 49 00:02:49,919 --> 00:02:53,760 Speaker 2: to say I will be making a movie that I'm writing, 50 00:02:53,880 --> 00:02:58,240 Speaker 2: directing and starring in, an independent film called The Life Golden. 51 00:02:58,800 --> 00:03:00,440 Speaker 1: The Life gold Brian. 52 00:03:00,520 --> 00:03:05,280 Speaker 2: Yes, brilliant, I'll shoot it this year. It'll come out 53 00:03:05,320 --> 00:03:07,880 Speaker 2: in twenty twenty seven, hopefully, Dan, you'll have me back 54 00:03:07,880 --> 00:03:09,720 Speaker 2: when the premiere is in the Twin Cities at some 55 00:03:09,760 --> 00:03:11,840 Speaker 2: of the theaters. They're going to be in the theaters. 56 00:03:12,120 --> 00:03:15,320 Speaker 2: There are different ways to distribute it, The Life Golden. 57 00:03:15,720 --> 00:03:18,079 Speaker 2: I'm gonna now tell you the log line, Dan. Does 58 00:03:18,120 --> 00:03:19,600 Speaker 2: everyone know what a log line is? 59 00:03:19,800 --> 00:03:22,919 Speaker 1: I probably not. I'm guessing. I think it has to 60 00:03:22,960 --> 00:03:24,240 Speaker 1: do with trees and Paul Bunyan. 61 00:03:24,720 --> 00:03:27,560 Speaker 2: No, it's just the description of what the movie is about. 62 00:03:27,560 --> 00:03:29,560 Speaker 2: It's a very short it's called the log line here. 63 00:03:29,600 --> 00:03:34,880 Speaker 2: It is a reclusive aristocrat has his idyllic life rocked 64 00:03:34,920 --> 00:03:38,480 Speaker 2: by a kidnapping and in the process falls in love 65 00:03:38,560 --> 00:03:41,560 Speaker 2: with someone other than himself. 66 00:03:42,080 --> 00:03:45,120 Speaker 3: That such a great line. Did you write that or 67 00:03:45,160 --> 00:03:48,080 Speaker 3: did somebody write for you? Yes, that's good, that's great. 68 00:03:48,120 --> 00:03:51,720 Speaker 3: Gatsby meets Sideways. My character is Griffin Gates, former late 69 00:03:51,800 --> 00:03:52,280 Speaker 3: night host. 70 00:03:52,400 --> 00:03:55,640 Speaker 2: Yes, he's known as the Golden Griff, and he lives 71 00:03:55,720 --> 00:03:57,480 Speaker 2: up in the Hollywood Hills. This is based on a 72 00:03:57,520 --> 00:03:59,760 Speaker 2: true story and embellished. I used to live in Dennis 73 00:03:59,800 --> 00:04:03,640 Speaker 2: hop House. I et cheese. I watch old film. There 74 00:04:03,680 --> 00:04:06,640 Speaker 2: are three Minnesota references in the film. I will not 75 00:04:06,760 --> 00:04:11,240 Speaker 2: tell you now. There are classic movie references in the film. 76 00:04:11,320 --> 00:04:15,640 Speaker 2: Here's one literature and classic movie reference. In the movie 77 00:04:15,640 --> 00:04:18,360 Speaker 2: The Great gats b he tosses Jay Gatsby toss his 78 00:04:18,400 --> 00:04:20,600 Speaker 2: shirts on Daisy Buchanan and says, I have a man 79 00:04:20,640 --> 00:04:24,200 Speaker 2: in London who buys my clothes. In this movie, I 80 00:04:24,279 --> 00:04:27,920 Speaker 2: toss ascots on my British girlfriend Sarah and say I 81 00:04:27,920 --> 00:04:29,960 Speaker 2: have a man in Carmel by the Sea who buys 82 00:04:29,960 --> 00:04:34,039 Speaker 2: my ascots. There are musical references to Bill Evans and 83 00:04:34,040 --> 00:04:37,600 Speaker 2: Cole Porter and others. Cherry Reddit Princess Cherry Reddit and said, 84 00:04:37,600 --> 00:04:40,360 Speaker 2: the only guy that'll get all these references is Dan Burrew. 85 00:04:41,400 --> 00:04:44,920 Speaker 1: So far, so good. You're right. So anyways, so this 86 00:04:45,120 --> 00:04:47,840 Speaker 1: is when will it When will filming begin. 87 00:04:48,640 --> 00:04:51,600 Speaker 2: We're gonna probably end of the summer and summer, maybe 88 00:04:51,600 --> 00:04:53,360 Speaker 2: in the fall. Where and by the way, it takes 89 00:04:53,400 --> 00:04:56,800 Speaker 2: place in La If I shoot part of it, like 90 00:04:56,880 --> 00:05:00,599 Speaker 2: interiors in New Mexico or Texas as I'm looking, we 91 00:05:00,640 --> 00:05:03,000 Speaker 2: get a rebate. We get a thirty percent rebate for 92 00:05:03,120 --> 00:05:06,760 Speaker 2: money spent in those states. So this is a fluid 93 00:05:06,800 --> 00:05:11,160 Speaker 2: situation movie making, Spielberg said, and I can quote Spielberg 94 00:05:11,240 --> 00:05:14,599 Speaker 2: now I'm allowed to, but he said, making a movie 95 00:05:14,640 --> 00:05:17,400 Speaker 2: is hard. Making a good movie is very hard. And 96 00:05:18,240 --> 00:05:20,760 Speaker 2: I'll give you one other story about movie making that 97 00:05:20,839 --> 00:05:24,280 Speaker 2: this agent who was Ben Stiller's agent told me years ago. 98 00:05:25,040 --> 00:05:28,240 Speaker 2: And it's different now because you know how the movies 99 00:05:28,240 --> 00:05:30,960 Speaker 2: are now on streamers and all this stuff. But years ago, 100 00:05:31,040 --> 00:05:34,520 Speaker 2: it was all about opening weekend. And you spend about 101 00:05:34,520 --> 00:05:36,360 Speaker 2: a year working on a film. There's the script that 102 00:05:36,480 --> 00:05:39,839 Speaker 2: goes through rewrites, there's casting, there's editing, then there's promoting. 103 00:05:40,200 --> 00:05:42,080 Speaker 2: And the agent said to me, you can do all 104 00:05:42,080 --> 00:05:45,839 Speaker 2: the right things, and then you've got the great opening weekend, Christmas, 105 00:05:46,200 --> 00:05:50,400 Speaker 2: Christmas Day, Christmas and there's a snowstorm on the East 106 00:05:50,440 --> 00:05:52,960 Speaker 2: coast and there goes your opening weekend. You know, it's 107 00:05:53,000 --> 00:05:56,960 Speaker 2: like there's so many intangibleses so anyways, but you can 108 00:05:57,000 --> 00:05:59,719 Speaker 2: tell I'm a little excited. Yeah, that's strative. And the 109 00:05:59,760 --> 00:06:02,359 Speaker 2: other thing is we all know that these movies, a 110 00:06:02,360 --> 00:06:04,800 Speaker 2: lot of them don't They don't find an audience, and 111 00:06:05,000 --> 00:06:07,279 Speaker 2: you know how that works. So then you just dive 112 00:06:07,320 --> 00:06:09,880 Speaker 2: in and you be creative. So I'm going to be creative. 113 00:06:09,920 --> 00:06:12,120 Speaker 2: It's a twenty one day shoot. I hope I get 114 00:06:12,160 --> 00:06:14,920 Speaker 2: some sleep. I'm directing and acting and writing and we'll 115 00:06:14,920 --> 00:06:15,520 Speaker 2: see how it goes. 116 00:06:15,600 --> 00:06:20,400 Speaker 1: So is this again the whole movie making landscape has 117 00:06:20,520 --> 00:06:24,200 Speaker 1: changed dramatically right the last seven years? So is this 118 00:06:24,320 --> 00:06:27,680 Speaker 1: the type that goes straight to you know, Netflix, or 119 00:06:28,400 --> 00:06:30,440 Speaker 1: is this sign up in theaters? 120 00:06:30,480 --> 00:06:33,919 Speaker 2: How's all that I get to decide? And it's all fluid. 121 00:06:34,080 --> 00:06:36,240 Speaker 2: I mean, I want it in theaters. And let me 122 00:06:36,240 --> 00:06:38,400 Speaker 2: tell you something else. I forgot to mention this. My 123 00:06:38,600 --> 00:06:42,599 Speaker 2: character is an Anglo file, my British, My girlfriend is British. 124 00:06:43,040 --> 00:06:47,719 Speaker 2: There is a Somali a type character who's British. Okay, 125 00:06:47,960 --> 00:06:52,159 Speaker 2: and my executive producer from my old show is British, 126 00:06:52,400 --> 00:06:56,560 Speaker 2: so this will play. There's also a there's also a 127 00:06:56,560 --> 00:07:00,159 Speaker 2: French actress, so this will play internationally. You know knock on? 128 00:07:00,240 --> 00:07:05,440 Speaker 1: Would is this unsparing satire in comedy? Might there be 129 00:07:05,480 --> 00:07:08,640 Speaker 1: a serious side that you find a way to intersperse 130 00:07:09,480 --> 00:07:12,200 Speaker 1: into it? How do we describe that part of it? 131 00:07:12,360 --> 00:07:16,680 Speaker 2: God, I actually had to send it. Someone asked me 132 00:07:16,720 --> 00:07:18,960 Speaker 2: the tone the other day an agent, because I have to. 133 00:07:19,320 --> 00:07:21,440 Speaker 2: I'm gonna start casting, and I just don't know where 134 00:07:21,480 --> 00:07:24,280 Speaker 2: I put that. I had to describe the tone. But 135 00:07:24,480 --> 00:07:31,000 Speaker 2: it's irreverent, it's stylish what I did say in my opinion. 136 00:07:31,040 --> 00:07:36,880 Speaker 2: Obviously Wes Anderson is very talented, but I think his 137 00:07:37,080 --> 00:07:39,520 Speaker 2: tone is a little stuffier and pretentious than what I'm 138 00:07:39,560 --> 00:07:45,960 Speaker 2: trying to do. So, and there are serious moments, and 139 00:07:46,080 --> 00:07:50,000 Speaker 2: I do like I like espionage. This is not espionage, 140 00:07:50,000 --> 00:07:53,200 Speaker 2: but it's a murder mystery and I love murder mystery. 141 00:07:53,320 --> 00:07:57,680 Speaker 2: So I tried to capture my sensibility and then I 142 00:07:57,760 --> 00:08:02,760 Speaker 2: have this I hope, compelling murder mystery and one other 143 00:08:02,800 --> 00:08:09,160 Speaker 2: thing very calmly there. I do have to pick up 144 00:08:09,200 --> 00:08:11,840 Speaker 2: a handgun in this movie. I apologize, but I had 145 00:08:11,840 --> 00:08:12,760 Speaker 2: to pick up a handgun. 146 00:08:13,840 --> 00:08:15,280 Speaker 1: Will it make people cry? 147 00:08:16,920 --> 00:08:19,920 Speaker 2: There's that would be tough. I don't know. There are 148 00:08:20,000 --> 00:08:27,440 Speaker 2: some poignant moments and that. Yeah. Yeah. I hope the 149 00:08:27,440 --> 00:08:29,440 Speaker 2: people in Minnesota, they just see me on the screen, 150 00:08:29,480 --> 00:08:31,840 Speaker 2: will start emoting. I hope they're proud. I want to 151 00:08:31,880 --> 00:08:36,000 Speaker 2: make Minnesota proud, you know. And Uh, I get to 152 00:08:36,040 --> 00:08:40,200 Speaker 2: work with a composer. I think I think I texted you. 153 00:08:40,720 --> 00:08:43,920 Speaker 2: I'm talking to different composers and I send them Summer 154 00:08:43,920 --> 00:08:47,840 Speaker 2: of forty two by Michelle Lagron and and I send 155 00:08:47,880 --> 00:08:50,000 Speaker 2: them some other songs. But I do like theme songs. 156 00:08:50,040 --> 00:08:51,760 Speaker 2: Remember that theme song, Alfie? 157 00:08:52,000 --> 00:08:53,160 Speaker 1: Yeah? Are you kidding? 158 00:08:53,600 --> 00:08:57,559 Speaker 2: Okay? I'm also wondering if the listeners remember that with 159 00:08:57,679 --> 00:09:00,400 Speaker 2: Michael Caine was in it, and I had I had 160 00:09:00,400 --> 00:09:04,599 Speaker 2: Burt back on the show and we were talking backstage 161 00:09:04,679 --> 00:09:09,080 Speaker 2: and he wrote that song. And do you make money 162 00:09:09,120 --> 00:09:12,200 Speaker 2: off that? He goes, No, the company, the producers owned it. 163 00:09:12,280 --> 00:09:15,160 Speaker 2: I didn't own it. So I'm the producer and I'm 164 00:09:15,200 --> 00:09:17,760 Speaker 2: going to own that theme song, Dan, And We're going 165 00:09:17,960 --> 00:09:21,800 Speaker 2: to Meritage Meritage in Saint Paul and celebrate. 166 00:09:21,840 --> 00:09:27,160 Speaker 1: Is there Will there be a beside you, a massive 167 00:09:27,360 --> 00:09:34,000 Speaker 1: Hollywood name that will be involved in this in the cast, they'll. 168 00:09:33,800 --> 00:09:36,160 Speaker 2: Be well, the British people you might not know, but 169 00:09:36,200 --> 00:09:42,240 Speaker 2: they've been in the Crown and Downtown Abbey. I don't 170 00:09:42,240 --> 00:09:44,880 Speaker 2: know if massive, of course I'm not massive, but they'll 171 00:09:44,920 --> 00:09:47,040 Speaker 2: be equal or more prominent than me. 172 00:09:48,080 --> 00:09:52,000 Speaker 1: Yes, that sounds good. So you know, is there literally 173 00:09:52,040 --> 00:09:55,319 Speaker 1: a moment I assume you have to get to a 174 00:09:55,320 --> 00:10:00,920 Speaker 1: certain number when it comes to finance. So is that 175 00:10:00,960 --> 00:10:02,520 Speaker 1: how it works? Where you got like a legal pad 176 00:10:02,520 --> 00:10:04,760 Speaker 1: and say, okay, this month, here I am, here's what 177 00:10:05,040 --> 00:10:08,320 Speaker 1: here's the rest I've got to get. I'm wondering if 178 00:10:08,320 --> 00:10:12,480 Speaker 1: it's like there's this epiphany moment, this threshold that you cross, 179 00:10:12,760 --> 00:10:15,920 Speaker 1: where then you have this celebration to say we finally 180 00:10:15,920 --> 00:10:18,480 Speaker 1: got to the number that in order to get this 181 00:10:18,640 --> 00:10:20,839 Speaker 1: done we had to get to. How did that all 182 00:10:20,880 --> 00:10:21,680 Speaker 1: play out? 183 00:10:21,840 --> 00:10:25,080 Speaker 2: Well? I was going to shoot the entire film in 184 00:10:25,240 --> 00:10:27,480 Speaker 2: LA and then I talked to some people and they said, Craig, 185 00:10:28,640 --> 00:10:31,480 Speaker 2: do some interiors. Shoot a lot of it in LA, 186 00:10:32,559 --> 00:10:35,280 Speaker 2: but do some interiors elsewhere and you'll get a rebate, 187 00:10:35,679 --> 00:10:38,520 Speaker 2: and then the numbers lower and it goes a lot further. 188 00:10:38,679 --> 00:10:42,840 Speaker 2: I go, and I'm only I'm semi joking when I 189 00:10:42,840 --> 00:10:45,040 Speaker 2: say this. If there are any wealthy people in Minnesota 190 00:10:45,040 --> 00:10:47,400 Speaker 2: that listening to the Burero Show, you can reach me 191 00:10:47,440 --> 00:10:51,360 Speaker 2: on Instagram and you could actually become an associate producer 192 00:10:51,400 --> 00:10:53,199 Speaker 2: if you want to put some money in, because we 193 00:10:53,320 --> 00:10:56,160 Speaker 2: take rebate money up front and you get paid back later. 194 00:10:56,280 --> 00:10:58,360 Speaker 2: You get paid you get the rebate money later, but 195 00:10:58,440 --> 00:11:01,920 Speaker 2: we use it up front and it's exciting. It's exciting 196 00:11:01,960 --> 00:11:04,559 Speaker 2: to work on the music. It's exciting to think about 197 00:11:04,559 --> 00:11:09,760 Speaker 2: the cast and the hard stuff is you know, Oh, 198 00:11:09,800 --> 00:11:11,520 Speaker 2: I got to talk to lawyers and work on this 199 00:11:11,600 --> 00:11:14,599 Speaker 2: deal with the producer and the composer blah blah blah. 200 00:11:14,640 --> 00:11:18,360 Speaker 2: But it's it's a dream come true. But I also 201 00:11:18,440 --> 00:11:20,400 Speaker 2: know you know, you know how it is. It could 202 00:11:20,440 --> 00:11:24,400 Speaker 2: be could be a rough, rough going, but we just uh, well, 203 00:11:24,440 --> 00:11:26,439 Speaker 2: you not to turn the ball over. We just try 204 00:11:26,520 --> 00:11:27,320 Speaker 2: not to turn the ball over. 205 00:11:27,440 --> 00:11:29,000 Speaker 1: Well, what do you have to lose? And like you said, 206 00:11:29,000 --> 00:11:31,280 Speaker 1: you guys, that's the beauty of this is Okay, take 207 00:11:31,320 --> 00:11:34,160 Speaker 1: a shot at it, right, absolutely, take a shot at it. 208 00:11:34,360 --> 00:11:35,760 Speaker 1: And I know you've but like I said, I've you've 209 00:11:35,760 --> 00:11:38,480 Speaker 1: been working on the vision for a long time. But 210 00:11:38,520 --> 00:11:40,680 Speaker 1: then you've got to have money, you know, and and 211 00:11:40,720 --> 00:11:42,280 Speaker 1: obviously it takes a while. 212 00:11:43,120 --> 00:11:47,120 Speaker 2: The good news is I I waited until, I waited 213 00:11:47,200 --> 00:11:48,800 Speaker 2: until I got the money because I don't want to 214 00:11:48,800 --> 00:11:51,680 Speaker 2: bother my friends. I've got a I've got a guy 215 00:11:51,960 --> 00:11:54,400 Speaker 2: from Family Guy, and I said that when I'm ready, 216 00:11:54,720 --> 00:11:56,160 Speaker 2: I'm going to let you look at it and make 217 00:11:56,240 --> 00:11:59,960 Speaker 2: some you know, cut punch it up or make some suggestion. 218 00:12:00,400 --> 00:12:04,320 Speaker 2: So he's it's with a Family Guy writer. As we speak. Hey, 219 00:12:04,400 --> 00:12:07,000 Speaker 2: have you ever seen that movie? Do you remember that 220 00:12:07,080 --> 00:12:08,680 Speaker 2: movie The Third Man? Yes? 221 00:12:08,880 --> 00:12:12,920 Speaker 1: Well, yeah, it's Orson Wells film correct, Joseph Wells. 222 00:12:13,440 --> 00:12:18,240 Speaker 2: And they have they have this zither music. I don't 223 00:12:18,240 --> 00:12:18,920 Speaker 2: know if you remember that. 224 00:12:18,960 --> 00:12:20,520 Speaker 1: I don't know if I remember them. I remember the 225 00:12:20,520 --> 00:12:22,160 Speaker 1: film the music, Yeah. 226 00:12:22,320 --> 00:12:26,400 Speaker 2: Yeah, because I do. They're called easter eggs. The people 227 00:12:26,440 --> 00:12:29,160 Speaker 2: that will get them will love it. Yeah, but there's 228 00:12:29,200 --> 00:12:33,760 Speaker 2: a reference to the Third Man in the music. But anyway, good, 229 00:12:33,960 --> 00:12:37,679 Speaker 2: it's it's I. You can tell I had fun writing it, 230 00:12:37,760 --> 00:12:40,199 Speaker 2: and then we'll see and I wanted to be stylish. 231 00:12:40,320 --> 00:12:43,280 Speaker 2: Have you ever heard of a director? It's okay if 232 00:12:43,280 --> 00:12:44,880 Speaker 2: you haven't, because I didn't really know much about him, 233 00:12:44,920 --> 00:12:45,640 Speaker 2: Jim Jarmish. 234 00:12:46,240 --> 00:12:48,800 Speaker 1: The name sounds vaguely familar, but I couldn't tell you 235 00:12:48,840 --> 00:12:49,360 Speaker 1: what movies. 236 00:12:49,679 --> 00:12:52,640 Speaker 2: Okay, so I've only seen he's he does independent films, 237 00:12:52,640 --> 00:12:55,600 Speaker 2: and he did this movie called Broken Flowers with Sharon 238 00:12:55,640 --> 00:12:56,360 Speaker 2: Stone and Bill. 239 00:12:56,480 --> 00:12:59,319 Speaker 1: Oh god, yes, I remember that film vividly. 240 00:12:59,679 --> 00:13:01,960 Speaker 2: Okay. So I'm with my friend and I have never 241 00:13:02,080 --> 00:13:05,439 Speaker 2: this is years ago, strange movie. Yeah, so it might 242 00:13:05,480 --> 00:13:08,760 Speaker 2: be fifteen years ago, maybe longer. And we're at the 243 00:13:08,760 --> 00:13:13,000 Speaker 2: theater watching Jim Jarmish and they're transitioning to a new 244 00:13:13,040 --> 00:13:15,880 Speaker 2: scene and they're pushing the camera through some a wooded 245 00:13:15,920 --> 00:13:18,000 Speaker 2: area to the house where I think it's where they're 246 00:13:18,000 --> 00:13:22,760 Speaker 2: introducing Sharon Stealth. They're pushing through the foliage towards the 247 00:13:22,800 --> 00:13:27,240 Speaker 2: house and they're pushing and they're pushing, and what is 248 00:13:27,280 --> 00:13:30,120 Speaker 2: going on. Well, that's Jim Jarmish, that's his pacing. And 249 00:13:30,160 --> 00:13:32,920 Speaker 2: I started laughing, and I said, I want to make 250 00:13:32,960 --> 00:13:35,480 Speaker 2: an art film, so I'm going to try to have 251 00:13:35,960 --> 00:13:38,040 Speaker 2: I don't know if you know, Terrence Mallick, but I'm 252 00:13:38,040 --> 00:13:41,079 Speaker 2: going to try to have some beauty shots. And it's 253 00:13:41,120 --> 00:13:43,840 Speaker 2: going to be fun to come up with creative shots 254 00:13:43,920 --> 00:13:52,360 Speaker 2: a la Hitchcock Ala. Some of these independent directors. We 255 00:13:52,840 --> 00:13:56,560 Speaker 2: we well, it's gonna be fun. 256 00:13:57,440 --> 00:14:00,200 Speaker 1: I'm glad. I'm honored that you chose our program to 257 00:14:00,240 --> 00:14:04,480 Speaker 1: make the world premiere announcement or you know, reveal, I 258 00:14:04,520 --> 00:14:07,640 Speaker 1: guess I should say. And we're extremely late now at 259 00:14:07,640 --> 00:14:10,079 Speaker 1: this point. So, by the way, the texts are pouring 260 00:14:10,200 --> 00:14:14,400 Speaker 1: in love the Third Man music tremendous. Hasting's own Katie 261 00:14:14,520 --> 00:14:17,560 Speaker 1: w A is still alive. Oh yes, please let me 262 00:14:17,600 --> 00:14:20,840 Speaker 1: know if you need a house painter as an extra 263 00:14:23,600 --> 00:14:27,160 Speaker 1: is Craig you already You've already made us proud. Best 264 00:14:27,200 --> 00:14:31,240 Speaker 1: of luck. That's from five oh seven guy, And the 265 00:14:31,280 --> 00:14:33,000 Speaker 1: list goes on and on. Everybody wants to get in 266 00:14:33,040 --> 00:14:34,600 Speaker 1: on this, so you're gonna probably be bugged by people 267 00:14:34,600 --> 00:14:36,360 Speaker 1: who want to be in the film. You know, you're prepared. 268 00:14:36,360 --> 00:14:37,640 Speaker 1: You've got to be prepare yourself for that. 269 00:14:38,120 --> 00:14:41,280 Speaker 2: Oh yeah, the guards he texted me while you were 270 00:14:41,320 --> 00:14:43,640 Speaker 2: interviewing me. Guards. He texted me he wants to be 271 00:14:43,640 --> 00:14:43,800 Speaker 2: in this. 272 00:14:43,960 --> 00:14:46,280 Speaker 1: He's only got nine jobs now I think that would 273 00:14:46,320 --> 00:14:51,560 Speaker 1: be ten. Yeah, all right, congrats my friend. Good to 274 00:14:51,600 --> 00:14:53,640 Speaker 1: catch up, and we will we will be in touch 275 00:14:53,680 --> 00:14:56,760 Speaker 1: as you know. Thanks man, Thank you guys. Craig Kilbourn, 276 00:14:57,760 --> 00:15:11,320 Speaker 1: movie guy. It was probably inevitable Larry Mondella Guy, I 277 00:15:11,320 --> 00:15:14,080 Speaker 1: didn't get to his text soon enough. He asked a 278 00:15:14,120 --> 00:15:16,640 Speaker 1: good question that we should have gotten to. With Craig 279 00:15:16,720 --> 00:15:21,800 Speaker 1: Kilbourne announcing a new motion picture that he will star in, 280 00:15:22,480 --> 00:15:26,720 Speaker 1: he has written and he will direct that will I 281 00:15:26,760 --> 00:15:29,480 Speaker 1: think he said this summer basically, right, they're gonna they're 282 00:15:29,480 --> 00:15:32,040 Speaker 1: gonna get this thing going. Twenty one day. Shoot, that's 283 00:15:32,080 --> 00:15:34,280 Speaker 1: the hope. Yeah, twenty one day. That's a little shorter 284 00:15:34,600 --> 00:15:37,160 Speaker 1: than Apocalypse Now, as I recall, is that right? 285 00:15:37,240 --> 00:15:37,400 Speaker 2: Yeah? 286 00:15:37,400 --> 00:15:41,400 Speaker 1: Apocaps Apocalypse now. The stories are legendary about how tough 287 00:15:41,440 --> 00:15:45,440 Speaker 1: that was, how long it took, et cetera. He wanted 288 00:15:45,440 --> 00:15:47,200 Speaker 1: to know if there's gonna be any nudity in the film. 289 00:15:47,480 --> 00:15:51,760 Speaker 1: That would have been a good question for Craiger's I 290 00:15:51,760 --> 00:15:55,040 Speaker 1: would say no, I'm gonna guess no. Knowing him, Yeah, Dan, 291 00:15:55,080 --> 00:15:57,160 Speaker 1: When Aesota wants to know whether there'll be a part 292 00:15:57,240 --> 00:16:00,600 Speaker 1: for one of us Hollywood actor Guy, it's a great quest. 293 00:16:00,680 --> 00:16:03,320 Speaker 1: He's wondering the same thing. Does he does he have direct? 294 00:16:04,160 --> 00:16:06,360 Speaker 1: Can you be the conduit to bring the two of 295 00:16:06,400 --> 00:16:10,520 Speaker 1: them together? Or there is there already connected? Yeah, they're connected. 296 00:16:11,080 --> 00:16:13,600 Speaker 1: That's good. That's that would be nice. 297 00:16:13,760 --> 00:16:16,360 Speaker 4: Craigs could be like Adam Sandler, like all of his buddies. 298 00:16:16,360 --> 00:16:18,440 Speaker 4: He could just throw us in the movie, you know, 299 00:16:18,520 --> 00:16:19,840 Speaker 4: like Dan Patrick's in most. 300 00:16:19,720 --> 00:16:21,720 Speaker 1: Of the I was gonna mention that, but I didn't 301 00:16:21,720 --> 00:16:23,640 Speaker 1: want to be that presumptuous. I figure we get to 302 00:16:23,680 --> 00:16:27,440 Speaker 1: that a little later. A tough spot an announcement day exactly, 303 00:16:27,480 --> 00:16:30,560 Speaker 1: you know, we we ease into that a little bit later. 304 00:16:30,600 --> 00:16:32,600 Speaker 1: What's the name of the film again, you remember the 305 00:16:32,640 --> 00:16:35,400 Speaker 1: Life Golden? The Life Golden. Yeah, the Life Golden. It's 306 00:16:35,400 --> 00:16:37,920 Speaker 1: a great name, that standing name. 307 00:16:38,080 --> 00:16:41,320 Speaker 4: For sure falls in love with someone other than himself. 308 00:16:41,840 --> 00:16:48,640 Speaker 4: I mean that, that's it, absolutely is. Kat w A 309 00:16:48,800 --> 00:16:51,840 Speaker 4: teases the obituaries before the commercial break. No Joe coming 310 00:16:51,880 --> 00:16:56,120 Speaker 4: up next, the obituaries that's from Clement or Clement. 311 00:16:55,920 --> 00:16:57,720 Speaker 1: That'll keep you through. Maybe we should do that. That's 312 00:16:57,720 --> 00:17:01,520 Speaker 1: a good We always talk about improving our teases appointment listening. 313 00:17:01,680 --> 00:17:04,160 Speaker 1: That might be one of them. And in fact, uh, 314 00:17:04,200 --> 00:17:07,280 Speaker 1: there will be owed to a dead guy later today 315 00:17:08,000 --> 00:17:10,680 Speaker 1: of a sort that you brought to my attention that's 316 00:17:10,720 --> 00:17:15,280 Speaker 1: maybe already gotten some uh consideration uh on the uh 317 00:17:15,320 --> 00:17:21,600 Speaker 1: on Cafe inn at one point or another today. Can 318 00:17:21,640 --> 00:17:25,000 Speaker 1: you pass on this link to Craiger's Please. I grew 319 00:17:25,080 --> 00:17:26,840 Speaker 1: up and say this is what's gonna get ready for this. 320 00:17:27,359 --> 00:17:32,080 Speaker 1: I grew up in Saint Paul with Matt Kazin, Mackie 321 00:17:32,320 --> 00:17:34,359 Speaker 1: and his sisters. He's in LA and has over twenty 322 00:17:34,400 --> 00:17:37,600 Speaker 1: years score in TV shows and movies. Plus he's one 323 00:17:37,640 --> 00:17:40,640 Speaker 1: of us. We're gonna get this every day. 324 00:17:40,680 --> 00:17:40,840 Speaker 2: Now. 325 00:17:41,119 --> 00:17:44,040 Speaker 1: Everybody's got an angle, they say I want to I could. 326 00:17:44,240 --> 00:17:46,119 Speaker 1: I could make it happen for you. I could be 327 00:17:46,160 --> 00:17:49,480 Speaker 1: a key cog in the Kilborn machinery. 328 00:17:50,760 --> 00:17:53,640 Speaker 4: Right, everybody wants a piece. I've got a composer friend 329 00:17:53,640 --> 00:17:55,359 Speaker 4: in LA. How much I should have asked him? 330 00:17:55,359 --> 00:17:57,160 Speaker 1: How much do you have to be willing to contribute 331 00:17:57,200 --> 00:17:59,679 Speaker 1: to become an associate producer? Do we know? I don't know. 332 00:17:59,720 --> 00:18:01,639 Speaker 1: I think depends on the film. I think it depends 333 00:18:01,640 --> 00:18:04,440 Speaker 1: on the movie. I mean, is it like, is it 334 00:18:04,840 --> 00:18:07,119 Speaker 1: fifty bucks or do you think it's got to be 335 00:18:07,200 --> 00:18:09,000 Speaker 1: like probably six figures? 336 00:18:09,720 --> 00:18:11,920 Speaker 4: I don't know if it's that much, is it five figures? 337 00:18:12,119 --> 00:18:14,240 Speaker 4: I think it depends on a couple of things. How 338 00:18:14,240 --> 00:18:17,320 Speaker 4: long the shoot is, how expensive the cast is, how 339 00:18:17,359 --> 00:18:18,480 Speaker 4: many places they're going? 340 00:18:18,640 --> 00:18:21,600 Speaker 1: Yeah, I just wonder what the rules are to say, okay, yeah, 341 00:18:21,680 --> 00:18:25,920 Speaker 1: you will, you will get associate producer billing. You see 342 00:18:25,960 --> 00:18:28,600 Speaker 1: that all the time, like you'll see a movie where 343 00:18:28,920 --> 00:18:30,879 Speaker 1: it doesn't seem like George Clooney has anything to do 344 00:18:30,920 --> 00:18:33,960 Speaker 1: with then you say he's an associate producer because he's 345 00:18:34,000 --> 00:18:37,720 Speaker 1: helped bankroll it. Yep, right, that's why they all want 346 00:18:37,720 --> 00:18:40,239 Speaker 1: the money. So that all that makes some sense. What 347 00:18:40,400 --> 00:18:44,800 Speaker 1: part is Rosen playing? Well, you could have done the 348 00:18:44,880 --> 00:18:47,560 Speaker 1: laugh there, I think, but maybe maybe I shouldn't. Maybe 349 00:18:47,600 --> 00:18:49,359 Speaker 1: there shouldn't be a laugh there. Maybe there's gonna be 350 00:18:49,400 --> 00:18:52,679 Speaker 1: some truth to it. Bill Murray said he wanted to retire. 351 00:18:52,880 --> 00:18:54,560 Speaker 1: Have you ever seen Broken Flowers? I don't think it's 352 00:18:54,600 --> 00:18:56,960 Speaker 1: one of them. I'm not sure i'd call it a 353 00:18:57,000 --> 00:19:01,600 Speaker 1: great movie. It's an extremely quirky film with a very 354 00:19:01,640 --> 00:19:09,280 Speaker 1: interesting cast. But it's almost it's very difficult to explain 355 00:19:09,640 --> 00:19:12,320 Speaker 1: as I recall it. It's Bill Murray going back to 356 00:19:12,560 --> 00:19:16,680 Speaker 1: sort of recon reconnect with all of the women in 357 00:19:17,119 --> 00:19:20,320 Speaker 1: his life over the course of his life, right, And 358 00:19:20,359 --> 00:19:23,520 Speaker 1: a lot of it is I think his guilt with 359 00:19:23,640 --> 00:19:26,360 Speaker 1: how he may have behaved with many of them, going 360 00:19:26,400 --> 00:19:28,720 Speaker 1: all the way back I think to college it's called 361 00:19:28,760 --> 00:19:31,520 Speaker 1: Broken Flowers. Doesn't get a lot of attention. 362 00:19:32,880 --> 00:19:34,040 Speaker 2: Uh, but it is. 363 00:19:34,080 --> 00:19:40,720 Speaker 1: Indeed there what was the There was one other text 364 00:19:40,800 --> 00:19:43,200 Speaker 1: I wanted to Now there are a couple of people 365 00:19:43,240 --> 00:19:46,359 Speaker 1: who think this is a bit. They think this is 366 00:19:46,400 --> 00:19:49,919 Speaker 1: the latest, that that Kilbourne is so creative. There is 367 00:19:49,960 --> 00:19:53,320 Speaker 1: no movie. But the bit is he was announcing the 368 00:19:53,320 --> 00:19:57,159 Speaker 1: film because it's it's it gets people going, and it 369 00:19:57,160 --> 00:19:59,639 Speaker 1: gets people's attention, and he's bored. I hope not. 370 00:19:59,680 --> 00:20:01,600 Speaker 4: That is him a couple of grand to help finance. 371 00:20:02,000 --> 00:20:03,280 Speaker 4: Let me know if that comes up. 372 00:20:04,080 --> 00:20:06,879 Speaker 1: I think he means it because I can remember having 373 00:20:07,040 --> 00:20:10,080 Speaker 1: lunch with him for playoff games like two years ago, 374 00:20:10,160 --> 00:20:13,199 Speaker 1: maybe even longer. He's already he was talking about it 375 00:20:13,240 --> 00:20:17,080 Speaker 1: then in the process of schmoozing. It's almost like a 376 00:20:17,119 --> 00:20:19,800 Speaker 1: college coach recruiting, at least back in the day before 377 00:20:19,840 --> 00:20:22,720 Speaker 1: they to go to Milwaukee for a trip. Oh yeah, 378 00:20:23,960 --> 00:20:27,359 Speaker 1: and you got to pretend you go to somebody's house, 379 00:20:27,480 --> 00:20:29,440 Speaker 1: just like Glenn Mason. You got to pretend the food 380 00:20:29,520 --> 00:20:31,920 Speaker 1: is great, and you gotta you gotta you know, white 381 00:20:32,640 --> 00:20:36,160 Speaker 1: live things, and schmooze and be more interested in those 382 00:20:36,160 --> 00:20:39,399 Speaker 1: individuals than you really are. Because it's got to get bankrolled. 383 00:20:39,480 --> 00:20:41,840 Speaker 1: You don't want to have to bankroll it, I guess yourself. 384 00:20:42,400 --> 00:20:44,760 Speaker 1: When we return, we got Russo by the way, five 385 00:20:44,760 --> 00:20:48,119 Speaker 1: point fifteen in the inbox before we are done. And 386 00:20:48,320 --> 00:20:49,919 Speaker 1: when we come back, let's talk a little bit of 387 00:20:49,920 --> 00:20:54,919 Speaker 1: Baseball World Baseball Classic. The US was saved from itself 388 00:20:55,800 --> 00:20:59,080 Speaker 1: yesterday by the results in another game, but our guy, 389 00:20:59,400 --> 00:21:02,320 Speaker 1: Kevin Kurnin All nine dot com has been all over 390 00:21:02,920 --> 00:21:08,400 Speaker 1: the steps and the missteps involving the USA manager for example. 391 00:21:08,840 --> 00:21:10,720 Speaker 1: He's going to give us an update on what he 392 00:21:10,800 --> 00:21:13,320 Speaker 1: makes of all of this and really where it leaves 393 00:21:13,359 --> 00:21:16,800 Speaker 1: the US team now heading into I think the quarterfinals. 394 00:21:17,000 --> 00:21:33,879 Speaker 1: Kevin Kernanball nine dot com guy net pleasure to catch 395 00:21:33,960 --> 00:21:37,560 Speaker 1: up with a good friend Kevin Kernan via the Connecticot 396 00:21:37,600 --> 00:21:43,440 Speaker 1: Water Systems hotline Kernin. When you send out one of 397 00:21:43,480 --> 00:21:50,160 Speaker 1: those esthetically pleasing photos of you hanging out by the ocean, 398 00:21:50,560 --> 00:21:56,080 Speaker 1: palm tree, swing, et cetera, are you trolling the rest 399 00:21:56,119 --> 00:21:59,359 Speaker 1: of us who live in places that might expect, by 400 00:21:59,440 --> 00:22:04,239 Speaker 1: the way, Sunday day and night anywhere from six to 401 00:22:04,280 --> 00:22:06,760 Speaker 1: fifteen inches of snow. I mean, did you do that 402 00:22:06,960 --> 00:22:10,080 Speaker 1: to get us going? Is that part of your I 403 00:22:10,080 --> 00:22:10,880 Speaker 1: guess motivation. 404 00:22:12,359 --> 00:22:14,439 Speaker 5: Well, I get accused of that often, Dan, but I 405 00:22:14,440 --> 00:22:18,520 Speaker 5: got to tell you the honest answer is, don't forget. 406 00:22:18,560 --> 00:22:22,960 Speaker 5: I lived in San Diego for ten years. So once 407 00:22:23,000 --> 00:22:25,080 Speaker 5: I got to the point where I was basically moving 408 00:22:25,119 --> 00:22:27,720 Speaker 5: into another phase of my life, we decided to move. 409 00:22:28,000 --> 00:22:30,440 Speaker 5: We wanted to move to another place like San Diego, 410 00:22:30,480 --> 00:22:33,920 Speaker 5: but not as expensive. So we found Saint Augustine Beach, Florida, 411 00:22:34,600 --> 00:22:38,000 Speaker 5: gorgeous place. I am not trolling. I am just showing 412 00:22:38,040 --> 00:22:41,199 Speaker 5: my life and it's not my fault. And when I 413 00:22:41,240 --> 00:22:42,879 Speaker 5: went down to the pier last night, a bunch of 414 00:22:42,920 --> 00:22:45,560 Speaker 5: beautiful birds flew over me and I took a nice picure. 415 00:22:45,640 --> 00:22:47,760 Speaker 5: And these pictures also, I got to make it clear 416 00:22:48,119 --> 00:22:50,560 Speaker 5: I'm not setting these pictures up. I could cure less. 417 00:22:50,960 --> 00:22:53,119 Speaker 5: I shoot these in ten seconds. I probably should have 418 00:22:53,160 --> 00:22:55,480 Speaker 5: been a photographer, and I just then I just sent 419 00:22:55,600 --> 00:22:58,080 Speaker 5: it out there. I'm trying to give everybody hope for 420 00:22:58,359 --> 00:23:00,560 Speaker 5: you're going to get through this one day, because don't forget. 421 00:23:01,119 --> 00:23:04,560 Speaker 5: I lived through many, many New Jersey winters, but I 422 00:23:04,640 --> 00:23:07,240 Speaker 5: was always smart enough to set up something where I 423 00:23:07,320 --> 00:23:11,160 Speaker 5: went to Florida in January and stayed there until opening day. 424 00:23:11,320 --> 00:23:13,640 Speaker 1: Yeah, you you have. You figured it out, man, There's 425 00:23:13,680 --> 00:23:15,680 Speaker 1: no question about that, because you could argue you did 426 00:23:15,720 --> 00:23:19,280 Speaker 1: your time, you paid your dues, and then you figured 427 00:23:19,280 --> 00:23:22,000 Speaker 1: out other you you got to like other lives where 428 00:23:22,000 --> 00:23:25,000 Speaker 1: you were still doing the work that you wanted to do, 429 00:23:25,200 --> 00:23:27,800 Speaker 1: like in San Diego, but in a completely different deal. 430 00:23:27,960 --> 00:23:29,840 Speaker 1: I want to ask you a San Diego question, though. 431 00:23:29,880 --> 00:23:34,960 Speaker 1: I remember having a conversation years ago with Bud Shaw, 432 00:23:35,119 --> 00:23:38,399 Speaker 1: a longtime sportswriter. I'm sure you you know Bud, or 433 00:23:38,400 --> 00:23:45,520 Speaker 1: remember Budd. Yeah, and terrific, terrific guy. And Bud spent 434 00:23:45,560 --> 00:23:51,040 Speaker 1: time in San Diego and ultimately ended up, I think, 435 00:23:51,119 --> 00:23:53,840 Speaker 1: deciding to move back. I think in his case to Cleveland. 436 00:23:54,320 --> 00:23:56,280 Speaker 1: Part of it might have been the job, but part 437 00:23:56,320 --> 00:23:59,560 Speaker 1: of it was what he said. Was it was he 438 00:23:59,600 --> 00:24:05,119 Speaker 1: almost I said, like, it's too nice, it's too regularly nice, 439 00:24:05,160 --> 00:24:09,000 Speaker 1: that I didn't even feel like anything was really happening here. 440 00:24:09,400 --> 00:24:11,919 Speaker 1: Did you ever feel that same thing or what do 441 00:24:11,960 --> 00:24:13,159 Speaker 1: you think he was talking about? 442 00:24:13,960 --> 00:24:15,920 Speaker 5: I know exactly what he's talking about. I always say, 443 00:24:15,920 --> 00:24:18,240 Speaker 5: lived in San Diego was like living in air conditioning. 444 00:24:18,440 --> 00:24:20,800 Speaker 5: You know, there was this and I didn't have air 445 00:24:20,800 --> 00:24:22,720 Speaker 5: condition in my house, but I was nineteen miles from 446 00:24:22,720 --> 00:24:25,160 Speaker 5: the coast and I had the beautiful breathe of the coast. 447 00:24:25,480 --> 00:24:28,240 Speaker 5: So everything is so easy. Now it's different. Now, I 448 00:24:28,280 --> 00:24:29,879 Speaker 5: will say that now it's different. Now a lot of 449 00:24:29,880 --> 00:24:32,439 Speaker 5: things have had happened. But when I lived there for 450 00:24:32,480 --> 00:24:36,119 Speaker 5: those ten years, it was like cheating. And you know, 451 00:24:36,160 --> 00:24:38,320 Speaker 5: they paid you in sunshine to be honest with just 452 00:24:38,400 --> 00:24:40,880 Speaker 5: so so you know. I went back to New York 453 00:24:41,359 --> 00:24:44,160 Speaker 5: and I always say I'm I'm only idiot who moved 454 00:24:44,200 --> 00:24:47,879 Speaker 5: from San Diego back to New Jersey. Sold my house 455 00:24:47,960 --> 00:24:51,199 Speaker 5: for two forty after I put like two fifty in 456 00:24:51,200 --> 00:24:53,200 Speaker 5: the house because I built a twenty by forty pool. 457 00:24:53,560 --> 00:24:55,800 Speaker 5: I planted forty pop and you can relate to this. 458 00:24:56,359 --> 00:25:01,600 Speaker 5: I made my house look like the Lax Marriott Pool 459 00:25:01,640 --> 00:25:07,120 Speaker 5: area basically, so it was perfect, and then I sell it. 460 00:25:07,560 --> 00:25:10,320 Speaker 5: The next guy gets like double and now I looked 461 00:25:10,320 --> 00:25:11,920 Speaker 5: at it recently, it was one point seven. 462 00:25:11,960 --> 00:25:16,080 Speaker 1: I'm gonna say by now right, yeah. 463 00:25:15,040 --> 00:25:18,439 Speaker 5: Yeah, right up there. But but again, the whole point is, 464 00:25:19,000 --> 00:25:21,359 Speaker 5: I'm in a place now, you know, a thousand steps 465 00:25:21,400 --> 00:25:23,920 Speaker 5: from the beach, So I'm just often enough where I 466 00:25:23,920 --> 00:25:27,080 Speaker 5: don't have to deal with this beach stuff, and uh, 467 00:25:27,200 --> 00:25:29,440 Speaker 5: it's the same lifestyle. A little bay, a lot of 468 00:25:29,480 --> 00:25:33,399 Speaker 5: great restaurants, walk over to the beachside down. You probably 469 00:25:33,400 --> 00:25:36,080 Speaker 5: still have picture the other day my beautiful omelet you know, 470 00:25:36,440 --> 00:25:40,679 Speaker 5: went to Culver's today. I'm a Midwest guy Culvers. I 471 00:25:40,680 --> 00:25:41,320 Speaker 5: love Culver's. 472 00:25:41,600 --> 00:25:43,800 Speaker 1: I love culver One other question before we get to 473 00:25:43,800 --> 00:25:47,120 Speaker 1: the to the World Baseball Classic, which was the whole 474 00:25:47,160 --> 00:25:50,240 Speaker 1: impetus to get you on, and we appreciate your quick 475 00:25:50,280 --> 00:25:54,800 Speaker 1: turnaround here on short notice. As always, we've talked about 476 00:25:55,520 --> 00:26:00,000 Speaker 1: around the edges about the New York tabloids. I'm curious 477 00:26:00,280 --> 00:26:02,560 Speaker 1: to know because you were there in the belly of 478 00:26:02,600 --> 00:26:04,959 Speaker 1: the beast for some great years in the middle of it. 479 00:26:05,600 --> 00:26:10,080 Speaker 1: So do the New York tabloids? Do they run the 480 00:26:10,119 --> 00:26:13,879 Speaker 1: same way everything's being obviously, you know, the fewer and 481 00:26:13,920 --> 00:26:17,840 Speaker 1: fewer people working in newspapers, et cetera. But how what 482 00:26:17,880 --> 00:26:22,000 Speaker 1: do you know about sort of the tabloids sensibility today 483 00:26:22,760 --> 00:26:26,000 Speaker 1: compared to what you might remember what it meant in 484 00:26:26,040 --> 00:26:26,640 Speaker 1: its heyday. 485 00:26:28,160 --> 00:26:31,240 Speaker 5: Not even close, not even close. For a lot of reasons, 486 00:26:31,359 --> 00:26:35,800 Speaker 5: Dailly News is basically dead, my old paper, I think, 487 00:26:36,200 --> 00:26:38,520 Speaker 5: and in general I'm saying this in general about media, 488 00:26:38,560 --> 00:26:40,760 Speaker 5: and I think we saw it this week. In a 489 00:26:40,760 --> 00:26:45,439 Speaker 5: lot of ways. Everybody's gotten too close to whoever they're covering. 490 00:26:45,800 --> 00:26:50,280 Speaker 5: Frage upset people. And the other thing is that they're 491 00:26:50,359 --> 00:26:52,439 Speaker 5: not going there anymore. I mean, if I came up 492 00:26:52,480 --> 00:26:55,800 Speaker 5: with any idea, my editors at the Post, yeah, go go. 493 00:26:56,080 --> 00:26:59,000 Speaker 5: And that's why I wound up with wonderful stories, even 494 00:26:59,080 --> 00:27:02,480 Speaker 5: little things like hey, nineteen ninety eight, Hey, I'm you know, 495 00:27:02,480 --> 00:27:06,280 Speaker 5: there's a little team in New Jersey, Toms River, great, 496 00:27:06,280 --> 00:27:08,160 Speaker 5: great little little league team. Why don't want to go cover? 497 00:27:08,560 --> 00:27:11,960 Speaker 5: I wind up having a lifelong relationship with Todd Frasier 498 00:27:12,119 --> 00:27:14,119 Speaker 5: because of that, and I'm way ahead of them, so 499 00:27:14,560 --> 00:27:17,000 Speaker 5: that let me cover anything. Yeah, you don't get that anymore. 500 00:27:17,320 --> 00:27:19,679 Speaker 5: And now, of course there's also the nasty thing of 501 00:27:19,720 --> 00:27:22,680 Speaker 5: pay walls. And I just think though in general, media 502 00:27:22,760 --> 00:27:25,000 Speaker 5: is too close to whoever they cover. That's what I 503 00:27:25,000 --> 00:27:27,399 Speaker 5: love what I'm doing now because I don't really have 504 00:27:27,440 --> 00:27:30,119 Speaker 5: an editor, and I say and I write whatever I 505 00:27:30,160 --> 00:27:32,119 Speaker 5: want and too bad. If you don't like it, move on. 506 00:27:33,680 --> 00:27:36,439 Speaker 1: It's very liberating, right, It's got to be very liberate, 507 00:27:36,920 --> 00:27:39,159 Speaker 1: very liberated. You No, there's no you don't have the 508 00:27:39,240 --> 00:27:41,040 Speaker 1: layers that you have to mess with at all, which 509 00:27:41,040 --> 00:27:44,840 Speaker 1: is also good. All right, you wrote or have written 510 00:27:45,040 --> 00:27:48,119 Speaker 1: a lot on the World Baseball Classic, and as you 511 00:27:48,160 --> 00:27:53,200 Speaker 1: write early, you had just got done praising the US manager, 512 00:27:53,359 --> 00:27:56,479 Speaker 1: only to find out that he apparently didn't even know 513 00:27:56,520 --> 00:28:00,680 Speaker 1: the rules as it pertains to advancing to the cores. 514 00:28:01,080 --> 00:28:06,359 Speaker 1: So is there any logical defense of I guess we 515 00:28:06,359 --> 00:28:08,360 Speaker 1: should probably set up first of all, what Mark DeRosa 516 00:28:08,520 --> 00:28:12,760 Speaker 1: didn't know, And then is there any defense of the 517 00:28:12,840 --> 00:28:16,760 Speaker 1: fact that very clearly he did not. He managed his 518 00:28:16,880 --> 00:28:20,639 Speaker 1: team in an international competition not even really knowing what 519 00:28:20,720 --> 00:28:21,840 Speaker 1: he had to do to advance. 520 00:28:24,000 --> 00:28:27,520 Speaker 5: And he's a travelerly he manages his traveling kids, you know, 521 00:28:27,680 --> 00:28:29,919 Speaker 5: So you got to know this stuff whenever you go 522 00:28:29,920 --> 00:28:32,040 Speaker 5: to a tournament. Now, let me backtrack a little bit. 523 00:28:32,480 --> 00:28:35,399 Speaker 5: I thought that Rosa did a wonderful job. And this 524 00:28:35,600 --> 00:28:38,880 Speaker 5: was the angle that I took of getting the millionaires 525 00:28:38,920 --> 00:28:41,680 Speaker 5: to buy in and all pull on the same diamond 526 00:28:41,720 --> 00:28:44,200 Speaker 5: and crusted rope. That that's where I praised the most 527 00:28:44,240 --> 00:28:46,040 Speaker 5: of all. But I did, and then I did a 528 00:28:46,080 --> 00:28:49,560 Speaker 5: little more research and I found out like he had 529 00:28:49,600 --> 00:28:52,560 Speaker 5: his worst loss against Italy the other night, but he 530 00:28:52,640 --> 00:28:56,560 Speaker 5: had when he was a junior at Bergen Catholic. His 531 00:28:56,680 --> 00:28:59,600 Speaker 5: team got beat by Little Belleville. You know, public school 532 00:29:00,080 --> 00:29:02,560 Speaker 5: do nothing. And this is what makes me different. I'll 533 00:29:02,560 --> 00:29:05,560 Speaker 5: dig deeper. I tracked down somebody from that bell Will school, 534 00:29:05,840 --> 00:29:09,720 Speaker 5: the shortstop that the coach said, just throw knuckleballs. The 535 00:29:09,800 --> 00:29:13,080 Speaker 5: kid never pitched before. He threw knuckleballs. He shut out 536 00:29:13,120 --> 00:29:15,680 Speaker 5: the Rosa who was pitching for the other team, shut 537 00:29:15,680 --> 00:29:18,440 Speaker 5: out to the Rosas and beat him to nothing. And 538 00:29:18,480 --> 00:29:20,800 Speaker 5: the best part of the story was that the kid 539 00:29:20,880 --> 00:29:23,960 Speaker 5: who was throwing knuckleballs learned it from his sister, who 540 00:29:24,040 --> 00:29:27,360 Speaker 5: was a really good softball player. So this is the 541 00:29:27,400 --> 00:29:30,040 Speaker 5: worst loss to Rosa ever had. So so my point 542 00:29:30,120 --> 00:29:33,640 Speaker 5: is the Rosa we never should forget Dan And you 543 00:29:33,720 --> 00:29:36,000 Speaker 5: know this, You've been in all the clubhouses locker rooms. 544 00:29:36,280 --> 00:29:39,400 Speaker 5: You'll never forget that there were ball players. So there's 545 00:29:39,440 --> 00:29:43,360 Speaker 5: gonna be some idiocy involved, and uh just gonna take 546 00:29:43,400 --> 00:29:46,200 Speaker 5: it slow. Ha ha ha. Gets me back to my 547 00:29:46,240 --> 00:29:49,080 Speaker 5: other point about being too close, ha ha ha. I'm 548 00:29:49,280 --> 00:29:51,920 Speaker 5: MLB Central whatever the show is with Harold and I 549 00:29:52,040 --> 00:29:55,040 Speaker 5: known Harroll forever, you know in maths station, and you 550 00:29:55,080 --> 00:29:59,160 Speaker 5: know Matthis known him forever too. Nobody corrects him right there? 551 00:29:59,200 --> 00:30:01,800 Speaker 5: They no man, And here's the point. Nobody else has 552 00:30:01,800 --> 00:30:04,960 Speaker 5: written this. What about him? Michael Hill, that's his job. 553 00:30:05,600 --> 00:30:07,320 Speaker 5: You know, he's got to he's gonna get You got 554 00:30:07,400 --> 00:30:09,320 Speaker 5: to realize with the ball play, Hey, Mark, just don't 555 00:30:09,320 --> 00:30:11,360 Speaker 5: me remind you. You know we got it. You know 556 00:30:11,720 --> 00:30:14,880 Speaker 5: it's a run quotient. You know, it's not a much differential. 557 00:30:14,960 --> 00:30:18,280 Speaker 5: It's just that nobody even brought up Michael Hill except me. 558 00:30:18,840 --> 00:30:22,240 Speaker 5: So so yeah, the rosas and now, but but this 559 00:30:22,360 --> 00:30:25,000 Speaker 5: is the part that I don't understand. Take the take 560 00:30:25,080 --> 00:30:27,240 Speaker 5: the L, take the L and move on. If he 561 00:30:27,520 --> 00:30:29,360 Speaker 5: came out to say, just think of what he would 562 00:30:29,360 --> 00:30:31,320 Speaker 5: have said today, and if I were advising do uses 563 00:30:31,360 --> 00:30:34,160 Speaker 5: this way. We're told go out there and say, well, 564 00:30:34,200 --> 00:30:37,160 Speaker 5: guys and ladies and gentlemen, I'm glad we're in the 565 00:30:37,200 --> 00:30:39,720 Speaker 5: knockout round because I know for sure now and for 566 00:30:39,840 --> 00:30:42,120 Speaker 5: us to win, we got we got a win. Move on. 567 00:30:42,400 --> 00:30:45,120 Speaker 5: That's it. It's that simple. Everybody laughs, We move on. 568 00:30:45,440 --> 00:30:49,440 Speaker 5: It becomes a side note. Instead he's he's he's digging 569 00:30:49,440 --> 00:30:50,840 Speaker 5: his heels in and that's a mistake. 570 00:30:51,400 --> 00:30:54,640 Speaker 1: So as as I understand it, they they're in they're 571 00:30:54,680 --> 00:31:00,280 Speaker 1: advancing only because Team Italy destroyed Mexico nine to one. Right, 572 00:31:00,320 --> 00:31:02,320 Speaker 1: they needed to beat them by a certain number of runs. 573 00:31:02,320 --> 00:31:08,920 Speaker 5: Correct, No, they could have lost both. Basically, the breakdown 574 00:31:09,040 --> 00:31:14,400 Speaker 5: was if Mexico had won by scoring fewer than five runs, yes, 575 00:31:14,720 --> 00:31:18,520 Speaker 5: that would have put both Italy and Mexico in. And 576 00:31:18,560 --> 00:31:20,760 Speaker 5: you know what, hats off to Italy. They could have 577 00:31:20,800 --> 00:31:22,520 Speaker 5: done it. You know, they could have done that thing. 578 00:31:22,560 --> 00:31:26,200 Speaker 5: But they went out there. Good ball players. It's USA 579 00:31:26,240 --> 00:31:31,000 Speaker 5: two basically, and Vinia Pascaccino, this guy. I love this guy, 580 00:31:31,360 --> 00:31:35,080 Speaker 5: and you know how I hate nerds. Nerds, he said. 581 00:31:35,120 --> 00:31:38,600 Speaker 5: Earlier this spring, some nerdy writer was talking to him about, well, 582 00:31:38,600 --> 00:31:40,960 Speaker 5: you have the fastest bat speed and you know you 583 00:31:40,960 --> 00:31:43,880 Speaker 5: should have improven your best and he stopped them right there, said, listen, 584 00:31:44,240 --> 00:31:46,400 Speaker 5: you know what he did this offseason. I got rid 585 00:31:46,400 --> 00:31:48,520 Speaker 5: of all the measuring of bat speed and a lot 586 00:31:48,520 --> 00:31:50,960 Speaker 5: of stuff, and I decided to just hit the baseball. 587 00:31:51,360 --> 00:31:56,840 Speaker 5: Hit the baseball. So so that's what that's a baseball team, 588 00:31:57,120 --> 00:31:59,680 Speaker 5: you know, whats So don't sell them short. So yeah, 589 00:32:00,160 --> 00:32:03,200 Speaker 5: teamately save their bacon. And like I said, you know, 590 00:32:03,360 --> 00:32:07,040 Speaker 5: GRATSI gratsy, gratsy, gratzy. Uh and if I'm if I'm 591 00:32:07,120 --> 00:32:09,920 Speaker 5: Team us A. The one point I want to make 592 00:32:10,000 --> 00:32:13,120 Speaker 5: is that by Derosave being kind of dumb here, he's 593 00:32:13,160 --> 00:32:16,560 Speaker 5: taken all the heat dan players, nobody's asking the players anything, 594 00:32:16,880 --> 00:32:20,120 Speaker 5: so they this bond. This is where as it sounds, 595 00:32:20,160 --> 00:32:21,640 Speaker 5: but this is why I've done what I've done for 596 00:32:21,680 --> 00:32:24,840 Speaker 5: so long. This bonds the players. It almost puts him 597 00:32:24,840 --> 00:32:27,400 Speaker 5: in an underdog position like nobody. You know, everybody hates 598 00:32:27,480 --> 00:32:29,960 Speaker 5: us now, which you want from if you're a coach 599 00:32:30,120 --> 00:32:33,320 Speaker 5: going to management and it's going to be let's just 600 00:32:33,360 --> 00:32:35,360 Speaker 5: go out and kick kick, but right now and they're 601 00:32:35,400 --> 00:32:36,160 Speaker 5: capable of doing that. 602 00:32:36,360 --> 00:32:40,040 Speaker 1: Uh, Vinny hit three home runs that that that's what 603 00:32:40,080 --> 00:32:42,560 Speaker 1: you're talking about earlier was just to destroy them. That's 604 00:32:42,560 --> 00:32:45,960 Speaker 1: exactly it. You know, Guardian and I were talking about 605 00:32:46,160 --> 00:32:50,400 Speaker 1: the numbers from one of the USA victories and I 606 00:32:50,440 --> 00:32:52,760 Speaker 1: think at its height, what do we say, guards the 607 00:32:52,760 --> 00:32:55,440 Speaker 1: almost six was it almost six million something like that, which, 608 00:32:55,480 --> 00:32:58,160 Speaker 1: by the way back in the day, which was paltry, 609 00:32:58,640 --> 00:33:01,560 Speaker 1: but now for his fragment as everything is, was a 610 00:33:01,640 --> 00:33:03,480 Speaker 1: very good number. I think that was the best number 611 00:33:03,680 --> 00:33:07,920 Speaker 1: in world Baseball classic history. So because I admit I 612 00:33:08,400 --> 00:33:10,680 Speaker 1: felt divorced from all of it. I was not really 613 00:33:10,720 --> 00:33:13,120 Speaker 1: getting into it much. And oddly enough, part of the 614 00:33:13,160 --> 00:33:14,600 Speaker 1: reason I am into a little bit more is this 615 00:33:14,640 --> 00:33:17,640 Speaker 1: whole DeRosa flap, which, for the same reason I think, 616 00:33:17,720 --> 00:33:20,719 Speaker 1: has become an entry point for a lot of people 617 00:33:21,000 --> 00:33:23,360 Speaker 1: who are going what's going on right now? World Baseball? Class? 618 00:33:23,400 --> 00:33:27,360 Speaker 1: Has this all work? Though? That number isn't bad anymore 619 00:33:27,480 --> 00:33:29,560 Speaker 1: for an event that you know, I'm not sure the 620 00:33:29,560 --> 00:33:32,000 Speaker 1: whole the whole world has been paid or certainly the 621 00:33:32,000 --> 00:33:34,120 Speaker 1: country has been paying attention to in recent years. 622 00:33:35,280 --> 00:33:36,760 Speaker 5: Now it's a great number, and it's going to get 623 00:33:36,800 --> 00:33:39,040 Speaker 5: bigger because what they have, what they wanted. Now they 624 00:33:39,040 --> 00:33:42,120 Speaker 5: got controversy, Yes, you gotta, you gotta, you gotta, you gotta, 625 00:33:42,200 --> 00:33:45,560 Speaker 5: you gotta basically a villain. You have your pants sitting 626 00:33:45,640 --> 00:33:48,400 Speaker 5: in the weeds, which they always do. Don't overlook them. 627 00:33:48,760 --> 00:33:52,120 Speaker 5: You got the party boys of Dominican uh, you know, 628 00:33:52,280 --> 00:33:54,960 Speaker 5: Range of Suarez going to get Yamamoto. That's a pretty 629 00:33:54,960 --> 00:33:57,480 Speaker 5: good thing. Yeah so, and you're getting the world now 630 00:33:57,520 --> 00:34:01,120 Speaker 5: to watch. So it's it's it's it's really as dumb 631 00:34:01,200 --> 00:34:04,040 Speaker 5: as everything has been. All the marketing has worked out 632 00:34:04,040 --> 00:34:06,680 Speaker 5: perfectly for them, and it's created, and what do we 633 00:34:06,720 --> 00:34:09,600 Speaker 5: have now? We're down to a four nations tournament basically, 634 00:34:10,080 --> 00:34:13,120 Speaker 5: and we have USA playing Canada. So what more this 635 00:34:13,239 --> 00:34:16,040 Speaker 5: is gonna if they destroy Canada, that it's going to take 636 00:34:16,080 --> 00:34:17,920 Speaker 5: all the heat off. Jack Hughes will be there, you know, 637 00:34:17,960 --> 00:34:20,520 Speaker 5: they'll have Jack Hughes again there, you know, right, you 638 00:34:20,640 --> 00:34:23,440 Speaker 5: guys being so hockey organic, you know what that's all about. 639 00:34:23,560 --> 00:34:26,200 Speaker 5: So it's really it couldn't work better for Manford. He 640 00:34:26,239 --> 00:34:28,560 Speaker 5: really stepped in a horseshoe. He pulled the horseshoe out. 641 00:34:28,440 --> 00:34:30,440 Speaker 1: Of his But are we now prohibitive favorites? 642 00:34:32,480 --> 00:34:34,520 Speaker 5: Kind of yeah, I would say so, I would say 643 00:34:34,520 --> 00:34:37,239 Speaker 5: we're prohibitive favorites. But I always say and since I 644 00:34:37,280 --> 00:34:39,160 Speaker 5: thought this would little League, I go back to nineteen 645 00:34:39,200 --> 00:34:43,560 Speaker 5: ninety eight when you Fraser's team had to beat Japan. 646 00:34:44,280 --> 00:34:49,120 Speaker 5: Never never, when it comes to baseball, never sell Japan short. 647 00:34:49,440 --> 00:34:51,880 Speaker 5: I don't know if you knew it today, but a 648 00:34:51,920 --> 00:34:54,759 Speaker 5: guy named Otani through a simulated game, so he wasn't 649 00:34:54,760 --> 00:34:56,920 Speaker 5: supposed to pitch in the tournament. He still may not pitch, 650 00:34:57,360 --> 00:34:59,399 Speaker 5: but if he's out there throwing, if it gets down 651 00:34:59,440 --> 00:35:01,759 Speaker 5: to a situation like the last time, we've got to 652 00:35:01,760 --> 00:35:02,880 Speaker 5: get the left out or whatever. 653 00:35:03,200 --> 00:35:03,839 Speaker 1: He'll be there. 654 00:35:03,920 --> 00:35:06,200 Speaker 5: So it's it's just what we want to One of 655 00:35:06,239 --> 00:35:08,120 Speaker 5: the point I want to make real quick because it's 656 00:35:08,160 --> 00:35:11,279 Speaker 5: an old friend, Ned Colletti is the GM. Yes, yeah, 657 00:35:12,040 --> 00:35:15,640 Speaker 5: Ned Cleddy old friend is GM of of of the 658 00:35:15,800 --> 00:35:18,520 Speaker 5: team Italy. And he did it right. He made Pascatino. 659 00:35:18,960 --> 00:35:22,239 Speaker 5: He's a captain. But again, I have a lot of sources. 660 00:35:22,480 --> 00:35:25,160 Speaker 5: So a guy texted me doing about a month ago. 661 00:35:25,280 --> 00:35:27,680 Speaker 5: So hey, by the way, you can't say it until 662 00:35:27,719 --> 00:35:31,080 Speaker 5: it starts, but I'm actually scouting for team Italy. So 663 00:35:31,120 --> 00:35:33,480 Speaker 5: they went and got a great scout. I did it 664 00:35:33,520 --> 00:35:37,160 Speaker 5: for twenty years he was out so there Italy actually 665 00:35:37,200 --> 00:35:40,080 Speaker 5: scouted all their opponents. Was I'm sure nobody else did. So, 666 00:35:40,640 --> 00:35:41,840 Speaker 5: you know, good for Ned Colletti. 667 00:35:42,120 --> 00:35:47,640 Speaker 1: Colletti didn't he start in media relations and then obviously yeah, 668 00:35:47,920 --> 00:35:49,560 Speaker 1: that's what I remember back in the day. Yeah, a 669 00:35:49,560 --> 00:35:52,719 Speaker 1: long time ago. Turned out pretty good for him, didn't it. 670 00:35:52,840 --> 00:35:54,759 Speaker 5: It turned out good, went to the dodge. Yeah, all 671 00:35:54,760 --> 00:35:56,920 Speaker 5: those good things that happened. And uh, and he's a 672 00:35:56,960 --> 00:36:02,360 Speaker 5: baseball he loves baseball, loves these guys. You know, we 673 00:36:02,400 --> 00:36:06,360 Speaker 5: talked about San Diego. You have set up Coletti, Puscon Tito, 674 00:36:06,760 --> 00:36:08,960 Speaker 5: Francisco Savelli, who once told me when he was at 675 00:36:08,960 --> 00:36:10,279 Speaker 5: the Yankees, I said, hey, what do you want to 676 00:36:10,320 --> 00:36:12,000 Speaker 5: do when your career is I want to be a 677 00:36:12,040 --> 00:36:14,040 Speaker 5: top Italian chef. That's what I want to do. I 678 00:36:14,120 --> 00:36:16,600 Speaker 5: want to be a chef. And uh, these guys, he's 679 00:36:16,600 --> 00:36:18,440 Speaker 5: gonna have a he's gonna have a statue. Both these 680 00:36:18,440 --> 00:36:21,239 Speaker 5: guys are set up in Italy forever and uh, you 681 00:36:21,280 --> 00:36:23,400 Speaker 5: know it's it's one of the great things about the WBC. 682 00:36:23,920 --> 00:36:26,840 Speaker 5: Love it. Yeah, and I am the original w I jumped. 683 00:36:26,920 --> 00:36:28,560 Speaker 5: Remember I told you about They let me do it. 684 00:36:28,680 --> 00:36:32,280 Speaker 5: They let me cover the first three WBC's. I went everywhere, everywhere, 685 00:36:32,560 --> 00:36:33,920 Speaker 5: phenomena where every game I wanted to. 686 00:36:34,040 --> 00:36:36,040 Speaker 1: That's pretty good. Yeah, that's that's outstanding. 687 00:36:36,120 --> 00:36:37,200 Speaker 2: Now nobody's covered. 688 00:36:37,200 --> 00:36:39,120 Speaker 5: You got you got your big boys, your big dogs 689 00:36:39,400 --> 00:36:43,839 Speaker 5: pay by their outfits, but your your your average you know, 690 00:36:44,239 --> 00:36:46,719 Speaker 5: getting his hands dirty reporter is not out there for 691 00:36:46,719 --> 00:36:47,160 Speaker 5: the most point. 692 00:36:47,239 --> 00:36:52,000 Speaker 1: Yeah, unfortunate but true. Uh, Brad is checking in one 693 00:36:52,000 --> 00:36:54,400 Speaker 1: of our listeners and he wants to change the subject 694 00:36:54,400 --> 00:36:56,120 Speaker 1: here at least for a moment, and we might as well, 695 00:36:56,160 --> 00:37:00,719 Speaker 1: because there's there's still some time. From a national media perspective, 696 00:37:00,800 --> 00:37:04,000 Speaker 1: he asks you, where do the poll ads rank in 697 00:37:04,080 --> 00:37:08,680 Speaker 1: terms of perception of other awful MLB owners. That's Brad 698 00:37:08,840 --> 00:37:11,000 Speaker 1: checking in, looking kind of for a little great question. 699 00:37:11,640 --> 00:37:14,640 Speaker 5: I got the answer. It's a simple answer. And this 700 00:37:14,719 --> 00:37:19,440 Speaker 5: goes with people in baseball too. They rank right. The 701 00:37:19,480 --> 00:37:22,720 Speaker 5: only guy behind them is nutting about nutting from the pirates, 702 00:37:22,760 --> 00:37:25,680 Speaker 5: So that's where they rank. They become a clown show 703 00:37:26,120 --> 00:37:30,080 Speaker 5: in many ways. And I see Falvey, we talked about 704 00:37:30,120 --> 00:37:31,520 Speaker 5: that situation. He's gone. 705 00:37:31,600 --> 00:37:32,040 Speaker 1: He's gone. 706 00:37:32,480 --> 00:37:35,399 Speaker 5: Yeah, So that's where they rank. No one respects them. 707 00:37:35,600 --> 00:37:39,920 Speaker 5: They kind of got sidetracked. You're a baseball organization. You 708 00:37:39,920 --> 00:37:42,879 Speaker 5: can't worry about what's going on in real life. Make 709 00:37:42,960 --> 00:37:46,520 Speaker 5: your baseball team good. They had the greatest baseball organization 710 00:37:46,680 --> 00:37:48,920 Speaker 5: with some of the gms and scouts they had. They 711 00:37:49,040 --> 00:37:52,600 Speaker 5: let them all go and they are who they are now. 712 00:37:52,840 --> 00:37:55,799 Speaker 5: I am happy that Kyle Murray should gets a chance 713 00:37:55,840 --> 00:37:57,440 Speaker 5: of rebound in Minnesota. 714 00:37:57,520 --> 00:37:59,200 Speaker 1: There you go, he is. It looks like it's going 715 00:37:59,239 --> 00:38:00,839 Speaker 1: to be here. It's not a official yet, but he's 716 00:38:00,880 --> 00:38:03,720 Speaker 1: been he's been visiting all day and I think getting 717 00:38:03,719 --> 00:38:06,359 Speaker 1: a physical as well. Hell maybe the Twins could. I mean, 718 00:38:06,360 --> 00:38:09,040 Speaker 1: he was drafted as a baseball player too. Maybe that's 719 00:38:09,080 --> 00:38:10,799 Speaker 1: where he ends up with the Twins. They could use 720 00:38:10,840 --> 00:38:13,160 Speaker 1: some talent, wouldn't hurt? 721 00:38:13,560 --> 00:38:16,640 Speaker 5: Does an opening there? And you know, and let's just 722 00:38:16,800 --> 00:38:20,040 Speaker 5: for the twins sake. Let's hope Byron Buction gets through this. Okay, yeah, 723 00:38:20,040 --> 00:38:22,759 Speaker 5: it looks okay right now, right but yeah, so it's 724 00:38:22,760 --> 00:38:26,560 Speaker 5: a it's uh, yeah, Minnesota needs some things to look 725 00:38:26,640 --> 00:38:26,840 Speaker 5: up to. 726 00:38:27,040 --> 00:38:28,560 Speaker 1: Well, you know, you'll get a kick out of this. 727 00:38:28,640 --> 00:38:30,560 Speaker 1: And I don't know if this filtered to you, no 728 00:38:30,680 --> 00:38:33,800 Speaker 1: reason it really needed to. But a few weeks ago, 729 00:38:34,280 --> 00:38:36,319 Speaker 1: Tom Pole add, this is the newest pole ad who's 730 00:38:36,360 --> 00:38:39,239 Speaker 1: now the front person. Okay, we've got a bunch of them. 731 00:38:39,280 --> 00:38:42,440 Speaker 1: This is Tom And he was with a straight face, 732 00:38:43,360 --> 00:38:46,640 Speaker 1: actually musing out loud to the to the to the 733 00:38:46,680 --> 00:38:50,480 Speaker 1: media jackals that he really wishes there wouldn't be so 734 00:38:50,719 --> 00:38:56,280 Speaker 1: much concentration and emphasis on payroll. And and I'm I'm wondering, 735 00:38:56,320 --> 00:39:01,359 Speaker 1: I'm thinking of you in the scrum listening to Tom 736 00:39:01,400 --> 00:39:05,480 Speaker 1: Pole add after this, the Twins have keep cutting the 737 00:39:05,560 --> 00:39:09,320 Speaker 1: payroll another thirty million dollars from the previous off season. 738 00:39:09,800 --> 00:39:12,080 Speaker 1: What you would say to him, what your reaction would 739 00:39:12,120 --> 00:39:14,440 Speaker 1: be to him? Kind of wondering. You know, I don't 740 00:39:14,560 --> 00:39:16,960 Speaker 1: understand why why do is there always have to be 741 00:39:16,960 --> 00:39:18,960 Speaker 1: this fixation on payroll? You can't make it. It was 742 00:39:19,000 --> 00:39:19,680 Speaker 1: like a satire. 743 00:39:21,640 --> 00:39:24,600 Speaker 5: I'll tell you they are successful in their lives or whatever, 744 00:39:24,800 --> 00:39:27,719 Speaker 5: or their nebo kids, but when it comes down to it, 745 00:39:27,760 --> 00:39:30,279 Speaker 5: there's no common sense. And my question would have been 746 00:39:30,320 --> 00:39:33,480 Speaker 5: immediately like, well, then don't you think it's time to 747 00:39:33,520 --> 00:39:36,600 Speaker 5: sell the Twins? And and why don't we get Alex 748 00:39:36,719 --> 00:39:40,960 Speaker 5: Rodriguez in some kind of purchasing power move to buy 749 00:39:41,000 --> 00:39:43,040 Speaker 5: the twins. That's what I would love to see that 750 00:39:43,120 --> 00:39:45,759 Speaker 5: would save the twins. It's they're going nowhere where a 751 00:39:45,800 --> 00:39:50,000 Speaker 5: pole adds. It's it's it's said across the board. And 752 00:39:51,120 --> 00:39:52,719 Speaker 5: you know, but I don't put up with those kind 753 00:39:52,760 --> 00:39:54,279 Speaker 5: of owners. I can't tell you how many owners I 754 00:39:54,280 --> 00:39:55,760 Speaker 5: got fights with through the years. 755 00:39:56,080 --> 00:39:58,440 Speaker 1: Yeah yeah, oh yeah. 756 00:39:58,640 --> 00:40:02,799 Speaker 5: But how did you Steinbrenner? You know, even Willpont, for 757 00:40:02,840 --> 00:40:05,719 Speaker 5: all his mistakes, Yeah, there were some good things about him. 758 00:40:06,080 --> 00:40:08,920 Speaker 5: Because one thing about Will Pond he actually liked the game. 759 00:40:09,200 --> 00:40:11,239 Speaker 5: We're getting owners now and that's why you're going to 760 00:40:11,280 --> 00:40:15,120 Speaker 5: see the stope twenty seven. Uh, the lockout whatever they 761 00:40:15,160 --> 00:40:15,759 Speaker 5: want to call it. 762 00:40:16,080 --> 00:40:16,920 Speaker 1: Uh, they don't. 763 00:40:17,400 --> 00:40:20,759 Speaker 5: You know, it's hedge fund baseball with guys who don't 764 00:40:20,800 --> 00:40:22,680 Speaker 5: care about the game. And what do we have? We 765 00:40:22,760 --> 00:40:28,800 Speaker 5: have the Dodgers so far ahead physically, mentally, monetarily. Uh 766 00:40:29,000 --> 00:40:32,240 Speaker 5: Otani changed everything for the Dodgers. That was the greatest 767 00:40:32,280 --> 00:40:35,560 Speaker 5: move ever made in his That's better than bringing baberers 768 00:40:35,560 --> 00:40:35,920 Speaker 5: to the end. 769 00:40:36,000 --> 00:40:38,960 Speaker 1: You're right, it's a great point. It's undeniable. And by 770 00:40:38,960 --> 00:40:40,840 Speaker 1: the way, how about our guy Rocco He lands on 771 00:40:40,920 --> 00:40:43,520 Speaker 1: his feet, he gets I mean, how is there a 772 00:40:43,520 --> 00:40:46,719 Speaker 1: better job in baseball than being a consultant of any 773 00:40:46,760 --> 00:40:49,560 Speaker 1: sort for the La Dodgers? Are you kidding me? It's 774 00:40:49,600 --> 00:40:50,759 Speaker 1: as good as it gots. 775 00:40:50,560 --> 00:40:53,120 Speaker 5: Right, Well, that's what the Dodgers went to. I'm too 776 00:40:53,160 --> 00:40:55,200 Speaker 5: good as you bought that up rock. We know Roco 777 00:40:55,320 --> 00:41:00,440 Speaker 5: well was a baseball gus and the Dodgers bring in baseball. Yeah, 778 00:41:00,480 --> 00:41:03,320 Speaker 5: that's how they win. They keep the nerds in their corner. 779 00:41:03,360 --> 00:41:05,480 Speaker 5: They listen, they do their things. But then there's a 780 00:41:05,480 --> 00:41:08,680 Speaker 5: lot of baseball guys there and they still scout. And 781 00:41:08,719 --> 00:41:11,520 Speaker 5: that's why they beat other teams who are other teams 782 00:41:11,600 --> 00:41:13,799 Speaker 5: cheaping out and they don't get there. 783 00:41:13,880 --> 00:41:16,839 Speaker 1: Yeah, you're one hundred percent right. Well, I appreciate again 784 00:41:16,920 --> 00:41:19,839 Speaker 1: the visit on short notice Ball nine dot com. Great 785 00:41:19,880 --> 00:41:23,360 Speaker 1: stuff by you, as always, great stuff all over that site. 786 00:41:23,400 --> 00:41:25,719 Speaker 1: And as we get closer. Hell, I don't know how 787 00:41:25,800 --> 00:41:27,840 Speaker 1: much baseball we're going to talk about during the season 788 00:41:27,920 --> 00:41:30,200 Speaker 1: of Twins related and I'm honest because it just it 789 00:41:30,320 --> 00:41:33,000 Speaker 1: just doesn't feel like there's any there there. But there 790 00:41:33,000 --> 00:41:35,640 Speaker 1: could be some other baseball issues to discuss as well, 791 00:41:35,680 --> 00:41:36,879 Speaker 1: So I'm sure we will be in touch. 792 00:41:37,880 --> 00:41:39,759 Speaker 5: Oh yeah, we'll be in touch. And and you know 793 00:41:39,840 --> 00:41:43,160 Speaker 5: what the great news is, the snow's about the end soon. 794 00:41:43,960 --> 00:41:45,640 Speaker 5: A lot of those I'm going to see a lot 795 00:41:45,680 --> 00:41:48,120 Speaker 5: of those. I call them two players Dan when I'm 796 00:41:48,160 --> 00:41:50,839 Speaker 5: out on my little tours and I'm taking my pictures. Yes, 797 00:41:50,960 --> 00:41:53,280 Speaker 5: the cars with two license plates will soon the front 798 00:41:53,280 --> 00:41:56,279 Speaker 5: and back will soon be gone, including the ones from Minnesota. 799 00:41:56,600 --> 00:41:59,680 Speaker 5: So I'll be back up there and you'll have summertime 800 00:41:59,719 --> 00:42:01,120 Speaker 5: and be where you know what. The bikes will be, 801 00:42:01,360 --> 00:42:04,600 Speaker 5: Vikings will be open, training camp, whole new mindset, and 802 00:42:04,640 --> 00:42:06,640 Speaker 5: there'll be a lot more fun than the Twins. Nobody 803 00:42:06,680 --> 00:42:09,480 Speaker 5: will pay any attention to the Twins and poll labs. 804 00:42:09,840 --> 00:42:12,560 Speaker 4: Could we get a nerd corner at Ball nine dot com. 805 00:42:12,560 --> 00:42:15,200 Speaker 4: I liked what you just said. There's a bad Yeah, 806 00:42:15,320 --> 00:42:17,279 Speaker 4: nerd corner and then you just talk to a couple 807 00:42:17,360 --> 00:42:19,520 Speaker 4: of nerds every couple of weeks and let them say 808 00:42:19,560 --> 00:42:22,520 Speaker 4: a few things. You could do a point counterpoint nerd corner. 809 00:42:22,520 --> 00:42:24,520 Speaker 4: I think you just stumbled upon nerd corner. That's not 810 00:42:24,560 --> 00:42:25,760 Speaker 4: a bad off the Dodgers. 811 00:42:25,800 --> 00:42:27,200 Speaker 1: That's just me. I'm not telling you how to run 812 00:42:27,239 --> 00:42:28,120 Speaker 1: Ball nine dot com. 813 00:42:28,239 --> 00:42:31,719 Speaker 5: Yeah, that's great. My original, my original column and my 814 00:42:31,760 --> 00:42:34,520 Speaker 5: college paper that got me took me on this path 815 00:42:34,520 --> 00:42:35,880 Speaker 5: because I didn't know what I was going to do 816 00:42:36,200 --> 00:42:39,799 Speaker 5: was corner, and you know, it just went from there. 817 00:42:39,920 --> 00:42:43,200 Speaker 5: So maybe it'll wind up with the weld go from 818 00:42:43,200 --> 00:42:47,160 Speaker 5: A to Z with with nerds corner. But that means, unfortunately, 819 00:42:47,200 --> 00:42:49,359 Speaker 5: I would have to listen to something the nerds said, Well, 820 00:42:49,400 --> 00:42:51,800 Speaker 5: get you Derek's number, we'll get your Falve's number. 821 00:42:51,840 --> 00:42:53,279 Speaker 1: He can be your first guy. 822 00:42:54,040 --> 00:42:55,960 Speaker 5: He's got a little sense with humors, so he does. 823 00:42:56,280 --> 00:42:57,960 Speaker 1: Yeah, that's what you do. At least he did at 824 00:42:57,960 --> 00:42:58,319 Speaker 1: one point. 825 00:42:58,360 --> 00:42:59,880 Speaker 5: And that's what you got to have. And there's not 826 00:43:00,080 --> 00:43:02,120 Speaker 5: many nerves I have sense of humor. No, by way, 827 00:43:02,239 --> 00:43:06,480 Speaker 5: I gotta tell you I talked to a manager recently 828 00:43:06,520 --> 00:43:08,759 Speaker 5: in springte and I can name the team, but he 829 00:43:08,840 --> 00:43:11,640 Speaker 5: told me he goes, oh GM finally is not listening 830 00:43:11,680 --> 00:43:13,719 Speaker 5: to the Nerds. So we have a chance this year. 831 00:43:13,800 --> 00:43:14,600 Speaker 5: So I'll leave you what. 832 00:43:14,840 --> 00:43:17,200 Speaker 1: That's a great quote. You're the best man. Thank you. 833 00:43:17,320 --> 00:43:22,440 Speaker 1: We'll be in touch. Take care good Kevin Kernan, keep 834 00:43:22,480 --> 00:43:26,560 Speaker 1: the the Dodgers, keep the Nerds in their corner. That's 835 00:43:26,600 --> 00:43:28,319 Speaker 1: as good as it gets. I want to sell. Then 836 00:43:28,360 --> 00:43:32,200 Speaker 1: how about Hedge Fund baseball? Those are two outstanding shall 837 00:43:32,239 --> 00:43:36,480 Speaker 1: we call him Kernan isms? And he never ceases uh 838 00:43:36,640 --> 00:43:39,440 Speaker 1: to amaze. Top of the Hour break will include a 839 00:43:40,040 --> 00:43:41,680 Speaker 1: on the other side of top five and five, what 840 00:43:41,719 --> 00:43:44,080 Speaker 1: do we have? Do we have a Kyler Murray official 841 00:43:44,200 --> 00:43:45,960 Speaker 1: sighting at TCO yet? 842 00:43:46,040 --> 00:43:48,719 Speaker 4: Not really, but I can tell you I can make 843 00:43:48,760 --> 00:43:51,120 Speaker 4: something up about it. I can also say I can 844 00:43:51,160 --> 00:43:53,279 Speaker 4: tell you where to go for the guards you West 845 00:43:53,280 --> 00:43:55,560 Speaker 4: Coast Wolves wellness plan, because we are feeling great this 846 00:43:55,600 --> 00:43:55,839 Speaker 4: week