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Speaker 1: O Cafan celebrates our five thousand dollars teacher winners and

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Speaker 1: over their classroom. Dude now at iHeartRadio dot com slash teachers.

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Speaker 1: I mean it's like, hello, what am I doing?

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Speaker 2: What's going on?

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Speaker 3: What's going on?

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Speaker 2: Hello? Hello? He loop hello, hello, hellop Hey, okay, hold on?

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Speaker 4: How long has the music been playing?

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Speaker 1: Now it's been going well? Sorry, when I start hitting

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Speaker 1: button bar bets, then you know it's done.

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Speaker 3: Oh yeah, yeah, yeah yeah. Well let's go ahead and

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Speaker 3: start one o'clock hour like we always do. Me eating

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Speaker 3: lunch and uh you firing the the open for Fox three.

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Speaker 4: Four time now four.

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Speaker 3: Five questions, Well, actually three, but five sounds like more

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Speaker 3: than four. Brought to you by Willow River Company. Question

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Speaker 3: number one.

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Speaker 2: Programming predigament.

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Speaker 1: A little bit of a different programming predicament. Tonight, The

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Speaker 1: Twins are in k C KC tonight at six forty pm.

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Speaker 2: You can watch that on Twins dot com TV.

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Speaker 1: The Gophers men's basketball team will battle Baylor tonight in

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Speaker 1: the College Basketball Crown in Las Vegas A Baylor. That

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Speaker 1: game starts at nine thirty pm on FS one. You

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Speaker 1: can listen to it right here on the fan.

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Speaker 4: How can they.

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Speaker 3: Grow the game in Minnesota when the game starts at

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Speaker 3: nine to thirty at night.

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Speaker 1: Well, at least it's College Basketball Crown, so I'm not

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Speaker 1: a upset about it. And the Frost or in New

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Speaker 1: York to take on the Sirens opening face off at

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Speaker 1: six pm on Fox nine plus and FanDuel Sports Network Common.

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Speaker 1: What do you do about tonight's programming predicaments.

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Speaker 4: I'll let you decide for me.

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Speaker 2: I forgot to put a song out? What's the least?

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Speaker 3: Oh? And Leave It to Beaver? Dent dead edited? Dead End,

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Speaker 3: dead end? Can you find the themeous song for Leave

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Speaker 3: It to Beer? Starring Hugh Beaumont and and then and then,

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Speaker 3: and then Barbara Billingsley and Tony down and Jerry mad

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Speaker 3: Is as the Beaver dead edited and Yeah, it's an.

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Speaker 5: Old Leave It to Beaver starring Barbara Billingsley, Hugh Beaumont,

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Speaker 5: Tony Dawe and Jerry Mathers as the Beaver.

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Speaker 3: It's a heck of a show tennant. I think you'd

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Speaker 3: like it, you know, I suppose I would watch.

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Speaker 1: I was told when I was a kid that I

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Speaker 1: looked like someone on Leave It to Beaver? What are

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Speaker 1: the names of the O the Right show?

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Speaker 3: But no, that's wrong, you're thinking of the Andy Griffith.

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Speaker 3: Oh okay, you look like you do look a little

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Speaker 3: like Opien. Let me ask you. Let me ask you

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Speaker 3: a question. What was the first one of those choices?

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Speaker 2: Twins versus Casey?

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Speaker 3: I think I watched that and it's it's I want

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Speaker 3: to see if somehow the Twins pitching staff can match

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Speaker 3: uh their triple affiliated walking? How many did they walk?

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Speaker 3: You sent twenty twenty? How do you walk? And I

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Speaker 3: thought the poll out pocket protectors were telling me do

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Speaker 3: you remember reading when?

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Speaker 1: When?

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Speaker 4: When they're when? They I don't know.

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Speaker 3: I think it was athletic fish wrap East or West whatever.

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Speaker 3: They were talking about, how deep and talented all that

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Speaker 3: we stole all these great pictures from these other teams

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Speaker 3: that we did our fire sale. How good can they be?

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Speaker 3: If you walk twenty hit, that has to be some

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Speaker 3: type of a well, it's a triple A franchise record,

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Speaker 3: easily it can even it's gonna be like eight more

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Speaker 3: than the next one.

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Speaker 2: I would think it's it's lost nineteen to three.

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Speaker 4: It's astonishing that you could walk that many hitter.

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Speaker 1: Can you imagine going to watch that game last night?

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Speaker 1: The weather's already you know, it wasn't It's not as

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Speaker 1: bad last night as it's going to be today and tomorrow,

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Speaker 1: but still it's not great weather.

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Speaker 4: Yeah, I wonder how many people were like, we're at

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Speaker 4: the game.

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Speaker 1: I watched kid pitch nine and eight year olds throw

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Speaker 1: less walks than that.

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Speaker 3: Yeah, it's it's an embarrassment, just what it is. And

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Speaker 3: it goes to show you if if you think.

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Speaker 4: And I you know, I did think we talked about this.

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Speaker 3: I thought, you know what, you know, because I believe

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Speaker 3: them anytime they tell me, oh, we got so many home,

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Speaker 3: I if they if the people that followed as closely

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Speaker 3: are telling me, I guess it's one of those things

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Speaker 3: where I should say I have to see it to

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Speaker 3: believe it, that these young arms we have are all

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Speaker 3: so good. We were talking about it might be more

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Speaker 3: entertaining to watch the Triple A Club than the Big Club.

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Speaker 3: Maybe neither tonight though, because it is Joe Ryan on

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Speaker 3: the Mound. I like pitching. I've made no bones about that.

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Speaker 3: Anybody that's uh I, I make no bones highland highland

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Speaker 3: about it.

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Speaker 4: I like pitching in baseball. I like it a crisply.

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Speaker 3: Pitch, well pitched, crisp fast based game, two to one,

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Speaker 3: three to two, whatever the whatever, the final scores.

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Speaker 4: I don't.

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Speaker 3: I'm not a big nine to six, slow pitch softball guy.

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Speaker 3: So I like watching Joe Ryan pitch. And we'll see

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Speaker 3: how he does tonight against Kansas City.

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Speaker 2: Question number two, and now it's time to go in

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Speaker 2: the trenches.

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Speaker 1: Something called Jeffrey Chattaha, a columnist for NFL dot com.

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Speaker 1: He wrote an article today titled the Next Sam Darnold

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Speaker 1: question Mark five NFL qbs who are ready to reinvent

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Speaker 1: their careers Kyle Murphy. The five five players he listed

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Speaker 1: are Daniel Jones, Indianapolis Colts.

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Speaker 4: Boy, how do you get a player like that? Why

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Speaker 4: do the Vikings never get a guy like Danny Jones?

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Speaker 1: Kyle Murphy Minnesota Vikings, Mac Jones, San Francisco forty nine ers,

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Speaker 1: t a tongue of Bay Loa Atlanta Falcons, and Malik

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Speaker 1: Willis of the Miami Dolphins. Common which of these five

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Speaker 1: quarterbacks is most likely to become the next Sam Darnald.

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Speaker 3: Let me answer that by asking you a question. Do

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Speaker 3: you like parades? Do you like parades?

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Speaker 2: I do?

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Speaker 4: I think Kyle's can just breathe in with this omigra

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Speaker 4: avocado toast. I was doing the seasoning from avocado toast

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Speaker 4: and I got a whiff of it. Almost killed me.

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Speaker 4: And those are people that are happy about they going, yeah,

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Speaker 4: served you right for eating.

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Speaker 2: On here dying.

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Speaker 1: When Kyle's in town and he turns down, the fan

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Speaker 1: is wondering, why did they keep calling me Kyle Murphy?

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Speaker 3: Yeah?

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Speaker 4: Do you think he ever tuned into the thing?

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Speaker 2: Maybe not yet?

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Speaker 3: Yeah, not yet.

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Speaker 4: I don't know if he ever will.

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Speaker 3: I do wonder how how often any players or coaches

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Speaker 3: or from office people listen to the radio station. I

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Speaker 3: don't can't think they listened to this show. If they're

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Speaker 3: looking for anything that, if they're looking for any kind

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Speaker 3: of cogent conversation and some realistic views on the on

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Speaker 3: the team, why they would listen.

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Speaker 4: Well, you know what it is, because the truth hurts,

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Speaker 4: and so we called him as we sees him.

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Speaker 3: So, yeah, what was your question? I don't know.

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Speaker 2: The next time.

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Speaker 3: Darnold, Marie Lewis, Malik Willis, I think Danny Jones probably.

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Speaker 2: I think it's Danny or Kyle Kyle, I hope it's Kyle.

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Speaker 1: I mean, mac Jones is not going to do it

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Speaker 1: unless now that they didn't mention it's it's not just

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Speaker 1: for this year, it's for their entire career. So even

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Speaker 1: though mac Jones is a backup right now, he could

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Speaker 1: still become that Sam Darnold, I guess technically could this year.

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Speaker 2: Rock Perty's hurt, but yeah, I could see that.

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Speaker 3: I mean, when we were discussing quarterback options for the future,

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Speaker 3: I just some things I read made me I thought

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Speaker 3: maybe that the mac Jones kid might be you know,

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Speaker 3: they were doing the old you know, he wasn't in

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Speaker 3: a right fit in New England and he was down

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Speaker 3: on his lock and this and that, and then he

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Speaker 3: gets to he's overplaying with you know, the shanahanner seems

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Speaker 3: to rejuvenate quarterbacks careers all the time. And next thing,

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Speaker 3: you know, he was excited to be with the club again.

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Speaker 3: He was happy and he was uh you know he

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Speaker 3: was he was it was a it was bright eyed

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Speaker 3: and bushy tailed. He was very happy. Playing in San

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Speaker 3: Francisco even when he wasn't playing. Does that make sense

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Speaker 3: what I'm saying. I mean, he wasn't because rock Perty was,

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Speaker 3: but he's still liked being with the team and he

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Speaker 3: apparently has a better attitude again now.

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Speaker 4: So I kind of liked the.

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Speaker 3: Idea because Mac Jones I think has got some talent,

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Speaker 3: But I would say Danny Dimes and.

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Speaker 4: Probably Kyle it would be the two on that list.

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Speaker 1: Question number three, And now it's time to go.

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Speaker 6: In the paint.

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Speaker 1: Luka Doncic scored forty two points with twelve assists and

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Speaker 1: Lakers one twenty seven one to thirteen win over the

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Speaker 1: Cavalier last night. It was Doncic's third straight forty point game,

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Speaker 1: lifting his March scoring total to six hundred points, joining

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Speaker 1: Michael Jordan in nineteen eighty seven as the only players

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Speaker 1: to reach the mark in March and one of only

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Speaker 1: ten players to score six hundred points in any month.

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Speaker 1: The Lakers finished the month, by the way, with a

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Speaker 1: fifteen to two record. Common Do we need to talk

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Speaker 1: about Luka Doncic in the MVP conversation.

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Speaker 3: Uh ask of the basketball ask Big Ticket, he pays

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Speaker 3: closer attention to that stuff than I do. I thought

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Speaker 3: it had to. I thought it was basically a two

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Speaker 3: man race between SGA and Wemby. Yeah, maybe maybe, doncha.

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Speaker 3: I mean again, I think sometimes what happens is you

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Speaker 3: get late in the season and I don't know if

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Speaker 3: which you say, fifteen and two over the last seven

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Speaker 3: to March.

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Speaker 4: In March, and again, I.

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Speaker 3: Don't know, it sounds like he's he's he's been a

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Speaker 3: big reason. Why so did you know just what happens

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Speaker 3: in March more important than what happened in November, December, January, February.

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Speaker 4: I don't know.

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Speaker 2: But he's.

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Speaker 4: He's one of the best players in the league.

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Speaker 3: So I guess you'd have to say, yeah, I guess

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Speaker 3: he could be in the conversation for MVP. But it

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Speaker 3: sounds to me like it's going to be SGA or Wemby.

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Speaker 3: Question number three, it's time now to consider the course.

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Speaker 1: Tiger Woods said yesterday that he is stepping away to

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Speaker 1: seek treatment. Four days after his vehicle crash in Florida

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Speaker 1: and he was arrested on suspicion of driving under the influence.

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Speaker 1: He missed the Masters for the seconds straight year. Woods

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Speaker 1: pleaded not guilty in his driving under the influence case

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Speaker 1: in Florida yesterday, hours after a sheriff's report said deputies

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Speaker 1: found two pain pills in his pocket and he showed

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Speaker 1: signs of impairment after his STUV clipped a trailer and

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Speaker 1: rolled over on its side. Common Your thoughts on Tiger's

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Speaker 1: decision to appear to be going to seek treatment.

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Speaker 3: If he's indeed sincere I don't remember if he's done

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Speaker 3: this treatment thing before. I don't think so, but it's

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Speaker 3: possible then, And I mean, he's had I don't think

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Speaker 3: he can count how many surgeries he's I think he's

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Speaker 3: had more surgeries than he's won majors, which would be

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Speaker 3: a pretty large number, because he's won fifteen majors. And

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Speaker 3: apparently he's in I don't know if he's in constant pain,

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Speaker 3: but it seems as though there's the pain is tremendous,

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Speaker 3: and yeah, if you're in the middle of the day

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Speaker 3: driving your car, he claims he looked down at his

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Speaker 3: phone and was changing the radio station, and maybe he was.

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Speaker 3: It could be all of those, and he could be

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Speaker 3: also under the influence of some pain medication that's making

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Speaker 3: them a little loopy. But if it sounds as though

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Speaker 3: he feels like he needs and is it just a

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Speaker 3: pr move you know what I'm saying. I'll go ahead

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Speaker 3: and say him going to treatment just so I can

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Speaker 3: get people off my back. But I would think he's

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Speaker 3: being sincere about it, and I would hope so. And

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Speaker 3: if he has an issue, gets some help. I mean,

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Speaker 3: he's fifty years old, you know, it's like, you know,

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Speaker 3: it's like, don't throw it all away being addicted to

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Speaker 3: pain pills.

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Speaker 4: So we'll see how it works.

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Speaker 3: But yeah, I wish him the best if that's indeed,

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Speaker 3: what if he has If if he's indeed seeking treatment,

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Speaker 3: he must need it, and we wish him the best

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Speaker 3: of lot. And that's it for today's edition of five Questions,

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Speaker 3: Well actually three questions, but five sounds like more than four.

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Speaker 4: Brian Oak Little.

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Speaker 3: Rock Talk, including rock Rank, Rock Rank. That's all coming

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Speaker 3: up other side of the break Common Man program.

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Speaker 4: Here in the Fan.

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Speaker 3: The common Man.

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Speaker 7: That show is so creative and so funny. I've never

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Speaker 7: left haarded my life. I'm not kidding. I rolled literally

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Speaker 7: on the floor laughing. That's iconic. It's so funny.

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Speaker 3: Weekdays at Nude on the Fan.

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Speaker 2: Every game, every moment.

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Speaker 1: Kafan brings you the men's college basketball tournament driven by

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Speaker 1: David Smith Motors.

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Speaker 2: Tune in this.

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Speaker 1: Saturday on the free iHeart Radio have to catch the

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Speaker 1: insanity from Indianapolis.

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Speaker 3: A couple of thirteen fourteen past. I'm calm and he's

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Speaker 3: tenn to be excited and delighted to be Jordan's studio

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Speaker 3: by Brian O for.

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Speaker 4: Another episode of Rock Talk. And I heard a rumor

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Speaker 4: about you.

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Speaker 2: What's on?

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Speaker 4: You have a podcast?

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Speaker 8: I do, in fact have a podcast. Yeah, tell me, well,

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Speaker 8: it's pretty popular. I just did episode five hundred and

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Speaker 8: sixty five yesterday. I had a couple of huge thank you,

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Speaker 8: thank you. I had a couple of great guests already

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Speaker 8: this week. We do two episodes a week. One was

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Speaker 8: Peter Jesperson, the man basically credited with finding and promoting

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Speaker 8: and signing the Replacements way back in the day. One

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Speaker 8: of the most legendary names in Minnesota music. He's always

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Speaker 8: a fascinating conversation. And then just yesterday Jeremy Messersmith, I

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Speaker 8: beloved Minnesota singer songwriter who's got a brand new album

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Speaker 8: called Fox Coyote out today or Coyote Fox, one of

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Speaker 8: the two. In any event, He was a fantastic cover sation.

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Speaker 8: Been trying for six years to get him on the podcast.

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Speaker 8: Finally crack that nut and it was worth the wait.

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Speaker 8: So yeah, things are humming along nicely with the podcast, enjoying.

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Speaker 2: It very much.

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Speaker 4: You are also the grum Reaper.

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Speaker 2: I am, in fact the grum Reapers.

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Speaker 5: Yeah.

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Speaker 4: He was a death that you think is notable.

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Speaker 8: Yeah, well it happened last week, so shortly after I think,

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Speaker 8: maybe even right after I got home from doing rock

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Speaker 8: talk last week, I saw the announcement online that Dash

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Speaker 8: Crofts has sloughed off this mortal coil. He is no

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Speaker 8: longer with us. Maybe not a household name to many,

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Speaker 8: but for people of a certain age. And I'm looking

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Speaker 8: in the mirror and over a u com and Seals

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Speaker 8: and Crofts were staples of soft seventies rock radio, and

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Speaker 8: they got a couple songs that even people who probably

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Speaker 8: don't think they know a Seals and Croft song. Absolutely no.

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Speaker 8: He was the gentle, reassuring voice on the song Summer Breeze.

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Speaker 8: You know, Summer Breeze makes me feel fine, blowing through

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Speaker 8: the jasmine of my mind.

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Speaker 2: Think about it, man, exactly.

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Speaker 8: And yeah, but Seals and Crofts I mean they put

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Speaker 8: out I don't know a good dozen records or.

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Speaker 2: So and Diamond Girl. Yeah, no, that was the other

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Speaker 2: big hit.

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Speaker 8: So those are their two biggest but they had a

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Speaker 8: cavalcade of delicious early seventies soft rocks. So I again,

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Speaker 8: not a household name these days, and maybe people had forgotten.

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Speaker 8: But he passed at the age of eighty seven due

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Speaker 8: to complications from heart surgery. Again, at eighty seven, just

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Speaker 8: being alive another day with nothing going wrong is pretty remarkable.

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Speaker 8: So this is not unusual or overtly tragic. It's obviously

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Speaker 8: sad when anyone dies, but eighty seven, I feel like

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Speaker 8: is a very solid run. In later life, he raised

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Speaker 8: Arabian horses out on a ranch and had a lovely

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Speaker 8: little life for by all accounts. Yeah, Garman not forgotten, well,

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Speaker 8: not forgotten at least today, but one of those names

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Speaker 8: that may not get brought up very often.

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Speaker 2: Moving forward.

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Speaker 3: Now, you also said you had something. It's not really

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Speaker 3: a rock ring, but you saw a list of what

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Speaker 3: was it the.

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Speaker 8: So this is We're in the year twenty twenty six

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Speaker 8: officially now getting pretty far into it, and a recent

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Speaker 8: online poll popped up that made me think of none

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Speaker 8: other than our beloved Tennebe Tennebee.

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Speaker 2: Are you over there? I'm here. Okay.

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Speaker 8: So this was a poll that came out that said,

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Speaker 8: what are the biggest songs that you remember from two

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Speaker 8: thousand and six. I'm going to make it feel super

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Speaker 8: old right here by running down some of these songs,

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Speaker 8: because twenty years it goes in the blink of an eye,

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Speaker 8: but it also feels like it was a lifetime ago.

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Speaker 8: I'm going to just run down some of the bigger

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Speaker 8: names on this list and see where they fall in

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Speaker 8: your nostalgia for twenty years ago when you were right

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Speaker 8: in the prime of life.

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Speaker 2: Man.

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Speaker 1: See, I was almost already passed the primal life at

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Speaker 1: that point in terms of, like, you know, your music

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Speaker 1: prime is more kind of like high school college. Well, yes,

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Speaker 1: but this isn't that far. Let me run a couple

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Speaker 1: of years. Music had changed at that point. But I

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Speaker 1: also feel like you're going to love a lot of that.

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Speaker 1: I know that in the teenage years is where it

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Speaker 1: really starts to form. And four but well, let's take

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Speaker 1: for instance, a Chameleonaire featuring Crazy.

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Speaker 2: Bone Riding.

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Speaker 8: Try to catch Me Roding Dirty? Yeah exactly, I mean

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Speaker 8: that one had to be a jam for right my kids.

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Speaker 1: The last couple of months started getting into Weird Al

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Speaker 1: Yankovic and he has a very good parody of this song. Yeah,

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Speaker 1: White and Cold White Nerdy. Yeah, it's fantastic, No, it's brilliant,

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Speaker 1: absolutely best. But that song was big for you. Yeah yeah,

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Speaker 1: I mean I love bone Ducks and harmony and crazy

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Speaker 1: bones my favorite bone thug.

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Speaker 2: So who's your favorite bone thug? Common was there?

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Speaker 3: I like rock 'am songs, robots.

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Speaker 1: This was getting to the point where I wasn't liking

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Speaker 1: rap music as much. I kind of clung to the

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Speaker 1: nineties hip hop past as it was starting to change

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Speaker 1: a little bit.

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Speaker 8: But I did like this song. This will make everyone

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Speaker 8: feel old. This song came out twenty years ago. Justin

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Speaker 8: Timberlake's Sexy Back is a twenty year old jam. I mean,

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Speaker 8: I know it feels like it's been around forever, but

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Speaker 8: doesn't twenty years seem like a long time? Narls Barkley

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Speaker 8: Crazy came out that same year. Shakiro y Cleff Jean

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Speaker 8: Hips Don't Lie is a twenty year old song.

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Speaker 2: What's that for? JT is crimea River around the same time.

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Speaker 8: You know, I don't have that on this particular list,

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Speaker 8: but it can't be too far af that. I feel

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Speaker 8: like that came a little later, right or visit the

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Speaker 8: same Algason maybe kind of the same era. Yeah, exactly

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Speaker 8: a Sean Paul Temperature. I do not know that song

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Speaker 8: I don't Carrie Underwood before he Cheats is now twenty

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Speaker 8: years old.

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Speaker 2: That was a huge one.

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Speaker 8: My favorite on this entire list is well, second favorite

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Speaker 8: Fergie with will I Am fer Delicious fer Delicious Deaf.

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Speaker 8: I love that song, man, I'm a big, big fan.

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Speaker 8: But my favorite from that time Arctic Monkeys. I Bet

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Speaker 8: You Look Good on the Dance Floor was about the

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Speaker 8: biggest thing that had happened British music in a quarter

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Speaker 8: century and landed again. Not household names here, not super ago,

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Speaker 8: Oh it's super loud, super fast, rocks really hard. It

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Speaker 8: became the number one fastest selling single of all time

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Speaker 8: over in the UK when it came out, and so

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Speaker 8: it couldn't help but have some splash over here in

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Speaker 8: the States. But not as big as any of these

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Speaker 8: other songs that we're talking about, but a pretty major

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Speaker 8: seismic song for that year. Karin Bailey Ray put your

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Speaker 8: records on was twenty years ago?

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Speaker 3: No, is that that long?

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Speaker 2: Twenty years? My Goodness Records.

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Speaker 8: Yeah, and that's a great, great song, right, Nelly Furtado

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Speaker 8: featuring Timberland.

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Speaker 2: Yes, oh yeah, miss Where you Are?

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Speaker 4: That's a toe tapper.

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Speaker 8: And I brought this list up mainly because I was

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Speaker 8: looking forward to hearing both of you sing.

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Speaker 2: So, you know, it just it's always.

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Speaker 1: Fun to do a look back because you're like, yeah,

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Speaker 1: I've been alive a long time. Yeah, I've been into

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Speaker 1: a lot of things. I've been paying attention. I was

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Speaker 1: already an old man.

401
00:20:45,920 --> 00:20:49,399
Speaker 8: When these songs are almost half my life ago, exactly exactly.

402
00:20:49,440 --> 00:20:51,879
Speaker 8: So it's just it's These were the ones that popped

403
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Speaker 8: up in an online poll that I found on Billboard

404
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Speaker 8: of what people are most nostalgic about and what they

405
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Speaker 8: loved the most from the year two thousand and six.

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Speaker 1: Well, but you know, we can live without him. How

407
00:21:01,880 --> 00:21:03,639
Speaker 1: many of those have common? Has common heard us?

408
00:21:03,680 --> 00:21:04,600
Speaker 4: I've never heard one of them.

409
00:21:04,680 --> 00:21:07,240
Speaker 8: Oh that's not true. You've heard Narls Barkley's crazy, for sure,

410
00:21:07,280 --> 00:21:10,680
Speaker 8: you have. I remember when I remember, I want to

411
00:21:11,000 --> 00:21:11,400
Speaker 8: maybe I.

412
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Speaker 4: Want to insist that I've heard.

413
00:21:13,040 --> 00:21:15,159
Speaker 1: Oh, we have to, because you've walked down the hallway

414
00:21:15,200 --> 00:21:17,800
Speaker 1: here when four different stations that I heart were playing.

415
00:21:17,600 --> 00:21:20,040
Speaker 3: Doesn't count if I don't know what it is and

416
00:21:20,080 --> 00:21:22,280
Speaker 3: it's just playing. I heard like thirty seconds of it,

417
00:21:22,680 --> 00:21:28,280
Speaker 3: Like I Charles Barkley, when did he start? I didn't

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Speaker 3: even know he did it. I know SHAQ did shack. Well, yeah,

419
00:21:33,040 --> 00:21:36,320
Speaker 3: I'm over here shack. But I didn't know Charles Barkley.

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Speaker 2: Recorded a song.

421
00:21:37,320 --> 00:21:38,240
Speaker 4: How would I know that?

422
00:21:38,400 --> 00:21:39,640
Speaker 2: I guess you know, is that talented?

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00:21:39,720 --> 00:21:41,879
Speaker 8: I didn't know either, and I can only imagine that

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00:21:42,000 --> 00:21:46,240
Speaker 8: it's that sounds terrible, Yeah, like super Bowl shuffle terrible.

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Speaker 3: Yeah.

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Speaker 8: Yeah, that's all I got.

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Speaker 2: On my list, right, I got it.

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00:21:51,280 --> 00:21:52,359
Speaker 4: I got a list for you.

429
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Speaker 3: You Yeah, I've got a list for you.

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Speaker 4: And then we'll do Rockable. We'll let's do that on

431
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Speaker 4: the side.

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Speaker 2: Of the break, because we're what kind of radio is

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Speaker 2: the list radio?

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Speaker 4: A lazy radio? Yeah?

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00:21:58,880 --> 00:22:01,199
Speaker 8: Oh, but but still enjoy I mean everyone got to,

436
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Speaker 8: you know, sidle up to the there and enjoy themselves.

437
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Speaker 4: It's a Q and A for maybe both of you.

438
00:22:06,200 --> 00:22:09,200
Speaker 4: I don't know. I think Oak.

439
00:22:09,000 --> 00:22:12,160
Speaker 3: Will probably do better on this than Tennabee, and.

440
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Speaker 2: Only because sending me up to fail.

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00:22:13,800 --> 00:22:16,680
Speaker 3: Well, no, because some of these songs are really old. Okay,

442
00:22:16,720 --> 00:22:19,080
Speaker 3: you're more into the older stuff I think than tennabe is.

443
00:22:19,080 --> 00:22:20,480
Speaker 4: But it's it's, it's it's.

444
00:22:20,680 --> 00:22:22,560
Speaker 2: I know some old songs just based through you.

445
00:22:22,840 --> 00:22:25,200
Speaker 4: Maybe you'll do it. Yeah, but let's take a break.

446
00:22:25,280 --> 00:22:25,800
Speaker 4: We'll come back.

447
00:22:25,880 --> 00:22:26,320
Speaker 3: We'll do that.

448
00:22:26,400 --> 00:22:28,520
Speaker 4: And we've got rock What is rock rank this time?

449
00:22:28,800 --> 00:22:29,399
Speaker 2: Can we tell me?

450
00:22:29,480 --> 00:22:29,600
Speaker 6: Well?

451
00:22:29,600 --> 00:22:32,800
Speaker 1: I mean we're part we're doing our geography series right now.

452
00:22:34,040 --> 00:22:36,680
Speaker 2: This one's American cities in the in the song of

453
00:22:36,720 --> 00:22:37,000
Speaker 2: the Time.

454
00:22:37,080 --> 00:22:37,880
Speaker 4: Very good. We'll come back.

455
00:22:37,960 --> 00:22:39,720
Speaker 3: Well, we'll do some more rock talk on the side

456
00:22:39,720 --> 00:22:40,960
Speaker 3: of the Right Common Man program on the fan.

457
00:23:01,280 --> 00:23:02,000
Speaker 2: I want to chime in.

458
00:23:02,080 --> 00:23:04,480
Speaker 1: What's happening with your favorite KFM program? Would love to

459
00:23:04,640 --> 00:23:07,360
Speaker 1: make your voice heard on the Bradshaw and Brian textline.

460
00:23:07,600 --> 00:23:08,600
Speaker 1: Let us know what you have to say if I

461
00:23:08,640 --> 00:23:10,879
Speaker 1: texted your message of six four six eight six, that

462
00:23:11,000 --> 00:23:13,840
Speaker 1: six four six eight six standard message in data at supply.

463
00:23:14,359 --> 00:23:17,680
Speaker 3: Mark Rosen will join us just before two o'clock.

464
00:23:18,119 --> 00:23:20,800
Speaker 8: Brian Oak, you say you have one little other nugget.

465
00:23:21,040 --> 00:23:24,480
Speaker 8: I do, well, so the iHeartRadio Music Awards. I don't

466
00:23:24,480 --> 00:23:26,280
Speaker 8: know if you know this or not, but we are

467
00:23:26,680 --> 00:23:29,479
Speaker 8: under the umbrella of iHeart. Even as we speak on

468
00:23:29,600 --> 00:23:32,960
Speaker 8: Rock Talk, they have their annual Music Awards, which have

469
00:23:33,000 --> 00:23:35,760
Speaker 8: actually grown into a very very over the years, a

470
00:23:35,880 --> 00:23:39,119
Speaker 8: very prominent and real sort of awards show something I

471
00:23:39,160 --> 00:23:42,080
Speaker 8: was dubious about in the early incarnations of it. But

472
00:23:42,160 --> 00:23:44,919
Speaker 8: it's absolutely up there with all the other music awards,

473
00:23:44,920 --> 00:23:47,679
Speaker 8: with the possible exception of the Grammys these days. But

474
00:23:47,800 --> 00:23:50,440
Speaker 8: Bad Bunny, Sabrina Carpenter, and Taylor Swift were all the

475
00:23:50,520 --> 00:23:54,280
Speaker 8: leading nominees this year, and Doughchie presented Lady Gaga with

476
00:23:54,320 --> 00:23:57,360
Speaker 8: the Innovator Award. Taylor Swift won Artist of the Year.

477
00:23:57,400 --> 00:24:00,720
Speaker 8: But just in case anybody was worried that the era

478
00:24:00,840 --> 00:24:03,359
Speaker 8: of Taylor Swift might be somehow drawing to a close

479
00:24:03,440 --> 00:24:06,760
Speaker 8: or diminishing at least slightly, she not only won more

480
00:24:06,800 --> 00:24:10,440
Speaker 8: trophies than anybody else at last Thursday's iHeartRadio Music Awards,

481
00:24:10,760 --> 00:24:13,680
Speaker 8: she also walked away with a record number more than

482
00:24:13,880 --> 00:24:17,240
Speaker 8: even she's ever won. She was nominated for nine left

483
00:24:17,240 --> 00:24:19,719
Speaker 8: with seven. So just in case any Swifties out there

484
00:24:19,720 --> 00:24:23,119
Speaker 8: were wondering, should I still keep this Swift tattoo or

485
00:24:23,160 --> 00:24:25,520
Speaker 8: get it lasered off, I'd say it's a little early

486
00:24:25,560 --> 00:24:28,520
Speaker 8: for that, keep enjoying the reign of your queen. Taylor

487
00:24:28,520 --> 00:24:30,760
Speaker 8: Swift's still very much at the top of the music here.

488
00:24:30,840 --> 00:24:33,200
Speaker 3: There's not one person listening into this program right now

489
00:24:33,240 --> 00:24:35,000
Speaker 3: that is a Taylor Swift. That's not true at all.

490
00:24:35,160 --> 00:24:37,879
Speaker 3: And I can guarantee you I like Taylor Swift. I

491
00:24:37,960 --> 00:24:42,000
Speaker 3: like Taylor Swift. Okay, no, no, no, but no.

492
00:24:42,119 --> 00:24:43,960
Speaker 1: She also said, I want to tell you what she

493
00:24:44,000 --> 00:24:46,040
Speaker 1: said because it ties into what the people who listen

494
00:24:46,040 --> 00:24:48,960
Speaker 1: to the station do. Like she said, thanks for all

495
00:24:49,000 --> 00:24:49,440
Speaker 1: the vibes.

496
00:24:49,480 --> 00:24:51,320
Speaker 8: I just really wanted to say thank you to iHeart,

497
00:24:51,400 --> 00:24:53,040
Speaker 8: and thank you to anyone who cared about the fate

498
00:24:53,040 --> 00:24:55,560
Speaker 8: of Ophelia, because you made this into the biggest hit

499
00:24:55,640 --> 00:24:58,159
Speaker 8: of my career, which is crazy at this point. And

500
00:24:58,200 --> 00:25:01,320
Speaker 8: then she would also go on to say how happy

501
00:25:01,320 --> 00:25:03,240
Speaker 8: and confident and free I am right now because the

502
00:25:03,320 --> 00:25:05,040
Speaker 8: way I get to feel every single day of my

503
00:25:05,080 --> 00:25:08,919
Speaker 8: life because of my fiance who is here tonight, and

504
00:25:08,920 --> 00:25:10,359
Speaker 8: that of course is Travis Kelsey.

505
00:25:10,880 --> 00:25:13,120
Speaker 3: I can't do it anymore. You can't do what talk

506
00:25:13,119 --> 00:25:15,920
Speaker 3: about Taylor swept. Wow. Here are the twenty five greatest

507
00:25:15,960 --> 00:25:18,359
Speaker 3: first lines in rock and roll history. The first lines

508
00:25:18,400 --> 00:25:22,439
Speaker 3: of songs. I got you to identify the song in

509
00:25:22,480 --> 00:25:23,200
Speaker 3: the group ten of Me.

510
00:25:23,280 --> 00:25:23,840
Speaker 4: You ready for this?

511
00:25:23,920 --> 00:25:24,160
Speaker 2: Yes?

512
00:25:25,160 --> 00:25:26,760
Speaker 3: Now, let me get to the end of it and

513
00:25:26,800 --> 00:25:29,199
Speaker 3: then you are we buzzing in or are we just

514
00:25:29,200 --> 00:25:30,840
Speaker 3: saying I don't know, maybe just say this. Okay, it's

515
00:25:30,840 --> 00:25:31,720
Speaker 3: not that big of a deal.

516
00:25:32,760 --> 00:25:34,480
Speaker 2: Hold on, you'll meet me in all these I doubt

517
00:25:34,520 --> 00:25:35,200
Speaker 2: that's what I say.

518
00:25:35,320 --> 00:25:36,879
Speaker 3: No, I think, well, I know you will on this

519
00:25:36,920 --> 00:25:41,440
Speaker 3: first one. Okay, ready, hold on, here's my lost for

520
00:25:41,440 --> 00:25:41,760
Speaker 3: a second.

521
00:25:41,800 --> 00:25:42,359
Speaker 4: A right, here we go.

522
00:25:42,440 --> 00:25:46,520
Speaker 3: Ready, yep, please allow me to introduce myself.

523
00:25:48,520 --> 00:25:50,800
Speaker 8: I got it. It's Sympathy for the Devil by the

524
00:25:50,840 --> 00:25:51,600
Speaker 8: Rolling Stones?

525
00:25:52,040 --> 00:25:52,520
Speaker 3: Correct?

526
00:25:52,840 --> 00:25:53,399
Speaker 2: Did you know that?

527
00:25:53,480 --> 00:25:53,800
Speaker 1: Ten of Me?

528
00:25:53,960 --> 00:25:54,080
Speaker 2: No?

529
00:25:54,359 --> 00:25:58,800
Speaker 3: Okay, here's the second one. These are from the greatest

530
00:25:59,000 --> 00:26:02,680
Speaker 3: first lines ever music. I'm listening, Hello Darkness, my old

531
00:26:02,720 --> 00:26:08,200
Speaker 3: friend Paul Simon, all right, Simon and Garfunkle. Yes, what's

532
00:26:08,200 --> 00:26:13,480
Speaker 3: the name of the son.

533
00:26:13,160 --> 00:26:16,240
Speaker 2: In the Sounds of Sound Silence?

534
00:26:17,040 --> 00:26:18,000
Speaker 4: I'll give you that one.

535
00:26:19,040 --> 00:26:21,800
Speaker 3: Just a small town girl living in a lonely world.

536
00:26:22,720 --> 00:26:24,560
Speaker 8: That's an easy one. Yeah, that is an easy one.

537
00:26:24,680 --> 00:26:28,840
Speaker 8: It's journey. Don't stop believing, don't stop believing.

538
00:26:28,840 --> 00:26:29,399
Speaker 2: By journey, I.

539
00:26:29,440 --> 00:26:30,800
Speaker 3: Thought just a small town girl thought it was a

540
00:26:30,840 --> 00:26:32,080
Speaker 3: small Town by John Mellenday.

541
00:26:32,240 --> 00:26:34,760
Speaker 4: No, all right, how about this one?

542
00:26:35,320 --> 00:26:38,200
Speaker 3: You were working as a waitress in a cocktail bar.

543
00:26:39,040 --> 00:26:43,080
Speaker 8: I got it. The Human League is Don't You want Me?

544
00:26:43,160 --> 00:26:45,680
Speaker 8: B Yes, that is correct. Remember when that song first

545
00:26:45,680 --> 00:26:46,840
Speaker 8: came out, do I remember?

546
00:26:46,960 --> 00:26:47,880
Speaker 2: Oh? Cool, dude?

547
00:26:47,880 --> 00:26:50,320
Speaker 8: I loved all that sort of icy new wave stuff

548
00:26:50,359 --> 00:26:53,240
Speaker 8: and they were gigantic in the UK and no that

549
00:26:53,240 --> 00:26:55,560
Speaker 8: that was my favorite kind of American radio in the

550
00:26:55,560 --> 00:26:56,199
Speaker 8: early eighties.

551
00:26:57,040 --> 00:27:00,680
Speaker 3: Next one, Load up on Guns, Bring your Friends?

552
00:27:02,680 --> 00:27:06,720
Speaker 2: Oh got it? No idea, Nirvana, Come as you are.

553
00:27:07,280 --> 00:27:11,560
Speaker 4: It says, smells like teen Spirit. That's what this sounds.

554
00:27:11,760 --> 00:27:12,480
Speaker 4: That's what this says.

555
00:27:12,600 --> 00:27:15,720
Speaker 3: I can't understand any words in that song. This one says,

556
00:27:15,920 --> 00:27:18,240
Speaker 3: oh yeah, yeah, it smells like teen spirit. Yeah yeah, yeah,

557
00:27:18,280 --> 00:27:20,239
Speaker 3: there we go. Okay, Sorry I got confused. I got

558
00:27:20,320 --> 00:27:21,440
Speaker 3: lost in the grunge of it all.

559
00:27:22,080 --> 00:27:22,880
Speaker 4: Here's the next one.

560
00:27:23,880 --> 00:27:28,840
Speaker 3: Is this the real life? Is this just fantasylands? That's

561
00:27:29,080 --> 00:27:36,320
Speaker 3: Bohemian Rhapsody? Well done, Tennebe. I'm gonna get ripped for this.

562
00:27:36,440 --> 00:27:38,160
Speaker 3: That's one of the most overrated songs in.

563
00:27:38,119 --> 00:27:39,760
Speaker 2: The history of rock and rom That's a great song.

564
00:27:40,160 --> 00:27:42,040
Speaker 3: I think it's one of the most overrated songs in

565
00:27:42,080 --> 00:27:43,040
Speaker 3: the history of rocker.

566
00:27:43,080 --> 00:27:44,120
Speaker 4: I was never a big queen guy.

567
00:27:44,320 --> 00:27:46,639
Speaker 8: How could you not be a big queen guy? Queen

568
00:27:46,720 --> 00:27:48,600
Speaker 8: was incredible, There's not they don't have a peer. There

569
00:27:48,600 --> 00:27:49,639
Speaker 8: was nobody like Queen.

570
00:27:49,840 --> 00:27:56,000
Speaker 1: No, and I'm glad and for my generation, my genera,

571
00:27:56,240 --> 00:27:58,159
Speaker 1: I had never heard that song until the movie Wayne's

572
00:27:58,160 --> 00:27:58,960
Speaker 1: World came out right.

573
00:27:59,040 --> 00:28:03,520
Speaker 2: Oh, that definitely brand new life. They were over, what's.

574
00:28:03,320 --> 00:28:04,520
Speaker 4: A better movie? Wayne's World?

575
00:28:04,640 --> 00:28:07,359
Speaker 2: Dumb and dumber, dumb and dumber. But Wayne's World is

576
00:28:07,440 --> 00:28:07,760
Speaker 2: very good.

577
00:28:09,200 --> 00:28:13,320
Speaker 3: Next up, there's a lady who's sure all that glitters

578
00:28:13,400 --> 00:28:13,919
Speaker 3: is gold?

579
00:28:14,040 --> 00:28:17,920
Speaker 2: I got it, Canna. I know this lyric You Do.

580
00:28:19,359 --> 00:28:20,000
Speaker 3: Heart did a.

581
00:28:20,000 --> 00:28:22,800
Speaker 4: Version of it, while the band that originally did it.

582
00:28:22,720 --> 00:28:24,679
Speaker 2: Was in a tenday.

583
00:28:27,160 --> 00:28:29,560
Speaker 3: I may I may not always love you.

584
00:28:34,640 --> 00:28:35,920
Speaker 2: I don't know. This is the first one. I don't

585
00:28:35,920 --> 00:28:36,720
Speaker 2: know beach Boys.

586
00:28:36,760 --> 00:28:42,480
Speaker 3: God only knows all long as there are stars above you. Now,

587
00:28:42,600 --> 00:28:44,400
Speaker 3: I don't know if tenne people know this. I know

588
00:28:44,520 --> 00:28:46,560
Speaker 3: you're going to know, all right, let's hear it. I'm

589
00:28:46,560 --> 00:28:50,240
Speaker 3: an anti Christ. I am an anti Christ?

590
00:28:50,640 --> 00:28:52,120
Speaker 2: Oh is that? Well?

591
00:28:52,120 --> 00:28:54,240
Speaker 8: It's the sex pistols. I'm just I don't know. There's

592
00:28:54,240 --> 00:28:57,160
Speaker 8: a God save the Queen. It's anarchy in the UK.

593
00:28:57,240 --> 00:29:04,880
Speaker 3: That is correct, correct. I didn't even know this was

594
00:29:04,920 --> 00:29:06,720
Speaker 3: the first line of this song, but here it is.

595
00:29:07,360 --> 00:29:08,840
Speaker 3: Let me tell you how it will be.

596
00:29:11,320 --> 00:29:18,600
Speaker 8: Hmm oh uh, I'm not gonna get there. Can you

597
00:29:18,640 --> 00:29:20,960
Speaker 8: sing it? It's ringing a bell male or female singer.

598
00:29:21,040 --> 00:29:23,560
Speaker 3: It's well, it's the Beatles the tax Man. I didn't

599
00:29:23,560 --> 00:29:27,120
Speaker 3: know the songs started to tell you how. Yeah, that's right, Okay,

600
00:29:27,400 --> 00:29:28,240
Speaker 3: The tax Man.

601
00:29:28,280 --> 00:29:31,320
Speaker 4: Is considered one of their better I never was that

602
00:29:31,960 --> 00:29:32,160
Speaker 4: to me.

603
00:29:32,200 --> 00:29:32,800
Speaker 2: It's interesting.

604
00:29:32,800 --> 00:29:36,200
Speaker 8: Well, hey, it's a George Harrison compoley or you know, composition.

605
00:29:36,280 --> 00:29:38,480
Speaker 8: But it was interesting to me because the reason I

606
00:29:38,520 --> 00:29:41,000
Speaker 8: think Revolver might be the most important record in rock

607
00:29:41,080 --> 00:29:44,000
Speaker 8: history is this. The Beatles, even though they were changing

608
00:29:44,080 --> 00:29:46,080
Speaker 8: and the world was changing, they were still essentially a

609
00:29:46,120 --> 00:29:47,959
Speaker 8: boy band, but the biggest one in the world had

610
00:29:47,960 --> 00:29:51,160
Speaker 8: ever seen with great chops. But they were essentially a

611
00:29:51,200 --> 00:29:53,560
Speaker 8: boy band. They were a teen sensation band and they

612
00:29:53,600 --> 00:29:55,920
Speaker 8: were slowly shedding that image. And then they put on

613
00:29:56,000 --> 00:29:58,520
Speaker 8: an album that started out with that song that was

614
00:29:58,560 --> 00:30:02,240
Speaker 8: track one, side one about complaining about government tax rates

615
00:30:02,240 --> 00:30:05,880
Speaker 8: in the UK, followed by eleanor Rigby which is about

616
00:30:05,920 --> 00:30:08,800
Speaker 8: the desolation of the human soul and utter loneliness and

617
00:30:08,840 --> 00:30:12,080
Speaker 8: bleak oblivion. That's not generally the one two punch most

618
00:30:12,120 --> 00:30:14,000
Speaker 8: boy bands are starting with when they're the biggest band

619
00:30:14,000 --> 00:30:14,440
Speaker 8: in the world.

620
00:30:14,560 --> 00:30:16,880
Speaker 3: I get up in the evening and I ain't got

621
00:30:16,920 --> 00:30:22,560
Speaker 3: nothing to say.

622
00:30:23,440 --> 00:30:25,000
Speaker 2: Tenny, you got this one now.

623
00:30:25,000 --> 00:30:27,000
Speaker 4: By Springsteen Dancing in the Dark.

624
00:30:27,160 --> 00:30:30,000
Speaker 2: Oh no, oh, I get up in the evening.

625
00:30:30,240 --> 00:30:33,040
Speaker 8: Yeah, okay, yeah, I don't go deep enough on Springsteen

626
00:30:33,040 --> 00:30:34,200
Speaker 8: and I don't listen to it all.

627
00:30:34,200 --> 00:30:40,480
Speaker 3: There's another Springsteen one on here too. Well wait, now,

628
00:30:42,080 --> 00:30:44,400
Speaker 3: well this guy's this guy put this list together because

629
00:30:44,400 --> 00:30:46,920
Speaker 3: he's got it. You can't start a fire without a spark,

630
00:30:46,960 --> 00:30:48,960
Speaker 3: and says that's Dancing.

631
00:30:48,680 --> 00:30:49,240
Speaker 4: In the Dark.

632
00:30:49,480 --> 00:30:52,040
Speaker 3: Oh, it's on the list twice. Oh it's two lines

633
00:30:52,080 --> 00:30:56,240
Speaker 3: in the first song. Oh well, that's ridiculous. Okay, forget that. Okay, next,

634
00:30:56,320 --> 00:30:59,560
Speaker 3: forgot This is going to be really hard. We don't

635
00:30:59,600 --> 00:31:03,200
Speaker 3: need no education. Come on, no, it's gonna be hard.

636
00:31:05,000 --> 00:31:07,480
Speaker 3: I mean I know the name of the band. It's

637
00:31:07,720 --> 00:31:10,360
Speaker 3: another Brick in the Wall Part two by Pink Floyd.

638
00:31:15,080 --> 00:31:17,160
Speaker 3: I heard there was a secret chord.

639
00:31:18,400 --> 00:31:20,320
Speaker 8: Oh wow, you're going deep on this one. It's been

640
00:31:20,320 --> 00:31:24,520
Speaker 8: covered a million times, but that is Hallelujah by Leonard Cohen.

641
00:31:24,600 --> 00:31:26,920
Speaker 3: Correct, well done, my friend.

642
00:31:27,680 --> 00:31:28,479
Speaker 4: Here's next.

643
00:31:32,280 --> 00:31:35,320
Speaker 3: We're leaving together, but still it's farewell.

644
00:31:38,760 --> 00:31:40,800
Speaker 2: I know this one, of course, one.

645
00:31:40,760 --> 00:31:44,040
Speaker 8: Of the cheasiest hair metal songs of all time. This

646
00:31:44,080 --> 00:31:49,840
Speaker 8: would be Europe with the final countdown count about how

647
00:31:49,960 --> 00:31:52,480
Speaker 8: humanity has destroyed the planet. So we're all leaving in

648
00:31:52,560 --> 00:31:54,840
Speaker 8: one great, big, a big spaceship to Venus.

649
00:31:55,040 --> 00:31:58,120
Speaker 3: But still it's farewell, even though we're leaving together exactly.

650
00:31:59,560 --> 00:32:01,920
Speaker 4: Oh my, can this really be the end?

651
00:32:03,920 --> 00:32:07,720
Speaker 3: That's not the first words alrids to the song. Well,

652
00:32:08,000 --> 00:32:11,640
Speaker 3: it's queen, it's Bob Dylan. Right, yeah, that's not the

653
00:32:11,680 --> 00:32:16,160
Speaker 3: first words too. Stuck inside a mobile with the Memphis

654
00:32:16,160 --> 00:32:17,640
Speaker 3: Blues again, they said.

655
00:32:17,440 --> 00:32:18,960
Speaker 4: This was the first words of songs.

656
00:32:19,240 --> 00:32:20,760
Speaker 8: Well, it sounds like, I mean, most of them have

657
00:32:20,800 --> 00:32:24,080
Speaker 8: been twenty one greatest opening lines in around history. Yeah,

658
00:32:24,120 --> 00:32:27,520
Speaker 8: well it doesn't start. Well you, I'll have to defer

659
00:32:27,560 --> 00:32:29,680
Speaker 8: to you. But that's the second time that that song's

660
00:32:29,680 --> 00:32:32,880
Speaker 8: been referenced on the program Today Program, but not.

661
00:32:32,880 --> 00:32:34,440
Speaker 2: The last time. We're going to talk about it.

662
00:32:34,480 --> 00:32:38,880
Speaker 3: Here's next. It's nine o'clock on a Saturday.

663
00:32:38,400 --> 00:32:41,960
Speaker 2: Oh really, Joel, Yeah, correct.

664
00:32:43,080 --> 00:32:47,320
Speaker 3: Next, she was more like a beauty queen from a

665
00:32:47,360 --> 00:32:48,160
Speaker 3: movie scene.

666
00:32:49,320 --> 00:32:50,640
Speaker 2: This is one of your songs. Ah.

667
00:32:53,120 --> 00:32:55,320
Speaker 8: I don't feel like this is the opening line either,

668
00:32:55,360 --> 00:32:57,520
Speaker 8: but it must be. I know what it is. It's

669
00:32:57,560 --> 00:33:02,240
Speaker 8: Michael Jackson Billy g Yeah, yeah, I guess is that

670
00:33:02,320 --> 00:33:03,120
Speaker 8: the opening line?

671
00:33:03,800 --> 00:33:04,239
Speaker 2: I don't know.

672
00:33:06,800 --> 00:33:12,120
Speaker 3: She came from Greece. She had a thirst for knowledge.

673
00:33:12,320 --> 00:33:14,800
Speaker 3: Oh oh, I'd never heard this.

674
00:33:15,240 --> 00:33:21,240
Speaker 2: Yes. Do you recognize the title in the song?

675
00:33:21,720 --> 00:33:25,040
Speaker 4: I don't.

676
00:33:25,080 --> 00:33:27,560
Speaker 8: I have no clue with this. It's it's sitting right

677
00:33:27,600 --> 00:33:29,120
Speaker 8: there on the fringe. I can taste it.

678
00:33:29,160 --> 00:33:31,160
Speaker 3: Do you want the name of the band or the song?

679
00:33:31,520 --> 00:33:34,080
Speaker 3: The name of the band is Pulp Pulp Common People. Yeah,

680
00:33:34,120 --> 00:33:35,840
Speaker 3: that's exactly and I thought that's what it was.

681
00:33:35,840 --> 00:33:38,400
Speaker 8: But given everything else on this list, I felt like

682
00:33:38,400 --> 00:33:40,040
Speaker 8: that was too British and too obscure.

683
00:33:40,280 --> 00:33:43,960
Speaker 3: Two more, you got a fast car. I want to

684
00:33:44,000 --> 00:33:44,880
Speaker 3: take it to anywhere?

685
00:33:45,400 --> 00:33:47,640
Speaker 2: Jean, I was gonna say, who are you asking this question?

686
00:33:47,720 --> 00:33:48,160
Speaker 2: To man?

687
00:33:48,280 --> 00:33:49,960
Speaker 3: And then the final one or is it the country

688
00:33:49,960 --> 00:33:54,040
Speaker 3: guys version? Once upon a Time you dress so fine?

689
00:33:55,440 --> 00:33:58,920
Speaker 3: Well that's Dylan once about a ten so fine.

690
00:33:59,360 --> 00:34:00,280
Speaker 4: Lack of role in.

691
00:34:00,280 --> 00:34:03,040
Speaker 2: Stone Oh, yeah, like, it's pretty classic song.

692
00:34:03,200 --> 00:34:04,840
Speaker 3: I think both of you guys did very well on

693
00:34:04,880 --> 00:34:06,400
Speaker 3: that other there was only a couple that you guys

694
00:34:06,440 --> 00:34:07,240
Speaker 3: didn't identify.

695
00:34:07,360 --> 00:34:09,000
Speaker 2: Yeah, no, there's only a couple I didn't know.

696
00:34:09,080 --> 00:34:12,960
Speaker 3: But and you know what that I've often I stumbled

697
00:34:13,000 --> 00:34:16,040
Speaker 3: across that list because I've I've often you know, when

698
00:34:16,040 --> 00:34:18,839
Speaker 3: you're killing time with people, you're you're you're just having

699
00:34:18,840 --> 00:34:21,319
Speaker 3: conversations about music. I've always said one of the best

700
00:34:21,360 --> 00:34:24,239
Speaker 3: opening lines. So I think thank thunked them through. I

701
00:34:24,280 --> 00:34:26,359
Speaker 3: have others in my head that I can't think about

702
00:34:26,400 --> 00:34:29,160
Speaker 3: this very moment, but I I would have others that

703
00:34:29,200 --> 00:34:31,080
Speaker 3: I would add at that, and someone was same, Well,

704
00:34:31,080 --> 00:34:31,479
Speaker 3: that's why.

705
00:34:31,400 --> 00:34:32,600
Speaker 8: I like to have a little bit of heads up.

706
00:34:32,600 --> 00:34:34,520
Speaker 8: But maybe that suits your homework. The three of us

707
00:34:34,560 --> 00:34:36,759
Speaker 8: will each pick five songs and we'll come up with

708
00:34:36,760 --> 00:34:38,839
Speaker 8: the opening line that we think will stump the other two,

709
00:34:38,880 --> 00:34:41,600
Speaker 8: but the caveat being that they have to be good

710
00:34:41,800 --> 00:34:45,920
Speaker 8: enough titles are big enough songs fort each hero?

711
00:34:46,360 --> 00:34:48,279
Speaker 4: I agree? How about we do this now, Let's go

712
00:34:48,320 --> 00:34:50,360
Speaker 4: ahead and do rock Rank.

713
00:34:51,600 --> 00:35:01,040
Speaker 6: Rock Rank, Rock Rank, Rock Rank, Rock Line Rock Walk Like.

714
00:35:01,360 --> 00:35:05,799
Speaker 1: We're continuing our Geography Geography series next week will do

715
00:35:06,080 --> 00:35:11,359
Speaker 1: US States, but today top five songs titles or top

716
00:35:11,360 --> 00:35:14,080
Speaker 1: five songs that have a US city in the title.

717
00:35:14,600 --> 00:35:16,840
Speaker 8: Well, this is another one of those lists that is

718
00:35:16,880 --> 00:35:19,879
Speaker 8: so impossibly long that you can't do. A top five

719
00:35:19,920 --> 00:35:22,560
Speaker 8: doesn't do it justice. So I just picked my favorite five.

720
00:35:22,680 --> 00:35:25,080
Speaker 8: But this is a list that's not going to include

721
00:35:26,880 --> 00:35:30,960
Speaker 8: John Primee's Angel from Montgomery or Elton John's Philadelphia Freedom

722
00:35:31,080 --> 00:35:35,719
Speaker 8: or Crosby Stills Nashing Young Woodstock or Johnny Rivers Memphis

723
00:35:35,760 --> 00:35:38,400
Speaker 8: or Bob Dylan Stunk stuck inside of mobile with the

724
00:35:38,440 --> 00:35:44,080
Speaker 8: Memphis Blues. Again, the list is freakishly long. Zezy top

725
00:35:44,200 --> 00:35:47,759
Speaker 8: Jesus just left Chicago, come on, so here we go.

726
00:35:47,840 --> 00:35:49,919
Speaker 8: Coming in at number five is a tie, a two

727
00:35:49,960 --> 00:35:52,360
Speaker 8: way Minnesota tie, because I had to get a Minnesota

728
00:35:52,360 --> 00:35:54,120
Speaker 8: band in here, and I couldn't pick between the two

729
00:35:54,200 --> 00:35:57,200
Speaker 8: of them. Before there was Semi Sonic, there was a great, great,

730
00:35:57,320 --> 00:36:01,360
Speaker 8: great band fronted by Matt Wilson called Trip Shakes in Minnesota,

731
00:36:01,400 --> 00:36:04,120
Speaker 8: and they have a song called Toolmaster of Brainerd, And

732
00:36:04,160 --> 00:36:06,440
Speaker 8: if you have not heard it, you must add it

733
00:36:06,480 --> 00:36:07,320
Speaker 8: to the playlist.

734
00:36:07,600 --> 00:36:08,760
Speaker 2: Tool Master of Brainerd.

735
00:36:08,760 --> 00:36:11,400
Speaker 8: But it shares the number five spot with something everyone

736
00:36:11,440 --> 00:36:14,040
Speaker 8: here has definitely heard. That would be none other than

737
00:36:14,080 --> 00:36:17,400
Speaker 8: his Purple majesty. Prince rock and Roll is Alive and

738
00:36:17,440 --> 00:36:20,600
Speaker 8: it lives in Minneapolis. You're familiar with that, They're gonna go

739
00:36:20,640 --> 00:36:23,520
Speaker 8: with erotic City. Well, but that's not really the name

740
00:36:23,600 --> 00:36:25,600
Speaker 8: of an American city. And last time I kind of

741
00:36:25,640 --> 00:36:28,200
Speaker 8: got chided for us not, you know, getting right within

742
00:36:28,280 --> 00:36:31,160
Speaker 8: the rules. So number five is Prince rock and Roll

743
00:36:31,200 --> 00:36:31,680
Speaker 8: is Alive and.

744
00:36:31,640 --> 00:36:32,600
Speaker 2: It lives in Minneapolis.

745
00:36:32,880 --> 00:36:33,680
Speaker 4: Familiar with the song?

746
00:36:33,880 --> 00:36:36,160
Speaker 3: Oh well, I mean it's let me guess, walking through

747
00:36:36,200 --> 00:36:37,000
Speaker 3: the halls, I've heard it.

748
00:36:37,200 --> 00:36:40,000
Speaker 8: No, No, this one you might not know, but it

749
00:36:40,160 --> 00:36:42,400
Speaker 8: is Prince, So I'm good. I'm guessing that quite a

750
00:36:42,440 --> 00:36:44,040
Speaker 8: few people have heard this song before.

751
00:36:45,000 --> 00:36:46,719
Speaker 4: Oh I'm yes, I'm sure there is, but I just

752
00:36:47,000 --> 00:36:52,040
Speaker 4: it was not familiar to me. What's number four?

753
00:36:53,960 --> 00:36:55,600
Speaker 8: Number four is definitely going to be a song you

754
00:36:55,640 --> 00:36:57,920
Speaker 8: haven't heard before, but that everyone should hear. One of

755
00:36:57,960 --> 00:37:01,960
Speaker 8: my all time favorite favorite favorite bands is a four

756
00:37:02,000 --> 00:37:05,520
Speaker 8: piece out of Los Angeles called X and their debut

757
00:37:05,719 --> 00:37:08,680
Speaker 8: album is called Los Angeles and also as a title

758
00:37:08,719 --> 00:37:09,160
Speaker 8: track of.

759
00:37:09,120 --> 00:37:11,920
Speaker 2: The same name. It is fiery. It is explosive.

760
00:37:12,080 --> 00:37:15,320
Speaker 8: It talks about the dark, seedy, underbelly of late seventies

761
00:37:15,520 --> 00:37:18,439
Speaker 8: LA and it is just They were the first band

762
00:37:18,480 --> 00:37:20,879
Speaker 8: I ever saw at First Avenue back in nineteen eighty five,

763
00:37:21,000 --> 00:37:24,560
Speaker 8: and they are a groundbreaking and incredible band. They were

764
00:37:24,560 --> 00:37:27,239
Speaker 8: not a punk rock band, but they were very, very

765
00:37:27,280 --> 00:37:30,200
Speaker 8: deeply embraced by the punk rock community. And they're just

766
00:37:30,239 --> 00:37:32,479
Speaker 8: some of the greatest songwriters of all time. And John

767
00:37:32,520 --> 00:37:34,759
Speaker 8: Doe and Exeen Chervenka of that band are coming back

768
00:37:34,760 --> 00:37:37,319
Speaker 8: for a couple of shows at the Parkway Theater later

769
00:37:37,400 --> 00:37:38,000
Speaker 8: on this summer.

770
00:37:38,920 --> 00:37:41,680
Speaker 2: Okay X Los Angeles. Trust me, you'd love this song.

771
00:37:41,680 --> 00:37:43,800
Speaker 4: Oh wait, do you get to my list? I'm ready?

772
00:37:43,880 --> 00:37:45,279
Speaker 3: Yeah, Well I was going to wait till you're done

773
00:37:45,320 --> 00:37:47,239
Speaker 3: with Okay, all right, so now we're are we on

774
00:37:47,280 --> 00:37:48,200
Speaker 3: the number three?

775
00:37:48,320 --> 00:37:48,960
Speaker 4: Number three?

776
00:37:49,080 --> 00:37:51,440
Speaker 8: And I did lie before when I said that this

777
00:37:51,560 --> 00:37:53,400
Speaker 8: song didn't make it on the list. I'd forgot that

778
00:37:53,440 --> 00:37:56,040
Speaker 8: I did ultimately put it in here. The Bonnie Rait

779
00:37:56,200 --> 00:37:58,799
Speaker 8: version is the one I think that most people probably know,

780
00:37:58,920 --> 00:38:00,840
Speaker 8: but it was written by one of the greatest American

781
00:38:00,880 --> 00:38:04,200
Speaker 8: songwriters of all time, John Prime, and that is Angel

782
00:38:04,239 --> 00:38:08,040
Speaker 8: from Montgomery. It is poignant, it is heartfelt, just like

783
00:38:08,120 --> 00:38:11,160
Speaker 8: everything you'd expect from John Prime. But there's clever lyrics

784
00:38:11,160 --> 00:38:13,360
Speaker 8: in there, and it's just it's a gut punch, but

785
00:38:13,400 --> 00:38:16,680
Speaker 8: it's also an uplifter. And Bonnie Rait, I think brought

786
00:38:16,680 --> 00:38:18,600
Speaker 8: it home for a lot of people who are not

787
00:38:18,680 --> 00:38:21,319
Speaker 8: ready for John Prime. But John Prime and Bonnie Rate,

788
00:38:21,320 --> 00:38:23,480
Speaker 8: I give him both credit for Angel for Montgomery.

789
00:38:23,520 --> 00:38:27,040
Speaker 2: Okay, very good Number two. Number two, Number two.

790
00:38:27,640 --> 00:38:29,839
Speaker 8: This one is for all my party people out there

791
00:38:30,239 --> 00:38:32,560
Speaker 8: going back to the mid eighties and ten. I know

792
00:38:32,640 --> 00:38:34,799
Speaker 8: you're gonna know this song for sure, but it's a

793
00:38:34,800 --> 00:38:38,239
Speaker 8: little trio out of New York City known as the

794
00:38:38,280 --> 00:38:41,560
Speaker 8: Beastie Boys, and that would be No Sleep Till Brooklyn

795
00:38:41,719 --> 00:38:45,880
Speaker 8: from License to Ill. An incredible welcome to the world

796
00:38:46,440 --> 00:38:48,520
Speaker 8: in the world of hip hop. Maybe not the most

797
00:38:48,640 --> 00:38:51,279
Speaker 8: you know, revered hip hop, but Beastie Boys did more

798
00:38:51,320 --> 00:38:53,759
Speaker 8: to bring hip hop to White America than any other

799
00:38:53,920 --> 00:38:57,280
Speaker 8: single band at the time. And No Sleep Till Brooklyn

800
00:38:57,360 --> 00:38:59,920
Speaker 8: is an absolute, certifiable bulletproof.

801
00:39:00,440 --> 00:39:02,200
Speaker 2: So that comes into number two, okay.

802
00:39:02,280 --> 00:39:05,719
Speaker 3: And then finally the best song, your favorite favorite song

803
00:39:05,840 --> 00:39:08,320
Speaker 3: the references in American City Number one. Does that have

804
00:39:08,360 --> 00:39:09,520
Speaker 3: to be in the title or is it just the

805
00:39:09,560 --> 00:39:11,320
Speaker 3: song I think in the title?

806
00:39:11,520 --> 00:39:15,880
Speaker 8: Yeah, very good number one, number one, number one, a

807
00:39:15,920 --> 00:39:19,919
Speaker 8: great American singer songwriter, not entirely unlike John Prime, where

808
00:39:19,960 --> 00:39:24,359
Speaker 8: he's obviously celebrated, widely known, but not a superstar household name.

809
00:39:24,680 --> 00:39:27,560
Speaker 8: And that would be Jerry Jeff Walker's interpretation of the

810
00:39:27,680 --> 00:39:31,080
Speaker 8: classic song La Freeway, La Free.

811
00:39:30,880 --> 00:39:31,759
Speaker 2: But you know what I mean?

812
00:39:32,120 --> 00:39:36,920
Speaker 8: There are so many songs on here, like City of

813
00:39:36,960 --> 00:39:40,359
Speaker 8: New Orleans by Arlo Guthrie, or the Chicks Love It

814
00:39:40,480 --> 00:39:42,960
Speaker 8: or Leave It? You know, the Monkeys Last Trained to Clarkville,

815
00:39:43,080 --> 00:39:44,600
Speaker 8: drop Kick Murphy's who.

816
00:39:44,480 --> 00:39:45,200
Speaker 2: Are Our Man?

817
00:39:45,600 --> 00:39:48,200
Speaker 8: Tea Bomp he likes to play every time he's in

818
00:39:48,239 --> 00:39:51,520
Speaker 8: with Alt Barrero, he plays Shipping up to Boston.

819
00:39:51,600 --> 00:39:53,160
Speaker 2: You know, how about this one go on?

820
00:39:54,200 --> 00:39:56,440
Speaker 4: I got into town about an hour ago.

821
00:39:56,960 --> 00:40:00,000
Speaker 3: Bop bop bopupp up bop op bop. La Woman.

822
00:40:00,120 --> 00:40:01,719
Speaker 2: That was going to make my list?

823
00:40:01,920 --> 00:40:02,680
Speaker 4: It has to.

824
00:40:03,040 --> 00:40:05,239
Speaker 8: Well, the problem is I already has, I already had

825
00:40:05,239 --> 00:40:06,720
Speaker 8: two La songs on there.

826
00:40:06,600 --> 00:40:08,399
Speaker 4: That l A Woman's better than both of.

827
00:40:08,320 --> 00:40:11,000
Speaker 1: Them, the best Live and Die in l A by

828
00:40:11,040 --> 00:40:13,480
Speaker 1: Tupac'll see there you go, And and if you go

829
00:40:13,560 --> 00:40:16,120
Speaker 1: online and look, there are about seventy songs that we

830
00:40:16,120 --> 00:40:18,560
Speaker 1: could do this strictly about Los Angeles, even if it

831
00:40:18,600 --> 00:40:19,279
Speaker 1: was just in the time.

832
00:40:19,440 --> 00:40:21,319
Speaker 3: How about this one, go on, I want to wake

833
00:40:21,440 --> 00:40:26,080
Speaker 3: up in a city that Never please New York, New

834
00:40:26,160 --> 00:40:27,560
Speaker 3: York by Frank And Oh yeah.

835
00:40:27,400 --> 00:40:28,920
Speaker 2: I didn't know that was the opening line and not

836
00:40:28,920 --> 00:40:29,400
Speaker 2: a big.

837
00:40:29,239 --> 00:40:30,200
Speaker 4: That's not the opening line.

838
00:40:30,280 --> 00:40:32,400
Speaker 2: Oh okay, well that but that one I did not

839
00:40:32,520 --> 00:40:32,799
Speaker 2: that one.

840
00:40:32,920 --> 00:40:35,640
Speaker 4: The opening line is stop spreading the new.

841
00:40:37,080 --> 00:40:39,879
Speaker 1: There's a lot of common man songs that that oak

842
00:40:40,000 --> 00:40:42,600
Speaker 1: miss you already mentioned l a Woman by the Doors, right, yeah,

843
00:40:42,680 --> 00:40:46,200
Speaker 1: what about Wichita line man like You're your celing?

844
00:40:46,800 --> 00:40:50,600
Speaker 3: Go ahead, Yeah, definitely wich a tall Lineman and the

845
00:40:50,640 --> 00:40:54,040
Speaker 3: wichitall line. Man's also the line.

846
00:40:53,920 --> 00:40:55,320
Speaker 2: By the time I Get Phoenix.

847
00:40:55,440 --> 00:40:57,000
Speaker 4: Bob Dylan called it the greatest song ever.

848
00:40:57,239 --> 00:40:58,960
Speaker 8: Well, and you know it's I don't know about that,

849
00:40:59,000 --> 00:41:02,000
Speaker 8: but it's obviously another bulletproof classic.

850
00:41:02,040 --> 00:41:04,880
Speaker 3: Bobby Dylan called her Grace. And then there's If You

851
00:41:04,960 --> 00:41:06,200
Speaker 3: Are Going to.

852
00:41:06,520 --> 00:41:09,680
Speaker 2: San Friends Cisco by Scott McKenzie.

853
00:41:09,760 --> 00:41:14,640
Speaker 3: And then there is There is a House in New

854
00:41:14,760 --> 00:41:17,840
Speaker 3: Orleans again, the title is House of the Rising Sun.

855
00:41:18,120 --> 00:41:22,480
Speaker 2: So yeah, so that's why San Jose.

856
00:41:23,160 --> 00:41:24,600
Speaker 4: Do you know the Way to San Jose.

857
00:41:24,520 --> 00:41:27,080
Speaker 8: Which again is originally I have that on my also

858
00:41:27,239 --> 00:41:30,120
Speaker 8: ran list because Dion Warwick had the big hit with it,

859
00:41:30,200 --> 00:41:32,280
Speaker 8: but it's obviously a bird back rack original.

860
00:41:32,360 --> 00:41:34,839
Speaker 3: Now here's when you're talking about you greatest opening lines,

861
00:41:34,880 --> 00:41:37,000
Speaker 3: just how about some of the greatest lines and just

862
00:41:37,080 --> 00:41:38,080
Speaker 3: in anywhere in a song?

863
00:41:38,560 --> 00:41:39,279
Speaker 4: And all the.

864
00:41:39,239 --> 00:41:43,080
Speaker 3: Stars that never were are parking cars and pumping gas

865
00:41:43,239 --> 00:41:44,960
Speaker 3: is do you know the way to Santos? That's what

866
00:41:44,960 --> 00:41:47,120
Speaker 3: they're doing, All the stars that never worked. The Night

867
00:41:47,160 --> 00:41:50,760
Speaker 3: that Chicago Died, that's another one. The Night Chicago got Boston.

868
00:41:50,920 --> 00:41:53,600
Speaker 3: What about Billy Joel's New York State of Mind? The

869
00:41:53,680 --> 00:41:58,520
Speaker 3: Andrews Sisters slash, Glenn Miller Chattanooga Choochoo U Las Vegas.

870
00:41:58,800 --> 00:42:02,480
Speaker 8: There you go, fross Ryl Crow also on here, are

871
00:42:02,480 --> 00:42:05,440
Speaker 8: you more of a Mark Cohne walking in Memphis or

872
00:42:05,440 --> 00:42:08,120
Speaker 8: more of a John Hyatt Memphis in the meantime or

873
00:42:08,840 --> 00:42:11,600
Speaker 8: a Johnny Rivers with simply Memphis Memphis?

874
00:42:11,719 --> 00:42:13,640
Speaker 2: Yeah, stuck inside of Memphis. Yeah?

875
00:42:13,719 --> 00:42:17,480
Speaker 8: Then that's like what about the Miami Vice theme like

876
00:42:17,560 --> 00:42:21,320
Speaker 8: by Jon Homer. Yeah, that's the one that's America Ventura

877
00:42:21,400 --> 00:42:25,440
Speaker 8: Highway paper lace, The Night Chicago Died, Vicky Lawrence, The

878
00:42:25,560 --> 00:42:27,280
Speaker 8: Night the Lights went out in Georgia.

879
00:42:27,440 --> 00:42:30,960
Speaker 3: How about Chicgo Chic Cogo, that Toddle in.

880
00:42:30,960 --> 00:42:35,480
Speaker 8: Town, Lagrange by Zzy Top, Eric Clapton, Tulsa Time Miami

881
00:42:35,520 --> 00:42:36,200
Speaker 8: by Will Smith.

882
00:42:36,480 --> 00:42:37,440
Speaker 2: Yeah, that's.

883
00:42:38,880 --> 00:42:40,960
Speaker 8: You know, I miss I'm a little nostalgic for the

884
00:42:41,320 --> 00:42:42,520
Speaker 8: for the will Ennium myself.

885
00:42:42,640 --> 00:42:46,239
Speaker 1: About Welcome to Atlanta by Jermaine dupri and Ludacros.

886
00:42:46,280 --> 00:42:48,759
Speaker 2: What about I'm in Miami Trick by Lmfao.

887
00:42:49,040 --> 00:42:50,600
Speaker 4: How about Marrakesh Express?

888
00:42:50,840 --> 00:42:54,080
Speaker 1: How about Kiss Detroit Rocks at Marrakesh not an American city.

889
00:42:54,320 --> 00:42:55,160
Speaker 1: I looked at that one.

890
00:42:55,280 --> 00:42:55,520
Speaker 2: Yeah.

891
00:42:55,719 --> 00:42:58,200
Speaker 8: No, if you want to go to Cairo or Paris

892
00:42:58,640 --> 00:43:01,279
Speaker 8: or London, there's another billion songs you can throw on

893
00:43:01,320 --> 00:43:01,680
Speaker 8: the list.

894
00:43:02,400 --> 00:43:03,200
Speaker 4: Are you a big.

895
00:43:05,480 --> 00:43:08,000
Speaker 3: Trash Panda guy?

896
00:43:08,280 --> 00:43:11,919
Speaker 4: Atlanta Girls? Okay, Atlanta Girls is big trash pan.

897
00:43:12,000 --> 00:43:15,560
Speaker 8: Here's one for Tenna. What about Weezer, Beverly Hills, great song?

898
00:43:15,760 --> 00:43:19,239
Speaker 8: There you go, Ian Hunter, Cleveland Rocks, Tony Bennett, I

899
00:43:19,320 --> 00:43:22,680
Speaker 8: Left my Heart in San Francisco. There's so many on

900
00:43:22,719 --> 00:43:27,600
Speaker 8: this Van Morrison two below, Honey Oh Billy, Joel Allentown, Yes,

901
00:43:27,640 --> 00:43:29,560
Speaker 8: thank you. That's a good song. Yeah, so, I mean

902
00:43:29,600 --> 00:43:32,080
Speaker 8: there are what about I can Tina Turner, nut Bush

903
00:43:32,080 --> 00:43:32,680
Speaker 8: city limits.

904
00:43:32,719 --> 00:43:36,000
Speaker 3: Oh and how about Diesel with sauce Alito summer night.

905
00:43:36,080 --> 00:43:36,640
Speaker 2: There we go.

906
00:43:36,840 --> 00:43:39,560
Speaker 8: Yes see, that might be the greatest song of all. Okay,

907
00:43:39,600 --> 00:43:42,680
Speaker 8: well now just I mean it is a very enjoyable let's.

908
00:43:42,520 --> 00:43:49,960
Speaker 3: Go in my rambler. Yeah, the radiators running great song.

909
00:43:52,280 --> 00:43:54,319
Speaker 4: Scelito Summer is one of the greatest songs ever made.

910
00:43:55,360 --> 00:43:57,799
Speaker 2: Did you say Monterey? I did not. I was sung

911
00:43:57,840 --> 00:43:59,120
Speaker 2: in a comment that one.

912
00:44:00,719 --> 00:44:01,240
Speaker 3: The animals.

913
00:44:01,280 --> 00:44:04,719
Speaker 8: What about Gladys Night and the Pips Midnight Train to Georgia. Well,

914
00:44:04,760 --> 00:44:07,680
Speaker 8: that's the state exactly, so that one's that might be

915
00:44:07,719 --> 00:44:08,160
Speaker 8: next week?

916
00:44:08,280 --> 00:44:11,200
Speaker 3: Oh go on? Did you know this is a trivia

917
00:44:11,239 --> 00:44:14,280
Speaker 3: that I've talked about before, Midnight Train to Georgia before

918
00:44:14,320 --> 00:44:17,279
Speaker 3: the Pips did it. The song was originally was mid

919
00:44:17,400 --> 00:44:21,640
Speaker 3: I'm not making this up. Was Midnight playing to Houston early,

920
00:44:21,719 --> 00:44:23,080
Speaker 3: and then when they decided to do the song, they

921
00:44:23,120 --> 00:44:24,480
Speaker 3: didn't think that sounded good, so.

922
00:44:24,440 --> 00:44:26,960
Speaker 4: They changed the words to Midnight Train to Georgia.

923
00:44:27,000 --> 00:44:27,440
Speaker 3: Look it up.

924
00:44:27,480 --> 00:44:29,319
Speaker 2: I love it. I believe you. I just had that said.

925
00:44:29,360 --> 00:44:32,359
Speaker 8: That's what about Tom Waits with the classic Christmas Cards

926
00:44:32,360 --> 00:44:33,640
Speaker 8: from a Hooker in Minneapolis.

927
00:44:34,719 --> 00:44:36,879
Speaker 3: I wasn't famliar with that it's a great song.

928
00:44:37,440 --> 00:44:41,759
Speaker 1: Is Perry Como Seattle the bluest guys you ember seen

929
00:44:42,120 --> 00:44:42,880
Speaker 1: in Seattle?

930
00:44:43,000 --> 00:44:43,879
Speaker 2: I don't know that song?

931
00:44:44,040 --> 00:44:44,399
Speaker 4: You don't?

932
00:44:44,560 --> 00:44:46,319
Speaker 8: Uhuh, Well, I'm going to be I'm going to be

933
00:44:46,440 --> 00:44:48,399
Speaker 8: very frank with you that not everyone can know everything

934
00:44:48,440 --> 00:44:53,240
Speaker 8: about music, and my level of acumen regarding Perry Como

935
00:44:53,440 --> 00:44:54,400
Speaker 8: is non existent.

936
00:44:54,600 --> 00:44:55,800
Speaker 4: Let me ask you a question.

937
00:44:55,920 --> 00:44:56,160
Speaker 2: Hit me.

938
00:44:56,600 --> 00:44:57,640
Speaker 4: You have a podcast.

939
00:44:57,680 --> 00:44:59,400
Speaker 2: I do, in fact have a podcast. It's called The

940
00:44:59,440 --> 00:45:00,359
Speaker 2: Brian Oaks.

941
00:45:00,880 --> 00:45:04,840
Speaker 8: It's largely about Twin Cities music, area music, regional music,

942
00:45:05,080 --> 00:45:07,600
Speaker 8: but we also have other people on entrepreneurs. We've had

943
00:45:07,680 --> 00:45:11,279
Speaker 8: political figures, religious figures, but largely ninety percent plus it's

944
00:45:11,320 --> 00:45:14,520
Speaker 8: about music. Five hundred and sixty five episodes deep, so

945
00:45:14,520 --> 00:45:16,640
Speaker 8: there's no shortage of fun stuff to go dig into.

946
00:45:17,080 --> 00:45:20,839
Speaker 8: And it is available widely and free of charge through

947
00:45:20,960 --> 00:45:22,439
Speaker 8: the iHeartRadio app.

948
00:45:22,520 --> 00:45:24,920
Speaker 4: Are we doing songs with with states?

949
00:45:25,000 --> 00:45:26,120
Speaker 2: US States next week?

950
00:45:26,719 --> 00:45:30,960
Speaker 1: And then the following is going to be international countries States.

951
00:45:31,080 --> 00:45:33,440
Speaker 8: I love this travelogue that we're doing right here. I

952
00:45:33,440 --> 00:45:35,960
Speaker 8: think it's amazing. So next week songs with states and

953
00:45:36,000 --> 00:45:39,359
Speaker 8: the titles, and then the next week countries or cities.

954
00:45:39,080 --> 00:45:41,560
Speaker 2: Or internationals, continents, international.

955
00:45:41,120 --> 00:45:44,120
Speaker 3: And then I one with Planets, Venus and Mars by

956
00:45:44,160 --> 00:45:45,960
Speaker 3: Paul McCarthy Apps.

957
00:45:46,160 --> 00:45:48,640
Speaker 8: Could I love everything that we're talking about right now

958
00:45:48,760 --> 00:45:50,160
Speaker 8: and I'm one hundred percent on board.

959
00:45:50,160 --> 00:45:50,919
Speaker 4: We'll see you next week.

960
00:45:50,960 --> 00:45:53,680
Speaker 3: See then that's Brian over with Rock Talk, Mark Rose

961
00:45:53,719 --> 00:45:54,560
Speaker 3: and next year in the Fan

962
00:46:00,640 --> 00:46:04,000
Speaker 7: Yeah yeah,