1 00:00:00,360 --> 00:00:03,400 Speaker 1: It's KMF I Am six and you're listening to the 2 00:00:03,480 --> 00:00:09,080 Speaker 1: Conway Show on demand on the iHeartRadio app. Oh the 3 00:00:09,320 --> 00:00:12,000 Speaker 1: We're gonna have two football games on Sunday. The early 4 00:00:12,039 --> 00:00:16,880 Speaker 1: game is Denver versus Boston. It's New England Patriots in Denver, 5 00:00:17,320 --> 00:00:20,000 Speaker 1: and that game I think starts at noon, so you 6 00:00:20,079 --> 00:00:24,480 Speaker 1: gotta be prepared for an early start noon on Sunday. 7 00:00:24,720 --> 00:00:28,360 Speaker 1: And then the three thirty game is your Los Angeles 8 00:00:28,440 --> 00:00:34,599 Speaker 1: Rams against the Seattle Seahawks three thirty. So by seven o'clock, 9 00:00:35,240 --> 00:00:39,000 Speaker 1: six thirty, seven o'clock, we will know the two teams 10 00:00:39,600 --> 00:00:41,960 Speaker 1: they're gonna be playing in the Super Bowl. And Bellio 11 00:00:42,080 --> 00:00:44,440 Speaker 1: it might be Denver and Los Angeles. 12 00:00:45,200 --> 00:00:47,440 Speaker 2: You might have a that's what I'm hoping for. The 13 00:00:47,479 --> 00:00:49,560 Speaker 2: sure bet there. How cool would that be? Who would 14 00:00:49,560 --> 00:00:54,880 Speaker 2: you root for Denver? Yeah? Probably right, you know what 15 00:00:55,000 --> 00:00:58,400 Speaker 2: you should? No, but my heart is for Denver. But 16 00:00:58,640 --> 00:01:01,200 Speaker 2: obviously if they lost it, I feel great that LA one. 17 00:01:01,360 --> 00:01:03,480 Speaker 2: That's right, So it's a win win. Yes, you'd go 18 00:01:03,520 --> 00:01:06,759 Speaker 2: to the parade, wouldn't you? Absolutely? Yeah, in the valley. 19 00:01:07,480 --> 00:01:08,559 Speaker 2: It's not gonna be in the valley. 20 00:01:08,600 --> 00:01:10,280 Speaker 1: Now, I think they're gonna have it in the city 21 00:01:10,280 --> 00:01:11,880 Speaker 1: of la which is kind of dumb. 22 00:01:12,120 --> 00:01:13,240 Speaker 2: They should have it in the valley. 23 00:01:14,080 --> 00:01:17,360 Speaker 1: You know, that's where the fans live, the Rams fans, 24 00:01:17,640 --> 00:01:20,560 Speaker 1: they're all they all live in the valley. 25 00:01:21,000 --> 00:01:24,760 Speaker 2: Of them live in the valley. All right, this is interesting. Yelp. 26 00:01:24,880 --> 00:01:28,399 Speaker 1: Everybody uses yelp now and they've just announced their one 27 00:01:28,520 --> 00:01:32,679 Speaker 1: hundred places to eat and Southern California. Right here, we 28 00:01:32,720 --> 00:01:34,520 Speaker 1: have seven on the list. 29 00:01:34,880 --> 00:01:35,240 Speaker 2: Seven. 30 00:01:36,000 --> 00:01:38,440 Speaker 1: Find out where these joints are its, go out and 31 00:01:38,480 --> 00:01:40,720 Speaker 1: investigate them. 32 00:01:40,880 --> 00:01:44,280 Speaker 3: The sizzling sound from inside and Them Kitchen is music 33 00:01:44,319 --> 00:01:47,000 Speaker 3: to the ears of customers who flock to the popular 34 00:01:47,160 --> 00:01:49,920 Speaker 3: Vietnamese Peruvian fusion restaurant in Guardina. 35 00:01:50,080 --> 00:01:52,480 Speaker 4: You will feel like a home made fruit instead of 36 00:01:52,680 --> 00:01:54,080 Speaker 4: like going out to a restaurant. 37 00:01:54,400 --> 00:01:57,559 Speaker 3: Owner Tyler Wynn, is proud of the authentic meals they serve. 38 00:01:58,080 --> 00:02:00,680 Speaker 4: Is feel like you're going home, coming home, because we 39 00:02:00,720 --> 00:02:04,360 Speaker 4: serve you what we love. And when you came here, 40 00:02:04,400 --> 00:02:05,880 Speaker 4: you will feel like you picking kay off. 41 00:02:06,160 --> 00:02:09,560 Speaker 3: Around lunch and dinner time, every table in the restaurant 42 00:02:09,720 --> 00:02:10,240 Speaker 3: is taken. 43 00:02:10,400 --> 00:02:12,720 Speaker 2: Wow. Man, that guy's knocking it out. Dinner, I mean, 44 00:02:12,840 --> 00:02:14,040 Speaker 2: lunch is full. Wow. 45 00:02:14,480 --> 00:02:15,480 Speaker 5: We come here at. 46 00:02:15,520 --> 00:02:19,560 Speaker 3: Least like once a month and food's always consistent, it's 47 00:02:19,560 --> 00:02:24,040 Speaker 3: always fresh, always tastes good. So that's what keeps. 48 00:02:23,840 --> 00:02:24,480 Speaker 4: Us coming back. 49 00:02:25,080 --> 00:02:28,760 Speaker 2: She likes the food, she likes the prices. 50 00:02:28,919 --> 00:02:32,280 Speaker 3: Now Nom Kitchen has earned the number three spot on 51 00:02:32,360 --> 00:02:36,480 Speaker 3: Yelp's thirteenth annual list of the one hundred best US restaurants. 52 00:02:36,600 --> 00:02:40,760 Speaker 4: They have a stunning sixteen hundred five star reviews on Yelp. 53 00:02:41,080 --> 00:02:43,800 Speaker 5: They have lines out the door, and they're creating something 54 00:02:43,880 --> 00:02:46,520 Speaker 5: unique with this modern Asian fusion of They. 55 00:02:46,440 --> 00:02:48,919 Speaker 1: Gotta open another restaurant though, if you're full for lunch 56 00:02:48,919 --> 00:02:50,600 Speaker 1: and dinner and you have months to wait to get 57 00:02:50,639 --> 00:02:52,280 Speaker 1: in there, you gotta open all the one Vietnamese and 58 00:02:52,320 --> 00:02:53,200 Speaker 1: Pruvian flavors. 59 00:02:53,440 --> 00:02:55,800 Speaker 3: The restaurant made it on the list based off the 60 00:02:55,840 --> 00:02:58,239 Speaker 3: Yelp community's highest reviewed restaurants. 61 00:02:58,680 --> 00:03:02,120 Speaker 4: The mechanicians really give us a lot of motivation to 62 00:03:02,320 --> 00:03:05,720 Speaker 4: keep on looking hard, keep on growing and improving, to 63 00:03:05,800 --> 00:03:07,280 Speaker 4: continue serving our community. 64 00:03:07,520 --> 00:03:09,840 Speaker 1: And what's the name of the restaurant, Nam or Nam? 65 00:03:10,200 --> 00:03:12,200 Speaker 1: I think he said it at the beginning. Let me 66 00:03:12,840 --> 00:03:15,280 Speaker 1: go back here and see if I can find that. 67 00:03:17,720 --> 00:03:18,960 Speaker 1: Let's get the name of this joint. 68 00:03:19,720 --> 00:03:22,720 Speaker 3: The sizzling sound from inside Nam Kitchen. 69 00:03:22,639 --> 00:03:26,280 Speaker 1: Nam kitchen Nam like short for Vietnam, you know, like 70 00:03:26,320 --> 00:03:30,640 Speaker 1: some people say that Vietnam Nam kitchen kicking ass. 71 00:03:31,639 --> 00:03:34,119 Speaker 3: We're just grateful for the love his customers show him 72 00:03:34,280 --> 00:03:37,280 Speaker 3: and wants to continue dishing out drool worthy meals that 73 00:03:37,440 --> 00:03:38,640 Speaker 3: keep them coming back. 74 00:03:39,040 --> 00:03:41,440 Speaker 4: I read it every day, you know, after the walk, 75 00:03:42,080 --> 00:03:43,840 Speaker 4: and I think a lot of hours team will do 76 00:03:43,840 --> 00:03:47,160 Speaker 4: the same thing. And there are you know, review from 77 00:03:47,160 --> 00:03:49,720 Speaker 4: customo that they come here three fault times the weeks 78 00:03:49,760 --> 00:03:51,480 Speaker 4: and they see it as their family. 79 00:03:51,640 --> 00:03:55,200 Speaker 3: David Gonzalez ABC seven Eye Witness News Krozer, you. 80 00:03:55,160 --> 00:03:58,120 Speaker 1: Seem like a guy who is you always investigate other foods. 81 00:03:58,200 --> 00:03:59,480 Speaker 1: Are you into Vietnamese food? 82 00:04:00,120 --> 00:04:02,000 Speaker 6: It? To me, it's not too familiar with it. 83 00:04:02,080 --> 00:04:04,920 Speaker 2: But what I've had I do like, is there Vietnamese 84 00:04:04,920 --> 00:04:08,160 Speaker 2: place in Montclaire Claremont. 85 00:04:08,240 --> 00:04:10,560 Speaker 6: I don't know about Montclair, but there isn't one in Claremont. 86 00:04:10,600 --> 00:04:12,640 Speaker 6: There's not one, No, not that I'm aware of. Yeah, 87 00:04:12,920 --> 00:04:16,680 Speaker 6: it's a Peruvian place, though I bet Claremont is a 88 00:04:16,720 --> 00:04:20,880 Speaker 6: lot of like burgers and fries and steaks and potatoes. 89 00:04:21,480 --> 00:04:24,120 Speaker 2: They got a really good variety. 90 00:04:24,200 --> 00:04:26,919 Speaker 6: Especially lately, literally in the last like six months, there 91 00:04:26,920 --> 00:04:28,719 Speaker 6: have been multiple places that have opened up a great 92 00:04:29,320 --> 00:04:35,000 Speaker 6: a great Indian place that just opened up, great Asian 93 00:04:35,040 --> 00:04:37,160 Speaker 6: food place, a lot of wantons and stuff like that, right, 94 00:04:37,240 --> 00:04:40,880 Speaker 6: and then it cuts uh, what's the place where like 95 00:04:40,880 --> 00:04:44,479 Speaker 6: the little grilled skewers that they get. Yeah, yeah, like Kayakaya, 96 00:04:44,520 --> 00:04:46,920 Speaker 6: it's that. And then they did open up just the 97 00:04:46,920 --> 00:04:48,960 Speaker 6: beginning of the year a place called Finney's, which is 98 00:04:49,000 --> 00:04:50,640 Speaker 6: a chain. There's about fifteen or twenty of them, and 99 00:04:50,680 --> 00:04:55,160 Speaker 6: it's a it's a sports barger place, so good. All 100 00:04:55,200 --> 00:04:57,560 Speaker 6: of the food there is incredibly fresh. It's none of 101 00:04:57,600 --> 00:04:59,680 Speaker 6: it's frozen and everything we've had their spantastic. 102 00:04:59,320 --> 00:05:01,680 Speaker 1: A lot of tap beer too, they got a whole 103 00:05:01,720 --> 00:05:04,159 Speaker 1: all of them. Yeah, Bell, Yo, you live in a 104 00:05:04,160 --> 00:05:06,480 Speaker 1: wealthy area. I know you're not knocking out, but you 105 00:05:06,520 --> 00:05:08,919 Speaker 1: live in a wealthy area, and so I bet there 106 00:05:08,920 --> 00:05:11,520 Speaker 1: are a lot of great restaurants around. 107 00:05:12,200 --> 00:05:15,200 Speaker 7: He's laughing at me because. 108 00:05:16,520 --> 00:05:18,560 Speaker 2: Because you mean, why not, how. 109 00:05:18,480 --> 00:05:21,800 Speaker 7: Does that mean you live near good restaurants? The part 110 00:05:21,880 --> 00:05:26,800 Speaker 7: before that, Oh, you're not knocking it out, but we 111 00:05:26,920 --> 00:05:29,160 Speaker 7: have so many restaurants. 112 00:05:28,800 --> 00:05:31,520 Speaker 1: Because because rich people don't eat crap, And so I 113 00:05:31,520 --> 00:05:33,320 Speaker 1: bet you've got a lot of great restaurants. 114 00:05:32,920 --> 00:05:36,760 Speaker 2: Around you I do. We do. They're amazing, They're delicious, 115 00:05:36,880 --> 00:05:39,280 Speaker 2: and you walk your dog by them and just look 116 00:05:39,320 --> 00:05:43,400 Speaker 2: in the window. No, don't do that. Are you live walking? 117 00:05:43,400 --> 00:05:45,320 Speaker 2: Disnto any good restaurants? No? 118 00:05:45,600 --> 00:05:48,320 Speaker 1: Really, you gotta get in the car every time. Yeah, 119 00:05:48,360 --> 00:05:51,080 Speaker 1: it's of course Dominoes. 120 00:05:52,160 --> 00:05:52,920 Speaker 2: I like to call it. 121 00:05:52,960 --> 00:05:58,320 Speaker 7: Dominos by Domino. 122 00:05:58,720 --> 00:06:03,960 Speaker 1: I love Demonomanios. Now, I guess I live close to 123 00:06:04,200 --> 00:06:06,120 Speaker 1: tally Rand. I guess I could walk there if I, 124 00:06:06,320 --> 00:06:09,000 Speaker 1: you know, had to high tail it. But I wouldn't 125 00:06:09,040 --> 00:06:12,800 Speaker 1: consider that cuisine. I wouldn't, you know. It's sort of you. 126 00:06:12,760 --> 00:06:15,680 Speaker 2: Know, just I love their case. It is really good 127 00:06:16,120 --> 00:06:18,120 Speaker 2: that it is terrific. All right. 128 00:06:18,240 --> 00:06:21,440 Speaker 1: Warner Brothers is still the big story going around. When 129 00:06:21,640 --> 00:06:23,520 Speaker 1: is that sale going to close? Are they going to 130 00:06:23,640 --> 00:06:27,120 Speaker 1: sell it to Netflix? Will somebody come in with a 131 00:06:27,200 --> 00:06:30,160 Speaker 1: last minute cash offer? I don't know, let's find out. 132 00:06:30,200 --> 00:06:34,400 Speaker 1: I think Netflix is offering all cash. Remember Netflix about 133 00:06:34,400 --> 00:06:36,600 Speaker 1: a year ago, so they had to raise the prices 134 00:06:36,760 --> 00:06:39,000 Speaker 1: because they were running out of money. Well now they 135 00:06:39,080 --> 00:06:41,760 Speaker 1: have eighty five billion dollars in cash. 136 00:06:42,279 --> 00:06:45,200 Speaker 8: Cash Air Amount is not giving up a fight over 137 00:06:45,400 --> 00:06:48,799 Speaker 8: Warner Brothers. The studio has extended its deadline for Warner 138 00:06:48,839 --> 00:06:53,120 Speaker 8: Brothers Discovery shareholders to February twentieth, is asking shareholders to 139 00:06:53,160 --> 00:06:56,880 Speaker 8: reject Netflix's proposed to merger with Warner Brothers. Earlier this week, 140 00:06:57,000 --> 00:06:59,640 Speaker 8: Netflix amended its Warner Brothers offer to an all cash 141 00:06:59,720 --> 00:07:03,640 Speaker 8: deal valued at more than eighty three billion dollars. Warner 142 00:07:03,680 --> 00:07:07,480 Speaker 8: Brothers has asked to shareholders to reject paramounts offer. 143 00:07:07,800 --> 00:07:10,600 Speaker 1: So Netflix has I think three hundred and fifty million 144 00:07:11,040 --> 00:07:15,880 Speaker 1: monthly subscribers. It's an astronomical number. So they have I 145 00:07:15,880 --> 00:07:20,080 Speaker 1: think it's three hundred and fifty million, and if everyone's paying, 146 00:07:20,960 --> 00:07:24,239 Speaker 1: let me get the calculator round here. What does Netflix cost? 147 00:07:25,000 --> 00:07:27,080 Speaker 1: Is it eighteen bucks a month? Yeah? 148 00:07:27,360 --> 00:07:28,000 Speaker 4: Twenty bucks? 149 00:07:28,000 --> 00:07:31,800 Speaker 2: Twenty bucks? Okay, depends on the tier adds that type 150 00:07:31,800 --> 00:07:32,160 Speaker 2: of stuff. 151 00:07:32,200 --> 00:07:36,000 Speaker 1: All right, So three hundred and fifty million, and let's 152 00:07:36,000 --> 00:07:41,600 Speaker 1: say nineteen dollars. Multiply by nineteen, so they're making six 153 00:07:41,680 --> 00:07:46,280 Speaker 1: point six billion dollars a month off subscribers, and then 154 00:07:46,400 --> 00:07:52,440 Speaker 1: multiply that by twelve and annually, just off the subscribers, 155 00:07:52,480 --> 00:07:59,680 Speaker 1: they're making seventy nine billion dollars a year. Seventy nine billion. 156 00:08:01,400 --> 00:08:01,880 Speaker 2: A year. 157 00:08:02,560 --> 00:08:05,720 Speaker 1: That's incredible. I mean, they can they can buy Warner 158 00:08:05,760 --> 00:08:11,640 Speaker 1: Brothers for cash. They're offering him cash eighty four billion 159 00:08:11,680 --> 00:08:14,400 Speaker 1: dollars or eighty three and a half billion dollars in cash. No, 160 00:08:14,480 --> 00:08:17,000 Speaker 1: it's crazy, all right, welcome back. Dean Sharp is with 161 00:08:17,160 --> 00:08:22,200 Speaker 1: us the house Whisperer, and. 162 00:08:20,720 --> 00:08:21,760 Speaker 2: We will talk him. 163 00:08:22,400 --> 00:08:25,080 Speaker 1: I think about bedrooms, yeah, yes, yes, yes, yes, Like 164 00:08:25,120 --> 00:08:27,440 Speaker 1: what is the bedroom for I get sleeping? 165 00:08:28,440 --> 00:08:31,600 Speaker 9: You're listening to Tim Conway Junior on de Mayo from 166 00:08:31,680 --> 00:08:33,480 Speaker 9: KFI AM six forty. 167 00:08:35,040 --> 00:08:39,959 Speaker 1: Dean Sharp is on every Saturday from a six am 168 00:08:40,000 --> 00:08:42,440 Speaker 1: to eight am, and then every Sunday from nine am 169 00:08:42,520 --> 00:08:45,720 Speaker 1: until noon, and he joins us every Thursday a little 170 00:08:45,760 --> 00:08:48,000 Speaker 1: after six. Do you know how you bub here? 171 00:08:48,080 --> 00:08:48,400 Speaker 2: I am. 172 00:08:48,480 --> 00:08:51,400 Speaker 1: I'm doing good, kicking ass in life. Huh yeah, I'm trying. 173 00:08:51,520 --> 00:08:54,720 Speaker 2: Yeah, good for you. Somebody's asses getting kicked. That's right. 174 00:08:55,240 --> 00:08:59,400 Speaker 1: Hey, let's talk bedrooms today. I got a lot of 175 00:08:59,480 --> 00:09:03,160 Speaker 1: questions for when it comes to a bedrooms. My friends 176 00:09:03,320 --> 00:09:10,080 Speaker 1: think I'm crazy because I have a mini fridge in 177 00:09:10,080 --> 00:09:13,800 Speaker 1: the bedroom. Okay, okay, I keep beer in there and 178 00:09:13,880 --> 00:09:16,960 Speaker 1: water oka and so when i'm you know, when I 179 00:09:17,000 --> 00:09:18,800 Speaker 1: wake up on Saturday night and I get and I 180 00:09:18,840 --> 00:09:21,840 Speaker 1: want to get really drunk before like eight am. I 181 00:09:21,920 --> 00:09:24,240 Speaker 1: just don't pop open the fridge and start drinking gin 182 00:09:24,559 --> 00:09:27,880 Speaker 1: and vodka and beer like six thirty in the morning. 183 00:09:27,920 --> 00:09:30,720 Speaker 1: Is that a problem? Are you gonna judge me? Well, 184 00:09:30,760 --> 00:09:32,840 Speaker 1: I'm not sure it's a problem. I'm not sure the 185 00:09:32,880 --> 00:09:36,560 Speaker 1: fridge is the problem. I think I think you have 186 00:09:36,600 --> 00:09:40,360 Speaker 1: a problem. Why it's not big enough? You go with 187 00:09:40,360 --> 00:09:43,960 Speaker 1: the regular size standardized. So seriously, do you have a 188 00:09:43,960 --> 00:09:44,920 Speaker 1: mini fridge in the bedroom? 189 00:09:45,000 --> 00:09:46,679 Speaker 2: I do, but just water? 190 00:09:47,320 --> 00:09:49,720 Speaker 1: Oh water, Yeah, I love cold water, and I don't 191 00:09:49,760 --> 00:09:52,400 Speaker 1: like going downstairs or down to get any I just 192 00:09:52,440 --> 00:09:53,840 Speaker 1: like you, just well, you just want to reach in 193 00:09:53,880 --> 00:09:56,079 Speaker 1: there and grab a bottle of water right out getting 194 00:09:56,120 --> 00:09:58,280 Speaker 1: out of bed. The problem is, though, when you pour 195 00:09:58,320 --> 00:10:00,440 Speaker 1: it all over your side. The problem is when it 196 00:10:00,480 --> 00:10:02,400 Speaker 1: freezes up and I have to defrost it. I got 197 00:10:02,400 --> 00:10:04,000 Speaker 1: to take it outside to do that, and it's heavy 198 00:10:04,040 --> 00:10:04,920 Speaker 1: and it's pain in the Is. 199 00:10:05,480 --> 00:10:08,400 Speaker 2: You actually have a mini fridge that is so old 200 00:10:08,440 --> 00:10:11,319 Speaker 2: it needs to be defrost it's the problem, Jim. 201 00:10:11,400 --> 00:10:13,520 Speaker 1: We have one here at the at the office too, 202 00:10:13,559 --> 00:10:15,760 Speaker 1: and at defrosted and got all the carpet web So 203 00:10:16,040 --> 00:10:16,480 Speaker 1: it's a bad. 204 00:10:17,280 --> 00:10:19,600 Speaker 2: Yeah, we got to step up your fridge game. 205 00:10:19,679 --> 00:10:21,560 Speaker 1: Okay, let me ask you something else, and then we'll 206 00:10:21,559 --> 00:10:24,560 Speaker 1: get into your knowledge about bedrooms. What about I have 207 00:10:24,679 --> 00:10:28,200 Speaker 1: really thick curtains so I can make it almost pitch 208 00:10:28,320 --> 00:10:29,280 Speaker 1: dark in the bedroom. 209 00:10:29,400 --> 00:10:32,360 Speaker 2: Is that good or bad? Can be great? It depends 210 00:10:32,400 --> 00:10:36,080 Speaker 2: on you know, whoever is sleeping needs whatever they are, Yeah, blackout, 211 00:10:36,120 --> 00:10:38,640 Speaker 2: blackout blinds. They don't have to be really thick, by 212 00:10:38,679 --> 00:10:41,360 Speaker 2: the way, Oh really f y I okay, well I 213 00:10:41,440 --> 00:10:44,640 Speaker 2: used to buy those paper ones. Remember those paper ones, 214 00:10:45,040 --> 00:10:48,400 Speaker 2: the self adhesive, and they're just really crappy. 215 00:10:48,640 --> 00:10:48,720 Speaker 4: No. 216 00:10:48,840 --> 00:10:50,760 Speaker 2: I just want everybody to know that regards. You know, 217 00:10:50,800 --> 00:10:52,680 Speaker 2: if you don't want curtains in your room, that's fine, 218 00:10:52,679 --> 00:10:54,800 Speaker 2: you can still black out the room, or if you 219 00:10:54,840 --> 00:10:57,240 Speaker 2: want very lacy, you know, whatever, whatever you want to 220 00:10:57,280 --> 00:10:59,440 Speaker 2: do with the window treatment. The fact is we can 221 00:10:59,440 --> 00:11:04,120 Speaker 2: put roller shades inside the window box that are blackout 222 00:11:04,200 --> 00:11:07,480 Speaker 2: roller shades the blackout yeah yeah, And and so we 223 00:11:07,520 --> 00:11:09,840 Speaker 2: can get the blackout effect without having to have the 224 00:11:10,000 --> 00:11:13,600 Speaker 2: seventy five pound curtains that Tim has hanging up around 225 00:11:13,640 --> 00:11:14,199 Speaker 2: his windows. 226 00:11:14,280 --> 00:11:16,880 Speaker 1: I think what's also really important for a bedroom our 227 00:11:17,160 --> 00:11:17,880 Speaker 1: ceiling fans. 228 00:11:17,920 --> 00:11:22,880 Speaker 2: We have two of them. Uh yeah, I. I literally 229 00:11:22,880 --> 00:11:26,560 Speaker 2: you're batt in a thousand. But I literally, I literally avoid, 230 00:11:26,640 --> 00:11:30,720 Speaker 2: you know, like if if if for some reason, the 231 00:11:30,760 --> 00:11:34,240 Speaker 2: ac and the heating is so bad in your house, Okay, 232 00:11:35,000 --> 00:11:37,480 Speaker 2: I'll relent to a fan, but no light kit. By 233 00:11:37,520 --> 00:11:40,360 Speaker 2: the way, here's the thing. I don't wanna. I don't wanna, 234 00:11:40,640 --> 00:11:43,880 Speaker 2: you know, hang anything lower than an eight foot ceiling 235 00:11:44,080 --> 00:11:47,000 Speaker 2: already is right, just kind of lower the room. Now 236 00:11:47,120 --> 00:11:49,079 Speaker 2: over the bed, it's fine, you know, down at the 237 00:11:49,080 --> 00:11:50,800 Speaker 2: foot of the bed. Should be down at near the 238 00:11:50,800 --> 00:11:53,480 Speaker 2: foot of the bed, not directly over where your pillows are, 239 00:11:53,520 --> 00:11:54,080 Speaker 2: by the way. 240 00:11:54,440 --> 00:11:57,440 Speaker 1: Uh but uh, you know, fine, you're on the line. 241 00:11:57,720 --> 00:12:00,400 Speaker 1: I relent. I don't tear them out. Okay, you're onto something. 242 00:12:00,440 --> 00:12:03,920 Speaker 1: Because if I walk under the ceiling fans, the chains 243 00:12:04,000 --> 00:12:04,920 Speaker 1: hit my head. 244 00:12:04,960 --> 00:12:08,200 Speaker 2: There you go. Yeah, so you know the you know, 245 00:12:08,280 --> 00:12:10,960 Speaker 2: it's it's like this. The lowest hanging light in the 246 00:12:11,000 --> 00:12:12,920 Speaker 2: house that you're allowed to have should be over the 247 00:12:12,920 --> 00:12:14,120 Speaker 2: dining room table. Right. 248 00:12:14,120 --> 00:12:16,200 Speaker 1: Oh that's interesting, okay, because it's the table, and if 249 00:12:16,200 --> 00:12:18,280 Speaker 1: you took the table away, you're gonna hit your head 250 00:12:18,280 --> 00:12:22,520 Speaker 1: on the light, right right, So if it's over the bed, fine, okay, fine, 251 00:12:22,600 --> 00:12:26,600 Speaker 1: but it's not my first choice. Krozier has something that 252 00:12:26,679 --> 00:12:33,959 Speaker 1: I would love a bedroom fireplace. Oh yeah, that guy's 253 00:12:34,000 --> 00:12:35,000 Speaker 1: knock getting it out. 254 00:12:35,440 --> 00:12:39,080 Speaker 2: It gets some muse Yes, yeah. Is it high enough up, Mike? 255 00:12:39,200 --> 00:12:41,400 Speaker 2: Is it high enough up that that you know you 256 00:12:41,480 --> 00:12:43,440 Speaker 2: can you can see it when you're in bed. Oh 257 00:12:43,480 --> 00:12:43,920 Speaker 2: yeah yeah. 258 00:12:43,960 --> 00:12:48,199 Speaker 6: In fact, the mantle or the heart there down below, 259 00:12:48,440 --> 00:12:51,080 Speaker 6: that's actually raised about six inches above the floor as well. 260 00:12:51,280 --> 00:12:51,680 Speaker 2: That's cool. 261 00:12:51,840 --> 00:12:52,000 Speaker 9: Good. 262 00:12:52,480 --> 00:12:53,480 Speaker 2: Can you burn logs in it? 263 00:12:53,960 --> 00:12:57,160 Speaker 6: No, it's all it's all gas. I've got the glass 264 00:12:57,160 --> 00:12:58,200 Speaker 6: in there. It looks really cool. 265 00:12:58,600 --> 00:13:00,559 Speaker 2: Oh that's cool. Yeah. Yeah, I say, when you want 266 00:13:00,559 --> 00:13:02,320 Speaker 2: to put a fireplace in your bedroom, hey, get it 267 00:13:02,400 --> 00:13:04,480 Speaker 2: up there. Get it eighteen inches off the floor, so 268 00:13:04,480 --> 00:13:06,280 Speaker 2: that when you're laying in bed you actually see it 269 00:13:06,840 --> 00:13:08,680 Speaker 2: without having to sit up. And it's like, I know 270 00:13:08,720 --> 00:13:12,600 Speaker 2: it's glowing in here somewhere, I can feel it. That's 271 00:13:12,600 --> 00:13:13,760 Speaker 2: a cool deal though. 272 00:13:13,800 --> 00:13:15,280 Speaker 1: I mean, I think a lot of people when they 273 00:13:15,280 --> 00:13:17,520 Speaker 1: go when you go to sell your house, croser, I 274 00:13:17,559 --> 00:13:20,319 Speaker 1: think that is a very attractive feature. 275 00:13:21,240 --> 00:13:26,120 Speaker 6: Fireplace absolutely, And where we have the two chimneys, because 276 00:13:26,160 --> 00:13:29,440 Speaker 6: one of them has has a fireplace on the first 277 00:13:29,440 --> 00:13:31,720 Speaker 6: floor and one on the second floor. On one chimney, 278 00:13:31,960 --> 00:13:34,320 Speaker 6: that's all brick, and then the rest of the house. 279 00:13:34,320 --> 00:13:37,280 Speaker 6: We just got painted the exterior this week, and it's 280 00:13:37,360 --> 00:13:39,480 Speaker 6: just having that brick there in those fireplaces. Yeah, it 281 00:13:39,520 --> 00:13:41,679 Speaker 6: just makes a huge difference, especially in the value of 282 00:13:41,760 --> 00:13:42,120 Speaker 6: their house. 283 00:13:42,640 --> 00:13:45,520 Speaker 1: Dean, are you a fan of painting bricks like white 284 00:13:45,600 --> 00:13:48,720 Speaker 1: or gray outside or insun? I have no problem with 285 00:13:48,760 --> 00:13:52,080 Speaker 1: it if the bricks themselves don't go with your motif 286 00:13:52,200 --> 00:13:54,360 Speaker 1: or if they're messed up. Really, I really don't have 287 00:13:54,440 --> 00:13:54,960 Speaker 1: a problem with it. 288 00:13:54,960 --> 00:13:58,200 Speaker 2: But I love love whenever possible, man, I you know, 289 00:13:58,760 --> 00:14:01,439 Speaker 2: I just love the way that bricks look. So, you know, again, 290 00:14:01,480 --> 00:14:04,360 Speaker 2: I tried to avoid it, but you can't always rehab bricks. Yeah, 291 00:14:04,480 --> 00:14:06,120 Speaker 2: we didn't paint the bricks. It's all natural. 292 00:14:06,120 --> 00:14:07,600 Speaker 6: But that's the good part because the rest of the 293 00:14:07,600 --> 00:14:09,480 Speaker 6: house we just did basically kind of like a white 294 00:14:09,480 --> 00:14:12,440 Speaker 6: with black trims. So the brick really pops exactly like 295 00:14:12,520 --> 00:14:15,080 Speaker 6: Dean's saying, that natural aspect to it just pops. 296 00:14:15,160 --> 00:14:18,840 Speaker 2: But once you paint bricks there, you can never go back. Yeah, 297 00:14:19,000 --> 00:14:21,960 Speaker 2: sure you can't. Really you can sand blast it off. Yeah, yeah, 298 00:14:22,000 --> 00:14:25,240 Speaker 2: you can blast off, but you're gonna change again. You're 299 00:14:25,240 --> 00:14:27,680 Speaker 2: gonna change the surface texture of the brick. It's gonna 300 00:14:27,720 --> 00:14:30,320 Speaker 2: have that kind of spongy you know, it's not going 301 00:14:30,400 --> 00:14:34,040 Speaker 2: to have that smooth, slick surface anymore because the sand 302 00:14:34,040 --> 00:14:35,800 Speaker 2: blastings all right, etched the brick. 303 00:14:35,880 --> 00:14:37,680 Speaker 1: But I like that though. I like that that that 304 00:14:37,800 --> 00:14:40,880 Speaker 1: rough look on it though. Yeah, and what is this? 305 00:14:41,000 --> 00:14:43,480 Speaker 1: It says sneaking out of your bedroom should be easier 306 00:14:43,720 --> 00:14:44,400 Speaker 1: that I like that. 307 00:14:44,480 --> 00:14:47,520 Speaker 2: What does that mean? Oh? Okay from the notes? Yeah, 308 00:14:47,560 --> 00:14:50,280 Speaker 2: what oh? What did I mean by that? Oh? Here's 309 00:14:50,320 --> 00:14:53,560 Speaker 2: what I meant. Here's what I meant. Uh okay. So, 310 00:14:54,040 --> 00:14:58,280 Speaker 2: by the way, so Sunday we're gonna be talking about bedrooms, right, 311 00:14:58,640 --> 00:15:02,840 Speaker 2: the whole show bedrooms, And as I tend to do, 312 00:15:03,040 --> 00:15:07,000 Speaker 2: I want you to rethink just about everything about a bedroom. 313 00:15:07,040 --> 00:15:08,640 Speaker 2: Doesn't mean that we're going to change at all, just 314 00:15:08,880 --> 00:15:10,960 Speaker 2: means I want you to rethink it. One of the 315 00:15:11,000 --> 00:15:16,240 Speaker 2: things that I want everybody to understand about bedroom windows, right, 316 00:15:16,840 --> 00:15:20,720 Speaker 2: is that, in this designer's opinion, most bedroom windows should 317 00:15:20,720 --> 00:15:27,840 Speaker 2: be doors. Should be doors, including upstairs bedroom windows. You're like, wait, 318 00:15:28,000 --> 00:15:30,040 Speaker 2: there's no deck out there. Well, that's what we have 319 00:15:30,120 --> 00:15:34,000 Speaker 2: little Juliette balconies for. But here's the thing. What's the 320 00:15:34,040 --> 00:15:36,960 Speaker 2: first of all, imagine how do we have time for this? 321 00:15:37,040 --> 00:15:38,960 Speaker 2: Do we have to go to break? Let's go break 322 00:15:39,000 --> 00:15:42,920 Speaker 2: then come back. Well at least eight minutes. All right, 323 00:15:42,960 --> 00:15:44,560 Speaker 2: sounds good? Okay, all right, let's take a break and 324 00:15:44,600 --> 00:15:47,520 Speaker 2: come back with Dean Sharp. He's on every Saturday six 325 00:15:47,560 --> 00:15:50,400 Speaker 2: to eight am and then Sunday nine am until noon, 326 00:15:50,720 --> 00:15:53,600 Speaker 2: and this weekend all bedrooms. 327 00:15:53,040 --> 00:15:55,120 Speaker 1: For your bedroom nuts out there. It should be a 328 00:15:55,120 --> 00:15:56,600 Speaker 1: great Sunday program. 329 00:15:57,280 --> 00:16:01,000 Speaker 9: You're listening to Tim Conway Junior on demand from KFI 330 00:16:01,280 --> 00:16:02,320 Speaker 9: AM six forty. 331 00:16:03,440 --> 00:16:07,040 Speaker 1: Dean Sharp is on every Saturday six to eight am 332 00:16:07,200 --> 00:16:10,040 Speaker 1: and Sunday nine am until noon. Also on co Go 333 00:16:10,640 --> 00:16:15,200 Speaker 1: on Sunday, and he's gonna be talking bedrooms all Sunday. 334 00:16:15,280 --> 00:16:17,400 Speaker 1: So if you like bedrooms, or if you own one, 335 00:16:17,480 --> 00:16:19,680 Speaker 1: or if you have one, you got to tune the show. 336 00:16:19,680 --> 00:16:23,360 Speaker 2: And on Sunday. What were we talking about when last 337 00:16:23,440 --> 00:16:23,960 Speaker 2: we left you? 338 00:16:24,240 --> 00:16:24,560 Speaker 4: All right? 339 00:16:24,600 --> 00:16:27,400 Speaker 2: You asked me why did I write the notes sneaking 340 00:16:27,400 --> 00:16:30,600 Speaker 2: out of your bedrooms? And my answer to that is 341 00:16:30,600 --> 00:16:37,160 Speaker 2: because most bedroom windows can be and should be doors, Okay, 342 00:16:37,880 --> 00:16:39,680 Speaker 2: And what I mean by that is just this. You 343 00:16:39,720 --> 00:16:42,960 Speaker 2: get more light, you get more view, maybe more access. 344 00:16:43,000 --> 00:16:46,800 Speaker 2: So imagine that window in the bedroom and imagine instead 345 00:16:46,840 --> 00:16:49,720 Speaker 2: of the window, same width of the window. Okay, same thing. 346 00:16:50,080 --> 00:16:51,960 Speaker 2: Just imagine that thing going all the way to the 347 00:16:51,960 --> 00:16:54,040 Speaker 2: floor being a sliding glass door, or a pair of 348 00:16:54,080 --> 00:16:57,280 Speaker 2: French doors that open up. Okay, fereful. And if you're 349 00:16:57,320 --> 00:17:01,280 Speaker 2: imagining that, guess what that's exact exactly what's already in 350 00:17:01,400 --> 00:17:07,280 Speaker 2: the wall waiting for you. It really because all the 351 00:17:07,320 --> 00:17:09,680 Speaker 2: windows in a house, when a house is framed up, 352 00:17:10,080 --> 00:17:14,880 Speaker 2: are first doorways. They're framed up exactly the way all 353 00:17:14,960 --> 00:17:17,720 Speaker 2: the doors in the house are framed up. The studs 354 00:17:17,760 --> 00:17:19,840 Speaker 2: go all the way to the floor. The header that's 355 00:17:19,920 --> 00:17:22,600 Speaker 2: running across that big piece of wood, that beam, it's 356 00:17:22,640 --> 00:17:24,919 Speaker 2: holding up, it's doing all the work of holding up 357 00:17:24,960 --> 00:17:27,879 Speaker 2: everything it needs to hold up. So that little piece 358 00:17:27,880 --> 00:17:32,440 Speaker 2: of wall underneath the window is doing nothing structural. It's 359 00:17:32,440 --> 00:17:35,080 Speaker 2: barely even holding up the window. It's just filling in 360 00:17:35,160 --> 00:17:38,080 Speaker 2: the hole in between the window and the floor. That means, 361 00:17:38,160 --> 00:17:42,199 Speaker 2: without even altering the structure of that without calling the 362 00:17:42,240 --> 00:17:46,840 Speaker 2: structural engineer, that section of wall that's beneath that window 363 00:17:46,840 --> 00:17:49,760 Speaker 2: can be removed and that window can become a door, 364 00:17:49,760 --> 00:17:53,080 Speaker 2: and you've in no way changed any wow structural about 365 00:17:53,080 --> 00:17:57,720 Speaker 2: the house whatsoever. But what you've gained more light, better view, 366 00:17:57,840 --> 00:18:02,240 Speaker 2: and maybe especially on first floor rooms, access out into 367 00:18:02,240 --> 00:18:05,200 Speaker 2: the yard, which means you can alter landscaping. Maybe that 368 00:18:05,240 --> 00:18:08,720 Speaker 2: bedroom gets its own little patio deck out there. Maybe 369 00:18:08,760 --> 00:18:11,520 Speaker 2: it's get its own little bit of garden. The possibilities 370 00:18:11,640 --> 00:18:17,080 Speaker 2: just begin falling like dominoes once you've reoriented windows to doors. 371 00:18:17,240 --> 00:18:19,440 Speaker 1: Is it for any window, like we have a window 372 00:18:19,480 --> 00:18:24,000 Speaker 1: that's probably nine feet wide, you could stick a door 373 00:18:24,040 --> 00:18:27,000 Speaker 1: in there easily. Heck yeah, because the header that's over 374 00:18:27,040 --> 00:18:30,399 Speaker 1: that window is already doing all the work. There'd be 375 00:18:30,480 --> 00:18:33,560 Speaker 1: no change. Okay, whatsoever, You just take out that now 376 00:18:33,800 --> 00:18:36,159 Speaker 1: here before you grab your saws, af t them and 377 00:18:36,200 --> 00:18:37,760 Speaker 1: go home and just cut all right. 378 00:18:38,000 --> 00:18:40,520 Speaker 2: There may be there may be. You know, if there's 379 00:18:40,520 --> 00:18:43,800 Speaker 2: an electrical outlet below the window anywhere, that means that 380 00:18:43,840 --> 00:18:46,119 Speaker 2: there's electricity running through there, so you're gonna have to 381 00:18:46,119 --> 00:18:48,720 Speaker 2: reroute the electrical don't cut through it. Okay. But apart 382 00:18:48,720 --> 00:18:51,600 Speaker 2: from that, and that's easy. Apart from that, that little 383 00:18:51,600 --> 00:18:54,159 Speaker 2: piece of wall or that nine foot wide whatever it 384 00:18:54,240 --> 00:18:58,119 Speaker 2: is underneath the window, it is a non structural piece 385 00:18:58,280 --> 00:19:01,439 Speaker 2: of exterior wall. It can just come out. That's great 386 00:19:01,560 --> 00:19:04,840 Speaker 2: piece of information. I don't think I'll at ninety percent 387 00:19:04,880 --> 00:19:08,160 Speaker 2: of the people listening, maybe ninety five percent never knew 388 00:19:08,600 --> 00:19:11,760 Speaker 2: that your every window in your house is ready to 389 00:19:11,800 --> 00:19:16,320 Speaker 2: be a door. Yeah, it was a door first because 390 00:19:16,320 --> 00:19:18,719 Speaker 2: when the framers came along. It's what I started in 391 00:19:18,720 --> 00:19:21,600 Speaker 2: this industry doing. When the framers came along and raised 392 00:19:21,680 --> 00:19:24,399 Speaker 2: those walls, we didn't bother cutting in those little cripple 393 00:19:24,440 --> 00:19:28,359 Speaker 2: walls underneath the window. We just set the headers raised 394 00:19:28,359 --> 00:19:30,320 Speaker 2: them all. So if you had come to the job 395 00:19:30,400 --> 00:19:33,320 Speaker 2: site that day when all the first floor walls went up, 396 00:19:33,359 --> 00:19:36,000 Speaker 2: you'd be saying, wow, this house has a lot of 397 00:19:36,000 --> 00:19:39,280 Speaker 2: doors and no windows because you just see all those openings. 398 00:19:39,400 --> 00:19:42,000 Speaker 2: It's another crew that comes along afterwards and builds in 399 00:19:42,080 --> 00:19:45,600 Speaker 2: those little walls, meaning they're tagged on after the fact 400 00:19:45,680 --> 00:19:48,119 Speaker 2: and they can be removed just as easily. That is 401 00:19:48,160 --> 00:19:53,040 Speaker 2: great information, that really is. You'll enjoy this because you 402 00:19:53,160 --> 00:19:56,320 Speaker 2: are in this business. But when we lived in Tarzana, 403 00:19:56,359 --> 00:19:58,119 Speaker 2: we lived in house I think it was built in 404 00:19:58,160 --> 00:20:02,840 Speaker 2: the nineteen four the fifties, and I went to change 405 00:20:03,000 --> 00:20:05,600 Speaker 2: one of the one of the outlets or one of 406 00:20:05,600 --> 00:20:10,520 Speaker 2: the switches was broken, and it just you know, sometimes 407 00:20:10,520 --> 00:20:12,400 Speaker 2: the light would go on sometimes it wouldn't, so I'd 408 00:20:12,400 --> 00:20:15,359 Speaker 2: just switch out a wall switch. So I take it off, 409 00:20:16,000 --> 00:20:18,640 Speaker 2: and it's a three way switch, which is a little 410 00:20:18,680 --> 00:20:22,520 Speaker 2: more complicated than just a standard one. And all three 411 00:20:22,800 --> 00:20:25,719 Speaker 2: of the wires that go into that three way switch 412 00:20:26,200 --> 00:20:33,320 Speaker 2: we're all black. He did the whole house with one color. Now, 413 00:20:33,640 --> 00:20:36,280 Speaker 2: so then I've got to run current through each you know, 414 00:20:36,760 --> 00:20:38,840 Speaker 2: through each wire to figure out where it ends up. 415 00:20:39,000 --> 00:20:40,720 Speaker 2: And it was a pain in the ass. Yeah, So 416 00:20:40,840 --> 00:20:43,520 Speaker 2: here you bring up a good point. Uh. You know, 417 00:20:43,560 --> 00:20:47,560 Speaker 2: I'm all for homeowners redoing switches if they've got those 418 00:20:47,640 --> 00:20:51,199 Speaker 2: DIY skills. But here's the critical thing. You just need this. 419 00:20:51,560 --> 00:20:53,359 Speaker 2: I do this. I do it because I don't want 420 00:20:53,400 --> 00:20:56,160 Speaker 2: to think about it. Okay, you take off the switch plate, 421 00:20:56,480 --> 00:21:00,560 Speaker 2: you power off by the way first, sure, all right, uh, 422 00:21:00,680 --> 00:21:02,800 Speaker 2: knowing that it's dead, knowing there's no power, take off 423 00:21:02,840 --> 00:21:05,440 Speaker 2: the switch, bake, Just pull the switch out, don't disconnect 424 00:21:05,440 --> 00:21:07,639 Speaker 2: any wires, and then pull that phone out of your 425 00:21:07,680 --> 00:21:11,160 Speaker 2: pocket and take a photo of what wire I'm going 426 00:21:11,240 --> 00:21:13,959 Speaker 2: to you know what terminal. You could even wrap some 427 00:21:14,040 --> 00:21:17,400 Speaker 2: tape around each one of them. Don't trust it, just 428 00:21:17,400 --> 00:21:20,520 Speaker 2: just record it before you disconnect them. And then you 429 00:21:20,560 --> 00:21:22,359 Speaker 2: won't be lost when you put the new switch on. 430 00:21:22,480 --> 00:21:27,480 Speaker 1: Okay, I'm gonna say this, and you're gonna probably call 431 00:21:27,560 --> 00:21:30,520 Speaker 1: me a liar, But I know you well enough that 432 00:21:30,640 --> 00:21:33,040 Speaker 1: you said turn the power off for the audience. 433 00:21:33,160 --> 00:21:40,840 Speaker 2: But you don't do that. I might. There's no way 434 00:21:40,880 --> 00:21:43,119 Speaker 2: you do that. There's no way you're going back and 435 00:21:43,160 --> 00:21:46,800 Speaker 2: forth all the time. It's possible. 436 00:21:48,920 --> 00:21:50,879 Speaker 1: My dad used to do that where he had never 437 00:21:50,920 --> 00:21:52,560 Speaker 1: shut the power off when he worked on the house, 438 00:21:52,760 --> 00:21:56,920 Speaker 1: and every couple of years, bang, you know, i'd be up. 439 00:21:57,240 --> 00:21:59,679 Speaker 2: You know, you catch one, I'll just tell you this. 440 00:21:59,840 --> 00:22:05,040 Speaker 2: You know Acuer does that too, one hundred and twenty volts, 441 00:22:06,320 --> 00:22:09,080 Speaker 2: you know, fifteen amps. It's not so bad. It's not 442 00:22:09,119 --> 00:22:12,080 Speaker 2: gonna grab you. Yeah, yeah, we'll grab you know what. 443 00:22:12,400 --> 00:22:14,040 Speaker 2: It might grab you for a second, then it lets 444 00:22:14,040 --> 00:22:16,200 Speaker 2: you go, right. But what grabs you permanently is it 445 00:22:16,280 --> 00:22:19,439 Speaker 2: two twenty. It's not even the voltage, not even the 446 00:22:19,440 --> 00:22:22,160 Speaker 2: two twenty. It's the amperage. Oh I do you get 447 00:22:22,200 --> 00:22:25,679 Speaker 2: thirty forty fifty amps? You're done. You're done because you 448 00:22:25,720 --> 00:22:29,040 Speaker 2: can't let it go then, like that's like making love 449 00:22:29,080 --> 00:22:33,119 Speaker 2: to a gorilla. You're done. When she says she done, 450 00:22:37,560 --> 00:22:38,440 Speaker 2: that's awesome. 451 00:22:38,880 --> 00:22:42,919 Speaker 1: What about the you know, I think everybody is fifty 452 00:22:42,920 --> 00:22:44,760 Speaker 1: to fifty on this and then they all lie and 453 00:22:44,800 --> 00:22:50,280 Speaker 1: they do it anyway, A TV in the bedroom. 454 00:22:48,840 --> 00:22:50,879 Speaker 2: You know what, that's part of what we're talking about. 455 00:22:50,880 --> 00:22:54,320 Speaker 2: Oh good, okay, this weekend, Tina and I do not 456 00:22:54,400 --> 00:22:58,720 Speaker 2: have a TV, and really ishh yesh okay, We'll go 457 00:22:58,800 --> 00:23:00,800 Speaker 2: to bed and you know, there's that wind down time 458 00:23:00,840 --> 00:23:02,919 Speaker 2: where you you know, you get tired, you fall asleep 459 00:23:02,960 --> 00:23:04,520 Speaker 2: out in the living room. You're like, oh, let's go 460 00:23:04,560 --> 00:23:05,800 Speaker 2: to bed, and then we go to bed and all 461 00:23:05,800 --> 00:23:08,879 Speaker 2: of a sudden, you're awake again, like fifteen minutes. So 462 00:23:08,920 --> 00:23:12,000 Speaker 2: I've got a little iPad on the nightstand that you know, 463 00:23:12,440 --> 00:23:16,760 Speaker 2: essentially functions as my TV, and uh and and she's 464 00:23:16,840 --> 00:23:19,320 Speaker 2: like playing Majong on her phone or something like that. 465 00:23:19,400 --> 00:23:23,320 Speaker 2: So so the point is we do not watch TV 466 00:23:23,480 --> 00:23:25,159 Speaker 2: in the bedroom. Like we're not going to stay in 467 00:23:25,200 --> 00:23:28,159 Speaker 2: bed on a Saturday morning and watch a game or 468 00:23:28,280 --> 00:23:33,960 Speaker 2: do whatever. Uh, set to a timer and where I need. 469 00:23:34,240 --> 00:23:36,480 Speaker 2: So I need the TV and a cup and I 470 00:23:36,560 --> 00:23:40,239 Speaker 2: just replace those nightstands with many fridges. You're telling me 471 00:23:40,280 --> 00:23:41,280 Speaker 2: my life will change, right. 472 00:23:42,119 --> 00:23:43,879 Speaker 6: I saw some research just this week that kind of 473 00:23:43,880 --> 00:23:46,560 Speaker 6: talked about TV's in the bedroom and how how going 474 00:23:46,640 --> 00:23:48,840 Speaker 6: to sleep at night with the TV can help you 475 00:23:48,880 --> 00:23:52,119 Speaker 6: get to sleep as opposed to total silence. But it 476 00:23:52,280 --> 00:23:55,600 Speaker 6: needs to be like something you've seen before, so so 477 00:23:55,760 --> 00:24:00,000 Speaker 6: focused on it. Ah, yeah, that's absolutely right. But I'm 478 00:24:00,080 --> 00:24:03,240 Speaker 6: so you've got to feel comfortable just letting go of it. 479 00:24:03,480 --> 00:24:05,560 Speaker 6: You can't be like, WHOA, this is a great new 480 00:24:05,680 --> 00:24:07,239 Speaker 6: show and then all of a sudden you're like, oh 481 00:24:07,240 --> 00:24:08,000 Speaker 6: it's two thirty. 482 00:24:08,359 --> 00:24:12,719 Speaker 1: Everybody I know has the same problem that you just expressed, 483 00:24:12,960 --> 00:24:15,439 Speaker 1: where you're tired as hell on the couch, then you 484 00:24:15,480 --> 00:24:17,199 Speaker 1: go to bed and you're up for two more hours. 485 00:24:17,440 --> 00:24:19,359 Speaker 1: They should take the couches and put them in the 486 00:24:19,359 --> 00:24:21,600 Speaker 1: bedrooms and the bed in the living room. 487 00:24:22,119 --> 00:24:24,440 Speaker 2: Yeah that's what I miss about being a kid. And 488 00:24:24,840 --> 00:24:26,439 Speaker 2: I think, you know what, the day that we have 489 00:24:26,560 --> 00:24:29,680 Speaker 2: robots in our house, this will be the main purpose 490 00:24:29,720 --> 00:24:32,399 Speaker 2: of that robot is Listen, when I fall asleep on 491 00:24:32,440 --> 00:24:34,639 Speaker 2: the couch, I want you to gently just pick me 492 00:24:34,760 --> 00:24:38,119 Speaker 2: up right and quietly carry me into the bedroom without 493 00:24:38,160 --> 00:24:40,639 Speaker 2: waking me, like my parents used to do when I 494 00:24:40,800 --> 00:24:43,560 Speaker 2: was four. My because it's something about getting up and 495 00:24:43,600 --> 00:24:45,920 Speaker 2: then all of a sudden, you know, boom, you're up again. 496 00:24:46,119 --> 00:24:49,439 Speaker 1: I remember distinctly my dad carrying me up the stairs 497 00:24:49,480 --> 00:24:51,320 Speaker 1: when I was like, you know, three or four years old, 498 00:24:51,840 --> 00:24:54,639 Speaker 1: and I've sleeped the entire way up the stairs and 499 00:24:54,680 --> 00:24:56,640 Speaker 1: get right in that bed and I was out. You're right, 500 00:24:56,680 --> 00:24:58,679 Speaker 1: I need somebody to carry me to bed. 501 00:24:58,920 --> 00:24:59,360 Speaker 2: That's it. 502 00:25:00,119 --> 00:25:03,440 Speaker 1: You got to marry a really hefty, big strong chick. 503 00:25:04,480 --> 00:25:07,400 Speaker 2: Well, Tina technically is not big, but she is strong. 504 00:25:08,119 --> 00:25:09,600 Speaker 2: But I'm a little too much for it. I don't 505 00:25:09,600 --> 00:25:11,960 Speaker 2: think Tina can drag you into the bed. No, she 506 00:25:12,000 --> 00:25:17,199 Speaker 2: could drag me. She could drag me, there's no question she. 507 00:25:17,520 --> 00:25:19,360 Speaker 2: I mean, I have no fear that Tina can pull 508 00:25:19,440 --> 00:25:23,160 Speaker 2: me out of a burning house. But I'm getting bruised 509 00:25:23,160 --> 00:25:25,560 Speaker 2: along the way. I'm sory. It's not going to be 510 00:25:25,680 --> 00:25:31,679 Speaker 2: a gentle lifting of Dean and carrying him out. That's classic. 511 00:25:31,840 --> 00:25:35,720 Speaker 1: All right, Sunday is all bedrooms, all the time, nine 512 00:25:35,800 --> 00:25:38,240 Speaker 1: am until noon. Yes, sir, all right, man, thanks for 513 00:25:38,280 --> 00:25:40,879 Speaker 1: coming on, Bob, thanks him. All right, There goes Dean Sharp. 514 00:25:40,960 --> 00:25:43,080 Speaker 1: That guy's great. Yeah, he gets a lot. We have 515 00:25:43,119 --> 00:25:46,639 Speaker 1: a lot of compliments. I was in Indio at the 516 00:25:47,280 --> 00:25:51,480 Speaker 1: American Vision Windows, the brand new facility down there, their showroom, 517 00:25:51,800 --> 00:25:54,640 Speaker 1: and three different people asked me about teen shirt three. 518 00:25:55,160 --> 00:25:57,320 Speaker 1: There's only you know, there's like fifty people are total, 519 00:25:57,359 --> 00:25:59,200 Speaker 1: and three of them, Hey, it's going on with Dean. 520 00:25:59,280 --> 00:26:03,800 Speaker 1: He seems like a nice guy. Uh, he's shows on. 521 00:26:03,840 --> 00:26:05,639 Speaker 6: It's one of the coolest things about working here as 522 00:26:05,680 --> 00:26:07,119 Speaker 6: long as I have, is that every once in a 523 00:26:07,200 --> 00:26:09,280 Speaker 6: while you'll get one of these, one of these hosts 524 00:26:09,800 --> 00:26:12,080 Speaker 6: that whether they're on weekends or something like that, either 525 00:26:12,119 --> 00:26:14,240 Speaker 6: a specialty show or something like that. Like with Dean, 526 00:26:14,680 --> 00:26:17,959 Speaker 6: that just connects and everybody always wants to know about him. 527 00:26:17,960 --> 00:26:21,280 Speaker 6: And he's definitely and Sadri is another one, absolutely just 528 00:26:21,320 --> 00:26:21,959 Speaker 6: thinking Savedra. 529 00:26:22,080 --> 00:26:25,560 Speaker 1: Yes, yeah, they always. I come in here on Saturday 530 00:26:25,640 --> 00:26:29,440 Speaker 1: now at five o'clock and there's food everywhere everywhere, ice 531 00:26:29,480 --> 00:26:32,200 Speaker 1: cream and cookies and ribs. 532 00:26:32,280 --> 00:26:34,199 Speaker 2: It's great. When I have to cover a shift for 533 00:26:34,280 --> 00:26:36,480 Speaker 2: that that spot, I'm I'm. 534 00:26:36,480 --> 00:26:40,080 Speaker 1: Very happy to Yeah, you're good for that day free food. 535 00:26:41,080 --> 00:26:44,800 Speaker 9: You're listening to Tim Conway Junior on demand from KFI 536 00:26:45,080 --> 00:26:46,639 Speaker 9: Am sixty. 537 00:26:47,720 --> 00:26:52,720 Speaker 1: Every Thursday at six forty five to six fifty. We 538 00:26:53,119 --> 00:26:56,240 Speaker 1: look at the California Lakes and give you an idea 539 00:26:56,280 --> 00:27:01,840 Speaker 1: how we're doing water wise, and they are Shasta Lake 540 00:27:03,280 --> 00:27:07,560 Speaker 1: cannot take any more water. It is absolutely full. It 541 00:27:07,640 --> 00:27:10,800 Speaker 1: was measured at midnight at the end of yesterday. They 542 00:27:10,880 --> 00:27:14,639 Speaker 1: measure at midnight every night. And Shasta water level is 543 00:27:14,680 --> 00:27:22,879 Speaker 1: one thousand and thirty five feet sixteen sixteen one hundred 544 00:27:22,880 --> 00:27:25,840 Speaker 1: feet above sea level or no. One thousand and sixty 545 00:27:25,880 --> 00:27:30,120 Speaker 1: seven above sea level. Full Lake mead very close to full. 546 00:27:30,320 --> 00:27:35,480 Speaker 1: Tahoe full. And there's not a square inch of California 547 00:27:35,960 --> 00:27:43,120 Speaker 1: that's in any kind of drought either moderate drought, seasonal drought, 548 00:27:43,400 --> 00:27:48,480 Speaker 1: extreme drought. Nothing, not a single inch of California anywhere 549 00:27:50,160 --> 00:27:55,199 Speaker 1: is in a drought. Nothing that is sensational. We've not 550 00:27:55,359 --> 00:27:58,160 Speaker 1: been able to say that in twenty five years. So 551 00:27:58,400 --> 00:28:01,280 Speaker 1: we're doing something good. I think rain there's a lot 552 00:28:01,320 --> 00:28:04,159 Speaker 1: to do with it. All right, let me give I 553 00:28:04,200 --> 00:28:07,240 Speaker 1: don't want to do a whip round, but maybe stephush. 554 00:28:07,320 --> 00:28:11,719 Speaker 1: I'll ask you if you took the Empire State Building 555 00:28:12,480 --> 00:28:17,200 Speaker 1: and you put it into Lake Tahoe, would it be submerged? 556 00:28:20,200 --> 00:28:23,000 Speaker 2: Ummmm, it's twelve. 557 00:28:22,840 --> 00:28:27,760 Speaker 1: Hundred feet the statue I mean, I'm sorry, the Empire 558 00:28:27,800 --> 00:28:30,399 Speaker 1: State Public, the Empire State biling is twelve hundred feet. 559 00:28:30,440 --> 00:28:32,480 Speaker 1: If you took it and you put it into Lake Tahoe, 560 00:28:32,800 --> 00:28:34,879 Speaker 1: would you be able to see the top of the 561 00:28:34,880 --> 00:28:39,600 Speaker 1: Empire State Building. No, you're exactly right, Yes, it would 562 00:28:39,600 --> 00:28:44,920 Speaker 1: be four hundred feet below the surface Lake Tahoe. Lake Tahoe, 563 00:28:45,000 --> 00:28:48,320 Speaker 1: the deepest part of Lake Tahoe is one thousand, six 564 00:28:48,440 --> 00:28:56,480 Speaker 1: hundred and forty four feet deep, sixteen hundred feet. The 565 00:28:56,480 --> 00:29:01,280 Speaker 1: Empire State Building, I believe is twelve fifty Maybe on 566 00:29:01,320 --> 00:29:04,920 Speaker 1: the tip it's another couple hundred, but just the actual 567 00:29:04,960 --> 00:29:08,480 Speaker 1: building without the antenna on the top is one thousand, 568 00:29:08,560 --> 00:29:11,600 Speaker 1: two hundred and fifty feet. So if you took the 569 00:29:12,000 --> 00:29:15,200 Speaker 1: Empire State Building and you put it into Lake Tahoe, 570 00:29:15,800 --> 00:29:17,680 Speaker 1: not only could you not see the top of it, 571 00:29:18,040 --> 00:29:20,960 Speaker 1: but the top of it would be four hundred feet 572 00:29:21,240 --> 00:29:28,000 Speaker 1: below the surface. It's an extremely deep lake. One thousand, 573 00:29:29,280 --> 00:29:33,760 Speaker 1: six hundred and forty four feet. That's equivalent to one 574 00:29:33,800 --> 00:29:37,560 Speaker 1: hundred almost one hundred and sixty story building. I mean 575 00:29:37,560 --> 00:29:40,400 Speaker 1: if it's you know, ten feet per floor, probably a 576 00:29:40,720 --> 00:29:44,960 Speaker 1: little more with office buildings, but that is incredible how 577 00:29:45,000 --> 00:29:52,160 Speaker 1: deep it is, and that's sixteen forty four is Let 578 00:29:52,200 --> 00:29:55,040 Speaker 1: me do the math on this real quick. Here one second. 579 00:29:55,080 --> 00:30:05,160 Speaker 1: Here was it sixteen sixteen forty four. It's about a 580 00:30:05,200 --> 00:30:09,800 Speaker 1: third of a mile, which is extremely deep. One thousand, 581 00:30:10,080 --> 00:30:13,760 Speaker 1: six hundred and forty four feet. All right, real quickly, 582 00:30:13,880 --> 00:30:16,720 Speaker 1: Dr Pepper, Doctor Pepper licensed the right to a brand 583 00:30:16,800 --> 00:30:20,000 Speaker 1: a song that guy just made up on the internet 584 00:30:20,080 --> 00:30:20,960 Speaker 1: and now it's their. 585 00:30:20,880 --> 00:30:22,000 Speaker 10: Saw from TikTok. 586 00:30:22,400 --> 00:30:27,640 Speaker 3: Dr Pepper Bay Bee is Good and Nice to. 587 00:30:27,680 --> 00:30:31,520 Speaker 10: A national TV commercial with an audience of tens of millions. 588 00:30:31,760 --> 00:30:35,800 Speaker 10: TikTok creator Romeo Bingham shared the initial jingle idea last month, 589 00:30:35,960 --> 00:30:40,040 Speaker 10: saying it was posted impulsively, but soon the jingle went viral. 590 00:30:40,280 --> 00:30:43,360 Speaker 3: Doctor Death Babe, it's so cooled out. 591 00:30:43,760 --> 00:30:49,240 Speaker 10: Some making remixes Doctor pepera this month, using it to 592 00:30:49,320 --> 00:30:54,440 Speaker 10: comfort her. Baby is Good and Nae. Subway, Popeyes, and 593 00:30:54,520 --> 00:30:57,720 Speaker 10: Wingstop were among the many big brands who reached out 594 00:30:57,760 --> 00:31:00,760 Speaker 10: as the original video wrapped up forty one million views. 595 00:31:00,760 --> 00:31:01,800 Speaker 2: Wow the real. 596 00:31:01,680 --> 00:31:05,480 Speaker 10: Doctor Pepper also responding, writing hold on, you might be 597 00:31:05,560 --> 00:31:06,280 Speaker 10: on to something. 598 00:31:06,720 --> 00:31:12,440 Speaker 1: Dr Pepper Baby, It seems simple, but it is catching 599 00:31:12,680 --> 00:31:13,720 Speaker 1: Doctor Pepper. 600 00:31:13,480 --> 00:31:19,800 Speaker 2: Baby good and nice. Doctor Pepper Bay. 601 00:31:22,440 --> 00:31:25,120 Speaker 10: Well, that's something turned out to be a TV commercial 602 00:31:25,160 --> 00:31:27,920 Speaker 10: on one of sports biggest nights. 603 00:31:27,360 --> 00:31:30,200 Speaker 5: Deciding to make the ad had to be an easy 604 00:31:30,240 --> 00:31:33,360 Speaker 5: decision for Doctor Pepper, but actually pulling it off as 605 00:31:33,440 --> 00:31:35,600 Speaker 5: quickly as they did within a month of the clip 606 00:31:35,640 --> 00:31:36,240 Speaker 5: going viral. 607 00:31:36,360 --> 00:31:37,160 Speaker 2: Wow, that's hard. 608 00:31:37,320 --> 00:31:39,800 Speaker 5: That takes a lot of pieces working in concert. 609 00:31:40,040 --> 00:31:42,720 Speaker 10: Dr Pepper licensed to jingle for this ad during the 610 00:31:42,760 --> 00:31:44,600 Speaker 10: college football National Championship. 611 00:31:44,680 --> 00:31:47,480 Speaker 5: That's a big game, that's a big audience. That time 612 00:31:47,560 --> 00:31:50,000 Speaker 5: comes out of premium. Dr Pepper capitalized on it. 613 00:31:50,040 --> 00:31:52,600 Speaker 10: The twenty five year old soaking in the moment. 614 00:31:52,600 --> 00:31:55,640 Speaker 4: And the award for Best National Championship Commercial about Dr 615 00:31:55,680 --> 00:31:56,440 Speaker 4: Pepper goes to. 616 00:31:56,800 --> 00:32:03,320 Speaker 1: Romeo and Doctor Pepper, Doctor Pepper, Babe, Hi, we gotta 617 00:32:03,360 --> 00:32:06,600 Speaker 1: get out of here. Lou Penrose is coming up here, 618 00:32:06,760 --> 00:32:10,640 Speaker 1: and Roder probably has some opinions on the Oscar nominations. 619 00:32:10,640 --> 00:32:12,800 Speaker 1: I imagine you guys will be discussing that at some point. 620 00:32:13,040 --> 00:32:15,360 Speaker 2: This has not been divulged with me. What he's going 621 00:32:15,440 --> 00:32:18,360 Speaker 2: to be covering tonight. Okay, I'm always ready to roll. 622 00:32:18,800 --> 00:32:20,120 Speaker 2: Have you seen Sinners real quick? 623 00:32:20,240 --> 00:32:20,320 Speaker 4: Oh? 624 00:32:20,400 --> 00:32:22,560 Speaker 2: It's good. Yeah, it's good. Hun, Yeah, you gotta watch it. Yeah, 625 00:32:22,560 --> 00:32:25,200 Speaker 2: I'm gonnake a look at it. Okay. Lou Penrose next 626 00:32:25,240 --> 00:32:26,800 Speaker 2: on KFI AM six forty. 627 00:32:27,040 --> 00:32:31,160 Speaker 1: Conway Show on demand on the iHeartRadio app. Now, you 628 00:32:31,200 --> 00:32:34,360 Speaker 1: can always hear us live on KFI Am six forty 629 00:32:34,440 --> 00:32:38,360 Speaker 1: four to seven pm Monday through Friday, and anytime on 630 00:32:38,440 --> 00:32:40,920 Speaker 1: demand on the iHeart Radio app.