1 00:00:12,440 --> 00:00:14,280 Speaker 1: I know I mentioned it earlier, but check it out 2 00:00:14,320 --> 00:00:16,720 Speaker 1: if you are in the area later today. The Northwest 3 00:00:16,720 --> 00:00:19,239 Speaker 1: Sports Show have It started yesterday and it goes through 4 00:00:19,280 --> 00:00:22,279 Speaker 1: the weekend at the Minneapolis Convention Center. It's all the 5 00:00:22,320 --> 00:00:25,800 Speaker 1: newest fishing and outdoor gear, boats, RV's, travel, and power sports. 6 00:00:26,160 --> 00:00:29,240 Speaker 1: I'll be there from four to six pm today, specifically 7 00:00:29,240 --> 00:00:31,080 Speaker 1: for a little Friday night fish fries. So check it 8 00:00:31,080 --> 00:00:33,920 Speaker 1: out at the Sports Show Minneapolis Convention Center. Go to 9 00:00:34,000 --> 00:00:37,559 Speaker 1: KFA dot com keyword calendar for all the details. 10 00:00:39,640 --> 00:00:43,440 Speaker 2: Excited for this one since we started recently texting about it. 11 00:00:44,200 --> 00:00:46,440 Speaker 2: My man's name is Adam Bartley. Many of you know 12 00:00:46,479 --> 00:00:49,519 Speaker 2: who he is Eden Prairie High School, Go Crazy. He's 13 00:00:49,560 --> 00:00:52,599 Speaker 2: an actor and a connoisseur of fine men of Chevitz 14 00:00:53,000 --> 00:00:56,920 Speaker 2: and Adam Bartley joins the equation here nine to noon 15 00:00:56,960 --> 00:01:00,840 Speaker 2: at eleven ten, Adam, is the last time I saw 16 00:01:00,920 --> 00:01:04,040 Speaker 2: you at a Vikings Road game? Must have been was 17 00:01:04,080 --> 00:01:07,760 Speaker 2: this sometime? It was in Los Angeles and you took me, 18 00:01:08,040 --> 00:01:11,760 Speaker 2: Bursig and others to a Roscoe's Chicken and Waffles. Is 19 00:01:11,760 --> 00:01:14,559 Speaker 2: that the last time? Wow? Did we win the game? 20 00:01:14,680 --> 00:01:17,559 Speaker 3: I think we won and we just had so much 21 00:01:17,600 --> 00:01:21,440 Speaker 3: maple syrup over every bit of food we could imagine. 22 00:01:21,520 --> 00:01:25,840 Speaker 2: Yeah. See, I think it might have been a Wednesday 23 00:01:25,920 --> 00:01:30,880 Speaker 2: night before a Thursday night game at the Coliseum when 24 00:01:31,000 --> 00:01:35,360 Speaker 2: Jared Goff had a perfect passer rating against Zimmers defense 25 00:01:35,959 --> 00:01:38,560 Speaker 2: and we ended up with Anthony Barr covering like Brandon 26 00:01:38,600 --> 00:01:42,000 Speaker 2: Cooks and I think Cooper Cup and they were redoing 27 00:01:42,480 --> 00:01:45,160 Speaker 2: the LA Coliseum. So Bursage and I were like in 28 00:01:45,200 --> 00:01:47,880 Speaker 2: a broom closet man, just like right next to each 29 00:01:47,880 --> 00:01:48,720 Speaker 2: other calling the game. 30 00:01:49,160 --> 00:01:51,360 Speaker 3: There was another one at the soccer stadium that would. 31 00:01:51,120 --> 00:01:54,240 Speaker 2: That, Oh the Chargers game. Yeah, the Chargers game. And 32 00:01:54,280 --> 00:01:57,880 Speaker 2: Ifadi Odenebo had a scoop and score touchdown and he 33 00:01:57,960 --> 00:02:00,240 Speaker 2: tried to do a Viking vault into the stand and 34 00:02:00,560 --> 00:02:02,440 Speaker 2: I love it body so I feel like I can 35 00:02:02,480 --> 00:02:05,560 Speaker 2: say this without you know, any feelings being hurt. His 36 00:02:05,680 --> 00:02:08,800 Speaker 2: vertical was about eight inches and he couldn't get up 37 00:02:08,840 --> 00:02:11,480 Speaker 2: to the crowd, I think because he was tired from 38 00:02:11,560 --> 00:02:13,800 Speaker 2: returning the Philip Rivers spo. 39 00:02:13,840 --> 00:02:16,360 Speaker 3: Speaking of vault, how do you have the ability to 40 00:02:16,400 --> 00:02:20,119 Speaker 3: remember like the specific plays from games. I mean, we're 41 00:02:20,120 --> 00:02:21,400 Speaker 3: talking how many years now? 42 00:02:21,520 --> 00:02:27,040 Speaker 2: Okay, Well, I can't answer that question. Okay, however, I 43 00:02:27,080 --> 00:02:29,799 Speaker 2: can turn it on you, turn it to you and say, 44 00:02:30,600 --> 00:02:35,240 Speaker 2: I bet you season one, episode two of Longmire. If 45 00:02:35,280 --> 00:02:38,000 Speaker 2: I brought up an example, you probably could remember the 46 00:02:38,040 --> 00:02:39,080 Speaker 2: line I could. 47 00:02:38,919 --> 00:02:41,840 Speaker 3: You know as funny as I actually wasn't in that one. 48 00:02:41,760 --> 00:02:43,920 Speaker 2: Like I said, episode three, season or let's go. 49 00:02:44,080 --> 00:02:45,560 Speaker 3: To one of the only ones I was not in 50 00:02:45,560 --> 00:02:46,560 Speaker 3: in the entire series. 51 00:02:46,720 --> 00:02:50,160 Speaker 2: Yeah, you were in a Longmire and I watched most 52 00:02:50,160 --> 00:02:51,800 Speaker 2: of not all of it, but there was one that 53 00:02:51,880 --> 00:02:56,320 Speaker 2: involved a vampire, right, oh gosh, or somebody pins somebody 54 00:02:56,400 --> 00:02:57,919 Speaker 2: up against the wall and I can't remember. 55 00:02:58,040 --> 00:03:00,720 Speaker 3: Yeah, yeah, I mean, oh no, I think you're thinking. 56 00:03:00,280 --> 00:03:03,280 Speaker 2: Of Lucifer potentially this is and you were in that. 57 00:03:03,400 --> 00:03:03,880 Speaker 3: I was in that. 58 00:03:03,960 --> 00:03:05,040 Speaker 2: Yeah, well that's what it was. 59 00:03:05,120 --> 00:03:06,840 Speaker 3: My favorite thing is I'll just be sitting around to 60 00:03:06,919 --> 00:03:08,600 Speaker 3: La doing my thing and I get a text from 61 00:03:08,600 --> 00:03:11,520 Speaker 3: me because you're you were sitting there watching something and 62 00:03:11,520 --> 00:03:13,079 Speaker 3: you're like, I just saw you in the thing. 63 00:03:13,200 --> 00:03:16,560 Speaker 2: He always makes My naught was Lucifer. Yeah, what was Lucifer? 64 00:03:17,200 --> 00:03:18,160 Speaker 2: Was that vampire bit? 65 00:03:18,440 --> 00:03:18,680 Speaker 1: Was it? 66 00:03:18,800 --> 00:03:21,440 Speaker 2: Like, what was it a one time hit or a series? 67 00:03:21,480 --> 00:03:22,880 Speaker 2: It was a long series, right. 68 00:03:22,800 --> 00:03:24,640 Speaker 3: I think so, yeah, but it was I got thrown 69 00:03:24,720 --> 00:03:26,680 Speaker 3: up against the wall by the Devil. 70 00:03:26,840 --> 00:03:28,880 Speaker 2: Yes, I remember that, and then I died. I'm pretty 71 00:03:28,919 --> 00:03:31,799 Speaker 2: sure so. But you probably could remember your lines in there, 72 00:03:31,840 --> 00:03:37,400 Speaker 2: which would be like, ah, stop, that's sixty five thousand 73 00:03:37,440 --> 00:03:40,160 Speaker 2: out of the mailbox, and you're good. That's it. That's 74 00:03:40,200 --> 00:03:43,560 Speaker 2: the that's the Adam Bartley and Alan Roach, the box 75 00:03:43,600 --> 00:03:45,720 Speaker 2: of all boxes ever to box. I got two people 76 00:03:45,760 --> 00:03:49,080 Speaker 2: in my life mailbox money who get that mailbox money 77 00:03:49,120 --> 00:03:51,600 Speaker 2: and get to live there lives not getting slipped on. 78 00:03:51,640 --> 00:03:53,160 Speaker 3: It used to be so amazing. When I did my 79 00:03:53,200 --> 00:03:55,040 Speaker 3: first commercial, I was in New York. It would have 80 00:03:55,080 --> 00:03:56,880 Speaker 3: been just out of college, and I got to I 81 00:03:56,960 --> 00:04:00,320 Speaker 3: was working at this like restaurant or whatever, and late 82 00:04:00,360 --> 00:04:02,280 Speaker 3: at night and I was, you know, I went I 83 00:04:02,320 --> 00:04:05,480 Speaker 3: did a commercial for Sony. It was my first big job. 84 00:04:05,480 --> 00:04:07,600 Speaker 3: And then I remember going back to you. I lived 85 00:04:07,680 --> 00:04:10,240 Speaker 3: right next to where I was working at the my apartment. 86 00:04:10,240 --> 00:04:11,960 Speaker 3: I went in, I looked at my mailbox and there 87 00:04:12,000 --> 00:04:14,960 Speaker 3: was a first residual check from Sony and it was 88 00:04:15,080 --> 00:04:18,159 Speaker 3: like twenty K and we're I was going on like 89 00:04:18,200 --> 00:04:20,400 Speaker 3: one hundred and fifty at night just to get through. 90 00:04:20,400 --> 00:04:22,520 Speaker 3: And I remember looking at that and yeah, being like 91 00:04:22,680 --> 00:04:26,680 Speaker 3: I'm going to quit my job, and I did, and 92 00:04:26,960 --> 00:04:29,000 Speaker 3: you know, then was broke shortly thereafter. 93 00:04:29,120 --> 00:04:32,719 Speaker 2: But now now you know, you recently did some work 94 00:04:32,760 --> 00:04:35,719 Speaker 2: with Gray's Anatomy, right, I just finished? Yeah? Wow an episode? 95 00:04:35,760 --> 00:04:36,720 Speaker 2: Is that reason? Yeah? 96 00:04:36,760 --> 00:04:39,120 Speaker 3: Just recent I just did. I lived right above the 97 00:04:39,160 --> 00:04:41,680 Speaker 3: studios for like the l for seven eight years, and 98 00:04:41,680 --> 00:04:42,760 Speaker 3: I finally got to go in there. 99 00:04:42,760 --> 00:04:44,919 Speaker 2: And I still love the show. So wait, because you 100 00:04:45,000 --> 00:04:48,760 Speaker 2: lived above the studio, keep like knocking on it. Hey guys, 101 00:04:49,920 --> 00:04:53,960 Speaker 2: any commercial. Hey that's the vamp, that's the double holding 102 00:04:54,000 --> 00:04:56,200 Speaker 2: me up against the wall. Will you take my head shot? 103 00:04:57,680 --> 00:04:59,159 Speaker 2: Security guard? No? 104 00:04:59,400 --> 00:05:00,840 Speaker 3: Yeah, I mean I but I got to look down, 105 00:05:00,880 --> 00:05:02,720 Speaker 3: and I always people will come over and I'd be like, hey, 106 00:05:02,760 --> 00:05:04,520 Speaker 3: you know that's where they shoot the Grace and Edemy 107 00:05:04,520 --> 00:05:05,920 Speaker 3: and I finally got to go in there and do it. 108 00:05:05,960 --> 00:05:08,200 Speaker 3: And it was such a fun when you got a 109 00:05:08,200 --> 00:05:10,640 Speaker 3: show like that that's been around twenty three years or whatever. 110 00:05:10,960 --> 00:05:13,400 Speaker 3: It's just dialed in everybody. It's like you, guys, it's 111 00:05:13,400 --> 00:05:18,160 Speaker 3: so comfortable. Everybody's so kind and so easy, and it's 112 00:05:18,200 --> 00:05:19,800 Speaker 3: a joy because it's not always like that. 113 00:05:19,839 --> 00:05:22,080 Speaker 2: You know, I should know the guy's name, the one 114 00:05:22,080 --> 00:05:26,000 Speaker 2: who just died. But then Eric Dane. Eric Dane, Yeah, 115 00:05:26,160 --> 00:05:28,680 Speaker 2: really sad, and I wasn't super familiar with him or anything, 116 00:05:28,720 --> 00:05:30,960 Speaker 2: but then like I read up on him and his 117 00:05:31,120 --> 00:05:34,159 Speaker 2: marriage and his faith and stuff, and I'm like, damn, he's. 118 00:05:33,960 --> 00:05:36,440 Speaker 3: An wonderful guy. I didn't get to meet him, but 119 00:05:36,480 --> 00:05:38,640 Speaker 3: you know, it's one of those things where it's like, man, 120 00:05:38,920 --> 00:05:42,320 Speaker 3: just you could have the greatest life and everything's awesome, 121 00:05:42,360 --> 00:05:44,040 Speaker 3: and then one day you're just like, whoops, I got 122 00:05:44,040 --> 00:05:45,960 Speaker 3: this thing, and then a year later you're gone. So 123 00:05:46,000 --> 00:05:49,839 Speaker 3: it's just another reminder to just be grateful, to enjoy 124 00:05:49,960 --> 00:05:53,400 Speaker 3: every minute, hug the loved ones. But yeah, he was 125 00:05:53,440 --> 00:05:55,560 Speaker 3: a great, great actor. Di'd some really great work. 126 00:05:55,760 --> 00:05:59,960 Speaker 2: Minnesotan and actor IAB is here to wat chat Mary things, 127 00:06:00,200 --> 00:06:03,479 Speaker 2: including a project he has momentarily. It's called in the 128 00:06:03,560 --> 00:06:07,320 Speaker 2: Lab with Adam Bartley. It is super super cool and 129 00:06:07,520 --> 00:06:09,960 Speaker 2: we're going to get into that. And he's a lifetime 130 00:06:10,000 --> 00:06:15,560 Speaker 2: Bikings fan. But I have an actor sighting story that 131 00:06:15,600 --> 00:06:17,960 Speaker 2: I'd like to share with you, and I'm hoping Nordo 132 00:06:18,720 --> 00:06:22,840 Speaker 2: remembers the picture that I'm going to reference here. It 133 00:06:24,120 --> 00:06:29,159 Speaker 2: was Tottenham Hotspur hyper announcers on the sideline and there's 134 00:06:29,200 --> 00:06:33,159 Speaker 2: Woody Harrelson. Oh yeah, okay, yeah, okay, cool, cool, yeah, 135 00:06:33,200 --> 00:06:36,520 Speaker 2: because his memories Razor Sharp so Tottenham Hotspur before they 136 00:06:36,560 --> 00:06:38,680 Speaker 2: beat the Jets, and Van Ginkle had that pick six, 137 00:06:38,800 --> 00:06:43,159 Speaker 2: remember that. So I snapped a selfie with Woody Harrelson. 138 00:06:43,680 --> 00:06:46,760 Speaker 2: It's Woody Harrelson, Are you kidding me? And I posted 139 00:06:46,800 --> 00:06:52,080 Speaker 2: it on Twitter, which now is X Well the age 140 00:06:52,120 --> 00:06:54,640 Speaker 2: of rage came snapping at your boy and I couldn't 141 00:06:54,640 --> 00:06:58,040 Speaker 2: figure out why, so I got deeply into it. Also 142 00:06:58,279 --> 00:07:03,000 Speaker 2: in the picture was a political person named Dean Phillips, 143 00:07:03,520 --> 00:07:06,240 Speaker 2: and I had no idea who he was. And there 144 00:07:06,240 --> 00:07:09,720 Speaker 2: were people offended on the sideline an hour and fifteen 145 00:07:09,760 --> 00:07:12,880 Speaker 2: minutes before Ben Ginkle's about ready to be day. Roger like, 146 00:07:12,920 --> 00:07:13,600 Speaker 2: how do you not know? 147 00:07:13,680 --> 00:07:16,679 Speaker 3: I'm like, I don't know, okay, And that's that every 148 00:07:16,760 --> 00:07:19,280 Speaker 3: person in every picture that I get taken away. 149 00:07:19,280 --> 00:07:25,239 Speaker 2: However, there was this famous actress with strawberry blonde hair 150 00:07:26,120 --> 00:07:28,440 Speaker 2: also in the picture, and I had no idea who 151 00:07:28,440 --> 00:07:31,120 Speaker 2: either one was Dean or the lady. I can't even 152 00:07:31,160 --> 00:07:33,960 Speaker 2: remember the lady's name now, which is an l on 153 00:07:34,040 --> 00:07:37,960 Speaker 2: my part. But yeah, so people are like, yeah, there's Woody, 154 00:07:38,080 --> 00:07:41,240 Speaker 2: but there's also this guy and this lady and I'm like, damn, man, 155 00:07:41,240 --> 00:07:43,880 Speaker 2: I'm sorry, I didn't know who they were. There's no 156 00:07:43,960 --> 00:07:48,200 Speaker 2: time anybody ever think you were somebody else come up 157 00:07:48,240 --> 00:07:51,800 Speaker 2: to you like a group, says Josh Tamel. What's what's 158 00:07:51,840 --> 00:07:54,440 Speaker 2: going on? Dog every day? Or what about does Zach 159 00:07:54,880 --> 00:07:59,720 Speaker 2: Galifanakis from the Hangover early days? I know Zach, what's up? Man? 160 00:08:00,360 --> 00:08:01,320 Speaker 2: I'd actually take that. 161 00:08:02,280 --> 00:08:05,240 Speaker 3: If Sean Aston I used to get people would be 162 00:08:05,240 --> 00:08:07,880 Speaker 3: like you like Sean when I don't have a beard, 163 00:08:07,960 --> 00:08:09,120 Speaker 3: going Sean Aston, he. 164 00:08:09,160 --> 00:08:12,080 Speaker 2: Was I got the gallifan Akis hangover a bit when 165 00:08:12,120 --> 00:08:13,200 Speaker 2: you had the beard. 166 00:08:13,360 --> 00:08:16,800 Speaker 3: Yeah, yeah, no, no, I'll take it. Yeah no, I 167 00:08:17,440 --> 00:08:20,400 Speaker 3: but luckily no, no nobody that I'm I can't imagine 168 00:08:20,400 --> 00:08:22,600 Speaker 3: how frustrating that would be. There's people, there's you know, 169 00:08:22,680 --> 00:08:25,800 Speaker 3: people talk about it, coming up and saying, hey, can 170 00:08:25,840 --> 00:08:26,560 Speaker 3: I get an autograph? 171 00:08:26,600 --> 00:08:30,760 Speaker 2: Football ganger? Yeah, that stuff. Do you know Josh well 172 00:08:30,960 --> 00:08:31,440 Speaker 2: or at all? 173 00:08:31,760 --> 00:08:32,800 Speaker 3: I don't you know. I've read it. 174 00:08:32,880 --> 00:08:34,600 Speaker 2: Weird. It is weird. It is weird. 175 00:08:34,600 --> 00:08:36,760 Speaker 3: I would love to meet him, and it's funny because 176 00:08:36,760 --> 00:08:39,600 Speaker 3: we both have the same passion or whatever. I met 177 00:08:40,000 --> 00:08:42,800 Speaker 3: Nick What's what's his name? The comedian. 178 00:08:43,440 --> 00:08:46,360 Speaker 2: Oh, Schwartz and Schwartz and Schwartz and yeah, we used 179 00:08:46,360 --> 00:08:46,520 Speaker 2: to go. 180 00:08:46,559 --> 00:08:48,320 Speaker 3: We used to watch Vikings in l A together way 181 00:08:48,320 --> 00:08:50,360 Speaker 3: back when when I moved out there. But I haven't 182 00:08:50,360 --> 00:08:52,720 Speaker 3: met Josh, but at some point I need to to 183 00:08:53,280 --> 00:08:54,199 Speaker 3: just to talk Vikings. 184 00:08:54,240 --> 00:08:56,200 Speaker 2: Well, you both love the Vikings. Yeah, he had a 185 00:08:56,240 --> 00:08:59,520 Speaker 2: moment last year where I don't remember what part of 186 00:08:59,559 --> 00:09:02,439 Speaker 2: the game was. He whenever he's in Minnesota, he'll come 187 00:09:02,440 --> 00:09:05,280 Speaker 2: into the box box and say hello. Then he walks 188 00:09:05,320 --> 00:09:08,320 Speaker 2: down between me and Bursic like we'll go to break 189 00:09:08,760 --> 00:09:10,920 Speaker 2: and then with the crowd right in front of us 190 00:09:10,920 --> 00:09:15,040 Speaker 2: are going, hey, Josh, him out everybody, and like everybody 191 00:09:15,040 --> 00:09:18,160 Speaker 2: turns around and gives him just the loudest standing ovation. 192 00:09:18,440 --> 00:09:22,080 Speaker 2: It's Isla Fisher in that photo. I kind of oh, wow, 193 00:09:22,280 --> 00:09:25,840 Speaker 2: you found it. Strawberry blonde hair. Did I describe it 194 00:09:25,840 --> 00:09:26,280 Speaker 2: the right way? 195 00:09:26,360 --> 00:09:30,400 Speaker 1: Yeah, perfectly, No wonder Dean's pissed though I didn't remember 196 00:09:30,520 --> 00:09:33,520 Speaker 1: because he's in the he's posing for the photo. 197 00:09:33,240 --> 00:09:36,400 Speaker 2: And I didn't with respect, I didn't know who he was. 198 00:09:36,840 --> 00:09:40,600 Speaker 1: He's locked it. He's actually center of and you're pointing 199 00:09:40,640 --> 00:09:43,880 Speaker 1: at him. But look at what Isla Fisher used to 200 00:09:43,920 --> 00:09:46,720 Speaker 1: be married to Sasha Baron Cohen, who was born They 201 00:09:46,800 --> 00:09:48,400 Speaker 1: used to be and they're no longer. 202 00:09:48,920 --> 00:09:49,240 Speaker 3: I know that. 203 00:09:49,960 --> 00:09:51,280 Speaker 2: So she's famous, right she was. 204 00:09:51,320 --> 00:09:54,480 Speaker 3: She was in that movie with Vince Vaughan to the Crash. Yes, 205 00:09:54,960 --> 00:09:56,959 Speaker 3: oh wow, she was the girl that he was with 206 00:09:57,000 --> 00:09:57,600 Speaker 3: in that movie. 207 00:09:57,640 --> 00:10:00,240 Speaker 2: Oh dang, she's great. Yeah. So I mean there was 208 00:10:00,240 --> 00:10:03,520 Speaker 2: an actor sight. I'm like, hey over here in London, 209 00:10:03,559 --> 00:10:07,160 Speaker 2: Tottenham Hotspur. I just ran into Harry Kane as I 210 00:10:07,200 --> 00:10:10,120 Speaker 2: was going through security, and I knew who he was, 211 00:10:10,160 --> 00:10:12,840 Speaker 2: but I'd never really seen him. Nordo got me all 212 00:10:12,920 --> 00:10:14,839 Speaker 2: dressed up on that one just in case I happened 213 00:10:14,840 --> 00:10:17,280 Speaker 2: to see Harry Kane. He was right in front of 214 00:10:17,320 --> 00:10:20,920 Speaker 2: me at security to get into the field. Harry Kane, 215 00:10:21,080 --> 00:10:24,679 Speaker 2: unbelievable soccer player out England way. I think at that 216 00:10:24,720 --> 00:10:27,240 Speaker 2: time might have been for Tottenham Hotspur, Everton or something 217 00:10:27,280 --> 00:10:29,880 Speaker 2: like that. So cool. So I got to fist bump him. 218 00:10:30,480 --> 00:10:33,400 Speaker 2: And then a half hour later, selfie, there's Woody. You know. 219 00:10:33,480 --> 00:10:37,440 Speaker 2: But Age of Rage just destroyed me. Well no, it 220 00:10:37,480 --> 00:10:40,520 Speaker 2: wasn't a destruction. Age of Rage got after me for 221 00:10:40,559 --> 00:10:43,360 Speaker 2: a little bit for not knowing who the political guy 222 00:10:43,559 --> 00:10:46,800 Speaker 2: was and is only go. It's dangerous out there, which 223 00:10:46,840 --> 00:10:51,880 Speaker 2: is crazy. Adam Bartley in studio nine to noon. Let's 224 00:10:51,920 --> 00:10:55,600 Speaker 2: go in the lab. All right, let's go in the lab, 225 00:10:56,440 --> 00:11:01,160 Speaker 2: and we suggest those listening go to in the Lab 226 00:11:01,280 --> 00:11:05,839 Speaker 2: dot org in the lab dot org to listen more 227 00:11:06,200 --> 00:11:09,640 Speaker 2: and learn more. That is about ab Adam Bartley's latest 228 00:11:09,679 --> 00:11:15,199 Speaker 2: venture in the lab with Adam Bartley. The acting workshop 229 00:11:15,720 --> 00:11:20,479 Speaker 2: you are conducting in Minnesota. I mean it looks unbelievable. 230 00:11:20,520 --> 00:11:23,559 Speaker 2: Oh sweet, Yeah, it's in Minneapolis in the lab dot org. 231 00:11:24,040 --> 00:11:28,680 Speaker 2: But also looks acmeannis, it looks like Yeah, it looks 232 00:11:28,720 --> 00:11:31,720 Speaker 2: like mucho work for you and your staff to provide 233 00:11:31,760 --> 00:11:34,200 Speaker 2: the best experience. Staff tell us more. 234 00:11:34,320 --> 00:11:37,400 Speaker 3: Yeah, you ain't got a staff, extensive staff. It's me 235 00:11:37,760 --> 00:11:41,040 Speaker 3: sitting at a computer at my mom's house right now. No, 236 00:11:41,240 --> 00:11:42,679 Speaker 3: I yeah, I've never. 237 00:11:42,559 --> 00:11:44,640 Speaker 2: Really still that grades anat. I mean money comes, well, 238 00:11:45,080 --> 00:11:45,560 Speaker 2: there's that. 239 00:11:45,840 --> 00:11:48,000 Speaker 3: I haven't started a business. I did start a business 240 00:11:48,000 --> 00:11:50,080 Speaker 3: a long long time ago. But this is really extensive. 241 00:11:50,080 --> 00:11:53,200 Speaker 3: It's I'm really just used to sort of reading scripts, 242 00:11:53,240 --> 00:11:55,760 Speaker 3: playing tennis, you know, going out with friends and waiting, 243 00:11:55,800 --> 00:11:57,640 Speaker 3: you know for my next acting job to hit. But 244 00:11:57,760 --> 00:12:01,120 Speaker 3: this is is that tough yeah, I mean it can 245 00:12:01,160 --> 00:12:02,880 Speaker 3: be great. I mean, you know, people are like, wow, 246 00:12:02,920 --> 00:12:05,160 Speaker 3: your life is pretty great. You really don't do very much, 247 00:12:05,200 --> 00:12:07,720 Speaker 3: you know, lucky lucky. But you know, I'll tell you 248 00:12:07,760 --> 00:12:10,840 Speaker 3: what's tough is just you know, the insecurity of the 249 00:12:11,200 --> 00:12:13,120 Speaker 3: of the job is wild. You know, you have I've 250 00:12:13,120 --> 00:12:15,400 Speaker 3: had years. I had thirteen years right and stop working, 251 00:12:15,559 --> 00:12:17,760 Speaker 3: you know. And when when I met that's was the deal. 252 00:12:17,800 --> 00:12:18,680 Speaker 3: It just wouldn't stop. 253 00:12:18,679 --> 00:12:20,760 Speaker 2: And you know there's a year that I'll go by 254 00:12:20,800 --> 00:12:23,400 Speaker 2: and you're like, okay, well long Mayre on Netflix was 255 00:12:23,440 --> 00:12:26,000 Speaker 2: the bomb. And I think when I first met you, 256 00:12:26,000 --> 00:12:29,280 Speaker 2: you just had finished or well finished. Yeah, literally just 257 00:12:29,400 --> 00:12:31,800 Speaker 2: at right I met you and I'm not with respect, 258 00:12:31,840 --> 00:12:34,040 Speaker 2: I'm just not big TV guy, but I got in. 259 00:12:34,160 --> 00:12:37,000 Speaker 2: I mean I watched the series and it was fantastic. 260 00:12:37,040 --> 00:12:38,000 Speaker 2: You did such a good job. 261 00:12:38,040 --> 00:12:40,520 Speaker 3: Thank you. Yeah, no, it was great. It's it's a 262 00:12:40,600 --> 00:12:42,480 Speaker 3: journey out in la you know. I signed up for 263 00:12:42,520 --> 00:12:46,199 Speaker 3: this life and this life of not knowing what's next. 264 00:12:46,280 --> 00:12:49,320 Speaker 3: But I'm here for it because great, beautiful things have 265 00:12:49,400 --> 00:12:51,640 Speaker 3: come my way and it's been an amazing journey. But 266 00:12:51,720 --> 00:12:53,720 Speaker 3: I was here two years ago filming I got asked 267 00:12:53,720 --> 00:12:55,840 Speaker 3: to be the lead in this film called Unholy Communion 268 00:12:55,840 --> 00:12:58,240 Speaker 3: that we shot here. And when I got offered the role, 269 00:12:58,360 --> 00:13:00,800 Speaker 3: I was like, wait, they make movies in Minnesota. What 270 00:13:00,800 --> 00:13:01,440 Speaker 3: are you talking about? 271 00:13:01,600 --> 00:13:03,280 Speaker 2: I had no idea. Oh yeah, Fargo. 272 00:13:03,559 --> 00:13:06,199 Speaker 3: Yeah, well, I mean all the most they shot most 273 00:13:06,280 --> 00:13:08,960 Speaker 3: of that in Canada, believe it or not. 274 00:13:09,040 --> 00:13:09,319 Speaker 2: Really. 275 00:13:09,400 --> 00:13:13,040 Speaker 3: Yeah, So in other words, they have tax credits here 276 00:13:13,080 --> 00:13:14,679 Speaker 3: that have happened recently and there, and there's. 277 00:13:14,520 --> 00:13:16,880 Speaker 2: Actually credits in Minnesota. 278 00:13:16,200 --> 00:13:19,600 Speaker 3: For filming, and there's film, there's films and independent films coming. 279 00:13:19,640 --> 00:13:22,600 Speaker 2: So better tell my tax guy with these ten ninety nine's. 280 00:13:22,600 --> 00:13:24,559 Speaker 2: I get you. I need some of those credits. Seriously. 281 00:13:24,640 --> 00:13:26,679 Speaker 1: Well, wasn't that the big thing, Adam in terms of 282 00:13:26,920 --> 00:13:29,920 Speaker 1: Hollywood finding I mean, you know, New. 283 00:13:29,800 --> 00:13:30,960 Speaker 2: Mexico or Arizona. 284 00:13:31,080 --> 00:13:34,840 Speaker 1: Like from a production standpoint, it's almost like we would 285 00:13:34,840 --> 00:13:37,440 Speaker 1: want to lure somebody here to to host the Super Bowl, 286 00:13:37,480 --> 00:13:40,400 Speaker 1: for instance, So maybe there are tax credits or some 287 00:13:40,480 --> 00:13:43,880 Speaker 1: discounts and such that are part of that. Similarly with Hollywood, 288 00:13:44,360 --> 00:13:47,520 Speaker 1: you know, you you it can be more expensive maybe 289 00:13:47,880 --> 00:13:51,679 Speaker 1: in a studio in LA than it could be in Montana, 290 00:13:51,760 --> 00:13:54,319 Speaker 1: for instance, So maybe you would look for those tax 291 00:13:54,320 --> 00:13:57,600 Speaker 1: credits and the financial viability of certain projects exactly. 292 00:13:57,640 --> 00:13:59,240 Speaker 3: And I mean you know that if you go and 293 00:13:59,280 --> 00:14:02,000 Speaker 3: watch things and you see people, you'll notice, wow, gosh, 294 00:14:02,040 --> 00:14:04,680 Speaker 3: there's a lot more international shows that I'm seeing on 295 00:14:04,720 --> 00:14:07,240 Speaker 3: the Netflix around the other streaming services. And the reason 296 00:14:07,320 --> 00:14:10,920 Speaker 3: is is because it is incredibly high incentive for these, 297 00:14:11,280 --> 00:14:13,560 Speaker 3: you know, for these shows and films to go and 298 00:14:13,559 --> 00:14:16,199 Speaker 3: shoot in Ireland or to shoot and we're not as 299 00:14:16,200 --> 00:14:18,720 Speaker 3: competitive here more with these credits, and so we're in 300 00:14:18,920 --> 00:14:21,440 Speaker 3: LA we're trying to even make them more. But there's 301 00:14:21,440 --> 00:14:23,680 Speaker 3: a bill going through the House and Senate right now 302 00:14:23,720 --> 00:14:28,880 Speaker 3: in Minnesota that would create literally the best most you know, 303 00:14:28,960 --> 00:14:32,040 Speaker 3: incredible incentive in the country and making this and there's 304 00:14:32,280 --> 00:14:36,920 Speaker 3: just there's this burgeoning, incredible community of artists here and 305 00:14:37,400 --> 00:14:40,880 Speaker 3: actors and and you know crew that are I have 306 00:14:41,000 --> 00:14:43,920 Speaker 3: this amazing time and I'm working with these actors and 307 00:14:44,000 --> 00:14:46,160 Speaker 3: I'm like, wow, there's some real talent here. And I 308 00:14:46,240 --> 00:14:48,880 Speaker 3: was really moved. And I'm like filming a scene in 309 00:14:49,000 --> 00:14:51,000 Speaker 3: Eden Prairie where I like down the street from where 310 00:14:51,040 --> 00:14:53,320 Speaker 3: I grew up, and I'm having this whole moment of 311 00:14:53,400 --> 00:14:55,200 Speaker 3: you know, to be able to be around my family 312 00:14:55,280 --> 00:14:58,040 Speaker 3: and and and work at the same time. Usually I'm 313 00:14:58,040 --> 00:15:00,920 Speaker 3: just here for Vikings games and and you know, Christmas 314 00:15:01,040 --> 00:15:02,400 Speaker 3: or whatever. But to be able to do that was 315 00:15:02,440 --> 00:15:05,640 Speaker 3: so cool. And I'm driving home back to LA and 316 00:15:05,680 --> 00:15:07,240 Speaker 3: I'm on the road and I just kind of hit 317 00:15:07,320 --> 00:15:08,880 Speaker 3: me this idea that you know, you know, what I 318 00:15:08,880 --> 00:15:11,120 Speaker 3: should do in the time when I'm not you know, 319 00:15:11,160 --> 00:15:13,720 Speaker 3: when I'm not working, when they're in between work, is 320 00:15:14,480 --> 00:15:17,880 Speaker 3: establish a workshop whereby I can really bring and give 321 00:15:19,440 --> 00:15:22,720 Speaker 3: really added value to actors here. And you know, when 322 00:15:22,720 --> 00:15:26,200 Speaker 3: you talk to most actors and you ask them, you know, 323 00:15:26,240 --> 00:15:29,520 Speaker 3: I often talk and counsel actors like they I want 324 00:15:29,560 --> 00:15:30,840 Speaker 3: to get where you are. I want I want an 325 00:15:30,880 --> 00:15:33,680 Speaker 3: opportunity to like raise my game and to do bigger things. 326 00:15:33,880 --> 00:15:36,200 Speaker 3: I always ask, well, what what does your demo reel 327 00:15:36,200 --> 00:15:39,080 Speaker 3: look like? You know, your your most your calling card, 328 00:15:39,120 --> 00:15:41,680 Speaker 3: You're you're advertising for your work, you have the best work? 329 00:15:41,840 --> 00:15:43,920 Speaker 3: Do you have a demo reel with your best work 330 00:15:44,880 --> 00:15:47,000 Speaker 3: on it that looks quality and great? And the answer 331 00:15:47,200 --> 00:15:50,200 Speaker 3: ninety eight eight percent of the time is now. And 332 00:15:50,240 --> 00:15:52,360 Speaker 3: so what I'm That's why I've created this is that 333 00:15:52,600 --> 00:15:55,920 Speaker 3: it's a three week workshop where we're going to you know, 334 00:15:56,000 --> 00:15:59,280 Speaker 3: sort of explore the work, fine, tune, shape it, and 335 00:15:59,320 --> 00:16:01,680 Speaker 3: then when it's ready and alive, we bring it to camera. 336 00:16:01,800 --> 00:16:05,480 Speaker 3: And I've got I'm assembling a whole crew of professionals, 337 00:16:05,760 --> 00:16:11,080 Speaker 3: director of photography, gaffers, sound operators, hair and makeup, and 338 00:16:11,120 --> 00:16:14,000 Speaker 3: we're going to film them and make them look incredible. 339 00:16:14,320 --> 00:16:16,240 Speaker 3: And the work that I'm good and I'm gonna be using. 340 00:16:16,280 --> 00:16:19,120 Speaker 3: You know, my expertise is really the craft. I've devoted 341 00:16:19,120 --> 00:16:21,280 Speaker 3: my life to the craft after how many years now. 342 00:16:21,280 --> 00:16:24,160 Speaker 3: I went to school for it at SMU, and I've 343 00:16:24,160 --> 00:16:26,040 Speaker 3: been coaching actors for years. 344 00:16:26,720 --> 00:16:29,840 Speaker 2: You went to theater school at Southern Methodist University. I did, 345 00:16:30,040 --> 00:16:32,040 Speaker 2: Why believe it or not. 346 00:16:32,240 --> 00:16:35,480 Speaker 3: At the time it was in top ten undergraduate acting programs. 347 00:16:35,560 --> 00:16:38,800 Speaker 3: Wow in the country. Yeah, Kathy Bates went there. Yeah, 348 00:16:38,880 --> 00:16:41,680 Speaker 3: but what was the running back backfield? Eric Dickerson and 349 00:16:41,720 --> 00:16:44,720 Speaker 3: Craig James. The Pony Express. That's the pear shape history. 350 00:16:45,920 --> 00:16:48,200 Speaker 3: And have you ever seen there's a documentary called The 351 00:16:48,200 --> 00:16:51,920 Speaker 3: Pony about the Pony Express, an ESPN doc about My 352 00:16:52,040 --> 00:16:53,600 Speaker 3: friend Fad Matula made it. 353 00:16:53,960 --> 00:16:56,800 Speaker 2: But it's great. But yeah, no, are you in it? No? 354 00:16:56,960 --> 00:17:00,560 Speaker 2: But the football when I went there was terrible. Yeah, 355 00:17:00,640 --> 00:17:02,960 Speaker 2: well they cheated and they were like on some type 356 00:17:03,000 --> 00:17:04,480 Speaker 2: of ban for a tracade or something. 357 00:17:04,480 --> 00:17:06,400 Speaker 1: It was like no wins, but no quote unquote death 358 00:17:06,400 --> 00:17:09,560 Speaker 1: penalty or something with that's right, yeah see, but they 359 00:17:09,600 --> 00:17:13,119 Speaker 1: actually were forward thinking because they were doing nil before 360 00:17:13,160 --> 00:17:13,439 Speaker 1: it was. 361 00:17:13,520 --> 00:17:17,520 Speaker 3: Legal, right, well, just ahead of their time. Really that's 362 00:17:17,520 --> 00:17:20,520 Speaker 3: such a positive spin. But now they're playing well I guess, 363 00:17:20,560 --> 00:17:23,119 Speaker 3: but football college folks. So I don't watch college football. 364 00:17:23,119 --> 00:17:24,640 Speaker 3: It was never a part of my life. I never 365 00:17:24,840 --> 00:17:27,080 Speaker 3: got to like get into a team or whatever. So 366 00:17:27,560 --> 00:17:29,240 Speaker 3: I always just look the other way when it's on. 367 00:17:29,480 --> 00:17:32,560 Speaker 2: All right, So so with Adam, and this venture is 368 00:17:32,560 --> 00:17:36,520 Speaker 2: in Minnesota, and these workshops begin in May. But there's 369 00:17:36,680 --> 00:17:39,760 Speaker 2: there's a pre a pre ordering or signing up in 370 00:17:39,840 --> 00:17:43,280 Speaker 2: advance to save cash. It's in the lab dot org. 371 00:17:43,640 --> 00:17:48,480 Speaker 2: In the lab dot org limited to ten actors per session, 372 00:17:49,040 --> 00:17:52,520 Speaker 2: adults and those fourteen to eighteen separate classes. Right. 373 00:17:52,760 --> 00:17:54,640 Speaker 3: Yeah, I wanted to This is the one thing I'm 374 00:17:54,760 --> 00:17:57,240 Speaker 3: the I really. When I was a kid, I would 375 00:17:57,240 --> 00:17:59,240 Speaker 3: have just died to have the opportunity in eating pre 376 00:17:59,359 --> 00:18:00,359 Speaker 3: high school doing theater. 377 00:18:00,680 --> 00:18:02,120 Speaker 2: I would have loved to have the. 378 00:18:02,160 --> 00:18:05,000 Speaker 3: Access and the opportunity to work with somebody that's established 379 00:18:05,040 --> 00:18:08,280 Speaker 3: that knows this technique and knows what on camera work 380 00:18:08,359 --> 00:18:10,840 Speaker 3: is about. And I don't think there's a ton of 381 00:18:10,840 --> 00:18:14,480 Speaker 3: that here and a lot of kids, you know, would 382 00:18:14,560 --> 00:18:15,959 Speaker 3: love to have the access, so I want to give 383 00:18:15,960 --> 00:18:17,760 Speaker 3: it to him. I'm only doing one class, you know, 384 00:18:17,800 --> 00:18:19,720 Speaker 3: for kids, and I can't do too many people because 385 00:18:19,720 --> 00:18:21,639 Speaker 3: we have to film these things, yep, and it's a 386 00:18:21,680 --> 00:18:23,520 Speaker 3: lot of work to add it set up, and a 387 00:18:23,520 --> 00:18:26,400 Speaker 3: lot We are renting a high end cinema quality cameras 388 00:18:26,400 --> 00:18:27,560 Speaker 3: and the work we're going. 389 00:18:27,440 --> 00:18:29,760 Speaker 2: For it got Anthony Hopkins coming into one of them. 390 00:18:29,840 --> 00:18:30,119 Speaker 1: Coming. 391 00:18:30,359 --> 00:18:30,919 Speaker 2: He's coming. 392 00:18:31,840 --> 00:18:33,960 Speaker 3: I didn't just waiting to hear back from his management, 393 00:18:34,119 --> 00:18:37,400 Speaker 3: but no, I mean we're but you know, I want, 394 00:18:38,119 --> 00:18:39,960 Speaker 3: you know, for anyone who has kids who are in theater, 395 00:18:40,280 --> 00:18:43,040 Speaker 3: you know, who would love to have the opportunity to 396 00:18:43,359 --> 00:18:45,240 Speaker 3: try this or to get the opportunity to be on 397 00:18:45,359 --> 00:18:48,080 Speaker 3: set and have a real experience and really get some 398 00:18:48,240 --> 00:18:50,800 Speaker 3: great work that they can have and use. You can 399 00:18:50,880 --> 00:18:53,760 Speaker 3: use that, really get an agent to get auditions, to 400 00:18:54,320 --> 00:18:56,679 Speaker 3: book work. You know, your agents can take that and 401 00:18:56,720 --> 00:19:00,720 Speaker 3: send it to incoming movies and commercial and say hey, 402 00:19:00,720 --> 00:19:03,359 Speaker 3: look you know, and it's a huge selling point and 403 00:19:04,359 --> 00:19:06,800 Speaker 3: it's just it's for me. It feels really good to 404 00:19:06,920 --> 00:19:09,720 Speaker 3: like give back to the place that you know bread 405 00:19:09,760 --> 00:19:10,240 Speaker 3: me and. 406 00:19:10,440 --> 00:19:13,320 Speaker 2: Good for you, Bud. It feels good. So so yeah, 407 00:19:13,359 --> 00:19:15,480 Speaker 2: stick around, Okay, okay, I have a few more on 408 00:19:15,640 --> 00:19:19,240 Speaker 2: in the lab dot org for the artists, the actors 409 00:19:19,280 --> 00:19:22,879 Speaker 2: and your family fourteen to eighteen or adults in the 410 00:19:22,960 --> 00:19:25,280 Speaker 2: lab dot org. Take a peek in the lab dot 411 00:19:25,400 --> 00:19:28,480 Speaker 2: org and Adam Bartley is in studio with us. More 412 00:19:28,520 --> 00:19:50,240 Speaker 2: on that plus some Viking shatter coming up now. Just 413 00:19:50,240 --> 00:19:52,440 Speaker 2: a quick reminder before we bring in events. 414 00:19:52,640 --> 00:19:54,919 Speaker 1: Adam Bartley again, we're gonna do a live listen in 415 00:19:55,040 --> 00:19:58,119 Speaker 1: ninety six seven KFA and the Plus Class A semi 416 00:19:58,119 --> 00:20:00,680 Speaker 1: final action first takes this shot that hits a stick 417 00:20:00,720 --> 00:20:05,879 Speaker 1: and goes into that trapezoid area Hibbing. 418 00:20:06,119 --> 00:20:08,000 Speaker 2: We're going to get something going. Three minutes left to 419 00:20:08,040 --> 00:20:09,320 Speaker 2: go in period number. 420 00:20:09,160 --> 00:20:12,440 Speaker 1: One, another's shot down with them by Jesse might have 421 00:20:12,480 --> 00:20:13,639 Speaker 1: hit him off the mask. 422 00:20:13,600 --> 00:20:15,920 Speaker 2: And that is indeed Kevin Fallness on the call. 423 00:20:16,040 --> 00:20:18,320 Speaker 1: Ninety six to seven KFA n the Plus Class A 424 00:20:18,400 --> 00:20:22,440 Speaker 1: semi final Hibbing and Mota meade I first period action 425 00:20:22,520 --> 00:20:25,000 Speaker 1: taking place right now and after. 426 00:20:24,680 --> 00:20:29,920 Speaker 2: That Delano Delano plays is it a Warroad Yep, thank you Warrote. 427 00:20:30,000 --> 00:20:35,159 Speaker 2: Then six o'clock tonight Bobby Brinks Skippers taking on rose Mount, 428 00:20:35,240 --> 00:20:38,600 Speaker 2: and then you have the Dina and Morehead Dinah mooreheaded Day. Yeah, 429 00:20:38,600 --> 00:20:41,639 Speaker 2: they're the late one Minnesota State high school Hockey Tournament. 430 00:20:41,680 --> 00:20:45,160 Speaker 2: Adam Bartley Minnesota. He's an actor, but he's a Minnesotan 431 00:20:45,840 --> 00:20:49,399 Speaker 2: for all time. When I'm the state high school hockey tournament, 432 00:20:49,560 --> 00:20:51,400 Speaker 2: I mean I don't even need to, Like, I could 433 00:20:51,480 --> 00:20:54,119 Speaker 2: just stop right there and you could go back to 434 00:20:54,560 --> 00:20:56,880 Speaker 2: when you're at Eden Prairie High School with the likes 435 00:20:56,920 --> 00:21:00,560 Speaker 2: of Patriots wide receiver coach DoD Downing, and you could 436 00:21:00,600 --> 00:21:03,760 Speaker 2: probably remember when Lee Smith coached the Eagles and just 437 00:21:03,840 --> 00:21:06,679 Speaker 2: how big the high school hockey tournament was, even if 438 00:21:06,680 --> 00:21:07,840 Speaker 2: you're not really into hockey. 439 00:21:09,720 --> 00:21:12,040 Speaker 3: Yeah, it was huge. Was it was unbelievable. I mean, 440 00:21:12,080 --> 00:21:15,600 Speaker 3: my stepdad still is just watching a NonStop constantly on 441 00:21:15,640 --> 00:21:17,959 Speaker 3: the TV. But yeah, we were always good too, by 442 00:21:17,960 --> 00:21:20,040 Speaker 3: the way, Eden Prairie, We've always been pretty darn good 443 00:21:20,080 --> 00:21:23,440 Speaker 3: at the hockey. But yeah, it's pretty wild. 444 00:21:23,760 --> 00:21:27,840 Speaker 2: Vikings before you say goodbye, but first I Adam's here, 445 00:21:28,520 --> 00:21:34,879 Speaker 2: longtime dear friend, big time actor, longmire raised Anatomy Lucifer, 446 00:21:34,960 --> 00:21:35,880 Speaker 2: that series. 447 00:21:35,520 --> 00:21:38,920 Speaker 3: What Else night Sky on Amazon that was pretty recent. 448 00:21:39,080 --> 00:21:42,800 Speaker 1: Alight Night Sky is unbelievable, by the way, with JK Simmons, No, 449 00:21:42,960 --> 00:21:45,040 Speaker 1: I love that and I think it was just a 450 00:21:45,040 --> 00:21:46,080 Speaker 1: one season. 451 00:21:45,800 --> 00:21:48,120 Speaker 3: Right, Yeah, unfortunately, Yeah, it was one of the best 452 00:21:48,160 --> 00:21:49,560 Speaker 3: things I've ever been a part of. 453 00:21:49,680 --> 00:21:52,440 Speaker 1: It's truly an amazing show and really really well done. 454 00:21:52,480 --> 00:21:54,200 Speaker 1: That was Sissy Spasic too, maybe. 455 00:21:54,000 --> 00:21:56,560 Speaker 3: Yeah, Sissy and JK Simmons, And it was one of 456 00:21:56,600 --> 00:21:59,000 Speaker 3: the best times I've ever had working And we were 457 00:21:59,000 --> 00:22:01,800 Speaker 3: just shot in Chicago, and I was in Paris just 458 00:22:01,960 --> 00:22:05,000 Speaker 3: like going to the French Open doing press and couldn't 459 00:22:05,000 --> 00:22:06,639 Speaker 3: have had a better time in my life. Couldn't be it. 460 00:22:06,640 --> 00:22:08,280 Speaker 3: And this is just three or four years ago. And 461 00:22:08,440 --> 00:22:10,280 Speaker 3: then got the word this is at the beginning of 462 00:22:10,320 --> 00:22:14,199 Speaker 3: when these streaming services started to shrink and collapse and 463 00:22:14,240 --> 00:22:17,160 Speaker 3: stop putting the big investment in, you know, is sort 464 00:22:17,160 --> 00:22:19,200 Speaker 3: of the end of the big TV era. 465 00:22:19,400 --> 00:22:21,760 Speaker 1: Yeah, if I'm if I might ask about that, Like, 466 00:22:22,000 --> 00:22:23,879 Speaker 1: You've been in this business for a very long time, 467 00:22:23,960 --> 00:22:27,960 Speaker 1: so how how has streaming you know, me as a customer, 468 00:22:28,200 --> 00:22:30,320 Speaker 1: you know, habits change in terms of viewing and such 469 00:22:30,359 --> 00:22:33,800 Speaker 1: but I also think just the pressure to continually push 470 00:22:33,840 --> 00:22:37,120 Speaker 1: out new content, like what is that? How do you 471 00:22:37,280 --> 00:22:40,800 Speaker 1: experience or feel that on the acting end, where there 472 00:22:40,840 --> 00:22:43,879 Speaker 1: there are certainly more projects and opportunities, but the streaming business, 473 00:22:43,880 --> 00:22:46,439 Speaker 1: I feel like that's certainly changed kind of that industry 474 00:22:46,440 --> 00:22:46,960 Speaker 1: as a whole. 475 00:22:47,200 --> 00:22:50,600 Speaker 3: You know, it's a it's a real, very very hard 476 00:22:50,640 --> 00:22:52,399 Speaker 3: time right now. You know, we're still coming off of 477 00:22:52,440 --> 00:22:54,159 Speaker 3: the strikes just from a couple of years ago that 478 00:22:54,200 --> 00:22:56,560 Speaker 3: we're still paying for. There's a there's been a fifty 479 00:22:56,720 --> 00:23:02,240 Speaker 3: some percent reduction and productions in and overall because the 480 00:23:02,240 --> 00:23:05,280 Speaker 3: streaming model, which was precipitated by you know, Wall Street 481 00:23:05,320 --> 00:23:07,720 Speaker 3: and Silicon Valley, they kind of came in and bought 482 00:23:07,800 --> 00:23:10,480 Speaker 3: up the old model, which was Nielsen ratings and knowing 483 00:23:10,520 --> 00:23:13,200 Speaker 3: you know, it was advertising and you could see with advertising, 484 00:23:13,240 --> 00:23:15,520 Speaker 3: you could see, okay, you know, here's how many people 485 00:23:15,600 --> 00:23:18,359 Speaker 3: watched our show, and that gave this sort of leverage 486 00:23:18,400 --> 00:23:20,520 Speaker 3: that you could say, well, our show is kicking butt 487 00:23:20,920 --> 00:23:23,400 Speaker 3: and we can now you know, we can now try 488 00:23:23,440 --> 00:23:25,800 Speaker 3: and get more money for the show, for the actors 489 00:23:25,840 --> 00:23:29,200 Speaker 3: and everything. But with streaming, all that information is proprietary. 490 00:23:29,240 --> 00:23:30,640 Speaker 3: They don't need to give it to you. They don't 491 00:23:30,640 --> 00:23:32,520 Speaker 3: need it. They don't need to say how well your 492 00:23:32,560 --> 00:23:35,840 Speaker 3: shows are doing wow. So it completely eliminated any leverage 493 00:23:35,840 --> 00:23:37,639 Speaker 3: on the artists, and we're in, wo, how. 494 00:23:37,480 --> 00:23:38,120 Speaker 2: Can they do that? 495 00:23:38,280 --> 00:23:41,040 Speaker 3: They because they just did it because they own that 496 00:23:41,160 --> 00:23:43,000 Speaker 3: they have all their data and they don't need to 497 00:23:43,000 --> 00:23:45,160 Speaker 3: share it because legally they don't need to. So it's 498 00:23:45,240 --> 00:23:48,000 Speaker 3: changed the industry so much. And now they're contracting because 499 00:23:48,320 --> 00:23:50,639 Speaker 3: ultimately all the investment that they put in, which you 500 00:23:50,640 --> 00:23:53,560 Speaker 3: know Silicon Valley does, they put in all this investment 501 00:23:53,600 --> 00:23:56,399 Speaker 3: for their and it didn't pay off. I mean, it didn't. 502 00:23:56,480 --> 00:23:59,920 Speaker 3: The streaming model isn't as profitable as we had hoped. 503 00:24:00,160 --> 00:24:02,600 Speaker 3: So now we're all sitting around being like, well, what's next? 504 00:24:02,680 --> 00:24:04,960 Speaker 2: You know, but how is the streaming model not as 505 00:24:05,000 --> 00:24:09,200 Speaker 2: profitable as people thought? With the amounts of money they're 506 00:24:09,240 --> 00:24:12,959 Speaker 2: spending with the NBA and the NFL for you know, 507 00:24:13,119 --> 00:24:15,040 Speaker 2: third prime games and things like that. 508 00:24:15,160 --> 00:24:18,280 Speaker 3: Yeah, I mean I think that the sports and reality 509 00:24:18,320 --> 00:24:20,520 Speaker 3: stuff is really expanding a big time. 510 00:24:20,560 --> 00:24:23,320 Speaker 1: But you know, because of that, in terms of the 511 00:24:23,320 --> 00:24:25,960 Speaker 1: more original content is it isn't doing what it needs 512 00:24:26,000 --> 00:24:26,159 Speaker 1: to do. 513 00:24:26,320 --> 00:24:28,760 Speaker 3: Ask the teenagers, you know, what what shows are you 514 00:24:28,880 --> 00:24:31,040 Speaker 3: watching what what you know? What are you sitting on watching? 515 00:24:31,080 --> 00:24:33,200 Speaker 3: Are you sitting on watching full TV shows and movies 516 00:24:33,200 --> 00:24:35,080 Speaker 3: and most of them I'll tell you, Well, I'm watching 517 00:24:35,119 --> 00:24:37,640 Speaker 3: other people play video games for eight nine hours a day, 518 00:24:37,840 --> 00:24:40,880 Speaker 3: all the twitch bit, yeah, and watching YouTube and things 519 00:24:40,880 --> 00:24:43,159 Speaker 3: are changing. So we're trying to Holly was trying to 520 00:24:43,240 --> 00:24:43,760 Speaker 3: change with it. 521 00:24:44,119 --> 00:24:47,200 Speaker 2: My we're gonna land the plane with in the lab 522 00:24:47,240 --> 00:24:52,560 Speaker 2: dot org momentarily. But my favorite role of yours all 523 00:24:52,640 --> 00:24:58,280 Speaker 2: time was when you played Jacks Teller in Sons of Anarchy. 524 00:24:58,440 --> 00:25:01,560 Speaker 2: I always loved that one. I mean bring in full circle, 525 00:25:01,720 --> 00:25:04,240 Speaker 2: I mean rideing the way you run the motorcycle, the 526 00:25:04,359 --> 00:25:06,480 Speaker 2: end of it with the truck and everything was that 527 00:25:07,080 --> 00:25:08,280 Speaker 2: it was leaked. Yeah. 528 00:25:08,320 --> 00:25:10,480 Speaker 1: If someone rolls up though, and there is one of 529 00:25:10,480 --> 00:25:14,560 Speaker 1: those moments that the mistake, do you correct them or 530 00:25:14,640 --> 00:25:16,119 Speaker 1: do you just go with it? 531 00:25:16,640 --> 00:25:19,199 Speaker 3: I mean, it's never happened. I'm for me, you know, 532 00:25:19,280 --> 00:25:21,359 Speaker 3: anybody any actor that gets upset, I do get People 533 00:25:21,400 --> 00:25:23,480 Speaker 3: still come up and want, you know, autographs and pictures 534 00:25:23,480 --> 00:25:25,120 Speaker 3: and stuff, and it's always such a joy. 535 00:25:25,200 --> 00:25:27,320 Speaker 2: It's like, wow, you like what I do. That's awesome, 536 00:25:27,359 --> 00:25:28,080 Speaker 2: this feels great. 537 00:25:28,480 --> 00:25:30,479 Speaker 3: I don't know, I never understood actors that are like, 538 00:25:30,520 --> 00:25:32,679 Speaker 3: please leave me be. I'm you know, I mean when 539 00:25:32,720 --> 00:25:35,280 Speaker 3: you get super super famous, I understand. Hey, can I 540 00:25:35,320 --> 00:25:37,280 Speaker 3: bring up I have a thought about Viking stuff I 541 00:25:37,320 --> 00:25:38,200 Speaker 3: wanted to throw out. 542 00:25:38,320 --> 00:25:40,919 Speaker 2: In the lab dot org. Yeah, go to the website 543 00:25:40,920 --> 00:25:43,720 Speaker 2: for the artist in you or in your family. Adam's 544 00:25:43,760 --> 00:25:46,960 Speaker 2: behind this. It's going to be unbelievable. Limited to ten 545 00:25:47,040 --> 00:25:51,359 Speaker 2: actors per session. It's for adults and separate classes I 546 00:25:51,400 --> 00:25:55,119 Speaker 2: believe for those fourteen to eighteen correct, yes, so it 547 00:25:55,280 --> 00:26:00,199 Speaker 2: lastly here if some of them with with the with 548 00:26:00,240 --> 00:26:03,840 Speaker 2: the in the lab sessions and training you to be 549 00:26:03,880 --> 00:26:08,040 Speaker 2: on the silver screen, uh, et cetera with Adam really clicks, 550 00:26:08,040 --> 00:26:10,119 Speaker 2: if they knock it out of the park, would you 551 00:26:10,200 --> 00:26:13,399 Speaker 2: represent them on the spot and segue to that game? 552 00:26:13,800 --> 00:26:16,080 Speaker 3: Well, I mean I really do there. 553 00:26:16,480 --> 00:26:18,280 Speaker 2: In there and just kills it and you're like, who knew? 554 00:26:18,720 --> 00:26:20,440 Speaker 2: And then you've got to sign them up to Team 555 00:26:20,520 --> 00:26:22,640 Speaker 2: Bartley so you can get more mailbox money. 556 00:26:22,440 --> 00:26:25,439 Speaker 3: Start a management agency company. Yeah, no, I mean, you 557 00:26:25,480 --> 00:26:28,679 Speaker 3: know there, I would it would not be passed me 558 00:26:28,760 --> 00:26:32,119 Speaker 3: to recommend, you know, great actors that have real chance 559 00:26:32,160 --> 00:26:33,959 Speaker 3: here to agents or people I know in LA. 560 00:26:34,000 --> 00:26:36,600 Speaker 2: Why wouldn't I if they have an opportunity get anything 561 00:26:36,640 --> 00:26:38,520 Speaker 2: else within the lab we need to know. No, I 562 00:26:38,560 --> 00:26:40,480 Speaker 2: mean there's a March date. That's key. 563 00:26:40,760 --> 00:26:42,600 Speaker 3: It's May May second time. 564 00:26:42,640 --> 00:26:44,200 Speaker 2: I thought it was if you sign up mid March 565 00:26:44,280 --> 00:26:44,719 Speaker 2: or something. 566 00:26:44,880 --> 00:26:48,719 Speaker 3: Oh, I have an introductory early bird offer until March fifteenth. 567 00:26:48,840 --> 00:26:52,040 Speaker 2: Yeah, exactly, and then the price. How come I know 568 00:26:52,080 --> 00:26:53,920 Speaker 2: more about the website than you. I don't know. 569 00:26:54,119 --> 00:26:56,359 Speaker 3: I need a staff and you're number one on the list. 570 00:26:56,400 --> 00:26:59,879 Speaker 2: Affairs go alphabetically, Dude, I'm five weeks, six weeks from 571 00:27:00,119 --> 00:27:00,720 Speaker 2: from needing the. 572 00:27:00,680 --> 00:27:05,720 Speaker 3: Money may well May second through seventeenth. It's already half full, 573 00:27:05,760 --> 00:27:08,520 Speaker 3: which is exciting and so wow. Yeah people, I've only 574 00:27:08,600 --> 00:27:10,240 Speaker 3: launched it a week ago. It's going to fill up. 575 00:27:10,640 --> 00:27:13,840 Speaker 3: So grab your spot when you can. If you can, people, 576 00:27:13,920 --> 00:27:16,040 Speaker 3: tell actors, I really want. I'm trying to fill this 577 00:27:16,119 --> 00:27:18,399 Speaker 3: class up with students and get the word out. I'm 578 00:27:18,400 --> 00:27:20,720 Speaker 3: starting to call high schools I love that, call drama 579 00:27:20,760 --> 00:27:23,040 Speaker 3: teachers and let them know what I'm doing. 580 00:27:23,160 --> 00:27:26,359 Speaker 2: So vikings non stop in the final segment, which is 581 00:27:26,400 --> 00:27:29,879 Speaker 2: around the corner. But let me let me and this 582 00:27:29,960 --> 00:27:33,200 Speaker 2: part of the equation like this, and I hope it's 583 00:27:33,240 --> 00:27:36,840 Speaker 2: an answerable question. How does one get into character? 584 00:27:37,800 --> 00:27:41,879 Speaker 3: Oh that's interesting. Well, ultimately, especially for you know, on 585 00:27:41,960 --> 00:27:47,560 Speaker 3: camera work. You know, the the character in quotations is you. 586 00:27:47,560 --> 00:27:50,719 Speaker 3: You know, it's it's about the process, is about you know, 587 00:27:50,760 --> 00:27:54,040 Speaker 3: your the units, the things that make you you and 588 00:27:54,119 --> 00:27:56,680 Speaker 3: who you are and what makes you tick and how 589 00:27:56,720 --> 00:28:00,560 Speaker 3: you process something naturally, the elements of you that also 590 00:28:00,600 --> 00:28:02,840 Speaker 3: align with the character on the page that you're reading. 591 00:28:03,280 --> 00:28:05,359 Speaker 3: Sort of that's what comes out, you know. I think 592 00:28:05,480 --> 00:28:09,240 Speaker 3: it's finding ways to connect and empathize with the character 593 00:28:09,280 --> 00:28:11,720 Speaker 3: and have a real understanding for where they're coming from, 594 00:28:11,880 --> 00:28:14,800 Speaker 3: what they want, what they need, and in just the 595 00:28:14,840 --> 00:28:18,199 Speaker 3: empathizing with it, you then you know, so then it 596 00:28:18,240 --> 00:28:20,280 Speaker 3: comes out through you. You want it to come out 597 00:28:20,280 --> 00:28:22,680 Speaker 3: through you and your uniqueness in the way in which 598 00:28:22,760 --> 00:28:26,040 Speaker 3: you live and breathe and go through the world. I mean, 599 00:28:26,040 --> 00:28:28,800 Speaker 3: we have these we all play different characters. We're different 600 00:28:28,840 --> 00:28:31,879 Speaker 3: with our mom, we're different with our you know, relationships, 601 00:28:31,880 --> 00:28:34,800 Speaker 3: we're different with people at work. We're all playing different characters. 602 00:28:34,800 --> 00:28:35,800 Speaker 3: People just don't know it. 603 00:28:35,960 --> 00:28:36,080 Speaker 2: Now. 604 00:28:36,200 --> 00:28:38,280 Speaker 3: The hardest thing is when the cameras are on you 605 00:28:38,400 --> 00:28:40,840 Speaker 3: and you know you're being watched, and you know you're 606 00:28:41,120 --> 00:28:44,120 Speaker 3: focus on you. The hardest thing that is to be 607 00:28:45,120 --> 00:28:49,560 Speaker 3: unequivocally yourself and trust that even in your smallness, you're 608 00:28:49,640 --> 00:28:53,520 Speaker 3: most insignificant. Just sitting and listening that it's it's interesting 609 00:28:53,640 --> 00:28:56,280 Speaker 3: enough and that it's worthy of people's attention. 610 00:28:56,440 --> 00:29:00,880 Speaker 2: That's hard. It's really hard. Leonardo DiCaprio Wall Street? Was 611 00:29:00,920 --> 00:29:03,160 Speaker 2: he in that? Oh yeah, Okay. Now here's why I 612 00:29:03,200 --> 00:29:05,920 Speaker 2: asked that question because when I was writing this yesterday 613 00:29:05,960 --> 00:29:09,560 Speaker 2: and just like searching for Adam Bartley, Doppelgang or stuff 614 00:29:09,600 --> 00:29:13,640 Speaker 2: like that, I came across a clip a I think 615 00:29:13,680 --> 00:29:17,160 Speaker 2: it was a YouTube short of somebody being like, look 616 00:29:17,160 --> 00:29:20,800 Speaker 2: at Leonardo DiCaprio get in character here, and it was 617 00:29:20,800 --> 00:29:23,120 Speaker 2: a behind the scenes shop from Wolfe of Wall Street 618 00:29:23,600 --> 00:29:25,400 Speaker 2: and he has this head down a little bit, then 619 00:29:25,480 --> 00:29:28,960 Speaker 2: you hear the whatever and he picks it up and 620 00:29:29,440 --> 00:29:32,800 Speaker 2: just kills it. So he went from just like normal 621 00:29:32,960 --> 00:29:37,040 Speaker 2: thinking about something like okay, three two boom. It was him, 622 00:29:37,520 --> 00:29:39,960 Speaker 2: but it was but it was the role, it was 623 00:29:40,000 --> 00:29:43,280 Speaker 2: the getting into character piece. It was. It was a masterpiece. 624 00:29:43,320 --> 00:29:45,360 Speaker 3: I know the clip you're talking about, and I mean 625 00:29:45,400 --> 00:29:47,720 Speaker 3: that's pretty standard, you know, I mean, that's that's pretty 626 00:29:47,800 --> 00:29:50,200 Speaker 3: across the board for it. I trained and you know 627 00:29:50,320 --> 00:29:52,280 Speaker 3: with a guy that was his acting coach for a 628 00:29:52,280 --> 00:29:54,040 Speaker 3: long time. I did a workshop with him in La 629 00:29:54,320 --> 00:29:56,920 Speaker 3: years ago. And you know, it's it's all the same 630 00:29:57,080 --> 00:29:59,000 Speaker 3: kind of stuff coming from the same. 631 00:29:59,200 --> 00:30:02,560 Speaker 2: Field of stuff, which is it's called packing. You got 632 00:30:02,560 --> 00:30:03,480 Speaker 2: to pack your bags. 633 00:30:03,600 --> 00:30:05,560 Speaker 3: And if you're in a scene where you're running around 634 00:30:05,640 --> 00:30:08,680 Speaker 3: like trying to amp everybody up and get him to sell, sell, sell, 635 00:30:08,760 --> 00:30:09,920 Speaker 3: like he was in that scene. 636 00:30:10,000 --> 00:30:12,440 Speaker 2: Yeah, you're he's packing. That was the scene. 637 00:30:12,520 --> 00:30:15,440 Speaker 3: Yeah, I know, he's piece packing. Inside, he's he's telling, 638 00:30:15,480 --> 00:30:18,160 Speaker 3: he's going over his work and his his preparation, and 639 00:30:18,200 --> 00:30:20,400 Speaker 3: he's and he's making sure in his head he's probably going, 640 00:30:20,440 --> 00:30:22,280 Speaker 3: all right, you're gonna get in there, You're gonna tell this, 641 00:30:22,280 --> 00:30:24,440 Speaker 3: You're gonna come this. That's what he's doing so that 642 00:30:24,680 --> 00:30:28,800 Speaker 3: as soon as we hit go, he's energetically and spiritually 643 00:30:28,920 --> 00:30:31,960 Speaker 3: and physically in them in that modality. 644 00:30:32,360 --> 00:30:35,600 Speaker 2: Adam Bartley, Minnesota, an actor in the lab dot Org 645 00:30:35,760 --> 00:30:40,840 Speaker 2: give it a look some Vikings conversation after this and 646 00:30:40,880 --> 00:30:42,280 Speaker 2: he heard it there in the liner again. 647 00:30:42,440 --> 00:30:45,040 Speaker 1: State Boys Hockey Tournament is here and we are your 648 00:30:45,120 --> 00:30:47,800 Speaker 1: RN side destination for all the action played a little 649 00:30:47,840 --> 00:30:50,920 Speaker 1: live listening with fondness, but uh, the semi finals games 650 00:30:50,920 --> 00:30:53,200 Speaker 1: Class A. You're gonna hear him on ninety six seven 651 00:30:53,440 --> 00:30:56,080 Speaker 1: the Plus and also listen of course KFA N We 652 00:30:56,120 --> 00:30:59,000 Speaker 1: got double a games tonight KFA and YouTube channel. It 653 00:30:59,080 --> 00:31:01,760 Speaker 1: is indeed all presented by James Hardy, the number one 654 00:31:01,800 --> 00:31:03,680 Speaker 1: brand of siding in North America. 655 00:31:04,120 --> 00:31:07,800 Speaker 2: That's beautiful, just like Adam Bartley actor in Minnesota. Adam 656 00:31:07,840 --> 00:31:11,400 Speaker 2: Bartley for a couple of minutes. Vikings fan too, and 657 00:31:11,560 --> 00:31:15,200 Speaker 2: a lot of Jack's. Tell her this, Woody Harrelson, that Hollywood, 658 00:31:15,240 --> 00:31:19,560 Speaker 2: this Eden Prairie High School. That you have something on 659 00:31:19,600 --> 00:31:22,200 Speaker 2: your mind involving your favorite football team, what is it? 660 00:31:22,320 --> 00:31:24,480 Speaker 3: Well, I've wanted to share first before I started. I 661 00:31:24,480 --> 00:31:26,880 Speaker 3: just have to shout out to my brethren of Valhalla, 662 00:31:26,960 --> 00:31:29,760 Speaker 3: my buddies who are just so are listening and we 663 00:31:30,800 --> 00:31:36,160 Speaker 3: are on texts thread all year long, constantly arguing, debating, 664 00:31:37,040 --> 00:31:40,040 Speaker 3: sometimes viciously getting into it. You know, Kirk was a 665 00:31:40,040 --> 00:31:42,680 Speaker 3: big subject for us for a long time, of lots 666 00:31:42,720 --> 00:31:45,440 Speaker 3: of uh. You know, I thought maybe we might might 667 00:31:45,480 --> 00:31:47,400 Speaker 3: lose a few of these friends based on. 668 00:31:47,320 --> 00:31:50,480 Speaker 2: Which one of your friends incessantly is like O'Connell, doesn't 669 00:31:50,520 --> 00:31:54,080 Speaker 2: run enough. Well, there's always those in a. 670 00:31:54,120 --> 00:31:58,720 Speaker 3: Group chat, yeah, Jason probably, Yeah, No, there's there's that. 671 00:31:58,800 --> 00:32:00,360 Speaker 2: But really, the quarterback has. 672 00:32:00,280 --> 00:32:03,360 Speaker 3: Been a real cause for conjecture for a long time. 673 00:32:03,360 --> 00:32:05,960 Speaker 3: And I have the thought that for me, my life 674 00:32:06,000 --> 00:32:08,320 Speaker 3: is about story. Why I love the Vikings, why I 675 00:32:08,320 --> 00:32:10,560 Speaker 3: love sports while I follow this team so intently as 676 00:32:10,640 --> 00:32:13,240 Speaker 3: the story. Right, we're watching a story. Everybody's watching a 677 00:32:13,320 --> 00:32:15,760 Speaker 3: kind of story, and there's updates on the story. There's 678 00:32:15,760 --> 00:32:17,160 Speaker 3: a little elements and different things. 679 00:32:17,360 --> 00:32:20,160 Speaker 2: I personally this is like chapter sixty eight or sixty nine. 680 00:32:20,200 --> 00:32:21,520 Speaker 2: We still have no happy ending. 681 00:32:21,640 --> 00:32:24,200 Speaker 3: And there never will be hopefully ending. That's part of it. 682 00:32:24,200 --> 00:32:26,200 Speaker 3: We know there won't be an ending. It just keeps going. 683 00:32:26,640 --> 00:32:28,360 Speaker 3: But like you know, you have to look at the 684 00:32:28,400 --> 00:32:31,440 Speaker 3: story of Kirk and the time he had hear and 685 00:32:31,480 --> 00:32:33,920 Speaker 3: how successful we were in our season and then in 686 00:32:33,960 --> 00:32:35,200 Speaker 3: the playoffs not so much. 687 00:32:35,360 --> 00:32:38,960 Speaker 2: We got a chains fan. I can feel with common no, no, no, no. 688 00:32:39,120 --> 00:32:44,240 Speaker 3: What I'm saying is frame Donald's year and us dumping, 689 00:32:44,440 --> 00:32:46,360 Speaker 3: not dumping, about us moving on from him or letting 690 00:32:46,400 --> 00:32:48,680 Speaker 3: Seattle take him, I should say, is their appropriate thing. 691 00:32:49,000 --> 00:32:52,360 Speaker 3: You can't frame that decision without the story of Kirk 692 00:32:52,440 --> 00:32:55,040 Speaker 3: before one thing leads to the other. If we had no. 693 00:32:54,920 --> 00:32:58,360 Speaker 2: Good quarterback Donald, that's right, that's right. 694 00:32:58,400 --> 00:32:59,160 Speaker 3: But letting Brick. 695 00:32:58,960 --> 00:33:02,640 Speaker 2: Gets go, I'm playing in the movie someday. I think 696 00:33:02,640 --> 00:33:07,160 Speaker 2: he's trying to become Brazinski's right hand man. Keep going, No, 697 00:33:07,280 --> 00:33:08,080 Speaker 2: I'm just saying that. 698 00:33:08,240 --> 00:33:12,040 Speaker 3: I just think here's here's my take on the McCarthy situation. 699 00:33:12,600 --> 00:33:13,560 Speaker 2: I think we all saw. 700 00:33:13,400 --> 00:33:16,160 Speaker 3: Moments with him, and you heard Brazinsky talk about McCarthy 701 00:33:16,160 --> 00:33:18,120 Speaker 3: and about how everybody's being pretty harsh on him. You know, 702 00:33:18,120 --> 00:33:20,640 Speaker 3: you talked about it earlier in the show. I think 703 00:33:20,680 --> 00:33:23,120 Speaker 3: that is true. But also, let's just let me just 704 00:33:23,160 --> 00:33:26,320 Speaker 3: frame it this way. If I could write a Hollywood 705 00:33:26,360 --> 00:33:29,400 Speaker 3: film script about you know, if I could write, I 706 00:33:29,440 --> 00:33:33,600 Speaker 3: could not write a first act any better than the 707 00:33:34,120 --> 00:33:39,040 Speaker 3: dumpster fire of media coverage and situation of McCarthy's first 708 00:33:39,400 --> 00:33:42,120 Speaker 3: sort of year of playing. I mean, just a disaster 709 00:33:42,240 --> 00:33:45,800 Speaker 3: in every way. I mean, here in your mind, don't 710 00:33:45,840 --> 00:33:47,720 Speaker 3: you talk about it. I mean, if you want to 711 00:33:47,760 --> 00:33:49,239 Speaker 3: set up, if you want to set up, and this 712 00:33:49,320 --> 00:33:52,240 Speaker 3: kid is like, he he's streight, he like is full 713 00:33:52,280 --> 00:33:55,160 Speaker 3: of spirit, and he has that kind of movie going 714 00:33:55,160 --> 00:33:57,320 Speaker 3: on all the time. Sometimes maybe when he shouldn't. But 715 00:33:57,960 --> 00:34:00,880 Speaker 3: like he is in tapped into that kind of flow 716 00:34:00,920 --> 00:34:04,200 Speaker 3: and vibe, And all I'm saying is that he doesn't 717 00:34:04,240 --> 00:34:07,280 Speaker 3: need to create a movie in his mind to come 718 00:34:07,320 --> 00:34:08,200 Speaker 3: out and ball. 719 00:34:08,360 --> 00:34:09,040 Speaker 2: He didn't need it. 720 00:34:09,120 --> 00:34:11,000 Speaker 3: He's all he's got to do is just think about 721 00:34:11,000 --> 00:34:13,960 Speaker 3: what happened last year and reach. It's a perfect setup 722 00:34:14,200 --> 00:34:16,880 Speaker 3: for these storytellers for him to come out and do something. 723 00:34:16,920 --> 00:34:18,440 Speaker 3: I'm just saying, it's on the table. He's got to 724 00:34:18,440 --> 00:34:20,919 Speaker 3: stay healthy, but it's on the table that people could 725 00:34:20,960 --> 00:34:23,560 Speaker 3: be absolutely Florida. I'm here for it. I want to 726 00:34:23,600 --> 00:34:26,360 Speaker 3: see it. If he gets you know, if he isn't 727 00:34:26,880 --> 00:34:29,560 Speaker 3: you know, if somebody else isn't starting over him, he 728 00:34:29,640 --> 00:34:33,120 Speaker 3: has a shot, I think, to shut everybody up in 729 00:34:33,239 --> 00:34:35,439 Speaker 3: maybe one of the biggest ways we've ever seen here. 730 00:34:35,560 --> 00:34:37,800 Speaker 3: And boy, would that be a story. That's what I'm saying. 731 00:34:38,000 --> 00:34:42,040 Speaker 2: There is acting immortality and I'm gonna say, God rest 732 00:34:42,080 --> 00:34:44,760 Speaker 2: his soul, because he would probably be one hundred plus 733 00:34:45,000 --> 00:34:49,719 Speaker 2: if he wasn't dead. Nicknamed the Duke, Oh yeah, John Wayne, Oh. 734 00:34:49,719 --> 00:34:50,719 Speaker 3: Yeah, I know his grandson. 735 00:34:50,920 --> 00:34:54,920 Speaker 2: Pity the fools who told John Wayne all the way 736 00:34:55,040 --> 00:34:57,439 Speaker 2: until he was like age twenty nine to thirty one. 737 00:34:57,960 --> 00:35:01,280 Speaker 2: You don't fit, You don't fit. And then he became 738 00:35:01,360 --> 00:35:05,640 Speaker 2: the Duke. The Duke. The Duke was on fire. They 739 00:35:05,680 --> 00:35:08,959 Speaker 2: gave up on John Wayne, and he's John Wayne. Don't 740 00:35:08,960 --> 00:35:10,040 Speaker 2: give up on the kid. 741 00:35:09,920 --> 00:35:12,840 Speaker 3: Right, Yeah, and then he basically just owned Hollywood for 742 00:35:12,880 --> 00:35:14,439 Speaker 3: about two decades. 743 00:35:14,200 --> 00:35:16,439 Speaker 2: And Geen Audrey never paid for any meals out there, ma'am. 744 00:35:16,480 --> 00:35:19,400 Speaker 3: Yeah, I'm just saying. I mean, the kids got something 745 00:35:19,440 --> 00:35:21,840 Speaker 3: in there, and we've seen it, and the question is 746 00:35:21,880 --> 00:35:24,400 Speaker 3: can he, you know, can he technically catch up? 747 00:35:24,480 --> 00:35:24,640 Speaker 1: You know? 748 00:35:24,640 --> 00:35:28,080 Speaker 3: And we saw People don't really remember Josh Allen's first year. 749 00:35:28,120 --> 00:35:30,120 Speaker 3: They don't even think about it. But it wasn't great. 750 00:35:30,280 --> 00:35:30,480 Speaker 1: You know. 751 00:35:30,840 --> 00:35:32,799 Speaker 2: It was great at us Bank Stadium when they were 752 00:35:32,840 --> 00:35:35,759 Speaker 2: sixteen and a half point underdogs and he ran over everybody. 753 00:35:35,840 --> 00:35:39,840 Speaker 2: He was hurdling Anthony Barr unfortunately, I do remember that. Yeah. 754 00:35:39,880 --> 00:35:43,040 Speaker 2: In the Lab dot org for the is actor and 755 00:35:43,120 --> 00:35:45,880 Speaker 2: actress still acceptable to be artist? Oh? 756 00:35:45,960 --> 00:35:49,319 Speaker 4: It's acceptable, all right if you have emerging actors or 757 00:35:49,360 --> 00:35:53,160 Speaker 4: actresses or artists in your home and they dreamed to 758 00:35:53,160 --> 00:35:55,440 Speaker 4: get on the silver screen and they got skills in 759 00:35:55,520 --> 00:35:56,479 Speaker 4: the lab dot org. 760 00:35:56,719 --> 00:35:58,719 Speaker 2: In the Lab dot Org, I love your brother, good 761 00:35:58,719 --> 00:35:59,040 Speaker 2: sceneing you. 762 00:35:59,360 --> 00:36:00,560 Speaker 3: Thanks for having me appreciate this. 763 00:36:00,800 --> 00:36:02,640 Speaker 2: Adam Bartley, love you too, nord to see you soon, 764 00:36:02,719 --> 00:36:07,279 Speaker 2: Love you Nordo. Today four o'clock ware Minneapolis Convention Center, 765 00:36:07,360 --> 00:36:10,120 Speaker 2: Northwest Sports Show. Everybody have a great weekend. God bless 766 00:36:10,160 --> 00:36:12,560 Speaker 2: you and all your families. And thanks for listening to 767 00:36:12,680 --> 00:36:16,520 Speaker 2: nine to noon. The program is next podcast, Today's Paul 768 00:36:16,560 --> 00:36:19,400 Speaker 2: Allen Show. We're listen back to previous show and interview. 769 00:36:19,480 --> 00:36:22,200 Speaker 2: So I joined to the iHeartRadio app for KFA