1 00:00:00,480 --> 00:00:01,480 Speaker 1: Hey, it's Neil Savedra. 2 00:00:01,600 --> 00:00:04,560 Speaker 2: You're listening to kfi EM six forty the fore Purport 3 00:00:04,720 --> 00:00:23,880 Speaker 2: on demand on the iHeartRadio app k i AM six 4 00:00:24,040 --> 00:00:27,080 Speaker 2: forty live everywhere on the iHeartRadio app. So here's the deal, 5 00:00:27,120 --> 00:00:30,000 Speaker 2: here's the reality. It's the four Report. I'm Neil Savedra 6 00:00:31,280 --> 00:00:36,520 Speaker 2: uh twenty ten. I started this show. I pitched it 7 00:00:36,600 --> 00:00:40,519 Speaker 2: to then program director Rob Bernlucci and the president of 8 00:00:40,560 --> 00:00:45,680 Speaker 2: the company at the time, Greg Ashlock, and I wanted 9 00:00:45,720 --> 00:00:50,040 Speaker 2: to I'll focus on celebrating food and not from the 10 00:00:50,080 --> 00:00:52,400 Speaker 2: standpoint of being a chef, because I'm not. 11 00:00:52,760 --> 00:00:53,400 Speaker 1: I'm a cook. 12 00:00:53,600 --> 00:00:56,840 Speaker 2: I like to cook, but I'm not a trained chef 13 00:00:56,920 --> 00:00:59,760 Speaker 2: or anything like that. I like the science behind food 14 00:01:00,080 --> 00:01:03,720 Speaker 2: all those things, but I'm constantly learning. I'm a thirsty dude. 15 00:01:04,280 --> 00:01:08,200 Speaker 2: I'm always looking to learn and to ask questions. And 16 00:01:08,240 --> 00:01:10,480 Speaker 2: that was one of the reasons. The second thing is 17 00:01:10,520 --> 00:01:13,720 Speaker 2: I'm not a critic. I'll tell you what I like 18 00:01:13,800 --> 00:01:15,600 Speaker 2: and why I like it. And the reason why I 19 00:01:15,680 --> 00:01:22,320 Speaker 2: think the second part's important is maybe something's brainy, very oceany, 20 00:01:22,400 --> 00:01:24,600 Speaker 2: it's got, you know a little bit, it just has 21 00:01:24,680 --> 00:01:29,880 Speaker 2: that kind of see whatever vibe to it. Well, if 22 00:01:29,920 --> 00:01:33,039 Speaker 2: I like that or don't like that. I mention that 23 00:01:33,240 --> 00:01:36,840 Speaker 2: because you may go, oh, I love that. So I 24 00:01:36,840 --> 00:01:39,120 Speaker 2: don't say this is good or this is bad unless 25 00:01:39,240 --> 00:01:42,280 Speaker 2: I feel that the technique, the ingredients and everything is 26 00:01:42,480 --> 00:01:48,480 Speaker 2: just wrong. That's not a taste thing that is not 27 00:01:48,800 --> 00:01:51,840 Speaker 2: that's just hey, that's not that's not done right. It's 28 00:01:51,880 --> 00:01:55,360 Speaker 2: not it that's different. It's pretty rare when you come 29 00:01:55,360 --> 00:02:04,120 Speaker 2: across that. I remember remember one time and it came 30 00:02:04,160 --> 00:02:09,400 Speaker 2: through someone that they asked me to interview the They 31 00:02:09,520 --> 00:02:13,560 Speaker 2: really begged me. They were like, listen, we're struggling. We'd 32 00:02:13,600 --> 00:02:17,280 Speaker 2: love to come on your show. That they the place 33 00:02:17,639 --> 00:02:21,280 Speaker 2: it was in Los Angeles was way too big for 34 00:02:21,440 --> 00:02:24,040 Speaker 2: their concept and they were way over their head. I 35 00:02:24,040 --> 00:02:27,000 Speaker 2: didn't know it at the time they came on the show. 36 00:02:27,520 --> 00:02:29,880 Speaker 2: You know, I feel it's my duty to help when 37 00:02:29,880 --> 00:02:32,200 Speaker 2: I can in the Southland when it comes to food. 38 00:02:32,960 --> 00:02:37,800 Speaker 2: They came on the show and they brought out the food. 39 00:02:39,160 --> 00:02:44,119 Speaker 2: I tasted it and during a break, I said, this 40 00:02:44,200 --> 00:02:52,360 Speaker 2: food is below your average home cook and I looked 41 00:02:52,360 --> 00:02:54,720 Speaker 2: them in the eye. I didn't embarrass them on the air, 42 00:02:55,720 --> 00:02:57,799 Speaker 2: but I said this won't stand and you guys are 43 00:02:57,840 --> 00:02:58,320 Speaker 2: in trouble. 44 00:02:59,560 --> 00:02:59,880 Speaker 1: They were. 45 00:03:00,000 --> 00:03:05,239 Speaker 2: I don't think they lasted another week. And I tell 46 00:03:05,280 --> 00:03:10,880 Speaker 2: you this story because on the flip side, you know, 47 00:03:11,320 --> 00:03:15,400 Speaker 2: having the moment or having an opportunity to connect with 48 00:03:16,360 --> 00:03:22,839 Speaker 2: somebody who's doing it right in my opinion, like Tebou Ducini. 49 00:03:22,280 --> 00:03:23,040 Speaker 1: Who was just on. 50 00:03:23,760 --> 00:03:27,119 Speaker 2: He is the proprietor of the Wine Station in downtown 51 00:03:27,160 --> 00:03:29,600 Speaker 2: Los Angeles. You can find out more at the Wine 52 00:03:29,639 --> 00:03:38,360 Speaker 2: Station hyphen dtla dot com. I just like that's the 53 00:03:38,360 --> 00:03:42,160 Speaker 2: flip side, that's me connecting, and that's fun for me, 54 00:03:42,560 --> 00:03:44,640 Speaker 2: So I hope it was fun for you as well 55 00:03:45,000 --> 00:03:48,640 Speaker 2: to get to know somebody who's creating food in Los 56 00:03:48,680 --> 00:03:51,760 Speaker 2: Angeles here in the Southland and is doing it with 57 00:03:51,880 --> 00:03:55,760 Speaker 2: passion and bringing love of his own culture, being French 58 00:03:56,400 --> 00:04:02,120 Speaker 2: Southern France. And I just enjoyed so much so that 59 00:04:02,200 --> 00:04:06,640 Speaker 2: I was late coming back, sorry guys, because it just 60 00:04:07,200 --> 00:04:10,920 Speaker 2: when you meet people that have those same passions and 61 00:04:11,000 --> 00:04:15,840 Speaker 2: love for food, it's just exciting. Like I could recommend 62 00:04:15,840 --> 00:04:18,080 Speaker 2: that place hands down over and over again and know 63 00:04:18,160 --> 00:04:20,720 Speaker 2: that people are going to enjoy it. Now does that 64 00:04:20,760 --> 00:04:24,720 Speaker 2: always happen? No, there's humans involved in everything, but when 65 00:04:24,800 --> 00:04:26,480 Speaker 2: you know that they have the building blocks, I get 66 00:04:26,520 --> 00:04:28,800 Speaker 2: excited so That's why I was like, we were taking pictures, 67 00:04:29,160 --> 00:04:33,480 Speaker 2: still talking and I try and involve you in as 68 00:04:33,520 --> 00:04:37,560 Speaker 2: much as that as possible. Unfortunately, we have to get 69 00:04:37,720 --> 00:04:41,320 Speaker 2: you know, pay the bills and then fortunately we get 70 00:04:41,320 --> 00:04:42,880 Speaker 2: the news from my lean and get to know what's 71 00:04:42,920 --> 00:04:46,200 Speaker 2: going on. But that's why I just really want to 72 00:04:46,240 --> 00:04:49,080 Speaker 2: connect with people on the show. It's one of the 73 00:04:49,080 --> 00:04:50,839 Speaker 2: things that made me want to do the show in 74 00:04:50,880 --> 00:04:53,880 Speaker 2: the first place, just to meet people and hear their 75 00:04:54,000 --> 00:04:57,400 Speaker 2: stories of how they get started and the path they 76 00:04:57,440 --> 00:05:02,480 Speaker 2: go down, and learn what makes them excited or wanting 77 00:05:02,520 --> 00:05:06,320 Speaker 2: you to try something, you know, just wanting you to 78 00:05:06,360 --> 00:05:06,760 Speaker 2: taste this. 79 00:05:06,920 --> 00:05:08,200 Speaker 1: Oh my god, you gotta taste it. 80 00:05:08,279 --> 00:05:12,160 Speaker 2: Now, there's seven kids in my family, six of us 81 00:05:12,160 --> 00:05:15,440 Speaker 2: are boys, so growing up, the last thing you want 82 00:05:15,480 --> 00:05:19,320 Speaker 2: to hear from one of your brothers is the phrase 83 00:05:19,560 --> 00:05:24,000 Speaker 2: taste this or smell this. Seriously, if you don't have brothers, 84 00:05:24,080 --> 00:05:27,560 Speaker 2: trust me, don't taste it and don't smell it. 85 00:05:28,600 --> 00:05:29,760 Speaker 1: But as you. 86 00:05:29,680 --> 00:05:32,240 Speaker 2: Get older and you get better friends in your life 87 00:05:32,960 --> 00:05:35,400 Speaker 2: you could trust then when they get that passion and 88 00:05:35,440 --> 00:05:37,159 Speaker 2: they go, oh my gosh, you've got to taste this, 89 00:05:37,279 --> 00:05:41,039 Speaker 2: that's a that's a that's a pretty big deal, and 90 00:05:41,640 --> 00:05:45,520 Speaker 2: the pride in the simplicity of a dish is one 91 00:05:45,520 --> 00:05:49,440 Speaker 2: of the things I appreciate to So that crudo, you know, 92 00:05:49,480 --> 00:05:51,880 Speaker 2: I'm not even supposed to eat crudo because I had 93 00:05:51,880 --> 00:05:56,440 Speaker 2: a kidney transplant, so I gotta be careful because my 94 00:05:57,680 --> 00:06:02,120 Speaker 2: you know, I don't have the fighting immune system that 95 00:06:02,200 --> 00:06:04,599 Speaker 2: you may have in the same way, in the same sense. 96 00:06:05,080 --> 00:06:08,120 Speaker 2: But I was like, oh my god, I'm gonna have 97 00:06:08,200 --> 00:06:11,800 Speaker 2: another piece, and it looked so great. I was like, 98 00:06:11,880 --> 00:06:13,839 Speaker 2: you know, I don't do this often. I'll do this 99 00:06:13,880 --> 00:06:16,920 Speaker 2: every once in a while. So that's why I was 100 00:06:17,000 --> 00:06:19,880 Speaker 2: late and why I praise people that are doing it right. 101 00:06:20,440 --> 00:06:24,560 Speaker 2: The wines that he brought. Now, keep in mind if 102 00:06:24,600 --> 00:06:27,960 Speaker 2: you're if you struggle with alcoholism, it may be different. 103 00:06:28,000 --> 00:06:32,760 Speaker 2: You don't want something that tastes like alcohol, but if 104 00:06:32,800 --> 00:06:35,279 Speaker 2: you just choose, you go. You know what I don't. 105 00:06:36,080 --> 00:06:37,599 Speaker 2: Alcohol is just not a thing that I want in 106 00:06:37,640 --> 00:06:42,880 Speaker 2: my system. Or maybe you partake in Mota, maybe you 107 00:06:42,920 --> 00:06:47,320 Speaker 2: partake in the Mary Johanna, and you don't want to 108 00:06:47,480 --> 00:06:51,359 Speaker 2: add to that by mixing alcohol or whatever it is, 109 00:06:51,400 --> 00:06:55,240 Speaker 2: whatever your jam is, then you're having a zero ABV 110 00:06:55,480 --> 00:06:59,559 Speaker 2: or a zero alcohol wine like that that sparkling wine 111 00:06:59,720 --> 00:07:05,479 Speaker 2: was lovely, Like I'm like that sounds great. Like that 112 00:07:05,839 --> 00:07:09,560 Speaker 2: and a chacuter reboard and you don't have to worry 113 00:07:09,600 --> 00:07:12,400 Speaker 2: about a buzz or anything like that. Come on now, 114 00:07:12,960 --> 00:07:14,480 Speaker 2: all right, So that's what that was all about. 115 00:07:14,520 --> 00:07:15,240 Speaker 1: I always get. 116 00:07:15,080 --> 00:07:18,160 Speaker 2: Excited when I get to connect with people. Plus Melissa, 117 00:07:18,560 --> 00:07:21,200 Speaker 2: who was doing his pr I've known her forever. 118 00:07:21,760 --> 00:07:23,600 Speaker 1: So all right, stick around. 119 00:07:24,080 --> 00:07:27,080 Speaker 3: You're listening to The Fork Report with Neil Savedra on 120 00:07:27,200 --> 00:07:30,680 Speaker 3: demand from KFI AM six forty. 121 00:07:31,840 --> 00:07:34,000 Speaker 2: It's Neil Savedra and the Fork Report. 122 00:07:34,120 --> 00:07:35,160 Speaker 1: This is what we do. 123 00:07:35,240 --> 00:07:37,760 Speaker 2: We hang out, we talk about food, we celebrate it 124 00:07:37,800 --> 00:07:42,080 Speaker 2: the people that make it. And boy, today has been 125 00:07:42,080 --> 00:07:43,920 Speaker 2: one of those days for sure, and it's just one 126 00:07:43,920 --> 00:07:49,920 Speaker 2: of the quintessential Southern California days and it's a great 127 00:07:50,040 --> 00:07:55,200 Speaker 2: summer day. But here's here's here's the switch. It's mid January, 128 00:07:56,800 --> 00:08:00,360 Speaker 2: but it is. I think we're having some family come 129 00:08:00,400 --> 00:08:03,520 Speaker 2: in tomorrow and sit by the pool. No joke in 130 00:08:03,640 --> 00:08:12,640 Speaker 2: January in southern California. Grilling by a pool in January 131 00:08:13,840 --> 00:08:20,360 Speaker 2: almost makes all the other crap worth it. Potholes, horrible ideas, 132 00:08:20,440 --> 00:08:25,560 Speaker 2: those types of things. AnyWho looking at the talkbacks right now, 133 00:08:25,840 --> 00:08:29,560 Speaker 2: let's see John and Joshua Tree says that he's enjoying 134 00:08:29,560 --> 00:08:32,280 Speaker 2: the beautiful weather. He's cooking up a grilled cheese sandwich, 135 00:08:32,559 --> 00:08:35,160 Speaker 2: he said. He goes, hey, I almost didn't tune into 136 00:08:35,160 --> 00:08:37,400 Speaker 2: you today. I guess he was watching Star Trek has 137 00:08:37,400 --> 00:08:40,800 Speaker 2: a new series out, a new iteration, and he says 138 00:08:40,840 --> 00:08:44,400 Speaker 2: it's pretty good. But anyways, he he says, cheers. I 139 00:08:44,880 --> 00:08:47,880 Speaker 2: did tune in and I'm hanging out. Thank you, John 140 00:08:48,000 --> 00:08:48,880 Speaker 2: and Joshua Tree. 141 00:08:48,920 --> 00:08:52,199 Speaker 1: I bit you. It's gorgeous in Joshua Tree. 142 00:08:53,280 --> 00:08:57,599 Speaker 2: Hey, Neil Bear here. You talked near the end of 143 00:08:57,600 --> 00:09:02,440 Speaker 2: the year. You interviewed a restaurant in Malibu Hills. Oh, 144 00:09:02,480 --> 00:09:05,760 Speaker 2: the old place, the old place there. Yes, I made 145 00:09:05,800 --> 00:09:08,640 Speaker 2: a big deal about their their food and their BLT 146 00:09:08,960 --> 00:09:14,640 Speaker 2: was insane. Yeah, it was absolutely. Their food is absolutely wonderful, 147 00:09:15,360 --> 00:09:21,559 Speaker 2: very earthy and rustic and delicious. Um, you want their 148 00:09:21,559 --> 00:09:22,080 Speaker 2: phone number? 149 00:09:22,120 --> 00:09:25,839 Speaker 1: Oh I don't. I don't know what their phone number is. 150 00:09:26,160 --> 00:09:27,880 Speaker 1: Let me see if I can do this live. Look 151 00:09:27,880 --> 00:09:32,480 Speaker 1: at me. Bump bump bum Please. 152 00:09:32,760 --> 00:09:37,920 Speaker 2: No, I didn't have a have a zone interwebs and 153 00:09:38,040 --> 00:09:39,559 Speaker 2: you can do what I'm doing right now. 154 00:09:39,600 --> 00:09:42,320 Speaker 1: It's all right. I'll step the show for you, all right. 155 00:09:42,400 --> 00:09:46,960 Speaker 2: It's the Mulholland Highway there. It's a lovely place called 156 00:09:46,960 --> 00:09:49,640 Speaker 2: the Old Place. You can find them at Old Place 157 00:09:50,160 --> 00:09:56,200 Speaker 2: Cornell dot com. Coe R N E L L. The 158 00:09:56,240 --> 00:10:00,080 Speaker 2: Old Place Cornell dot com. They're on Mulholland Highway and 159 00:10:00,120 --> 00:10:04,640 Speaker 2: their phone number just for you Bear eight one eight 160 00:10:06,200 --> 00:10:12,040 Speaker 2: seven zero six nine zero zero one. That's eight eight 161 00:10:12,240 --> 00:10:16,160 Speaker 2: seven zero six nine zero zero one. They were incredibly 162 00:10:16,240 --> 00:10:20,080 Speaker 2: lovely people and the food was absolutely spectacular. 163 00:10:20,240 --> 00:10:22,959 Speaker 1: Just stick to your ribs. Good food. 164 00:10:23,080 --> 00:10:26,960 Speaker 2: So let's see anybody else have a need that I 165 00:10:27,000 --> 00:10:31,320 Speaker 2: can help with. These are, by the way, These are 166 00:10:32,080 --> 00:10:36,920 Speaker 2: folks that are hitting us up on the talkback feature. 167 00:10:37,760 --> 00:10:43,000 Speaker 2: Very easy talkback feature is something that you can do 168 00:10:43,040 --> 00:10:45,600 Speaker 2: if you're listening to us online on the iHeartRadio app. 169 00:10:45,600 --> 00:10:48,200 Speaker 2: If you've never seen this before, you go on the 170 00:10:48,240 --> 00:10:51,440 Speaker 2: app if you're listening to us there and there's a 171 00:10:51,480 --> 00:10:56,400 Speaker 2: microphone icon in a red circle and you press that 172 00:10:57,400 --> 00:10:59,600 Speaker 2: and that'll give you like thirty seconds to leave a 173 00:10:59,640 --> 00:11:01,720 Speaker 2: message and then it comes as long as it's during 174 00:11:01,760 --> 00:11:05,840 Speaker 2: the show, it comes directly to us. So Bear is 175 00:11:05,880 --> 00:11:09,440 Speaker 2: asking me to call him, Sorry, Buddy, I can't, but 176 00:11:09,520 --> 00:11:13,040 Speaker 2: I did give it to you. I did give it 177 00:11:13,080 --> 00:11:14,520 Speaker 2: to you on their I helped that helped out. 178 00:11:15,200 --> 00:11:18,160 Speaker 3: You're listening to the Fork Report with Nil Savedra on 179 00:11:18,280 --> 00:11:20,760 Speaker 3: demand from KFI AM six forty. 180 00:11:23,000 --> 00:11:23,960 Speaker 1: Hey, Neil, I. 181 00:11:24,080 --> 00:11:29,400 Speaker 2: Often wonder if is it an entertainment thing to say 182 00:11:29,840 --> 00:11:36,920 Speaker 2: Latinos versus Saint Latinos. I can clarify that. Uh, man, 183 00:11:36,960 --> 00:11:39,440 Speaker 2: I got mixed feelings about this. Okay, So here's the 184 00:11:39,520 --> 00:11:46,400 Speaker 2: thing it. You know, news people do this a lot. 185 00:11:46,440 --> 00:11:48,160 Speaker 2: That used to be the thing is that it would 186 00:11:48,160 --> 00:11:55,480 Speaker 2: be like you know today Star Wars is playing at 187 00:11:55,520 --> 00:12:00,320 Speaker 2: the Los Angeles Theater, and that kind of thing where 188 00:12:00,320 --> 00:12:05,000 Speaker 2: they over pronunciate the the Spanish words. Well, there's a 189 00:12:05,040 --> 00:12:06,400 Speaker 2: couple reasons for doing that. 190 00:12:07,320 --> 00:12:07,880 Speaker 1: Uh. 191 00:12:08,240 --> 00:12:12,240 Speaker 2: And when I do it, I do it for three reasons. 192 00:12:13,000 --> 00:12:18,040 Speaker 2: I'm either doing it sort of like a smart ass, 193 00:12:19,800 --> 00:12:22,280 Speaker 2: kind of ironically pointing to the fact that I'm a 194 00:12:22,280 --> 00:12:25,959 Speaker 2: half breed and I wasn't raised speaking Spanish, even though 195 00:12:26,000 --> 00:12:30,440 Speaker 2: Spanish was my father's first language, English was his second. 196 00:12:31,280 --> 00:12:34,240 Speaker 2: And you know, he didn't want to raise us. I 197 00:12:34,360 --> 00:12:36,240 Speaker 2: joke about how he didn't want to raise us as 198 00:12:36,320 --> 00:12:41,199 Speaker 2: poor white kids, so he moved moved us to Newberry 199 00:12:41,240 --> 00:12:43,840 Speaker 2: Park Thousand Oaks area and raised us as he didn't 200 00:12:43,840 --> 00:12:45,720 Speaker 2: want to raise the poor Mexican kids, so he moved 201 00:12:45,800 --> 00:12:49,160 Speaker 2: us out there to raise his poor white kids. But 202 00:12:49,160 --> 00:12:54,679 Speaker 2: but I am proud about my heritage. I mean, uh it, 203 00:12:55,440 --> 00:12:57,960 Speaker 2: it is the story of what you know, got me here, 204 00:12:58,280 --> 00:13:01,439 Speaker 2: and I think we're all that way. So sometimes, out 205 00:13:01,480 --> 00:13:06,520 Speaker 2: of respect for that, I may attempt to or certain 206 00:13:06,559 --> 00:13:10,520 Speaker 2: words or certain things. So I'm speaking for myself here. However, 207 00:13:10,640 --> 00:13:12,800 Speaker 2: for others, I think when you hear it in the news, 208 00:13:14,360 --> 00:13:23,800 Speaker 2: Southern California is inescapably woven with Mexico period and from 209 00:13:23,840 --> 00:13:26,440 Speaker 2: the very name and so on, and I think a 210 00:13:26,480 --> 00:13:30,920 Speaker 2: lot of news reporters try and be as respectful as 211 00:13:30,960 --> 00:13:34,440 Speaker 2: possible of that. But maybe it's for entertainment sometimes too. 212 00:13:34,559 --> 00:13:37,120 Speaker 2: I know it's annoying because people don't do it with 213 00:13:37,320 --> 00:13:40,040 Speaker 2: other things per se. But we have a lot of 214 00:13:40,280 --> 00:13:45,240 Speaker 2: Latinos in Los Angeles that are in the news industry 215 00:13:45,320 --> 00:13:47,120 Speaker 2: or in the industry, and they try and get it 216 00:13:47,200 --> 00:13:50,440 Speaker 2: right because there's so many here, so. 217 00:13:52,000 --> 00:13:52,640 Speaker 1: Out of respect. 218 00:13:52,679 --> 00:13:55,719 Speaker 2: Sometimes you may hear me do it, but it's pretty rare, 219 00:13:55,760 --> 00:13:57,720 Speaker 2: and one thing you'll never hear me say, for the 220 00:13:57,720 --> 00:14:03,040 Speaker 2: most part, not seriously is LATINX. I can't stand that term. 221 00:14:03,320 --> 00:14:09,400 Speaker 2: I actually think it's offensive by two Latinos. 222 00:14:09,480 --> 00:14:11,960 Speaker 1: I really do. I think it's offensive as hell. 223 00:14:12,080 --> 00:14:14,839 Speaker 2: Not to mention, it's ridiculous to say, well, you're taking 224 00:14:14,880 --> 00:14:18,400 Speaker 2: the sex out of it, because try and do that 225 00:14:18,440 --> 00:14:21,920 Speaker 2: to the language. By definition, the vast majority of the 226 00:14:21,960 --> 00:14:25,600 Speaker 2: words are male female in most languages actually, so it's 227 00:14:25,640 --> 00:14:28,120 Speaker 2: stupid to try and make one word that doesn't have 228 00:14:28,200 --> 00:14:30,680 Speaker 2: the sex involved when it does with every other word. 229 00:14:31,120 --> 00:14:34,920 Speaker 2: So anyways, that's I wanted to answer that because I 230 00:14:35,320 --> 00:14:39,200 Speaker 2: always hated it as a kid watching newscasters in LA 231 00:14:39,320 --> 00:14:41,880 Speaker 2: do that, and we don't tend to do it. 232 00:14:41,920 --> 00:14:43,360 Speaker 1: For other things you don't. 233 00:14:43,200 --> 00:14:45,680 Speaker 2: Go to to do today, I'm good to buy myself 234 00:14:45,680 --> 00:14:46,360 Speaker 2: some lucky charms. 235 00:14:46,520 --> 00:14:47,360 Speaker 1: Hey do you do? 236 00:14:47,400 --> 00:14:49,520 Speaker 2: We don't tend to do it. But I think primarily 237 00:14:49,560 --> 00:14:53,080 Speaker 2: because so many Latinos in Southern California. 238 00:14:53,520 --> 00:14:54,400 Speaker 1: Out of respect. 239 00:14:55,840 --> 00:14:59,720 Speaker 2: If I'm talking to, you know, someone in my wife's family, 240 00:15:00,520 --> 00:15:06,720 Speaker 2: which comes from on her father's side from Manawa, Nicarawa, 241 00:15:07,320 --> 00:15:09,760 Speaker 2: I might say it like that out of respect for them, 242 00:15:09,880 --> 00:15:12,000 Speaker 2: not because I'm trying to show off, because I'm saying 243 00:15:12,000 --> 00:15:15,800 Speaker 2: it wrong still, but out of respect for that, but 244 00:15:16,200 --> 00:15:18,160 Speaker 2: you won't hear me say that for most things. 245 00:15:18,360 --> 00:15:19,960 Speaker 1: Is this weird? Anyways? 246 00:15:19,720 --> 00:15:22,680 Speaker 2: That's my take on why people do that and where 247 00:15:22,720 --> 00:15:28,360 Speaker 2: it comes from. But that's my take. Let's see another 248 00:15:28,400 --> 00:15:33,160 Speaker 2: one here. Check your Instagram DMS NERD love your show, buddy. 249 00:15:33,440 --> 00:15:34,600 Speaker 2: Oh wait, who am I? 250 00:15:34,720 --> 00:15:35,000 Speaker 1: Matt? 251 00:15:35,080 --> 00:15:38,120 Speaker 2: Did I not check? Okay, I'll check. And people got 252 00:15:38,160 --> 00:15:40,200 Speaker 2: to tell me to check my DMS. For the love 253 00:15:40,200 --> 00:15:41,560 Speaker 2: of Pete, I've gotten that bad. 254 00:15:42,080 --> 00:15:42,440 Speaker 1: All right. 255 00:15:42,480 --> 00:15:44,680 Speaker 2: Those are just some talkbacks that I wanted to make 256 00:15:44,720 --> 00:15:46,840 Speaker 2: sure that we got to. Of course, you can always 257 00:15:46,920 --> 00:15:51,040 Speaker 2: use the talk back button on your the iHeartRadio app 258 00:15:51,040 --> 00:15:52,680 Speaker 2: when you're listening to the show. You can do this 259 00:15:52,720 --> 00:15:54,760 Speaker 2: for any of the shows that are here. And what 260 00:15:54,840 --> 00:15:57,880 Speaker 2: happens is you on your phone. You see this little 261 00:15:58,400 --> 00:16:01,320 Speaker 2: icon there. It's a red button with the icon of 262 00:16:01,360 --> 00:16:06,720 Speaker 2: a microphone. You press on that and it will give 263 00:16:06,760 --> 00:16:09,240 Speaker 2: you thirty seconds to send a message and it comes directly. 264 00:16:09,280 --> 00:16:10,600 Speaker 2: I can see it when I pull it up. Not 265 00:16:10,680 --> 00:16:13,360 Speaker 2: everybody pulls it up. God forbid, Handle's not going to 266 00:16:13,440 --> 00:16:20,280 Speaker 2: do this. He would get so flummoxed by having any distraction. 267 00:16:21,960 --> 00:16:25,160 Speaker 2: But I like doing it to connect with you. Sometimes 268 00:16:25,200 --> 00:16:28,000 Speaker 2: we'll play them on the air, sometimes not, but it 269 00:16:28,120 --> 00:16:30,800 Speaker 2: is a way to connect with us. All right, stick around, 270 00:16:30,840 --> 00:16:33,120 Speaker 2: We got one more segment. I think Conway's going to 271 00:16:33,200 --> 00:16:35,440 Speaker 2: pop in if you didn't know, there's a change in 272 00:16:35,440 --> 00:16:38,560 Speaker 2: the lineup here. On Saturdays, I got off the air 273 00:16:38,600 --> 00:16:43,560 Speaker 2: per Uge at five, Conway comes aboard with Crest Report, 274 00:16:43,680 --> 00:16:47,800 Speaker 2: The Crest Report talking to you about precious metals and 275 00:16:50,240 --> 00:16:52,720 Speaker 2: his belief on the importance of buying them. I have them, 276 00:16:52,760 --> 00:16:56,360 Speaker 2: and I joke that I got in with gold at 277 00:16:56,560 --> 00:16:59,760 Speaker 2: six hundred dollars and now it's like forty six hundred 278 00:16:59,800 --> 00:17:02,280 Speaker 2: or thing. So obviously I believe it's a good investment 279 00:17:03,080 --> 00:17:06,159 Speaker 2: for those that are interested. But Conway will fill you 280 00:17:06,160 --> 00:17:07,879 Speaker 2: in with that. He'll go to six o'clock and then 281 00:17:07,960 --> 00:17:11,720 Speaker 2: six to eight you have the lovely and Smart per 282 00:17:11,800 --> 00:17:16,240 Speaker 2: Huge Tiffany Hobbs with Saturdays with Tiffany, and then you 283 00:17:16,320 --> 00:17:20,919 Speaker 2: have the lovely and Smart Michael Monks coming on following that. 284 00:17:21,080 --> 00:17:24,359 Speaker 2: So what I'm saying is, go nowhere, stick around. 285 00:17:25,680 --> 00:17:28,679 Speaker 3: You're listening to the Fork Report with Nil Savedra on 286 00:17:28,800 --> 00:17:31,240 Speaker 3: demand from kf I am six forty. 287 00:17:34,280 --> 00:17:38,520 Speaker 2: Hey, everybody, Neil Savedra and the Fork Go fork yourself 288 00:17:38,520 --> 00:17:39,719 Speaker 2: with out what it said on Google. 289 00:17:40,240 --> 00:17:40,720 Speaker 1: That's right. 290 00:17:40,800 --> 00:17:43,520 Speaker 2: Yeah, the Google has the lineup a little different than 291 00:17:43,640 --> 00:17:45,359 Speaker 2: we have it here. You want it, you want to 292 00:17:45,400 --> 00:17:47,680 Speaker 2: hear it. So, yes, that's Tim Conway Junior. Of course, 293 00:17:47,720 --> 00:17:50,960 Speaker 2: who's coming up moments from now with the Crest Report? 294 00:17:51,119 --> 00:17:53,159 Speaker 2: Or is it the Jesus Christ Show? I can't remember 295 00:17:53,160 --> 00:17:55,919 Speaker 2: you Christ Report? Okay, I just did you come up 296 00:17:55,920 --> 00:17:57,359 Speaker 2: with that? Jesus Christ is good? 297 00:17:57,640 --> 00:17:59,359 Speaker 1: Yeah? Did you come up with it? I did not? 298 00:17:59,560 --> 00:18:04,240 Speaker 2: Okay, solid, it's really really solid. It's a rich Jakobe 299 00:18:04,240 --> 00:18:04,800 Speaker 2: came up with that. 300 00:18:04,880 --> 00:18:05,000 Speaker 3: Now. 301 00:18:05,320 --> 00:18:08,480 Speaker 2: But according to ai Kfi's page, here's the weekend on 302 00:18:08,560 --> 00:18:15,960 Speaker 2: KFI at six am, handle on your Mom. Somebody messed 303 00:18:16,000 --> 00:18:19,119 Speaker 2: with our page. So at six am it's handle on 304 00:18:19,160 --> 00:18:23,080 Speaker 2: your Mom. That's not technically the title of that show. No, 305 00:18:23,400 --> 00:18:26,119 Speaker 2: and it's a horrible, horrible vision. Is it a description? 306 00:18:26,280 --> 00:18:28,320 Speaker 2: Is it accurate? An accurate description? 307 00:18:29,640 --> 00:18:32,159 Speaker 1: I will have to ask my mom. Okay, no, not 308 00:18:32,640 --> 00:18:34,280 Speaker 1: on your mom? No, your mom? 309 00:18:34,400 --> 00:18:36,240 Speaker 2: No, it's handle on Oh I guess it would be 310 00:18:36,280 --> 00:18:39,200 Speaker 2: handle on your Mom. And then and then eleven am 311 00:18:39,280 --> 00:18:43,520 Speaker 2: Leo Laporte. Oh really, Leo's been retired for years, But 312 00:18:43,600 --> 00:18:48,480 Speaker 2: that's all right. Two pm go fork yourself. Yeah with 313 00:18:48,640 --> 00:18:54,360 Speaker 2: Nil Sevadra. Okay, five pm, MO money matters, oh man, 314 00:18:54,600 --> 00:18:59,240 Speaker 2: MO problems with MO money. We are betting exactly zero 315 00:18:59,440 --> 00:19:03,119 Speaker 2: darts dark secret place at eight pm. Now more darker 316 00:19:03,200 --> 00:19:05,840 Speaker 2: and more secret here and then Coast to Coast with 317 00:19:05,840 --> 00:19:08,720 Speaker 2: George Jroy. They got that one right. Hey, I spent 318 00:19:08,840 --> 00:19:12,080 Speaker 2: the day and I at Indie, Indio with your buddy 319 00:19:12,160 --> 00:19:12,760 Speaker 2: Chris Perez. 320 00:19:12,800 --> 00:19:14,680 Speaker 1: Were you out there in India? I went. I went 321 00:19:14,720 --> 00:19:17,159 Speaker 1: this morning. I didn't know you go that far. I do. 322 00:19:17,240 --> 00:19:19,040 Speaker 2: It's one hundred and thirty six miles from my home. 323 00:19:19,080 --> 00:19:21,600 Speaker 2: I drove out the American Vision Windows had the brand 324 00:19:21,640 --> 00:19:24,320 Speaker 2: new opening of their of their new showroom in India. 325 00:19:24,480 --> 00:19:26,360 Speaker 1: Yeah, they they have. 326 00:19:26,480 --> 00:19:29,359 Speaker 2: That new you know, more than one hundred and twenty 327 00:19:29,440 --> 00:19:30,600 Speaker 2: minutes from wherever. 328 00:19:30,520 --> 00:19:31,840 Speaker 1: That's right, is there tagline? 329 00:19:31,840 --> 00:19:32,400 Speaker 3: I think? Yeah? 330 00:19:32,440 --> 00:19:34,840 Speaker 2: No, I actually I had to pass Marongo to get 331 00:19:34,880 --> 00:19:37,000 Speaker 2: out there. It's forty miles past Moroco. 332 00:19:37,080 --> 00:19:38,400 Speaker 1: Oh no, I'm familiar with. Yeah. 333 00:19:38,440 --> 00:19:41,240 Speaker 2: I love it out there. It's beautiful out in the desert. 334 00:19:41,359 --> 00:19:43,000 Speaker 2: It's become like the San Fernando Valley. 335 00:19:43,000 --> 00:19:43,560 Speaker 1: It's huge. 336 00:19:43,680 --> 00:19:46,480 Speaker 2: It's we go out there and you stay at a 337 00:19:46,480 --> 00:19:49,560 Speaker 2: hotel with a nice pool and y enjoy yourself. Now, 338 00:19:49,600 --> 00:19:51,920 Speaker 2: there was a lacrosse tournament out there, and I didn't 339 00:19:51,960 --> 00:19:54,160 Speaker 2: know that because I'm a I'm a last minute guy. 340 00:19:54,400 --> 00:19:55,080 Speaker 1: So I drove. 341 00:19:55,640 --> 00:19:58,000 Speaker 2: I drove to Palm Springs last night, and I said, 342 00:19:58,000 --> 00:20:00,160 Speaker 2: I'll just get a hotel room somewhere there, you know, fine, 343 00:20:00,200 --> 00:20:01,640 Speaker 2: And if I don't, I'll sleep my car. It doesn't 344 00:20:01,640 --> 00:20:05,080 Speaker 2: matter to me. So I went to four hotels, all 345 00:20:05,119 --> 00:20:07,960 Speaker 2: sold out. I ended up at a comfort inn and 346 00:20:08,000 --> 00:20:09,800 Speaker 2: the ladies and I said, what is it like, seventy 347 00:20:09,880 --> 00:20:12,520 Speaker 2: nine eighty nine bucks a night? She goes, not this weekend, 348 00:20:12,880 --> 00:20:16,320 Speaker 2: two seventy five, and this is three o'clock in the morning, 349 00:20:16,400 --> 00:20:20,000 Speaker 2: after I know, a gamble and drink and all my 350 00:20:20,119 --> 00:20:22,840 Speaker 2: head's on fire. And so I said, I'm not paying 351 00:20:22,840 --> 00:20:25,119 Speaker 2: two seventy five to sleep here. I'll sleep in my 352 00:20:25,200 --> 00:20:27,720 Speaker 2: car in your parking lot. And as I'm walking out, 353 00:20:27,760 --> 00:20:30,000 Speaker 2: she said, okay, how about one hundred and fifty. So 354 00:20:30,040 --> 00:20:31,840 Speaker 2: I got it for a buck fifty. Oh she's good. 355 00:20:31,920 --> 00:20:34,560 Speaker 2: I thought she was gonna say it's seventy five dollars 356 00:20:34,600 --> 00:20:38,160 Speaker 2: a night for parking. I would have been like the 357 00:20:38,200 --> 00:20:40,920 Speaker 2: son of But there was a lot of people that 358 00:20:41,000 --> 00:20:43,359 Speaker 2: showed up who listened to KFI and a lot of 359 00:20:43,359 --> 00:20:46,960 Speaker 2: people asked about you and and your windows and your 360 00:20:47,000 --> 00:20:50,440 Speaker 2: doors because your patio window video is on their website, 361 00:20:50,560 --> 00:20:54,080 Speaker 2: I know, and Max is on it and he's like, two, oh, 362 00:20:54,119 --> 00:20:57,480 Speaker 2: that's great. Tracy comes down the stairs and she's holding 363 00:20:57,600 --> 00:21:03,880 Speaker 2: him and it it flies, you know how it a kid, 364 00:21:03,920 --> 00:21:07,600 Speaker 2: The time flies. But I'm amazed at And they've been 365 00:21:07,720 --> 00:21:11,080 Speaker 2: back and done our kitchen windows, which were weird. They 366 00:21:11,080 --> 00:21:14,119 Speaker 2: were like, it's an old house and I don't know 367 00:21:14,160 --> 00:21:16,560 Speaker 2: if it was a mud room that and they, the 368 00:21:16,600 --> 00:21:20,600 Speaker 2: people before us, you know, remodeled the kitchen, but it 369 00:21:20,680 --> 00:21:24,440 Speaker 2: had that, you know, like a factory window with the 370 00:21:24,960 --> 00:21:29,160 Speaker 2: wire in it, you know, the wire crisscross wire and 371 00:21:29,440 --> 00:21:32,080 Speaker 2: it it like safety glass or something. 372 00:21:33,200 --> 00:21:35,560 Speaker 1: I hated it. What happened to that style? The wire? 373 00:21:35,960 --> 00:21:36,240 Speaker 3: You see? 374 00:21:36,359 --> 00:21:39,320 Speaker 2: They saw that in schools a lot, yes, because they 375 00:21:39,359 --> 00:21:42,400 Speaker 2: don't want people breaking in. But I'm like, why would 376 00:21:42,440 --> 00:21:44,520 Speaker 2: you have that in the house even though the house 377 00:21:44,600 --> 00:21:48,600 Speaker 2: was built in nineteen twelve, and uh wait your house 378 00:21:48,680 --> 00:21:49,920 Speaker 2: was built in nineteen twelve. 379 00:21:50,280 --> 00:21:52,000 Speaker 1: Yeah, wow, Like. 380 00:21:51,920 --> 00:21:55,840 Speaker 2: There's we found old LA newspapers, La Times, all my 381 00:21:55,960 --> 00:21:58,600 Speaker 2: papers in there. There was an LA Examiner paper and 382 00:21:58,640 --> 00:22:04,120 Speaker 2: there found an old like a hand written ledger for 383 00:22:04,760 --> 00:22:06,560 Speaker 2: a bank that doesn't exist anymore. 384 00:22:06,920 --> 00:22:07,240 Speaker 1: In there. 385 00:22:07,240 --> 00:22:11,639 Speaker 2: From that's great early nineteen twenties, we found a nineteen 386 00:22:11,760 --> 00:22:15,800 Speaker 2: thirty two front page for the La Times in the attic, 387 00:22:16,640 --> 00:22:20,960 Speaker 2: all kinds of It's a really really cool little place. 388 00:22:21,040 --> 00:22:23,560 Speaker 2: I love that neighborhood. I drove through that neighborhood last week. 389 00:22:23,600 --> 00:22:26,280 Speaker 2: I did jury duty and then on my way home, 390 00:22:26,280 --> 00:22:27,800 Speaker 2: I didn't want to take the freeway they were crowded, 391 00:22:27,840 --> 00:22:29,119 Speaker 2: so I drove through your neighborhood. 392 00:22:29,200 --> 00:22:31,640 Speaker 1: And man, the side of Los Angeles is a neat play. 393 00:22:31,720 --> 00:22:34,879 Speaker 2: The amount of people who've improved their homes, the craftsmen 394 00:22:34,960 --> 00:22:38,720 Speaker 2: style that are moving in there, the beautiful brick and 395 00:22:38,800 --> 00:22:41,000 Speaker 2: stonework on the outside of some of those homes are beautiful. 396 00:22:41,000 --> 00:22:44,639 Speaker 2: They're gorgeous. Right, we're on the other side of Oh 397 00:22:44,640 --> 00:22:46,800 Speaker 2: that's not great. Yeah, but what can you do? You know, 398 00:22:46,840 --> 00:22:48,560 Speaker 2: you buy what you can afford. You know, there's a 399 00:22:48,600 --> 00:22:51,880 Speaker 2: saying about people who own old houses. The only thing 400 00:22:51,880 --> 00:22:54,879 Speaker 2: that works in an old house is you. Yeah, you 401 00:22:54,920 --> 00:22:58,240 Speaker 2: know what. We haven't had those problems, really. I think 402 00:22:59,080 --> 00:23:03,360 Speaker 2: it was the pictures I've seen. We keep pictures from 403 00:23:03,600 --> 00:23:06,439 Speaker 2: everybody that has been kind enough to do, you know, 404 00:23:06,480 --> 00:23:09,360 Speaker 2: stuff prior to us have left photos or sent them 405 00:23:09,359 --> 00:23:11,919 Speaker 2: to us by our request. So, and I've met one 406 00:23:11,960 --> 00:23:14,840 Speaker 2: of the original owners. He was a small child when 407 00:23:14,840 --> 00:23:17,000 Speaker 2: he lived there, uh said. He used to walk there 408 00:23:17,000 --> 00:23:19,240 Speaker 2: were no fences, used to walk from our place to 409 00:23:20,000 --> 00:23:20,960 Speaker 2: the observatory. 410 00:23:21,119 --> 00:23:21,959 Speaker 1: Oh my god. 411 00:23:22,040 --> 00:23:26,280 Speaker 2: Yeah, and we have a basement and bulkhead doors and everything. 412 00:23:26,600 --> 00:23:29,160 Speaker 2: So uh wait, so the people who owned that house, 413 00:23:29,200 --> 00:23:31,040 Speaker 2: everybody left pictures for the next owner. 414 00:23:31,200 --> 00:23:32,960 Speaker 1: Yeah, on different things. They would be kind. 415 00:23:33,040 --> 00:23:35,600 Speaker 2: And there were so many original owners in the neighborhood 416 00:23:35,640 --> 00:23:36,720 Speaker 2: they still had phone numbers. 417 00:23:36,760 --> 00:23:37,920 Speaker 1: What great ideas. 418 00:23:38,119 --> 00:23:41,600 Speaker 2: Yeah, so I digitized some for other neighbors that moved 419 00:23:41,600 --> 00:23:44,280 Speaker 2: in later that I took pictures of their house before 420 00:23:44,320 --> 00:23:46,240 Speaker 2: they were redone, and then I'd give them to them. 421 00:23:46,320 --> 00:23:48,040 Speaker 2: Is that the guy that had the phone number call 422 00:23:48,119 --> 00:23:50,760 Speaker 2: me at Garfield one two three two three, you know, 423 00:23:51,560 --> 00:23:57,080 Speaker 2: Hollywood one oh one. Uh. But it was it's really 424 00:23:57,119 --> 00:23:59,520 Speaker 2: neat to see those things. A cop lived there, now, 425 00:23:59,600 --> 00:24:03,119 Speaker 2: la E Lapd lived there and then in your house, 426 00:24:03,200 --> 00:24:08,760 Speaker 2: in our house, and his grandson or something described. I said, 427 00:24:08,800 --> 00:24:14,320 Speaker 2: there's a big concrete built in kind of safe. That's 428 00:24:14,359 --> 00:24:17,000 Speaker 2: in the ground in the garage what used to be 429 00:24:17,040 --> 00:24:20,600 Speaker 2: the garage, and he said, he said, that's where my 430 00:24:20,680 --> 00:24:24,160 Speaker 2: dad or my grandfather whatever would make bullets. He'd load bullets, 431 00:24:24,880 --> 00:24:26,840 Speaker 2: all the gunpowder. 432 00:24:26,480 --> 00:24:29,199 Speaker 1: And bury bodies. I don't know. It was a different 433 00:24:29,200 --> 00:24:31,480 Speaker 1: time law enforcement. 434 00:24:31,520 --> 00:24:34,760 Speaker 2: All right, you've been listening. 435 00:24:34,400 --> 00:24:35,199 Speaker 1: To The Fork Report. 436 00:24:35,359 --> 00:24:37,760 Speaker 2: You can always hear us live on KFI AM six 437 00:24:37,880 --> 00:24:41,359 Speaker 2: forty two to five pm on Saturday, and anytime on 438 00:24:41,480 --> 00:24:43,480 Speaker 2: demand on the iHeartRadio app.