1 00:00:00,080 --> 00:00:02,719 Speaker 1: On his work the poem Jar, Enslaved artist David Drake 2 00:00:02,759 --> 00:00:04,480 Speaker 1: wrote that he made it for cash, and now his 3 00:00:04,519 --> 00:00:06,920 Speaker 1: descendants are finally seeing some of it. The Museum of 4 00:00:06,960 --> 00:00:09,040 Speaker 1: Fine Arts has had the poem Jar and signed jar 5 00:00:09,119 --> 00:00:11,840 Speaker 1: on display for years, but now they've returned ownership to 6 00:00:11,920 --> 00:00:14,760 Speaker 1: his descendants. Victoria Reid is the Chair of Provenance at 7 00:00:14,760 --> 00:00:16,560 Speaker 1: the MFA and says this was the first of its 8 00:00:16,600 --> 00:00:18,320 Speaker 1: kind restitution case for them. 9 00:00:18,239 --> 00:00:21,279 Speaker 2: Because the artist was enslaved and as such would not 10 00:00:21,360 --> 00:00:23,880 Speaker 2: have received any money for his creations and would have 11 00:00:23,880 --> 00:00:27,760 Speaker 2: had no agency in giving them away or disposing of them. 12 00:00:27,880 --> 00:00:30,400 Speaker 1: The museum purchased the poem Jar from Drake's family and 13 00:00:30,440 --> 00:00:32,959 Speaker 1: the sign jar is on long term loan. Reid says 14 00:00:32,960 --> 00:00:34,600 Speaker 1: they were lucky to be able to track down the 15 00:00:34,600 --> 00:00:36,720 Speaker 1: true owners of the jars, because they can't do that 16 00:00:36,800 --> 00:00:38,559 Speaker 1: for other works by enslaved artists. 17 00:00:38,720 --> 00:00:40,880 Speaker 2: There are other objects in the collection that we believe 18 00:00:40,960 --> 00:00:43,600 Speaker 2: to have been made by enslaved artists. We don't know 19 00:00:43,600 --> 00:00:44,479 Speaker 2: who they are anymore. 20 00:00:44,520 --> 00:00:47,680 Speaker 1: From the MFA. Kyle Bray WBZ, Boston's News Radio