1 00:00:00,480 --> 00:00:04,360 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:08,200 --> 00:00:11,400 Speaker 2: AM six forty, Andy REISMI. 3 00:00:11,080 --> 00:00:11,600 Speaker 3: Are here with you. 4 00:00:12,680 --> 00:00:16,320 Speaker 2: Game four of the World Series going on right now, 5 00:00:16,360 --> 00:00:19,280 Speaker 2: just down the street, relatively speaking, down there in uh 6 00:00:19,320 --> 00:00:23,159 Speaker 2: Dodger Stadium, not far from here, Toronto leading two to 7 00:00:23,239 --> 00:00:28,319 Speaker 2: one against our boys in blue. Been an interesting game, Sam, 8 00:00:28,320 --> 00:00:31,520 Speaker 2: Are you feeling a little nervous slightly top of. 9 00:00:31,440 --> 00:00:35,839 Speaker 4: The seventh down two to one? I'm a, uh yeah, yeah. 10 00:00:35,840 --> 00:00:38,640 Speaker 3: At this point, I am now biting my nail. 11 00:00:38,640 --> 00:00:41,080 Speaker 2: You're nervous, you know. And I thought we had enough 12 00:00:41,159 --> 00:00:45,800 Speaker 2: nail biting last night. I mean, that was absolutely insane. 13 00:00:45,960 --> 00:00:48,600 Speaker 2: And I got to a point watching Game three where 14 00:00:48,640 --> 00:00:51,440 Speaker 2: I just thought I was like, okay, all right, let's 15 00:00:51,440 --> 00:00:54,319 Speaker 2: move this along. It was so bad and I hate 16 00:00:54,320 --> 00:00:55,960 Speaker 2: I don't even want to say this. I was in 17 00:00:56,000 --> 00:00:59,240 Speaker 2: such a bad way because I was tired that I 18 00:00:59,280 --> 00:01:02,040 Speaker 2: was like, I don't even care. I didn't care what happens. 19 00:01:02,720 --> 00:01:04,240 Speaker 2: And then of course I was very happy that the 20 00:01:04,280 --> 00:01:09,319 Speaker 2: Dodgers won. Looks like Toronto just scored another run, though, 21 00:01:09,360 --> 00:01:09,959 Speaker 2: so we're now. 22 00:01:09,840 --> 00:01:10,520 Speaker 3: Three to one. 23 00:01:11,200 --> 00:01:11,440 Speaker 5: Mmm. 24 00:01:12,600 --> 00:01:15,360 Speaker 2: But you know, it's been a really interesting, very close series, 25 00:01:15,400 --> 00:01:18,640 Speaker 2: and I am assuming it'll continue to be that way. 26 00:01:19,240 --> 00:01:20,360 Speaker 3: Kind of reminds me of. 27 00:01:22,520 --> 00:01:25,800 Speaker 2: The NBA Championships earlier this year when you had the 28 00:01:25,800 --> 00:01:28,680 Speaker 2: Indiana Pacers versus the Oklahoma City Thunder and it was 29 00:01:28,720 --> 00:01:31,520 Speaker 2: sort of just like, whoever has the basketball last is 30 00:01:31,560 --> 00:01:36,160 Speaker 2: gonna win. And so it's always fun to see two 31 00:01:36,240 --> 00:01:41,080 Speaker 2: teams that are really closely matched and to watch them 32 00:01:41,120 --> 00:01:43,720 Speaker 2: go at go at it go after each other. Top 33 00:01:43,760 --> 00:01:48,040 Speaker 2: of the seventh, no outs, Toronto just scored another run. 34 00:01:48,080 --> 00:01:52,000 Speaker 2: So we'll keep you updated on that game as we 35 00:01:52,240 --> 00:01:53,200 Speaker 2: move along here tonight. 36 00:01:53,240 --> 00:01:57,640 Speaker 3: It's hot. Have you noticed hot today in the valley? Sticky? 37 00:01:57,840 --> 00:02:00,200 Speaker 2: Kind of humid. Sant Anna winev had the first first 38 00:02:00,240 --> 00:02:01,960 Speaker 2: of the season. But as we told you yesterday, we 39 00:02:01,960 --> 00:02:06,680 Speaker 2: talked to a National Weather Service meteorologist who said, look, 40 00:02:06,720 --> 00:02:08,840 Speaker 2: this is important. It's not going to be as bad 41 00:02:08,840 --> 00:02:11,680 Speaker 2: as January, but it's still something to be aware of. 42 00:02:11,919 --> 00:02:15,000 Speaker 2: Those temperatures continuing to come up. The good news is 43 00:02:15,040 --> 00:02:17,720 Speaker 2: this weekend will be a little cooler than originally as anticipated, 44 00:02:17,720 --> 00:02:20,399 Speaker 2: but we're still looking at thirty to forty fifty mile 45 00:02:20,400 --> 00:02:23,440 Speaker 2: an hour gusts of wind, even sustained winds going here 46 00:02:23,480 --> 00:02:28,720 Speaker 2: through the rest of the week. Conway was saying last hour, 47 00:02:28,760 --> 00:02:31,680 Speaker 2: I think used to hear Santa Annas and it was 48 00:02:31,680 --> 00:02:35,440 Speaker 2: sort of just like, okay, whatever, But now here's sant 49 00:02:35,440 --> 00:02:39,560 Speaker 2: Ana and you'd think, oh no, not this again. There's 50 00:02:39,680 --> 00:02:42,239 Speaker 2: inclement weather going on all over the country here, or 51 00:02:42,240 --> 00:02:46,440 Speaker 2: at least all over the continent. Way way way out west, 52 00:02:46,720 --> 00:02:49,720 Speaker 2: we've got hot temperatures, and Santa Anna's with that kind 53 00:02:49,720 --> 00:02:52,680 Speaker 2: of wind, but more serious wind way out east. Hurricane 54 00:02:52,680 --> 00:02:58,000 Speaker 2: Melissa now moving at least the eye the I'm moving 55 00:02:58,080 --> 00:03:03,320 Speaker 2: now over towards Cuba nine oh four right now in Jamaica, 56 00:03:03,360 --> 00:03:08,960 Speaker 2: where the hurricane just crossed over a couple hours ago, 57 00:03:11,280 --> 00:03:15,000 Speaker 2: anticipating it to reach Cuba sometime at eleven pm tonight 58 00:03:15,560 --> 00:03:18,080 Speaker 2: Eastern time, so that'll be two o'clock in the morning 59 00:03:18,120 --> 00:03:20,960 Speaker 2: here our time. It will make landfall there in Cuba 60 00:03:21,000 --> 00:03:23,399 Speaker 2: as a category four and at this point, like I said, 61 00:03:23,480 --> 00:03:27,440 Speaker 2: nine o'clock right now in Jamaica, not a lot of 62 00:03:27,480 --> 00:03:32,640 Speaker 2: communication to even know how bad it is, but sparingly 63 00:03:32,800 --> 00:03:35,680 Speaker 2: there are reports coming out and anything that you can 64 00:03:35,680 --> 00:03:37,760 Speaker 2: tell so far is that it's not good. 65 00:03:39,360 --> 00:03:41,040 Speaker 3: Things are not looking good there. 66 00:03:43,040 --> 00:03:49,920 Speaker 2: As this category five storm crossed over Jamaica. Lots of 67 00:03:50,000 --> 00:03:53,920 Speaker 2: damage being reported, and like I said, it's nine pm tonight, 68 00:03:55,960 --> 00:04:01,040 Speaker 2: so you're talking about a very long night there, Jamaica's 69 00:04:01,040 --> 00:04:05,680 Speaker 2: Prime Minister said, devastating impacts wherever the eye hit the island. 70 00:04:06,080 --> 00:04:08,800 Speaker 2: Reports they have so far include damage to hospitals, significant 71 00:04:08,840 --> 00:04:13,040 Speaker 2: damage to residential property, housing, commercial property as well. The 72 00:04:13,080 --> 00:04:17,520 Speaker 2: corridor of impact, according to the Prime Minister of Jamaica, 73 00:04:17,720 --> 00:04:22,840 Speaker 2: is between the southwestern end of the island, parts of 74 00:04:22,880 --> 00:04:25,320 Speaker 2: areas if you're familiar with it, Sat Elizabeth, Manchester, parts 75 00:04:25,360 --> 00:04:28,880 Speaker 2: of Westmorland, and then it tracked to the north in 76 00:04:28,880 --> 00:04:31,040 Speaker 2: the northwest end of the island. But as we've watched 77 00:04:31,080 --> 00:04:35,880 Speaker 2: this storm materialize and make its way to Jamaica through 78 00:04:35,920 --> 00:04:39,120 Speaker 2: the Caribbean, if you've been following along with any of 79 00:04:39,160 --> 00:04:45,000 Speaker 2: the National Atmospheric Association or the air Force weather trackers, 80 00:04:45,040 --> 00:04:47,800 Speaker 2: the hurricane hunters in these aircraft, I mean, it's incredible 81 00:04:48,240 --> 00:04:52,360 Speaker 2: that they fly these airplanes. A lot of them are 82 00:04:52,680 --> 00:04:54,960 Speaker 2: at least Noah flies the P three to Orion, which 83 00:04:55,000 --> 00:04:57,480 Speaker 2: is a plane that has been I think they stopped 84 00:04:57,560 --> 00:05:00,599 Speaker 2: making them in the seventies and it's a plane that 85 00:05:00,680 --> 00:05:03,240 Speaker 2: is an older turboprop aircraft and they fly basically at 86 00:05:03,240 --> 00:05:05,560 Speaker 2: around ten thousand feet ten to fifteen thousand for maybe 87 00:05:05,560 --> 00:05:08,120 Speaker 2: a little below. And the idea is that they want 88 00:05:08,160 --> 00:05:10,880 Speaker 2: to punch through the side of this hurricane to get 89 00:05:10,880 --> 00:05:14,680 Speaker 2: into the eye of the storm. And what they're doing 90 00:05:14,760 --> 00:05:17,120 Speaker 2: is they're taking all of these kinds of readings to 91 00:05:17,160 --> 00:05:19,200 Speaker 2: see how bad it is where it's going. I mean, 92 00:05:19,200 --> 00:05:21,359 Speaker 2: it's a data collection thing. And you might wonder why 93 00:05:21,480 --> 00:05:23,000 Speaker 2: in this day and age, in twenty twenty five, do 94 00:05:23,080 --> 00:05:27,000 Speaker 2: not send a drone. You don't risk any issues with people. 95 00:05:27,279 --> 00:05:29,800 Speaker 2: There's a couple of reasons for that. One is that 96 00:05:31,000 --> 00:05:39,240 Speaker 2: drones are less structurally sound than this aircraft. Obviously they 97 00:05:39,240 --> 00:05:42,080 Speaker 2: could build it a drone to be that way. But 98 00:05:42,120 --> 00:05:44,320 Speaker 2: the other thing is that when you've got that kind 99 00:05:44,320 --> 00:05:47,200 Speaker 2: of communication issue with all that storm, whether all the 100 00:05:47,200 --> 00:05:52,560 Speaker 2: thunderstorms and all the things that surround the storm, you 101 00:05:52,560 --> 00:05:55,039 Speaker 2: wouldn't have the ability to communicate with that aircraft. So 102 00:05:55,120 --> 00:06:00,880 Speaker 2: you've got people who braver than I by a million, 103 00:06:02,240 --> 00:06:05,279 Speaker 2: hop into these planes, some of them air force members, 104 00:06:05,320 --> 00:06:11,920 Speaker 2: some of them members of the National Oceanic Atmosphere Administra. Oh, 105 00:06:11,920 --> 00:06:12,480 Speaker 2: no I lost it. 106 00:06:12,600 --> 00:06:12,880 Speaker 4: Noah. 107 00:06:12,880 --> 00:06:16,359 Speaker 2: They're members of NOAH. And they go and they just 108 00:06:17,080 --> 00:06:19,960 Speaker 2: fly a couple hours into the eye of the storm. 109 00:06:20,000 --> 00:06:21,280 Speaker 2: And you look at these videos from the eye of 110 00:06:21,320 --> 00:06:24,479 Speaker 2: the storm for Melissa, and it's absolutely astounding. These hurricane 111 00:06:24,520 --> 00:06:27,120 Speaker 2: trackers are saying, this is stuff that we've never seen before. 112 00:06:28,760 --> 00:06:30,560 Speaker 2: As a matter of fact, they recorded one of the 113 00:06:30,600 --> 00:06:37,920 Speaker 2: lowest millibar pressures low pressures ever recorded. Isn't that wild? 114 00:06:38,080 --> 00:06:42,640 Speaker 2: Eight hundred and ninety three millibar pressure. It is one 115 00:06:42,680 --> 00:06:47,400 Speaker 2: of the most intense Atlantic hurricanes on record. Normally our 116 00:06:47,480 --> 00:06:50,120 Speaker 2: barometric pressure is like eleven hundred or something like that. 117 00:06:51,920 --> 00:06:54,440 Speaker 2: And they go into these storm areas, especially this is 118 00:06:54,440 --> 00:06:57,760 Speaker 2: before landfall in Jamaica, and they drop these things called 119 00:06:57,839 --> 00:07:02,200 Speaker 2: drop signs, and they're basic, these little tubes that have 120 00:07:03,000 --> 00:07:05,280 Speaker 2: the ability to communicate air pressure and wind speed and 121 00:07:05,320 --> 00:07:08,480 Speaker 2: all temperature things like that, humidity, all back to the aircraft. 122 00:07:09,800 --> 00:07:11,240 Speaker 3: And one of the guys. 123 00:07:11,400 --> 00:07:15,200 Speaker 2: Was on TMZ yesterday because he was doing an interview 124 00:07:15,200 --> 00:07:18,120 Speaker 2: with CNN and it was so rough that he threw 125 00:07:18,200 --> 00:07:19,840 Speaker 2: up in the middle of his interview. 126 00:07:20,560 --> 00:07:21,520 Speaker 3: Did you see that, Ronner? 127 00:07:21,800 --> 00:07:22,040 Speaker 4: No? 128 00:07:22,040 --> 00:07:24,360 Speaker 2: No, I want to, Well, there's no sound, so I 129 00:07:24,400 --> 00:07:25,800 Speaker 2: can't play it on the radio. 130 00:07:25,840 --> 00:07:26,800 Speaker 3: It doesn't mean anything. 131 00:07:26,800 --> 00:07:28,680 Speaker 2: But if you watch the video and you can see this, 132 00:07:29,960 --> 00:07:34,440 Speaker 2: you'll see he he rauffs, he tosses his cookies. 133 00:07:34,040 --> 00:07:36,800 Speaker 3: Because it's so turbulent there. 134 00:07:36,880 --> 00:07:39,520 Speaker 4: I like a nice unscripted TV moment, even if that 135 00:07:39,520 --> 00:07:43,400 Speaker 4: includes the loss of uh one or more botlely functions. 136 00:07:43,440 --> 00:07:46,000 Speaker 2: And check this out his name? Are you ready for this? 137 00:07:46,320 --> 00:07:54,240 Speaker 2: Bringing Matthew Capucci? Ain't that just the way? Isn't that 138 00:07:54,320 --> 00:07:54,840 Speaker 2: the best? 139 00:07:55,200 --> 00:07:57,640 Speaker 4: I always wondered why they felt like they had to 140 00:07:57,680 --> 00:08:00,840 Speaker 4: send reporters right out into the world part of whatever 141 00:08:00,840 --> 00:08:02,080 Speaker 4: weather disaster there was. 142 00:08:02,360 --> 00:08:04,520 Speaker 2: It is absurd, and I have been sort of lucky 143 00:08:04,600 --> 00:08:06,440 Speaker 2: that no one has taken me seriously enough as a 144 00:08:06,480 --> 00:08:08,640 Speaker 2: reporter to have to actually do any of that stuff. 145 00:08:09,200 --> 00:08:10,680 Speaker 2: During the fires, I did a lot. I did a 146 00:08:10,680 --> 00:08:12,320 Speaker 2: lot of coverage there because we're so short staffed, and 147 00:08:12,320 --> 00:08:13,800 Speaker 2: it's just like, go out, go find a story to 148 00:08:13,800 --> 00:08:16,920 Speaker 2: do that. But yeah, I think, you know, the whole 149 00:08:16,920 --> 00:08:19,040 Speaker 2: era of put this reporter out in the middle of 150 00:08:19,040 --> 00:08:22,120 Speaker 2: the rain may be unnecessary. But Matthew Capucci is a 151 00:08:23,120 --> 00:08:26,080 Speaker 2: hurricane hunter who's I think he was on board either 152 00:08:26,160 --> 00:08:29,200 Speaker 2: the Air Force aircraft or the Noah aircraft. So if 153 00:08:29,200 --> 00:08:30,640 Speaker 2: it was the NOA aircraft, it would win. The P 154 00:08:30,720 --> 00:08:33,559 Speaker 2: three Orion. And this is a plane that, Like I said, 155 00:08:33,600 --> 00:08:36,320 Speaker 2: it just deals with the turbulence and it deals with 156 00:08:36,360 --> 00:08:39,360 Speaker 2: the structural pressure of being in the middle of a storm. 157 00:08:39,880 --> 00:08:42,400 Speaker 2: And he did toss his cookies, which is funny. But 158 00:08:42,440 --> 00:08:46,679 Speaker 2: the man recovered beautifully, which is very impressive. 159 00:08:46,880 --> 00:08:49,120 Speaker 4: Did he do it like mid sentence and then continue 160 00:08:49,160 --> 00:08:50,200 Speaker 4: on without so amer. 161 00:08:50,600 --> 00:08:52,680 Speaker 2: The reason there's no audio is because he was basically 162 00:08:52,760 --> 00:08:54,880 Speaker 2: up in a multi box, right. They had like a 163 00:08:54,880 --> 00:08:57,079 Speaker 2: triple box up, so they had the anchor another person 164 00:08:57,120 --> 00:08:58,960 Speaker 2: who was talking about the storm, and then a live 165 00:08:59,000 --> 00:09:03,640 Speaker 2: look from the aircraft in the middle of the storm. 166 00:09:04,080 --> 00:09:06,200 Speaker 2: And so the audio was down so we didn't actually 167 00:09:06,240 --> 00:09:08,040 Speaker 2: hear anything, but you can see him hold up his 168 00:09:08,679 --> 00:09:10,400 Speaker 2: cup I guess, and you know. 169 00:09:10,920 --> 00:09:12,439 Speaker 3: Do his business or whatever. 170 00:09:12,559 --> 00:09:14,319 Speaker 2: And then he kind of drops out of frame a 171 00:09:14,320 --> 00:09:17,240 Speaker 2: little bit because he's obviously trying to recover, and then 172 00:09:17,240 --> 00:09:18,960 Speaker 2: he comes back up and he's just like, Okay, I 173 00:09:19,040 --> 00:09:19,600 Speaker 2: still got this. 174 00:09:19,720 --> 00:09:20,400 Speaker 3: I'm still going. 175 00:09:21,200 --> 00:09:24,760 Speaker 2: But everybody who is also on those aircraft, a lot 176 00:09:24,760 --> 00:09:26,640 Speaker 2: of them, a lot of these stormchasers will be tweeting 177 00:09:26,640 --> 00:09:31,880 Speaker 2: about their experiences. One crew member today named Andy Hazelton says, 178 00:09:32,160 --> 00:09:35,679 Speaker 2: just landed after an absolutely insane flight. I was processing 179 00:09:35,720 --> 00:09:38,280 Speaker 2: the drops on data before it went out. I saw 180 00:09:38,440 --> 00:09:41,920 Speaker 2: the two hundred and nineteen not wind speed above the surface, 181 00:09:41,920 --> 00:09:44,320 Speaker 2: and I couldn't believe it. My display only goes to 182 00:09:44,400 --> 00:09:48,520 Speaker 2: one hundred by default. And they were predicting basically tornado 183 00:09:48,640 --> 00:09:53,600 Speaker 2: like damage all across Jamaica when that hurricane hit landfall. So, 184 00:09:53,920 --> 00:09:56,000 Speaker 2: like I said, nine o'clock just passed nine to fifteen 185 00:09:56,040 --> 00:10:01,120 Speaker 2: there right now in Jamaica. Hurricane Melissa strengthening again from 186 00:10:01,200 --> 00:10:04,280 Speaker 2: a category three as it passed over Jamaica now into 187 00:10:04,360 --> 00:10:07,800 Speaker 2: a category four, likely to make landfall at eleven o'clock 188 00:10:07,960 --> 00:10:12,240 Speaker 2: local time in Cuba and continue on into the Bahamas overnight. 189 00:10:12,640 --> 00:10:17,000 Speaker 2: But very very difficult conditions for people down there, very rough, 190 00:10:17,360 --> 00:10:21,120 Speaker 2: long night. So we're thinking about everybody down there for sure. 191 00:10:21,160 --> 00:10:25,360 Speaker 2: So lots to come here on KFI this evening, including 192 00:10:25,440 --> 00:10:27,600 Speaker 2: music man Jack Primavera, who's stopping by to talk about 193 00:10:27,640 --> 00:10:28,880 Speaker 2: a new Beatles song. 194 00:10:29,240 --> 00:10:32,720 Speaker 3: How about that? That's pretty exciting. How is that possible? 195 00:10:32,920 --> 00:10:37,320 Speaker 2: Well, you got to you gotta stay tuned, Mark Ronner, 196 00:10:37,360 --> 00:10:38,240 Speaker 2: I have to stay at work. 197 00:10:38,440 --> 00:10:39,200 Speaker 3: You gotta stay here. 198 00:10:39,240 --> 00:10:41,240 Speaker 2: Yeah, you tonight is not the night you can call 199 00:10:41,320 --> 00:10:44,600 Speaker 2: and halfway even if and listen if the guys who 200 00:10:44,640 --> 00:10:47,560 Speaker 2: are flying into hurricanes are are thrown up, and then 201 00:10:47,600 --> 00:10:48,640 Speaker 2: they still keep working. 202 00:10:49,000 --> 00:10:50,560 Speaker 3: I don't think we have any excuse. 203 00:10:50,280 --> 00:10:52,240 Speaker 4: Their vomit is an inspiration to us all. 204 00:10:52,760 --> 00:10:55,280 Speaker 2: That's Mark Ronner in the KFI twenty four hour news 205 00:10:55,280 --> 00:10:57,240 Speaker 2: as I am six forty. 206 00:10:57,240 --> 00:10:58,880 Speaker 3: We're live everywhere on the iHeartRadio app. 207 00:10:58,920 --> 00:11:01,040 Speaker 2: I'm Andy Reese my or If you'd like to say hello, 208 00:11:01,080 --> 00:11:04,440 Speaker 2: you can find me on the internet at Andy KTLA. 209 00:11:05,120 --> 00:11:08,880 Speaker 2: That's on Instagram, Send me a DM hit me up 210 00:11:08,960 --> 00:11:13,040 Speaker 2: on Twitter. Like one listener who let me know that 211 00:11:13,080 --> 00:11:16,320 Speaker 2: I made a mistake. I'm mad enough to own up 212 00:11:16,360 --> 00:11:18,280 Speaker 2: to it, but you never want to make a mistake 213 00:11:18,320 --> 00:11:20,839 Speaker 2: when it comes to aviation stuff because those guys do 214 00:11:20,920 --> 00:11:23,760 Speaker 2: not let you live it down. Those guys are serious 215 00:11:23,800 --> 00:11:26,520 Speaker 2: about what they know. I said that the P three 216 00:11:26,600 --> 00:11:31,200 Speaker 2: Orion was out of production in the nineteen seventies. 217 00:11:31,200 --> 00:11:31,680 Speaker 3: That is wrong. 218 00:11:31,720 --> 00:11:33,839 Speaker 2: They produced that aircraft. Lockheed made that plane all the 219 00:11:33,880 --> 00:11:38,880 Speaker 2: way till nineteen ninety, from nineteen sixty one to nineteen ninety. 220 00:11:38,880 --> 00:11:41,160 Speaker 2: That's one of the aircraft that is used to fly 221 00:11:41,320 --> 00:11:47,600 Speaker 2: into hurricanes to get more data and readings. They also 222 00:11:47,679 --> 00:11:49,800 Speaker 2: the Air Force will use a C one thirty or 223 00:11:50,080 --> 00:11:53,760 Speaker 2: a version of a Hercules. And today they actually had 224 00:11:53,800 --> 00:11:59,040 Speaker 2: to turn around and come back because of the excessive 225 00:11:59,200 --> 00:12:04,920 Speaker 2: force from urbulence on the aircraft. Wow, that's crazy. Give 226 00:12:04,960 --> 00:12:07,280 Speaker 2: you an idea how serious it was that the guys 227 00:12:07,280 --> 00:12:12,040 Speaker 2: who fly into those hurricanes in Hurricane Melissa today turned 228 00:12:12,040 --> 00:12:16,520 Speaker 2: around and came back because of how intense the thunderstorm 229 00:12:17,000 --> 00:12:22,480 Speaker 2: turbulence was. Hurricane turbulence Toronto. Six Dodgers, one bottom of 230 00:12:22,480 --> 00:12:24,960 Speaker 2: the seventh, one out. Not looking good, Sam, No, we 231 00:12:25,000 --> 00:12:26,880 Speaker 2: don't talk about such things, Okay, all right, Well that's 232 00:12:26,880 --> 00:12:28,760 Speaker 2: actually helpful for me, so I don't have to pay 233 00:12:28,800 --> 00:12:33,600 Speaker 2: attention anymore. Very good, Very good locally though, back in 234 00:12:33,679 --> 00:12:37,760 Speaker 2: southern California, you know, we were stunned yesterday with this chase, 235 00:12:40,040 --> 00:12:43,000 Speaker 2: and then saddened to learn that the suspect who had 236 00:12:43,280 --> 00:12:45,719 Speaker 2: evaded police for a while before crashing his motorcycle on 237 00:12:45,760 --> 00:12:49,640 Speaker 2: the two ten freeway indeed had shot and killed a 238 00:12:49,640 --> 00:12:55,199 Speaker 2: deputy in San Berndino, Sambordino County. And now a memorial 239 00:12:55,280 --> 00:12:58,000 Speaker 2: in Sanbordino County in front of the Sheriff's department is 240 00:12:58,040 --> 00:13:02,040 Speaker 2: growing to honor that fallen deputy. 241 00:13:02,640 --> 00:13:06,280 Speaker 6: Take a listen, Michael sander Good evening. Yeah, there's a 242 00:13:06,280 --> 00:13:08,240 Speaker 6: lot of hearts hurting this evening. You know, if you 243 00:13:08,280 --> 00:13:10,520 Speaker 6: have a loved one in the law enforcement community, one 244 00:13:10,520 --> 00:13:13,800 Speaker 6: of the biggest worries you have is we'll he or 245 00:13:13,840 --> 00:13:17,080 Speaker 6: she be coming home after their shift. And tonight you 246 00:13:17,120 --> 00:13:20,080 Speaker 6: can see that the flowers keep coming. This memorial is 247 00:13:20,120 --> 00:13:24,359 Speaker 6: growing for this fallen deputy. There are flowers from various departments. 248 00:13:24,400 --> 00:13:27,960 Speaker 6: We see Huntington Beach, there's El Monte, and when we 249 00:13:28,000 --> 00:13:31,240 Speaker 6: look down, there's the flowers here. There's even a card 250 00:13:31,280 --> 00:13:34,800 Speaker 6: from the deputy's barber. There are people who've arrived here 251 00:13:34,840 --> 00:13:37,760 Speaker 6: today to drop off flowers. They didn't even know him personally. 252 00:13:37,760 --> 00:13:39,880 Speaker 6: They were stuck in the traffic out on the two 253 00:13:40,000 --> 00:13:43,440 Speaker 6: ten freeway, but they wanted to express their sadness and 254 00:13:43,559 --> 00:13:47,200 Speaker 6: support for the department and the deputy's family. You know, 255 00:13:47,200 --> 00:13:50,720 Speaker 6: the San Bordino County Sheriff's Department and the extended law 256 00:13:50,760 --> 00:13:55,720 Speaker 6: enforcement family is warning tonight one of their own tragically 257 00:13:55,840 --> 00:14:05,720 Speaker 6: killed in the line of duty. A security camera captured 258 00:14:05,760 --> 00:14:06,960 Speaker 6: the gunfire. 259 00:14:06,600 --> 00:14:09,000 Speaker 3: And I heard the shot, and then I heard the 260 00:14:09,080 --> 00:14:09,840 Speaker 3: shot again. 261 00:14:10,240 --> 00:14:13,360 Speaker 6: Just after twelve thirty Monday afternoon, a shooting that left 262 00:14:13,360 --> 00:14:16,559 Speaker 6: San Bernardino County Deputy Andrew Nunyez dead. 263 00:14:16,920 --> 00:14:19,160 Speaker 2: I pulled up right as they were pulling the deputy 264 00:14:19,680 --> 00:14:22,280 Speaker 2: out into the street and they were giving him. 265 00:14:22,120 --> 00:14:25,080 Speaker 6: CPR Nunyaz was responding to a report of a man 266 00:14:25,160 --> 00:14:27,840 Speaker 6: threatening his girlfriend with a gun on Hollyhop Drive in 267 00:14:27,920 --> 00:14:31,920 Speaker 6: Rancho Cucamonga. The San Bernardino County Sheriff's Department says deputies 268 00:14:31,960 --> 00:14:32,960 Speaker 6: were fired upon. 269 00:14:32,800 --> 00:14:33,960 Speaker 3: As soon as they arrived. 270 00:14:34,240 --> 00:14:36,920 Speaker 6: Deputy Junya is shot in the head and taken to 271 00:14:36,960 --> 00:14:38,360 Speaker 6: the hospital where he died. 272 00:14:38,600 --> 00:14:41,080 Speaker 3: It was really scary and very sad to hear that 273 00:14:41,120 --> 00:14:41,920 Speaker 3: he did pass. 274 00:14:42,080 --> 00:14:46,080 Speaker 2: Hey, we got a motorcycle that's hauling the suspect. 275 00:14:46,160 --> 00:14:49,640 Speaker 6: Forty seven year old Angelo Jose Saldivar of San Bernardino 276 00:14:49,720 --> 00:14:52,920 Speaker 6: fled on a motorcycle onto the two ten Freeway, riding 277 00:14:52,960 --> 00:14:55,360 Speaker 6: at speeds of more than one hundred and fifty miles 278 00:14:55,400 --> 00:14:58,360 Speaker 6: an hour in a wild pursuit until an off duty 279 00:14:58,360 --> 00:15:01,960 Speaker 6: officer in his own vehicle forced a crash with the suspect. 280 00:15:02,320 --> 00:15:04,600 Speaker 2: That's this such an interesting part of this story that 281 00:15:04,680 --> 00:15:07,640 Speaker 2: we didn't really understand totally when it happened. We just 282 00:15:07,640 --> 00:15:09,040 Speaker 2: thought it was a guy who was in his car 283 00:15:09,160 --> 00:15:12,960 Speaker 2: who happened to just maybe change lanes and it was 284 00:15:13,200 --> 00:15:17,360 Speaker 2: a circumstance that was an accident. And then I think 285 00:15:17,600 --> 00:15:20,080 Speaker 2: I can't remember, maybe yesterday there was some talk about 286 00:15:20,080 --> 00:15:24,520 Speaker 2: heck no, that guy changed lanes on purpose. There was 287 00:15:24,560 --> 00:15:27,120 Speaker 2: some talk that the suspect was going for a gun, 288 00:15:27,400 --> 00:15:29,640 Speaker 2: at least that's what it appeared to be happening there. 289 00:15:30,440 --> 00:15:36,200 Speaker 2: And Ronner, if you remember Reesmeyer, if you remember Mark Ronner. 290 00:15:37,400 --> 00:15:40,320 Speaker 2: There was this sort of interesting layer to the story 291 00:15:40,320 --> 00:15:44,360 Speaker 2: that this was an off duty officer, right who then 292 00:15:45,200 --> 00:15:48,160 Speaker 2: it was a San Berndino County Sheriff's Department deputy rather 293 00:15:48,360 --> 00:15:50,560 Speaker 2: who was off duty and then made himself on duty. 294 00:15:50,880 --> 00:15:53,480 Speaker 2: When he made himself on duty, the details we do 295 00:15:53,520 --> 00:15:58,800 Speaker 2: not know very interesting, but some of the conversations were around, okay, 296 00:15:59,240 --> 00:16:03,520 Speaker 2: he to use what could have been deadly force, and 297 00:16:03,720 --> 00:16:08,680 Speaker 2: was it justified? He was an narcotics deputy. He deliberately 298 00:16:08,720 --> 00:16:12,160 Speaker 2: struck the motorcycle with his car, and policing experts say 299 00:16:12,200 --> 00:16:16,440 Speaker 2: that the action was justified, especially in the context of 300 00:16:16,480 --> 00:16:18,520 Speaker 2: knowing that he had shot an officer. 301 00:16:20,160 --> 00:16:23,160 Speaker 3: Fascinating. I didn't think about that at all until today. 302 00:16:23,560 --> 00:16:26,720 Speaker 6: Suspect air lifted to the hospital and it's in stable condition. 303 00:16:28,080 --> 00:16:31,600 Speaker 6: Monday night, hundreds of deputies and first responders honored nunyas 304 00:16:31,600 --> 00:16:34,600 Speaker 6: in a procession taking his body from the hospital to. 305 00:16:34,560 --> 00:16:35,720 Speaker 3: The coroner's office. 306 00:16:35,920 --> 00:16:38,520 Speaker 6: Nunya is just twenty eight years old, had served Rancho 307 00:16:38,600 --> 00:16:42,160 Speaker 6: Kukamonga for the past six years. He leaves behind a wife, 308 00:16:42,200 --> 00:16:44,760 Speaker 6: a two year old daughter, and a baby girl on 309 00:16:44,800 --> 00:16:45,160 Speaker 6: the way. 310 00:16:45,360 --> 00:16:47,520 Speaker 7: We are all very heartbroken for him in a law 311 00:16:47,560 --> 00:16:51,280 Speaker 7: enforcement as we have a high respect for law enforcement. 312 00:16:51,560 --> 00:16:53,800 Speaker 7: Truly and deeplyieve we are so sorry for the family 313 00:16:53,840 --> 00:16:56,720 Speaker 7: and friends and everybody who's been infected by this. 314 00:17:01,280 --> 00:17:04,240 Speaker 6: And tonight. In a written statement, his aunt told kay 315 00:17:04,320 --> 00:17:06,600 Speaker 6: Tale that Andrew was one of the kindest, most selfless 316 00:17:06,600 --> 00:17:08,639 Speaker 6: people you could ever meet. He had a gentle heart, 317 00:17:08,680 --> 00:17:11,480 Speaker 6: a warm smile, and a way of making everyone around 318 00:17:11,560 --> 00:17:14,280 Speaker 6: him feel loved and seen. He was so excited to 319 00:17:14,280 --> 00:17:17,360 Speaker 6: become a father again, and it's unbearable to know he 320 00:17:17,440 --> 00:17:20,879 Speaker 6: won't get the chance to hold his new baby girl. 321 00:17:21,119 --> 00:17:23,040 Speaker 6: So back your side again as we look at that. 322 00:17:23,119 --> 00:17:25,640 Speaker 2: There is a go fundme setup that is now closed, 323 00:17:25,680 --> 00:17:30,720 Speaker 2: So if you google fundraiser for Deputy Andrew Nunez, there 324 00:17:30,840 --> 00:17:33,200 Speaker 2: was one setup that raised around sixty two hundred dollars, 325 00:17:33,480 --> 00:17:35,560 Speaker 2: and that now at least in the past few hours, 326 00:17:35,600 --> 00:17:38,440 Speaker 2: has been disabled. And there's a link in the comments 327 00:17:38,440 --> 00:17:42,040 Speaker 2: and update from the person who set this up who 328 00:17:42,080 --> 00:17:45,760 Speaker 2: says there's a new donations page that's been set up 329 00:17:45,800 --> 00:17:50,600 Speaker 2: by the Peace Officers Association of California PORIC. You can 330 00:17:50,680 --> 00:17:54,040 Speaker 2: find that at POURC dot org, which is the legitimate 331 00:17:55,119 --> 00:17:57,920 Speaker 2: place where all of those proceeds from the donations will 332 00:17:57,920 --> 00:18:02,440 Speaker 2: go to Rocks who is his wife. I'm assuming and 333 00:18:02,440 --> 00:18:07,159 Speaker 2: Andrew's children and their unborn child as well. So they 334 00:18:07,200 --> 00:18:10,520 Speaker 2: currently have raised something like twenty four twenty five thousand 335 00:18:10,560 --> 00:18:16,760 Speaker 2: dollars on behalf here of Deputy Andrew Nunez, twenty eight 336 00:18:16,840 --> 00:18:21,440 Speaker 2: years old, six year veteran of the department. Just heartbreaking, 337 00:18:22,520 --> 00:18:26,000 Speaker 2: terrible stuff. We've got some better things coming here though. 338 00:18:26,520 --> 00:18:28,479 Speaker 2: Lots to talk about here in southern California. We're keep 339 00:18:28,520 --> 00:18:31,400 Speaker 2: an eye on this Dodgers game. I don't have great 340 00:18:31,400 --> 00:18:33,760 Speaker 2: news over there, but we are talking to Jack Primavera 341 00:18:33,840 --> 00:18:36,440 Speaker 2: coming up in a little bit. Plus, this is kind 342 00:18:36,440 --> 00:18:36,960 Speaker 2: of exciting. 343 00:18:37,240 --> 00:18:37,440 Speaker 4: Ron. 344 00:18:37,440 --> 00:18:38,240 Speaker 3: Are you ready for this? 345 00:18:38,440 --> 00:18:38,919 Speaker 4: I think so? 346 00:18:40,200 --> 00:18:44,480 Speaker 2: A monkey is out? Would that be the disease written monkey? Well, 347 00:18:44,560 --> 00:18:48,720 Speaker 2: they say it's not this outbreak. Are we just starting 348 00:18:48,760 --> 00:18:51,760 Speaker 2: at the beginning of a bad movie? You know they 349 00:18:51,760 --> 00:18:53,439 Speaker 2: would start as a joke. That's the thing that everybody 350 00:18:53,440 --> 00:18:57,600 Speaker 2: gets wrong about how these things start, because in all 351 00:18:57,640 --> 00:18:59,439 Speaker 2: the movies, everyone is immediately very. 352 00:18:59,320 --> 00:19:01,360 Speaker 3: Serious about this, about this infection. 353 00:19:01,600 --> 00:19:03,639 Speaker 4: You never see this in Curious George books. 354 00:19:03,760 --> 00:19:07,119 Speaker 2: That's true. The man in yellow will have some explaining 355 00:19:07,160 --> 00:19:09,560 Speaker 2: to do a little too curious. It's KFIM six forty. 356 00:19:09,560 --> 00:19:11,200 Speaker 2: We're live everywhere on the iHeartRadio app. 357 00:19:11,720 --> 00:19:15,160 Speaker 1: You're listening to KFI AM six forty on demand. 358 00:19:16,800 --> 00:19:19,280 Speaker 2: It is KFI AM six forty. We're live everywhere on 359 00:19:19,320 --> 00:19:23,000 Speaker 2: the iHeartRadio app. I'm Andy Reesmeyer. If you'd like to 360 00:19:23,000 --> 00:19:28,080 Speaker 2: say hello, grab that uh, grab that phone, give us 361 00:19:28,119 --> 00:19:29,960 Speaker 2: a call. One in hundred five two zero one five 362 00:19:30,000 --> 00:19:33,040 Speaker 2: three four. Let's open up them phone lines. Can we 363 00:19:33,040 --> 00:19:35,520 Speaker 2: do that, Matthew one in hundred five two zero one 364 00:19:35,560 --> 00:19:37,879 Speaker 2: five three four one hundred five two zero one KFI. 365 00:19:38,040 --> 00:19:40,040 Speaker 2: Let us know why you're not watching the Dodger game tonight, 366 00:19:40,240 --> 00:19:44,680 Speaker 2: what you're doing instead. And I understand if you just 367 00:19:44,720 --> 00:19:47,240 Speaker 2: said I've had it. Last night was too emotionally straining 368 00:19:47,240 --> 00:19:50,040 Speaker 2: for me, and now I just want to have a 369 00:19:50,119 --> 00:19:53,639 Speaker 2: quiet night listening to the radio somewhat quiet. 370 00:19:53,760 --> 00:19:56,240 Speaker 4: Did you stay awake until the bitter end? I did. 371 00:19:56,400 --> 00:19:58,080 Speaker 4: I was happy the game was over by the time 372 00:19:58,119 --> 00:20:01,360 Speaker 4: I came into work today. 373 00:20:02,400 --> 00:20:04,240 Speaker 3: Heard that. I was just I told you. 374 00:20:04,280 --> 00:20:06,840 Speaker 2: I got to a point where I was like, I 375 00:20:06,840 --> 00:20:10,040 Speaker 2: don't care who wins. And I sit next to my girlfriend, like, 376 00:20:10,080 --> 00:20:12,359 Speaker 2: you know, she would wake up every couple of minutes 377 00:20:12,359 --> 00:20:14,560 Speaker 2: and be like, oh god, it's still going on, and 378 00:20:14,640 --> 00:20:18,680 Speaker 2: she likes sports. She likes watching sports, and I was like, yeah, 379 00:20:18,680 --> 00:20:20,520 Speaker 2: it's still happening. And you know, I will drink a 380 00:20:20,520 --> 00:20:22,520 Speaker 2: lot of coffee before I come in here to do 381 00:20:22,600 --> 00:20:25,400 Speaker 2: this show, so it's always it's always tough to wind 382 00:20:25,440 --> 00:20:27,720 Speaker 2: down afterwards. So it wasn't that bad. But as soon 383 00:20:27,720 --> 00:20:31,520 Speaker 2: as Freddy Freeman hit that walk off home run, what 384 00:20:31,600 --> 00:20:32,520 Speaker 2: a good moment that was. 385 00:20:34,160 --> 00:20:36,119 Speaker 3: We were just like, oh, she goes, thank Let's go 386 00:20:36,160 --> 00:20:36,440 Speaker 3: to bed. 387 00:20:38,119 --> 00:20:40,600 Speaker 2: We were as happy that the Dodgers one as going 388 00:20:40,600 --> 00:20:43,679 Speaker 2: to Bed was also in the Cards in Studio with 389 00:20:43,840 --> 00:20:48,560 Speaker 2: Jack Primavera music Man by trade, Hello Hello, and it's 390 00:20:48,600 --> 00:20:50,280 Speaker 2: so good to be back. I like that title too, 391 00:20:50,480 --> 00:20:53,320 Speaker 2: uh music Man, Jack Primavera. I think is it's gonna stick. 392 00:20:53,480 --> 00:20:53,880 Speaker 3: You are a. 393 00:20:53,800 --> 00:20:56,320 Speaker 2: Producer on the Voice, Yes, sir, Yes, sir, do a 394 00:20:56,320 --> 00:20:58,280 Speaker 2: lot of their digital contents. So anytime you see the 395 00:20:58,320 --> 00:21:01,840 Speaker 2: coaches and they're doing some cool stuff, that's Jack behind 396 00:21:01,880 --> 00:21:02,800 Speaker 2: the camera a lot of times. 397 00:21:02,920 --> 00:21:04,239 Speaker 8: Thank you, thank you. Yeah, it's a lot of fun. 398 00:21:04,280 --> 00:21:07,560 Speaker 8: We're in the knockouts right now. We got Joe Walsh 399 00:21:07,600 --> 00:21:11,000 Speaker 8: of Eagles Face Zach Brown helping us out. 400 00:21:11,000 --> 00:21:13,000 Speaker 3: So lifetime has life been good to him? So I 401 00:21:13,240 --> 00:21:14,040 Speaker 3: think life has been good? 402 00:21:14,119 --> 00:21:17,240 Speaker 8: Yeah, yeah, yeah, you know he's kind of a Desperado yeah, 403 00:21:17,280 --> 00:21:18,480 Speaker 8: and living life in the fast lane. 404 00:21:18,480 --> 00:21:18,760 Speaker 3: That's right. 405 00:21:18,840 --> 00:21:20,240 Speaker 8: I think he only actually played on living life in 406 00:21:20,280 --> 00:21:21,800 Speaker 8: the fast lane or living in the fast lane. He 407 00:21:21,800 --> 00:21:23,200 Speaker 8: wasn't on Desperado. He wasn't in yet. 408 00:21:23,240 --> 00:21:25,560 Speaker 3: He wasn't in yet. No, but it's Joe. It works, man. 409 00:21:25,680 --> 00:21:27,320 Speaker 2: I'll tell you what that song I know we're getting 410 00:21:27,320 --> 00:21:31,199 Speaker 2: off the rails here, that song Desperado. When you're up 411 00:21:31,480 --> 00:21:33,840 Speaker 2: into a certain point in your life, that song doesn't matter. 412 00:21:34,640 --> 00:21:36,600 Speaker 2: And then you reach a point in your life and 413 00:21:36,680 --> 00:21:41,679 Speaker 2: maybe you're cruising up the Canejo Grade one afternoon in 414 00:21:41,720 --> 00:21:46,440 Speaker 2: twenty twenty one, coming back from a weekend of debauchery 415 00:21:46,840 --> 00:21:49,200 Speaker 2: in Santa Barbara and you're coming back to your little 416 00:21:49,240 --> 00:21:52,200 Speaker 2: life in the valley. This is a theoretical situation, of course, 417 00:21:52,280 --> 00:21:54,159 Speaker 2: of course, and that song comes on the radio and 418 00:21:54,200 --> 00:21:56,200 Speaker 2: you just it's just you hear it for the first 419 00:21:56,200 --> 00:21:57,840 Speaker 2: time and it's like you understand what it means. 420 00:21:57,840 --> 00:22:00,480 Speaker 8: Well, it's probably one of Don's finest. It's just beautiful. 421 00:22:00,560 --> 00:22:02,160 Speaker 2: Yeah, and then you, of course are going to break 422 00:22:02,200 --> 00:22:06,359 Speaker 2: down by yourself crying in your late model BMW station wagon. 423 00:22:07,000 --> 00:22:10,920 Speaker 2: This is a theoretical situation. I'm just saying. There were 424 00:22:11,000 --> 00:22:14,119 Speaker 2: there were many, there were many, We were all desperado 425 00:22:14,160 --> 00:22:14,600 Speaker 2: in that moment. 426 00:22:14,640 --> 00:22:16,800 Speaker 3: Yeah. Yeah, beautiful song. So Joe Walsh is great. How 427 00:22:16,840 --> 00:22:18,720 Speaker 3: is he in person? Do you like him? Super nice? Yeah, 428 00:22:18,800 --> 00:22:21,840 Speaker 3: so so so cool and you know, just really iconic. 429 00:22:21,880 --> 00:22:24,480 Speaker 8: The whole crew was just like, oh my gosh, Joe Walsh, 430 00:22:24,480 --> 00:22:26,480 Speaker 8: you played a little guitar, a little funk forty nuhs 431 00:22:27,119 --> 00:22:27,680 Speaker 8: really really cool. 432 00:22:27,720 --> 00:22:29,600 Speaker 2: Well, and you expect him to be a little wild. 433 00:22:29,640 --> 00:22:31,560 Speaker 2: I mean, as you've heard in his song, he lives 434 00:22:31,560 --> 00:22:33,680 Speaker 2: in hotels, tears out the walls. 435 00:22:33,760 --> 00:22:35,679 Speaker 8: Yeah, but he makes the accountants pay for it all, 436 00:22:35,760 --> 00:22:36,840 Speaker 8: so it kind of like works out. 437 00:22:36,960 --> 00:22:39,040 Speaker 2: Yeah, but he does he you have him under control 438 00:22:39,040 --> 00:22:40,800 Speaker 2: though he's not destroying the voice set. 439 00:22:41,119 --> 00:22:43,240 Speaker 8: One of the best things that he would say advice 440 00:22:43,320 --> 00:22:45,040 Speaker 8: is like, I can tell you maybe what to do, 441 00:22:45,080 --> 00:22:47,240 Speaker 8: but I can definitely tell you what not, which I 442 00:22:47,280 --> 00:22:48,520 Speaker 8: was like, that's perfect. 443 00:22:49,600 --> 00:22:52,000 Speaker 3: Well it's worked for him man, all those guys. 444 00:22:52,160 --> 00:22:54,080 Speaker 8: Yeah, you know, yeah, definitely. And Zac Brown is also 445 00:22:54,080 --> 00:22:55,439 Speaker 8: really cool too, so it's a fun time. 446 00:22:55,520 --> 00:22:56,600 Speaker 3: Yeah, Zach Brown's great. 447 00:22:56,960 --> 00:22:59,119 Speaker 2: So one of the things that was exciting here is 448 00:22:59,119 --> 00:23:02,399 Speaker 2: that the Beatles are out with a new song. 449 00:23:02,640 --> 00:23:03,880 Speaker 3: How is that possible? 450 00:23:03,920 --> 00:23:05,560 Speaker 8: Well, thank you for inviting me on because I could 451 00:23:05,680 --> 00:23:08,720 Speaker 8: speak for hours, days, weeks, years on this topic of 452 00:23:08,760 --> 00:23:09,240 Speaker 8: the Beatles. 453 00:23:09,320 --> 00:23:09,600 Speaker 3: Yeah. 454 00:23:09,720 --> 00:23:12,400 Speaker 2: Maybe unofficially might be the pre eminent person who knows 455 00:23:12,400 --> 00:23:14,240 Speaker 2: more about the Beatles than anybody I know. 456 00:23:14,520 --> 00:23:15,640 Speaker 3: I just love them so much. 457 00:23:15,680 --> 00:23:17,840 Speaker 8: But yeah, it's coming out on Well, the song's out, 458 00:23:17,880 --> 00:23:21,040 Speaker 8: but it's on Anthology four. Yeah, one through three is awesome. 459 00:23:21,520 --> 00:23:23,440 Speaker 8: A lot of Anthology four is actually out. You can 460 00:23:23,520 --> 00:23:26,080 Speaker 8: see it, like half of it is already available, but. 461 00:23:26,240 --> 00:23:29,000 Speaker 2: Because they've been released before, or because that they're slowly 462 00:23:29,160 --> 00:23:29,720 Speaker 2: just dropping this. 463 00:23:29,760 --> 00:23:29,960 Speaker 4: Okay. 464 00:23:30,000 --> 00:23:32,000 Speaker 8: So for example, like some is like the new song 465 00:23:32,040 --> 00:23:34,520 Speaker 8: that was leased released earlier, this year real love and 466 00:23:34,560 --> 00:23:38,160 Speaker 8: then like that was like the aisk. 467 00:23:37,720 --> 00:23:40,440 Speaker 3: One yeah yeah, yeah, which I don't love, but. 468 00:23:40,359 --> 00:23:42,840 Speaker 8: Well, I think we can get into that later, the 469 00:23:42,920 --> 00:23:44,320 Speaker 8: pro and con of it. But no, the one that 470 00:23:44,320 --> 00:23:46,240 Speaker 8: came out more recently is I Just Seen a Face. 471 00:23:47,680 --> 00:23:49,959 Speaker 8: I forget which take or version it was, but it's 472 00:23:50,000 --> 00:23:52,679 Speaker 8: actually it's take three on Anthology twenty twenty five. Why 473 00:23:52,720 --> 00:23:54,760 Speaker 8: don't we listen to it for just a second? Yes, 474 00:23:54,800 --> 00:23:56,679 Speaker 8: and then just a wearl on the same page and 475 00:23:56,680 --> 00:23:57,560 Speaker 8: then you tell me all about it. 476 00:23:57,560 --> 00:23:57,959 Speaker 4: Here we go. 477 00:24:00,760 --> 00:24:04,960 Speaker 2: We're premiering a Beatles song on kfenty five. 478 00:24:04,960 --> 00:24:07,840 Speaker 3: How exciting is that? The right? 479 00:24:07,840 --> 00:24:08,439 Speaker 4: Do you want to do it? 480 00:24:08,480 --> 00:24:08,960 Speaker 3: The Beatles? 481 00:24:08,960 --> 00:24:13,320 Speaker 2: With the Beatles with Jack and Andy, I've just Seen 482 00:24:13,359 --> 00:24:19,800 Speaker 2: a Face, Take three. 483 00:24:19,560 --> 00:24:22,720 Speaker 3: Three light song. 484 00:24:22,840 --> 00:24:23,520 Speaker 4: That's awesome. 485 00:24:25,000 --> 00:24:38,960 Speaker 5: Lone's okay, wom two three. 486 00:24:36,760 --> 00:24:40,080 Speaker 8: Three Theology series and like this one is specifically it's 487 00:24:40,119 --> 00:24:42,600 Speaker 8: a lot like the Peter Jackson documentary Get Back. It's 488 00:24:42,640 --> 00:24:45,480 Speaker 8: so cool to see them working and like see them 489 00:24:45,520 --> 00:24:48,120 Speaker 8: mess up and you're like, oh, the Beatles can mess up. 490 00:24:48,600 --> 00:24:49,880 Speaker 3: Like you see the creative process. 491 00:24:50,080 --> 00:24:52,760 Speaker 8: And of course this was on Help, which they weren't 492 00:24:52,800 --> 00:24:56,000 Speaker 8: the Studio Wizards quite yet they're you know early on, 493 00:24:56,160 --> 00:24:58,360 Speaker 8: so like they're playing that live like this take is like, yeah, 494 00:24:58,359 --> 00:25:00,960 Speaker 8: you can see how amazing they are and the singing is. 495 00:25:00,920 --> 00:25:02,880 Speaker 2: Amazing, and you know they already had it as a band. 496 00:25:03,000 --> 00:25:04,719 Speaker 2: I think they probably were already close to their ten 497 00:25:04,760 --> 00:25:07,679 Speaker 2: thousand hours or whatever from playing live, and it just 498 00:25:08,119 --> 00:25:10,640 Speaker 2: it's just got such good, a good feel to it, 499 00:25:10,880 --> 00:25:12,560 Speaker 2: and it's funny to hear it as a more almost 500 00:25:12,600 --> 00:25:15,840 Speaker 2: like a folk song, which is really cool totally. 501 00:25:15,880 --> 00:25:17,280 Speaker 8: I mean it's like pretty close even like to the 502 00:25:17,320 --> 00:25:19,520 Speaker 8: original that appears on Help. But it's like once again 503 00:25:19,600 --> 00:25:21,320 Speaker 8: just seeing it so raw and just knowing that they're 504 00:25:21,320 --> 00:25:23,880 Speaker 8: doing it in a live setting like like that. It's 505 00:25:23,960 --> 00:25:25,919 Speaker 8: just so talented. And that's what I think is so 506 00:25:25,920 --> 00:25:28,720 Speaker 8: cool about anthology. It's you're getting to hear the kind 507 00:25:28,760 --> 00:25:30,199 Speaker 8: of warts and all you're you need to hear the 508 00:25:30,240 --> 00:25:32,200 Speaker 8: mess ups that takes, the oh no, do it again, 509 00:25:32,280 --> 00:25:33,840 Speaker 8: you know, like the yeah jokes here and there. 510 00:25:33,920 --> 00:25:36,320 Speaker 3: It's just so fun. It is so funny that you 511 00:25:36,320 --> 00:25:36,600 Speaker 3: say that. 512 00:25:36,640 --> 00:25:38,040 Speaker 2: So as I've told you before, and I don't know 513 00:25:38,080 --> 00:25:40,080 Speaker 2: if I've told this story on the radio, but I 514 00:25:40,880 --> 00:25:44,280 Speaker 2: my first introduction to the Beatles was through the Anthology 515 00:25:44,359 --> 00:25:47,760 Speaker 2: series because my dad came home in nineteen ninety five 516 00:25:47,840 --> 00:25:49,800 Speaker 2: or whenever they came out with the anthology series. They 517 00:25:49,840 --> 00:25:53,679 Speaker 2: came home with the anthology three. Yep, the later stuff, 518 00:25:53,720 --> 00:25:56,119 Speaker 2: and that, you know is basically I think White Album 519 00:25:56,160 --> 00:25:59,520 Speaker 2: on yeah, A revolver on end's right, yeah. And it's 520 00:25:59,520 --> 00:26:03,280 Speaker 2: funny because I grew up with that version of the Beatles. 521 00:26:03,359 --> 00:26:05,879 Speaker 2: So all of my versions of any White Album songy 522 00:26:05,960 --> 00:26:07,800 Speaker 2: Oh blood de oh blah da is completely different from 523 00:26:07,880 --> 00:26:10,040 Speaker 2: Jude is completely different. And so I would hear the 524 00:26:10,280 --> 00:26:12,080 Speaker 2: you know, because again, you didn't really hear that much 525 00:26:12,400 --> 00:26:14,680 Speaker 2: different stuff back then unless you had a CD or 526 00:26:14,720 --> 00:26:17,760 Speaker 2: a record or a tape, and so as I grew up, 527 00:26:17,800 --> 00:26:20,600 Speaker 2: but I would hear other versions on the radio, I'd 528 00:26:20,600 --> 00:26:21,480 Speaker 2: be mad a. 529 00:26:21,480 --> 00:26:25,960 Speaker 3: Minute, this sucks. This sucks. I don't know if anybody 530 00:26:25,960 --> 00:26:26,399 Speaker 3: has had that. 531 00:26:26,520 --> 00:26:28,359 Speaker 2: I might be the only person in the world who 532 00:26:28,440 --> 00:26:31,399 Speaker 2: only heard the anthology series of the Beatles before the 533 00:26:31,440 --> 00:26:32,480 Speaker 2: actual songs came out. 534 00:26:32,520 --> 00:26:34,800 Speaker 8: I think that it's such a unique, unique experience. But 535 00:26:34,840 --> 00:26:36,679 Speaker 8: it's also really cool because once again, you get to 536 00:26:36,680 --> 00:26:39,560 Speaker 8: hear them warts and all, totally hear these different things. 537 00:26:39,560 --> 00:26:41,760 Speaker 8: You get to I would say, a more human version 538 00:26:41,920 --> 00:26:44,880 Speaker 8: of the Beatles without like the Studio Wizardry, which we loved, don't. Yeah, 539 00:26:45,080 --> 00:26:48,040 Speaker 8: but it is really cool to hear early versions, different takes, 540 00:26:48,040 --> 00:26:50,119 Speaker 8: see how they like tried to do it, and then 541 00:26:50,160 --> 00:26:52,159 Speaker 8: what ends up the final So I love it. 542 00:26:52,200 --> 00:26:54,160 Speaker 3: I'm so excited for four. It's going to be great. 543 00:26:54,200 --> 00:26:55,879 Speaker 2: What do you think, mister Ronner? Are they going to 544 00:26:55,880 --> 00:26:58,160 Speaker 2: be a hit? I love the Beatles. I can't wait 545 00:26:58,200 --> 00:26:59,359 Speaker 2: to hear more of this stuff. 546 00:26:59,440 --> 00:26:59,960 Speaker 4: I love them. 547 00:27:00,000 --> 00:27:00,560 Speaker 3: It's good stuff. 548 00:27:00,560 --> 00:27:02,600 Speaker 2: All right, quick break when we come back more with 549 00:27:02,720 --> 00:27:06,200 Speaker 2: mister music man, Jack Primavera. We're talking AI music. Don't 550 00:27:06,200 --> 00:27:09,000 Speaker 2: nobody go nowhere. It's I Am six forty. We're live 551 00:27:09,040 --> 00:27:11,600 Speaker 2: everywhere on the iHeart Radio app thanks to him. Okay, 552 00:27:11,600 --> 00:27:13,560 Speaker 2: if I am six forty live everywhere in the iHeart 553 00:27:13,640 --> 00:27:16,800 Speaker 2: Radio app just before eight o'clock. Here, I'm Andy Reesmeyer 554 00:27:16,800 --> 00:27:21,000 Speaker 2: in studio with Jack Primavera, producer at the Voice and 555 00:27:21,119 --> 00:27:23,760 Speaker 2: just a lover of music, A music expert. I will 556 00:27:23,760 --> 00:27:26,400 Speaker 2: have to say this is kind of alarming, I think, 557 00:27:26,480 --> 00:27:29,360 Speaker 2: to purists, but also people who just like music in general. 558 00:27:30,640 --> 00:27:34,000 Speaker 2: NPR talking about this sort of NPR, by the. 559 00:27:33,960 --> 00:27:34,720 Speaker 3: Way, is a radio. 560 00:27:35,200 --> 00:27:37,960 Speaker 2: I think they do radio for the yeah, I'm not sure, 561 00:27:38,760 --> 00:27:42,800 Speaker 2: But talk about the story where there was this indie 562 00:27:42,880 --> 00:27:46,600 Speaker 2: rock guy named Luke Temple. He's a musician here in 563 00:27:46,720 --> 00:27:48,600 Speaker 2: La and he used to be an indie rock band 564 00:27:48,600 --> 00:27:50,760 Speaker 2: called Here we Go Magic. Now they have not come 565 00:27:50,800 --> 00:27:54,399 Speaker 2: out with any music since twenty fifteen, and all of 566 00:27:54,440 --> 00:27:57,720 Speaker 2: a sudden, on Monday a few weeks ago, he started 567 00:27:57,760 --> 00:28:02,480 Speaker 2: getting a bunch of messages from people saying, hey, there's 568 00:28:02,800 --> 00:28:06,040 Speaker 2: you released new music. We Go Magic has got a 569 00:28:06,080 --> 00:28:09,160 Speaker 2: new track and it doesn't sound like you. He goes 570 00:28:09,160 --> 00:28:12,080 Speaker 2: and looks it up Spotify, Title, YouTube, all the streaming 571 00:28:12,080 --> 00:28:15,760 Speaker 2: platforms the song by his band Here we Go Magic 572 00:28:16,200 --> 00:28:19,880 Speaker 2: has been released except it. Of course, you know where 573 00:28:19,880 --> 00:28:24,480 Speaker 2: we're going with This is not anything to do with 574 00:28:24,520 --> 00:28:30,800 Speaker 2: the artist Luke. It is AI one d Ai creation. 575 00:28:32,680 --> 00:28:35,240 Speaker 2: And this isn't just Luke. This is happening all over 576 00:28:35,280 --> 00:28:40,040 Speaker 2: the place where artists are waking up to their Spotify 577 00:28:40,080 --> 00:28:42,960 Speaker 2: pages being bombarded with other songs that are made by 578 00:28:42,960 --> 00:28:47,800 Speaker 2: computers that are not theirs. What a crazy thing. What 579 00:28:47,960 --> 00:28:51,360 Speaker 2: is wild is that there seems to be very little, 580 00:28:53,560 --> 00:28:57,320 Speaker 2: uh recourse with this as far as Spotify or Title 581 00:28:57,400 --> 00:29:00,120 Speaker 2: or Apple Music goes. If you use one of these 582 00:29:00,200 --> 00:29:02,560 Speaker 2: services to upload and release your music like a lander 583 00:29:02,680 --> 00:29:08,360 Speaker 2: or tunecore CD. Baby, you basically just check a box 584 00:29:08,400 --> 00:29:10,920 Speaker 2: saying I have the rights to this music. It's not 585 00:29:11,080 --> 00:29:13,800 Speaker 2: AI and that's it the way it goes and it 586 00:29:13,800 --> 00:29:17,640 Speaker 2: gets published, so AI slop of course, invading all these 587 00:29:17,640 --> 00:29:22,480 Speaker 2: platforms and in a lot of situations, could potentially be 588 00:29:22,760 --> 00:29:28,200 Speaker 2: taking away revenue, changing, ruining these artists profiles that they've 589 00:29:28,200 --> 00:29:31,520 Speaker 2: worked hard to cultivate. It's a weird thing, isn't it. 590 00:29:31,600 --> 00:29:34,040 Speaker 2: I mean, honestly, it is so weird. And like you said, 591 00:29:34,040 --> 00:29:36,120 Speaker 2: it's not just here we go magic. 592 00:29:36,160 --> 00:29:39,640 Speaker 8: It's like it is happening with a lot of artists 593 00:29:39,680 --> 00:29:41,320 Speaker 8: and I think that's what's crazy. And a lot of 594 00:29:41,360 --> 00:29:43,560 Speaker 8: artists that have been kind of on hiatus for a while, 595 00:29:43,840 --> 00:29:46,320 Speaker 8: it's like they're kind of targeting that to get people 596 00:29:46,360 --> 00:29:49,000 Speaker 8: like excited, Oh my gosh, artist I love is coming back. 597 00:29:49,120 --> 00:29:49,280 Speaker 5: Ah. 598 00:29:49,960 --> 00:29:51,880 Speaker 8: And it's just it's crazy, And like you said, it's 599 00:29:51,920 --> 00:29:54,800 Speaker 8: really tough to spot and stop because of how much 600 00:29:55,920 --> 00:29:57,800 Speaker 8: tools are available and how easy it is to get 601 00:29:57,840 --> 00:29:59,520 Speaker 8: stuff up on these platforms. Like it's a good thing. 602 00:29:59,600 --> 00:30:01,440 Speaker 8: It's you can get your music up on platform that's 603 00:30:01,480 --> 00:30:03,840 Speaker 8: a good thing. That but now it's kind of backfire 604 00:30:03,880 --> 00:30:05,280 Speaker 8: and it's like, well, maybe there should be a little 605 00:30:05,280 --> 00:30:06,400 Speaker 8: bit more checks and balances with this. 606 00:30:06,560 --> 00:30:09,560 Speaker 2: And I don't know how you even are able to 607 00:30:09,600 --> 00:30:13,280 Speaker 2: fix this because nowadays, not only is it so good 608 00:30:13,280 --> 00:30:15,880 Speaker 2: that you can't tell with your own ears if something 609 00:30:15,920 --> 00:30:19,280 Speaker 2: is real or AI, but the apps certainly don't have 610 00:30:19,400 --> 00:30:21,400 Speaker 2: the ability to have an algorithm to say, oh that 611 00:30:21,480 --> 00:30:23,600 Speaker 2: was this is partially generated by AI, or it wasn't 612 00:30:23,640 --> 00:30:24,280 Speaker 2: generated by AI. 613 00:30:24,320 --> 00:30:25,600 Speaker 3: I mean, it's we're just not there yet. 614 00:30:25,680 --> 00:30:27,160 Speaker 2: I want to give you an example here of something 615 00:30:27,160 --> 00:30:30,240 Speaker 2: that is really again blowing my mind. We're talking about 616 00:30:30,240 --> 00:30:32,400 Speaker 2: how crazy AI music has become. 617 00:30:32,920 --> 00:30:33,640 Speaker 3: This is a cover. 618 00:30:33,760 --> 00:30:37,320 Speaker 2: This is an AI cover of a yacht rock song 619 00:30:37,760 --> 00:30:41,960 Speaker 2: done in a butt rock song style from the early 620 00:30:41,960 --> 00:31:18,880 Speaker 2: two thousands. Listen to this, don't sound Yeah? First of all, 621 00:31:20,160 --> 00:31:25,120 Speaker 2: this rocks Unfortunately, Yeah, it's very cool because the original 622 00:31:25,160 --> 00:31:26,240 Speaker 2: song is awesome. 623 00:31:26,320 --> 00:31:29,520 Speaker 8: And if a band was covering this and real musicians 624 00:31:29,560 --> 00:31:32,440 Speaker 8: were doing this version, I'd be like rock on. Like 625 00:31:32,560 --> 00:31:36,720 Speaker 8: we said, it's all AI. There's no humanity in it. 626 00:31:37,080 --> 00:31:38,640 Speaker 3: Christopher Cross has nothing to do with this. 627 00:31:39,160 --> 00:31:40,920 Speaker 2: The guy singing it who sounds like he might have 628 00:31:41,000 --> 00:31:43,120 Speaker 2: been I don't know a band that opened for Nickelback 629 00:31:43,160 --> 00:31:47,120 Speaker 2: or whatever on their early two thousands tour that's not 630 00:31:47,160 --> 00:31:49,200 Speaker 2: even real and it's not real at all, none of it, 631 00:31:49,240 --> 00:31:50,520 Speaker 2: the singing, none of it. 632 00:31:50,560 --> 00:31:52,160 Speaker 8: And there's all kinds of things out there where you 633 00:31:52,160 --> 00:31:55,120 Speaker 8: can hear like Elvis doing Michael Jackson's songs and it 634 00:31:55,280 --> 00:31:59,480 Speaker 8: sounds like it's Elvis's voice doing thriller or you know, beat. 635 00:31:59,520 --> 00:32:03,800 Speaker 8: It's easy what the possibilities are with it, But like 636 00:32:03,880 --> 00:32:05,040 Speaker 8: once again, no human touch. 637 00:32:05,160 --> 00:32:08,400 Speaker 2: No had Rod Rob Cavallo, producer here on the show 638 00:32:08,400 --> 00:32:10,200 Speaker 2: on the weekend, and I asked him what do you 639 00:32:10,200 --> 00:32:11,840 Speaker 2: do about this? And he's like, well, you know, AI 640 00:32:12,320 --> 00:32:15,280 Speaker 2: for the most part, just takes other stuff that's already 641 00:32:15,360 --> 00:32:18,840 Speaker 2: been made. And as humans, especially when it comes to art, 642 00:32:19,280 --> 00:32:21,400 Speaker 2: we want things that will blow our minds, that are 643 00:32:21,520 --> 00:32:24,840 Speaker 2: that are daring, that are new and are exciting. I 644 00:32:24,840 --> 00:32:27,440 Speaker 2: don't know where this Christopher Cross right like the winday 645 00:32:27,480 --> 00:32:30,080 Speaker 2: I covered lines up with that, but fascinating stuff. 646 00:32:30,160 --> 00:32:30,280 Speaker 8: Jack. 647 00:32:30,280 --> 00:32:31,440 Speaker 3: Can you stay with us for the next block? 648 00:32:31,560 --> 00:32:33,880 Speaker 2: I can, Yes, definitely. There's so much more to come 649 00:32:33,920 --> 00:32:39,160 Speaker 2: here on KFI. I'm Andy Reestmeyer, Dodgers oh Man still 650 00:32:39,200 --> 00:32:39,600 Speaker 2: six to one. 651 00:32:39,600 --> 00:32:40,760 Speaker 3: We don't even do it. How about that. 652 00:32:42,080 --> 00:32:45,480 Speaker 9: I will give you this. There's two on no oubt. 653 00:32:45,520 --> 00:32:48,520 Speaker 9: If they're gonna make a run, it's gonna happen. Now hey, 654 00:32:48,600 --> 00:32:51,520 Speaker 9: bottom of the ninth, say your prayers. If I Am 655 00:32:51,520 --> 00:32:53,600 Speaker 9: six forty live everywhere on the iHeartRadio app 656 00:32:54,240 --> 00:32:56,800 Speaker 1: KF I AM sixty on demand