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Speaker 1: And it's a Wild Wednesday on the Fan and we

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Speaker 1: have your shot and take us to Wild versus Flyers tomorrow.

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Speaker 2: Just is the iHeartRadio app.

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Speaker 1: To send us a talk back and tell us what

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Speaker 1: new addition to the team will make the biggest impact

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Speaker 1: down the stretch. Winners will be contacted all day. Get

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Speaker 1: the full details of kafan dot com keyword contests.

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Speaker 3: I'll remember one in the books. As we like to say,

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Speaker 3: it's not today, it's just I like to say it.

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Speaker 3: I'll start our number two with five.

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Speaker 4: Three, four, brought to you by Willow River Company.

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Speaker 3: Time now for five questions, Well, actually three, but five

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Speaker 3: sounds like more than four. Brought to you by Willow

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Speaker 3: River Company. Question one, Vikings, Let's win this game.

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Speaker 5: It's now time to take an in depth look at

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Speaker 5: the state of the school.

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Speaker 1: Tweet from Josh Weinfoss, who's with ESPN, he said, he

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Speaker 1: tweeted he's in with Kyler Murray expected to be released

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Speaker 1: by the Cardinals today. A source told me that Vikings

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Speaker 1: head coach Kevin O'Connell and Falcons coach Kevin Stefanski each

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Speaker 1: did extensive research into Murray on their own. Obviously, Stefanski

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Speaker 1: and the Falcons ended up going signing Tua. My question

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Speaker 1: for you common, is Kyler Murray the next starting quarterback

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Speaker 1: for the Minnesota Vikings, And if so, when will that happen?

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Speaker 3: I think so.

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Speaker 4: I think it'll happen soon. I guess there could be

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Speaker 4: another team. I mean, you saw what happened to Max Crosby.

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Speaker 4: Looked like he was headed to the Ravens. You know,

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Speaker 4: there's some Another theory is that the Ravens were all

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Speaker 4: in on on Crosby and then what happened is Linderbaum

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Speaker 4: the center left the money they had yeah for Linderbomb

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Speaker 4: now is they don't have to worry about that.

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Speaker 3: So they went, oh wait a minute, we could just

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Speaker 3: let's just say we don't like that physical.

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Speaker 4: We didn't pass our physical. We got our two draft

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Speaker 4: picks back. I mean they haven't really given them away yet.

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Speaker 4: This has been an agreed to. We got our draft

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Speaker 4: picks back, and then we'll take the money where we're

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Speaker 4: going to spend on Linderbaum and we'll give it to

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Speaker 4: Trey Hendrickson.

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Speaker 1: Well, I mean the money with Hendrickson and Crosby is

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Speaker 1: basically the same, but you get your picks back. Yes,

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Speaker 1: I know, I'm just sending the money doesn't have anything

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Speaker 1: to do with that, but yes, well no.

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Speaker 4: It does have something to do with because you can't

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Speaker 4: keep you couldn't have kept. That's why they probably let

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Speaker 4: Linderbaumb go because they couldn't pay for both.

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Speaker 3: See what I'm trying to say.

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Speaker 4: If you would try to have both, you wouldn't have

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Speaker 4: been able to do it. I'm sure they wanted to

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Speaker 4: keep Linderbaum, but then they decided, well, we can't keep both.

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Speaker 3: Does that make what what I'm saying or does that

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Speaker 3: make sense?

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Speaker 2: No, but that's why I move on.

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Speaker 3: But no, why wouldn't that make sense?

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Speaker 1: I don't know how the Linderbomb money all is being

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Speaker 1: freed up? What have you choose Hendrickson over Crosby? The

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Speaker 1: money is the exact same with those two players, so.

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Speaker 3: I guess maybe I guess that would be.

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Speaker 1: Technically, when you're getting rid of Crosby, now you'd be

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Speaker 1: freeing up two contracts. You fring up the Crosby contract

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Speaker 1: and linder Mom. But basically the money for Hendrickson and

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Speaker 1: Crosby is almost the exact same. The only difference is

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Speaker 1: you don't have to give up two first round draft

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Speaker 1: picks for Hendrickson. So I don't know why they didn't

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Speaker 1: go that road to begin with. Yeah, but that's what

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Speaker 1: I'm saying.

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Speaker 4: They maybe they have second thoughts, That's what I'm That's

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Speaker 4: why I think they thought they were stupid. So my

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Speaker 4: point is they've got a good edge rusher and they

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Speaker 4: still get to keep their draft picks. But nonetheless, I

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Speaker 4: think the vikings will get Barrero and I talked about

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Speaker 4: it during the passing of the torch yesterday and he said, uh,

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Speaker 4: I don't think he was as he was that excited

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Speaker 4: about the possibility of Murray.

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Speaker 3: And I understand that.

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Speaker 4: I know why there's doubts because he just hasn't played

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Speaker 4: early well the last couple of years. He had some injuries.

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Speaker 4: His rookie year as a first round pick was really good.

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Speaker 4: After that, I still I don't you get him for

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Speaker 4: a song? Apparently right, you don't have to pay very

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Speaker 4: much for him, and yeah, and I just I just

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Speaker 4: while to me, you're not giving up on McCarthy. And

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Speaker 4: if you're trying to tell me, what if you hurt

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Speaker 4: McCarthy's feelings, I don't have you know, as a little

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Speaker 4: bit likeces, I don't have time for feelings. Dude, you had,

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Speaker 4: you had every it was all in your control and

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Speaker 4: you did you you you didn't. You must not have

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Speaker 4: worked on your mechanics. Your injury riddled. We've got to

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Speaker 4: keep the franchise moving forward. We can't just spin our

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Speaker 4: wheels and go, well, let's just go in the next

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Speaker 4: season and see how it goes with McCarthy. Doesn't mean

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Speaker 4: you're giving up on him. And you know what if

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Speaker 4: if if if if if Kyler's awful, you know, the

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Speaker 4: season starts and he doesn't play very well, well then

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Speaker 4: you got Macarthy.

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Speaker 3: You throw him back in.

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Speaker 4: I teams want to win, and Murray at least has

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Speaker 4: proven he can play in the league. McCarthy hasn't really

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Speaker 4: proven he can play in the league. And at least

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Speaker 4: McCarthy Murray has, so I would be all for it,

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Speaker 4: I guess, even though I'm not thrilled about the idea,

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Speaker 4: it's just there's I said. I said this all during

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Speaker 4: the this quarterback conversation we've had for over a year now.

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Speaker 4: Mahomes ain't available. He's just not and and so you've

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Speaker 4: got to get the best that you can. And I

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Speaker 4: get to me, he's the he's the best option out.

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Speaker 1: There, has an elite franchise quarterback in his prime ever

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Speaker 1: just entered free agency. You know you've had like the

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Speaker 1: Brett Farves at the tail end of his career and

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Speaker 1: the Aaron Rodgers at the tail of his griper. I'm

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Speaker 1: talking about like a guy who's a franchise who you

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Speaker 1: think is like a top five in the league. I

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Speaker 1: don't think so, right, I just that just doesn't happen.

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Speaker 1: So any quarterback that's available in free agency, there's gonna

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Speaker 1: be some flaw to him. There's gonna be something You're like,

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Speaker 1: I don't know about this guy. And I have the

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Speaker 1: same reservations about Kyler Murray. But I would say of

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Speaker 1: the options that are available, he has the highest ceiling

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Speaker 1: in the lowest cost, So it makes the most sense too.

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Speaker 2: That's that's your best shot of all of.

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Speaker 4: Them, and I would to agree with So I think

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Speaker 4: we're both We're both on the same page there.

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Speaker 3: Question number two.

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Speaker 6: It's time now for it's a low down in Dilkie down.

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Speaker 1: The number eleven seeded Gophers wins. The basketball team begins

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Speaker 1: Big Ten Tournament play tonight against number fourteen seed Rutgers.

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Speaker 1: That's in the Wendy City of Chicago, Minnesota won the

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Speaker 1: only meeting between these two teams back on February twenty first,

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Speaker 1: winning eighty to sixty one at the Barn. If the

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Speaker 1: Gophers win, they'll advance and they'll face number six UCLA

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Speaker 1: tomorrow night. Common How will the U fair tonight and

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Speaker 1: how far will they go through the tournament?

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Speaker 3: You know, your guess is as good as mine.

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Speaker 4: I mean, when when the kids play their best, they're

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Speaker 4: not too bad, but you're playing with five what they

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Speaker 4: play six guys?

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Speaker 3: I don't know. Did you say it's UCLA tonight.

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Speaker 2: No Rutgers tonight? If they win, they play UCLA tomorrow.

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Speaker 3: Well, my guess is Rutgers can't be very good. I'll

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Speaker 3: see they'll beat Rutgers. Let's go with that.

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Speaker 4: Say we beat Rutgers and then U c l A.

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Speaker 4: I know, didn't we just upset them? I think we

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Speaker 4: beat them yet, I think we beat them.

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Speaker 3: I think we found a way to win. So I

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Speaker 3: do we win another?

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Speaker 1: I I it's hard to imagine when you only play five,

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Speaker 1: six guys that you're going to advance too far. We

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Speaker 1: need to play every day for multiple consecutive days.

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Speaker 3: I'm with you, I might.

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Speaker 2: Build a pawful winner too, though.

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Speaker 3: Yeah it's I'll I'll keep an eye on it. It's

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Speaker 3: for me. It's not musty TV.

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Speaker 4: But all of a sudden they spring a couple of

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Speaker 4: wins and then get a third.

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Speaker 3: I'm all in. You know, I'm a bandwagon guy.

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Speaker 1: You know what if we get to the ant and

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Speaker 1: spend big fat saxon cas.

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Speaker 3: Yeah, I mean I would watch.

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Speaker 4: You know, if the Govers made n I t and

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Speaker 4: it was a Wednesday night and the painted dried, and

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Speaker 4: my socks had been sorted in the boiling hot bat

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Speaker 4: of assphall was safely tucked away.

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Speaker 3: In the garage, I would go ahead and watch it

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Speaker 3: for sure.

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Speaker 6: Question number three and now it's time to go.

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Speaker 3: In the trenches.

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Speaker 1: The Indianapolis Colts agreed to a two eighty eight million

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Speaker 1: dollar contract with quarterback Daniel Jones that could be worth

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Speaker 1: up to one hundred million dollars. Jones gets fifty million

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Speaker 1: dollars fully guaranteed at signing. Common is Daniel Jones worth

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Speaker 1: up to one hundred million dollars over two years?

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Speaker 4: I guess because that's just what the market bears. Because

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Speaker 4: weren't the Colts eight and one before he got hurt.

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Speaker 1: They were on a run and he played pretty well during.

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Speaker 3: That eight one run?

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Speaker 4: Right, another guy? Do I have it correct? After after

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Speaker 4: the Giants beat the Vikings in the playoffs three years ago,

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Speaker 4: the Giants then signed Danny Jones.

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Speaker 3: To a really big contract.

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Speaker 4: Yes, and then all of a sudden, now then Danny

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Speaker 4: Jones what didn't play as well? And they went, now

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Speaker 4: they've got Jackson Dart Yes, and so you know, it's

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Speaker 4: it's it's it's like a lot of these guys ten

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Speaker 4: to be Darnald the guy we were just talking about

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Speaker 4: Kyler Murray. You have guys that have had moments when

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Speaker 4: they've played really, really well, They've had moments where they

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Speaker 4: don't play so well. So you're you're kind of just

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Speaker 4: keeping your fingers crossed. You got to have a you

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Speaker 4: got to have somebody under center. The homes ain't available.

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Speaker 4: So whether he's worth.

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Speaker 3: The money or not, I guess it is really a

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Speaker 3: mute point.

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Speaker 4: They don't they decided, I guess I'd give him the money.

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Speaker 4: That's I'd rather have Danny Jones then than a lot

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Speaker 4: of the other options out there. So I mean, do

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Speaker 4: you agree with that? I mean, what else are you going

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Speaker 4: to do. You say no to them, then what are

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Speaker 4: they going to do? Who are they going to play?

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Speaker 1: I mean, at the very least, it's just a two

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Speaker 1: year contract, so you're not committed too long term. And

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Speaker 1: if he doesn't, I still I like Daniel If i'm

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Speaker 1: the cult, I like Daniel Jones a lot more last

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Speaker 1: year when you're getting for like ten million dollars than

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Speaker 1: I do at you know, potentially up to fifty million

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Speaker 1: dollars a year. He's not that level of quarterback. And

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Speaker 1: I not convinced what we saw from him the first

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Speaker 1: half of the season last year is going to continue

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Speaker 1: this year. And he's coming off a torn achilles, which

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Speaker 1: is a pretty major injury, which a lot of these

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Speaker 1: quarterbacks have struggled through. Yeah, So, like I said, India

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Speaker 1: at least is only committed two years, so at least

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Speaker 1: it's not going to completely buckle their organization.

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Speaker 4: And as I say with it, I don't know what

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Speaker 4: your other I mean because if he does play like

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Speaker 4: he's capable of, then he's probably worth the money. And

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Speaker 4: that's the where you have to keep your fingers crossed.

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Speaker 4: You stay healthy and play like he's capable of. We

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Speaker 4: never know how it's going to go. Otherwise, you're stuck

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Speaker 4: with playing case Keenum. And we know that Keenum had

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Speaker 4: that one great year for us and everything look good,

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Speaker 4: and now he's a backup.

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Speaker 3: I don't even know where he is. He's a backup somewhere.

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Speaker 3: I think he just resigned.

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Speaker 4: Yeah it was Chicago, Chicago, So he's a backup. So

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Speaker 4: at least Jones has got some upside, at least, you hope.

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Speaker 1: I'm more concerned with the Colts committing almost thirty million

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Speaker 1: dollars a year to Alec Pierce, their wide receiver. So

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Speaker 1: they have a combination of Daniel Jones and Alec Pierce

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Speaker 1: that could be making almost eighty million dollars this season,

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Speaker 1: and they better hope that's Cunningham loss Like yeah, like

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Speaker 1: Alec Pearce has never had fifty catches in a year, so.

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Speaker 3: They better hope it turns into Cunningham Moss.

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Speaker 2: I don't think that's going to happen.

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Speaker 4: I don't either, but that's what they better hope.

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Speaker 6: Question number three, And now it's.

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Speaker 3: Time to go in the trenches.

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Speaker 4: I just found a Macon's card. I haven't used this

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Speaker 4: in fifteen years.

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Speaker 3: Why do I even have it?

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Speaker 1: It the NFL is exploring the possibility of playing a

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Speaker 1: game the day before Thanksgetting. A source told ESPN's Adam

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Speaker 1: Schefter the added day to the schedule could come as

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Speaker 1: early as the upcoming twenty twenty sixth season. It would

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Speaker 1: be on Wednesday, November twenty fifth. It would mark the

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Speaker 1: latest move by the NFL in recent years to deviate

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Speaker 1: from its traditional schedule in order to add games on

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Speaker 1: or around national holiday is common. Your thoughts on another

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Speaker 1: potential day being added to the NFL schedule.

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Speaker 4: I guess in the grand scheme, I really don't care

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Speaker 4: what the hell they do, but that just doesn't make

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Speaker 4: any I thought it was we were worried about the

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Speaker 4: safety of the players, and I thought just having them

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Speaker 4: play on a Sunday and then on a Thursday was hard.

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Speaker 3: I mean, that was like, you're really pushing.

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Speaker 4: It for these guys get all beat, especially the linemen, right,

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Speaker 4: the guys that are slamming into each other game after

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Speaker 4: game after game, and so even playing on the Thursday

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Speaker 4: was tough to do. But then, you know what you

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Speaker 4: did have going for is you didn't have to play

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Speaker 4: till the two Sundays, not you know, you had the

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Speaker 4: weekend off and then you you have to you had

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Speaker 4: ten days before you had to plague When I mean

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Speaker 4: he's playing on a Sunday, I mean, unless you have

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Speaker 4: it's teams coming out of the bye week, and if

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Speaker 4: you could figure that out, where two teams coming out

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Speaker 4: of the bike, I just think it's ridiculous. And I'm

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Speaker 4: and I ain't watching it unless it involves Lions, Tigers

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Speaker 4: or Bears.

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Speaker 1: On mind, it's going to be on some uh streaming

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Speaker 1: app that you'd have to get a new subscription to anyway,

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Speaker 1: and you probably don't even have it this moment.

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Speaker 3: Yeah, and I'm unless it's it involves the vikings of

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Speaker 3: the kiddies.

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Speaker 4: Or the Packers and the Bears, I'm out and I

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Speaker 4: don't care anyway, So go ahead do whatever you got

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Speaker 4: to doot.

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Speaker 1: Have you ever heard of the cliche if it ain't broken? Yes,

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Speaker 1: why is the NFL?

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Speaker 3: You're already not. You've got everything monopolized.

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Speaker 2: You're making lots of money. You don't have to keep

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Speaker 2: trying to change things.

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Speaker 3: I don't get.

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Speaker 2: Just keep it the same way you're doing it and

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Speaker 2: keep raking in the cash.

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Speaker 3: You're here.

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Speaker 6: I'm with you on that, and that's it for today's

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Speaker 6: edition of five questions, Well, actually three questions, but five

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Speaker 6: sounds like more than four.

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Speaker 3: Don't just maintain your property, experience it.

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Speaker 4: With a Willow River Experience monthly subscription, you can boon

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Speaker 4: delay five core services, three seasonal upgrades, and four custom

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Speaker 4: add ons into one simple plan. Visit Willow Rivercompany dot

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Speaker 4: com today to build your five.

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Speaker 3: Three four experience.

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Speaker 4: So, I mean, just so you know, I'm not that

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Speaker 4: you probably care, but I'm going to be going over

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Speaker 4: to Willow River and Hudson and meet the guys, take

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Speaker 4: a look at their operation.

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Speaker 3: Will be tomorrow morning and I'll have a full report

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Speaker 3: for you.

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Speaker 4: Oh I'm so five three four brought to you by

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Speaker 4: a Willow River Company.

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Speaker 3: Will break, We'll come back.

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Speaker 4: Legendary Brian Oak joins us for Rocktop. That's next, You're

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Speaker 4: on the fans, turn.

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Speaker 1: Back the clock with the timeless hits of the guests.

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Speaker 1: Who was special guest Don Felder Live June twenty fifth,

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Speaker 1: I missic Lake Amphitheater Tickets around sale now get the

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Speaker 1: details at KFA dot com.

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Speaker 2: Keyword calendar.

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Speaker 3: A couple of fourteen.

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Speaker 4: Fourteen pass Oh what's different about? Brian Oak joins us

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Speaker 4: now we have we have we have new carpet.

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Speaker 5: Oh that's what it is. It looks shiny and new

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Speaker 5: in here. I couldn't figure out what it was, but yeah,

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Speaker 5: the carpet looks nice.

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Speaker 3: Yeah, it does look nice. Who's going to be the

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Speaker 3: first person to spill something out I've not yet.

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Speaker 5: It's got to be someone on the power tree, right,

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Speaker 5: I mean, it's we'll talk about wacky.

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Speaker 4: Hi. Yeah, somebody my guess I meet. So somebody will

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Speaker 4: kick something over on the on the carpet. So and

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Speaker 4: it could be me because I yeah, I keep a

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Speaker 4: I keep mine Like if I have a cup of coffee,

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Speaker 4: I never put it on the counter stop because it's

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Speaker 4: better to spill it on the carpet. Because you can

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Speaker 4: replace furniture, but you can't replace a childhood.

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Speaker 3: That's an old Chad hurt and one that he denied

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Speaker 3: he ever said, but it was in quotes in the

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Speaker 3: paper that's hilarious. His his wife at the time.

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Speaker 4: Yeah, Kathleen was quoted in the papers saying, you know

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Speaker 4: about child's not that worried about things about like the

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Speaker 4: kids spilled kool aid on the couch. Because Chad said,

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Speaker 4: you can replace furniture but you can't replace a childhood,

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Speaker 4: And he said, I never said that, should I still

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Speaker 4: credit it to it.

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Speaker 5: I love it, and let's keep it alive. That's high hilarious.

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Speaker 4: But if I spill the coffee into the into the

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Speaker 4: which here, which I've done, Yeah, that's that's not good.

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Speaker 5: No, and you're not even sitting at the board. I

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Speaker 5: poured coffee into a whole board. Once it's right, it

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Speaker 5: sparks start to fly right out. No, but it was

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Speaker 5: fine at first, and then suddenly it wasn't fine on

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Speaker 5: one of the pots, two of the pots, and then

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Speaker 5: suddenly the whole thing just stopped responding.

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Speaker 4: Well, that's like with your cell phone one time. Don't

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Speaker 4: even ask me how this happened.

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Speaker 3: You know, the little the console between the seats of

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Speaker 3: your car. Yeah, three, I had a sixteen ounce cuple

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Speaker 3: of coffee. There we go.

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Speaker 4: My phone flipped up in the air and landed in

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Speaker 4: the coffee hold on. It worked for a day. I

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Speaker 4: talked about the radio, said it's just fine. Everybody told

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Speaker 4: me it does today. Uh huh, it won't tomorrow, Like, oh,

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Speaker 4: you're sure enough, it didn't work?

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Speaker 3: Just gone? Did you put it in rice? Stupid? It's worked.

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Speaker 5: Oh yeah, yeah, I mean I think you know, but

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Speaker 5: back before they were making phones a little more water resistant,

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Speaker 5: if not totally waterproof, that you know, it worked.

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Speaker 3: It worked for me.

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Speaker 5: I didn't really submerge mine in sixteen ounces of coffee,

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Speaker 5: but yeah.

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Speaker 3: It was. It was a dark black right here. For

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Speaker 3: a had creamer in it, that would have been that

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Speaker 3: would have been different. Rock Talk Yeah is here, he is.

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Speaker 2: He's just fresh from his podcast.

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Speaker 5: That seems like lately I've been doing a podcast right

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Speaker 5: before I come over to see you every time.

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Speaker 3: That's right, you, Oh you have a podcast.

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Speaker 6: I do.

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Speaker 5: In fact, let's call me about the Brian Oak Show.

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Speaker 5: And we discussed, primarily as we did this morning, happenings

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Speaker 5: in the local music scene, the Minnesota music scene, Greater Minnesota.

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Speaker 5: We'll talk to people outside and people who mast aren't

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Speaker 5: necessarily musicians, but largely it's about events or benefits or

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Speaker 5: album releases or upcoming big shows. And this one is

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Speaker 5: to benefit UH Stand with Immigrants benefit that's happening this

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Speaker 5: Friday at the Parkway. So lots of details, incredible music

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Speaker 5: on today's podcast.

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Speaker 3: So yeah, the Brian Oak Show.

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Speaker 5: You can find it at well, the number one source

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Speaker 5: for podcasting in America and who knows, one day maybe worldwide.

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Speaker 2: That would of course be the iHeartRadio app.

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Speaker 4: There were two, and again I don't know if every

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Speaker 4: but he will recognize the names. Number one would be

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Speaker 4: not that he's what I say. Number one is I

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Speaker 4: think he passed away before our artist.

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Speaker 3: Number two, okay, Country Joe.

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Speaker 4: McDonald, who was the front man for Country Joe and

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Speaker 4: the Fish. A lot of people, a lot of people

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Speaker 4: might not know who he is. He played in the

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Speaker 4: original Woodstock. He was progressive rock guy who did war

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Speaker 4: protest song is probably his legendary song one two three.

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Speaker 3: It's it.

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Speaker 5: You have to listen to this well, it's called I

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Speaker 5: Feel Like I'm Fixing to Die rag and the classic

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Speaker 5: chorus in there is one two three. What are we

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Speaker 5: fighting for? Don't ask me? I don't give a damn.

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Speaker 5: Next stop is Vietnam. He very much came out of

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Speaker 5: that that folk music and political activism community that defined

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Speaker 5: California in the nineteen sixties, especially the second half of

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Speaker 5: the sixties. But even growing up his I mean he

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00:18:55,720 --> 00:18:57,880
Speaker 5: was like his dad was born one hundred miles from

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Speaker 5: where uh Woody Guthrie was born Okeema and his parents

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Speaker 5: were both registered communists before it got a really bad name,

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Speaker 5: and they were political activists. They were socialists, they wanted

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Speaker 5: to that. They were on that end of the political spectrum.

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Speaker 5: So he grew up immersed in that and really his

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Speaker 5: politics never left him his whole life. But his moment

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Speaker 5: in the sun absolutely is Woodstock in the late sixties.

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Speaker 3: Yeah.

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Speaker 4: And if you it's the spell song that we can't spell,

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Speaker 4: gimme an F yeah F and if you canna hear

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Speaker 4: the words so you can't play it on the radio.

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Speaker 4: But uh, yeah, that because he was he was one

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Speaker 4: of the highlights of the Woodstock. Then he went back

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Speaker 4: to when they redid Woodstock again, whatever year it was

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Speaker 4: in seventy nine or eight, I don't remember what it was,

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Speaker 4: he went back again, I'm sure, and yeah, so he's gone.

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Speaker 3: And then the band Boston.

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Speaker 4: Yeah, what was de Carlo's first name?

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Speaker 5: Oh, I've got it right here, give me just one

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Speaker 5: moment and the reason Tommy, Tommy decarlam me de Carlo.

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Speaker 4: And you know, I I remember back of my hate

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Speaker 4: Ashbury days. One of my buddies, Tom was the guy

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00:20:05,280 --> 00:20:07,720
Speaker 4: that always was introducing us to new music. He'd say,

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Speaker 4: I just got this. I just got this. Listen to this,

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Speaker 4: listen to that.

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Speaker 3: Everyone.

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Speaker 2: It's important to have one of those people in your life.

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Speaker 3: I love it.

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Speaker 4: He was the guy that bought the first Boston album, right,

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Speaker 4: and it had, you know, bangers, as Little Bee would say,

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Speaker 4: I had.

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Speaker 3: Three or four bangers. It has all bangers.

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Speaker 5: It's literally a perfect album, or one of only a

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Speaker 5: handful that are not just listenable or tolerable from start

439
00:20:30,000 --> 00:20:34,520
Speaker 5: to finish. Groundbreaking, amazing and I can genuinely, without hyperbolely

440
00:20:34,640 --> 00:20:37,000
Speaker 5: use the word masterpiece on that Boston debut.

441
00:20:37,280 --> 00:20:45,800
Speaker 4: And it was Tom shouls right who was basically the

442
00:20:45,840 --> 00:20:49,920
Speaker 4: guy that created Boston. He was the he was He

443
00:20:50,119 --> 00:20:55,320
Speaker 4: was the chief songwriter and composer of all the songs right.

444
00:20:55,280 --> 00:20:58,920
Speaker 5: And had a hand in everything, all instrumentation, all the production.

445
00:20:59,280 --> 00:21:02,919
Speaker 5: He and it was a groundbreaking. Things were invented to

446
00:21:03,000 --> 00:21:06,480
Speaker 5: produce that record that hadn't been invented before. There was

447
00:21:06,520 --> 00:21:10,119
Speaker 5: a jump forward as dramatic in record production, what it

448
00:21:10,160 --> 00:21:12,800
Speaker 5: meant to make an album with that album alone, as

449
00:21:12,800 --> 00:21:15,280
Speaker 5: there was anything the Beatles did. I am not saying

450
00:21:15,280 --> 00:21:17,480
Speaker 5: the Boston is a better band than the Beatles, Okay,

451
00:21:17,480 --> 00:21:20,199
Speaker 5: I'm not trying to get myself into PST, right, But

452
00:21:20,640 --> 00:21:26,680
Speaker 5: I am saying that the greatness, the bigness, the incredibleness

453
00:21:26,720 --> 00:21:29,399
Speaker 5: of that jump forward with album production and album Derek

454
00:21:29,400 --> 00:21:32,800
Speaker 5: Studio technique was as big a jump as the Beatles

455
00:21:32,840 --> 00:21:34,800
Speaker 5: ever made anytime, and they made a bunch of them.

456
00:21:34,880 --> 00:21:38,560
Speaker 5: So it's a huge record and Scheltz was the absolute

457
00:21:38,600 --> 00:21:41,240
Speaker 5: mastermind behind it, picking everybody who was in the band.

458
00:21:41,040 --> 00:21:43,719
Speaker 4: Way and if I remember correctly, the demo he used,

459
00:21:44,840 --> 00:21:48,399
Speaker 4: he played all the instruments, did the SNK, The only

460
00:21:48,680 --> 00:21:50,480
Speaker 4: was the drummer was the only person there.

461
00:21:50,520 --> 00:21:52,240
Speaker 3: That was the demo that got him a record deal.

462
00:21:52,240 --> 00:21:54,200
Speaker 3: But yeah, they ended up having a full band.

463
00:21:54,320 --> 00:21:56,720
Speaker 4: Yeah, but at first it was just him just basically

464
00:21:56,720 --> 00:21:58,840
Speaker 4: in his base, sort of like the Owl City kid

465
00:21:58,920 --> 00:22:02,520
Speaker 4: over exactly. He just did the whole thing is that's

466
00:22:02,520 --> 00:22:03,879
Speaker 4: what he did. And we live in a day and

467
00:22:03,920 --> 00:22:06,359
Speaker 4: age where that's now easier than ever before. But again,

468
00:22:06,520 --> 00:22:08,399
Speaker 4: so many of these things we talk about to people,

469
00:22:08,400 --> 00:22:10,720
Speaker 4: they might sound old fashioned and not that big a deal,

470
00:22:11,119 --> 00:22:15,919
Speaker 4: but context is crucial. Cultural context, technological context. What happened

471
00:22:15,920 --> 00:22:18,760
Speaker 4: with that record hadn't happened before, and there weren't while

472
00:22:18,800 --> 00:22:21,000
Speaker 4: there were most bands probably have one or two sort

473
00:22:21,040 --> 00:22:23,280
Speaker 4: of the guys who really make the band and the

474
00:22:23,320 --> 00:22:24,280
Speaker 4: rest are filling it out.

475
00:22:25,040 --> 00:22:25,280
Speaker 3: Yeah.

476
00:22:25,359 --> 00:22:28,600
Speaker 5: No, this was a almost Prince like a solo project

477
00:22:28,600 --> 00:22:30,280
Speaker 5: that he filled out with the right people that were

478
00:22:30,320 --> 00:22:31,840
Speaker 5: able to articulate his vision.

479
00:22:32,200 --> 00:22:34,520
Speaker 2: But it was entirely his back. You compare him to Prince,

480
00:22:34,800 --> 00:22:35,879
Speaker 2: I am not saying.

481
00:22:35,960 --> 00:22:39,440
Speaker 5: Well, I would say that he obviously brought a level

482
00:22:39,480 --> 00:22:41,359
Speaker 5: of talent to bear that would put him in a

483
00:22:41,400 --> 00:22:43,639
Speaker 5: conversation of people respected like Prince.

484
00:22:44,080 --> 00:22:45,240
Speaker 3: I mean, Prince was a freak man.

485
00:22:45,359 --> 00:22:48,119
Speaker 5: Prince could play anything, everywhere all the time. He was

486
00:22:48,160 --> 00:22:50,720
Speaker 5: always cool, he was always good, He always made the

487
00:22:50,800 --> 00:22:53,600
Speaker 5: right decision. So no, I can't say he's like Prince,

488
00:22:53,640 --> 00:22:54,560
Speaker 5: but he was a big deal.

489
00:22:54,640 --> 00:22:57,160
Speaker 3: Well no, we didn't get into Carlo. Okay, Well we'll do.

490
00:22:57,080 --> 00:22:59,160
Speaker 4: That on the other side of the right, because he

491
00:22:59,200 --> 00:23:00,919
Speaker 4: died at the age of sixty.

492
00:23:00,560 --> 00:23:03,520
Speaker 3: The other day a brain cancer. And you told me

493
00:23:03,560 --> 00:23:05,120
Speaker 3: he was diagnosed just about a year ago.

494
00:23:05,160 --> 00:23:07,720
Speaker 5: I think less than I think. The diagnosis came down

495
00:23:07,760 --> 00:23:11,200
Speaker 5: in September. But his story is almost.

496
00:23:10,920 --> 00:23:13,520
Speaker 3: Like he was on the Voice or something like that.

497
00:23:13,520 --> 00:23:17,159
Speaker 5: It's the most unbelievable Ragstra. Imagine everybody out there as

498
00:23:17,200 --> 00:23:19,199
Speaker 5: we go to break. Think of the biggest band. You

499
00:23:19,280 --> 00:23:20,960
Speaker 5: know a band, you love a band, you can sing

500
00:23:21,119 --> 00:23:23,760
Speaker 5: literally every single word too, and you worship that band,

501
00:23:24,000 --> 00:23:25,600
Speaker 5: and one day you would go on to be that

502
00:23:25,720 --> 00:23:27,880
Speaker 5: band's lead singer for the next twenty plus years.

503
00:23:27,880 --> 00:23:29,399
Speaker 3: That's what he did. So we'll tell you look at that.

504
00:23:29,440 --> 00:23:31,280
Speaker 4: We've also got I want to talk a little bit

505
00:23:31,280 --> 00:23:33,240
Speaker 4: about the Oscars because we got original song.

506
00:23:33,760 --> 00:23:35,399
Speaker 3: I want to go back to nineteen eighty five. You

507
00:23:35,440 --> 00:23:36,440
Speaker 3: and I talked about this.

508
00:23:37,320 --> 00:23:40,800
Speaker 4: That was That was an amazing year for the for

509
00:23:40,840 --> 00:23:43,120
Speaker 4: the Oscars and music for Best Original Song.

510
00:23:43,400 --> 00:23:44,560
Speaker 3: That and of course we've.

511
00:23:44,320 --> 00:23:47,879
Speaker 4: Got Rock Rank, Rock Rank that and more here on

512
00:23:48,040 --> 00:23:50,800
Speaker 4: Rock Talk with Common Tennebe and Brian Oakan.

513
00:23:50,840 --> 00:23:51,480
Speaker 3: The family.

514
00:24:06,080 --> 00:24:08,640
Speaker 1: Want to be at the next big game or concert, Well,

515
00:24:08,680 --> 00:24:12,320
Speaker 1: we're giving away tickets to the Wild Santana, the Doobie Brothers,

516
00:24:12,400 --> 00:24:15,800
Speaker 1: Chris Tampleton, and plenty more. Penter Today at kiffn dot Com,

517
00:24:15,840 --> 00:24:16,800
Speaker 1: Humor Countess.

518
00:24:16,840 --> 00:24:22,600
Speaker 3: Rocked off talking about Timmy Decarlow. He became the lead

519
00:24:22,720 --> 00:24:24,560
Speaker 3: singer of Boston's.

520
00:24:24,040 --> 00:24:28,679
Speaker 2: Biggest hits were Oh more than a Feeling overture?

521
00:24:29,400 --> 00:24:36,480
Speaker 3: Uh, that was my favorite? Was was long Time? Exactly?

522
00:24:36,640 --> 00:24:37,000
Speaker 3: Long Time?

523
00:24:37,080 --> 00:24:40,639
Speaker 5: Was that data, and they had lots of good songs

524
00:24:40,640 --> 00:24:43,560
Speaker 5: that debut record, though there's just not a weak moment

525
00:24:43,600 --> 00:24:44,400
Speaker 5: on it and.

526
00:24:44,800 --> 00:24:46,760
Speaker 4: More than a feeling peace of mind There you Go

527
00:24:46,920 --> 00:24:49,040
Speaker 4: and Uh and a long Time.

528
00:24:48,880 --> 00:24:51,040
Speaker 5: And on side too, there was also Smoking, which wasn't

529
00:24:51,080 --> 00:24:53,440
Speaker 5: nearly as big a hit, but it is an absolute

530
00:24:53,560 --> 00:24:55,200
Speaker 5: rock jam and if you were heading out in the

531
00:24:55,240 --> 00:24:58,760
Speaker 5: Camaro in nineteen seventy eight, that song came on the

532
00:24:58,920 --> 00:25:02,600
Speaker 5: night is officially on Baby. So the Boston kept playing

533
00:25:02,720 --> 00:25:05,880
Speaker 5: kind of eventually as a nostalgia act, and then lead

534
00:25:05,920 --> 00:25:09,400
Speaker 5: singer Brad Delp, with a very distinctive vocal styling, took

535
00:25:09,400 --> 00:25:11,400
Speaker 5: his own life at the age of fifty five back

536
00:25:11,400 --> 00:25:13,600
Speaker 5: in two thousand and seven, and so this to Carlo Guy.

537
00:25:13,960 --> 00:25:16,720
Speaker 5: He had always loved the band, had always done share,

538
00:25:16,760 --> 00:25:19,439
Speaker 5: you know, recorded himself doing covers of the band, and

539
00:25:19,520 --> 00:25:22,080
Speaker 5: to do a tribute, he wrote a song about Delp.

540
00:25:22,600 --> 00:25:25,440
Speaker 4: And I already was working at Home Depot at the time.

541
00:25:25,359 --> 00:25:27,520
Speaker 5: Exactly he was, I believe, in the credit department at

542
00:25:27,520 --> 00:25:31,400
Speaker 5: Home Depot, and he'd been making these and he wrote

543
00:25:31,440 --> 00:25:33,960
Speaker 5: a song to sort of pay honor and tribute to Delp,

544
00:25:34,000 --> 00:25:36,720
Speaker 5: along with a couple other Boston covers, and his friends

545
00:25:36,720 --> 00:25:38,359
Speaker 5: and family were like, they were so good, you should

546
00:25:38,400 --> 00:25:40,560
Speaker 5: put this on MySpace and you know, of course that's

547
00:25:40,600 --> 00:25:42,320
Speaker 5: what your friends and family are going to say, but

548
00:25:42,359 --> 00:25:45,480
Speaker 5: he did. They got spread around. It turned out everybody

549
00:25:45,520 --> 00:25:48,959
Speaker 5: loved him. In an extremely early example of going viral,

550
00:25:49,040 --> 00:25:52,120
Speaker 5: before that really was a thing that happened, he suddenly

551
00:25:52,119 --> 00:25:55,840
Speaker 5: finds himself fronting his favorite band of his entire life.

552
00:25:55,880 --> 00:25:58,600
Speaker 4: Well, and at first they gave him a polite rejection, Hey,

553
00:25:58,600 --> 00:26:00,560
Speaker 4: that's great. But then all of a sudden, you know, Tom,

554
00:26:00,560 --> 00:26:02,520
Speaker 4: the guy we mentioned Shoals is how you say?

555
00:26:02,600 --> 00:26:02,960
Speaker 2: I think so?

556
00:26:03,040 --> 00:26:05,359
Speaker 3: Yeah? So he says, well, no, wait a minute, you

557
00:26:05,440 --> 00:26:08,199
Speaker 3: sound just like it was. Who was the guy for Journey?

558
00:26:08,240 --> 00:26:10,400
Speaker 5: I can't remember his name, but exactly it's a very

559
00:26:10,400 --> 00:26:11,240
Speaker 5: similar situation.

560
00:26:11,640 --> 00:26:13,480
Speaker 4: You sound so much like Himut I want to keep

561
00:26:13,520 --> 00:26:15,600
Speaker 4: the band going. Yeah, you want to be a rock star.

562
00:26:15,720 --> 00:26:18,119
Speaker 4: This you know, for twenty years he stored from home

563
00:26:18,200 --> 00:26:22,000
Speaker 4: depot to suddenly he's he's he's doing a world tour.

564
00:26:22,119 --> 00:26:24,680
Speaker 5: I think that the movie rock Star with Mark Wahlberg,

565
00:26:24,720 --> 00:26:27,000
Speaker 5: I think is loosely based on this story. I don't

566
00:26:27,000 --> 00:26:29,280
Speaker 5: think it's the exact story, but I honestly never saw it,

567
00:26:29,320 --> 00:26:31,680
Speaker 5: but I seem to remember hearing at the time. It's

568
00:26:31,720 --> 00:26:35,840
Speaker 5: basically based on a fan who follows a band, loves

569
00:26:35,880 --> 00:26:38,239
Speaker 5: a band, knows the band, sounds like the band, and

570
00:26:38,240 --> 00:26:39,720
Speaker 5: gets invited to be in the band.

571
00:26:40,119 --> 00:26:41,920
Speaker 2: Is it rock Star? Was it Mark Wahlberg?

572
00:26:41,960 --> 00:26:42,320
Speaker 3: I could be.

573
00:26:42,400 --> 00:26:44,840
Speaker 5: I'm I'm grasping strong because I never saw the movie,

574
00:26:44,840 --> 00:26:47,960
Speaker 5: but I'm almost certain there was a movie based roughly

575
00:26:48,240 --> 00:26:49,400
Speaker 5: on this guy's story.

576
00:26:49,800 --> 00:26:50,240
Speaker 3: Do you.

577
00:26:51,760 --> 00:26:53,440
Speaker 2: A shout out to New Mexico? By the way, I've

578
00:26:53,440 --> 00:26:54,600
Speaker 2: already forgotten the guy's name.

579
00:26:54,640 --> 00:26:57,720
Speaker 4: But Brandon, he says, Rock Talk with Brian Oak is

580
00:26:57,720 --> 00:27:00,960
Speaker 4: the best weekly segment on any ocean and any show

581
00:27:00,960 --> 00:27:01,480
Speaker 4: in the world.

582
00:27:01,520 --> 00:27:02,720
Speaker 3: Well no, he says, I'm k fans.

583
00:27:02,840 --> 00:27:04,440
Speaker 2: Okay, Well what else is there?

584
00:27:04,600 --> 00:27:05,800
Speaker 3: Rock rank rock on?

585
00:27:06,880 --> 00:27:09,239
Speaker 2: Well, thank you very much, Brandon. Again, I don't need

586
00:27:09,280 --> 00:27:09,879
Speaker 2: the accolades.

587
00:27:09,920 --> 00:27:12,080
Speaker 5: I'm just glad that people love talking about music or

588
00:27:12,119 --> 00:27:15,520
Speaker 5: hearing about music stories as much as common and I do.

589
00:27:15,520 --> 00:27:19,480
Speaker 4: Do you pay much attention to the oscars in general

590
00:27:19,520 --> 00:27:22,640
Speaker 4: and specifically when they get to best original songs?

591
00:27:22,680 --> 00:27:25,560
Speaker 5: I did professionally for a long time, because being a

592
00:27:25,640 --> 00:27:28,480
Speaker 5: radio guy for thirty years in the morning show in particular,

593
00:27:28,560 --> 00:27:30,800
Speaker 5: you got to talk about the Oscars that Monday morning

594
00:27:30,800 --> 00:27:33,000
Speaker 5: and talk about what went on. It's pop culture, it's

595
00:27:33,040 --> 00:27:35,800
Speaker 5: of the moment. There's it's the night that Hollywood stars

596
00:27:35,840 --> 00:27:38,120
Speaker 5: come out to shine co and they do.

597
00:27:38,400 --> 00:27:40,159
Speaker 3: And so, yes, I pay attention to it.

598
00:27:40,200 --> 00:27:41,679
Speaker 5: Do I give it a lot of credence to I

599
00:27:41,680 --> 00:27:44,480
Speaker 5: think automatically this movie was better than that, or this

600
00:27:44,560 --> 00:27:47,360
Speaker 5: song was better than that. No, But I mean it's

601
00:27:47,359 --> 00:27:50,000
Speaker 5: a spectacle, right, It's a shared experience, and that was

602
00:27:50,000 --> 00:27:52,119
Speaker 5: my job to articulate that stuff on the radio. So

603
00:27:52,160 --> 00:27:55,159
Speaker 5: I paid attention for a very long time. But I

604
00:27:55,160 --> 00:27:57,600
Speaker 5: had utterly forgotten that this story that we're about to

605
00:27:57,640 --> 00:27:58,399
Speaker 5: talk about.

606
00:27:58,280 --> 00:27:58,920
Speaker 3: Yeah, I don't.

607
00:27:59,160 --> 00:28:01,680
Speaker 4: I mean I go on an staff the nominees for

608
00:28:02,040 --> 00:28:04,440
Speaker 4: this year, and I don't know if I was familiar

609
00:28:04,440 --> 00:28:05,200
Speaker 4: with any of the songs.

610
00:28:05,240 --> 00:28:07,240
Speaker 5: Oh well, I'm just gonna say, well, I mean, there's

611
00:28:07,240 --> 00:28:08,919
Speaker 5: a couple names you should be familiar with.

612
00:28:09,240 --> 00:28:11,119
Speaker 3: In particular. One is Diane Warren.

613
00:28:11,560 --> 00:28:14,879
Speaker 5: Diane Warren has written songs for She's Up For and

614
00:28:15,000 --> 00:28:16,520
Speaker 5: it was a movie I'd never heard of, in a

615
00:28:16,520 --> 00:28:20,439
Speaker 5: song I'd never heard of. But Diane Warren has gotten

616
00:28:20,480 --> 00:28:23,240
Speaker 5: a Grammy Award, an Emmy Award, two Golden Globe Awards,

617
00:28:23,240 --> 00:28:26,320
Speaker 5: three consecutive Billboard Music Awards for Songwriter of the Year

618
00:28:26,320 --> 00:28:29,399
Speaker 5: from ninety seven to ninety nine, Devarge's Rhythm of the

619
00:28:29,520 --> 00:28:32,000
Speaker 5: Night she was involved in. She's had a hand in

620
00:28:32,040 --> 00:28:34,480
Speaker 5: more than a dozen songs that have gone number one.

621
00:28:34,840 --> 00:28:39,440
Speaker 5: She's very much one of these behind the scenes writers, producers, players, arrangers,

622
00:28:39,960 --> 00:28:42,280
Speaker 5: and she's got a song up for grabs. But if

623
00:28:42,320 --> 00:28:46,560
Speaker 5: anybody but hunterricks for the song Golden and K Pop

624
00:28:46,600 --> 00:28:50,800
Speaker 5: Demon Hunter's won, than Hollywood's a fraud. Really, oh dude,

625
00:28:51,280 --> 00:28:53,880
Speaker 5: Now again, it's more of a cultural momentum kind of thing.

626
00:28:53,920 --> 00:28:55,479
Speaker 5: It may not be the very best song on there,

627
00:28:55,520 --> 00:28:57,120
Speaker 5: but it's the best. I listened to them all a

628
00:28:57,160 --> 00:28:59,960
Speaker 5: little bit this morning and it's by far my favorite

629
00:29:00,120 --> 00:29:01,880
Speaker 5: song on there. And come on, man, this is K

630
00:29:01,960 --> 00:29:05,560
Speaker 5: Pop Demon Hunter's year. Let's let this thing happen. I

631
00:29:05,640 --> 00:29:06,440
Speaker 5: can't excited about it.

632
00:29:06,480 --> 00:29:07,080
Speaker 3: I can't wait to fire.

633
00:29:07,240 --> 00:29:09,680
Speaker 2: You would love the movie K Pop Demon Hunters anyway.

634
00:29:09,760 --> 00:29:11,680
Speaker 4: Nineteen eighty five, We're gonna go We're gonna go back

635
00:29:11,680 --> 00:29:12,200
Speaker 4: to the old day.

636
00:29:12,280 --> 00:29:15,640
Speaker 3: Let's do it. Much to the chagrin of the coroner's office.

637
00:29:16,280 --> 00:29:21,160
Speaker 4: Nineteen eighty five is historic in Oscar history. All five

638
00:29:21,320 --> 00:29:26,040
Speaker 4: Best Original Song nominees were number one hot one hundred hits,

639
00:29:26,080 --> 00:29:28,320
Speaker 4: not all in the top twenty the top twenty five

640
00:29:28,400 --> 00:29:31,400
Speaker 4: of the top they were all number one hits. And

641
00:29:31,560 --> 00:29:34,400
Speaker 4: I played each and every one of them when they

642
00:29:34,480 --> 00:29:35,760
Speaker 4: first came out because.

643
00:29:35,520 --> 00:29:37,280
Speaker 3: I was spinding hot stacks.

644
00:29:36,840 --> 00:29:38,600
Speaker 4: Of wax from the top of the rack or a

645
00:29:38,720 --> 00:29:42,040
Speaker 4: racks at K ninety five slash K M E R

646
00:29:42,440 --> 00:29:43,400
Speaker 4: Kimer Wyoming.

647
00:29:43,800 --> 00:29:44,960
Speaker 3: I played all five.

648
00:29:45,320 --> 00:29:47,880
Speaker 4: I will admit I wasn't a big fan of all

649
00:29:47,920 --> 00:29:51,840
Speaker 4: five of the songs, but all five against All Odds

650
00:29:52,120 --> 00:29:53,880
Speaker 4: from the film Against All Odds.

651
00:29:54,280 --> 00:29:56,080
Speaker 3: That was Phil Collins yep.

652
00:29:56,520 --> 00:29:59,240
Speaker 5: And he would go on to have numerous number ones,

653
00:29:59,240 --> 00:30:01,280
Speaker 5: but this was his first, and so he didn't get

654
00:30:01,320 --> 00:30:02,959
Speaker 5: invited to perform it at this Oscar.

655
00:30:03,680 --> 00:30:08,920
Speaker 4: Yeah, Footloose. Kenny Logins in Dean Pitchford were the writers

656
00:30:09,360 --> 00:30:11,320
Speaker 4: and it was recorded by Kenny Loggins.

657
00:30:11,520 --> 00:30:13,000
Speaker 5: And this is one of if you want to have

658
00:30:13,160 --> 00:30:17,200
Speaker 5: any idea just how gigantic Footloose was in nineteen eighty five.

659
00:30:17,560 --> 00:30:19,640
Speaker 5: This is one of two songs that are on this

660
00:30:19,800 --> 00:30:23,640
Speaker 5: list from the movie Ghostbusters.

661
00:30:23,720 --> 00:30:25,680
Speaker 4: Ray Parker Junior, I you know I don't want to

662
00:30:25,720 --> 00:30:28,080
Speaker 4: call it a novelty song, but it kind of was right.

663
00:30:28,080 --> 00:30:30,400
Speaker 5: It's a movie theme song. Yeah, but it's one that

664
00:30:30,440 --> 00:30:32,840
Speaker 5: did was so popular it went to number one.

665
00:30:33,280 --> 00:30:35,920
Speaker 4: It was one of two nominations the film received, along

666
00:30:35,960 --> 00:30:38,200
Speaker 4: with Best Visual Effects.

667
00:30:38,600 --> 00:30:41,200
Speaker 3: I just called to say I love you, Stevie. Wonder.

668
00:30:41,240 --> 00:30:42,720
Speaker 3: You know my favorite story about that is, I'm not

669
00:30:42,720 --> 00:30:43,320
Speaker 3: making this up.

670
00:30:43,480 --> 00:30:47,840
Speaker 4: Go on, So I'm I'm I'm the program director slash

671
00:30:48,000 --> 00:30:50,400
Speaker 4: music director. So I'm getting the you know, that's fun.

672
00:30:50,400 --> 00:30:52,360
Speaker 4: You know, you get the record company sending in the

673
00:30:52,360 --> 00:30:54,720
Speaker 4: mail day and you're you're dropping the needle on it.

674
00:30:54,760 --> 00:30:58,480
Speaker 4: Inside you're the guy, So I add I just called

675
00:30:58,480 --> 00:31:01,840
Speaker 4: to say I love you. What I didn't realize is

676
00:31:01,640 --> 00:31:03,400
Speaker 4: the song was on both sides.

677
00:31:03,800 --> 00:31:07,200
Speaker 3: One of them was an instrumentalist instrumental.

678
00:31:07,240 --> 00:31:11,160
Speaker 7: I didn't even really I thought, oh, so so Stevie

679
00:31:11,200 --> 00:31:13,600
Speaker 7: came out with an instrumental, and so I played that

680
00:31:13,720 --> 00:31:16,520
Speaker 7: for like weeks, and then one day I put the

681
00:31:16,560 --> 00:31:17,840
Speaker 7: wrong side on and all of a.

682
00:31:17,800 --> 00:31:20,040
Speaker 3: Sudden, it's stunned me in the studios.

683
00:31:19,600 --> 00:31:22,720
Speaker 4: And of a sudden I just call, just like, where

684
00:31:22,720 --> 00:31:25,760
Speaker 4: are that iconic vocals? So I had missed the vocals

685
00:31:25,760 --> 00:31:27,280
Speaker 4: for like the first two weeks we had it in

686
00:31:27,320 --> 00:31:27,560
Speaker 4: the road.

687
00:31:27,760 --> 00:31:28,440
Speaker 3: That's hilarious.

688
00:31:28,520 --> 00:31:30,440
Speaker 5: You were playing a song you so you thought it

689
00:31:30,480 --> 00:31:32,760
Speaker 5: was just going to be an instrumental hit from Stevie Wonder.

690
00:31:32,840 --> 00:31:36,560
Speaker 3: I thought it was. That's that's very unbrand for you.

691
00:31:37,120 --> 00:31:38,600
Speaker 3: And then uh, from Footloose.

692
00:31:38,600 --> 00:31:43,880
Speaker 4: You mentioned another song from Footloose, Denise Williams, Let's Hear

693
00:31:43,880 --> 00:31:48,840
Speaker 4: It for the Boy again? Dean Pitchford. Pitchford who wrote

694
00:31:48,880 --> 00:31:52,680
Speaker 4: with Kenny Loggins on Footloose. He also was the He

695
00:31:52,920 --> 00:31:55,600
Speaker 4: was the co writer of this song too. It sounds

696
00:31:55,640 --> 00:31:56,800
Speaker 4: like to me, Let's hear It for the Boy?

697
00:31:56,920 --> 00:31:58,200
Speaker 3: Mm hmmm. So there you have.

698
00:31:58,360 --> 00:32:00,800
Speaker 4: He's on two of those. Those are your five songs

699
00:32:00,800 --> 00:32:01,840
Speaker 4: that were all number one.

700
00:32:02,080 --> 00:32:04,640
Speaker 5: Now the fun fact before you go into diving any

701
00:32:04,680 --> 00:32:07,800
Speaker 5: further into it, Prince that very same year, due to

702
00:32:07,840 --> 00:32:11,160
Speaker 5: the popularity of Purple Rain, he had two songs reach

703
00:32:11,280 --> 00:32:14,600
Speaker 5: number one that year, Purple Rain and I Would Die

704
00:32:14,600 --> 00:32:17,400
Speaker 5: for You, and those neither of them got nominated, but

705
00:32:17,480 --> 00:32:19,360
Speaker 5: he did go on to win an Oscar that night

706
00:32:19,400 --> 00:32:20,600
Speaker 5: for Best Original Score.

707
00:32:20,600 --> 00:32:23,080
Speaker 4: Oh really okay, and then the winner happened to be

708
00:32:23,600 --> 00:32:25,040
Speaker 4: the instrumental.

709
00:32:24,480 --> 00:32:28,880
Speaker 3: Version, not the instrumental version. See Stevie wonders. I just

710
00:32:28,920 --> 00:32:31,200
Speaker 3: got that won the Oscar for Best Original Song.

711
00:32:31,080 --> 00:32:33,600
Speaker 5: But there were five songs all went to number one,

712
00:32:33,640 --> 00:32:35,600
Speaker 5: And I mean, think about how rare that is, because

713
00:32:35,680 --> 00:32:37,760
Speaker 5: a lot of times a weirdo song gets picked or

714
00:32:37,760 --> 00:32:41,200
Speaker 5: an outlier or a hipster song and tells you how

715
00:32:41,280 --> 00:32:43,280
Speaker 5: rare it is. It spent more than forty years since

716
00:32:43,280 --> 00:32:45,200
Speaker 5: it's happened. It never happened prior to that.

717
00:32:45,360 --> 00:32:48,800
Speaker 4: My favorite song that won the Oscar for Best Original Score, though,

718
00:32:48,920 --> 00:32:52,640
Speaker 4: was from Butch Cassidy The Sun Dance Kid nineteen sixty nine.

719
00:32:53,080 --> 00:32:55,680
Speaker 3: It was BJ Thomas rain Drops keep following.

720
00:32:55,760 --> 00:32:57,920
Speaker 4: I know it's a cheesy song, I get that, but

721
00:32:58,240 --> 00:33:01,200
Speaker 4: I love the story behind the song. It was originally

722
00:33:01,240 --> 00:33:03,520
Speaker 4: written and designed to be performed in the movie by

723
00:33:03,560 --> 00:33:04,560
Speaker 4: Bob Dylan.

724
00:33:04,760 --> 00:33:07,080
Speaker 3: Rain reps keep olling, I'm ahead.

725
00:33:08,000 --> 00:33:10,480
Speaker 4: Apparently he turned it down or they weren't able to

726
00:33:10,480 --> 00:33:11,640
Speaker 4: get a hold of whatever it was.

727
00:33:11,680 --> 00:33:13,320
Speaker 3: They offered it to Bj Thomas.

728
00:33:13,640 --> 00:33:16,640
Speaker 4: I'm told he did it one take, really, one take,

729
00:33:16,680 --> 00:33:18,800
Speaker 4: and apparently he even had a cold, but he went

730
00:33:18,840 --> 00:33:22,240
Speaker 4: into the studio ready, okay, take one, rain Drops keep

731
00:33:22,240 --> 00:33:23,640
Speaker 4: falling on my head and then.

732
00:33:23,880 --> 00:33:26,160
Speaker 3: He sang the song and they went sounds good to me,

733
00:33:26,720 --> 00:33:28,720
Speaker 3: and I was it? What did he want? He won

734
00:33:28,760 --> 00:33:30,840
Speaker 3: the Oscar for best But now he didn't write it.

735
00:33:30,760 --> 00:33:33,520
Speaker 2: But you don't have to write it. Yeah, no, exactly.

736
00:33:33,760 --> 00:33:36,320
Speaker 5: His his rendition is what made it famous enough to

737
00:33:36,320 --> 00:33:37,040
Speaker 5: get it an Oscar.

738
00:33:37,080 --> 00:33:41,280
Speaker 3: And that's where Paul Newman and Robert Ridford.

739
00:33:41,360 --> 00:33:44,400
Speaker 4: Yeah, but then the actress, why.

740
00:33:44,320 --> 00:33:45,240
Speaker 3: Can't they think of her name?

741
00:33:45,360 --> 00:33:48,480
Speaker 5: I don't you know what, I'm gonna google it for me,

742
00:33:48,680 --> 00:33:49,440
Speaker 5: protest time.

743
00:33:49,480 --> 00:33:52,880
Speaker 3: I've never I've never seen Catherine Ross. Okay, well you

744
00:33:52,920 --> 00:33:54,600
Speaker 3: never seen the movie. Oh you got to watch it.

745
00:33:54,600 --> 00:33:57,200
Speaker 4: It's so I guarantee it still holds up to And

746
00:33:57,240 --> 00:33:59,480
Speaker 4: it's just kind of the love scene where they're riding

747
00:33:59,480 --> 00:33:59,920
Speaker 4: on a bike.

748
00:34:00,080 --> 00:34:03,400
Speaker 3: It's an Old West movie, right, but they're on a.

749
00:34:03,400 --> 00:34:06,720
Speaker 4: Bicycle and she's riding on the handlebars and they're laughing

750
00:34:06,800 --> 00:34:08,719
Speaker 4: and smiling because it's there they're in love.

751
00:34:08,760 --> 00:34:10,880
Speaker 3: And it's rain drops. Katherine Ross, you got there on

752
00:34:10,920 --> 00:34:11,200
Speaker 3: your own.

753
00:34:11,200 --> 00:34:14,200
Speaker 4: They keep on falling on my head. So that's where

754
00:34:14,239 --> 00:34:16,120
Speaker 4: the song comes from. That scene where there's no there's

755
00:34:16,120 --> 00:34:18,279
Speaker 4: no they're they're just riding the bike together and all.

756
00:34:18,360 --> 00:34:19,680
Speaker 3: Such a wonderful, great movie.

757
00:34:19,719 --> 00:34:23,839
Speaker 5: Guy, also a very very early, almost uncredited appearance by

758
00:34:23,920 --> 00:34:26,920
Speaker 5: one Sam Elliott, who is credited in the film as

759
00:34:27,040 --> 00:34:28,440
Speaker 5: card Player number.

760
00:34:28,160 --> 00:34:31,080
Speaker 4: Two, card Player number two exactly because he's got a look,

761
00:34:31,120 --> 00:34:32,280
Speaker 4: you know, he's got a vibe.

762
00:34:33,400 --> 00:34:41,960
Speaker 3: Time now for rock rank, rock crank rock rank. That

763
00:34:42,080 --> 00:34:44,360
Speaker 3: sounds like Tennebe to rock ran. I thought that was

764
00:34:44,360 --> 00:34:48,200
Speaker 3: tenne me, but it's rock, it's not. That's not Tennabe,

765
00:34:48,920 --> 00:34:51,400
Speaker 3: it's Healvy. Really, they sound identical.

766
00:34:51,520 --> 00:34:53,560
Speaker 2: I'm learning the new things about hell. They every day.

767
00:34:54,120 --> 00:34:55,799
Speaker 1: I asked them to do like a variation of like

768
00:34:55,880 --> 00:34:59,560
Speaker 1: six different rock ranks, just wordom and then I try

769
00:34:59,560 --> 00:35:00,840
Speaker 1: to put it toge they're for and open.

770
00:35:01,040 --> 00:35:02,280
Speaker 2: Yeah, well it's iconic.

771
00:35:02,320 --> 00:35:04,560
Speaker 5: I mean at this point it's recognized at least as

772
00:35:04,560 --> 00:35:05,720
Speaker 5: far away as New Mexico.

773
00:35:06,280 --> 00:35:09,240
Speaker 2: So you know, today rock.

774
00:35:09,120 --> 00:35:11,640
Speaker 1: Rank, Brian Oak, You need to rank your top five

775
00:35:11,920 --> 00:35:15,320
Speaker 1: artists or bands that have geography in their name.

776
00:35:15,280 --> 00:35:17,640
Speaker 5: All right now and again. Geography is a weird term

777
00:35:17,680 --> 00:35:20,319
Speaker 5: because it can refer to the landscape. It can also

778
00:35:20,400 --> 00:35:22,960
Speaker 5: refer to states and countries if you're getting into political

779
00:35:22,960 --> 00:35:24,320
Speaker 5: geography and that kind of stuff.

780
00:35:24,800 --> 00:35:26,480
Speaker 3: Most of mine, if not all.

781
00:35:26,360 --> 00:35:30,320
Speaker 5: Are named after places not necessarily geographical features.

782
00:35:30,400 --> 00:35:32,080
Speaker 3: It's been such a long time.

783
00:35:32,840 --> 00:35:34,719
Speaker 5: We're just talking about that. Yeah, and they do make

784
00:35:34,760 --> 00:35:36,680
Speaker 5: your list, they do. They do make the list, but

785
00:35:36,719 --> 00:35:39,080
Speaker 5: they're not at number five. Number five is going to

786
00:35:39,080 --> 00:35:43,000
Speaker 5: be another band very much in your wheelhouse. I love

787
00:35:43,080 --> 00:35:45,799
Speaker 5: this band so much, and I'd never seen them live,

788
00:35:45,800 --> 00:35:46,960
Speaker 5: and I went to see them at one of those

789
00:35:47,719 --> 00:35:50,120
Speaker 5: things where back in the day, you remember, Clear Channel

790
00:35:50,200 --> 00:35:52,000
Speaker 5: used to shut down Hennepin Avenue and with all the

791
00:35:52,120 --> 00:35:55,120
Speaker 5: radio stations would have like four or five different concerts.

792
00:35:54,640 --> 00:35:56,720
Speaker 2: It would be a huge block party. It was massive.

793
00:35:57,120 --> 00:35:58,719
Speaker 5: I went down to the cool One to wait one

794
00:35:58,800 --> 00:36:02,840
Speaker 5: to see can who comes into number five? I thought

795
00:36:02,960 --> 00:36:05,719
Speaker 5: Kansas was going. I'm like, man, thirty plus years into

796
00:36:05,719 --> 00:36:08,240
Speaker 5: they're doing their thing, they're gonna look like twenty miles

797
00:36:08,239 --> 00:36:09,000
Speaker 5: of bad road.

798
00:36:09,560 --> 00:36:12,359
Speaker 2: And they did. They looked terrible. But I will tell you.

799
00:36:12,400 --> 00:36:15,880
Speaker 5: Right now that when they started singing after people, sober

800
00:36:16,000 --> 00:36:18,480
Speaker 5: up people practice, you get thirty years of doing those

801
00:36:18,480 --> 00:36:21,399
Speaker 5: harmonies under your belt. They sounded every bit as good

802
00:36:21,440 --> 00:36:23,319
Speaker 5: as their records, which I fell in love with grown

803
00:36:23,360 --> 00:36:26,840
Speaker 5: up listening to classic rock radio. So the harmonies, the

804
00:36:26,920 --> 00:36:31,600
Speaker 5: sort of epic almost psychedelic rock stories that were being

805
00:36:31,600 --> 00:36:34,080
Speaker 5: told the way they were being told. I just I

806
00:36:34,120 --> 00:36:36,560
Speaker 5: thought they were one of the coolest and still do

807
00:36:36,719 --> 00:36:37,160
Speaker 5: to this day.

808
00:36:37,160 --> 00:36:39,280
Speaker 3: So Kansas is my number five. More of a dust

809
00:36:39,280 --> 00:36:41,480
Speaker 3: in the Wind guy or a carry On My Wayward Sun.

810
00:36:41,560 --> 00:36:42,520
Speaker 3: They're both brilliant.

811
00:36:42,600 --> 00:36:44,960
Speaker 5: Yeah, apples and oranges, But I mean when and again

812
00:36:45,040 --> 00:36:47,440
Speaker 5: people talk about those and how burned out they are

813
00:36:47,520 --> 00:36:49,880
Speaker 5: on songs like dust in the Wind or Freebird or

814
00:36:49,880 --> 00:36:52,560
Speaker 5: Stairway to Heaven. The reason we got burned out on

815
00:36:52,640 --> 00:36:54,759
Speaker 5: them is because they're among the greatest of all time.

816
00:36:54,840 --> 00:36:57,279
Speaker 2: They got played to death. Dust in the Wind.

817
00:36:57,680 --> 00:37:01,040
Speaker 5: If you try tomove emotional context anybody else, chirp in

818
00:37:01,080 --> 00:37:03,799
Speaker 5: your ear, sit down, put your big over your headphones on,

819
00:37:03,840 --> 00:37:06,000
Speaker 5: and listen to dust in the Wind. It is an

820
00:37:06,040 --> 00:37:09,440
Speaker 5: incredible song. It's brilliant. But then when they decide to rock,

821
00:37:09,480 --> 00:37:10,040
Speaker 5: I like them too.

822
00:37:10,239 --> 00:37:12,279
Speaker 1: I'd say both of those songs were meaningful to like

823
00:37:12,360 --> 00:37:16,359
Speaker 1: my generation because I want Dustin win with the There's

824
00:37:16,360 --> 00:37:19,200
Speaker 1: a funny part in the movie Old School regarding Will

825
00:37:19,239 --> 00:37:21,759
Speaker 1: Ferrell singing that song right right and then carry On

826
00:37:21,800 --> 00:37:27,080
Speaker 1: My Wayward song the video game Guitar Hero. Yeah, well

827
00:37:27,080 --> 00:37:29,080
Speaker 1: really right where you can actually like play along to

828
00:37:29,120 --> 00:37:30,560
Speaker 1: the music as it was going on and act like

829
00:37:30,600 --> 00:37:32,600
Speaker 1: you're actually playing guitar, like carry on. Wayward Son was

830
00:37:32,640 --> 00:37:34,960
Speaker 1: on the original Guitar Hero, and it's kind of like

831
00:37:35,600 --> 00:37:37,600
Speaker 1: first time for my generation to be like exposed to

832
00:37:37,600 --> 00:37:38,000
Speaker 1: that song.

833
00:37:38,200 --> 00:37:40,520
Speaker 5: I never thought about that because with Guitar Hero and

834
00:37:40,680 --> 00:37:42,520
Speaker 5: rock Band, they would have not only some of these

835
00:37:42,560 --> 00:37:46,240
Speaker 5: great classics in there, but you could then get downloadable content.

836
00:37:46,280 --> 00:37:49,840
Speaker 5: The DLC would sometimes be here's seven songs from Journey,

837
00:37:49,960 --> 00:37:53,879
Speaker 5: Here's seven songs from Black Sabbath or whatever. And that's

838
00:37:54,080 --> 00:37:57,520
Speaker 5: very interesting to me that Kansas made the coming back

839
00:37:57,600 --> 00:37:58,080
Speaker 5: up for that.

840
00:37:58,360 --> 00:38:00,759
Speaker 3: Number four rock line number four, We.

841
00:38:00,760 --> 00:38:02,239
Speaker 5: Are going to get funky, we are going to get

842
00:38:02,280 --> 00:38:06,720
Speaker 5: soul full and possibly a little bit sultry. A funk band,

843
00:38:07,239 --> 00:38:10,680
Speaker 5: very sexy funk band from the seventies out of Ohio,

844
00:38:10,800 --> 00:38:14,920
Speaker 5: known as the Ohio Players who deserve a place on

845
00:38:14,960 --> 00:38:18,319
Speaker 5: this list if only for their album covers. Luckily, they

846
00:38:18,360 --> 00:38:21,879
Speaker 5: also happened to be an incredible band, probably best known

847
00:38:21,920 --> 00:38:26,279
Speaker 5: for the song fire but Yeah, Love roller Coasters, the

848
00:38:26,640 --> 00:38:27,640
Speaker 5: Giant one, and of.

849
00:38:27,640 --> 00:38:30,640
Speaker 4: Course the legend, the legend behind Love roller Coaster. You

850
00:38:30,640 --> 00:38:33,560
Speaker 4: hear a scream in the background. For years people said

851
00:38:33,800 --> 00:38:38,720
Speaker 4: that was somebody being murdered right in the recording studio. Seriously,

852
00:38:38,760 --> 00:38:42,400
Speaker 4: that was I remember when they first said that because

853
00:38:42,600 --> 00:38:44,319
Speaker 4: the song was new when they were when they were

854
00:38:44,320 --> 00:38:45,799
Speaker 4: talking about it, I was like, so we all would

855
00:38:45,800 --> 00:38:46,600
Speaker 4: listen to we'd put on.

856
00:38:46,680 --> 00:38:47,200
Speaker 3: To go on and listen.

857
00:38:47,280 --> 00:38:51,200
Speaker 4: Then all of a sudden, here, yeah, somebody's got nobody

858
00:38:51,239 --> 00:38:51,879
Speaker 4: was getting killed.

859
00:38:52,120 --> 00:38:53,640
Speaker 3: Oh, but that was the rumor.

860
00:38:53,840 --> 00:38:56,279
Speaker 2: Entertainment. Baby, it's all about show business, right.

861
00:38:56,520 --> 00:38:59,520
Speaker 5: But the Ohio Players happened to be consistently funky and

862
00:38:59,600 --> 00:39:02,759
Speaker 5: amazing they had. They enjoyed their greatest success in the seventies,

863
00:39:03,280 --> 00:39:08,240
Speaker 5: and again, some of those album covers were little NSFW,

864
00:39:08,520 --> 00:39:10,720
Speaker 5: particularly for the nineteen seventies.

865
00:39:10,760 --> 00:39:14,960
Speaker 3: Way that fucking music. What no ranky news.

866
00:39:15,120 --> 00:39:17,080
Speaker 1: Yeah, you can talk about it more than Mark Rosen

867
00:39:17,120 --> 00:39:19,560
Speaker 1: when he arrives in twelve minutes. But to the Vikings

868
00:39:19,600 --> 00:39:22,360
Speaker 1: and running back, Aaron Jones have agreed on a revised

869
00:39:22,440 --> 00:39:25,239
Speaker 1: contract if you have a Minnesota for the twenty twenty

870
00:39:25,239 --> 00:39:27,080
Speaker 1: six season, and so he will lower his base hour

871
00:39:27,160 --> 00:39:29,560
Speaker 1: to five point five million dollars and stay in Minnesota.

872
00:39:29,600 --> 00:39:30,920
Speaker 2: So Aaron Jones is back.

873
00:39:31,000 --> 00:39:33,319
Speaker 3: Here's my question for Aaron Jones. Can he make that

874
00:39:33,440 --> 00:39:36,279
Speaker 3: last rock rank?

875
00:39:36,480 --> 00:39:38,320
Speaker 1: I mean five and a f a half after taxes,

876
00:39:38,360 --> 00:39:40,440
Speaker 1: it's actually like three and a half million dollars.

877
00:39:41,680 --> 00:39:46,759
Speaker 8: Family Lost, You Gotta Flaunted, Yeah, rock Line three number

878
00:39:46,880 --> 00:39:50,400
Speaker 8: three the band that I does not get the credit

879
00:39:50,440 --> 00:39:52,600
Speaker 8: that they deserve, but pioneers rarely do.

880
00:39:53,160 --> 00:39:59,359
Speaker 5: They were sort of the American sleazy result evolution of

881
00:39:59,480 --> 00:40:03,239
Speaker 5: the early sixties glam movement melded with what was about

882
00:40:03,320 --> 00:40:05,760
Speaker 5: to become punk rock. They were at this odd space

883
00:40:05,800 --> 00:40:08,759
Speaker 5: and time, and they occupied a place that nobody else

884
00:40:08,840 --> 00:40:12,560
Speaker 5: quite occupied, but would go on to inspire legions of

885
00:40:12,680 --> 00:40:15,120
Speaker 5: bands to do what they do. Up to and including

886
00:40:15,440 --> 00:40:20,279
Speaker 5: the Suicide Commandos, Minnesota's own, who people could argue were

887
00:40:20,320 --> 00:40:23,719
Speaker 5: the beginning of the true underground, an alternative explosion of

888
00:40:23,840 --> 00:40:26,960
Speaker 5: rock music here in Minnesota. That would be the New

889
00:40:27,040 --> 00:40:29,919
Speaker 5: York Dolls correct personality.

890
00:40:29,360 --> 00:40:31,320
Speaker 3: Crisis New York Dolls, The New York.

891
00:40:31,520 --> 00:40:33,920
Speaker 5: That is, I'll take who are the New York Dolls

892
00:40:33,920 --> 00:40:38,200
Speaker 5: for five hundred? The New York Dolls were glammy, cross dressy,

893
00:40:38,440 --> 00:40:41,920
Speaker 5: loud snotty, brilliant, very much of that.

894
00:40:42,360 --> 00:40:44,880
Speaker 3: They were sort of they preceded.

895
00:40:44,280 --> 00:40:47,120
Speaker 5: The real peak, the real zenith of mid to late

896
00:40:47,160 --> 00:40:50,879
Speaker 5: seventies New York art rock culture but they were as

897
00:40:50,960 --> 00:40:54,680
Speaker 5: important in the evolution of American punk and glam and

898
00:40:55,200 --> 00:40:57,279
Speaker 5: just dirty rock and roll as any other band you

899
00:40:57,280 --> 00:40:57,640
Speaker 5: can name.

900
00:40:57,840 --> 00:40:59,080
Speaker 3: Number two rock right.

901
00:40:59,320 --> 00:41:02,439
Speaker 5: Number two a lovely new wave band with an even

902
00:41:02,560 --> 00:41:05,719
Speaker 5: lovelier lead singer who I was completely crushed out on

903
00:41:05,800 --> 00:41:08,560
Speaker 5: as a teenager, and that would be the band Berlin

904
00:41:08,640 --> 00:41:11,000
Speaker 5: and their lead singer Terry Nunn. They had the song too,

905
00:41:11,280 --> 00:41:13,840
Speaker 5: Number I can't tell you how much I love this band,

906
00:41:14,440 --> 00:41:19,279
Speaker 5: the song Metro, the song, the song Masquerade. They just

907
00:41:19,440 --> 00:41:22,600
Speaker 5: they are take my breath Away. Later on front I

908
00:41:23,160 --> 00:41:25,120
Speaker 5: take my breath Away. Yeah, yeah, no, no either hit.

909
00:41:25,200 --> 00:41:27,080
Speaker 3: I played it spinning hotstacks watching them.

910
00:41:27,120 --> 00:41:30,200
Speaker 5: I'm a complete new wave dorc and they tickled that itch.

911
00:41:30,280 --> 00:41:32,480
Speaker 5: And they're a great pop band and they were nice

912
00:41:32,480 --> 00:41:34,440
Speaker 5: to look at. So number two for me is bert.

913
00:41:34,480 --> 00:41:37,399
Speaker 3: I'm very interested to find out Number one rock wack.

914
00:41:37,560 --> 00:41:40,280
Speaker 5: Well, it's not Nazareth, it's not the Little River Band,

915
00:41:40,680 --> 00:41:43,799
Speaker 5: it's not Lincoln Park, it's not La Guns, it's not

916
00:41:43,840 --> 00:41:46,279
Speaker 5: Miami Sound Machine, it's not Portugal the Man. It's not

917
00:41:46,400 --> 00:41:48,680
Speaker 5: flow Right, although I know he makes your top five.

918
00:41:49,360 --> 00:41:52,640
Speaker 5: Alabama Georgia Satellites, Florida Georgia Line none of those.

919
00:41:53,040 --> 00:41:53,680
Speaker 3: Number one and.

920
00:41:53,600 --> 00:41:57,120
Speaker 5: We've already talked at length about this band is Boston.

921
00:41:57,239 --> 00:41:59,800
Speaker 5: I looked at all the other well not my favorite

922
00:41:59,800 --> 00:42:01,919
Speaker 5: of all time, but other bands that have some sort

923
00:42:01,920 --> 00:42:08,400
Speaker 5: of geographic Chicago. Oh absolutely, like again Chicago, super talented.

924
00:42:08,880 --> 00:42:11,439
Speaker 5: But you're talking about my favorites, and they don't crack

925
00:42:11,520 --> 00:42:13,279
Speaker 5: my toime, they don't crack my top five. Yeah, I

926
00:42:13,320 --> 00:42:14,759
Speaker 5: just find I just found this right because they're my

927
00:42:14,840 --> 00:42:15,359
Speaker 5: number one.

928
00:42:15,560 --> 00:42:16,360
Speaker 3: Right for sure, I.

929
00:42:16,360 --> 00:42:18,600
Speaker 5: Would and I can't argue with that because they're a

930
00:42:18,719 --> 00:42:21,640
Speaker 5: very talented band with probably even a longer legacy than

931
00:42:21,640 --> 00:42:26,120
Speaker 5: Boston had in terms of quality output. But Boston that

932
00:42:26,239 --> 00:42:29,000
Speaker 5: those first two records, but in particular that first record

933
00:42:29,040 --> 00:42:31,959
Speaker 5: as good in American debut literally as there's ever been.

934
00:42:33,160 --> 00:42:39,839
Speaker 3: If you look at long, I just got a text

935
00:42:39,920 --> 00:42:40,760
Speaker 3: right God to see.

936
00:42:40,600 --> 00:42:41,080
Speaker 8: What this is?

937
00:42:41,880 --> 00:42:43,480
Speaker 2: No Summer Samba by Walter Wonders.

938
00:42:43,760 --> 00:42:43,840
Speaker 6: No.

939
00:42:44,120 --> 00:42:47,880
Speaker 4: Are you familiar with Terry caf the lead guitar player

940
00:42:48,120 --> 00:42:49,000
Speaker 4: for Chicago.

941
00:42:48,680 --> 00:42:54,640
Speaker 3: Who they commit suicide? Listen to the guitar work on

942
00:42:55,000 --> 00:42:56,600
Speaker 3: twenty five or six two four.

943
00:42:56,719 --> 00:42:58,800
Speaker 2: It's a brilliant song. That's my favorite Chicago.

944
00:42:59,120 --> 00:43:01,320
Speaker 4: Not just the song, it's one of the it's simply

945
00:43:01,480 --> 00:43:05,400
Speaker 4: nominated bea Stevie Want. It's simply one of the greatest

946
00:43:06,080 --> 00:43:09,719
Speaker 4: guitar solos of all time. Jimmy Hendrick said Terry caff

947
00:43:09,880 --> 00:43:11,239
Speaker 4: is the best guitar player in the world.

948
00:43:11,320 --> 00:43:12,640
Speaker 3: He said that while it was a lot, you.

949
00:43:12,640 --> 00:43:15,560
Speaker 4: Listen to that guitar solo and that was about as

950
00:43:15,600 --> 00:43:17,960
Speaker 4: hard rock as Chicago God because they were kind of

951
00:43:17,960 --> 00:43:18,759
Speaker 4: a happy band like.

952
00:43:19,120 --> 00:43:22,440
Speaker 3: Saturday and the Part. But I just most of their.

953
00:43:22,280 --> 00:43:24,480
Speaker 4: Songs were happy songs. Yeah, they were so good. I

954
00:43:24,520 --> 00:43:26,799
Speaker 4: love the horns. The horns are spectacular. That's the best.

955
00:43:26,880 --> 00:43:28,319
Speaker 3: Yeah, it was just so good.

956
00:43:28,320 --> 00:43:31,160
Speaker 4: But yeah, so there's a lot of groups in there.

957
00:43:31,719 --> 00:43:35,280
Speaker 4: Thanks for coming in again for pleasure again again. Your podcast,

958
00:43:35,280 --> 00:43:36,399
Speaker 4: Oh yeah, the Brian Oaks Show.

959
00:43:36,440 --> 00:43:39,279
Speaker 5: It is five hundred and fifty nine episodes deep down,

960
00:43:39,320 --> 00:43:41,520
Speaker 5: all talking about music, the community that we live in

961
00:43:41,560 --> 00:43:44,319
Speaker 5: and if you could ever listen, that would be much appreciated.

962
00:43:44,360 --> 00:43:46,120
Speaker 5: You can find it right now by going to the

963
00:43:46,160 --> 00:43:49,040
Speaker 5: iHeartRadio app. But it sounds like we've got viking stuff

964
00:43:49,080 --> 00:43:51,600
Speaker 5: to talk about coming out of the break, So I'm I'll.

965
00:43:51,520 --> 00:43:53,120
Speaker 3: Bet I know what I'm listening to on the way home.

966
00:43:53,360 --> 00:43:53,799
Speaker 3: There you go.

967
00:43:53,880 --> 00:43:57,360
Speaker 4: That's Brian Oak with Rock Talk next Wednesday one fifteen.

968
00:43:57,719 --> 00:43:58,960
Speaker 3: Mark Rosen's next here in the Fair