1 00:00:00,480 --> 00:00:03,920 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:08,280 --> 00:00:11,880 Speaker 2: Hey Chris merrildfie AM on demand. 3 00:00:11,560 --> 00:00:17,000 Speaker 3: Any time on the iHeart Radio app. All bad news. 4 00:00:17,040 --> 00:00:19,360 Speaker 2: You heard Mark talking about the Sally Kirkland passed away, 5 00:00:19,520 --> 00:00:21,480 Speaker 2: which I think is really sad and I also think 6 00:00:21,480 --> 00:00:23,000 Speaker 2: Sally Kirkland doesn't really get her due. 7 00:00:23,200 --> 00:00:24,520 Speaker 3: ABC seven had the report. 8 00:00:24,680 --> 00:00:27,800 Speaker 4: Sally Kirkland a one time model who became a regular 9 00:00:27,920 --> 00:00:31,319 Speaker 4: on stage, film, and TV, best known for sharing the 10 00:00:31,360 --> 00:00:34,200 Speaker 4: screen with Paul Newman and Robert Redford in The Sting 11 00:00:34,520 --> 00:00:37,160 Speaker 4: and her Oscar nominated title role in the nineteen eighty 12 00:00:37,200 --> 00:00:40,400 Speaker 4: seven movie Anna Has Died. She was eighty four. 13 00:00:44,400 --> 00:00:46,599 Speaker 3: The New York Don't you know who I am? 14 00:00:46,720 --> 00:00:49,360 Speaker 4: Cook Native when a Golden Globe for her performance. 15 00:00:49,680 --> 00:00:51,280 Speaker 5: I think that we can have peace in the world 16 00:00:51,360 --> 00:00:54,600 Speaker 5: of all of the actors, artists, writers, directors, producers share 17 00:00:54,640 --> 00:00:56,600 Speaker 5: their art in all different countries. 18 00:00:57,360 --> 00:01:02,640 Speaker 3: Okay, that is amazing. I mean. 19 00:01:04,480 --> 00:01:10,520 Speaker 2: She basically coined the the Hollywood stereotype, right like, if 20 00:01:10,520 --> 00:01:14,360 Speaker 2: all the artists get together, we'll have peace all Its incredible. 21 00:01:14,480 --> 00:01:19,080 Speaker 4: Kirkland's vivacious personality captivated viewers on and off the screen. 22 00:01:19,480 --> 00:01:23,760 Speaker 2: God bless the Oscars. Sally Kirkland, enjoy your evening here. 23 00:01:24,080 --> 00:01:27,160 Speaker 4: The year she's crazy here, it flew by, but she 24 00:01:27,360 --> 00:01:28,440 Speaker 4: never slowed down. 25 00:01:28,840 --> 00:01:30,720 Speaker 5: Oh, I just want to work and work and work, 26 00:01:30,760 --> 00:01:32,319 Speaker 5: and I want to blow your minds and I want 27 00:01:32,360 --> 00:01:34,360 Speaker 5: you to cry and I want you to laugh. It's 28 00:01:34,360 --> 00:01:36,240 Speaker 5: not over till the Fat Ladies saying. So, I plan 29 00:01:36,360 --> 00:01:38,920 Speaker 5: to be acting around one hundred. I am desperate to 30 00:01:39,000 --> 00:01:42,640 Speaker 5: recall details for the pieces to fit together easily like 31 00:01:42,680 --> 00:01:47,320 Speaker 5: they used to real pieces, ugly, dirty, rotten. 32 00:01:47,720 --> 00:01:52,360 Speaker 3: I don't care. She has fun. She's eighty four. The 33 00:01:52,400 --> 00:01:55,040 Speaker 3: Fat Lady has sung. Yeah. 34 00:01:55,560 --> 00:01:56,880 Speaker 6: I don't know if you knew this, but she has 35 00:01:56,920 --> 00:02:00,280 Speaker 6: something like two hundred and seventy credits. 36 00:02:00,680 --> 00:02:02,680 Speaker 2: She would take work anywhere. I gotta tell you. When 37 00:02:02,720 --> 00:02:07,320 Speaker 2: I was in high school northern Michigan, tiny little town, 38 00:02:07,440 --> 00:02:09,360 Speaker 2: we had a community college that used to have a 39 00:02:09,400 --> 00:02:12,440 Speaker 2: guest artist come in and they would start in a show. 40 00:02:12,440 --> 00:02:17,160 Speaker 2: And we were doing, uh, the Miracle Worker, right and 41 00:02:17,360 --> 00:02:20,920 Speaker 2: Frank and she had signed. 42 00:02:20,680 --> 00:02:21,919 Speaker 3: On to join us. She backed out of it. 43 00:02:22,840 --> 00:02:25,320 Speaker 6: Frank and the Miracle Worker. I'm sorry. I can't let 44 00:02:25,360 --> 00:02:25,639 Speaker 6: that go. 45 00:02:25,760 --> 00:02:26,160 Speaker 3: I'm sorry. 46 00:02:26,160 --> 00:02:28,280 Speaker 2: Helen Keller, Helen Keller and the Miracle Worker. I mean 47 00:02:28,400 --> 00:02:30,840 Speaker 2: that would have been a really thank you, thank you 48 00:02:30,880 --> 00:02:41,919 Speaker 2: for that question, totally different miracle wah wa. All right, No, 49 00:02:42,120 --> 00:02:43,080 Speaker 2: I should have just let that go. 50 00:02:43,160 --> 00:02:43,760 Speaker 3: That was funny. 51 00:02:44,440 --> 00:02:46,480 Speaker 2: No, I'm so glad you corrected it, because I would 52 00:02:46,600 --> 00:02:48,720 Speaker 2: I feel like a major boob when I have a 53 00:02:48,760 --> 00:02:51,200 Speaker 2: mistake that actually goes and we don't correct it. So 54 00:02:51,320 --> 00:02:54,520 Speaker 2: I'm so glad you did that. Like, oh, did she 55 00:02:54,600 --> 00:02:56,760 Speaker 2: play a Nazi in the An Frank version of The 56 00:02:56,800 --> 00:03:00,240 Speaker 2: Miracle Worker? No? No, okay, very good, thank you, yeah, 57 00:03:00,440 --> 00:03:07,720 Speaker 2: Helen Keller, Oh, thank you, Mark. 58 00:03:07,840 --> 00:03:09,480 Speaker 3: Sorry. Anyway, she was slated to. 59 00:03:09,480 --> 00:03:12,320 Speaker 2: Place and it was this tiny little community college and 60 00:03:12,400 --> 00:03:14,359 Speaker 2: she ended up getting another role in their scheduled didn't 61 00:03:14,400 --> 00:03:14,760 Speaker 2: line up and. 62 00:03:14,760 --> 00:03:15,800 Speaker 3: She had to back out of it. 63 00:03:15,840 --> 00:03:19,960 Speaker 2: But I mean, we were scheduled to have an Oscar 64 00:03:20,080 --> 00:03:24,880 Speaker 2: nominee on the stage of this dinky little town in 65 00:03:24,919 --> 00:03:28,880 Speaker 2: our little community theater production, and from that moment on, 66 00:03:29,160 --> 00:03:33,600 Speaker 2: I was like, this lady's pretty great, I mean pretty cool. 67 00:03:33,880 --> 00:03:36,200 Speaker 2: So I was sad when I saw her pass away. 68 00:03:37,240 --> 00:03:40,560 Speaker 2: Man Me said, eighty four. Dick Cheney just died. He 69 00:03:40,640 --> 00:03:44,560 Speaker 2: was eighty four, and I think Dick Cheney had six 70 00:03:44,680 --> 00:03:45,400 Speaker 2: heart attacks. 71 00:03:46,320 --> 00:03:48,760 Speaker 6: Do you know it's easy to lose count after a 72 00:03:48,800 --> 00:03:49,360 Speaker 6: certain number. 73 00:03:49,400 --> 00:03:49,880 Speaker 3: Let me bing this. 74 00:03:50,840 --> 00:03:57,000 Speaker 2: How well, let's see how many heart attacks did Dick 75 00:03:57,680 --> 00:03:58,720 Speaker 2: Cheney have? 76 00:04:01,880 --> 00:04:02,160 Speaker 5: Five? 77 00:04:03,240 --> 00:04:06,680 Speaker 3: Five heart attacks? Only five? Only only five? 78 00:04:07,360 --> 00:04:10,840 Speaker 2: I have five heart attacks and uh he made it 79 00:04:10,880 --> 00:04:11,520 Speaker 2: to eighty four. 80 00:04:12,360 --> 00:04:16,360 Speaker 3: Okay, wait a minute, Let's see how many lawyers. 81 00:04:17,520 --> 00:04:23,640 Speaker 2: Did Dick Cheney shoot in the face. I think that's 82 00:04:23,920 --> 00:04:27,919 Speaker 2: only one? Just one, just one. I didn't know if 83 00:04:27,920 --> 00:04:30,160 Speaker 2: there were others that we hadn't heard about. Yeah, so 84 00:04:30,400 --> 00:04:32,400 Speaker 2: just just one lawyer that he shot in the face 85 00:04:32,880 --> 00:04:36,000 Speaker 2: in a hunting accident, with so five times as many 86 00:04:36,000 --> 00:04:36,599 Speaker 2: heart attacks. 87 00:04:37,880 --> 00:04:40,960 Speaker 3: Yeah, you learn something new every night, don't you. You 88 00:04:40,960 --> 00:04:45,400 Speaker 3: don't like that radio. I was surprised, Yeah, did you? 89 00:04:45,880 --> 00:04:46,200 Speaker 3: I was. 90 00:04:46,360 --> 00:04:49,960 Speaker 2: I was so saddened to see that Jimmy Kimmel's band 91 00:04:50,040 --> 00:04:50,840 Speaker 2: leader passed away. 92 00:04:50,880 --> 00:04:51,880 Speaker 3: This is from E News. 93 00:04:52,240 --> 00:04:56,320 Speaker 7: Jimmy Kimmel is grieving a personal and professional loss. The 94 00:04:56,400 --> 00:04:59,240 Speaker 7: late night host announces on social media that the band 95 00:04:59,320 --> 00:05:02,799 Speaker 7: leader for Jimmy Kimmel Live, Clito Escobato the Third, passed 96 00:05:02,839 --> 00:05:07,200 Speaker 7: away November eleventh. Jimmy writes in a tribute on Instagram. 97 00:05:07,240 --> 00:05:11,400 Speaker 7: Early this morning, we lost a great friend, father, son, musician, 98 00:05:11,480 --> 00:05:14,520 Speaker 7: and man. My longtime band leader Cleto Escobeto. 99 00:05:14,600 --> 00:05:15,000 Speaker 2: The third. 100 00:05:15,279 --> 00:05:18,400 Speaker 7: To say that we are heartbroken is an understatement, he 101 00:05:18,440 --> 00:05:21,080 Speaker 7: adds Clito and I have been inseparable since I was 102 00:05:21,200 --> 00:05:23,520 Speaker 7: nine years old. The fact that we got to work 103 00:05:23,560 --> 00:05:26,400 Speaker 7: together every day is a dream neither of us could 104 00:05:26,400 --> 00:05:30,520 Speaker 7: ever have imagined would come true. Jimmy concludes his heartfelt 105 00:05:30,560 --> 00:05:34,839 Speaker 7: message with cherish your friends and please keep Cleito's wife, children, 106 00:05:34,880 --> 00:05:38,640 Speaker 7: and parents in your prayers. Five days earlier, the November 107 00:05:38,680 --> 00:05:41,760 Speaker 7: sixth taping of Jimmy Kimmel Live was postponed while the 108 00:05:41,800 --> 00:05:45,280 Speaker 7: host dealt with a personal matter. The ABC series, which 109 00:05:45,320 --> 00:05:50,000 Speaker 7: previously faced a temporary suspension in September, returned November tenth, 110 00:05:50,160 --> 00:05:52,839 Speaker 7: though the TV host did not address the last minute's 111 00:05:52,839 --> 00:05:57,080 Speaker 7: scheduling change. In addition to close night duties, the musician 112 00:05:57,200 --> 00:06:00,400 Speaker 7: also toured with the likes of Paula Abdul, Mark Anthony, 113 00:06:00,720 --> 00:06:04,400 Speaker 7: and Earth Wind and Fire. Jimmy previously described Cleto as 114 00:06:04,440 --> 00:06:05,560 Speaker 7: a child prodigy. 115 00:06:06,320 --> 00:06:09,680 Speaker 3: But wait, okay, so he was only fifty nine. No 116 00:06:09,839 --> 00:06:10,520 Speaker 3: cause of death. 117 00:06:10,640 --> 00:06:12,480 Speaker 6: No, we don't know that yet. And as sad as 118 00:06:12,480 --> 00:06:15,279 Speaker 6: that story is, that story that you just played sound 119 00:06:15,360 --> 00:06:19,240 Speaker 6: like it was read by an AI, it. 120 00:06:19,320 --> 00:06:22,360 Speaker 3: Did It was very monotone, wasn't it. Yeah. 121 00:06:22,440 --> 00:06:26,000 Speaker 7: Yeah, five days earlier, the November sixth taping of Jimmy 122 00:06:26,080 --> 00:06:27,520 Speaker 7: Kimmel Live was postponed. 123 00:06:27,600 --> 00:06:31,400 Speaker 3: You're right. With the music background and the yeah your 124 00:06:31,480 --> 00:06:32,200 Speaker 3: music freemo. 125 00:06:32,640 --> 00:06:35,720 Speaker 6: Yeah, it kind of detracts from the from the horrible 126 00:06:35,760 --> 00:06:38,320 Speaker 6: sadness of the whole thing when you realize, yeah, it's 127 00:06:38,400 --> 00:06:40,279 Speaker 6: it's likely computer reading this to you. 128 00:06:41,680 --> 00:06:43,719 Speaker 3: Yeah, although it is from us, so it's not like 129 00:06:43,760 --> 00:06:46,160 Speaker 3: one of the networks or anything. So, but you're right. 130 00:06:46,200 --> 00:06:50,679 Speaker 2: Gun, Hey, I'm so glad you brought that up, because 131 00:06:50,720 --> 00:06:52,480 Speaker 2: wait until you hear what the computer is doing. 132 00:06:53,440 --> 00:06:55,640 Speaker 3: The computer is, The computer is everywhere. 133 00:06:55,640 --> 00:06:57,560 Speaker 2: Man, I've got that's gonna be in our next SEGM. 134 00:06:57,560 --> 00:06:58,760 Speaker 2: But I did want to say this real quick. It 135 00:06:58,800 --> 00:07:02,559 Speaker 2: looks like Timber the Chalamey is already getting Oscar buzz. 136 00:07:03,560 --> 00:07:06,400 Speaker 3: Timothy sports a what's he done now? 137 00:07:06,560 --> 00:07:12,440 Speaker 2: Yeah, Timothy's sports lle Yeah. Terrible business model for a 138 00:07:12,480 --> 00:07:14,880 Speaker 2: sports store. Great actor, very good. 139 00:07:14,960 --> 00:07:15,520 Speaker 3: I like that. 140 00:07:16,120 --> 00:07:22,200 Speaker 2: Uh, Marty Supreme. It's a twenty four's ping pong epic. 141 00:07:22,840 --> 00:07:26,120 Speaker 6: Ah, not one of those Dune melatonin substitutes. 142 00:07:28,320 --> 00:07:29,560 Speaker 3: That was such a boring movie. 143 00:07:29,920 --> 00:07:30,080 Speaker 8: Uh. 144 00:07:30,360 --> 00:07:32,040 Speaker 3: Table tennis Prodigy. 145 00:07:31,800 --> 00:07:37,680 Speaker 2: Marty Mauser or Mouser or Mauser Moser anyway, I guess 146 00:07:37,680 --> 00:07:40,280 Speaker 2: he plays this guy, and uh, he's getting a little buzz. 147 00:07:40,440 --> 00:07:43,160 Speaker 2: Biopics are great for Best Actor Awards, aren't they? 148 00:07:44,120 --> 00:07:49,960 Speaker 3: Guaranteed? Oscar he tried last year? Yeah? Yeah, you're right, 149 00:07:50,040 --> 00:07:52,360 Speaker 3: that was the was Wait yeah, Bob Dylan thing right 150 00:07:52,760 --> 00:07:53,640 Speaker 3: last year? Yeah. 151 00:07:53,720 --> 00:07:55,720 Speaker 6: Now, be honest with me, are you going to drive 152 00:07:55,840 --> 00:07:57,720 Speaker 6: and pay to go see a Ping Pong movie at 153 00:07:57,720 --> 00:07:58,040 Speaker 6: a theater? 154 00:07:58,960 --> 00:08:00,760 Speaker 2: Well, I'd like to call it tape Tennis because I'm 155 00:08:00,760 --> 00:08:04,200 Speaker 2: not racist. Okay, yeah, no, I definitely it's Ping Pong. 156 00:08:05,680 --> 00:08:07,200 Speaker 3: No, No, I'm not. 157 00:08:08,360 --> 00:08:10,000 Speaker 6: This is gonna be another one of those years where 158 00:08:10,120 --> 00:08:14,200 Speaker 6: where all the mainstream critics pick their top ten and 159 00:08:14,280 --> 00:08:16,680 Speaker 6: we're not going to scene or heard of any of them. 160 00:08:16,760 --> 00:08:18,440 Speaker 3: Right, yeah, yeah, I. 161 00:08:18,400 --> 00:08:21,200 Speaker 2: Mean I will watch it when when SAG sends them 162 00:08:21,200 --> 00:08:23,440 Speaker 2: all out for the SAG Awards. Then I'll watch it 163 00:08:23,600 --> 00:08:26,720 Speaker 2: when I can watch it on my streaming service or something. 164 00:08:26,720 --> 00:08:28,400 Speaker 2: Then I'll then I'll view it. But no, I'm not 165 00:08:28,400 --> 00:08:30,880 Speaker 2: gonna go to the theater to watch a movie about unless, 166 00:08:30,880 --> 00:08:32,760 Speaker 2: of course, it gets a ton of buzz and it's like, 167 00:08:32,840 --> 00:08:34,760 Speaker 2: this is an amazing movie it's not what you think. 168 00:08:34,800 --> 00:08:37,440 Speaker 3: Blah blah blah, then I might then I might be 169 00:08:37,480 --> 00:08:37,800 Speaker 3: worth it. 170 00:08:37,840 --> 00:08:41,400 Speaker 2: Okay, the computers are everywhere music industry face is facing 171 00:08:41,600 --> 00:08:45,880 Speaker 2: a very strange new frontier. There is a country hit 172 00:08:46,520 --> 00:08:50,880 Speaker 2: by a brand new artist and it is climbing now 173 00:08:50,960 --> 00:08:54,239 Speaker 2: to the top of the charts, and it's catching some backlash. 174 00:08:54,320 --> 00:08:56,240 Speaker 2: It is a brand new era in entertainment. It is 175 00:08:56,360 --> 00:08:59,200 Speaker 2: officially begun. You're gonna hear it next on Chris Merrill. 176 00:09:00,000 --> 00:09:03,520 Speaker 1: Listening to KFI AM six forty on demand. 177 00:09:05,080 --> 00:09:08,720 Speaker 2: Barrel KFI AM six forty listen any time on demand 178 00:09:08,720 --> 00:09:11,360 Speaker 2: of the iHeart Radio app, And as always, you can 179 00:09:11,400 --> 00:09:13,079 Speaker 2: hit that talk back button and leave us a message. 180 00:09:13,320 --> 00:09:14,920 Speaker 3: And if it's good or funny, You're quirky, You're Crazy 181 00:09:15,000 --> 00:09:15,800 Speaker 3: might even played on the air. 182 00:09:15,840 --> 00:09:19,280 Speaker 2: But it has to be relevant unless it's totally off 183 00:09:19,280 --> 00:09:24,080 Speaker 2: the wall, like I think we got a I deleted 184 00:09:24,080 --> 00:09:24,800 Speaker 2: it already, Nikki. 185 00:09:24,880 --> 00:09:27,720 Speaker 3: I got the call from your uber driver who recognized you. 186 00:09:28,360 --> 00:09:35,000 Speaker 8: Oh I loved him, Yeah. 187 00:09:32,400 --> 00:09:35,160 Speaker 3: I love the You don't know how you have ended up. 188 00:09:35,400 --> 00:09:37,000 Speaker 3: I don't know how you haven't ended up in pieces 189 00:09:37,000 --> 00:09:39,280 Speaker 3: in somebody's barrel by now. I really don't know. I know, 190 00:09:39,760 --> 00:09:42,439 Speaker 3: I'm like that. Did you hear the story? 191 00:09:42,440 --> 00:09:42,640 Speaker 2: Mark? 192 00:09:42,679 --> 00:09:43,680 Speaker 3: Somebody recognized her. 193 00:09:44,080 --> 00:09:45,960 Speaker 2: She got in the car a little tipsy and she's 194 00:09:46,480 --> 00:09:50,480 Speaker 2: you know, chapping away in her down under accent. 195 00:09:51,679 --> 00:09:53,679 Speaker 3: She had a number of entertaining stories when I came 196 00:09:53,720 --> 00:09:56,600 Speaker 3: in today and then don't say that on air what 197 00:09:56,679 --> 00:10:01,480 Speaker 3: I told you earlier? And apparently photos as well. Oh good, Yeah, 198 00:10:01,520 --> 00:10:03,920 Speaker 3: did you show those to your your your uber driver? 199 00:10:04,520 --> 00:10:04,600 Speaker 5: No? 200 00:10:04,800 --> 00:10:06,920 Speaker 3: I showed them to Sam though. 201 00:10:08,080 --> 00:10:11,280 Speaker 9: Yeah, but I mean I'm a sex therapist and PhD 202 00:10:11,320 --> 00:10:14,040 Speaker 9: and human sexuality. This is stuff that's right up my house. 203 00:10:14,360 --> 00:10:17,520 Speaker 3: It was really off his alley. Ali, I don't want. 204 00:10:17,360 --> 00:10:21,400 Speaker 9: To Oh nope, Hey, nope. 205 00:10:22,280 --> 00:10:26,800 Speaker 3: But Nicky has fans, that's just yeah, I have only fans. 206 00:10:27,240 --> 00:10:27,720 Speaker 1: Literally. 207 00:10:29,240 --> 00:10:37,520 Speaker 2: Let's uh, number one country song in America today according 208 00:10:37,520 --> 00:10:38,080 Speaker 2: to Billboard. 209 00:10:38,120 --> 00:10:40,560 Speaker 3: You know, marko, Oh, you're big on this one. 210 00:10:40,800 --> 00:10:44,160 Speaker 2: They're digital song sales, the country digital song sales, number 211 00:10:44,200 --> 00:10:45,439 Speaker 2: one song in the US. 212 00:10:47,080 --> 00:10:49,199 Speaker 3: You're never gonna guess it? Uh you want to? You 213 00:10:49,240 --> 00:10:52,079 Speaker 3: want a little sample of it? Oh? Please? It's a banger. 214 00:10:52,640 --> 00:10:58,680 Speaker 3: I like this. I love that southern soul sound. I 215 00:10:58,720 --> 00:11:04,280 Speaker 3: love that on my jeans. Ready to go? Yeah, mud 216 00:11:04,320 --> 00:11:08,760 Speaker 3: on this? Are you sure. It's mud on the jeans, sir. Yes, 217 00:11:09,360 --> 00:11:11,640 Speaker 3: that's catchy. Right, you can kick rocks if you don't 218 00:11:11,679 --> 00:11:15,760 Speaker 3: like it. It's soul full singing in talking through the 219 00:11:15,800 --> 00:11:17,360 Speaker 3: rest of the show like that. 220 00:11:17,880 --> 00:11:21,680 Speaker 8: Oh, that's not a bad idea. It's a phone going 221 00:11:21,920 --> 00:11:25,000 Speaker 8: gonna finish this show. I'm gonna take it on up 222 00:11:25,040 --> 00:11:28,280 Speaker 8: to George O. Ree and his Coast to coast. He's 223 00:11:28,320 --> 00:11:31,440 Speaker 8: got aliens and subconscious notes. 224 00:11:33,280 --> 00:11:34,960 Speaker 3: I like that. It sounded like you're trying to push 225 00:11:35,040 --> 00:11:39,800 Speaker 3: something out there. Yeah, that's the key. It's a constipation voice. 226 00:11:39,880 --> 00:11:44,640 Speaker 9: Yeah, yeah, you know knowledge man constipation voice. 227 00:11:45,760 --> 00:11:49,280 Speaker 2: Anyway, So it's a cool song and it's by Breaking Rust, 228 00:11:49,600 --> 00:11:55,040 Speaker 2: which is non existent. Yeah, so Breaking Rust is an 229 00:11:55,120 --> 00:11:59,960 Speaker 2: artist entirely generated by AI. It's got two million spot 230 00:12:00,360 --> 00:12:03,920 Speaker 2: downloads now. Multiple tracks are passing a million streams. The 231 00:12:04,080 --> 00:12:08,000 Speaker 2: Instagram shows a melancholy cowboy figure that sounds on brand. 232 00:12:08,559 --> 00:12:10,800 Speaker 2: The identity is digital fiction. 233 00:12:11,480 --> 00:12:12,079 Speaker 3: If you go to. 234 00:12:12,280 --> 00:12:16,240 Speaker 2: Breaking rusts insta, those aren't people. The rise of AI 235 00:12:16,360 --> 00:12:20,320 Speaker 2: music is stirring controversy, as one might expect, Elton John 236 00:12:20,440 --> 00:12:25,079 Speaker 2: Dualipa calling for regulation around it. Critics say that generative 237 00:12:25,120 --> 00:12:28,720 Speaker 2: AI undermines human creativity, supporter, see it is a new 238 00:12:28,760 --> 00:12:33,280 Speaker 2: tool for democratizing music production. Okay, well, supporters, you're wrong. 239 00:12:34,160 --> 00:12:37,920 Speaker 2: It does not does not democratize music production. It actually 240 00:12:38,040 --> 00:12:42,520 Speaker 2: takes it away from the people. It doesn't make it accessible. 241 00:12:43,240 --> 00:12:46,800 Speaker 2: Does make the music creation accessible. And also the idea 242 00:12:46,840 --> 00:12:49,400 Speaker 2: behind being an artist is that you have a skill 243 00:12:49,480 --> 00:12:50,240 Speaker 2: that is unique. 244 00:12:50,720 --> 00:12:53,200 Speaker 6: Yeah, when they say it democratizes it, I guess words 245 00:12:53,240 --> 00:12:54,960 Speaker 6: have no meaning whatsoever anymore. 246 00:12:55,080 --> 00:12:58,600 Speaker 2: No, it dilutes it is what it does. Here's my problem. 247 00:12:59,800 --> 00:13:03,680 Speaker 2: That's a banger. I like the song. I think it 248 00:13:03,840 --> 00:13:08,199 Speaker 2: sounds good. If I didn't know it was AI, i'd go, oh, 249 00:13:08,240 --> 00:13:12,360 Speaker 2: I like that, Ooh that's good. And now it hits 250 00:13:12,400 --> 00:13:16,360 Speaker 2: number one. So I have a couple of questions. First 251 00:13:16,360 --> 00:13:19,800 Speaker 2: of all, who's making money on that? Because somebody's still 252 00:13:19,800 --> 00:13:23,360 Speaker 2: making money. Is it the person that said make me 253 00:13:23,440 --> 00:13:29,079 Speaker 2: a country banger with a soulful groove? It's definitely somebody 254 00:13:29,080 --> 00:13:34,439 Speaker 2: who's distributing it, right, Spotify's definitely got some profit coming in, 255 00:13:35,640 --> 00:13:39,520 Speaker 2: and in the meantime, it's hurting the other artists. If 256 00:13:39,559 --> 00:13:44,600 Speaker 2: you are, if you're a record company and you don't 257 00:13:44,600 --> 00:13:47,800 Speaker 2: have to pay the artist, feels like that would be 258 00:13:47,840 --> 00:13:50,040 Speaker 2: a great way to save money. Yeah, just cut out 259 00:13:50,080 --> 00:13:53,120 Speaker 2: the artist. You just cut out the artist. We're providing 260 00:13:53,120 --> 00:13:55,679 Speaker 2: the same content at zero cost. 261 00:13:55,960 --> 00:13:56,480 Speaker 3: Amazing. 262 00:13:57,000 --> 00:14:00,320 Speaker 10: Mike would go ahead. My question would be, is the song? 263 00:14:00,679 --> 00:14:02,720 Speaker 10: I mean, what's what's a I is? That was the 264 00:14:02,760 --> 00:14:06,520 Speaker 10: whole song made generated Philly or was like the drums 265 00:14:06,520 --> 00:14:08,920 Speaker 10: and the music added to a AI voice? 266 00:14:09,920 --> 00:14:11,679 Speaker 3: All of it is? All of it is AI is 267 00:14:11,720 --> 00:14:13,640 Speaker 3: my understanding. That's the report. 268 00:14:14,040 --> 00:14:17,560 Speaker 10: If I sounded like that singer, Yeah, I would see 269 00:14:18,640 --> 00:14:20,600 Speaker 10: because it could you say likeness? 270 00:14:20,680 --> 00:14:24,760 Speaker 2: Yes, yes, yeah, it could be hard to prove, but yeah, 271 00:14:24,840 --> 00:14:26,840 Speaker 2: I mean certainly there's got to be other artists that 272 00:14:26,880 --> 00:14:28,640 Speaker 2: have that kind of sound to I mean, it's not 273 00:14:28,680 --> 00:14:30,080 Speaker 2: like it's a brand new sound. 274 00:14:30,280 --> 00:14:32,880 Speaker 3: I mean you sounded just like it a second ago. 275 00:14:33,000 --> 00:14:37,160 Speaker 3: Oh I like that. We'll take my should take it 276 00:14:37,320 --> 00:14:38,360 Speaker 3: up to dam. 277 00:14:41,200 --> 00:14:52,880 Speaker 8: And working since seven old Damn am. 278 00:14:48,320 --> 00:14:52,440 Speaker 3: Kind of hot. Thank you, Nikki. Everything sounds hot to you. 279 00:14:52,600 --> 00:14:54,160 Speaker 3: I know that. 280 00:14:54,200 --> 00:14:54,360 Speaker 2: Mark. 281 00:14:54,400 --> 00:14:55,600 Speaker 3: I'm getting some pictures tonight. 282 00:14:56,160 --> 00:14:59,480 Speaker 4: I don't know, I'll send you some blocker now. 283 00:15:01,080 --> 00:15:01,400 Speaker 3: I don't know. 284 00:15:02,120 --> 00:15:03,640 Speaker 6: There's gonna be a song that makes me want to 285 00:15:03,640 --> 00:15:07,000 Speaker 6: get in a truck and get drunk with my dog 286 00:15:07,240 --> 00:15:10,320 Speaker 6: and think about getting a divorce. I want that to 287 00:15:10,320 --> 00:15:14,280 Speaker 6: be from a person, an actual person, somebody that knows 288 00:15:14,280 --> 00:15:15,760 Speaker 6: what it's like to divorce their dog. 289 00:15:15,960 --> 00:15:20,960 Speaker 2: Yeah, agree, yeah yeah, I like that. 290 00:15:21,880 --> 00:15:25,080 Speaker 9: Bandon over just to please a crowd, then and over 291 00:15:25,120 --> 00:15:25,800 Speaker 9: to please the crowd. 292 00:15:25,840 --> 00:15:30,280 Speaker 3: Yeah yeah, what exactly does that mean? Easy? Come on out? Well, guys, 293 00:15:31,800 --> 00:15:35,400 Speaker 3: come on, hey, a the AI wrote it. It's not us. 294 00:15:36,920 --> 00:15:40,320 Speaker 2: You're watching the glossy Empire crack from both ends. One 295 00:15:40,400 --> 00:15:43,800 Speaker 2: major publisher is fighting both a PR battle and staffers 296 00:15:44,120 --> 00:15:47,480 Speaker 2: who went rogue. A cautionary tale of one very major 297 00:15:47,520 --> 00:15:49,440 Speaker 2: print publication whose end was inevitable. 298 00:15:49,480 --> 00:15:53,120 Speaker 3: The fallout is untethered. It is next. Well, that was 299 00:15:53,120 --> 00:15:55,880 Speaker 3: the very wordy tease who wrote that. I'm Chris Merril. 300 00:15:56,720 --> 00:15:59,960 Speaker 1: You're listening to KFI AM six forty on demand. 301 00:16:02,280 --> 00:16:03,640 Speaker 3: Uh, let me see. 302 00:16:03,680 --> 00:16:10,680 Speaker 2: Oh we get the feedback here, feedback from the. 303 00:16:08,640 --> 00:16:10,720 Speaker 3: The talk back here on uh if you're listening on 304 00:16:10,760 --> 00:16:11,680 Speaker 3: the iHeart radio app. 305 00:16:12,280 --> 00:16:14,320 Speaker 2: So we played the new music from the number one 306 00:16:14,400 --> 00:16:19,040 Speaker 2: downloaded digital digital digital country digital chart whatever it is. 307 00:16:19,520 --> 00:16:23,000 Speaker 3: Uh, and it's completely AI generated. That's it. I think 308 00:16:23,000 --> 00:16:23,840 Speaker 3: it sounds all right now. 309 00:16:23,840 --> 00:16:26,360 Speaker 2: I was reading the story and according to Newsweek, he 310 00:16:26,480 --> 00:16:30,840 Speaker 2: was reporting on it. Jason Palamara is an assistant professor 311 00:16:30,840 --> 00:16:34,000 Speaker 2: of music technology at Indiana University, and he said, despite 312 00:16:34,000 --> 00:16:37,640 Speaker 2: the stomp clap hey rhythms and acoustic e sound, the 313 00:16:37,680 --> 00:16:40,440 Speaker 2: song is heavily laiden with some very techy production techniques. 314 00:16:40,480 --> 00:16:42,200 Speaker 2: And after listening to it one time, it was pretty 315 00:16:42,240 --> 00:16:45,640 Speaker 2: obvious the production of AI. I didn't think so I 316 00:16:45,680 --> 00:16:50,040 Speaker 2: couldn't tell if you know it says it's heavily heavily compressed. 317 00:16:50,080 --> 00:16:51,160 Speaker 3: Everything's heavily compressed. 318 00:16:51,160 --> 00:16:55,440 Speaker 2: Now, talking about the artist, quote unquote artist, the AI 319 00:16:55,560 --> 00:17:02,160 Speaker 2: artist Breaking rust Uh said, the lyrics are as. 320 00:17:02,760 --> 00:17:06,560 Speaker 3: The lyrics are vague and meaningless. 321 00:17:08,520 --> 00:17:10,840 Speaker 2: Dude, if you listen to pop music in the last 322 00:17:11,680 --> 00:17:12,919 Speaker 2: fifty years. 323 00:17:13,040 --> 00:17:15,720 Speaker 3: Most nineties alt rock was exactly that. 324 00:17:15,880 --> 00:17:19,240 Speaker 9: Oh my gosh, the swift the song black Hole Sun 325 00:17:19,359 --> 00:17:20,919 Speaker 9: was literally written as that. 326 00:17:21,960 --> 00:17:22,560 Speaker 3: God, that's it. 327 00:17:23,080 --> 00:17:27,040 Speaker 2: Well, how about the stuff from the dawn of rock 328 00:17:27,080 --> 00:17:28,760 Speaker 2: and roll in the early sixties. 329 00:17:28,920 --> 00:17:31,680 Speaker 3: I mean, there's nothing to. 330 00:17:31,680 --> 00:17:36,840 Speaker 2: It, like let's go get a milk, jake, stop, just 331 00:17:36,840 --> 00:17:38,119 Speaker 2: don't do that crap, all right? 332 00:17:38,119 --> 00:17:38,920 Speaker 3: From the talkbacks. 333 00:17:39,000 --> 00:17:42,760 Speaker 5: This is Lisa and I'm here in Nashville and you 334 00:17:42,880 --> 00:17:45,240 Speaker 5: have got to stop this. You me with my pants. 335 00:17:45,520 --> 00:17:49,120 Speaker 3: Oh I'm Sorry, I'm really sorry about that. 336 00:17:49,200 --> 00:17:52,400 Speaker 5: I was laughing so hard, and that voice sounds good 337 00:17:52,480 --> 00:17:54,440 Speaker 5: enough to me, better than some of the people here 338 00:17:54,440 --> 00:17:55,920 Speaker 5: trying to pass themselves. 339 00:17:55,520 --> 00:17:56,960 Speaker 3: Off this country exactly. 340 00:17:57,240 --> 00:17:59,959 Speaker 5: But anyway, you are just so funny. 341 00:18:00,080 --> 00:18:00,880 Speaker 3: She's talking to you, Mark. 342 00:18:01,520 --> 00:18:03,520 Speaker 6: The point is that you need to stop making people 343 00:18:03,560 --> 00:18:11,639 Speaker 6: incontinent on the public's airwaves. Yeah, I feel like that 344 00:18:11,680 --> 00:18:14,360 Speaker 6: could be an FCC violation. Do that Frankie Valley thing again? 345 00:18:14,400 --> 00:18:14,920 Speaker 6: You just did. 346 00:18:16,320 --> 00:18:17,160 Speaker 3: Oh a crack. 347 00:18:17,680 --> 00:18:20,040 Speaker 2: I came up with it. I had a new character today. 348 00:18:20,080 --> 00:18:24,560 Speaker 2: It was Timmy. Timmy is the wildly inappropriate to show 349 00:18:24,600 --> 00:18:28,960 Speaker 2: co host. You guys are funny and uh, it was 350 00:18:29,000 --> 00:18:33,080 Speaker 2: like Timmy was calling people out today on random things. 351 00:18:33,680 --> 00:18:36,240 Speaker 3: Oh that was a callback to an hour ago nobody 352 00:18:36,280 --> 00:18:39,920 Speaker 3: hits you, Joe, and it was fun. This is a blast, honestly. 353 00:18:40,040 --> 00:18:43,240 Speaker 6: What's not funny about multiple personality disorder? I think we 354 00:18:43,240 --> 00:18:45,280 Speaker 6: should have more jokes about. Look, there's two things you 355 00:18:45,320 --> 00:18:45,600 Speaker 6: could do. 356 00:18:45,680 --> 00:18:47,880 Speaker 3: I could be institutionalized or I could make some money 357 00:18:47,880 --> 00:18:50,760 Speaker 3: off of it. Sam, you went to weigh in on this. Yeah, no, 358 00:18:50,960 --> 00:18:54,400 Speaker 3: I think it's great for radio. Yeah, thank you? Perfect, 359 00:18:54,720 --> 00:18:57,399 Speaker 3: all right? And then also from the talkbacks, Hey, Chris, 360 00:18:57,440 --> 00:18:59,600 Speaker 3: this is Richie and Chino. Richie. 361 00:19:00,240 --> 00:19:04,919 Speaker 7: It's okay for AI to replace a programmer, but not 362 00:19:05,359 --> 00:19:06,080 Speaker 7: a minstrel. 363 00:19:06,640 --> 00:19:10,399 Speaker 3: Oh, thanks doing a good job. Appreciate your show. Hey, 364 00:19:10,520 --> 00:19:12,560 Speaker 3: I appreciate you. Versie. You know what, that's a good point. 365 00:19:12,640 --> 00:19:15,639 Speaker 2: I'm not for AI replacing anybody. I would say that 366 00:19:15,640 --> 00:19:17,880 Speaker 2: when it comes to programming, AI should be used as 367 00:19:17,920 --> 00:19:23,200 Speaker 2: a tool to be able to advance things further and faster. Right, 368 00:19:24,320 --> 00:19:29,440 Speaker 2: in the same way that a drill or a power screwdriver, right, 369 00:19:29,520 --> 00:19:32,280 Speaker 2: does not replace the carpenter. It's a tool that the 370 00:19:32,320 --> 00:19:34,200 Speaker 2: carpenter uses to build houses faster. 371 00:19:34,359 --> 00:19:36,639 Speaker 6: Yeah, but I think AI actually screws you worse than 372 00:19:36,680 --> 00:19:39,359 Speaker 6: a power screwdriver. I think that stuff should be regulated 373 00:19:39,440 --> 00:19:41,400 Speaker 6: and labeled into oblivion. 374 00:19:41,960 --> 00:19:42,960 Speaker 3: It causes farms. 375 00:19:44,200 --> 00:19:48,359 Speaker 6: Okay, okay, if you're gonna pull out the extra character, 376 00:19:48,920 --> 00:19:51,080 Speaker 6: I can't argue against the two of you. 377 00:19:51,080 --> 00:19:54,359 Speaker 3: Hear what you're saying. I do, Mark, I hear what 378 00:19:54,359 --> 00:19:55,159 Speaker 3: you're saying about that. 379 00:19:55,200 --> 00:19:57,480 Speaker 2: I know you know, but but it's one of those 380 00:19:57,480 --> 00:19:59,240 Speaker 2: things where if I can make it work for me 381 00:20:00,160 --> 00:20:03,480 Speaker 2: and I'm actually able to get my job done faster 382 00:20:03,560 --> 00:20:05,080 Speaker 2: and better, and I'm all for it. 383 00:20:05,280 --> 00:20:07,440 Speaker 3: But I'm not for replacing somebody. 384 00:20:07,720 --> 00:20:09,600 Speaker 2: I don't like the idea of the business saying oh, 385 00:20:09,640 --> 00:20:11,159 Speaker 2: well we don't really need Mark, we can just have 386 00:20:11,200 --> 00:20:14,159 Speaker 2: somebody who's got a new sounding likeness to do the news. 387 00:20:14,520 --> 00:20:15,480 Speaker 3: No, that's bogus. 388 00:20:15,800 --> 00:20:18,159 Speaker 2: Well, what AI is going to sit up until four 389 00:20:18,200 --> 00:20:21,560 Speaker 2: o'clock in the morning watching tub and crop from the 390 00:20:21,640 --> 00:20:24,080 Speaker 2: nineteen fifties to regurgitate on the air randomly. 391 00:20:24,240 --> 00:20:27,639 Speaker 6: Well that's an inarguable point, and I hope our bosses 392 00:20:27,640 --> 00:20:28,359 Speaker 6: are listening to that. 393 00:20:28,600 --> 00:20:29,000 Speaker 3: Thank you. 394 00:20:29,320 --> 00:20:31,040 Speaker 2: I appreciate that. And I think this is going to 395 00:20:31,080 --> 00:20:32,440 Speaker 2: happen in the publishing industry. 396 00:20:32,480 --> 00:20:32,760 Speaker 3: I do. 397 00:20:32,840 --> 00:20:34,800 Speaker 2: I think that there's gonna be a lot of people replaced. 398 00:20:34,840 --> 00:20:37,960 Speaker 2: You see Team Vogue. Team Vogue, what a mess they've 399 00:20:37,960 --> 00:20:40,200 Speaker 2: got going. And they got rid of their politics department, right, 400 00:20:40,720 --> 00:20:42,160 Speaker 2: they got rid of all of Team Vogue. 401 00:20:42,200 --> 00:20:46,080 Speaker 9: Now, oh, all of it's gone. 402 00:20:44,280 --> 00:20:50,280 Speaker 2: Well that'll solve the problem. Well, I was reading an article. 403 00:20:50,320 --> 00:20:54,399 Speaker 2: Nikki actually said it to me. The Free Press had it, 404 00:20:54,880 --> 00:20:56,960 Speaker 2: which is interesting because in the Free Press that's Berry. 405 00:20:56,800 --> 00:20:58,680 Speaker 3: Weiss's yes started it. 406 00:20:58,960 --> 00:21:03,400 Speaker 2: Yeah, So it basically talked about how the teen Vogue 407 00:21:03,440 --> 00:21:06,439 Speaker 2: had kind of pivoted away from a teenage version of 408 00:21:06,560 --> 00:21:10,080 Speaker 2: sort of the celebrity vapid based vogue, you know, fashion 409 00:21:10,119 --> 00:21:11,520 Speaker 2: and all that other crap, and then it kind of 410 00:21:11,520 --> 00:21:14,440 Speaker 2: got into politics, which was always my complaint. 411 00:21:14,880 --> 00:21:16,520 Speaker 3: I used to subscribe to Rolling Stone. 412 00:21:16,520 --> 00:21:19,239 Speaker 2: That was always my complaint, Like, I just wanted music news, right, 413 00:21:19,280 --> 00:21:20,560 Speaker 2: I want to know what the bands were doing, and 414 00:21:20,560 --> 00:21:21,440 Speaker 2: I want to know what they thought. 415 00:21:21,440 --> 00:21:21,960 Speaker 3: I didn't want. 416 00:21:22,359 --> 00:21:25,040 Speaker 2: I didn't't want necessarily the editorials that were that were 417 00:21:25,359 --> 00:21:28,240 Speaker 2: you know, all political. But also it was easy enough 418 00:21:28,240 --> 00:21:30,520 Speaker 2: for me to just flip that page and go on 419 00:21:30,600 --> 00:21:33,040 Speaker 2: to find out the next thing about Stone. Tuple pilots 420 00:21:33,080 --> 00:21:38,359 Speaker 2: talking about, you know, great music with depth and lyrics 421 00:21:38,359 --> 00:21:38,919 Speaker 2: that mattered. 422 00:21:39,119 --> 00:21:39,359 Speaker 3: Mark. 423 00:21:39,640 --> 00:21:42,720 Speaker 6: You never read Hunter s Thompson, J O'Rourke, any of 424 00:21:42,720 --> 00:21:43,960 Speaker 6: those guys. I did read some PJ. 425 00:21:44,000 --> 00:21:47,080 Speaker 3: O'Rourke. Hunter s. Thompson was before my time, but I 426 00:21:47,119 --> 00:21:48,120 Speaker 3: did read some PJ. Rook. 427 00:21:48,440 --> 00:21:51,960 Speaker 6: Rolling Stone had some solid political writing, and regardless of 428 00:21:51,960 --> 00:21:54,000 Speaker 6: where you are in the political spectrum, I hear. 429 00:21:53,840 --> 00:21:57,199 Speaker 2: What you're saying. But that wasn't the lane I wanted. 430 00:21:57,200 --> 00:21:59,159 Speaker 2: I didn't subscribe to Rolling Stone because I wanted the 431 00:21:59,160 --> 00:22:01,240 Speaker 2: politics now. And when I subscribed, I was like in 432 00:22:01,280 --> 00:22:04,960 Speaker 2: my teens and early twenties, and I, you know, first 433 00:22:05,000 --> 00:22:06,800 Speaker 2: the Internet wasn't there, so I can get anything I 434 00:22:06,800 --> 00:22:10,120 Speaker 2: want at any time I wanted. But I wanted music 435 00:22:10,160 --> 00:22:13,120 Speaker 2: stuff and Rolling Stone had it, but I wanted I didn't. 436 00:22:13,200 --> 00:22:15,200 Speaker 2: I didn't want the other stuff there. I think this 437 00:22:15,240 --> 00:22:19,240 Speaker 2: is where Team Vogue has gone wrong or went wrong, 438 00:22:19,760 --> 00:22:23,080 Speaker 2: is that you gotta know your lane. Especially today, think 439 00:22:23,119 --> 00:22:26,800 Speaker 2: of a podcast. You know, generic podcasts, they just don't 440 00:22:26,800 --> 00:22:28,840 Speaker 2: do squad. You've got a couple of people that can 441 00:22:29,000 --> 00:22:31,640 Speaker 2: kind of get away with a generic podcast. Like Joe 442 00:22:31,680 --> 00:22:35,399 Speaker 2: Rogan has stuff that's sort of all over but still 443 00:22:35,560 --> 00:22:39,200 Speaker 2: generally speaking, it's man talk, right, that's kind of his podcast. 444 00:22:39,240 --> 00:22:42,720 Speaker 2: It's sort of man talk. He's not gonna do gardening advice. 445 00:22:43,080 --> 00:22:47,840 Speaker 2: He's not gonna give you DIY tips, he's not gonna 446 00:22:47,880 --> 00:22:50,200 Speaker 2: tell you what hot cars are out there. He's gonna 447 00:22:50,200 --> 00:22:52,159 Speaker 2: do man talk. You know, this is guy stuff, right, 448 00:22:52,240 --> 00:22:55,760 Speaker 2: It's kind of his lane. You gotta know your lane. 449 00:22:55,920 --> 00:22:58,120 Speaker 2: And I feel like that's where Team Vogue went wrong, 450 00:22:58,200 --> 00:22:59,840 Speaker 2: is that they started trying to compete in a circle. 451 00:23:01,240 --> 00:23:03,320 Speaker 2: It's already flooded with a lot of different opinions, and 452 00:23:03,359 --> 00:23:07,720 Speaker 2: then you're very divisive. But then the The staffers were 453 00:23:07,760 --> 00:23:10,080 Speaker 2: not happy about it, and so they went and confronted 454 00:23:10,600 --> 00:23:13,760 Speaker 2: HR and uh, it didn't go very well. 455 00:23:14,040 --> 00:23:15,080 Speaker 3: So this is what happened. 456 00:23:15,080 --> 00:23:19,399 Speaker 2: When the staffers were being told that Team Vogue was 457 00:23:19,400 --> 00:23:23,320 Speaker 2: going away, confronted HR about, Uh, you want to tell 458 00:23:23,400 --> 00:23:24,160 Speaker 2: us what's happening here? 459 00:23:24,560 --> 00:23:25,960 Speaker 3: Is there a place that you would be able to 460 00:23:26,000 --> 00:23:26,600 Speaker 3: speak to us? 461 00:23:26,720 --> 00:23:27,280 Speaker 10: Not today? 462 00:23:27,320 --> 00:23:29,200 Speaker 3: We have other things going on. Do you think we're 463 00:23:29,200 --> 00:23:29,879 Speaker 3: not worth speaking to? 464 00:23:30,040 --> 00:23:30,320 Speaker 5: Sam? 465 00:23:31,880 --> 00:23:33,359 Speaker 3: But HELLI. 466 00:23:34,560 --> 00:23:38,280 Speaker 7: Okay, So everyone should go back to your workplace. 467 00:23:38,720 --> 00:23:41,280 Speaker 2: Okay, HR says everyone should go back to their workplace. 468 00:23:42,200 --> 00:23:45,280 Speaker 2: They're literally at work. 469 00:23:44,920 --> 00:23:45,800 Speaker 3: I work. 470 00:23:48,440 --> 00:23:51,000 Speaker 10: We have come working person here four days a week. 471 00:23:56,760 --> 00:24:00,560 Speaker 2: So that the HR director just starts walking away and they're. 472 00:24:00,359 --> 00:24:01,000 Speaker 3: Like, are you walking away? 473 00:24:00,960 --> 00:24:03,919 Speaker 2: And he's like no, I'm basically escorting you back to 474 00:24:04,920 --> 00:24:11,680 Speaker 2: you're not desks. So this goes on and they're just 475 00:24:11,760 --> 00:24:13,240 Speaker 2: kind of confronting him and like, hey, why won't you 476 00:24:13,240 --> 00:24:13,639 Speaker 2: talk to us? 477 00:24:13,680 --> 00:24:14,680 Speaker 3: Why are you doing this to us? 478 00:24:14,720 --> 00:24:17,120 Speaker 2: You know this is this is unprofessional blah blah blah, 479 00:24:17,119 --> 00:24:19,199 Speaker 2: and he's like, no, you're unprofessional. But it didn't like 480 00:24:19,240 --> 00:24:22,240 Speaker 2: that was the tenor through the whole thing. Four of 481 00:24:22,240 --> 00:24:23,439 Speaker 2: the people there and I'm going to tell you they 482 00:24:23,440 --> 00:24:25,480 Speaker 2: were about a dozen. Four of the people there that 483 00:24:25,520 --> 00:24:31,800 Speaker 2: confronted him got fired, just canned. You can't make hr 484 00:24:31,840 --> 00:24:34,360 Speaker 2: feel sad about themselves for getting ready to fire all 485 00:24:34,400 --> 00:24:34,600 Speaker 2: of you. 486 00:24:34,840 --> 00:24:40,120 Speaker 3: How dare you do such a thing? Canned? So that's 487 00:24:40,160 --> 00:24:43,240 Speaker 3: egg on their face. They don't. 488 00:24:43,440 --> 00:24:46,720 Speaker 2: I don't know how viable the model for teen Vogue 489 00:24:46,720 --> 00:24:50,600 Speaker 2: would have been going forward anyway, because we're entering into 490 00:24:50,640 --> 00:24:52,120 Speaker 2: a new generation. 491 00:24:52,160 --> 00:24:55,119 Speaker 3: We're at the tail end of Gen Z right, and we're. 492 00:24:54,960 --> 00:24:59,040 Speaker 2: At the at the the early Jen Alpha entering into 493 00:24:59,040 --> 00:25:01,640 Speaker 2: those teenage years. I don't know that Jen Elfick cares 494 00:25:01,680 --> 00:25:04,399 Speaker 2: to read. And don't mean that to be diminutive. I 495 00:25:04,440 --> 00:25:06,879 Speaker 2: mean I don't think that they want to read. They 496 00:25:06,920 --> 00:25:12,280 Speaker 2: want they want short clips, they want videos, they want 497 00:25:12,280 --> 00:25:14,920 Speaker 2: to scroll. And I don't know that teen Vogue was 498 00:25:14,920 --> 00:25:17,440 Speaker 2: going to be able to survive with the the brand 499 00:25:17,480 --> 00:25:19,760 Speaker 2: that they had. And I don't think that the teens 500 00:25:19,760 --> 00:25:22,840 Speaker 2: are really is beholden to the brands from the previous generation. 501 00:25:23,119 --> 00:25:23,919 Speaker 2: There's one thing I know. 502 00:25:24,080 --> 00:25:27,160 Speaker 3: Teens are fickle and don't want to adopt the previous generations. Stuff. 503 00:25:27,440 --> 00:25:30,439 Speaker 3: Reading is hard, it is hard and stuff. 504 00:25:31,200 --> 00:25:33,960 Speaker 2: But Mark, you didn't want to adopt like your parents' brands, 505 00:25:34,000 --> 00:25:36,200 Speaker 2: Like your parents must have been what like flappers? 506 00:25:36,280 --> 00:25:37,840 Speaker 3: Right? You didn't want to be the Charleston. 507 00:25:38,040 --> 00:25:40,800 Speaker 6: Well, actually I grew up with my with my grandparents 508 00:25:40,800 --> 00:25:43,400 Speaker 6: who were from the Depression. So all myos for all 509 00:25:43,400 --> 00:25:46,119 Speaker 6: my taste being a couple of generations older than me. 510 00:25:47,359 --> 00:25:50,679 Speaker 6: But I mean, in all fairness, teen Vogue broke some 511 00:25:50,840 --> 00:25:52,000 Speaker 6: major news in its day. 512 00:25:52,320 --> 00:25:55,639 Speaker 2: I agree with you, so did National Inquire, But I 513 00:25:55,680 --> 00:25:56,680 Speaker 2: still don't read that crap. 514 00:25:57,200 --> 00:26:00,439 Speaker 3: You're insane, You're insane. You're insane. All right. 515 00:26:00,480 --> 00:26:02,800 Speaker 2: You heard the warnings for decades, and now you've got 516 00:26:02,800 --> 00:26:06,280 Speaker 2: a medical consensus that's shifting. Experts say there's a risk 517 00:26:06,359 --> 00:26:08,919 Speaker 2: of a very common treatment, but the risk may not 518 00:26:08,960 --> 00:26:11,560 Speaker 2: be as dire as was once believe. What this reversal 519 00:26:11,600 --> 00:26:14,680 Speaker 2: is going to mean to millions of women and men 520 00:26:15,320 --> 00:26:16,639 Speaker 2: is next, Chris Merrill. 521 00:26:17,760 --> 00:26:21,640 Speaker 1: You're listening to KFI AM six forty on demand. 522 00:26:25,840 --> 00:26:29,680 Speaker 2: George Norian Coast to Coach is next KFI AM six 523 00:26:29,760 --> 00:26:33,840 Speaker 2: forty more stimulating talk, George, what can we expect this evening? Guys, 524 00:26:33,880 --> 00:26:36,280 Speaker 2: We're going to talk to the folks showing Critical healthnews 525 00:26:36,280 --> 00:26:39,040 Speaker 2: dot com about staying around for a long time, and 526 00:26:39,080 --> 00:26:42,440 Speaker 2: then later on a tribute to the veterans on a 527 00:26:42,600 --> 00:26:44,480 Speaker 2: perfect night for I love it Coast to Coast the 528 00:26:44,480 --> 00:26:46,480 Speaker 2: only show you should listen to when you're driving home. 529 00:26:46,560 --> 00:26:48,720 Speaker 3: I do on my way home. George, thank you so much, 530 00:26:48,960 --> 00:26:53,119 Speaker 3: good Man. Thank yeah. I love it the best show, 531 00:26:53,560 --> 00:26:54,120 Speaker 3: best show. 532 00:26:55,520 --> 00:26:59,680 Speaker 2: Uh so I don't Yeah, she's in bed. I don't 533 00:26:59,680 --> 00:27:01,199 Speaker 2: think my wife likes me talking about this. But my 534 00:27:01,280 --> 00:27:04,040 Speaker 2: wife is of that age where she's been dealing with 535 00:27:06,080 --> 00:27:13,119 Speaker 2: uh lady, transitioning stuff right, and the hot flashes have 536 00:27:13,200 --> 00:27:14,800 Speaker 2: been horrible. 537 00:27:14,920 --> 00:27:16,280 Speaker 3: Oh that kind of transition. 538 00:27:16,359 --> 00:27:19,280 Speaker 2: Yeah, easy, easy, Yeah, one of the reads you're gonna have, 539 00:27:19,600 --> 00:27:24,280 Speaker 2: NICKI trying to make phone calls in there. So so 540 00:27:24,400 --> 00:27:27,360 Speaker 2: here's the deal though, Like I feel helpless. 541 00:27:27,720 --> 00:27:29,159 Speaker 3: I feel like I want to help. I want it. 542 00:27:29,240 --> 00:27:32,960 Speaker 2: Like she's miserable, covers off, covers on, kicking me out 543 00:27:32,960 --> 00:27:34,720 Speaker 2: of the bed, kicking me out of the room, turning 544 00:27:34,720 --> 00:27:37,199 Speaker 2: the fan on, turning the fan of it's and so 545 00:27:37,240 --> 00:27:40,199 Speaker 2: the hot flashes at night are terrible and just the 546 00:27:40,200 --> 00:27:42,920 Speaker 2: other stuff she says, you know, sort of the emotional 547 00:27:42,960 --> 00:27:44,399 Speaker 2: stuff that goes on during the day. 548 00:27:44,480 --> 00:27:45,760 Speaker 3: She's like, why am I crying? 549 00:27:46,520 --> 00:27:51,399 Speaker 2: Nothing happened, sitting in the kitchen eating crackers and I'm crying, 550 00:27:51,880 --> 00:27:53,520 Speaker 2: and I just I feel horrible for her. 551 00:27:53,600 --> 00:27:56,280 Speaker 3: I really do well her. 552 00:27:56,720 --> 00:27:59,920 Speaker 2: Her doctor said, well, we can try hr T, which 553 00:27:59,920 --> 00:28:01,280 Speaker 2: is hormone replacement therapy. 554 00:28:01,359 --> 00:28:04,200 Speaker 3: She said, the thing is said, we have to find out. 555 00:28:04,080 --> 00:28:06,360 Speaker 2: What your what your history is here, And in fact, 556 00:28:06,400 --> 00:28:09,640 Speaker 2: she tried to get this stuff through one uh online 557 00:28:09,680 --> 00:28:14,000 Speaker 2: doctor who she she first approached. She said, was your 558 00:28:14,080 --> 00:28:19,040 Speaker 2: history my wife had she had cancer, right, just a 559 00:28:19,040 --> 00:28:22,080 Speaker 2: couple of years ago. But it was it was kind 560 00:28:22,080 --> 00:28:24,479 Speaker 2: of after that, like as they were removing as they 561 00:28:24,480 --> 00:28:26,720 Speaker 2: were doing a hysterectomy, they found cancer kind of thing, right, 562 00:28:26,760 --> 00:28:28,800 Speaker 2: So fortunately we didn't have to go through that whole 563 00:28:28,840 --> 00:28:30,359 Speaker 2: cancer scare chemotherapy stuff. 564 00:28:30,400 --> 00:28:32,119 Speaker 3: It was like one fell swoop. 565 00:28:32,800 --> 00:28:36,040 Speaker 2: But but she's been dealing with this stuff since it's 566 00:28:36,080 --> 00:28:39,520 Speaker 2: been really it's been really hard on her. So the 567 00:28:39,560 --> 00:28:41,720 Speaker 2: first person said, well, yeah, you had cancer, and the 568 00:28:41,760 --> 00:28:44,920 Speaker 2: warnings on hormone replacement therapy are you know it can 569 00:28:45,040 --> 00:28:48,680 Speaker 2: it can cause issues for women who have a history 570 00:28:48,680 --> 00:28:51,720 Speaker 2: of cancer or things like heart disease and such. Right, 571 00:28:51,840 --> 00:28:55,360 Speaker 2: So she found another gynecologist, this one in person, and 572 00:28:55,400 --> 00:28:57,120 Speaker 2: they said we'll keep an eye on you. But I 573 00:28:57,160 --> 00:28:58,760 Speaker 2: don't see why you're not a good candidate for it. 574 00:28:58,840 --> 00:29:01,800 Speaker 2: You're you're in your you know, you're you're very healthy, 575 00:29:01,800 --> 00:29:03,840 Speaker 2: you're in your fifties. The cancer thing was it was 576 00:29:04,400 --> 00:29:06,520 Speaker 2: a short scare. Yeah, let's give it a shot and 577 00:29:06,520 --> 00:29:08,640 Speaker 2: see if it makes a difference. And so she's been 578 00:29:08,640 --> 00:29:10,320 Speaker 2: trying that now for a few months and she says 579 00:29:10,320 --> 00:29:13,880 Speaker 2: it is. It's not the hot flashes more than in half. 580 00:29:14,000 --> 00:29:16,280 Speaker 2: Then the doctor says it's probably gonna get better too. 581 00:29:16,680 --> 00:29:18,760 Speaker 2: So's she feels like she found some sort of a 582 00:29:18,800 --> 00:29:22,840 Speaker 2: miracle here, right, because she's got this HRT. Well, now 583 00:29:23,000 --> 00:29:26,480 Speaker 2: the FDA is saying, you know what, all those warnings 584 00:29:26,520 --> 00:29:30,240 Speaker 2: we had about heart disease and stroke and increased risks 585 00:29:30,240 --> 00:29:33,480 Speaker 2: of cancer, yeah, I don't worry about that. New evidence is 586 00:29:33,520 --> 00:29:36,040 Speaker 2: that for healthy women under sixty, the benefits like the 587 00:29:36,120 --> 00:29:38,400 Speaker 2: relief from the hot flashes, sleep, disruption of the bone 588 00:29:38,480 --> 00:29:41,640 Speaker 2: loss are they outweigh the risks. And so fortunately she 589 00:29:41,680 --> 00:29:44,880 Speaker 2: found a doctor that had this doctor's head screwed down straight. 590 00:29:45,200 --> 00:29:46,800 Speaker 2: And now the FDA is kind of catching up to 591 00:29:46,840 --> 00:29:50,840 Speaker 2: that too. So women, if you are postmenopausal, or you're 592 00:29:51,160 --> 00:29:52,600 Speaker 2: you're say you're parent, well, I don't know if it 593 00:29:52,600 --> 00:29:56,840 Speaker 2: works for paramenopausal, but if you are menopausal post menopausal, 594 00:29:57,600 --> 00:30:00,280 Speaker 2: there may be some relief out there, So this might 595 00:30:00,320 --> 00:30:02,520 Speaker 2: be a good time to talk to your doctor and say, hey, 596 00:30:02,880 --> 00:30:07,719 Speaker 2: myn a candidate for maybe not suffering any longer. And 597 00:30:07,760 --> 00:30:11,520 Speaker 2: Fellas it's to really for you too, because you don't 598 00:30:11,520 --> 00:30:15,880 Speaker 2: have to watch your suffer anymore. U Niki, great job tonight. Really, 599 00:30:15,960 --> 00:30:19,080 Speaker 2: you did a nice job all the way around, sam Alie. 600 00:30:19,160 --> 00:30:20,840 Speaker 2: I know you guys were kind of tag teaming in there. 601 00:30:20,840 --> 00:30:23,200 Speaker 2: You did fantastic and I know behind the scenes kind 602 00:30:23,200 --> 00:30:25,520 Speaker 2: of scrambling with some technical stuff people couldn't see it, 603 00:30:25,520 --> 00:30:27,920 Speaker 2: and that means you did an amazing job. And Mark, 604 00:30:28,360 --> 00:30:32,240 Speaker 2: I forgive you, ah you should. 605 00:30:32,280 --> 00:30:34,680 Speaker 3: You're a complete pro and I appreciate you. You're a 606 00:30:34,680 --> 00:30:37,240 Speaker 3: complete You're a complete pro. All right, talk to you 607 00:30:37,280 --> 00:30:37,880 Speaker 3: again tomorrow night. 608 00:30:37,960 --> 00:30:41,480 Speaker 1: Chris Merril KFI AM six on Demand,