1 00:00:01,040 --> 00:00:03,559 Speaker 1: Backstage line the Mercedes Ben's If You Lounge Hot ninety 2 00:00:03,560 --> 00:00:07,040 Speaker 1: IFI jingle Ball with Alex Warren, Sir, what I mean? 3 00:00:07,120 --> 00:00:09,800 Speaker 1: It was a year ago this week basically, right the 4 00:00:09,880 --> 00:00:10,560 Speaker 1: ordinary is born? 5 00:00:10,720 --> 00:00:10,920 Speaker 2: Yeah? 6 00:00:11,000 --> 00:00:13,760 Speaker 3: Yeah, about at jingle Ball was when it was created? 7 00:00:13,800 --> 00:00:15,880 Speaker 2: Funny enough, it didn't come out like you can't like 8 00:00:15,920 --> 00:00:17,639 Speaker 2: nine months ago, ten months ago, which is crazy. 9 00:00:17,680 --> 00:00:19,279 Speaker 1: And also I heard too, you had to push for 10 00:00:19,320 --> 00:00:21,480 Speaker 1: the song and come out because originally you were told 11 00:00:21,520 --> 00:00:22,960 Speaker 1: this was not a hit. 12 00:00:23,239 --> 00:00:25,520 Speaker 3: Yeah, I was told it took a lot of fighting 13 00:00:25,520 --> 00:00:26,639 Speaker 3: for that song. Funny enough. 14 00:00:26,920 --> 00:00:28,800 Speaker 2: Does that give you the confidence now, like I know 15 00:00:29,160 --> 00:00:31,960 Speaker 2: the sound, I know what people want to hear. Yeah, 16 00:00:32,040 --> 00:00:35,960 Speaker 2: Oh my god, I mean no, I still clocks my 17 00:00:36,000 --> 00:00:38,760 Speaker 2: own tea just now. I still often wonder. I think 18 00:00:38,800 --> 00:00:42,199 Speaker 2: it's just like I've been writing songs that I like. 19 00:00:42,280 --> 00:00:44,720 Speaker 2: I've been listening to my own music, and I love it, 20 00:00:44,800 --> 00:00:46,720 Speaker 2: and so I bet if I like it, there's some 21 00:00:46,720 --> 00:00:47,839 Speaker 2: people out there who like it too. 22 00:00:48,080 --> 00:00:49,640 Speaker 1: Well, it's gotta be cool to see it now on 23 00:00:49,720 --> 00:00:51,920 Speaker 1: stage jingle Ball. When that song starts, the crowds gotta 24 00:00:51,920 --> 00:00:53,880 Speaker 1: go crazy. What's that feeling like to see the actual 25 00:00:53,920 --> 00:00:57,680 Speaker 1: reaction of people versus streaming numbers being millions of millions. 26 00:00:57,400 --> 00:01:00,840 Speaker 2: Gets me excited, funny enough, I'm I'm my ears are muting, 27 00:01:00,920 --> 00:01:01,920 Speaker 2: so like I don't hear anything. 28 00:01:01,920 --> 00:01:04,520 Speaker 3: I don't hear anyone out out there, so people could 29 00:01:04,520 --> 00:01:05,360 Speaker 3: be quiet as heck. 30 00:01:05,400 --> 00:01:07,959 Speaker 2: And I often think that no one knows who I 31 00:01:07,959 --> 00:01:10,000 Speaker 2: am when I get on the stage. So I when 32 00:01:10,040 --> 00:01:14,160 Speaker 2: I sing yeah, well, when I sing ordinary, I like 33 00:01:14,280 --> 00:01:15,600 Speaker 2: have to pull an ear out just to see if 34 00:01:15,600 --> 00:01:17,399 Speaker 2: people are singing it, and every time they are, and 35 00:01:17,520 --> 00:01:19,600 Speaker 2: I get surprised every time by that for some reason. 36 00:01:19,800 --> 00:01:22,000 Speaker 3: Is it the greatest gadgetil free card ever? Though? 37 00:01:22,040 --> 00:01:24,399 Speaker 2: With the misses where it's like, hey, I wrote ordinary 38 00:01:24,400 --> 00:01:27,920 Speaker 2: about you, you'd think that and then you think that, 39 00:01:28,040 --> 00:01:29,960 Speaker 2: but no, no, no, she still clocks me on my 40 00:01:30,800 --> 00:01:31,480 Speaker 2: stuff a lot. 41 00:01:31,760 --> 00:01:33,759 Speaker 1: But that's good though, because she was there before before 42 00:01:33,760 --> 00:01:35,800 Speaker 1: the fame, and that's a lot of people are kind 43 00:01:35,800 --> 00:01:38,399 Speaker 1: of like, oh, like you, how are you not? 44 00:01:39,160 --> 00:01:39,440 Speaker 3: You know? 45 00:01:39,640 --> 00:01:41,280 Speaker 2: This is like weird because you're like, oh, I'm nice, 46 00:01:41,319 --> 00:01:43,520 Speaker 2: I swear, but like it's like she often like people 47 00:01:43,560 --> 00:01:44,520 Speaker 2: often go like, how are you not? 48 00:01:44,680 --> 00:01:46,320 Speaker 3: Like you know? 49 00:01:46,760 --> 00:01:49,200 Speaker 2: And I often say, yeah, I have my wife. I 50 00:01:49,200 --> 00:01:51,080 Speaker 2: have my wife who keeps me very grounded. She's been 51 00:01:51,120 --> 00:01:52,320 Speaker 2: a part of this from the beginning. 52 00:01:52,560 --> 00:01:55,280 Speaker 3: The album You'll Be all Right Kid is fantastic. Thank you. 53 00:01:55,400 --> 00:01:57,480 Speaker 1: I mean, I think there's just so much, there's ups 54 00:01:57,520 --> 00:02:00,440 Speaker 1: and downs everything. Did you see yourself being like an 55 00:02:00,640 --> 00:02:02,600 Speaker 1: icon maybe for kids who've gone through hard time that hey, 56 00:02:02,640 --> 00:02:04,640 Speaker 1: like it can be okay, you can still get through. 57 00:02:04,560 --> 00:02:06,920 Speaker 2: The hard times. I don't know of icons the word. 58 00:02:06,960 --> 00:02:08,720 Speaker 2: I think for me, I just I write these songs 59 00:02:08,720 --> 00:02:10,280 Speaker 2: a lot to help me get through these things. I 60 00:02:10,320 --> 00:02:12,400 Speaker 2: wrote them a lot of them in a bedroom to 61 00:02:12,720 --> 00:02:14,400 Speaker 2: because I felt like there wasn't any music that you 62 00:02:14,440 --> 00:02:15,160 Speaker 2: could listen to. 63 00:02:15,040 --> 00:02:16,000 Speaker 3: To help you grieve. 64 00:02:16,080 --> 00:02:19,200 Speaker 2: And I don't know, for me, it helped me a lot, 65 00:02:19,280 --> 00:02:21,680 Speaker 2: And so I'm stoked whenever people tell me that these 66 00:02:21,680 --> 00:02:23,520 Speaker 2: songs have helped them in some way. You know, it's 67 00:02:23,520 --> 00:02:25,360 Speaker 2: funny because you came up in the creation game, and 68 00:02:25,400 --> 00:02:27,600 Speaker 2: there was after Shat Mendez was like the first one 69 00:02:27,639 --> 00:02:29,600 Speaker 2: to have like hit music. There was a whole wave 70 00:02:29,639 --> 00:02:32,200 Speaker 2: of creators who couldn't sing try to make music. 71 00:02:32,600 --> 00:02:34,839 Speaker 3: Was it hard? I mean, let's be blest me real, 72 00:02:35,560 --> 00:02:36,800 Speaker 3: but like, was it Harvey? 73 00:02:36,800 --> 00:02:39,400 Speaker 1: You'd be sitting back and like, I actually am good 74 00:02:39,440 --> 00:02:41,120 Speaker 1: at this and take it seriously and like, know what 75 00:02:41,200 --> 00:02:43,440 Speaker 1: goes into it before releasing yourself. 76 00:02:43,520 --> 00:02:46,760 Speaker 3: No, no, I no, no, I get what you There 77 00:02:46,800 --> 00:02:48,040 Speaker 3: was a rush of like, it's gonna be easy to 78 00:02:48,160 --> 00:02:50,120 Speaker 3: music and it's not. Though it's there was a lot 79 00:02:50,160 --> 00:02:52,560 Speaker 3: of people who thought it would be easy. No, but 80 00:02:52,600 --> 00:02:54,280 Speaker 3: I think everyone should try to do music. 81 00:02:54,480 --> 00:02:56,280 Speaker 2: That's the thing. Like, I think more than ever, it's 82 00:02:56,280 --> 00:02:58,480 Speaker 2: now accessible. I think that there was an influx of 83 00:02:59,000 --> 00:03:02,520 Speaker 2: a lot of cock key influencers who went into it. 84 00:03:02,560 --> 00:03:03,720 Speaker 3: For sure. I don't know. 85 00:03:03,880 --> 00:03:05,920 Speaker 2: I it was hard for me. It was really difficult. 86 00:03:05,919 --> 00:03:07,720 Speaker 2: I think I had to proved myself, especially just because 87 00:03:07,720 --> 00:03:11,239 Speaker 2: of everyone. And I I'm still proving myself every day. 88 00:03:11,320 --> 00:03:13,840 Speaker 2: I take vocal lessons, I take guitar lessons, I do 89 00:03:13,919 --> 00:03:17,000 Speaker 2: everything still. Every day, I do all this and I 90 00:03:17,000 --> 00:03:19,040 Speaker 2: don't think I belong yet. I don't think I've proven 91 00:03:19,080 --> 00:03:21,440 Speaker 2: myself no matter what. And you know, it's gonna take 92 00:03:21,480 --> 00:03:23,440 Speaker 2: me a long time. But I've heard horror stories I have. 93 00:03:24,040 --> 00:03:26,760 Speaker 1: I mean the Grammy nomination, thank you, that's pretty that's 94 00:03:26,760 --> 00:03:28,480 Speaker 1: pretty cool, this is pretty suck. They were the last 95 00:03:28,520 --> 00:03:30,600 Speaker 1: one they nominated, though they said, imagine like that he'd 96 00:03:30,639 --> 00:03:32,560 Speaker 1: be tough, like we did pretty good this past year. 97 00:03:32,720 --> 00:03:33,320 Speaker 3: I know. 98 00:03:33,400 --> 00:03:36,520 Speaker 2: I think it was just a lot of people were 99 00:03:36,520 --> 00:03:38,120 Speaker 2: telling me that it was gonna happen, and I was 100 00:03:38,160 --> 00:03:40,520 Speaker 2: always like, okay, guys like no, it's not like stop. 101 00:03:40,800 --> 00:03:42,520 Speaker 2: And when I woke up, everyone was at my house. 102 00:03:42,560 --> 00:03:44,960 Speaker 2: I was like, God, damn, this is gonna suck if 103 00:03:45,000 --> 00:03:47,280 Speaker 2: no one is gonna suck if it doesn't happen. And 104 00:03:47,640 --> 00:03:51,200 Speaker 2: I was second to last, and Lola Young out there. 105 00:03:51,240 --> 00:03:54,720 Speaker 2: I can't imagine how you felt. I definitely was like 106 00:03:55,000 --> 00:03:57,240 Speaker 2: because ordinary and all this stuff had gotten passed up, 107 00:03:57,240 --> 00:03:59,200 Speaker 2: and I truly I was like, Okay, well this is 108 00:03:59,240 --> 00:04:01,360 Speaker 2: not It's not my time. You know, maybe maybe next 109 00:04:01,400 --> 00:04:04,360 Speaker 2: year I'll I'll do more and I'll try my best again. 110 00:04:04,400 --> 00:04:08,360 Speaker 2: And you know, thankfully the Academy saw that and voted 111 00:04:08,400 --> 00:04:08,600 Speaker 2: me in. 112 00:04:08,840 --> 00:04:11,200 Speaker 3: Yeah, well tonight we'll see you on stage with Jelly Roll. 113 00:04:11,280 --> 00:04:11,440 Speaker 2: Yeah. 114 00:04:11,440 --> 00:04:12,640 Speaker 1: How cool is that to be able to do a 115 00:04:12,640 --> 00:04:15,360 Speaker 1: song with the artist, because that really happens. I feel like, yeah, 116 00:04:15,440 --> 00:04:17,120 Speaker 1: I Jelly's Shelley's my neighbor. 117 00:04:17,160 --> 00:04:19,359 Speaker 2: Funny enough, so when I had written that song for 118 00:04:19,360 --> 00:04:23,000 Speaker 2: a DJ and and they passed on it and Jelly 119 00:04:23,520 --> 00:04:25,479 Speaker 2: Jelly loved it, and I was so stuck that Jelly 120 00:04:25,520 --> 00:04:28,240 Speaker 2: loved it and we we attacked it and I was 121 00:04:28,279 --> 00:04:28,840 Speaker 2: so stoked. 122 00:04:28,839 --> 00:04:29,440 Speaker 3: It was so fun. 123 00:04:29,600 --> 00:04:33,920 Speaker 2: I inspired thank you bloodline too many times. Oh yeah, 124 00:04:34,000 --> 00:04:35,760 Speaker 2: this was on my tour. I've performed this song with 125 00:04:36,080 --> 00:04:39,039 Speaker 2: Jelly though. Oh this would be third fourth okay, third fourth? 126 00:04:39,120 --> 00:04:39,960 Speaker 3: Yeah? Yeah. 127 00:04:40,040 --> 00:04:42,159 Speaker 1: Well and speaking next year your first headline tour, the 128 00:04:42,160 --> 00:04:43,920 Speaker 1: Big Tour, is this kind of like a trial run 129 00:04:43,960 --> 00:04:45,799 Speaker 1: of like seeing what worked with the jingle ball stuff 130 00:04:45,800 --> 00:04:47,719 Speaker 1: and seeing what the crowd responds to. 131 00:04:47,800 --> 00:04:50,160 Speaker 2: Live No, no, I think this is just fun. And 132 00:04:50,279 --> 00:04:52,760 Speaker 2: last year I was in the audience, so I being 133 00:04:52,800 --> 00:04:56,680 Speaker 2: able to watch from like the audience and like wonder 134 00:04:56,720 --> 00:04:58,480 Speaker 2: what it's like to then be on the stage. It 135 00:04:58,480 --> 00:05:01,400 Speaker 2: has been really really cool. And yeah, I don't a 136 00:05:01,440 --> 00:05:02,719 Speaker 2: lot of I think a lot of artists do that 137 00:05:02,800 --> 00:05:05,000 Speaker 2: trial run stuff. I for me, I just I go 138 00:05:05,080 --> 00:05:07,039 Speaker 2: with it and I give it my own and if 139 00:05:07,080 --> 00:05:08,400 Speaker 2: they like it or they like it, if they don't, 140 00:05:08,400 --> 00:05:09,159 Speaker 2: it's not my crowd. 141 00:05:09,640 --> 00:05:11,680 Speaker 3: Is it cool to see young kids on stage singing 142 00:05:11,720 --> 00:05:12,720 Speaker 3: back to you. It's weird. 143 00:05:12,839 --> 00:05:18,200 Speaker 2: It's really strange because like I, well, adults, adults scream 144 00:05:18,240 --> 00:05:22,640 Speaker 2: at me too, by the way, Yeah, old man, yeah, yeah, no, Yeah, 145 00:05:22,640 --> 00:05:25,039 Speaker 2: it's it's strange. It's strange just because I was there, 146 00:05:25,160 --> 00:05:27,520 Speaker 2: like I was a fan first. And I think that's 147 00:05:27,560 --> 00:05:29,680 Speaker 2: also why when I'm on stage, like it's it means 148 00:05:29,680 --> 00:05:31,839 Speaker 2: so much because I know what it's like to wait 149 00:05:31,880 --> 00:05:34,680 Speaker 2: in parking lots for hours trying to get out of 150 00:05:34,680 --> 00:05:37,200 Speaker 2: a venue or pay forty dollars for a hot dog 151 00:05:37,279 --> 00:05:40,120 Speaker 2: out a venue. So I totally get and understand where 152 00:05:40,120 --> 00:05:42,440 Speaker 2: they are and and it makes it makes it feel 153 00:05:42,440 --> 00:05:44,960 Speaker 2: a lot better kind of being in that position and 154 00:05:45,080 --> 00:05:45,719 Speaker 2: understanding that. 155 00:05:46,160 --> 00:05:47,840 Speaker 1: So the the tour starts next year, do we have 156 00:05:47,839 --> 00:05:49,560 Speaker 1: another album in the work, So what's the plan. 157 00:05:49,360 --> 00:05:51,719 Speaker 2: With Yeah, I mean, I'm working on it. I want 158 00:05:51,960 --> 00:05:54,160 Speaker 2: I want to let this one sit. Obviously, it's been 159 00:05:54,200 --> 00:05:57,200 Speaker 2: twenty one songs, so I'm touring that. I've never done 160 00:05:57,240 --> 00:06:00,120 Speaker 2: a proper tour of this album. I started touring and 161 00:06:00,120 --> 00:06:01,880 Speaker 2: then started playing some of the songs, and then I've 162 00:06:01,880 --> 00:06:04,720 Speaker 2: only done one and a secondary marget of the whole 163 00:06:04,880 --> 00:06:07,760 Speaker 2: entire album. So I'm really excited to kind of play 164 00:06:07,760 --> 00:06:09,680 Speaker 2: that and maybe play some new songs during this year. 165 00:06:09,880 --> 00:06:11,679 Speaker 3: How did you get Jennifer Aniston to be in that video? 166 00:06:12,080 --> 00:06:15,360 Speaker 2: Jennifer's a friend of mine, so Jen flex Yeah, so 167 00:06:15,680 --> 00:06:20,200 Speaker 2: golly yeah. She had facetimed me and I played I 168 00:06:20,240 --> 00:06:23,680 Speaker 2: played her, I played her ordinary and we did. We've 169 00:06:23,760 --> 00:06:26,039 Speaker 2: just talked ever since, and so when I asked her 170 00:06:26,080 --> 00:06:27,479 Speaker 2: to do this, she was like, please, I would love to, 171 00:06:27,560 --> 00:06:30,360 Speaker 2: and she showed up. She knocked it out in like 172 00:06:30,400 --> 00:06:32,159 Speaker 2: an hour, and I was like, wow. 173 00:06:32,120 --> 00:06:33,920 Speaker 3: You go pro and acting. She's pretty good that. Yeah. 174 00:06:33,960 --> 00:06:36,640 Speaker 3: I told her that too. I was that insufferable guy. 175 00:06:36,680 --> 00:06:38,039 Speaker 2: You know when someone comes up to you and they're like, 176 00:06:38,040 --> 00:06:39,359 Speaker 2: did you like the food, and I'm like, oh, I 177 00:06:39,400 --> 00:06:40,840 Speaker 2: hated it, and your your plate's clean. 178 00:06:40,880 --> 00:06:41,479 Speaker 3: I was that guy. 179 00:06:42,080 --> 00:06:44,680 Speaker 1: How was that? Listen, It's it's so cool to have 180 00:06:44,720 --> 00:06:46,680 Speaker 1: you here. We announced you're playing the show, like the 181 00:06:46,680 --> 00:06:48,719 Speaker 1: phones look up. I think you were the big big 182 00:06:48,800 --> 00:06:50,920 Speaker 1: droopper ching the ball again. Really, no, my god. 183 00:06:51,000 --> 00:06:51,160 Speaker 3: Yeah. 184 00:06:51,640 --> 00:06:54,360 Speaker 1: I just think because life's tough sometimes. I think there's 185 00:06:54,360 --> 00:06:57,239 Speaker 1: a great quote about heroes and villains and they both 186 00:06:57,279 --> 00:07:00,120 Speaker 1: have bad things happened to them. The villain decides the 187 00:07:00,120 --> 00:07:02,000 Speaker 1: pain I feel. I want the whole world to feel it. 188 00:07:02,080 --> 00:07:04,200 Speaker 1: The hero decides, oh, I make sure nobody feels that again. 189 00:07:04,600 --> 00:07:07,520 Speaker 1: I think that you have taken things no positives. Again, 190 00:07:07,600 --> 00:07:09,560 Speaker 1: I think some people know like it's okay if there's 191 00:07:09,600 --> 00:07:12,040 Speaker 1: bad things happening, we can push through and be okay. 192 00:07:12,200 --> 00:07:14,240 Speaker 1: I really think I hope you know that you've made 193 00:07:14,240 --> 00:07:17,000 Speaker 1: a difference in eighteen thousand people's lives in DC tonight. 194 00:07:17,160 --> 00:07:19,840 Speaker 2: Well, that means a lot. Seriously, it's been no, no, no, 195 00:07:19,880 --> 00:07:21,760 Speaker 2: I'm into it. I loved it. 196 00:07:21,800 --> 00:07:22,440 Speaker 3: But one last thing. 197 00:07:22,480 --> 00:07:24,520 Speaker 1: First, common folk, when we see somebody in the hallway 198 00:07:24,600 --> 00:07:25,880 Speaker 1: or at the mall, we don't want to see again, 199 00:07:25,920 --> 00:07:27,000 Speaker 1: you know, oh we should hang out some time, Like, 200 00:07:27,000 --> 00:07:29,520 Speaker 1: oh yeah, I totally it's never gonna happen as a musician. 201 00:07:29,560 --> 00:07:31,080 Speaker 3: You ever run a musicians and go, oh we should 202 00:07:31,120 --> 00:07:31,560 Speaker 3: work sometime? 203 00:07:31,600 --> 00:07:34,360 Speaker 1: You go sure, and then like I'm never gonna tell me, 204 00:07:34,560 --> 00:07:35,840 Speaker 1: like I would you ever work with you? Yeah? 205 00:07:35,840 --> 00:07:37,000 Speaker 3: You know, like I still want to work with you. 206 00:07:37,120 --> 00:07:39,760 Speaker 3: I'm a big music guy. I love like I don't 207 00:07:39,760 --> 00:07:41,160 Speaker 3: think i've ever I. 208 00:07:41,080 --> 00:07:43,400 Speaker 2: Also like, I'm scared of rejections, so I've never been 209 00:07:43,400 --> 00:07:45,640 Speaker 2: like we should work sometime, Like I've never done that 210 00:07:45,760 --> 00:07:49,320 Speaker 2: because I well I'm terrified that someone and be like no, 211 00:07:50,400 --> 00:07:52,920 Speaker 2: so like I quite literally don't it just it naturally 212 00:07:52,920 --> 00:07:53,480 Speaker 2: weirdly happens. 213 00:07:53,520 --> 00:07:55,120 Speaker 3: I'll show someone a song and they'll like it. 214 00:07:55,280 --> 00:07:56,440 Speaker 2: I'd be like, it'd be so weird if you like 215 00:07:56,440 --> 00:07:58,040 Speaker 2: cut a verse and they're like, wait, cut can I 216 00:07:58,120 --> 00:07:58,760 Speaker 2: and I'd be like. 217 00:07:58,840 --> 00:08:02,080 Speaker 3: You're pretty silly. Yeah, no, yeah, it's like that type 218 00:08:02,080 --> 00:08:02,320 Speaker 3: of thing. 219 00:08:02,360 --> 00:08:04,000 Speaker 2: So that's just that's that's kind of how a lot 220 00:08:04,000 --> 00:08:06,520 Speaker 2: of my collabs have happened, or like someone will approach me, 221 00:08:06,560 --> 00:08:09,080 Speaker 2: which has been really such a blessing, and it's like again. 222 00:08:09,400 --> 00:08:11,920 Speaker 3: I love it. I would love to do collabs with people. 223 00:08:12,000 --> 00:08:13,520 Speaker 3: I love working with people. 224 00:08:13,560 --> 00:08:15,520 Speaker 2: I love music. I love everyone's different types of music. 225 00:08:15,600 --> 00:08:18,560 Speaker 2: Like I could never make girl pop music the way 226 00:08:18,600 --> 00:08:21,640 Speaker 2: like Zara does, and I am so inspired in awe 227 00:08:21,680 --> 00:08:22,000 Speaker 2: of her. 228 00:08:22,600 --> 00:08:23,320 Speaker 3: I wish I could. 229 00:08:23,360 --> 00:08:24,760 Speaker 2: I wish I had that bone in me, but I 230 00:08:24,760 --> 00:08:28,000 Speaker 2: I write, I just thrive into pressing music. And she's 231 00:08:28,160 --> 00:08:30,680 Speaker 2: so freaking good. And I tell her, I told her 232 00:08:30,720 --> 00:08:33,360 Speaker 2: and leve Well sure selling Leba, I was like, you 233 00:08:33,400 --> 00:08:36,559 Speaker 2: guys just inspire me so much and it's really cool. 234 00:08:37,480 --> 00:08:39,800 Speaker 3: Forcire me Yet Ordinary is the biggest song last decade. 235 00:08:40,080 --> 00:08:43,480 Speaker 1: Thanks, Like yeah, I mean, listen backstage, Alex Warren if 236 00:08:43,480 --> 00:08:46,120 Speaker 1: he's sitting station night or hot and idi Jingaball present 237 00:08:46,160 --> 00:08:46,880 Speaker 1: by Capital One. 238 00:08:47,240 --> 00:08:51,160 Speaker 3: Thank you in John in your morning show. I heard 239 00:08:51,240 --> 00:08:51,560 Speaker 3: radio