1 00:00:00,080 --> 00:00:04,000 Speaker 1: The Bone Temple has a flaccid weekend at the box office. 2 00:00:04,280 --> 00:00:11,120 Speaker 1: Oscar Noms coming out this week, Dunes Day, anyone, Kathleen 3 00:00:11,200 --> 00:00:16,079 Speaker 1: Kennedy says, and comedy stuff. All of that and so 4 00:00:16,280 --> 00:00:22,000 Speaker 1: much more coming up here on news dupe credit to me, 5 00:00:22,040 --> 00:00:23,840 Speaker 1: don't even need writers, can do it on my own. 6 00:00:24,200 --> 00:00:26,320 Speaker 2: Yeah, you're so, You're so good at your job. 7 00:00:26,400 --> 00:00:27,400 Speaker 1: Gude, it's up, big dog. 8 00:00:27,480 --> 00:00:28,080 Speaker 2: What's happening? 9 00:00:28,240 --> 00:00:28,400 Speaker 1: Oh? 10 00:00:28,480 --> 00:00:29,640 Speaker 2: Nothing, nothing at all. 11 00:00:29,720 --> 00:00:33,040 Speaker 1: Huh yeah really nothing out till right now. Uneventful news dump. 12 00:00:33,120 --> 00:00:34,200 Speaker 1: You guys can just turn it off. 13 00:00:34,320 --> 00:00:36,360 Speaker 2: Yeah, you know what. Thanks for coming, Thanks for the 14 00:00:36,400 --> 00:00:39,280 Speaker 2: click like great review, subscribe, see you out. 15 00:00:39,159 --> 00:00:43,280 Speaker 1: There, No mac, what is in the news? I will 16 00:00:43,320 --> 00:00:46,400 Speaker 1: tell you what is in the news. Netflix boss Ted 17 00:00:46,479 --> 00:00:50,000 Speaker 1: sarandos now claims that they will keep the forty five 18 00:00:50,120 --> 00:00:55,120 Speaker 1: day theatrical window for their Warner Brothers movies, saying, I'm 19 00:00:55,160 --> 00:00:58,480 Speaker 1: giving you a hard number where competitive people. We want 20 00:00:58,520 --> 00:01:01,960 Speaker 1: to win. I want to win opening weekend. I want 21 00:01:02,000 --> 00:01:03,880 Speaker 1: to win the box office. This is via the New 22 00:01:03,960 --> 00:01:08,360 Speaker 1: York Times. Why even give the number of the window 23 00:01:08,440 --> 00:01:10,959 Speaker 1: and keep it ambiguous? Wouldn't that make people want to 24 00:01:11,000 --> 00:01:11,880 Speaker 1: go to the movies more? 25 00:01:12,040 --> 00:01:16,000 Speaker 2: Forty five days is too long ago. It's too long, 26 00:01:16,760 --> 00:01:20,280 Speaker 2: like outside of six, seven, eight, nine, ten movies in 27 00:01:20,280 --> 00:01:25,679 Speaker 2: a given year, forty five day, forty five days is 28 00:01:26,120 --> 00:01:28,920 Speaker 2: too many days. I run into this issue. I don't 29 00:01:28,920 --> 00:01:30,680 Speaker 2: know if you do, but if I do, I'm assuming 30 00:01:30,800 --> 00:01:31,640 Speaker 2: most people do. 31 00:01:31,920 --> 00:01:34,200 Speaker 1: If MAC does Max to calm and make well. 32 00:01:34,200 --> 00:01:36,479 Speaker 2: We like movie theaters. We like movies more than most. 33 00:01:36,520 --> 00:01:40,360 Speaker 2: But if I see a movie's coming out and there's 34 00:01:40,360 --> 00:01:42,520 Speaker 2: a lot of marketing in a ramp up, and then 35 00:01:43,319 --> 00:01:45,360 Speaker 2: I missed the first couple of weeks, and then my 36 00:01:45,440 --> 00:01:46,920 Speaker 2: interest starts to go down, and like you know what, 37 00:01:46,920 --> 00:01:48,480 Speaker 2: I've already miss a couple weeks. I'll wait till it 38 00:01:48,480 --> 00:01:52,000 Speaker 2: comes to streaming. And then if there's another two mounchs 39 00:01:52,040 --> 00:01:55,240 Speaker 2: three months before it comes to streaming, I lose interest entirely, 40 00:01:55,280 --> 00:01:56,800 Speaker 2: and then I don't watch it for four or five 41 00:01:56,840 --> 00:02:00,160 Speaker 2: six months. So there's like a finite amount of time 42 00:02:00,560 --> 00:02:03,400 Speaker 2: where the interest wanes, right, talk about this when we 43 00:02:03,400 --> 00:02:07,440 Speaker 2: talk about movies anyways, weaning waning, and forty five days 44 00:02:07,520 --> 00:02:10,520 Speaker 2: is simply too long of a window for most movies. 45 00:02:11,120 --> 00:02:14,240 Speaker 2: Sure your one or two tent poles on the ear, 46 00:02:14,400 --> 00:02:17,200 Speaker 2: keep them in there for forty five two months whatever, 47 00:02:17,520 --> 00:02:19,520 Speaker 2: But most movies it should be three or four weeks, 48 00:02:19,520 --> 00:02:21,720 Speaker 2: no more the second month. By the end of the 49 00:02:21,760 --> 00:02:23,160 Speaker 2: second month, it should be on streaming. 50 00:02:23,280 --> 00:02:26,160 Speaker 1: What are we going to get when Netflix suddenly costs 51 00:02:26,200 --> 00:02:28,120 Speaker 1: fifty or sixty bucks a month? Like, what are they 52 00:02:28,160 --> 00:02:29,000 Speaker 1: gonna give us extra? 53 00:02:29,320 --> 00:02:31,280 Speaker 2: You have to imagine at some point they're gonna go 54 00:02:31,320 --> 00:02:35,840 Speaker 2: bankrupt because fifteen years ago, when they were still Howking 55 00:02:35,919 --> 00:02:40,079 Speaker 2: DVD's in Blu rays, there was an appeal there, there 56 00:02:40,200 --> 00:02:43,400 Speaker 2: was something to it. Then when they transitioned over to 57 00:02:43,440 --> 00:02:45,440 Speaker 2: streaming with the rest of the world, well. 58 00:02:45,320 --> 00:02:48,079 Speaker 1: They kind of started it though they were the forefront. 59 00:02:48,160 --> 00:02:50,760 Speaker 2: No, you're right about that, but they've sort of lost 60 00:02:50,800 --> 00:02:53,600 Speaker 2: their advantage, right, Some of their advantage was that distribution 61 00:02:53,720 --> 00:02:57,200 Speaker 2: system they had and that name brand recognition. And now 62 00:02:57,600 --> 00:03:03,440 Speaker 2: everyone streams, and now Netflix has this identity and reputation 63 00:03:03,919 --> 00:03:08,639 Speaker 2: of producing not so good original movies. The show's pretty 64 00:03:08,639 --> 00:03:12,680 Speaker 2: good movies not so much. So they now have had 65 00:03:12,680 --> 00:03:15,000 Speaker 2: to go out and buy a movie studio. They bought 66 00:03:15,040 --> 00:03:19,800 Speaker 2: Warner Brothers, and sure, let's let Warner Brothers still function 67 00:03:19,880 --> 00:03:22,760 Speaker 2: the way they're gonna do, and maybe we can control 68 00:03:22,800 --> 00:03:25,800 Speaker 2: the theatrical window a little bit. More. But it seems 69 00:03:25,800 --> 00:03:28,959 Speaker 2: like they're grasping at straws because they know they need 70 00:03:29,000 --> 00:03:32,959 Speaker 2: a competitive advantage on the other streaming services. Which is great, 71 00:03:33,240 --> 00:03:36,440 Speaker 2: but if your a streaming service starts getting the twenty 72 00:03:36,600 --> 00:03:39,360 Speaker 2: twenty five to thirty dollars, now we're just getting back 73 00:03:39,400 --> 00:03:40,480 Speaker 2: into cable, right and this. 74 00:03:40,640 --> 00:03:42,200 Speaker 1: Do you think Cable's coming back by time? 75 00:03:42,280 --> 00:03:44,880 Speaker 2: Is a flat circle. I don't want to pay any 76 00:03:44,880 --> 00:03:47,240 Speaker 2: money for Netflix. So that's that's where I'm at. 77 00:03:47,240 --> 00:03:49,920 Speaker 1: I don't want to pay money for anything. Really, That's 78 00:03:49,920 --> 00:03:51,840 Speaker 1: how I live my life. You know what they should 79 00:03:51,840 --> 00:03:54,960 Speaker 1: do is they should have a three tiered window of 80 00:03:55,080 --> 00:03:59,480 Speaker 1: like sixty days, forty five days, thirty days. But when 81 00:03:59,480 --> 00:04:03,160 Speaker 1: the movie released in theaters, they shouldn't tell us what 82 00:04:03,200 --> 00:04:07,360 Speaker 1: that window is, and it's TBD. And then you think, oh, 83 00:04:07,480 --> 00:04:11,080 Speaker 1: I'm gonna be able to watch the Roofman in thirty days, 84 00:04:11,080 --> 00:04:13,360 Speaker 1: and they say, no, no, no, no, this is a sixty 85 00:04:13,440 --> 00:04:15,320 Speaker 1: day er. We didn't want to tell you ahead of time. 86 00:04:15,600 --> 00:04:17,720 Speaker 2: Or if you get a crack down and not let 87 00:04:17,800 --> 00:04:20,680 Speaker 2: anyone use Netflix out of a given home right, a 88 00:04:20,680 --> 00:04:24,400 Speaker 2: given IP address, well then add the additional thing where 89 00:04:24,520 --> 00:04:27,640 Speaker 2: all right, my new movie by Warner Brothers is in 90 00:04:27,680 --> 00:04:30,599 Speaker 2: the movie theater for forty five days. But if I 91 00:04:30,640 --> 00:04:32,560 Speaker 2: want a premium membership, I pay an extra ten to 92 00:04:32,600 --> 00:04:35,360 Speaker 2: fifteen bucks at home. I can watch that immediately. 93 00:04:35,480 --> 00:04:38,960 Speaker 1: No, no, no, no, we just stumbled into this Mac. 94 00:04:39,040 --> 00:04:42,080 Speaker 1: Thank you. You know what, you are a smart man. 95 00:04:44,200 --> 00:04:48,680 Speaker 1: If you have Netflix, you should get a discounted ticket 96 00:04:48,760 --> 00:04:52,600 Speaker 1: price on the movie when it's in theaters. 97 00:04:53,560 --> 00:04:56,160 Speaker 2: That's still not gonna get me to go. It's not 98 00:04:56,200 --> 00:04:58,560 Speaker 2: gonna get me to go, but it might. Obviously after 99 00:04:58,600 --> 00:05:01,200 Speaker 2: forty five days. The Warner Brothers movies are gonna hit Netflix. 100 00:05:01,279 --> 00:05:03,799 Speaker 2: Not on the forty sixth day, but at some point 101 00:05:03,839 --> 00:05:06,720 Speaker 2: after forty fifth day. You know, I don't want to 102 00:05:06,760 --> 00:05:08,800 Speaker 2: pay for your service for the right to watch a 103 00:05:08,839 --> 00:05:11,440 Speaker 2: movie that you own in three months. I want it 104 00:05:11,560 --> 00:05:12,440 Speaker 2: when it comes out. 105 00:05:12,600 --> 00:05:14,920 Speaker 1: Okay, so when it comes out, I'm gonna say. Now 106 00:05:14,960 --> 00:05:17,440 Speaker 1: what they're gonna do. Remember how they used to have 107 00:05:17,520 --> 00:05:21,760 Speaker 1: those half priced theaters When the movie was past its run, 108 00:05:22,160 --> 00:05:25,040 Speaker 1: they'd put it into like a second chance theater where 109 00:05:25,040 --> 00:05:27,279 Speaker 1: it's a buck for like an afternoon showing. 110 00:05:27,440 --> 00:05:28,280 Speaker 2: I don't remember that at all. 111 00:05:28,640 --> 00:05:34,320 Speaker 1: You didn't grow up in the nineteen sixties, so I'm 112 00:05:34,360 --> 00:05:38,840 Speaker 1: pretty sure those are a real thing. So what they 113 00:05:39,120 --> 00:05:42,800 Speaker 1: could do now actually, and hear me out, is after 114 00:05:42,880 --> 00:05:46,320 Speaker 1: those first two weeks three weeks, they then tell you, 115 00:05:46,400 --> 00:05:49,920 Speaker 1: because you have a Netflix account, you can see the 116 00:05:49,920 --> 00:05:53,640 Speaker 1: movies in theaters for free, because you're already paying two 117 00:05:53,720 --> 00:05:55,359 Speaker 1: hundred dollars a month for Netflix. 118 00:05:55,640 --> 00:05:58,800 Speaker 2: Yes, second chance theaters, also called discount or second run 119 00:05:58,839 --> 00:06:00,880 Speaker 2: theaters are a thing, but they are much rare now 120 00:06:01,000 --> 00:06:04,240 Speaker 2: due to streaming, though some still exist, often showing older 121 00:06:04,279 --> 00:06:07,560 Speaker 2: films at lower prices, and distributors sometimes bring back popular 122 00:06:07,560 --> 00:06:09,680 Speaker 2: movies from counter showings. 123 00:06:09,160 --> 00:06:10,360 Speaker 1: Name brands at discount price. 124 00:06:10,400 --> 00:06:11,960 Speaker 2: I never heard of that in my life. I never 125 00:06:12,000 --> 00:06:13,440 Speaker 2: heard of that. How come I never heard of that? 126 00:06:13,480 --> 00:06:17,200 Speaker 1: Because yours too fucking hoity toity. Oh you want me 127 00:06:17,240 --> 00:06:19,680 Speaker 1: to go to a theater and pay money for somewhere? 128 00:06:19,720 --> 00:06:22,920 Speaker 2: Where would you put a second chance theater? Is it 129 00:06:23,000 --> 00:06:24,960 Speaker 2: in the same theater as the first chance? No? 130 00:06:24,960 --> 00:06:27,320 Speaker 1: No, no different, You put it in a smaller you 131 00:06:27,360 --> 00:06:28,480 Speaker 1: still serve popcorn. 132 00:06:28,680 --> 00:06:31,560 Speaker 2: You have to walk across a really long bridge from 133 00:06:31,560 --> 00:06:33,040 Speaker 2: the first theater to the second theater. 134 00:06:33,200 --> 00:06:35,120 Speaker 1: If they made it a catwalk, that's not too bad. 135 00:06:35,320 --> 00:06:38,600 Speaker 2: Oh, that's true. Like a little project adventure, you know 136 00:06:38,680 --> 00:06:39,719 Speaker 2: from point A to point B. 137 00:06:40,000 --> 00:06:42,920 Speaker 1: Make it like that where after three four weeks, while 138 00:06:42,960 --> 00:06:45,360 Speaker 1: it's still in the theaters, while we're waiting for it 139 00:06:45,400 --> 00:06:48,520 Speaker 1: to go to the streaming service, you can go to 140 00:06:48,600 --> 00:06:51,520 Speaker 1: the theater see it for free because you are paying 141 00:06:51,520 --> 00:06:54,640 Speaker 1: a subscription price. But then you are still helping the 142 00:06:54,640 --> 00:06:56,760 Speaker 1: theaters by buying their popcorn. 143 00:06:56,880 --> 00:06:57,760 Speaker 2: Love some popcorn? 144 00:06:57,839 --> 00:07:00,160 Speaker 1: You give me some popcorn and the DDP and I'm 145 00:07:00,160 --> 00:07:02,039 Speaker 1: already paying for Netflix. We're all set. 146 00:07:02,120 --> 00:07:03,960 Speaker 2: It's my popcorn and I need it now. 147 00:07:04,000 --> 00:07:06,240 Speaker 1: And this is also we're going way too far into 148 00:07:06,240 --> 00:07:08,920 Speaker 1: this topic. This is also how you can crack down 149 00:07:08,960 --> 00:07:12,320 Speaker 1: on people that are sharing Netflix accounts. If someone tries 150 00:07:12,360 --> 00:07:14,360 Speaker 1: to do it where they're not using their actual account, 151 00:07:14,480 --> 00:07:15,960 Speaker 1: you can arrest them then and there. 152 00:07:17,200 --> 00:07:20,120 Speaker 2: Now you have theater cops on the theater cops. 153 00:07:21,160 --> 00:07:22,400 Speaker 1: Maul Blart theater cop. 154 00:07:24,720 --> 00:07:26,600 Speaker 2: What's Kevin James f too great question? 155 00:07:26,680 --> 00:07:30,080 Speaker 1: Remember how much our lawyer's brother loved Paul Blart? Mall cop? 156 00:07:32,720 --> 00:07:35,680 Speaker 2: Listen, some people just have a lower standard for what 157 00:07:35,720 --> 00:07:36,960 Speaker 2: they consider great news. 158 00:07:37,040 --> 00:07:43,200 Speaker 1: Done weekend Box Office another ready bad weekend. Avatar Fire 159 00:07:43,240 --> 00:07:45,840 Speaker 1: and Ash is still at number one, five straight weeks 160 00:07:45,880 --> 00:07:47,920 Speaker 1: at number one, but it is now at fourteen and 161 00:07:47,920 --> 00:07:51,360 Speaker 1: a half million dollars twenty eight years Later, The Bone 162 00:07:51,520 --> 00:07:55,440 Speaker 1: Temple coming in way under forecast. People believe that this 163 00:07:55,560 --> 00:07:59,040 Speaker 1: movie could have dethroned Avatar, but it did not. It 164 00:07:59,120 --> 00:08:02,920 Speaker 1: is doing well with the and with the audience. Though 165 00:08:02,960 --> 00:08:06,080 Speaker 1: ninety three percent eighty nine percent on roddy te's eighty 166 00:08:06,120 --> 00:08:09,600 Speaker 1: percent on Metacritic, it only made thirteen million at the 167 00:08:09,600 --> 00:08:13,520 Speaker 1: box office. One could say it's just a bad release 168 00:08:13,600 --> 00:08:14,680 Speaker 1: date and they should have waited. 169 00:08:14,840 --> 00:08:17,560 Speaker 2: Yep, I'd say I'd agree with that it's a bad 170 00:08:17,920 --> 00:08:20,880 Speaker 2: slash poor release date. I do think it's gonna have 171 00:08:20,880 --> 00:08:22,480 Speaker 2: a little bit of staying power here in the next 172 00:08:22,480 --> 00:08:26,200 Speaker 2: few weeks, as nothing enticing's really coming out, and those 173 00:08:26,240 --> 00:08:30,200 Speaker 2: reviews are gonna drive some people to the theaters. For me, personally, 174 00:08:30,240 --> 00:08:31,800 Speaker 2: I'm gonna go see this in the theater because I 175 00:08:31,880 --> 00:08:35,200 Speaker 2: loved twenty eight years Later and I want some popcorn, 176 00:08:35,240 --> 00:08:37,760 Speaker 2: so I'm either gonna go to Day or tomorrow. I've 177 00:08:37,800 --> 00:08:41,160 Speaker 2: heard some chatter gow and apparently there's going to be 178 00:08:41,160 --> 00:08:44,440 Speaker 2: a third movie in the twenty eight Years Later arena. 179 00:08:44,880 --> 00:08:46,800 Speaker 2: I've heard some chatter that this is shaping up to 180 00:08:46,800 --> 00:08:48,480 Speaker 2: be one of the best trilogies. 181 00:08:47,960 --> 00:08:53,240 Speaker 1: Ever, Zutopia Too, Toutopia Zoo made nine point two million dollars. 182 00:08:53,240 --> 00:08:55,920 Speaker 1: It is have become Disney's biggest animated movie of all 183 00:08:55,960 --> 00:09:01,040 Speaker 1: time worldwide one point seven worldwide. God, pretty funny Instagram 184 00:09:01,120 --> 00:09:04,520 Speaker 1: reel the other day. I suggested one of it was 185 00:09:04,559 --> 00:09:06,280 Speaker 1: a boyfriend and the girlfriend. They're like, we're going to 186 00:09:06,280 --> 00:09:09,160 Speaker 1: see z Utopia too, and then after the movie they're 187 00:09:09,200 --> 00:09:11,600 Speaker 1: breaking up and the girl's like, I'm sorry, I'm not 188 00:09:11,640 --> 00:09:16,080 Speaker 1: as sexy as that bunny Judy Hops, and the guy's like, yeah, 189 00:09:16,120 --> 00:09:16,720 Speaker 1: you should be. 190 00:09:16,880 --> 00:09:19,960 Speaker 2: Would you take Lola or Judy Hops? Oh? Lola? Yeah, 191 00:09:20,000 --> 00:09:20,959 Speaker 2: that was an easy question. 192 00:09:21,520 --> 00:09:23,880 Speaker 1: Judy Hops is like this tiny little bunny, right. 193 00:09:23,840 --> 00:09:26,160 Speaker 2: Yeah, I guess she's not a humanoid bunny. 194 00:09:26,200 --> 00:09:27,720 Speaker 1: Because Lola's got curves. 195 00:09:28,080 --> 00:09:30,880 Speaker 2: Lola has curves and. 196 00:09:30,800 --> 00:09:31,960 Speaker 1: She could dribble a basketball. 197 00:09:32,000 --> 00:09:36,760 Speaker 2: Yeah. I keep saying truck truck truck guys like what 198 00:09:36,760 --> 00:09:37,280 Speaker 2: what what? 199 00:09:37,559 --> 00:09:41,640 Speaker 1: The housemate has crossed one hundred million worldwide? Sorry, uh, local, 200 00:09:42,080 --> 00:09:43,920 Speaker 1: not local, domestic. 201 00:09:43,559 --> 00:09:47,080 Speaker 2: Yeah, you go, that's all. You're all around it. It 202 00:09:47,120 --> 00:09:49,880 Speaker 2: finishes fourth eight point five million, up to one hundred 203 00:09:49,880 --> 00:09:52,360 Speaker 2: and seventy seven million dollars world ride. It's probably gonna 204 00:09:52,360 --> 00:09:54,520 Speaker 2: get close to two hundred once again. They've greenlit the 205 00:09:54,559 --> 00:09:58,280 Speaker 2: sequel with swing Dog attached. That's pretty good for that movie, 206 00:09:58,320 --> 00:10:01,080 Speaker 2: I'll tell you that. Pretty good for good wing the draft. 207 00:10:01,200 --> 00:10:03,880 Speaker 2: Yeah good that another ten points one hundred million. There 208 00:10:03,880 --> 00:10:04,120 Speaker 2: you go. 209 00:10:04,200 --> 00:10:06,120 Speaker 1: You're gonna find out what that means in a couple 210 00:10:06,160 --> 00:10:10,120 Speaker 1: of weeks. Marty Supreme five point four million. It is 211 00:10:10,160 --> 00:10:12,520 Speaker 1: A twenty four's highest grossing film all time in the 212 00:10:12,600 --> 00:10:13,280 Speaker 1: United States. 213 00:10:13,400 --> 00:10:16,520 Speaker 2: YEP becomes the fourth A twenty fourth film all time 214 00:10:16,559 --> 00:10:19,000 Speaker 2: to reach one hundred million world wide as well, and 215 00:10:19,080 --> 00:10:23,040 Speaker 2: goo uh we. One of the more notable things in 216 00:10:23,080 --> 00:10:25,959 Speaker 2: the movie is there's a scene where Kevin O'Leary says 217 00:10:25,960 --> 00:10:26,839 Speaker 2: he's eventspiring. 218 00:10:27,040 --> 00:10:29,480 Speaker 1: Oh, I thought it was Kevin was Kevin Leary. 219 00:10:29,240 --> 00:10:32,200 Speaker 2: And sort of hisses at Marty the way vampires do. 220 00:10:32,920 --> 00:10:37,360 Speaker 2: And apparently, and the original draft of Marty Supreme, Josh 221 00:10:37,360 --> 00:10:42,000 Speaker 2: Safti had Kevin O'Leary revealing himself to be a true vampire. 222 00:10:43,960 --> 00:10:44,839 Speaker 2: What do you think about that? 223 00:10:44,920 --> 00:10:47,320 Speaker 1: I'm assuming it's because he saw sinners and he's like, 224 00:10:47,600 --> 00:10:50,000 Speaker 1: we probably can't tread on that water because there's already 225 00:10:50,080 --> 00:10:51,120 Speaker 1: vampires in that movie. 226 00:10:51,240 --> 00:10:55,920 Speaker 2: True, true, It Also, you know Marty Supreme borers on 227 00:10:56,080 --> 00:10:58,520 Speaker 2: fantastical at times, but that would have been a whole 228 00:10:58,559 --> 00:10:59,120 Speaker 2: new realm. 229 00:10:59,240 --> 00:11:01,199 Speaker 1: Yeah, I would have had I would have hated it 230 00:11:01,280 --> 00:11:03,080 Speaker 1: if it turned out he was a vampire. Also, if 231 00:11:03,080 --> 00:11:06,720 Speaker 1: you're gonna make vampires, they better be fucking sexy. 232 00:11:07,080 --> 00:11:09,240 Speaker 2: Well, yeah, that's not a bad point. 233 00:11:09,320 --> 00:11:11,960 Speaker 1: They gotta be sexy. And if it's fucking troy O Larry, 234 00:11:12,000 --> 00:11:15,240 Speaker 1: that's not sexy. That's a lie. If it was troyol Larry, 235 00:11:15,240 --> 00:11:18,360 Speaker 1: that would be sexy. He had seven RBI's seven RBI 236 00:11:18,480 --> 00:11:20,880 Speaker 1: And that's another thing too. It's just RBI. You don't 237 00:11:20,920 --> 00:11:23,160 Speaker 1: say RBI's it's not run batted ends. 238 00:11:23,440 --> 00:11:27,080 Speaker 2: Yeah, it's runs bad. I mean, I'm okay with RBIs 239 00:11:27,160 --> 00:11:29,120 Speaker 2: because I don't like it. I don't like you can't 240 00:11:29,160 --> 00:11:30,319 Speaker 2: you can't go RSBI. 241 00:11:30,640 --> 00:11:33,240 Speaker 1: You don't respect RBI, so I can't even talk to 242 00:11:33,280 --> 00:11:38,839 Speaker 1: you about it. New zep oscar nominations out this week. 243 00:11:39,160 --> 00:11:42,640 Speaker 2: Yep. That is going to coincide pretty well with our 244 00:11:43,720 --> 00:11:47,440 Speaker 2: twenty twenty five movie recaps. We just had our episode 245 00:11:47,520 --> 00:11:50,080 Speaker 2: last week with our most anticipated movies twenty twenty six. 246 00:11:50,440 --> 00:11:53,600 Speaker 2: We're gonna start to whittle down our twenty twenty five stuff. 247 00:11:53,800 --> 00:11:55,600 Speaker 2: There's still a couple of movies I'd like to get to, 248 00:11:55,800 --> 00:11:58,920 Speaker 2: but on the whole, we're getting there. We're close. 249 00:11:59,080 --> 00:12:00,840 Speaker 1: Give me a timetable. When do you want to do it? 250 00:12:01,920 --> 00:12:03,360 Speaker 2: Great question, great question. 251 00:12:03,480 --> 00:12:06,520 Speaker 1: I'm at like forty movies, which is kind of disappointing. 252 00:12:06,720 --> 00:12:09,280 Speaker 2: I have three or four that I for sure want 253 00:12:09,320 --> 00:12:12,360 Speaker 2: to watch, okay, and so that's probably within the next 254 00:12:12,400 --> 00:12:12,840 Speaker 2: ten days. 255 00:12:12,840 --> 00:12:15,400 Speaker 1: Okay, and then once again it'll be either a two 256 00:12:15,559 --> 00:12:18,319 Speaker 1: or three parter. Because I refuse to cut down questions. 257 00:12:18,360 --> 00:12:19,839 Speaker 2: I don't think that's necessary. 258 00:12:19,880 --> 00:12:21,240 Speaker 1: I'm sorry. Do you want to put out a four 259 00:12:21,280 --> 00:12:22,679 Speaker 1: hour podcast, mister rogue? 260 00:12:22,679 --> 00:12:23,760 Speaker 2: I think it's gonna be. 261 00:12:25,240 --> 00:12:30,959 Speaker 1: News Depe, the Avengers, Doomsday teasers. So there's four of them. 262 00:12:31,000 --> 00:12:35,880 Speaker 1: They combined to get one point zero two billion views. 263 00:12:35,960 --> 00:12:39,240 Speaker 1: This is via THHR and Robert Downey Junior is so clever, 264 00:12:39,880 --> 00:12:43,920 Speaker 1: So clever, so clever, because Doomsday and Done three are 265 00:12:44,040 --> 00:12:47,280 Speaker 1: currently scheduled to be released on the same date. He 266 00:12:47,400 --> 00:12:52,000 Speaker 1: has said Doomsday. But I will also say that when 267 00:12:52,000 --> 00:12:55,400 Speaker 1: you are being paid hundreds of millions of dollars now 268 00:12:55,400 --> 00:12:57,440 Speaker 1: to be in these movies, you don't have to think anymore. 269 00:12:57,640 --> 00:13:00,400 Speaker 2: No, that's true. That's a good point. That's going to 270 00:13:00,440 --> 00:13:04,319 Speaker 2: be a you know, obviously ninety percent of theatergoers are 271 00:13:04,320 --> 00:13:08,120 Speaker 2: going to want to go see Doomsday over Dune because 272 00:13:08,600 --> 00:13:12,000 Speaker 2: you risk spoilers, right if you don't see Doomsday overdone 273 00:13:12,040 --> 00:13:15,400 Speaker 2: and Dune is based off material people can read. 274 00:13:15,440 --> 00:13:18,439 Speaker 1: And now I also think that the Dune audience has 275 00:13:18,520 --> 00:13:23,040 Speaker 1: respect for people. Marvel audience does not have respect for spoilers. 276 00:13:24,120 --> 00:13:26,440 Speaker 2: Yeah. I don't think there's really even spoil in Dune three, 277 00:13:26,520 --> 00:13:28,800 Speaker 2: is what I'm getting at. And if you don't see 278 00:13:28,840 --> 00:13:32,079 Speaker 2: Doomsday in the first three days, that's it. If you 279 00:13:32,120 --> 00:13:33,040 Speaker 2: don't see it by. 280 00:13:33,000 --> 00:13:36,560 Speaker 1: Sunday Thursday night, you're going to be told what happens. 281 00:13:36,880 --> 00:13:37,600 Speaker 2: Yeah. 282 00:13:40,040 --> 00:13:45,000 Speaker 1: Sam Raimie was asked his biggest criticism of modern superhero 283 00:13:45,240 --> 00:13:48,520 Speaker 1: movies and said they don't offer more of them to me. 284 00:13:49,000 --> 00:13:53,160 Speaker 2: I would like to chime in here, Samuel and say 285 00:13:53,240 --> 00:13:56,880 Speaker 2: my biggest compliment to modern superhero movies is that they 286 00:13:56,880 --> 00:13:58,559 Speaker 2: don't offer more to Sam Raimi. 287 00:13:58,720 --> 00:14:00,080 Speaker 1: I like his Spider Man. 288 00:14:00,600 --> 00:14:02,319 Speaker 2: Like two of his Spider Man's. 289 00:14:02,080 --> 00:14:03,600 Speaker 1: That's a good amount of a Spider Man. 290 00:14:03,679 --> 00:14:05,439 Speaker 2: I think the last Sam Raimi movie I liked was 291 00:14:05,480 --> 00:14:06,160 Speaker 2: Spider Man two. 292 00:14:06,240 --> 00:14:08,160 Speaker 1: I like spider Man two a lot. I like Spider Man. 293 00:14:08,200 --> 00:14:10,240 Speaker 1: He's one of the he's one of the If you're 294 00:14:10,240 --> 00:14:14,600 Speaker 1: making a Mount Rushmore of Forefathers of Comic Book Movies, 295 00:14:14,679 --> 00:14:17,040 Speaker 1: Ramy might be on there, not on mine. Who's on 296 00:14:17,080 --> 00:14:19,760 Speaker 1: your Mount Rushmore of Comic book movie Forefathers? 297 00:14:20,560 --> 00:14:21,720 Speaker 2: Two Russo brothers. 298 00:14:21,880 --> 00:14:22,960 Speaker 1: So is that on one? 299 00:14:23,080 --> 00:14:24,600 Speaker 2: So you're Christopher Nolan? 300 00:14:25,040 --> 00:14:27,640 Speaker 1: So Nolan definitely is. But are you putting both Russo's 301 00:14:27,680 --> 00:14:28,560 Speaker 1: on one face? 302 00:14:29,080 --> 00:14:31,200 Speaker 2: I don't think you can do that. Is that an option? 303 00:14:31,400 --> 00:14:33,440 Speaker 1: It has to be. I'm not putting them both on 304 00:14:33,480 --> 00:14:36,120 Speaker 1: there separately, but only a fourth file. You can't waste it. 305 00:14:36,680 --> 00:14:38,600 Speaker 2: You can put them on there. It's not like they 306 00:14:38,600 --> 00:14:39,480 Speaker 2: did one movie. 307 00:14:39,560 --> 00:14:41,360 Speaker 1: I wouldn't put either. I'd just say, fi. 308 00:14:41,280 --> 00:14:44,640 Speaker 2: Gee, okay, there's my fourth that's it. Two Russo brothers, 309 00:14:45,120 --> 00:14:46,120 Speaker 2: Figee and Nolan. 310 00:14:47,000 --> 00:14:53,280 Speaker 1: I put Tim Burton, Tim Burton I put, and Tim 311 00:14:53,400 --> 00:14:58,840 Speaker 1: Kevin Feige. I put Michael Keaton, and then I put 312 00:14:58,880 --> 00:15:02,840 Speaker 1: the other Michael Keaton. Okay, one is Valter One as Batman? 313 00:15:03,040 --> 00:15:03,280 Speaker 2: Yeah? 314 00:15:03,360 --> 00:15:06,720 Speaker 1: Yeah, there we go. That's my Forefathers of Comic Book 315 00:15:06,760 --> 00:15:12,080 Speaker 1: Movie Mount Rushmore News done. Hayden Christiansen is a fan 316 00:15:12,280 --> 00:15:15,800 Speaker 1: of the Star Wars prequel memes. He likes the one 317 00:15:15,800 --> 00:15:18,680 Speaker 1: of the two of them, him and padme in a field. 318 00:15:18,480 --> 00:15:20,320 Speaker 2: At least, saying Christian can laugh at it, you know, 319 00:15:20,360 --> 00:15:23,440 Speaker 2: at least he's had enough, He's gotten enough flowers, received 320 00:15:23,520 --> 00:15:25,840 Speaker 2: enough praise these last couple of years that he can 321 00:15:25,920 --> 00:15:29,800 Speaker 2: finally admit us shitting on him for twenty years has 322 00:15:29,800 --> 00:15:30,200 Speaker 2: been good. 323 00:15:30,240 --> 00:15:33,200 Speaker 1: He has felt so much love over the last handful 324 00:15:33,200 --> 00:15:35,200 Speaker 1: of years that he can just do whatever he wants. 325 00:15:35,240 --> 00:15:37,760 Speaker 1: Now he's backing the good graces of people. They've seen 326 00:15:37,800 --> 00:15:40,400 Speaker 1: what we're about to talk about, Kathleen Kennedy, They've seen 327 00:15:40,440 --> 00:15:42,400 Speaker 1: what Star Wars has turned into, and they're like, you 328 00:15:42,440 --> 00:15:45,200 Speaker 1: know what, those were great days, the prequels. 329 00:15:45,400 --> 00:15:47,440 Speaker 2: I think he's ready to make Little Italy too. I 330 00:15:47,440 --> 00:15:48,360 Speaker 2: think that's where he's at. 331 00:15:48,640 --> 00:15:50,840 Speaker 1: Give me a little Italy too. I'm curious where they 332 00:15:50,840 --> 00:15:53,440 Speaker 1: would set it. Would they go back to Toronto little Italy, 333 00:15:53,520 --> 00:15:55,320 Speaker 1: or would they actually make the move to the bigger 334 00:15:55,320 --> 00:15:56,360 Speaker 1: little Italy in New. 335 00:15:56,320 --> 00:15:59,200 Speaker 2: York Ooh, or maybe they go to Italy. 336 00:15:59,200 --> 00:16:00,960 Speaker 1: That's a little too big. You save that for the 337 00:16:01,000 --> 00:16:05,600 Speaker 1: third one. Okay, called the third one, Big little Italy, 338 00:16:06,960 --> 00:16:11,320 Speaker 1: yes or no? So the first one's Little Italy, Bigger 339 00:16:11,360 --> 00:16:18,680 Speaker 1: Little Italy, and then Biggest No, just Italy more. That 340 00:16:18,680 --> 00:16:20,200 Speaker 1: would be my dark night. 341 00:16:20,080 --> 00:16:21,920 Speaker 2: If I were way up to the country. 342 00:16:22,160 --> 00:16:25,920 Speaker 1: If I were to make a mount rushmore of Little Italy, 343 00:16:26,520 --> 00:16:29,240 Speaker 1: I'd put that movie the sequel that has not come 344 00:16:29,240 --> 00:16:34,400 Speaker 1: out yet Italy, and then under I would put Hayden Christiansen's. 345 00:16:33,920 --> 00:16:36,920 Speaker 2: Tiny little nipples, small nipples. 346 00:16:37,040 --> 00:16:39,040 Speaker 1: That's what kind of took me out of the story, 347 00:16:39,160 --> 00:16:41,920 Speaker 1: is that he's this big Italian fellow, but little nipples. 348 00:16:41,920 --> 00:16:44,760 Speaker 1: That doesn't get no sense, right, they should have had 349 00:16:44,800 --> 00:16:46,560 Speaker 1: like prosthetic salamis. 350 00:16:46,040 --> 00:16:48,479 Speaker 2: On there, or just real salams. 351 00:16:51,600 --> 00:16:55,200 Speaker 1: Are your nipples salamis takes it off, takes a little bite. Why, 352 00:16:55,280 --> 00:17:00,000 Speaker 1: yes they are. And I'm not talking about that that small, 353 00:17:00,080 --> 00:17:03,640 Speaker 1: a dry, hard stuff. I'm talking about like the big sloppy. 354 00:17:03,400 --> 00:17:05,639 Speaker 2: Set as a gobba ghoul guy to just keep putting 355 00:17:05,640 --> 00:17:07,000 Speaker 2: fresh nipples, fresh. 356 00:17:06,880 --> 00:17:10,720 Speaker 1: Nips, fresh nips. I love that movie. I recommend it 357 00:17:10,760 --> 00:17:12,280 Speaker 1: to everyone. I'm not sure where you can find it. 358 00:17:12,320 --> 00:17:14,639 Speaker 1: I know it was a prime movie, but all of 359 00:17:14,680 --> 00:17:17,600 Speaker 1: these streamers are trying to save money by taking stuff off. 360 00:17:17,840 --> 00:17:22,320 Speaker 1: Look for Little Italy, Sure news dump Mac what has 361 00:17:22,400 --> 00:17:23,600 Speaker 1: Kathleen Kennedy said. 362 00:17:23,760 --> 00:17:28,879 Speaker 2: Kathleen Kennedy said she thinks Ryan Johnson got spooked for 363 00:17:29,040 --> 00:17:33,440 Speaker 2: making more Star Wars films after the backlash of two. 364 00:17:33,640 --> 00:17:36,800 Speaker 1: The response can also say this, having no knowledge of this, 365 00:17:37,359 --> 00:17:40,919 Speaker 1: just knowing what I've seen on social media since the movie. 366 00:17:41,400 --> 00:17:45,040 Speaker 1: I have never seen him back off any discussion about 367 00:17:45,040 --> 00:17:48,640 Speaker 1: the movie. He is steadfast, proud of what he made 368 00:17:49,200 --> 00:17:51,240 Speaker 1: and doesn't give a shit what anyone thinks. 369 00:17:51,359 --> 00:17:54,320 Speaker 2: I'll kill you, Ryan Johnson, because you won't back off, 370 00:17:54,320 --> 00:17:55,000 Speaker 2: you motherfucker. 371 00:17:55,040 --> 00:17:58,200 Speaker 1: But I'm relent, but like the confidence that he has 372 00:17:58,240 --> 00:18:01,119 Speaker 1: had since that movie that I'm like, what in the 373 00:18:01,280 --> 00:18:02,640 Speaker 1: age is she talking about? 374 00:18:02,880 --> 00:18:05,239 Speaker 2: No, I think I think there is something there behind her, 375 00:18:05,480 --> 00:18:09,080 Speaker 2: not because he did. He did relent after a few months. 376 00:18:09,240 --> 00:18:12,600 Speaker 2: And also they had talked about this whole trilogy he 377 00:18:12,680 --> 00:18:15,040 Speaker 2: was gonna be given and then that never came to 378 00:18:15,560 --> 00:18:18,600 Speaker 2: probably because he didn't want to do it anymore, and 379 00:18:18,600 --> 00:18:22,720 Speaker 2: then he started doing it. I think it was a mutual. 380 00:18:23,080 --> 00:18:24,960 Speaker 2: I don't think anyone broke up with anyone there. I 381 00:18:25,000 --> 00:18:26,600 Speaker 2: think they both watched tell. 382 00:18:26,520 --> 00:18:30,280 Speaker 1: When you watch Knives out that Benoi Blanc was originally 383 00:18:30,280 --> 00:18:32,720 Speaker 1: supposed to be a Jedi and they just took the 384 00:18:32,760 --> 00:18:34,760 Speaker 1: Star Wars stuff away. 385 00:18:36,040 --> 00:18:39,520 Speaker 2: She also claims that she thinks Ryan made one of 386 00:18:39,560 --> 00:18:42,960 Speaker 2: the best Star Wars movies top thirteen. For sure. He's 387 00:18:43,000 --> 00:18:46,320 Speaker 2: a brilliant filmmaker and he got spooked, so yeah, sure. 388 00:18:46,400 --> 00:18:47,720 Speaker 1: What did Johnson say on X? 389 00:18:51,480 --> 00:18:53,760 Speaker 2: She also continued, this is the rough part when people 390 00:18:53,800 --> 00:18:55,960 Speaker 2: come into the space. Every filmmaker and actor says to me, 391 00:18:56,000 --> 00:18:59,080 Speaker 2: what's going to happen? They're a little scared, Like, yes, 392 00:18:59,160 --> 00:19:01,359 Speaker 2: of course it's a famous ip. People are gonna have opinions. 393 00:19:01,359 --> 00:19:06,480 Speaker 2: It is what it is. Ryan Johnson said, Lol, zero spooked. Sorry, 394 00:19:06,920 --> 00:19:08,520 Speaker 2: so ari's his opinion on it? 395 00:19:08,600 --> 00:19:10,120 Speaker 1: I do like zero spooked. 396 00:19:10,600 --> 00:19:13,120 Speaker 2: Yeah, none of that was English, so though he is 397 00:19:13,119 --> 00:19:15,520 Speaker 2: like Norwegian or something sweetish, isn't he? I don't know. 398 00:19:15,760 --> 00:19:16,520 Speaker 1: I love Looper. 399 00:19:16,840 --> 00:19:20,960 Speaker 2: Looper's great, Looper's great. I rewatched Looper like six months ago. 400 00:19:21,080 --> 00:19:22,760 Speaker 2: Great movie, awesome, great movie. 401 00:19:22,800 --> 00:19:24,360 Speaker 1: What else did Kathleen Kennedy say? 402 00:19:24,480 --> 00:19:28,960 Speaker 2: Kathleen Kennedy said on the future of Star Wars films. 403 00:19:29,320 --> 00:19:32,560 Speaker 2: James Mangold's announced film is on hold, but as an 404 00:19:32,600 --> 00:19:36,199 Speaker 2: incredul bowscraft. Donald Glover has turned in a script for 405 00:19:36,240 --> 00:19:39,200 Speaker 2: his Lando movie That's All she said, he's turned it in. 406 00:19:39,720 --> 00:19:42,159 Speaker 2: Simmon Kinberg, who we hate, we don't want signing m 407 00:19:42,280 --> 00:19:45,560 Speaker 2: Kinberg touching anything, is actively working on a trilogy of 408 00:19:45,600 --> 00:19:49,439 Speaker 2: films that Dave and Linnwin are very on board for. Okay, 409 00:19:49,480 --> 00:19:52,240 Speaker 2: those are gonna be terrible. Takaway Tit turned in a 410 00:19:52,280 --> 00:19:54,880 Speaker 2: script for a film she calls hilarious and great. Now 411 00:19:54,880 --> 00:19:56,600 Speaker 2: I don't know how to feel about that, And she 412 00:19:56,720 --> 00:19:59,639 Speaker 2: confirms that the hunt for Ben solo script is on 413 00:19:59,680 --> 00:20:03,160 Speaker 2: the back burner. So, essentially, which we've kind of talked 414 00:20:03,200 --> 00:20:07,080 Speaker 2: about briefly here these last couple weeks, Star Wars the 415 00:20:07,160 --> 00:20:11,080 Speaker 2: Universe is on hold, and they also seem to be 416 00:20:11,119 --> 00:20:15,040 Speaker 2: treading lightly around the Mandalorian and Grogu So I think, 417 00:20:15,720 --> 00:20:21,439 Speaker 2: for better or worse, reaction and reviews to that movie 418 00:20:21,680 --> 00:20:24,320 Speaker 2: are going to like direct where they go from here. 419 00:20:24,440 --> 00:20:27,720 Speaker 1: I'm also curious how much money they put into having 420 00:20:27,800 --> 00:20:30,240 Speaker 1: a trailer for that movie during the Super Bowl. 421 00:20:30,560 --> 00:20:33,560 Speaker 2: Yeah, it's I mean, if it's not there, when are 422 00:20:33,600 --> 00:20:34,480 Speaker 2: we going to get it? Right? 423 00:20:34,600 --> 00:20:38,320 Speaker 1: Well, we've already gotten a pretty long teaser. Yeah, what 424 00:20:38,359 --> 00:20:39,840 Speaker 1: else did Kathleen Kennedy say? 425 00:20:40,000 --> 00:20:43,440 Speaker 2: Go? She also said no one is interested in exploring 426 00:20:43,680 --> 00:20:45,080 Speaker 2: exploring Indiana Jones. 427 00:20:45,160 --> 00:20:48,000 Speaker 1: Right now, I'll put my hand up and say agree wholeheartedly. 428 00:20:48,200 --> 00:20:50,760 Speaker 2: Yeah, Kathleen Kennedy. As much I hate you, you made 429 00:20:50,760 --> 00:20:52,159 Speaker 2: me agree You're right about that. 430 00:20:52,280 --> 00:20:53,200 Speaker 1: Couldn't agree more. 431 00:20:53,240 --> 00:20:56,879 Speaker 2: We agree to agree. Apparently two TV spinoff shows are 432 00:20:56,920 --> 00:20:58,679 Speaker 2: in the works and they have been put they have 433 00:20:58,760 --> 00:21:01,720 Speaker 2: been put on hold and definitely. One is an animated 434 00:21:01,720 --> 00:21:05,520 Speaker 2: spinoff following the adventures between the movies. Uh. The second 435 00:21:05,600 --> 00:21:09,600 Speaker 2: is a live action prequel show following Indiana Jones's mentor. 436 00:21:09,680 --> 00:21:12,440 Speaker 2: We were all asking for that, and when asked about 437 00:21:12,440 --> 00:21:16,919 Speaker 2: these projects, a Lucasfilm spokesperson declined to discuss projects that 438 00:21:16,960 --> 00:21:18,639 Speaker 2: are in development. So there you go. 439 00:21:18,760 --> 00:21:20,840 Speaker 1: You know what I actually would like from the Indiana 440 00:21:20,920 --> 00:21:22,720 Speaker 1: Jones timeline story? 441 00:21:22,800 --> 00:21:23,240 Speaker 2: What's that? 442 00:21:23,480 --> 00:21:27,400 Speaker 1: Not really explored? But like just when he's teaching classes, 443 00:21:27,720 --> 00:21:30,560 Speaker 1: so none of the adventures, just the lectures. 444 00:21:30,800 --> 00:21:33,200 Speaker 2: Sure, yeah, you want to learn? You want to learn? 445 00:21:33,440 --> 00:21:41,840 Speaker 1: Yeah, punching pies and shit, He's dope. Kristin Miliatti and 446 00:21:41,880 --> 00:21:47,600 Speaker 1: Glenn Powell will star in Jodan Apatow's new comedy for Universal. 447 00:21:47,720 --> 00:21:50,960 Speaker 1: The film is about a country Western star in a 448 00:21:51,000 --> 00:21:55,119 Speaker 1: free fall. This is via Deadline. This is Max's favorite movie, 449 00:21:55,119 --> 00:21:56,040 Speaker 1: A Star is Born. 450 00:21:57,280 --> 00:22:01,160 Speaker 2: Listen if they're able to replicate ours born somehow, I'm 451 00:22:01,160 --> 00:22:03,960 Speaker 2: in I like both these people. I like Christine Miliatti. 452 00:22:04,040 --> 00:22:07,480 Speaker 2: I like Glenn Powell. Uh sure, sign me up. 453 00:22:07,600 --> 00:22:11,040 Speaker 1: I also love Meliatti in comedic roles as well, not 454 00:22:11,119 --> 00:22:12,639 Speaker 1: just the serious Batman stuff. 455 00:22:12,800 --> 00:22:14,680 Speaker 2: Yep strong agree news deap. 456 00:22:16,000 --> 00:22:19,639 Speaker 1: Mike Flanagan's The Exorcist movie will release on March twelfth, 457 00:22:19,640 --> 00:22:23,800 Speaker 1: twenty twenty seven, in theaters. Scarlett Johansson and Jacoby Jupe is. 458 00:22:23,760 --> 00:22:27,040 Speaker 2: Jacoby Jeup Noah Jup's younger brother. 459 00:22:27,240 --> 00:22:29,040 Speaker 1: I thought it was the Royals picture. Isn't there a 460 00:22:29,119 --> 00:22:30,200 Speaker 1: Royals pitcher named. 461 00:22:30,080 --> 00:22:33,920 Speaker 2: Jupe Jacob Jup? Yeah or Jacob Junis? Sow you thinking of. 462 00:22:34,240 --> 00:22:37,800 Speaker 1: Jupe juep dead oop juop DEADO dead oop dead. 463 00:22:38,119 --> 00:22:41,199 Speaker 2: I didn't know they were remaking The Exorcists. I'm curious 464 00:22:41,200 --> 00:22:44,919 Speaker 2: if Scarlett Johansson is gonna be playing the mom or 465 00:22:45,240 --> 00:22:48,120 Speaker 2: like the the representative from the church. 466 00:22:48,520 --> 00:22:50,400 Speaker 1: I mean, she's got to be trying to get back 467 00:22:50,440 --> 00:22:55,200 Speaker 1: in front of what's her name there for movie Aldana 468 00:22:55,480 --> 00:22:56,560 Speaker 1: Zoey Seltana. 469 00:22:56,200 --> 00:22:58,320 Speaker 2: An Exorcist remaker, is not gonna help her. 470 00:22:58,880 --> 00:23:02,160 Speaker 1: Have you seen the first one. Pretty spooky. People like it. 471 00:23:03,560 --> 00:23:08,800 Speaker 1: He's done. First trailer for The Fall and Rise of 472 00:23:08,840 --> 00:23:12,920 Speaker 1: Reggie Dinkins, a new comedy series from the Thirty Rock 473 00:23:13,080 --> 00:23:16,679 Speaker 1: creators starring Tracy Morgan and Daniel Radcliffe. This follows an 474 00:23:16,720 --> 00:23:20,480 Speaker 1: NFL superstar band from the league who hires a filmmaker 475 00:23:20,600 --> 00:23:24,040 Speaker 1: to make a documentary on his life. I missed this, so. 476 00:23:24,000 --> 00:23:28,760 Speaker 2: Tracy Morgan is playing the band superstar, Radcliffe's playing the filmmaker. 477 00:23:29,720 --> 00:23:32,200 Speaker 2: I gotta be honest. The trailer does not look good. Good. 478 00:23:32,720 --> 00:23:36,439 Speaker 2: The trailer does not make this look good. However, like 479 00:23:37,320 --> 00:23:41,880 Speaker 2: Tracy Morgan is one of the few unique individuals where 480 00:23:42,200 --> 00:23:44,200 Speaker 2: I just have to give everything he does a chance 481 00:23:44,280 --> 00:23:47,959 Speaker 2: because he's so unique. And I also don't think his 482 00:23:48,080 --> 00:23:51,480 Speaker 2: comedy plays up well in a two minute trailer, like 483 00:23:51,520 --> 00:23:53,760 Speaker 2: I need to see him in the setting and contextually. 484 00:23:53,920 --> 00:23:57,360 Speaker 2: So I'm hoping this is good. I don't think it's 485 00:23:57,400 --> 00:23:58,440 Speaker 2: going to be, but I'm hoping. 486 00:23:58,600 --> 00:24:02,200 Speaker 1: What is the last movie that you saw a professional 487 00:24:02,280 --> 00:24:04,439 Speaker 1: athlete banned from their sport? 488 00:24:04,880 --> 00:24:08,720 Speaker 2: Oh? Good question. Trying to think of someone that did 489 00:24:08,720 --> 00:24:10,720 Speaker 2: a murder or got caught gambling. 490 00:24:11,280 --> 00:24:12,240 Speaker 1: I don't know in a movie. 491 00:24:12,320 --> 00:24:14,240 Speaker 2: I'm saying though, yeah, I'm trying to think. 492 00:24:14,320 --> 00:24:16,960 Speaker 1: I'm not sure the answer. Do you wanta man? 493 00:24:19,119 --> 00:24:21,800 Speaker 2: Yeah? Sure, I'm not gonna fact check. 494 00:24:21,680 --> 00:24:26,080 Speaker 1: You news Deppe. And finally we got a trailer for 495 00:24:26,240 --> 00:24:29,960 Speaker 1: Euphouria season three. This is a flash forward a handful 496 00:24:30,000 --> 00:24:32,560 Speaker 1: of years, seven years, I don't know from season two. 497 00:24:33,480 --> 00:24:35,280 Speaker 1: See a lot of Sydney Sweeney. 498 00:24:35,480 --> 00:24:38,480 Speaker 2: Yeah, Sidney Sweeney is now an OnlyFans model and she's 499 00:24:38,480 --> 00:24:42,080 Speaker 2: marrying the tall Australian guy, Jacob Lordie Zendeia is there. 500 00:24:42,760 --> 00:24:45,240 Speaker 2: The other people are still there. I don't know. Are 501 00:24:45,240 --> 00:24:47,000 Speaker 2: you still gonna watch this show? How are we? 502 00:24:47,200 --> 00:24:50,159 Speaker 1: Depends on if my wife sees it. But I'm not 503 00:24:50,240 --> 00:24:51,320 Speaker 1: turning it on on my own. 504 00:24:52,840 --> 00:24:55,760 Speaker 2: I mean, I haven't been able to do it for 505 00:24:55,760 --> 00:24:58,520 Speaker 2: four or five years. But one of my great Sunday 506 00:24:58,600 --> 00:25:05,560 Speaker 2: night enjoyments was seeing Reddit reacting to Sydney Sweeney in Euphoria. 507 00:25:05,800 --> 00:25:07,840 Speaker 2: So I'm happy to have that back. 508 00:25:07,960 --> 00:25:11,639 Speaker 1: My first thought immediately when she was dressed like a 509 00:25:11,720 --> 00:25:17,000 Speaker 1: dog was the dean from Community looking at pictures of 510 00:25:17,080 --> 00:25:20,040 Speaker 1: Dalmatians on his laptop and saying, I hope this doesn't 511 00:25:20,080 --> 00:25:21,040 Speaker 1: awaken anything in me. 512 00:25:26,400 --> 00:25:29,520 Speaker 2: I don't know. I don't like let's look at the 513 00:25:29,560 --> 00:25:32,479 Speaker 2: recent examples of television shows that have taken three, four 514 00:25:32,560 --> 00:25:34,479 Speaker 2: or five years to come up with a sequel season. 515 00:25:34,920 --> 00:25:36,000 Speaker 2: Have any of them nailed it? 516 00:25:36,040 --> 00:25:38,560 Speaker 1: Probably not, but I do like SNL had a sketch. 517 00:25:38,600 --> 00:25:40,880 Speaker 1: It was cut for time. It was like seven minutes long, 518 00:25:40,920 --> 00:25:42,720 Speaker 1: so definitely not enough time to put this on and 519 00:25:42,760 --> 00:25:45,040 Speaker 1: also wasn't good enough. But it was also right up 520 00:25:45,080 --> 00:25:48,560 Speaker 1: my alley. They were writing Euphoria season three. They had 521 00:25:48,600 --> 00:25:51,760 Speaker 1: a writer's room and they brought in someone to punch 522 00:25:51,840 --> 00:25:54,600 Speaker 1: up some jokes, and it was a writer from RIBA. 523 00:25:55,600 --> 00:25:59,359 Speaker 1: So they were taking really serious Euphoria storylines and the 524 00:25:59,359 --> 00:26:02,840 Speaker 1: guys like, what if instead of Rue being an alcoholic, 525 00:26:02,880 --> 00:26:08,000 Speaker 1: he's a chocohol It can stand. 526 00:26:09,400 --> 00:26:11,640 Speaker 2: I'm just picturing Jack McBriar in the role. 527 00:26:11,880 --> 00:26:14,600 Speaker 1: So it was what's his name, the guy that does 528 00:26:14,640 --> 00:26:18,920 Speaker 1: the impressions? He has three names, Austin Johnson, Yes, yeah, yeah, 529 00:26:18,960 --> 00:26:21,400 Speaker 1: So he was doing that. Yeah, it was very good, 530 00:26:21,400 --> 00:26:24,879 Speaker 1: and he kept on calling Sidney Sweeney the chesty one. 531 00:26:26,119 --> 00:26:28,919 Speaker 1: I don't know if i'd recommend the sketch, but when 532 00:26:28,960 --> 00:26:30,359 Speaker 1: you're doing Reba jokes, I'm. 533 00:26:30,200 --> 00:26:31,280 Speaker 2: In yeah, why not. 534 00:26:33,480 --> 00:26:36,119 Speaker 1: News dem He checks out at the end of the 535 00:26:36,160 --> 00:26:37,160 Speaker 1: week for something. 536 00:26:38,560 --> 00:26:42,000 Speaker 2: Maybe, Yeah, I've got to see twenty eight years later, 537 00:26:42,040 --> 00:26:44,280 Speaker 2: The Bone Tumble. Have you seen anything recently? 538 00:26:44,480 --> 00:26:46,720 Speaker 1: I mean, I've watched stuff recently, but we've already talked 539 00:26:46,720 --> 00:26:49,240 Speaker 1: about them. I'm just I'm boning. I'm bone templing. 540 00:26:49,359 --> 00:26:50,960 Speaker 2: Have you started Pluribus yet? 541 00:26:51,119 --> 00:26:54,560 Speaker 1: No? Jesus Christ, I told you can talk about it. 542 00:26:54,640 --> 00:26:55,919 Speaker 2: Yeah, but I only want to talk about it for 543 00:26:55,920 --> 00:26:56,760 Speaker 2: like fifteen minutes. 544 00:26:57,160 --> 00:26:58,840 Speaker 1: Yeah, that's what I'm talking about. We can put it 545 00:26:58,880 --> 00:27:04,480 Speaker 1: in a What have you been watching lately? Because you've 546 00:27:04,480 --> 00:27:08,400 Speaker 1: already talked about Rufman, You've already talked about Cott Stealing? 547 00:27:08,560 --> 00:27:09,679 Speaker 2: Did you see Cott Stealing? 548 00:27:09,760 --> 00:27:10,080 Speaker 1: I did? 549 00:27:10,240 --> 00:27:11,560 Speaker 2: Did you love it or hate it? 550 00:27:11,680 --> 00:27:13,960 Speaker 1: I'm middling what I like about it? What I respect 551 00:27:13,960 --> 00:27:17,159 Speaker 1: about it is, uh, took a lot of chances it, 552 00:27:17,320 --> 00:27:19,199 Speaker 1: Sure it did. Yeah, I respect that. 553 00:27:19,440 --> 00:27:22,800 Speaker 2: I thought it was pretty terrible. I don't know, like 554 00:27:22,920 --> 00:27:25,239 Speaker 2: it feels like Austin Butler's in a different movie than 555 00:27:25,280 --> 00:27:25,880 Speaker 2: everyone else. 556 00:27:26,119 --> 00:27:27,560 Speaker 1: Did you like his baseball swing? 557 00:27:28,000 --> 00:27:31,720 Speaker 2: No, it's terrible, terrible, liking terrible swing that took me 558 00:27:31,760 --> 00:27:34,360 Speaker 2: out of it. Number one and then number two. He 559 00:27:34,560 --> 00:27:37,760 Speaker 2: is so serious in the movie, and everyone else is 560 00:27:37,920 --> 00:27:39,959 Speaker 2: like playing like a caricature of a character. 561 00:27:40,160 --> 00:27:41,440 Speaker 1: His swing was way too long. 562 00:27:41,840 --> 00:27:42,959 Speaker 2: It was very flat too. 563 00:27:43,040 --> 00:27:45,639 Speaker 1: It's very flat. He got a hold of a couple. 564 00:27:45,680 --> 00:27:47,320 Speaker 2: It's really elbowie as well. 565 00:27:47,400 --> 00:27:49,639 Speaker 1: So I'm saying this right now. My birthday is coming up. 566 00:27:49,680 --> 00:27:52,119 Speaker 1: I know my wife is listening. All I want to 567 00:27:52,160 --> 00:27:54,480 Speaker 1: do for my birthday is go to one of those 568 00:27:55,160 --> 00:27:57,800 Speaker 1: simulators where I can swing at Fenway Park. 569 00:27:57,960 --> 00:28:00,760 Speaker 2: I haven't seen one in the area. I don't know 570 00:28:00,760 --> 00:28:01,280 Speaker 2: where they are. 571 00:28:01,359 --> 00:28:03,359 Speaker 1: I might just go to Dick Sporting Goods. They have 572 00:28:03,400 --> 00:28:03,840 Speaker 1: one there. 573 00:28:04,160 --> 00:28:05,760 Speaker 2: Should work up a sweat in the cage. 574 00:28:05,840 --> 00:28:07,919 Speaker 1: But you know what else I really really want is 575 00:28:07,960 --> 00:28:09,760 Speaker 1: I want to go to one. I want her to 576 00:28:09,760 --> 00:28:12,520 Speaker 1: book it for me for an hour, but she and 577 00:28:12,600 --> 00:28:14,560 Speaker 1: my son both have to sit there and watch me. 578 00:28:15,960 --> 00:28:17,560 Speaker 1: That has to be a part of the birthday gift, 579 00:28:17,600 --> 00:28:17,879 Speaker 1: That's all. 580 00:28:17,960 --> 00:28:20,000 Speaker 2: I would Just swinging out of your shoes. Every pitch 581 00:28:20,160 --> 00:28:21,000 Speaker 2: out of my shoes. 582 00:28:21,040 --> 00:28:23,160 Speaker 1: I'm swinging a little bit early because I gotta get 583 00:28:23,200 --> 00:28:25,800 Speaker 1: that monster. Yeah, yeah, I gotta get my pops. 584 00:28:26,000 --> 00:28:27,919 Speaker 2: One of these days, you're gonna be able to take 585 00:28:27,960 --> 00:28:30,080 Speaker 2: batting practice of Fenway one of these days. 586 00:28:30,200 --> 00:28:32,520 Speaker 1: I contact Friar constantly. I'm like, get me in that 587 00:28:32,560 --> 00:28:34,359 Speaker 1: media game, and he's like, you gotta do this and 588 00:28:34,480 --> 00:28:35,120 Speaker 1: this first. 589 00:28:35,240 --> 00:28:37,639 Speaker 2: Do you think if they gave you fifteen swings you 590 00:28:37,640 --> 00:28:39,000 Speaker 2: could put one out over the wall. 591 00:28:39,080 --> 00:28:44,360 Speaker 1: Yes, okay, mm put it off the wall. I'm definitely 592 00:28:44,440 --> 00:28:47,080 Speaker 1: hit the wall. I'm putting off the wall because. 593 00:28:46,880 --> 00:28:49,040 Speaker 2: You can't really hit a laser beam over it unless 594 00:28:49,080 --> 00:28:51,920 Speaker 2: you're getting ninety miles prour in. If you're only getting 595 00:28:51,960 --> 00:28:54,160 Speaker 2: seventy miles prour in, you're gonna have to hit a 596 00:28:54,240 --> 00:28:55,000 Speaker 2: light light. 597 00:28:54,880 --> 00:28:57,320 Speaker 1: Power power or am I generating here? 598 00:28:57,400 --> 00:28:58,040 Speaker 2: Right right? 599 00:28:58,120 --> 00:29:02,520 Speaker 1: I still have good torque. If anything, I have better tork. Now, yeah, 600 00:29:02,520 --> 00:29:05,520 Speaker 1: would be interesting, but I am turning thirty seven. 601 00:29:05,680 --> 00:29:07,960 Speaker 2: I may try to go lefty and wrap one around 602 00:29:07,960 --> 00:29:08,320 Speaker 2: the pole. 603 00:29:08,600 --> 00:29:10,080 Speaker 1: You're not even a natural lefty. 604 00:29:10,240 --> 00:29:12,160 Speaker 2: Listen, I hit lefty once in high school. 605 00:29:12,160 --> 00:29:12,920 Speaker 1: Oh you know what I would do? 606 00:29:12,960 --> 00:29:15,120 Speaker 2: I hit the ball about two feet, but okay, I 607 00:29:15,120 --> 00:29:15,840 Speaker 2: didn't strike out. 608 00:29:15,960 --> 00:29:19,240 Speaker 1: My natural skill is going opposite field. And if I 609 00:29:19,320 --> 00:29:21,160 Speaker 1: just try and poke it around the pesky. 610 00:29:20,840 --> 00:29:22,800 Speaker 2: Pole, oh yeah, a little side spin on it, a. 611 00:29:22,760 --> 00:29:26,000 Speaker 1: Little inside out, sure, punch it. I hit two home 612 00:29:26,080 --> 00:29:27,000 Speaker 1: runs in JV. 613 00:29:26,960 --> 00:29:28,160 Speaker 2: So it's pretty good. 614 00:29:28,280 --> 00:29:29,960 Speaker 1: Put me on the mountain rush more of people who 615 00:29:29,960 --> 00:29:34,720 Speaker 1: have two home runs in JV baseball. Not many do 616 00:29:34,920 --> 00:29:36,920 Speaker 1: because most get called right up to varsity and a 617 00:29:36,960 --> 00:29:38,600 Speaker 1: skip JV that. 618 00:29:38,640 --> 00:29:39,920 Speaker 2: Was more than me, that's for sure. 619 00:29:40,120 --> 00:29:40,560 Speaker 1: News dam