1 00:00:00,880 --> 00:00:04,320 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:10,480 --> 00:00:13,080 Speaker 2: Oh this is a solid one, Allie, coming on strong 3 00:00:13,720 --> 00:00:16,560 Speaker 2: Chris merrill I AM six forty more stimulating talk you 4 00:00:16,560 --> 00:00:19,040 Speaker 2: can listen to anytime on demand in the iHeartRadio app. 5 00:00:19,079 --> 00:00:20,680 Speaker 3: There's about to be another shake up in media. 6 00:00:20,720 --> 00:00:25,160 Speaker 2: But before we get to that, the important stuff, Roner, 7 00:00:25,200 --> 00:00:27,280 Speaker 2: I'm gonna need your h I'm gonna need your word 8 00:00:27,280 --> 00:00:30,880 Speaker 2: on this one about deporting Ali. Well, it all depends 9 00:00:30,920 --> 00:00:34,240 Speaker 2: on how he answers this. Okay, So I identified what is, 10 00:00:34,320 --> 00:00:38,720 Speaker 2: in fact, the greatest guitar riff of all time, and 11 00:00:38,800 --> 00:00:40,320 Speaker 2: he said, eh, it's okay. 12 00:00:40,479 --> 00:00:45,120 Speaker 3: It's like top twenty. You want to hear it, this 13 00:00:45,240 --> 00:00:45,520 Speaker 3: is it. 14 00:00:47,840 --> 00:00:50,920 Speaker 2: I'm gonna recognize this im media already do of course 15 00:00:50,960 --> 00:00:52,600 Speaker 2: you do so good. 16 00:00:52,680 --> 00:00:53,600 Speaker 3: He's like, that's. 17 00:00:53,400 --> 00:00:57,400 Speaker 4: Okay, it's okay. I mean it's not. It's it's my 18 00:00:57,480 --> 00:00:58,320 Speaker 4: personal taste. 19 00:00:59,200 --> 00:01:01,120 Speaker 3: Well, your personal about to get you deported. 20 00:01:02,840 --> 00:01:04,760 Speaker 2: Well, before we deport him, Ollie, what do you got 21 00:01:04,959 --> 00:01:05,760 Speaker 2: in response to that? 22 00:01:05,959 --> 00:01:09,160 Speaker 3: Yeah, give it to me better. But you got Ali 23 00:01:09,560 --> 00:01:13,360 Speaker 3: one second? One second? Richie, do you want to get 24 00:01:13,360 --> 00:01:16,360 Speaker 3: in on this? No? No, okay, that's fair. Why because 25 00:01:16,400 --> 00:01:19,120 Speaker 3: you disagree? You just don't. I'm just giving it to 26 00:01:19,200 --> 00:01:19,480 Speaker 3: you guys. 27 00:01:19,520 --> 00:01:21,760 Speaker 2: Let it breathe, Yeah and listen. I'm a huge ac 28 00:01:21,920 --> 00:01:26,160 Speaker 2: DC fan. I love led Zeppelin. You know, Van Hamlin 29 00:01:26,200 --> 00:01:31,839 Speaker 2: had some amazing stuffy. 30 00:01:29,920 --> 00:01:31,520 Speaker 3: Rush doesn't count for anything. 31 00:01:32,360 --> 00:01:36,200 Speaker 2: Nothing from Rush will ever be no most overrated band ever. 32 00:01:36,600 --> 00:01:38,199 Speaker 3: Rush the drummer was solid. 33 00:01:38,240 --> 00:01:40,880 Speaker 5: Hey, you might get supported if they weren't that Canadian. 34 00:01:41,120 --> 00:01:43,520 Speaker 3: They weren't Canadian rights from Canada. 35 00:01:44,280 --> 00:01:48,760 Speaker 2: Now their drummers amazing. I like, don't get me wrong, 36 00:01:48,800 --> 00:01:50,280 Speaker 2: I like Rush. I can listen to Rush. 37 00:01:50,320 --> 00:01:50,760 Speaker 3: It's good. 38 00:01:51,720 --> 00:01:53,400 Speaker 2: But for people that are like, oh, Rush is the 39 00:01:53,440 --> 00:01:56,919 Speaker 2: greatest band of no, stop that stop that. It's great. 40 00:01:58,440 --> 00:02:01,920 Speaker 2: But it's not Mark Knopflin, It's not dire Straits. 41 00:02:01,960 --> 00:02:02,640 Speaker 3: No. 42 00:02:02,880 --> 00:02:06,880 Speaker 2: Did you know that weird Al wanted to do. You 43 00:02:06,920 --> 00:02:10,560 Speaker 2: know the story Mark weird Al wanted to do the 44 00:02:10,880 --> 00:02:16,040 Speaker 2: mock of of the Money for Nothing song for his 45 00:02:16,160 --> 00:02:22,160 Speaker 2: movie vh F, and well said VHS and so he 46 00:02:22,240 --> 00:02:26,200 Speaker 2: asked them for permission and they said, you may not 47 00:02:26,960 --> 00:02:30,600 Speaker 2: mock our song unless we do it. 48 00:02:30,680 --> 00:02:33,440 Speaker 3: Is that cool or what? Which is why dire Straits 49 00:02:33,480 --> 00:02:40,840 Speaker 3: is actually in VHF. I like that, yeah, and you 50 00:02:40,919 --> 00:02:42,520 Speaker 3: know why it's so good because They took a minute 51 00:02:42,520 --> 00:02:45,120 Speaker 3: and a half to get to it. That's why it's 52 00:02:45,160 --> 00:02:45,560 Speaker 3: so good. 53 00:02:45,880 --> 00:02:48,760 Speaker 2: All the greats take a while to the build up, 54 00:02:49,280 --> 00:02:54,480 Speaker 2: builds that anticipation and so worth it kind of like this, Okay, 55 00:02:54,560 --> 00:02:56,760 Speaker 2: I'm gonna play you three seconds. You're gonna know exactly 56 00:02:56,760 --> 00:02:58,200 Speaker 2: what it is, and you're also gonna know that it 57 00:02:58,240 --> 00:02:59,480 Speaker 2: takes three minutes to get to it. 58 00:02:59,520 --> 00:03:00,000 Speaker 3: Listen to this. 59 00:03:02,280 --> 00:03:05,000 Speaker 2: Everybody knows the drum solo, greatest drum solo of all times? 60 00:03:05,080 --> 00:03:06,520 Speaker 2: Less than three seconds on that? 61 00:03:06,600 --> 00:03:07,160 Speaker 5: Can I say? 62 00:03:07,360 --> 00:03:07,840 Speaker 3: Yeah? You can? 63 00:03:08,040 --> 00:03:12,720 Speaker 2: Magnificent Miami Vice know what what you're about to be deported? 64 00:03:12,800 --> 00:03:13,720 Speaker 3: What it's? 65 00:03:13,919 --> 00:03:16,240 Speaker 2: It's Phil Collins in the Air Tonight. Yeah, that's from 66 00:03:16,280 --> 00:03:19,560 Speaker 2: the Miami. That's what immortalized. That song is the tubs 67 00:03:19,600 --> 00:03:21,840 Speaker 2: and Crockett in the car going to do some business 68 00:03:21,840 --> 00:03:24,240 Speaker 2: at night. No, that was a different song all again, 69 00:03:24,280 --> 00:03:26,720 Speaker 2: you're out of your mind. I mean, I hear what 70 00:03:26,760 --> 00:03:29,920 Speaker 2: you're saying. I don't have that one in my library 71 00:03:30,000 --> 00:03:34,960 Speaker 2: right now. But that wasn't a takeoff. I mean, I 72 00:03:35,000 --> 00:03:37,080 Speaker 2: hear what you're saying. No, little listeners will back me 73 00:03:37,160 --> 00:03:39,600 Speaker 2: up on this. That is the song. You're right there 74 00:03:39,640 --> 00:03:42,360 Speaker 2: is the in the Air tonight scene. Yeah, it's kind 75 00:03:42,360 --> 00:03:45,440 Speaker 2: of creepy. It's not the it's not the theme though, right, No, 76 00:03:45,480 --> 00:03:47,760 Speaker 2: the theme is different. That's the an Hammer song. That's 77 00:03:47,800 --> 00:03:50,640 Speaker 2: what I thought. Yeah, that's what I thought. Okay, but 78 00:03:50,680 --> 00:03:52,800 Speaker 2: you're right. Okay, they did do the scene. That was 79 00:03:52,880 --> 00:03:55,680 Speaker 2: my high school marching band. That was our drum cadence 80 00:03:55,720 --> 00:03:57,160 Speaker 2: that we marched to. Oh lucky. 81 00:03:57,280 --> 00:03:59,200 Speaker 3: Yeah, they readd the Okay, that's good. 82 00:03:59,240 --> 00:04:01,960 Speaker 5: So to edit pretty much all of this music out 83 00:04:02,040 --> 00:04:02,760 Speaker 5: in the podcast. 84 00:04:03,160 --> 00:04:06,480 Speaker 2: Oh, the podcast is gonna suck. Oh yeah, you're right, 85 00:04:06,480 --> 00:04:07,920 Speaker 2: because when I have the copyright to play it on 86 00:04:07,920 --> 00:04:08,440 Speaker 2: the podcast. 87 00:04:08,440 --> 00:04:11,000 Speaker 3: Do we all right? You want me to move on 88 00:04:11,040 --> 00:04:12,520 Speaker 3: to like the story I was gonna do. 89 00:04:14,000 --> 00:04:17,320 Speaker 5: Yeah, why not for the three minutes we have no or. 90 00:04:17,279 --> 00:04:19,000 Speaker 3: Just blow out this entire segment for the podcast. 91 00:04:19,240 --> 00:04:21,359 Speaker 2: Let's play some more licensed to music that we can't 92 00:04:21,440 --> 00:04:22,159 Speaker 2: use every again. 93 00:04:22,279 --> 00:04:25,520 Speaker 3: That's fine. I'm fine with that. Yeah. I like emptying 94 00:04:25,520 --> 00:04:27,320 Speaker 3: my library. That's good. Suck. I love. 95 00:04:28,880 --> 00:04:31,520 Speaker 2: I don't know what else I have in here, men, 96 00:04:31,560 --> 00:04:33,560 Speaker 2: I have a lot of songs in my library that 97 00:04:33,600 --> 00:04:35,800 Speaker 2: I can Well, if you're talking about guitar riffs, you 98 00:04:35,880 --> 00:04:41,160 Speaker 2: gotta do some Zeppelin. I love Zeppelin and Page was amazing, 99 00:04:41,200 --> 00:04:45,080 Speaker 2: Plant Page and Plant together. Very few bands will ever 100 00:04:45,120 --> 00:04:49,760 Speaker 2: come close to that. I love Kashmir Immigrant song. Ali 101 00:04:49,839 --> 00:04:51,120 Speaker 2: obviously likes the immigrant song. 102 00:04:52,040 --> 00:04:53,360 Speaker 5: But I love the immigrant song. 103 00:04:53,400 --> 00:04:57,640 Speaker 3: Yeah, of course you do. It's amazing. But I don't 104 00:04:57,640 --> 00:04:59,839 Speaker 3: even have that one. Huh? 105 00:05:00,000 --> 00:05:01,520 Speaker 2: How do I not have that one in my library? 106 00:05:01,600 --> 00:05:02,960 Speaker 2: You gotta have a whole lot of love in there, 107 00:05:03,160 --> 00:05:03,400 Speaker 2: do you know? 108 00:05:03,440 --> 00:05:03,680 Speaker 6: How? 109 00:05:04,080 --> 00:05:09,800 Speaker 3: Uh do I? Where's do you know? How I end 110 00:05:09,880 --> 00:05:12,640 Speaker 3: up with all the crap my entire libraries. I'm doing it. 111 00:05:12,680 --> 00:05:15,440 Speaker 2: I'll end up doing like a stupid bit, and I 112 00:05:15,520 --> 00:05:17,560 Speaker 2: need the music for the bit, and so I will. 113 00:05:17,680 --> 00:05:19,760 Speaker 2: I'll grab the music and then I added to my library. 114 00:05:19,800 --> 00:05:21,640 Speaker 2: It's like one song at a time over the last 115 00:05:21,960 --> 00:05:28,320 Speaker 2: twenty years, adds up it just yeah it does. Yeah, yeah, yeah, 116 00:05:29,520 --> 00:05:40,320 Speaker 2: Like Doors had some decent guitar riffs too. Lam yeah 117 00:05:40,560 --> 00:05:43,520 Speaker 2: all right, okay, that's enough. I'll even just delete this 118 00:05:43,680 --> 00:05:46,440 Speaker 2: entire thing from the podcast. Don't even worry about posting 119 00:05:46,480 --> 00:05:49,080 Speaker 2: this one done? All right, save you some time. I 120 00:05:49,279 --> 00:05:51,400 Speaker 2: do want to tell you about this acquisition that's about 121 00:05:51,400 --> 00:05:55,000 Speaker 2: the completely changed media across the country. 122 00:05:55,040 --> 00:05:57,159 Speaker 3: Although somehow. 123 00:05:58,160 --> 00:06:02,280 Speaker 2: LA specifically not all of southern California, but LA specifically 124 00:06:02,920 --> 00:06:04,719 Speaker 2: is avoiding it. I will tell you who in southern 125 00:06:04,800 --> 00:06:07,480 Speaker 2: California is going to be affected by it, however, and 126 00:06:07,520 --> 00:06:12,080 Speaker 2: how this is likely to create all kinds of gnashing 127 00:06:12,080 --> 00:06:12,640 Speaker 2: of teeth. 128 00:06:12,680 --> 00:06:14,160 Speaker 3: That's next, Chris Merrill. 129 00:06:14,800 --> 00:06:18,680 Speaker 1: You're listening to KFI AM sixty on demand. 130 00:06:20,400 --> 00:06:23,600 Speaker 2: Chris merrilf I AM six forty more stimulating talk listen 131 00:06:23,600 --> 00:06:28,039 Speaker 2: any time on demand of the iHeartRadio app. All right, 132 00:06:28,080 --> 00:06:29,680 Speaker 2: you guys had thoughts. You hit the talk back, and 133 00:06:29,680 --> 00:06:35,640 Speaker 2: I appreciate that we have one here. Hold on, what 134 00:06:35,960 --> 00:06:36,600 Speaker 2: does this guy say? 135 00:06:37,880 --> 00:06:46,680 Speaker 7: The greatest riff is Bo Diddley's riffs has been forever 136 00:06:47,080 --> 00:06:49,200 Speaker 7: and will never get bet. 137 00:06:50,880 --> 00:06:53,480 Speaker 2: You talk about the from the Bo Diddley's bow Diddley 138 00:06:53,560 --> 00:06:59,280 Speaker 2: is that the one I sure been vetoed can't do it? 139 00:06:59,400 --> 00:07:01,120 Speaker 2: I feel like he got to have some Glenn Campbell 140 00:07:01,120 --> 00:07:01,839 Speaker 2: in there somewhere. 141 00:07:02,600 --> 00:07:04,400 Speaker 3: Okay, you guys got it all wrong. 142 00:07:04,839 --> 00:07:09,720 Speaker 2: Eric loo here, Oh yeah, Eric knows the stuff. Oh 143 00:07:09,800 --> 00:07:10,880 Speaker 2: don't yep. 144 00:07:11,040 --> 00:07:15,680 Speaker 5: Best riff ever is unchained by van Halen or lay 145 00:07:15,720 --> 00:07:19,240 Speaker 5: it down by Warren D. Martini and rat but unchained 146 00:07:19,240 --> 00:07:20,000 Speaker 5: by van Halen. 147 00:07:21,080 --> 00:07:27,520 Speaker 3: All right, let's see eighties. They're muddy. 148 00:07:29,040 --> 00:07:35,000 Speaker 2: That's the truth. Yeah, ruins it, just no, he ruined it, 149 00:07:35,600 --> 00:07:39,160 Speaker 2: totally ruined. Nope, can't give that the greatest guitar riff 150 00:07:39,160 --> 00:07:40,440 Speaker 2: of all time. Can't do it. 151 00:07:41,520 --> 00:07:41,920 Speaker 3: I mean it was. 152 00:07:42,080 --> 00:07:46,960 Speaker 2: It's a good effort, but no, A lot of silence 153 00:07:47,040 --> 00:07:48,640 Speaker 2: coming from you guys right now, a lot of. 154 00:07:50,080 --> 00:07:51,160 Speaker 3: Non opinions happening. 155 00:07:51,200 --> 00:07:53,120 Speaker 2: I'm just trying to decide who to deport. 156 00:07:55,520 --> 00:07:56,120 Speaker 3: Me or Ali. 157 00:07:56,360 --> 00:07:58,920 Speaker 2: Yeah, is that right? One of you has got to go, 158 00:08:05,240 --> 00:08:09,440 Speaker 2: Kathleen says, uh, Steve Miller band jet air liner. I 159 00:08:09,440 --> 00:08:11,400 Speaker 2: think that's what she said, big old Jeda Airliner. 160 00:08:13,160 --> 00:08:15,200 Speaker 3: Let me see. Uh. 161 00:08:15,680 --> 00:08:22,880 Speaker 2: I think I do have that one in my library here. Yeah, yeah, 162 00:08:22,920 --> 00:08:27,120 Speaker 2: I do like that too. It's not better than money 163 00:08:27,160 --> 00:08:30,920 Speaker 2: for nothing, but that's that's that's a good one. We 164 00:08:30,960 --> 00:08:33,040 Speaker 2: are living in a blessed time, aren't we. When do 165 00:08:33,160 --> 00:08:35,319 Speaker 2: we just have all this access to really great music? 166 00:08:35,360 --> 00:08:37,360 Speaker 3: I just love it. I love it so much. I 167 00:08:37,400 --> 00:08:39,400 Speaker 3: love it, love it, love it. Thanks, guys. 168 00:08:40,120 --> 00:08:41,439 Speaker 2: I did want to make mention of this, and I 169 00:08:41,440 --> 00:08:44,280 Speaker 2: appreciate everybody that's listened to our Shenanigans throughout all of this, 170 00:08:44,360 --> 00:08:46,560 Speaker 2: but I wanted to make mentionure of this. You know, 171 00:08:47,080 --> 00:08:48,679 Speaker 2: it was just a few weeks ago that we were 172 00:08:48,679 --> 00:08:52,600 Speaker 2: talking about Next Star and Tegna, the two big local 173 00:08:52,679 --> 00:08:55,439 Speaker 2: media companies that we're talking about merging, and that's when 174 00:08:55,480 --> 00:08:57,680 Speaker 2: we had the big blow up over Jimmy Kimmel and 175 00:08:57,720 --> 00:08:59,440 Speaker 2: then Next Star and Tegnabo. 176 00:08:59,040 --> 00:09:01,120 Speaker 3: Said, yeah, that's it. We're not gonna We're not gonna. 177 00:09:00,880 --> 00:09:04,520 Speaker 2: Play the Jimmy Kimmel show, and Next Hour was demanding 178 00:09:04,520 --> 00:09:06,120 Speaker 2: that it was the Next Hour, or maybe it was 179 00:09:06,160 --> 00:09:08,120 Speaker 2: Sinclair that was demanding that he make a donation to 180 00:09:08,240 --> 00:09:12,920 Speaker 2: Charlie Kirk's widow or to his uh uh turning Point USA, 181 00:09:13,040 --> 00:09:15,400 Speaker 2: this kind of stuff, And of course nothing came of that. 182 00:09:15,920 --> 00:09:18,160 Speaker 2: But one of the things that people were concerned with 183 00:09:18,240 --> 00:09:21,400 Speaker 2: is is Next Hour do they mean this when they 184 00:09:21,400 --> 00:09:24,120 Speaker 2: pulled Jimmy Kimmel Or was this simply because Brendan Carr, 185 00:09:24,200 --> 00:09:29,560 Speaker 2: the the the chair of the FCC was putting pressure 186 00:09:29,720 --> 00:09:31,400 Speaker 2: on them and saying, oh, you know, you got this 187 00:09:31,480 --> 00:09:33,880 Speaker 2: big deal that you want approved, and now you've got 188 00:09:33,880 --> 00:09:36,200 Speaker 2: this mouthpiece in the in the late night that's saying 189 00:09:36,240 --> 00:09:41,240 Speaker 2: things that we don't like. Right, So that's obviously that 190 00:09:41,400 --> 00:09:44,200 Speaker 2: kind of it blew over after a week, but it 191 00:09:44,400 --> 00:09:46,079 Speaker 2: was top news for a week. 192 00:09:47,080 --> 00:09:48,560 Speaker 3: Now there's another question. 193 00:09:49,520 --> 00:09:53,000 Speaker 2: Because Sinclair was reportedly looking to to to merge with 194 00:09:53,040 --> 00:09:53,360 Speaker 2: E W. 195 00:09:53,600 --> 00:09:54,040 Speaker 3: Scripts. 196 00:09:54,720 --> 00:09:57,640 Speaker 2: Now, there are no Sinclair or Script stations in the 197 00:09:57,760 --> 00:10:00,880 Speaker 2: LA market. However, the ABC station in San Diego is 198 00:10:01,600 --> 00:10:07,679 Speaker 2: a Script station. When coincidentally, when the Next Star and 199 00:10:07,880 --> 00:10:11,720 Speaker 2: Tegna stuff was going down, I actually spoke with uh 200 00:10:12,080 --> 00:10:14,240 Speaker 2: an anchor who'd been with Scripts for a very long time, 201 00:10:14,280 --> 00:10:15,800 Speaker 2: and he's like, you know, Scripts has been really great. 202 00:10:15,800 --> 00:10:18,760 Speaker 2: They've never they've never told us, you know, they've never 203 00:10:18,800 --> 00:10:22,160 Speaker 2: handed us any sort of editorial commentary that that they 204 00:10:22,280 --> 00:10:24,040 Speaker 2: demanded that we read from on high. 205 00:10:24,120 --> 00:10:26,640 Speaker 3: They never did that. Sinclair has done that. 206 00:10:26,960 --> 00:10:31,400 Speaker 2: Sinclair has passed along here's here's the company line, and 207 00:10:31,440 --> 00:10:33,080 Speaker 2: we need your anchors to read this, and this is 208 00:10:33,080 --> 00:10:33,960 Speaker 2: gonna be something that goes. 209 00:10:34,080 --> 00:10:35,439 Speaker 3: So Sinclair has done this before. 210 00:10:36,400 --> 00:10:41,920 Speaker 2: So now what's interesting is that Sinclair in Scripts merging would. 211 00:10:43,520 --> 00:10:46,040 Speaker 3: Would hit a major. 212 00:10:45,800 --> 00:10:49,360 Speaker 2: Pressure point in American politics, and that is who controls 213 00:10:50,040 --> 00:10:52,960 Speaker 2: local news. And you're gonna have the Democrats that are saying, 214 00:10:52,960 --> 00:10:55,840 Speaker 2: wait a minute, now you've got you've got Republicans. They 215 00:10:55,840 --> 00:10:58,560 Speaker 2: want Sinclair, which leans to the right to buy up 216 00:10:58,600 --> 00:11:00,520 Speaker 2: more local stations and you want them to have all 217 00:11:00,520 --> 00:11:03,560 Speaker 2: this all this uh uh you know control. The Democrats 218 00:11:03,600 --> 00:11:05,200 Speaker 2: are gonna what are you doing? You know you can't 219 00:11:05,240 --> 00:11:08,680 Speaker 2: do this. This is it's not independent journalism. You're you're 220 00:11:08,760 --> 00:11:10,880 Speaker 2: you're trying to make this merger happen with a with 221 00:11:10,920 --> 00:11:13,880 Speaker 2: an ownership group that has in the past told their 222 00:11:13,880 --> 00:11:17,360 Speaker 2: anchors what to say, and it's been more conservative talking points. 223 00:11:17,360 --> 00:11:19,840 Speaker 2: Republicans of course they're gonna support this and they're gonna go, Look, 224 00:11:19,880 --> 00:11:22,320 Speaker 2: it has to happen. We have to have consolidation because 225 00:11:22,360 --> 00:11:27,319 Speaker 2: the media environment, especially the linear broadcast. 226 00:11:26,720 --> 00:11:28,600 Speaker 3: Media, is collapsing. 227 00:11:29,040 --> 00:11:31,199 Speaker 2: I actually talked about that how streaming is taken away, 228 00:11:31,200 --> 00:11:33,520 Speaker 2: not just from cable, but streaming is now you served 229 00:11:33,840 --> 00:11:37,320 Speaker 2: uh a linear TV with the exception of things like 230 00:11:37,480 --> 00:11:44,040 Speaker 2: news and sports. And what's gonna happen with the FCC? Right, So, 231 00:11:44,200 --> 00:11:48,400 Speaker 2: if this merger is going on and these both Sinclair 232 00:11:48,440 --> 00:11:51,319 Speaker 2: and Scripts own a number of different uh local stations 233 00:11:51,360 --> 00:11:54,080 Speaker 2: that have network affiliations with all the different networks, So 234 00:11:54,120 --> 00:11:54,960 Speaker 2: what happens. 235 00:11:54,679 --> 00:11:56,280 Speaker 3: If the President doesn't like something that say? 236 00:11:57,080 --> 00:11:57,240 Speaker 4: Uh? 237 00:11:58,400 --> 00:12:03,480 Speaker 2: Seth Meyers says. Seth Myers has recently been very critical 238 00:12:03,480 --> 00:12:05,240 Speaker 2: of the President. The President called him out on some 239 00:12:05,280 --> 00:12:08,720 Speaker 2: things too, and so in fact, Jake Tapper was talking 240 00:12:08,760 --> 00:12:13,280 Speaker 2: about how it's really interesting that the president is he's 241 00:12:13,320 --> 00:12:17,840 Speaker 2: focusing in on Seth Myers now because of the business 242 00:12:17,840 --> 00:12:19,240 Speaker 2: side that's going out to the back end. 243 00:12:19,280 --> 00:12:22,280 Speaker 3: President Trump apparently, by. 244 00:12:22,120 --> 00:12:23,920 Speaker 2: The way, this is just Jake Tapper just doing his 245 00:12:23,960 --> 00:12:26,040 Speaker 2: own little I guess vlog or something. 246 00:12:26,000 --> 00:12:29,520 Speaker 8: Saw a clip of the comedian Seth Myers, who has 247 00:12:29,559 --> 00:12:34,000 Speaker 8: a show on NBC, and demanded that NBC fire Seth Myers. 248 00:12:34,559 --> 00:12:36,839 Speaker 3: Very similar to what happened with Kimmel right immediately. 249 00:12:37,440 --> 00:12:39,800 Speaker 8: Okay, I guess we're all used to this kind of 250 00:12:40,720 --> 00:12:43,520 Speaker 8: hyper sensitive ranting from the president at this point. But 251 00:12:44,120 --> 00:12:48,559 Speaker 8: what was interesting and notable is that Trump's hand picked 252 00:12:48,880 --> 00:12:53,960 Speaker 8: very supportive Federal Communications Commission or FCC Chairman, Brendan Carr 253 00:12:54,720 --> 00:12:58,880 Speaker 8: screenshot the post untruth social and then posted it on 254 00:12:58,920 --> 00:13:00,760 Speaker 8: Twitter himself without comment. 255 00:13:01,559 --> 00:13:04,280 Speaker 3: Why is that significant? Yeah? Why, Jake Tapper? 256 00:13:05,000 --> 00:13:09,000 Speaker 8: Because Comcast is the conglomerate that owns NBC. 257 00:13:09,640 --> 00:13:14,240 Speaker 2: Ah, and what does that mean? 258 00:13:14,840 --> 00:13:19,080 Speaker 8: And Comcast really really wants Brendan Carr to be on 259 00:13:19,120 --> 00:13:21,840 Speaker 8: their side. Why Comcast right now is in the middle 260 00:13:21,840 --> 00:13:24,920 Speaker 8: of the whole bunch of stuff, including possibly making a 261 00:13:24,920 --> 00:13:29,800 Speaker 8: bid on Warner Brothers Discovery or some of Warner Brothers Discovery, 262 00:13:29,800 --> 00:13:32,679 Speaker 8: which wait a minute, owns CNN, I should note. 263 00:13:32,600 --> 00:13:38,960 Speaker 3: Yeah, you should note that. Yeah, huh, so what does 264 00:13:39,000 --> 00:13:46,240 Speaker 3: that mean? Hang on? Where where I lost my marker? Here? 265 00:13:46,280 --> 00:13:48,400 Speaker 2: Okay, one minute, And because I think I can make 266 00:13:48,520 --> 00:13:50,440 Speaker 2: Jake Tapper more exciting than he's ever been in his 267 00:13:50,480 --> 00:13:51,960 Speaker 2: life if I keep doing this right. 268 00:13:52,640 --> 00:13:55,520 Speaker 8: Own CNN, I should note Comcast in order to get 269 00:13:55,559 --> 00:13:59,640 Speaker 8: in good with President Trump presumably just contributed to President 270 00:13:59,640 --> 00:14:03,400 Speaker 8: Trump's ballroom, which really upset a lot of employees of 271 00:14:03,520 --> 00:14:06,200 Speaker 8: NBC News and MSNBC or MS. 272 00:14:06,000 --> 00:14:06,480 Speaker 3: Now or ether. 273 00:14:06,840 --> 00:14:09,520 Speaker 2: Okay, you know what, Jake Tapper, you're kind of boring, 274 00:14:10,000 --> 00:14:11,240 Speaker 2: But I think I can help you out here. 275 00:14:12,040 --> 00:14:14,480 Speaker 3: Let me see if I can just see if I 276 00:14:14,520 --> 00:14:14,959 Speaker 3: can do this. 277 00:14:16,000 --> 00:14:19,200 Speaker 2: We were talking about great rifts and you can take anything 278 00:14:19,240 --> 00:14:21,120 Speaker 2: this media. Look, we took David Lee Roth and made 279 00:14:21,200 --> 00:14:24,800 Speaker 2: him sound exciting, and I don't know why we can't 280 00:14:25,200 --> 00:14:28,040 Speaker 2: make the same thing happen with Jake Tapper just by 281 00:14:28,160 --> 00:14:31,360 Speaker 2: adding a little bit of yeah. 282 00:14:31,240 --> 00:14:31,800 Speaker 3: What did I tell you? 283 00:14:31,880 --> 00:14:37,040 Speaker 2: All the great rifts they start with a long build up. 284 00:14:37,640 --> 00:14:39,640 Speaker 2: So now that we're into a minute, of Jake Tapper 285 00:14:39,720 --> 00:14:42,880 Speaker 2: rambling while he's on a walk. Let's go back here 286 00:14:42,880 --> 00:14:44,200 Speaker 2: and see if we can just make this a little 287 00:14:44,240 --> 00:14:44,800 Speaker 2: more exciting. 288 00:14:45,360 --> 00:14:48,200 Speaker 8: Once CNN, I should note, Comcast in order to get 289 00:14:48,200 --> 00:14:52,320 Speaker 8: in good with President Trump, presumably just contributed to President 290 00:14:52,320 --> 00:14:55,400 Speaker 8: Trump's ballroom. 291 00:14:55,560 --> 00:14:57,320 Speaker 3: I think anytime we hear the word ballroom, we. 292 00:14:57,240 --> 00:15:02,280 Speaker 2: Should just do that's ballroom. 293 00:15:02,360 --> 00:15:06,760 Speaker 3: Yep, there it is ballroom. 294 00:15:06,840 --> 00:15:08,560 Speaker 2: In fact, I think we could just mix that whole 295 00:15:08,560 --> 00:15:10,760 Speaker 2: thing down and just make it like a just over 296 00:15:10,800 --> 00:15:14,920 Speaker 2: and over, we just keep saying ballroom, ballroom, ballroom, right, 297 00:15:15,520 --> 00:15:17,360 Speaker 2: and now all of a sudden, Jake Tapper is interesting. 298 00:15:18,440 --> 00:15:21,000 Speaker 2: I don't know why CNN doesn't hire me as a consultant, because, 299 00:15:21,040 --> 00:15:25,360 Speaker 2: honest to God, I've got the goods to make it work. 300 00:15:26,760 --> 00:15:28,440 Speaker 3: Nobody wants to hire me as a consultant. 301 00:15:28,480 --> 00:15:30,680 Speaker 2: Well, you know, Scott Jennings, I'll tell you. Did anybody 302 00:15:31,480 --> 00:15:33,680 Speaker 2: You're right, I'm no, Barry Wis. Did anybody come up 303 00:15:33,720 --> 00:15:35,280 Speaker 2: with is anybody else. 304 00:15:35,160 --> 00:15:35,560 Speaker 3: Come up with? 305 00:15:36,080 --> 00:15:36,680 Speaker 2: Ballroom? 306 00:15:36,800 --> 00:15:44,360 Speaker 3: Followed by a drum solo? Anybody? No ballroom? 307 00:15:44,440 --> 00:15:45,800 Speaker 2: And now you want to listen to what he has 308 00:15:45,800 --> 00:15:48,560 Speaker 2: to say because it might be good. Nobody else is 309 00:15:48,600 --> 00:15:53,280 Speaker 2: doing that all right, you got to love it. Yep, 310 00:15:53,440 --> 00:15:57,920 Speaker 2: I did that. Yeah, there's been another break in at 311 00:15:57,960 --> 00:16:00,600 Speaker 2: the Louver. If you haven't heard about this, wait until 312 00:16:00,600 --> 00:16:04,440 Speaker 2: you find out what these ne'er do wells did to 313 00:16:04,520 --> 00:16:05,840 Speaker 2: the greatest museum on Earth. 314 00:16:06,080 --> 00:16:07,080 Speaker 3: Next. I'm Chris Merril. 315 00:16:08,760 --> 00:16:12,160 Speaker 1: You're listening to KFI AM six on demand. 316 00:16:17,640 --> 00:16:19,520 Speaker 3: Hi, Chris Merril AM six forty. 317 00:16:20,920 --> 00:16:24,080 Speaker 2: Listen anytime on demand of the iHeartRadio app, unless, of course, 318 00:16:24,120 --> 00:16:25,960 Speaker 2: we use a lot of license music, and then it's 319 00:16:25,960 --> 00:16:27,160 Speaker 2: not going to do any good to try to listen 320 00:16:27,160 --> 00:16:27,760 Speaker 2: to podcast. 321 00:16:27,800 --> 00:16:28,640 Speaker 3: But whatever. 322 00:16:29,360 --> 00:16:32,320 Speaker 2: It has been very difficult for poor Ali because he 323 00:16:32,400 --> 00:16:34,640 Speaker 2: started arguing with me off the air about the greatest 324 00:16:34,640 --> 00:16:35,680 Speaker 2: guitar riffs. 325 00:16:35,520 --> 00:16:37,360 Speaker 3: And that meant that we had to start playing them. 326 00:16:37,440 --> 00:16:39,840 Speaker 2: Ali's also in charge of editing the podcast, and since 327 00:16:40,120 --> 00:16:42,680 Speaker 2: we can't play the license content of the podcast, it's 328 00:16:42,720 --> 00:16:44,040 Speaker 2: been kind of a nightmare for him to try to 329 00:16:44,120 --> 00:16:44,440 Speaker 2: edit things. 330 00:16:44,600 --> 00:16:45,360 Speaker 5: I've chomped it up. 331 00:16:47,000 --> 00:16:50,440 Speaker 4: Yeah, it's a Frankenstein's Monster of oh okay, podcast, but 332 00:16:50,480 --> 00:16:50,760 Speaker 4: it's that. 333 00:16:53,760 --> 00:16:57,800 Speaker 2: Speaking of Frankenstein's Monster, he also told me that that 334 00:16:57,880 --> 00:17:01,080 Speaker 2: I have to watch the new Frankenstein, The Germo del 335 00:17:01,120 --> 00:17:02,440 Speaker 2: Toro Frankenstein on Netflix. 336 00:17:02,440 --> 00:17:04,280 Speaker 3: But I don't have Netflix, Mark, have you seen that one? 337 00:17:04,359 --> 00:17:04,639 Speaker 3: I have? 338 00:17:04,760 --> 00:17:06,400 Speaker 2: I didn't love it as much as everybody else did. 339 00:17:06,400 --> 00:17:09,600 Speaker 2: How much see I love the Kenneth Branna, Robert de 340 00:17:09,680 --> 00:17:12,679 Speaker 2: Niro nineties Frankenstein interesting, But that may have been just 341 00:17:12,680 --> 00:17:14,679 Speaker 2: because I was like, I was a teenager, and I 342 00:17:14,800 --> 00:17:17,320 Speaker 2: was like, it was kind of my first exposure to Frankenstein. 343 00:17:17,359 --> 00:17:18,480 Speaker 3: I didn't see any of the classics. 344 00:17:18,600 --> 00:17:21,359 Speaker 2: Now you cannot go wrong with the fifties Curse of 345 00:17:21,400 --> 00:17:23,919 Speaker 2: Frankenstein with Peter Cushing and Christopher Lee, and it's like 346 00:17:23,960 --> 00:17:25,960 Speaker 2: eighty two minutes, you're in and out. Oh okay, Yeah, 347 00:17:26,320 --> 00:17:29,920 Speaker 2: those are major names too, so oh, it's terrific those 348 00:17:30,080 --> 00:17:33,320 Speaker 2: classics and whatever you think of the Geromo del Toro Frankenstein. 349 00:17:33,520 --> 00:17:35,840 Speaker 3: It is long, it is a hall. It's like two 350 00:17:35,880 --> 00:17:36,440 Speaker 3: and a half hours. 351 00:17:36,480 --> 00:17:39,480 Speaker 2: It is a slow but is it quite slow? 352 00:17:39,560 --> 00:17:42,199 Speaker 4: Yes, Like I felt that way towards the beginning, and 353 00:17:42,240 --> 00:17:43,360 Speaker 4: then I go hooked into it. 354 00:17:43,960 --> 00:17:45,879 Speaker 2: Oh okay, there's a lot to like about it, but 355 00:17:45,960 --> 00:17:48,000 Speaker 2: I just didn't love it. For one thing, it's it's 356 00:17:48,000 --> 00:17:48,840 Speaker 2: not a horror. 357 00:17:48,560 --> 00:17:53,119 Speaker 4: Movie, definitely, No, It's definitely a fantasy, and it reminded 358 00:17:53,119 --> 00:17:55,719 Speaker 4: me a lot of shape of Water. Just oh, Deltur 359 00:17:55,800 --> 00:17:57,679 Speaker 4: always makes you want to ready root for the monster. 360 00:17:57,880 --> 00:18:00,640 Speaker 2: I didn't love the Shape of Water either. He makes 361 00:18:00,720 --> 00:18:03,320 Speaker 2: beautiful movies and you can tell he's a fan and 362 00:18:03,359 --> 00:18:05,400 Speaker 2: he knows the classics. He's one of us, all right, 363 00:18:05,480 --> 00:18:08,359 Speaker 2: but but a little bit too referential to the source 364 00:18:08,400 --> 00:18:10,560 Speaker 2: of material, right, I mean, just just moving along. Tell 365 00:18:10,560 --> 00:18:12,879 Speaker 2: a story, let's have some deaths. He's one of us, 366 00:18:12,960 --> 00:18:15,360 Speaker 2: all right. Well, it's more like one of us from 367 00:18:15,560 --> 00:18:19,560 Speaker 2: Todd plan free okay, one of us, one of us? 368 00:18:19,920 --> 00:18:21,200 Speaker 3: Oh, I got yeah, okay. 369 00:18:22,040 --> 00:18:24,000 Speaker 2: We were talking about guitar riffs and a few of 370 00:18:24,000 --> 00:18:25,200 Speaker 2: you were leaving talkbacks. 371 00:18:25,200 --> 00:18:28,160 Speaker 3: I always appreciate that. How about it to the Boy 372 00:18:28,200 --> 00:18:29,400 Speaker 3: and my Black Sabbath? 373 00:18:31,359 --> 00:18:34,360 Speaker 2: All right, I try to pull that, but I'm having 374 00:18:34,359 --> 00:18:37,840 Speaker 2: trouble downloading you, if I'm being totally honest, So you're 375 00:18:37,880 --> 00:18:39,520 Speaker 2: off the hook on that one. Although you're not gonna 376 00:18:39,560 --> 00:18:41,359 Speaker 2: have to edit Black Sabbath out of this, but I 377 00:18:41,400 --> 00:18:42,520 Speaker 2: do love Black Sabbath too. 378 00:18:43,080 --> 00:18:43,760 Speaker 3: Classic stuff. 379 00:18:43,920 --> 00:18:49,680 Speaker 2: Hey guys, tonight we have to add Freebird from Leonard 380 00:18:49,720 --> 00:18:50,879 Speaker 2: Skinner to this list. 381 00:18:51,119 --> 00:18:52,240 Speaker 5: It's gotta be on there. 382 00:18:52,480 --> 00:18:55,919 Speaker 2: There's always somebody yelling Freebird, isn't there yeah, the Russian 383 00:18:55,960 --> 00:18:58,520 Speaker 2: judges mark you way down if you don't include free Bird. 384 00:18:58,640 --> 00:19:01,360 Speaker 3: Yeah. Uh, here's the thing about Freebird. 385 00:19:02,960 --> 00:19:04,719 Speaker 2: I can't add that to the list because it's more 386 00:19:04,760 --> 00:19:06,200 Speaker 2: of a solo than it is a riff. 387 00:19:07,600 --> 00:19:10,840 Speaker 3: And granted it is one of the great. 388 00:19:10,520 --> 00:19:13,760 Speaker 2: Solos of all times. So good, all right, and you're 389 00:19:13,840 --> 00:19:16,159 Speaker 2: lucky I sang for you tonight. Should have been a singer. 390 00:19:17,320 --> 00:19:19,720 Speaker 2: I don't like to sing too much because honestly, I 391 00:19:19,720 --> 00:19:20,719 Speaker 2: should be charging you for it. 392 00:19:20,760 --> 00:19:25,000 Speaker 3: I'm that good, So I like to do it too much. 393 00:19:25,080 --> 00:19:28,720 Speaker 3: But I love Freebird. What did I hear? Hey, Richie, 394 00:19:28,760 --> 00:19:29,080 Speaker 3: what is it? 395 00:19:29,080 --> 00:19:31,359 Speaker 2: Because they used to You used to yell Freebird at 396 00:19:31,400 --> 00:19:33,520 Speaker 2: the bar whenever you had like a house band playing, 397 00:19:33,520 --> 00:19:35,159 Speaker 2: and you go free bird, you know, if you got 398 00:19:35,200 --> 00:19:35,720 Speaker 2: drunk enough. 399 00:19:36,800 --> 00:19:37,240 Speaker 3: And what is it? 400 00:19:37,240 --> 00:19:39,879 Speaker 2: They're yelling like somebody's yelling something from it is it 401 00:19:39,960 --> 00:19:42,720 Speaker 2: Oasis or something like Wonderwall type thing. 402 00:19:42,880 --> 00:19:47,960 Speaker 3: Yeah, that's it, the yell Wonderwall. That's terrible. 403 00:19:48,400 --> 00:19:51,320 Speaker 4: Yeah, the energy is dead, like we need something more 404 00:19:51,359 --> 00:19:53,280 Speaker 4: like you know, right, it's gonna hit you right in 405 00:19:53,320 --> 00:19:54,200 Speaker 4: the throat type thing. 406 00:19:54,640 --> 00:19:57,280 Speaker 3: Thank you. I just want to be punched right in 407 00:19:57,320 --> 00:19:58,080 Speaker 3: the throat. 408 00:19:58,320 --> 00:19:59,320 Speaker 5: Tom Soyer. 409 00:20:00,960 --> 00:20:04,040 Speaker 2: Okay, whoever that is. Can we please get Ice to 410 00:20:04,080 --> 00:20:06,639 Speaker 2: come on by the studio? Yeah, somebody go just go 411 00:20:06,640 --> 00:20:08,080 Speaker 2: down and let him in the elevator. 412 00:20:08,240 --> 00:20:10,960 Speaker 3: We'll just let Ice in here. I like keeps bringing 413 00:20:11,040 --> 00:20:13,000 Speaker 3: up rush terrible idea. 414 00:20:14,400 --> 00:20:17,119 Speaker 2: Can we all at least agree on Steppenwolf Born to 415 00:20:17,119 --> 00:20:20,000 Speaker 2: be Wild? Oh my gosh, come on, I burned that 416 00:20:20,040 --> 00:20:21,879 Speaker 2: tape out. I found my dad's old tape when I 417 00:20:21,920 --> 00:20:25,720 Speaker 2: was young. I burned that tape. Oh okay, thank God 418 00:20:25,760 --> 00:20:29,359 Speaker 2: for that. Oh my gosh, I burned it up. I no, no, no, 419 00:20:29,400 --> 00:20:31,639 Speaker 2: I didn't like throw it in the fire. I played 420 00:20:31,680 --> 00:20:34,080 Speaker 2: it so many times, I swear to God, I burned 421 00:20:34,080 --> 00:20:36,760 Speaker 2: that tape up. We have to it's required, Oh so good. 422 00:20:37,359 --> 00:20:40,439 Speaker 2: That song hits when you're like working out, like on 423 00:20:40,480 --> 00:20:43,960 Speaker 2: a treadmill or pumping the weights, or when you're on 424 00:20:44,040 --> 00:20:47,480 Speaker 2: your hog and magic carpet ride too is way under 425 00:20:47,720 --> 00:20:48,640 Speaker 2: true true love. 426 00:20:48,760 --> 00:20:50,120 Speaker 3: Magic carpet ride. 427 00:20:50,320 --> 00:20:54,560 Speaker 2: When you're running from the man. Yes, yeah, with your 428 00:20:54,560 --> 00:20:58,720 Speaker 2: old lady on the back, Well, your old lady on 429 00:20:58,760 --> 00:21:04,960 Speaker 2: the back. Why is it that that's the song that 430 00:21:05,000 --> 00:21:07,359 Speaker 2: it's It's always like when they have a female singer 431 00:21:07,480 --> 00:21:09,679 Speaker 2: in a in a bar band and she just sounds 432 00:21:09,680 --> 00:21:12,439 Speaker 2: like she smoked seven packs of camels right before she 433 00:21:12,520 --> 00:21:19,520 Speaker 2: came out. That's exactly it. Yeah, it's like, honey, you 434 00:21:19,560 --> 00:21:21,680 Speaker 2: haven't been hot since nineteen eighty three, so I don't 435 00:21:21,680 --> 00:21:22,240 Speaker 2: know what you're up to. 436 00:21:23,640 --> 00:21:25,160 Speaker 3: Not good, not good. 437 00:21:26,080 --> 00:21:26,199 Speaker 7: Uh. 438 00:21:26,520 --> 00:21:30,720 Speaker 2: The famous museum the Loove has been broken into a game. 439 00:21:31,320 --> 00:21:34,800 Speaker 2: And if you've missed who did it or why they 440 00:21:34,840 --> 00:21:35,160 Speaker 2: did it? 441 00:21:35,880 --> 00:21:37,879 Speaker 3: You gotta hear this. It is next. I'm Chris Merril. 442 00:21:39,000 --> 00:21:42,440 Speaker 1: You're listening to KFI AM six forty on demand. 443 00:21:46,640 --> 00:21:51,399 Speaker 2: George Nori is right up here at ten o'clock kf 444 00:21:51,400 --> 00:21:54,919 Speaker 2: I AM six forty. More stimulating talk, George, what are 445 00:21:54,960 --> 00:21:58,439 Speaker 2: we what are we expecting tonight? Got a great show tonight, 446 00:21:58,520 --> 00:22:01,480 Speaker 2: Card two of our mental Time Traveled section and then 447 00:22:01,560 --> 00:22:05,119 Speaker 2: later on the nature of evil, why it exists, and 448 00:22:05,280 --> 00:22:06,520 Speaker 2: what we're going to do about it? 449 00:22:06,560 --> 00:22:10,040 Speaker 3: On Coast to Coat so good. Oh, I can't wait. George. 450 00:22:10,080 --> 00:22:11,879 Speaker 2: Thank you so much. Thanks for keeping me company on 451 00:22:11,920 --> 00:22:13,399 Speaker 2: my way home every night. I mean that you're the 452 00:22:13,400 --> 00:22:16,960 Speaker 2: best thing. Thank you very much, George, Erry Coast to 453 00:22:17,000 --> 00:22:20,199 Speaker 2: Coast starting right up at ten o'clock. Appreciate all the 454 00:22:20,200 --> 00:22:21,480 Speaker 2: different feedback we've gotten from you. 455 00:22:21,480 --> 00:22:24,919 Speaker 3: Guys. Your dynamite. I mean it, You're just dynamite. 456 00:22:25,040 --> 00:22:27,800 Speaker 2: I love everybody that's been paying close attention to what's 457 00:22:27,840 --> 00:22:30,280 Speaker 2: going on our Shenanigans. 458 00:22:30,320 --> 00:22:32,479 Speaker 3: This evening. We're talking about guitar riffs and the good 459 00:22:32,520 --> 00:22:34,080 Speaker 3: ones and what's that. 460 00:22:34,320 --> 00:22:39,120 Speaker 9: Keith Richard solo on twenty one to twenty Michigan Avenue 461 00:22:39,800 --> 00:22:44,919 Speaker 9: is the greatest guitar riff ever. Okay, very restrained, and 462 00:22:44,960 --> 00:22:47,480 Speaker 9: then he builds just like you said. 463 00:22:47,880 --> 00:22:49,359 Speaker 2: All right, that's how you do it. That's how you 464 00:22:49,400 --> 00:22:52,520 Speaker 2: make a good one. I'm with you on that, all right. 465 00:22:53,960 --> 00:22:57,919 Speaker 5: Oh my god, how can you leave out Crazy by Heart? 466 00:22:58,840 --> 00:23:02,840 Speaker 5: That beginning riff is out of this world? Please play it. 467 00:23:02,880 --> 00:23:04,440 Speaker 9: Thanks, good job, Chris. 468 00:23:04,560 --> 00:23:05,920 Speaker 3: I hope you take this permanently. 469 00:23:06,000 --> 00:23:07,440 Speaker 2: Oh, thank you very much. You're not gonna like what 470 00:23:07,440 --> 00:23:09,120 Speaker 2: I have to say. I've never been a Heart fan. 471 00:23:09,200 --> 00:23:12,040 Speaker 2: Although crazy as solid, crazy as good, I've just never 472 00:23:12,040 --> 00:23:14,080 Speaker 2: been a Heart fan. Olly, will you see if you 473 00:23:14,119 --> 00:23:15,200 Speaker 2: can find that because I don't. 474 00:23:15,000 --> 00:23:15,480 Speaker 3: Have that one? 475 00:23:17,560 --> 00:23:18,240 Speaker 5: Remind me of the song. 476 00:23:18,280 --> 00:23:20,160 Speaker 3: Sorry, it's Crazy by Heart. 477 00:23:20,480 --> 00:23:27,760 Speaker 9: I'm gonna go crazy craze and crazy es Keith Richard solo, 478 00:23:27,960 --> 00:23:29,080 Speaker 9: Oh no, you already said that. 479 00:23:29,280 --> 00:23:31,440 Speaker 3: Hold on, I had there was one more talk back. 480 00:23:32,119 --> 00:23:33,800 Speaker 3: Oh okay, this is. 481 00:23:33,720 --> 00:23:36,679 Speaker 6: Lisa and I cannot think of this song. But what 482 00:23:36,840 --> 00:23:39,240 Speaker 6: about that one where they make the guitar sound like 483 00:23:39,280 --> 00:23:42,879 Speaker 6: a person. I cannot think of who did it, but 484 00:23:42,960 --> 00:23:46,440 Speaker 6: it sounds like a person talking. That's a real good 485 00:23:46,480 --> 00:23:48,760 Speaker 6: guitar guitar riff thing. 486 00:23:48,880 --> 00:23:52,840 Speaker 2: Go one, the greatest guitar riff thing going. 487 00:23:53,119 --> 00:23:54,800 Speaker 3: I think this is what we were after tonight, isn't it? 488 00:23:57,080 --> 00:23:57,560 Speaker 3: This is one. 489 00:23:57,600 --> 00:23:58,960 Speaker 2: This is the one that came to mind. There's actually 490 00:23:59,000 --> 00:24:01,000 Speaker 2: there's a tool and I've forget what that it's called. 491 00:24:01,960 --> 00:24:03,840 Speaker 3: Look, I'm not I wish. 492 00:24:03,680 --> 00:24:05,560 Speaker 2: I knew how to play the guitar. I'm not a guitarist. 493 00:24:05,720 --> 00:24:07,800 Speaker 2: I played the tuba in high school. Okay, that's how 494 00:24:07,880 --> 00:24:10,199 Speaker 2: uncool I am when it comes to use a but 495 00:24:10,400 --> 00:24:11,840 Speaker 2: uh uh, you know what. 496 00:24:12,359 --> 00:24:15,000 Speaker 3: I also played this susophone for marching band. 497 00:24:15,040 --> 00:24:18,520 Speaker 2: Okay, so like I played a few different instruments basically 498 00:24:18,560 --> 00:24:21,919 Speaker 2: the same thing. Here's the one that came to mind though, 499 00:24:21,920 --> 00:24:24,640 Speaker 2: when you said the guitar that sounds like a person, right, 500 00:24:24,640 --> 00:24:25,360 Speaker 2: Does that sound right? 501 00:24:26,280 --> 00:24:26,600 Speaker 3: Yeah? 502 00:24:26,640 --> 00:24:30,440 Speaker 2: He's basically saying sweet emotion into like this this sort 503 00:24:30,440 --> 00:24:33,359 Speaker 2: of harmonizing pipe sort of thing that merges with the guitar. 504 00:24:33,400 --> 00:24:33,919 Speaker 3: It's amazing. 505 00:24:34,280 --> 00:24:38,560 Speaker 2: Do you think it could have been Peter Frampton? Frampton 506 00:24:38,600 --> 00:24:40,800 Speaker 2: had some things too, right, Yeah, yeah, but he had that, 507 00:24:41,119 --> 00:24:43,320 Speaker 2: he had that. It wasn't the guitar itself, but it 508 00:24:43,359 --> 00:24:47,240 Speaker 2: was some thing. Yeah, it's like a harmonizer thing. Yeah, 509 00:24:47,280 --> 00:24:49,560 Speaker 2: I'm not a harmonized Yeah, but there's a there's a 510 00:24:49,640 --> 00:24:50,160 Speaker 2: term for it. 511 00:24:50,720 --> 00:24:53,720 Speaker 3: Yeah, sure there is. And then Mark scholded me off 512 00:24:53,720 --> 00:24:55,679 Speaker 3: the air because we never mentioned the Who at all. 513 00:24:55,720 --> 00:24:59,879 Speaker 2: Yeah, what's wrong with you? Yeah, you're totally right. Shame shame, shame. 514 00:25:00,680 --> 00:25:04,000 Speaker 2: You're exactly right. I should have had, should. 515 00:25:03,800 --> 00:25:04,359 Speaker 3: Have had the Who. 516 00:25:05,000 --> 00:25:08,160 Speaker 2: You got your small wizard, you got your eminence in front, got. 517 00:25:08,160 --> 00:25:08,920 Speaker 3: So many good ones. 518 00:25:08,960 --> 00:25:17,760 Speaker 2: Yeah, shame, shame, shame, shame, shame, shame, shame, shame, shame. 519 00:25:18,840 --> 00:25:22,520 Speaker 2: Just so you all know how ashamed I am. I 520 00:25:22,560 --> 00:25:25,400 Speaker 2: am naked for this entire segment. Oh God, as I'm 521 00:25:25,400 --> 00:25:27,600 Speaker 2: being marched through the square, I'm glad we didn't zoom 522 00:25:27,640 --> 00:25:33,120 Speaker 2: this shame shame. One of the big stories what last week, 523 00:25:33,160 --> 00:25:35,639 Speaker 2: week before was the robbery at the Louver. Did you 524 00:25:35,680 --> 00:25:37,639 Speaker 2: see that they had somebody else that got past their 525 00:25:37,680 --> 00:25:39,760 Speaker 2: security again, did you catch the story mark, did you 526 00:25:39,800 --> 00:25:41,080 Speaker 2: have this in your rundown stuff? 527 00:25:41,400 --> 00:25:43,800 Speaker 3: We a we a we. 528 00:25:45,080 --> 00:25:48,920 Speaker 2: So these guys, they're they're Belgian tik takers, and they 529 00:25:49,000 --> 00:25:53,720 Speaker 2: snuck into the louver with accustom painting and they hung 530 00:25:53,760 --> 00:25:56,800 Speaker 2: it in the loop. Now, it is highly illegal to 531 00:25:56,840 --> 00:26:01,040 Speaker 2: bring outside. It's kind of like going to your favorite restaurant. 532 00:26:01,080 --> 00:26:03,040 Speaker 2: You don't walk into Morton's with the bag of McDonald's. 533 00:26:03,400 --> 00:26:05,560 Speaker 2: That's what did they bring in? Like a Don Martin 534 00:26:05,600 --> 00:26:07,240 Speaker 2: from mad kinda? 535 00:26:07,600 --> 00:26:12,440 Speaker 3: I think it was like they drew it basically. Okay, yeah, 536 00:26:12,720 --> 00:26:13,360 Speaker 3: shame on them. 537 00:26:13,680 --> 00:26:16,840 Speaker 2: So they placed their painting in the same room as 538 00:26:16,880 --> 00:26:20,359 Speaker 2: the Mona Lisa and there's actually scanners that are supposed 539 00:26:20,400 --> 00:26:24,240 Speaker 2: to catch this stuff, but they here's how they did it. 540 00:26:25,240 --> 00:26:28,280 Speaker 2: They put it in a frame made out of legos, 541 00:26:28,920 --> 00:26:30,480 Speaker 2: and the legos. 542 00:26:30,400 --> 00:26:32,719 Speaker 3: Didn't set off the detectors, excuse me. 543 00:26:32,840 --> 00:26:35,920 Speaker 2: So as a result, they were then able to hang 544 00:26:35,960 --> 00:26:37,919 Speaker 2: their painting inside the louver and then they got that 545 00:26:38,840 --> 00:26:41,800 Speaker 2: they they they went TikTok famous on that one. 546 00:26:43,560 --> 00:26:45,560 Speaker 3: Kind of embarrassing. For the love that they keep boning 547 00:26:45,600 --> 00:26:48,080 Speaker 3: this up. Kind of embarrassing. 548 00:26:49,119 --> 00:26:51,080 Speaker 2: Also, I think they're gonna they're probably gonna get in 549 00:26:51,119 --> 00:26:54,359 Speaker 2: trouble for it, but yeah, kind of embarrassing, just the same. 550 00:26:55,000 --> 00:26:56,480 Speaker 2: I thought it was funny, thought we'd done the show 551 00:26:56,480 --> 00:26:58,320 Speaker 2: on that. I think someone's in deep marred. 552 00:27:00,359 --> 00:27:00,919 Speaker 3: Can I say it? 553 00:27:01,000 --> 00:27:09,240 Speaker 2: Alie? Do you need to zapp that friends for poo poo? 554 00:27:10,160 --> 00:27:16,360 Speaker 2: That's been nice knowing you well anyway, uh Ollie, I'm 555 00:27:16,359 --> 00:27:18,120 Speaker 2: gonna let you stay in this country for another week 556 00:27:18,119 --> 00:27:20,359 Speaker 2: because I enjoy I enjoy it when you and I 557 00:27:20,400 --> 00:27:21,080 Speaker 2: get to work together. 558 00:27:21,359 --> 00:27:25,040 Speaker 3: So I just love it great, Thank you, Richie. You 559 00:27:25,200 --> 00:27:26,840 Speaker 3: are freaking amazing. Guys. 560 00:27:26,880 --> 00:27:28,479 Speaker 2: I wish you could see. Richie has hitting me up 561 00:27:28,480 --> 00:27:29,959 Speaker 2: on the text. He's like, what do you need? How 562 00:27:30,000 --> 00:27:31,760 Speaker 2: do we make it better? What else can I do? 563 00:27:31,880 --> 00:27:34,280 Speaker 3: He's just an amazing producer, one of the best in 564 00:27:34,320 --> 00:27:35,359 Speaker 3: the business. And I mean that. 565 00:27:35,840 --> 00:27:38,880 Speaker 2: And uh Mark, it's always like it's never worked when 566 00:27:38,880 --> 00:27:41,000 Speaker 2: I'm with you, I'll be texting you all night. 567 00:27:41,560 --> 00:27:42,080 Speaker 3: So that's all right. 568 00:27:42,119 --> 00:27:42,280 Speaker 6: We do. 569 00:27:42,480 --> 00:27:43,840 Speaker 2: Yeah, we get done, and Mark and I just text 570 00:27:43,880 --> 00:27:45,800 Speaker 2: back and forth because it's just like it's just like 571 00:27:45,880 --> 00:27:48,080 Speaker 2: pals who hung out all night and then they went home, 572 00:27:48,119 --> 00:27:50,280 Speaker 2: but they weren't done paling around. So I just I 573 00:27:50,400 --> 00:27:53,040 Speaker 2: love it, and guys, I look forward to working with 574 00:27:53,040 --> 00:27:54,760 Speaker 2: you every chance I get. Thank you so much for 575 00:27:54,800 --> 00:27:57,159 Speaker 2: making this so much fun. Look forward to it back 576 00:27:57,359 --> 00:28:01,880 Speaker 2: tomorrow night. Chris Meryl kfi AM six forty on demand