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Speaker 1: It's k IF. I am six forty and you're listening

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Speaker 1: to the Conway Show on demand on the iHeartRadio app.

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Speaker 2: Mark t Live. Oh yes, sir, Oh yeah.

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Speaker 1: How do people watch your show? Your YouTube program? It

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Speaker 1: was called the Mark Thompson Show. You just put in

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Speaker 1: the Mark Thompson Show on in the search bar. That's

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Speaker 1: a lot of politics and stuff. Maybe you want to

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Speaker 1: avoid that stuff, but we'd love to have you if

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Speaker 1: you're into it. So, I mean, I kind of an

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Speaker 1: anti promotion promotion there, But you know what I'm saying,

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Speaker 1: I get it, I get it right. You don't want

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Speaker 1: to you know, I don't want people to be bummed

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Speaker 1: out when they get there. Yeah right, okay. But anyway,

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Speaker 1: we're doing really well. And it's the Mark Thompson Show

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Speaker 1: on YouTube and also on iHeartRadio. I'm on you got

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Speaker 1: right right alongside you on iHeart. You're kicking ass over there.

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Speaker 1: All right, there's a voice talkback left for you about you.

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Speaker 1: Oh you want to hear it? I guess because they

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Speaker 1: told me it, you know, because they told you it

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Speaker 1: was positive.

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Speaker 2: Yeah yeah, what if it was negative, I'd probably be

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Speaker 2: okay hearing it. Also, Yeah, I mean I wouldn't be

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Speaker 2: would hurt me.

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Speaker 1: But I how long if you heard it like a

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Speaker 1: negative Mark Thompson talkback, how long would that stay with you?

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Speaker 2: Well, when I'm a hosting, I always play the negative ones.

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Speaker 2: Is that right? Yeah? I know. I love the negative ones.

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Speaker 1: The negative ones are the best. Are let me tell

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Speaker 1: you why the negative ones are good.

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Speaker 2: Okay, they're the best for content. They're not the best for.

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Speaker 1: Your heart, no, no, no, but they are the best eventually

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Speaker 1: for your heart because if you have if somebody has

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Speaker 1: a strong response to you either way, that's what you want.

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Speaker 1: That's what you want. Because it's easy to flip that

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Speaker 1: guy around. It very easy to flip that guy around.

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Speaker 1: Before I don't it's very easy. I've done it. I've

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Speaker 1: done it a couple of times. Con O'Brien, I thought

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Speaker 1: he was the worst. Now I think he's the funniest

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Speaker 1: man in the world. And with who is Steve Carell?

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Speaker 1: Steve Carell I thought was the worst, you know, the

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Speaker 1: un funniest man in the world. Now I will watch

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Speaker 1: anything that guy does, all right, because it's easy to

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Speaker 1: you know, because I have that that energy for those

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Speaker 1: two guys. And now I watch anything Conan does and anything,

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Speaker 1: Steve Carell does anything. Yeah, but it wasn't that way

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Speaker 1: a long time.

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Speaker 2: It is true. I've actually to be fair to you

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Speaker 2: on this. Have heard from people who are big fans

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Speaker 2: of my show. Now, when you first came on, I

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Speaker 2: really thought I didn't understand it. I didn't get it,

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Speaker 2: I didn't like it. And then and now I've never

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Speaker 2: missed an episode.

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Speaker 1: Oh that's great.

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Speaker 2: Yeah. So so it's a you're you're not wrong, it's

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Speaker 2: just I guess it's hurtful when you hear somebody just

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Speaker 2: really doesn't.

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Speaker 1: But the ones you want to avoid in life are

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Speaker 1: the ones where you're like, hey, yea, what do you

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Speaker 1: what do you think about the Conway Show? And they're like,

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Speaker 1: those are the those are the real tough ones. You

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Speaker 1: want to reaction. Yeah, you want hatred or love, but

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Speaker 1: not the in between.

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Speaker 2: Certainly in commercial radio and broadcast, you want people to reaction.

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Speaker 1: You want a reaction either way, but it can't be uh,

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Speaker 1: you know, lukewarm. It has to be hot or cold. Yeah,

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Speaker 1: all right, here's the Mark Thompson talk back.

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Speaker 2: Hey Tim Thompson's back. Oh it's good with the world.

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Speaker 2: Good evening, that's super cool. I like it.

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Speaker 1: I liked that he was synct I liked that he

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Speaker 1: was right to it. Simple man and sort of sounded

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Speaker 1: cool to be honest, simple simple man. He want you

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Speaker 1: know what he likes? Uh, he likes consistency. And when

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Speaker 1: you come in every Tuesday, early Monday or Thursday, or

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Speaker 1: sometimes you don't come in for three weeks. He likes

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Speaker 1: that consistence.

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Speaker 2: Well, I did offer it early this week, but I

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Speaker 2: was waved off to Thursday. He likes the consistence.

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Speaker 3: I put another one about Mark in there.

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Speaker 2: Oh you did it? Is good? We could we could

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Speaker 2: ride the hour out this way. This is cool. Okay,

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Speaker 2: oh this one. You know what.

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Speaker 1: This one's titled another Mark one.

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Speaker 2: Here we go.

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Speaker 1: Who's doing titling? We still Bob? Bob still doing titling?

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Speaker 1: He's the best. Yeah, yeah, Bob. Another Mark. Yeah no,

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Speaker 1: don't he's putting talkbacks.

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Speaker 2: Don't bother him. Yeah. He's a new intern. He's yeah,

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Speaker 2: he's rough.

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Speaker 3: He wears pajamas.

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Speaker 1: Well he did not anymore. He did the first day.

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Speaker 1: It's the first day him.

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Speaker 2: Yeah, of course I said something to him.

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Speaker 1: The first day. He had his ass. He had those

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Speaker 1: pants like below his ass and see half his underwear

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Speaker 1: and question the look. And I said, Bob, I said,

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Speaker 1: you know, this is corporate America. That's not the way

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Speaker 1: to go around here. And you know what he said.

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Speaker 1: He goes, buddy, he goes, if you don't like it,

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Speaker 1: I'll get a job at another radio station and where

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Speaker 1: I can wear my pants like this. And I said, Bob,

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Speaker 1: they're all corporate America. That that wearing your pants halfway

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Speaker 1: down your ass is over in corporate America. And He's like, oh, yeah, well,

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Speaker 1: I'll just get a job upstairs working for John and Ken.

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Speaker 1: I'm like, what he's he's caught in the past. Yeah,

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Speaker 1: I think I think he meant booker and strikers. Oh sure, sure,

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Speaker 1: he's a big booker and striker fan.

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Speaker 2: By the way, I show a striker in the lobby

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Speaker 2: while I was waiting to get let up here at

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Speaker 2: the big iHeart mothership. Is that he and we we

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Speaker 2: you know, of course we know each other. And he said,

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Speaker 2: what should I say to you? What did he say

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Speaker 2: I should say to you?

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Speaker 1: M Oh, tell Tim? What tell Tim? Ding dong?

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Speaker 2: That's right? Is that right? That's what he said. I

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Speaker 2: thought it was guessable, And you guessed it.

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Speaker 1: Yeah, you know, you got to ask him next time

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Speaker 1: you walk into running the Striker, He'll do this for you, took.

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Speaker 1: He does an incredible impression of Don Knats.

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Speaker 2: Is that really? It's perfect? Ted Striker does that.

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Speaker 1: Yes, an unbelievable impression. And and he'll deny it at first,

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Speaker 1: he's like, no, I don't really do that. And then

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Speaker 1: he'll like and You're like, dude, I know you do it.

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Speaker 1: He goes okay, and then he gets right into it.

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Speaker 1: It's great, awesome, it's awesome. It's the absolute best impression

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Speaker 1: I've ever seen of Don Knats.

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Speaker 2: Unbelievable.

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Speaker 1: All right, this is another Mark Thompson talked back here.

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Speaker 2: Hello Tim, This is Javier from Pomota.

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Speaker 1: Hey Javier, how are you in Pomoona? Tay you a

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Speaker 1: big old shout out every Hello Pomona, And.

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Speaker 4: I just wanted to say you guys are doing a

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Speaker 4: great job there from six to ten.

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Speaker 5: Thank you, And wanted to give a little shout out

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Speaker 5: to Mark Thompson.

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Speaker 2: Wow. I love your laugh, Mark. It is true.

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Speaker 1: I have them distinct. That's a pretty good way. That

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Speaker 1: was pretty good to have you, I think, give it

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Speaker 1: and take it there.

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Speaker 2: Yeah, cut through that was what he cut through. Apparently

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Speaker 2: you're the big guy who goes talking about your buddy.

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Speaker 2: I'm not gonna talk about your good things through. How

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Speaker 2: dare you? How dare you? That's great? All right?

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Speaker 1: Intersections? Where are the ft ones? I guess that's the

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Speaker 1: name of the story Bob put.

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Speaker 5: That in La Times. They released this list. There are

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Speaker 5: fourteen intersections on there, and we are at number one.

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Speaker 5: You can see behind me. This is Sunset and Highland, nowaday.

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Speaker 1: Okay, Sunset and Highland that you always take. That is

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Speaker 1: that that's a tricky intersection, that's very popular one.

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Speaker 2: Oh yeah, well it's Sunset and Highland.

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Speaker 1: Yeah, Sunset Highland is it one of the worst?

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Speaker 5: And Highland Now? They say this one is bad because

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Speaker 5: it has the highest traffic volume of any intersection.

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Speaker 1: Okay, suns Yeah, I would say that's true. Sunset and

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Speaker 1: Highland or anywhere like Highland and Hollywood, any of those

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Speaker 1: intersections are just brutal.

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Speaker 2: Well, if you're turning onto Highland from Sunset and you're

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Speaker 2: turning left, it may be a while.

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Speaker 1: Yeah, I mean you could sit there for four lights. Yeah,

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Speaker 1: you know sometimes and the cops occasionally come out and

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Speaker 1: try to direct traffic around there, but everyone, you know,

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Speaker 1: just sort of ignores them.

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Speaker 5: All.

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Speaker 1: Right, let's get more intersections.

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Speaker 5: And as a gateway to Hollywood, which means tourists and

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Speaker 5: locals coming through the area. Now, Sky five was over

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Speaker 5: many of them this morning.

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Speaker 1: Bob, please, you're killing there.

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Speaker 5: It is from Los Iena and Centinella, which is number

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Speaker 5: eleven on the list, but it was very busy earlier.

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Speaker 2: Yeah.

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Speaker 1: Now.

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Speaker 5: The La Times use city traffic volume and accident data

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Speaker 5: to come up with the list and says that not

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Speaker 5: all of the intersections are on major thoroughfares. The Times

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Speaker 5: had James Moore, a traffic engineering expert from USC, review

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Speaker 5: the data. He said the common denominator was intersections a

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Speaker 5: key traffic points, so near things like major shopping malls,

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Speaker 5: business centers and freeways.

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Speaker 1: Okay, let's find out more.

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Speaker 5: Most of these intersections were designed to take a lot

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Speaker 5: of traffic where cars come first. So many don't have

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Speaker 5: protected bike lanes and bus lanes. You did say some

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Speaker 5: have protected right turn lanes, though, which just give.

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Speaker 2: Us the intersections. Man.

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Speaker 5: Now the major intersections, uh we talked about, We'll talk

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Speaker 5: about some of those smaller ones.

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Speaker 2: He says.

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Speaker 5: These smaller streets are due to the fact.

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Speaker 2: That you give us the street names, man.

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Speaker 5: To the fact that they're outside of major attractions like Hollywood, Downtown,

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Speaker 5: LA and Lax. Now, he spoke with one resident here

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Speaker 5: in Hollywood about how busy Sunset and Highland gets.

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Speaker 1: Yeah, Sunset Highland sucks.

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Speaker 6: Yeah, I get real busy because the Hollywood Walk of

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Speaker 6: Fame is right there, and so this just like a

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Speaker 6: crowded area, Like there's a lot of people that come

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Speaker 6: through this way. Yeah, there's been a lot of car

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Speaker 6: crashes and stuff too, Like, no shape does.

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Speaker 5: Ever concern you, like crossing street or anything?

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Speaker 1: You say, no shade shade? What does he like? What

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Speaker 1: does that mean?

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Speaker 2: Plant? Again?

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Speaker 6: Car crashes and stuff too?

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Speaker 2: Like no shape was another way to shave the S word.

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Speaker 1: No, he's basically he's basically saying, like, you know, no joke.

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Speaker 2: Yeah, is that what the kids? The kids talk that.

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Speaker 1: Way now, so they shortened joke with shade.

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Speaker 2: That's that's from the nineties.

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Speaker 1: Now they say no caps but no cap Yeah.

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Speaker 2: I love that. I love that Steff knows that. Yea,

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Speaker 2: he knows jargon. I love that jargon. He gets that

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Speaker 2: from skanking around, always chasing it knowing it.

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Speaker 5: Ever concern you like crossing street or anything like that.

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Speaker 6: Yeah, because some of the cars on the how to

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Speaker 6: slow down and stuff like that. So yeah, I gotta

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Speaker 6: walk with cautious caution.

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Speaker 1: Yeah, and you gotta walk. You've got to walk with

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Speaker 1: caution around that place.

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Speaker 2: Walk will cost you costsuit.

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Speaker 5: Now those map shows the top five on that list,

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Speaker 5: including Sunset and Highlands.

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Speaker 1: Okay, when we come back, we'll give you the top five.

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Speaker 1: Two minutes into the story, we're getting intersections, the top

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Speaker 1: five we come back, the worst intersections in LA.

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Speaker 7: You're listening to Tim Conway Junior on demand from KFI

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Speaker 7: AM six forty.

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Speaker 1: And people love Thompson. We're getting a lot of great

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Speaker 1: talk bags on Mark Thompson.

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Speaker 2: Thank you. I hope that's true. It is true.

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Speaker 1: I just listened to three of them all right. So

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Speaker 1: if you want to leave a talkback, we'll play it

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Speaker 1: on the air. It's fun to listen to your voice

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Speaker 1: on the air. I always found that cool as a kid.

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Speaker 1: I used to always call talk radio.

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Speaker 2: Well, here's why it's even cooler now because on the

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Speaker 2: iHeartRadio app and you leave these you know, hot takes

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Speaker 2: or whatever on the talkback, you have that microphone thing.

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Speaker 2: It really is more your voice when you called used

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Speaker 2: to call the station, like back in the old days

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Speaker 2: you had your voice over a telephone line. You're just

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Speaker 2: not it's not this.

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Speaker 1: Is right, you're right.

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Speaker 2: I don't think about that. Yeah, it's really like the

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Speaker 2: fidelity or whateveryone to call. The audio quality is all better.

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Speaker 2: It's right.

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Speaker 1: Plus when you call talk radio, you're nervous, like when

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Speaker 1: I call Petros and money. Occasionally I get nervous. Sure

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Speaker 1: when I'm on the hole, Yeah, yeah, I don't know

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Speaker 1: whether I'm on or not. What should I say? I

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Speaker 1: don't know what this is that I get really nervous.

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Speaker 1: But when you leave a talk back, it's just you

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Speaker 1: at home with a beer or whatever. And if you

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Speaker 1: don't like, you can raise it and re record it.

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Speaker 2: I'm always amazed by the people who call talk radio

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Speaker 2: and seem totally laid back, Like I'm like you, I'm

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Speaker 2: kind of nervous my heart because I want, I want

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Speaker 2: to be good or whatever it is. But I can

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Speaker 2: listen like George Nori at night and people go down, George,

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Speaker 2: how you doing going from Beton Rouge? Yeah, betonro I

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Speaker 2: do you George? You know it's funny. My uncle was

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Speaker 2: taken by aliens and I just wanted to bounce it

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Speaker 2: off of you and see what it's like. Holy cowolic,

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Speaker 2: I's so comfortable, it's so casual. Yeah, exactly, Shit, I

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Speaker 2: don't know.

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Speaker 1: All right, let's get into the word intersections in LA.

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Speaker 1: We're finally at the list, so fasten your safety belts.

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Speaker 2: Gang. Maybe you live near one of these things.

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Speaker 6: Now.

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Speaker 5: This map shows the top five on that list, including

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Speaker 5: Sunset and Highland. Number two is the Pulvida and Lincoln

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Speaker 5: in Westchester, which is used for shortcuts to LA.

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Speaker 2: That's the word.

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Speaker 1: Yeah, getting through there is living effing hell a little

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Speaker 1: overreaction whenever.

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Speaker 5: And now number six through ten, they include Los Felis

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Speaker 5: and Griffith Park and Los Felis.

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Speaker 1: Oh my god, that whole lost feelis getting through Griffith Park.

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Speaker 1: For getting from the five Freeway to through Griffith Park

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Speaker 1: on Los Feelis could take you nine hours.

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Speaker 2: It's true, and depending on the time of day. Yeah,

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Speaker 2: you're right, you could just be in your own circle.

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Speaker 3: What'd you say, the shops at Griffith Park.

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Speaker 1: Yes, yes, exactly, we should have shops at gre the Park.

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Speaker 1: You know what, Mark, You're one of these environmentalists nuts.

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Speaker 1: I think that Griffith Park, you know, that whole area

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Speaker 1: where the golf courses and the zoo is and everything

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Speaker 1: that should be condos and seven elevens and Starbucks crap

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Speaker 1: we use, you know, not that, not these trees and

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Speaker 1: the you know, the flowers and crap like that. We

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Speaker 1: can go to florists and get that. Okay, but there

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Speaker 1: should be more there, maybe a maybe like a grove,

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Speaker 1: you know, or a commons you know, hand over Griffith

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Speaker 1: Park to Rick Caruso and see what he can do with. Okay, Well,

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Speaker 1: they'll bring in money, got to bring more money than

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Speaker 1: they have now. They get three dollars for you know,

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Speaker 1: for a bucket of balls for the driving.

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Speaker 2: Right. One of the reasons people go to Griffith Park though,

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Speaker 2: is because it's a park.

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Speaker 1: I know, but nobody goes anymore. Some people go, but

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Speaker 1: more people would go if it was if it looked

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Speaker 1: like it was a grove or Disneyland. Give it a

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Speaker 1: Walt Disney. Let them do something with lands.

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Speaker 5: Yeah, Big Players feels near the five, so that has

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Speaker 5: a lot of commuters. pH and sunset in the Pacific Palisades, bree.

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Speaker 2: Okay, pH and Sunset is a death trap. That is true.

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Speaker 2: It's just a complicated intersection. You don't know really what's happening. Guys,

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Speaker 2: make right turns there onto Sunshine.

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Speaker 1: And it comes down off a hill and then right

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Speaker 1: into the ocean.

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Speaker 2: Yeah.

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Speaker 1: And if you don't miss, if you don't hit, you pch,

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Speaker 1: you're going to the ocean.

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Speaker 2: Oh there's that too. Yeah.

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Speaker 5: Brings together two iconic roadways and a famous surf break,

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Speaker 5: Santa Monica on Highland.

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Speaker 1: And Santa Monica and Highland.

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Speaker 2: Anything on Highland sucks.

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Speaker 5: Anything Santa Monica on Highland and Hollywood between who at

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Speaker 5: Hollywood so neighborhood crowds and commuters. Fountain and Hyperion and

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Speaker 5: Silver Lake. It has a tea intersection designed for a

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Speaker 5: continuous right turn off Busy Hyperion and Crenshaw in ninth

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Speaker 5: in central La. Crenshaw is a major boulevard in the

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Speaker 5: La basin, but it ends so abruptly at Wilshire Boulevard.

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Speaker 5: Now back here live the time says, Oh, I.

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Speaker 1: Know she's talking about that. Crenshaw ends at Wiltshire and

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Speaker 1: there's like a museum there, an old bank and that's

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Speaker 1: where I took acting lessons when I was younger in

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Speaker 1: that building. In that building, I only made it through

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Speaker 1: two or three and then I said screw it.

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Speaker 2: Yeah, you don't need to tell us that. Thank you.

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Speaker 5: Abruptly at Wilshire Boulevard. Now back here live the time,

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Speaker 5: says the people that they talk to say they're not

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Speaker 5: sure that anything can be done to fix this. We

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Speaker 5: talked to a couple of people as well.

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Speaker 1: I love the attitude of la We have ten intersections

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Speaker 1: that are dangerous and people are dying. Well, how are

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Speaker 1: you going to fix it? Well, we're not sure we can. Yeah,

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Speaker 1: just through the tow by telling you about it. Yeah,

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Speaker 1: we're through the towel, and the way to figure out

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Speaker 1: the way to fix is just avoided.

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Speaker 5: Okay, say they're not sure that anything can be done

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Speaker 5: to fix this. We talked to a couple of people

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Speaker 5: as well here who say the same thing. They're not

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Speaker 5: sure anything can be done except possibly congestion pricing. Porting

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Speaker 5: live areon Hollywood. I'm Aaron Myers. I'll sit it back

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Speaker 5: to you.

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Speaker 1: Both are congestion price They're going to like they do

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Speaker 1: in New York. Oh yeah, they want to try that

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Speaker 1: out here. People are going to kill people. If we're

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Speaker 1: taxed anymore. We have had it with these taxes. You

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Speaker 1: keep taxing these people out here and they will start

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Speaker 1: murdering people.

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Speaker 2: They've had it.

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Speaker 1: All right, We got some more news coming back. We

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Speaker 1: have moonshadows. The restaurant out there, beautiful restaurant building. Uh there.

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Speaker 1: The restaurant owner is raising money for the wildfire relief.

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Speaker 1: So that's a cool deal. You know, staying in the

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Speaker 1: restaurant business and staying with your afloat with your head

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Speaker 1: above water is very difficult. But then to go above

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Speaker 1: and beyond that and raise money for the victims. Is

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Speaker 1: he deserves an atta boy, unless it's a girl, and

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Speaker 1: then she deserves an out of girl.

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Speaker 2: Oh yeah, yeah, all right, we'll come.

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Speaker 1: Back and talk about that. And the best beach in

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Speaker 1: the world, or at least in the United States, is

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Speaker 1: right here in California. The best beach in the United

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Speaker 1: States is in California, not Hawaii, not Florida, not Oregon,

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Speaker 1: not Washington, New York, you know, or any of the

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Speaker 1: Gulf States. Right right here in California.

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Speaker 7: You're listening to Tim Conway Junior on demand from KFI

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Speaker 7: AM sixty.

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Speaker 1: Conway Thompson, Yeah, Thompson's getting his valet parking ticket or.

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Speaker 2: Now I'm getting my it's a regular, it's validated, validated. Yeah, okay,

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Speaker 2: you're a man. Yeah yeah, really, yeah, that's a validation.

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Speaker 2: I got a lot of problems of anxiety.

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Speaker 1: Validated you all. Right, Before we get into the best

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Speaker 1: beach in America and Moonshadows the Great Restaurant, I got

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Speaker 1: to play it for you. You're the firstborn in your family. Yeah,

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Speaker 1: I'm the oldest. Nate Bargtsky did something. It said something

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Speaker 1: very funny about being the firstborn. I want to get

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Speaker 1: your reaction to it. Will you react to it?

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Speaker 2: Of course?

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Speaker 1: Here we go Nate Bargeski, a very funny stand up

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Speaker 1: comedian talking about being the first born in your family.

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Speaker 8: I'm the first born in my family. There's a lot

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Speaker 8: of first born here tonight. It's a lot of us.

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Speaker 8: I like it. We have to stick together. We have

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Speaker 8: the heart of all the children. We show up. Our

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Speaker 8: parents are not ready for us to be there. They

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Speaker 8: don't have any money. You basically get there, You're like,

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Speaker 8: I don't think I should even be here yet, but

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Speaker 8: they want you to get a job and start helping

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Speaker 8: out the youngest. To show up your parents are trillionaires

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Speaker 8: live in homes? The oldest never even saw. She's like,

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Speaker 8: what's in upstairs? I mean, that's like a home on

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Speaker 8: top of a home. The house I was born into.

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Speaker 8: My parents were a twenty three when I was born,

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Speaker 8: and they rented a home and then we just I

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Speaker 8: just talked to them about this and they said the

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Speaker 8: front door of their home was a sliding glass door,

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Speaker 8: and I was like, that doesn't make sense, Like, how

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Speaker 8: do you even lock it? You can only lock those

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Speaker 8: with a pole, so how do you lock it? And

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Speaker 8: then un you know, and I asked them, I asked

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Speaker 8: them what I'm sure you are thinking. I was like,

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Speaker 8: are you sure you did not live in this home backwards?

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Speaker 8: That makes more sense to me than your front door

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Speaker 8: being a sliding glass door. And they're like, no, that's

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Speaker 8: what it was. And I was like, what did the

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Speaker 8: back door look like? And they go, a regular door.

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Speaker 8: I go, that's what I'm saying, and that's okay. I

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Speaker 8: think you were too young and poor to know what

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Speaker 8: a front.

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Speaker 2: Door should look like. We had a lot of front

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Speaker 2: door problems.

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Speaker 8: The first house my parents bought, it was like this

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Speaker 8: little two bedroom home and I was I think I

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Speaker 8: was twelve years old, and my dad wanted a screen door.

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Speaker 8: So he found one, like on the side of the

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Speaker 8: road or something, and he put it in. But the

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Speaker 8: handle was on the opposite side of the door handle.

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Speaker 8: So if you came in our house, yeah, you had

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Speaker 8: to go like this and then like this.

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Speaker 1: That's a very funny guy. That's a funny dude.

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Speaker 2: Man, it's so true too.

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Speaker 1: Not only maybe you're you kind of part of the

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Speaker 1: ramp up of life that your folks have. But I

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Speaker 1: remember the third child. Okay, I'm the oldest of four.

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Speaker 1: The third child. She was kind of a party girl.

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Speaker 1: Everybody's really smart, but she she was.

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Speaker 2: She like, she was a dead head kind of and

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Speaker 2: she like and so she came back from a Grateful

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Speaker 2: Dead concert in my parents' station wagon and it was

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Speaker 2: a ten pund the act station wagon. And when she

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Speaker 2: got back in the driveway, there was a huge dent

437
00:21:04,240 --> 00:21:08,440
Speaker 2: in the side on the passenger door, like the passenger side,

438
00:21:08,920 --> 00:21:11,159
Speaker 2: the one in rear that's important. It was just a

439
00:21:11,240 --> 00:21:14,199
Speaker 2: dent on the side. And she told my dad, and

440
00:21:14,400 --> 00:21:16,040
Speaker 2: if I had done this, you understand, I would have

441
00:21:16,080 --> 00:21:20,760
Speaker 2: been grounded for five years. She told my father that

442
00:21:22,040 --> 00:21:26,280
Speaker 2: somebody one of her friends is really heavy leaned against

443
00:21:26,359 --> 00:21:32,200
Speaker 2: the car. I mean, that's not even a good bluff, Sue,

444
00:21:32,200 --> 00:21:36,080
Speaker 2: there's a dent in the car. Nobody leaned against it

445
00:21:36,119 --> 00:21:38,720
Speaker 2: and produced that tent. She literally said that, and then

446
00:21:39,200 --> 00:21:41,960
Speaker 2: I found beer cans in the car when I looked later,

447
00:21:42,080 --> 00:21:44,560
Speaker 2: But my parents it read to blow right past it,

448
00:21:44,760 --> 00:21:47,280
Speaker 2: and telling Tim I would still be grounded if I

449
00:21:47,400 --> 00:21:49,800
Speaker 2: tried a story like that, So I think he's right.

450
00:21:50,000 --> 00:21:51,760
Speaker 2: I think when you're the oldest, it's sort of like,

451
00:21:51,880 --> 00:21:55,200
Speaker 2: you know, you're they're grinding on you harder than everybody else,

452
00:21:55,240 --> 00:21:57,200
Speaker 2: and you're also a part of the ramp up. By

453
00:21:57,240 --> 00:21:59,440
Speaker 2: the time the other ones get there. You know, now

454
00:21:59,520 --> 00:22:03,239
Speaker 2: you you were part of a real I mean that

455
00:22:03,400 --> 00:22:06,399
Speaker 2: is a an army of kids. Kids. Yeah, that is

456
00:22:06,440 --> 00:22:07,000
Speaker 2: an army.

457
00:22:07,080 --> 00:22:09,960
Speaker 1: And my mom used to when she introduced us to

458
00:22:10,800 --> 00:22:14,639
Speaker 1: new friends of hers or you know, people that like

459
00:22:14,760 --> 00:22:18,440
Speaker 1: relatives we've never met, she would say, okay, line up,

460
00:22:20,400 --> 00:22:23,600
Speaker 1: like we're the von Trapps, you know from Sound of Music,

461
00:22:24,080 --> 00:22:25,720
Speaker 1: and we'd have to and we'd have to get in

462
00:22:25,800 --> 00:22:29,240
Speaker 1: line by age. So it's Kelly, Timmy Patrick, Jamie Corey,

463
00:22:29,280 --> 00:22:33,480
Speaker 1: and Sean and then she would say, okay, now tell

464
00:22:33,480 --> 00:22:37,399
Speaker 1: everybody your name. I'm Kelly, I'm Tim, I'm Pat, I'm Jamie,

465
00:22:37,600 --> 00:22:38,720
Speaker 1: I'm Corey, I'm Sean.

466
00:22:40,720 --> 00:22:44,960
Speaker 2: Wow. Well she likes a presentation. She knows what she wants.

467
00:22:45,200 --> 00:22:47,600
Speaker 1: We were the van traps, Yeah, you know, without the

468
00:22:47,680 --> 00:22:52,360
Speaker 1: singing ability and the clothes that match Hitler.

469
00:22:52,840 --> 00:22:53,040
Speaker 4: Yeah.

470
00:22:53,040 --> 00:22:55,159
Speaker 2: So other than that, we were we had it locked out.

471
00:22:55,200 --> 00:22:57,800
Speaker 2: Didn't have you all be matching later? Hosen No, no,

472
00:22:57,840 --> 00:23:01,480
Speaker 2: he didn't have been fun. I'll tell you quick story here.

473
00:23:05,119 --> 00:23:08,760
Speaker 2: We went to del Mar. My dad had a party

474
00:23:08,800 --> 00:23:12,320
Speaker 2: in del Mar, and he got two rooms hotel rooms

475
00:23:12,440 --> 00:23:15,200
Speaker 2: for the kids. So there was going to be three

476
00:23:15,240 --> 00:23:17,080
Speaker 2: of us in one hotel room and three of us

477
00:23:17,119 --> 00:23:19,400
Speaker 2: in another hotel room. And then the people he went with,

478
00:23:19,480 --> 00:23:23,320
Speaker 2: they had a hotel room next to that. And my

479
00:23:23,440 --> 00:23:26,760
Speaker 2: brother we got all dressed up. We're going to this dinner.

480
00:23:27,119 --> 00:23:29,480
Speaker 2: And my brother had this weird thing where he never

481
00:23:29,680 --> 00:23:32,960
Speaker 2: liked to fart in slacks because he thought the odor

482
00:23:33,000 --> 00:23:36,280
Speaker 2: would stay in the slacks. So he went out to

483
00:23:36,320 --> 00:23:42,480
Speaker 2: the patio, pulled his pants down and farted towards the

484
00:23:42,480 --> 00:23:46,919
Speaker 2: the you know, the other balconies, and he farted, and

485
00:23:46,960 --> 00:23:53,919
Speaker 2: I hear, oh my god, Well, Dana who was with us,

486
00:23:54,000 --> 00:23:57,760
Speaker 2: Dana DeFranco, was on that porch reading a magazine and

487
00:23:57,840 --> 00:24:00,000
Speaker 2: he didn't see her, and he pulled his pants down

488
00:24:00,000 --> 00:24:01,200
Speaker 2: and then farted into her hair.

489
00:24:01,480 --> 00:24:13,399
Speaker 4: Oh my god, Oh my god, that's pretty grusch Ah.

490
00:24:13,440 --> 00:24:15,040
Speaker 3: And with your dad, it had to have been a

491
00:24:15,160 --> 00:24:17,440
Speaker 3: question of whether or not it was intentional.

492
00:24:17,600 --> 00:24:23,600
Speaker 1: It was my brother that did it. Yeah, my brother

493
00:24:23,680 --> 00:24:26,600
Speaker 1: that farted. No, my dad wouldn't do that, but my brother.

494
00:24:27,359 --> 00:24:29,960
Speaker 1: He had a theory that if you fart in good slacks,

495
00:24:29,960 --> 00:24:33,200
Speaker 1: it stays in the slacks. And he blasted one into

496
00:24:33,240 --> 00:24:37,600
Speaker 1: her hair. And she still remembers where she was sitting

497
00:24:37,600 --> 00:24:38,240
Speaker 1: when that happened.

498
00:24:38,240 --> 00:24:41,960
Speaker 2: I'll bet you forget, could you not. That's pretty Yeah,

499
00:24:42,000 --> 00:24:44,040
Speaker 2: you just heard you know, she's told that story a

500
00:24:44,080 --> 00:24:44,840
Speaker 2: couple of times too.

501
00:24:44,960 --> 00:24:47,080
Speaker 1: You heard you heard this on the porch.

502
00:24:49,320 --> 00:24:50,880
Speaker 2: Jesus Christ.

503
00:24:52,480 --> 00:24:56,200
Speaker 1: Flew on right in her hair, no cloth in between something.

504
00:24:57,359 --> 00:25:00,439
Speaker 1: It was just it was the iron fence between the

505
00:25:00,440 --> 00:25:11,439
Speaker 1: two balconies, and it hit her hard. I hope she

506
00:25:11,480 --> 00:25:14,280
Speaker 1: didn't have her mouth open, but she had to go

507
00:25:14,320 --> 00:25:17,000
Speaker 1: to the party with her, you know, just smelling her hair.

508
00:25:17,040 --> 00:25:19,280
Speaker 2: Everyone a whiling. Christ.

509
00:25:20,800 --> 00:25:23,400
Speaker 1: How's your brother doing? I don't know. You know better

510
00:25:23,440 --> 00:25:23,840
Speaker 1: than I do.

511
00:25:24,200 --> 00:25:24,639
Speaker 2: How is he?

512
00:25:25,840 --> 00:25:29,480
Speaker 7: You're listening to Tim Conway Junior on demand from kf

513
00:25:29,520 --> 00:25:30,879
Speaker 7: I am six forty.

514
00:25:32,200 --> 00:25:36,920
Speaker 2: Hey, I have a question about your father, sir. When

515
00:25:37,080 --> 00:25:40,359
Speaker 2: I mean your father really, I'm not just saying this.

516
00:25:40,440 --> 00:25:45,360
Speaker 2: I mean he's you know, Mount Rushmore of comics and

517
00:25:45,359 --> 00:25:47,440
Speaker 2: and you know, by the way, Bob Newhart said that

518
00:25:47,560 --> 00:25:50,200
Speaker 2: at your dad's memorial service. At your dad's funeral, that's

519
00:25:50,280 --> 00:25:53,720
Speaker 2: very nice of him. Yeah, yeah, so that's not unique

520
00:25:53,720 --> 00:25:53,919
Speaker 2: to me.

521
00:25:53,960 --> 00:25:56,560
Speaker 1: But I it sounds like you don't have dwarf on

522
00:25:56,640 --> 00:25:58,439
Speaker 1: auto racing and you want to borrow it.

523
00:25:58,880 --> 00:26:02,120
Speaker 2: I have a quick question about when it started popping

524
00:26:02,160 --> 00:26:04,600
Speaker 2: for him, like when did he pune through? And it's like,

525
00:26:04,640 --> 00:26:08,280
Speaker 2: oh my god, he's this guy is part of the

526
00:26:08,320 --> 00:26:11,680
Speaker 2: real funny stream of people in show business. Now.

527
00:26:11,840 --> 00:26:14,919
Speaker 1: Well, he was in He was in Cleveland, Ohio doing

528
00:26:15,080 --> 00:26:19,359
Speaker 1: a like a nightly movie wrap around show in the

529
00:26:19,400 --> 00:26:25,199
Speaker 1: mid fifties and Rose Marie, who was an actress and

530
00:26:25,280 --> 00:26:28,280
Speaker 1: also did a lot of talent scouting, happened to be

531
00:26:28,280 --> 00:26:30,840
Speaker 1: in Cleveland. She got snowed in for the weekend and

532
00:26:30,880 --> 00:26:33,200
Speaker 1: she turned the TV on and saw it and saw

533
00:26:33,280 --> 00:26:36,560
Speaker 1: my dad and said that guy's funny. Let's bring him

534
00:26:36,560 --> 00:26:39,560
Speaker 1: out for the Steve Allen Show. And he came out

535
00:26:39,560 --> 00:26:41,280
Speaker 1: a week later do the Steve Allen Show, and that's

536
00:26:41,280 --> 00:26:44,680
Speaker 1: where he met Don Notts. And then you know, when

537
00:26:44,720 --> 00:26:47,160
Speaker 1: you do the Steve Allen Show back then and you're

538
00:26:47,480 --> 00:26:50,760
Speaker 1: interesting at all or funny at all, eighty percent of.

539
00:26:50,680 --> 00:26:52,800
Speaker 2: The country watched it. Sure, so many people saw it.

540
00:26:53,080 --> 00:26:56,199
Speaker 1: And so then he got you know, Mikhail's Navy, and

541
00:26:56,240 --> 00:26:57,920
Speaker 1: then that took off, and then he did a couple

542
00:26:57,960 --> 00:27:01,520
Speaker 1: of own shows, and so I'd say probably early sixties

543
00:27:01,640 --> 00:27:01,920
Speaker 1: or so.

544
00:27:01,920 --> 00:27:05,879
Speaker 2: So at that point he was twenty early twenties.

545
00:27:05,920 --> 00:27:10,520
Speaker 1: Then in fifty three, he in fifty five, he would

546
00:27:10,520 --> 00:27:15,560
Speaker 1: have been twenty two, twenty two, twenty three. And then

547
00:27:15,840 --> 00:27:18,280
Speaker 1: I was just watching this. If you go to YouTube

548
00:27:18,280 --> 00:27:23,960
Speaker 1: and you put in stan Laurel's funeral, Laurel and Hardy,

549
00:27:24,680 --> 00:27:27,240
Speaker 1: he was there at the funeral, and that what year,

550
00:27:27,440 --> 00:27:28,760
Speaker 1: I'll get, Oh, I could find that out.

551
00:27:28,920 --> 00:27:33,600
Speaker 2: Year Stan Laurel died. Uh stan Laurel. I know, it

552
00:27:33,600 --> 00:27:36,080
Speaker 2: seems like a ninety year olds doing this show.

553
00:27:36,640 --> 00:27:42,280
Speaker 1: Stan Laurel was nineteen sixty five he died, Okay, so

554
00:27:42,320 --> 00:27:45,639
Speaker 1: my dad was thirty two. I thought he was younger.

555
00:27:45,720 --> 00:27:48,280
Speaker 1: Now by then, I mean he had already punched through. Yeah,

556
00:27:48,280 --> 00:27:51,880
Speaker 1: he'd done Michael's neighbor start. But nineteen sixty five, Stan

557
00:27:52,000 --> 00:27:55,760
Speaker 1: Laurel died and they had the funeral at Forest Lawn

558
00:27:55,800 --> 00:27:58,159
Speaker 1: here in Burbank. And if you want, if you go

559
00:27:58,200 --> 00:28:01,320
Speaker 1: to YouTube and type in stand Laurel Funeral, you can

560
00:28:01,320 --> 00:28:03,679
Speaker 1: see my dad there with a bunch of other you know,

561
00:28:03,840 --> 00:28:09,040
Speaker 1: Hollywood actors and actresses and studio executives and studio the

562
00:28:09,040 --> 00:28:11,919
Speaker 1: heads of these studios, and you can see what Forrest

563
00:28:11,960 --> 00:28:16,720
Speaker 1: Lawn looked like. What is that sixty years ago, sixty

564
00:28:16,720 --> 00:28:20,280
Speaker 1: one years ago? And it looks the same. A lot

565
00:28:20,320 --> 00:28:22,199
Speaker 1: of it is the same, you know. Obviously the mountains

566
00:28:22,200 --> 00:28:24,520
Speaker 1: are the same. The church was there, and but to

567
00:28:24,560 --> 00:28:27,600
Speaker 1: go to to be alive, to go to Stan Laurel's funeral,

568
00:28:27,600 --> 00:28:30,879
Speaker 1: of Laurel and Hardy, I mean that that was the

569
00:28:30,960 --> 00:28:33,600
Speaker 1: pinnacle also the legend. He was the biggest legend in

570
00:28:33,640 --> 00:28:37,159
Speaker 1: the world. When when when I watched TV and I

571
00:28:37,200 --> 00:28:40,400
Speaker 1: see Laurel and Hardy or the Three Stooges, I always

572
00:28:40,440 --> 00:28:44,640
Speaker 1: stop and watch. And I remember there was discussions that

573
00:28:45,000 --> 00:28:49,240
Speaker 1: between the Three Stooges where Moe I mean where Curly

574
00:28:49,320 --> 00:28:52,960
Speaker 1: and Larry went to the studio executives, the president of

575
00:28:52,960 --> 00:28:55,880
Speaker 1: the studio, and said, hey, Moe's hitting us too much.

576
00:28:56,320 --> 00:28:59,120
Speaker 1: We don't like, we don't like what's going on, and

577
00:28:59,160 --> 00:29:03,400
Speaker 1: we want less hitting. And the studio executives said, there

578
00:29:03,560 --> 00:29:07,880
Speaker 1: is no show without the hitting. That's that's that's what

579
00:29:07,920 --> 00:29:09,960
Speaker 1: you guys do. And he goes, well, he's hitting us

580
00:29:09,960 --> 00:29:12,560
Speaker 1: really hard. We go home in pain every night. He's

581
00:29:12,640 --> 00:29:15,240
Speaker 1: kicking the crap out of us every day. And he goes, well,

582
00:29:15,280 --> 00:29:17,200
Speaker 1: we'll talk to him about maybe pulling some punches, but

583
00:29:17,240 --> 00:29:19,880
Speaker 1: we're not reducing the slapping and the hitting in the

584
00:29:19,920 --> 00:29:22,080
Speaker 1: Three Stooges. And one of the reasons why the Three

585
00:29:22,120 --> 00:29:25,840
Speaker 1: Stooges was so great is because they said about ninety

586
00:29:25,920 --> 00:29:29,080
Speaker 1: five percent of the of the punches that they that

587
00:29:29,160 --> 00:29:31,720
Speaker 1: they threw at each other landed and hurt and hurt.

588
00:29:31,880 --> 00:29:34,480
Speaker 1: They were real, yeah, and they can see it in

589
00:29:34,480 --> 00:29:40,400
Speaker 1: their face sound effects and stuff. But Larry fine. He

590
00:29:40,480 --> 00:29:43,200
Speaker 1: went to the Old Actors' Home, I think, and lived

591
00:29:43,200 --> 00:29:47,240
Speaker 1: out his days there and became tight with Bob Saggot.

592
00:29:47,320 --> 00:29:50,440
Speaker 2: Oh is that right? And Bob Saggot wrote in his

593
00:29:50,640 --> 00:29:55,440
Speaker 2: book about the fact that Larry Fine who met Saggot.

594
00:29:55,520 --> 00:29:57,360
Speaker 2: I think when Shagga was a young guy, like it

595
00:29:57,440 --> 00:30:00,520
Speaker 2: might have been a high school kid or or college

596
00:30:00,600 --> 00:30:04,680
Speaker 2: kid whatever, young young performers. Certainly, uh, he became sort

597
00:30:04,680 --> 00:30:07,680
Speaker 2: of bonded to Bob Sackett and he said exactly what

598
00:30:07,720 --> 00:30:12,160
Speaker 2: you said. That very fine wouldn't stop talking about how

599
00:30:12,760 --> 00:30:15,720
Speaker 2: Moe just worked him over and how that there was

600
00:30:15,760 --> 00:30:19,200
Speaker 2: a real physical price that he paid as one of

601
00:30:19,200 --> 00:30:19,960
Speaker 2: the three Stooges.

602
00:30:20,040 --> 00:30:26,160
Speaker 1: You know, the three Stooges are buried at at a there. Oh,

603
00:30:26,240 --> 00:30:31,160
Speaker 1: here's where it is. There is a graveyard and some

604
00:30:31,240 --> 00:30:34,560
Speaker 1: grave sites that are right off the five freeway between

605
00:30:34,600 --> 00:30:36,560
Speaker 1: the seven ten and the six so five actually between

606
00:30:36,600 --> 00:30:38,880
Speaker 1: the seven ten and the Commerce Casino. If you look

607
00:30:38,920 --> 00:30:42,440
Speaker 1: off to the north, there is there's a huge graveyard there,

608
00:30:42,520 --> 00:30:45,160
Speaker 1: a cemetery and that's where the three Stooges are buried.

609
00:30:45,520 --> 00:30:48,480
Speaker 1: I mean you can you can literally go to their

610
00:30:48,720 --> 00:30:51,880
Speaker 1: you know, their tombstone, sure and see where the three

611
00:30:51,880 --> 00:30:52,520
Speaker 1: Stooges are there.

612
00:30:52,680 --> 00:30:54,760
Speaker 2: That's true. With a bunch of celebrities as you know,

613
00:30:54,880 --> 00:30:57,160
Speaker 2: passed away, you can go to their gravesite.

614
00:30:57,280 --> 00:30:58,680
Speaker 1: I would love to do that. I mean, I know

615
00:30:58,720 --> 00:31:01,400
Speaker 1: there's a. There's one in Westwood where there's a ton

616
00:31:01,720 --> 00:31:02,440
Speaker 1: of celebrities.

617
00:31:02,440 --> 00:31:03,720
Speaker 2: That's where Sam Simon's buryed.

618
00:31:03,840 --> 00:31:06,000
Speaker 1: Oh is that right? Yeah, Oh that's wrong. My dad

619
00:31:06,080 --> 00:31:09,840
Speaker 1: is there? Oh no, kidd, but that that is a.

620
00:31:10,440 --> 00:31:12,840
Speaker 1: There are a lot of celebrities there, a lot of them.

621
00:31:13,160 --> 00:31:17,280
Speaker 1: I'll tell you quick story my dad. I never heard

622
00:31:17,320 --> 00:31:20,280
Speaker 1: him swear in his life, never used the F word,

623
00:31:20,480 --> 00:31:23,360
Speaker 1: never used any language at all until he got a

624
00:31:23,360 --> 00:31:27,640
Speaker 1: computer and then he exploded. But never swore at anybody.

625
00:31:28,080 --> 00:31:28,720
Speaker 2: Always.

626
00:31:28,960 --> 00:31:31,440
Speaker 1: If he ever did swear, it would be at inanimate

627
00:31:31,480 --> 00:31:34,120
Speaker 1: objects like the street light or you know, the computer.

628
00:31:34,480 --> 00:31:37,880
Speaker 1: The computer is almost ninety nine percent of any swearing

629
00:31:37,960 --> 00:31:39,480
Speaker 1: he did is you got to get the f over

630
00:31:39,520 --> 00:31:40,880
Speaker 1: here and show him how to use this F and

631
00:31:40,920 --> 00:31:43,240
Speaker 1: computer or else I'm going to throw it out the door,

632
00:31:43,440 --> 00:31:46,600
Speaker 1: out the window. Because he was a he was writing

633
00:31:46,640 --> 00:31:50,440
Speaker 1: on a manual typewriter. But when the Rams moved to

634
00:31:50,480 --> 00:31:56,200
Speaker 1: Saint Louis, he used swear language against Georgia frontiering he

635
00:31:56,240 --> 00:31:59,200
Speaker 1: couldn't believe that this woman moved. Is his favorite team?

636
00:31:59,320 --> 00:32:02,440
Speaker 1: Sure that he followed from Cleveland. They were the Cleveland Rams.

637
00:32:03,040 --> 00:32:04,560
Speaker 1: Then he came out here and there were you know,

638
00:32:04,600 --> 00:32:06,800
Speaker 1: the La Rams and then they moved to Saint Louis.

639
00:32:06,840 --> 00:32:09,560
Speaker 1: And my dad was the biggest Rams fan in the world.

640
00:32:10,000 --> 00:32:12,840
Speaker 1: He loved the La Rams. He go to all the games,

641
00:32:12,880 --> 00:32:15,840
Speaker 1: you watch them on TV. He loved the Rams. And

642
00:32:15,880 --> 00:32:19,360
Speaker 1: when and when Georgia Frontier moved them to Saint Louis,

643
00:32:19,560 --> 00:32:24,360
Speaker 1: he used language in describing her. Cut to my dad

644
00:32:24,480 --> 00:32:30,240
Speaker 1: dying and you know, put him in this mausoleum in

645
00:32:30,320 --> 00:32:34,760
Speaker 1: the Western Museum, one above him and one over caddy

646
00:32:34,840 --> 00:32:43,040
Speaker 1: corner to my dad, Georgia Frontier, Oh my god, that

647
00:32:43,160 --> 00:32:48,840
Speaker 1: is some kind of poetic twist for eternity. She will

648
00:32:48,840 --> 00:32:53,120
Speaker 1: be above him, looking down and to her right.

649
00:32:53,320 --> 00:32:55,680
Speaker 2: That's really funny. That's really funny.

650
00:32:55,720 --> 00:33:00,880
Speaker 1: And then a coincidence three three cast gets over in

651
00:33:00,920 --> 00:33:03,040
Speaker 1: that mausoleum, a guy named Dwarf.

652
00:33:03,880 --> 00:33:07,120
Speaker 2: Oh no, kidding, that's crazy. That's that's eerie. It is odd.

653
00:33:07,160 --> 00:33:08,200
Speaker 2: That's it really is odd.

654
00:33:08,920 --> 00:33:10,719
Speaker 1: All right, are you gonna stick around for the nine

655
00:33:10,800 --> 00:33:11,600
Speaker 1: or you take off?

656
00:33:12,640 --> 00:33:15,800
Speaker 2: I I you move on. Okay, we're gonna.

657
00:33:16,320 --> 00:33:20,720
Speaker 1: Glowing, uh talk, but you'll listen in the car. Yeah,

658
00:33:20,760 --> 00:33:24,040
Speaker 1: all right, we're gonna do talkbacks. It's talkback time, tip

659
00:33:24,040 --> 00:33:26,719
Speaker 1: tap time. And that's gonna be next, so get your

660
00:33:26,960 --> 00:33:28,560
Speaker 1: talk back in. We got a lot of them. We'll

661
00:33:28,560 --> 00:33:30,720
Speaker 1: get to it as many as we can. All you

662
00:33:30,760 --> 00:33:32,560
Speaker 1: gotta do is go to the iHeart Radio app, then

663
00:33:32,560 --> 00:33:35,960
Speaker 1: click on the little microphone button there. Leave some bellios edited,

664
00:33:35,960 --> 00:33:37,760
Speaker 1: a bunch of them. She'll continue to edit them and

665
00:33:37,760 --> 00:33:40,600
Speaker 1: we will do them between nine and ten two night.

666
00:33:40,840 --> 00:33:44,000
Speaker 1: It's called tip tap time. We talkback time, but I

667
00:33:44,120 --> 00:33:46,840
Speaker 1: like tip tap time better. All right's got my show, Mark,

668
00:33:46,840 --> 00:33:50,080
Speaker 1: Thanks for coming in, Johnny Love. Everybody'll see you next week.

669
00:33:50,320 --> 00:33:52,200
Speaker 1: We're live on kf I Am six forty.

670
00:33:53,280 --> 00:33:54,600
Speaker 2: This is KFI.

671
00:33:54,880 --> 00:33:57,360
Speaker 1: This has been the Conway Show on demand on the

672
00:33:57,400 --> 00:33:58,760
Speaker 1: iHeart Radio app.

673
00:33:59,000 --> 00:33:59,680
Speaker 2: Dere's Live.

674
00:34:00,200 --> 00:34:03,760
Speaker 1: Join us on KFI AM six forty weeknight six at

675
00:34:03,800 --> 00:34:05,720
Speaker 1: ten pm Monday through Friday.

676
00:34:05,960 --> 00:34:07,120
Speaker 2: Dingd Wlong with this app