1 00:00:03,640 --> 00:00:08,400 Speaker 1: And now it's time for Joe Escalante Live from Hollywood. 2 00:00:08,720 --> 00:00:12,160 Speaker 1: If my Hollywood you mean Burbank across the street promo 3 00:00:12,240 --> 00:00:14,440 Speaker 1: meters and it's a little bit serves beer. 4 00:00:26,120 --> 00:00:29,040 Speaker 2: Yes, we are back. We've been out for a little bit. 5 00:00:29,280 --> 00:00:34,360 Speaker 2: I've been in Australia touring with Sublime. And this is 6 00:00:34,400 --> 00:00:37,199 Speaker 2: a podcast version of the show because we're being preempted 7 00:00:37,200 --> 00:00:41,280 Speaker 2: by something at k EIB eleven fifty on your AM dial, 8 00:00:41,320 --> 00:00:44,600 Speaker 2: where we're usually heard every Sunday from five to seven. 9 00:00:44,960 --> 00:00:47,279 Speaker 2: What is it, Sam that they it is so important 10 00:00:47,280 --> 00:00:50,360 Speaker 2: that I can't get the word out to these people. 11 00:00:50,640 --> 00:00:53,760 Speaker 3: I'm guessing it's gonna be turn myself up a little here. 12 00:00:53,880 --> 00:00:56,520 Speaker 3: I'm guessing it's either clip or basketball or Dodger baseball 13 00:00:56,560 --> 00:00:58,120 Speaker 3: or a combination of the two. 14 00:00:59,320 --> 00:01:01,400 Speaker 4: Okay, you know what I've been doing. Well. 15 00:01:01,440 --> 00:01:04,600 Speaker 2: I was in Australia for two weeks good and it 16 00:01:04,680 --> 00:01:10,280 Speaker 2: was you know, successful rock band goes on tour. I 17 00:01:11,319 --> 00:01:15,000 Speaker 2: you know, meet with record labels and promoters and stuff 18 00:01:15,040 --> 00:01:18,240 Speaker 2: like that, manager staff, make sure everybody behaves. 19 00:01:18,640 --> 00:01:23,400 Speaker 4: And I had. 20 00:01:24,680 --> 00:01:28,560 Speaker 2: A good time. Every night. I'm like nineteen hours ahead 21 00:01:28,640 --> 00:01:32,399 Speaker 2: and I think that's it when I'm over there, and 22 00:01:32,440 --> 00:01:36,240 Speaker 2: so I watched the Dodgers compressed highlights every night, So 23 00:01:36,280 --> 00:01:39,000 Speaker 2: every night, almost every night they got a day off 24 00:01:39,040 --> 00:01:42,480 Speaker 2: a week or something, and you watch the fifteen to twenty. 25 00:01:42,240 --> 00:01:43,160 Speaker 4: Minute version of the game. 26 00:01:43,600 --> 00:01:46,360 Speaker 2: Okay, so good, you watch every game. I'll watch it 27 00:01:46,400 --> 00:01:48,360 Speaker 2: every game. I mean I don't have time to watch 28 00:01:48,400 --> 00:01:51,200 Speaker 2: one game, a full game in a week, but every 29 00:01:51,280 --> 00:01:52,560 Speaker 2: night before I go to bed, I just watched this 30 00:01:52,640 --> 00:01:53,760 Speaker 2: compressed Dodger thing. 31 00:01:54,600 --> 00:01:56,240 Speaker 4: Super fun and they're on fire. 32 00:01:56,640 --> 00:01:59,240 Speaker 3: Is there like a channel out there that is focusing 33 00:01:59,280 --> 00:02:01,400 Speaker 3: on compressedhighlights from sports out here? 34 00:02:01,800 --> 00:02:03,840 Speaker 2: Well, you just looked up highlights and you got to 35 00:02:03,960 --> 00:02:05,800 Speaker 2: kind of get good at it and make sure you're 36 00:02:05,800 --> 00:02:08,680 Speaker 2: not watching the wrong one or some guy's dumb analysis 37 00:02:09,200 --> 00:02:14,600 Speaker 2: like MLB has their own. Okay, so, and then the NFL, 38 00:02:14,880 --> 00:02:20,040 Speaker 2: I don't know. Sometimes it's a rogue person, but sometimes 39 00:02:20,080 --> 00:02:22,120 Speaker 2: it's just actual NFL. I think I think pretty much 40 00:02:22,120 --> 00:02:23,880 Speaker 2: all the sports teams are just kind of issuing a 41 00:02:23,919 --> 00:02:27,360 Speaker 2: fifteen minute highlight at the end of every game. Looks 42 00:02:27,360 --> 00:02:30,320 Speaker 2: like I mean, I'm getting the Dodger ones. Yeah, it's 43 00:02:30,320 --> 00:02:32,440 Speaker 2: a way to watch every game, but not spend a 44 00:02:32,440 --> 00:02:36,960 Speaker 2: bunch of time on it. I end up spending less 45 00:02:36,960 --> 00:02:40,399 Speaker 2: time on sports, not more time on sports. That's why 46 00:02:40,400 --> 00:02:47,320 Speaker 2: I don't belong to a homo exotic fantasy homo erotic 47 00:02:47,480 --> 00:02:48,600 Speaker 2: fantasy football league. 48 00:02:50,760 --> 00:02:54,160 Speaker 3: Is it for homo erotic players or are the people 49 00:02:54,919 --> 00:02:56,760 Speaker 3: homo eroticizing the players? 50 00:02:57,240 --> 00:02:59,160 Speaker 2: I think they're homeo eroticizing because I see a lot 51 00:02:59,160 --> 00:03:00,919 Speaker 2: of people spending a lot lot of time on something 52 00:03:00,919 --> 00:03:03,639 Speaker 2: called fantasy baseball, fantasy football. 53 00:03:04,840 --> 00:03:05,720 Speaker 4: So they're all guys. 54 00:03:05,880 --> 00:03:09,000 Speaker 2: They're all guys, and they're fantasizing about these sports things. 55 00:03:09,840 --> 00:03:12,280 Speaker 2: So I just assumed it was a homoerotic thing. 56 00:03:12,800 --> 00:03:15,720 Speaker 3: Oh, you can say almost every sport falls into that category. 57 00:03:15,840 --> 00:03:19,120 Speaker 2: Then yeah, so any good for them. I don't have 58 00:03:19,120 --> 00:03:22,440 Speaker 2: time for it. Find it more offensive. 59 00:03:23,000 --> 00:03:28,200 Speaker 4: But and then I didn't go to the theater in. 60 00:03:30,360 --> 00:03:34,280 Speaker 2: Uh Australia or New Zealand just you know, there's some 61 00:03:34,360 --> 00:03:38,320 Speaker 2: timing issues. There's actually an IMAX in our theater in 62 00:03:38,360 --> 00:03:42,280 Speaker 2: our hotel, the W Hotel in Sydney Harbor. But I 63 00:03:42,280 --> 00:03:47,440 Speaker 2: got to tell you something about about Australia. 64 00:03:46,080 --> 00:03:47,240 Speaker 4: Mainly New Zealand. 65 00:03:47,440 --> 00:03:50,720 Speaker 2: There's a lot of dumb people work with jobs and 66 00:03:50,800 --> 00:03:53,080 Speaker 2: so you've got you've got to get past that. And 67 00:03:53,120 --> 00:03:56,720 Speaker 2: they don't have tipping so there's no incentive to do 68 00:03:56,840 --> 00:04:00,400 Speaker 2: to tell you the truth or help you in any 69 00:04:00,440 --> 00:04:05,520 Speaker 2: meaningful way, like oh, let me take care of you, 70 00:04:05,520 --> 00:04:08,120 Speaker 2: you know, because I got your pal. You know I'm 71 00:04:08,120 --> 00:04:09,800 Speaker 2: going to get a big tip. No, it's just like, 72 00:04:10,160 --> 00:04:15,320 Speaker 2: here's some wrong information and step aside, please. And then 73 00:04:15,360 --> 00:04:19,440 Speaker 2: when you get to New Zealand, can New Zealand you've 74 00:04:19,440 --> 00:04:23,279 Speaker 2: probably heard, oh, this is the nicest people in New Zealand. 75 00:04:23,960 --> 00:04:24,520 Speaker 4: Have you heard that. 76 00:04:24,960 --> 00:04:30,600 Speaker 3: I've I've heard something I really haven't heard, like positive 77 00:04:30,640 --> 00:04:32,839 Speaker 3: or negative. I think every country is going to have 78 00:04:33,080 --> 00:04:35,279 Speaker 3: jerks and nice people. 79 00:04:36,360 --> 00:04:38,760 Speaker 2: Let me tell you something about radio Sam. You have 80 00:04:38,839 --> 00:04:42,640 Speaker 2: to say something. You can't say every country has this 81 00:04:42,839 --> 00:04:44,520 Speaker 2: or that. No one wants to hear that. They want 82 00:04:44,520 --> 00:04:48,479 Speaker 2: to hear someone say something. Okay, you can't just say like, oh, 83 00:04:48,480 --> 00:04:51,400 Speaker 2: well you know, I'm sure they've got an equal amount 84 00:04:51,440 --> 00:04:54,000 Speaker 2: of both people. Let's get on to the news. No, no, no, 85 00:04:54,040 --> 00:04:55,479 Speaker 2: people don't want to They don't want to hear that. 86 00:04:55,560 --> 00:04:57,600 Speaker 2: They want to hear some opinion. Well, let me tell 87 00:04:57,600 --> 00:05:03,400 Speaker 2: you New Zealand. There's an opinion. New Zealand has some 88 00:05:03,440 --> 00:05:07,880 Speaker 2: of the meanest people on planet Earth living within their borders. 89 00:05:08,640 --> 00:05:12,080 Speaker 2: And there are some really nice people there. When you 90 00:05:12,080 --> 00:05:17,279 Speaker 2: meet those people, that's great. But they have this they're 91 00:05:17,279 --> 00:05:23,160 Speaker 2: really into rules and they're very blunt, and so they're 92 00:05:23,240 --> 00:05:25,160 Speaker 2: constantly come up to you, coming up to you and 93 00:05:25,240 --> 00:05:28,479 Speaker 2: telling you about a rule that you're violating, and they're 94 00:05:28,560 --> 00:05:31,400 Speaker 2: very blunt about it. And since there's no tipping allowed, 95 00:05:31,839 --> 00:05:34,640 Speaker 2: they don't care how mean they sound or how rude 96 00:05:34,640 --> 00:05:38,520 Speaker 2: they sound, and they get in your face and it's 97 00:05:38,560 --> 00:05:42,240 Speaker 2: shocking to the system. So there's a lot of really 98 00:05:42,279 --> 00:05:47,080 Speaker 2: good food in New Zealand's some good atmosphere. 99 00:05:47,920 --> 00:05:51,719 Speaker 3: Did you break a rule, like some cultural norm and 100 00:05:51,760 --> 00:05:53,400 Speaker 3: they got all up in your face about it? 101 00:05:55,720 --> 00:05:59,279 Speaker 2: No, every day, every day, Sam, every day on there, 102 00:05:59,279 --> 00:06:01,960 Speaker 2: four times day. 103 00:06:03,360 --> 00:06:05,880 Speaker 3: Just the one guy standing outside your room right when 104 00:06:05,920 --> 00:06:08,240 Speaker 3: you walk out the way you're walking. 105 00:06:08,040 --> 00:06:08,760 Speaker 5: Is bugging me. 106 00:06:09,720 --> 00:06:13,400 Speaker 2: Now every day they got a rule and everybody's violating 107 00:06:13,400 --> 00:06:15,480 Speaker 2: all the rules, and they're just very blunt. 108 00:06:15,560 --> 00:06:17,919 Speaker 4: So you have your. 109 00:06:19,279 --> 00:06:20,919 Speaker 2: For the first time, I was happy when all my 110 00:06:21,200 --> 00:06:23,479 Speaker 2: band members are breaking rules. You know, sometimes I'm gonna 111 00:06:23,480 --> 00:06:26,440 Speaker 2: got anxiety. Let's not puss these people off. Let's be good, 112 00:06:26,760 --> 00:06:29,599 Speaker 2: you know, ambassadors of good will for our country here 113 00:06:29,760 --> 00:06:31,719 Speaker 2: in New Zealand. I'm like break every rule, set the 114 00:06:31,760 --> 00:06:38,200 Speaker 2: hotel on fire because they deserve it. But having said that, yeah, 115 00:06:38,200 --> 00:06:40,320 Speaker 2: there are really nice people there and the food's amazing. 116 00:06:40,960 --> 00:06:43,719 Speaker 3: What's the highlight food wise? Is it like seafood or 117 00:06:43,920 --> 00:06:45,200 Speaker 3: do they have I'll. 118 00:06:45,000 --> 00:06:45,640 Speaker 4: Tell you what it is. 119 00:06:45,839 --> 00:06:50,440 Speaker 2: It's the fact that they they're like in agrarian society 120 00:06:50,520 --> 00:06:59,080 Speaker 2: with like amazing climate. That's really makes it. They grow 121 00:06:59,120 --> 00:07:02,039 Speaker 2: a lot of fresh off around there. The sheep everywhere 122 00:07:02,040 --> 00:07:07,119 Speaker 2: grazing in this beautiful grass. So every time you order something, 123 00:07:07,160 --> 00:07:10,160 Speaker 2: I mean, you're getting Whatever lettuce you're getting, is this amazing. 124 00:07:10,520 --> 00:07:14,400 Speaker 2: Whatever tomato you're getting is amazing. The beef went to 125 00:07:14,400 --> 00:07:16,520 Speaker 2: a place where they're going like, hey, it's twenty dollars 126 00:07:16,600 --> 00:07:19,440 Speaker 2: steak special today. I'm usually I'm not going to order 127 00:07:19,440 --> 00:07:21,840 Speaker 2: a twenty dollars steak. I'm not even a twenty dollars steak, 128 00:07:21,920 --> 00:07:26,080 Speaker 2: especially in New Zealand where it's really with the currency exchange, 129 00:07:26,120 --> 00:07:31,480 Speaker 2: it's a sixteen fifteen dollars steak. But man, I had 130 00:07:31,520 --> 00:07:34,680 Speaker 2: it and it was one of the best steaks I've ever. 131 00:07:34,560 --> 00:07:35,280 Speaker 4: Had in my life. 132 00:07:35,960 --> 00:07:37,240 Speaker 5: It sounded like it moved you. 133 00:07:38,160 --> 00:07:38,880 Speaker 4: It did. 134 00:07:39,360 --> 00:07:41,600 Speaker 2: It's because you can tell they're just you know, everything's 135 00:07:41,640 --> 00:07:46,880 Speaker 2: grass fed. They're just very used to clean, wonderful food. 136 00:07:47,080 --> 00:07:49,160 Speaker 2: So they got that going from but they got you know, 137 00:07:49,200 --> 00:07:51,960 Speaker 2: the rules are just insane. Like when I'm taking communion 138 00:07:52,000 --> 00:07:54,160 Speaker 2: on the tongue, Sam, this is a little inside baseball 139 00:07:54,360 --> 00:07:58,800 Speaker 2: on the Catholic Church. For thousands of years you only 140 00:07:58,880 --> 00:08:01,160 Speaker 2: could receive communion on your your tongue, not in your hand. 141 00:08:01,760 --> 00:08:06,760 Speaker 2: But then there was some you know, weird lacks lacks 142 00:08:06,800 --> 00:08:10,440 Speaker 2: of daisicalization of the rules and they said, oh, you 143 00:08:10,440 --> 00:08:12,840 Speaker 2: can put it in your hand. Well more traditional Catholics 144 00:08:12,840 --> 00:08:14,800 Speaker 2: don't do that. I'll come back to that because of 145 00:08:14,840 --> 00:08:19,400 Speaker 2: my tongue. I probably went to seven masses while I 146 00:08:19,440 --> 00:08:22,360 Speaker 2: was there. In the last two weeks, I only saw 147 00:08:22,440 --> 00:08:24,480 Speaker 2: two other people out of the hundreds of people I 148 00:08:24,480 --> 00:08:28,480 Speaker 2: saw do communion take it on the tongue and not 149 00:08:28,520 --> 00:08:34,360 Speaker 2: in their hand. Why they're worried about germs and during 150 00:08:34,400 --> 00:08:36,480 Speaker 2: COVID these are the like some of the most vicious 151 00:08:36,520 --> 00:08:41,160 Speaker 2: lockdowns in the world were in Australia and the native 152 00:08:41,200 --> 00:08:42,079 Speaker 2: population was. 153 00:08:42,040 --> 00:08:44,880 Speaker 4: Protesting about it. The Maoris they were like, listen to 154 00:08:44,920 --> 00:08:49,160 Speaker 4: you white people, you're not shutting down my island lifestyle. 155 00:08:49,240 --> 00:08:50,719 Speaker 2: And so they had a lot of problems with that, 156 00:08:51,160 --> 00:08:53,440 Speaker 2: and I see how it happened there because they love 157 00:08:53,520 --> 00:08:58,640 Speaker 2: their rules, just love it. And you know, there's a 158 00:08:58,679 --> 00:09:01,480 Speaker 2: lot of order because people are afraid of getting yelled at. 159 00:09:03,040 --> 00:09:03,760 Speaker 2: Oh how's this? 160 00:09:03,840 --> 00:09:04,280 Speaker 4: Sam? 161 00:09:04,960 --> 00:09:06,839 Speaker 2: Know this isn't really this is off topic for our 162 00:09:07,040 --> 00:09:14,960 Speaker 2: local showbiz discussions. But okay, in my neighborhood there's tons 163 00:09:15,000 --> 00:09:17,520 Speaker 2: of the bicyclists. They come into Seal Beach and they 164 00:09:17,640 --> 00:09:20,200 Speaker 2: ride their bicycles and they come into town and they 165 00:09:20,280 --> 00:09:22,760 Speaker 2: got their bike clubs and they run every stop sign. 166 00:09:23,360 --> 00:09:23,560 Speaker 2: You know. 167 00:09:23,679 --> 00:09:26,760 Speaker 4: They they don't pay attention to traffic worls. They just go. 168 00:09:26,840 --> 00:09:29,800 Speaker 2: They're going, and I don't mind. I don't like the 169 00:09:29,800 --> 00:09:32,280 Speaker 2: way they look. And they're tight pants. When I'm trying 170 00:09:32,280 --> 00:09:34,320 Speaker 2: to have breakfast. I don't need a ten guys with 171 00:09:34,400 --> 00:09:38,040 Speaker 2: really bulging tight pants. 172 00:09:38,320 --> 00:09:38,959 Speaker 4: I don't like it. 173 00:09:39,080 --> 00:09:40,760 Speaker 2: I don't know why they need it, because why if 174 00:09:40,760 --> 00:09:43,120 Speaker 2: they're trying to get exercise, why don't you wear something 175 00:09:43,160 --> 00:09:46,360 Speaker 2: more loose fitting, create more wind resistance, get more fit. 176 00:09:47,840 --> 00:09:49,959 Speaker 2: But no, they like it. They want to show me 177 00:09:49,960 --> 00:09:54,240 Speaker 2: they're junk. So anyway, but you've seen them, Sam, I mean, 178 00:09:54,280 --> 00:09:55,960 Speaker 2: I don't know where you live. Do they stop atop signs. 179 00:09:56,000 --> 00:09:58,079 Speaker 2: So do bicycles people stop at stop signs or do 180 00:09:58,120 --> 00:09:58,559 Speaker 2: they just go? 181 00:09:59,280 --> 00:10:03,280 Speaker 3: They tend to just go, like like they cut they 182 00:10:03,400 --> 00:10:06,120 Speaker 3: try to going to die. Well, no, they try to follow, 183 00:10:06,320 --> 00:10:08,360 Speaker 3: unless like if they're on major roads, they try to 184 00:10:08,400 --> 00:10:11,839 Speaker 3: at least follow the rules of the cars, the cars 185 00:10:11,840 --> 00:10:14,560 Speaker 3: around there. Well, if it's on the side streets, then 186 00:10:14,600 --> 00:10:16,920 Speaker 3: they they'll like just give a quick glance. 187 00:10:17,400 --> 00:10:21,880 Speaker 2: Yeah, in New Zealand, don't matter where you are, everybody 188 00:10:21,880 --> 00:10:26,040 Speaker 2: stops at every single stop light. Every bicyclist they all 189 00:10:26,040 --> 00:10:27,920 Speaker 2: come to a screeching hall and they're just sitting there, 190 00:10:28,040 --> 00:10:31,000 Speaker 2: stopped at stop lights where nobody's going the other direction, 191 00:10:31,880 --> 00:10:34,280 Speaker 2: and they're just sitting there and it's off footing because 192 00:10:34,320 --> 00:10:36,480 Speaker 2: you're like, why are you sitting there? And just go 193 00:10:37,520 --> 00:10:41,680 Speaker 2: why because someone's gonna yell at them, So they just 194 00:10:41,720 --> 00:10:44,280 Speaker 2: sit there. So I don't know, I maybe the side 195 00:10:44,320 --> 00:10:47,360 Speaker 2: of society you want, sam but I like a little 196 00:10:47,360 --> 00:10:50,160 Speaker 2: more freedom. But man, I love that that food. Food 197 00:10:50,240 --> 00:10:54,920 Speaker 2: is great there, and the people love sublime. And you know, 198 00:10:55,240 --> 00:10:57,960 Speaker 2: once they're and they're well behaves to the concerts because 199 00:10:57,960 --> 00:10:58,959 Speaker 2: they don't want to get yelled at. 200 00:10:59,360 --> 00:11:05,120 Speaker 4: So no incidents at all, no mashing no, nothing, well Washing. 201 00:11:05,640 --> 00:11:08,319 Speaker 2: Maybe a little bit in Australia where they like the 202 00:11:08,440 --> 00:11:10,760 Speaker 2: sublime is like reggae and punk rock and hip hop 203 00:11:10,760 --> 00:11:15,880 Speaker 2: all together. Yeah, in Australia they like the mix said 204 00:11:16,080 --> 00:11:18,719 Speaker 2: a little slamming going on this a little bit. But 205 00:11:20,120 --> 00:11:23,959 Speaker 2: in New Zealand they're island people, you know, they're it's 206 00:11:23,960 --> 00:11:27,000 Speaker 2: an island. They're white island people. So it's perfect for sublime. 207 00:11:28,320 --> 00:11:30,800 Speaker 2: It's a paradise for sublime. It's a bunch of white 208 00:11:30,840 --> 00:11:32,719 Speaker 2: boy reggae fans. It's a whole nation of them. 209 00:11:32,760 --> 00:11:38,520 Speaker 3: Doesn't it have the city with the longest name, like 210 00:11:38,520 --> 00:11:42,400 Speaker 3: like the name of the city the streets signed for 211 00:11:42,480 --> 00:11:44,360 Speaker 3: it is so long you actually have to like run 212 00:11:44,440 --> 00:11:46,280 Speaker 3: down it for a good thirty seconds. 213 00:11:46,880 --> 00:11:52,360 Speaker 2: Oh I wouldn't. I wouldn't be surprised. And they're very 214 00:11:52,400 --> 00:11:55,760 Speaker 2: woke there so they make sure that they salute the 215 00:11:56,400 --> 00:11:58,760 Speaker 2: indigenous population at every turn. 216 00:11:59,559 --> 00:12:00,600 Speaker 4: And in. 217 00:12:02,200 --> 00:12:08,280 Speaker 2: I went to Saturday Vigil Mass in Wellington, New Zealand 218 00:12:09,240 --> 00:12:10,480 Speaker 2: last Saturday night, which is. 219 00:12:10,440 --> 00:12:12,640 Speaker 5: Last night named after my favorite beef. 220 00:12:13,360 --> 00:12:17,959 Speaker 2: But beef Wellington is from England really, but well. 221 00:12:17,840 --> 00:12:22,120 Speaker 3: Named after not it's not. It's in reference too. They 222 00:12:22,280 --> 00:12:25,120 Speaker 3: didn't name it after the city. They named it after 223 00:12:25,120 --> 00:12:25,520 Speaker 3: the beef. 224 00:12:26,520 --> 00:12:29,959 Speaker 2: You're saying the people in New Zealand named their town 225 00:12:30,080 --> 00:12:31,360 Speaker 2: after a beef dish. 226 00:12:31,480 --> 00:12:32,520 Speaker 4: In the United Kingdom. 227 00:12:32,600 --> 00:12:34,240 Speaker 5: You've seen how good their steaks are. 228 00:12:35,679 --> 00:12:38,520 Speaker 2: I'm saying they don't need that. They got their own steaks. 229 00:12:38,559 --> 00:12:41,439 Speaker 2: They can name it. They could name this town twenty 230 00:12:41,480 --> 00:12:42,520 Speaker 2: dollars Stak Special. 231 00:12:42,720 --> 00:12:45,600 Speaker 3: I'm saying they should be naming their streets after different 232 00:12:45,600 --> 00:12:48,520 Speaker 3: steak dishes. You got beef Wellington, you could have strogan 233 00:12:48,600 --> 00:12:51,440 Speaker 3: Off Lane. You know, there's a lot of options you 234 00:12:51,440 --> 00:12:56,960 Speaker 3: can go with this state. Diane, Yeah, tartar. 235 00:12:58,240 --> 00:12:59,080 Speaker 4: Clams, casino. 236 00:13:02,280 --> 00:13:05,400 Speaker 2: Well, uh, you got me off track here, but that's okay. 237 00:13:05,800 --> 00:13:06,280 Speaker 2: I was. 238 00:13:09,600 --> 00:13:11,520 Speaker 4: Talking about the Oh yeah. 239 00:13:11,640 --> 00:13:14,720 Speaker 2: I go to Mass and they're doing a lot A 240 00:13:14,760 --> 00:13:16,959 Speaker 2: good portion of the Mass is done in the indigenous 241 00:13:17,120 --> 00:13:18,040 Speaker 2: Maori language. 242 00:13:18,080 --> 00:13:18,960 Speaker 4: Sam isn't that nice? 243 00:13:19,920 --> 00:13:20,199 Speaker 5: Cool? 244 00:13:20,559 --> 00:13:20,800 Speaker 4: Yeah? 245 00:13:20,840 --> 00:13:22,800 Speaker 2: And they got they put it up on the screen 246 00:13:23,160 --> 00:13:26,440 Speaker 2: and you're singing all these songs about Jesus. They call 247 00:13:26,480 --> 00:13:29,679 Speaker 2: them like hey ho or whatever, and they're in your 248 00:13:29,679 --> 00:13:31,320 Speaker 2: singing and Mallori. By the end of the by the 249 00:13:31,360 --> 00:13:33,199 Speaker 2: end of the Mass, you're getting the hanging in and 250 00:13:33,280 --> 00:13:36,240 Speaker 2: going out of You say, we're singing in Maori because 251 00:13:36,280 --> 00:13:36,719 Speaker 2: we're so. 252 00:13:39,360 --> 00:13:40,880 Speaker 4: Uh inclusive. 253 00:13:41,520 --> 00:13:46,520 Speaker 2: And then after communion and everybody goes to get the community, 254 00:13:46,520 --> 00:13:48,120 Speaker 2: and I get a look at everybody in the church. 255 00:13:48,400 --> 00:13:50,839 Speaker 2: I take my community and I walk back and get 256 00:13:50,840 --> 00:13:54,680 Speaker 2: a look at everybody in there. It's like five hundred, 257 00:13:55,520 --> 00:13:58,560 Speaker 2: six hundred people in that mass. I did see one Mallori. 258 00:14:00,120 --> 00:14:00,559 Speaker 6: You know what. 259 00:14:01,480 --> 00:14:03,920 Speaker 2: It's like They've spended so much time trying to be 260 00:14:05,400 --> 00:14:08,920 Speaker 2: inclusive and learn these songs. Uh, they forgot to go 261 00:14:09,000 --> 00:14:11,719 Speaker 2: out and and and and and maybe grab some of 262 00:14:11,760 --> 00:14:13,960 Speaker 2: these mallories and and get him into the pews. 263 00:14:14,360 --> 00:14:18,000 Speaker 3: Yeah, inclusivity involves actually being inclusive. 264 00:14:18,600 --> 00:14:20,280 Speaker 2: It just seemed like they were just so proud to 265 00:14:20,320 --> 00:14:24,080 Speaker 2: be inclusive they they lost sight of of of their mission, 266 00:14:24,080 --> 00:14:27,480 Speaker 2: which is to uh, you know, convert people and get 267 00:14:28,040 --> 00:14:28,560 Speaker 2: them into. 268 00:14:28,400 --> 00:14:29,200 Speaker 4: The get him in there. 269 00:14:29,360 --> 00:14:31,680 Speaker 5: Include people, Just include. 270 00:14:31,320 --> 00:14:36,360 Speaker 2: People, include their money, you know whatever. Anyway, Uh, I 271 00:14:36,360 --> 00:14:38,400 Speaker 2: think that's about all I got to say about these countries. 272 00:14:38,440 --> 00:14:39,240 Speaker 4: But I had a great. 273 00:14:39,040 --> 00:14:47,080 Speaker 6: Time, a betterhaps classes in the studio. Here there they are, 274 00:14:47,200 --> 00:14:49,040 Speaker 6: because we are going to talk about the box office. 275 00:14:49,080 --> 00:14:52,720 Speaker 6: Sam bought Foxes. This week, we got Super Mario Galaxy movie. 276 00:14:52,920 --> 00:14:55,520 Speaker 6: I tried to go see Project Tail Mary at the 277 00:14:55,520 --> 00:15:01,160 Speaker 6: Imax in Sydney Darling Harbor, and the lady sold me 278 00:15:01,200 --> 00:15:05,400 Speaker 6: two tickets, actually three for the bass player and his 279 00:15:05,440 --> 00:15:09,440 Speaker 6: wife to Super Mario Galaxy Movie. So when I got 280 00:15:09,480 --> 00:15:10,960 Speaker 6: in all, I go, hey, we're gonna go see this movie. 281 00:15:10,960 --> 00:15:12,160 Speaker 6: It's great, we're gonna go see the night. 282 00:15:12,200 --> 00:15:13,800 Speaker 2: Actually got the tickets right here and I let them 283 00:15:13,800 --> 00:15:16,600 Speaker 2: all down there, then had to come back out and go, sorry, 284 00:15:16,720 --> 00:15:19,720 Speaker 2: I have three tickets for Super Mario Galaxy movie. 285 00:15:20,000 --> 00:15:22,280 Speaker 4: And the lady in there apologize to me. 286 00:15:22,320 --> 00:15:24,080 Speaker 2: She goes, oh, yeah, I remember you came earlier and 287 00:15:24,080 --> 00:15:28,440 Speaker 2: I sold you the wrong tickets. Sorry. Anyway, that's typical 288 00:15:29,200 --> 00:15:32,120 Speaker 2: over there. Number three is a movie called The Drama. 289 00:15:32,360 --> 00:15:36,600 Speaker 2: We don't need to see that. Probably. Number four you 290 00:15:36,800 --> 00:15:38,720 Speaker 2: me and Tuscany, and I don't think we need to 291 00:15:38,760 --> 00:15:40,680 Speaker 2: see that Anither Hoppers, probably not. 292 00:15:42,040 --> 00:15:42,320 Speaker 4: Okay. 293 00:15:42,320 --> 00:15:44,360 Speaker 2: There's a new movie called Faces of Death, and I mean, 294 00:15:44,400 --> 00:15:47,680 Speaker 2: if it's not the old documentary, if it's not that, 295 00:15:47,880 --> 00:15:49,560 Speaker 2: I don't want to see it. But I've been out 296 00:15:49,560 --> 00:15:51,320 Speaker 2: of town for a while, so I have to catch 297 00:15:51,400 --> 00:15:55,760 Speaker 2: up on that and why they took that name. Anyway, 298 00:15:55,880 --> 00:15:59,000 Speaker 2: kind of a boring box office week, but Super Mario 299 00:15:59,080 --> 00:16:01,760 Speaker 2: Galaxy Movie, you know, doing amazing. These big tent poles 300 00:16:01,800 --> 00:16:04,080 Speaker 2: like that, they still do really well. Sixty nine million 301 00:16:04,120 --> 00:16:07,320 Speaker 2: in the second weekend. But The Big Story sam forty 302 00:16:07,320 --> 00:16:10,440 Speaker 2: eight percent drop, which isn't that bad. That's normal from 303 00:16:10,480 --> 00:16:13,600 Speaker 2: the first week. But it's already crossed the three hundred 304 00:16:13,640 --> 00:16:17,600 Speaker 2: and eight million domestic box office. But number two Project 305 00:16:17,680 --> 00:16:19,680 Speaker 2: Hail Mary got another twenty four million. 306 00:16:20,080 --> 00:16:23,760 Speaker 3: They got a bunch of money from me this week, right, Yeah, 307 00:16:23,880 --> 00:16:24,320 Speaker 3: good for you. 308 00:16:24,560 --> 00:16:26,800 Speaker 2: Yeah, yeah, you're a guy. The word of mouth, you 309 00:16:26,880 --> 00:16:29,960 Speaker 2: got to go see it. It's down only twenty two percent, 310 00:16:30,080 --> 00:16:32,560 Speaker 2: and it's fourth and it's fourth weekend. It's only down 311 00:16:32,560 --> 00:16:35,800 Speaker 2: twenty two percent. So everybody's talking about that movie and saying, hey, 312 00:16:35,880 --> 00:16:37,080 Speaker 2: have you seen it? You got to see it. 313 00:16:37,280 --> 00:16:39,920 Speaker 5: Yeah, very good movie. Mike Kid loved it. 314 00:16:41,120 --> 00:16:41,600 Speaker 2: That's awesome. 315 00:16:41,640 --> 00:16:42,360 Speaker 4: The kids liked it. 316 00:16:42,480 --> 00:16:46,400 Speaker 3: Yeah, And it was weird because at the beginning you 317 00:16:46,400 --> 00:16:48,880 Speaker 3: could tell he was apprehensive because of like how slow 318 00:16:48,960 --> 00:16:51,040 Speaker 3: the build up was for a kid. 319 00:16:51,040 --> 00:16:52,440 Speaker 5: From a kid's perspective. 320 00:16:52,840 --> 00:16:55,520 Speaker 3: From an adult, you're getting great context, you're really getting 321 00:16:55,560 --> 00:16:57,960 Speaker 3: to understand everything. But then once you get the like 322 00:16:58,040 --> 00:17:01,400 Speaker 3: the once you see how things evolved, the slow burn 323 00:17:01,440 --> 00:17:04,920 Speaker 3: of how it evolves from a kid's perspective. You could 324 00:17:04,960 --> 00:17:08,560 Speaker 3: see his eyes opening and like he genuinely liked this 325 00:17:08,720 --> 00:17:11,359 Speaker 3: movie for us. So for a nine year old, yeah, 326 00:17:11,440 --> 00:17:13,640 Speaker 3: that might be one of those first movies that they 327 00:17:13,840 --> 00:17:16,760 Speaker 3: actually like, embrace and fully fall in love with. 328 00:17:17,040 --> 00:17:19,520 Speaker 2: It's right as a good movie, Like I saw a 329 00:17:19,560 --> 00:17:21,720 Speaker 2: good movie that my parents liked and everybody liked, and 330 00:17:21,760 --> 00:17:22,960 Speaker 2: I'm a kid and I got it, and. 331 00:17:23,400 --> 00:17:26,760 Speaker 4: I can join adulthood. Yeah, and that's pretty cool. 332 00:17:26,880 --> 00:17:27,360 Speaker 5: Yeah. 333 00:17:28,600 --> 00:17:31,240 Speaker 4: Oh okay, so. 334 00:17:32,800 --> 00:17:35,520 Speaker 2: But I did fly a lot, so let's talk about 335 00:17:35,880 --> 00:17:37,240 Speaker 2: films on flights. 336 00:17:37,840 --> 00:17:39,280 Speaker 5: Oh goodness, gracious. 337 00:17:39,840 --> 00:17:45,600 Speaker 2: I sometimes will we'll look at a movie. You know, 338 00:17:45,640 --> 00:17:47,080 Speaker 2: I can't see all the movies. I think I see 339 00:17:47,080 --> 00:17:48,960 Speaker 2: more than about ninety nine percent of the people out 340 00:17:48,960 --> 00:17:49,720 Speaker 2: there in the theaters. 341 00:17:50,119 --> 00:17:51,960 Speaker 4: But I can't see all of them, and I have 342 00:17:52,000 --> 00:17:53,520 Speaker 4: to make my choice. And sometimes I'll. 343 00:17:53,440 --> 00:17:55,360 Speaker 2: Look at something and I go, yeah, maybe I think 344 00:17:55,359 --> 00:17:56,919 Speaker 2: I know what that is, and I'm gonna wait till 345 00:17:56,960 --> 00:17:58,680 Speaker 2: I'm sitting on a plane and I'll watch it then. 346 00:17:59,080 --> 00:18:01,560 Speaker 2: And that's what I did to the movie with Brandon 347 00:18:01,600 --> 00:18:06,520 Speaker 2: Fraser called Rental Family, and it was the right move. 348 00:18:07,240 --> 00:18:11,440 Speaker 2: It's just like, you know, a character driven drama built 349 00:18:11,480 --> 00:18:17,919 Speaker 2: around this kind of true Japanese concept, and it was good. 350 00:18:18,160 --> 00:18:21,359 Speaker 2: The concept is a company that hires actors to play 351 00:18:21,400 --> 00:18:26,520 Speaker 2: family members and family members in Japan like the like 352 00:18:26,640 --> 00:18:32,440 Speaker 2: let's say you wanted to one girl, I'll give away 353 00:18:32,480 --> 00:18:35,439 Speaker 2: the first one, but there's plenty of them. She wanted 354 00:18:35,480 --> 00:18:39,399 Speaker 2: to be a lesbian, but her family wasn't going to 355 00:18:39,440 --> 00:18:42,040 Speaker 2: go for it, so she hired a actor to be 356 00:18:42,160 --> 00:18:45,080 Speaker 2: your husband, had a big had a big wedding and 357 00:18:45,160 --> 00:18:46,520 Speaker 2: was able to move out of her house. 358 00:18:47,160 --> 00:18:48,480 Speaker 5: Okay, and then and then. 359 00:18:48,400 --> 00:18:52,719 Speaker 2: The husband, the new fake husband, Brandon Frasier. He on 360 00:18:52,760 --> 00:18:54,760 Speaker 2: the wedding night, they're just sitting in the wedding you know, 361 00:18:54,800 --> 00:18:56,920 Speaker 2: the bridal suite and going on, it's a nice room, 362 00:18:57,560 --> 00:18:59,800 Speaker 2: and knock on the door. Here comes the lesbian lover, 363 00:19:00,680 --> 00:19:06,720 Speaker 2: and Brandon Fraser's job is done. He leaves, and then 364 00:19:07,080 --> 00:19:11,680 Speaker 2: she presumably goes off and lives happily ever after and 365 00:19:11,800 --> 00:19:13,600 Speaker 2: she can lie to her family. 366 00:19:15,240 --> 00:19:17,320 Speaker 4: On the holidays and everything. Anyway. 367 00:19:17,440 --> 00:19:21,160 Speaker 2: It was about It was basically about how there is 368 00:19:22,000 --> 00:19:25,920 Speaker 2: a part of Japanese society where they're just like, you know, 369 00:19:26,240 --> 00:19:28,879 Speaker 2: they're just lie. They prefer to tell lies rather than 370 00:19:28,920 --> 00:19:33,240 Speaker 2: face the truth and it helps people, Oh connect. 371 00:19:33,440 --> 00:19:37,800 Speaker 3: That's pretty cross cultural, I've I know, there's a lot 372 00:19:37,840 --> 00:19:41,720 Speaker 3: of other cultures. I'm not talking about United States, although 373 00:19:41,720 --> 00:19:43,040 Speaker 3: I'm sure it exists out here too. 374 00:19:43,119 --> 00:19:44,280 Speaker 5: It's so multicultural. 375 00:19:44,600 --> 00:19:47,840 Speaker 3: But it's it's something that I've seen in other cultures 376 00:19:47,840 --> 00:19:52,119 Speaker 3: where they would much rather have like, no, like be 377 00:19:52,720 --> 00:19:57,280 Speaker 3: quote unquote blissfully unaware of a mistress while like and 378 00:19:57,359 --> 00:20:00,000 Speaker 3: just allow that stuff to happen without ever bring. 379 00:20:00,200 --> 00:20:02,280 Speaker 5: It up because Jack don't talk about it. 380 00:20:02,320 --> 00:20:04,119 Speaker 3: Well, no, it's and a lot of it is based 381 00:20:04,160 --> 00:20:08,800 Speaker 3: off of the shame of having discussions like based around 382 00:20:08,840 --> 00:20:12,399 Speaker 3: sex for example. Yeah, yeah, and so the just the 383 00:20:12,440 --> 00:20:15,399 Speaker 3: discussion of that topic will make it so that they 384 00:20:15,400 --> 00:20:18,840 Speaker 3: would much rather like it's too embarrassing to talk about sex. 385 00:20:19,160 --> 00:20:22,560 Speaker 3: That's why I'm not confronting you about having a mistress 386 00:20:22,880 --> 00:20:27,159 Speaker 3: or taught or being in a gay relationship or whatever, 387 00:20:27,400 --> 00:20:31,240 Speaker 3: because the shame of actually talking about sex is what's 388 00:20:31,560 --> 00:20:35,560 Speaker 3: stopping them from confronting deeper issues in the relationship. 389 00:20:36,280 --> 00:20:37,040 Speaker 4: There's a lot of that. 390 00:20:37,400 --> 00:20:41,600 Speaker 2: And there was one person who wanted to hire an 391 00:20:41,640 --> 00:20:45,320 Speaker 2: actor to play a father so the single mother could 392 00:20:45,320 --> 00:20:49,040 Speaker 2: get their kid into a better like preschool because they 393 00:20:49,080 --> 00:20:56,000 Speaker 2: were being discriminated against anyway. This company is built online 394 00:20:56,040 --> 00:20:59,080 Speaker 2: to people and it just it shows you. The movie 395 00:20:59,080 --> 00:21:01,760 Speaker 2: shows you how you know, there's some other you know, 396 00:21:01,800 --> 00:21:03,959 Speaker 2: it's the symptom of some problem in their society. 397 00:21:04,240 --> 00:21:06,520 Speaker 4: It's stricted and written by Japanese people. 398 00:21:06,560 --> 00:21:08,760 Speaker 2: So this is Brendan Fraser is playing like an American 399 00:21:08,800 --> 00:21:11,080 Speaker 2: actor that goes to Japan and gets he gets kind 400 00:21:11,080 --> 00:21:14,000 Speaker 2: of caught up in this like you know, making money 401 00:21:15,320 --> 00:21:20,959 Speaker 2: by doing this kind of work, okay, And it blurs 402 00:21:21,000 --> 00:21:26,200 Speaker 2: the lines between you know, real emotions and uh punch 403 00:21:26,240 --> 00:21:29,560 Speaker 2: in a time clock. So it's very interesting. 404 00:21:29,600 --> 00:21:32,360 Speaker 4: It's not that great, It's okay. 405 00:21:33,240 --> 00:21:35,440 Speaker 2: But if you really, if interested in Japan, you find 406 00:21:35,480 --> 00:21:39,080 Speaker 2: Japan fascinating, like I do, you want to watch it 407 00:21:39,160 --> 00:21:42,240 Speaker 2: just for the you know, one more element of Japan 408 00:21:42,359 --> 00:21:46,800 Speaker 2: that that that that it makes it unique and that 409 00:21:46,960 --> 00:21:47,399 Speaker 2: is interesting. 410 00:21:47,400 --> 00:21:48,480 Speaker 4: And someone made a movie about it. 411 00:21:50,000 --> 00:21:51,480 Speaker 2: And we all know that they have problems over there 412 00:21:51,480 --> 00:21:54,320 Speaker 2: because they're not like you know, reproducing, and the men 413 00:21:54,359 --> 00:21:56,800 Speaker 2: are just playing video games and getting like sex robots 414 00:21:56,840 --> 00:22:01,000 Speaker 2: and and and the women are have like fake weddings 415 00:22:02,040 --> 00:22:05,000 Speaker 2: by themselves, Like I'm just having a wedding. I'm not 416 00:22:05,040 --> 00:22:06,800 Speaker 2: getting married, but I'm going to have a wedding and 417 00:22:06,800 --> 00:22:08,439 Speaker 2: they invite everybody and have a wedding and it's just 418 00:22:08,440 --> 00:22:08,880 Speaker 2: one girl. 419 00:22:10,280 --> 00:22:11,639 Speaker 4: That's kind of a lie, you know. 420 00:22:13,359 --> 00:22:15,800 Speaker 2: But if you work in Japan a lot, you notice 421 00:22:15,840 --> 00:22:22,960 Speaker 2: that yes means yes, but no also means yes, also 422 00:22:23,080 --> 00:22:27,040 Speaker 2: means no. It can mean yes, but if they say yes, 423 00:22:27,080 --> 00:22:30,120 Speaker 2: it also could mean no. They say yes when they 424 00:22:30,119 --> 00:22:33,760 Speaker 2: mean no all the time, and they just like try 425 00:22:33,760 --> 00:22:35,600 Speaker 2: to work it out later. But the shame of like 426 00:22:35,760 --> 00:22:40,160 Speaker 2: the confrontation is too much for them, some of them, 427 00:22:40,280 --> 00:22:43,639 Speaker 2: so they just say yes but they mean no. So 428 00:22:43,880 --> 00:22:45,960 Speaker 2: you got to get used to that over there anyway. 429 00:22:46,080 --> 00:22:48,560 Speaker 2: This is so when you see Rental Family in the 430 00:22:48,800 --> 00:22:52,720 Speaker 2: in the theater, I'm so glad I didn't see in 431 00:22:52,720 --> 00:22:53,000 Speaker 2: the theater. 432 00:22:54,240 --> 00:22:57,200 Speaker 4: Just wasn't that. I had other ones. It was good, 433 00:22:57,200 --> 00:22:59,800 Speaker 4: but I can't, you know, I wouldn't. I can't see it. 434 00:22:59,800 --> 00:23:02,040 Speaker 4: Think of too many movies I would have replaced it with. 435 00:23:02,320 --> 00:23:04,320 Speaker 3: Do you think that there was any moments that were 436 00:23:04,600 --> 00:23:09,239 Speaker 3: like cut out because you're on an airplane, because that 437 00:23:09,280 --> 00:23:12,440 Speaker 3: tends to happen on a lot of airplane movies. I 438 00:23:12,560 --> 00:23:14,840 Speaker 3: remember specifically which ones, but I know for sure it's 439 00:23:14,840 --> 00:23:17,720 Speaker 3: happened in a bunch that I've seen, but and also 440 00:23:17,720 --> 00:23:19,280 Speaker 3: one of the best movies I've ever seen was on 441 00:23:19,320 --> 00:23:22,000 Speaker 3: an airplane was Banshees of Inna Sharon and I love 442 00:23:22,040 --> 00:23:22,640 Speaker 3: that movie. 443 00:23:23,320 --> 00:23:26,280 Speaker 2: That's a good that's a good movie. But that's one 444 00:23:26,359 --> 00:23:29,320 Speaker 2: for the theaters. It's so good. People should see that in 445 00:23:29,359 --> 00:23:31,359 Speaker 2: the theater. That some people don't have time. But when 446 00:23:31,400 --> 00:23:33,480 Speaker 2: you have it, if you missed it, there wasn't in 447 00:23:33,560 --> 00:23:35,640 Speaker 2: the you know, the art house near you where you live, 448 00:23:36,160 --> 00:23:38,480 Speaker 2: then that's as Now. I like to see old movies 449 00:23:38,600 --> 00:23:43,720 Speaker 2: in the in the the airplane too, and one of 450 00:23:43,760 --> 00:23:46,840 Speaker 2: them went My flight out there was just freaking amazing. 451 00:23:46,920 --> 00:23:51,520 Speaker 2: It was just so nice quantus nice like first class 452 00:23:51,600 --> 00:23:54,920 Speaker 2: quantis where they give you pajamas. Wow, you would lie 453 00:23:54,960 --> 00:23:58,760 Speaker 2: down bed and so I just you know, I had 454 00:23:58,920 --> 00:24:00,639 Speaker 2: a little meal and I watched it of the Jackal 455 00:24:00,640 --> 00:24:04,960 Speaker 2: from nineteen seventy three, directed by Fred Zinneman. So nineteen 456 00:24:04,960 --> 00:24:07,159 Speaker 2: seventy three. I remember seeing this movie with my family 457 00:24:07,160 --> 00:24:08,960 Speaker 2: at the village of Westwood when I was ten years 458 00:24:09,000 --> 00:24:15,440 Speaker 2: old and loved it. Didn't get a lot of it 459 00:24:16,040 --> 00:24:18,120 Speaker 2: now as I watch it back, I didn't. I never 460 00:24:18,160 --> 00:24:21,160 Speaker 2: revisited it. On cable or anything. I just watched it 461 00:24:21,600 --> 00:24:24,840 Speaker 2: for the first time in what would that be fifty 462 00:24:24,880 --> 00:24:32,080 Speaker 2: three years? So I watch it and I noticed it's 463 00:24:32,080 --> 00:24:34,320 Speaker 2: directed by Fred Zinneman, who is the director of my 464 00:24:34,320 --> 00:24:37,000 Speaker 2: all time favorite movie of all time, all time, High 465 00:24:37,040 --> 00:24:41,160 Speaker 2: Noon and High Noon is just such an iconic film 466 00:24:41,160 --> 00:24:44,399 Speaker 2: from nineteen fifties, and he hung around long enough to 467 00:24:44,400 --> 00:24:49,240 Speaker 2: direct a like spy thrower masterpiece, The Day of the Jackal. 468 00:24:50,040 --> 00:24:55,080 Speaker 2: It follows as hired assassin played by this guy Edward Fox, 469 00:24:55,600 --> 00:24:57,920 Speaker 2: and he's brought in to carry out a hit on 470 00:24:58,040 --> 00:25:01,080 Speaker 2: Charles de Gaull, the President of France. Evidently this true story. 471 00:25:01,080 --> 00:25:05,159 Speaker 2: People are trying to assassinate him all the time. Why 472 00:25:06,640 --> 00:25:10,160 Speaker 2: because he made a deal. He gave away the Algiers. 473 00:25:10,880 --> 00:25:12,200 Speaker 2: So there was a bunch of French people in the 474 00:25:12,240 --> 00:25:14,880 Speaker 2: Algiers in Africa, and they're colonists, so they're they're they're 475 00:25:15,000 --> 00:25:17,960 Speaker 2: you know, they're part of the French colony of Algiers. 476 00:25:18,440 --> 00:25:20,879 Speaker 2: So people go there to be be like, you know, 477 00:25:20,960 --> 00:25:22,800 Speaker 2: to work in the colony and like do business in 478 00:25:22,800 --> 00:25:25,679 Speaker 2: the colony and maybe be government regents or whatever in 479 00:25:25,680 --> 00:25:30,720 Speaker 2: the colony. And then you know, the mother country decides, 480 00:25:30,760 --> 00:25:32,479 Speaker 2: you know what we got what These people have their 481 00:25:32,520 --> 00:25:35,399 Speaker 2: country back because this is out of style. Colonialism is 482 00:25:35,440 --> 00:25:38,280 Speaker 2: out of style. So Charles de Gaul gives it back, 483 00:25:38,320 --> 00:25:40,480 Speaker 2: and of course these people lose their livelihood. 484 00:25:40,520 --> 00:25:42,240 Speaker 4: They lose you know, they're. 485 00:25:42,040 --> 00:25:43,840 Speaker 2: Like, hey, it's kind of like the people in South 486 00:25:43,840 --> 00:25:45,840 Speaker 2: Africa right now. They're like, hey, we're about to be 487 00:25:45,840 --> 00:25:49,840 Speaker 2: smothered here. I realized apartheid it was wrong, But you know, 488 00:25:50,119 --> 00:25:53,800 Speaker 2: isn't there a better way than just handing the country 489 00:25:53,840 --> 00:25:56,080 Speaker 2: over to these people who are going to murder us. 490 00:25:57,080 --> 00:25:59,920 Speaker 2: So these people are always trying to assassinate Charles Takaul, 491 00:26:00,640 --> 00:26:03,439 Speaker 2: and so this movie tracks the assassin step by step. 492 00:26:03,920 --> 00:26:07,000 Speaker 2: He gets fake identities, he gets you know, new cars, 493 00:26:07,320 --> 00:26:09,800 Speaker 2: a custom rifle that he can fit in, a set 494 00:26:09,800 --> 00:26:14,840 Speaker 2: of crushes, and then at the same time, the French 495 00:26:14,920 --> 00:26:21,000 Speaker 2: authorities are like piecing together this plot, but they Charles 496 00:26:21,000 --> 00:26:25,080 Speaker 2: de Gaul refuses to cancel his public appearances, and so 497 00:26:25,160 --> 00:26:27,400 Speaker 2: they're pulling their hair out because they know someone's out 498 00:26:27,400 --> 00:26:27,840 Speaker 2: to kill him. 499 00:26:27,880 --> 00:26:29,560 Speaker 4: He won't cancel those public appearances. 500 00:26:30,000 --> 00:26:32,400 Speaker 2: And I won't give it away the ending, but there 501 00:26:32,480 --> 00:26:34,600 Speaker 2: was one thing in it that was weird, like he's 502 00:26:34,680 --> 00:26:37,840 Speaker 2: running around with his fake identities, and some At some 503 00:26:38,640 --> 00:26:40,679 Speaker 2: part of the movie, he goes into a bath house 504 00:26:40,720 --> 00:26:46,640 Speaker 2: and meets a gentleman with a very long handshake, and 505 00:26:46,640 --> 00:26:51,240 Speaker 2: then they end up at his apartment. And then the 506 00:26:51,280 --> 00:26:56,440 Speaker 2: guys goes out to buy some groceries to cook his 507 00:26:56,520 --> 00:26:58,480 Speaker 2: new friend a lobster dinner. 508 00:26:58,720 --> 00:27:01,639 Speaker 4: And he has a hand Yeah, the man with a 509 00:27:01,680 --> 00:27:02,320 Speaker 4: long ham shake. 510 00:27:02,480 --> 00:27:04,280 Speaker 2: Okay, so then he and then he comes back and 511 00:27:04,280 --> 00:27:06,879 Speaker 2: he says like, hey, oh, I saw you on the news. 512 00:27:07,080 --> 00:27:09,040 Speaker 2: May have you seen yourself in the news. Yeah, everybody's 513 00:27:09,080 --> 00:27:09,560 Speaker 2: looking for you. 514 00:27:10,119 --> 00:27:11,520 Speaker 4: And then he says, oh my god, now I got 515 00:27:11,520 --> 00:27:15,640 Speaker 4: to kill this guy. So but I'm. 516 00:27:15,400 --> 00:27:17,120 Speaker 2: Like wondering, Like when I was a kid, that didn't 517 00:27:17,119 --> 00:27:18,680 Speaker 2: affect me at all, Like what are these guys doing 518 00:27:19,280 --> 00:27:21,960 Speaker 2: in the bathhouse together? And why is he talking to 519 00:27:22,000 --> 00:27:25,320 Speaker 2: the stranger and with a long handshake. Now I know 520 00:27:25,359 --> 00:27:26,439 Speaker 2: what's going on, but. 521 00:27:26,440 --> 00:27:28,520 Speaker 4: I don't even remember. I just must have said I. 522 00:27:28,840 --> 00:27:31,439 Speaker 2: Don't know what the something you to cut that out 523 00:27:31,480 --> 00:27:32,440 Speaker 2: of the film. 524 00:27:32,920 --> 00:27:34,120 Speaker 5: It was a firm handshake. 525 00:27:40,640 --> 00:27:43,920 Speaker 4: So I saw that one. If you haven't seen Day. 526 00:27:43,800 --> 00:27:46,760 Speaker 2: Of the Jackal, this masterpiece in nineteen seventy cinema, may 527 00:27:46,880 --> 00:27:48,639 Speaker 2: not masterpiece, but so good. 528 00:27:49,800 --> 00:27:50,760 Speaker 4: And then I think on the. 529 00:27:50,760 --> 00:27:53,440 Speaker 2: Way home, I saw Fargo, which is always. 530 00:27:53,119 --> 00:27:57,359 Speaker 4: Good to revisit. And that's about. 531 00:27:57,119 --> 00:28:00,840 Speaker 2: All the movies I got Sam and I've been I 532 00:28:01,040 --> 00:28:04,960 Speaker 2: just returned from this twelve hour flight, so I'm kind 533 00:28:04,960 --> 00:28:08,800 Speaker 2: of wasted. So unless you want to talk about why 534 00:28:09,359 --> 00:28:14,240 Speaker 2: Lena Dunham is so unpopular, which there's an article in 535 00:28:14,280 --> 00:28:17,520 Speaker 2: New York Times about, I don't how much else, but 536 00:28:17,600 --> 00:28:19,600 Speaker 2: I was since I mentioned it, I'll give you my opinion. 537 00:28:21,000 --> 00:28:22,000 Speaker 4: She's she's trying. 538 00:28:22,040 --> 00:28:24,760 Speaker 2: She still doesn't understand why she's so like such a 539 00:28:24,840 --> 00:28:27,440 Speaker 2: lightning rod and people hate her so much. And I 540 00:28:27,480 --> 00:28:32,120 Speaker 2: think it's because when she came to popularity, she wasn't 541 00:28:32,160 --> 00:28:35,480 Speaker 2: that attractive. You could say, this is a beautiful woman, 542 00:28:35,600 --> 00:28:38,320 Speaker 2: very beautiful, talented woman, but she's not a you know, 543 00:28:38,360 --> 00:28:41,440 Speaker 2: a typical Hollywood sex symbol. And then she had a 544 00:28:41,480 --> 00:28:44,840 Speaker 2: big fricking mouth on her and I think it went 545 00:28:44,880 --> 00:28:45,280 Speaker 2: too far. 546 00:28:45,640 --> 00:28:46,040 Speaker 6: And so. 547 00:28:47,920 --> 00:28:49,320 Speaker 2: That's what I'll tell her, you just kind of went 548 00:28:49,360 --> 00:28:53,560 Speaker 2: too far. But very talented and a good writer, and 549 00:28:53,600 --> 00:28:57,480 Speaker 2: she said she's going to concentrate on that. But yeah, 550 00:28:57,480 --> 00:29:02,479 Speaker 2: I haven't seen her in the public I recently, but 551 00:29:02,520 --> 00:29:04,160 Speaker 2: that's a big New York Times thing. That's what they're 552 00:29:04,160 --> 00:29:07,080 Speaker 2: doing over there and then in Disney except for I 553 00:29:07,160 --> 00:29:14,840 Speaker 2: think those New York Times Disney adults, and they're just 554 00:29:15,200 --> 00:29:18,480 Speaker 2: talking about how the Disney adults are such a good 555 00:29:19,280 --> 00:29:21,760 Speaker 2: financial thing for Disneyland and Disney World. 556 00:29:21,880 --> 00:29:25,080 Speaker 5: Oh absolutely for the park. 557 00:29:25,920 --> 00:29:29,200 Speaker 4: Spend money and they're dedicated. 558 00:29:29,800 --> 00:29:32,680 Speaker 3: Like you have to understand the kids, Like the families 559 00:29:32,720 --> 00:29:34,360 Speaker 3: that come with the kids are saving up all their 560 00:29:34,360 --> 00:29:37,280 Speaker 3: money for the tickets and they get like the kids 561 00:29:37,320 --> 00:29:39,840 Speaker 3: are allowed to get like one souvenir and it's usually 562 00:29:39,880 --> 00:29:43,400 Speaker 3: something cheap and or the whatever, the most affordable because 563 00:29:43,400 --> 00:29:45,160 Speaker 3: they're spending all the money on the food, the. 564 00:29:47,120 --> 00:29:47,960 Speaker 4: Popcorn bucket. 565 00:29:47,960 --> 00:29:49,160 Speaker 5: That's exactly. 566 00:29:49,240 --> 00:29:52,560 Speaker 3: And the kids are the adults now they don't they 567 00:29:52,640 --> 00:29:55,640 Speaker 3: typically don't have the kids, and they actually make the 568 00:29:55,720 --> 00:29:59,320 Speaker 3: money and all of that money goes into whatever they 569 00:29:59,360 --> 00:30:01,600 Speaker 3: want to get to that rock at the park. 570 00:30:01,880 --> 00:30:02,800 Speaker 4: They don't have a budget. 571 00:30:02,960 --> 00:30:03,600 Speaker 2: It's just whatever. 572 00:30:03,640 --> 00:30:05,080 Speaker 4: I feel like, I got a credit card, I'm going 573 00:30:05,120 --> 00:30:06,120 Speaker 4: to go into debt. 574 00:30:08,280 --> 00:30:13,240 Speaker 2: When I like, I mean, now I go to Disneyland. 575 00:30:13,400 --> 00:30:14,840 Speaker 2: I don't have a budgets buy whatever I want. But 576 00:30:14,880 --> 00:30:16,960 Speaker 2: I don't want anything. I don't want a popcorn bucket. 577 00:30:17,000 --> 00:30:19,160 Speaker 2: I don't want a button. I don't want anything every 578 00:30:19,320 --> 00:30:22,400 Speaker 2: like one out of a thousand pieces of merchandise. So 579 00:30:22,400 --> 00:30:25,760 Speaker 2: I will look at and go that's I could wear that. 580 00:30:25,840 --> 00:30:27,240 Speaker 2: And then I turn it around and there's a big 581 00:30:27,240 --> 00:30:30,320 Speaker 2: giant logo on the back of something that's like puffy ink, and. 582 00:30:30,280 --> 00:30:31,920 Speaker 4: I go, I'm not wearing that. Yeah, So I don't. 583 00:30:32,000 --> 00:30:32,960 Speaker 4: I don't buy much stuff. 584 00:30:33,280 --> 00:30:35,160 Speaker 2: Might I go to Disneyland, probably more than most people, 585 00:30:35,200 --> 00:30:38,400 Speaker 2: But I don't don't buy a lot of things. But 586 00:30:40,800 --> 00:30:43,360 Speaker 2: I think I was like when I was in my twenties, 587 00:30:43,400 --> 00:30:48,400 Speaker 2: late twenties, I had a girlfriend that was Disney employee. 588 00:30:48,400 --> 00:30:51,560 Speaker 2: Even you have thirty five percent off nice in the thing, 589 00:30:51,600 --> 00:30:55,280 Speaker 2: and we're just buying everything. I'm buying Bigfoot shoes like 590 00:30:55,640 --> 00:30:57,720 Speaker 2: made you sound like bigfoot they made a noise, and 591 00:30:58,320 --> 00:31:01,880 Speaker 2: Indiana Jones clothing, all the stuff, and we're just having 592 00:31:01,880 --> 00:31:03,760 Speaker 2: it sent to the front. In those days, I don't 593 00:31:03,760 --> 00:31:05,720 Speaker 2: think you still do this. You can have it, send 594 00:31:05,760 --> 00:31:07,760 Speaker 2: it to the front, darling, and then you walk around 595 00:31:07,760 --> 00:31:09,600 Speaker 2: Disneyland just buying all the stuff and having it sent 596 00:31:09,680 --> 00:31:11,640 Speaker 2: to the front, and then when you leave you pick 597 00:31:11,640 --> 00:31:11,920 Speaker 2: it up. 598 00:31:12,520 --> 00:31:13,760 Speaker 5: That sounds amazing. 599 00:31:14,280 --> 00:31:15,840 Speaker 4: It was, But now I just don't want I just 600 00:31:15,840 --> 00:31:16,480 Speaker 4: don't want anything. 601 00:31:16,640 --> 00:31:22,680 Speaker 2: But so yeah, Sydney adults are kind of embarrassing, but 602 00:31:22,720 --> 00:31:25,160 Speaker 2: they're good for business. 603 00:31:25,360 --> 00:31:25,720 Speaker 5: We are. 604 00:31:29,080 --> 00:31:29,800 Speaker 4: See anything else. 605 00:31:29,840 --> 00:31:32,560 Speaker 2: I think that's about it, Sam, because I got to 606 00:31:32,560 --> 00:31:33,320 Speaker 2: go get some sleep. 607 00:31:33,560 --> 00:31:33,760 Speaker 5: Yeah. 608 00:31:33,840 --> 00:31:36,440 Speaker 3: Go, you've been on the jet this whole time. You 609 00:31:36,480 --> 00:31:38,520 Speaker 3: should be jet lagged, ma'am. 610 00:31:39,720 --> 00:31:43,800 Speaker 2: Anyways, maybe next Sunday we'll do something live from a 611 00:31:43,880 --> 00:31:49,360 Speaker 2: Stagecoach festival out in the Coachilla Valley. 612 00:31:50,440 --> 00:31:53,560 Speaker 3: That's where a lot of people currently are at right 613 00:31:53,640 --> 00:31:55,000 Speaker 3: now for Coachella. 614 00:31:55,120 --> 00:31:56,840 Speaker 5: So yeah, we can have a recap of both. 615 00:31:57,600 --> 00:32:00,200 Speaker 2: Yeah, all right, next week, No, next week is I'll 616 00:32:00,200 --> 00:32:04,520 Speaker 2: be at Red Rocks and Denver, and then week after 617 00:32:04,560 --> 00:32:06,480 Speaker 2: that we'll do a live win from Coachella. But we'll 618 00:32:06,480 --> 00:32:10,240 Speaker 2: have we'll have shows every week, all right, Sam, thank 619 00:32:10,280 --> 00:32:10,800 Speaker 2: you very much. 620 00:32:12,240 --> 00:32:12,719 Speaker 5: M hm.