1 00:00:00,040 --> 00:00:02,040 Speaker 1: What do you want to get into rich I don't 2 00:00:02,040 --> 00:00:03,560 Speaker 1: know if we talked about my kid, Audrey being in 3 00:00:03,560 --> 00:00:06,800 Speaker 1: fashion school in a minute, but she is deep within 4 00:00:06,840 --> 00:00:09,200 Speaker 1: her mid terms and part of what they do is 5 00:00:09,280 --> 00:00:12,639 Speaker 1: marketing and writing commercials. So she called me and said, 6 00:00:13,039 --> 00:00:15,360 Speaker 1: I need some help with my homework, and you're the 7 00:00:15,400 --> 00:00:18,200 Speaker 1: perfect guy. She said, I had to write a commercial 8 00:00:19,000 --> 00:00:20,960 Speaker 1: for something that I knew about. She's like, you and 9 00:00:21,040 --> 00:00:24,240 Speaker 1: John Jay have been doing commercials for Ford your whole life. 10 00:00:24,280 --> 00:00:27,520 Speaker 1: So I wrote a Ford commercial all my words, and 11 00:00:27,560 --> 00:00:29,560 Speaker 1: she's like, but I have to produce it. I have 12 00:00:29,600 --> 00:00:31,960 Speaker 1: to do all the sound effects. But she said, I 13 00:00:31,960 --> 00:00:33,839 Speaker 1: can ask a friend to do the voice. And she's like, 14 00:00:34,159 --> 00:00:35,800 Speaker 1: you're my friend. I would like you to beat my 15 00:00:35,920 --> 00:00:36,880 Speaker 1: voice and my Ford. 16 00:00:36,800 --> 00:00:37,680 Speaker 2: Ad that's cute. 17 00:00:37,880 --> 00:00:41,440 Speaker 1: So she sent me the copy yesterday. Are the you know, 18 00:00:41,479 --> 00:00:44,199 Speaker 1: the words for the commercial? And I read them and 19 00:00:44,240 --> 00:00:46,640 Speaker 1: I thought I did an excellent job. And she called 20 00:00:46,680 --> 00:00:48,000 Speaker 1: me and she's like, yeah, that's not going to work. 21 00:00:49,120 --> 00:00:51,080 Speaker 1: I said, what's the problem with it? She's like, you 22 00:00:51,159 --> 00:00:54,279 Speaker 1: really chewed on the vocabulary and it's too long. It 23 00:00:54,280 --> 00:00:57,400 Speaker 1: can only be thirty seconds. You went fifty seconds and 24 00:00:57,440 --> 00:00:59,080 Speaker 1: then all of a sudden I'm having like this is 25 00:00:59,120 --> 00:01:01,280 Speaker 1: just like working here. Wow. 26 00:01:01,800 --> 00:01:03,560 Speaker 2: Difference there is that you have to write. You don't 27 00:01:03,600 --> 00:01:05,920 Speaker 2: have to write the copy, sir. 28 00:01:06,520 --> 00:01:08,040 Speaker 1: That's true. If we're here, we'd have to write our own. 29 00:01:08,080 --> 00:01:11,840 Speaker 1: Audrey's already done more. Yeah, some people hear so really 30 00:01:11,920 --> 00:01:14,640 Speaker 1: So if I'm gonna I'm gonna play the commercials So 31 00:01:14,800 --> 00:01:17,840 Speaker 1: all I did was read into a microphone at a 32 00:01:17,880 --> 00:01:20,640 Speaker 1: fast speed what she wanted me to do. But she 33 00:01:20,720 --> 00:01:23,559 Speaker 1: put the music, she put the sound effects, she put. 34 00:01:23,400 --> 00:01:25,080 Speaker 2: It together, and she says he's the finished product. 35 00:01:25,080 --> 00:01:28,280 Speaker 1: This is the finished project for Audrey's Ford commercial that 36 00:01:28,360 --> 00:01:29,720 Speaker 1: she penned, and I just voiced. 37 00:01:32,040 --> 00:01:33,399 Speaker 2: We're ready to rule the road. 38 00:01:33,880 --> 00:01:37,280 Speaker 1: Get behind the wheel at Ford where power needs performance. 39 00:01:37,600 --> 00:01:39,960 Speaker 1: From the rugen F one fifty to the sleek Mustag, 40 00:01:40,319 --> 00:01:43,399 Speaker 1: We've got rides to move you in deals that will 41 00:01:43,400 --> 00:01:46,920 Speaker 1: get your heart racing and your engines were follow the 42 00:01:47,000 --> 00:01:50,560 Speaker 1: savings with massive traded bonuses in no payment for ninety days. 43 00:01:50,760 --> 00:01:54,840 Speaker 1: Whether you're hauling, cruising or chasing adventure, there's a Ford 44 00:01:54,880 --> 00:01:58,760 Speaker 1: waiting for you. Visit your local Ford dealership or Ford 45 00:01:58,800 --> 00:02:01,720 Speaker 1: dot com today, and remember, when you drive a Ford, 46 00:02:02,520 --> 00:02:09,960 Speaker 1: you're driving a legend that sounds cool to purposely change 47 00:02:09,960 --> 00:02:13,680 Speaker 1: your voice. Or did Adre add some kind of inf well, no, 48 00:02:13,760 --> 00:02:15,760 Speaker 1: I added the inflection, but she added all the sound 49 00:02:15,760 --> 00:02:17,720 Speaker 1: effects and all that. But I don't know what she 50 00:02:17,840 --> 00:02:22,960 Speaker 1: used for me. Yeah, that sounds like a real commercial. 51 00:02:24,000 --> 00:02:26,520 Speaker 1: Did they give her the Ford music that she had 52 00:02:26,520 --> 00:02:28,320 Speaker 1: to find it all on her? That's the real Ford stuff, 53 00:02:28,360 --> 00:02:30,240 Speaker 1: right cause that sounds like a commercial. She said she 54 00:02:30,360 --> 00:02:33,040 Speaker 1: just looked for royalty free drive in music. 55 00:02:33,240 --> 00:02:36,040 Speaker 2: Oh, I wonder if Ford uses that because it sounds 56 00:02:36,080 --> 00:02:36,760 Speaker 2: like a real Ford. 57 00:02:36,800 --> 00:02:37,359 Speaker 1: That's what I thought. 58 00:02:37,400 --> 00:02:39,320 Speaker 2: I'm like, she did, only our show would play a 59 00:02:39,320 --> 00:02:45,040 Speaker 2: commercial for content. I was waiting for some sort of like. 60 00:02:45,240 --> 00:02:46,680 Speaker 1: I was like, did you write did you write it 61 00:02:46,720 --> 00:02:48,320 Speaker 1: with a I? And she's like, no, you have to 62 00:02:48,320 --> 00:02:50,760 Speaker 1: do it all yourself. And I'm like, what do you mean, 63 00:02:50,800 --> 00:02:52,280 Speaker 1: like no payment for ninety days? She's like, I heard 64 00:02:52,280 --> 00:02:54,359 Speaker 1: that on a purea Ford commercial, so I just put 65 00:02:54,360 --> 00:02:58,200 Speaker 1: it in my copy. It's not perfect anyway, So that's good. 66 00:02:58,240 --> 00:03:00,359 Speaker 1: They're learning stuff over there. Good. 67 00:03:00,480 --> 00:03:03,120 Speaker 2: Different professors like hey, Aldre, can you see me after class? 68 00:03:03,400 --> 00:03:06,720 Speaker 2: And then you see like the voice guy. Everything was great, 69 00:03:06,800 --> 00:03:10,320 Speaker 2: but the voice terrible. Why would you get that? Where'd 70 00:03:10,320 --> 00:03:11,600 Speaker 2: you get that guy that. 71 00:03:12,280 --> 00:03:13,639 Speaker 1: Does sound like a truck commercial beat. 72 00:03:13,680 --> 00:03:16,880 Speaker 2: No, it's sound of good. It's John Jayden