1
00:00:00,040 --> 00:00:04,360
Speaker 1: I slugged into everything New York. Mark Simone on sevent

2
00:00:04,440 --> 00:00:10,960
Speaker 1: ten w Well, Scott Shannon, the radio legend, the greatest

3
00:00:10,960 --> 00:00:14,400
Speaker 1: living d Jamie. This guy, the greatest program director. You know.

4
00:00:14,440 --> 00:00:17,080
Speaker 1: This guy created the Morning Zoo, He created Z one hundred,

5
00:00:17,160 --> 00:00:20,120
Speaker 1: he created all sorts of stuff. Number one morning man

6
00:00:20,160 --> 00:00:22,840
Speaker 1: in New York for decades. He's still on the air

7
00:00:22,880 --> 00:00:26,279
Speaker 1: on the True Oldies channel. And he's with us now.

8
00:00:26,280 --> 00:00:27,720
Speaker 1: Scott Shannon, how you doing?

9
00:00:28,920 --> 00:00:31,880
Speaker 2: Happy to be here with Mark Simone, the always napper

10
00:00:32,040 --> 00:00:35,960
Speaker 2: radio rapper, the wor powerhouse Jock.

11
00:00:37,400 --> 00:00:40,240
Speaker 1: I never liked that term, jock. You like it, right, Jock?

12
00:00:40,640 --> 00:00:43,080
Speaker 2: Yeah, I don't mind. I remember when I first came

13
00:00:43,159 --> 00:00:47,559
Speaker 2: to New York and my friend Ross Britton was with

14
00:00:47,720 --> 00:00:52,279
Speaker 2: me on and I picked him up because he had

15
00:00:52,320 --> 00:00:56,280
Speaker 2: been let loose by WABC radio. Yeah, they were doing

16
00:00:56,320 --> 00:00:58,520
Speaker 2: talk radio. Remember when they did talk radio?

17
00:00:58,720 --> 00:01:02,360
Speaker 1: Oh yeah, I was on their back now.

18
00:01:03,920 --> 00:01:06,520
Speaker 2: And then. But he used to say, don't call me

19
00:01:06,680 --> 00:01:10,039
Speaker 2: a DJ. I'm talent here in New York. You're not

20
00:01:10,120 --> 00:01:13,400
Speaker 2: a jockey or talent. I said, no, no, your talent.

21
00:01:13,600 --> 00:01:17,520
Speaker 2: I'm a freaking DJ. And don't you He'll forget it,

22
00:01:18,680 --> 00:01:24,080
Speaker 2: by the way. Yeah, oh, he had an agent and everything.

23
00:01:24,200 --> 00:01:26,560
Speaker 2: I didn't know what I was doing. I just stumbled

24
00:01:26,560 --> 00:01:30,000
Speaker 2: in from Tampa and got pretty lucky, I guess. But

25
00:01:30,880 --> 00:01:36,759
Speaker 2: last night the iHeart Radio Music Awards in Hollywood, and

26
00:01:36,840 --> 00:01:40,120
Speaker 2: of course you know who the big winner was, Gilbert O.

27
00:01:40,200 --> 00:01:40,560
Speaker 1: Sullivan.

28
00:01:42,040 --> 00:01:46,440
Speaker 2: Taylor swelled, Oh yeah, yeah, well but but wait a minute.

29
00:01:46,480 --> 00:01:49,840
Speaker 2: She really shook the place up when she showed up

30
00:01:50,040 --> 00:01:53,080
Speaker 2: for the first time at any awards, bank winner, any

31
00:01:53,120 --> 00:01:57,880
Speaker 2: awards ceremonies. She had her fiance Travis Kelcey with her.

32
00:01:58,080 --> 00:01:59,720
Speaker 1: Oh I think we have the clip. Wait a minute,

33
00:02:00,040 --> 00:02:03,400
Speaker 1: and probably also feels very happy and confident and free

34
00:02:03,440 --> 00:02:06,280
Speaker 1: because that's the way that I get to feel every

35
00:02:06,320 --> 00:02:09,960
Speaker 1: single day of my life because of my fiance.

36
00:02:10,040 --> 00:02:15,120
Speaker 2: Who's here to That's a pretty good endorsement for Travis.

37
00:02:15,240 --> 00:02:19,080
Speaker 1: Huh yeah, well, one career ending, another one starting.

38
00:02:19,960 --> 00:02:26,080
Speaker 2: But he makes me feel free. It's pretty good. That

39
00:02:26,200 --> 00:02:28,960
Speaker 2: was the first time they have ever appeared at, you know,

40
00:02:29,040 --> 00:02:30,240
Speaker 2: one of those ceremonies.

41
00:02:30,800 --> 00:02:32,399
Speaker 1: How long do you give this marriage?

42
00:02:34,680 --> 00:02:37,680
Speaker 2: I think it's since you know, I'm on the positive side,

43
00:02:37,720 --> 00:02:41,160
Speaker 2: I think they'll be fine. I mean, I mean, he

44
00:02:43,680 --> 00:02:46,519
Speaker 2: when before he met her, he was a real goofball

45
00:02:46,720 --> 00:02:50,040
Speaker 2: and Playboy, and he kind of calmed down quite a bit.

46
00:02:50,280 --> 00:02:53,160
Speaker 2: And hey, he's got Taylor and they're going to get

47
00:02:53,200 --> 00:02:57,000
Speaker 2: married and it's gonna hopefully they'll live happily ever after him.

48
00:02:57,000 --> 00:03:01,240
Speaker 2: But she got seven awards last night, the most anybody

49
00:03:01,280 --> 00:03:04,560
Speaker 2: ever got. And I don't know, maybe I don't know

50
00:03:04,560 --> 00:03:07,280
Speaker 2: how many. I don't know how many, you know, heavy

51
00:03:07,360 --> 00:03:09,040
Speaker 2: competitors she was up against.

52
00:03:09,040 --> 00:03:10,040
Speaker 1: But the big.

53
00:03:09,840 --> 00:03:14,040
Speaker 2: News in the music world is a new Paul McCartney album.

54
00:03:14,480 --> 00:03:18,000
Speaker 2: This one's a little bit different than the ones he's

55
00:03:18,120 --> 00:03:21,200
Speaker 2: done before, because this time he goes back in time

56
00:03:21,960 --> 00:03:27,120
Speaker 2: and talks about himself and meeting John Lennon and the

57
00:03:27,200 --> 00:03:29,280
Speaker 2: fact that they grew up together. The name of the

58
00:03:29,320 --> 00:03:33,840
Speaker 2: albums The Boys of Dungeon Lane, and it's all about

59
00:03:34,040 --> 00:03:38,520
Speaker 2: meeting together and sticking together writing all those songs. And

60
00:03:38,560 --> 00:03:42,040
Speaker 2: he's got fourteen tracks on this album. You can get

61
00:03:42,080 --> 00:03:45,320
Speaker 2: away with nine or ten easily these days, but he's

62
00:03:45,360 --> 00:03:49,920
Speaker 2: got fourteen tracks. Comes out May twenty ninth, and the

63
00:03:49,960 --> 00:03:54,760
Speaker 2: first single from the album is kind of like snuck out.

64
00:03:55,120 --> 00:03:59,160
Speaker 2: It's called the Days We Left Behind. Here's a little

65
00:03:59,240 --> 00:04:00,880
Speaker 2: clip problem you like it?

66
00:04:02,120 --> 00:04:02,600
Speaker 1: Here he is.

67
00:04:04,040 --> 00:04:04,920
Speaker 2: Glad you like it.

68
00:04:05,000 --> 00:04:09,360
Speaker 1: That's McCartney playing right, so far, so good.

69
00:04:10,080 --> 00:04:12,880
Speaker 2: Yeah, I think it flashes back, but I mean it's

70
00:04:12,920 --> 00:04:16,919
Speaker 2: got it's got a great theme to it, and it's

71
00:04:17,040 --> 00:04:21,200
Speaker 2: you know, it's him kind of I guess, pouring forth

72
00:04:21,279 --> 00:04:25,000
Speaker 2: about him growing up when they were kids, and I

73
00:04:25,040 --> 00:04:29,040
Speaker 2: don't know, you saw the the series where he took back.

74
00:04:29,240 --> 00:04:31,920
Speaker 2: He went back and showed everybody where he lived and

75
00:04:32,800 --> 00:04:35,080
Speaker 2: some of the pubs he would sing in and all

76
00:04:35,120 --> 00:04:38,120
Speaker 2: that kind of thing. I think this is going to

77
00:04:38,200 --> 00:04:42,200
Speaker 2: be probably the best album he's done in a few years.

78
00:04:42,800 --> 00:04:44,800
Speaker 1: Well all right, but he didn't set the bar very

79
00:04:44,839 --> 00:04:46,560
Speaker 1: high album wise in the last few years. And I

80
00:04:46,560 --> 00:04:48,280
Speaker 1: don't mean I'm not picking on him. It's just when

81
00:04:48,279 --> 00:04:52,960
Speaker 1: you're the superstar legend Elder Statesman Mick Jagger, Billy Joel

82
00:04:53,360 --> 00:04:56,000
Speaker 1: Paul McCartney, you can tour the world and it's incredible,

83
00:04:56,000 --> 00:04:59,039
Speaker 1: but you're not going to have hit albums anymore, are you? No?

84
00:04:59,320 --> 00:05:03,440
Speaker 2: You know now, That's what I remember. Billy actually told

85
00:05:03,480 --> 00:05:07,480
Speaker 2: me this when uh he was talking to Elton John

86
00:05:08,160 --> 00:05:11,520
Speaker 2: and and and Elton John's I'm busy working on my

87
00:05:11,640 --> 00:05:14,720
Speaker 2: new album, Billy and Billy said, once you just open

88
00:05:14,839 --> 00:05:17,160
Speaker 2: up the window and piss out and throw all your

89
00:05:17,200 --> 00:05:20,640
Speaker 2: money out the window. He said, no, you know, he said,

90
00:05:20,720 --> 00:05:26,039
Speaker 2: people want to hear our old songs, Elton and you know,

91
00:05:27,000 --> 00:05:30,000
Speaker 2: and that's how that's how most you see people like

92
00:05:30,160 --> 00:05:32,919
Speaker 2: you know, def Leopard, they work hard. They put this

93
00:05:33,080 --> 00:05:35,800
Speaker 2: new album out. He probably didn't even know without there,

94
00:05:35,880 --> 00:05:36,240
Speaker 2: did you.

95
00:05:37,839 --> 00:05:40,760
Speaker 1: Paul McCartney, Where is this going to get played? This album?

96
00:05:42,720 --> 00:05:45,440
Speaker 2: He doesn't need. No, they're not going to play it

97
00:05:45,480 --> 00:05:47,840
Speaker 2: on Z one hundred and it's not an oldie so

98
00:05:48,000 --> 00:05:50,599
Speaker 2: you can't play it on my network. But you know,

99
00:05:50,640 --> 00:05:52,680
Speaker 2: I'll play it a couple of times and enjoy it,

100
00:05:52,720 --> 00:05:55,839
Speaker 2: and I hope it turns out. You know, like you said,

101
00:05:56,000 --> 00:05:58,680
Speaker 2: he's Paul McCartney. He's going to sell albums. There's no

102
00:05:58,720 --> 00:06:01,719
Speaker 2: doubt about it. That's that's and this is good. And

103
00:06:01,800 --> 00:06:06,120
Speaker 2: he's really working on a marketing this one because it's very

104
00:06:06,240 --> 00:06:09,120
Speaker 2: special to him. And you can get it, get it

105
00:06:09,160 --> 00:06:14,080
Speaker 2: in vinyl. He's got seven different color vinyl albums you

106
00:06:14,160 --> 00:06:20,840
Speaker 2: can order. Okay, I know, don't pick your color, all right,

107
00:06:20,880 --> 00:06:23,000
Speaker 2: So tell you So you're down with Paul.

108
00:06:23,520 --> 00:06:26,400
Speaker 1: Somebody should tell him. Maybe it's twenty twenty six, maybe

109
00:06:26,480 --> 00:06:27,520
Speaker 1: tell him let him know.

110
00:06:27,800 --> 00:06:30,280
Speaker 2: Yeah, I will you know what. I think it's going

111
00:06:30,360 --> 00:06:32,000
Speaker 2: to be a number one album. I really do.

112
00:06:32,160 --> 00:06:37,360
Speaker 1: Well, you're the expert. Hey, the right, Great, that's yesterday.

113
00:06:38,600 --> 00:06:39,359
Speaker 2: That was crazy.

114
00:06:39,839 --> 00:06:42,000
Speaker 1: People have messed up the national anthem before, but this

115
00:06:42,080 --> 00:06:44,960
Speaker 1: guy is a big Broadway star. To be on Broadway

116
00:06:45,000 --> 00:06:47,120
Speaker 1: every night, you've got to be good at memorizing lyrics.

117
00:06:47,640 --> 00:06:48,200
Speaker 1: What happened?

118
00:06:48,240 --> 00:06:51,440
Speaker 2: He was George? I think he played George Washington, didn't he?

119
00:06:51,560 --> 00:06:52,040
Speaker 1: Yeah?

120
00:06:52,240 --> 00:06:54,880
Speaker 2: I think that Christopher Jackson his name. He's got a

121
00:06:54,920 --> 00:06:59,479
Speaker 2: Tony on his mantel at home, and he's he's he

122
00:06:59,600 --> 00:07:03,839
Speaker 2: didn't lanthem at the Yankees before. He knows what he's doing.

123
00:07:04,279 --> 00:07:07,040
Speaker 2: But he had a little bit of a glitch at

124
00:07:07,080 --> 00:07:09,159
Speaker 2: City Field. Here's what it sounded like.

125
00:07:09,360 --> 00:07:16,680
Speaker 1: What's so proudly? We had the twilight last?

126
00:07:16,920 --> 00:07:17,120
Speaker 2: To me?

127
00:07:18,560 --> 00:07:28,320
Speaker 1: Who sprawl strives, hand rides, stars through the pap Fine,

128
00:07:29,160 --> 00:07:41,120
Speaker 1: what's so proudly? Wors gyre? Crowd booing a little there?

129
00:07:41,200 --> 00:07:45,520
Speaker 2: So well, I got to tell you something. He came.

130
00:07:45,920 --> 00:07:51,240
Speaker 2: He really handled it well. He he talked to TMS Sports.

131
00:07:51,280 --> 00:07:54,000
Speaker 2: He said that will not keep him from doing the

132
00:07:54,120 --> 00:07:57,640
Speaker 2: national anthem in the future. He said, I've done the

133
00:07:57,720 --> 00:08:02,840
Speaker 2: national anthem countless times. And stadiums around the country. Today

134
00:08:03,000 --> 00:08:05,800
Speaker 2: was a beautiful opening day, and I was thrilled to

135
00:08:05,920 --> 00:08:09,920
Speaker 2: be there. He said. Look, he says, I'm human, but

136
00:08:10,000 --> 00:08:12,760
Speaker 2: I won't hesitate to step up to a microphone and

137
00:08:12,800 --> 00:08:15,840
Speaker 2: pay tribute to those that we honor with the anthem.

138
00:08:16,400 --> 00:08:18,880
Speaker 2: So you know it does happen.

139
00:08:19,080 --> 00:08:21,760
Speaker 1: He played George Washington and Hamilton, but in his defense,

140
00:08:22,400 --> 00:08:24,920
Speaker 1: when George Washington was present, there was no national anthem.

141
00:08:24,920 --> 00:08:26,240
Speaker 1: It wasn't written until years later.

142
00:08:27,240 --> 00:08:28,680
Speaker 2: But he's not really George.

143
00:08:28,840 --> 00:08:30,680
Speaker 1: Yeah, yeah, well that's true.

144
00:08:32,320 --> 00:08:35,920
Speaker 2: But I gotta tell you the greatest story that I've

145
00:08:35,960 --> 00:08:41,240
Speaker 2: seen in a long time happened what last week? It

146
00:08:41,400 --> 00:08:46,720
Speaker 2: was a guy the Quadra is a quadruple amputee who

147
00:08:46,800 --> 00:08:51,760
Speaker 2: happens to also be a professional corn hole player. What

148
00:08:52,640 --> 00:08:56,720
Speaker 2: he Yeah, you mustn't missed this Dayton Weber. He's like

149
00:08:57,000 --> 00:08:59,679
Speaker 2: twenty seven years old. He's got no arms and no

150
00:08:59,760 --> 00:09:03,319
Speaker 2: lab and he hadn't had him. He had some kind

151
00:09:03,360 --> 00:09:05,680
Speaker 2: of fever when he was a kid, and an infection

152
00:09:05,840 --> 00:09:08,080
Speaker 2: and all that. They took off his arms and legs.

153
00:09:08,360 --> 00:09:12,480
Speaker 2: But he doesn't let that stop him. He actually goes

154
00:09:12,520 --> 00:09:16,000
Speaker 2: to the firing range. He can shoot a gun. He

155
00:09:16,720 --> 00:09:21,239
Speaker 2: plays cornhole. He loves it. But Sunday night in Maryland,

156
00:09:21,720 --> 00:09:25,439
Speaker 2: he was riding along, right, He's driving the damn car.

157
00:09:25,600 --> 00:09:28,480
Speaker 2: Remember he's got no arms and no lady. He's driving

158
00:09:28,559 --> 00:09:31,959
Speaker 2: the car. He's got a guy riding shotgun, two guys

159
00:09:32,000 --> 00:09:35,760
Speaker 2: in the back seat. Somehow he got into an argument

160
00:09:36,000 --> 00:09:39,200
Speaker 2: with the guy in the front seat with him. He

161
00:09:39,360 --> 00:09:42,079
Speaker 2: pulled out a gun and shoots him while he's driving

162
00:09:42,160 --> 00:09:46,079
Speaker 2: down the road. He kills him. So so.

163
00:09:47,760 --> 00:09:49,600
Speaker 1: A car with. What does he drive the car with?

164
00:09:49,800 --> 00:09:53,200
Speaker 2: I don't know. Maybe he's driving a Tesla. I don't know,

165
00:09:53,240 --> 00:09:55,720
Speaker 2: one of those self drive cars. But listen to this.

166
00:09:55,800 --> 00:09:59,280
Speaker 2: He pulls over. The two guys in the backseat are

167
00:09:59,320 --> 00:10:03,120
Speaker 2: all ready to their pants. He just shot a guy.

168
00:10:03,160 --> 00:10:05,839
Speaker 2: He murdered a guy in the front seat. He tells

169
00:10:05,920 --> 00:10:09,280
Speaker 2: him to get out and take the body with him.

170
00:10:09,520 --> 00:10:11,800
Speaker 2: They said, no, tell you what. We're going to get out,

171
00:10:11,920 --> 00:10:14,720
Speaker 2: but we're not taking the body. They take off running

172
00:10:15,640 --> 00:10:19,079
Speaker 2: and I don't know how long they ran, but they

173
00:10:19,160 --> 00:10:22,480
Speaker 2: ran into a cop car and he thought they told

174
00:10:22,559 --> 00:10:26,120
Speaker 2: them what was going on. Now. This is Dayton Weber.

175
00:10:26,559 --> 00:10:31,400
Speaker 2: The guy he shot was Braderick Michael Wells twenty seven

176
00:10:31,600 --> 00:10:35,440
Speaker 2: Bout twenty seven and then what happened. I don't know

177
00:10:35,440 --> 00:10:38,959
Speaker 2: how he did this either. He pulled into a residential

178
00:10:39,040 --> 00:10:42,320
Speaker 2: area and somehow managed to get the body out of

179
00:10:42,360 --> 00:10:44,840
Speaker 2: the front seat into some guy's yard.

180
00:10:46,840 --> 00:10:49,280
Speaker 1: All right, sounds like an episode of Breaking Bad. Sounds

181
00:10:49,280 --> 00:10:50,400
Speaker 1: like Walter White Waiter.

182
00:10:51,120 --> 00:10:54,920
Speaker 2: Wait minu, it's not over yet. He keeps driving. He

183
00:10:55,080 --> 00:10:58,559
Speaker 2: drives the Charlottesville, Virgini and no one's caught him yet.

184
00:10:58,880 --> 00:11:01,800
Speaker 2: He checked in and check it, and he went into

185
00:11:01,840 --> 00:11:05,640
Speaker 2: the emergency room at the hospital. He needed treatment for something.

186
00:11:05,760 --> 00:11:07,400
Speaker 2: I don't know what it was, and that's where the

187
00:11:07,400 --> 00:11:11,600
Speaker 2: cops got him. But I mean, think about that just

188
00:11:11,640 --> 00:11:14,760
Speaker 2: for a second. It's hard to even drive a car.

189
00:11:14,840 --> 00:11:17,360
Speaker 2: And then he shoots a guy and then he pulled

190
00:11:17,400 --> 00:11:20,079
Speaker 2: him out of the car and dumps him in somebody's yard.

191
00:11:21,200 --> 00:11:23,720
Speaker 1: Unbelievable. Hey, Scott Shannon, we're out of time. We'll have

192
00:11:23,760 --> 00:11:26,000
Speaker 1: to continue this. We'll do it again soon. Hey, if

193
00:11:26,040 --> 00:11:29,360
Speaker 1: you want to listen to the True Oldies Channel, it's

194
00:11:29,400 --> 00:11:32,880
Speaker 1: the best music from the sixties and seventies, True Oldiest Channel.

195
00:11:33,000 --> 00:11:37,120
Speaker 1: It's a ninety two point three HD three right, yep, And.

196
00:11:38,520 --> 00:11:41,720
Speaker 2: You can always download the iHeart app.

197
00:11:41,800 --> 00:11:44,040
Speaker 1: Right, Yeah, you get it there, Ihard app you get

198
00:11:44,080 --> 00:11:45,880
Speaker 1: the true oldiest channel. Hey, and take a look at

199
00:11:45,920 --> 00:11:49,480
Speaker 1: the documentary about Z one hundred. It's phenomenal, worse the first.

200
00:11:49,480 --> 00:11:53,640
Speaker 1: It's on Amazon Prime. Scott Shannon, thanks for being with us.

201
00:11:54,160 --> 00:11:56,320
Speaker 2: Audios and Eagles take care.

202
00:11:56,679 --> 00:11:59,920
Speaker 1: Hey, don't forget Curtis's back. Every morning it's Curtis Lee

203
00:12:00,280 --> 00:12:03,480
Speaker 1: and Larry Minty right here on sevent ten. Woir