1 00:00:01,040 --> 00:00:02,080 Speaker 1: It's a show. 2 00:00:03,360 --> 00:00:07,440 Speaker 2: Well, the only person I know who is as excited 3 00:00:07,880 --> 00:00:11,479 Speaker 2: as my wife for the Wicked movies, the first one 4 00:00:11,520 --> 00:00:13,040 Speaker 2: and now this latest one. 5 00:00:12,920 --> 00:00:19,880 Speaker 1: That just came out is Greg. Yeah. Blah blah blah 6 00:00:19,920 --> 00:00:23,159 Speaker 1: blah blah. Yeah. So we we actually forced Greg to 7 00:00:23,200 --> 00:00:24,239 Speaker 1: go see the first one. 8 00:00:24,640 --> 00:00:25,319 Speaker 3: Hated it. 9 00:00:26,720 --> 00:00:32,919 Speaker 2: Living Color Men on a film on books and a. 10 00:00:32,920 --> 00:00:34,920 Speaker 1: Kiss in a recoor nation. Yeah. 11 00:00:36,800 --> 00:00:39,800 Speaker 2: Uh so we figured it was only right because this 12 00:00:39,840 --> 00:00:41,320 Speaker 2: is the end, right, this is there were only going 13 00:00:41,360 --> 00:00:42,919 Speaker 2: to be two, right, I might have some. 14 00:00:42,920 --> 00:00:49,000 Speaker 4: News what talk of a prequel about Glinda. 15 00:00:49,080 --> 00:00:51,720 Speaker 1: That's how they always do, which has nothing to do. 16 00:00:51,760 --> 00:00:54,040 Speaker 1: There's no book of that or musical of that. That's 17 00:00:54,080 --> 00:00:57,000 Speaker 1: just just fabricated to make money. That the money, they'll 18 00:00:57,000 --> 00:01:00,240 Speaker 1: do the prequel and then they'll do part three. Maybe 19 00:01:00,280 --> 00:01:01,160 Speaker 1: I'll be by then. 20 00:01:02,760 --> 00:01:04,840 Speaker 2: Well, Greg, get ready you'll get to go see that 21 00:01:04,880 --> 00:01:13,280 Speaker 2: one too. Floating in Toto the Theater. 22 00:01:14,680 --> 00:01:38,280 Speaker 3: In a bubble some message. 23 00:01:33,520 --> 00:01:36,240 Speaker 2: I saw that Gina posts a pretty funny meme because 24 00:01:36,280 --> 00:01:41,360 Speaker 2: we're talking about like Ariana Grande and Ariba, you know, 25 00:01:41,600 --> 00:01:43,640 Speaker 2: like how they're pounding around and this kind of weird 26 00:01:43,800 --> 00:01:47,800 Speaker 2: thing they have with each other. And Gina had this 27 00:01:48,080 --> 00:01:49,920 Speaker 2: meme that she posted, and it's true. If you've ever 28 00:01:49,960 --> 00:01:53,800 Speaker 2: known theater kids, they're just weird like they are like that. 29 00:01:53,920 --> 00:01:54,600 Speaker 5: If anyone who. 30 00:01:54,560 --> 00:01:56,960 Speaker 4: Thinks this relationship is weird has never been around theater kids, 31 00:01:56,960 --> 00:01:58,680 Speaker 4: they're all like this. 32 00:01:58,720 --> 00:02:02,080 Speaker 1: Super annoying a couple. Now, all right, it's Greg. 33 00:02:02,120 --> 00:02:04,360 Speaker 2: You went to Did you go with anybody who is 34 00:02:04,400 --> 00:02:06,720 Speaker 2: just like like a solo outing people you're on a 35 00:02:06,720 --> 00:02:07,240 Speaker 2: business mine. 36 00:02:08,280 --> 00:02:12,200 Speaker 1: I went with Mario and we saw it in Imax. 37 00:02:12,240 --> 00:02:15,840 Speaker 1: This is the first time I ever experienced Imax. Wow, 38 00:02:16,160 --> 00:02:17,400 Speaker 1: And you know there are a couple of people like 39 00:02:17,400 --> 00:02:19,440 Speaker 1: waiting in line for popcorn going. I bet you they're 40 00:02:19,440 --> 00:02:25,800 Speaker 1: going to go work. Yeah, which you know, I noticed 41 00:02:26,160 --> 00:02:29,160 Speaker 1: no difference in Imax other than it's so crazy loud. 42 00:02:29,200 --> 00:02:31,240 Speaker 1: I thought I was. I thought I was deaf before. 43 00:02:31,360 --> 00:02:32,600 Speaker 1: I do hate that, definitely deaf. 44 00:02:32,639 --> 00:02:35,000 Speaker 5: You know, the size of the screen being much larger. 45 00:02:35,800 --> 00:02:37,680 Speaker 1: Really, all the movie screens look big to me. 46 00:02:37,800 --> 00:02:39,639 Speaker 4: So at least you went in those comfy chairs. 47 00:02:39,840 --> 00:02:42,880 Speaker 1: Yeah, that ruled. And I actually didn't fall asleep during 48 00:02:42,880 --> 00:02:46,560 Speaker 1: Wicked for Good, which is centered around Glinda and Alphabus. 49 00:02:46,680 --> 00:02:51,040 Speaker 1: So Glinda is the good Witch and she don't know 50 00:02:51,639 --> 00:02:54,120 Speaker 1: I'm telling this who don't know you just shut up. 51 00:02:54,160 --> 00:02:57,840 Speaker 1: I don't know a good witch. I didn't know that. 52 00:03:00,320 --> 00:03:03,120 Speaker 2: All the dorks in the room calmed down and calmed 53 00:03:03,200 --> 00:03:06,280 Speaker 2: down and let the non psycho understand what the hell is. 54 00:03:09,440 --> 00:03:12,079 Speaker 1: Glinda is the good witch played by Ariana Grande, who 55 00:03:12,160 --> 00:03:16,640 Speaker 1: is so skinny, she's so lucky yea. And Alphaba is 56 00:03:16,680 --> 00:03:20,919 Speaker 1: the misunderstood green one who is considered the Wicked Witch, 57 00:03:21,040 --> 00:03:24,560 Speaker 1: but in reality she's actually a really good person. Now 58 00:03:24,560 --> 00:03:27,760 Speaker 1: at this point, Glinda has risen to power. She's real popular, 59 00:03:28,040 --> 00:03:32,239 Speaker 1: She's totally loved by everybody. Alphaba is hated and Oz 60 00:03:32,320 --> 00:03:35,880 Speaker 1: actually wants her dead. And these two were friends. They've 61 00:03:35,960 --> 00:03:39,320 Speaker 1: kind of drifted apart because Ariana Grande is just drunk 62 00:03:39,360 --> 00:03:43,040 Speaker 1: with popularity and like the tin man getting a heart 63 00:03:43,040 --> 00:03:47,360 Speaker 1: in The Wizard of Oz. I didn't love Wicked for good, 64 00:03:47,480 --> 00:03:52,760 Speaker 1: but I did not hate it. If like and hate 65 00:03:52,800 --> 00:03:56,200 Speaker 1: were a scale, it would tip ever so slightly in 66 00:03:56,240 --> 00:04:01,000 Speaker 1: the like direction. Really was the music like broke in up? 67 00:04:01,120 --> 00:04:01,240 Speaker 6: Like? 68 00:04:01,320 --> 00:04:04,280 Speaker 1: It was more broken up. The music was more talkie 69 00:04:04,360 --> 00:04:08,560 Speaker 1: than singing. There's a lot of mixtures of talking with singing. 70 00:04:08,920 --> 00:04:11,840 Speaker 1: The lyrics were ridiculous. We'll get to that in a second. 71 00:04:11,840 --> 00:04:14,080 Speaker 1: But the couple things I did like about it. There 72 00:04:14,080 --> 00:04:16,120 Speaker 1: were more allusions made to the Wizard of Oz, like 73 00:04:16,160 --> 00:04:18,839 Speaker 1: you see the building of the Yellow Brick Road. There's 74 00:04:18,880 --> 00:04:21,320 Speaker 1: a lot of animal justice in the movie, because animals 75 00:04:21,360 --> 00:04:23,800 Speaker 1: are hated in this version of Oz, but they get 76 00:04:23,839 --> 00:04:25,920 Speaker 1: some revenge. There's gonna be a lot of spoilers here 77 00:04:25,960 --> 00:04:28,159 Speaker 1: if you're not familiar with Wicked. All right, there's more 78 00:04:28,200 --> 00:04:31,200 Speaker 1: actual dialogue like you mentioned in Menace, it's darker in theme. 79 00:04:31,400 --> 00:04:34,279 Speaker 1: It's a good story about two friends who drift apart 80 00:04:34,320 --> 00:04:38,240 Speaker 1: and they lead separate lives. I also liked the start 81 00:04:38,320 --> 00:04:40,200 Speaker 1: of tin Man. You kind of see the origin of 82 00:04:40,240 --> 00:04:43,080 Speaker 1: the tin Man. I like how the Wizard was a 83 00:04:43,279 --> 00:04:46,920 Speaker 1: total con man. He's like a villain. You think he's 84 00:04:46,960 --> 00:04:49,479 Speaker 1: the hero and the Wizard of Oz. He's a bad dude. 85 00:04:49,560 --> 00:04:54,080 Speaker 1: I forget, Greg, Did you like the Wizard of Oz? Yes? Overall? Okay, 86 00:04:54,120 --> 00:04:55,760 Speaker 1: so maybe that's what Maybe because there's. 87 00:04:55,560 --> 00:04:59,040 Speaker 2: More of Oz life, Yeah, tin Man and Lion and 88 00:04:59,080 --> 00:05:01,760 Speaker 2: the other So maybe that was what. 89 00:05:03,200 --> 00:05:05,360 Speaker 1: Exactly, because I actually know about the Wizard of Oz. 90 00:05:05,360 --> 00:05:07,200 Speaker 1: When I saw Wicked the first one, I thought, what 91 00:05:07,279 --> 00:05:08,920 Speaker 1: the hell is this? I don't get any of it. 92 00:05:09,240 --> 00:05:12,840 Speaker 1: This is way more Wizard of Oz like, and Dorothy 93 00:05:13,000 --> 00:05:15,600 Speaker 1: in this one actually makes a cameo. So that's what 94 00:05:15,640 --> 00:05:18,679 Speaker 1: I liked about this movie. You kind of feel like, oh, 95 00:05:18,720 --> 00:05:21,440 Speaker 1: I'm watching behind the scenes. You see Dorothy. It's not 96 00:05:21,560 --> 00:05:24,080 Speaker 1: Judy Garland. It's just you only see it from behind walking, 97 00:05:24,440 --> 00:05:27,400 Speaker 1: And it kind of explains a lot of that stuff. Uh, 98 00:05:27,440 --> 00:05:29,640 Speaker 1: and you see more about the flying monkeys, which I 99 00:05:29,680 --> 00:05:31,239 Speaker 1: think are pretty bad ass. They're cool. 100 00:05:31,480 --> 00:05:31,680 Speaker 7: Yeah. 101 00:05:31,720 --> 00:05:34,680 Speaker 2: I saw a couple of things about like, uh, how 102 00:05:34,720 --> 00:05:36,760 Speaker 2: they had to make the yellow Brick Road look a 103 00:05:36,800 --> 00:05:40,560 Speaker 2: little different. They couldn't because of all the copywriter trademark. 104 00:05:40,600 --> 00:05:42,840 Speaker 2: I don't know how they yeah whatever, the intellectual property 105 00:05:42,839 --> 00:05:45,080 Speaker 2: of the original film of the Road. Yeah, they can't 106 00:05:45,120 --> 00:05:48,480 Speaker 2: show Dorothy's face. They did not allowed to do that. 107 00:05:48,520 --> 00:05:51,440 Speaker 2: They can't. The pattern of the brick had to be different, 108 00:05:51,520 --> 00:05:54,880 Speaker 2: like idea they were. Trust me, I live with a wicked, 109 00:05:55,720 --> 00:05:58,920 Speaker 2: obsessed freak. We original Wizard of. 110 00:05:58,880 --> 00:06:01,040 Speaker 4: Oz right bomb, I would imagine. 111 00:06:01,080 --> 00:06:02,240 Speaker 1: Yeah, but who owns it down? 112 00:06:03,160 --> 00:06:06,279 Speaker 2: Yeah, he's nuclear dead, But who owns the right like 113 00:06:06,279 --> 00:06:08,919 Speaker 2: what the studio or. 114 00:06:08,880 --> 00:06:12,880 Speaker 1: Whoever was the Lollipop Guild in there? No, And then 115 00:06:12,920 --> 00:06:15,000 Speaker 1: that's the thing that I didn't understand they refer to 116 00:06:15,080 --> 00:06:17,480 Speaker 1: munchkins like they do in the Wizard of Us. They're 117 00:06:17,520 --> 00:06:20,600 Speaker 1: not small. They don't don't do that anymore. 118 00:06:22,839 --> 00:06:24,160 Speaker 4: In the New snow White, they're not. 119 00:06:25,240 --> 00:06:27,640 Speaker 1: Because there's this one character. His name is Bach, and 120 00:06:27,680 --> 00:06:29,839 Speaker 1: I think in real life he used to date Ariana. 121 00:06:30,520 --> 00:06:33,160 Speaker 1: Dude is weird looking af That's why beauty models now 122 00:06:33,160 --> 00:06:37,679 Speaker 1: are no longer beautiful. It's not allowed skinny hot people 123 00:06:37,760 --> 00:06:39,960 Speaker 1: like Bach goes to the train station. He can't take 124 00:06:39,960 --> 00:06:43,600 Speaker 1: a ride because they've forbidden munchkins from taking this train. 125 00:06:43,640 --> 00:06:45,440 Speaker 1: And I thought he's a munchkin. 126 00:06:45,960 --> 00:06:48,440 Speaker 4: They pretty much changed to like munchkins means redheads. 127 00:06:48,480 --> 00:06:50,880 Speaker 1: It made no sense. So there's a few things I 128 00:06:50,880 --> 00:06:53,000 Speaker 1: did like about it. The things I didn't like about 129 00:06:53,000 --> 00:06:56,960 Speaker 1: it a lot of it. But the acting completely subpar. 130 00:06:57,360 --> 00:07:01,120 Speaker 1: This was high school theater at bad. You would think 131 00:07:01,160 --> 00:07:04,360 Speaker 1: a massive budget movie, a massive money earner would have 132 00:07:04,440 --> 00:07:09,840 Speaker 1: this insanely amazing acting. Totally subpar. This is like rookie acting. 133 00:07:10,280 --> 00:07:12,520 Speaker 1: The singing was a mix of talking and singing. Like 134 00:07:12,560 --> 00:07:19,120 Speaker 1: I mentioned, harrendous lyrics, especially in one of the first 135 00:07:19,160 --> 00:07:22,160 Speaker 1: songs that Glinda sings. It's called thank Goodness. 136 00:07:22,320 --> 00:07:23,280 Speaker 2: Uh huh. 137 00:07:23,280 --> 00:07:28,240 Speaker 1: One of the lyrics, WOULDI I issue not? It comes 138 00:07:28,320 --> 00:07:29,840 Speaker 1: a little bit later in the song, but one of 139 00:07:29,840 --> 00:07:33,960 Speaker 1: the lyrics is a little well complicated. There's kind of 140 00:07:33,960 --> 00:07:37,200 Speaker 1: a sort of cost. There's a couple of things get lost. 141 00:07:37,840 --> 00:07:40,800 Speaker 1: There are bridges you cross, you didn't know you crossed. 142 00:07:40,480 --> 00:07:41,720 Speaker 3: Until you've crossed. 143 00:07:44,120 --> 00:07:49,080 Speaker 1: Garbage cross, there are bridges you cross, you didn't know 144 00:07:49,160 --> 00:07:55,200 Speaker 1: you crossed until you've crossed. Hew moronic is that. 145 00:07:56,400 --> 00:07:58,640 Speaker 5: I dug a little bit into it, and they said 146 00:07:58,680 --> 00:08:01,840 Speaker 5: that Wizard of Oz is own by Warner Brothers Pictures, 147 00:08:01,960 --> 00:08:04,720 Speaker 5: and Universal is the one that put out this movie. 148 00:08:04,920 --> 00:08:08,160 Speaker 1: Okay, so yeah, I guess. 149 00:08:07,880 --> 00:08:11,080 Speaker 5: That's why there's some copyright thing. But the book that 150 00:08:11,080 --> 00:08:12,760 Speaker 5: it's based on is public domain. 151 00:08:13,080 --> 00:08:16,320 Speaker 2: I don't know where This lyric is very end at the. 152 00:08:16,360 --> 00:08:21,280 Speaker 1: Very end, towards the very end, it's so baddies true, 153 00:08:23,520 --> 00:08:32,120 Speaker 1: very very very very end. The lyrics before that, I'm 154 00:08:32,120 --> 00:08:35,080 Speaker 1: giving up on them. We're not enough, right, terrible. There 155 00:08:35,080 --> 00:08:37,000 Speaker 1: are bridges you cross, you don't know you cross until 156 00:08:37,040 --> 00:08:37,760 Speaker 1: you've crossed. 157 00:08:37,960 --> 00:08:38,200 Speaker 3: Wow. 158 00:08:39,160 --> 00:08:41,280 Speaker 1: I don't know what stone or five year old wrote 159 00:08:41,280 --> 00:08:44,280 Speaker 1: those lyrics. I liked how the wedding between Glinda and 160 00:08:44,320 --> 00:08:47,520 Speaker 1: Fierro got totally ruined. That was good because it was 161 00:08:47,520 --> 00:08:50,840 Speaker 1: like anti fairy tale. I hated how quickly this Fierro 162 00:08:50,920 --> 00:08:54,360 Speaker 1: guy went from loving Glinda to loving Alphaba out of nowhere. 163 00:08:54,640 --> 00:08:56,400 Speaker 1: It was a fast turn of events. I thought that 164 00:08:56,440 --> 00:08:59,360 Speaker 1: was dumb. There was a borderline sex scene, which I 165 00:08:59,360 --> 00:09:02,760 Speaker 1: found very People thought this was very salacious. Yeah, between 166 00:09:03,000 --> 00:09:07,680 Speaker 1: this guy Fierro and Alphaba, it was suggestive. It wasn't 167 00:09:07,679 --> 00:09:09,560 Speaker 1: a sex scene, but it was very suggestive. And I 168 00:09:09,600 --> 00:09:12,280 Speaker 1: liked how Fierro told Alphaba that she's beautiful and she 169 00:09:12,360 --> 00:09:15,199 Speaker 1: thought he was lying, and he said, I'm just seeing 170 00:09:15,240 --> 00:09:17,199 Speaker 1: things in a different way. I thought that was very 171 00:09:17,280 --> 00:09:20,959 Speaker 1: awe babe. Now back to the music in the end. 172 00:09:21,320 --> 00:09:23,160 Speaker 4: But sorry, how pissed would you be if a guy 173 00:09:23,240 --> 00:09:25,679 Speaker 4: said you're beautiful because I'm seeing things in a different way. 174 00:09:25,760 --> 00:09:30,120 Speaker 1: Yeah, that's not such an So then in the end, 175 00:09:30,200 --> 00:09:34,040 Speaker 1: Glinda and Alphaba they have a total renaissance. They realize 176 00:09:34,080 --> 00:09:37,520 Speaker 1: they love each other again. They are just so in 177 00:09:37,559 --> 00:09:40,880 Speaker 1: love with their friendship, but they have to say goodbye. 178 00:09:41,400 --> 00:09:45,840 Speaker 1: And their final goodbye song I believe it's called Oh, 179 00:09:45,880 --> 00:09:47,800 Speaker 1: I don't even know what it's called for good thank 180 00:09:47,800 --> 00:09:50,520 Speaker 1: you Gina, and I actually liked that song. I thought 181 00:09:50,520 --> 00:09:53,160 Speaker 1: it was touching. Some of the lyrics were good. But 182 00:09:53,840 --> 00:09:56,840 Speaker 1: major spoiler alert, Gina, you'll already know this because it 183 00:09:56,880 --> 00:10:01,240 Speaker 1: happened in the play and in the movie. You think 184 00:10:02,040 --> 00:10:05,800 Speaker 1: Alphaba died and it would have ruled because I was 185 00:10:05,880 --> 00:10:07,680 Speaker 1: kind of bummed. I'm like, wow, this is kind of 186 00:10:07,720 --> 00:10:10,680 Speaker 1: sad Alphabet died. Glinda goes to where her hat is 187 00:10:10,720 --> 00:10:14,400 Speaker 1: on the floor, and you're thinking like, oh, damn, that's 188 00:10:14,440 --> 00:10:18,560 Speaker 1: pretty sad. But no, Alphabet went into a trap door. 189 00:10:18,640 --> 00:10:22,599 Speaker 1: She didn't die. She goes off with Fierro, who becomes 190 00:10:23,559 --> 00:10:28,440 Speaker 1: the scarecrow. Yeah, because he got all beaten up in 191 00:10:28,520 --> 00:10:34,319 Speaker 1: this field, beaten near to death. And then I guess the. 192 00:10:33,600 --> 00:10:36,120 Speaker 4: SS like, don't let him die, don't let him bleed 193 00:10:37,480 --> 00:10:38,439 Speaker 4: mad scare. 194 00:10:38,400 --> 00:10:40,480 Speaker 1: Made him into a scarecrow. So his face looks all 195 00:10:40,520 --> 00:10:45,120 Speaker 1: weird and it's got like Nash and straw. He's still hot. 196 00:10:45,240 --> 00:10:48,719 Speaker 4: Yeah, you think Jonathan Bailey is not your guy, I 197 00:10:48,720 --> 00:10:49,719 Speaker 4: don't think not at all. 198 00:10:50,160 --> 00:10:54,440 Speaker 1: But overall, with the exception of these insanely stupid lyrics. 199 00:10:54,280 --> 00:10:56,360 Speaker 2: I think I think I found them before you grag. Oh, yeah, 200 00:10:56,400 --> 00:10:58,080 Speaker 2: because I pulled up on Spotify, you know, and go 201 00:10:58,160 --> 00:10:59,199 Speaker 2: right to the lyrics. 202 00:10:59,120 --> 00:11:06,040 Speaker 7: Good straight and it seems a little well, that's it complicated. 203 00:11:07,840 --> 00:11:14,920 Speaker 1: There's a consort cost, there's a. 204 00:11:14,600 --> 00:11:16,439 Speaker 3: Couple of things, kid. 205 00:11:17,840 --> 00:11:21,559 Speaker 2: Lost, there are bridges. 206 00:11:21,240 --> 00:11:27,559 Speaker 3: You cross, you didn't know you're cross. Tell your girls. 207 00:11:28,360 --> 00:11:32,959 Speaker 1: Is there is worse lyrics. It's not a story of 208 00:11:33,040 --> 00:11:38,160 Speaker 1: mankind stupid. I would be you crossed if I was 209 00:11:38,160 --> 00:11:39,000 Speaker 1: already on a grande. 210 00:11:39,040 --> 00:11:39,240 Speaker 2: I was. 211 00:11:39,800 --> 00:11:43,000 Speaker 1: No, I am not saying it right. She did a 212 00:11:43,000 --> 00:11:44,560 Speaker 1: great job with it for that being a lyric. 213 00:11:44,720 --> 00:11:47,800 Speaker 4: Yeah, but do you know why you shouldn't have been 214 00:11:47,880 --> 00:11:50,360 Speaker 4: quote unquote surprised that she didn't die at the end. 215 00:11:50,640 --> 00:11:52,960 Speaker 4: Why because in the song and the song that you hate, 216 00:11:52,960 --> 00:11:56,000 Speaker 4: the thank Goodness, they say like everyone. 217 00:11:55,640 --> 00:11:57,199 Speaker 1: Thinks pure water will melt her. 218 00:11:57,480 --> 00:11:59,679 Speaker 4: People are so empty headed, don't believe anything, and that's 219 00:11:59,679 --> 00:12:02,920 Speaker 4: what they can the idea. 220 00:12:03,040 --> 00:12:05,000 Speaker 1: Yeah, I didn't read into it that much neat and 221 00:12:05,040 --> 00:12:07,560 Speaker 1: I couldn't take notes during a movie, obviously, but I 222 00:12:07,600 --> 00:12:10,360 Speaker 1: remembered that lyric and I told myself, don't forget this lyrics. 223 00:12:10,360 --> 00:12:16,280 Speaker 1: It's so dumb. But overall, on a scale of five 224 00:12:16,640 --> 00:12:21,400 Speaker 1: five yellow bricks, I'm giving wicked for good three yellow brick. 225 00:12:23,840 --> 00:12:32,160 Speaker 1: Not horrific, not great, yellow bricks. All right, Well, you 226 00:12:32,160 --> 00:12:34,800 Speaker 1: know what, I am surprised, and I didn't fall asleep. 227 00:12:35,040 --> 00:12:36,640 Speaker 1: That's a big deal. More action. 228 00:12:37,040 --> 00:12:40,160 Speaker 2: Yeah, I gotta tell you your review of it. Overall, 229 00:12:40,960 --> 00:12:43,800 Speaker 2: I'm not gonna watch it, but I'm leaning more toward 230 00:12:44,200 --> 00:12:47,400 Speaker 2: maybe i'd watch it. I'm not gonna watch it, yeah, yeah, 231 00:12:47,400 --> 00:12:50,160 Speaker 2: but I'm now leaning more toward maybe I would. 232 00:12:50,280 --> 00:12:52,920 Speaker 1: It wouldn't be the torture you expected it to be. 233 00:12:53,000 --> 00:12:54,560 Speaker 5: Yeah, if you get stuck on a plane and there's 234 00:12:54,679 --> 00:12:58,120 Speaker 5: nothing else, all the other movies got deleted. 235 00:12:58,160 --> 00:12:58,480 Speaker 3: I don't know. 236 00:12:58,520 --> 00:13:03,960 Speaker 2: I think I just raw dogged the first one you would. Yeah, Nuclear, I'm. 237 00:13:03,800 --> 00:13:07,440 Speaker 1: Never gonna see that. Yeah. All right, Well, thank you, Greg. 238 00:13:08,000 --> 00:13:11,280 Speaker 1: Sorry to spoil the ending for everybody. The real fans 239 00:13:11,320 --> 00:13:12,440 Speaker 1: have seen it nine times. 240 00:13:12,480 --> 00:13:19,080 Speaker 2: Great Now we were we were surprised with Greg Gory's 241 00:13:19,120 --> 00:13:22,440 Speaker 2: review of Wicked too. Yeah, didn't hate it, didn't hate 242 00:13:22,480 --> 00:13:24,360 Speaker 2: didn't love it, didn't love it, love it. 243 00:13:24,400 --> 00:13:25,640 Speaker 1: I mean I thought it was gonna be just a 244 00:13:25,679 --> 00:13:29,679 Speaker 1: pure hatred. Didn't destroy it, way better than the first roe. Now, 245 00:13:29,679 --> 00:13:30,360 Speaker 1: will we be. 246 00:13:31,320 --> 00:13:34,480 Speaker 2: Just as surprised when Sea Bass tells us, because you 247 00:13:34,520 --> 00:13:37,440 Speaker 2: know we've We've mentioned a couple of times already on 248 00:13:37,480 --> 00:13:39,600 Speaker 2: the show. We played you a couple of clips already, 249 00:13:40,200 --> 00:13:42,440 Speaker 2: but see bats went and watched the whole thing, and 250 00:13:42,480 --> 00:13:46,280 Speaker 2: we're gonna get his review here real quick. On Sebastian 251 00:13:46,280 --> 00:13:52,520 Speaker 2: Maniscalco's Netflix Yeah, sorry, Tulu on Hulu Beware called it 252 00:13:52,559 --> 00:13:53,200 Speaker 2: ain't right. 253 00:13:53,520 --> 00:13:55,920 Speaker 6: And first off, he comes out, he's playing this to 254 00:13:56,000 --> 00:14:04,040 Speaker 6: a sold out packed United Center in Chicago. 255 00:13:59,800 --> 00:14:02,319 Speaker 1: And because that's where he's from. 256 00:14:02,360 --> 00:14:04,440 Speaker 6: If you can't tell how he fake talks like this, 257 00:14:05,480 --> 00:14:08,480 Speaker 6: he comes out with a sm Sebastian Manascalco like like 258 00:14:08,720 --> 00:14:12,600 Speaker 6: puffy uh greaser jacket from the Greaser Jacket, Pink Lady's 259 00:14:12,640 --> 00:14:15,240 Speaker 6: jacket from Greece. On the back it says it ate right, 260 00:14:15,320 --> 00:14:18,679 Speaker 6: so you're not confused about what's going on. That's he's 261 00:14:18,679 --> 00:14:20,400 Speaker 6: got his name on his jacket. He's got the title 262 00:14:20,440 --> 00:14:23,080 Speaker 6: of the special in his back. It was taped over 263 00:14:23,080 --> 00:14:25,080 Speaker 6: a year ago, so there's a lot of like Olympics references. 264 00:14:25,160 --> 00:14:28,520 Speaker 6: You're like, wait, what, Oh, that's why he's talking about that. 265 00:14:29,000 --> 00:14:31,040 Speaker 6: I mean the Olympics are coming back around again. Yeah, 266 00:14:31,120 --> 00:14:33,080 Speaker 6: I mean not summer, but but a. 267 00:14:33,080 --> 00:14:34,880 Speaker 1: Year to release. Yeah, that was strange. 268 00:14:34,960 --> 00:14:38,680 Speaker 6: Straight, he was professionally shot, obviously, here's a clip. He's 269 00:14:38,720 --> 00:14:41,720 Speaker 6: talking about kids and going to parties and stuff and 270 00:14:41,880 --> 00:14:44,080 Speaker 6: how other people's children are sometimes rude. 271 00:14:44,680 --> 00:14:47,280 Speaker 7: Right, and these kids today they have no problem talking 272 00:14:47,280 --> 00:14:51,680 Speaker 7: to adults. Growing up, I was scared of other adults. 273 00:14:52,120 --> 00:14:54,760 Speaker 7: These kids, they come right up to you and rude. 274 00:14:55,600 --> 00:14:57,920 Speaker 1: Eight years old, The kids like, where's my burger? 275 00:14:58,000 --> 00:14:59,320 Speaker 7: I'm like, hey, get. 276 00:15:01,160 --> 00:15:04,000 Speaker 1: There's no call for that kind of language. Luddy, vulgar 277 00:15:04,080 --> 00:15:06,920 Speaker 1: and abusive language. That's an automatic disconnect. You've got a 278 00:15:06,960 --> 00:15:13,920 Speaker 1: dirty horrors mouth. Is classic Sea Bess. This is classic. 279 00:15:14,120 --> 00:15:16,600 Speaker 1: I'll admit at this point that is classic Sea Bess. Yeah. 280 00:15:16,640 --> 00:15:18,560 Speaker 6: So the point is he tells the burger or he 281 00:15:18,600 --> 00:15:20,280 Speaker 6: tells the kid too, I get the f out of here, 282 00:15:20,320 --> 00:15:22,920 Speaker 6: and I don't like your parents either, which didn't happen 283 00:15:23,000 --> 00:15:23,440 Speaker 6: number one. 284 00:15:23,520 --> 00:15:25,640 Speaker 1: But number two is not a joke. Like if a 285 00:15:25,720 --> 00:15:27,080 Speaker 1: roode kick, if a kid is up to you. 286 00:15:27,080 --> 00:15:28,680 Speaker 6: And you're you know, you're you're manning the grill at 287 00:15:28,680 --> 00:15:30,600 Speaker 6: a party, he says, oh, where's my burger? And you 288 00:15:30,640 --> 00:15:33,280 Speaker 6: would never get the f out of here? Kid? 289 00:15:33,480 --> 00:15:35,680 Speaker 1: Right, that's not just the reason they're there, and that 290 00:15:35,880 --> 00:15:37,880 Speaker 1: you're right, there's right again, but he like, but he 291 00:15:37,920 --> 00:15:43,800 Speaker 1: does it all with this breathing the voice. So it's 292 00:15:44,000 --> 00:15:45,000 Speaker 1: that kind of theme. 293 00:15:45,120 --> 00:15:47,360 Speaker 6: Follows he talks about going he's an old man now 294 00:15:47,360 --> 00:15:50,120 Speaker 6: he's in his fifties. He's going to the doctor and 295 00:15:50,320 --> 00:15:52,880 Speaker 6: h his description again, find the joke here. 296 00:15:52,920 --> 00:15:54,760 Speaker 1: This is this is what he waits. He sits on 297 00:15:54,800 --> 00:15:57,720 Speaker 1: this line his description of a doctor visit. So I'm 298 00:15:57,760 --> 00:15:59,560 Speaker 1: going to the doctor and it's weird. 299 00:16:00,080 --> 00:16:02,080 Speaker 7: Come out and they asked you to come in. They 300 00:16:02,080 --> 00:16:03,640 Speaker 7: say your name is Sebastian. 301 00:16:03,960 --> 00:16:09,320 Speaker 1: Okay, I always go the wrong way. It's like, I know, 302 00:16:09,840 --> 00:16:14,960 Speaker 1: that's why. No, I'm that I got my margaret. What 303 00:16:15,080 --> 00:16:18,400 Speaker 1: are you laughing at? And then you come in? I 304 00:16:18,520 --> 00:16:21,200 Speaker 1: relate to that, you guys, And he's just and he's 305 00:16:21,360 --> 00:16:22,280 Speaker 1: the movement. 306 00:16:22,360 --> 00:16:24,280 Speaker 6: He's kind of like puttering around the stage like like 307 00:16:24,320 --> 00:16:25,960 Speaker 6: he's lost laughing. 308 00:16:26,240 --> 00:16:27,400 Speaker 1: But that's not funny. 309 00:16:27,600 --> 00:16:29,960 Speaker 2: By the way, you don't have to feel bad for Sago. 310 00:16:30,000 --> 00:16:33,440 Speaker 2: The guy's making a billion dollars so much. The guy's 311 00:16:33,480 --> 00:16:36,440 Speaker 2: cleaning up. And I do realize that comedy is subjective, right, 312 00:16:36,520 --> 00:16:38,560 Speaker 2: So you know, we get people a time. Oh, you 313 00:16:38,640 --> 00:16:42,680 Speaker 2: guys like Joe Cooy and you guys like you and 314 00:16:43,400 --> 00:16:46,320 Speaker 2: like all these different people, you know, Yeah, Okay that 315 00:16:46,640 --> 00:16:49,680 Speaker 2: what you just brought there is what I became I 316 00:16:49,760 --> 00:16:52,920 Speaker 2: rate at watching the Sebastian Manscalco Special is I'm no 317 00:16:53,000 --> 00:16:53,720 Speaker 2: longer met at him. 318 00:16:53,720 --> 00:16:54,520 Speaker 1: I'm mad at the crowd. 319 00:16:55,680 --> 00:16:58,880 Speaker 6: I am discouraging it because what they're laughing at is 320 00:16:58,880 --> 00:16:59,760 Speaker 6: a cartoon character. 321 00:17:00,240 --> 00:17:02,080 Speaker 1: Especially in that example right there, he says, they come 322 00:17:02,120 --> 00:17:05,240 Speaker 1: out and they say Sebastian and they cracked up. 323 00:17:05,440 --> 00:17:08,520 Speaker 6: And what he's doing is he doesn't have jokes per se. 324 00:17:08,760 --> 00:17:10,920 Speaker 6: So he's what he's doing is he's selling the hell 325 00:17:10,960 --> 00:17:13,399 Speaker 6: out of it with the cartoon voice and the silly 326 00:17:13,400 --> 00:17:13,840 Speaker 6: little walk. 327 00:17:13,960 --> 00:17:14,160 Speaker 1: Yeah. 328 00:17:14,160 --> 00:17:16,160 Speaker 2: Well we did it when we talked about like, uh, 329 00:17:16,320 --> 00:17:19,320 Speaker 2: you know that that clip that we had, uh where 330 00:17:19,320 --> 00:17:21,800 Speaker 2: they were talking about like couples watching TV together, and 331 00:17:22,200 --> 00:17:23,840 Speaker 2: like he didn't he didn't say anything. 332 00:17:23,480 --> 00:17:26,320 Speaker 1: Like oh have you same blah blah, and people are 333 00:17:26,359 --> 00:17:30,520 Speaker 1: freaking out the jdn't He didn't. Yeah, he didn't say anything. 334 00:17:30,680 --> 00:17:32,679 Speaker 6: It's people are laughing at stuff you laugh at when 335 00:17:32,680 --> 00:17:34,600 Speaker 6: you're a five year old, which is funny voices and 336 00:17:34,640 --> 00:17:35,359 Speaker 6: silly walks. 337 00:17:35,640 --> 00:17:36,760 Speaker 1: Yeah, here he is. 338 00:17:36,800 --> 00:17:38,359 Speaker 6: I have another I was there's a big chunk about 339 00:17:38,400 --> 00:17:39,919 Speaker 6: him and his wife and watching TV together. 340 00:17:40,160 --> 00:17:42,359 Speaker 1: Again, this is a him and his wife. See if 341 00:17:42,400 --> 00:17:43,800 Speaker 1: you can find the joke in this? All right? 342 00:17:43,840 --> 00:17:46,119 Speaker 7: Now, my wife and I can't agree on what to 343 00:17:46,240 --> 00:17:48,920 Speaker 7: watch at the end of the long day. I want 344 00:17:48,960 --> 00:17:52,480 Speaker 7: to watch something that has like some like a gun 345 00:17:52,560 --> 00:17:58,040 Speaker 7: or like an equalizer. Benzel Washington, Oh, yeah, what's going 346 00:17:58,080 --> 00:17:58,560 Speaker 7: on here? 347 00:17:58,880 --> 00:18:01,280 Speaker 1: That's what I want to see. She's like, you want 348 00:18:01,320 --> 00:18:01,840 Speaker 1: to watch. 349 00:18:01,640 --> 00:18:02,399 Speaker 3: Love is Mind? 350 00:18:02,560 --> 00:18:02,800 Speaker 5: Oh? 351 00:18:02,920 --> 00:18:06,480 Speaker 7: Yeah, I would love to watch Love is Wind fifty 352 00:18:06,520 --> 00:18:07,240 Speaker 7: one years old. 353 00:18:07,560 --> 00:18:11,440 Speaker 1: I don't think so big, all. 354 00:18:11,440 --> 00:18:14,320 Speaker 4: Right, all right, because men be watching this type of 355 00:18:14,359 --> 00:18:15,680 Speaker 4: thing and women be watching. 356 00:18:15,400 --> 00:18:18,400 Speaker 1: That, and I thought to myself, like it should be menace. Yeah, 357 00:18:18,400 --> 00:18:22,440 Speaker 1: I watch watching I'm all right, Like this is the 358 00:18:22,520 --> 00:18:22,960 Speaker 1: kind of stuff. 359 00:18:22,960 --> 00:18:25,560 Speaker 6: We would say that you'd have this conversation like here 360 00:18:25,560 --> 00:18:28,359 Speaker 6: in the studio about whatever topic, but we don't expect 361 00:18:28,400 --> 00:18:29,840 Speaker 6: it to be like I would ever write that down. 362 00:18:29,920 --> 00:18:33,439 Speaker 1: Oh that's gold. Can you not get a writer to 363 00:18:33,600 --> 00:18:35,600 Speaker 1: make a punchline with you? Punch that up? I think 364 00:18:35,840 --> 00:18:37,880 Speaker 1: he could there be a joke in there, of course, 365 00:18:37,920 --> 00:18:38,760 Speaker 1: of course there could be. 366 00:18:38,800 --> 00:18:40,359 Speaker 6: He could go into like have an angle on it 367 00:18:40,400 --> 00:18:42,720 Speaker 6: about love is blind or about the equalizer. But I said, 368 00:18:42,720 --> 00:18:44,400 Speaker 6: it's just my wife like this, and I like that 369 00:18:44,480 --> 00:18:47,879 Speaker 6: but the future is all right, Uh, here's something that 370 00:18:47,960 --> 00:18:48,800 Speaker 6: is technically a joke. 371 00:18:48,920 --> 00:18:50,280 Speaker 2: So so far, I haven't heard anything I think that 372 00:18:50,320 --> 00:18:52,040 Speaker 2: Sea Best would like. And I'm also getting the vibe 373 00:18:52,040 --> 00:18:54,440 Speaker 2: from Sea Best. And he wasn't really himself all that much. 374 00:18:54,600 --> 00:18:55,520 Speaker 1: Hold on, just real quick. 375 00:18:55,560 --> 00:18:57,320 Speaker 5: You said he could get something to punch it up 376 00:18:57,359 --> 00:19:00,199 Speaker 5: or give him a punchline, but he obviously doesn't need. 377 00:19:00,320 --> 00:19:02,760 Speaker 6: Yeah, he's learned to do this this technique that's just awful. 378 00:19:02,920 --> 00:19:05,040 Speaker 6: And here's technically a joke. He's again, this is taped 379 00:19:05,119 --> 00:19:07,320 Speaker 6: last year. So he's talking about the Paralympics and this 380 00:19:07,400 --> 00:19:08,480 Speaker 6: amazing swimmer he saw. 381 00:19:08,640 --> 00:19:11,280 Speaker 1: All right, do you want to feel lazy about yourself? 382 00:19:12,280 --> 00:19:18,240 Speaker 1: Watch the para Olympics. I was watching swimming. Guy had 383 00:19:18,400 --> 00:19:22,600 Speaker 1: no legs and no arms. It's kind of what you 384 00:19:22,840 --> 00:19:26,760 Speaker 1: need to do the sport. Okay, that's that's a kind 385 00:19:26,800 --> 00:19:28,240 Speaker 1: of a joke, right yeah. Yeah. 386 00:19:28,320 --> 00:19:33,080 Speaker 7: Now I'm sitting there in my underwear eight and popcorn. 387 00:19:33,320 --> 00:19:36,920 Speaker 1: Watch him a guy swim with his eyelashes. All right, 388 00:19:40,080 --> 00:19:41,760 Speaker 1: that's okay, those are technically jokes. 389 00:19:41,880 --> 00:19:45,760 Speaker 6: Yeah, but again, is that worth an arena of people laughing? No? 390 00:19:46,359 --> 00:19:48,400 Speaker 1: Like if I if we wrote that here in the studio. 391 00:19:48,440 --> 00:19:50,879 Speaker 1: It'd be like, oh okay, yeah, that wouldn't be like, 392 00:19:51,200 --> 00:19:53,760 Speaker 1: let's take this on the road. I mean fifty dollars. 393 00:19:53,800 --> 00:19:56,400 Speaker 2: He could have gone somewhere with it, I guess, like 394 00:19:56,480 --> 00:19:58,640 Speaker 2: the beginning of the build of it, like and then it. 395 00:19:59,080 --> 00:20:00,560 Speaker 1: Pays off with you cut it off. 396 00:20:00,600 --> 00:20:04,359 Speaker 4: No, no, that's it laughing put in the effort, right exactly. 397 00:20:04,400 --> 00:20:06,159 Speaker 6: But that's like menace could have no offense, could have 398 00:20:06,200 --> 00:20:08,639 Speaker 6: written that joke. Yeah, what's like if you talked about it? 399 00:20:08,680 --> 00:20:10,640 Speaker 6: What's he swimming with his eyelashes? Yeah, okay, that's cute, 400 00:20:10,680 --> 00:20:12,439 Speaker 6: that's funny. But like that's that whole thing. Okay, so 401 00:20:12,520 --> 00:20:14,840 Speaker 6: let's let's end this up. This is the end it ate, right, okay? 402 00:20:15,320 --> 00:20:17,520 Speaker 6: On Hulusabash and Meniscalka. In fact, we don't have to 403 00:20:17,520 --> 00:20:19,760 Speaker 6: watch it because we alreadykind of a yeah yeah, and 404 00:20:19,760 --> 00:20:22,040 Speaker 6: again I said, I'm sorry, mister Maniscalco, but I'm gonna 405 00:20:22,040 --> 00:20:24,920 Speaker 6: blow your big closer. This is the the end bit. 406 00:20:25,000 --> 00:20:26,760 Speaker 6: He has this whole like ten minutes about going to 407 00:20:26,840 --> 00:20:29,480 Speaker 6: Universal Studios with his kids, and he talks about this 408 00:20:29,600 --> 00:20:31,679 Speaker 6: weirdo guy who sat down next to him at some 409 00:20:31,720 --> 00:20:35,080 Speaker 6: point Universal Studios, and what's wrong with this guy that 410 00:20:35,200 --> 00:20:36,359 Speaker 6: sat next to him, all. 411 00:20:36,320 --> 00:20:39,400 Speaker 7: Right, three daughters, a wife, he's in his mid forties. 412 00:20:39,840 --> 00:20:42,080 Speaker 7: Starts talking to me. He's right in at me, right 413 00:20:42,240 --> 00:20:44,600 Speaker 7: right in, like we came to the park together. 414 00:20:45,720 --> 00:20:48,840 Speaker 1: Starts talking. He's like, what time does what time does 415 00:20:48,880 --> 00:20:51,120 Speaker 1: this start? This guy's got no pe. 416 00:20:51,640 --> 00:20:52,399 Speaker 3: No pe no. 417 00:20:52,960 --> 00:20:57,200 Speaker 7: All I'm saying is prioritize your life. 418 00:20:59,359 --> 00:21:01,200 Speaker 1: You don't go are you universal? 419 00:21:03,400 --> 00:21:10,199 Speaker 3: And then he did, teeth, you get the. 420 00:21:12,119 --> 00:21:15,960 Speaker 1: Cost as much as to take it. God, bless your 421 00:21:16,280 --> 00:21:19,439 Speaker 1: I love you, thank you for coming to Okay. I 422 00:21:19,520 --> 00:21:25,240 Speaker 1: kind of like that. Yeah, that's kind of dire. Yeah, 423 00:21:25,280 --> 00:21:30,800 Speaker 1: let's prioritize. Agree with the s of it, but believable. 424 00:21:30,840 --> 00:21:33,240 Speaker 1: And then when he and then he says, what does 425 00:21:33,320 --> 00:21:36,760 Speaker 1: you start? Like, yep, because people come on the big 426 00:21:36,840 --> 00:21:41,240 Speaker 1: laugh line there was he said teeth and a funny voice. Yeah, 427 00:21:41,280 --> 00:21:43,720 Speaker 1: and it works for him. Some of the guy on 428 00:21:43,840 --> 00:21:46,000 Speaker 1: s n L who impreciated him was funnier. That guy, 429 00:21:46,680 --> 00:21:50,040 Speaker 1: which yeah, check it out. Yeah that bit kids, kids 430 00:21:50,280 --> 00:21:51,359 Speaker 1: keeps getting passed around. 431 00:21:51,400 --> 00:21:53,400 Speaker 5: Yeah, he's coming out with a special soon too. 432 00:21:54,000 --> 00:21:58,160 Speaker 1: Oh yeah, I saw something woul would be funny. 433 00:21:58,200 --> 00:22:00,840 Speaker 2: Kind of like Adam Ray going around is doctor Phil Yeah, 434 00:22:01,000 --> 00:22:02,640 Speaker 2: that'd be funny if he went around. 435 00:22:02,680 --> 00:22:05,800 Speaker 1: Doing got paid to see that somebody on the text. 436 00:22:05,720 --> 00:22:08,440 Speaker 2: Really interesting, it'd be you never get him on record 437 00:22:08,520 --> 00:22:11,159 Speaker 2: saying it. I wonder what other comedians think. 438 00:22:11,040 --> 00:22:15,199 Speaker 6: About they would have crapped on fifteen years ago. But 439 00:22:15,240 --> 00:22:17,720 Speaker 6: now that he is one of the quote unquote illuminati again, 440 00:22:17,800 --> 00:22:19,400 Speaker 6: I think he was the highest grossing comedian a couple 441 00:22:19,400 --> 00:22:22,400 Speaker 6: of years ago. Yeah, now that he's a big name 442 00:22:22,640 --> 00:22:23,520 Speaker 6: that they don't want. 443 00:22:23,359 --> 00:22:24,119 Speaker 1: To do that. Yeah. 444 00:22:24,240 --> 00:22:26,919 Speaker 2: Yeah, And I've heard from people who have dealt with 445 00:22:26,960 --> 00:22:28,520 Speaker 2: him personally that he's a dick. So that's why I 446 00:22:28,520 --> 00:22:32,119 Speaker 2: don't feel bad about Honestly, I don't feel like the 447 00:22:32,200 --> 00:22:34,680 Speaker 2: word on him is that he started very stalt to 448 00:22:34,720 --> 00:22:38,080 Speaker 2: the earth, very cool, very whatever, and then overtime, as 449 00:22:38,119 --> 00:22:40,560 Speaker 2: he's gotten more popular, he's become a real prick. 450 00:22:41,200 --> 00:22:44,239 Speaker 6: And he ended he ended the special by what follows him? 451 00:22:44,240 --> 00:22:46,320 Speaker 6: You know, he's walking backstage at the United Center and 452 00:22:46,320 --> 00:22:48,400 Speaker 6: he's back there, but his kids daddy did. 453 00:22:49,359 --> 00:22:52,240 Speaker 1: But there's a camera waiting right there for him. Of course, Jack, 454 00:22:52,280 --> 00:22:54,120 Speaker 1: guess I want to scale of one to five diapers 455 00:22:54,119 --> 00:22:56,160 Speaker 1: that you need to because you're peeing so much from laughing. 456 00:22:56,320 --> 00:22:59,720 Speaker 6: Yes, A comedian from laughing one now. But as a 457 00:22:59,720 --> 00:23:01,920 Speaker 6: committ and he's a he's a solid three, like he 458 00:23:02,280 --> 00:23:04,639 Speaker 6: knows how to do comedy. But he doesn't again as 459 00:23:04,680 --> 00:23:07,320 Speaker 6: we've just heard, doesn't do jokes negative five because I 460 00:23:07,320 --> 00:23:08,240 Speaker 6: hate the audience so much. 461 00:23:08,400 --> 00:23:10,600 Speaker 2: Right, so, you're but you give a whole special out 462 00:23:10,640 --> 00:23:13,320 Speaker 2: of out of five diapers, you're giving it a half 463 00:23:13,320 --> 00:23:14,080 Speaker 2: a diaper a half? 464 00:23:14,080 --> 00:23:18,920 Speaker 1: Are there? You go? There, you go? All right, Well, 465 00:23:18,960 --> 00:23:21,800 Speaker 1: thank you for that sea mass. We'll take a break. 466 00:23:21,800 --> 00:23:23,200 Speaker 1: We do have some more woody show coming up for 467 00:23:23,240 --> 00:23:27,040 Speaker 1: you next. Yeah, get out, get the hell out of 468 00:23:27,080 --> 00:23:27,520 Speaker 1: my house. 469 00:23:27,600 --> 00:23:30,840 Speaker 3: In Jesus name, I pray you'll get in the name 470 00:23:30,920 --> 00:23:32,640 Speaker 3: of the Lord.