1 00:00:00,480 --> 00:00:04,360 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:08,440 --> 00:00:12,920 Speaker 2: And there Chris Merril KFI AM six forty more stimulating 3 00:00:13,039 --> 00:00:17,880 Speaker 2: talk on demand any time, and the iHeartRadio app and 4 00:00:17,920 --> 00:00:19,799 Speaker 2: my friends, I have bad news. 5 00:00:20,200 --> 00:00:22,599 Speaker 3: You just heard the music from Jimmy Cliff. There is 6 00:00:22,640 --> 00:00:27,680 Speaker 3: our return music. Yeah, he read did it? So that's 7 00:00:27,720 --> 00:00:31,960 Speaker 3: the uh you know that's the old Johnny Nash. I 8 00:00:32,000 --> 00:00:32,800 Speaker 3: can see clearly now. 9 00:00:32,880 --> 00:00:37,479 Speaker 2: Then Jimmy Cliff put kind of the reggae turn on 10 00:00:37,560 --> 00:00:39,160 Speaker 2: it for the the movie Cool Runnings. 11 00:00:39,200 --> 00:00:41,400 Speaker 3: You remember the movie Mark, you remember Cool Runnings. I 12 00:00:41,440 --> 00:00:41,960 Speaker 3: never saw it. 13 00:00:42,520 --> 00:00:45,159 Speaker 2: See somehow I knew you would not have seen that 14 00:00:45,640 --> 00:00:48,200 Speaker 2: because it was kind of a PG, feel good, happy 15 00:00:48,240 --> 00:00:52,120 Speaker 2: go lucky fun movie. Doesn't sound like there was no 16 00:00:52,240 --> 00:00:54,000 Speaker 2: there was no gratuitous murder. 17 00:00:54,560 --> 00:00:57,440 Speaker 4: It wasn't in a foreign language, no zombies, nobody getting 18 00:00:57,440 --> 00:00:57,760 Speaker 4: shot in the. 19 00:00:57,760 --> 00:01:00,480 Speaker 2: Show, nothing like that. No, it's just kind of good, 20 00:01:00,560 --> 00:01:03,320 Speaker 2: wholesome family fun. I guess I'll have to watch it. 21 00:01:03,480 --> 00:01:05,720 Speaker 2: I was fifteen when it came out. You're gonna watch it, 22 00:01:05,720 --> 00:01:09,200 Speaker 2: and you're gonna go, eh, you don't know me. 23 00:01:09,640 --> 00:01:13,280 Speaker 3: Eh. Eh. It was like when I was fifteen and 24 00:01:13,319 --> 00:01:13,800 Speaker 3: I'm watching that. 25 00:01:13,920 --> 00:01:15,920 Speaker 2: My little brother was twelve. It was a good movie 26 00:01:15,959 --> 00:01:16,640 Speaker 2: for us to go see. 27 00:01:16,800 --> 00:01:19,120 Speaker 3: It was great. You know, it's fine. I like fun. 28 00:01:19,480 --> 00:01:20,760 Speaker 3: It's fun. It's fun. 29 00:01:20,840 --> 00:01:25,320 Speaker 2: I mean it's I always look at this like, first 30 00:01:25,360 --> 00:01:28,240 Speaker 2: of all, movies only should have four stars, not five stars. Okay, 31 00:01:28,360 --> 00:01:31,080 Speaker 2: there's I hate the five star thing. Let's just go 32 00:01:31,120 --> 00:01:33,679 Speaker 2: back to the four stars, right, one to four. That's 33 00:01:33,720 --> 00:01:36,119 Speaker 2: all I want. I don't want this Amazon scalers, IMDb, 34 00:01:36,240 --> 00:01:37,399 Speaker 2: how many five stars? 35 00:01:37,440 --> 00:01:40,200 Speaker 3: Nonsense, I don't want that crap. So I always looked 36 00:01:40,200 --> 00:01:40,640 Speaker 3: at it like this. 37 00:01:41,560 --> 00:01:47,119 Speaker 2: I always thought four stars is like an amazing film, 38 00:01:47,240 --> 00:01:49,760 Speaker 2: although sometimes those four star films are not as entertaining, 39 00:01:49,920 --> 00:01:51,280 Speaker 2: you know, they're kind of slow. 40 00:01:52,160 --> 00:01:54,320 Speaker 3: Like Schindler's List is a four star movie. 41 00:01:55,080 --> 00:01:59,080 Speaker 2: But also it's not exactly let's sit down and enjoy 42 00:01:59,080 --> 00:02:01,880 Speaker 2: a film tonight. It's definitely like a commentary type film. 43 00:02:01,920 --> 00:02:05,080 Speaker 2: It's a film, not a movie. Okay, you get my point. 44 00:02:05,200 --> 00:02:06,960 Speaker 2: I always look at like a three star as being 45 00:02:06,960 --> 00:02:11,240 Speaker 2: like that is a good movie. I like a three star, 46 00:02:11,320 --> 00:02:13,400 Speaker 2: three and a half stars, like this movie is gonna 47 00:02:13,400 --> 00:02:17,320 Speaker 2: be amazing. I love this, such a good movie. To me, 48 00:02:17,560 --> 00:02:21,400 Speaker 2: a two star is like, okay, that was ninety minutes. 49 00:02:21,120 --> 00:02:22,200 Speaker 3: Of my life. 50 00:02:22,760 --> 00:02:25,200 Speaker 2: I could think of worse things to happen. It was pretty, 51 00:02:25,280 --> 00:02:27,919 Speaker 2: it was alright, it was entertaining. Nothing I'm gonna remember 52 00:02:27,960 --> 00:02:30,280 Speaker 2: for a long period of time. But I'm not mad 53 00:02:30,320 --> 00:02:33,320 Speaker 2: that I saw it. A one star is like, what 54 00:02:33,440 --> 00:02:36,960 Speaker 2: a complete waste of my entire time? I want it back. 55 00:02:38,000 --> 00:02:41,120 Speaker 2: Who do I sue for my time back? That's a 56 00:02:41,120 --> 00:02:45,680 Speaker 2: one star to me. The no stars, which are incredibly rare, 57 00:02:46,560 --> 00:02:49,080 Speaker 2: incredibly well, I shouldn't even say no stars, are also 58 00:02:49,080 --> 00:02:54,560 Speaker 2: in the same boat half stars those That's that's my jam. 59 00:02:55,440 --> 00:02:55,639 Speaker 3: Oh. 60 00:02:55,680 --> 00:02:58,160 Speaker 2: I love that stuff. On the h I think it's 61 00:02:58,160 --> 00:03:03,519 Speaker 2: the IMDb scale that is like a one ten or 62 00:03:03,639 --> 00:03:06,560 Speaker 2: like a rotten tomatoes somewhere around at twenty five to 63 00:03:06,600 --> 00:03:09,960 Speaker 2: thirty percent is great IMDb scale. I figure about a 64 00:03:10,080 --> 00:03:13,320 Speaker 2: three and a half to a six six starts to 65 00:03:13,320 --> 00:03:16,680 Speaker 2: get a little bit too good, But like the four 66 00:03:16,720 --> 00:03:18,760 Speaker 2: to five on the scale of ten, that's a. 67 00:03:18,760 --> 00:03:22,079 Speaker 3: Sweet spot for me. I love that so much because 68 00:03:22,080 --> 00:03:26,320 Speaker 3: those are just like the bad B movies. I love them, and. 69 00:03:26,480 --> 00:03:28,519 Speaker 4: Yet and yet you try to mock me for watching 70 00:03:28,520 --> 00:03:31,200 Speaker 4: two Be so much. That's that's all that's on there. 71 00:03:31,520 --> 00:03:33,880 Speaker 2: Yeah, I know I really should watch it if you 72 00:03:33,919 --> 00:03:36,720 Speaker 2: look at my at my history, and you look at 73 00:03:36,760 --> 00:03:42,120 Speaker 2: my algorithms. It has me figured out, like it knows. 74 00:03:42,600 --> 00:03:45,160 Speaker 2: The Deer Camp eighty six, I believe, is one I 75 00:03:45,160 --> 00:03:50,200 Speaker 2: watched recently. I think it's Dear Camp eight six. I 76 00:03:50,200 --> 00:03:51,320 Speaker 2: think it's hang on. 77 00:03:51,600 --> 00:03:52,960 Speaker 5: What's your preferred genre? 78 00:03:54,120 --> 00:03:59,200 Speaker 2: Bad horror? Yeah, Deer Camp eighty six. Oh, it's so great, 79 00:04:00,560 --> 00:04:04,280 Speaker 2: so bad? It was actually kind of fun. It's campy. 80 00:04:04,320 --> 00:04:07,000 Speaker 2: I like campy. Does that make sense? I like camp 81 00:04:07,280 --> 00:04:13,520 Speaker 2: so horror comedy is incredibly difficult to do. Well, yes, okay, 82 00:04:13,600 --> 00:04:16,920 Speaker 2: you can do horror slapstick like scary movie, right, that's fun. 83 00:04:16,960 --> 00:04:20,680 Speaker 3: I like those too, But I like campy horror. 84 00:04:21,560 --> 00:04:25,520 Speaker 2: If it's too realistic, I have trouble separating with my suspension. 85 00:04:26,080 --> 00:04:27,799 Speaker 3: I have trouble with the suspension of disbelief. 86 00:04:27,960 --> 00:04:31,680 Speaker 2: Okay, so I can't do that if it's if it's 87 00:04:31,880 --> 00:04:33,920 Speaker 2: if they're trying too hard to be funny, and I 88 00:04:33,920 --> 00:04:35,520 Speaker 2: would say that there was one scene of that Deer 89 00:04:35,560 --> 00:04:37,320 Speaker 2: Camp eighty six where they tried too hard, and it 90 00:04:37,400 --> 00:04:38,960 Speaker 2: was like, what was the point of that whole scene? 91 00:04:39,920 --> 00:04:43,640 Speaker 3: But otherwise I was okay, I was like, this is fun. 92 00:04:43,680 --> 00:04:44,200 Speaker 3: I like this. 93 00:04:44,640 --> 00:04:47,160 Speaker 2: It was it was it was labeled comedy horror, and 94 00:04:47,200 --> 00:04:48,440 Speaker 2: they did an okay job at it. 95 00:04:49,120 --> 00:04:51,800 Speaker 3: What I really love is like, just. 96 00:04:51,720 --> 00:04:57,080 Speaker 2: Like the bad teen horror movies, like the later Jason's Okay, 97 00:04:57,240 --> 00:04:59,640 Speaker 2: that's the funny stuff, or if the If it's so 98 00:05:00,040 --> 00:05:04,880 Speaker 2: gratuitously violent that all I can do is laugh, so 99 00:05:05,040 --> 00:05:06,919 Speaker 2: unrealistically violent that makes me. 100 00:05:07,279 --> 00:05:08,279 Speaker 3: That makes me just giggle. 101 00:05:08,360 --> 00:05:12,960 Speaker 5: Do you remember Pandemonium? No, it's like a seventies slapstick 102 00:05:13,000 --> 00:05:18,680 Speaker 5: horror movie with the with high school students being pursued 103 00:05:18,680 --> 00:05:21,239 Speaker 5: by a slasher. But it was tongue in cheek. 104 00:05:22,360 --> 00:05:24,440 Speaker 3: Was it well done? Oh? It's a five point three 105 00:05:24,440 --> 00:05:27,520 Speaker 3: out of ten on IMDb. I might like that. 106 00:05:27,760 --> 00:05:31,120 Speaker 4: Now you bring up the Friday the Thirteenth movies. This 107 00:05:31,160 --> 00:05:33,880 Speaker 4: one's absolute trash. But people have really slept on the 108 00:05:33,920 --> 00:05:36,720 Speaker 4: tenth one. I believe where he goes to space. Yeah, 109 00:05:36,760 --> 00:05:40,039 Speaker 4: that's what I'm saying, Like, it's so implausible. That just 110 00:05:40,200 --> 00:05:42,679 Speaker 4: makes me and I think that one got like zero 111 00:05:42,760 --> 00:05:45,000 Speaker 4: stars or something. It's ridiculous, but it's fun to watch. 112 00:05:45,080 --> 00:05:47,479 Speaker 4: And the thing about horror comedies is that they're often 113 00:05:47,560 --> 00:05:50,159 Speaker 4: neither fish nor foul. They're not scary, they're not that funny. 114 00:05:50,480 --> 00:05:53,839 Speaker 4: So you know, you'll run through a hundred bad ones 115 00:05:53,880 --> 00:05:55,880 Speaker 4: before you run across an Army of Darkness or a 116 00:05:55,920 --> 00:05:56,640 Speaker 4: Shawn of the Dead. 117 00:05:56,839 --> 00:06:00,760 Speaker 3: Oh my gosh, both of those are so good. 118 00:06:01,040 --> 00:06:03,120 Speaker 2: Sean of the Dead is classic, and all the Bruce 119 00:06:03,160 --> 00:06:08,400 Speaker 2: Campbell Evil Dead Army of Darkness all really great stuff. 120 00:06:08,960 --> 00:06:13,200 Speaker 2: I think the first wasn't the first Army of Darkness 121 00:06:13,240 --> 00:06:15,440 Speaker 2: wasn't that actually like supposed to be a horror movie 122 00:06:15,440 --> 00:06:18,919 Speaker 2: and then they kind of it was Sam Ramy right, Yeah, 123 00:06:19,520 --> 00:06:21,520 Speaker 2: And I think the first one was actually supposed to 124 00:06:21,520 --> 00:06:23,480 Speaker 2: be kind of like a horror movie and then they 125 00:06:23,480 --> 00:06:24,559 Speaker 2: decided to make it really campy. 126 00:06:24,760 --> 00:06:24,960 Speaker 3: Yeah. 127 00:06:24,960 --> 00:06:26,440 Speaker 4: The first one was a bit of an ordeal, the 128 00:06:26,520 --> 00:06:28,760 Speaker 4: second one was kind of a remake of it with 129 00:06:28,800 --> 00:06:31,000 Speaker 4: more money, and then the third one was just flat 130 00:06:31,040 --> 00:06:33,240 Speaker 4: out like you know, a three Stooges stuff. 131 00:06:33,440 --> 00:06:35,479 Speaker 2: I love it. That was, but it was well done. 132 00:06:35,600 --> 00:06:37,279 Speaker 2: Oh yeah, and Bruce Campbell is so good in that 133 00:06:37,279 --> 00:06:37,680 Speaker 2: stuff too. 134 00:06:37,800 --> 00:06:40,720 Speaker 4: He's terrific. I will never understand why he is not 135 00:06:40,760 --> 00:06:41,760 Speaker 4: a bigger star than he is. 136 00:06:42,240 --> 00:06:42,840 Speaker 3: Yeah, agreed. 137 00:06:43,480 --> 00:06:46,960 Speaker 4: So anyway, Jimmy Cliff died, Yeah, I will say that 138 00:06:46,960 --> 00:06:49,480 Speaker 4: I took a turn, didn't Oh no, no, no, he did 139 00:06:49,760 --> 00:06:51,599 Speaker 4: The one movie that he did was called The Harder 140 00:06:51,640 --> 00:06:53,600 Speaker 4: They Come, and I've been trying to get the Criterion 141 00:06:53,760 --> 00:06:54,719 Speaker 4: addition to that forever. 142 00:06:55,000 --> 00:06:56,600 Speaker 3: But that stuff's not cheap. 143 00:06:57,400 --> 00:06:59,840 Speaker 4: Was it, Sam Raimie, No, No, Jimmy Cliff's The Harder They 144 00:06:59,800 --> 00:07:00,920 Speaker 4: Got Jimmy Cliff, Oh. 145 00:07:00,800 --> 00:07:05,200 Speaker 6: No, fantastic movie. And I remember learning about it in 146 00:07:05,520 --> 00:07:07,880 Speaker 6: college and they talked about how that was the movie 147 00:07:07,920 --> 00:07:10,520 Speaker 6: that kind of brought reggae to the to the West, 148 00:07:10,880 --> 00:07:14,240 Speaker 6: to like America and okay it really he played a 149 00:07:14,240 --> 00:07:17,280 Speaker 6: lot of his songs were in the film, like. 150 00:07:17,520 --> 00:07:18,280 Speaker 3: Oh I got to see this. 151 00:07:18,600 --> 00:07:18,760 Speaker 4: Yeah. 152 00:07:19,320 --> 00:07:23,040 Speaker 3: Great. When you say it's expensive, Mark, what do you mean? 153 00:07:23,680 --> 00:07:25,640 Speaker 4: A lot of the Criterion stuff goes out of print, 154 00:07:25,720 --> 00:07:29,200 Speaker 4: so things like the John wu Hard Boiled and The Killer, 155 00:07:29,360 --> 00:07:31,320 Speaker 4: and I think that I think The Harder They Come 156 00:07:31,440 --> 00:07:33,680 Speaker 4: is out of print, so you get on eBay and. 157 00:07:35,440 --> 00:07:38,200 Speaker 3: It just depends. Shouldn't there be? Isn't there a Criterion 158 00:07:38,400 --> 00:07:41,120 Speaker 3: streaming channel? There is. I'm too cheap to have it, 159 00:07:41,240 --> 00:07:43,080 Speaker 3: but there is. Oh do you know how much it is? 160 00:07:43,400 --> 00:07:44,000 Speaker 3: I do not. 161 00:07:44,600 --> 00:07:46,360 Speaker 4: When I hit the big time, I'll get that in 162 00:07:46,520 --> 00:07:49,320 Speaker 4: like the BBC channel. That's that's and I'll stop having 163 00:07:49,360 --> 00:07:55,120 Speaker 4: to assemble my own furniture. That's how I No, you'll 164 00:07:55,160 --> 00:07:58,320 Speaker 4: stop having to, but you'll still do it. Sure, Okay, 165 00:07:58,320 --> 00:08:01,840 Speaker 4: hold up, how much is Criteria Channel. It's one hundred 166 00:08:01,840 --> 00:08:05,600 Speaker 4: bucks a year, eleven dollars a month. Okay, it's not terrible. 167 00:08:05,840 --> 00:08:06,760 Speaker 4: They have great stuff. 168 00:08:07,040 --> 00:08:09,400 Speaker 2: I know they do, but then again, you watch twob 169 00:08:09,520 --> 00:08:11,960 Speaker 2: for free, and so one hundred bucks over free seems 170 00:08:12,040 --> 00:08:13,080 Speaker 2: kind of tough. 171 00:08:13,120 --> 00:08:14,240 Speaker 3: I get that well to b. 172 00:08:14,560 --> 00:08:16,960 Speaker 4: It's got such a deep bench, and it's got good movies, 173 00:08:17,000 --> 00:08:20,120 Speaker 4: bad movies, classics, trash, it's got everything. It really it's 174 00:08:20,160 --> 00:08:23,800 Speaker 4: like a different kind of dimension of the Criterion Channel. 175 00:08:23,840 --> 00:08:25,600 Speaker 3: It's really good. I love that about you. 176 00:08:25,880 --> 00:08:28,640 Speaker 2: I just love it all right, bad news as we've 177 00:08:28,680 --> 00:08:33,680 Speaker 2: had celebrities that are now celebrity victims right here in 178 00:08:33,720 --> 00:08:34,440 Speaker 2: southern California. 179 00:08:34,480 --> 00:08:36,240 Speaker 3: You'll find out who next. I'm Chris Meryl. 180 00:08:37,520 --> 00:08:40,959 Speaker 1: You're listening to KFI AM six forty on demand. 181 00:08:43,760 --> 00:08:46,040 Speaker 3: I'm Chris Meryl. Pleasure being with you. 182 00:08:46,120 --> 00:08:49,400 Speaker 2: And I always I tell people, look, I listen to 183 00:08:49,480 --> 00:08:51,640 Speaker 2: all the talkbacks, good, bad and different. They don't all 184 00:08:51,640 --> 00:08:53,480 Speaker 2: make it out of the air, but I do. If 185 00:08:53,559 --> 00:08:55,240 Speaker 2: you take the time to talk to me, I'll take the. 186 00:08:55,240 --> 00:08:55,800 Speaker 3: Time to listen. 187 00:08:56,040 --> 00:08:58,360 Speaker 7: Hey, guys, you were talking about the cost of some 188 00:08:58,440 --> 00:09:01,520 Speaker 7: streaming services. If you want to get a really good 189 00:09:01,559 --> 00:09:06,280 Speaker 7: barometer from somebody on YouTube, watch flick Connection. 190 00:09:06,840 --> 00:09:11,720 Speaker 2: It's so I'm always a little nervous about recommendations like 191 00:09:11,760 --> 00:09:13,959 Speaker 2: this because if I go to someplace called flick Connection, 192 00:09:14,000 --> 00:09:15,240 Speaker 2: am I going to find out that this guy is 193 00:09:15,280 --> 00:09:17,320 Speaker 2: pranking me and it's like some sort of a sick 194 00:09:17,400 --> 00:09:20,680 Speaker 2: porn site. Yeah, proceed with caution. Yeah, I'm okay if 195 00:09:20,679 --> 00:09:21,920 Speaker 2: it's a porn side. I just don't want to be 196 00:09:22,080 --> 00:09:23,600 Speaker 2: a sick porn sid I think one way. 197 00:09:23,480 --> 00:09:25,400 Speaker 4: Or the other, we're in the ballpark because YouTube has 198 00:09:25,480 --> 00:09:28,240 Speaker 4: some terrific old movies that you don't find on streaming. 199 00:09:28,360 --> 00:09:29,760 Speaker 3: Okay, all right, he continues on. 200 00:09:29,800 --> 00:09:32,920 Speaker 7: Here it's narrated by a guy named Darren van Dam. 201 00:09:33,200 --> 00:09:36,920 Speaker 7: He's got some great, great ideas, suggestions for two be 202 00:09:37,120 --> 00:09:41,320 Speaker 7: for Plex, for Netflix, all of those. So check it out. 203 00:09:41,720 --> 00:09:43,080 Speaker 7: Take care, good to hear you. 204 00:09:43,200 --> 00:09:44,720 Speaker 3: Bye, Thanks buddy. I appreciate that. 205 00:09:44,920 --> 00:09:47,559 Speaker 4: I'm glad you mentioned plex. Plex has some great stuff 206 00:09:47,600 --> 00:09:49,640 Speaker 4: on there too. In fact, I just caught up with 207 00:09:49,720 --> 00:09:51,920 Speaker 4: the Paul Newman classic The Hustler on Plex. 208 00:09:52,600 --> 00:09:55,920 Speaker 2: Oh, now you're talking now, you're talking about a classic 209 00:09:56,320 --> 00:09:57,360 Speaker 2: that's not a deep cut. 210 00:09:57,960 --> 00:10:02,040 Speaker 4: Oh it's terrific. Yeah, and Newmanism, and so is Piper Laurie. 211 00:10:02,040 --> 00:10:05,640 Speaker 4: For God's sakes, Well, how could he not be? Did 212 00:10:05,679 --> 00:10:16,240 Speaker 4: you say he no? I stuttered, Okay, it's work. 213 00:10:16,440 --> 00:10:26,640 Speaker 2: Yeah, yeah, we've got a bad connection. I just uh, Mark, Mark, Mark, Mark, Mark, 214 00:10:26,640 --> 00:10:28,040 Speaker 2: are you there? 215 00:10:28,200 --> 00:10:31,440 Speaker 3: Yeah, I don't know what's going on. I'm losing this. 216 00:10:31,440 --> 00:10:33,560 Speaker 3: This is this is bizarre. I don't know what what's 217 00:10:33,640 --> 00:10:35,280 Speaker 3: happening here. I think Ollie and I will just do 218 00:10:35,320 --> 00:10:36,920 Speaker 3: the rest of the show. That's probably just as well. 219 00:10:37,160 --> 00:10:43,920 Speaker 2: Seems to be just dropping random, random consonants. I thought 220 00:10:43,960 --> 00:10:47,959 Speaker 2: you said Peter Laurie. No, no, no, Piper Laurie. It's 221 00:10:47,960 --> 00:10:49,680 Speaker 2: been a while since I've seen no, no, no, It's true. 222 00:10:50,000 --> 00:10:51,319 Speaker 2: I didn't think Peter Laurie was in there, but I 223 00:10:51,360 --> 00:10:54,920 Speaker 2: wasn't gonna argue with you. But whatever, that's cooler. Peter Laurie, 224 00:10:56,000 --> 00:11:00,959 Speaker 2: girl in the Laurie family. Yeah, yeah, why not, great 225 00:11:00,960 --> 00:11:02,119 Speaker 2: Australian actor. 226 00:11:01,960 --> 00:11:02,959 Speaker 5: Best Australian. 227 00:11:03,280 --> 00:11:09,120 Speaker 2: Yeah he's not. We get it, guys, we got it. 228 00:11:09,440 --> 00:11:12,600 Speaker 2: Kind of like a running joke tonight, mixing up the 229 00:11:12,600 --> 00:11:15,440 Speaker 2: Australians of the Brits. Okay, what else? Oh, this is 230 00:11:15,559 --> 00:11:16,160 Speaker 2: terrible news. 231 00:11:16,240 --> 00:11:18,079 Speaker 3: I hate this. I got bad news. 232 00:11:18,320 --> 00:11:22,920 Speaker 2: This falls under our call this la laws slash Celebrity edition, 233 00:11:22,960 --> 00:11:23,240 Speaker 2: he said. 234 00:11:23,320 --> 00:11:26,320 Speaker 8: Terrifying home invasion last night here in Studio City. It 235 00:11:26,440 --> 00:11:29,400 Speaker 8: left the resident hiding for her life inside her. 236 00:11:29,360 --> 00:11:30,640 Speaker 3: Multimillion dollar home. 237 00:11:31,040 --> 00:11:34,200 Speaker 8: Now this morning, police are still searching for the suspects 238 00:11:34,200 --> 00:11:34,720 Speaker 8: who broke in. 239 00:11:34,760 --> 00:11:37,319 Speaker 2: When the victim don't you hate when people play sirens 240 00:11:37,840 --> 00:11:40,880 Speaker 2: on the radio. I have two pet peeves sirens on 241 00:11:40,880 --> 00:11:42,959 Speaker 2: the radio and horns on the radio because when I'm 242 00:11:43,000 --> 00:11:47,760 Speaker 2: driving and I hear that, stuff freaks me out, like 243 00:11:47,760 --> 00:11:49,480 Speaker 2: where's where's the ambulance? 244 00:11:49,600 --> 00:11:52,560 Speaker 3: Right? I hate that? So my apologies was home alone. 245 00:11:52,640 --> 00:11:55,440 Speaker 8: They responded to calls of a burglary around nine fifteen 246 00:11:55,480 --> 00:11:58,600 Speaker 8: last night. According to investigators, three suspects smashed through a 247 00:11:58,679 --> 00:12:01,920 Speaker 8: large sliding glass at the rear of the property. Inside, 248 00:12:01,920 --> 00:12:05,880 Speaker 8: the suspects ransacked several rooms, while the victim barricaded herself 249 00:12:06,000 --> 00:12:08,120 Speaker 8: in an upstairs bathroom and was able to call nine 250 00:12:08,160 --> 00:12:08,640 Speaker 8: one one. 251 00:12:09,240 --> 00:12:11,560 Speaker 2: God, that's terrifying. It's right out of a horror movie. 252 00:12:11,559 --> 00:12:12,480 Speaker 2: The woman told police. 253 00:12:12,480 --> 00:12:15,440 Speaker 8: The suspects kicked the bathroom door off its hinges before 254 00:12:15,480 --> 00:12:16,080 Speaker 8: taking off. 255 00:12:16,320 --> 00:12:19,360 Speaker 2: Now, I'm gonna tell you ahead of time here that 256 00:12:19,440 --> 00:12:21,680 Speaker 2: this reporter is burying the lead. 257 00:12:22,760 --> 00:12:25,400 Speaker 8: One neighbor claim this home has been hit several times, 258 00:12:25,640 --> 00:12:28,200 Speaker 8: and that same neighbor also told us that the victim's 259 00:12:28,200 --> 00:12:31,040 Speaker 8: son is music producer Benny Blanco, who is married to 260 00:12:31,080 --> 00:12:34,040 Speaker 8: singer Selena Gomez. Neighbors say there has been a rise 261 00:12:34,080 --> 00:12:35,880 Speaker 8: and break ins in this area. 262 00:12:36,040 --> 00:12:37,720 Speaker 3: Okay, yeah, you buried the lead there. 263 00:12:38,679 --> 00:12:42,480 Speaker 2: Uh, it's not random house in Studio City was broken into, 264 00:12:42,559 --> 00:12:44,600 Speaker 2: which is which is a story in and of itself, 265 00:12:44,640 --> 00:12:46,520 Speaker 2: that there was someone in there, an older woman who 266 00:12:46,559 --> 00:12:48,840 Speaker 2: had hide in the bathroom called nine when one that's terrifying, 267 00:12:49,920 --> 00:12:53,480 Speaker 2: But that it's Selena Gomez's mother in law. That it's 268 00:12:53,640 --> 00:12:57,840 Speaker 2: that it's Benny Blanco's mom. Like, that's the story here, 269 00:12:58,400 --> 00:13:02,040 Speaker 2: that's the headline. He kind of buried the lead. And 270 00:13:02,360 --> 00:13:05,040 Speaker 2: also I'm old school, I spell lead led. 271 00:13:05,880 --> 00:13:07,359 Speaker 9: You know, I feel safe. 272 00:13:08,520 --> 00:13:10,560 Speaker 10: Much less so than when we moved here. We moved 273 00:13:10,559 --> 00:13:16,040 Speaker 10: here like twenty seven years ago for the Carpenter School District, 274 00:13:16,040 --> 00:13:18,320 Speaker 10: and it was like you could walk, let your kids 275 00:13:18,360 --> 00:13:22,280 Speaker 10: walk around all the time. It was fine much not 276 00:13:22,400 --> 00:13:26,120 Speaker 10: so much dumb. Yeah, we check our locks and make 277 00:13:26,160 --> 00:13:29,720 Speaker 10: sure the alarm's on and it's a much different life. 278 00:13:30,920 --> 00:13:32,960 Speaker 3: Sorry you're dealing with that sucks. 279 00:13:33,000 --> 00:13:35,280 Speaker 8: And as we said, the suspects got away. The good 280 00:13:35,280 --> 00:13:38,319 Speaker 8: news is no one was injured. Now, neighbors also tell 281 00:13:38,360 --> 00:13:40,400 Speaker 8: us that this street one issue that there is here. 282 00:13:40,440 --> 00:13:42,520 Speaker 8: There are no street lights. It's very dark, so even 283 00:13:42,520 --> 00:13:45,480 Speaker 8: though they've checked their surveillance videos, they say they really 284 00:13:45,480 --> 00:13:46,480 Speaker 8: can't see anything. 285 00:13:46,559 --> 00:13:47,560 Speaker 3: Yeah, at least are. 286 00:13:47,480 --> 00:13:50,559 Speaker 8: Asking for anyone who went for information to call the 287 00:13:50,720 --> 00:13:52,240 Speaker 8: LAPD's North Hollywood station. 288 00:13:52,760 --> 00:13:54,080 Speaker 3: Reporting Life from Studio City. 289 00:13:54,080 --> 00:13:56,760 Speaker 8: I'm Carlos Granda, ABC seven eyewitness. 290 00:13:56,760 --> 00:13:58,760 Speaker 3: No thanks, Carlos, appreciate it. 291 00:13:59,200 --> 00:14:03,040 Speaker 2: Yeah, valance cameras, look, they're great for seeing what happened, 292 00:14:03,040 --> 00:14:05,600 Speaker 2: but not necessarily who done it unless they're like a 293 00:14:05,640 --> 00:14:08,160 Speaker 2: porch pirate in their faces right in your your doorbell cam. 294 00:14:08,679 --> 00:14:12,040 Speaker 2: I had surveillance cameras set up at a house and uh, 295 00:14:12,080 --> 00:14:14,880 Speaker 2: and I had it pointed at my drive. Somebody broke 296 00:14:14,880 --> 00:14:17,520 Speaker 2: it into my car and they stole not much like sunglasses, 297 00:14:17,559 --> 00:14:19,800 Speaker 2: and you know, it's a couple hundred bucks worth of stuff, 298 00:14:19,840 --> 00:14:23,560 Speaker 2: not anything too bad, but I was like. 299 00:14:23,520 --> 00:14:23,920 Speaker 3: That's it. 300 00:14:24,400 --> 00:14:27,440 Speaker 2: I'm I'm getting surveillance cameras because now there goes the neighborhood, right. 301 00:14:27,440 --> 00:14:28,360 Speaker 3: I'm all upset about it. 302 00:14:29,440 --> 00:14:33,240 Speaker 2: So a couple months later, I get a knock on 303 00:14:33,280 --> 00:14:37,920 Speaker 2: the door and it's the police, and I was like, hey, 304 00:14:37,960 --> 00:14:40,280 Speaker 2: what's going on. They said, uh, we noticed you got 305 00:14:40,280 --> 00:14:42,520 Speaker 2: cameras and I said, oh, yeah, I do, I've got cameras, 306 00:14:42,520 --> 00:14:44,200 Speaker 2: and things said we not just want to point it 307 00:14:44,240 --> 00:14:45,400 Speaker 2: off this way, and I said yeah. 308 00:14:45,440 --> 00:14:47,440 Speaker 4: They said, do you have any footage that we could 309 00:14:47,440 --> 00:14:49,360 Speaker 4: look at? So I go, well, yeah, we can take 310 00:14:49,360 --> 00:14:50,680 Speaker 4: a look at it. What's going on? They go, somebody 311 00:14:50,720 --> 00:14:51,720 Speaker 4: stole your neighbor's car. 312 00:14:52,720 --> 00:14:56,720 Speaker 2: So we pull it up and unfortunately, my camera showed 313 00:14:57,640 --> 00:14:59,720 Speaker 2: the car backing out of the driveway and driving off 314 00:14:59,720 --> 00:15:03,440 Speaker 2: then anybody doing it. Had another incident where my son 315 00:15:03,520 --> 00:15:06,400 Speaker 2: was parked in front of the house and we had 316 00:15:06,480 --> 00:15:08,640 Speaker 2: all on camera. Guy rides up on his bike. My 317 00:15:08,720 --> 00:15:10,920 Speaker 2: sid had forgotten to lock his door. Guy rides up 318 00:15:10,920 --> 00:15:13,680 Speaker 2: on his bike, checks the handle, rides away, comes back 319 00:15:13,680 --> 00:15:17,920 Speaker 2: a little later, opens the door, rummages through everything, steals it, 320 00:15:17,920 --> 00:15:19,480 Speaker 2: goes away. I sent that to the police. I never 321 00:15:19,480 --> 00:15:21,120 Speaker 2: heard a word. They're like, oh, yeah, we'll get right on. 322 00:15:21,200 --> 00:15:22,680 Speaker 2: It couldn't make out a face. So what are you 323 00:15:22,720 --> 00:15:24,280 Speaker 2: gonna do? You know, what are you gonna do? 324 00:15:25,240 --> 00:15:28,000 Speaker 3: I don't like it. E've been told that the early 325 00:15:28,040 --> 00:15:28,960 Speaker 3: bird gets the worm. 326 00:15:29,000 --> 00:15:31,360 Speaker 2: However, it could be that your worm is coming at 327 00:15:31,360 --> 00:15:33,160 Speaker 2: the cost of your night, and your social life and 328 00:15:33,200 --> 00:15:33,680 Speaker 2: your sanity. 329 00:15:33,680 --> 00:15:35,040 Speaker 3: We'll talk about that in just a few moments. 330 00:15:35,160 --> 00:15:38,040 Speaker 2: Quick reminder that the fifteenth annual Cafi pastathanus here Chef 331 00:15:38,080 --> 00:15:42,200 Speaker 2: Bruno's charity Katarina's Club, providing more than twenty five thousand 332 00:15:42,240 --> 00:15:46,480 Speaker 2: meals every stinkle week to kids and me to cross 333 00:15:46,480 --> 00:15:47,200 Speaker 2: southern California. 334 00:15:47,200 --> 00:15:48,800 Speaker 3: It's your generosity that makes that happen. 335 00:15:49,200 --> 00:15:52,200 Speaker 2: We've got Giving Tuesday coming up on a week from tonight, 336 00:15:52,400 --> 00:15:56,320 Speaker 2: December second, and we're broadcasting live all day long Anaheim 337 00:15:56,360 --> 00:15:59,280 Speaker 2: White House five am from wake up call right on 338 00:15:59,440 --> 00:16:03,800 Speaker 2: through at the Anaheim White House Anahem Boulevard. You can 339 00:16:03,840 --> 00:16:06,280 Speaker 2: donate anytime go to KFI AM six forty dot com 340 00:16:06,280 --> 00:16:09,520 Speaker 2: slash Pastathon. It's a hondo percent of your donation going 341 00:16:10,000 --> 00:16:12,680 Speaker 2: to Katerina's Club. You can also go to Javava Resort 342 00:16:12,680 --> 00:16:14,640 Speaker 2: and Casino just off two ten and Highland and when 343 00:16:14,640 --> 00:16:16,360 Speaker 2: you cast your winning ticket at the kiosk going to 344 00:16:16,400 --> 00:16:17,800 Speaker 2: ask you if you want to donate your change. You 345 00:16:17,800 --> 00:16:20,440 Speaker 2: go yep, and then you pick Katerina's Club. Check out 346 00:16:20,440 --> 00:16:23,360 Speaker 2: the instagram video KFI am six forty dot com. Excuse me, 347 00:16:23,400 --> 00:16:26,120 Speaker 2: it's a Instagram at KFI AM six forty and you'll 348 00:16:26,160 --> 00:16:28,240 Speaker 2: say how easy that is. And then also, don't forget 349 00:16:28,240 --> 00:16:30,000 Speaker 2: you can bet on those auction items. They're all up 350 00:16:30,000 --> 00:16:33,720 Speaker 2: at KFI AM six forty dot com. Slash pastathon. Bet 351 00:16:33,720 --> 00:16:35,880 Speaker 2: on those auction items and all of your money is 352 00:16:35,880 --> 00:16:38,640 Speaker 2: going to go right to Katerina's Club. Some really cool 353 00:16:38,640 --> 00:16:40,720 Speaker 2: stuff in the auction is well, including I think you 354 00:16:40,760 --> 00:16:43,800 Speaker 2: get to have a backyard barbecue with the handle. 355 00:16:45,280 --> 00:16:45,880 Speaker 3: Huh. 356 00:16:46,320 --> 00:16:49,000 Speaker 2: Probably ask them all your legal questions would be a 357 00:16:49,080 --> 00:16:53,640 Speaker 2: terrible idea. We'll talk about the Darkness before Dawn. 358 00:16:53,960 --> 00:16:54,480 Speaker 3: That is next. 359 00:16:54,520 --> 00:16:59,600 Speaker 1: Chris Merril, you're listening to KFI AM six forty on demand. 360 00:17:02,040 --> 00:17:04,480 Speaker 2: I'm Chris Merrill. You can listen anytime on demand in 361 00:17:04,480 --> 00:17:08,720 Speaker 2: the iHeartRadio have. Tomorrow we'll do a drinks giving, so 362 00:17:08,880 --> 00:17:12,320 Speaker 2: Mark be prepared for that drinks giving. 363 00:17:12,520 --> 00:17:15,159 Speaker 3: What exactly does this involve? You'll have to wait and 364 00:17:15,160 --> 00:17:15,560 Speaker 3: find out. 365 00:17:15,560 --> 00:17:18,080 Speaker 4: I mean, I thought you just say drinks, but just 366 00:17:18,160 --> 00:17:21,280 Speaker 4: be prepared, all right, my liver and I will be 367 00:17:21,320 --> 00:17:24,320 Speaker 4: a blackout show. But those are always the best, aren't 368 00:17:24,320 --> 00:17:25,359 Speaker 4: They're always the best? 369 00:17:25,440 --> 00:17:25,680 Speaker 3: Right? 370 00:17:26,119 --> 00:17:30,240 Speaker 2: Yeah, So we'll do drinks giving and we are getting dumber. 371 00:17:30,359 --> 00:17:35,120 Speaker 2: You'll find out why we're all getting dumber or dumber arrest. 372 00:17:35,440 --> 00:17:39,200 Speaker 2: That's all tomorrow. It is a big show. Listen, don't don't. 373 00:17:39,320 --> 00:17:41,440 Speaker 2: I don't mail it in on a holiday week. 374 00:17:41,640 --> 00:17:42,239 Speaker 3: I don't do that. 375 00:17:42,720 --> 00:17:46,560 Speaker 2: You're gonna get You're gonna get one hundred percent of 376 00:17:47,440 --> 00:17:51,520 Speaker 2: mediocre what I bring to the table that's gonna get 377 00:17:51,520 --> 00:17:53,880 Speaker 2: their money's worse. It's exactly right. 378 00:17:56,640 --> 00:17:56,920 Speaker 4: The time. 379 00:17:56,960 --> 00:17:59,440 Speaker 3: It works every time, right? Or is this? Yeah? 380 00:18:00,400 --> 00:18:03,600 Speaker 2: Uh, here's one of the challenges I have when I 381 00:18:03,640 --> 00:18:08,160 Speaker 2: do the evening show. I don't know when it is 382 00:18:08,520 --> 00:18:10,880 Speaker 2: that all of a sudden you decide, or when your 383 00:18:10,920 --> 00:18:13,840 Speaker 2: mind decides it's going to settle into a certain sleep pattern. 384 00:18:14,320 --> 00:18:16,239 Speaker 2: But you got early birds, you got night owls, then 385 00:18:16,280 --> 00:18:19,440 Speaker 2: you got just Normis Mark. You're a bit of a 386 00:18:19,520 --> 00:18:21,000 Speaker 2: night owl? Is that fair to say? 387 00:18:21,000 --> 00:18:21,760 Speaker 3: You could say that? Yeah? 388 00:18:21,760 --> 00:18:26,200 Speaker 2: Okay, So I find that if I don't have anything 389 00:18:26,200 --> 00:18:27,960 Speaker 2: going on, I start to get up earlier and earlier 390 00:18:27,960 --> 00:18:30,480 Speaker 2: and earlier. But when I was a teenager, my god, 391 00:18:30,480 --> 00:18:31,919 Speaker 2: I never wanted to get up early. I was always like, 392 00:18:31,920 --> 00:18:34,280 Speaker 2: sleep till noon, sleep later, sleep later, sleep later, right. 393 00:18:34,320 --> 00:18:36,480 Speaker 2: So I think there was a bit of a responsibility 394 00:18:36,480 --> 00:18:38,200 Speaker 2: thing that was going on. But as I got older, 395 00:18:38,240 --> 00:18:40,320 Speaker 2: I find myself getting up earlier and earlier and earlier, 396 00:18:40,320 --> 00:18:43,240 Speaker 2: and I'm like, I actually I like watching the sun rise. 397 00:18:43,280 --> 00:18:45,720 Speaker 2: I like having my coffee when the you know, when 398 00:18:45,720 --> 00:18:47,040 Speaker 2: it's still calm outside. 399 00:18:47,080 --> 00:18:49,960 Speaker 3: I like all that. I like it. I do now. 400 00:18:49,960 --> 00:18:52,560 Speaker 2: Maybe it's because I'm old and my joints start to 401 00:18:52,640 --> 00:18:54,960 Speaker 2: hurt after I've been in one position in bed for 402 00:18:55,000 --> 00:18:56,840 Speaker 2: a few hours. Maybe that's what it is. Whatever it is, 403 00:18:56,880 --> 00:18:59,240 Speaker 2: I kind of enjoy it. So I do find it 404 00:18:59,240 --> 00:19:02,040 Speaker 2: a little harder to stay up late, and maybe I'm 405 00:19:02,040 --> 00:19:07,479 Speaker 2: just getting old. But come to find out, and I 406 00:19:07,520 --> 00:19:11,399 Speaker 2: have experienced this too, when I'm getting up earlier, I 407 00:19:11,440 --> 00:19:15,119 Speaker 2: find that my social life sucks. Maybe it's because I'm 408 00:19:15,160 --> 00:19:16,960 Speaker 2: bad at social life that I find myself going to 409 00:19:17,000 --> 00:19:19,879 Speaker 2: bed earlier and then end up getting up earlier. So 410 00:19:21,560 --> 00:19:24,680 Speaker 2: am I doing it right and Mark doing it wrong? 411 00:19:24,760 --> 00:19:26,480 Speaker 2: Or is Mark doing it wrong and I'm doing it right. 412 00:19:27,119 --> 00:19:29,520 Speaker 11: You may have heard the saying the early bird gets 413 00:19:29,560 --> 00:19:31,879 Speaker 11: the worm. But when it comes to humans, do morning 414 00:19:31,920 --> 00:19:34,280 Speaker 11: people really have an advantage over night ours? 415 00:19:34,520 --> 00:19:34,879 Speaker 3: Yes? 416 00:19:35,680 --> 00:19:39,840 Speaker 2: Also, I will admit this, early birds tend to be 417 00:19:40,480 --> 00:19:48,560 Speaker 2: obnoxious about being early birds. They're like vegans or marathon runners. Insufferable. Yeah, 418 00:19:48,880 --> 00:19:51,639 Speaker 2: I will give you that. And my father is a 419 00:19:51,720 --> 00:19:54,600 Speaker 2: total early bird, and he used, you waste it the 420 00:19:54,600 --> 00:19:58,400 Speaker 2: whole day? Oh, come on, But now I start getting 421 00:19:58,440 --> 00:20:00,320 Speaker 2: up early. I'm like, oh man, I'll tell him, like, oh, 422 00:20:00,640 --> 00:20:02,880 Speaker 2: slept in late today. I didn't get up till six thirty. 423 00:20:02,880 --> 00:20:06,040 Speaker 2: He goes, yeah, I really disappointed myself too. I slept 424 00:20:06,119 --> 00:20:09,000 Speaker 2: until seven. I I'll go, you wasted the whole day. 425 00:20:09,680 --> 00:20:10,159 Speaker 2: I love that. 426 00:20:10,240 --> 00:20:14,760 Speaker 3: He's like, you're right, I did ye little vengeance. 427 00:20:15,080 --> 00:20:17,600 Speaker 11: Does one come out on top as more intelligent or 428 00:20:17,640 --> 00:20:20,080 Speaker 11: successful than the other in this battle over bedtime? 429 00:20:20,480 --> 00:20:21,520 Speaker 3: Ah? Here you go. Mark. 430 00:20:21,560 --> 00:20:24,000 Speaker 11: The somewhat surprising truth is that we have little say 431 00:20:24,000 --> 00:20:27,480 Speaker 11: in sleep preference, as it's almost entirely genetically predetermined. 432 00:20:28,119 --> 00:20:30,880 Speaker 3: That's crazy. I didn't know that. But it was basically 433 00:20:30,920 --> 00:20:32,600 Speaker 3: just this is my schedule, this is what I like. 434 00:20:32,680 --> 00:20:34,879 Speaker 4: More. No, no, no, no, no, I did I did not choose 435 00:20:34,920 --> 00:20:36,119 Speaker 4: my vampire lifestyle. 436 00:20:36,240 --> 00:20:37,879 Speaker 3: Is that right? Okay, that's interesting. 437 00:20:37,960 --> 00:20:40,000 Speaker 11: Chances are if you're a night owl, it was likely 438 00:20:40,040 --> 00:20:42,680 Speaker 11: passed down from an ancestor who was also a night owl, 439 00:20:42,920 --> 00:20:45,399 Speaker 11: and from an evolution or a vampire polutionary perspective, it 440 00:20:45,480 --> 00:20:48,920 Speaker 11: makes sense having individuals with varying sleeping patterns would allow 441 00:20:48,960 --> 00:20:51,440 Speaker 11: for better protection of a group throughout the day and night. 442 00:20:51,640 --> 00:20:54,840 Speaker 3: That does make sense, and the world needs grave. 443 00:20:54,600 --> 00:20:58,040 Speaker 11: Diggers instead of everybody sleeping at one time. Some people 444 00:20:58,160 --> 00:21:00,680 Speaker 11: naturally stay up later and some wake up earlier aware 445 00:21:00,720 --> 00:21:02,800 Speaker 11: of threats or predators, while others sleep. 446 00:21:03,840 --> 00:21:07,040 Speaker 2: I'd never even thought of it that way. It's evolutionary. 447 00:21:07,080 --> 00:21:10,560 Speaker 2: This is from asap science or curiosity stream. 448 00:21:10,400 --> 00:21:14,160 Speaker 11: But considering most modern societal activities happened between nine am 449 00:21:14,200 --> 00:21:16,760 Speaker 11: and five pm, it may seem clear that night owls 450 00:21:16,760 --> 00:21:18,679 Speaker 11: are put at a disadvantage. 451 00:21:18,359 --> 00:21:19,720 Speaker 3: And they're like lefties. 452 00:21:19,840 --> 00:21:22,960 Speaker 11: Searchers have actually coined the term social jet lag to 453 00:21:23,000 --> 00:21:26,720 Speaker 11: describe the sleep deprivation many experience to accommodate social norms. 454 00:21:26,840 --> 00:21:27,680 Speaker 3: Ah light owls. 455 00:21:27,720 --> 00:21:30,000 Speaker 11: This social jet leg feels like living in a different 456 00:21:30,040 --> 00:21:31,800 Speaker 11: time zone every single day. 457 00:21:32,000 --> 00:21:35,120 Speaker 3: Mark Do you ever feel that way constantly? Yeah? 458 00:21:35,160 --> 00:21:37,000 Speaker 4: I miss out on all sorts of things that normal 459 00:21:37,000 --> 00:21:41,080 Speaker 4: people do. Hey, do you have trouble with the doctor's appointments? 460 00:21:41,400 --> 00:21:43,440 Speaker 3: Yes, yeah, I always ask for from late in the 461 00:21:43,480 --> 00:21:44,360 Speaker 3: afternoon and. 462 00:21:44,320 --> 00:21:46,040 Speaker 2: They and they never want to do that because they're like, oh, 463 00:21:46,040 --> 00:21:48,320 Speaker 2: we might be running behind by then, right. Or if 464 00:21:48,359 --> 00:21:50,000 Speaker 2: you have to have surgery, they always do surgery in 465 00:21:50,000 --> 00:21:51,879 Speaker 2: the morning. Have you ever done the whole Oh I 466 00:21:51,920 --> 00:21:53,439 Speaker 2: have to I have to have surgery, or I have 467 00:21:53,480 --> 00:21:54,680 Speaker 2: to have a procedure done. 468 00:21:55,240 --> 00:21:57,480 Speaker 3: I'm just gonna stay up all night. I mean, I 469 00:21:57,520 --> 00:21:58,160 Speaker 3: can adapt. 470 00:21:58,320 --> 00:22:00,000 Speaker 4: But I think one of the reasons that I got 471 00:22:00,119 --> 00:22:01,639 Speaker 4: on this horrible schedule that I was in was that 472 00:22:01,880 --> 00:22:04,639 Speaker 4: last year I worked on a video game and it 473 00:22:04,680 --> 00:22:07,320 Speaker 4: was being made in Poland and they're like nine hours 474 00:22:07,359 --> 00:22:09,200 Speaker 4: ahead of us. So I would come home from work 475 00:22:09,280 --> 00:22:11,639 Speaker 4: after midnight when I get off here and work on 476 00:22:11,680 --> 00:22:13,320 Speaker 4: the game all night and then go to sleep. 477 00:22:13,440 --> 00:22:15,440 Speaker 3: Oh my gosh, like basically waiting for the sun to 478 00:22:15,480 --> 00:22:15,800 Speaker 3: come up. 479 00:22:16,200 --> 00:22:18,640 Speaker 4: After the sun came up. Oh, and I just never 480 00:22:18,640 --> 00:22:19,640 Speaker 4: got out of that schedule. 481 00:22:20,560 --> 00:22:22,919 Speaker 3: Yeah. Then, how do you readjust right when you go 482 00:22:22,960 --> 00:22:25,920 Speaker 3: on vacation? What's that? I have no idea what you're 483 00:22:25,920 --> 00:22:28,920 Speaker 3: talking about? What is that? What radio scealary vacation. 484 00:22:29,480 --> 00:22:33,239 Speaker 2: Ah yeah, well it's good because I'm working a lot 485 00:22:33,280 --> 00:22:34,919 Speaker 2: of December too, So you and I just hang out. 486 00:22:34,760 --> 00:22:37,240 Speaker 4: Through the holidays. Oh yeah, we'll get sick of each other. 487 00:22:37,400 --> 00:22:39,360 Speaker 4: Good times, good times. It'll be wonderful. 488 00:22:39,880 --> 00:22:43,520 Speaker 11: Considering chronic sleep deprivation has a direct effect on brain functioning, 489 00:22:43,600 --> 00:22:47,080 Speaker 11: it's no surprise that studies report night owl university students 490 00:22:47,119 --> 00:22:50,480 Speaker 11: have lower overall grades. Not to mention, early birds tend 491 00:22:50,520 --> 00:22:53,720 Speaker 11: to display more positive social traits, such as being proactive 492 00:22:53,720 --> 00:22:57,000 Speaker 11: and optimistic, and are less prone to depression or addictions 493 00:22:57,000 --> 00:22:58,800 Speaker 11: to nicotine, alcohol, and food. 494 00:22:59,160 --> 00:23:00,520 Speaker 3: See. 495 00:23:00,680 --> 00:23:02,560 Speaker 2: Yeah, I'm not so sure about that, because I got 496 00:23:02,640 --> 00:23:04,560 Speaker 2: to tell you my anxiety has gone way up as 497 00:23:04,600 --> 00:23:07,000 Speaker 2: I've gotten older. I used to be able to be like, oh, 498 00:23:07,080 --> 00:23:10,240 Speaker 2: I got homework due, I'll do it before class tomorrow. 499 00:23:10,400 --> 00:23:12,600 Speaker 2: Now I'm like, oh my gosh, they give me homework. 500 00:23:12,600 --> 00:23:14,199 Speaker 2: I have to get this done before I can go 501 00:23:14,280 --> 00:23:15,440 Speaker 2: home from school. 502 00:23:15,440 --> 00:23:15,960 Speaker 3: You know what I mean? 503 00:23:16,080 --> 00:23:19,800 Speaker 2: Like, I have half of tomorrow's show already plotted, Really 504 00:23:20,240 --> 00:23:22,600 Speaker 2: I do. I mean, now, maybe maybe we'll breaking news, 505 00:23:22,600 --> 00:23:25,520 Speaker 2: maybe we'll have something else, but I know we're gonna 506 00:23:25,520 --> 00:23:26,640 Speaker 2: do Drunks Giving tomorrow. 507 00:23:26,880 --> 00:23:27,560 Speaker 3: Right. I know that. 508 00:23:27,640 --> 00:23:31,240 Speaker 2: I know we're gonna talk about the dropping IQs around 509 00:23:31,240 --> 00:23:33,000 Speaker 2: the world. I know some of these stories that I 510 00:23:33,040 --> 00:23:36,120 Speaker 2: want to do. Now, once it's laid out, I could 511 00:23:36,160 --> 00:23:37,919 Speaker 2: throw the whole thing out the window. But once I 512 00:23:38,000 --> 00:23:40,760 Speaker 2: have a framework, once I know what my map looks like, 513 00:23:41,160 --> 00:23:43,720 Speaker 2: then I feel like I can take I can take 514 00:23:43,720 --> 00:23:46,320 Speaker 2: an exit, I can go stop at a tourist destination. Right, Well, 515 00:23:46,359 --> 00:23:48,040 Speaker 2: you don't want to have those dead air nightmares that 516 00:23:48,160 --> 00:23:50,280 Speaker 2: every single person in radio has had. 517 00:23:50,400 --> 00:23:54,720 Speaker 3: Horrible. I always have this recurring nightmare that I leave 518 00:23:54,800 --> 00:23:55,400 Speaker 3: before the end. 519 00:23:55,359 --> 00:23:59,000 Speaker 2: Of the shift, Like I get done and I'm like, oh, 520 00:23:59,040 --> 00:24:00,800 Speaker 2: that was a good show, and I'll get my car 521 00:24:00,840 --> 00:24:03,280 Speaker 2: and I'll drive off. Oops I and I have the 522 00:24:03,320 --> 00:24:05,240 Speaker 2: station on and they're like, we don't know where he went. 523 00:24:05,640 --> 00:24:07,359 Speaker 2: And the phone rings and they go, where are you. 524 00:24:07,400 --> 00:24:08,720 Speaker 2: I'm like, I'm on my way home. They go, you 525 00:24:08,720 --> 00:24:10,960 Speaker 2: still have an hour left. That's the one I always have. 526 00:24:12,920 --> 00:24:15,199 Speaker 2: I know you could like listen, I've been around this 527 00:24:15,240 --> 00:24:18,040 Speaker 2: long enough that I know, especially especially when you're in 528 00:24:18,080 --> 00:24:20,560 Speaker 2: market number two like this, you guys are pros Mark, 529 00:24:20,600 --> 00:24:21,400 Speaker 2: You're a complete pro. 530 00:24:22,080 --> 00:24:25,000 Speaker 3: I was waiting for that. ALLI led me to it. 531 00:24:25,080 --> 00:24:27,800 Speaker 3: Well placed. Yeah, so I think that we could. 532 00:24:28,320 --> 00:24:31,160 Speaker 2: Absolutely, you guys could handle something. And we've all dealt 533 00:24:31,160 --> 00:24:34,960 Speaker 2: with curveballs in this industry. Right, breaking news or the 534 00:24:35,080 --> 00:24:38,280 Speaker 2: towers is on the fritz and we have to switch over, 535 00:24:38,520 --> 00:24:41,960 Speaker 2: or or you know, something happens, Computers all crash, microphone 536 00:24:41,960 --> 00:24:42,760 Speaker 2: doesn't work. 537 00:24:42,640 --> 00:24:43,280 Speaker 3: Lights go out. 538 00:24:43,280 --> 00:24:46,440 Speaker 2: We've all been there, it's all happened. But I feel 539 00:24:46,440 --> 00:24:48,200 Speaker 2: like if I can handle it a whole lot easier. 540 00:24:48,200 --> 00:24:50,119 Speaker 2: If I have my map ahead of me, if I 541 00:24:50,160 --> 00:24:53,240 Speaker 2: already know where I'm going, then I can take a 542 00:24:53,240 --> 00:24:54,920 Speaker 2: different route if I need to get there. So that's 543 00:24:54,960 --> 00:24:57,200 Speaker 2: that's where I am now. And again my anxieties through 544 00:24:57,200 --> 00:24:59,840 Speaker 2: the roof. Let me ask this. I did a Morning 545 00:24:59,840 --> 00:25:03,760 Speaker 2: s in San Diego and we went on the air 546 00:25:03,760 --> 00:25:06,600 Speaker 2: at five point thirty. I'm somebody who likes to prep 547 00:25:06,640 --> 00:25:08,480 Speaker 2: the dickens out of things, but I also wanted to 548 00:25:08,520 --> 00:25:10,199 Speaker 2: make sure I had fresh stories because it was the 549 00:25:10,200 --> 00:25:12,000 Speaker 2: morning show, and I wanted I wanted for people to 550 00:25:12,040 --> 00:25:14,080 Speaker 2: have the fresh news when they came. You know, they 551 00:25:14,119 --> 00:25:16,080 Speaker 2: come to me, they want stuff they haven't heard before. 552 00:25:16,119 --> 00:25:18,119 Speaker 2: They want to hear what happened overnight, that kind of stuff. 553 00:25:18,520 --> 00:25:21,240 Speaker 2: So I couldn't really do a lot the night before. 554 00:25:21,600 --> 00:25:23,280 Speaker 2: My producer would do some things the night before. But 555 00:25:23,320 --> 00:25:25,399 Speaker 2: then what happened was I would get up really early 556 00:25:25,800 --> 00:25:27,840 Speaker 2: and I would get into work, and I was targeted 557 00:25:27,920 --> 00:25:32,280 Speaker 2: two am, but then my anxiety kicked in and I 558 00:25:32,320 --> 00:25:35,080 Speaker 2: started waking up earlier and earlier and earlier, so it 559 00:25:35,119 --> 00:25:38,159 Speaker 2: was like two am. I don't know, Maybe if I 560 00:25:38,160 --> 00:25:39,960 Speaker 2: got there at one it would be better. Maybe if 561 00:25:40,000 --> 00:25:41,480 Speaker 2: I got there a little earlier would be better. And 562 00:25:41,480 --> 00:25:42,720 Speaker 2: it got to the point where I was going to 563 00:25:42,720 --> 00:25:47,159 Speaker 2: bed at five pm the day before, and then I 564 00:25:47,200 --> 00:25:50,760 Speaker 2: was getting up at midnight, and then I was heading 565 00:25:50,800 --> 00:25:53,159 Speaker 2: into work and getting there at one. There were nights 566 00:25:53,240 --> 00:25:55,680 Speaker 2: that I was actually leaving for work at twelve thirty 567 00:25:55,680 --> 00:25:58,280 Speaker 2: in the morning to do the morning show, which went 568 00:25:58,320 --> 00:26:02,679 Speaker 2: on at five thirty am. But when you think about it, 569 00:26:02,680 --> 00:26:04,760 Speaker 2: I was five thirty and then I think it was 570 00:26:04,920 --> 00:26:08,080 Speaker 2: until till nine. 571 00:26:09,280 --> 00:26:09,639 Speaker 3: Nine. 572 00:26:09,760 --> 00:26:12,119 Speaker 2: Yeah, it's like five thirty to nine. So when you 573 00:26:12,119 --> 00:26:13,600 Speaker 2: think about it, I got there at twelve thirty. I 574 00:26:13,680 --> 00:26:15,520 Speaker 2: was only working an eight and a half hour day. No, 575 00:26:15,600 --> 00:26:17,359 Speaker 2: it wasn't like it wasn't like it was crazy. It 576 00:26:17,400 --> 00:26:18,320 Speaker 2: was just a weird schedule. 577 00:26:18,400 --> 00:26:21,120 Speaker 3: No, I get it. It maths out, but it's just miserable. 578 00:26:21,520 --> 00:26:23,920 Speaker 5: Yeah, it's like hell it So it. 579 00:26:23,920 --> 00:26:25,600 Speaker 3: Was tough on my relationship. My wife and I had 580 00:26:25,640 --> 00:26:26,320 Speaker 3: to make a bargain. 581 00:26:26,520 --> 00:26:28,280 Speaker 2: She used to stay late at work, and we had 582 00:26:28,280 --> 00:26:30,240 Speaker 2: to make a deal, like she would come home and 583 00:26:30,280 --> 00:26:32,480 Speaker 2: be home by six, and I had to dedicate I 584 00:26:32,480 --> 00:26:34,399 Speaker 2: would promise to stay up till six thirty so that 585 00:26:34,440 --> 00:26:35,760 Speaker 2: we at least had a little bit of time that 586 00:26:35,760 --> 00:26:36,520 Speaker 2: we would see each other. 587 00:26:36,560 --> 00:26:38,080 Speaker 3: Otherwise, we didn't see each other. 588 00:26:38,040 --> 00:26:39,960 Speaker 2: During the day because I was in bed, and then 589 00:26:40,000 --> 00:26:41,840 Speaker 2: I was getting up before she while she was in bed. 590 00:26:42,119 --> 00:26:45,560 Speaker 2: So anyway, my question is was I a night owl 591 00:26:46,720 --> 00:26:48,480 Speaker 2: because I was up at twelve thirty one o'clock? 592 00:26:48,560 --> 00:26:51,240 Speaker 3: Or was I an early bird? You were ambitious, you 593 00:26:51,280 --> 00:26:54,320 Speaker 3: were a go getter. No, I was anxiety ridden, is 594 00:26:54,359 --> 00:26:54,760 Speaker 3: what I was. 595 00:26:54,880 --> 00:26:58,000 Speaker 4: I've turned down jobs and appearances and stuff just because 596 00:26:58,040 --> 00:26:59,280 Speaker 4: they were too early in the morning. 597 00:26:59,400 --> 00:27:02,200 Speaker 2: That's funny. I can't say no to stuff. God bless 598 00:27:02,200 --> 00:27:03,639 Speaker 2: you for having the goal to do it. I just 599 00:27:03,680 --> 00:27:04,639 Speaker 2: can't do it either. 600 00:27:04,720 --> 00:27:07,440 Speaker 3: The dude in the Big Lebowski is not as lazy 601 00:27:07,480 --> 00:27:07,800 Speaker 3: as I'm. 602 00:27:10,240 --> 00:27:11,840 Speaker 2: All right, you're chasing that big win. You want that 603 00:27:11,920 --> 00:27:14,399 Speaker 2: huge moment, the next life changing breakthrough. But what if 604 00:27:14,440 --> 00:27:17,720 Speaker 2: what you really need is just five seconds of something 605 00:27:17,760 --> 00:27:20,479 Speaker 2: far simpler every day Instead, I tell you what it 606 00:27:20,560 --> 00:27:22,080 Speaker 2: is next, Chris Merylon. 607 00:27:23,400 --> 00:27:27,280 Speaker 1: You're listening to KFI AM six forty on demand. 608 00:27:33,000 --> 00:27:33,720 Speaker 3: At ten o'clock. 609 00:27:33,840 --> 00:27:36,600 Speaker 2: George, what can we expect on the program tonight, my friend? 610 00:27:37,960 --> 00:27:39,840 Speaker 9: We're going to talk about the words of the late 611 00:27:39,920 --> 00:27:43,480 Speaker 9: Stephen Hawking, the physicists. We're talking about an extinction event 612 00:27:43,560 --> 00:27:46,880 Speaker 9: coming up from mankind. And then later on we're tapping 613 00:27:46,960 --> 00:27:50,920 Speaker 9: into your Cashick records, your book of Life. 614 00:27:50,080 --> 00:27:53,919 Speaker 3: I love it. I love it. Smartest man in history, 615 00:27:53,960 --> 00:27:56,200 Speaker 3: Stephen Hawking. Thanks, Jeor. I appreciate that we're looking forward 616 00:27:56,240 --> 00:27:57,560 Speaker 3: to it. Yeah. 617 00:27:57,720 --> 00:28:03,760 Speaker 2: One of my peeves I may here is gen Z 618 00:28:03,960 --> 00:28:06,119 Speaker 2: just loves to rename things that have been around since forever. 619 00:28:06,520 --> 00:28:09,280 Speaker 2: They just love it. They just love They're like, I 620 00:28:09,440 --> 00:28:11,840 Speaker 2: discovered something and now I'm gonna give it a name. 621 00:28:12,800 --> 00:28:16,520 Speaker 2: It's been around since the beginning of foreverness. The latest 622 00:28:16,640 --> 00:28:23,040 Speaker 2: is micro Joy micro Joy, and he guesses, dang, And 623 00:28:23,119 --> 00:28:25,960 Speaker 2: I guess I can say on the radio, no, oh fair, 624 00:28:27,080 --> 00:28:35,000 Speaker 2: yeah micro Joy. Hang on, Let's cut to the Chaser 625 00:28:35,080 --> 00:28:38,440 Speaker 2: Fast Company had this strategies for micro joy can be 626 00:28:38,480 --> 00:28:41,040 Speaker 2: a solution to the struggles of life in a way 627 00:28:41,080 --> 00:28:43,960 Speaker 2: to build both well being and resilience. Micro Joy is 628 00:28:43,960 --> 00:28:47,440 Speaker 2: made up of the small moments of happiness, presence, and 629 00:28:47,560 --> 00:28:51,000 Speaker 2: mindfulness that we can find in the midst of challenger difficulty. 630 00:28:51,040 --> 00:28:54,280 Speaker 2: It's about embracing the power of little delights in the 631 00:28:54,320 --> 00:28:59,120 Speaker 2: every day. Oh well, thank god, we've got micro joy. 632 00:29:00,160 --> 00:29:03,080 Speaker 2: You can take action, focus on small wins, focus on others, 633 00:29:03,120 --> 00:29:07,320 Speaker 2: focus on the present. It's could stopping and smelling the roses. 634 00:29:08,440 --> 00:29:12,400 Speaker 2: This is not a new concept. Quit doing things that 635 00:29:12,400 --> 00:29:14,720 Speaker 2: have been around since our great great great great great 636 00:29:14,760 --> 00:29:18,600 Speaker 2: great grandparents and then pretending like you discovered something. You're 637 00:29:18,640 --> 00:29:19,400 Speaker 2: not original. 638 00:29:20,320 --> 00:29:23,200 Speaker 3: I'll be happy when gen Z does something original, and 639 00:29:23,280 --> 00:29:26,200 Speaker 3: I will praise them for doing it, but this ain't it. 640 00:29:26,840 --> 00:29:30,200 Speaker 2: Quit making up names for crap that we're already doing. 641 00:29:31,880 --> 00:29:32,720 Speaker 3: Microjoy. 642 00:29:33,880 --> 00:29:36,080 Speaker 4: Well, it would be kind of a microjoy to punch 643 00:29:36,120 --> 00:29:37,200 Speaker 4: the person who wrote. 644 00:29:37,000 --> 00:29:40,760 Speaker 3: That thank you. Oh my gosh. Uh. 645 00:29:42,480 --> 00:29:45,240 Speaker 2: It's just painful for me, just painful because the thing is, 646 00:29:45,280 --> 00:29:46,600 Speaker 2: I don't want to I don't want to be that. 647 00:29:46,600 --> 00:29:48,760 Speaker 3: Guy who goes, oh the kids these days. I hate that. 648 00:29:50,240 --> 00:29:54,760 Speaker 2: The god dang the kids these days. Oh, thank goodness 649 00:29:54,800 --> 00:29:58,720 Speaker 2: you have me. I found something new. Have you considered microjoys? 650 00:29:59,720 --> 00:30:00,680 Speaker 2: Have you considered the. 651 00:30:00,600 --> 00:30:01,480 Speaker 3: Back of my hand? 652 00:30:03,640 --> 00:30:08,080 Speaker 2: Goll lee, Well, let's look a violent twist. Ali, you 653 00:30:08,080 --> 00:30:10,080 Speaker 2: saved my height again tonight. I didn't realize that the 654 00:30:10,080 --> 00:30:11,880 Speaker 2: word you bleeped earlier was one that we're not allowed 655 00:30:11,880 --> 00:30:13,720 Speaker 2: to use on the air. But I'm going to add 656 00:30:13,720 --> 00:30:14,760 Speaker 2: that to my list of dirty words. 657 00:30:14,760 --> 00:30:15,360 Speaker 3: So thank you for that. 658 00:30:15,760 --> 00:30:19,200 Speaker 2: Yeah, I love you, buddy, Nicky nice job. You're probably 659 00:30:19,240 --> 00:30:20,240 Speaker 2: my favorite. 660 00:30:19,880 --> 00:30:24,360 Speaker 5: Brit Thanks mate, of course. 661 00:30:24,440 --> 00:30:28,520 Speaker 3: Mark Ronner. Get ready for tomorrow drunksgiving. I'm ready for 662 00:30:28,560 --> 00:30:32,400 Speaker 3: you to handle it like a complete pro. I love 663 00:30:32,440 --> 00:30:34,440 Speaker 3: this man. I'll talk to you guys tomorrow night. Chris 664 00:30:34,440 --> 00:30:34,760 Speaker 3: Merril 665 00:30:37,200 --> 00:30:39,760 Speaker 1: KFI AM six on demand