1 00:00:00,360 --> 00:00:03,400 Speaker 1: It's KMF I AM six and you're listening to the 2 00:00:03,480 --> 00:00:10,399 Speaker 1: Conway Show on demand on the iHeartRadio app. Look forward 3 00:00:10,400 --> 00:00:15,480 Speaker 1: to great weather this weekend, eighty possibly eighty five eighty 4 00:00:15,560 --> 00:00:19,040 Speaker 1: six in the valley coming up this weekend into next week. 5 00:00:19,239 --> 00:00:26,440 Speaker 1: That is fantastic news. No rain, just warm weather, and 6 00:00:26,480 --> 00:00:29,680 Speaker 1: that's that's cool, all right. We're keeping an eye on 7 00:00:29,720 --> 00:00:34,960 Speaker 1: the fire in Elmonte. That's a big story. The recycling 8 00:00:35,000 --> 00:00:38,920 Speaker 1: plant has blown up, and people are gonna be pissed, 9 00:00:39,479 --> 00:00:42,000 Speaker 1: and they're gonna have to keep their kids in and 10 00:00:42,040 --> 00:00:44,320 Speaker 1: they're gonna be worried, and there's gonna be a meeting. 11 00:00:45,040 --> 00:00:47,320 Speaker 1: The city hall is gonna get involved. Let's move this 12 00:00:47,640 --> 00:00:50,720 Speaker 1: company out of here. We don't want this anymore. And 13 00:00:50,840 --> 00:00:53,880 Speaker 1: eventually they'll get their way, you know, there'll be enough 14 00:00:53,880 --> 00:00:56,800 Speaker 1: people that vote against that kind of stuff. But the 15 00:00:56,840 --> 00:01:00,800 Speaker 1: problem with the recycling plant, and you know, you see 16 00:01:00,800 --> 00:01:04,280 Speaker 1: that problem in other cities as well, that once the 17 00:01:04,319 --> 00:01:09,200 Speaker 1: recycling plant either moves or dissolves or whatever, it's going 18 00:01:09,280 --> 00:01:13,640 Speaker 1: to take years to clean up that property. Years, maybe 19 00:01:13,680 --> 00:01:18,000 Speaker 1: decades because of all the chemicals, all of the metals 20 00:01:18,280 --> 00:01:21,080 Speaker 1: or the paint, all that stuff, the gas, the oil 21 00:01:21,800 --> 00:01:24,880 Speaker 1: that has seeped into that soil. They're going to have 22 00:01:24,920 --> 00:01:27,319 Speaker 1: to remove a lot of soil to get that out 23 00:01:27,360 --> 00:01:34,120 Speaker 1: of there. This is the fortieth anniversary of the Challenger exploding, 24 00:01:34,520 --> 00:01:37,160 Speaker 1: and that's one of the things that you remember where 25 00:01:37,200 --> 00:01:40,000 Speaker 1: you were when the Challenger blew up. I used to 26 00:01:40,080 --> 00:01:44,520 Speaker 1: live on More Park, right near More Park and Woodman. 27 00:01:45,920 --> 00:01:49,840 Speaker 1: More Park in Fulton is exactly where I lived, which 28 00:01:49,880 --> 00:01:53,040 Speaker 1: is just up the street from Casavega. And I remember 29 00:01:53,800 --> 00:01:56,560 Speaker 1: was I was sleeping. I think I worked overnight. I 30 00:01:56,600 --> 00:02:00,680 Speaker 1: was working on Overnight. Who was eighty what wait, year 31 00:02:00,680 --> 00:02:05,560 Speaker 1: would that have been, nineteen eighty six? Yeah, I was 32 00:02:05,600 --> 00:02:12,160 Speaker 1: working for Paul Masurski. I think back then at Disney 33 00:02:12,919 --> 00:02:16,519 Speaker 1: and we're shooting overnights and I remember being asleep. It 34 00:02:16,600 --> 00:02:18,440 Speaker 1: must have been awfully early in the morning because I 35 00:02:18,520 --> 00:02:21,480 Speaker 1: was still in bed and my roommate got named Robbie Fox, 36 00:02:21,480 --> 00:02:23,880 Speaker 1: woke me up. He goes, dude, he goes, the Challenger 37 00:02:24,040 --> 00:02:26,240 Speaker 1: just blew up. I'm like, oh no. We got up 38 00:02:26,280 --> 00:02:29,079 Speaker 1: there watching TV and couldn't believe him. It was an 39 00:02:29,200 --> 00:02:32,960 Speaker 1: unbelievable day, beautiful, clear day in Florida, kind of cold, 40 00:02:33,680 --> 00:02:37,079 Speaker 1: and that was part of the problem. And forty years 41 00:02:37,120 --> 00:02:38,359 Speaker 1: ago today, that thing. 42 00:02:38,280 --> 00:02:41,440 Speaker 2: Blew forty We remember this all too well. Forty years 43 00:02:41,440 --> 00:02:46,440 Speaker 2: ago today, January twenty eighth, nineteen eighty six, seven NASA 44 00:02:46,520 --> 00:02:50,760 Speaker 2: astronauts were killed after the Space Shuttle Challenger exploded during 45 00:02:50,880 --> 00:02:55,160 Speaker 2: liftoff over Cape Canaveral. Many many people remember exactly where 46 00:02:55,200 --> 00:02:56,480 Speaker 2: they were and what they were doing. 47 00:02:56,800 --> 00:02:59,760 Speaker 3: Our coda, Nola joins us now with how viewers right 48 00:02:59,760 --> 00:03:02,880 Speaker 3: here in southern California saw it here Conan. 49 00:03:02,880 --> 00:03:06,960 Speaker 4: They had become so routine local television stations didn't bother 50 00:03:07,080 --> 00:03:10,040 Speaker 4: to break in that day for the launch of STS 51 00:03:10,240 --> 00:03:13,919 Speaker 4: fifty one L, the Space Shuttle Challenger, but we did. 52 00:03:14,200 --> 00:03:17,959 Speaker 5: This is a special report from Channel four News. Good morning, 53 00:03:18,040 --> 00:03:19,880 Speaker 5: I'm Ken Shocknick and Space Suttle Challenger. 54 00:03:19,960 --> 00:03:23,839 Speaker 1: Oh wow, Ken Shockknick was gone. Can't Shocknick? That guy 55 00:03:23,880 --> 00:03:26,720 Speaker 1: knows knew more about space than any anchor anybody. That 56 00:03:26,760 --> 00:03:30,839 Speaker 1: guy love NASA and the space program. Can shock Nick? 57 00:03:31,000 --> 00:03:32,919 Speaker 1: I wonder if this was before after he got under 58 00:03:32,919 --> 00:03:35,160 Speaker 1: the desk when there was an earthquake. Oh that haunted 59 00:03:35,200 --> 00:03:36,440 Speaker 1: him forever, you know. 60 00:03:36,600 --> 00:03:40,080 Speaker 6: I wonder if this is before or after his theme song. 61 00:03:40,120 --> 00:03:44,000 Speaker 1: Oh can't Shocknick? Do Do Do Do Do Do Do can't, 62 00:03:44,000 --> 00:03:45,480 Speaker 1: Shot Nick. That's a great song. 63 00:03:46,440 --> 00:03:48,760 Speaker 5: Good morning. I'm Ken Shocknick and Spacehuttle Challenger. 64 00:03:48,800 --> 00:03:50,800 Speaker 1: I can't. I only hear that song when he says 65 00:03:50,800 --> 00:03:53,880 Speaker 1: his name. I'm Ken Chocknick. Do do Do Do Do 66 00:03:53,880 --> 00:03:55,400 Speaker 1: Do Do doo, Ken Chocknick. 67 00:03:55,560 --> 00:03:58,440 Speaker 5: Good morning. I'm Ken Shocknick and Space Shuttle Challenger. It's 68 00:03:58,520 --> 00:04:00,880 Speaker 5: just a few seconds away from blasting off from the 69 00:04:00,960 --> 00:04:02,920 Speaker 5: Kennedy Space Center near Cape Canaveral. 70 00:04:02,600 --> 00:04:07,360 Speaker 4: Florida, CANBCTVS Kent Shocknik provided the coverage the station's morning 71 00:04:07,440 --> 00:04:11,120 Speaker 4: anchor and aerospace reporter. Kent had covered the Shuttle program 72 00:04:11,160 --> 00:04:12,880 Speaker 4: from its inception and lift. 73 00:04:14,040 --> 00:04:15,840 Speaker 5: Let's solid in the. 74 00:04:15,960 --> 00:04:19,520 Speaker 4: Space Shuttle mission and it declared the power for Shaknik 75 00:04:19,720 --> 00:04:23,520 Speaker 4: and the station. This was a local story because. 76 00:04:23,240 --> 00:04:26,000 Speaker 7: You know, the Shuttle was built in Downey. It was 77 00:04:26,320 --> 00:04:28,760 Speaker 7: landing and tested out of the Edwards Air Force Base, 78 00:04:28,800 --> 00:04:29,280 Speaker 7: and so we. 79 00:04:29,279 --> 00:04:30,800 Speaker 1: Had a I don't know it was built in Downey. 80 00:04:31,200 --> 00:04:34,400 Speaker 1: I guess that makes sense. You know, Michelle Cube's dad 81 00:04:34,440 --> 00:04:37,119 Speaker 1: worked on it and they lived down in that area. 82 00:04:37,279 --> 00:04:42,240 Speaker 1: We're not Downy, I guess they're where do they live? Fullerton, Tustin? 83 00:04:42,960 --> 00:04:46,400 Speaker 1: But they Michelle Cube, who is the producer of the 84 00:04:46,400 --> 00:04:50,200 Speaker 1: Bill Handles show forever her dad worked on the Space Shuttle. 85 00:04:51,240 --> 00:04:54,359 Speaker 1: That's that's unbelievable. You know, it's like a like a 86 00:04:54,520 --> 00:04:55,520 Speaker 1: huge deal for me. 87 00:04:55,720 --> 00:04:58,440 Speaker 8: We had an engineer here since passed away, Tony Dinkle, 88 00:04:58,480 --> 00:05:03,560 Speaker 8: who he had a a tile that they use and 89 00:05:03,600 --> 00:05:05,360 Speaker 8: he would show you every once in a while and 90 00:05:05,360 --> 00:05:06,920 Speaker 8: he would even like, you know, take a little blow 91 00:05:06,920 --> 00:05:08,800 Speaker 8: towards to it, just kind of show you kind of 92 00:05:08,920 --> 00:05:09,560 Speaker 8: the effects of it. 93 00:05:09,600 --> 00:05:09,880 Speaker 1: Wow. 94 00:05:09,920 --> 00:05:12,839 Speaker 8: And he was always very protective of the secrecy of 95 00:05:12,839 --> 00:05:15,440 Speaker 8: the fact that he even had it. Really, yeah, it 96 00:05:15,520 --> 00:05:17,440 Speaker 8: was a big deal that he had. He's like, nobody's 97 00:05:17,440 --> 00:05:19,440 Speaker 8: supposed to have this, and yeah, he would show it 98 00:05:19,440 --> 00:05:20,440 Speaker 8: any time anybody else. 99 00:05:20,560 --> 00:05:22,760 Speaker 1: That's great. I'd love to have seen that. Yeh, oh Man. 100 00:05:22,839 --> 00:05:25,599 Speaker 1: Probably lightweight, Yeah, incredibly lightweight. It was. 101 00:05:25,680 --> 00:05:27,640 Speaker 8: It's almost like it was like a fiberglass almost. 102 00:05:27,839 --> 00:05:29,080 Speaker 1: That's cool. That's cool. 103 00:05:29,240 --> 00:05:31,880 Speaker 7: It was landing and tested out of the Edwards Air 104 00:05:31,880 --> 00:05:33,880 Speaker 7: Force Base, and so we had a great stake in 105 00:05:33,880 --> 00:05:34,800 Speaker 7: southern California. 106 00:05:34,839 --> 00:05:37,680 Speaker 4: Then there was the crew Ellison on Azuka, the first 107 00:05:37,800 --> 00:05:42,039 Speaker 4: US Asian American astronaut, Judy Resnick, the second American woman 108 00:05:42,120 --> 00:05:45,919 Speaker 4: to fly in space, Physicist Ronald McNair, the second African 109 00:05:45,960 --> 00:05:51,160 Speaker 4: American astronaut, veteran astronaut Michael Smith, mission commander Dick Scoviy, 110 00:05:51,440 --> 00:05:56,520 Speaker 4: payload specialist Greg Jarvis, and Krista mccauliffe, an elementary school 111 00:05:56,560 --> 00:06:00,120 Speaker 4: teacher who had been picked from eleven thousand applicants as 112 00:06:00,160 --> 00:06:03,120 Speaker 4: part of NASA's Teacher in Space program. 113 00:06:03,240 --> 00:06:05,440 Speaker 7: This was one of those situations where launch has become 114 00:06:05,520 --> 00:06:09,919 Speaker 7: so routine that NASA had to tweak each launch to 115 00:06:09,960 --> 00:06:11,840 Speaker 7: make it look a little bit sexier, a little bit 116 00:06:11,839 --> 00:06:16,440 Speaker 7: more glitzy, so the coverage would continue because the bucks 117 00:06:16,560 --> 00:06:18,200 Speaker 7: follow Buck Rogers. 118 00:06:18,520 --> 00:06:20,680 Speaker 5: It's always amazing to hear how quickly the Shuttle moves. 119 00:06:20,839 --> 00:06:24,320 Speaker 4: At the time, America's space program had a stellar reputation. 120 00:06:25,240 --> 00:06:28,560 Speaker 4: That all changed seventy three seconds into the launch. 121 00:06:30,240 --> 00:06:36,040 Speaker 5: The Shuttle mission will launch. My god, it's been an explosive. 122 00:06:37,800 --> 00:06:39,919 Speaker 5: I can see a solid rocket booster has broken away 123 00:06:39,960 --> 00:06:42,080 Speaker 5: from Shuttle Challenger. That's what you're looking at in the 124 00:06:42,080 --> 00:06:42,800 Speaker 5: middle of your screen. 125 00:06:43,200 --> 00:06:45,279 Speaker 1: Got it. They'll get goosebumps on I hear that, man, 126 00:06:46,279 --> 00:06:47,720 Speaker 1: that was a big, big day. 127 00:06:47,800 --> 00:06:51,440 Speaker 9: And you know something else, Big Bird was supposed to 128 00:06:51,440 --> 00:06:54,719 Speaker 9: be on there. Who was Big Bird? The character Beryl 129 00:06:54,760 --> 00:06:57,360 Speaker 9: Spinny was supposed to be on the Challenge really and 130 00:06:57,440 --> 00:06:59,640 Speaker 9: with the big Bird outfit. Yeah, with the big Bird 131 00:06:59,640 --> 00:07:03,520 Speaker 9: outfit to promote space education, and they scrapped it because 132 00:07:04,080 --> 00:07:06,839 Speaker 9: he was too big to fit on it. The costume, 133 00:07:06,880 --> 00:07:09,400 Speaker 9: the costume was too big, so he would have ended up. 134 00:07:10,240 --> 00:07:12,760 Speaker 1: I wonder if the rest of them if he made 135 00:07:12,800 --> 00:07:15,640 Speaker 1: it with the costume on and went to space and 136 00:07:15,680 --> 00:07:18,520 Speaker 1: then it's over, I wonder if they would ever have 137 00:07:18,720 --> 00:07:21,800 Speaker 1: used that character again. That's yeah, I mean that would 138 00:07:21,800 --> 00:07:23,720 Speaker 1: have been devastating to kids. Though. You weren't even born 139 00:07:23,720 --> 00:07:27,640 Speaker 1: when that happened, were you? I was not, young guy Crozier, 140 00:07:27,680 --> 00:07:29,720 Speaker 1: you were born, you remember where you were? But by 141 00:07:29,760 --> 00:07:32,480 Speaker 1: senior year in high school, Wow, we were in the 142 00:07:32,520 --> 00:07:34,840 Speaker 1: library watching it. Oh you watched it live. 143 00:07:34,960 --> 00:07:35,440 Speaker 10: Yeah. Yeah. 144 00:07:35,480 --> 00:07:36,840 Speaker 8: It was a big deal because it was the teacher 145 00:07:36,880 --> 00:07:37,480 Speaker 8: that was on there. 146 00:07:37,800 --> 00:07:38,280 Speaker 11: Wow. 147 00:07:38,400 --> 00:07:41,600 Speaker 8: Yeah, and that's why so many school kids saw it. 148 00:07:41,760 --> 00:07:42,720 Speaker 1: Yeah. 149 00:07:42,160 --> 00:07:45,280 Speaker 8: All the schools around the country broadcasted. 150 00:07:45,600 --> 00:07:48,640 Speaker 1: Yeah, and NASA was really good at promoting that, you know, 151 00:07:49,160 --> 00:07:52,120 Speaker 1: getting an astronaut, there's a teacher or a fireman or 152 00:07:52,400 --> 00:07:55,520 Speaker 1: and and to create interest for the launches. Where were you, Angel? 153 00:07:55,520 --> 00:07:57,280 Speaker 1: Do you remember the Challenger? Are you too young. 154 00:07:58,400 --> 00:08:02,480 Speaker 6: Yeah, I was on I'm still in the hospital after 155 00:08:02,520 --> 00:08:03,360 Speaker 6: I was born. 156 00:08:05,720 --> 00:08:11,520 Speaker 1: In the hospital getting a nine hundredth vaccination as an adult, 157 00:08:13,640 --> 00:08:14,400 Speaker 1: do you remember it? 158 00:08:15,320 --> 00:08:20,680 Speaker 6: I do, I do. Some friends and I no, no, no, 159 00:08:20,760 --> 00:08:25,160 Speaker 6: some friends and I were drinking our espresso and studying 160 00:08:25,440 --> 00:08:26,400 Speaker 6: and watching this. 161 00:08:26,920 --> 00:08:28,720 Speaker 1: And were you in high school? 162 00:08:29,800 --> 00:08:29,880 Speaker 10: No? 163 00:08:30,040 --> 00:08:30,640 Speaker 6: In college? 164 00:08:30,680 --> 00:08:34,400 Speaker 1: In college? Yeah, as a ten year professor. 165 00:08:35,679 --> 00:08:41,440 Speaker 6: Yes, did I tell you about that? 166 00:08:41,640 --> 00:08:44,880 Speaker 1: I smoked her on the age? What about you, belly Belly? 167 00:08:45,040 --> 00:08:47,600 Speaker 1: Were you too young to remember this? Do you remember 168 00:08:47,600 --> 00:08:49,480 Speaker 1: the space motel? She walked away, but she said, yeah, 169 00:08:49,480 --> 00:08:51,320 Speaker 1: she's too young to remember. Yeah, of course she is. 170 00:08:52,400 --> 00:08:53,040 Speaker 1: She's too young. 171 00:08:54,600 --> 00:08:55,400 Speaker 8: Yeah, I was too young. 172 00:08:56,559 --> 00:08:59,600 Speaker 1: Too young. Well, when they sent the when the Solviet 173 00:08:59,679 --> 00:09:07,440 Speaker 1: sent them monkey into space. You're too young to see that, 174 00:09:07,559 --> 00:09:11,680 Speaker 1: poor monkey. Other monkeys are in the jungle. He's on 175 00:09:11,760 --> 00:09:15,680 Speaker 1: the you know, nine thousand horsepower going into space. Yeah, 176 00:09:15,679 --> 00:09:17,760 Speaker 1: that was a bad day, man, bad day. If the 177 00:09:17,840 --> 00:09:21,880 Speaker 1: United say it's forty years ago to day, we remember that. 178 00:09:22,720 --> 00:09:26,560 Speaker 11: You're listening to Tim conwaytun you're on demand from KFI 179 00:09:26,720 --> 00:09:28,280 Speaker 11: AM sixty. 180 00:09:29,240 --> 00:09:35,960 Speaker 1: Driving me up a wall, this one me me me, yes. 181 00:09:36,040 --> 00:09:37,720 Speaker 12: Okay, why is that you know? 182 00:09:38,360 --> 00:09:42,120 Speaker 1: Anyway? Go to the website, go to KFI AM sixty 183 00:09:42,200 --> 00:09:44,880 Speaker 1: dot com, slash cash and then put the keyword in 184 00:09:44,960 --> 00:09:48,440 Speaker 1: money m O n E y hell for me. Yeah, 185 00:09:49,160 --> 00:09:50,960 Speaker 1: so shocked me. 186 00:09:51,000 --> 00:09:51,520 Speaker 13: I just love that. 187 00:09:51,760 --> 00:09:53,959 Speaker 1: You know, you know, you got a big compliment today 188 00:09:54,000 --> 00:09:58,840 Speaker 1: from my agent Pelio. Yeah, Eric, weis what did Derek? 189 00:09:58,920 --> 00:10:04,000 Speaker 1: He said, I was talking today and he said your 190 00:10:04,040 --> 00:10:07,040 Speaker 1: producer is the greatest producer in all of radio. He said, 191 00:10:07,120 --> 00:10:09,480 Speaker 1: I don't even know other producers' names, but I know 192 00:10:09,600 --> 00:10:12,720 Speaker 1: her name and she's and he said she is great 193 00:10:12,840 --> 00:10:13,280 Speaker 1: on the air. 194 00:10:13,559 --> 00:10:15,560 Speaker 12: Babe, Wow, thank you Eric. 195 00:10:15,880 --> 00:10:24,640 Speaker 1: And he hates oh, babe, give and take. 196 00:10:24,720 --> 00:10:28,480 Speaker 8: I guess smoke everywhere today. 197 00:10:28,120 --> 00:10:31,360 Speaker 1: Yes, yes, angry as angry as hell. 198 00:10:31,440 --> 00:10:33,080 Speaker 12: Maybe Eric should do the show tonight. 199 00:10:33,240 --> 00:10:33,280 Speaker 7: No. 200 00:10:33,400 --> 00:10:35,120 Speaker 1: You know how you go through life and you just 201 00:10:35,200 --> 00:10:38,360 Speaker 1: some days you're really happy and you don't know why, 202 00:10:38,600 --> 00:10:40,800 Speaker 1: and then some days you want to rip somebody's head off. 203 00:10:40,840 --> 00:10:41,440 Speaker 1: You don't know why. 204 00:10:41,520 --> 00:10:44,440 Speaker 3: Yeah, yesterday I wanted to rip somebody's head off. Yeah, yeah, 205 00:10:44,559 --> 00:10:48,120 Speaker 3: I know, And I apologize. 206 00:10:47,440 --> 00:10:48,960 Speaker 1: Driving us up a wall here. 207 00:10:49,679 --> 00:10:50,959 Speaker 12: Yesterday, not today. 208 00:10:51,080 --> 00:10:57,200 Speaker 1: Something else, this one, no, something else, this one no. 209 00:10:57,200 --> 00:10:57,360 Speaker 11: No. 210 00:11:00,400 --> 00:11:02,520 Speaker 1: But we had a guy in here who worked for 211 00:11:02,920 --> 00:11:03,960 Speaker 1: can we Satan who was. 212 00:11:05,080 --> 00:11:07,040 Speaker 12: I think so he's been on the air with you before. 213 00:11:07,160 --> 00:11:12,360 Speaker 1: He works for Hallmark. Yeah, Peter, and I worked for Hallmark. 214 00:11:12,400 --> 00:11:15,120 Speaker 1: I don't know if you know that. I worked nineteen 215 00:11:15,240 --> 00:11:19,240 Speaker 1: ninety four, nineteen ninety four, nineteen ninety five, back when 216 00:11:19,280 --> 00:11:21,240 Speaker 1: it was just a card shop. No, they were doing 217 00:11:21,320 --> 00:11:23,000 Speaker 1: TV shows. A Boogie's Diner. 218 00:11:22,880 --> 00:11:26,199 Speaker 12: Was a center Hallmark. I didn't know that. 219 00:11:26,559 --> 00:11:31,360 Speaker 1: And they were great to work for. They were They 220 00:11:31,400 --> 00:11:34,760 Speaker 1: didn't give like a lot of creative notes. They said, hey, 221 00:11:34,760 --> 00:11:37,719 Speaker 1: we're leaving the humor up to you. If you think 222 00:11:37,760 --> 00:11:42,959 Speaker 1: this crab's funny, you put it on the air. I mean, 223 00:11:43,000 --> 00:11:45,800 Speaker 1: we think it's horrible, but if you want to do it. 224 00:11:45,880 --> 00:11:48,040 Speaker 8: You looking back on it, do you agree with them or. 225 00:11:48,600 --> 00:11:50,840 Speaker 1: Well no, they didn't say that. They're very nice. But 226 00:11:51,600 --> 00:11:54,480 Speaker 1: my job was to go to Toronto. They were doing 227 00:11:54,480 --> 00:11:57,560 Speaker 1: a show called Boogie's Diner and they did five episodes 228 00:11:58,040 --> 00:12:00,600 Speaker 1: and Franklin Waterman were producing the show. It's a company 229 00:12:00,920 --> 00:12:03,000 Speaker 1: I've worked for in the past. And he called me up. 230 00:12:03,040 --> 00:12:04,800 Speaker 1: He goes, hey, he goes, can you go to Toronto 231 00:12:05,280 --> 00:12:09,920 Speaker 1: and see why this show is horrible? And I said, uh, yeah, 232 00:12:09,920 --> 00:12:12,120 Speaker 1: that's always the nice trip to come in and be 233 00:12:12,240 --> 00:12:14,800 Speaker 1: the guy that has to go report back on why 234 00:12:14,800 --> 00:12:18,240 Speaker 1: this show sucks. That's always easy to make friends up there. Sure, 235 00:12:18,320 --> 00:12:18,800 Speaker 1: what the hell? 236 00:12:19,000 --> 00:12:21,160 Speaker 12: So is your role a writer? 237 00:12:22,920 --> 00:12:23,079 Speaker 13: Yes? 238 00:12:23,559 --> 00:12:25,440 Speaker 1: So I went up there, spent a week with everybody, 239 00:12:26,040 --> 00:12:32,040 Speaker 1: and then Franklin. Steve called me. Steve Waterman and Franklin 240 00:12:32,120 --> 00:12:34,680 Speaker 1: called me, and we were on a conference call and 241 00:12:34,720 --> 00:12:36,760 Speaker 1: they said, how do we make the show better? And 242 00:12:36,800 --> 00:12:39,839 Speaker 1: I said, well, I said, you got to fire everybody 243 00:12:39,840 --> 00:12:43,800 Speaker 1: on the show, even craft services. Everybody on the show 244 00:12:43,880 --> 00:12:47,120 Speaker 1: is horrible at what they do. Everybody and I can't 245 00:12:47,160 --> 00:12:49,200 Speaker 1: believe that you're even getting a show. This is the 246 00:12:49,240 --> 00:12:51,800 Speaker 1: worst crew I've ever seen in my life. And they said, well, 247 00:12:51,840 --> 00:12:54,160 Speaker 1: short of that, we got to keep everybody. What else 248 00:12:54,200 --> 00:12:56,280 Speaker 1: can we do? I said, well you got to First 249 00:12:56,320 --> 00:12:59,200 Speaker 1: of all, you got to hire writers. And they hired 250 00:12:59,440 --> 00:13:04,000 Speaker 1: Tim Mail, Doug McIntyre, Doug Steckler, and they had really 251 00:13:04,000 --> 00:13:06,079 Speaker 1: good writers. From LA. All right, we got a high 252 00:13:06,080 --> 00:13:09,280 Speaker 1: speed chase on Channel five day a high speed but dog, 253 00:13:10,440 --> 00:13:13,400 Speaker 1: all right, let's go pick high speed. Pull over that's 254 00:13:13,440 --> 00:13:16,040 Speaker 1: too fast. Pull over that's too fast. 255 00:13:16,720 --> 00:13:18,400 Speaker 8: It's like a bend South al Monty. 256 00:13:18,600 --> 00:13:22,800 Speaker 1: Baby, he let's associate with that fire man busy and 257 00:13:22,880 --> 00:13:26,319 Speaker 1: now el Monty South, Almonty fire and now a high 258 00:13:26,320 --> 00:13:30,280 Speaker 1: speed chase. Who's following is al Monty cops or LAPD or. 259 00:13:30,480 --> 00:13:33,560 Speaker 6: Sure says LAPD in pursuit? 260 00:13:33,640 --> 00:13:35,160 Speaker 1: All right? And what kind of car is that? 261 00:13:35,240 --> 00:13:35,280 Speaker 7: You? 262 00:13:35,320 --> 00:13:38,600 Speaker 1: Guys are always better than bends? A Mercedes? Mercedes? 263 00:13:38,679 --> 00:13:42,920 Speaker 8: Okay, driving in that center median lane there. 264 00:13:42,880 --> 00:13:46,679 Speaker 1: He's moving. He's on Channel five. Channel five has it. 265 00:13:46,960 --> 00:13:49,520 Speaker 1: Channel two, four, seven, nine to eleven are trying to 266 00:13:49,520 --> 00:13:51,760 Speaker 1: get there, but Channel five has it up on their 267 00:13:51,800 --> 00:13:58,760 Speaker 1: TV set. Flying. Didn't stop at McDonald's. Gotta stopped looking 268 00:13:58,800 --> 00:14:03,160 Speaker 1: those golden arches. It looks so good. Gets big Yeah, 269 00:14:03,760 --> 00:14:07,199 Speaker 1: Now guy's busy cops are chasing him. You think it's 270 00:14:07,200 --> 00:14:09,360 Speaker 1: a stolen car? Is that what they're saying? It looks 271 00:14:09,400 --> 00:14:12,040 Speaker 1: like it stolen pehicle? Yes, all right, well you got smart. Look, 272 00:14:12,040 --> 00:14:13,280 Speaker 1: if you're gonna steal a car, it might as will 273 00:14:13,280 --> 00:14:16,160 Speaker 1: be a nice one. Yeah, no reason to steal an 274 00:14:16,240 --> 00:14:17,400 Speaker 1: eighty seven panel van. 275 00:14:17,559 --> 00:14:20,120 Speaker 8: That's always hilarious to me when you see a suspected 276 00:14:20,160 --> 00:14:22,680 Speaker 8: stolen vehicle and it's like different colors on the car 277 00:14:22,800 --> 00:14:25,920 Speaker 8: from primer to whatever. I'm like, why did you steal that. 278 00:14:26,160 --> 00:14:29,640 Speaker 1: Yeah, it's like a nineteen seventy nine Camray, Like, why 279 00:14:29,800 --> 00:14:31,600 Speaker 1: what are you gonna do it for? Dotson's yeah, what 280 00:14:31,600 --> 00:14:32,320 Speaker 1: are you gonna do with that? 281 00:14:34,040 --> 00:14:36,840 Speaker 6: But these are these guys in Granada. 282 00:14:36,520 --> 00:14:43,440 Speaker 1: Hills last and haven Hurst. I think it is Granada Hills. Yeah, yeah, yeah, 283 00:14:43,480 --> 00:14:48,240 Speaker 1: So this North Valley, it looks like that car was 284 00:14:48,240 --> 00:14:53,120 Speaker 1: trying to stop him. Wow, all right, North Valley. He's 285 00:14:53,120 --> 00:14:55,720 Speaker 1: pulling over, pull over that on. 286 00:14:55,800 --> 00:14:56,720 Speaker 8: So it's very nice of him. 287 00:14:57,040 --> 00:14:59,280 Speaker 1: Oh he's gonna get out. Oh, oh, he's gonna he 288 00:14:59,360 --> 00:15:01,600 Speaker 1: knows this guy, he almost said, I think he knows 289 00:15:01,640 --> 00:15:03,680 Speaker 1: the guy that he almost shit. He's going to change. 290 00:15:03,480 --> 00:15:06,120 Speaker 6: Cars away inhaling something out of. 291 00:15:06,080 --> 00:15:11,800 Speaker 1: That Okay, huffing, he's huffing. Oh, the car's huffing. The 292 00:15:11,880 --> 00:15:12,600 Speaker 1: driver's huffing. 293 00:15:12,960 --> 00:15:14,360 Speaker 6: Well, who's dog. 294 00:15:14,560 --> 00:15:15,240 Speaker 8: That's a lady. 295 00:15:15,520 --> 00:15:18,440 Speaker 1: Oh she dropped the balloon dropped. Oh, she thought it 296 00:15:18,480 --> 00:15:20,760 Speaker 1: was she thought it was a copstar. So it was 297 00:15:20,760 --> 00:15:22,600 Speaker 1: a police dog. So she dropped the bloom. It was 298 00:15:22,640 --> 00:15:25,920 Speaker 1: just a neighborhood talk. That's class. It's not their dog. 299 00:15:26,440 --> 00:15:28,160 Speaker 1: Oh maybe it is her dog. Maybe you're right, maybe 300 00:15:28,160 --> 00:15:30,680 Speaker 1: it is her dog. But she's just walking there. She 301 00:15:30,720 --> 00:15:31,160 Speaker 1: was huffing. 302 00:15:31,360 --> 00:15:32,520 Speaker 8: The guy got out with her. 303 00:15:32,920 --> 00:15:36,360 Speaker 1: Yeah, they had weird and now they're walking like no, no, 304 00:15:36,400 --> 00:15:38,480 Speaker 1: we're just walking here. You didn't see us get out 305 00:15:38,520 --> 00:15:41,680 Speaker 1: of that car. Yeah, well thought it was. 306 00:15:42,400 --> 00:15:44,640 Speaker 6: The dogs are super cute. You got a black lab 307 00:15:44,760 --> 00:15:48,040 Speaker 6: and then some kind of a husky mix. Super cute, happy. 308 00:15:47,720 --> 00:15:51,320 Speaker 1: Dogs, and the cops are going to take all four in. 309 00:15:51,840 --> 00:15:53,720 Speaker 1: I wonder if they put handcuffs on the dogs. 310 00:15:54,640 --> 00:15:56,920 Speaker 8: The lady and the dogs kept walking. The dude just 311 00:15:56,960 --> 00:15:58,520 Speaker 8: like hands up, sitting down. 312 00:15:58,760 --> 00:16:03,160 Speaker 1: Isn't that the same car to car? That's a Lamborghini. Yeah, 313 00:16:04,480 --> 00:16:07,080 Speaker 1: oh the Lamborghin. Oh no, oh no, the frouds He 314 00:16:07,160 --> 00:16:10,640 Speaker 1: putting his hands up to what is going on? I say, 315 00:16:10,720 --> 00:16:12,840 Speaker 1: nine thousand people being arrested out here? 316 00:16:13,160 --> 00:16:14,760 Speaker 8: Maybe he got his car hit or something? 317 00:16:14,880 --> 00:16:16,880 Speaker 1: Oh yeah, maybe on that. 318 00:16:18,120 --> 00:16:20,480 Speaker 5: Dogs come out of the vehicle put the driver. 319 00:16:20,640 --> 00:16:24,400 Speaker 1: So it's possible that she looks young. Sheoks like she's 320 00:16:24,400 --> 00:16:32,160 Speaker 1: in her teens. They seem to be anywhere police dog. 321 00:16:33,040 --> 00:16:36,720 Speaker 1: That's no no mage, kids trying to keep those other 322 00:16:36,800 --> 00:16:38,560 Speaker 1: dogs are going to get destroyed by this one. 323 00:16:38,840 --> 00:16:40,960 Speaker 6: Those dogs are so nice, they're just like, hey, what's 324 00:16:41,000 --> 00:16:41,520 Speaker 6: going on? 325 00:16:42,400 --> 00:16:45,360 Speaker 1: Appears don't get don't get where we're going. Police dog 326 00:16:45,520 --> 00:16:49,920 Speaker 1: is on duty. Don't get near that police dog that 327 00:16:49,920 --> 00:16:53,000 Speaker 1: That girl looks like she's in her teens, very young. 328 00:16:54,240 --> 00:16:56,720 Speaker 1: That was a weird and what a stimulus junkie where 329 00:16:56,760 --> 00:17:00,560 Speaker 1: she robs, steals a car, allegedly runs away the cops 330 00:17:00,560 --> 00:17:03,560 Speaker 1: and when she gets out, she's huffing paint or you know, 331 00:17:04,600 --> 00:17:07,639 Speaker 1: helium or something. Maybe it was helium and she was 332 00:17:07,640 --> 00:17:08,360 Speaker 1: gonna get one of those. 333 00:17:08,640 --> 00:17:12,600 Speaker 8: It wasn't me to stole the car. I'm too young. 334 00:17:13,560 --> 00:17:15,320 Speaker 8: That was a quick night. 335 00:17:16,880 --> 00:17:19,480 Speaker 1: That was a wild chase. It was short, just asif 336 00:17:19,560 --> 00:17:23,080 Speaker 1: for the break. Yeah, all right, that's a just a 337 00:17:23,480 --> 00:17:27,280 Speaker 1: crazy chase. A girl looks like she's fourteen, gets out 338 00:17:27,320 --> 00:17:30,760 Speaker 1: of the car and is huffing paint. Man, oh man, 339 00:17:31,240 --> 00:17:33,440 Speaker 1: she's in for a long life. She's like me. She's 340 00:17:33,480 --> 00:17:37,919 Speaker 1: a stimulator. Stimulation junkie. But at some time, at some point, 341 00:17:37,960 --> 00:17:40,360 Speaker 1: you gotta adrenaline junkie. You gotta put it to bed. 342 00:17:40,800 --> 00:17:44,360 Speaker 1: Just car, Yeah, you gotta relax. All right, Well she's 343 00:17:44,400 --> 00:17:47,120 Speaker 1: going to jail for for a little while. 344 00:17:48,080 --> 00:17:51,760 Speaker 11: You're listening to Tim Conway Junior on demand from KFI 345 00:17:52,080 --> 00:17:53,359 Speaker 11: AM six forty. 346 00:17:54,240 --> 00:17:56,200 Speaker 1: Lots going on here. We just had a high speed 347 00:17:56,359 --> 00:17:59,679 Speaker 1: chase with what looked like a sixteen or seventeen year 348 00:17:59,680 --> 00:18:02,920 Speaker 1: old girl. Old stolen to Mercedes and then got out 349 00:18:03,280 --> 00:18:06,520 Speaker 1: of the car and had a balloon filled with something, 350 00:18:07,080 --> 00:18:10,600 Speaker 1: and she was huffing. Is that what that's called huffing? 351 00:18:10,800 --> 00:18:14,639 Speaker 1: Or am I misusing that? Is it puffing? Huffing like paint? 352 00:18:15,880 --> 00:18:19,280 Speaker 1: Would imagine you huffing? Yeah, huffing, yeah, yeah. And so 353 00:18:19,720 --> 00:18:22,640 Speaker 1: I don't know. She wanted something out of that balloon. 354 00:18:23,320 --> 00:18:25,520 Speaker 6: She probably had nitrous oxide or something in there. 355 00:18:25,760 --> 00:18:28,440 Speaker 1: Okay, all right, but man, she needs a lot. You know, 356 00:18:28,640 --> 00:18:32,080 Speaker 1: just running from the cops isn't enough. You know, you 357 00:18:32,160 --> 00:18:34,320 Speaker 1: gotta have She wanted to take that quick hit before 358 00:18:34,359 --> 00:18:37,280 Speaker 1: she got taken in. So I mean most girls were 359 00:18:37,359 --> 00:18:41,800 Speaker 1: home watching Hallmark, you know, in the movies, not running 360 00:18:41,840 --> 00:18:45,280 Speaker 1: away from the cops and then huffing paint. Her nitrous 361 00:18:45,320 --> 00:18:50,760 Speaker 1: oxide got almighty. Speaking of Hallmark, they're doing a new movie. 362 00:18:52,000 --> 00:18:54,520 Speaker 1: Hallmark does I don't know, thirty or forty movies a year, 363 00:18:54,640 --> 00:18:56,720 Speaker 1: A lot of Christmas movies. My wife is one of 364 00:18:56,720 --> 00:18:59,360 Speaker 1: the biggest fans in the world. Watches all of them. 365 00:18:59,520 --> 00:19:03,280 Speaker 1: Even now, well, you should watch all the the Valentines movies. 366 00:19:03,840 --> 00:19:07,760 Speaker 1: Then they'll get into Eastern movies for Christmas movies. She 367 00:19:07,960 --> 00:19:11,840 Speaker 1: just loves it. And now they're very smartly trying to 368 00:19:11,880 --> 00:19:18,040 Speaker 1: go after that Kentucky Derby horse racing audience. They're doing 369 00:19:18,080 --> 00:19:24,760 Speaker 1: a Kentucky Derby Hallmark movie. Bump bump, bump, bump. The 370 00:19:24,880 --> 00:19:27,640 Speaker 1: flag is up, you lose Hallmark Channel. 371 00:19:27,640 --> 00:19:29,159 Speaker 14: We think came up with a great idea. Now the 372 00:19:29,240 --> 00:19:32,800 Speaker 14: Christmas is over, the network looking to their next big holiday. 373 00:19:32,880 --> 00:19:34,000 Speaker 14: Why not the Kentucky Derby? 374 00:19:34,200 --> 00:19:34,440 Speaker 4: Yes? 375 00:19:34,920 --> 00:19:37,880 Speaker 1: Why not the Kentucky Derby? I mean, if you take 376 00:19:38,800 --> 00:19:45,320 Speaker 1: what are those didn't is it Frank o'harris, who's the 377 00:19:45,600 --> 00:19:48,960 Speaker 1: woman that ran for president, Mama Harris? 378 00:19:49,960 --> 00:19:52,919 Speaker 6: Yeah, Kamala Kamala Harris. 379 00:19:53,280 --> 00:19:59,720 Speaker 1: Kamala Harris. When she was talking about diagrams, you know, 380 00:19:59,800 --> 00:20:05,399 Speaker 1: she always talked about diagrams and the circle that is 381 00:20:05,520 --> 00:20:08,240 Speaker 1: the Hallmark Channel. If you put it next to the 382 00:20:08,320 --> 00:20:12,800 Speaker 1: circle that's horse racing fans and you can bind them. 383 00:20:12,920 --> 00:20:15,800 Speaker 1: I don't know how big that audience is. Yeah, we'll 384 00:20:15,840 --> 00:20:20,280 Speaker 1: see though, we'll see. Why not the Kentucky Derby? 385 00:20:20,400 --> 00:20:21,520 Speaker 14: Why not the Kentucky Derby? 386 00:20:21,760 --> 00:20:25,560 Speaker 1: That's right, a Hallmark movie about the Kentucky Derby we. 387 00:20:25,600 --> 00:20:28,680 Speaker 14: Can exclusively announce Hallmark Media Churchill Downs partnering on a 388 00:20:28,720 --> 00:20:31,800 Speaker 14: new movie celebrating the pageantry of Derby Day. 389 00:20:31,920 --> 00:20:33,480 Speaker 7: Take a load of this so good? 390 00:20:34,160 --> 00:20:34,480 Speaker 14: All right? 391 00:20:35,440 --> 00:20:39,240 Speaker 10: I'm Madie Walker and I'm here at the iconic Churchill 392 00:20:39,359 --> 00:20:42,199 Speaker 10: Dance and I couldn't be more excited to announce our 393 00:20:42,280 --> 00:20:45,639 Speaker 10: partnership with the Kentucky Derby and my original Hallmark Channel 394 00:20:45,680 --> 00:20:48,720 Speaker 10: movie is shot right near the Louisville, Kentucky. 395 00:20:52,200 --> 00:20:52,440 Speaker 15: Jenny. 396 00:20:52,480 --> 00:20:53,119 Speaker 8: Maybe I'll get a call. 397 00:20:53,680 --> 00:20:56,240 Speaker 1: I wonder what the storyline is. I wonder if it's 398 00:20:56,720 --> 00:21:01,119 Speaker 1: a guy who's doing well at the track, meets a 399 00:21:01,240 --> 00:21:04,119 Speaker 1: woman and then he puts everything on the four horse, 400 00:21:04,240 --> 00:21:05,679 Speaker 1: loses it all and they end up in the studio 401 00:21:05,680 --> 00:21:09,040 Speaker 1: apartment outside of Louisville. If they want to do the 402 00:21:09,080 --> 00:21:13,040 Speaker 1: true story, that would be it. She has a big house, 403 00:21:13,119 --> 00:21:15,440 Speaker 1: he has a big house. They're both lawyers, once from 404 00:21:15,480 --> 00:21:18,320 Speaker 1: the city, once from the country, and they meet at 405 00:21:18,400 --> 00:21:21,840 Speaker 1: Churchill Downs. They've got some kind of scheme working to 406 00:21:22,000 --> 00:21:27,280 Speaker 1: win the trifecta. There's drugging the horse involved and a 407 00:21:27,320 --> 00:21:31,000 Speaker 1: little bit of cheating on each other, and then they 408 00:21:31,160 --> 00:21:33,560 Speaker 1: put the all their money on the final race. Horse 409 00:21:33,640 --> 00:21:37,280 Speaker 1: comes in, horse does a cartwheel in the race dies, 410 00:21:37,840 --> 00:21:41,960 Speaker 1: everyone loses, and they now live in a garage outside 411 00:21:41,960 --> 00:21:42,879 Speaker 1: of Louisville, Kentucky. 412 00:21:43,040 --> 00:21:44,280 Speaker 8: Let me set my tvo. 413 00:21:44,760 --> 00:21:46,840 Speaker 1: That ye what I would watch that? 414 00:21:47,359 --> 00:21:51,280 Speaker 3: Well, Unfortunately, it's more like it takes places across two timelines. 415 00:21:53,280 --> 00:21:56,359 Speaker 3: One story is present day. She works at Churchill Down's 416 00:21:56,440 --> 00:22:00,840 Speaker 3: greenhouse and dreams and becoming a florist, following in her 417 00:22:00,880 --> 00:22:04,120 Speaker 3: great grandmother's footsteps by supplying the derby with a display 418 00:22:04,160 --> 00:22:04,679 Speaker 3: of roses. 419 00:22:04,880 --> 00:22:07,399 Speaker 1: And she's dating her uncle. Is that part of that? No? 420 00:22:07,960 --> 00:22:08,000 Speaker 15: Mo? 421 00:22:08,560 --> 00:22:11,000 Speaker 1: And then she meets well, it's not a horse racing movie. 422 00:22:11,200 --> 00:22:14,159 Speaker 3: She meets Ash Taylor, who is the son of the 423 00:22:14,320 --> 00:22:18,200 Speaker 3: Churchill Downs CEO, and he has to repair one of 424 00:22:18,240 --> 00:22:22,679 Speaker 3: the racetracks iconic twin spires after it's damaged in a storm. 425 00:22:23,000 --> 00:22:25,879 Speaker 1: Okay, does the woman have does the woman have bullet wounds? 426 00:22:26,320 --> 00:22:26,960 Speaker 12: Let me check you. 427 00:22:27,640 --> 00:22:29,040 Speaker 1: A lot of the women who are at the track 428 00:22:29,240 --> 00:22:34,000 Speaker 1: I have had wounded by their uncle cleaning the gun. 429 00:22:34,080 --> 00:22:35,880 Speaker 16: Did they show off their scars to each other? Yeah, 430 00:22:36,040 --> 00:22:40,040 Speaker 16: here's my uncle cleaning the gun. He was drinking and 431 00:22:40,240 --> 00:22:43,280 Speaker 16: cleaning the gun. I got that's where this one's from. Oh, 432 00:22:44,080 --> 00:22:45,560 Speaker 16: if you look at it kind of with the light 433 00:22:45,720 --> 00:22:48,879 Speaker 16: in the morning. Light looks like a horse, doesn't it right? 434 00:22:49,040 --> 00:22:50,560 Speaker 8: You didn't check this out. 435 00:22:53,640 --> 00:22:58,119 Speaker 1: I'd like to have a smart idea. This guy's great, smarter, 436 00:22:58,680 --> 00:23:05,800 Speaker 1: best idea ever, combine radical degenerates and love. Smart idea, 437 00:23:06,119 --> 00:23:12,240 Speaker 1: smart idea, smartest ever, smartest ever? What's after that? Penny 438 00:23:12,320 --> 00:23:15,159 Speaker 1: Slots and Reno Nevada going to do on up there 439 00:23:15,240 --> 00:23:17,320 Speaker 1: with Reno Nevada. It'll be a big, big, big big 440 00:23:17,440 --> 00:23:19,720 Speaker 1: lawyer comes in, She's got a lot of money. She 441 00:23:20,040 --> 00:23:23,679 Speaker 1: ends up owning a casino. There's a fire, there's about 442 00:23:24,080 --> 00:23:27,200 Speaker 1: thirty people died, and she falls in love in the hospice. 443 00:23:28,000 --> 00:23:31,440 Speaker 17: What smart idea I'd like to What could I be 444 00:23:31,480 --> 00:23:32,120 Speaker 17: the love and dress? 445 00:23:32,160 --> 00:23:32,280 Speaker 7: Oh? 446 00:23:32,640 --> 00:23:32,960 Speaker 1: I don't know. 447 00:23:33,200 --> 00:23:34,160 Speaker 15: Yeah, you can watch. 448 00:23:35,040 --> 00:23:39,480 Speaker 1: Absolutely She opened herself one up there and he luckily 449 00:23:39,640 --> 00:23:42,640 Speaker 1: he said he didn't go for it. Smart idea, Okay, 450 00:23:42,680 --> 00:23:44,160 Speaker 1: he said smart. Listen what she says? 451 00:23:44,400 --> 00:23:45,600 Speaker 15: What could I be the love in dress? 452 00:23:45,720 --> 00:23:47,800 Speaker 1: Could I be the love interest? And he could have said, 453 00:23:48,080 --> 00:23:49,280 Speaker 1: or you could be the. 454 00:23:52,600 --> 00:23:52,879 Speaker 4: Horse? 455 00:23:53,680 --> 00:23:54,960 Speaker 15: What could I be the love and dress? 456 00:23:55,480 --> 00:23:55,800 Speaker 13: I don't know. 457 00:23:56,040 --> 00:24:01,080 Speaker 14: Yeah, you can watch absolutely second Hallmark channel, same day. 458 00:24:01,160 --> 00:24:02,760 Speaker 14: You can catch by the way one hundred and fifty 459 00:24:02,760 --> 00:24:03,960 Speaker 14: second Kentucky Derby on NBC. 460 00:24:04,200 --> 00:24:07,840 Speaker 1: Bomp bump, bump, bo oh. So they've already shot the movie. 461 00:24:07,880 --> 00:24:12,400 Speaker 1: It's coming out the Hallmark meets the Kentucky Derby. That's great. 462 00:24:12,560 --> 00:24:14,440 Speaker 1: I can't wait to see that. I want to see 463 00:24:14,440 --> 00:24:17,920 Speaker 1: how authentic it is. You know, is there a borrowing 464 00:24:18,000 --> 00:24:20,640 Speaker 1: money and not paying it back? Is there a stealing? 465 00:24:21,359 --> 00:24:24,800 Speaker 1: Is there? Uh, you know, cheating on each other? You know, 466 00:24:24,880 --> 00:24:27,840 Speaker 1: the real racetrack and the guys that are going for it. 467 00:24:28,240 --> 00:24:30,960 Speaker 1: Guys lost two relationships and his kids don't talk to 468 00:24:31,040 --> 00:24:34,840 Speaker 1: him anymore, but he's still at the track. That's Hallmark. 469 00:24:34,880 --> 00:24:37,520 Speaker 1: That should be the Hallmark God movie. But they'll probably 470 00:24:37,560 --> 00:24:39,280 Speaker 1: water it down. You know, they're not going to do 471 00:24:39,480 --> 00:24:42,160 Speaker 1: an authentic look at the racetrack because I don't think 472 00:24:42,200 --> 00:24:45,200 Speaker 1: Hallmark fans would like that. You know, it's a little 473 00:24:45,240 --> 00:24:48,280 Speaker 1: dirty out there. It's a mustard crop, all right, guys 474 00:24:48,359 --> 00:24:53,000 Speaker 1: going for it. Nobody's winning and everybody's breaking up relationships. 475 00:24:53,600 --> 00:24:54,320 Speaker 1: Welcome to track. 476 00:24:55,440 --> 00:24:59,120 Speaker 11: You're listening to Tim Conway Junior on demand from KFI 477 00:24:59,400 --> 00:24:59,960 Speaker 11: AM six. 478 00:25:01,840 --> 00:25:04,840 Speaker 1: Let's get to some quick. We do this rapid fire 479 00:25:05,320 --> 00:25:08,119 Speaker 1: every Wednesday at ten to six, where we get. We 480 00:25:08,280 --> 00:25:12,480 Speaker 1: tackled a bunch of stories here. First one up as Amazon. 481 00:25:12,520 --> 00:25:15,760 Speaker 1: They're cutting sixteen thousand jobs and they're closing all my 482 00:25:15,840 --> 00:25:20,679 Speaker 1: favorite stores. There was Amazon Fresh stores, and my favorite 483 00:25:20,720 --> 00:25:23,080 Speaker 1: thing is go to Amazon Fresh and they're closing. This 484 00:25:23,240 --> 00:25:25,359 Speaker 1: is a depressing, horrible, it's the worst. 485 00:25:25,760 --> 00:25:28,840 Speaker 18: Amazon announced the layoffs early this morning, just hours after 486 00:25:28,920 --> 00:25:31,560 Speaker 18: an internal email went out to staff. By mistake, this 487 00:25:31,760 --> 00:25:35,240 Speaker 18: internal email incorrectly stated that employees had already been notified 488 00:25:35,280 --> 00:25:36,320 Speaker 18: they lost their jobs. 489 00:25:36,480 --> 00:25:39,200 Speaker 1: Oh, and they didn't. That email went out before anyone 490 00:25:39,320 --> 00:25:41,760 Speaker 1: was told they lost their job, and the email says 491 00:25:41,800 --> 00:25:44,399 Speaker 1: they lost their job. Oh, that's the worst way to 492 00:25:44,600 --> 00:25:45,200 Speaker 1: find out. 493 00:25:45,600 --> 00:25:47,400 Speaker 18: It did make it clear though that layoffs were coming, 494 00:25:47,480 --> 00:25:50,480 Speaker 18: but workers at that point had not yet been officially informed. 495 00:25:50,720 --> 00:25:54,320 Speaker 18: Amazon leadership said, quote, we've been working to strengthen our 496 00:25:54,440 --> 00:25:58,760 Speaker 18: organization by reducing layers, increasing ownership, and removing bureaucracy. 497 00:25:59,320 --> 00:26:02,879 Speaker 1: They're out my favorite store, Amazon Fresh. 498 00:26:03,119 --> 00:26:06,760 Speaker 18: Well, many teams finalize their organizational changes in October. Other 499 00:26:06,880 --> 00:26:09,080 Speaker 18: teams did not complete that work until now. 500 00:26:09,440 --> 00:26:11,879 Speaker 1: You know, I like Amazon Fresh, and I also like 501 00:26:12,720 --> 00:26:16,800 Speaker 1: the food that they offer here in the kitchen. You know, 502 00:26:16,880 --> 00:26:19,960 Speaker 1: the guy has the vending machine. And what was he 503 00:26:20,080 --> 00:26:23,960 Speaker 1: called it? Stales? I think it's Stales. And everything there 504 00:26:24,080 --> 00:26:28,120 Speaker 1: is expires as you buy it or it's already gone. 505 00:26:28,600 --> 00:26:29,240 Speaker 8: And I like that. 506 00:26:29,560 --> 00:26:31,879 Speaker 1: You know, you take a chance when you buy stuff 507 00:26:31,960 --> 00:26:37,320 Speaker 1: like that discounted food, that is, it's going bad as 508 00:26:37,400 --> 00:26:38,760 Speaker 1: you open it. Stales. 509 00:26:39,560 --> 00:26:42,600 Speaker 8: Are you a hardcore if the dates past, toss it 510 00:26:42,640 --> 00:26:43,119 Speaker 8: out or. 511 00:26:44,080 --> 00:26:46,480 Speaker 1: I used to be. I used to be. Now I 512 00:26:46,640 --> 00:26:48,720 Speaker 1: just say screw it, you know, I just eat it. 513 00:26:49,160 --> 00:26:50,080 Speaker 8: You just wolf it down. 514 00:26:50,280 --> 00:26:52,720 Speaker 1: Yeah, And if you know, and if I if it 515 00:26:52,960 --> 00:26:56,080 Speaker 1: doesn't sit well with me, you know, I'll throw it away. 516 00:26:56,119 --> 00:26:58,280 Speaker 1: Then it's always smell test for me. Yeah, I do 517 00:26:58,400 --> 00:27:01,600 Speaker 1: smell like especially meat like hamburger, steak or anything like that, 518 00:27:01,720 --> 00:27:06,520 Speaker 1: and smell that. Excuse me, Oh god, I's been button 519 00:27:06,560 --> 00:27:08,760 Speaker 1: there right, spent twelve years, I know, but I do 520 00:27:08,840 --> 00:27:10,960 Speaker 1: it so infrequently. I wanted it in the audience to 521 00:27:11,000 --> 00:27:15,959 Speaker 1: know that a human being guaranteed human all over Bellio, 522 00:27:16,240 --> 00:27:19,520 Speaker 1: sorry Bellio sitting there with the camerons grossed out. 523 00:27:19,600 --> 00:27:19,719 Speaker 17: Now. 524 00:27:19,920 --> 00:27:22,960 Speaker 18: These layoffs are in addition to those fourteen thousand jobs 525 00:27:23,000 --> 00:27:26,240 Speaker 18: cut back in the fall. Impacted employees will have ninety 526 00:27:26,320 --> 00:27:28,600 Speaker 18: days to look for another role within the company. 527 00:27:28,920 --> 00:27:32,399 Speaker 1: Those who Bellio split shots in here doing a video 528 00:27:32,800 --> 00:27:35,080 Speaker 1: and I sneeze and she's like f this and just 529 00:27:35,200 --> 00:27:35,720 Speaker 1: walked out. 530 00:27:36,200 --> 00:27:40,520 Speaker 18: Those who don't transition will receive several benefits and career support. 531 00:27:40,920 --> 00:27:44,080 Speaker 18: The company also announced this week that it's closing all 532 00:27:44,280 --> 00:27:46,040 Speaker 18: Fresh and Amazon Ghost doores. 533 00:27:46,320 --> 00:27:48,600 Speaker 15: There's eleven stores here in western Washington. 534 00:27:48,800 --> 00:27:50,440 Speaker 1: What's going to happen? Were they going to determine the 535 00:27:50,600 --> 00:27:51,200 Speaker 1: whole foods? 536 00:27:51,280 --> 00:27:53,879 Speaker 18: Amazon announced the closures this week. We spoke with a 537 00:27:53,920 --> 00:27:57,560 Speaker 18: shopper whose niece works with Amazon Fresh at the corporate level. 538 00:27:57,880 --> 00:27:59,159 Speaker 13: Just crossing my fingers that. 539 00:28:01,160 --> 00:28:04,720 Speaker 1: Maybe you can finish a sentence that you cross your 540 00:28:04,760 --> 00:28:05,600 Speaker 1: fingers for just. 541 00:28:05,640 --> 00:28:11,920 Speaker 13: Crossing my fingers that maybe if she gets laid off there, 542 00:28:12,080 --> 00:28:14,000 Speaker 13: she might they might be able to find a place 543 00:28:14,080 --> 00:28:16,920 Speaker 13: for her somewhere else in this within Amazon. 544 00:28:17,080 --> 00:28:18,000 Speaker 1: She used the s word there. 545 00:28:18,760 --> 00:28:20,679 Speaker 13: If she gets laid off there, she might. 546 00:28:20,800 --> 00:28:23,360 Speaker 15: She gets laid off, If she gets laid. 547 00:28:23,200 --> 00:28:25,360 Speaker 13: Off there, she might They might be able to find 548 00:28:25,400 --> 00:28:28,720 Speaker 13: a place for her somewhere else in this within Amazon. 549 00:28:29,560 --> 00:28:33,560 Speaker 13: If that's the case, on she's going to be really devastated. 550 00:28:33,920 --> 00:28:35,359 Speaker 1: Yeah, that's too bad, that's horrible. 551 00:28:35,640 --> 00:28:38,479 Speaker 18: Sunday will be the last day for stores here in Washington. 552 00:28:38,640 --> 00:28:41,280 Speaker 1: Oh, that's that's terrible that they get. Give these people 553 00:28:41,400 --> 00:28:42,800 Speaker 1: what three days notice. 554 00:28:42,960 --> 00:28:46,880 Speaker 18: Instead, Amazon is focusing on grocery delivery and expanding whole 555 00:28:46,960 --> 00:28:47,760 Speaker 18: foods markets. 556 00:28:48,560 --> 00:28:50,760 Speaker 1: Okay, all right, so they're going to expand whole foods. 557 00:28:50,800 --> 00:28:53,600 Speaker 1: That's good news. A lot of people can slide over there. 558 00:28:53,760 --> 00:28:56,760 Speaker 18: The company plans to open more than one hundred new 559 00:28:56,800 --> 00:28:59,440 Speaker 18: Whole Foods locations over the next few years, and some 560 00:28:59,560 --> 00:29:03,200 Speaker 18: of the clothes stores may actually be converted into whole foods. 561 00:29:03,480 --> 00:29:06,440 Speaker 18: The Amazon Fresh online delivery service, though, that will still 562 00:29:06,520 --> 00:29:07,240 Speaker 18: be available. 563 00:29:07,400 --> 00:29:09,840 Speaker 1: All right, there you go. All right. Everybody is always 564 00:29:09,920 --> 00:29:13,040 Speaker 1: wondering how you can sleep better at night. We all 565 00:29:13,720 --> 00:29:16,320 Speaker 1: are suffering from lack of sleep, or most people aren't. 566 00:29:16,480 --> 00:29:18,280 Speaker 1: You know you don't. You never feel like you get enough. 567 00:29:18,440 --> 00:29:20,000 Speaker 1: Every time you wake up, You're like, oh, I just 568 00:29:20,080 --> 00:29:22,880 Speaker 1: need another ten minutes, another half hour, another hour, another 569 00:29:22,960 --> 00:29:25,640 Speaker 1: three days. You never feel like you get enough. All right, 570 00:29:25,680 --> 00:29:28,960 Speaker 1: let's go through the rules for good sleep. So listen, listen. 571 00:29:29,040 --> 00:29:29,720 Speaker 1: This is important. 572 00:29:29,800 --> 00:29:33,000 Speaker 19: Wendy Troxel is a clinical psychologist an author of Sharing 573 00:29:33,120 --> 00:29:36,160 Speaker 19: the Covers Every Couple's Guide to Better Sleep. She's here 574 00:29:36,520 --> 00:29:39,360 Speaker 19: with some new rules to improve our routines. I think, 575 00:29:39,400 --> 00:29:41,200 Speaker 19: before we get into the tips, can you talk to 576 00:29:41,280 --> 00:29:43,240 Speaker 19: us what are people's sleep habits right now? 577 00:29:43,280 --> 00:29:45,640 Speaker 1: And I have to dump that. You don't have to 578 00:29:45,720 --> 00:29:51,480 Speaker 1: dump that, buddy, Seriously, I'm gonna play it again. She said, Tips, Tips. 579 00:29:51,280 --> 00:29:54,280 Speaker 15: Tips, get into the tips. Can you talk to us hot? 580 00:29:54,320 --> 00:29:55,840 Speaker 1: What are Oh wait, maybe you're right? 581 00:29:57,360 --> 00:29:59,560 Speaker 19: Before we get into the tips, can you she did, 582 00:29:59,680 --> 00:30:02,200 Speaker 19: Tip tips, Before we get into the tips, can you 583 00:30:02,280 --> 00:30:04,600 Speaker 19: talk to us what are people's sleep habits right now? 584 00:30:04,640 --> 00:30:06,400 Speaker 19: And why should we even be paying attention to the 585 00:30:06,440 --> 00:30:08,000 Speaker 19: spectrum of how people are sleeping? 586 00:30:08,400 --> 00:30:09,680 Speaker 15: You know, it's really interesting. 587 00:30:10,120 --> 00:30:13,440 Speaker 1: I'll be the judge of that. I will judge that I've. 588 00:30:13,320 --> 00:30:15,680 Speaker 17: Been in this field for over twenty years, and when 589 00:30:15,680 --> 00:30:19,000 Speaker 17: I first started, I had to convince people that sleep matters. 590 00:30:19,480 --> 00:30:23,680 Speaker 1: Now, who are you talking to lizards? You had to 591 00:30:23,720 --> 00:30:27,680 Speaker 1: convince people that sleep matters? No, and then people are 592 00:30:27,720 --> 00:30:30,440 Speaker 1: just saying, what, no, way f you? What are you crazy? 593 00:30:30,920 --> 00:30:33,480 Speaker 1: Everybody knows sleep matters, that sleep matters. 594 00:30:33,960 --> 00:30:37,440 Speaker 17: Now the pendulum has shifted. Most people recognize that sleep 595 00:30:37,720 --> 00:30:41,000 Speaker 17: is critically important for our health or longevity or productivity. 596 00:30:41,440 --> 00:30:44,280 Speaker 15: But actually, now there's this tendency towards. 597 00:30:44,120 --> 00:30:48,040 Speaker 17: Perfection, chasing with sleep, which is actually doing some harm 598 00:30:48,760 --> 00:30:51,720 Speaker 17: because we can't chase perfect sleep. 599 00:30:52,680 --> 00:30:55,120 Speaker 15: When you do so, it actually actually is anxiety. 600 00:30:55,200 --> 00:30:55,560 Speaker 7: No, I know. 601 00:30:55,720 --> 00:30:58,320 Speaker 1: Yeah, he's tired as hell. You know, he's been up 602 00:30:58,360 --> 00:31:01,080 Speaker 1: since too. This is a morning show, So these guys 603 00:31:01,120 --> 00:31:03,840 Speaker 1: are all off on their sleep anyway, so they're sleeping 604 00:31:03,960 --> 00:31:05,160 Speaker 1: through this interview. 605 00:31:05,880 --> 00:31:09,560 Speaker 17: When you do so, it actually raises anxiety, raises pressure, 606 00:31:09,880 --> 00:31:12,320 Speaker 17: which is antithetical good night's sleep. 607 00:31:12,640 --> 00:31:14,720 Speaker 8: Yeah, explicitely sleep chronotypes for us. 608 00:31:15,120 --> 00:31:17,080 Speaker 17: Yeah, so when we think about sleep and the major 609 00:31:17,200 --> 00:31:20,480 Speaker 17: drivers of our sleep timing, we call that our chronotype. 610 00:31:20,960 --> 00:31:24,719 Speaker 17: These are sort of our intrinsic biological preferences towards being 611 00:31:24,760 --> 00:31:27,240 Speaker 17: more of a morning type or an evening type, or 612 00:31:27,280 --> 00:31:29,800 Speaker 17: somewhere in the middle. So about twenty percent of adults 613 00:31:29,840 --> 00:31:33,160 Speaker 17: are more morning types, twenty percent or more evening types, 614 00:31:33,320 --> 00:31:35,320 Speaker 17: and the rest of us fall somewhere in the middle. 615 00:31:35,880 --> 00:31:38,400 Speaker 15: The issue is we live in a culture that tends 616 00:31:38,440 --> 00:31:39,920 Speaker 15: to make up. 617 00:31:40,880 --> 00:31:43,440 Speaker 17: The issue is we live in a culture that tends 618 00:31:43,480 --> 00:31:46,760 Speaker 17: to make being a morning person a virtue, and we 619 00:31:46,880 --> 00:31:49,440 Speaker 17: tend to malign just get to it, tell us how 620 00:31:49,480 --> 00:31:53,080 Speaker 17: to sleep better evening types. Thinking that they're lazy or 621 00:31:53,200 --> 00:31:56,400 Speaker 17: lacking willpower. But it's truly a matter of biology. 622 00:31:56,560 --> 00:31:57,640 Speaker 1: All right, what are the tips? 623 00:31:57,920 --> 00:32:00,240 Speaker 2: A lot of folks also, as you know, we're on 624 00:32:00,400 --> 00:32:03,360 Speaker 2: how much they sleep, but you maintain that when you 625 00:32:03,560 --> 00:32:06,000 Speaker 2: sleep maybe just as important, if not more. 626 00:32:06,280 --> 00:32:08,080 Speaker 1: Okay, who cares? Where the tips? 627 00:32:09,760 --> 00:32:13,920 Speaker 17: Yes, it's the when and how predictable that really matters. 628 00:32:14,360 --> 00:32:17,320 Speaker 17: We're moving away from this idea that there's a perfect 629 00:32:17,440 --> 00:32:19,880 Speaker 17: magic number of sleep duration for everyone. 630 00:32:20,080 --> 00:32:22,960 Speaker 1: Okay, we get that there's not. Then give us the tips. 631 00:32:23,080 --> 00:32:25,760 Speaker 1: Is it warm milk? Is it you know? TV? Is 632 00:32:25,800 --> 00:32:26,320 Speaker 1: it reading? 633 00:32:26,680 --> 00:32:30,920 Speaker 17: Rather, we know from really large scale longitudinal studies that 634 00:32:31,200 --> 00:32:35,360 Speaker 17: the predictability or regularity in sleep is sometimes even more 635 00:32:35,400 --> 00:32:37,360 Speaker 17: important than the hours slept. 636 00:32:37,960 --> 00:32:41,080 Speaker 1: Okay, well, then give us that information. Don't shift weekend sleep? 637 00:32:41,400 --> 00:32:44,160 Speaker 15: Yeah that's hard, so I know how delicious a weekend 638 00:32:44,240 --> 00:32:44,960 Speaker 15: sleep in is. 639 00:32:45,080 --> 00:32:45,280 Speaker 3: Yeah. 640 00:32:45,480 --> 00:32:47,840 Speaker 1: Wait, wait, you're not going to shift weekend sleep. If 641 00:32:47,840 --> 00:32:50,040 Speaker 1: you wake up at six am for your job every day, 642 00:32:50,080 --> 00:32:51,920 Speaker 1: you're going to get up at six am on Saturday 643 00:32:51,960 --> 00:32:55,760 Speaker 1: and Sunday. Get the hell out of here. Nobody does that. 644 00:32:56,240 --> 00:32:59,720 Speaker 1: You know who does that? Crazy people? Crazy people do 645 00:32:59,840 --> 00:33:02,600 Speaker 1: that if they're up at five am every day, like, oh, Saturday, 646 00:33:02,600 --> 00:33:04,760 Speaker 1: I pop at five and Sunday I'm up at five too. 647 00:33:05,200 --> 00:33:08,320 Speaker 15: Crazy prive during the week. But if you're going to 648 00:33:08,400 --> 00:33:08,760 Speaker 15: sleep in. 649 00:33:08,800 --> 00:33:11,320 Speaker 1: During the weekend, you you are definitely going to. 650 00:33:12,840 --> 00:33:16,160 Speaker 17: You want to rein it into about two hours within 651 00:33:16,560 --> 00:33:20,720 Speaker 17: your weekday schedule so that you don't experience what we call. 652 00:33:20,760 --> 00:33:23,560 Speaker 15: Social jet lag, which is a kin to jet lag 653 00:33:23,640 --> 00:33:26,760 Speaker 15: you experience when it's shifting time zones. It's because of 654 00:33:26,920 --> 00:33:27,800 Speaker 15: social reasons. 655 00:33:28,560 --> 00:33:31,960 Speaker 8: What about where we sleep in the bedroom, how do 656 00:33:32,080 --> 00:33:34,840 Speaker 8: you set that up to optimize our sleep. 657 00:33:36,080 --> 00:33:38,760 Speaker 17: When we think about our sleep environment or our sleep space. 658 00:33:39,080 --> 00:33:42,680 Speaker 17: I like to think about creating a sleep sanctuary or haven. 659 00:33:43,360 --> 00:33:45,520 Speaker 17: You want it cool dark and quiet? 660 00:33:45,880 --> 00:33:46,120 Speaker 7: Ah? 661 00:33:46,760 --> 00:33:49,680 Speaker 1: That oh that's music to me? 662 00:33:50,080 --> 00:33:52,320 Speaker 15: Is cool dark and quiet? 663 00:33:52,680 --> 00:33:58,080 Speaker 1: Yeah, cool dark and quiet man sanctuary, that's right, sleepy 664 00:33:58,200 --> 00:33:59,480 Speaker 1: sleeping on Saturday and. 665 00:33:59,520 --> 00:34:03,200 Speaker 15: Then cool, dark and quiet and you want it to similar. 666 00:34:03,680 --> 00:34:06,280 Speaker 1: I what a tip you know, we've all known that 667 00:34:06,400 --> 00:34:08,799 Speaker 1: since we're like age six months old. 668 00:34:10,160 --> 00:34:12,120 Speaker 15: Good, cool, dark and quiet. 669 00:34:12,520 --> 00:34:17,719 Speaker 1: Great. Thanks, But if you're Thursday, get some water. What 670 00:34:17,840 --> 00:34:19,680 Speaker 1: if you want to see a movie, go to the 671 00:34:19,800 --> 00:34:21,399 Speaker 1: theater or watch on TV. 672 00:34:21,560 --> 00:34:23,000 Speaker 8: It's funny. I get some of it in some of 673 00:34:23,040 --> 00:34:26,040 Speaker 8: those battles with Jen because she likes to stay up 674 00:34:26,120 --> 00:34:28,719 Speaker 8: later when she can, like we can, and I'm I'm 675 00:34:28,800 --> 00:34:30,840 Speaker 8: that one that's got the ocated. It's like, you got 676 00:34:30,960 --> 00:34:33,239 Speaker 8: to kind of keep it still so that Monday you're 677 00:34:33,280 --> 00:34:34,640 Speaker 8: not dead tired. 678 00:34:34,920 --> 00:34:35,359 Speaker 1: That's right. 679 00:34:35,560 --> 00:34:36,879 Speaker 8: It's like we'll stay up. 680 00:34:37,239 --> 00:34:37,400 Speaker 4: You know. 681 00:34:37,640 --> 00:34:39,640 Speaker 8: And it's like, yeah, but she's definitely one of those 682 00:34:39,640 --> 00:34:41,480 Speaker 8: ones that wants to sleep on the weekends. And I'm like, 683 00:34:41,560 --> 00:34:43,000 Speaker 8: I get up at like seven or eight, and I 684 00:34:43,160 --> 00:34:46,719 Speaker 8: really shower, Let's go get some coffee. No way, I 685 00:34:46,840 --> 00:34:49,160 Speaker 8: try to. And I was never that person, but as 686 00:34:49,160 --> 00:34:49,960 Speaker 8: I've gotten older, I. 687 00:34:50,040 --> 00:34:52,720 Speaker 1: Definitely you have to sort of try that. It's crazy, 688 00:34:52,840 --> 00:34:54,319 Speaker 1: but you know, that's cool. 689 00:34:54,520 --> 00:34:55,840 Speaker 8: She gets a couple of hours extra on the. 690 00:34:55,840 --> 00:34:59,680 Speaker 1: Week Buddy, I I sleep to four pm. If I could, 691 00:34:59,719 --> 00:35:01,759 Speaker 1: I would. All Right, we're live on kf I AM 692 00:35:01,800 --> 00:35:02,279 Speaker 1: six forty. 693 00:35:03,320 --> 00:35:07,040 Speaker 11: You're listening to Tim Conway Junior on demand from KFI 694 00:35:07,320 --> 00:35:08,320 Speaker 11: AM six forty