1 00:00:01,440 --> 00:00:04,400 Speaker 1: On air at AM five seventy LA Sports and I'm 2 00:00:04,440 --> 00:00:06,360 Speaker 1: demand on the iHeartRadio app. 3 00:00:06,600 --> 00:00:08,600 Speaker 2: This is the Petros and Money Show. 4 00:00:08,760 --> 00:00:12,600 Speaker 1: You are one of the con hosted by Petros, Papaday 5 00:00:12,680 --> 00:00:15,760 Speaker 1: guests left school after sixth grade and the voice of 6 00:00:15,800 --> 00:00:17,760 Speaker 1: the Bolts not Money Smith. 7 00:00:17,920 --> 00:00:21,000 Speaker 2: The answer is money. There is nothing you can do. 8 00:00:21,360 --> 00:00:25,080 Speaker 2: You know it's coming. This is the Petros and Money 9 00:00:25,120 --> 00:00:29,440 Speaker 2: Show on the home of your world champion Los Angeles Dodgers. 10 00:00:29,560 --> 00:00:33,479 Speaker 2: Make us your top preset on the iHeartRadio wapp Buenos Diaz. 11 00:00:34,880 --> 00:00:38,199 Speaker 2: Where's Mike Bourbon? It's blooney, It's blooney. 12 00:00:38,840 --> 00:00:39,840 Speaker 3: Am I gonna like someone? 13 00:00:39,960 --> 00:00:40,800 Speaker 4: Is someone gonna like me? 14 00:00:41,360 --> 00:00:41,479 Speaker 1: Like? 15 00:00:41,520 --> 00:00:41,920 Speaker 2: I hope? 16 00:00:41,960 --> 00:00:44,520 Speaker 3: So now you won't apologize to him? 17 00:00:44,960 --> 00:00:49,239 Speaker 1: No, we cannot make decisions that costs the team and 18 00:00:49,280 --> 00:00:51,680 Speaker 1: then come off the sideline and it's nonjualant. 19 00:00:51,800 --> 00:00:56,800 Speaker 2: That's my mom, dude, My mom's a pamp Mister unlimited 20 00:00:58,800 --> 00:01:02,319 Speaker 2: man can e body the truth, but he cannot know it. 21 00:01:04,400 --> 00:01:07,039 Speaker 3: Tommy yuts s Petro sand Money Am five to seventy 22 00:01:07,120 --> 00:01:09,560 Speaker 3: LA Sports Live everywhere on the iHeartRadio app. Big win 23 00:01:09,640 --> 00:01:12,280 Speaker 3: for the Dodgers. Earlier from the Galloping Ford broadcast, booth 24 00:01:12,319 --> 00:01:15,559 Speaker 3: heard it here a ten AM First Pitch Show, tany 25 00:01:15,640 --> 00:01:19,480 Speaker 3: E Betts Tucker All with home runs. Paz continues his 26 00:01:19,760 --> 00:01:22,959 Speaker 3: towards start and the Dodgers put thirteen on the board. 27 00:01:22,959 --> 00:01:26,640 Speaker 3: They'll play again tomorrow from our Nation's capital at one 28 00:01:27,160 --> 00:01:31,600 Speaker 3: five pm a noon. Dodgers on deck with Tim Case. 29 00:01:31,880 --> 00:01:33,760 Speaker 3: We also have the final four here tomorrow, so that 30 00:01:33,800 --> 00:01:35,760 Speaker 3: will move to our sister station, AM eleven fifty. If 31 00:01:35,800 --> 00:01:40,160 Speaker 3: you're looking for who's left on your bracket, Matt, well, 32 00:01:40,240 --> 00:01:46,119 Speaker 3: I got va in your bracket, Hackett. I believe Jay 33 00:01:46,200 --> 00:01:50,440 Speaker 3: stew got me playing for Manny and Guardina, and so 34 00:01:50,600 --> 00:01:51,000 Speaker 3: I'm home. 35 00:01:51,040 --> 00:01:52,760 Speaker 2: AM five seventy. 36 00:01:53,040 --> 00:01:56,800 Speaker 3: I'm hopeful that I can win him that sweet prize 37 00:01:57,520 --> 00:02:03,120 Speaker 3: of a terry cloth Mookie bets Freddie Freeman high five 38 00:02:03,200 --> 00:02:05,880 Speaker 3: painting that I'm sure he will put. 39 00:02:06,080 --> 00:02:10,040 Speaker 2: Terry cloth painting. Yes, it's really wild. It's just kind 40 00:02:10,040 --> 00:02:13,000 Speaker 2: of I've heard of velvet, I've never heard of it 41 00:02:13,160 --> 00:02:14,120 Speaker 2: terry cloth painting. 42 00:02:14,160 --> 00:02:16,840 Speaker 3: It's more of a three D effect, you know, you 43 00:02:16,960 --> 00:02:18,600 Speaker 3: get the extra fabric in there. 44 00:02:20,320 --> 00:02:23,360 Speaker 2: Matt, you're playing for Manuel and Guardina and he is 45 00:02:23,480 --> 00:02:28,600 Speaker 2: problem if you win is the terry cloth. I'm playing 46 00:02:28,639 --> 00:02:30,640 Speaker 2: for the guy that got a rested on his bicycle 47 00:02:30,680 --> 00:02:36,000 Speaker 2: on riverside after the uh Simsey's event down the stream 48 00:02:36,120 --> 00:02:39,360 Speaker 2: well that was still open, and Kevin just walk away. 49 00:02:39,480 --> 00:02:41,639 Speaker 2: Kevin figures had a slow dance with Pip. 50 00:02:41,919 --> 00:02:44,480 Speaker 3: That's why I'm playing just walk away, guys, I don't 51 00:02:44,480 --> 00:02:46,360 Speaker 3: want any part of this. I want you to walk 52 00:02:46,400 --> 00:02:49,920 Speaker 3: away and pretendly he's not affiliated with us. You're just 53 00:02:49,960 --> 00:02:50,840 Speaker 3: gonna walk away. 54 00:02:51,400 --> 00:02:53,920 Speaker 2: Boss. Here, they're all all the cops are kicking him, 55 00:02:53,919 --> 00:02:57,240 Speaker 2: and that bus is gonna run him over. He's wearing 56 00:02:57,280 --> 00:02:59,000 Speaker 2: a Reggie bushchers rum. 57 00:02:59,480 --> 00:02:59,760 Speaker 3: Boss. 58 00:02:59,840 --> 00:03:03,639 Speaker 2: That Magdaleno stumbling back to the building. Oh why is 59 00:03:03,680 --> 00:03:04,720 Speaker 2: he in a wheelchair? 60 00:03:06,280 --> 00:03:08,920 Speaker 3: I shaved his life. I'm telling you right now, I 61 00:03:08,960 --> 00:03:11,519 Speaker 3: shaved this life. And I get no thank you for nothing? 62 00:03:11,639 --> 00:03:13,079 Speaker 2: Oh I get is a phone goal? W'd you do that? 63 00:03:13,160 --> 00:03:15,359 Speaker 2: Who ever heard of anybody like at one of our 64 00:03:15,400 --> 00:03:19,200 Speaker 2: remotes getting cut off before the show even starts. Sorry, 65 00:03:19,320 --> 00:03:21,720 Speaker 2: not not making do of that. Another drink, sir So's. 66 00:03:21,520 --> 00:03:22,840 Speaker 3: Run on the board. I took the day off. 67 00:03:22,840 --> 00:03:26,560 Speaker 2: Foo over here drinking. Okay, if you want to drink 68 00:03:26,600 --> 00:03:31,840 Speaker 2: and just get absolutely just sighed mindlessly drunk, why would 69 00:03:31,840 --> 00:03:33,960 Speaker 2: you want to do it? For all the people you work. 70 00:03:33,840 --> 00:03:37,840 Speaker 3: For and with, Hey Foo, what's up? 71 00:03:38,360 --> 00:03:41,840 Speaker 2: Don't forget to podcast our show on the iHeartRadio app 72 00:03:41,920 --> 00:03:44,200 Speaker 2: for your smartphone. 73 00:03:44,280 --> 00:03:47,880 Speaker 3: All right, Matt is the other half of Pip. Who 74 00:03:47,920 --> 00:03:49,800 Speaker 3: was the other It was a It was a duo. 75 00:03:50,040 --> 00:03:50,800 Speaker 3: It was Pip. 76 00:03:52,560 --> 00:03:52,800 Speaker 5: Yeah. 77 00:03:52,920 --> 00:03:56,960 Speaker 3: What was her name, Dahalia? No, it wasn't Dahlia. She 78 00:03:57,040 --> 00:03:59,120 Speaker 3: went upstairs and worked for worked for Kiss for a 79 00:03:59,160 --> 00:04:03,240 Speaker 3: little while. Yeah, that's right, big boy. 80 00:04:04,480 --> 00:04:07,360 Speaker 2: She betrayed on, said Judas on a good Friday for 81 00:04:07,560 --> 00:04:08,720 Speaker 2: thirty pieces. 82 00:04:08,760 --> 00:04:09,160 Speaker 3: She did. 83 00:04:09,360 --> 00:04:11,520 Speaker 2: She was the great betrayer of the son of man. 84 00:04:11,600 --> 00:04:13,320 Speaker 3: And then we remember we gave her the We gave 85 00:04:13,360 --> 00:04:15,200 Speaker 3: her to business because they did a photo of the 86 00:04:15,200 --> 00:04:16,120 Speaker 3: morning show and. 87 00:04:17,279 --> 00:04:21,480 Speaker 2: Yeah, they blurred her out like still water and almost famous. 88 00:04:22,240 --> 00:04:28,680 Speaker 2: Why are we all blurt out runs deep? What was 89 00:04:28,720 --> 00:04:31,559 Speaker 2: her name? She was a She was a nice young lady, 90 00:04:31,760 --> 00:04:32,719 Speaker 2: was pleasant looking. 91 00:04:33,080 --> 00:04:36,320 Speaker 3: She and Pitt we were part of our prom with 92 00:04:36,480 --> 00:04:41,039 Speaker 3: figures in Adam. They were the two couples that we honored. 93 00:04:42,560 --> 00:04:43,440 Speaker 3: How did that turnout? 94 00:04:43,839 --> 00:04:51,920 Speaker 2: They hooked me up with this hot radio Hello. What 95 00:04:51,960 --> 00:04:52,599 Speaker 2: was her name? 96 00:04:53,000 --> 00:04:55,400 Speaker 6: I don't know, but she had that long rosary tattooed 97 00:04:55,400 --> 00:04:55,920 Speaker 6: down her leg. 98 00:04:56,000 --> 00:04:58,720 Speaker 3: Remember exactly right now? 99 00:04:59,160 --> 00:05:05,000 Speaker 2: So I remember. All right, Matt, let's explore more of 100 00:05:05,040 --> 00:05:07,680 Speaker 2: the underbelly of the city. Let's do it with the 101 00:05:07,680 --> 00:05:12,839 Speaker 2: film noir corner. PMS, film noir corner. That'll be too sure. 102 00:05:12,839 --> 00:05:15,800 Speaker 2: I'm as I'm supposed to be. I shot a reputation 103 00:05:15,920 --> 00:05:19,039 Speaker 2: might be good business. He's again, Petrol. 104 00:05:19,160 --> 00:05:20,919 Speaker 6: I remember, I remember. I don't remember her name, but 105 00:05:20,920 --> 00:05:25,200 Speaker 6: I think she was Latina. Oh thanks, Kate's that was 106 00:05:25,279 --> 00:05:26,440 Speaker 6: already established. 107 00:05:26,520 --> 00:05:27,719 Speaker 2: You're Latino. 108 00:05:28,880 --> 00:05:30,080 Speaker 6: Making sure it's reestablished. 109 00:05:30,120 --> 00:05:31,960 Speaker 3: Yea, And I appreciate you pointing at me to hit 110 00:05:32,000 --> 00:05:34,440 Speaker 3: the sound bind as you said it Latina, and you went. 111 00:05:35,760 --> 00:05:36,640 Speaker 3: I did right at me. 112 00:05:36,920 --> 00:05:41,160 Speaker 2: I went hit it where Latino. I went to her house. 113 00:05:41,800 --> 00:05:44,480 Speaker 2: She made me dress up in this Aztec warrior off 114 00:05:45,160 --> 00:05:48,120 Speaker 2: hit me j lao. 115 00:05:48,279 --> 00:05:50,560 Speaker 7: She took out a gold dagger and said she trying 116 00:05:50,560 --> 00:05:51,760 Speaker 7: to rip out my chest. 117 00:05:52,839 --> 00:06:01,480 Speaker 2: Oh oh, Duca clippers lost novels there, Patuca, not Noduca. 118 00:06:02,480 --> 00:06:04,120 Speaker 2: Not no, it's not a good. 119 00:06:03,920 --> 00:06:06,240 Speaker 5: Time, Touca. 120 00:06:06,520 --> 00:06:07,599 Speaker 3: You get out of here. 121 00:06:10,040 --> 00:06:16,920 Speaker 7: Come here, my spicy little cup of for Chauna. Come here, 122 00:06:17,000 --> 00:06:20,719 Speaker 7: my little prickly pear love the Holisco District. 123 00:06:22,800 --> 00:06:27,000 Speaker 2: My gun is quick. Matt. The other day, meeting like 124 00:06:27,000 --> 00:06:30,120 Speaker 2: two weeks ago we got a little excited about Mickey Spillani. 125 00:06:31,920 --> 00:06:35,680 Speaker 2: My gun is Quick with Mike Hammer. This was the 126 00:06:35,720 --> 00:06:40,640 Speaker 2: movie Real Film Noir nineteen fifty seven Matt La Film Noir. 127 00:06:40,880 --> 00:06:43,720 Speaker 2: Mike Hamer based in la Usually he's in New York. 128 00:06:44,080 --> 00:06:47,200 Speaker 2: But I thought you'd find this movie interesting because it's 129 00:06:47,240 --> 00:06:52,040 Speaker 2: the area you live in. Belmont Shore in nineteen fifty seven, 130 00:06:52,160 --> 00:06:55,320 Speaker 2: driving a boat around and looking all cool. It's cool 131 00:06:55,320 --> 00:06:59,159 Speaker 2: to see Belmont Shore in the fifties and Naples pretty sweet. 132 00:07:00,000 --> 00:07:03,200 Speaker 2: Ammer tries to help a young toot and of course 133 00:07:03,240 --> 00:07:06,320 Speaker 2: she ends up dead and then he goes hard to 134 00:07:06,440 --> 00:07:07,599 Speaker 2: find her killer. 135 00:07:07,680 --> 00:07:09,240 Speaker 3: To rarely make it to the end of the film. 136 00:07:09,320 --> 00:07:10,920 Speaker 2: No, not when they meet him right at the beginning, 137 00:07:12,040 --> 00:07:14,600 Speaker 2: and uh, he goes to find the killer, and all 138 00:07:14,640 --> 00:07:17,400 Speaker 2: these chicks want a piece of Hammer because he's such 139 00:07:17,400 --> 00:07:22,080 Speaker 2: a shammer. The Toots Latina friend wants a piece the 140 00:07:22,160 --> 00:07:26,160 Speaker 2: Alamados Banks looks pretty cool in the fifties and a 141 00:07:26,160 --> 00:07:29,440 Speaker 2: lot of action basically around a jewel heist and a 142 00:07:29,520 --> 00:07:35,520 Speaker 2: dead toot. Hammer does things. He has Velda, the busty 143 00:07:35,640 --> 00:07:42,160 Speaker 2: secretary with the big missile boobs, huge uss Iowa style foreheads, 144 00:07:43,760 --> 00:07:47,400 Speaker 2: which is a Mike Hammer. Staple feldes, you can't have 145 00:07:47,440 --> 00:07:51,120 Speaker 2: a flat chested Velda as the secretary. She's got to 146 00:07:51,160 --> 00:07:56,000 Speaker 2: have huge Yeah, but she's got to have the bond. 147 00:07:56,000 --> 00:07:57,160 Speaker 2: Girl can still be slended. 148 00:07:57,200 --> 00:07:57,360 Speaker 5: Right. 149 00:07:57,480 --> 00:08:02,760 Speaker 2: We're talking about bombs noir in the fifties, speleni and action. 150 00:08:03,560 --> 00:08:07,760 Speaker 2: My gun is quick, real noir. The real new wave 151 00:08:08,400 --> 00:08:10,600 Speaker 2: here is Mike Hammer at the beginning of the movie 152 00:08:11,160 --> 00:08:16,840 Speaker 2: at a lunch counter, talking to the toot and charming 153 00:08:17,400 --> 00:08:20,080 Speaker 2: the tout And of course things don't work out, but 154 00:08:20,120 --> 00:08:22,960 Speaker 2: you get a good idea of this great fifties banter 155 00:08:23,120 --> 00:08:26,080 Speaker 2: mans to prop open your eyes. 156 00:08:28,000 --> 00:08:30,040 Speaker 3: How'd you guess you're a feat? 157 00:08:31,760 --> 00:08:32,520 Speaker 2: He was staring at you. 158 00:08:32,559 --> 00:08:33,840 Speaker 8: Wouldn't give me a wake tonight? 159 00:08:34,960 --> 00:08:39,760 Speaker 2: I know I feel real safe. Listen, Red, will you 160 00:08:39,800 --> 00:08:40,719 Speaker 2: stop using. 161 00:08:40,480 --> 00:08:48,160 Speaker 5: This joint as your office Chartie's got a heart, mister, it's. 162 00:08:48,000 --> 00:08:48,880 Speaker 4: Soft to steal. 163 00:08:49,520 --> 00:08:51,559 Speaker 5: Oh, lay off the kid and fixed me a signage 164 00:08:51,559 --> 00:08:53,360 Speaker 5: to take out chopped egg. 165 00:08:54,320 --> 00:08:56,440 Speaker 2: Yeah, Hammer shop you all one. 166 00:08:57,280 --> 00:08:58,800 Speaker 5: You look as though you could use some food. 167 00:09:01,640 --> 00:09:03,760 Speaker 3: Thanks. I have a bowl of soup. 168 00:09:04,840 --> 00:09:05,360 Speaker 2: A bowl of. 169 00:09:05,320 --> 00:09:10,040 Speaker 8: Soup with a lady. You gotta have real talent to 170 00:09:10,040 --> 00:09:11,360 Speaker 8: be grew up in this lush country. 171 00:09:11,400 --> 00:09:11,800 Speaker 5: Of ours. 172 00:09:12,720 --> 00:09:13,400 Speaker 3: Well, when you're. 173 00:09:13,280 --> 00:09:14,360 Speaker 8: Sick, you don't work. 174 00:09:15,000 --> 00:09:22,240 Speaker 2: When you don't work, you don't get paid. 175 00:09:22,440 --> 00:09:23,319 Speaker 8: How'd you get out of here? 176 00:09:24,679 --> 00:09:24,920 Speaker 5: Do you know? 177 00:09:25,000 --> 00:09:27,200 Speaker 2: I came the way you talk? 178 00:09:28,360 --> 00:09:29,200 Speaker 4: Who do I come from? 179 00:09:29,240 --> 00:09:31,079 Speaker 8: The Montana? 180 00:09:31,760 --> 00:09:34,559 Speaker 3: Pretty close Nebraska? 181 00:09:36,200 --> 00:09:36,840 Speaker 1: Why'd you come? 182 00:09:40,600 --> 00:09:41,200 Speaker 3: Hollywood? 183 00:09:41,679 --> 00:09:42,319 Speaker 8: Don't believe it? 184 00:09:43,960 --> 00:09:46,360 Speaker 2: What's the difference here? 185 00:09:46,400 --> 00:09:49,880 Speaker 8: I am? You ever thought of going back? 186 00:09:51,880 --> 00:09:52,280 Speaker 2: You bet? 187 00:09:52,320 --> 00:09:52,560 Speaker 8: I have? 188 00:09:54,640 --> 00:09:56,080 Speaker 6: Didn't look so good to me when I left? 189 00:09:56,679 --> 00:09:57,280 Speaker 3: Sure would know? 190 00:09:57,880 --> 00:10:00,760 Speaker 2: All right? Well done? Mike hammer goes on and on it. 191 00:10:01,679 --> 00:10:03,200 Speaker 2: He beats a guy up and goes on. 192 00:10:04,320 --> 00:10:06,920 Speaker 3: She dies, and then Hammergate does that lay with her? 193 00:10:07,120 --> 00:10:11,199 Speaker 2: No, lays with all her. Frienzo, she dies too quick, 194 00:10:11,760 --> 00:10:15,760 Speaker 2: matt The second one for film noir today is eight 195 00:10:15,880 --> 00:10:20,120 Speaker 2: Million Ways to Die. Eight Million Ways to Die. 196 00:10:20,240 --> 00:10:21,520 Speaker 3: That's gonna take a long time. 197 00:10:22,200 --> 00:10:30,199 Speaker 2: It's actually a pretty truncated movie. Nineteen eighty six Alcoholic Haunted, La, 198 00:10:30,320 --> 00:10:37,760 Speaker 2: Cop Grizzled as Hell Jeff Bridges eighties Downtown La looks 199 00:10:37,760 --> 00:10:41,200 Speaker 2: pretty cool before they built the library tower. It's an 200 00:10:41,200 --> 00:10:47,840 Speaker 2: adaptation of a Matthew Scudder story who is a drunk 201 00:10:47,880 --> 00:10:50,760 Speaker 2: New York detective. This one they adapted much like My 202 00:10:50,840 --> 00:10:55,640 Speaker 2: Gun is Quick to our town Here Ollie Stone wrote 203 00:10:55,640 --> 00:11:01,120 Speaker 2: the screenplay. In the first scene, Jeff Bridges shoots a 204 00:11:01,200 --> 00:11:03,480 Speaker 2: drug dealer in front of his wife and kids. Oh no, 205 00:11:03,600 --> 00:11:08,040 Speaker 2: and he's haunted by it. It's an ugly scene. Andy Garcia, 206 00:11:08,080 --> 00:11:11,679 Speaker 2: an a list actor, is a drug dealer, is a 207 00:11:11,760 --> 00:11:16,880 Speaker 2: drug dealer with a Steven Sagall ponytail. In this he 208 00:11:16,960 --> 00:11:19,559 Speaker 2: befriends a young toot and guess what happens to her 209 00:11:19,559 --> 00:11:20,040 Speaker 2: in this one. 210 00:11:20,160 --> 00:11:22,960 Speaker 3: My guests that they get married didn't live happily as murder. 211 00:11:23,120 --> 00:11:25,240 Speaker 3: Damn it, that's strong again. 212 00:11:25,400 --> 00:11:29,520 Speaker 2: So he goes after Garcia. There's a lot of tumult 213 00:11:30,520 --> 00:11:32,640 Speaker 2: and there was a lot of tumult in making this movie. 214 00:11:32,640 --> 00:11:35,679 Speaker 2: Originally Olie Stone was supposed to direct it, but there 215 00:11:35,679 --> 00:11:40,360 Speaker 2: were delays. Jamie Lee Curtis left the movie. Rosanna Arquette 216 00:11:40,400 --> 00:11:44,480 Speaker 2: was ended up a cast. Okay, talk about Bob's not 217 00:11:44,520 --> 00:11:51,160 Speaker 2: a bad backup undercover ball both of them. It's the rotation. 218 00:11:52,760 --> 00:11:55,760 Speaker 2: This is a Quentin Tarantino favor to the eighties, but 219 00:11:55,840 --> 00:12:01,360 Speaker 2: it did not do well. It's very gritty and shot 220 00:12:01,520 --> 00:12:04,400 Speaker 2: a lot in one of the Petrosen money approved towns 221 00:12:04,440 --> 00:12:08,040 Speaker 2: of El Segundo, and the soundtrack was ary Miami Vice 222 00:12:08,200 --> 00:12:12,240 Speaker 2: like and it was also massively panned, but people like 223 00:12:12,320 --> 00:12:15,840 Speaker 2: it now and it is good if you long for 224 00:12:15,880 --> 00:12:19,480 Speaker 2: the smog choked nineteen eighties Los Angeles vibe. 225 00:12:20,920 --> 00:12:21,120 Speaker 5: Now. 226 00:12:21,160 --> 00:12:23,800 Speaker 2: One interesting thing was, I guess the screenplay was supposed 227 00:12:23,800 --> 00:12:26,800 Speaker 2: to be rewritten, but it wasn't rewritten in time, so 228 00:12:27,080 --> 00:12:29,680 Speaker 2: the actors just ad libbed a lot of the scenes. Okay, 229 00:12:29,800 --> 00:12:31,520 Speaker 2: So there's a lot of January. There's a lot of 230 00:12:31,600 --> 00:12:35,920 Speaker 2: Jeff Bridges saying, hey, man, just put the gun down. Man, 231 00:12:36,400 --> 00:12:37,080 Speaker 2: just come. 232 00:12:36,880 --> 00:12:40,640 Speaker 3: On, man, we'll make it work. 233 00:12:40,679 --> 00:12:40,839 Speaker 5: Man. 234 00:12:40,880 --> 00:12:43,360 Speaker 2: Then is like, well, what you want, what you what 235 00:12:43,440 --> 00:12:45,320 Speaker 2: you want? What you want, what you want. There's a 236 00:12:45,320 --> 00:12:54,360 Speaker 2: lot of that's nineteen eighty six, eight Million Ways to Die. 237 00:12:55,640 --> 00:12:59,440 Speaker 2: It was Tiny Lister's second movie ever. Okay, zeus, he's 238 00:12:59,440 --> 00:13:01,640 Speaker 2: all up in it. Would you like to hear the 239 00:13:01,720 --> 00:13:04,880 Speaker 2: Jeff Bridges LA's got a bunch of murders all the 240 00:13:04,920 --> 00:13:09,960 Speaker 2: time monologue in it, like right off, la cop monologue. Well, 241 00:13:10,600 --> 00:13:13,320 Speaker 2: I don't know it's yes, it is because he's not 242 00:13:13,360 --> 00:13:15,680 Speaker 2: on camera. It's the beginning of the movie, and he 243 00:13:15,720 --> 00:13:17,080 Speaker 2: does like a little soliloquy. 244 00:13:17,880 --> 00:13:20,720 Speaker 8: You don't know where it's gonna come from anymore. Little 245 00:13:20,720 --> 00:13:22,200 Speaker 8: strangers are killing each other. 246 00:13:23,240 --> 00:13:25,320 Speaker 5: Everybody's kind of peace. You know. 247 00:13:25,400 --> 00:13:27,199 Speaker 2: The murder rate used to be around one thousand and 248 00:13:27,600 --> 00:13:28,839 Speaker 2: three a day in the whole county. 249 00:13:28,960 --> 00:13:29,440 Speaker 8: That was high. 250 00:13:30,600 --> 00:13:32,000 Speaker 2: Tho, it's about five days. 251 00:13:33,080 --> 00:13:36,520 Speaker 5: How you're in the summer fourteen, the two fridays and camps. 252 00:13:37,600 --> 00:13:39,800 Speaker 2: We get the death penalty six seven times a day. 253 00:13:39,840 --> 00:13:43,520 Speaker 5: Only it's not for murderers, it's for ordinary citizens. 254 00:13:44,440 --> 00:13:47,080 Speaker 8: Yeah, there are eight million stories. And then they could 255 00:13:47,080 --> 00:13:49,360 Speaker 8: sit in the little TV show. 256 00:13:49,800 --> 00:13:52,840 Speaker 2: Well, and when we got in Misstown, you have ey 257 00:13:52,920 --> 00:13:54,280 Speaker 2: mean Ways to Die? 258 00:13:55,720 --> 00:13:57,920 Speaker 8: All right, let's have a dime. We get paid for it. 259 00:13:58,240 --> 00:14:07,960 Speaker 2: That's the title right now. Sweet teased up up eight 260 00:14:08,040 --> 00:14:12,160 Speaker 2: Million Ways to Die nineteen eighty six, My Gun Is 261 00:14:12,280 --> 00:14:17,880 Speaker 2: Quick nineteen fifty seven. Those are your two film noirs 262 00:14:17,960 --> 00:14:19,040 Speaker 2: for film noir, Quarner. 263 00:14:19,120 --> 00:14:26,560 Speaker 3: Eight Million Ways to Die has eight reviews on Rotten 264 00:14:26,600 --> 00:14:32,320 Speaker 3: Tomatoes and it currently holds a zero percent approval rating. 265 00:14:32,400 --> 00:14:37,160 Speaker 2: It's not that bad. This is zero. I've never seen zero. 266 00:14:38,400 --> 00:14:39,680 Speaker 2: Quentin Tarantino loves it. 267 00:14:39,720 --> 00:14:39,960 Speaker 5: Matt. 268 00:14:41,960 --> 00:14:43,760 Speaker 2: You know, if you're just gonna go buy rotten Tomatoes, 269 00:14:43,760 --> 00:14:44,720 Speaker 2: what would you ever watch? 270 00:14:45,400 --> 00:14:46,720 Speaker 3: Super Mario Brothers movie? 271 00:14:46,760 --> 00:14:52,120 Speaker 2: Oh great? And Barbie Cool I really agree with what 272 00:14:52,200 --> 00:14:55,840 Speaker 2: America Ferrera says about being a woman to her. We'll 273 00:14:55,880 --> 00:14:58,520 Speaker 2: be back with more Petros and money on AM five 274 00:14:58,640 --> 00:15:01,560 Speaker 2: seventy LA Sport. The lesson learned Great Sports Talk. Next, 275 00:15:08,480 --> 00:15:10,160 Speaker 2: this is Petro send. 276 00:15:09,920 --> 00:15:13,360 Speaker 5: Money on demand, Demand Demand. 277 00:15:14,760 --> 00:15:18,000 Speaker 3: Petro saying money. AM five seventy ELI Sports Live everywhere 278 00:15:18,040 --> 00:15:19,880 Speaker 3: on the iHeartRadio app. We are your home of the 279 00:15:19,920 --> 00:15:22,680 Speaker 3: Final Four. Not here, but there there would be AM 280 00:15:22,760 --> 00:15:26,760 Speaker 3: eleven fifty. You will get both Yukon, Illinois and Michigan 281 00:15:26,960 --> 00:15:31,800 Speaker 3: Arizona on AM eleven fifty. Because sometimes you just gotta laugh. 282 00:15:32,400 --> 00:15:34,840 Speaker 3: And that's what we're doing over here with Dodger Baseball 283 00:15:34,880 --> 00:15:39,000 Speaker 3: tomorrow at one pm, Clipper Basketball all weekend long, and 284 00:15:39,200 --> 00:15:43,200 Speaker 3: the Final Four. Man, we have got all the games 285 00:15:43,240 --> 00:15:45,000 Speaker 3: being played on the station. 286 00:15:45,160 --> 00:15:48,040 Speaker 2: All right, it is time for the lessons Learning Great 287 00:15:48,240 --> 00:15:52,280 Speaker 2: MK Twitter moutwn Pitcher. I guess you delivered a really 288 00:15:52,360 --> 00:15:57,320 Speaker 2: sick burn re lives with no concerns since. 289 00:15:57,800 --> 00:16:00,680 Speaker 3: The lessons Learning Great Sports and bye hour. I meant 290 00:16:01,360 --> 00:16:04,120 Speaker 3: two hours in twenty minutes, not an hour. Twenty of 291 00:16:04,160 --> 00:16:09,680 Speaker 3: Dodger Talk. Dose aught us a banky minutos. 292 00:16:10,160 --> 00:16:13,400 Speaker 2: Those sought us no moss bs, those sought us no 293 00:16:13,480 --> 00:16:16,120 Speaker 2: mo all right, Matt, you know what's bs? 294 00:16:16,160 --> 00:16:16,520 Speaker 3: What's that? 295 00:16:17,080 --> 00:16:19,360 Speaker 2: There's a follow up to seedorf story. Did you hear 296 00:16:19,400 --> 00:16:19,760 Speaker 2: about it? 297 00:16:19,880 --> 00:16:20,000 Speaker 9: No? 298 00:16:20,480 --> 00:16:20,880 Speaker 2: You know that? 299 00:16:21,120 --> 00:16:23,840 Speaker 3: Yeah, our street soldier. 300 00:16:24,240 --> 00:16:25,280 Speaker 2: Yeah, but what's going on? 301 00:16:25,360 --> 00:16:25,640 Speaker 5: Matt? 302 00:16:25,680 --> 00:16:27,720 Speaker 2: Tell the people what's going on. It's the La River 303 00:16:27,880 --> 00:16:30,080 Speaker 2: by Griffith Park, by the Hobo Bridge that was built 304 00:16:30,120 --> 00:16:33,880 Speaker 2: during COVID cannibalistic humanoid underground dwellers a little bit like 305 00:16:34,080 --> 00:16:38,320 Speaker 2: Zed's gang Bobcat Goldthwaite and Police Academy two their first assignment. 306 00:16:38,400 --> 00:16:41,160 Speaker 3: We got name. Look when I'm walking the trail, I 307 00:16:41,280 --> 00:16:43,800 Speaker 3: just pretend like it's a goose. It's like looking at 308 00:16:43,840 --> 00:16:44,280 Speaker 3: a goose. 309 00:16:44,320 --> 00:16:46,920 Speaker 2: Well, Matt, that is less than sadly the and you 310 00:16:46,960 --> 00:16:49,760 Speaker 2: know what the lady, the city council lady or whatever, 311 00:16:49,800 --> 00:16:52,000 Speaker 2: the representative for the area. You know what she said 312 00:16:52,000 --> 00:16:54,800 Speaker 2: when Seedorf paster about it. Gosh, you know it's just 313 00:16:54,800 --> 00:16:56,720 Speaker 2: so hard to get down there. Well, guess who got 314 00:16:56,760 --> 00:16:59,800 Speaker 2: down there today? The corners van because one of them 315 00:17:00,120 --> 00:17:03,640 Speaker 2: can travel. Adam Gooses is dead. Yes, hey, you geeses. 316 00:17:03,800 --> 00:17:07,879 Speaker 2: One of the geese overdosed on drugs and Sea doorf 317 00:17:07,960 --> 00:17:09,639 Speaker 2: had to go back and follow up. That's not the 318 00:17:09,720 --> 00:17:12,280 Speaker 2: lesson though, The original lesson is the original Seedar story 319 00:17:12,480 --> 00:17:15,359 Speaker 2: which Conway Pilford from US. But Jerke, we were at 320 00:17:15,400 --> 00:17:21,399 Speaker 2: daylight anyway, lesson what LEXI that's walker seeing? 321 00:17:21,400 --> 00:17:24,119 Speaker 4: This really is an escape for the homeless, some living 322 00:17:24,119 --> 00:17:30,040 Speaker 4: out here more than a dozen years. Dangers hidden in 323 00:17:30,160 --> 00:17:31,920 Speaker 4: plain sight along the La River. 324 00:17:32,240 --> 00:17:34,280 Speaker 2: You can see the cap of a needle right here. 325 00:17:34,760 --> 00:17:38,320 Speaker 4: That's where they put them up, in signs of illegal 326 00:17:38,400 --> 00:17:42,520 Speaker 4: drug use, stolen property, in what some describe as gang activity. 327 00:17:42,760 --> 00:17:45,640 Speaker 4: Some of these gang members, you know, they carry backpacks 328 00:17:45,640 --> 00:17:47,199 Speaker 4: with tools and ghost guns. 329 00:17:47,680 --> 00:17:54,000 Speaker 6: And because it's Arry Harris steps from a busy trail 330 00:17:54,040 --> 00:17:54,920 Speaker 6: near Griffith Park. 331 00:17:55,200 --> 00:17:58,479 Speaker 4: Dozens live in forty fined shelters, tense and even storm 332 00:17:58,560 --> 00:18:03,159 Speaker 4: drains with murky water below. How long have you been 333 00:18:03,160 --> 00:18:03,520 Speaker 4: out here? 334 00:18:03,960 --> 00:18:04,720 Speaker 2: Thirteen years? 335 00:18:04,920 --> 00:18:08,920 Speaker 4: A place time stand still over ten years years? 336 00:18:09,040 --> 00:18:10,920 Speaker 2: Yeah, over ten twenty years of do I know? 337 00:18:11,440 --> 00:18:12,720 Speaker 4: Do they try to offer you help? 338 00:18:12,920 --> 00:18:13,040 Speaker 5: Ye? 339 00:18:13,640 --> 00:18:17,360 Speaker 4: Yes, I've been offered housing. Why not take those resources? 340 00:18:18,440 --> 00:18:20,680 Speaker 2: I did? It's just right, It's just not for me. 341 00:18:21,080 --> 00:18:23,520 Speaker 2: I just always come back out to this and I 342 00:18:23,640 --> 00:18:24,440 Speaker 2: just like it's. 343 00:18:24,280 --> 00:18:26,360 Speaker 1: Sort of a place for people who have been forgotten 344 00:18:26,400 --> 00:18:27,639 Speaker 1: or who want to be heard out. 345 00:18:28,480 --> 00:18:31,159 Speaker 4: Like that, thirty sites. Many who use the trail have 346 00:18:31,240 --> 00:18:32,040 Speaker 4: grown numb too. 347 00:18:32,400 --> 00:18:33,440 Speaker 2: You get used to it, YEA. 348 00:18:33,400 --> 00:18:36,560 Speaker 4: Sure, Yeah, it's like seeing a goosers, not. 349 00:18:36,720 --> 00:18:37,800 Speaker 2: Like saying a goose. 350 00:18:37,840 --> 00:18:40,040 Speaker 4: I don't want to talk about I'm just asking about 351 00:18:40,040 --> 00:18:42,080 Speaker 4: the homelessness ATY, That's exactly. And I don't think that's 352 00:18:42,320 --> 00:18:43,720 Speaker 4: I don't want to I don't want to comment on that. 353 00:18:44,240 --> 00:18:44,520 Speaker 5: Why not? 354 00:18:44,760 --> 00:18:46,040 Speaker 4: I mean I don't want to. 355 00:18:46,640 --> 00:18:46,800 Speaker 5: Thanks. 356 00:18:47,080 --> 00:18:48,119 Speaker 2: They put on the blinkers. 357 00:18:48,160 --> 00:18:50,439 Speaker 4: Honestly, they look on their phones, they focus on their 358 00:18:50,440 --> 00:18:52,399 Speaker 4: workout on the bike. They don't want to deal with it. 359 00:18:52,480 --> 00:18:52,840 Speaker 3: Why don't? 360 00:18:52,840 --> 00:18:55,639 Speaker 4: Because homelessness is everywhere. In a statement to Fox Even 361 00:18:55,720 --> 00:18:59,240 Speaker 4: councilmember and manorial candidate Nitie Raman calls homeless that's along 362 00:18:59,320 --> 00:19:03,840 Speaker 4: the La River a unique challenge now in steep concrete slopes, coverts, 363 00:19:03,880 --> 00:19:06,480 Speaker 4: and hard to reach areas make these encamments among the 364 00:19:06,480 --> 00:19:09,479 Speaker 4: most difficult to address in the city. The only lasting 365 00:19:09,520 --> 00:19:12,440 Speaker 4: solution is to bring people inside, and we are pursuing 366 00:19:12,480 --> 00:19:16,320 Speaker 4: that solution with urgency. How many people in the area 367 00:19:16,440 --> 00:19:17,520 Speaker 4: time now calling. 368 00:19:17,320 --> 00:19:23,360 Speaker 2: For more urgency? Good job, Seededorf and you know what 369 00:19:23,520 --> 00:19:26,200 Speaker 2: the dwarf. Well, I'm just saying, Matt, you know two 370 00:19:26,320 --> 00:19:30,560 Speaker 2: days later the the somebody dies there and the council 371 00:19:30,640 --> 00:19:33,480 Speaker 2: person looks like an idiot or the mayoral candidate lady. 372 00:19:33,960 --> 00:19:36,840 Speaker 2: And now back to Fox eleven Schumann's all over It tore. 373 00:19:36,840 --> 00:19:39,119 Speaker 10: You saw first on Fox eleven A deadly turn along 374 00:19:39,119 --> 00:19:42,119 Speaker 10: the La River. Just days after our first report, a 375 00:19:42,160 --> 00:19:46,080 Speaker 10: homeless person is found lifeless, possibly from an overdose. Fox 376 00:19:46,119 --> 00:19:50,119 Speaker 10: eleven's Matthew Seedorf back near Griffith Park tonight with the latest. 377 00:19:50,880 --> 00:19:54,000 Speaker 4: An urgent investigation and a homeless encamment along the La 378 00:19:54,080 --> 00:19:56,920 Speaker 4: River Sea doorf A man found dead in his tent 379 00:19:56,960 --> 00:19:59,879 Speaker 4: near Griffith Park Thursday morning, just three days after our 380 00:20:00,040 --> 00:20:03,960 Speaker 4: first report here, highlighting drug and safety concern I have 381 00:20:04,080 --> 00:20:05,000 Speaker 4: sickened of stomach. 382 00:20:05,240 --> 00:20:06,720 Speaker 2: Yeah, I feel angry. 383 00:20:06,640 --> 00:20:09,280 Speaker 4: An advocate says. The man known as Venezuela, was in 384 00:20:09,280 --> 00:20:13,560 Speaker 4: his thirties, seen here just days ago, meeting with outreach teams. 385 00:20:14,359 --> 00:20:17,280 Speaker 2: He was upset about the World Baseball Classic drugs and 386 00:20:17,760 --> 00:20:19,240 Speaker 2: in a very dangerous position. 387 00:20:19,640 --> 00:20:22,080 Speaker 1: He had no guidance, he had no roof over his side, 388 00:20:22,119 --> 00:20:24,720 Speaker 1: he had no staff, no one looking out after him. 389 00:20:24,760 --> 00:20:29,000 Speaker 4: The same conditions still here needles drug paraphernilia with people 390 00:20:29,040 --> 00:20:31,080 Speaker 4: living in tents and storm drains. 391 00:20:31,400 --> 00:20:32,440 Speaker 5: How long have you been out here? 392 00:20:33,600 --> 00:20:35,320 Speaker 2: On the years. 393 00:20:35,560 --> 00:20:37,879 Speaker 4: For many, this is a long time home. They're not 394 00:20:37,960 --> 00:20:40,560 Speaker 4: looking to leave. I mean, would you want help and 395 00:20:40,760 --> 00:20:42,280 Speaker 4: resources and to get out of this? 396 00:20:43,200 --> 00:20:45,400 Speaker 2: But I would love hbody asked to be on the room. 397 00:20:45,800 --> 00:20:49,080 Speaker 4: Across La County, more than six homeless people died the 398 00:20:50,280 --> 00:20:54,720 Speaker 4: latest victim. Earlier this week. We asked councilwoman and manorial 399 00:20:54,800 --> 00:20:58,399 Speaker 4: candidate Nthia Rahman about conditions here. She said the area 400 00:20:58,480 --> 00:21:01,199 Speaker 4: is difficult to clear, with steep slopes and hard to 401 00:21:01,240 --> 00:21:06,800 Speaker 4: reach coverts, So she calls this death a devastating loss, 402 00:21:07,200 --> 00:21:09,960 Speaker 4: adding no one deserves to die on our streets. We 403 00:21:10,080 --> 00:21:12,480 Speaker 4: have the funding, we need the political will to get 404 00:21:12,480 --> 00:21:14,960 Speaker 4: it out the door, to connect people to the services 405 00:21:14,960 --> 00:21:19,879 Speaker 4: and housing that can save lives. Hours after his death, 406 00:21:20,000 --> 00:21:22,960 Speaker 4: some walk away with items he left behind, a stark 407 00:21:23,000 --> 00:21:25,280 Speaker 4: reminder of how quickly life out here can. 408 00:21:25,200 --> 00:21:28,080 Speaker 2: Turn death, civil war. Take take them tath out of 409 00:21:28,080 --> 00:21:28,520 Speaker 2: his mouth. 410 00:21:28,880 --> 00:21:31,960 Speaker 10: Is not a productive life, nor is it continuing to 411 00:21:32,000 --> 00:21:35,520 Speaker 10: do drugs while you've been housed in housing. 412 00:21:35,600 --> 00:21:37,760 Speaker 2: First I heard he had the right card. You were 413 00:21:37,760 --> 00:21:39,800 Speaker 2: looking forward to drugs and die in those. 414 00:21:41,200 --> 00:21:44,080 Speaker 3: The dwarf Good reporting, though, I mean good follow up. 415 00:21:44,119 --> 00:21:45,000 Speaker 2: We're right on it, Matt. 416 00:21:45,040 --> 00:21:45,920 Speaker 3: Get him back out there. 417 00:21:46,480 --> 00:21:48,160 Speaker 6: He's really getting in there. I mean he gets into 418 00:21:48,160 --> 00:21:50,040 Speaker 6: the crevices and talks to them. Yeah, I mean he 419 00:21:50,080 --> 00:21:52,479 Speaker 6: went where the city could not. Of course, the corner 420 00:21:52,600 --> 00:21:53,760 Speaker 6: did end up making it there. 421 00:21:54,520 --> 00:21:57,880 Speaker 2: Lesson too, Lets on the doors. 422 00:21:57,680 --> 00:22:00,120 Speaker 3: That's a way. 423 00:22:01,560 --> 00:22:07,080 Speaker 2: Japanese news. We have the intro. It is hot off 424 00:22:07,080 --> 00:22:12,720 Speaker 2: the presses. Debuted yesterday. Mixed reviews. Nietzsche Babe, No, you 425 00:22:12,840 --> 00:22:14,200 Speaker 2: know what I end this. 426 00:22:14,680 --> 00:22:19,680 Speaker 3: Japanese the news monkey every day, banana monkey. 427 00:22:20,000 --> 00:22:28,800 Speaker 2: Never news that is a Japanese It's here to stay. 428 00:22:28,960 --> 00:22:30,880 Speaker 3: I mean, mixed reviews from who. 429 00:22:31,880 --> 00:22:33,440 Speaker 2: Well, you heard the guys on the talk back. A 430 00:22:33,440 --> 00:22:34,560 Speaker 2: couple of guys called it racist. 431 00:22:34,880 --> 00:22:39,200 Speaker 3: It's colin ye can't be racist, not possible. 432 00:22:41,920 --> 00:22:42,640 Speaker 2: Lesson three. 433 00:22:43,000 --> 00:22:45,159 Speaker 3: Let's you on Tris today. 434 00:22:47,960 --> 00:22:52,080 Speaker 2: James Worthy joined us just the other day. And of 435 00:22:52,119 --> 00:22:55,159 Speaker 2: course North Carolina not only out of the tournament, not 436 00:22:55,280 --> 00:22:58,280 Speaker 2: in the final four, and they don't even have a coach. 437 00:22:58,400 --> 00:23:00,879 Speaker 2: And they don't get Tommy Lloyd either. We talked to 438 00:23:00,920 --> 00:23:04,560 Speaker 2: Don McClain about that. He is going straight back to 439 00:23:04,600 --> 00:23:07,320 Speaker 2: Tucson the Dirty Tea. So what does that all mean? 440 00:23:07,359 --> 00:23:09,120 Speaker 2: What did James Worthy had to say. 441 00:23:09,160 --> 00:23:12,640 Speaker 5: Yeah, my far heels are not in the final four, 442 00:23:12,960 --> 00:23:15,520 Speaker 5: but you know what neither is Duke. 443 00:23:24,040 --> 00:23:26,480 Speaker 2: Well, yeah, that John Shire. He had a pretty funny 444 00:23:26,480 --> 00:23:28,040 Speaker 2: look on his face when that shot went in. 445 00:23:28,880 --> 00:23:31,920 Speaker 5: Yeah, you know, I definitely didn't want Duke to win. 446 00:23:32,440 --> 00:23:34,520 Speaker 5: But like I told you last week, man, I hate 447 00:23:34,520 --> 00:23:38,760 Speaker 5: to see a kid, you know, make a play like 448 00:23:38,840 --> 00:23:41,680 Speaker 5: that that kind of he thinks cost him the game. 449 00:23:41,800 --> 00:23:44,920 Speaker 5: But there were nineteen points up. Should have never got 450 00:23:44,960 --> 00:23:50,160 Speaker 5: to that. But nevertheless, they'll be back in North Carolina 451 00:23:50,200 --> 00:23:53,880 Speaker 5: and Durham. Uh, maybe maybe we'll meet up against them 452 00:23:53,920 --> 00:23:56,399 Speaker 5: in some intramural softball. 453 00:23:55,920 --> 00:23:59,320 Speaker 2: Games there we go not maybe definitely that's gonna happen. 454 00:23:59,320 --> 00:24:04,800 Speaker 2: That's gonna SEC competition all the time. Lesson for Lexion 455 00:24:05,160 --> 00:24:15,520 Speaker 2: Quadrouadro two Jingle week. Sometimes the jingles are all stopped up, constipated. 456 00:24:16,320 --> 00:24:19,560 Speaker 2: Sometimes they just flow. Tim Kates came up with the 457 00:24:19,640 --> 00:24:24,200 Speaker 2: Japanese news on flow and here is a listener contributing 458 00:24:24,200 --> 00:24:27,760 Speaker 2: on the talkback button with our new talkback jingle. They're 459 00:24:27,760 --> 00:24:34,480 Speaker 2: talking and back the PMS talkbacks talkbacks. I used to 460 00:24:34,480 --> 00:24:37,400 Speaker 2: call it the glitter As a response, Well done, sir, 461 00:24:38,960 --> 00:24:50,399 Speaker 2: Lesson five Lexion Sinko. This is Andy Stankowitz, USC head 462 00:24:50,440 --> 00:24:54,359 Speaker 2: baseball coach. Big weekend series Friday, Saturday, Sunday, all sold 463 00:24:54,359 --> 00:24:57,960 Speaker 2: out at Jackie Robinson Stadium. Eric Sondheimer had to rub 464 00:24:57,960 --> 00:25:00,800 Speaker 2: everybody's nose in it on Twitter. I'm going ahead, have 465 00:25:00,800 --> 00:25:04,119 Speaker 2: a ticket. Uh, but a lot of people don't have tickets. 466 00:25:04,160 --> 00:25:05,760 Speaker 2: I'm not gay, but there's a lot of people that are. 467 00:25:05,960 --> 00:25:07,320 Speaker 2: And there's a lot of people that don't have tickets 468 00:25:07,359 --> 00:25:09,480 Speaker 2: that want to be at Jackie Robinson Stadium this weekend. 469 00:25:09,480 --> 00:25:12,399 Speaker 2: Maybe they can get to Dato facing the wrong way 470 00:25:12,840 --> 00:25:16,320 Speaker 2: later in the season when UCLA goes to USC. But 471 00:25:16,400 --> 00:25:20,120 Speaker 2: here is coach Stankowitz who's revived USC baseball. On whether 472 00:25:20,200 --> 00:25:22,160 Speaker 2: or not he's interested in coaching in the major leagues 473 00:25:22,160 --> 00:25:23,440 Speaker 2: where he spent a lot of time. 474 00:25:23,920 --> 00:25:28,240 Speaker 9: In pro ball, there's a lot more people to manage, 475 00:25:28,280 --> 00:25:30,639 Speaker 9: and I think I think Toyn Vittella would even probably 476 00:25:30,680 --> 00:25:33,720 Speaker 9: admit that there's the college game. You've got your staff, 477 00:25:33,800 --> 00:25:36,200 Speaker 9: and you've got you know, it's a staff of four 478 00:25:36,280 --> 00:25:39,080 Speaker 9: or five, and you get your players. And so now 479 00:25:39,520 --> 00:25:42,280 Speaker 9: when you get into the pro game, there's a lot 480 00:25:42,320 --> 00:25:44,800 Speaker 9: more coming at you, and you've got to manage a 481 00:25:44,800 --> 00:25:48,000 Speaker 9: lot of more people and making sure that you know 482 00:25:48,160 --> 00:25:50,119 Speaker 9: it's they're on the right page and pages you and 483 00:25:50,200 --> 00:25:53,159 Speaker 9: vice versa. And so that's the difference. And then in 484 00:25:53,240 --> 00:25:54,480 Speaker 9: this game, I can. 485 00:25:55,320 --> 00:25:55,879 Speaker 5: I'll see this. 486 00:25:56,080 --> 00:25:56,360 Speaker 2: I can. 487 00:25:57,080 --> 00:26:00,280 Speaker 9: I'm not saying that the pro guys aren't coachable, but 488 00:26:00,280 --> 00:26:02,560 Speaker 9: but man I can. I can kind of tell a 489 00:26:02,600 --> 00:26:04,359 Speaker 9: guy what I how I want him to do it, 490 00:26:04,400 --> 00:26:06,119 Speaker 9: and tell me this is what you're going to do 491 00:26:06,160 --> 00:26:10,760 Speaker 9: it this way now in the pro game. Sometimes, even 492 00:26:10,800 --> 00:26:13,520 Speaker 9: when I managed in single egg, there was moments where 493 00:26:13,520 --> 00:26:17,359 Speaker 9: I would pinch it a kid and and I would 494 00:26:17,400 --> 00:26:20,640 Speaker 9: get you know, I get a phone call that night saying, hey, 495 00:26:20,880 --> 00:26:23,320 Speaker 9: why'd you pinch it for this guy? I'm like, well, 496 00:26:23,320 --> 00:26:26,600 Speaker 9: because he's two for he's two for thirty two. He's 497 00:26:26,600 --> 00:26:29,159 Speaker 9: not ready to jump off a bridge, that's why. And 498 00:26:30,280 --> 00:26:32,680 Speaker 9: they're like, don't do that. Don't do that ever again. 499 00:26:33,320 --> 00:26:36,600 Speaker 2: Staggowitz, good luck this weekend getting that's not cool, not cool. 500 00:26:36,760 --> 00:26:39,040 Speaker 2: This guy jumps off a bridge at Staten Island. That's 501 00:26:39,040 --> 00:26:42,520 Speaker 2: not great. We will return with some reaction. Then we 502 00:26:42,560 --> 00:26:44,480 Speaker 2: have a whole other hour a great sports talk. We're 503 00:26:44,520 --> 00:26:47,240 Speaker 2: going all the way till seven great sports talk. This 504 00:26:47,480 --> 00:26:50,159 Speaker 2: frog Man Friday Am by seventy l A s from 505 00:26:50,359 --> 00:26:52,120 Speaker 2: your home of the Dodgers. 506 00:26:57,640 --> 00:27:02,080 Speaker 1: Southern California's most listened to sports talk show This Petro 507 00:27:02,560 --> 00:27:04,000 Speaker 1: Money on Demand. 508 00:27:03,760 --> 00:27:06,280 Speaker 3: Petro Some Money and five seventy LA Sports Live Everywhere 509 00:27:06,359 --> 00:27:10,000 Speaker 3: on the iHeartRadio app. Dodgers Big Win Today scored thirteen 510 00:27:10,280 --> 00:27:13,840 Speaker 3: in the nation's capital, knocked off the Nationals five home runs, 511 00:27:13,880 --> 00:27:17,880 Speaker 3: including Otani's first. If you miss Dodger Talk or Dodger's 512 00:27:17,880 --> 00:27:19,760 Speaker 3: on Deck and want to relive it, be sure to 513 00:27:19,880 --> 00:27:22,880 Speaker 3: subscribe to those podcasts, along with the Petro Some Money 514 00:27:22,880 --> 00:27:24,680 Speaker 3: Show podcasts through the iHeartRadio app. 515 00:27:24,760 --> 00:27:28,520 Speaker 2: And don't forget Luka. Doncicic is out, So he's out. 516 00:27:28,720 --> 00:27:31,320 Speaker 2: He blew his hammy's gone and he's out. Why was 517 00:27:31,320 --> 00:27:33,159 Speaker 2: he out there when they were down thirty and they 518 00:27:33,160 --> 00:27:37,040 Speaker 2: were already rubbing down his hammy? Why? Why? Why? Why? 519 00:27:38,240 --> 00:27:39,760 Speaker 2: Why couldn't Browny bring the ball off? 520 00:27:41,119 --> 00:27:44,159 Speaker 3: I was only back to back to back possessions. It 521 00:27:44,320 --> 00:27:46,560 Speaker 3: wasn't back to back to back to back. That would 522 00:27:46,560 --> 00:27:47,399 Speaker 3: have been something weird. 523 00:27:47,560 --> 00:27:51,280 Speaker 2: Every time you pump up the Laker balloon, it pops 524 00:27:51,520 --> 00:27:57,800 Speaker 2: and it blows crap all over everybody's face. Stop pumping 525 00:27:57,880 --> 00:28:04,080 Speaker 2: up the Laker balloon. No, I blame you for pumping 526 00:28:04,119 --> 00:28:07,320 Speaker 2: the balloon. Oh it's going to be Title Town, Title Town. 527 00:28:08,560 --> 00:28:11,600 Speaker 2: Don't you pump it up? You didn't pump anything. You 528 00:28:11,600 --> 00:28:13,959 Speaker 2: pump it up in blue crap everywhere. I gave him 529 00:28:13,960 --> 00:28:18,320 Speaker 2: the platform. They should have taken advantage of it. That's 530 00:28:18,320 --> 00:28:20,840 Speaker 2: not on me. All I can do is give you 531 00:28:20,880 --> 00:28:23,639 Speaker 2: the opportunity. You've got to seize it. You've got to 532 00:28:23,640 --> 00:28:26,400 Speaker 2: walk through that door. It's time for some text us. 533 00:28:26,400 --> 00:28:29,440 Speaker 2: All text us a fine. 534 00:28:29,840 --> 00:28:31,920 Speaker 4: Brought to you by your so called Toyota dealers. 535 00:28:32,080 --> 00:28:35,720 Speaker 2: We make it easy. I started watching Peaky Blinders. Why 536 00:28:35,760 --> 00:28:38,880 Speaker 2: does desk cop Kates here have such a boner for 537 00:28:38,920 --> 00:28:42,080 Speaker 2: this show about villains? I would think he would rather 538 00:28:43,240 --> 00:28:49,360 Speaker 2: enjoy Raylan Gibbons and pilate him from Justified Raylan Givens. 539 00:28:49,440 --> 00:28:53,120 Speaker 2: The books are really good, the Elmore Leonard Raylan Gibbons books. 540 00:28:53,640 --> 00:28:59,920 Speaker 2: But Tim, I mean that does kind of make a 541 00:29:00,120 --> 00:29:04,880 Speaker 2: point that's valid. The Peaky Blinders are bad guys, and 542 00:29:04,920 --> 00:29:05,880 Speaker 2: you're more of a cops. 543 00:29:06,000 --> 00:29:08,280 Speaker 6: Yeah, but if you watch the show, the cops are 544 00:29:08,320 --> 00:29:10,120 Speaker 6: all corrupt too, so everybody in the show. 545 00:29:10,160 --> 00:29:11,400 Speaker 3: It's your favorite kind of contrupt. 546 00:29:13,520 --> 00:29:16,920 Speaker 6: Well, I don't know about that, but everybody's corrupt. Everybody's bad, 547 00:29:17,000 --> 00:29:20,720 Speaker 6: and we can all root for Tommy, Tommy and Arthur Shelby. 548 00:29:20,800 --> 00:29:26,280 Speaker 3: So Martha's dead, what about Martha's a Buffoon's a fool. 549 00:29:26,920 --> 00:29:27,680 Speaker 3: You're discressive. 550 00:29:27,760 --> 00:29:32,040 Speaker 2: He's on mom one more tom Authur and that's it. 551 00:29:33,040 --> 00:29:35,400 Speaker 2: He's in the Alpium dens with the Chinese. 552 00:29:35,600 --> 00:29:37,560 Speaker 3: I've been watching the show, and everybody's bad. 553 00:29:38,800 --> 00:29:39,800 Speaker 2: Kate's I love it. 554 00:29:40,040 --> 00:29:41,080 Speaker 3: I wanted good cops. 555 00:29:41,160 --> 00:29:45,400 Speaker 2: Tell Kate's I got him a birthday bendel don Cucko's 556 00:29:45,560 --> 00:29:49,160 Speaker 2: eight thirty men's room, top of the toilet. I'll be 557 00:29:49,240 --> 00:29:54,240 Speaker 2: there pasting him patiently for him, sincerely, one line. 558 00:29:54,080 --> 00:29:57,960 Speaker 6: Johnny, first dollar, second stall. Which what are we talking about? 559 00:29:57,960 --> 00:30:07,720 Speaker 2: Shohney one Johnny, this is cocaine and done Cucko. Johnny 560 00:30:10,360 --> 00:30:14,479 Speaker 2: Vassa is two cocky now acting all hot ass like 561 00:30:14,560 --> 00:30:16,880 Speaker 2: he won two back to back rings. 562 00:30:17,720 --> 00:30:20,720 Speaker 8: Let me walk in like a rooster, filing. 563 00:30:20,400 --> 00:30:22,480 Speaker 2: The smug d bag folder. 564 00:30:22,920 --> 00:30:24,640 Speaker 8: Let me walk in like a rooster. 565 00:30:25,400 --> 00:30:29,840 Speaker 2: David Vesse, really feeling it these days, stretched out his 566 00:30:29,960 --> 00:30:33,720 Speaker 2: legs and did an extra long dodger talk. Cut him loose, 567 00:30:34,360 --> 00:30:38,240 Speaker 2: cut loose, Rogan in Rodney like two giant salmon on. 568 00:30:38,120 --> 00:30:41,000 Speaker 3: The line, Dave, if we cut him loose, that's gonna 569 00:30:41,000 --> 00:30:43,720 Speaker 3: be a two hour and twenty Dodger. 570 00:30:44,080 --> 00:30:44,920 Speaker 2: Son of the Bitch. 571 00:30:45,000 --> 00:30:47,240 Speaker 8: I'm the captain of this ship, and I let me 572 00:30:47,320 --> 00:30:49,160 Speaker 8: walk in like a rooster. Cut him. 573 00:30:50,160 --> 00:30:52,240 Speaker 3: Literally, it's not an hour in twenty you know, it's 574 00:30:52,280 --> 00:30:53,840 Speaker 3: a two hour and twenty minute. 575 00:30:54,760 --> 00:30:59,000 Speaker 2: Tim Kakes and callin Ye are closer than Tom Cruise 576 00:30:59,040 --> 00:31:04,800 Speaker 2: and that Japanese dude in The Last Samura perhaps the 577 00:31:04,880 --> 00:31:10,880 Speaker 2: finest samurai film ever filmed. The moment where he puts 578 00:31:10,920 --> 00:31:14,080 Speaker 2: on the outfit. I would think it would be a 579 00:31:14,120 --> 00:31:16,800 Speaker 2: lot of other movies before I would say the Last Suits. 580 00:31:19,320 --> 00:31:24,120 Speaker 2: It's sexy catching up on the pod. What if I 581 00:31:24,160 --> 00:31:26,680 Speaker 2: wore my black flies to protect myself from the I 582 00:31:26,880 --> 00:31:29,840 Speaker 2: biting black flies? We're talking, and I haven't heard much 583 00:31:29,840 --> 00:31:33,120 Speaker 2: about the eye attacking black flies of the foothills ever 584 00:31:33,160 --> 00:31:35,360 Speaker 2: since Matten did the story follow up. I mean, we 585 00:31:35,400 --> 00:31:37,320 Speaker 2: had a follow up at the La River. We've had 586 00:31:37,360 --> 00:31:40,080 Speaker 2: all kinds of follow ups, but no follow up on 587 00:31:40,120 --> 00:31:41,440 Speaker 2: the I eating. 588 00:31:41,240 --> 00:31:44,479 Speaker 3: Fi black flies. I call it BS on that story, 589 00:31:44,680 --> 00:31:46,880 Speaker 3: people are all blind. They can't see them now. They 590 00:31:46,920 --> 00:31:47,680 Speaker 3: eat their eyes. 591 00:31:48,640 --> 00:31:53,000 Speaker 2: I can't believe how stupid Tim David Vassy doesn't think 592 00:31:53,040 --> 00:31:55,920 Speaker 2: that you know today is Tim Kate's birthday. David Vassa 593 00:31:56,120 --> 00:31:58,760 Speaker 2: is a complete moron. I did not know it was 594 00:31:58,800 --> 00:32:00,840 Speaker 2: Tim Kate's birthday until I showed up and saw the 595 00:32:00,840 --> 00:32:03,720 Speaker 2: birthday signage. But happy birthday, Tim. 596 00:32:03,600 --> 00:32:06,840 Speaker 6: Kaits what color flavor of cakere we having? 597 00:32:06,960 --> 00:32:09,640 Speaker 2: Guys, we already enjoyed him. 598 00:32:09,680 --> 00:32:15,040 Speaker 3: We already enjoyed it, idiot, It was delicious. Damn you 599 00:32:15,040 --> 00:32:18,640 Speaker 3: didn't remember? It was ice cream inside of a doughnut, 600 00:32:19,280 --> 00:32:22,080 Speaker 3: wrapped inside of a churo buried all. I'm in that 601 00:32:22,200 --> 00:32:22,880 Speaker 3: was delicious. 602 00:32:23,960 --> 00:32:27,480 Speaker 1: The secretes a fine brought to you by your so 603 00:32:27,680 --> 00:32:28,760 Speaker 1: called Toyota dealers. 604 00:32:28,960 --> 00:32:32,680 Speaker 2: We make it easy. Hey, tell Maddie he's an idiot. 605 00:32:33,360 --> 00:32:36,680 Speaker 2: I heard out hours before the game last night that 606 00:32:37,080 --> 00:32:40,640 Speaker 2: Wemby wasn't played, So how the aft did Matt Smith, 607 00:32:41,280 --> 00:32:43,520 Speaker 2: the host of Petros and Money and the voice of 608 00:32:43,560 --> 00:32:44,960 Speaker 2: the Bolts, not No. 609 00:32:45,640 --> 00:32:48,680 Speaker 3: That checks out. I think that I think you pretty 610 00:32:48,760 --> 00:32:52,760 Speaker 3: much summed up the show revelation. 611 00:32:52,920 --> 00:32:55,479 Speaker 2: He even says he heard the update on our station. 612 00:32:56,280 --> 00:33:00,960 Speaker 2: Even better, that the guy's not gonna play perfectly described 613 00:33:01,040 --> 00:33:03,200 Speaker 2: the Petros and money. Matt went to the Clipper game 614 00:33:03,240 --> 00:33:05,560 Speaker 2: and know Wemby, but he still enjoyed the into it dumb, 615 00:33:05,600 --> 00:33:08,640 Speaker 2: which is a hell of event. Tell Matt to stop crying. 616 00:33:09,240 --> 00:33:11,840 Speaker 2: Doesn't he know nobody wants to listen to dumb ass 617 00:33:12,000 --> 00:33:14,920 Speaker 2: Fred and Rodney for shame. 618 00:33:15,000 --> 00:33:15,560 Speaker 8: That's true. 619 00:33:15,960 --> 00:33:18,280 Speaker 3: That works both for shame, and that's the true. It's 620 00:33:18,360 --> 00:33:20,600 Speaker 3: not that I want you to listen to them, It's 621 00:33:20,600 --> 00:33:23,800 Speaker 3: that I want them to work. That's all it is. 622 00:33:24,040 --> 00:33:28,280 Speaker 3: I want them to have to be attached to their microphones, 623 00:33:28,520 --> 00:33:30,320 Speaker 3: have to fire them up, and have to come up 624 00:33:30,360 --> 00:33:34,160 Speaker 3: with forty five minutes of content. I'm sorry, that's something 625 00:33:34,160 --> 00:33:34,920 Speaker 3: that pleases me. 626 00:33:35,760 --> 00:33:38,040 Speaker 2: Like I want to say, I heard it on your 627 00:33:38,040 --> 00:33:41,160 Speaker 2: station on a sports update, a little blurb on oh 628 00:33:41,200 --> 00:33:44,200 Speaker 2: Wemby tonight sadly blah blah blah. How the heck did 629 00:33:44,240 --> 00:33:47,760 Speaker 2: Matt not know that? Idiot? Wow, Matt sounds like a 630 00:33:47,800 --> 00:33:49,520 Speaker 2: real idiot today. 631 00:33:51,800 --> 00:33:53,680 Speaker 3: Again, I'm not going to explain it away. 632 00:33:53,920 --> 00:33:57,400 Speaker 2: Usually that is like, oh, Clipper Spurs tonight, Wemby's gonna 633 00:33:57,400 --> 00:34:00,880 Speaker 2: be out there, Petro so Whimpy's not Petros. There's gonna 634 00:34:00,880 --> 00:34:01,400 Speaker 2: be no Windy. 635 00:34:01,560 --> 00:34:04,760 Speaker 3: Surely, me and me and John were standing there. He's like, 636 00:34:04,800 --> 00:34:06,400 Speaker 3: you see him? I was like, I don't see him, man, 637 00:34:06,440 --> 00:34:07,920 Speaker 3: I don't know. Maybe maybe he's coming out a little 638 00:34:07,920 --> 00:34:09,640 Speaker 3: bit late. He say, do you really think he's not 639 00:34:09,680 --> 00:34:11,279 Speaker 3: gonna play? I don't know, man, I don't think he's 640 00:34:11,320 --> 00:34:11,719 Speaker 3: gonna play. 641 00:34:12,239 --> 00:34:14,239 Speaker 2: Your guy, John took you out last night. Tonight he's 642 00:34:14,239 --> 00:34:17,600 Speaker 2: gonna meet Kate's in the bathroom at don Cucko. What 643 00:34:17,880 --> 00:34:27,520 Speaker 2: lo Johnny johny one line johny DV was talking to 644 00:34:27,560 --> 00:34:30,440 Speaker 2: us about you guys today. What he said anyone can 645 00:34:30,520 --> 00:34:33,560 Speaker 2: do Frogman Friday sound bites and dead and live guy 646 00:34:33,640 --> 00:34:36,400 Speaker 2: birthdays blah blah blah. You need to put him in 647 00:34:36,440 --> 00:34:36,840 Speaker 2: his place. 648 00:34:37,040 --> 00:34:38,720 Speaker 8: Let me walk in like a rooster. 649 00:34:41,680 --> 00:34:44,640 Speaker 3: I could say something mean and I'm not gonna hold 650 00:34:44,680 --> 00:34:47,640 Speaker 3: my tongue because I'm an idiot. They had enough date 651 00:34:47,680 --> 00:34:49,799 Speaker 3: on our station that said Webb and Yama is not 652 00:34:49,840 --> 00:34:50,960 Speaker 3: playing and I. 653 00:34:51,200 --> 00:34:54,239 Speaker 2: Girl, wait till you see this French pragmants. 654 00:34:55,719 --> 00:34:57,600 Speaker 3: You guys are gonna freak out. 655 00:34:58,040 --> 00:35:01,880 Speaker 2: Did I just hear Tom Jodas referenced or am I confused? 656 00:35:02,600 --> 00:35:04,359 Speaker 2: So many reasons to love the show. You don't get 657 00:35:04,360 --> 00:35:06,760 Speaker 2: that anywhere else? Well, yeah, you do it? Okay, see 658 00:35:07,200 --> 00:35:10,360 Speaker 2: the ghost of Tom jod plays half the defense for 659 00:35:10,480 --> 00:35:13,880 Speaker 2: that team. That's why the balls are good. Yeah, balls 660 00:35:14,080 --> 00:35:16,560 Speaker 2: slipping out and he what he does, he uses an 661 00:35:16,640 --> 00:35:19,200 Speaker 2: ethereal dust from the dust bowl. 662 00:35:21,080 --> 00:35:22,040 Speaker 3: The worst hard time. 663 00:35:24,200 --> 00:35:24,839 Speaker 5: What that was? 664 00:35:26,680 --> 00:35:28,879 Speaker 2: Hey, how about a talkbacker too, Tim Kates, He's dug 665 00:35:28,880 --> 00:35:29,520 Speaker 2: out a couple more. 666 00:35:29,640 --> 00:35:31,239 Speaker 4: First, you think for doing an hour and a half 667 00:35:31,320 --> 00:35:33,480 Speaker 4: of Dodger talked today, so we didn't have to listen 668 00:35:33,520 --> 00:35:36,080 Speaker 4: to any Rogan and sometimes Rodney. 669 00:35:37,080 --> 00:35:38,680 Speaker 3: I feel like there's quite a few of those on 670 00:35:38,760 --> 00:35:39,240 Speaker 3: the talkback. 671 00:35:39,280 --> 00:35:41,920 Speaker 9: Then, please tell me the Dodgers are getting rid of 672 00:35:41,960 --> 00:35:46,240 Speaker 9: those Dippin' dot city whatever unieds they wear. 673 00:35:46,560 --> 00:35:49,280 Speaker 2: Ultimately at home they're not. We love those. 674 00:35:50,600 --> 00:35:51,600 Speaker 3: They've really grown on me. 675 00:35:54,000 --> 00:35:54,920 Speaker 2: I love these blue hirt. 676 00:35:54,960 --> 00:35:57,440 Speaker 3: I really like these petros. 677 00:35:57,600 --> 00:36:00,600 Speaker 2: Just so you know, into it is an arena, it's 678 00:36:00,600 --> 00:36:03,959 Speaker 2: not a stadium. Better luck next time, Pal. 679 00:36:05,320 --> 00:36:06,440 Speaker 3: Did you call it a stadium? 680 00:36:06,680 --> 00:36:09,480 Speaker 2: I don't know. I call it I say a lot 681 00:36:09,520 --> 00:36:10,200 Speaker 2: of Vegas. 682 00:36:10,360 --> 00:36:11,680 Speaker 3: Hey, I didn't know when you. 683 00:36:11,680 --> 00:36:14,200 Speaker 9: Grew up in La and you know as much Spanish 684 00:36:14,200 --> 00:36:15,920 Speaker 9: as a second generation Mexican. 685 00:36:16,600 --> 00:36:17,879 Speaker 2: Petres is an Anglo name. 686 00:36:18,239 --> 00:36:25,560 Speaker 3: You're Latino, not an. You're Latino, not an Anglo and 687 00:36:25,600 --> 00:36:29,160 Speaker 3: then it's Pedro, so y'all have me go? 688 00:36:29,520 --> 00:36:31,040 Speaker 2: Hey my friends. He's mean. 689 00:36:31,400 --> 00:36:34,960 Speaker 8: You know, I just call my friends. You know, I 690 00:36:35,040 --> 00:36:35,799 Speaker 8: got confession. 691 00:36:36,560 --> 00:36:40,800 Speaker 6: It's not Monday, but I still have today and uh, 692 00:36:41,080 --> 00:36:43,040 Speaker 6: you know, because I'm Latin. 693 00:36:44,480 --> 00:36:46,960 Speaker 2: That's the best. That's the best when I've heard all that. 694 00:36:48,080 --> 00:36:56,480 Speaker 2: A friend one with you. Okay, thanks for listening. We'll 695 00:36:56,520 --> 00:36:59,120 Speaker 2: be right back. We got another hour coming up. Quick hit, 696 00:36:59,280 --> 00:37:04,800 Speaker 2: fun Fact, Dead and Alive. Boom rivet