1 00:00:00,480 --> 00:00:14,040 Speaker 1: Hous to New York Mark Simone seven ten wor. 2 00:00:09,560 --> 00:00:14,800 Speaker 2: Well, Hey, the president will address the country. Actually he'll 3 00:00:14,840 --> 00:00:17,320 Speaker 2: take questions with the reporters. He'll do that later today. 4 00:00:17,760 --> 00:00:21,239 Speaker 2: That's coming up. It's already, I mean from the beginning 5 00:00:21,280 --> 00:00:25,000 Speaker 2: of the strike on I ran from the beginning. He 6 00:00:25,160 --> 00:00:29,200 Speaker 2: was speaking to reporters all along and answering questions from them. 7 00:00:29,680 --> 00:00:31,880 Speaker 2: They were all a little surprised. Actually he would answer, 8 00:00:31,920 --> 00:00:34,280 Speaker 2: as they'd had all his cell number. He would answer 9 00:00:34,360 --> 00:00:38,600 Speaker 2: his phone and give them five minutes each, so, which 10 00:00:38,640 --> 00:00:40,559 Speaker 2: is more than usually get in a press conference. So 11 00:00:41,159 --> 00:00:43,920 Speaker 2: he is talking and will continue to talk all day 12 00:00:44,159 --> 00:00:48,080 Speaker 2: about what's going on. The president also now saying it 13 00:00:48,120 --> 00:00:51,960 Speaker 2: looks like originally knew that we got forty of Iraq's leaders, 14 00:00:51,960 --> 00:00:55,240 Speaker 2: we got the Ayatola and another forty leaders. Now that 15 00:00:55,320 --> 00:00:59,240 Speaker 2: number is forty nine leaders of the country, the government, 16 00:00:59,320 --> 00:01:03,400 Speaker 2: the military. Forty nine are now dead. The Ayatola had 17 00:01:03,480 --> 00:01:07,560 Speaker 2: named Ali Lara Janni as his successor. I don't know 18 00:01:07,560 --> 00:01:09,759 Speaker 2: if he's on the list, but that's who he had 19 00:01:10,840 --> 00:01:12,880 Speaker 2: just in case anything happened. Him's who he had always 20 00:01:12,880 --> 00:01:17,039 Speaker 2: designated to be his successor. Ali Lara Johanni, who's considered 21 00:01:17,040 --> 00:01:21,839 Speaker 2: a brutal, awful as bad as the Ayatola. But we'll see, 22 00:01:22,080 --> 00:01:24,839 Speaker 2: we'll probably announce that later today if they got him too. 23 00:01:27,120 --> 00:01:29,759 Speaker 2: So it's been a tough time for Democrats. They don't 24 00:01:29,760 --> 00:01:32,080 Speaker 2: know how to handle this. They don't know what to attack. 25 00:01:32,360 --> 00:01:34,800 Speaker 2: As we were talking about earlier, the New York Times 26 00:01:35,120 --> 00:01:40,040 Speaker 2: the Washington Post horrified everybody with their peaceful, gentle obituary 27 00:01:40,600 --> 00:01:44,200 Speaker 2: for the Ayatola, describing him as a a cleric, a 28 00:01:44,240 --> 00:01:48,400 Speaker 2: man who wrote poetry. He was the most brutal, evil 29 00:01:48,920 --> 00:01:52,920 Speaker 2: barbarian on earth. That's how they described him. So if 30 00:01:53,000 --> 00:01:57,920 Speaker 2: Hitler were killed today, the Post, the New York Times, 31 00:01:58,040 --> 00:02:00,840 Speaker 2: Washington Post, New York Times would do the same thing. 32 00:02:00,880 --> 00:02:03,720 Speaker 2: They would describe Hitler as a painter who was also 33 00:02:03,720 --> 00:02:08,120 Speaker 2: a best selling author. So it's absolutely disgusting the behavior 34 00:02:08,160 --> 00:02:11,560 Speaker 2: of the New York Times and the Washington Post. And 35 00:02:11,600 --> 00:02:17,480 Speaker 2: then you've got this television coverage. It's absolutely ridiculous. If 36 00:02:17,520 --> 00:02:21,200 Speaker 2: you watch the Morning Joe kind of shows, all he 37 00:02:21,240 --> 00:02:22,960 Speaker 2: keeps saying is there's no plan. If only he had 38 00:02:22,960 --> 00:02:24,720 Speaker 2: a plan. He doesn't have a plan. Why doesn't he 39 00:02:24,760 --> 00:02:27,400 Speaker 2: have a plan? Well, I guarantee you they got plenty 40 00:02:27,400 --> 00:02:30,880 Speaker 2: of plans. They've got a plan, a very specific plan. 41 00:02:31,280 --> 00:02:32,680 Speaker 2: You know how they always like to when they talk 42 00:02:32,680 --> 00:02:35,320 Speaker 2: about Trump, they always like to say he said without 43 00:02:35,320 --> 00:02:41,200 Speaker 2: evidence that, well, they're all talking without evidence. Now. The reason, 44 00:02:41,320 --> 00:02:43,480 Speaker 2: I think one of the reasons Trump is so successful 45 00:02:43,520 --> 00:02:47,200 Speaker 2: when it comes to military operations in the past, the 46 00:02:47,240 --> 00:02:49,919 Speaker 2: way it's always done traditionally, when a president wants to 47 00:02:49,960 --> 00:02:53,119 Speaker 2: take military action, there comes a time, a moment where 48 00:02:53,120 --> 00:02:56,680 Speaker 2: the generals come in and you know, they present you 49 00:02:56,760 --> 00:03:00,320 Speaker 2: with three options. It's always three for some reason. They 50 00:03:00,360 --> 00:03:05,040 Speaker 2: give you three what they call cohah's stands for course 51 00:03:05,080 --> 00:03:07,079 Speaker 2: of action, three courses of Actually, they lay it out 52 00:03:07,080 --> 00:03:09,919 Speaker 2: for you, here's the three and you pick from one 53 00:03:09,919 --> 00:03:13,040 Speaker 2: of the three options they give you. That's always the game, 54 00:03:13,080 --> 00:03:16,400 Speaker 2: it's always the way it's done. But President Trump is 55 00:03:16,440 --> 00:03:18,440 Speaker 2: the first president not to do that. You don't come 56 00:03:18,960 --> 00:03:21,160 Speaker 2: in with your three options, but he's going to pick 57 00:03:21,200 --> 00:03:25,079 Speaker 2: them apart, customize them, and when you lay at your options, 58 00:03:25,120 --> 00:03:26,679 Speaker 2: he's gonna say, well, what about this, what about that? 59 00:03:26,720 --> 00:03:29,400 Speaker 2: Why can't you do this? Why can't you He doesn't 60 00:03:29,400 --> 00:03:32,320 Speaker 2: stick to their three options, and that's it. That's that's 61 00:03:32,360 --> 00:03:36,440 Speaker 2: all you get to choose from we'll see what happened. 62 00:03:36,440 --> 00:03:38,160 Speaker 2: We're going to learn a lot more. Today we've taken 63 00:03:38,200 --> 00:03:41,160 Speaker 2: out half their navy. A couple more days, we'll have 64 00:03:41,200 --> 00:03:45,120 Speaker 2: eliminated the entire navy. We've taken out most of their 65 00:03:45,160 --> 00:03:47,560 Speaker 2: probably about fifty percent of their missiles. We'll get the 66 00:03:47,680 --> 00:03:52,360 Speaker 2: rest Republican Guard headquarters, all that stuff has been taken out. 67 00:03:52,720 --> 00:03:57,040 Speaker 2: We're destroying all their military capabilities. President has said two weeks, 68 00:03:57,040 --> 00:04:01,520 Speaker 2: maybe four weeks. Israel, US, other countries, the Saudi's, others 69 00:04:01,560 --> 00:04:05,000 Speaker 2: all taken out every piece of military, everything they have. 70 00:04:05,520 --> 00:04:08,800 Speaker 2: They will no longer be a threat to anybody. And 71 00:04:08,840 --> 00:04:14,040 Speaker 2: we'll see who emerges from the rubble to take charge. Hey, 72 00:04:14,080 --> 00:04:18,040 Speaker 2: let's talk about Let's talk about our old buddy, Neil Sidaka. 73 00:04:18,080 --> 00:04:21,160 Speaker 2: He was a wonderful guy. He was, you know, I 74 00:04:21,160 --> 00:04:23,120 Speaker 2: don't know if you tell you how talented the guy was. 75 00:04:23,680 --> 00:04:28,359 Speaker 2: Started very young, first writing songs in the Brill Building 76 00:04:29,200 --> 00:04:31,479 Speaker 2: that was over at forty ninth in Broadway, the famous 77 00:04:31,520 --> 00:04:35,159 Speaker 2: Brill Building, and all the great songwriters were there, Burt 78 00:04:35,240 --> 00:04:41,560 Speaker 2: Backrack and Hal David and Carol King and Neil Sidak 79 00:04:41,600 --> 00:04:43,160 Speaker 2: and all these people you know, all the other names. 80 00:04:43,160 --> 00:04:45,599 Speaker 2: You know, all their writing in the Brill Building, although 81 00:04:45,600 --> 00:04:48,919 Speaker 2: they all told me nobody ever actually wrote in the 82 00:04:48,920 --> 00:04:51,760 Speaker 2: Brill Building. Oh, when you first started, when you were, 83 00:04:52,000 --> 00:04:54,360 Speaker 2: you know, an eighteen year old, nineteen year old Neil Sadaka, 84 00:04:54,400 --> 00:04:56,200 Speaker 2: he went and worked in your little cubicle in the 85 00:04:56,200 --> 00:04:58,360 Speaker 2: Brill Building. But as soon as you had a hit 86 00:04:58,440 --> 00:05:00,480 Speaker 2: or to and made a lot of money, you didn't 87 00:05:00,480 --> 00:05:02,400 Speaker 2: go to the Brill Building anymore. You wrote the songs 88 00:05:02,400 --> 00:05:07,400 Speaker 2: in your beautiful, plush apartment. Neil Sidaka did that. Burt Backrack, 89 00:05:07,440 --> 00:05:11,960 Speaker 2: Al David fifty seventh and Second Avenue, the Excelsior, beautiful 90 00:05:11,960 --> 00:05:14,600 Speaker 2: apartment building, stunning at the time. That's where they wrote 91 00:05:14,640 --> 00:05:18,200 Speaker 2: all those songs. But Sadaka was a great songwriter, and 92 00:05:20,080 --> 00:05:23,240 Speaker 2: he finally had a hit record. But I mean, just 93 00:05:23,240 --> 00:05:25,120 Speaker 2: listen to some of his early sixties and all those 94 00:05:25,160 --> 00:05:27,560 Speaker 2: early sixties hits, and it was huge. But then he 95 00:05:27,680 --> 00:05:31,280 Speaker 2: kind of disappeared, like the Four Seasons, Frankie Valley, like 96 00:05:31,320 --> 00:05:33,640 Speaker 2: a lot of those people just kind of disappeared in 97 00:05:33,680 --> 00:05:36,919 Speaker 2: the late sixties as everything changed, you know, it was 98 00:05:37,000 --> 00:05:40,880 Speaker 2: more rock and roll, like, you know, all that hippie 99 00:05:40,960 --> 00:05:44,280 Speaker 2: music and all that. So the beautiful early sixties stuff 100 00:05:44,320 --> 00:05:47,680 Speaker 2: went away. But he made an incredible comeback in seventy 101 00:05:47,720 --> 00:05:50,920 Speaker 2: five thanks to Elton John. It was Elton John that'd 102 00:05:50,920 --> 00:05:52,680 Speaker 2: helped give him a record deal. Elton John was a 103 00:05:52,720 --> 00:05:55,960 Speaker 2: big fan, and he wrote Love Will Keep Us Together, 104 00:05:56,520 --> 00:06:00,560 Speaker 2: Captain until huge hit. But then Sadaka had Laughter in 105 00:06:00,600 --> 00:06:04,880 Speaker 2: the Rain, big big hit, and then brilliantly decided to 106 00:06:04,920 --> 00:06:09,920 Speaker 2: do it again a second hit with breaking Up his 107 00:06:09,920 --> 00:06:11,719 Speaker 2: hard to do, but he did it as a ballad, 108 00:06:12,520 --> 00:06:14,960 Speaker 2: and then Bad Blood. All these seventies hits made him 109 00:06:15,040 --> 00:06:18,240 Speaker 2: huge all over again. Yeah, and he was a great 110 00:06:18,279 --> 00:06:19,880 Speaker 2: guy in real life. I spent a lot of time 111 00:06:19,880 --> 00:06:23,080 Speaker 2: with him through the He's a wonderful guy. Lived fifty 112 00:06:23,080 --> 00:06:25,839 Speaker 2: eighth in Park and he'd go to all the finest 113 00:06:26,000 --> 00:06:28,920 Speaker 2: gallows and everything in the tux sedo, but he'd also staytime. 114 00:06:29,000 --> 00:06:30,960 Speaker 2: He'd be in a diner, a coffee shop. He was 115 00:06:32,080 --> 00:06:35,799 Speaker 2: a fun guy. Wherever he was somebody's house, a restaurant. 116 00:06:35,839 --> 00:06:38,680 Speaker 2: You'd always go to the piano, start playing and singing. 117 00:06:38,680 --> 00:06:40,359 Speaker 2: And when he'd sing Laughter in the Rain, and what 118 00:06:40,760 --> 00:06:44,160 Speaker 2: sounded exactly like the record, It was unbelievable, how it 119 00:06:44,200 --> 00:06:46,760 Speaker 2: was uncanny the way he could recreate the record. And 120 00:06:46,800 --> 00:06:49,440 Speaker 2: he was on my show all the time. For weeks 121 00:06:49,440 --> 00:06:52,480 Speaker 2: and weeks and I mean months years. He was on 122 00:06:54,400 --> 00:06:58,280 Speaker 2: like thousands of appearances. Here's just one I found. We're 123 00:06:58,320 --> 00:06:59,960 Speaker 2: talking about the early sixties. You know there was someone 124 00:07:00,120 --> 00:07:02,400 Speaker 2: one hit Wonders, and I asked them about that. 125 00:07:02,520 --> 00:07:04,520 Speaker 1: Tell me about let's go back to the early sixties. 126 00:07:04,520 --> 00:07:06,520 Speaker 1: In those days, and you had what they used to 127 00:07:06,560 --> 00:07:09,240 Speaker 1: call these one hit wonders. You know, they have one 128 00:07:09,320 --> 00:07:13,600 Speaker 1: huge hit like little Eva, look, look, emotion, and then 129 00:07:14,280 --> 00:07:16,000 Speaker 1: how come people like that just don't have another hit 130 00:07:16,040 --> 00:07:16,400 Speaker 1: after that? 131 00:07:17,320 --> 00:07:18,840 Speaker 3: That was my fear that I was going to be 132 00:07:18,880 --> 00:07:23,680 Speaker 3: a one shot wonder. I remember telling Johnny kershe if 133 00:07:23,680 --> 00:07:26,000 Speaker 3: I could be as big as Jimmy Bowen and Buddy Knox. 134 00:07:27,400 --> 00:07:33,640 Speaker 3: But everybody had that fea. What happens is you don't 135 00:07:33,640 --> 00:07:37,200 Speaker 3: have the material, you don't have the stamina, you don't 136 00:07:37,280 --> 00:07:39,840 Speaker 3: can't can't keep up at the time. You do the 137 00:07:39,880 --> 00:07:43,040 Speaker 3: same thing over and over, and you don't show any 138 00:07:43,040 --> 00:07:44,440 Speaker 3: freshness or creativity. 139 00:07:44,720 --> 00:07:46,600 Speaker 1: Yeah, but you know, if you're that big, Let's say 140 00:07:46,600 --> 00:07:48,520 Speaker 1: you're the Toys and you sing a Lover's Concerto, you 141 00:07:48,600 --> 00:07:50,560 Speaker 1: got a big number one record, you'd think you could 142 00:07:50,600 --> 00:07:53,400 Speaker 1: find another song somewhere you think so. 143 00:07:53,520 --> 00:07:58,360 Speaker 3: But the record business was very sickle. It was very changeable. 144 00:07:59,280 --> 00:08:04,600 Speaker 3: It depends on the promotion or radio plays. You know, 145 00:08:04,720 --> 00:08:08,400 Speaker 3: if a guy walked into the studio and schmied a little. 146 00:08:08,400 --> 00:08:09,120 Speaker 3: In those days. 147 00:08:10,200 --> 00:08:12,560 Speaker 1: Yeah, So even though you were a huge start and 148 00:08:12,560 --> 00:08:14,320 Speaker 1: you had these hit records, you actually had a fear 149 00:08:14,320 --> 00:08:15,640 Speaker 1: that maybe it would end at some point. 150 00:08:16,120 --> 00:08:20,000 Speaker 3: I was afraid at the beginning. But you know, I 151 00:08:21,600 --> 00:08:24,480 Speaker 3: wasn't a rock and roller who could play four chords 152 00:08:24,560 --> 00:08:28,720 Speaker 3: on the piano. I had a great background in the 153 00:08:28,880 --> 00:08:33,440 Speaker 3: theory and harmony, and yes I was a concert pianist. 154 00:08:33,520 --> 00:08:38,520 Speaker 3: And it was also I sang in five languages. In 155 00:08:38,600 --> 00:08:40,880 Speaker 3: those days, I used to sing, and I was the 156 00:08:40,960 --> 00:08:43,280 Speaker 3: first rock and roller to go to many foreign countries 157 00:08:43,320 --> 00:08:44,360 Speaker 3: and sing in their language. 158 00:08:44,559 --> 00:08:45,480 Speaker 2: Wow, I didn't know that. 159 00:08:45,800 --> 00:08:48,720 Speaker 1: Now I've also seen you were Sometimes you just literally 160 00:08:48,760 --> 00:08:50,680 Speaker 1: in somebody's living room and you'd sit at the piano 161 00:08:51,080 --> 00:08:52,920 Speaker 1: and play and sing laughter in the rain, and you'd 162 00:08:52,960 --> 00:08:56,079 Speaker 1: sound exactly like the record. Now a lot of artists 163 00:08:56,120 --> 00:08:58,040 Speaker 1: can't do that. Didn't never sound anything like their record 164 00:08:58,040 --> 00:08:58,840 Speaker 1: when they're in concert. 165 00:08:59,040 --> 00:09:01,480 Speaker 3: Well, I've been very lucky, I do, if I may 166 00:09:01,559 --> 00:09:04,959 Speaker 3: say so, have a remarkable voice. No, absolutely, it never 167 00:09:05,040 --> 00:09:07,640 Speaker 3: has changed. I take good care of myself. I get 168 00:09:07,760 --> 00:09:10,959 Speaker 3: enough sleep, I get enough exercise, and I don't abuse 169 00:09:11,040 --> 00:09:13,800 Speaker 3: my voice. I'm going through next year as my fiftieth 170 00:09:13,840 --> 00:09:16,560 Speaker 3: anniversary and I still have the same voice. I can 171 00:09:16,600 --> 00:09:19,480 Speaker 3: get into a taxi in New York and the driver 172 00:09:19,600 --> 00:09:22,160 Speaker 3: won't even turn around. He'll say you, Neil Sadaka, I 173 00:09:22,160 --> 00:09:23,120 Speaker 3: can tell by your voice. 174 00:09:23,800 --> 00:09:25,199 Speaker 2: Well, you know you're right. That's a those things. 175 00:09:25,240 --> 00:09:27,199 Speaker 1: One of the few singers that when you talk, you 176 00:09:27,320 --> 00:09:28,200 Speaker 1: sound like when you're singing. 177 00:09:28,559 --> 00:09:33,079 Speaker 3: Yeah, Tony Beel, you know what's funny. 178 00:09:33,679 --> 00:09:37,240 Speaker 2: The biggest hit he ever had in his career, the single, 179 00:09:37,280 --> 00:09:41,640 Speaker 2: biggest hit people in America never heard. It was actually 180 00:09:42,080 --> 00:09:44,800 Speaker 2: in Great Britain. I'm trying to see if I can 181 00:09:44,880 --> 00:09:49,160 Speaker 2: find it here. I mean it was a guy named 182 00:09:49,200 --> 00:09:54,360 Speaker 2: Tony Christie. Tony Christie was how do you describe me? 183 00:09:54,400 --> 00:09:56,600 Speaker 2: He's like the Tom Jones of England at the time. 184 00:09:56,640 --> 00:10:01,000 Speaker 2: He has similar voice, and Neil Sadaka wrote a song 185 00:10:01,080 --> 00:10:04,360 Speaker 2: for him, is This the Way to Amarillo. It became 186 00:10:04,960 --> 00:10:09,599 Speaker 2: the biggest hit in Europe and it was revived like 187 00:10:09,679 --> 00:10:11,599 Speaker 2: in the two thousands in a video. Somebody put it 188 00:10:11,640 --> 00:10:13,360 Speaker 2: in a video, became a hit all over again. It 189 00:10:13,520 --> 00:10:17,680 Speaker 2: sold tens of millions of copies. It's in the Guinness 190 00:10:17,720 --> 00:10:20,400 Speaker 2: Book of World Records. It's one of the biggest selling 191 00:10:20,679 --> 00:10:23,599 Speaker 2: singles in the history of the world. And nobody in 192 00:10:23,679 --> 00:10:25,360 Speaker 2: this country ever heard it. That's the one thing that 193 00:10:25,520 --> 00:10:28,360 Speaker 2: bothered Neil Sadaka. Me said, here it is. It's a 194 00:10:28,440 --> 00:10:31,800 Speaker 2: guy named Tony Christie. Well, if you listen to it, 195 00:10:31,880 --> 00:10:34,800 Speaker 2: you'll get addicted. Who downloaded? Is this the way to Amarillo? 196 00:10:35,480 --> 00:10:38,200 Speaker 2: Tony Christie? It was the biggest hit Neil Sadaka ever had, 197 00:10:38,240 --> 00:10:40,200 Speaker 2: the only song he ever wrote that made the Guinness 198 00:10:40,240 --> 00:10:43,599 Speaker 2: Book of World Records for sales. And it bugged the 199 00:10:43,760 --> 00:10:45,600 Speaker 2: hell out of them that people in this country didn't 200 00:10:45,600 --> 00:10:48,439 Speaker 2: know it. So he recorded it once and tried to 201 00:10:48,480 --> 00:10:50,600 Speaker 2: make it a hit here and just didn't go anywhere. 202 00:10:50,679 --> 00:10:52,560 Speaker 2: And I remember talking about it once and he said, well, 203 00:10:52,600 --> 00:10:55,760 Speaker 2: why couldn't it? I said, it doesn't work with you 204 00:10:55,840 --> 00:10:57,520 Speaker 2: singing it. You sound like a New York City guy. 205 00:10:57,520 --> 00:10:59,880 Speaker 2: You don't sound like a guy who's going to Amarillo. 206 00:11:00,320 --> 00:11:03,800 Speaker 2: It's a country in Western song. So and you can 207 00:11:03,960 --> 00:11:07,120 Speaker 2: you can see a lot of great videos of this online. 208 00:11:07,160 --> 00:11:11,679 Speaker 2: But Neil Sidaka downloads him. Neil Sadaka put it, put 209 00:11:11,720 --> 00:11:14,680 Speaker 2: it in your iTunes. He was an incredible, incredible guy. 210 00:11:15,280 --> 00:11:19,760 Speaker 2: So what else mayor mom? Donnie putting out crazy, crazy, 211 00:11:19,880 --> 00:11:25,199 Speaker 2: crazy statements about Iran, all these Democrats. You'll see Connecticut 212 00:11:25,280 --> 00:11:29,480 Speaker 2: has a really nutjob Senator Chris Murphy, and you got 213 00:11:29,559 --> 00:11:35,000 Speaker 2: that total whack job Adam Shift and those Sunday shows. 214 00:11:35,080 --> 00:11:39,079 Speaker 2: It's it's really irresponsible of ABC or other networks to 215 00:11:39,160 --> 00:11:41,439 Speaker 2: put these guys on the air. You got to put 216 00:11:41,480 --> 00:11:45,000 Speaker 2: some normal, reasonable people on the air on Sunday when 217 00:11:45,040 --> 00:11:47,600 Speaker 2: you when you know the guy's an absolute left wing kook, 218 00:11:47,679 --> 00:11:52,280 Speaker 2: whack job and elon omar, Chris Murphy, an Adam Shift. 219 00:11:52,280 --> 00:11:55,000 Speaker 2: You should not be putting him on the air in 220 00:11:55,120 --> 00:11:57,319 Speaker 2: a time of war like that. It's just it's just 221 00:11:57,440 --> 00:12:00,600 Speaker 2: not right. But they've been attacking him like crazy. Donnie'll 222 00:12:00,600 --> 00:12:02,160 Speaker 2: give him a little bit of a pass. He's twelve 223 00:12:02,240 --> 00:12:05,040 Speaker 2: years old, he never had a job before, but there 224 00:12:05,120 --> 00:12:08,600 Speaker 2: he was declaring this is the most illegal war. 225 00:12:08,800 --> 00:12:12,440 Speaker 4: It's just in today's military strikes by the United States 226 00:12:12,600 --> 00:12:17,960 Speaker 4: and Israel mark a catastrophic escalation in an illegal act 227 00:12:18,000 --> 00:12:18,319 Speaker 4: of war. 228 00:12:18,400 --> 00:12:21,120 Speaker 2: Yeah, there's nothing illegal about it's certainly not. It's only 229 00:12:21,200 --> 00:12:25,160 Speaker 2: catastrophic if you're the Ayatola, if you're the Iranian regime. Now, 230 00:12:25,280 --> 00:12:29,760 Speaker 2: the only fear is that they may have terror cells 231 00:12:29,960 --> 00:12:32,640 Speaker 2: in the United States that could be activated. I don't know. 232 00:12:32,800 --> 00:12:35,520 Speaker 2: I don't know, mom. Donnie was asked about that. 233 00:12:35,679 --> 00:12:38,080 Speaker 4: In the security I've been in close contact with our 234 00:12:38,160 --> 00:12:42,400 Speaker 4: police Commissioner and emergency management officials. We are increasing agency 235 00:12:42,480 --> 00:12:45,679 Speaker 4: coordination as well as patrols of sensitive locations out of 236 00:12:45,679 --> 00:12:47,320 Speaker 4: an abundance of caution. Yeah. 237 00:12:47,520 --> 00:12:50,520 Speaker 2: So there was one incident in Austin, Texas where a 238 00:12:50,559 --> 00:12:53,480 Speaker 2: guy came into a bar and started shooting hit about 239 00:12:53,480 --> 00:12:56,319 Speaker 2: ten or twelve people, and it turned out he was 240 00:12:56,480 --> 00:12:59,000 Speaker 2: a guy who had in his car the Iranian flag 241 00:13:00,080 --> 00:13:03,559 Speaker 2: and I had whole a T shirt, the Quran, everything 242 00:13:03,640 --> 00:13:06,920 Speaker 2: in there. But outside of that, we haven't seen any incidents. 243 00:13:06,920 --> 00:13:09,160 Speaker 2: And all over the world we've seen mostly just about 244 00:13:09,240 --> 00:13:12,480 Speaker 2: nothing but celebration and countries all over the world. Here 245 00:13:12,520 --> 00:13:17,120 Speaker 2: in the US and in the Los Angeles massive celebration 246 00:13:17,320 --> 00:13:21,120 Speaker 2: by Iranians. Now we have seen where was it to 247 00:13:21,160 --> 00:13:26,319 Speaker 2: Columbia University, one crazy nut job, you know, yelling and 248 00:13:26,400 --> 00:13:31,520 Speaker 2: screaming that the US is the evil. Yeah, here's Columbia 249 00:13:31,600 --> 00:13:35,640 Speaker 2: University Anti Israel group. This is Columbia University. It's going 250 00:13:35,720 --> 00:13:39,080 Speaker 2: to take them twenty years to recover their reputation if 251 00:13:39,120 --> 00:13:41,079 Speaker 2: they ever do get it back. But here it is 252 00:13:41,960 --> 00:13:46,720 Speaker 2: Columbia University. Anti Israel group posts death to America after 253 00:13:46,800 --> 00:13:51,400 Speaker 2: the US kills Israel and Komene Colombia. Just write it off. 254 00:13:51,480 --> 00:13:55,240 Speaker 2: It's a total disaster of a university. Just forget about it. 255 00:13:55,440 --> 00:13:58,040 Speaker 2: Just wipe it out of your your mind. Don't even 256 00:13:58,120 --> 00:14:01,120 Speaker 2: think about them ever again. Away, we'll take some calls next. 257 00:14:01,200 --> 00:14:04,880 Speaker 2: Eight hundred three two one zero seven ten is the number. 258 00:14:05,200 --> 00:14:08,400 Speaker 2: Eight hundred three two one zero seven ten