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Speaker 1: Welcome to Get Connected with Nina del Rio, a weekly

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Speaker 1: conversation about fitness, health and happenings in our community on

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Speaker 1: one oh six point seven Light FM.

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Speaker 2: Thanks for listening to Get Connected. Tatrafest NYC is underway.

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Speaker 2: The popular citywide performing arts festival organized by the Alliance

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Speaker 2: of Tiatrice Latinos New York, showcases the breast and vitality

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Speaker 2: of LATINX theater in New York City with performances from

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Speaker 2: ten leading LATINX theater companies continuing through April thirtieth. My

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Speaker 2: guest is Sandy Luna, executive director of ID Studio Theater,

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Speaker 2: member of the Alliance of Teatris Latinos New York. Sandy Luna,

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Speaker 2: thank you for being on Get Connected, Ela.

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Speaker 3: Thank you so much for having me. It's a pleasure

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Speaker 3: to be here to talk about Tatrafest.

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Speaker 2: For the full festival lineup and show schedules, and to

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Speaker 2: purchase tickets, you can visit Latino Theaters ny dot com

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Speaker 2: or Tatras Latinos why dot com. Let's just start and

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Speaker 2: talk about you from it. We're just meeting for the

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Speaker 2: first time, so tell me about yourself and your company,

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Speaker 2: ID Studio Theater.

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Speaker 3: Yes, so I am an immigrant Latina artist, educator, culture administrator,

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Speaker 3: and I am very proud to lead ID Studio Theater

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Speaker 3: as executive director.

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Speaker 4: The company was founded by.

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Speaker 3: Our artistic artistic director, Hermanharamidio, twenty five years ago. So

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Speaker 3: we are celebrating our twenty fifth anniversary, which seems like

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Speaker 3: a fitth celebration to now be part of the Alliance

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Speaker 3: of Tadros Latinos and to be part of Theatropist and

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Speaker 3: we serve immigrant communities through the performing arts. We create

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Speaker 3: programming that both celebrates, highlights underscores the lift experience of

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Speaker 3: immigrants and everything that our culture has to offer.

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Speaker 2: Can you talk about the range of organizations involved in

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Speaker 2: addition to ID Studio Theater, besides having you know, maybe

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Speaker 2: a general cultural background, perhaps what they have in common

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Speaker 2: and what makes them unique.

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Speaker 3: Yes, so we are ten very unique organizations. I mean

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Speaker 3: I can start geographically, We're all over the city, right.

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Speaker 3: I do studios in the South Bronx, but the rest

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Speaker 3: of the organizations, we have organizations in Manhattan and Queens

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Speaker 3: And we really run the gamut in terms of our

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Speaker 3: work as Latinx artists and administrators, cultural administrators and how

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Speaker 3: we do that we have companies that work in Spanish strictly,

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Speaker 3: companies that work bilingually, companies that work in English, companies

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Speaker 3: that do a lot of classical works, right, and we

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Speaker 3: stagings and companies that do really innovative work. It's really

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Speaker 3: an honor to be part of this alliance. Yati is

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Speaker 3: a company that I have worked with as an art

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Speaker 3: this for a long time, doing really innovative theater, physical theater.

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Speaker 3: They have a lot of incubator programs. Pregones Puerto Rican

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Speaker 3: traveling theater is a staple. Anybody who knows LATINX theater

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Speaker 3: knows them Deadrosea working with children, the People's Theater and

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Speaker 3: everything that that team with Mino Loda is doing uptown

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Speaker 3: soon to have magnificent theater Tealia Spanish theater. I mean

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Speaker 3: La Dea is Circulo in tar in Manhattan. So there's

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Speaker 3: really we run the gamut in terms of expression of

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Speaker 3: our culture and how we do that.

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Speaker 2: These ten LATINX theater companies are presenting twenty four productions

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Speaker 2: over two months in March and April. The festivals already underway.

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Speaker 2: But to kind of if you could give them a

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Speaker 2: through line, what kind of performances can audiences expect.

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Speaker 4: Again, I don't. I don't want to send.

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Speaker 3: But I think the through line is the many hues

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Speaker 3: of our culture and in the many ways in which

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Speaker 3: we embody our histories, our histories lived and our histories.

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Speaker 4: Yet to live.

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Speaker 3: Right And I think a lot of I think a

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Speaker 3: through line the importance of this festival in this moment.

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Speaker 3: A through line is saying we're here, we have been here,

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Speaker 3: we will continue to be here. The plays all have

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Speaker 3: there's a rich variety both in terms of format from puppetry, dance, music,

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Speaker 3: and the themes that they cover. But I think the

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Speaker 3: connective tissue amongst all of us is the desire to

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Speaker 3: uplift what we do and to show our city that

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Speaker 3: we're here and that we are a resource, that we

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Speaker 3: are a place where you can come. All of these

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Speaker 3: companies have theaters physical spaces where the community is welcome,

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Speaker 3: and so I think the through line, the connective tissue

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Speaker 3: is to be a welcoming space for our communities to

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Speaker 3: see themselves reflected, both whether they are newly arrived or

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Speaker 3: second generation.

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Speaker 4: And don't speak Spanish.

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Speaker 2: My guest is Sandy Luna. She's executive director of ID

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Speaker 2: Studio theater and one of the forces behind Teatrofest NYC.

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Speaker 2: The full schedule and where to purchase tickets everything is

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Speaker 2: at Latino Theaters ny dot com or Theatros Latinos and

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Speaker 2: why dot com. Sandy Luna is an Afro Latine immigrant artist, educator, mother, doulah,

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Speaker 2: and cultural steward. As executive director of ID Studio Theater

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Speaker 2: in the South Bronx, she leads with a commitment to

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Speaker 2: artistic excellence, equity and community partnerships, empowering immigrant communities through

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Speaker 2: the performing arts. You can find out more about get

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Speaker 2: Connected at light FM. This is connect on one of

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Speaker 2: six point seven Light FM. I'm Nina del Rio. Let's

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Speaker 2: talk about ID Studio Theaters offerings. So they look fantastic

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Speaker 2: to me. The Vagabond Hotel Yes, and Oursineo Yes yes.

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Speaker 3: So I'll start with Arseno, which is what's happening now

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Speaker 3: in March beginning of March and Arcegno is a beautiful

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Speaker 3: piece that is very close to my heart because it's

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Speaker 3: a very tender piece that is intergenerational. It's the story

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Speaker 3: of a Bronx girl who is procrastinating on social media

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Speaker 3: because she has a big audition and the ghost of

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Speaker 3: Arseno Rodriguez appears to her and through that a whole

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Speaker 3: story ensues about ancestry, where we come from, and how

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Speaker 3: to own that. And for those who don't know, Arsenno

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Speaker 3: Rodriguez was this magnificent musician, a Cuban who was blind,

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Speaker 3: who created the sound that was the precursor that made

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Speaker 3: salsa music possible. So we would not have salsa music

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Speaker 3: without our Senor Rodriguez. And so this story weaves together

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Speaker 3: his music with a really contemporary tale of a teenager

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Speaker 3: who's a little bit lost and who's not connected to

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Speaker 3: her roots and she comes to find who she is

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Speaker 3: through his music.

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Speaker 4: We will have that in Spanish this weekend.

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Speaker 3: And then we're also showing Pedra, which is an immersive piece.

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Speaker 3: You travel each scene, you travel through the theater physically,

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Speaker 3: and that tracks the emotional journey of Pedra throughout all

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Speaker 3: three acts. It's the story of a woman who's trying

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Speaker 3: to find herself and who has come into contact with

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Speaker 3: structural violence and directly through a job, and what that

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Speaker 3: does to her to her relationship. It deals with depressions,

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Speaker 3: the lowest family laws, she loses her father, she's in

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Speaker 3: a relationship where she has lost herself and what it

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Speaker 3: takes to come back to yourself even when your environment

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Speaker 3: and those around you perhaps are not very supportive or

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Speaker 3: don't understand how to support you.

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Speaker 4: And one of the.

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Speaker 3: Aspects of this production that's really special is that we

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Speaker 3: previewed in the summer, so this is the premiered and

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Speaker 3: it speaks about loneliness, it speaks about depression. But we

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Speaker 3: end the show eating together. Petra cooks, and so after

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Speaker 3: the show we gather and encounter all of the things

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Speaker 3: that the show itself deals with. We break bread together,

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Speaker 3: we have drinks together, and very beautiful conversations ensued last summer.

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Speaker 3: So I'm really looking forward to how the audience will

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Speaker 3: experience that. And I should say that, even though the

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Speaker 3: play doesn't directly deal with it, the seed of the

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Speaker 3: play came out of the desire to address the history

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Speaker 3: of the Spoffer Juvenile Detention Center in Hunt's Point, because

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Speaker 3: we work with Inspiration Point, which is an organization that's

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Speaker 3: based there, and we were very interested in that history.

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Speaker 3: And although the play doesn't directly address that, it does

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Speaker 3: touch on what happens to someone when they come in

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Speaker 3: contact with structural violence like a juvenile detention Center, and

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Speaker 3: then we close with ote Le Vagabundos or the Vagabond Hotel,

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Speaker 3: which again is also really special because it's a play

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Speaker 3: by manuisabad Oliveja, who was an anthropologist, a doctor, an

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Speaker 3: eminent writer of Latin American his called a Latin American

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Speaker 3: the Deacon of Black literature, and he came to the

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Speaker 3: United States in the forties to Harlem specifically. In his writings,

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Speaker 3: it's very interesting to see what his ideas were of

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Speaker 3: the United States and how when he arrived here he

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Speaker 3: found something a little different as a black man than

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Speaker 3: what he expected.

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Speaker 4: He was very well connected.

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Speaker 3: With the arts scene, with the academia, but he still

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Speaker 3: was very shocked by the racism that he was able

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Speaker 3: to witness, which.

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Speaker 4: Led him to write this play.

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Speaker 3: And it's really unique because we don't often get to

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Speaker 3: hear the perspective of a black Latino from that period

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Speaker 3: in New York City.

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Speaker 4: We have Schomberg, which is, you know, a gem the writings,

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Speaker 4: but to have to have this play is a little.

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Speaker 3: Snapshot what a black Latino in that moment in time

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Speaker 3: witness and to some extent even experienced. And it's a

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Speaker 3: really special play. You have all these men living in

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Speaker 3: this hostel, which is what he did from all over

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Speaker 3: the world and sad to say, but it provides a

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Speaker 3: moment of reflection. A lot of the themes are still

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Speaker 3: very relevant today, which is why we're staging it.

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Speaker 2: That's a great point. I wanted to talk in the

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Speaker 2: last few minutes a little bit about the political climate. Again,

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Speaker 2: you're presenting twenty four shows. The entire festival is twenty

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Speaker 2: four shows. What kind of shows do you think that?

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Speaker 2: What kind of shows are you attracted to now? And

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Speaker 2: what kind of shows our audience is drawn to.

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Speaker 3: We have learned, especially recently given our political climate, the

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Speaker 3: latinx com community is not a monolith.

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Speaker 2: You know.

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Speaker 3: We have folks who are immigrants, such as myself. I

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Speaker 3: came here as a teenager. We have folks who are

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Speaker 3: first generation and so I think what we're looking for

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Speaker 3: might be a little bit different. I think that we

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Speaker 3: are in a very tense political moment, and I wouldn't

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Speaker 3: dare speak for what people.

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Speaker 4: Are looking for, because as I come.

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Speaker 3: In contact with members of the community, I see more

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Speaker 3: and more that my experience doesn't always reflect what those

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Speaker 3: who are most vulnerable are experiencing right now. So I

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Speaker 3: don't always know what people are looking for, but I'll

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Speaker 3: say this, I think we are hungry for all kinds

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Speaker 3: of stories that show our humanity, show our richness, show

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Speaker 3: our complexity. And I think that what the festival does

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Speaker 3: really well. It does that it shows us through our humor, our, music,

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Speaker 3: our lightness. But they're so so depth and more complex

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Speaker 3: stories being reflected on stage.

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Speaker 2: So justin nuts in bolts for the last couple of minutes.

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Speaker 2: Are the performances for kids as well as adults?

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Speaker 3: Yes, yes, yes, yes, yes, I'll say this Atsino is

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Speaker 3: very family friendly. Yes, and then we have Deadrosea. I

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Speaker 3: mean they work with children and family. So if you're

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Speaker 3: looking for something for kids, theadro say is the place,

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Speaker 3: and a lot of the other performances are family friendly.

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Speaker 3: So most definitely there's a lot for kids and there's

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Speaker 3: something for everyone.

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Speaker 2: And you mentioned some are in Spanish, summer in English,

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Speaker 2: some are probably a little bit of both. Exactly what

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Speaker 2: is the price range about?

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Speaker 4: Yes, there is a range. I'm not sure.

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Speaker 3: I don't want to speak I don't recall from the

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Speaker 3: top of my head, but I think the top end

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Speaker 3: would be about forty dollars per ticket and something as

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Speaker 3: so as ten fifteen. I know we have a policy

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Speaker 3: that anyone can email us and if they are not

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Speaker 3: able to afford the tickets, we will provide free tickets.

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Speaker 3: And all the companies will have or most of the

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Speaker 3: companies will have different offers during the festivals. So none

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Speaker 3: of us want to turn anyone away. And I think

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Speaker 3: that's really important to say.

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Speaker 2: And you're based in the Bronx, We're in the five

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Speaker 2: Boroughs or most of the theaters.

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Speaker 3: We have Manhattan, we have Queens, we have the Bronx,

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Speaker 3: and I think that's it.

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Speaker 2: You can find out the full festival lineup and show

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Speaker 2: schedules and purchase tickets at Latino Theaters and why dot

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Speaker 2: com or theatros Latinos and why dot Com. My guess

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Speaker 2: it's been Sandy Luna, executive director of ID Studio Theaters

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Speaker 2: and one of the forces behind Diatro Fest NYC. Thank

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Speaker 2: you for joining me on Get Connected.

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Speaker 3: Thank you so much for having me. It's been a

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Speaker 3: pleasure and I hope you can make it out and

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Speaker 3: see some of the shows.

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Speaker 1: I also this has been Get Connected with Nina del

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Speaker 1: Rio on one oh six point seven Lin The views

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