1 00:00:00,480 --> 00:00:03,920 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:07,200 --> 00:00:11,080 Speaker 2: For those that listen, know that my wife is in 3 00:00:11,280 --> 00:00:14,920 Speaker 2: northern Michigan right now and we have a place up there. 4 00:00:14,920 --> 00:00:17,560 Speaker 2: My parents live up there. We had a my aunt 5 00:00:17,600 --> 00:00:19,280 Speaker 2: was in a bad car accident. My wife has been 6 00:00:19,320 --> 00:00:22,240 Speaker 2: helping out with the family and things like that. So 7 00:00:22,280 --> 00:00:24,320 Speaker 2: she's up there. And Mark, you had a story earlier 8 00:00:24,360 --> 00:00:27,200 Speaker 2: about travel and how this storm is going through and 9 00:00:27,240 --> 00:00:29,120 Speaker 2: you actually mentioned a couple of cities. One you said, 10 00:00:29,120 --> 00:00:31,800 Speaker 2: Traverse City down to Kalamazoo. Ah. Yeah, I don't know 11 00:00:31,800 --> 00:00:33,440 Speaker 2: if you remember doing the story. It was earlier in 12 00:00:33,440 --> 00:00:35,440 Speaker 2: the show. I do not have COVID brain damage. I 13 00:00:35,479 --> 00:00:38,280 Speaker 2: remember it. You do, Okay, good. So I went to 14 00:00:38,400 --> 00:00:41,279 Speaker 2: college in Kalamazoo, actually one of the many colleges i' 15 00:00:41,320 --> 00:00:46,000 Speaker 2: dropped out of. And our place is basically dead center, 16 00:00:46,120 --> 00:00:48,800 Speaker 2: right in the middle of that that from Traversity to Klamazoo. 17 00:00:48,800 --> 00:00:50,479 Speaker 2: We're kind of right in the middle of that is 18 00:00:50,520 --> 00:00:52,640 Speaker 2: where we are. So I'm talking to my wife about 19 00:00:52,760 --> 00:00:55,480 Speaker 2: quarter after three today, as I do every day. I 20 00:00:55,480 --> 00:00:57,880 Speaker 2: talked to her in the morning, in the afternoon, and 21 00:00:58,200 --> 00:01:02,080 Speaker 2: because I'm you know, I'm in love, and all of 22 00:01:02,120 --> 00:01:06,880 Speaker 2: a sudden, she just goes, oh no, what crap crap, crap, crap, crap, 23 00:01:06,880 --> 00:01:12,319 Speaker 2: crap crap, Oh god ow, And I thought, I thought, okay, 24 00:01:12,440 --> 00:01:16,399 Speaker 2: either she dropped something, she got a foot cramp. She 25 00:01:16,440 --> 00:01:18,480 Speaker 2: also makes those same noises when she gets foot cramps, 26 00:01:19,120 --> 00:01:22,520 Speaker 2: or you know, third option is just other and what 27 00:01:22,600 --> 00:01:25,120 Speaker 2: is this? She goes, we just lost power. So she 28 00:01:25,200 --> 00:01:29,920 Speaker 2: showed me video and the wind was crazy. H it was, 29 00:01:30,040 --> 00:01:31,959 Speaker 2: I mean, really stirring things up. And I've seen some 30 00:01:31,959 --> 00:01:34,360 Speaker 2: other posts online of Lake Michigan. It's the kind of 31 00:01:34,400 --> 00:01:36,520 Speaker 2: storm no joke. I looked at this on the radar. 32 00:01:36,520 --> 00:01:37,880 Speaker 2: In fact, Mary and I were talking about this. I 33 00:01:37,920 --> 00:01:40,600 Speaker 2: looked at this in the radar and it's swirling over 34 00:01:40,880 --> 00:01:43,440 Speaker 2: Lake Superior. Now where are our places off of Lake Michigan. 35 00:01:43,480 --> 00:01:45,560 Speaker 2: But it's swirling over Lake Superior, very similar to what 36 00:01:45,600 --> 00:01:48,040 Speaker 2: it did when it sunk the Edmund Fitzgerald fifty years ago. 37 00:01:48,480 --> 00:01:51,600 Speaker 2: It's got that same swirl to it, right. So she 38 00:01:51,680 --> 00:01:54,920 Speaker 2: was showing me this stuff powers out and I keep 39 00:01:54,920 --> 00:01:56,840 Speaker 2: getting updates from the power Companies's not gonna be on 40 00:01:56,960 --> 00:01:59,640 Speaker 2: until you know, one o'clock two thirty in the morning. 41 00:01:59,680 --> 00:02:02,920 Speaker 2: I'll keep getting delayed longer and longer and longer. So 42 00:02:03,960 --> 00:02:06,200 Speaker 2: I guess just be glad that we're not dealing with 43 00:02:06,240 --> 00:02:08,800 Speaker 2: any of that crap. And I have to be I 44 00:02:08,800 --> 00:02:11,919 Speaker 2: have to be very cautious because you know, she's it's 45 00:02:12,000 --> 00:02:13,960 Speaker 2: it's it's not easy, right, it's a pain. She's there 46 00:02:13,960 --> 00:02:16,359 Speaker 2: by herself, she got a big fat dog, Her internet's out, 47 00:02:16,400 --> 00:02:19,240 Speaker 2: she has no power. There's that means no power means 48 00:02:19,240 --> 00:02:22,400 Speaker 2: no heat, right, and it's cold, and so she's just 49 00:02:22,440 --> 00:02:24,320 Speaker 2: curled up under the blankets with the dog right now. 50 00:02:24,560 --> 00:02:26,480 Speaker 2: She needs to We've got we've got some backups in 51 00:02:26,520 --> 00:02:28,399 Speaker 2: place because it is it is the Great White North, 52 00:02:28,400 --> 00:02:29,799 Speaker 2: so we've got some backups. But she doesn't want to 53 00:02:29,800 --> 00:02:33,080 Speaker 2: deal with it. And I have to be very cautious 54 00:02:33,160 --> 00:02:36,119 Speaker 2: not to go, Oh, that's too bad. It's really nice here. 55 00:02:36,480 --> 00:02:38,359 Speaker 2: I think I might just go put on a sweatshirt. 56 00:02:39,200 --> 00:02:42,040 Speaker 2: Oh boy, you know there's no snow around us. Oh, 57 00:02:42,160 --> 00:02:44,120 Speaker 2: it's actually a really nice night to go for a walk. 58 00:02:44,160 --> 00:02:45,880 Speaker 2: I have to be very cautious not to do that. Yeah, 59 00:02:45,880 --> 00:02:47,320 Speaker 2: tomorrow is going to be a short stay. It's going 60 00:02:47,360 --> 00:02:50,480 Speaker 2: to be around eighty Yeah, I can't say that there. 61 00:02:50,600 --> 00:02:55,320 Speaker 2: See I can't do that. Well, you could, I know. 62 00:02:57,000 --> 00:02:59,000 Speaker 2: The thing is, I've been that. I've been that guy 63 00:02:59,120 --> 00:03:03,000 Speaker 2: enough times that she kind of expects it. But you know, 64 00:03:03,080 --> 00:03:05,520 Speaker 2: kind of my brand is to keep people guessing. So 65 00:03:05,600 --> 00:03:08,920 Speaker 2: the minute I become predictable, then I'm boring. So I 66 00:03:08,919 --> 00:03:10,760 Speaker 2: guess maybe I'll just kind of be nice to her 67 00:03:10,800 --> 00:03:13,959 Speaker 2: for a little while throw her off. Yeah, okay, that's 68 00:03:13,960 --> 00:03:17,720 Speaker 2: what I'm thinking. I mean, it works with you sometimes. 69 00:03:17,919 --> 00:03:19,320 Speaker 2: I know I'm nice to you and you don't know 70 00:03:19,320 --> 00:03:21,360 Speaker 2: what to say. No, no, it really stops me in 71 00:03:21,360 --> 00:03:24,760 Speaker 2: my try, it does. It does. I try to keep 72 00:03:24,760 --> 00:03:26,840 Speaker 2: you on your toes. Huh. Hey, that's right in your 73 00:03:26,840 --> 00:03:29,520 Speaker 2: wheelhouse because I know you and I talk about we 74 00:03:29,560 --> 00:03:31,920 Speaker 2: talk about what's streaming all by the way, Pluribus on 75 00:03:31,960 --> 00:03:34,839 Speaker 2: Apple Plus. I'm loving it so far. 76 00:03:35,280 --> 00:03:37,560 Speaker 3: I'm not gonna watch that until the whole thing is 77 00:03:37,600 --> 00:03:39,240 Speaker 3: out and I can just chain watch it all, just 78 00:03:39,320 --> 00:03:40,560 Speaker 3: like I did with Breaking Bad. 79 00:03:40,840 --> 00:03:43,800 Speaker 2: It's another Gilligan chair. It is, it is, it is. Yeah. 80 00:03:43,880 --> 00:03:46,760 Speaker 2: And Ria Sehorn is amazing and it She's really incredible. 81 00:03:46,760 --> 00:03:49,240 Speaker 2: I mean, she was amazing in a better Call Saul, 82 00:03:49,800 --> 00:03:54,120 Speaker 2: and she's just I mean, her talent is is top notch. 83 00:03:55,480 --> 00:03:57,800 Speaker 2: But I would I would recommend that I'm having great 84 00:03:57,800 --> 00:04:01,119 Speaker 2: conversations at work with someone who's a gen Z that says, oh, 85 00:04:01,160 --> 00:04:04,240 Speaker 2: this is about AI. And I went, I'm not picking 86 00:04:04,240 --> 00:04:06,880 Speaker 2: that up. And I said, I'm thinking that this is 87 00:04:06,920 --> 00:04:10,920 Speaker 2: about someone finding their place in society and not conforming 88 00:04:11,200 --> 00:04:13,760 Speaker 2: but also having expectations. And she goes, no, no, this 89 00:04:13,840 --> 00:04:17,600 Speaker 2: is about AI. And I went, that's funny because I said, now, 90 00:04:17,640 --> 00:04:19,440 Speaker 2: maybe this is old school of me because I look 91 00:04:19,480 --> 00:04:24,320 Speaker 2: at things. I look at all all theater, theater, film, 92 00:04:24,360 --> 00:04:27,880 Speaker 2: whatever it is, right, I go, is about human relationships, 93 00:04:28,040 --> 00:04:30,360 Speaker 2: all of it is. That's what it's about, right, I mean, Mark, 94 00:04:30,400 --> 00:04:32,720 Speaker 2: you Wright, you write a lot. Everything you write is 95 00:04:32,760 --> 00:04:35,280 Speaker 2: in some way, shape or form about human relationships. 96 00:04:35,279 --> 00:04:37,120 Speaker 3: Well, I think Faulkner said it best. He said, it's 97 00:04:37,120 --> 00:04:39,080 Speaker 3: about the human heart and conflict with itself. 98 00:04:39,920 --> 00:04:42,800 Speaker 2: Yeah. Now that doesn't mean AI can't be a character 99 00:04:42,920 --> 00:04:44,760 Speaker 2: in that conflict, but it all has to be about 100 00:04:44,760 --> 00:04:48,400 Speaker 2: the human the human condition, of course. So I not 101 00:04:48,440 --> 00:04:51,160 Speaker 2: even considered the AI. So I'm curious when you watch it, 102 00:04:51,400 --> 00:04:53,440 Speaker 2: if you see it the way that she does and goes, oh, yeah, 103 00:04:53,440 --> 00:04:56,320 Speaker 2: this is commentary and AI, or if if this is 104 00:04:56,360 --> 00:05:00,440 Speaker 2: more about you know, no, this is about relationship, absorb 105 00:05:01,000 --> 00:05:02,720 Speaker 2: or finding our place in society. 106 00:05:02,880 --> 00:05:04,440 Speaker 3: I'll have to get to it soon because I've seen 107 00:05:04,520 --> 00:05:06,839 Speaker 3: a lot of comparisons to the nineteen sixty seven show 108 00:05:06,880 --> 00:05:09,159 Speaker 3: The Prisoner, which is one of my favorites. And I 109 00:05:09,279 --> 00:05:11,400 Speaker 3: just got booked to do a chapter in a book 110 00:05:11,440 --> 00:05:14,520 Speaker 3: about The Prisoner's sixtieth anniversary. So it's kind of homework 111 00:05:14,520 --> 00:05:16,440 Speaker 3: for me at this point. Boy, that's gonna be a 112 00:05:16,440 --> 00:05:21,120 Speaker 3: best seller. There's baby. So now are you switching it 113 00:05:21,200 --> 00:05:23,360 Speaker 3: up now again? Are you going mean? 114 00:05:23,440 --> 00:05:26,560 Speaker 2: Now? No? No, I'm just I can't wait. Do you 115 00:05:26,600 --> 00:05:28,440 Speaker 2: want me to send you an autograph copy? Is that 116 00:05:28,440 --> 00:05:31,800 Speaker 2: what you? I do? I want to be the guy 117 00:05:31,839 --> 00:05:33,520 Speaker 2: that has copy number seven when it hits the New 118 00:05:33,600 --> 00:05:39,479 Speaker 2: York Times Bestseller though, oh look at the time, Oh crap, 119 00:05:39,480 --> 00:05:44,200 Speaker 2: we got a few minutes left. So Warner Now, as 120 00:05:44,240 --> 00:05:47,239 Speaker 2: we talk about streamers, Warner Brothers Discovery is moving forward 121 00:05:47,400 --> 00:05:50,960 Speaker 2: this according to Barrett Media, with their potential sale, they're 122 00:05:51,000 --> 00:05:54,720 Speaker 2: looking now for higher second round bids from any interested buyers. 123 00:05:54,720 --> 00:05:58,919 Speaker 2: That according to multiple reports, So Water Discovery, as we 124 00:05:58,960 --> 00:06:02,360 Speaker 2: all know, they've gotten, uh, they've gotten some I don't 125 00:06:02,360 --> 00:06:04,320 Speaker 2: know if they've been official bids or inquiries or whatever 126 00:06:04,320 --> 00:06:06,440 Speaker 2: it is. But but Paramount sky Dances what everybody keeps 127 00:06:06,440 --> 00:06:09,200 Speaker 2: talking about. Uh, they say, they're the ones that have 128 00:06:09,320 --> 00:06:12,480 Speaker 2: not only the backing, but they're gonna have the federal 129 00:06:12,920 --> 00:06:14,800 Speaker 2: backing as well. They're gonna they're gonna be able to 130 00:06:14,800 --> 00:06:22,080 Speaker 2: clear any sort of u FC not fcc U, the 131 00:06:22,120 --> 00:06:25,039 Speaker 2: financials hurdles, the SEC. Excuse me that I couldn't come 132 00:06:25,120 --> 00:06:28,080 Speaker 2: up with it for whatever reason, the SEC hurdles and 133 00:06:28,360 --> 00:06:30,640 Speaker 2: any other hurdles that they might have to because of 134 00:06:30,680 --> 00:06:32,760 Speaker 2: the relationship with the Ellisons and the Trump So they go. 135 00:06:32,880 --> 00:06:34,840 Speaker 2: Paramount seems to be the one that that is kind 136 00:06:34,880 --> 00:06:37,720 Speaker 2: of the top dog, and Paramount would likely keep Warner 137 00:06:38,000 --> 00:06:41,919 Speaker 2: and Discovery both the film and the linear model together, 138 00:06:42,400 --> 00:06:47,080 Speaker 2: so that's the thinking by the media experts. However, Comcast 139 00:06:47,160 --> 00:06:50,360 Speaker 2: is also interested, as is Netflix, and one might believe 140 00:06:50,640 --> 00:06:53,080 Speaker 2: that Comcasts would look for that linear model the Discovery 141 00:06:53,120 --> 00:06:55,640 Speaker 2: that the television product, whereas Netflix may want to tap 142 00:06:55,680 --> 00:06:59,280 Speaker 2: into the Warner library. So we don't know exactly how 143 00:06:59,320 --> 00:07:01,719 Speaker 2: this is gonna pan but what we do know is 144 00:07:01,720 --> 00:07:04,800 Speaker 2: that Warner is moving forward. Bloomberg News first report of 145 00:07:04,839 --> 00:07:06,880 Speaker 2: the deadline for the second round submissions. The company could 146 00:07:06,960 --> 00:07:10,360 Speaker 2: enter exclusive negotiations with one bidder once the new proposals 147 00:07:10,360 --> 00:07:13,800 Speaker 2: are received. First round offers submitted a week ago last 148 00:07:13,800 --> 00:07:17,760 Speaker 2: Thursday by those three, and now they go, great, we've 149 00:07:17,800 --> 00:07:20,280 Speaker 2: got it. What's your next offer? So it sounds like 150 00:07:20,320 --> 00:07:24,720 Speaker 2: Warner is not only moving quickly on this, but they 151 00:07:24,720 --> 00:07:29,760 Speaker 2: are also and I don't know if this seems oddly 152 00:07:29,880 --> 00:07:34,720 Speaker 2: public to me for a merger acquisition. Paramouse bid was 153 00:07:34,720 --> 00:07:36,760 Speaker 2: for twenty three to fifty a share eighty percent cash, 154 00:07:36,800 --> 00:07:39,920 Speaker 2: twenty percent stock that was rejected by Warner Brothers Discovery. 155 00:07:41,920 --> 00:07:44,400 Speaker 2: The company submitted a first round bid similar to the 156 00:07:44,440 --> 00:07:47,840 Speaker 2: prior offer back by the Ellison family, including Oracle founder 157 00:07:47,920 --> 00:07:50,960 Speaker 2: Larry Ellison, along with Redbird Capital. YadA, YadA YadA. Details 158 00:07:51,240 --> 00:07:53,640 Speaker 2: of the bids from all parties remain unconfirmed, so we 159 00:07:53,640 --> 00:07:55,600 Speaker 2: don't know exactly what it is. What we do know, though, 160 00:07:55,960 --> 00:07:58,880 Speaker 2: is that round one is done. Hey, we got your bids, guys, 161 00:07:59,240 --> 00:08:00,440 Speaker 2: Now who wants it more? 162 00:08:01,720 --> 00:08:01,800 Speaker 4: So? 163 00:08:02,000 --> 00:08:06,040 Speaker 2: I guess I guess they've started bidding war for Warner Discovery. 164 00:08:06,560 --> 00:08:10,120 Speaker 2: So there you are. They don't have pluribus. That's on 165 00:08:10,160 --> 00:08:12,920 Speaker 2: apple Stoe all right. You think trademark fights are going 166 00:08:12,920 --> 00:08:15,560 Speaker 2: on in boardrooms right. Oh, we've got a trademark fight. That' 167 00:08:15,560 --> 00:08:20,400 Speaker 2: sounds boring, it's not. In fact, this trademark fight could 168 00:08:20,520 --> 00:08:24,480 Speaker 2: lead to a Grammy. I'll tell you why that is. Next. 169 00:08:24,520 --> 00:08:26,960 Speaker 2: I'm Chris Merrill KFI AM six forty live everywhere in 170 00:08:27,000 --> 00:08:28,160 Speaker 2: the iHeartRadio. 171 00:08:28,320 --> 00:08:31,760 Speaker 1: You're listening to KFI AM six forty on demand? 172 00:08:34,360 --> 00:08:38,400 Speaker 2: What hold on? Where's my Oh? Yeah, hear it? 173 00:08:38,400 --> 00:08:40,280 Speaker 5: This here is we had this, We had this talkback 174 00:08:40,559 --> 00:08:44,440 Speaker 5: Mark you like this, mister Marrow. You're definitely worth listening to. 175 00:08:44,559 --> 00:08:47,200 Speaker 5: And you are an indicate guy. Because the anti dude 176 00:08:47,240 --> 00:08:50,240 Speaker 5: I had to break out the sativa. I needed a 177 00:08:50,240 --> 00:08:54,000 Speaker 5: little more uplifting. Wow, you you're cool. I like you, 178 00:08:54,320 --> 00:08:59,679 Speaker 5: just nice and meldow. Okay, so you got to hand that. 179 00:09:00,000 --> 00:09:01,880 Speaker 5: Should I send that to Andy? 180 00:09:02,160 --> 00:09:02,439 Speaker 6: Yes? 181 00:09:04,600 --> 00:09:10,960 Speaker 2: Yes, Andy would like that. Send it to all the bosses. Oh, 182 00:09:11,080 --> 00:09:13,120 Speaker 2: I love Andy. I I always like I like listening 183 00:09:13,120 --> 00:09:17,840 Speaker 2: to Andy's show. I told so, Andy first started doing 184 00:09:17,840 --> 00:09:19,559 Speaker 2: stuff on the weekends, and he would do things on 185 00:09:19,640 --> 00:09:22,480 Speaker 2: Sunday Sunday afternoon, and I would take over Sunday evening 186 00:09:22,960 --> 00:09:26,079 Speaker 2: and I just I remember thinking, I God, I can't 187 00:09:26,120 --> 00:09:29,320 Speaker 2: stand it when these guys they come off TV and 188 00:09:29,360 --> 00:09:33,200 Speaker 2: they step into a radio studio and they're good. You know, 189 00:09:33,559 --> 00:09:36,680 Speaker 2: I just oh drives me nuts because it's not like 190 00:09:36,760 --> 00:09:38,440 Speaker 2: I can just walk out of a radio studio and 191 00:09:38,480 --> 00:09:41,079 Speaker 2: onto a TV set and suddenly I'm good and TV ready. 192 00:09:41,120 --> 00:09:45,200 Speaker 2: But Andy's oh, he sounds good, and not everybody can 193 00:09:45,240 --> 00:09:46,679 Speaker 2: do that. By the way, Andy has a he has 194 00:09:46,720 --> 00:09:50,520 Speaker 2: a particular set of skills. And anyway, I think Andy 195 00:09:50,559 --> 00:09:51,240 Speaker 2: does a great job. 196 00:09:51,400 --> 00:09:53,520 Speaker 6: So he's got that hair too. 197 00:09:53,520 --> 00:09:55,840 Speaker 2: He's amazed. I mean, he's an amazingly good looking man. 198 00:09:55,920 --> 00:09:58,800 Speaker 6: He's called Princess die hair. It's beautiful that. 199 00:09:58,920 --> 00:10:01,120 Speaker 2: I mean that. The was my first thought too. 200 00:10:01,440 --> 00:10:02,160 Speaker 6: It's like a wave. 201 00:10:02,800 --> 00:10:06,679 Speaker 2: Yeah. Are you saying he's a little end trogynous? Whoa? 202 00:10:06,880 --> 00:10:10,280 Speaker 3: Hang on, well, hold on, I'm not the one who 203 00:10:10,280 --> 00:10:11,520 Speaker 3: whipped out Princess Dying. 204 00:10:11,720 --> 00:10:14,719 Speaker 6: Okay, I'll revise that he looks like George Michael and 205 00:10:14,800 --> 00:10:15,840 Speaker 6: wham with that hair. 206 00:10:16,120 --> 00:10:18,240 Speaker 3: Well I don't know about that either, So I'm just 207 00:10:18,240 --> 00:10:21,200 Speaker 3: being ay better. Yeah, never forget I said anything. 208 00:10:21,800 --> 00:10:24,280 Speaker 2: No, I'm just saying he looks like Annie Lennox and 209 00:10:24,760 --> 00:10:26,319 Speaker 2: it's still not still. 210 00:10:27,840 --> 00:10:29,319 Speaker 6: More and doing it. 211 00:10:29,400 --> 00:10:34,520 Speaker 2: Yeah, not really helping this early bowie Okay, nailed it. Yeah, 212 00:10:34,520 --> 00:10:35,679 Speaker 2: that's where I was going next. 213 00:10:35,480 --> 00:10:37,200 Speaker 6: To in Orlando. 214 00:10:37,480 --> 00:10:40,120 Speaker 2: Oh yeah, it definitely looks like you're not You're not. 215 00:10:40,200 --> 00:10:47,840 Speaker 2: You're not doing a many favors here, all right, moving on? Okay, 216 00:10:47,920 --> 00:10:53,920 Speaker 2: So m em and m is involved in a trademark 217 00:10:54,360 --> 00:10:58,760 Speaker 2: war and it's all about slim shady baby. If you 218 00:10:58,800 --> 00:11:01,200 Speaker 2: haven't heard, this is continued to take twist after turn 219 00:11:01,280 --> 00:11:04,480 Speaker 2: after turn after twist, which means it is a long 220 00:11:04,559 --> 00:11:08,440 Speaker 2: and winding road. My friends, Eminem is not happy with 221 00:11:08,480 --> 00:11:12,199 Speaker 2: a couple of Real Housewives stars. Why well, according to 222 00:11:12,240 --> 00:11:15,000 Speaker 2: the lawsuit, and forgive me for not knowing this ahead 223 00:11:15,000 --> 00:11:17,640 Speaker 2: of time, I did not know that the Real Housewives 224 00:11:17,679 --> 00:11:24,040 Speaker 2: of Potomac had begun their own podcast called The Reasonably 225 00:11:24,080 --> 00:11:31,480 Speaker 2: Shady Podcast. Yeah, Giselle Bryant and former castmate Robin Dixon. 226 00:11:32,160 --> 00:11:36,559 Speaker 2: According to Eminem, Marshall Mathers, if you will, are harassing 227 00:11:36,640 --> 00:11:40,880 Speaker 2: him over a deposition tied to their long simmering trademark fight. 228 00:11:40,960 --> 00:11:43,360 Speaker 2: So they wanted to do this podcast, a real life podcast. 229 00:11:43,400 --> 00:11:45,840 Speaker 2: Oh my gosh, you must be a celebrity. So they're 230 00:11:45,840 --> 00:11:48,520 Speaker 2: doing a real life podcast. Oh, I can't wait to listen. 231 00:11:48,559 --> 00:11:51,319 Speaker 2: I bet they have so much to say. And they 232 00:11:51,320 --> 00:11:54,240 Speaker 2: call it this reasonably Shady, which he says is a 233 00:11:54,280 --> 00:12:02,760 Speaker 2: playoff of his shady trademark real slim, shady, reasonably shady. Right, Okay, However, 234 00:12:02,760 --> 00:12:05,280 Speaker 2: they're saying, no, it isn't. We're just shady people, and 235 00:12:05,320 --> 00:12:08,559 Speaker 2: so this is a reasonably shady podcast. That's their stick. 236 00:12:08,760 --> 00:12:10,400 Speaker 2: He goes, no, no, you can't do that. I've already 237 00:12:10,480 --> 00:12:15,680 Speaker 2: I've already trademarked shady for entertainment related things. All right, 238 00:12:16,240 --> 00:12:19,040 Speaker 2: So what's going on now is he's suing them for 239 00:12:19,360 --> 00:12:23,160 Speaker 2: basically trademark infringement. Now they're mad, and we've got it. 240 00:12:23,520 --> 00:12:27,480 Speaker 2: The chapter is evolving. Now they're mad because he is 241 00:12:27,520 --> 00:12:30,040 Speaker 2: not really sitting down for a deposition in a timely manner. 242 00:12:30,040 --> 00:12:32,560 Speaker 2: He's doing a lot of negotiating. I can do two 243 00:12:32,600 --> 00:12:34,440 Speaker 2: hours of a deposition and it has to be at 244 00:12:34,440 --> 00:12:37,040 Speaker 2: two pm. And they're like, why are you being so difficult? 245 00:12:37,160 --> 00:12:41,520 Speaker 2: And he says, why are you guys being such real housewives? 246 00:12:43,559 --> 00:12:47,920 Speaker 2: I mean probably different words. But then the claim is 247 00:12:47,920 --> 00:12:51,679 Speaker 2: that he's working on new music. Ooh, he can only 248 00:12:51,679 --> 00:12:54,960 Speaker 2: sit down for a deposition at two pm because he's 249 00:12:55,000 --> 00:12:59,480 Speaker 2: working all morning on new music. I don't believe that, 250 00:12:59,559 --> 00:13:02,960 Speaker 2: but I'm no No, it's not that I don't believe 251 00:13:02,960 --> 00:13:06,640 Speaker 2: that he's that he's working on new music. I don't 252 00:13:06,640 --> 00:13:08,640 Speaker 2: believe that he's working early in the morning on new 253 00:13:08,679 --> 00:13:13,079 Speaker 2: music because as a musician, musicians notoriously don't get up early. 254 00:13:13,640 --> 00:13:18,240 Speaker 2: They're not exactly early risers, and so it would seem 255 00:13:18,280 --> 00:13:20,400 Speaker 2: to me that he's far more likely to be working 256 00:13:20,400 --> 00:13:23,080 Speaker 2: on new music starting about starting about two or three 257 00:13:23,080 --> 00:13:25,520 Speaker 2: o'clock in the afternoon. That could be totally wrong. I mean, 258 00:13:25,559 --> 00:13:28,360 Speaker 2: I don't know the guy. Maybe he's like, oh whoo, 259 00:13:28,360 --> 00:13:30,520 Speaker 2: six thirty, gotta go up and take my run. Oh, 260 00:13:30,600 --> 00:13:33,240 Speaker 2: then I can't wait to get to the lab. Maybe 261 00:13:33,280 --> 00:13:36,360 Speaker 2: that's the case. In fact, I'm kind of hoping that 262 00:13:36,400 --> 00:13:38,720 Speaker 2: he is working on new music because if he is, 263 00:13:39,880 --> 00:13:44,199 Speaker 2: I know anything about Eminem, there's gonna be a banger 264 00:13:44,240 --> 00:13:47,400 Speaker 2: on the new album that's gonna be all about these 265 00:13:47,840 --> 00:13:52,800 Speaker 2: real housewives of the Potomac, And I absolutely cannot wait 266 00:13:52,880 --> 00:13:56,559 Speaker 2: to see how petty he gets with it, because he's 267 00:13:56,600 --> 00:13:59,559 Speaker 2: gonna burn him. They are gonna go to there. They 268 00:13:59,640 --> 00:14:04,800 Speaker 2: just caddy right, But Shady is clever. Shady will write 269 00:14:04,840 --> 00:14:09,640 Speaker 2: an entire opus around them in ways that confuse them. 270 00:14:09,960 --> 00:14:13,840 Speaker 2: It's entirely possible. He does an absolute slam track on 271 00:14:13,880 --> 00:14:16,800 Speaker 2: these women and they think it's somehow a compliment. I 272 00:14:16,840 --> 00:14:20,720 Speaker 2: could see it playing out exactly like that. However, I've 273 00:14:20,720 --> 00:14:23,640 Speaker 2: also seen him do some music that just goes right 274 00:14:23,680 --> 00:14:26,160 Speaker 2: for the throat. Either way, I'm kind of looking forward 275 00:14:26,200 --> 00:14:29,120 Speaker 2: to it. Huge part of me looking forward to to 276 00:14:29,200 --> 00:14:33,520 Speaker 2: a dis track and if it's good. Remember remember Kendrick 277 00:14:33,560 --> 00:14:37,000 Speaker 2: Lamar had the dis track on Drake that won all 278 00:14:37,000 --> 00:14:39,560 Speaker 2: the awards. One of the odds, he cuts a dis 279 00:14:39,560 --> 00:14:41,600 Speaker 2: track about the Real Housewives and this thing ends up 280 00:14:41,640 --> 00:14:44,200 Speaker 2: becoming a Grammy winner. God would that be great? 281 00:14:44,200 --> 00:14:47,640 Speaker 6: Do me also have a disk track against Machine Gun Kelly? 282 00:14:48,440 --> 00:14:51,960 Speaker 2: Yeah? I think you did. I think you're right. Yeah, yeah, 283 00:14:52,200 --> 00:14:55,640 Speaker 2: oh god, he would just well M's dis tracks. He 284 00:14:55,720 --> 00:14:58,320 Speaker 2: ripped into his mom on a number of those two. 285 00:14:58,600 --> 00:15:02,200 Speaker 2: He was just ripping her apart. Kim. I'll never forget 286 00:15:02,200 --> 00:15:04,720 Speaker 2: his mom's name was Kim because he was who. 287 00:15:05,360 --> 00:15:07,440 Speaker 6: But maybe he does get up early now because he's 288 00:15:07,480 --> 00:15:08,680 Speaker 6: about to be your grandfather. 289 00:15:10,000 --> 00:15:15,440 Speaker 7: Yeah maybe, but I'm not buying it. Yeah, I don't 290 00:15:15,440 --> 00:15:20,440 Speaker 7: think so. I don't think that's that happening. Again, I 291 00:15:20,680 --> 00:15:22,240 Speaker 7: don't know the guy. Maybe I'm totally wrong. 292 00:15:22,520 --> 00:15:26,400 Speaker 2: Maybe maybe your maybe your explanation is perfectly reasonable. 293 00:15:26,800 --> 00:15:28,760 Speaker 6: He seems like a nice family man. He's got like 294 00:15:28,800 --> 00:15:32,160 Speaker 6: three daughters to adopted, I believe. 295 00:15:33,160 --> 00:15:33,640 Speaker 2: Yeah. 296 00:15:33,680 --> 00:15:39,440 Speaker 6: Cool, sweet he adopted his ex wife's daughter from another relationship. 297 00:15:39,480 --> 00:15:40,320 Speaker 6: That's a good guy. 298 00:15:40,920 --> 00:15:44,240 Speaker 2: Okay, I had no problems with that. That's great. But 299 00:15:44,480 --> 00:15:46,400 Speaker 2: I think he'll tell you that early on he loved 300 00:15:46,400 --> 00:15:48,000 Speaker 2: his daughter a lot, but he wasn't really there for 301 00:15:49,040 --> 00:15:51,960 Speaker 2: I mean, that's listen to a decent amount of eminem. 302 00:15:52,480 --> 00:15:54,240 Speaker 2: I think he kind of he kind of works through 303 00:15:54,240 --> 00:15:58,000 Speaker 2: some of those some of those faults through his music. 304 00:15:58,920 --> 00:16:01,040 Speaker 2: But then he also does some dis tracks and that's 305 00:16:01,040 --> 00:16:03,400 Speaker 2: what I'm looking forward to. All Right, enough of that, 306 00:16:03,440 --> 00:16:05,920 Speaker 2: because I have to tell you you're doing something wrong 307 00:16:05,960 --> 00:16:08,840 Speaker 2: and it could cost you biglely. You think you're just 308 00:16:08,880 --> 00:16:11,560 Speaker 2: grabbing a little pre turkey drinky drink with your old friends, 309 00:16:12,200 --> 00:16:15,600 Speaker 2: so you've got one too many in YOUA it snaps 310 00:16:15,600 --> 00:16:19,320 Speaker 2: you into weakend wide chaos, and it's not you. It's 311 00:16:19,360 --> 00:16:22,720 Speaker 2: happening so often. Experts have a name for it. You'll 312 00:16:22,720 --> 00:16:24,920 Speaker 2: find out what it is next. Chris Merrill I am 313 00:16:24,920 --> 00:16:27,000 Speaker 2: six forty live everywhere on the iHeartRadio app. 314 00:16:27,360 --> 00:16:30,800 Speaker 1: You're listening to KFI AM six forty on demand. 315 00:16:32,240 --> 00:16:34,400 Speaker 2: I hope that your Thanksgiving is off to a wonderful start, 316 00:16:34,440 --> 00:16:36,040 Speaker 2: and I do hope that you're being safe. And I 317 00:16:36,080 --> 00:16:47,520 Speaker 2: mean that because it's not just Thanksgiving, it's also Drunksgiving. 318 00:16:47,760 --> 00:16:52,000 Speaker 2: Today is known as Blackout Wednesday or Drinksgiving. It's one 319 00:16:52,000 --> 00:16:53,960 Speaker 2: of the busiest bar nights of the year, and it 320 00:16:54,000 --> 00:16:57,400 Speaker 2: comes with, of course, the risks heavy drinking, d UIs 321 00:16:57,480 --> 00:17:02,680 Speaker 2: memory lapses, wrecked holiday plans, and we I do know 322 00:17:02,720 --> 00:17:05,520 Speaker 2: that HP is sepic up enforcement. We know that they do 323 00:17:05,560 --> 00:17:08,080 Speaker 2: this whenever there's a holiday weekend. And this will not 324 00:17:08,119 --> 00:17:11,760 Speaker 2: be the last time. You know darn well that as 325 00:17:11,800 --> 00:17:14,720 Speaker 2: we get closer to Christmas, there's gonna be TV stories. Heck, 326 00:17:14,760 --> 00:17:16,520 Speaker 2: I'll probably try to fill some time as well talking 327 00:17:16,560 --> 00:17:23,240 Speaker 2: about DUI checkpoints, CHP, enhanced to patrols, this kind of stuff. 328 00:17:23,280 --> 00:17:25,359 Speaker 2: It's gonna happen around Christmas, It's gonna happen around New 329 00:17:25,400 --> 00:17:28,960 Speaker 2: Year's These are these are stories you can count on 330 00:17:28,960 --> 00:17:32,240 Speaker 2: once we once we get to November, you can count 331 00:17:32,280 --> 00:17:36,160 Speaker 2: on Person of the Year stories, Year in recap stories, 332 00:17:36,520 --> 00:17:38,920 Speaker 2: best films of the Year, Best music of the year, 333 00:17:39,040 --> 00:17:42,919 Speaker 2: Spotify playlists of the year, you talk about travel? What 334 00:17:43,000 --> 00:17:46,160 Speaker 2: else am I missing here? Mark Dy checkpoints? These are 335 00:17:46,160 --> 00:17:51,119 Speaker 2: all all of them, family issues, food recipes. These are 336 00:17:51,160 --> 00:17:53,240 Speaker 2: all things you're gonna see on TV, here, on radio, reading, 337 00:17:53,400 --> 00:17:55,560 Speaker 2: in your in your blogs, whatever it is, right, all 338 00:17:55,640 --> 00:17:58,879 Speaker 2: of these things. These are the go to topics around 339 00:17:58,880 --> 00:18:01,160 Speaker 2: the holidays, all of them. So what'll be the last 340 00:18:01,160 --> 00:18:03,920 Speaker 2: time you hear about this? But today is interesting because 341 00:18:03,960 --> 00:18:07,720 Speaker 2: it really kicks off what I'd like to think of 342 00:18:07,840 --> 00:18:13,240 Speaker 2: is alcohol season. Now, for some of us complete pros, 343 00:18:14,119 --> 00:18:20,600 Speaker 2: we go thank you. Alcohol season is year round. We 344 00:18:21,119 --> 00:18:27,480 Speaker 2: practice for this very occasion. But the thing is, if 345 00:18:27,520 --> 00:18:29,840 Speaker 2: you've been doing it in a while, you know not 346 00:18:29,920 --> 00:18:33,920 Speaker 2: to get behind the wheel right. Liquor sales tonight may 347 00:18:33,960 --> 00:18:36,040 Speaker 2: spike as much as one hundred and fifty six percent 348 00:18:36,040 --> 00:18:41,200 Speaker 2: above normal wednesdays, beer and cocktails jumping over sixty percent. 349 00:18:42,080 --> 00:18:47,359 Speaker 2: So people are going to the spirits. They like their beers, 350 00:18:47,400 --> 00:18:49,639 Speaker 2: they like their cocktails. That's going to go up, But 351 00:18:49,680 --> 00:18:52,520 Speaker 2: they're going to the liquors, and that is that is 352 00:18:52,600 --> 00:18:55,000 Speaker 2: key because a lot of people who don't normally drink liquor, 353 00:18:55,000 --> 00:18:58,399 Speaker 2: And based on what we're seeing is liquor is increasing 354 00:18:58,480 --> 00:19:00,960 Speaker 2: far more than beer and cock tales, which means not 355 00:19:01,160 --> 00:19:05,280 Speaker 2: normal Wednesday night liquor drinkers are doing it. And if 356 00:19:05,280 --> 00:19:07,480 Speaker 2: you're normally a cocktailer a beer drinker, and all of 357 00:19:07,520 --> 00:19:10,680 Speaker 2: a sudden you're gonna start doing shots, it may hit 358 00:19:10,680 --> 00:19:14,120 Speaker 2: you a lot faster than you realize. All right, not 359 00:19:14,160 --> 00:19:17,840 Speaker 2: only that, but Mark, this is for you. Because I 360 00:19:18,320 --> 00:19:20,840 Speaker 2: work from my home student, I feel personally attacked already. 361 00:19:21,000 --> 00:19:23,960 Speaker 2: Oh you should. But this part is for you, Okay, 362 00:19:24,000 --> 00:19:25,960 Speaker 2: this is this is actually because of my concern for you, 363 00:19:26,000 --> 00:19:29,840 Speaker 2: because you're I consider you a friend. See, I'm pulling 364 00:19:29,840 --> 00:19:32,080 Speaker 2: out the nice throw you for a loop news to me. 365 00:19:32,160 --> 00:19:33,840 Speaker 2: Thank you. No, I think of you as a friend, 366 00:19:33,880 --> 00:19:37,600 Speaker 2: I see, yeah, because I convince you about anything. Uh, 367 00:19:37,640 --> 00:19:39,479 Speaker 2: the risk of encounter and I would help you move 368 00:19:39,520 --> 00:19:41,879 Speaker 2: if you asked. And a drive to the airport. What 369 00:19:42,080 --> 00:19:46,240 Speaker 2: are we at that level? Give it some thought? Go ahead, borderline, 370 00:19:46,280 --> 00:19:49,520 Speaker 2: All right, we're borderline. The risk of encountering a drunk 371 00:19:49,640 --> 00:19:52,240 Speaker 2: driver increases by about fifty five percent on this night 372 00:19:52,240 --> 00:19:54,760 Speaker 2: compared with the average. So your normal Wednesday driving home, 373 00:19:54,960 --> 00:19:56,399 Speaker 2: you may see some more drunks on the road when 374 00:19:56,440 --> 00:19:58,399 Speaker 2: you get out. What time you got out tonight midnight? 375 00:19:58,880 --> 00:20:02,159 Speaker 3: Yeah, yeah, I taking the side roads. It's amateur and 376 00:20:02,240 --> 00:20:06,000 Speaker 3: I just like Saint Patrick's day. You really, if you 377 00:20:06,040 --> 00:20:08,000 Speaker 3: are a complete pro, you don't want to be out 378 00:20:08,040 --> 00:20:08,760 Speaker 3: on a night like this. 379 00:20:09,680 --> 00:20:12,520 Speaker 2: Somehow we're one to one accusing ourselves as being complete 380 00:20:12,520 --> 00:20:16,720 Speaker 2: pros instead of the other person. Ooh that's great. Yeah, yeah, 381 00:20:16,760 --> 00:20:20,120 Speaker 2: so you do the side roads. I'm always worried about 382 00:20:20,119 --> 00:20:21,800 Speaker 2: the side roads because I have in my mind that 383 00:20:21,840 --> 00:20:24,680 Speaker 2: if somebody's buzzed, if they're drunk, they're not really in 384 00:20:24,720 --> 00:20:26,159 Speaker 2: the right mind at all. But if they're buzzed, and 385 00:20:26,200 --> 00:20:29,920 Speaker 2: as we all know, buzz driving is drunk driving in 386 00:20:30,000 --> 00:20:32,720 Speaker 2: there in my mind, if somebody's buzzed, they might be thinking, 387 00:20:32,800 --> 00:20:35,720 Speaker 2: I'm going to avoid potential DUI checkpoints. I'm going to 388 00:20:35,760 --> 00:20:38,840 Speaker 2: take side roads or surface streets. And so that's what 389 00:20:38,880 --> 00:20:42,520 Speaker 2: worries me about that, Like, am I safer on the 390 00:20:42,560 --> 00:20:45,840 Speaker 2: freeway because at least there's a lot of other people 391 00:20:45,840 --> 00:20:47,960 Speaker 2: out there, and the drunks aren't gonna want to you know, 392 00:20:48,000 --> 00:20:49,240 Speaker 2: they don't want to take they don't want to be 393 00:20:49,280 --> 00:20:51,920 Speaker 2: in a precarious position. They might be taking the side roads. 394 00:20:52,560 --> 00:20:55,200 Speaker 3: Well, the calculation is would you rather get hit a 395 00:20:55,359 --> 00:20:58,080 Speaker 3: thirty miles an hour or seventy miles in Yeah, that's. 396 00:20:57,960 --> 00:20:59,679 Speaker 2: A good point, and you can you can probably if 397 00:20:59,680 --> 00:21:01,679 Speaker 2: you're on a freeway and you look around, you can 398 00:21:01,760 --> 00:21:04,760 Speaker 2: probably spot one hundred cars at once, and how many 399 00:21:04,800 --> 00:21:07,120 Speaker 2: of them are drunks. Whereas if you're on a side road, 400 00:21:07,119 --> 00:21:10,120 Speaker 2: you might see three cars, and your chance of identifying 401 00:21:10,320 --> 00:21:12,200 Speaker 2: the drunk driver in those three cars might be a 402 00:21:12,200 --> 00:21:13,000 Speaker 2: whole lot easier too. 403 00:21:13,000 --> 00:21:14,840 Speaker 3: I suppose I don't know what your experience is, but 404 00:21:14,880 --> 00:21:17,600 Speaker 3: when I go home after midnight, and you know, often 405 00:21:17,680 --> 00:21:21,080 Speaker 3: at one or later, I can see people weaving around 406 00:21:21,119 --> 00:21:23,639 Speaker 3: on the highway freeway and you know, you know to 407 00:21:23,680 --> 00:21:25,679 Speaker 3: give them a wide berth, and that might be harder 408 00:21:25,840 --> 00:21:26,600 Speaker 3: on a side road. 409 00:21:27,359 --> 00:21:28,000 Speaker 2: That's true. 410 00:21:28,480 --> 00:21:28,920 Speaker 4: Do you have. 411 00:21:30,400 --> 00:21:32,680 Speaker 2: Do you have a problem? I have this problem right now. 412 00:21:33,000 --> 00:21:34,800 Speaker 2: It used to be if you saw somebody who was 413 00:21:34,880 --> 00:21:37,399 Speaker 2: kind of weaving a little bit, like when I first 414 00:21:37,400 --> 00:21:39,240 Speaker 2: started to learn to drive. But we always warned about 415 00:21:39,240 --> 00:21:41,840 Speaker 2: watching for drunk drivers. Obviously, they kept telling us, don't 416 00:21:41,840 --> 00:21:43,920 Speaker 2: be a drunk driver, but then watch for drunk drivers. 417 00:21:44,200 --> 00:21:48,960 Speaker 2: And I always had trouble seeing a drunk driver unless 418 00:21:49,000 --> 00:21:52,960 Speaker 2: they were really riding the rail as some people, you 419 00:21:52,960 --> 00:21:57,280 Speaker 2: know what, riding the rail is riding for thank you 420 00:21:57,600 --> 00:21:59,600 Speaker 2: riding the rails when you put your tire on the 421 00:21:59,680 --> 00:22:02,240 Speaker 2: yellow line and you go, if I'm on the yellow line, 422 00:22:02,280 --> 00:22:06,000 Speaker 2: that means I'm going straight. So they ride the rail okay, 423 00:22:06,600 --> 00:22:08,640 Speaker 2: because otherwise they're worried the road is shifting in front 424 00:22:08,640 --> 00:22:10,199 Speaker 2: of them. Right, their eyes are deceiving them. So if 425 00:22:10,200 --> 00:22:12,239 Speaker 2: I can get my tire on that, if I can 426 00:22:12,320 --> 00:22:14,960 Speaker 2: ride the rail, then I'm okay. So, but I always 427 00:22:15,000 --> 00:22:18,080 Speaker 2: in trouble seeing the drunk drivers unless it was really obvious. 428 00:22:19,280 --> 00:22:22,160 Speaker 2: Now I have problems. I can't tell if somebody's drunk 429 00:22:22,200 --> 00:22:24,600 Speaker 2: or if they're just texting. That's exactly it. 430 00:22:24,720 --> 00:22:26,440 Speaker 3: Yeah, yeah, but it doesn't make any difference because you 431 00:22:26,440 --> 00:22:28,480 Speaker 3: don't want to be near them in either case, because 432 00:22:28,480 --> 00:22:31,280 Speaker 3: if they're clueless enough to be texting behind the wheel, 433 00:22:31,359 --> 00:22:32,359 Speaker 3: they're still dangerous. 434 00:22:33,320 --> 00:22:36,679 Speaker 2: And then you get that special combination, and it happens 435 00:22:36,680 --> 00:22:39,600 Speaker 2: on nights like this where you get the person who's 436 00:22:39,640 --> 00:22:43,520 Speaker 2: drunk doesn't think they're they're that drunk, right, I'm probably okay. 437 00:22:43,560 --> 00:22:47,040 Speaker 2: I've only had a couple. I'm probably okay, right, And 438 00:22:47,080 --> 00:22:49,440 Speaker 2: then because they're probably okay, they're going to text people 439 00:22:49,440 --> 00:22:51,760 Speaker 2: to let them know they're on their way home while 440 00:22:51,760 --> 00:22:54,359 Speaker 2: they're driving. Right, that's the one where you've got somebody 441 00:22:54,359 --> 00:22:59,600 Speaker 2: who's pretty buzzed or drunk and texting. Oh god, please, 442 00:22:59,640 --> 00:23:00,159 Speaker 2: don't you. 443 00:23:00,119 --> 00:23:03,359 Speaker 3: That texting, having a phone call. Uh, screwing around with 444 00:23:03,400 --> 00:23:06,720 Speaker 3: the radio, leaving leaving a talk back for you. 445 00:23:06,680 --> 00:23:07,720 Speaker 6: Smoking a doube. 446 00:23:08,640 --> 00:23:10,320 Speaker 2: Oh that escalated quickly. 447 00:23:10,359 --> 00:23:12,919 Speaker 6: Oh, this is California, so you know people are getting 448 00:23:13,200 --> 00:23:14,640 Speaker 6: high and then getting behind the wheel. 449 00:23:15,000 --> 00:23:16,879 Speaker 2: That's illegal. So what does that have to do with California. 450 00:23:17,119 --> 00:23:18,400 Speaker 2: It can happen anywhere, and you can. 451 00:23:18,520 --> 00:23:22,120 Speaker 6: But you can tell the Stones drivers because they drive really, 452 00:23:22,440 --> 00:23:23,320 Speaker 6: really slowly. 453 00:23:24,000 --> 00:23:27,200 Speaker 3: Your producers admitting she enjoys a little hot boxing. 454 00:23:27,359 --> 00:23:28,040 Speaker 2: Now what I do? 455 00:23:28,440 --> 00:23:29,800 Speaker 6: I cannot do that, as you. 456 00:23:29,800 --> 00:23:30,919 Speaker 2: Can't roll a hot box. 457 00:23:31,080 --> 00:23:31,919 Speaker 1: I don't do that. 458 00:23:32,080 --> 00:23:35,359 Speaker 6: I do not do that. I'll get attention. 459 00:23:35,080 --> 00:23:35,440 Speaker 2: If I do. 460 00:23:36,920 --> 00:23:38,080 Speaker 6: I promise I don't do that. 461 00:23:39,200 --> 00:23:40,639 Speaker 2: She seems like the kind who could get out of 462 00:23:40,680 --> 00:23:42,480 Speaker 2: a ticket. Don't you think we should try to figure 463 00:23:43,680 --> 00:23:49,400 Speaker 2: stop it? We should do it over under on how 464 00:23:49,440 --> 00:23:51,600 Speaker 2: long before Nikki gets deported? Oh? 465 00:23:51,920 --> 00:23:54,320 Speaker 6: Gosh, okay, on what grounds though? 466 00:23:55,040 --> 00:23:56,560 Speaker 2: Any grounds? Yeah? 467 00:23:57,119 --> 00:24:00,480 Speaker 6: Uh, this is harassing a police officer. 468 00:24:01,320 --> 00:24:06,200 Speaker 2: Yeah, boy, we could be really onto something here. Are 469 00:24:06,280 --> 00:24:07,879 Speaker 2: we allowed to put a thumb on the scale? 470 00:24:08,280 --> 00:24:08,560 Speaker 6: No? 471 00:24:09,080 --> 00:24:12,600 Speaker 2: Uh ooh boy, depends on how much he upsets you 472 00:24:12,640 --> 00:24:15,479 Speaker 2: one night. I see, yeah, I would say no, not 473 00:24:15,520 --> 00:24:16,880 Speaker 2: allowed to put a thumb on the stade. This has 474 00:24:16,920 --> 00:24:18,000 Speaker 2: to be all of her own doing. 475 00:24:18,240 --> 00:24:20,359 Speaker 6: I can get myself into trouble very easily. 476 00:24:20,480 --> 00:24:23,919 Speaker 2: Right, I can see you getting pulled over. No office, 477 00:24:24,040 --> 00:24:25,760 Speaker 2: Isn't there anything I can do about that? 478 00:24:26,200 --> 00:24:34,240 Speaker 6: You get pulled over. I got pulled over two weeks ago, 479 00:24:35,000 --> 00:24:36,800 Speaker 6: and I have a ticket. 480 00:24:37,640 --> 00:24:42,359 Speaker 2: Oh it didn't work. 481 00:24:39,359 --> 00:24:45,760 Speaker 6: I crossed the line apparently. 482 00:24:46,440 --> 00:24:49,240 Speaker 2: I bet you did multiple lines. 483 00:24:52,920 --> 00:24:55,280 Speaker 6: Crossing lines yet? 484 00:24:56,600 --> 00:25:01,159 Speaker 2: Uh oh boy? Oh baby? All right. You think you 485 00:25:01,200 --> 00:25:04,359 Speaker 2: know about tough decisions, right, Try making a tough decision 486 00:25:04,359 --> 00:25:06,320 Speaker 2: when your body is shutting down, with the air is 487 00:25:06,359 --> 00:25:09,800 Speaker 2: thinning and now you've got to go potty. The most 488 00:25:09,800 --> 00:25:14,560 Speaker 2: extreme decisions. Where to go next? Chris, maryl I AM 489 00:25:14,560 --> 00:25:16,640 Speaker 2: six forty five everywhere in the iHeartRadio. 490 00:25:17,200 --> 00:25:20,600 Speaker 1: You're listening to KFI AM six forty on demand. 491 00:25:25,119 --> 00:25:28,639 Speaker 2: George, you've had a lot of great shows this week. 492 00:25:28,680 --> 00:25:30,040 Speaker 2: What are we doing tonight, my friend? 493 00:25:30,520 --> 00:25:33,000 Speaker 4: For coming up, We're going to talk about how ancient 494 00:25:33,040 --> 00:25:36,320 Speaker 4: wisdom and science meld together, and then later on the 495 00:25:36,400 --> 00:25:40,280 Speaker 4: power of gratitude on this Thanksgiving Eve, And we're live 496 00:25:40,320 --> 00:25:41,560 Speaker 4: tomorrow night too, Chris. 497 00:25:41,680 --> 00:25:44,200 Speaker 2: Just so everybody knows, that is great news. I'd love 498 00:25:44,240 --> 00:25:46,160 Speaker 2: to hear that, and in fact, I will make sure 499 00:25:46,160 --> 00:25:48,480 Speaker 2: that I'm listening. It will be part of my evening, George, 500 00:25:48,520 --> 00:25:50,399 Speaker 2: as it always is. Thank you so much, my friend. 501 00:25:50,840 --> 00:25:53,000 Speaker 4: Have a great Thanksgiving, you too. 502 00:25:52,880 --> 00:25:58,359 Speaker 2: Happy Thanksgiving. George northon Radio Legend, Just get tingles whenever 503 00:25:58,440 --> 00:25:59,760 Speaker 2: get a chance to talk to Georgia, I just don't 504 00:25:59,760 --> 00:26:01,160 Speaker 2: want to upset him. I don't want to say something 505 00:26:01,200 --> 00:26:02,760 Speaker 2: dumb that makes him go, why don't I. 506 00:26:02,720 --> 00:26:06,560 Speaker 3: Have to talk to this moron? Yeah, you don't feel 507 00:26:06,600 --> 00:26:07,959 Speaker 3: like that ship's kind of sailed? 508 00:26:09,080 --> 00:26:13,400 Speaker 2: I mean, honestly, yes, okay, but I don't want to 509 00:26:13,440 --> 00:26:16,040 Speaker 2: make it worse because maybe I'm maybe I'm mistaken and 510 00:26:16,080 --> 00:26:18,280 Speaker 2: he doesn't think I have a complete boob. But you know, 511 00:26:19,400 --> 00:26:22,160 Speaker 2: I don't want to I don't want to remove all doubt, 512 00:26:22,600 --> 00:26:26,159 Speaker 2: you know. So I get nervous when I talk to 513 00:26:26,160 --> 00:26:28,760 Speaker 2: George Norri. I think a lot of people fanboy out 514 00:26:28,800 --> 00:26:32,199 Speaker 2: on George I do. I do not, And I think 515 00:26:32,240 --> 00:26:33,639 Speaker 2: a lot of people do, because you know, he does 516 00:26:33,680 --> 00:26:35,600 Speaker 2: a lot of the stuff that's a little a little 517 00:26:35,600 --> 00:26:38,800 Speaker 2: bit of the woo woo. But I just think he's 518 00:26:38,840 --> 00:26:42,600 Speaker 2: an incredible broadcast talent. I mean, he's doing it for 519 00:26:42,640 --> 00:26:44,480 Speaker 2: so long and he just does it. He's just locked in, 520 00:26:44,800 --> 00:26:47,600 Speaker 2: and I just think he's got the perfect night show. 521 00:26:48,200 --> 00:26:51,800 Speaker 2: He just understands his audience, he understands his day part, 522 00:26:51,880 --> 00:26:55,520 Speaker 2: he understands so many of the things that take years 523 00:26:55,520 --> 00:26:58,560 Speaker 2: to master, and he just he gets it. He knows 524 00:26:58,560 --> 00:27:01,280 Speaker 2: what his lane is, and he just he does it 525 00:27:01,320 --> 00:27:05,520 Speaker 2: better than anybody. I I have so much respect, so 526 00:27:05,640 --> 00:27:06,199 Speaker 2: much respect. 527 00:27:06,240 --> 00:27:08,959 Speaker 3: I think we're overdue for a lunch with George. This 528 00:27:09,000 --> 00:27:11,080 Speaker 3: has been promised for literally years now. 529 00:27:11,720 --> 00:27:12,560 Speaker 2: Oh is that right? 530 00:27:12,880 --> 00:27:16,640 Speaker 3: Yeah, George? If you're listening, you're picking up the tab. 531 00:27:18,720 --> 00:27:20,359 Speaker 2: What do we get with George? Does he take us? 532 00:27:20,960 --> 00:27:22,520 Speaker 2: Is it gonna be something normal or is he gonna 533 00:27:22,520 --> 00:27:24,600 Speaker 2: take us something He's like, guys, I've got this great 534 00:27:24,640 --> 00:27:28,600 Speaker 2: alien cafe, right, will be fantastic. We'll have our hopes 535 00:27:28,640 --> 00:27:30,760 Speaker 2: all built up and then we'll just greet with pinks. 536 00:27:30,960 --> 00:27:34,879 Speaker 2: That's fine with me too, Yea, do some we do 537 00:27:35,000 --> 00:27:37,840 Speaker 2: some selfies there they'd be all right, well we could 538 00:27:37,880 --> 00:27:39,560 Speaker 2: call it. Oh you know what if we did we 539 00:27:39,640 --> 00:27:42,400 Speaker 2: go to Pinks and then uh we could we could 540 00:27:42,400 --> 00:27:46,280 Speaker 2: get like a George Nori special, like the Probe Dog. Yeah, 541 00:27:46,680 --> 00:27:49,000 Speaker 2: they'll name a hot dog after him. That would be great, 542 00:27:49,359 --> 00:27:53,800 Speaker 2: It would be amazing. I love that. I was reading 543 00:27:53,880 --> 00:27:57,640 Speaker 2: up on this story about a seventeen year old climber 544 00:27:57,760 --> 00:28:01,159 Speaker 2: on Mount Everest. She's a fan fascinating girl and she 545 00:28:01,320 --> 00:28:03,760 Speaker 2: was tiktoking it, so she became a bit of a celebrity. 546 00:28:03,760 --> 00:28:07,800 Speaker 2: People Magazine actually was reporting on her, and Bianka Adler 547 00:28:07,840 --> 00:28:10,400 Speaker 2: is her name, and she's actually been climbing. Her parents 548 00:28:10,440 --> 00:28:12,360 Speaker 2: are climbers, which is how she got started so young, 549 00:28:12,400 --> 00:28:14,840 Speaker 2: and she's been climbing and setting records for being the 550 00:28:14,880 --> 00:28:18,840 Speaker 2: youngest female to climb different peaks around the world. So 551 00:28:18,880 --> 00:28:23,960 Speaker 2: obviously she got money. But she tried to climb Everest 552 00:28:24,880 --> 00:28:28,520 Speaker 2: and she was climbing with her father, who again is 553 00:28:28,560 --> 00:28:31,480 Speaker 2: another climber and has climbed Everest in the past. And 554 00:28:31,840 --> 00:28:34,160 Speaker 2: I'm just reading about this and how you go from 555 00:28:34,160 --> 00:28:36,240 Speaker 2: base camp to Camp one, to Camp two to Camp 556 00:28:36,320 --> 00:28:40,120 Speaker 2: three and or maybe it's space camp Camp two, three, 557 00:28:40,200 --> 00:28:42,160 Speaker 2: whatever it is, and then you kind of up and 558 00:28:42,200 --> 00:28:44,160 Speaker 2: down to acclimate your body, because you can't be over 559 00:28:44,200 --> 00:28:46,920 Speaker 2: a certain altitude for too long or else it really 560 00:28:46,920 --> 00:28:48,600 Speaker 2: messes with you. So you actually have to go up 561 00:28:48,640 --> 00:28:50,400 Speaker 2: for a little while, come back down. Go up, stay 562 00:28:50,400 --> 00:28:52,200 Speaker 2: a little longer, come back down. Go up, stay a 563 00:28:52,240 --> 00:28:55,480 Speaker 2: little bit longer, come back down. And I didn't realize that. See, 564 00:28:55,480 --> 00:28:57,960 Speaker 2: I thought that all these climbers, they basically did a 565 00:28:58,000 --> 00:29:01,000 Speaker 2: lot of exercising, They did a lot of deeping. Probably 566 00:29:01,160 --> 00:29:05,080 Speaker 2: have I don't know, those weird cans of O two 567 00:29:05,120 --> 00:29:08,080 Speaker 2: you can buy it lows, you know, in their backpacks 568 00:29:08,160 --> 00:29:09,840 Speaker 2: or something. I didn't realize that. You mean people buy 569 00:29:09,840 --> 00:29:14,040 Speaker 2: those for things other than hangovers? Dude, what do they? 570 00:29:14,080 --> 00:29:16,960 Speaker 2: What else? I mean? I see those and I go, 571 00:29:17,040 --> 00:29:19,800 Speaker 2: who buys these things? It's that's got to be it? Right, Well, 572 00:29:19,880 --> 00:29:22,160 Speaker 2: now you know it's got to be. There's no other 573 00:29:22,240 --> 00:29:22,920 Speaker 2: reason to buy that. 574 00:29:23,240 --> 00:29:26,080 Speaker 3: But also you've really added a bonus to something that 575 00:29:26,400 --> 00:29:31,200 Speaker 3: sounds laborious and life threatening. You have to acclimate yourself 576 00:29:31,240 --> 00:29:33,480 Speaker 3: to it in addition to all that, yeah, and the 577 00:29:33,520 --> 00:29:34,560 Speaker 3: extreme cost of it. 578 00:29:34,920 --> 00:29:38,200 Speaker 2: So get this. She is doing this stuff and her 579 00:29:38,280 --> 00:29:41,200 Speaker 2: dad gets sick, not like death, leel or anything, but 580 00:29:41,200 --> 00:29:44,960 Speaker 2: he falls sick. But she's seventeen. There's a couple of sherpas. 581 00:29:45,560 --> 00:29:47,960 Speaker 2: She's done other claims before, and they're basically like, hey, 582 00:29:48,000 --> 00:29:50,640 Speaker 2: go on, you can do this, you can hit the summit. 583 00:29:51,720 --> 00:29:54,720 Speaker 2: So she said she did, like all this training, and 584 00:29:54,800 --> 00:29:59,640 Speaker 2: she's tiktoking the thing and a storm sets in and 585 00:29:59,680 --> 00:30:03,640 Speaker 2: so she's she's getting close. She's above eight thousand meters. 586 00:30:03,840 --> 00:30:06,360 Speaker 2: You can't survive very long above eight thousand meters. Your 587 00:30:06,360 --> 00:30:08,160 Speaker 2: body just won't do. Even if you've aclimated. You're not 588 00:30:08,160 --> 00:30:10,400 Speaker 2: acclimating enough unless I guess you're a sure. But shirper's 589 00:30:10,400 --> 00:30:13,280 Speaker 2: are amazing. And as she goes up there, she gets 590 00:30:13,320 --> 00:30:14,880 Speaker 2: hit by the cold, she gets hit by the weather. 591 00:30:15,880 --> 00:30:21,120 Speaker 2: She's four hundred meters shy of the summit of Mount Everest, 592 00:30:21,680 --> 00:30:23,320 Speaker 2: and they had to make the decision to turn around 593 00:30:23,360 --> 00:30:23,880 Speaker 2: and come back. 594 00:30:23,720 --> 00:30:26,000 Speaker 3: Down after the shirp has pressured her into this. You've 595 00:30:26,040 --> 00:30:29,680 Speaker 3: you've had how many people have had shirpa pressure? Nobody 596 00:30:30,240 --> 00:30:33,479 Speaker 3: that's she's the only one. Other seventeen year olds is like, 597 00:30:33,560 --> 00:30:34,680 Speaker 3: who are you going to go to. 598 00:30:34,640 --> 00:30:37,120 Speaker 2: The dance with? But in this case, she's got shirpas 599 00:30:37,120 --> 00:30:38,680 Speaker 2: that are like, you can do it, Yeah, try to do. 600 00:30:40,800 --> 00:30:45,000 Speaker 2: Your free will is gone. It's gone, totally gone. In 601 00:30:45,040 --> 00:30:48,520 Speaker 2: an interview though, we got a little bit of insight, 602 00:30:48,800 --> 00:30:51,000 Speaker 2: So if you're unfamiliar, the climbers have been going up 603 00:30:51,040 --> 00:30:56,760 Speaker 2: and down on Everest for what long? Almost was it 604 00:30:56,800 --> 00:30:59,120 Speaker 2: nineteen thirty two, I think was the first one to summit, 605 00:30:59,680 --> 00:31:02,400 Speaker 2: if I if I'm not mistaken. So what I think 606 00:31:02,520 --> 00:31:05,960 Speaker 2: is really fascinating is that you may have heard the 607 00:31:06,000 --> 00:31:08,880 Speaker 2: stories that there are dead bodies marking the trail up 608 00:31:08,920 --> 00:31:11,800 Speaker 2: and down Everest, and that is because people will, you know, 609 00:31:12,120 --> 00:31:16,360 Speaker 2: die and nobody's going to bring them down, like they're 610 00:31:16,360 --> 00:31:19,880 Speaker 2: having enough trouble getting them their own selves down without 611 00:31:20,000 --> 00:31:21,760 Speaker 2: ending up next to the corpse that's already there. So 612 00:31:21,800 --> 00:31:25,920 Speaker 2: these corpses end up freezing pretty quickly and then they 613 00:31:26,000 --> 00:31:28,240 Speaker 2: just stay there. So if you've ever you know, banged this, 614 00:31:28,320 --> 00:31:30,160 Speaker 2: you're going to find this, like this trail of corpses 615 00:31:30,240 --> 00:31:34,880 Speaker 2: up and down Everest. It's really interesting. But also what 616 00:31:34,960 --> 00:31:38,800 Speaker 2: happens is they get going and they start throwing trash out. 617 00:31:38,880 --> 00:31:43,240 Speaker 2: So evidently the trails up and down Everest are littered 618 00:31:43,240 --> 00:31:49,040 Speaker 2: with litter, covered with trash and human excrement. So there's 619 00:31:49,080 --> 00:31:51,880 Speaker 2: new rules. If you want to sum at everest, you 620 00:31:52,000 --> 00:31:54,360 Speaker 2: have to go up and when you come back down, 621 00:31:54,920 --> 00:31:57,280 Speaker 2: you have to come down with about eighteen pounds of 622 00:31:57,360 --> 00:32:00,000 Speaker 2: trash to prove that you've brought your trash back with you. 623 00:32:00,080 --> 00:32:02,800 Speaker 2: That includes your poopolo and peepee. 624 00:32:03,440 --> 00:32:07,720 Speaker 3: Doesn't anybody just watch two be anymore? Can you just 625 00:32:07,800 --> 00:32:10,400 Speaker 3: watch some TV? Why would you do that when you've 626 00:32:10,400 --> 00:32:11,680 Speaker 3: got three to b in the hotel? 627 00:32:11,760 --> 00:32:13,560 Speaker 2: Why would you? Why would you try to climb them out? 628 00:32:13,600 --> 00:32:16,120 Speaker 2: And I don't understand it. No, I guess they actually 629 00:32:16,120 --> 00:32:20,160 Speaker 2: make They make bags. And then I think to myself, 630 00:32:20,160 --> 00:32:21,840 Speaker 2: do you keep the bag thought or do you keep 631 00:32:21,880 --> 00:32:23,400 Speaker 2: that on the outside and just let it freeze up? 632 00:32:23,440 --> 00:32:25,560 Speaker 3: Because yeah, I wouldn't do that for a dog. I 633 00:32:25,560 --> 00:32:27,640 Speaker 3: wouldn't do it for my grandmother. You think I'm gonna 634 00:32:27,680 --> 00:32:28,760 Speaker 3: get it myself. 635 00:32:28,880 --> 00:32:31,840 Speaker 2: I'm not carrying around a bag of my own number two, 636 00:32:32,240 --> 00:32:35,640 Speaker 2: thank you. But you have to do it. That's the rules. 637 00:32:36,240 --> 00:32:39,520 Speaker 3: So is it like a like a sandwich bag or 638 00:32:39,560 --> 00:32:40,160 Speaker 3: a hefty bag? 639 00:32:40,200 --> 00:32:41,920 Speaker 2: They didn't go into detail on it. I might have 640 00:32:41,960 --> 00:32:43,560 Speaker 2: to do. We might have to do a part two 641 00:32:43,600 --> 00:32:47,800 Speaker 2: on this, so there could be a sequel to the 642 00:32:48,720 --> 00:32:51,200 Speaker 2: wag bag. They call us a waste bag. Well, people 643 00:32:51,200 --> 00:32:53,400 Speaker 2: need to know this. I think they do. I think 644 00:32:53,400 --> 00:32:55,520 Speaker 2: this is I think we've edified people tonight beyond their 645 00:32:55,560 --> 00:32:58,400 Speaker 2: own expectations. I have a have a blessed and safe 646 00:32:58,480 --> 00:33:01,239 Speaker 2: Thanksgiving evening. Mario, good job in the back end there, man, 647 00:33:01,280 --> 00:33:02,840 Speaker 2: you're doing it. You're doing a fine job. I love 648 00:33:02,880 --> 00:33:06,000 Speaker 2: working with your pal, Nikki. If there's one thing I 649 00:33:06,000 --> 00:33:07,520 Speaker 2: can say, it's that you keep us on our toes. 650 00:33:07,800 --> 00:33:09,200 Speaker 6: I love that for me and. 651 00:33:09,240 --> 00:33:13,320 Speaker 2: For you and for all of us. Right Mark, we 652 00:33:13,400 --> 00:33:15,880 Speaker 2: can FaceTime tomorrow if you need to. We can. You 653 00:33:15,920 --> 00:33:19,320 Speaker 2: are a complete pro. You're a complete pro, all right, buddy. 654 00:33:19,920 --> 00:33:22,520 Speaker 2: And I've decided I would give you a ride to 655 00:33:22,560 --> 00:33:25,040 Speaker 2: the airport. Oh and it told me make me cry 656 00:33:25,120 --> 00:33:27,600 Speaker 2: right before I have to do the news. I would 657 00:33:27,600 --> 00:33:29,480 Speaker 2: do it before I have a happy Thanksgiving. I'm Chris 658 00:33:29,480 --> 00:33:31,360 Speaker 2: Merril kay if I am six forty. We're live everywhere 659 00:33:31,360 --> 00:33:32,160 Speaker 2: in the iHeartRadio 660 00:33:32,160 --> 00:33:35,680 Speaker 1: App kf I AM six forty on demand