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Speaker 1: It's a Wild Wednesday here on KFN, and we're taking

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Speaker 1: your talkbacks for tickets all day long. He's a talkback

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Speaker 1: feature on the iHeartRadio app and tell us who on

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Speaker 1: the Wild is due for a breakout game. Winners will

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Speaker 1: be selected all day for Wild versus Red Wings tickets tomorrow.

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Speaker 1: Get the details at caffan dot com. Keeper Contests.

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Speaker 2: Couple thirteen fourteen past. I'm common. He's ten to be.

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Speaker 3: Hour number two, which is the one o'clock hour, begins

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Speaker 3: with five to three.

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Speaker 2: Four Time now for.

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Speaker 3: Five questions, Well, actually three, but five sounds like more

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Speaker 3: than four.

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Speaker 2: Question number one time now for an in depth look

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Speaker 2: at the state of the state of hockey US in

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Speaker 2: the state the state of pop a wild.

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Speaker 1: We're fifteen seconds away from at least one point when

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Speaker 1: this happened.

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Speaker 3: Right side Suzuki trying to get around Starn He did

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Speaker 3: nick Suzuki off near the goal line by Tara Sinkos.

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Speaker 3: We lobbed it back up top for Hudson, once for

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Speaker 3: Suzuki on the pop up play.

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Speaker 2: Coffee old yet field with fifteen seconds left, put in

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Speaker 2: Montreal and.

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Speaker 1: Yeah, Joe Donald with the call last night right here

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Speaker 1: on the fan cole Ka Field scores with fifteen seconds

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Speaker 1: left in regulation to give the Canadians a four to

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Speaker 1: three win over the Wild Last night in Montreal. Vladimir

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Speaker 1: Tarasenko scored two powerplay goals. Caroll Caprizo Off and Mattsukrello

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Speaker 1: each had two assists the Wild to finish their road

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Speaker 1: trip with a two to one record.

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Speaker 2: Common your thoughts.

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Speaker 3: My thoughts were this text message that came in at

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Speaker 3: twelve fifty six thirty Brad John Brian Kavan text line

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Speaker 3: anticipating uh five three four fire up the excuse computer

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Speaker 3: Common tennant talking about to talk about the Wilds.

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Speaker 2: So do you have an excuse for him? Not at all? Oh,

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Speaker 2: you don't.

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Speaker 1: They did not play well last night. They were vastly

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Speaker 1: all played and actually it was one of those games

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Speaker 1: where they they almost got a point or two in

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Speaker 1: a game that they did not deserve to get that.

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Speaker 1: So it's frustrating to be that close to at least

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Speaker 1: getting overtime and getting a point.

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Speaker 2: But the justice.

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Speaker 1: Was served because Montreal was the better team throughout that

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Speaker 1: game last night. They were dominant in the first period.

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Speaker 1: They've got some good young talent who can skate and

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Speaker 1: got some speed, and the Wild did not bring it.

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Speaker 1: They spent the majority of the game in their defensive zone.

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Speaker 1: They were very passive and the defensive zone. Ah, I'm

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Speaker 1: not trying to be negative. I'm just explaining what happened.

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Speaker 2: You know.

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Speaker 1: The Wild they're fortunate least that they've got some power

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Speaker 1: play goals to keep them alive, and Volstead played pretty

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Speaker 1: well throughout to give them a chance. But Montreal was

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Speaker 1: a better team last night and they deserved that result.

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Speaker 2: He had thirteen saves in the first period.

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Speaker 1: But if you want me to do an excuse computer

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Speaker 1: back to backs in three, third game in four days.

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Speaker 3: Yeah, they were Tucker thirteen saves in the first period alone.

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Speaker 3: That's a lot, isn't it.

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Speaker 2: Yeah.

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Speaker 1: I mean he gave up two goals, but yeah, now

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Speaker 1: there's that. But he it was not on him last night.

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Speaker 1: They came out right away and had a bunch of

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Speaker 1: chances that Vall said kept the team around for a while.

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Speaker 2: All right, I didn't see it, So question number two,

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Speaker 2: it's now time to take an in depth look at

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Speaker 2: the welfare of the Wolves. I didn't see this twenty either,

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Speaker 2: but I got plenty of sets. Do you ever see

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Speaker 2: any of these no, it's funny.

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Speaker 3: I have a lot to say about the Wolves when

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Speaker 3: they lose, but I don't about.

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Speaker 2: The Wild all.

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Speaker 1: The Wolves have lost three straight for the second time

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Speaker 1: the season, after following one twenty last night in Utah.

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Speaker 1: Kyanti George scored a career high forty three points and

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Speaker 1: Yusuf Nurkic had a triple double of sixteen points, eighteen

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Speaker 1: rebounds and ten assists for the Jazz. Minnesota had a

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Speaker 1: fifteen point lead late in the third Quarterber shotches nine

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Speaker 1: for thirty in the fourth compared to seventeen for twenty five.

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Speaker 1: From the Jazz com what's sticks out to you from

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Speaker 1: last night's loss in Utah?

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Speaker 3: And the reason that I don't have much to say

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Speaker 3: about the Wild and more about the Wolves, and you

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Speaker 3: have a lot to say about the Wild, but a

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Speaker 3: little about they. We balance each other up. I'm part

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Speaker 3: of the basketball community. You're part of the hockey community.

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Speaker 3: You handle the hockey part. I handle the basketball. Here's

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Speaker 3: all here, here's what I have. This goes to show

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Speaker 3: you how it seems like in the NBA more than

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Speaker 3: any other sport, where people will you know a two

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Speaker 3: or three game, where you know a week stretch can

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Speaker 3: make you get really excited about a team.

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Speaker 2: Okay, this is.

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Speaker 3: Oh Michael rand Ran ball rights for the fish Rock

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Speaker 3: Factory on the west side. Right, does a great job.

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Speaker 3: This is what he What is the day today? Today

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Speaker 3: is the twenty first, on the fifteenth. This is what

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Speaker 3: he wrote, and he's referring to a national guy. But

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Speaker 3: it says, are the Timberrels suddenly NBA title contenders? This

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Speaker 3: is six days ago, two weeks ago, the Wolves stumbled

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Speaker 3: in one of their worst stumbled into one of their

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Speaker 3: worst losses in recent memory. Now there's an emergency national

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Speaker 3: narrative about their championship chances. It's emerging nationally. Now there's

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Speaker 3: a ground swell there. And he quotes a a national

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Speaker 3: guy wears his name, somebody named.

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Speaker 2: Zach Lowe. Are you familiar with him? He's a writer, Yeah,

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Speaker 2: he right about ye.

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Speaker 3: Speaking a podcast, respected NBA boy, Zach Lowe talked about

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Speaker 3: the Wolves on his Jan twelve episode with guest Richard Jefferson.

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Speaker 3: He said, I think the Minnesota timberlves could win the championship,

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Speaker 3: he said, praising Edwards and the Wolf's success on both offense,

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Speaker 3: and if we got to the end of the season

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Speaker 3: and the Timbers won the championship. I would not be

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Speaker 3: blown away by it because I think they're that good

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Speaker 3: and they are a good team.

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Speaker 1: Well, they've been in the Western Commerce Finals loss of

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Speaker 1: year Supers, shouldn't be blown away by that.

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Speaker 2: So six.

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Speaker 3: Six, seven days ago, this is what we were talking

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Speaker 3: about championship aspirations. Now I think this is the gamer

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Speaker 3: from the Fisher ref after your West Side. Not long

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Speaker 3: after playing some of their best basketball at the start

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Speaker 3: of this month, the Wolves have now lost three straightages,

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Speaker 3: the second time the season. With this lost one of

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Speaker 3: their worst against Tanking Utah. With the Wolves that near

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Speaker 3: full strength and having a rest advantage. Utah entered the

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Speaker 3: night on a four game Mosey streak.

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Speaker 2: And now were the seven seed in a play in

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Speaker 2: game right now.

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Speaker 3: So it's like, and I didn't know what this means

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Speaker 3: other than the NBA just you can't take anything that

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Speaker 3: happens in the regular season seriously. A team can go

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Speaker 3: on a ten game winning streak, forget about it. Team

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Speaker 3: can go on attend the game losing streak, forget about it,

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Speaker 3: because it doesn't matter. I think most of it just

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Speaker 3: matters what mood they're in and how they're feeling, and

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Speaker 3: if the inferior team says.

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Speaker 2: Looks like they're not really trying tonight, we may as well.

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Speaker 3: I know that sounds like I'm oversimplifying things and that

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Speaker 3: I have this conspiracy theory, but I'm just telling you,

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Speaker 3: until I see different, that's what it looks like to me.

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Speaker 2: And I guess that's okay.

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Speaker 3: Because, like I say, right now the Wolves are on

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Speaker 3: that seventh spot, I can pretty much tell you they're

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Speaker 3: going to go on some nice winning streaks here, and

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Speaker 3: they're also going to have a couple of losing ones

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Speaker 3: and they're gonna end up.

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Speaker 2: Beating in the top six and then from there.

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Speaker 3: Now then it's time for me to go, okay, I

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Speaker 3: can actually now go to a Timberwolves game and watch

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Speaker 3: because now it really now I'm going to see real

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Speaker 3: effort start to finish.

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Speaker 2: I'm not going to be it's.

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Speaker 3: Not going to be coasting and going through the motions,

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Speaker 3: not going to see bad teams beating good teams, and

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Speaker 3: you know, bad teams sometimes beat good teams even when

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Speaker 3: good teams are trying more more times than nine. I

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Speaker 3: think it's just we got a long season. Let's just

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Speaker 3: get through the eighty two game schedule. So six days

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Speaker 3: ago we were talking about title contenders. The national narrative

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Speaker 3: says this club can't be stopped.

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Speaker 2: And now we just lose three games and were including

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Speaker 2: one of our worst losses of the year.

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Speaker 1: Also, it was yesterday that Mark Rosen had already declared

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Speaker 1: the Rudy go Beart trade. Wolves won this trade home

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Speaker 1: run trade from the Minnesota timber Wolves. Caante George scored

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Speaker 1: forty three points for the Jazz last night. You know

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Speaker 1: how they got him with with with one of the

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Speaker 1: Timberwolves draft picks in the Rudy go Beart trade. Not

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Speaker 1: to mention like the draft picks were giving up as

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Speaker 1: over like a nine year stretch, there were still long

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Speaker 1: ways away before.

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Speaker 2: Seeing the thing play out, mister Rosen.

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Speaker 1: But all I know is Cante George scored forty three

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Speaker 1: last night and it was the former Minnesota Timberwolves draft pick.

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Speaker 2: I can't find that we traded in the Rudy go

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Speaker 2: Bear trade. I can't find my brilliant But there you go, yeah,

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Speaker 2: very much. Hold one question number three. It's time now

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Speaker 2: for it's a low down in Dinky Town.

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Speaker 1: The Gophers men's basketball team loss eighty two seventy four

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Speaker 1: in overtime last night at Ohio State. Jalen Crocker Johnson

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Speaker 1: scored a career high twenty six for the Gophers, but

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Speaker 1: John Mobley Junior scored twenty six points for the buck Guys.

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Speaker 1: Minnesota falls at ten to nine overall and three and

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Speaker 1: five in the Big Ten. Common was that a devastating

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Speaker 1: loss for our Minnesota Gophers last night?

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Speaker 2: It depends what your expectations are for the club.

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Speaker 3: I mean, they once they started playing this year, had

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Speaker 3: some nice wins over a couple of ranked clubs.

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Speaker 2: For me, expectations were raised.

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Speaker 3: So yeah, it's I would say disappointing, not necessarily devastating.

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Speaker 2: They still.

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Speaker 3: They aren't the most talented team, you know, it's I

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Speaker 3: think a lot of it's this coaches system. You know,

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Speaker 3: they does that. You know the players have bought in.

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Speaker 3: I this looks to me like you gotta really work hard,

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Speaker 3: start to finish, both offensively and defensively when you play

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Speaker 3: for men, they don't they call this that Princeton offenses.

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Speaker 3: And then with the thing I mean, I might not

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Speaker 3: be identical to that, but constant players moving ball every

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Speaker 3: you know, we a couple of the when you read

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Speaker 3: the gamers or you listen to people people that I

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Speaker 3: trust talk about this Gophers club. They'll say, you know,

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Speaker 3: they have this many baskets and this many guys touched

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Speaker 3: the ball during each possession. In other words, it's not

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Speaker 3: just one guy coming up the floor playing hero ball,

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Speaker 3: trying to beat a guy one on one and then

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Speaker 3: hit a pull up jump shot.

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Speaker 2: Right, it's like plays. They're running constantly, the.

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Speaker 3: Ball moving and you know in the in the handful

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Speaker 3: of times I've watched the Gophers this year, in a

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Speaker 3: couple of games, that's what I seem to see as well.

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Speaker 2: They like to move the ball around and so it's

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Speaker 2: good style of basketball. First year.

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Speaker 3: I don't know what my expectations are. I don't think

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Speaker 3: they're going to make the NCAA tournament. But they have

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Speaker 3: a couple of quality wins against teams.

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Speaker 2: That were ranked. That's that would have really helped, because

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Speaker 2: I don't think.

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Speaker 3: Ohio States rank. They're just an okay club at best.

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Speaker 3: That'd be a nice game to win. And did I

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Speaker 3: read it right? Did you say this? And you know

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Speaker 3: Roberly wasn't listening. I was just waiting for my turn

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Speaker 3: to talk. They had a couple of looks late in

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Speaker 3: the game, you know, with just you know, to to

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Speaker 3: win the game. They maybe sent it to O T

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Speaker 3: and they missed their shots. But yeah, so I don't know.

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Speaker 3: I wouldn't call it devastating, but yeah, it's it's it's

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Speaker 3: growing pains. We'll see I you know, I'll give the

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Speaker 3: guy you give the first year. I can't really expect miracles,

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Speaker 3: right so we'll see how it goes. But I think

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Speaker 3: right now they seem to be better today than they

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Speaker 3: were at this time last year.

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Speaker 2: So could do a quick one.

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Speaker 3: Yeah, question number three, it's a big move.

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Speaker 2: It's now time.

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Speaker 3: I was wondering how long you were going to wait

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Speaker 3: after this or we're just going to bury it.

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Speaker 1: The Twins acquired utility man Tristan Gray from the Boston

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Speaker 1: Red Sox today in exchange for minor league catcher Nate Baya.

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Speaker 1: Great bat at two thirty one and three homers and

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Speaker 1: nine RBI in seventy eight MLB at bats last season.

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Speaker 1: He has defensive experience at all four infield positions. Common

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Speaker 1: is the addition of Tristan Gray.

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Speaker 2: Excite you. That's a free empty on I kind of

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Speaker 2: knew where you're going.

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Speaker 3: No, I guess no. I'll still watch in early March.

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Speaker 3: Can we get him on TV?

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Speaker 2: Now? Are they going to be out to a TV?

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Speaker 2: You know? Any indication? I've told you this before.

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Speaker 3: I like the beginning of the baseball season because I

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Speaker 3: get done at three and they have so many early

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Speaker 3: starts three o'clocks, three thirties, so I can go home

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Speaker 3: and you know, the weather is starting to get a

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Speaker 3: little bit better outside.

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Speaker 2: It can crank open the windows.

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Speaker 3: I'm thinking about golf, and now watch a little bit

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Speaker 3: of early season baseball, and then once theyand up going

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Speaker 3: two and ten in the first twelve, I.

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Speaker 2: Just stop watching.

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Speaker 3: So but I yeah, it doesn't do we know where

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Speaker 3: the franchise been, where it's going to, where it's at.

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Speaker 2: It doesn't seem like it's good right now. We'll say

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Speaker 2: this real.

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Speaker 3: This text messager says, longtime text or first time listener.

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Speaker 3: I like to listen to you eat on air. I

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Speaker 3: find it relaxing. I think you should start a podcast

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Speaker 3: of just.

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Speaker 2: You eating on the air. I might do that.

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Speaker 4: Huh, Well, you've heard things will blow up like that

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Speaker 4: and go viral that are just like for instance, well

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Speaker 4: the one guy was skateboarding to Dreams by well, okay

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Speaker 4: guys skateboarding to Dreams and it went viral.

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Speaker 3: How about a radio talks er hos just eating on

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Speaker 3: the air. Maybe that would go viral because it's so

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Speaker 3: stupid and so uninteresting and people seem to.

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Speaker 2: Like those kinds of things.

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Speaker 3: I mean, look at the success of meat so huh.

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Speaker 3: So maybe that's what I'll do. Maybe I'll start that

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Speaker 3: podcast sometimes soon. There you go with five, three or four,

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Speaker 3: and that's it for today's edition of five questions. Well

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Speaker 3: actually three questions, but five sounds like more than four.

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Speaker 1: He wants to give you a shout to win Bonus

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Speaker 1: Bucks with our national cash contests. Entered the keyword check

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Speaker 2: Rocktock next, Rocktalk with Brian Oak. Twenty twenty six.

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Speaker 1: keyword Calendar.

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Speaker 2: Thirteen fourteen past.

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Speaker 3: I'm common, he's tending to be, and we're excited and

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Speaker 3: delighted to be joined by none other than Brian Oak.

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Speaker 2: Allow me to assure you the delight is mine and

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Speaker 2: mine alone.

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Speaker 3: It was twenty years ago today I reel people and

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Speaker 3: then we were talking.

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Speaker 2: To I heard you, I heard you, and it was

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Speaker 2: it was delightful and I almost I almost texted in

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Speaker 2: on the Bradshawn Brian text line. Still the Brad Shawn

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Speaker 2: Brian text line. Okay, I almost texted in, but I

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Speaker 2: didn't want to be accused of taking the bait. And

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Speaker 2: the only reason I was going to text in is

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Speaker 2: because the actual opening song on the White album is

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Speaker 2: in my top ten all time Beatles songs back in

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Speaker 2: the USSR is and to start that album that way

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Speaker 2: at that time, with that song, it just proves why

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Speaker 2: the Beatles are the Beatles. But yeah, no, Sergeant Pepper's

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Speaker 2: also fantastic.

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Speaker 3: They did it. McCartney. Writtrat wrote the song for a

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Speaker 3: couple of things. One was the answer back to the

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Speaker 3: Beach Boys in California. Yes, and that's why they do

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Speaker 3: the ooh you know this song, You're like, no, you

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Speaker 3: know they do they.

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Speaker 2: Well, no, it's absolutely I think it's a parody, it's satire,

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Speaker 2: but it's absolutely the Beach Boys. But also it was.

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Speaker 3: Chuck Berry's back in the USA exactly right, So it

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Speaker 3: was kind of the combination of the both and yeah.

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Speaker 2: But then also the just even using the topic at

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Speaker 2: a time when we remember the Cold War is still

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Speaker 2: at a feverish pitch by the late sixties, and so

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Speaker 2: to have it be back in the USSR. Of course,

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Speaker 2: the people who were already worried that the Beatles had

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Speaker 2: damaged the establishment were now convinced that they were agent

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Speaker 2: provocateurs for the dirty Commies, and that it was some

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Speaker 2: sort of genuine tribute to the USSR as opposed to

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Speaker 2: just the giant, beautifully executed laugh to kick off one

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Speaker 2: of the largest messiest conglomerations of rock in history. So

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Speaker 2: why White album. It's not their best record, but it's

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Speaker 2: my favorite, that's in my top ten all time albums. Yeah,

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Speaker 2: I enjoyed as well, you know it's.

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Speaker 3: And then of course, remember it started out with the

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Speaker 3: sound of a you know, airplane and then landing. Now

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00:17:19,640 --> 00:17:22,000
Speaker 3: that's not so, but back then that was you know,

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Speaker 3: look at that they got these sound effects of a

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Speaker 3: player is it's such a cool spot.

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Speaker 2: But the Birds had a song called fox Trot two

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Speaker 2: four two. Well they're still too technically. I suppose that

345
00:17:30,359 --> 00:17:32,199
Speaker 2: does the same thing. It's about like, you know, the

346
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Speaker 2: life of the jet set lifestyle, and it starts out

347
00:17:34,240 --> 00:17:36,400
Speaker 2: with some really cool sound effects and has them throughout.

348
00:17:36,480 --> 00:17:38,760
Speaker 2: And hey, you can make a good playing playlist if

349
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Speaker 2: you want to.

350
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Speaker 3: So I always like last week, what was the story

351
00:17:43,200 --> 00:17:45,200
Speaker 3: we had? It was which one the guy that was

352
00:17:45,280 --> 00:17:47,240
Speaker 3: charging hundred dollars a song or.

353
00:17:47,200 --> 00:17:51,959
Speaker 2: Two Vinnie Vince and two thousand dollars a song, So

354
00:17:52,000 --> 00:17:53,760
Speaker 2: that if you were to get all what eighteen or

355
00:17:53,840 --> 00:17:57,320
Speaker 2: nineteen tracks on his well what he claims is the

356
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Speaker 2: greatest album of all time? Correct, but just two thousand

357
00:18:00,240 --> 00:18:02,040
Speaker 2: for a track. But then the thing is he knows

358
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Speaker 2: that once you get a taste of that kind of

359
00:18:03,760 --> 00:18:06,160
Speaker 2: rock excellence, no price is too high.

360
00:18:06,240 --> 00:18:07,520
Speaker 3: And then he said, and if you don't buy it,

361
00:18:07,560 --> 00:18:10,280
Speaker 3: that's fine, normal, No One, the greatest album of all

362
00:18:10,280 --> 00:18:11,119
Speaker 3: timber go unheard.

363
00:18:11,480 --> 00:18:14,000
Speaker 2: I love that cockiness that he just said. You know

364
00:18:14,080 --> 00:18:17,520
Speaker 2: he believes it too. Well a matter of fact, he says,

365
00:18:17,600 --> 00:18:18,760
Speaker 2: and you know what people think.

366
00:18:18,840 --> 00:18:21,119
Speaker 3: I care If I don't get the money, that'll be

367
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Speaker 3: the greatest album that's.

368
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Speaker 2: That just goes unheard. It's just never sold. People won't

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Speaker 2: even hear it.

370
00:18:26,400 --> 00:18:28,399
Speaker 3: Yeah, dude, you'll never get a chance to the other gris.

371
00:18:28,480 --> 00:18:29,360
Speaker 2: Here's another one though.

372
00:18:30,960 --> 00:18:34,879
Speaker 3: Rock band cancels fortieth anniversary tour after singer demands more money.

373
00:18:35,160 --> 00:18:37,440
Speaker 2: Wow, have you heard this one? Which? Who's the band?

374
00:18:37,600 --> 00:18:39,440
Speaker 2: Forty years I puts the right in my wheelhouse?

375
00:18:39,480 --> 00:18:41,959
Speaker 3: A popular rock band, It's canceled plans for a fortieth

376
00:18:42,000 --> 00:18:45,960
Speaker 3: anniversary tour after the singer reportedly demanded to be paid

377
00:18:45,960 --> 00:18:49,080
Speaker 3: more than his bandmates. Oh no, Poison, Yeah, I had

378
00:18:49,119 --> 00:18:51,920
Speaker 3: long been planning twenty twenty six concert tom our four

379
00:18:51,960 --> 00:18:54,439
Speaker 3: decades since the release of the eighty six debut record.

380
00:18:54,760 --> 00:18:57,520
Speaker 2: Look what the cat just drag drag drugged in? Uh huh,

381
00:18:57,560 --> 00:18:59,320
Speaker 2: but every rose has a thoor.

382
00:19:00,320 --> 00:19:03,040
Speaker 3: Plans fell through because leads singer Brett Michaels, wanted to

383
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Speaker 3: be paid six times as much as his bandmates.

384
00:19:06,840 --> 00:19:09,480
Speaker 2: That's according to Ricky Rocket. Is there a drum? Lets

385
00:19:09,560 --> 00:19:12,760
Speaker 2: be real clear, at the very very very baseline of

386
00:19:12,840 --> 00:19:16,080
Speaker 2: this entire conversation is that Poison was never that great,

387
00:19:16,160 --> 00:19:18,840
Speaker 2: all right, they had to look absolutely and the songs

388
00:19:18,840 --> 00:19:22,280
Speaker 2: were exceptionally pedestrian, not noteworthy. They hit a lot of

389
00:19:22,280 --> 00:19:24,400
Speaker 2: people right in the fields at a very important time

390
00:19:24,440 --> 00:19:26,920
Speaker 2: in life when hair metal and that kind of glammy

391
00:19:26,960 --> 00:19:30,160
Speaker 2: hair metal was at its absolute zenith. So they matter

392
00:19:30,240 --> 00:19:32,919
Speaker 2: for the bes part of that that story, in that timeline,

393
00:19:32,960 --> 00:19:36,159
Speaker 2: But the songs are not enduring and they're not that great.

394
00:19:36,240 --> 00:19:40,240
Speaker 2: And C. C. Deville on guitar, Ricky Rocket on drums.

395
00:19:40,280 --> 00:19:42,160
Speaker 2: I don't know why I know so much about Poison.

396
00:19:42,560 --> 00:19:44,600
Speaker 2: I know more than I probably want to. But Bobby

397
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Speaker 2: Dall on bass. There we go. So I mean, you've

398
00:19:47,440 --> 00:19:50,320
Speaker 2: got Brett Michaels would go on to do Rock of

399
00:19:50,359 --> 00:19:56,040
Speaker 2: Love obviously and became something of a C list celebrity

400
00:19:56,119 --> 00:19:59,720
Speaker 2: reality show and name one Brett Michael.

401
00:20:00,119 --> 00:20:01,880
Speaker 3: I mean he did go by himself, because I've seen

402
00:20:01,960 --> 00:20:03,639
Speaker 3: he did Brett Michael's in concert.

403
00:20:03,760 --> 00:20:07,159
Speaker 2: But he considers himself to be bigger than them. I

404
00:20:07,200 --> 00:20:10,000
Speaker 2: am a little surprised. I mean it would be even audacious.

405
00:20:10,040 --> 00:20:12,960
Speaker 2: I think to say I expect to be paid twice

406
00:20:13,000 --> 00:20:16,680
Speaker 2: as much six times, Well, that's a bummer. I'm really

407
00:20:16,880 --> 00:20:18,479
Speaker 2: there's a lot of people who are going to and

408
00:20:18,480 --> 00:20:21,480
Speaker 2: actually there are. I shouldn't be quite so dismissive. There's

409
00:20:21,480 --> 00:20:23,239
Speaker 2: a bunch of people who this will probably bum out

410
00:20:23,280 --> 00:20:25,880
Speaker 2: a great deal. But again, if you really look down

411
00:20:25,880 --> 00:20:27,920
Speaker 2: deep in your heart of hearts, is it worth getting

412
00:20:28,000 --> 00:20:30,560
Speaker 2: upset over poison? Who cares? They're shooting themselves in the foot?

413
00:20:30,600 --> 00:20:31,760
Speaker 2: Brett Michaels, you're an idiot.

414
00:20:31,800 --> 00:20:35,199
Speaker 3: Here's what Ricky Rockett said, Ricky Rocket, we had a

415
00:20:35,200 --> 00:20:37,919
Speaker 3: great offer, I thought, but we left the table.

416
00:20:38,000 --> 00:20:41,720
Speaker 2: Really, what it came down was c C C C Deville.

417
00:20:41,760 --> 00:20:44,200
Speaker 2: He's the guitar. He's the famous line from Talk Dirty

418
00:20:44,240 --> 00:20:47,240
Speaker 2: to Me. CEC pick up that guitar and talk to me,

419
00:20:47,680 --> 00:20:48,800
Speaker 2: and then you get the wicked guitar.

420
00:20:48,880 --> 00:20:52,119
Speaker 3: Solo bass player Bobby Paul and I were all in now,

421
00:20:52,160 --> 00:20:54,720
Speaker 3: I thought Brett was. But he wanted the lion share

422
00:20:54,720 --> 00:20:56,760
Speaker 3: of the money to the point where it makes it

423
00:20:56,840 --> 00:20:58,040
Speaker 3: not possible.

424
00:20:57,600 --> 00:21:00,320
Speaker 2: To even to even do it.

425
00:21:00,000 --> 00:21:03,000
Speaker 3: It's like six dollars to every one of our dollars.

426
00:21:03,080 --> 00:21:05,320
Speaker 2: You just can't work that way. He wants more than

427
00:21:05,400 --> 00:21:06,280
Speaker 2: half the money.

428
00:21:06,520 --> 00:21:09,160
Speaker 3: Michael's Rocket de Villain Dollar all part of the Poison's

429
00:21:09,160 --> 00:21:11,720
Speaker 3: lineup when they exploded on the glam metal hard rock

430
00:21:11,760 --> 00:21:15,200
Speaker 3: scene in the eighties with MTV and radio hits talk

431
00:21:15,320 --> 00:21:18,760
Speaker 3: Dirty to Me and Nothing but a Good Time exactly

432
00:21:18,960 --> 00:21:21,600
Speaker 3: and the number one smash Every Rose Has It's Thorn

433
00:21:21,680 --> 00:21:21,919
Speaker 3: that was.

434
00:21:21,920 --> 00:21:22,919
Speaker 2: The big power ballad.

435
00:21:23,240 --> 00:21:26,159
Speaker 3: The last they last toured together in twenty twenty two

436
00:21:26,240 --> 00:21:29,880
Speaker 3: is part of the Stadium tour with Motley Crue, Feels

437
00:21:30,000 --> 00:21:35,200
Speaker 3: Like the First Time and def Leppard Rocket Man.

438
00:21:36,640 --> 00:21:39,000
Speaker 2: Hot let It check in and see.

439
00:21:39,280 --> 00:21:42,240
Speaker 3: Rocket told Page six that he's not anger with Michaels,

440
00:21:42,400 --> 00:21:45,640
Speaker 3: saying it would be like hating your parents.

441
00:21:46,400 --> 00:21:46,720
Speaker 2: Love that.

442
00:21:49,359 --> 00:21:54,160
Speaker 3: But Poison tour without its original vocalist, Rocket explained, it's

443
00:21:54,160 --> 00:21:56,720
Speaker 3: not out of the question, but doing that is like surgery.

444
00:21:56,800 --> 00:21:59,080
Speaker 3: It's the last resort. I don't want to do that.

445
00:21:59,119 --> 00:22:01,040
Speaker 3: I'm not quarreling with BUTR. We just didn't come to

446
00:22:01,119 --> 00:22:03,399
Speaker 3: an agreement. I don't like it, and I'll say that,

447
00:22:03,440 --> 00:22:06,159
Speaker 3: but it's not like let's put up our dukes. I

448
00:22:06,160 --> 00:22:09,400
Speaker 3: don't think there's a better front man for Poison. Well,

449
00:22:09,440 --> 00:22:10,200
Speaker 3: I mean that's fair.

450
00:22:10,560 --> 00:22:12,840
Speaker 2: I guess that he would be in a position to

451
00:22:12,880 --> 00:22:16,000
Speaker 2: know unlike few others because he's actually in the band.

452
00:22:16,080 --> 00:22:19,560
Speaker 2: But and again, there is a star factor. Unfortunately, to

453
00:22:19,560 --> 00:22:22,320
Speaker 2: Brett Michaels. That would get people in seats, which is

454
00:22:22,320 --> 00:22:24,359
Speaker 2: what the ultimate goal of a big fat twour like

455
00:22:24,400 --> 00:22:27,480
Speaker 2: this is. Whoever is putting it together is not going

456
00:22:27,560 --> 00:22:30,879
Speaker 2: to pony up that kind of money for a Brett

457
00:22:30,920 --> 00:22:34,600
Speaker 2: Michaels liss Poison. Yeah, I just but of course it's

458
00:22:34,800 --> 00:22:37,600
Speaker 2: very on brand for Brett Michaels to be demanding six

459
00:22:37,800 --> 00:22:41,040
Speaker 2: times any whatever anybody else in the band is getting.

460
00:22:41,160 --> 00:22:46,159
Speaker 2: Someone just sent me a text hit probably a Poison fan. No, no, no,

461
00:22:46,200 --> 00:22:46,639
Speaker 2: this one.

462
00:22:46,480 --> 00:22:50,280
Speaker 3: Says the Vinnie Vincent songs are free on YouTube.

463
00:22:53,560 --> 00:22:57,280
Speaker 2: Well, I guess now we can go judge for ourselves,

464
00:22:57,359 --> 00:23:02,239
Speaker 2: and then, should we feel so inclined drop two grand per? Yeah,

465
00:23:02,359 --> 00:23:04,320
Speaker 2: good time, very well, But yet we'll take a break.

466
00:23:04,320 --> 00:23:06,640
Speaker 3: We'll come back on another segment to go with rock

467
00:23:06,800 --> 00:23:10,040
Speaker 3: Talk here with Ryan o'comedy on Tennabee.

468
00:23:10,080 --> 00:23:10,520
Speaker 2: Right here on the.

469
00:23:10,520 --> 00:23:32,000
Speaker 1: Pans, we all had that one teacher who believed in

470
00:23:32,080 --> 00:23:34,920
Speaker 1: us Show your gratitude with thank a teacher, powered by

471
00:23:34,920 --> 00:23:37,920
Speaker 1: donors Choose nominated a public school teacher to win five

472
00:23:37,920 --> 00:23:41,800
Speaker 1: thousand dollars for their classroom. This week's winner is Alexis Hollman,

473
00:23:41,960 --> 00:23:46,760
Speaker 1: a special education teacher, at Woodland Elementary Schoolmate nominated a

474
00:23:46,800 --> 00:24:38,320
Speaker 1: teacher to thank today at iHeartRadio dot com slash teachers.

475
00:24:15,920 --> 00:24:17,760
Speaker 3: Where's Matt Dad in the middle of Rock Talk? Are

476
00:24:17,760 --> 00:24:20,320
Speaker 3: pretty close to the middle of rock talk. On Comedy's Tendebe,

477
00:24:20,720 --> 00:24:21,760
Speaker 3: Brian Oak is with us.

478
00:24:21,760 --> 00:24:22,160
Speaker 2: Hellou.

479
00:24:22,320 --> 00:24:23,600
Speaker 3: You know, I know you're a lot like me, and

480
00:24:23,680 --> 00:24:25,440
Speaker 3: you really don't like to talk about yourself.

481
00:24:25,480 --> 00:24:27,240
Speaker 2: You don't like to blow your own horn. But I

482
00:24:27,880 --> 00:24:30,520
Speaker 2: think you've been nominated. I've been told through the grape vine.

483
00:24:30,520 --> 00:24:32,359
Speaker 3: A little birdie told me you've been nominated for a

484
00:24:32,400 --> 00:24:34,080
Speaker 3: pretty pretty major.

485
00:24:35,480 --> 00:24:38,280
Speaker 2: A podcast and not bad, not bad. Well, So, the podcast,

486
00:24:38,320 --> 00:24:40,159
Speaker 2: The Brian Oaks Show has been going on for a

487
00:24:40,200 --> 00:24:44,800
Speaker 2: little over six years. It is ninety percent Minnesota music

488
00:24:44,880 --> 00:24:48,120
Speaker 2: or regional music, and then the other ten percent are

489
00:24:48,240 --> 00:24:52,960
Speaker 2: things like entrepreneurs and artists of different disciplines like filmmakers.

490
00:24:53,040 --> 00:24:55,679
Speaker 2: Yesterday we had a celebrated Minnesota filmmaker on Who's Got

491
00:24:55,720 --> 00:24:58,240
Speaker 2: the twenty fifth anniversary showing of one of his classic

492
00:24:58,280 --> 00:25:00,720
Speaker 2: films coming up at the part with Theater. So, in

493
00:25:00,720 --> 00:25:03,800
Speaker 2: any event, it's very Minnesota focus and as such, MSP

494
00:25:03,920 --> 00:25:07,320
Speaker 2: Magazine Minneapolis Saint Paul Magazine is putting out their annual

495
00:25:07,359 --> 00:25:09,919
Speaker 2: The Best Of Award this spring, and I was informed

496
00:25:09,920 --> 00:25:13,600
Speaker 2: that I have been nominated for Best Local Podcast. I'm

497
00:25:13,640 --> 00:25:16,920
Speaker 2: up against a field of eight Thank you, thank you again.

498
00:25:17,040 --> 00:25:19,600
Speaker 2: Not that that really means anything in practical terms. It

499
00:25:19,640 --> 00:25:23,040
Speaker 2: doesn't come with a cash reward like the you know,

500
00:25:23,160 --> 00:25:27,080
Speaker 2: Nobel Prize or whatever. But it's still nice and it's cool,

501
00:25:27,080 --> 00:25:28,960
Speaker 2: and if people felt like going there and voting for

502
00:25:29,040 --> 00:25:31,199
Speaker 2: my podcast, if you've ever listened and you actually like

503
00:25:31,280 --> 00:25:33,760
Speaker 2: my podcast better than any of these others, then I'd

504
00:25:33,760 --> 00:25:35,320
Speaker 2: love a vote, you know. But I'm not really out

505
00:25:35,320 --> 00:25:37,320
Speaker 2: here stumping for it. But it's kind of nice to

506
00:25:37,320 --> 00:25:39,000
Speaker 2: be recognized because I've been doing it a long time

507
00:25:39,040 --> 00:25:40,639
Speaker 2: and I take a certain level of pride in it.

508
00:25:40,720 --> 00:25:43,320
Speaker 2: I'm glad you do. Thank you. It shows and people

509
00:25:43,400 --> 00:25:46,000
Speaker 2: can find that. But how many episodes now six five hundred,

510
00:25:46,080 --> 00:25:48,760
Speaker 2: five hundred and forty six, so we're approaching six hundred. Yeah,

511
00:25:48,760 --> 00:25:50,320
Speaker 2: we'll get I mean, we'll get there before years end.

512
00:25:50,359 --> 00:25:52,639
Speaker 2: We do a couple every week, very good. Yeah, And

513
00:25:52,680 --> 00:25:55,440
Speaker 2: you can find it on the iHeartRadio app absolutely anytime

514
00:25:55,440 --> 00:25:56,879
Speaker 2: you like. And if you find out you like you

515
00:25:56,920 --> 00:25:58,640
Speaker 2: listen to some of these last couple ones, because other

516
00:25:58,680 --> 00:26:01,600
Speaker 2: recent ones too had been amazing. Liz Winstead, we had

517
00:26:01,600 --> 00:26:04,160
Speaker 2: Peter jessperson on. We talked to a really cool range

518
00:26:04,200 --> 00:26:08,960
Speaker 2: of Minnesota oriented artists and specific pretty much mainly musicians.

519
00:26:10,040 --> 00:26:11,399
Speaker 2: But if you find out that you like one or

520
00:26:11,440 --> 00:26:12,800
Speaker 2: two of the men, you like the role of the show,

521
00:26:12,840 --> 00:26:14,680
Speaker 2: the vibe of the show, there's music in every show,

522
00:26:15,680 --> 00:26:18,000
Speaker 2: then you have a very very large archive to go

523
00:26:18,080 --> 00:26:23,000
Speaker 2: back and peruse through that free iHeartRadio app When Oak laughs,

524
00:26:23,000 --> 00:26:25,119
Speaker 2: I picture him standing over a tortured kitten.

525
00:26:25,960 --> 00:26:26,160
Speaker 1: Laugh.

526
00:26:26,960 --> 00:26:28,720
Speaker 2: Now here's the deal, dude, I'm a cat guy. So

527
00:26:28,880 --> 00:26:34,679
Speaker 2: pick anything else, say Panda, say you know, Marmot, anything,

528
00:26:35,080 --> 00:26:37,480
Speaker 2: but I first of all, I would never stand cruelly

529
00:26:37,520 --> 00:26:40,040
Speaker 2: over the top of an animal. And my laugh that's

530
00:26:40,040 --> 00:26:42,960
Speaker 2: more joyful. That's more like ghosts of Christmas present from

531
00:26:43,200 --> 00:26:47,159
Speaker 2: from a Christmas Carol. I like exactly. It is a

532
00:26:47,160 --> 00:26:49,680
Speaker 2: little it could you could be if they if.

533
00:26:49,359 --> 00:26:51,240
Speaker 3: They were doing it animated where you just knew the

534
00:26:51,240 --> 00:26:52,879
Speaker 3: war and he said we need.

535
00:26:52,760 --> 00:26:55,720
Speaker 2: An evil laugh you could apply for I could I

536
00:26:55,720 --> 00:26:57,520
Speaker 2: could well. Just all I can say then, to not

537
00:26:57,560 --> 00:26:59,959
Speaker 2: only that emailer, but to everyone listening out there, just

538
00:27:00,040 --> 00:27:01,800
Speaker 2: be thankful that I use my Powers for Good.

539
00:27:02,320 --> 00:27:06,520
Speaker 3: Some yes, very very sorry, some other music on Ausman's

540
00:27:06,520 --> 00:27:07,440
Speaker 3: We're adding.

541
00:27:09,160 --> 00:27:12,240
Speaker 2: Performers to some list right. Well, so the super Bowl

542
00:27:12,320 --> 00:27:15,560
Speaker 2: we all know, too much controversity in hullabaloo, but again

543
00:27:15,680 --> 00:27:18,000
Speaker 2: one of the smartest decisions the NFL's ever made. They

544
00:27:18,119 --> 00:27:21,840
Speaker 2: got bad Bunny at halftime. But there are other people

545
00:27:21,840 --> 00:27:25,920
Speaker 2: who are going to be performing this year, performing America

546
00:27:25,960 --> 00:27:28,119
Speaker 2: the Beautiful early on, which is a tradition, you know,

547
00:27:28,119 --> 00:27:30,640
Speaker 2: because this is a whole day long event, right, six

548
00:27:30,720 --> 00:27:33,320
Speaker 2: hours of pre show cuts to this entertainment here, that

549
00:27:33,359 --> 00:27:36,080
Speaker 2: person there, Well, one of the lights that I'm looking

550
00:27:36,119 --> 00:27:39,199
Speaker 2: forward to is Brandy Carlile. I think one of the

551
00:27:39,240 --> 00:27:42,720
Speaker 2: most important and interesting and wonderful and enduring vocalists the

552
00:27:42,800 --> 00:27:45,280
Speaker 2: last fifteen years or so. She's going to be up

553
00:27:45,280 --> 00:27:49,240
Speaker 2: there singing America the Beautiful Love Brandy Carlile deeply, and

554
00:27:49,320 --> 00:27:51,359
Speaker 2: I'm looking forward to that. And then a band with

555
00:27:51,400 --> 00:27:54,480
Speaker 2: heavy Minnesota ties and a very long history of doing

556
00:27:54,520 --> 00:27:57,520
Speaker 2: what they do, Green Day, is going to be performing

557
00:27:57,600 --> 00:27:59,720
Speaker 2: the opening show. You know, there's always an opening act,

558
00:28:00,119 --> 00:28:03,639
Speaker 2: got a big headtime a headliner in the halftime. So

559
00:28:03,760 --> 00:28:05,800
Speaker 2: Green Day is going to be the soap super Bowl

560
00:28:05,840 --> 00:28:09,520
Speaker 2: opening act and Billy Joe Armstrong, the front man, said, quote,

561
00:28:09,720 --> 00:28:12,439
Speaker 2: we are super hyped to open Super Bowl sixty right

562
00:28:12,440 --> 00:28:14,879
Speaker 2: in our own backyard. We're honored to welcome the MVPs

563
00:28:14,880 --> 00:28:17,159
Speaker 2: who shaped the game and open the night for fans

564
00:28:17,240 --> 00:28:20,480
Speaker 2: all over the world. Let's have fun, Let's get loud.

565
00:28:20,840 --> 00:28:23,600
Speaker 2: End quote. I think my favorite Green Day song is Clocks.

566
00:28:24,119 --> 00:28:28,840
Speaker 2: I just love it. I really do. I know, I know. Yeah,

567
00:28:29,280 --> 00:28:31,600
Speaker 2: well it's a great song. Let's be honest. That's why

568
00:28:31,640 --> 00:28:33,440
Speaker 2: they're one of my favorite bands. Yeah, mine too.

569
00:28:33,800 --> 00:28:36,520
Speaker 3: This one says you don't have to like the Brian

570
00:28:36,560 --> 00:28:38,400
Speaker 3: Oak Podcast, but you have to respect it.

571
00:28:38,600 --> 00:28:40,520
Speaker 2: And if you feel so inclined, go ahead and throw

572
00:28:40,520 --> 00:28:41,000
Speaker 2: me a vote.

573
00:28:41,120 --> 00:28:41,560
Speaker 1: Yeah.

574
00:28:41,600 --> 00:28:45,920
Speaker 2: And then there's this one. I nominate common Man and

575
00:28:45,960 --> 00:28:50,440
Speaker 2: Brian o for teaching me music on rock talk. Oh well,

576
00:28:50,520 --> 00:28:52,200
Speaker 2: I mean it's it's my favorite thing to do is

577
00:28:52,240 --> 00:28:54,440
Speaker 2: talk about music, you know. And that's another reason right there.

578
00:28:54,480 --> 00:28:57,200
Speaker 2: I'm really not trying to turn this into a listener

579
00:28:57,200 --> 00:29:00,280
Speaker 2: to the Brian Oaks Show podcast promo piece. But if

580
00:29:00,360 --> 00:29:01,880
Speaker 2: you like to talk about music and you like to

581
00:29:01,920 --> 00:29:04,760
Speaker 2: learn about music, my big phrase is always learning. Every

582
00:29:04,800 --> 00:29:06,640
Speaker 2: time that a guest comes on, they have to pick

583
00:29:06,680 --> 00:29:09,280
Speaker 2: out three songs to play, and I do that because

584
00:29:09,440 --> 00:29:11,520
Speaker 2: one of the best ways to get inside someone's head

585
00:29:11,560 --> 00:29:14,239
Speaker 2: and to learn things you've never known before is to

586
00:29:14,280 --> 00:29:17,000
Speaker 2: have the guest pick the music and it works out great.

587
00:29:17,040 --> 00:29:18,959
Speaker 2: I absolutely lie, And a lot of times they're musicians,

588
00:29:19,000 --> 00:29:21,320
Speaker 2: so they'll play their own stuff. But everybody has to

589
00:29:21,360 --> 00:29:23,800
Speaker 2: pick three songs, and it's a good little forty five

590
00:29:23,840 --> 00:29:26,080
Speaker 2: minute adventure when you're looking to talk music and hear

591
00:29:26,160 --> 00:29:28,760
Speaker 2: some new music. Were you or are you a big

592
00:29:28,840 --> 00:29:32,360
Speaker 2: Pearl Jam guy? I respect Pearl Jam. I like Pearl

593
00:29:32,440 --> 00:29:34,680
Speaker 2: Jam in the grunge era. There are about twenty other

594
00:29:34,760 --> 00:29:38,480
Speaker 2: bands that I like more. But they're good. They're inoffensive,

595
00:29:38,520 --> 00:29:39,880
Speaker 2: you know, and there are times I think they were

596
00:29:39,880 --> 00:29:42,240
Speaker 2: probably genuinely pretty great. I remember going to see their

597
00:29:42,240 --> 00:29:46,880
Speaker 2: twentieth anniversary tour at Oh, what's that place out in Wisconsin,

598
00:29:47,000 --> 00:29:50,600
Speaker 2: the big one outdoor. Yeah, is it Summerset? And I

599
00:29:50,640 --> 00:29:52,280
Speaker 2: was thinking of a different name, but yeah, it probably

600
00:29:52,320 --> 00:29:56,760
Speaker 2: a Summerset And anyway, Yeah, I mean they're easily the

601
00:29:56,800 --> 00:29:59,160
Speaker 2: most successful act to come out of the Pacific Northwest

602
00:29:59,160 --> 00:30:01,200
Speaker 2: with the whole grunge ex But yeah, they're all right.

603
00:30:02,080 --> 00:30:04,000
Speaker 2: I mean, I'm not huge. Why what's going on?

604
00:30:04,120 --> 00:30:07,720
Speaker 3: Eddie Vedder is going to do a solo tour in Japan? Well, yes,

605
00:30:07,760 --> 00:30:08,920
Speaker 3: I did, No Pearl Jam and.

606
00:30:08,920 --> 00:30:10,720
Speaker 2: Eddie Veder er big in Japan. I mean, well he

607
00:30:11,280 --> 00:30:13,280
Speaker 2: I think he's kind of big everywhere, and he's done

608
00:30:13,280 --> 00:30:16,520
Speaker 2: solo stuff before, so this doesn't surprise me. And yeah,

609
00:30:16,560 --> 00:30:18,480
Speaker 2: I mean he's just the kind of artist that could

610
00:30:18,520 --> 00:30:20,800
Speaker 2: probably go and spend a few weeks on a very

611
00:30:20,800 --> 00:30:24,040
Speaker 2: successful tour in Japan because they got that big. You know,

612
00:30:24,120 --> 00:30:26,720
Speaker 2: that's a he's a worldwide name. So's Pearl Jam. I

613
00:30:26,920 --> 00:30:29,840
Speaker 2: had this for we used it. You weren't in last week,

614
00:30:29,880 --> 00:30:31,160
Speaker 2: so I used this bit with lill B.

615
00:30:31,360 --> 00:30:34,440
Speaker 3: So people that were listening Tennebee was participated in this,

616
00:30:35,080 --> 00:30:37,160
Speaker 3: they will already heard this, but I want.

617
00:30:37,000 --> 00:30:39,040
Speaker 2: To get your opinion on it or just your guesses.

618
00:30:39,200 --> 00:30:39,480
Speaker 2: Hit me.

619
00:30:41,120 --> 00:30:43,880
Speaker 3: What was the United States ten most played songs of

620
00:30:43,920 --> 00:30:45,200
Speaker 3: the twentieth century?

621
00:30:45,240 --> 00:30:48,520
Speaker 2: Twentieth wo not up until you know twenty twenty five? Yeah, yeah, yeah,

622
00:30:48,520 --> 00:30:48,800
Speaker 2: but of.

623
00:30:48,760 --> 00:30:52,280
Speaker 3: The twentyth century. Can you let me see if you

624
00:30:52,280 --> 00:30:54,240
Speaker 3: can guess the song? Now, this is going to be

625
00:30:54,280 --> 00:30:55,760
Speaker 3: a my ass cap, I understand.

626
00:30:55,840 --> 00:30:57,480
Speaker 2: Yeah, And they're the ones to keep in track because

627
00:30:57,520 --> 00:30:59,200
Speaker 2: that's how artists get paid. That is correct.

628
00:30:59,320 --> 00:31:02,680
Speaker 3: What song do you think is the most played in

629
00:31:02,720 --> 00:31:05,480
Speaker 3: the twenty twentieth century?

630
00:31:06,120 --> 00:31:08,560
Speaker 2: Now, is this going to be a little eke around like?

631
00:31:08,720 --> 00:31:13,280
Speaker 2: Is it like a like an in the mood by by? Okay? No? No,

632
00:31:13,320 --> 00:31:15,320
Speaker 2: So this is all stuff that we would yeah, the

633
00:31:15,400 --> 00:31:17,680
Speaker 2: second half of the twentieth second you'll know all of these,

634
00:31:17,840 --> 00:31:21,760
Speaker 2: all right. The number one of all, let's go with.

635
00:31:22,480 --> 00:31:25,080
Speaker 3: There was a song written by Barry Man, Phil Spector

636
00:31:25,120 --> 00:31:27,760
Speaker 3: and Cynthia wheel Or is it Wheels?

637
00:31:27,760 --> 00:31:30,600
Speaker 2: How do you say her name? Sure? While yeah, I

638
00:31:30,600 --> 00:31:33,400
Speaker 2: don't know the answer to that question, but I'm I'm

639
00:31:33,440 --> 00:31:38,000
Speaker 2: trying it. So who was the first Guduo berry Man?

640
00:31:38,080 --> 00:31:39,520
Speaker 2: And this was number one?

641
00:31:40,480 --> 00:31:42,960
Speaker 3: No song has ever been played more than this one

642
00:31:43,000 --> 00:31:45,920
Speaker 3: on the radio in general record sales. What are we

643
00:31:46,000 --> 00:31:51,520
Speaker 3: talking about here, says.

644
00:31:50,960 --> 00:31:53,480
Speaker 2: The most played? Probably Yeah, it's okay, so yeah, yeah,

645
00:31:53,600 --> 00:31:55,440
Speaker 2: radio and that kind of stuff in the twentieth century,

646
00:31:55,480 --> 00:31:57,920
Speaker 2: Internet hadn't really happened yet, not in the way that

647
00:31:57,960 --> 00:32:03,280
Speaker 2: it's obviously come to happen. I'm stumped, I mean, because

648
00:32:03,280 --> 00:32:05,960
Speaker 2: it's not the Everly Brothers, No, it's the Righteous Brothers.

649
00:32:06,000 --> 00:32:09,520
Speaker 2: It is unchained melody, Lost that Love and feeling. That's

650
00:32:09,640 --> 00:32:12,160
Speaker 2: number one. That song was played more than any other

651
00:32:12,280 --> 00:32:14,040
Speaker 2: song for an entire century.

652
00:32:14,200 --> 00:32:16,520
Speaker 3: Number two Tend to Be had heard of this and

653
00:32:16,560 --> 00:32:18,200
Speaker 3: he enjoys a song a little by had never heard

654
00:32:18,240 --> 00:32:20,120
Speaker 3: of it before the Association.

655
00:32:20,480 --> 00:32:23,800
Speaker 2: Along comes Mary Never My Love, Never My Love. Oh.

656
00:32:24,280 --> 00:32:27,680
Speaker 2: I was listening to the Association's greatest hits this past weekend.

657
00:32:27,800 --> 00:32:30,880
Speaker 2: So now really never my Love is the now. That

658
00:32:31,000 --> 00:32:34,560
Speaker 2: is surprising because that means a somebody in that band

659
00:32:34,640 --> 00:32:36,720
Speaker 2: made some real mailbox money.

660
00:32:36,840 --> 00:32:41,560
Speaker 3: Written by Donald and Richard Adrea, because you know it's

661
00:32:41,600 --> 00:32:42,960
Speaker 3: it's that sun ass of questions.

662
00:32:43,360 --> 00:32:46,240
Speaker 2: It basically says, well, we played it last week. I

663
00:32:46,240 --> 00:32:48,920
Speaker 2: can sing it start to finish, so you wonder if

664
00:32:48,920 --> 00:32:52,920
Speaker 2: they'll come a time right right right, And that's why

665
00:32:53,480 --> 00:32:58,040
Speaker 2: because it's a love song. Well and you know a gap, yeah,

666
00:32:58,160 --> 00:32:58,520
Speaker 2: I mean.

667
00:32:58,400 --> 00:33:01,680
Speaker 3: When a guy's saying that, yeah, I mean, that's that's everything.

668
00:33:01,760 --> 00:33:05,400
Speaker 2: So that's why it's there. Number three hit me yesterday

669
00:33:05,400 --> 00:33:06,880
Speaker 2: by the Beatles, and see I would have get I

670
00:33:06,880 --> 00:33:08,840
Speaker 2: would not have been surprised to hear that at number one.

671
00:33:08,840 --> 00:33:11,320
Speaker 2: In fact, it's the most covered song correct, which would

672
00:33:11,400 --> 00:33:13,360
Speaker 2: lead me to believe that it might have also been

673
00:33:13,400 --> 00:33:16,560
Speaker 2: the most played. But so far this list makes sense.

674
00:33:16,840 --> 00:33:19,280
Speaker 2: The association that's higher than way higher than I would

675
00:33:19,280 --> 00:33:19,720
Speaker 2: have guessed.

676
00:33:19,840 --> 00:33:24,040
Speaker 3: Now I also learned this about this. You know, you

677
00:33:24,080 --> 00:33:26,280
Speaker 3: think you know everything about the Beatles. I thought, there's

678
00:33:26,280 --> 00:33:28,200
Speaker 3: nothing you can tell me that I don't argue. Right

679
00:33:28,200 --> 00:33:30,920
Speaker 3: now I read this. By the way, do you know

680
00:33:31,040 --> 00:33:33,560
Speaker 3: that there is somebody writing a story about the Beatles

681
00:33:33,600 --> 00:33:34,440
Speaker 3: every single day?

682
00:33:35,040 --> 00:33:36,560
Speaker 2: Because I get a new one on my phone all

683
00:33:36,600 --> 00:33:36,840
Speaker 2: the time.

684
00:33:36,840 --> 00:33:39,200
Speaker 3: There's oh, that's every I mean, this is like they

685
00:33:39,200 --> 00:33:40,920
Speaker 3: broke up in nineteen seventy yep.

686
00:33:41,280 --> 00:33:43,000
Speaker 2: I was two years old when they broke up, and

687
00:33:43,000 --> 00:33:43,880
Speaker 2: I'm fifty seven.

688
00:33:43,760 --> 00:33:46,920
Speaker 3: And I still get a song every a story, everything others.

689
00:33:47,120 --> 00:33:49,960
Speaker 2: That right there speaks to the impact and the enduring legacy.

690
00:33:50,040 --> 00:33:51,880
Speaker 2: And you just for people who are like I don't

691
00:33:51,880 --> 00:33:53,440
Speaker 2: see what the big deal is, while I'm sorry that

692
00:33:53,480 --> 00:33:55,200
Speaker 2: you're missing it, and you do, by no means are

693
00:33:55,240 --> 00:33:57,880
Speaker 2: obligated to like them, but you can't. You can no

694
00:33:57,960 --> 00:33:59,840
Speaker 2: longer just say not a big deal. I don't get

695
00:33:59,880 --> 00:34:02,680
Speaker 2: it makes sense. They were the biggest band that ever existed,

696
00:34:02,960 --> 00:34:06,520
Speaker 2: that serie. Apparently Lennon didn't like it at all. He

697
00:34:06,560 --> 00:34:07,040
Speaker 2: didn't write it.

698
00:34:07,240 --> 00:34:08,919
Speaker 3: He not only did not write it, but I think

699
00:34:08,960 --> 00:34:11,480
Speaker 3: I read if I read it correctly, it's the first

700
00:34:11,480 --> 00:34:13,640
Speaker 3: song ever done where it was just one beatle on

701
00:34:13,680 --> 00:34:15,759
Speaker 3: the There was nobody on it, right, because in a

702
00:34:15,760 --> 00:34:18,600
Speaker 3: whole orchestration and him playing guitar, so he did the

703
00:34:18,600 --> 00:34:20,800
Speaker 3: whole thing by himself. And because it was so popular,

704
00:34:21,200 --> 00:34:22,760
Speaker 3: I think there was a little envy and jealousy.

705
00:34:22,840 --> 00:34:24,560
Speaker 2: Of course there was. That was kind of that. I mean,

706
00:34:24,560 --> 00:34:28,280
Speaker 2: that's a foundational psychological pillar of John Lennon and everything

707
00:34:28,320 --> 00:34:30,360
Speaker 2: we've come to learn it. Number four was a ben

708
00:34:30,560 --> 00:34:33,200
Speaker 2: e King song, sitting on the dock of the bank.

709
00:34:33,320 --> 00:34:34,480
Speaker 2: No oh no, no, no, no, no.

710
00:34:34,760 --> 00:34:36,680
Speaker 3: Stand by me, stand by me, there we go, stand

711
00:34:36,680 --> 00:34:43,320
Speaker 3: by me. I got confused. Number five Frankie Valley, You're

712
00:34:43,400 --> 00:34:45,120
Speaker 3: too good to be true?

713
00:34:45,360 --> 00:34:49,040
Speaker 2: Really? Oh, I mean, I know it was gigantically gigantic,

714
00:34:49,120 --> 00:34:51,600
Speaker 2: but number five throughout the whole twentieth cent.

715
00:34:51,840 --> 00:34:53,520
Speaker 3: You think about it because it was what was It

716
00:34:53,560 --> 00:34:56,680
Speaker 3: was done in the late fifties, early mid sixties, say

717
00:34:56,680 --> 00:34:57,480
Speaker 3: anything of all.

718
00:34:57,320 --> 00:35:00,800
Speaker 2: The years, and it's the sappiest of sad love songs,

719
00:35:00,880 --> 00:35:03,480
Speaker 2: which seems to be a predominant theme through the top here.

720
00:35:03,600 --> 00:35:06,640
Speaker 2: Number six is a song you just said, sitting on

721
00:35:06,640 --> 00:35:08,440
Speaker 2: the dock of the base. Oh yeah, well six, you

722
00:35:08,480 --> 00:35:10,680
Speaker 2: know I mean, and there's not one person who's hearing

723
00:35:10,680 --> 00:35:12,520
Speaker 2: our voice right now. I was like, sitting on the

724
00:35:12,560 --> 00:35:14,160
Speaker 2: dock of the band. I don't think I've ever heard that.

725
00:35:14,560 --> 00:35:16,719
Speaker 2: Which song is that? Number seven? It's a time as

726
00:35:16,760 --> 00:35:20,239
Speaker 2: Simon and Garfunkle song number one all time has got

727
00:35:20,280 --> 00:35:22,799
Speaker 2: to be the sound of silence. No no, I thought too,

728
00:35:23,160 --> 00:35:25,680
Speaker 2: let me think, let me think, don't tell me well.

729
00:35:25,680 --> 00:35:30,799
Speaker 2: It appeared in a movie called The Graduate. Yeah is it?

730
00:35:30,760 --> 00:35:31,200
Speaker 2: It isn't?

731
00:35:31,440 --> 00:35:36,920
Speaker 3: Another A lyric in that song was a direct message

732
00:35:36,920 --> 00:35:37,960
Speaker 3: to the Beatles.

733
00:35:41,760 --> 00:35:44,120
Speaker 2: Your clues are not making me closer, They're making me

734
00:35:44,160 --> 00:35:46,319
Speaker 2: farther apart because I'm starting to lose the thread here

735
00:35:46,320 --> 00:35:47,720
Speaker 2: I got I don't know, missus Robinson.

736
00:35:47,719 --> 00:35:52,080
Speaker 3: Oh yeah, and again let's be onkchew missus Robinson. That

737
00:35:52,320 --> 00:35:56,720
Speaker 3: was cuckoo kachew missus Robinson exactly from the Beatles. Yeah,

738
00:35:56,960 --> 00:35:59,160
Speaker 3: number eighth, the four tops.

739
00:36:00,640 --> 00:36:04,520
Speaker 2: What's the song baby? I need your loving, got to

740
00:36:04,600 --> 00:36:05,400
Speaker 2: have all your loving.

741
00:36:06,280 --> 00:36:07,879
Speaker 3: This was the one that I never would have guessed

742
00:36:07,880 --> 00:36:10,719
Speaker 3: in a million years. At number well, number ten, was

743
00:36:10,719 --> 00:36:11,560
Speaker 3: a Ray Charles song.

744
00:36:12,360 --> 00:36:15,920
Speaker 2: It's not what I say, it's I can see It

745
00:36:16,160 --> 00:36:20,440
Speaker 2: got on my mind. Really, Oh I didn't have that one. Hogy.

746
00:36:20,480 --> 00:36:25,000
Speaker 3: Carmichael wrote that Imla Stuart Garrell number nine, I would

747
00:36:25,000 --> 00:36:29,480
Speaker 3: have never guessed the cin a Millionaire, the Cascades, rhythm

748
00:36:29,480 --> 00:36:32,319
Speaker 3: of the Rain, listen to the but I would never

749
00:36:32,360 --> 00:36:34,040
Speaker 3: have get like you and some of these others you would.

750
00:36:34,239 --> 00:36:35,760
Speaker 3: I would never have guessed that.

751
00:36:36,040 --> 00:36:38,040
Speaker 2: When I but you think about all the times that's

752
00:36:38,080 --> 00:36:40,640
Speaker 2: been placed in a movie during the sad scene or

753
00:36:40,640 --> 00:36:45,160
Speaker 2: a montage, or used on television, and you know, I mean,

754
00:36:45,320 --> 00:36:48,560
Speaker 2: but basically we're looking at the facets of love with

755
00:36:48,640 --> 00:36:51,719
Speaker 2: all these songs, right, I mean, the more heartstrings and

756
00:36:51,840 --> 00:36:56,120
Speaker 2: feels and the more across gender appeal of these kinds

757
00:36:56,120 --> 00:36:58,879
Speaker 2: of songs lead to a much larger audience and much

758
00:36:58,880 --> 00:37:00,920
Speaker 2: greater success. That all makes sense to me. But there

759
00:37:00,960 --> 00:37:03,520
Speaker 2: are some definite surprises on there. There's your top ten.

760
00:37:03,640 --> 00:37:06,560
Speaker 2: Let's go ahead and let's dive into.

761
00:37:08,760 --> 00:37:16,959
Speaker 3: Rock rock Link Rock Rock one, rock lock Link, Rock

762
00:37:17,520 --> 00:37:18,000
Speaker 3: Rock Link.

763
00:37:18,400 --> 00:37:21,640
Speaker 1: We're gonna keep it local today, say you're talking about

764
00:37:21,760 --> 00:37:24,000
Speaker 1: internationally best of all time, We're gonna keep a local.

765
00:37:24,280 --> 00:37:27,880
Speaker 1: Brian Oak I want you to rank your top five

766
00:37:28,000 --> 00:37:30,640
Speaker 1: favorite Minnesota bands of all time. So we're keeping it

767
00:37:30,680 --> 00:37:33,399
Speaker 1: local because is it because my podcast, The Brian Oak

768
00:37:33,440 --> 00:37:38,200
Speaker 1: Show has been nominated for the Best Local Podcast through

769
00:37:38,200 --> 00:37:40,239
Speaker 1: Minneapolis Saint Paul Magazine, and you can go to their

770
00:37:40,239 --> 00:37:42,560
Speaker 1: website right now. Voting goes until February tenth.

771
00:37:42,640 --> 00:37:44,359
Speaker 2: Is I want you? Okay, That's exactly why I brought

772
00:37:44,400 --> 00:37:46,319
Speaker 2: it that. Thank you. I appreciate that. Tenna a little.

773
00:37:46,360 --> 00:37:49,400
Speaker 2: You scratch my back, I scratch your back. The best

774
00:37:49,440 --> 00:37:54,399
Speaker 2: Minnesota bands are artists of all time. Obviously, there are

775
00:37:54,760 --> 00:37:57,879
Speaker 2: some strong feelings regarding this because Minnesotans are about as

776
00:37:57,920 --> 00:38:02,239
Speaker 2: provincial as Minnesotans get. And so I am going to

777
00:38:02,280 --> 00:38:06,920
Speaker 2: suffer the slings and arrows about rageous list making because

778
00:38:07,120 --> 00:38:09,200
Speaker 2: I went with my heart and my gut and my

779
00:38:09,400 --> 00:38:13,000
Speaker 2: personal tastes as opposed to what the people expect. Coming

780
00:38:13,040 --> 00:38:14,759
Speaker 2: in at number five, it's a tie. It's the only

781
00:38:14,800 --> 00:38:16,880
Speaker 2: tie on the list. But I couldn't pick between the

782
00:38:16,920 --> 00:38:19,200
Speaker 2: two of them because they both matter to me so much.

783
00:38:19,560 --> 00:38:23,000
Speaker 2: One is the Twin Cities trio Semi Sonic. They enjoyed

784
00:38:23,080 --> 00:38:26,959
Speaker 2: great radio play during the nineties, yes, and they also

785
00:38:27,040 --> 00:38:29,120
Speaker 2: had a bunch of other great songs. If you want

786
00:38:29,160 --> 00:38:31,839
Speaker 2: stuff that's not a hit, listen to that album Great

787
00:38:31,880 --> 00:38:34,640
Speaker 2: Divide that they put out. It remains one of Thank you.

788
00:38:34,680 --> 00:38:37,640
Speaker 2: I agree, Tenna, it's it's one of my favorite Minnesota

789
00:38:37,680 --> 00:38:40,279
Speaker 2: releases of all time. They absolutely have to be on

790
00:38:40,320 --> 00:38:43,080
Speaker 2: that list. But also I would be remiss if I

791
00:38:43,160 --> 00:38:47,520
Speaker 2: didn't include not Yet. Well, we're only at number five, Okay,

792
00:38:47,560 --> 00:38:52,919
Speaker 2: let's not get ahead of ours is Atmosphere and really

793
00:38:52,960 --> 00:38:57,080
Speaker 2: with them the entire Rhyme Sayers collective, Doomtree also an

794
00:38:57,080 --> 00:39:00,000
Speaker 2: amazing collective. Lots of great independent rappers in the Twin Cities,

795
00:39:00,080 --> 00:39:03,560
Speaker 2: but Atmosphere put the Twin Cities on the hip hop

796
00:39:03,600 --> 00:39:05,520
Speaker 2: map in America in a way that it had never

797
00:39:05,560 --> 00:39:09,680
Speaker 2: been before and have maintained that for decades and decades

798
00:39:09,719 --> 00:39:13,080
Speaker 2: and decades. And they just them and Semi Sonic. They

799
00:39:13,120 --> 00:39:14,480
Speaker 2: have to be on the list. But I only had

800
00:39:14,560 --> 00:39:16,319
Speaker 2: room for one of them, so they both can share

801
00:39:16,440 --> 00:39:21,440
Speaker 2: number five. Number four. Arguably the most critically acclaimed band

802
00:39:21,600 --> 00:39:24,160
Speaker 2: by every music hipster on the planet that ever came

803
00:39:24,160 --> 00:39:26,279
Speaker 2: out of the Twin Cities, and this would have been

804
00:39:26,560 --> 00:39:28,920
Speaker 2: You'll see this list that I'm about to give you

805
00:39:28,960 --> 00:39:31,759
Speaker 2: really looks like a fifty seven year old white guy's list,

806
00:39:31,840 --> 00:39:34,840
Speaker 2: so just bear that in mind. The replacements. The replacements

807
00:39:34,840 --> 00:39:36,480
Speaker 2: are at number four. Some people would put them at

808
00:39:36,560 --> 00:39:38,480
Speaker 2: number one. Some people would put them in much higher

809
00:39:38,480 --> 00:39:42,080
Speaker 2: regard due to their importance, their impact, there enduring legacy,

810
00:39:42,600 --> 00:39:46,240
Speaker 2: never giant commercial superstars, but that only kind of adds

811
00:39:46,280 --> 00:39:48,040
Speaker 2: to the reason that we love them all the more

812
00:39:48,080 --> 00:39:50,719
Speaker 2: because we know of the potency of the songwriting and

813
00:39:50,800 --> 00:39:53,120
Speaker 2: that's why it is so enduring. And there wasn't really

814
00:39:53,160 --> 00:39:56,480
Speaker 2: anybody else like them. They were absolutely ramshackle and also

815
00:39:56,520 --> 00:39:59,440
Speaker 2: wrote some of the heart wrenching and uplifting songs of

816
00:39:59,440 --> 00:40:02,279
Speaker 2: my entire generation. So the replacement certain number four. Can

817
00:40:02,320 --> 00:40:04,040
Speaker 2: I I guess who you have at number three? Yeah,

818
00:40:04,200 --> 00:40:07,160
Speaker 2: gear Daddy's no, but they should. They're on my honorable

819
00:40:07,200 --> 00:40:10,480
Speaker 2: Mentions list. I would love Why are you doing that?

820
00:40:10,680 --> 00:40:12,360
Speaker 2: Because I'm just throwing I don't know all that anything.

821
00:40:12,400 --> 00:40:15,560
Speaker 2: That name popped into my head and they are handy

822
00:40:16,160 --> 00:40:18,400
Speaker 2: well I mean, and that's Some people would look at

823
00:40:18,440 --> 00:40:20,759
Speaker 2: it as their novelty song because that's another band. If

824
00:40:20,800 --> 00:40:23,080
Speaker 2: you can get it, let's go. But it's also a

825
00:40:23,120 --> 00:40:25,239
Speaker 2: great song, and there's a reason It's so enduring, right,

826
00:40:25,320 --> 00:40:28,120
Speaker 2: It's like the Suburbs Cows is probably their best known song,

827
00:40:28,200 --> 00:40:29,560
Speaker 2: and some people would look at that and be like,

828
00:40:29,840 --> 00:40:32,520
Speaker 2: that's not a song, but it is. Boy's a good song.

829
00:40:32,719 --> 00:40:35,200
Speaker 2: Geared add oh Man, All the Color of her Eyes,

830
00:40:35,320 --> 00:40:39,759
Speaker 2: Statue of Jesus Bacam, those Billies Live Bait and Let's

831
00:40:39,760 --> 00:40:43,040
Speaker 2: go scare out are Billy's Live names. Yeah, there are

832
00:40:43,040 --> 00:40:46,000
Speaker 2: two crucial, crucial Minnesota releases. But back to the list

833
00:40:46,040 --> 00:40:48,759
Speaker 2: at hand. Is the Minnesota band that I have seen

834
00:40:48,840 --> 00:40:51,319
Speaker 2: live more than not only any other Minnesota band in

835
00:40:51,320 --> 00:40:53,799
Speaker 2: my life, but more than any other band in my life.

836
00:40:53,960 --> 00:40:55,719
Speaker 2: I've seen them. Yeah, I'm just going to throw out

837
00:40:55,719 --> 00:41:00,960
Speaker 2: this last fat I've seen them absolute bare minimum because

838
00:41:00,960 --> 00:41:02,920
Speaker 2: I started seeing them in my teen years and I've

839
00:41:02,960 --> 00:41:05,279
Speaker 2: seen them throughout my entire life. I've seen them the

840
00:41:05,320 --> 00:41:08,040
Speaker 2: minimum of fifty times. The number might be closer to

841
00:41:08,080 --> 00:41:11,920
Speaker 2: one hundred. Who'scurdo not yet or not there yet? No?

842
00:41:12,160 --> 00:41:16,440
Speaker 2: Also on my honorable mentions list, the Suburbs. The Suburbs

843
00:41:16,440 --> 00:41:20,160
Speaker 2: are important. Again, not international superstars by any means, but

844
00:41:20,320 --> 00:41:24,880
Speaker 2: when Minneapolis became Minneapolis before Seattle became Seattle, you know,

845
00:41:24,960 --> 00:41:28,320
Speaker 2: and suddenly in the eighties, Minnesota and Minneapolis in particular

846
00:41:28,680 --> 00:41:32,280
Speaker 2: were a a an absolute music hotspot. It was nationally

847
00:41:32,360 --> 00:41:35,279
Speaker 2: one of the places people moved here because of the

848
00:41:35,360 --> 00:41:39,520
Speaker 2: music scene and the suburbs. Along with the Suicide Commandos,

849
00:41:39,560 --> 00:41:42,080
Speaker 2: but these were really the first two highest profile bands

850
00:41:42,080 --> 00:41:44,520
Speaker 2: that kind of kicked down that door and turned this

851
00:41:44,719 --> 00:41:48,880
Speaker 2: into a welcoming place, an oasis amidst the cornfields for

852
00:41:49,040 --> 00:41:51,200
Speaker 2: all these alternative bands that were springing up around the

853
00:41:51,239 --> 00:41:54,759
Speaker 2: country to do their diy stuff. The suburbs were a

854
00:41:54,960 --> 00:41:57,239
Speaker 2: huge deal, and I've just been a fan of my

855
00:41:57,280 --> 00:41:59,200
Speaker 2: whole life. I think they're still great. That's number three,

856
00:41:59,280 --> 00:42:03,239
Speaker 2: number three to knock a club, Maybe the most important

857
00:42:03,560 --> 00:42:06,880
Speaker 2: Minnesota band to me personally, because they did more to

858
00:42:06,960 --> 00:42:09,919
Speaker 2: change my life from a musical perspective than any band

859
00:42:09,960 --> 00:42:14,879
Speaker 2: had before and probably since Hoosker Doo, the legendary, legendary

860
00:42:14,960 --> 00:42:19,480
Speaker 2: Minnesota trio that sort of defined what hardcore, what scream o,

861
00:42:19,600 --> 00:42:23,560
Speaker 2: what emo would all become later on. These almost unlistenably

862
00:42:23,640 --> 00:42:28,160
Speaker 2: loud and ferocious guitars, wild drumming from Grant Heart, Greg Norton,

863
00:42:28,239 --> 00:42:31,280
Speaker 2: Poe going everywhere playing the bass, and just these howling,

864
00:42:31,480 --> 00:42:34,799
Speaker 2: soul searching lyrics as an angsty teenager myself. I know

865
00:42:34,840 --> 00:42:36,760
Speaker 2: that's going to be hard for you to imagine common

866
00:42:37,160 --> 00:42:38,920
Speaker 2: that I was sort of moody and did a lot

867
00:42:38,920 --> 00:42:42,759
Speaker 2: of brooding. I know it's shocking, but Hoosker do they

868
00:42:42,840 --> 00:42:44,480
Speaker 2: hit me in a way that no band has ever

869
00:42:44,560 --> 00:42:47,560
Speaker 2: hit me before? And I think their music endears. They

870
00:42:47,560 --> 00:42:49,359
Speaker 2: didn't make it that long. They were broken up by

871
00:42:49,360 --> 00:42:52,600
Speaker 2: eighty seven, but I still think of them as the

872
00:42:52,719 --> 00:42:55,000
Speaker 2: Kings to this day. But they didn't take the number

873
00:42:55,040 --> 00:42:57,920
Speaker 2: one spot. Well number one, I think you are even

874
00:42:57,960 --> 00:43:00,359
Speaker 2: some big names off that. Oh no, there's I've only

875
00:43:00,400 --> 00:43:02,560
Speaker 2: got one spot left and there's only one artist there.

876
00:43:02,640 --> 00:43:06,120
Speaker 3: Well it's Paisley Park guy, right, Paisley Park guys.

877
00:43:07,600 --> 00:43:13,799
Speaker 2: Wow, the disrespect for me? So I know, I know,

878
00:43:13,920 --> 00:43:16,120
Speaker 2: and this is going to be controversial. You don't have

879
00:43:17,400 --> 00:43:19,480
Speaker 2: what you don't have him at number one. I just

880
00:43:19,520 --> 00:43:23,040
Speaker 2: say I don't have Dylan at number because Dylan' say no,

881
00:43:23,120 --> 00:43:26,319
Speaker 2: he's not. I didn't even think about important. Absolutely, But again,

882
00:43:26,400 --> 00:43:29,759
Speaker 2: like I said, I'm going with my gut and I don't.

883
00:43:29,840 --> 00:43:31,040
Speaker 2: You don't have to like this less, but you do

884
00:43:31,080 --> 00:43:33,640
Speaker 2: have to respect exactly right exactly, And yes, of course

885
00:43:33,719 --> 00:43:39,439
Speaker 2: number one podcast Number one. Number one is I think,

886
00:43:39,480 --> 00:43:43,160
Speaker 2: without question, whether we're looking at it, you know, objectively

887
00:43:43,320 --> 00:43:47,160
Speaker 2: or subjectively, is Prince and the Revolution specifically the Revolution

888
00:43:47,280 --> 00:43:51,120
Speaker 2: era for me, but really the Prince's entire body of work,

889
00:43:51,160 --> 00:43:55,560
Speaker 2: his restless innovation, his creation of a genre that didn't

890
00:43:55,600 --> 00:43:58,959
Speaker 2: really exist before him. There was some absolutely sexy funk

891
00:43:59,080 --> 00:44:01,719
Speaker 2: coming out of the seventy but then you mix it

892
00:44:01,760 --> 00:44:05,239
Speaker 2: with this sort of dark, robotic, menacing new wave, these

893
00:44:05,280 --> 00:44:08,840
Speaker 2: incredible drum machines that he made sound organic and alive,

894
00:44:09,640 --> 00:44:12,440
Speaker 2: and just the people that he had come before. He

895
00:44:12,480 --> 00:44:14,480
Speaker 2: knew he was standing on the shoulders of giants. But

896
00:44:14,920 --> 00:44:17,680
Speaker 2: you know, there's there's Little Richard in there, There's there's

897
00:44:17,760 --> 00:44:21,760
Speaker 2: Jimmy Hendrix in there. There's things that hadn't existed before,

898
00:44:22,320 --> 00:44:25,800
Speaker 2: and that wasn't just felt here. He created this whole

899
00:44:25,920 --> 00:44:29,320
Speaker 2: sound that was mimicked throughout the eighties well into the nineties,

900
00:44:29,760 --> 00:44:32,920
Speaker 2: and everyone in the world, virtually, it's not Michael Jackson level,

901
00:44:33,160 --> 00:44:34,960
Speaker 2: but everyone around the world, no matter where you go,

902
00:44:35,400 --> 00:44:37,719
Speaker 2: knows who Prince was. I would put dyl on a

903
00:44:37,760 --> 00:44:39,759
Speaker 2: head of Prince, I know you would do, and many would.

904
00:44:40,000 --> 00:44:43,120
Speaker 3: Many would, but that's that would be three to.

905
00:44:43,239 --> 00:44:44,439
Speaker 2: Two, not my number one.

906
00:44:44,520 --> 00:44:47,480
Speaker 3: I got you my number one bands at all time, really,

907
00:44:47,600 --> 00:44:48,840
Speaker 3: Dave Wager and Crowe.

908
00:44:49,640 --> 00:44:51,920
Speaker 2: Well, I'm not mad at that take. I mean again,

909
00:44:52,040 --> 00:44:54,840
Speaker 2: when we're talking about personal taste, no two people like

910
00:44:54,960 --> 00:45:01,160
Speaker 2: exactly the same thing. Now, well, no, you have thirty seconds.

911
00:45:01,160 --> 00:45:03,440
Speaker 2: Here's from Morris Day in the time. Listen. Here are

912
00:45:03,480 --> 00:45:06,719
Speaker 2: the honorable mentions I have written down. Solo Asylum, Gully Boys,

913
00:45:06,760 --> 00:45:09,759
Speaker 2: Bad Plus, Jayhawks, Atmosphere. Well, I already put Atmosphere in there.

914
00:45:09,760 --> 00:45:13,560
Speaker 2: But doom Tree, Collective Farm Accident, Charlie Parr, Honey, Dodg's

915
00:45:13,600 --> 00:45:18,800
Speaker 2: Birthday suits, Deessa, Trailer, Trash Suicide, Commando's Rifle, Sport, Dosh, Lizzo, Molmon,

916
00:45:18,920 --> 00:45:22,560
Speaker 2: the bleuw Up, Polara Gestures, the Castaways, the trashmen, all

917
00:45:22,600 --> 00:45:25,000
Speaker 2: that sixties contingent. You don't have the Crow, you don't

918
00:45:25,000 --> 00:45:26,960
Speaker 2: have Crowing there. I'm not a big crow guy. Have

919
00:45:27,080 --> 00:45:28,680
Speaker 2: you ever really listened to her? Well, I mean, I

920
00:45:28,680 --> 00:45:30,840
Speaker 2: guess I haven't gone on a three day retreat with

921
00:45:30,880 --> 00:45:34,240
Speaker 2: nothing but my Crow albums. But I mean I've listened

922
00:45:34,280 --> 00:45:37,440
Speaker 2: to Crow enough. Yeah, you used to walk home baby

923
00:45:37,480 --> 00:45:40,080
Speaker 2: after I shot. They're not bad. I just can't put

924
00:45:40,120 --> 00:45:43,759
Speaker 2: them in my top five. They're they're the best Minnesota bands.

925
00:45:43,800 --> 00:45:45,400
Speaker 2: You should stop by the record store I worked at

926
00:45:45,440 --> 00:45:47,560
Speaker 2: because we've got no shortage of Crow records over there

927
00:45:47,600 --> 00:45:47,799
Speaker 2: for you.

928
00:45:48,680 --> 00:45:50,959
Speaker 3: It's just there's son any day after work. I told

929
00:45:51,000 --> 00:45:53,239
Speaker 3: you this before. Want to go see one of my

930
00:45:53,280 --> 00:45:55,480
Speaker 3: favorite bands of all time? I still this all big

931
00:45:55,480 --> 00:45:58,479
Speaker 3: ones for me. It was April seventh, two thousand and seven.

932
00:45:58,560 --> 00:45:59,120
Speaker 2: I remember the.

933
00:45:59,200 --> 00:46:04,279
Speaker 3: Date I'm at. I'm at what's the place out.

934
00:46:04,200 --> 00:46:10,239
Speaker 2: In Hamlin Hammel the Hammeler or Handlin Hammel? Bob, what

935
00:46:10,320 --> 00:46:12,759
Speaker 2: are we talking about? Diana Mdina ball Oh, gotcha all right,

936
00:46:12,880 --> 00:46:14,440
Speaker 2: m Dina the Dina ball Room.

937
00:46:14,440 --> 00:46:17,520
Speaker 3: I'm going to see John King Stephanmore. I get there

938
00:46:17,520 --> 00:46:18,360
Speaker 3: and the guy goes.

939
00:46:18,320 --> 00:46:22,080
Speaker 2: Pleasure ever lank for coming Lotus? Do you Dave Wagner

940
00:46:22,120 --> 00:46:22,520
Speaker 2: and Crow?

941
00:46:22,680 --> 00:46:24,880
Speaker 3: I haven't thought about Dave Wagner and Crow in like

942
00:46:25,000 --> 00:46:29,000
Speaker 3: fifty years. Haye Ashbury's I'm going No, that's the best

943
00:46:29,040 --> 00:46:30,120
Speaker 3: concert I'd represent.

944
00:46:30,040 --> 00:46:32,840
Speaker 2: Well because that was unexpectedness that that also led to

945
00:46:32,880 --> 00:46:34,759
Speaker 2: my best concert I've ever seen. Maybe we can talk

946
00:46:34,760 --> 00:46:35,759
Speaker 2: about that next Time's do that.

947
00:46:35,800 --> 00:46:37,040
Speaker 3: It's always good to see you, and now again if

948
00:46:37,040 --> 00:46:38,120
Speaker 3: they want to find your podcast.

949
00:46:38,239 --> 00:46:40,480
Speaker 2: Podcast is available through the free iHeartRadio app and if

950
00:46:40,480 --> 00:46:42,240
Speaker 2: you'd like to vote for it because you like listening

951
00:46:42,239 --> 00:46:43,880
Speaker 2: to it and you do think it's the best podcast

952
00:46:43,920 --> 00:46:46,279
Speaker 2: from the Twin Cities, head over to msp mag dot

953
00:46:46,320 --> 00:46:48,160
Speaker 2: com and you can find where to vote there. That's

954
00:46:48,160 --> 00:46:48,680
Speaker 2: Brian ok.

955
00:46:48,719 --> 00:46:50,720
Speaker 3: He'll be back next week for rock Talk, the legendary

956
00:46:50,760 --> 00:46:52,000
Speaker 3: Montrosen's next year in the Fan