1 00:00:00,320 --> 00:00:03,760 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:05,440 --> 00:00:08,119 Speaker 2: We're still following all that breaking news that we were 3 00:00:08,160 --> 00:00:13,080 Speaker 2: talking about all day today on KFI on KTLA. We've 4 00:00:13,119 --> 00:00:17,360 Speaker 2: had two shootings over the weekend. One in Rhode Island 5 00:00:17,400 --> 00:00:24,840 Speaker 2: at Brown University. Two people are dead. Suspect still unaccounted for, 6 00:00:24,880 --> 00:00:30,920 Speaker 2: the FBI releasing some photos of the man. There was, 7 00:00:30,960 --> 00:00:34,080 Speaker 2: of course, the shooting in Australia we told about, told 8 00:00:34,080 --> 00:00:38,800 Speaker 2: you about fifteen people killed many other injured in an 9 00:00:38,840 --> 00:00:44,360 Speaker 2: attack on Sydney's Bondai Beach against the Jewish community on 10 00:00:44,400 --> 00:00:48,520 Speaker 2: the first night of Hanukkah. Among the new measures proposed 11 00:00:49,560 --> 00:00:52,839 Speaker 2: in Australia is limiting the number of guns as the 12 00:00:52,880 --> 00:00:58,480 Speaker 2: country attempts to tighten gun laws after that massacre. They 13 00:00:58,520 --> 00:01:02,080 Speaker 2: also would try to review license is that people had 14 00:01:02,320 --> 00:01:06,039 Speaker 2: held over time, essentially to check in people on people. 15 00:01:07,120 --> 00:01:09,520 Speaker 2: Prime Minister said the government is prepared to take whatever 16 00:01:09,520 --> 00:01:13,600 Speaker 2: action is necessary. Included in the need for tougher gun laws, 17 00:01:13,640 --> 00:01:16,639 Speaker 2: the country already has some of the toughest gun laws 18 00:01:16,680 --> 00:01:20,520 Speaker 2: in the world. Police shot the two suspected gunmen, a 19 00:01:20,560 --> 00:01:23,560 Speaker 2: father and son. Fifty year old father died at the scene. 20 00:01:23,600 --> 00:01:27,120 Speaker 2: As twenty four, twenty four year old son rather remains 21 00:01:27,160 --> 00:01:32,640 Speaker 2: in a coma. Police have not revealed their names. And 22 00:01:32,680 --> 00:01:39,240 Speaker 2: then finally still talking about Rob Reiner, the actor director 23 00:01:39,319 --> 00:01:45,240 Speaker 2: Hollywood scion, who the LAPD says was murdered along with 24 00:01:45,280 --> 00:01:52,160 Speaker 2: his wife by his son Nick. Here's some audio from that. 25 00:01:52,680 --> 00:01:55,720 Speaker 3: We're just able to confirm that the son of. 26 00:01:57,200 --> 00:01:59,960 Speaker 4: Tonight, to police say, the person responsible for the brutal 27 00:02:00,160 --> 00:02:02,720 Speaker 4: murders of Hollywood I called Rob Reiner and his wife 28 00:02:02,760 --> 00:02:04,880 Speaker 4: Michelle is their very own son. 29 00:02:05,480 --> 00:02:09,200 Speaker 2: They worked throughout the night on this case and were 30 00:02:09,240 --> 00:02:13,400 Speaker 2: able to take into custody Nick Reiner, a suspect in 31 00:02:13,440 --> 00:02:14,000 Speaker 2: this case. 32 00:02:14,360 --> 00:02:16,520 Speaker 4: The thirty two year old arrested at nine to fifteen 33 00:02:16,600 --> 00:02:19,800 Speaker 4: last night, according to police, less than six hours after 34 00:02:19,840 --> 00:02:23,960 Speaker 4: the disturbing discovery of the couple's bodies inside their Brentwood home. 35 00:02:25,120 --> 00:02:29,639 Speaker 4: We have two, a source close to the family telling 36 00:02:29,760 --> 00:02:33,720 Speaker 4: NBC News both appear to suffer fatal stab wounds. Nick 37 00:02:33,760 --> 00:02:35,960 Speaker 4: had been living with his parents on and off. According 38 00:02:35,960 --> 00:02:38,799 Speaker 4: to two sources with knowledge of the situation, why say, 39 00:02:38,800 --> 00:02:41,800 Speaker 4: the three attended a party thrown by Conan O'Brien on 40 00:02:41,880 --> 00:02:45,240 Speaker 4: Saturday night. Those sources tell us Nick was disruptive, and 41 00:02:45,440 --> 00:02:49,000 Speaker 4: made guests feel uncomfortable, adding that Rob and Michelle were 42 00:02:49,040 --> 00:02:53,040 Speaker 4: embarrassed by his behavior and even expressed warries about his health. 43 00:02:53,720 --> 00:02:59,320 Speaker 3: All they ever wanted was a way to kill the noise. 44 00:03:00,040 --> 00:03:02,480 Speaker 4: Twenty fifteen, the father and son teamed up on the 45 00:03:02,480 --> 00:03:06,239 Speaker 4: movie Being Charlie, a film based on Nick's own struggles 46 00:03:06,320 --> 00:03:07,000 Speaker 4: with drugs. 47 00:03:07,320 --> 00:03:10,360 Speaker 5: It's not a secret, but my son, Nick, who was 48 00:03:10,360 --> 00:03:14,080 Speaker 5: one of the writers of the screenplay, had had his 49 00:03:14,200 --> 00:03:17,480 Speaker 5: problems with substance abuse and he went through a number 50 00:03:17,480 --> 00:03:18,680 Speaker 5: of rehab programs. 51 00:03:18,840 --> 00:03:22,040 Speaker 4: The Riders and their three children together recently photographed on 52 00:03:22,040 --> 00:03:23,400 Speaker 4: a red carpet in September. 53 00:03:23,880 --> 00:03:25,320 Speaker 3: That's Nick in the middle. 54 00:03:25,800 --> 00:03:29,200 Speaker 4: Yiner, the son of legendary comedian Carl Reiner, first gained 55 00:03:29,200 --> 00:03:32,440 Speaker 4: famous Archie Bunker's son in law on All in the Family. 56 00:03:32,800 --> 00:03:35,880 Speaker 2: Let me tell you something, mister Stiviick, you are a. 57 00:03:36,000 --> 00:03:41,800 Speaker 4: Meeting then pivoting to film writing and directing beloved movies 58 00:03:42,000 --> 00:03:45,880 Speaker 4: spanning genres. No, I was just pointing at it point 59 00:03:46,200 --> 00:03:47,600 Speaker 4: from The Princess Bride. 60 00:03:47,840 --> 00:03:52,360 Speaker 2: Life is pain highness. Anyone who says differently is selling something. 61 00:03:52,280 --> 00:03:57,800 Speaker 4: To redefining rom comps with When Harry met Sally, Yes, yes, Yes, 62 00:03:58,120 --> 00:04:01,960 Speaker 4: where Reiner gave his own mom famous cameo, I'll have 63 00:04:02,000 --> 00:04:06,480 Speaker 4: what she's having. He told stories about friendship and loss. 64 00:04:06,320 --> 00:04:08,800 Speaker 3: I'll see you if I see you. 65 00:04:08,840 --> 00:04:12,600 Speaker 4: First, and perfected the courtroom drama with a few good 66 00:04:12,680 --> 00:04:13,360 Speaker 4: men and. 67 00:04:13,840 --> 00:04:14,680 Speaker 6: What the truth? 68 00:04:14,880 --> 00:04:18,880 Speaker 4: You can't handle the truth today, Kevin Bacon, remembering his 69 00:04:18,960 --> 00:04:22,120 Speaker 4: time with Reiner on that set, the making of that 70 00:04:22,320 --> 00:04:26,920 Speaker 4: movie was one of the best experiences that I've ever had. 71 00:04:27,240 --> 00:04:27,440 Speaker 5: Well. 72 00:04:27,520 --> 00:04:29,920 Speaker 4: Jane Fund has said she just saw the couple's Saturday night, 73 00:04:30,320 --> 00:04:34,160 Speaker 4: calling them wonderful, caring, smart, funny, generous people. 74 00:04:35,360 --> 00:04:37,880 Speaker 2: And Morgan Chesky joins us tonight live from that scene. 75 00:04:37,920 --> 00:04:40,239 Speaker 1: Morgan, when could Nick Reiner be charged? 76 00:04:42,360 --> 00:04:44,479 Speaker 7: Yeah, that's how we know that. Lap detectives plan on 77 00:04:44,520 --> 00:04:48,640 Speaker 7: presenting their evidence to prosecutors tomorrow, with formal chargers anticipated 78 00:04:48,720 --> 00:04:51,440 Speaker 7: on Wednesday. As for the thirty two year old Reiner, 79 00:04:51,480 --> 00:04:54,400 Speaker 7: he remains behind bars, being held without bail. 80 00:04:54,440 --> 00:04:54,760 Speaker 3: Tonight. 81 00:04:55,320 --> 00:04:57,960 Speaker 2: Just a really tragic end to what sounds like a 82 00:04:58,120 --> 00:05:04,320 Speaker 2: lifetime of struggles for that family as far as the 83 00:05:04,440 --> 00:05:08,240 Speaker 2: relationship with their son. And you got to think you 84 00:05:08,320 --> 00:05:11,120 Speaker 2: make it to seventy eight, your wife is sixty eight. 85 00:05:11,200 --> 00:05:16,080 Speaker 2: Rob Reiner's seventy eight years old, and it's just it's 86 00:05:16,120 --> 00:05:21,840 Speaker 2: an unthinkable thing to happen to be murdered by your 87 00:05:21,839 --> 00:05:27,360 Speaker 2: own son with a knife at close range. Nick Reiner 88 00:05:27,440 --> 00:05:32,159 Speaker 2: is being held without bail. TMZ reported earlier that he 89 00:05:32,240 --> 00:05:35,080 Speaker 2: had checked into a hotel in Santa Monica early on 90 00:05:35,160 --> 00:05:43,760 Speaker 2: Sunday morning. His hotel room, according to witnesses, was full 91 00:05:43,800 --> 00:05:52,160 Speaker 2: of blood, the shower and the bed when house keepers 92 00:05:52,240 --> 00:05:58,480 Speaker 2: went in on Sunday afternoon. I'm looking for the script here, 93 00:05:58,960 --> 00:06:02,480 Speaker 2: doing this really horrible thing on TMC where you scroll down, 94 00:06:03,040 --> 00:06:04,760 Speaker 2: you scroll up to where you're trying to read the 95 00:06:04,760 --> 00:06:06,960 Speaker 2: script so you can share the information with the people, 96 00:06:07,000 --> 00:06:10,040 Speaker 2: and then it won't stay there, It'll just scroll down. Okay, 97 00:06:10,080 --> 00:06:13,120 Speaker 2: So there that goes. I guess we've been remembering Rob Reiner, 98 00:06:14,839 --> 00:06:16,800 Speaker 2: and we're asking you to call in one and five 99 00:06:16,839 --> 00:06:18,719 Speaker 2: two zero one five, three four. We still have some 100 00:06:18,760 --> 00:06:20,799 Speaker 2: time to take some calls if you want to remember 101 00:06:20,880 --> 00:06:23,640 Speaker 2: some things about the director, or if you want to 102 00:06:23,680 --> 00:06:25,920 Speaker 2: share some things about some of the work that he did, 103 00:06:25,960 --> 00:06:32,160 Speaker 2: how that impacted you. A sad story. Indeed, there from Hollywood. 104 00:06:34,360 --> 00:06:38,200 Speaker 2: Let's shift some gears. Though you ever watched the show Bosh, Yeah, 105 00:06:38,279 --> 00:06:38,920 Speaker 2: Bosh is good. 106 00:06:39,000 --> 00:06:40,640 Speaker 3: I love Bosh cool. 107 00:06:40,680 --> 00:06:42,600 Speaker 2: Yeah, to get him on I have, I've interviewed it. 108 00:06:43,160 --> 00:06:44,960 Speaker 2: I haven't had him on the radio, but I interviewed 109 00:06:45,040 --> 00:06:47,640 Speaker 2: him at Katla. We did a segment about all of 110 00:06:47,680 --> 00:06:52,360 Speaker 2: the filming locations of Bosh. 111 00:06:50,720 --> 00:06:52,719 Speaker 3: Which, yeah, the house is famous, isn't it. 112 00:06:52,720 --> 00:06:54,440 Speaker 2: The house is famous. But then you know they use 113 00:06:54,520 --> 00:06:59,440 Speaker 2: Los Angeles as kind of like another character in the. 114 00:06:59,400 --> 00:07:01,880 Speaker 3: Show was a cop before that house in the show. 115 00:07:01,920 --> 00:07:05,760 Speaker 2: So it's funny because it has explained that he sold 116 00:07:05,800 --> 00:07:09,680 Speaker 2: the rights to one of the stories that he had. 117 00:07:10,480 --> 00:07:13,560 Speaker 2: I believe of his this is all fictional right in 118 00:07:13,600 --> 00:07:17,360 Speaker 2: bos in bosh Land in the books. He served in 119 00:07:17,400 --> 00:07:20,080 Speaker 2: Gulf War One. I think in the show he's in 120 00:07:20,120 --> 00:07:24,560 Speaker 2: an Afghanistan vet because of the timeline. But he sold 121 00:07:24,800 --> 00:07:27,840 Speaker 2: the rights to the movie called The Black Echo, and 122 00:07:27,840 --> 00:07:29,160 Speaker 2: then they made a movie about it, so then he 123 00:07:29,160 --> 00:07:31,160 Speaker 2: could buy a house. But I did. I did a 124 00:07:31,200 --> 00:07:33,000 Speaker 2: piece a little while ago. It's a little bit. It's 125 00:07:33,000 --> 00:07:34,720 Speaker 2: a little long here. I'll play it for a second 126 00:07:34,720 --> 00:07:38,640 Speaker 2: for you, and it is about all of the filming 127 00:07:38,680 --> 00:07:44,320 Speaker 2: locations according to Titus Wellover, The Best Filming Locations, a 128 00:07:44,360 --> 00:07:47,760 Speaker 2: long running Amazon cop drama where Los Angeles is also 129 00:07:47,800 --> 00:07:48,239 Speaker 2: a star. 130 00:07:48,600 --> 00:07:50,680 Speaker 3: Maybe I love it so much that you want to 131 00:07:50,760 --> 00:07:52,840 Speaker 3: experience the show in real life. 132 00:07:53,320 --> 00:07:57,200 Speaker 2: Andy has done just that. Yes, first commit a murder. Ah, 133 00:07:57,320 --> 00:07:59,800 Speaker 2: then Bosh was one of the all time great La 134 00:07:59,800 --> 00:08:02,760 Speaker 2: shis is one of the few that still shot in 135 00:08:03,040 --> 00:08:06,360 Speaker 2: Los Angeles. And while the series concluded, it's run this year, 136 00:08:06,720 --> 00:08:09,880 Speaker 2: Bosch's La is still very much alive and well. And 137 00:08:09,920 --> 00:08:13,600 Speaker 2: who better to join us on this Bosh pilgrimage than 138 00:08:13,640 --> 00:08:14,520 Speaker 2: the star himself? 139 00:08:15,520 --> 00:08:19,400 Speaker 8: Worst idea cook, We're always goofing, I said, how about 140 00:08:19,680 --> 00:08:20,920 Speaker 8: Bosch and Space? 141 00:08:21,320 --> 00:08:26,600 Speaker 2: Oh yeah, Bosh a long running series of Amazon shows 142 00:08:26,640 --> 00:08:30,280 Speaker 2: starring Titus Well, based on the book series by Michael Connolly. 143 00:08:30,600 --> 00:08:33,479 Speaker 2: It's the story of an laped detective where Los Angeles 144 00:08:33,640 --> 00:08:34,480 Speaker 2: is also a star. 145 00:08:35,000 --> 00:08:37,840 Speaker 8: I think it's as central the character as Boss. 146 00:08:37,920 --> 00:08:42,080 Speaker 2: It's a truly notable for its authentic representation of places 147 00:08:42,160 --> 00:08:43,360 Speaker 2: you don't always see on TV. 148 00:08:43,760 --> 00:08:46,840 Speaker 8: We were not a West Side show. Bosh wasn't walking 149 00:08:46,840 --> 00:08:47,920 Speaker 8: Third Street prompt. 150 00:08:47,760 --> 00:08:51,160 Speaker 2: No arawon for Bosh, Yeah no air Yeah, no arawon 151 00:08:51,280 --> 00:08:54,400 Speaker 2: for But we also enlisted Patrick Katy, who worked on 152 00:08:54,440 --> 00:08:57,080 Speaker 2: a ton of the episodes as either director or cinematographer. 153 00:08:57,160 --> 00:08:58,600 Speaker 1: Well, the number one thing in the Bosh World. Is 154 00:08:58,600 --> 00:09:00,520 Speaker 1: that we want to make the places look like places. 155 00:09:00,640 --> 00:09:02,280 Speaker 2: He's here to tell us how they brought bosh is 156 00:09:02,400 --> 00:09:05,080 Speaker 2: La to life. If you want to see more about that, 157 00:09:05,120 --> 00:09:07,800 Speaker 2: you can find it on my Instagram at andy Ktla 158 00:09:08,160 --> 00:09:11,000 Speaker 2: or you can search Ultimate Bosh La filming locations. According 159 00:09:11,000 --> 00:09:15,760 Speaker 2: to Tiers Welliver, it's a great, great interview. I'm not 160 00:09:15,760 --> 00:09:17,320 Speaker 2: saying that because I did it. I'm saying he was 161 00:09:17,320 --> 00:09:19,440 Speaker 2: great in the interview, and we got to go to 162 00:09:19,480 --> 00:09:23,800 Speaker 2: those locations and really see how they brought, you know, 163 00:09:23,880 --> 00:09:27,240 Speaker 2: created the Bosch the Bosh world in La. And coming 164 00:09:27,280 --> 00:09:29,679 Speaker 2: up we'll talk about that show. One of the actors 165 00:09:30,240 --> 00:09:33,560 Speaker 2: has quit acting now that the show is over, to 166 00:09:33,640 --> 00:09:37,040 Speaker 2: become an actual police officer. That's got to be a first, 167 00:09:37,120 --> 00:09:39,920 Speaker 2: don't you think. I think only the guy who played 168 00:09:40,000 --> 00:09:42,880 Speaker 2: Eddie Haskell and leave It de Beaver has done that. Hey, 169 00:09:43,720 --> 00:09:46,600 Speaker 2: that's kind of cool. Plus everybody that was Raymond they 170 00:09:46,600 --> 00:09:49,199 Speaker 2: had that reunion special. Looks like we might get another 171 00:09:49,240 --> 00:09:52,120 Speaker 2: one of those. We'll tell you there. Plus the swag gap. 172 00:09:52,960 --> 00:10:00,520 Speaker 2: How much gas costs in Michigan. Yikes, Well, here to 173 00:10:00,559 --> 00:10:02,920 Speaker 2: Los Angeles and see how that. 174 00:10:02,280 --> 00:10:05,720 Speaker 1: You're listening to KFI AM six forty on demand. 175 00:10:07,280 --> 00:10:10,160 Speaker 2: All is going the swag gap. I've been teasing it 176 00:10:10,440 --> 00:10:13,000 Speaker 2: for about two and a half hours, so it's mighty 177 00:10:13,080 --> 00:10:18,320 Speaker 2: time that we start talking about it. It's basically a 178 00:10:18,480 --> 00:10:22,120 Speaker 2: thing where your spouse is cooler than you are, or 179 00:10:22,160 --> 00:10:25,640 Speaker 2: you might be cooler than your spouse. Swag is that 180 00:10:25,720 --> 00:10:34,080 Speaker 2: sort of undescribable, undescribable confidence, that sense of cool. It's 181 00:10:34,120 --> 00:10:36,760 Speaker 2: not necessarily attractive. It's just like that you walk in 182 00:10:36,800 --> 00:10:38,480 Speaker 2: and have a presence and people are like, that's a 183 00:10:38,480 --> 00:10:41,520 Speaker 2: cool guy, or that's a cool girl, or that's a 184 00:10:41,559 --> 00:10:47,120 Speaker 2: cool somewhere in between. It goes back to this guy 185 00:10:47,200 --> 00:10:53,480 Speaker 2: named Dylan, who had meticulously curated his statement look. According 186 00:10:53,520 --> 00:10:59,720 Speaker 2: to this article from MSN, a man meticulously curating his 187 00:11:00,440 --> 00:11:03,120 Speaker 2: look is already a red flag. He arrived wearing a 188 00:11:03,160 --> 00:11:06,240 Speaker 2: thrifted orange zip up hoodie, a camouflage crop tea, and 189 00:11:06,280 --> 00:11:11,439 Speaker 2: bootcut jeans. He thought the aesthetic would compliment the venues 190 00:11:11,559 --> 00:11:14,360 Speaker 2: Latin and jazz scene. When you going dressed like the 191 00:11:14,480 --> 00:11:20,880 Speaker 2: actual place, it's a lot of effort. His date, who 192 00:11:21,360 --> 00:11:23,040 Speaker 2: he had been seeing for a couple months, showed up 193 00:11:23,080 --> 00:11:27,280 Speaker 2: in black Lululemon leggings, an oversized gray sweatshirt and dirty 194 00:11:27,360 --> 00:11:32,920 Speaker 2: Nike air forces. The casual sheikh look didn't go over 195 00:11:33,000 --> 00:11:36,320 Speaker 2: well with our guy, Dylan. He said the output didn't 196 00:11:36,320 --> 00:11:38,680 Speaker 2: match the vibe of the bar and took her choice 197 00:11:38,679 --> 00:11:42,040 Speaker 2: of clothing as a personal slight. It's amazing that men 198 00:11:42,080 --> 00:11:48,280 Speaker 2: are now able to act like women. He's a twenty 199 00:11:48,360 --> 00:11:50,720 Speaker 2: year old. He's a student at the University of Houston. 200 00:11:50,760 --> 00:11:52,360 Speaker 2: He says, you want to look good for the person 201 00:11:52,440 --> 00:11:56,400 Speaker 2: you're with, not throw on pajama pants and crocs. Brother, 202 00:11:59,040 --> 00:12:02,320 Speaker 2: if you can have that kind of opinion about the 203 00:12:02,400 --> 00:12:10,559 Speaker 2: dress of your partner, I don't know if it's gonna 204 00:12:10,559 --> 00:12:12,000 Speaker 2: go well for you in the rest of your life. 205 00:12:12,040 --> 00:12:15,600 Speaker 2: I just got I does can you imagine in any capacity? 206 00:12:15,640 --> 00:12:18,400 Speaker 2: And maybe this is too heteronormative or whatever gen Z 207 00:12:18,480 --> 00:12:21,240 Speaker 2: would say that I'm saying about this, But in my 208 00:12:21,440 --> 00:12:25,560 Speaker 2: dating days, if I ever took umbrage with the outfit 209 00:12:27,000 --> 00:12:32,400 Speaker 2: of my girlfriend, what do I want to die correct 210 00:12:32,960 --> 00:12:38,000 Speaker 2: of a suicidal break up with somebody because they didn't 211 00:12:38,120 --> 00:12:43,560 Speaker 2: dress as nice as I did. This guy must be 212 00:12:43,600 --> 00:12:48,960 Speaker 2: a male mind. He must be Timothy Shallon May Timothy Anyway, 213 00:12:49,000 --> 00:12:52,360 Speaker 2: It's this thing called the swag gap. It's a fundamental 214 00:12:52,360 --> 00:12:54,559 Speaker 2: difference in the way two people carry and present themselves, 215 00:12:54,640 --> 00:12:58,000 Speaker 2: beyond the beauty meets brain dynamic long depicted in popular culture. 216 00:13:00,000 --> 00:13:01,559 Speaker 2: According to this, it's more of an I'm dressed for 217 00:13:01,640 --> 00:13:05,080 Speaker 2: cocktail hour and my partner's dressed for a remote workday situation. 218 00:13:05,679 --> 00:13:09,160 Speaker 2: And according to social media, if this is true, a 219 00:13:09,240 --> 00:13:11,880 Speaker 2: sentence that I wish I never would have said. It's 220 00:13:11,920 --> 00:13:17,080 Speaker 2: a misalignment. It's a red flag get out before somebody 221 00:13:17,120 --> 00:13:22,200 Speaker 2: gets hurt. I understand this. If it's extreme. If one 222 00:13:22,240 --> 00:13:25,719 Speaker 2: person cares a lot about their appearance and the other 223 00:13:25,760 --> 00:13:29,480 Speaker 2: person doesn't care at all, that will be there will 224 00:13:29,520 --> 00:13:35,000 Speaker 2: be friction going forward. This is not a surprise. People 225 00:13:35,040 --> 00:13:39,679 Speaker 2: have said this about Benny Blanco and Selena Gomez, saying 226 00:13:39,720 --> 00:13:43,400 Speaker 2: that he looks like a slop, she's a movie star. 227 00:13:45,200 --> 00:13:46,599 Speaker 2: I think that's a little unfair. He seems like a 228 00:13:46,679 --> 00:13:48,720 Speaker 2: nice guy who seems to love her a lot, and 229 00:13:48,760 --> 00:13:51,280 Speaker 2: I think that that's why she likes him, because he's 230 00:13:51,320 --> 00:13:56,880 Speaker 2: all about her. There was a lot of conversation years 231 00:13:56,880 --> 00:14:00,559 Speaker 2: ago about the dad bought is actually what you want 232 00:14:00,720 --> 00:14:04,800 Speaker 2: in a partner if you're a woman, and I think 233 00:14:04,840 --> 00:14:08,680 Speaker 2: the same could be said about a man, because you 234 00:14:08,720 --> 00:14:13,040 Speaker 2: don't want your partner to be too attractive, because then 235 00:14:13,640 --> 00:14:17,560 Speaker 2: they have to be all about that. You're dating some 236 00:14:17,640 --> 00:14:20,640 Speaker 2: guy with an eight pack. You know what he's not 237 00:14:20,760 --> 00:14:25,680 Speaker 2: doing getting dessert with you, have another glass of wine. 238 00:14:26,120 --> 00:14:28,360 Speaker 2: He's going to the gym, he's working out. It's about 239 00:14:28,440 --> 00:14:33,680 Speaker 2: numru Oh No, don't date. Just date somebody who's like 240 00:14:33,720 --> 00:14:37,640 Speaker 2: a little bit just as you know you could date up. 241 00:14:39,240 --> 00:14:41,400 Speaker 2: What am I saying? This is insane? Where are you 242 00:14:41,440 --> 00:14:43,200 Speaker 2: going on? I know, but I just think it is. 243 00:14:43,280 --> 00:14:45,440 Speaker 2: It's like, uh, you know the swag gap thing? Sure, 244 00:14:45,440 --> 00:14:45,720 Speaker 2: why not? 245 00:14:45,880 --> 00:14:46,240 Speaker 3: Whatever? 246 00:14:46,840 --> 00:14:48,760 Speaker 2: All right, before we get out of here, I talked 247 00:14:48,760 --> 00:14:52,360 Speaker 2: about this before. Jerry O'Donnell best known to Bosh fans 248 00:14:52,360 --> 00:14:57,720 Speaker 2: for his role as Sergeant John Menkowitz or MANK. He's 249 00:14:57,760 --> 00:15:00,120 Speaker 2: the watch commander. I think is that the role that 250 00:15:00,160 --> 00:15:04,320 Speaker 2: he plays. You remember watching Bosh. No, I'm looking him up. Yeah, 251 00:15:04,320 --> 00:15:06,160 Speaker 2: I think he's his MANK. He's like the guy who 252 00:15:06,160 --> 00:15:09,280 Speaker 2: sits at the in the watch commander's station and he 253 00:15:09,320 --> 00:15:13,120 Speaker 2: does all the answer in the phones. Essentially he gets 254 00:15:13,120 --> 00:15:20,960 Speaker 2: involved in stuff, but he will be quitting acting, trading 255 00:15:21,040 --> 00:15:23,800 Speaker 2: scripts for squats, committing to police academy training at the 256 00:15:23,800 --> 00:15:27,560 Speaker 2: Ashville Police Department in North Carolina. This man is sixty 257 00:15:27,560 --> 00:15:31,480 Speaker 2: five years old. According to the police department, he's not 258 00:15:31,520 --> 00:15:33,320 Speaker 2: just the oldest recruit in decades, he might be the 259 00:15:33,320 --> 00:15:38,480 Speaker 2: oldest of the department has ever seen. But for our 260 00:15:38,520 --> 00:15:41,000 Speaker 2: buddy mank, the decision was not age related. It was 261 00:15:41,000 --> 00:15:45,440 Speaker 2: about purpose. He told a local news outlet the grueling 262 00:15:45,480 --> 00:15:49,360 Speaker 2: physical training was a welcome challenge, and he says he's 263 00:15:49,400 --> 00:15:53,000 Speaker 2: been chasing that kind of purpose since he served in 264 00:15:53,080 --> 00:15:55,600 Speaker 2: the Army's eighty second Airborne Division. I didn't know that, 265 00:15:55,680 --> 00:16:01,440 Speaker 2: he That's awesome. He says. He finishes each day exhausted 266 00:16:03,080 --> 00:16:06,080 Speaker 2: because it gives him an idea of what sacrifice should 267 00:16:06,120 --> 00:16:09,480 Speaker 2: be about. He says, I think when you slide into 268 00:16:09,520 --> 00:16:10,960 Speaker 2: home at the end of your life, you want to 269 00:16:10,960 --> 00:16:13,440 Speaker 2: be all used up, you know, dirty, scarred up, a 270 00:16:13,440 --> 00:16:14,320 Speaker 2: little bloody, and. 271 00:16:14,240 --> 00:16:19,920 Speaker 3: Spent Instead, how about counseling. 272 00:16:21,280 --> 00:16:21,480 Speaker 8: No. 273 00:16:21,920 --> 00:16:24,640 Speaker 3: Sixty five then will do literally anything except go to 274 00:16:24,680 --> 00:16:27,480 Speaker 3: counsel Yeah, this is true. Sixty five. Come on, I 275 00:16:27,480 --> 00:16:30,240 Speaker 3: mean listen, he's I respect it. He seems like he's 276 00:16:30,240 --> 00:16:31,880 Speaker 3: in well enough shape. 277 00:16:31,600 --> 00:16:34,800 Speaker 2: To do it. It's pretty cool that he had such 278 00:16:34,800 --> 00:16:37,560 Speaker 2: a positive experience on the set of Bosh. We know 279 00:16:37,640 --> 00:16:39,920 Speaker 2: it was very realistic. Didn't know that it actually inspired 280 00:16:39,920 --> 00:16:41,640 Speaker 2: some of the actors, or at least one of them, 281 00:16:41,680 --> 00:16:45,280 Speaker 2: to become a police officer. 282 00:16:45,400 --> 00:16:47,680 Speaker 3: Very cool. Maybe he could have a conversation with somebody 283 00:16:47,760 --> 00:16:51,720 Speaker 3: about the concept of esthetic distance. It's a show. 284 00:16:52,520 --> 00:16:53,560 Speaker 2: No, this is method acting. 285 00:16:53,800 --> 00:16:55,480 Speaker 3: Okay, all right, Okay. 286 00:16:56,280 --> 00:17:01,440 Speaker 1: You're listening to KFI AM six forty on demand. 287 00:17:01,560 --> 00:17:04,320 Speaker 2: I was during the commercial break. Spend a little time 288 00:17:04,400 --> 00:17:07,159 Speaker 2: on YouTube, and I will not subject to you to 289 00:17:07,240 --> 00:17:11,720 Speaker 2: any more Paul Moyer promos from the late nineteen nineties. 290 00:17:11,720 --> 00:17:15,680 Speaker 2: But I did find a real cool air check video 291 00:17:15,840 --> 00:17:19,040 Speaker 2: from the user California air check of a k Earth 292 00:17:19,080 --> 00:17:24,800 Speaker 2: one on one Los Angeles Shotgun Tom Kelly air check Listen. 293 00:17:26,720 --> 00:17:41,560 Speaker 6: Ladies, Shotgun Tom Kelly one, Los Angeles, the best, the best. 294 00:17:42,240 --> 00:17:43,680 Speaker 2: I don't know how you get a voice like that, 295 00:17:43,880 --> 00:17:49,320 Speaker 2: but unbelievable, crazy, He's coming up here in just a second. 296 00:17:51,119 --> 00:17:52,320 Speaker 2: They added out the song you. 297 00:17:52,240 --> 00:17:59,639 Speaker 6: Know, Shotgun Tom Kelly one, you believe you. 298 00:18:00,000 --> 00:18:02,840 Speaker 3: I believe it, baby. I heard that you could use 299 00:18:03,119 --> 00:18:05,560 Speaker 3: nineteen thousand dollars cash. 300 00:18:05,680 --> 00:18:07,760 Speaker 2: I could use nineteen thousand dollars. I didn't even know 301 00:18:07,800 --> 00:18:09,520 Speaker 2: I did need it. I need it so bad, don't 302 00:18:09,560 --> 00:18:13,679 Speaker 2: you think, Mark Ronner? Are you hungry for nineteen thousand dollars? 303 00:18:13,720 --> 00:18:16,520 Speaker 3: I need? I need precisely nineteen thousand stats? 304 00:18:16,560 --> 00:18:17,880 Speaker 2: Foosh, what do you think? 305 00:18:18,160 --> 00:18:18,840 Speaker 3: Absolutely? 306 00:18:18,960 --> 00:18:23,760 Speaker 2: Okay, Nikki, what was the question? Do you need nineteen grand? 307 00:18:24,119 --> 00:18:25,200 Speaker 2: Of course? All right? 308 00:18:25,359 --> 00:18:28,199 Speaker 3: We got it in the money music Medley, and I 309 00:18:28,320 --> 00:18:29,520 Speaker 3: want you to win it today. 310 00:18:29,560 --> 00:18:33,480 Speaker 1: Man, I'm telling you is exciting right here already all 311 00:18:33,800 --> 00:18:34,240 Speaker 1: you're running? 312 00:18:34,520 --> 00:18:34,639 Speaker 4: Man? 313 00:18:34,680 --> 00:18:41,760 Speaker 2: How old is ready? That is so many sounds coming 314 00:18:41,800 --> 00:18:42,639 Speaker 2: out of one mouth. 315 00:18:43,040 --> 00:18:45,400 Speaker 3: I've never been that excited about anything in my life. 316 00:18:47,000 --> 00:18:53,840 Speaker 3: You know it shows. Let's see what he got? What 317 00:18:53,960 --> 00:18:56,320 Speaker 3: he's got next? He heard it through the grapevine. The 318 00:18:56,440 --> 00:18:58,720 Speaker 3: man is opping the board also for the money. 319 00:18:58,840 --> 00:19:03,880 Speaker 2: He's in the music with a one music mel now 320 00:19:04,400 --> 00:19:07,840 Speaker 2: this hours cash jack fot just real quick. The guy 321 00:19:07,960 --> 00:19:14,359 Speaker 2: doing the idents, the guy doing the imaging. Did a 322 00:19:14,440 --> 00:19:17,119 Speaker 2: person ever actually sound like that? Or was it just 323 00:19:17,240 --> 00:19:20,760 Speaker 2: like through the biggest tube tape compressor? 324 00:19:21,240 --> 00:19:21,560 Speaker 3: Eq? 325 00:19:23,280 --> 00:19:27,280 Speaker 2: I mean that is like humans don't sound like that. 326 00:19:27,480 --> 00:19:33,120 Speaker 3: We can we hear it again? Yeah? The money he's 327 00:19:33,200 --> 00:19:39,320 Speaker 3: in the music one Music's go ahead. 328 00:19:39,359 --> 00:19:43,439 Speaker 2: Sorry, that's lower than Mark Thompson. That's lower than Mark Ronner. 329 00:19:44,400 --> 00:19:46,399 Speaker 3: Oh, it's totally one of those voice of God voices 330 00:19:46,440 --> 00:19:49,680 Speaker 3: who has to be a close relative of the Inner 331 00:19:49,720 --> 00:19:50,920 Speaker 3: World movie trailer guy. 332 00:19:51,000 --> 00:19:54,720 Speaker 2: Oh yeah, Don Pardo, Yeah right, No, that was oh 333 00:19:54,800 --> 00:19:59,280 Speaker 2: my god, Don la Fontaine. Yeah different, Don different. Don 334 00:19:59,359 --> 00:20:04,399 Speaker 2: Pardo was a an l announcer. Oh boy, he is 335 00:20:04,480 --> 00:20:08,080 Speaker 2: this ours cash jackpot? If you could get the glottal 336 00:20:08,160 --> 00:20:10,760 Speaker 2: fry in the low end like that, right, like people 337 00:20:10,800 --> 00:20:12,880 Speaker 2: do glottle fry in California now where it's like ah 338 00:20:13,080 --> 00:20:15,159 Speaker 2: up here, But if it's if it's in the like 339 00:20:15,840 --> 00:20:19,280 Speaker 2: three hundred hurtz range, it's down there like a bass guitar, 340 00:20:19,920 --> 00:20:24,800 Speaker 2: it's called the brown note. The brown note does that 341 00:20:24,880 --> 00:20:26,000 Speaker 2: because it loosens up. 342 00:20:26,680 --> 00:20:29,960 Speaker 3: Yes, I don't think that's the brown note unless it 343 00:20:30,080 --> 00:20:37,879 Speaker 3: had that effect on you specifically. Yes, Okay, oh my god, wow. 344 00:20:38,400 --> 00:20:41,959 Speaker 1: Nineteen thousand dollars cash. Just tell us the five titles 345 00:20:42,000 --> 00:20:42,359 Speaker 1: in our. 346 00:20:42,280 --> 00:20:45,720 Speaker 3: Current money music medley and you're an instant winner. 347 00:20:45,680 --> 00:20:51,400 Speaker 2: Music, Money and fun Jars on one boom boom dokah boo. 348 00:20:52,160 --> 00:20:55,560 Speaker 2: Well we know the first one duke of earl. Right, 349 00:20:56,160 --> 00:20:59,200 Speaker 2: we're one fifth of the way here to nineteen thousand dollars. 350 00:20:59,200 --> 00:21:00,399 Speaker 2: We'll split it among all of us. 351 00:21:00,440 --> 00:21:02,560 Speaker 3: I need that nineteen grand Do you think if I called. 352 00:21:02,480 --> 00:21:03,840 Speaker 2: Him up again and I was like, hey, we know 353 00:21:03,960 --> 00:21:08,040 Speaker 2: the music medley give us nineteen thousand dollars Shotgun Tom Kelly? 354 00:21:08,080 --> 00:21:09,760 Speaker 2: Would he let us? Would he let us have some? 355 00:21:10,280 --> 00:21:12,399 Speaker 3: And with a name like Shotgun Tom, shouldn't you be 356 00:21:12,720 --> 00:21:14,400 Speaker 3: riding on top of a stage coach? 357 00:21:14,600 --> 00:21:14,760 Speaker 5: Oh? 358 00:21:14,920 --> 00:21:15,160 Speaker 3: Man? 359 00:21:15,640 --> 00:21:17,800 Speaker 2: He's a cowboy through and through. You know he wears 360 00:21:17,800 --> 00:21:20,800 Speaker 2: a smokey the bear hat. That's like his signature thing too. 361 00:21:21,119 --> 00:21:24,120 Speaker 2: Oh yes, And I want to go back to something 362 00:21:24,119 --> 00:21:25,399 Speaker 2: he said in the interview, which is that when he 363 00:21:25,440 --> 00:21:27,919 Speaker 2: went to k Earth one on one, they gave him 364 00:21:27,960 --> 00:21:30,080 Speaker 2: more money than he could ever imagine. In the book, 365 00:21:30,119 --> 00:21:33,360 Speaker 2: he says he talks to his agent and the agent says, 366 00:21:33,440 --> 00:21:35,520 Speaker 2: ask for this amount of money, and He's like, I 367 00:21:35,640 --> 00:21:38,359 Speaker 2: could never I could never ask for that much money. 368 00:21:38,400 --> 00:21:42,240 Speaker 2: That's crazy. So he goes into the meeting, he asks 369 00:21:42,280 --> 00:21:45,399 Speaker 2: for that amount of money and they're like, that's all 370 00:21:45,440 --> 00:21:49,280 Speaker 2: you want? And I was like, I hope that he 371 00:21:49,400 --> 00:21:52,120 Speaker 2: tells me how much money that was, because in context, 372 00:21:52,160 --> 00:21:53,920 Speaker 2: I'd love to figure out what that is. But there's 373 00:21:55,000 --> 00:21:58,520 Speaker 2: I can't imagine. Back in the day, fm ateed k 374 00:21:58,600 --> 00:22:01,679 Speaker 2: Earth one oh one back in the night. God, they 375 00:22:01,760 --> 00:22:03,480 Speaker 2: got to be they had to be making lots of money. 376 00:22:03,600 --> 00:22:05,280 Speaker 3: Oh, I'm sure times have changed. 377 00:22:05,359 --> 00:22:09,680 Speaker 2: Times have changed. Glenn Walker always tells me on the 378 00:22:10,160 --> 00:22:12,520 Speaker 2: ten years too Late club, which means you're of a 379 00:22:12,600 --> 00:22:16,080 Speaker 2: thirty years too late club, because he was talking about 380 00:22:16,119 --> 00:22:19,560 Speaker 2: the guys who came ten years before him, who were 381 00:22:19,640 --> 00:22:22,840 Speaker 2: doing shows maybe an hour a night, two hours a 382 00:22:22,920 --> 00:22:26,120 Speaker 2: night here in Los Angeles. I won't say any names 383 00:22:26,200 --> 00:22:29,960 Speaker 2: or anything like that, but we're talking seventies, eighties, maybe 384 00:22:30,000 --> 00:22:33,880 Speaker 2: into the early nineties. Anchors in the evening in Los 385 00:22:33,920 --> 00:22:36,960 Speaker 2: Angeles were making millions of dollars a year. 386 00:22:37,000 --> 00:22:39,000 Speaker 3: Oh yeah, back in the seventies, that's when these jobs 387 00:22:39,080 --> 00:22:40,800 Speaker 3: came with a coke stipend that's. 388 00:22:40,720 --> 00:22:45,040 Speaker 2: Well two and a half million bucks common, and that 389 00:22:45,200 --> 00:22:48,240 Speaker 2: was just for the coke. But also, can you put 390 00:22:48,280 --> 00:22:52,359 Speaker 2: that into perspective, though, because in nineteen seventy five or 391 00:22:52,480 --> 00:22:55,760 Speaker 2: even nineteen eighty five, how much was two and a 392 00:22:55,800 --> 00:22:58,560 Speaker 2: half million dollars then compared to today? 393 00:22:58,720 --> 00:22:59,320 Speaker 3: You know what I mean? 394 00:23:00,080 --> 00:23:02,520 Speaker 2: What two and a half million dollars a year bought 395 00:23:02,600 --> 00:23:03,760 Speaker 2: you back in the eighties. 396 00:23:04,680 --> 00:23:07,680 Speaker 3: Yeah, I don't have immediate access to an inflation calculator. 397 00:23:07,760 --> 00:23:09,199 Speaker 3: I'll tell you what, that's a lot of do. If 398 00:23:09,200 --> 00:23:12,320 Speaker 3: you kill a little time, I'll do a little inflation calculator. 399 00:23:12,320 --> 00:23:14,320 Speaker 3: It's just going to depress me. That's okay. 400 00:23:14,640 --> 00:23:18,680 Speaker 2: What we work in the news, bucko, Everything we do 401 00:23:18,840 --> 00:23:26,080 Speaker 2: depresses us. Oh yeah, that's right, all right. Should we 402 00:23:26,119 --> 00:23:27,639 Speaker 2: do like a kind of mini whip around? What do 403 00:23:27,720 --> 00:23:32,600 Speaker 2: we think two point five million dollars was in nineteen seventy. 404 00:23:34,200 --> 00:23:38,040 Speaker 3: I'd say ten million? Okay, foosh, uh yeah, I think 405 00:23:38,119 --> 00:23:39,000 Speaker 3: eight and a half. 406 00:23:39,760 --> 00:23:41,280 Speaker 2: Nikki fifteen million? 407 00:23:43,000 --> 00:23:44,440 Speaker 3: Oh my god, this is killing me. 408 00:23:44,840 --> 00:23:48,800 Speaker 2: In nineteen seventy two million, five hundred thousand dollars had 409 00:23:48,840 --> 00:23:51,920 Speaker 2: the same buying power in September of twenty twenty five 410 00:23:52,880 --> 00:23:58,480 Speaker 2: as twenty one million dollars. Okay, wow, twenty one million, 411 00:23:58,600 --> 00:24:00,760 Speaker 2: four hundred and eighty four thousand dollars. 412 00:24:01,840 --> 00:24:04,000 Speaker 3: Definitely in the thirty years too late club. 413 00:24:05,040 --> 00:24:08,000 Speaker 2: This is why they all flew airplanes, is because every 414 00:24:08,080 --> 00:24:09,920 Speaker 2: year they could buy a new lear jet and have 415 00:24:10,080 --> 00:24:10,800 Speaker 2: money left over. 416 00:24:13,040 --> 00:24:15,159 Speaker 3: Can somebody talk to the student loan people for me? 417 00:24:15,400 --> 00:24:16,320 Speaker 3: This is so depressive. 418 00:24:16,520 --> 00:24:18,040 Speaker 2: Don't know, I don't know what happened. 419 00:24:18,119 --> 00:24:21,040 Speaker 3: They're gonna break my kneecaps, and these guys were talking about. 420 00:24:20,920 --> 00:24:21,919 Speaker 2: That's right, yeah, exactly. 421 00:24:22,160 --> 00:24:25,280 Speaker 3: They had like a scarface mountains of coke. I mean, 422 00:24:25,640 --> 00:24:29,440 Speaker 3: that is bonkers. Let's just okay, let's just jump ahead. 423 00:24:29,680 --> 00:24:30,960 Speaker 3: This is the last thing, and then we'll send it 424 00:24:31,000 --> 00:24:31,639 Speaker 3: over for news. Here. 425 00:24:31,760 --> 00:24:33,960 Speaker 2: Let's say nineteen ninety. If you're making two point five 426 00:24:34,000 --> 00:24:37,359 Speaker 2: and nineteen ninety, that is the equivalent of six point 427 00:24:37,520 --> 00:24:38,600 Speaker 2: four million dollars. 428 00:24:39,440 --> 00:24:41,080 Speaker 3: I could scrape by on that. I think I could 429 00:24:41,119 --> 00:24:43,600 Speaker 3: make it Work'd be okay. I might still have to 430 00:24:43,640 --> 00:24:45,840 Speaker 3: do a radio and a TV gig. I mean with 431 00:24:46,040 --> 00:24:51,640 Speaker 3: extreme austerity, like you know, yeah, no chauffeur, No, I'd 432 00:24:51,680 --> 00:24:54,440 Speaker 3: have to fly my own private jet. Yeah, things I'll do. 433 00:24:55,720 --> 00:24:59,440 Speaker 1: You're listening to KFI AM six forty on demand. 434 00:25:03,480 --> 00:25:06,440 Speaker 2: Talking to George Nori to let us know what's coming 435 00:25:06,520 --> 00:25:08,040 Speaker 2: up here on coast to coast in just a couple 436 00:25:08,080 --> 00:25:11,040 Speaker 2: of minutes. Good evening, George, Yandy, Good evening. 437 00:25:11,160 --> 00:25:12,959 Speaker 9: Now almost Chrystmas is getting closer. 438 00:25:13,160 --> 00:25:15,119 Speaker 2: Huh yeah, what are we like a week and a 439 00:25:15,119 --> 00:25:15,680 Speaker 2: half away? 440 00:25:16,720 --> 00:25:18,680 Speaker 9: You got it. We're going to be live that night, 441 00:25:18,760 --> 00:25:21,080 Speaker 9: by the way, so everybody knows. But on the show 442 00:25:21,119 --> 00:25:22,960 Speaker 9: tonight we're going to talk a little bit about the 443 00:25:23,600 --> 00:25:27,520 Speaker 9: wonders of Mars and then later on consciousness and how 444 00:25:27,600 --> 00:25:30,320 Speaker 9: we can use it to our advantage on Coast to Coast. 445 00:25:30,640 --> 00:25:33,040 Speaker 2: Thank you so much, George. We'll be listening real soon. 446 00:25:33,280 --> 00:25:37,480 Speaker 2: Consciousness should I should have thought about that. Here I 447 00:25:37,600 --> 00:25:40,159 Speaker 2: am the whole time I've been on autopilot. If I 448 00:25:40,240 --> 00:25:45,480 Speaker 2: had just tried a little bit more. This is an 449 00:25:45,520 --> 00:25:47,840 Speaker 2: interesting thing that kind of reminds me of something that 450 00:25:47,880 --> 00:25:50,600 Speaker 2: maybe you might hear on Coast to Coast about robots 451 00:25:50,720 --> 00:25:54,600 Speaker 2: and AI and the future of technology and what it 452 00:25:54,720 --> 00:26:00,680 Speaker 2: means for us as people. Here's the headline. Sued for 453 00:26:00,720 --> 00:26:05,639 Speaker 2: assaulting gay robot. Earlier this year, a cowboy hat toting 454 00:26:06,000 --> 00:26:09,600 Speaker 2: bipedal robot dubbed Jake the Risbot, burst onto the scene. 455 00:26:11,160 --> 00:26:14,760 Speaker 2: First he showed up in Austin, Texas, went viral on 456 00:26:14,880 --> 00:26:18,360 Speaker 2: social media. He had a flashy cowboy hat, a chain necklace, 457 00:26:19,119 --> 00:26:23,600 Speaker 2: and a strong preference for gen Z alpha slang. Weeks later, 458 00:26:24,040 --> 00:26:26,800 Speaker 2: he's a four foot tall silver robot with a hat, 459 00:26:27,760 --> 00:26:32,680 Speaker 2: moved to West Hollywood, seemingly came out as gay was 460 00:26:32,720 --> 00:26:37,120 Speaker 2: wearing rainbow attire, but somewhere along the line for Jake 461 00:26:37,200 --> 00:26:44,080 Speaker 2: the Risbot, the Hollywood Dream turned into a nightmare. Complex 462 00:26:44,160 --> 00:26:47,680 Speaker 2: Magazine says the robot was allegedly assaulted and permanently damaged 463 00:26:48,280 --> 00:26:53,480 Speaker 2: in a live stream by a creator known online as 464 00:26:53,640 --> 00:26:58,560 Speaker 2: I Show Speed or Darren Jason Watkins Junior. The person 465 00:26:58,600 --> 00:27:03,360 Speaker 2: who put the robot together, Social Robotics, filed a lawsuit 466 00:27:03,440 --> 00:27:06,440 Speaker 2: against the video game streamer for a million dollars in 467 00:27:06,520 --> 00:27:13,399 Speaker 2: monetary relief. The lawsuit says that the guy became angry 468 00:27:13,440 --> 00:27:18,000 Speaker 2: and agitated and eventually intentionally assaulted the robot. Now, what 469 00:27:18,240 --> 00:27:22,680 Speaker 2: is strange about this, in addition to everything, is that 470 00:27:23,440 --> 00:27:27,720 Speaker 2: footage online shows this guy getting into an altercation with 471 00:27:27,880 --> 00:27:30,919 Speaker 2: the robot. He live streamed the whole thing. He sucker 472 00:27:31,000 --> 00:27:33,880 Speaker 2: punches it, puts it in a chokehold, shoves it onto 473 00:27:33,920 --> 00:27:40,720 Speaker 2: the sofa, and then pushes it to the ground. As 474 00:27:40,800 --> 00:27:45,000 Speaker 2: futurism dot Com points out, this is odd. It's baffling 475 00:27:47,400 --> 00:27:51,600 Speaker 2: because presumably this guy, the real one, was doing this 476 00:27:51,800 --> 00:27:55,639 Speaker 2: as a bit to gain notoriety on his live stream 477 00:27:55,680 --> 00:28:00,960 Speaker 2: on Twitch. Maybe it went too far. The lawsuit says 478 00:28:01,040 --> 00:28:07,280 Speaker 2: that the damages suffered that Risbot suffered on livestream meant 479 00:28:07,320 --> 00:28:09,160 Speaker 2: that it was a total loss. It had to cancel 480 00:28:09,240 --> 00:28:13,160 Speaker 2: a co hosting opportunity with Jimmy Donaldson, who you also 481 00:28:13,320 --> 00:28:17,160 Speaker 2: know as Mister Beast. Risbot couldn't go on the NFL 482 00:28:17,240 --> 00:28:22,520 Speaker 2: Today Show on CBS. The lawsuit says it's no doubt 483 00:28:22,560 --> 00:28:26,000 Speaker 2: a monumental setback for the Risbot in terms of financial 484 00:28:26,080 --> 00:28:28,800 Speaker 2: gain from exposure and viral momentum being in a Mister 485 00:28:28,840 --> 00:28:31,520 Speaker 2: Beasts productions akin to being in a Super Bowl commercial. 486 00:28:32,680 --> 00:28:37,880 Speaker 2: Sometimes I just can't. I can't take it. He has 487 00:28:38,040 --> 00:28:41,960 Speaker 2: a Risbot risen again though he was a I believe 488 00:28:42,000 --> 00:28:46,920 Speaker 2: appearing on the Tonight Show starring Jimmy Fallon. He's going 489 00:28:46,960 --> 00:28:49,840 Speaker 2: to be making more appearances coming soon. In Michigan, gas 490 00:28:49,920 --> 00:28:53,400 Speaker 2: prices are averaging two dollars and eighty five cents a 491 00:28:53,480 --> 00:28:58,440 Speaker 2: gallon at Costco. It's like almost five bucks. Still in 492 00:28:58,560 --> 00:29:02,240 Speaker 2: Los Angeles. I was interested in this story because I 493 00:29:02,240 --> 00:29:03,720 Speaker 2: thought it was a misprint. I clicked on it and 494 00:29:03,760 --> 00:29:05,680 Speaker 2: I said, oh, yeah, look at that two dollars and 495 00:29:05,720 --> 00:29:08,800 Speaker 2: eighty five cents a gallon. It was posted on a website, 496 00:29:09,320 --> 00:29:13,600 Speaker 2: a local publication in Michigan. So I clicked on that 497 00:29:13,680 --> 00:29:17,000 Speaker 2: publication and then on the front page, I was like, oh, 498 00:29:17,120 --> 00:29:20,200 Speaker 2: this is this is why. This is why because it 499 00:29:20,320 --> 00:29:24,960 Speaker 2: was a photo from the upper peninsula of Lake Superior, 500 00:29:25,600 --> 00:29:31,719 Speaker 2: and the waves were frozen like a tunnel, like an 501 00:29:31,800 --> 00:29:39,240 Speaker 2: ice tunnel frozen in mid It's very cold up there, picturesque. 502 00:29:40,000 --> 00:29:41,640 Speaker 2: The thing about the gas coming down is like the 503 00:29:41,720 --> 00:29:44,000 Speaker 2: one thing that is getting a little cheaper. So no 504 00:29:44,160 --> 00:29:46,680 Speaker 2: matter where you travel, with the cheap gas, you can't 505 00:29:46,720 --> 00:29:50,600 Speaker 2: afford to buy anything. Ah, very good point. Yeah, dinners 506 00:29:50,680 --> 00:29:55,320 Speaker 2: now just extremely expensive. We're in the appetizer economy. According 507 00:29:55,360 --> 00:29:58,800 Speaker 2: to one food service expert, I don't want you got 508 00:29:58,880 --> 00:30:00,440 Speaker 2: to do to be a food service exper. I feel 509 00:30:00,480 --> 00:30:04,840 Speaker 2: like I eat enough food pretty much an expert on it. 510 00:30:05,280 --> 00:30:06,280 Speaker 2: I go out to eat enough. 511 00:30:07,280 --> 00:30:07,640 Speaker 3: I don't know. 512 00:30:08,400 --> 00:30:08,560 Speaker 8: Well. 513 00:30:08,560 --> 00:30:12,040 Speaker 2: I appreciate you guys for being here tonight, fush. It 514 00:30:12,160 --> 00:30:14,880 Speaker 2: was such a joy to meet you in person, such 515 00:30:14,880 --> 00:30:16,400 Speaker 2: a pleasure if you do a little show with you 516 00:30:16,520 --> 00:30:17,840 Speaker 2: in person. I'm glad you're feeling better. 517 00:30:17,960 --> 00:30:18,240 Speaker 3: Thank you. 518 00:30:18,400 --> 00:30:19,400 Speaker 2: So nice to see you here. 519 00:30:20,800 --> 00:30:21,320 Speaker 3: Mark Runner. 520 00:30:21,360 --> 00:30:22,120 Speaker 2: As always, I. 521 00:30:22,120 --> 00:30:24,520 Speaker 3: Feel like we've grown apart during your days away, so 522 00:30:24,720 --> 00:30:25,800 Speaker 3: I'm glad we could catch up. 523 00:30:25,840 --> 00:30:27,400 Speaker 2: I know I'll be back Friday. We can do this 524 00:30:27,520 --> 00:30:29,920 Speaker 2: all over again. Foosh, are you back Friday? I sure 525 00:30:29,960 --> 00:30:33,920 Speaker 2: am hey round two. We're getting the band back together. Nikki. 526 00:30:34,080 --> 00:30:36,760 Speaker 2: I think you're off on Friday. Yeah yeah, but we'll 527 00:30:36,760 --> 00:30:40,440 Speaker 2: see you next week probably. It's kaf I Am six forty. 528 00:30:40,440 --> 00:30:44,360 Speaker 2: I'm Andy Reesmeyer. A special thanks to Shotgun Tom Kelly. 529 00:30:45,040 --> 00:30:46,760 Speaker 2: What a joy that was to have him on the show. 530 00:30:46,960 --> 00:30:50,040 Speaker 2: You can check out his new book, All I Want 531 00:30:50,080 --> 00:30:52,160 Speaker 2: to do is play the hits anywhere books are sold. 532 00:30:53,320 --> 00:30:55,360 Speaker 2: You can find me on the internet at Andy KTLA. 533 00:30:56,080 --> 00:31:01,000 Speaker 2: That's Twitter, that's Instagram, that's Facebook, that's za Zanga, my Space, friends, 534 00:31:01,080 --> 00:31:06,720 Speaker 2: tor Pinterest, I'm there baby, see you next time. It's 535 00:31:06,760 --> 00:31:09,800 Speaker 2: KFI AM six forty live everywhere on the iHeartRadio app, 536 00:31:10,440 --> 00:31:11,360 Speaker 2: kf I AM 537 00:31:11,480 --> 00:31:12,920 Speaker 1: Six forty on demand