WEBVTT - Why Bewitched Had Two Darrins

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<v Speaker 1>It's KFI AM 640, and you're listening to The Conway

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<v Speaker 1>Show On Demand on the iHeartRadio app. Neil Savedra joins us.

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<v Speaker 1>How are you, Bob? I'm excited. Are you? I'm excited.

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<v Speaker 1>He's not showing it, right? No. Are you happy, too?

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<v Speaker 1>I'm happy. Are you laughing? Yeah, you're funny. You know

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<v Speaker 1>who does that instead of laughing at a joke? Your boy,

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<v Speaker 1>Bill Handel. That's funny. Oh, that's funny. My wife sort

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<v Speaker 1>of does that. It's hard to get her laughing, laughing.

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<v Speaker 1>She'll go, that's funny. And I'll go, well, that was

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<v Speaker 1>the intent. It's a little literal.

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<v Speaker 2>That's right.

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<v Speaker 1>But you have to do some weird crap to get

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<v Speaker 1>her laughing. Funny, I've never had a problem making her laugh.

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<v Speaker 1>There's another thing I can't get her to do. Maybe

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<v Speaker 1>you can help me with. Hey, ding dong with you guys.

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<v Speaker 1>You want to take this off the air? I'll be

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<v Speaker 1>your Dr. Bombay. Hey, I was thrilled this week that

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<v Speaker 1>we had a video that popped up. Somebody sent it

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<v Speaker 1>to us. Oh, I saw it, baby. The Jay Leno one? Yeah.

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<v Speaker 1>How great is that? That's like the best. Jay Leno's

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<v Speaker 1>driving around in the valley in one of his $ 8

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<v Speaker 1>million cars, and a guy pulls up next to him

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<v Speaker 1>and is videotaping him, and Jay's listening to this show.

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<v Speaker 1>It is. It's priceless. If I were you. I'd be

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<v Speaker 1>like George Costanza, go out on a high note and

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<v Speaker 1>just never come back to the studio again. What are

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<v Speaker 1>you going to do that's better than that?

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<v Speaker 3>I know.

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<v Speaker 1>How are you going to top that? Look, if somebody

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<v Speaker 1>told me, you know, it'll be 30 years this December

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<v Speaker 1>that I've been in radio. If somebody told me that

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<v Speaker 1>30 years ago that Jay Leno would be driving around

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<v Speaker 1>listening to the show in his car, I would say

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<v Speaker 1>no possible way. There's no way. It's pretty freaking amazing.

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<v Speaker 2>Okay.

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<v Speaker 1>But yeah, that's it. It was unreal. Because it's not

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<v Speaker 1>even like, it's not like you captured it or Crow.

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<v Speaker 1>I know. It's like, like not only the guy sent

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<v Speaker 1>it to you. Right. But he captured it, too. So

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<v Speaker 1>he had to know who you are to give a

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<v Speaker 1>role in the plot. That's right. I didn't even think

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<v Speaker 1>about that. So it's a twofer. Right. It's a ding dong.

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<v Speaker 1>That's right. It's a Jay Leno ding dong. Pellio, did

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<v Speaker 1>we post that on our social media? Is that everywhere?

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<v Speaker 4>Yeah, it's everywhere.

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<v Speaker 1>Oh, that's great.

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<v Speaker 4>And I want to give the guy, I'm trying to

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<v Speaker 4>find his name real quick. I want to give him credit.

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<v Speaker 1>Shout out.

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<v Speaker 4>It's Matt Eldridge. Matt Eldridge Film.

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<v Speaker 1>Yeah. Is he a producer or an actor or something?

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<v Speaker 4>He's a filmmaker.

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<v Speaker 2>And so you can find him on Instagram at Matt

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<v Speaker 2>Eldridge Film. But yeah, he sent me the raw video

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<v Speaker 2>of it before he posted it.

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<v Speaker 4>So it was very cool. And he was so thrilled

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<v Speaker 4>to hear from The Conway Show.

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<v Speaker 1>Is that right?

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<v Speaker 5>Yeah.

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<v Speaker 1>Okay. So, okay. If that happened and that was the

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<v Speaker 1>only thing that happened this week, I'd be thrilled with it.

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<v Speaker 1>But it wasn't. There was a guy driving on the

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<v Speaker 1>101 Freeway North, and he was involved with that dumpster

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<v Speaker 1>diver on Coldwater Canyon. Oh, yeah, yeah. And he was

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<v Speaker 1>listening to the radio, and he was also videotaping his radio,

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<v Speaker 1>and he was listening to his own voice on KFI

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<v Speaker 1>because we took that footage from one of the local

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<v Speaker 1>news stations. Oh, my gosh. Did you see that one video, Belio?

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<v Speaker 2>His name, that's also on our Instagram, at Conway Show.

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<v Speaker 2>And his name, I think it's Charan Andreas, C-H-A-R-A-N Andreas.

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<v Speaker 4>And he's the one in the interview.

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<v Speaker 2>That called the burglar that jumped into the dumpster and

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<v Speaker 2>called him, you know, Oscar the Grouch in the dumpster.

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<v Speaker 5>Right.

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<v Speaker 1>He's like, you got to get out of here. Got

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<v Speaker 1>to get out of here. You got to move on.

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<v Speaker 1>But Belia, both those happened in one week. Yes. And

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<v Speaker 1>I never thought about this until Neil just said that.

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<v Speaker 1>But they had to also be listening or know the

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<v Speaker 1>show so they could send it to us. They're both

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<v Speaker 1>two first. That's great. Oh, Belio, that is awesome. So

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<v Speaker 1>I think you're right. I think we could just hang

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<v Speaker 1>it up here. What are you going to do? Go

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<v Speaker 1>out on a high note. Oh, and when I was

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<v Speaker 1>in the studio waiting for your segment to go and

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<v Speaker 1>you could talk about people getting dumped or whatever, did

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<v Speaker 1>you notice the pause when you asked Belio? If that's

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<v Speaker 1>her move? I looked over at Foosh, I go, No

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<v Speaker 1>guy's ever broken up with her. She does the breaking up. Oh,

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<v Speaker 1>you think? I think so. I don't know. I think so.

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<v Speaker 1>You've ever had your heart broken, Baleon?

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<v Speaker 2>Yes.

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<v Speaker 1>Yes.

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<v Speaker 4>That's very nice of you, Neil, but yes.

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<v Speaker 1>You paused like, it's going to make me sound like

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<v Speaker 1>a dick if I say that. Yeah, it really hurt.

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<v Speaker 1>How many times is he talking about it? It's hard.

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<v Speaker 2>Yeah.

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<v Speaker 4>Yeah, it's tough.

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<v Speaker 1>When they do that thing, they say you're fired. Is

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<v Speaker 1>that what it was? Yeah. Yeah, it's happened so much.

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<v Speaker 1>It's not you, it's me. No, it's... She does the, hey.

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<v Speaker 1>Yeah, this isn't working. All right, let's find out. Let's

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<v Speaker 1>dig a little deeper. Belio, when did this happen? When's

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<v Speaker 1>the first or last, or have you had your heart

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<v Speaker 1>broken a couple times?

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<v Speaker 4>I've had my heart broken a couple of times.

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<v Speaker 3>Really?

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<v Speaker 4>It's obviously been years when I was younger.

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<v Speaker 2>Right.

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<v Speaker 1>Was high school one of them?

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<v Speaker 4>Yes, absolutely.

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<v Speaker 1>That was tough.

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<v Speaker 4>Jeff Sween, if you're listening.

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<v Speaker 5>F him.

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<v Speaker 1>Oh, man, she got that loaded in the pockets. Ready

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<v Speaker 1>to go, Jeff Sween.

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<v Speaker 2>Yeah.

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<v Speaker 1>Wow. Yeah. Yeah. That'd be tough, though. Hey, Sweeney. It

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<v Speaker 1>sounds so much like sweetie, and I'd probably get dragged

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<v Speaker 1>into HR. I'm glad it's Bellio instead. All right. So

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<v Speaker 1>it's Jeff Sween. How old were you? A senior? Junior?

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<v Speaker 4>A junior.

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<v Speaker 1>He was older, I guess.

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<v Speaker 4>He was a senior.

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<v Speaker 1>Yeah. That's how it usually happens.

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<v Speaker 4>Is that right?

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<v Speaker 1>Did you go to prom with him, or did you

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<v Speaker 1>go to homecoming?

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<v Speaker 4>Not with him, no.

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<v Speaker 1>But he broke up with you?

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<v Speaker 3>Yeah.

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<v Speaker 1>Right before homecoming?

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<v Speaker 4>He went out because he liked Jennifer Sprague better.

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<v Speaker 6>Oh, man.

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<v Speaker 1>I don't know if I can name two people from

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<v Speaker 1>high school. Doesn't it sound like she has Jennifer Sprague

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<v Speaker 1>and Jeff Sweene's pictures all over her wall? Yeah, with

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<v Speaker 1>like thumbtacks and red yarn as to where their last

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<v Speaker 1>known address was.

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<v Speaker 2>I took a Louisville slugger to both red lights.

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<v Speaker 1>Wow. um that's that's too bad that's terrible they missed

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<v Speaker 1>out on you you.

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<v Speaker 2>Know absolutely i'm sure the both of you have broken

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<v Speaker 2>hearts oh yeah.

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<v Speaker 1>I've had um i would i would say probably four

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<v Speaker 1>women have said no you know they've said originally yes

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<v Speaker 1>and then they got to know me and i was

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<v Speaker 1>like oof uh What's going on with this guy?

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<v Speaker 4>So your heart got broken, but you broke hearts, I'm sure.

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<v Speaker 1>I don't remember ever really breaking anybody's heart. Maybe I did.

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<v Speaker 1>I don't know.

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<v Speaker 4>You did.

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<v Speaker 1>I'd have to really think about it. Oh, okay. This

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<v Speaker 1>is not a breakup, a heart breakup, but I remember

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<v Speaker 1>I was going out with this girl, and she came over,

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<v Speaker 1>and she was freezing. It was during the summer, and

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<v Speaker 1>she was freezing. I was going to break up with

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<v Speaker 1>her that night anyway. And I said, what's going on

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<v Speaker 1>with you? It's hot outside. You got a down jacket on.

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<v Speaker 1>And she goes, oh, I think I got the flu.

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<v Speaker 1>I'm like, what? Why are you here? going on with

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<v Speaker 1>you and she goes don't worry about if you get

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<v Speaker 1>it my dad's if you get it the flu my

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<v Speaker 1>dad's a doctor he'll take care of you i'm like

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<v Speaker 1>i don't know i don't know i just all this

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<v Speaker 1>is too odd but i think i don't know maybe

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<v Speaker 1>i i'd have to think about it but i don't

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<v Speaker 1>think i think the breaking of the heart it was

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<v Speaker 1>more incoming yeah i kind of feel that way too

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<v Speaker 1>i don't think i remember come on no so with

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<v Speaker 1>that mane with that hair you had and they the

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<v Speaker 1>tattoos and the.

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<v Speaker 4>Uh And he was a musician.

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<v Speaker 1>The guitars.

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<v Speaker 5>No.

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<v Speaker 1>Yeah, buddy.

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<v Speaker 4>He's broken a lot.

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<v Speaker 1>Yeah, he's counting on his fingers right now. Why are

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<v Speaker 1>you doing that? Is it that many? Hold on, let

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<v Speaker 1>me take off my shoes.

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<v Speaker 4>Yeah, take your shoes off.

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<v Speaker 1>Hey, why don't you take your shoes off? No, no,

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<v Speaker 1>I'm much more delicate. Okay, I do remember breaking up

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<v Speaker 1>with a girl. And she taught me a lesson during

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<v Speaker 1>this breakup. She said, because I took her out to

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<v Speaker 1>a comedy club. And then after the comedy club, I

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<v Speaker 1>broke up with her. And she goes, don't do that

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<v Speaker 1>in the future. Don't take a girl out to a

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<v Speaker 1>comedy club and then break.

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<v Speaker 5>Up with her.

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<v Speaker 1>Break up with her before the set starts. Just don't

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<v Speaker 1>go to the comedy club. And I felt bad. Well,

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<v Speaker 1>why would you do that if you knew you were

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<v Speaker 1>going to? Why would you go anywhere? Because I'm horrible

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<v Speaker 1>at pulling that trigger of saying it's over. I can't

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<v Speaker 1>do that to people.

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<v Speaker 4>You don't like hurting people.

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<v Speaker 1>Yeah. Well, no one does. I know, but... That's why

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<v Speaker 1>I probably didn't break any hearts either. Yeah, I just...

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<v Speaker 1>I can't do that to people. I'm still seeing my

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<v Speaker 1>ex-wife who had an affair because I can't tell her

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<v Speaker 1>that I.

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<v Speaker 1>That you've moved on. I mean, I'm legally married to

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<v Speaker 1>someone new. I can't do that to the poor gal.

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<v Speaker 1>That's right. And I'm sure Tracy understands. Yeah. Oh yeah.

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<v Speaker 1>She's a therapist. She gets all that stuff. She's great.

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<v Speaker 4>She thinks it's funny.

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<v Speaker 6>Yeah.

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<v Speaker 1>She's like, it's sad, but that's okay. Okay. I, I

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<v Speaker 1>worry about you this weekend with the heat and your

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<v Speaker 1>shed and your R2D2. No, I don't. You got to

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<v Speaker 1>get air conditioning in that shed. I, I, I'll work

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<v Speaker 1>on it, but I don't, if it's too hot, it,

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<v Speaker 1>It's going to be, not if it is. I have

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<v Speaker 1>nothing to absorb head sweat. So you get that, you know,

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<v Speaker 1>salt in your eyes. I can't work in there when

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<v Speaker 1>it's too hot. All right, it's Conway Show. Neil Saavedra's

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<v Speaker 1>with us. Mr. Bombay calling Mr. Bombay. Come right away.

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<v Speaker 1>I will explain that stupid reference when we go back.

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<v Speaker 5>You're listening to Tim Conway Jr.

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<v Speaker 1>On Demand from KFI AM640. Neil Saavedra is with us.

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<v Speaker 1>What is the... Can you explain the Mr. Bombay reference?

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<v Speaker 1>I think it's funny, but I can't explain it. Okay,

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<v Speaker 1>so I'm at home, and it's not a Friday. It's

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<v Speaker 1>midweek sometime, and I get a text from Belio that

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<v Speaker 1>says 5? Question mark or something like that? Like 5 o'clock?

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<v Speaker 1>Question mark? And it's like... 4.30 or a quarter to five.

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<v Speaker 1>And I'm like, I'm not supposed to be on the day, right?

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<v Speaker 1>What's today? I'm like, so I, question mark? Come on?

0:10:30.660 --> 0:10:33.400
<v Speaker 1>And she's like, yeah. And I said, then talk about

0:10:33.540 --> 0:10:36.230
<v Speaker 1>R2 or something. And I'm like, okay. R2-D2, okay.

0:10:36.250 --> 0:10:36.450
<v Speaker 3>Yeah.

0:10:37.510 --> 0:10:41.730
<v Speaker 1>So I call in from my home studio and you

0:10:41.809 --> 0:10:44.189
<v Speaker 1>ask me a bunch of questions, then berate me for

0:10:44.210 --> 0:10:44.690
<v Speaker 1>my hobby.

0:10:44.710 --> 0:10:44.970
<v Speaker 5>Yeah.

0:10:45.650 --> 0:10:48.319
<v Speaker 1>And then go, all right, I'm done. Or something like

0:10:48.340 --> 0:10:51.020
<v Speaker 1>Handel does when he has people over at his house.

0:10:51.200 --> 0:10:53.600
<v Speaker 1>He goes, I'm done, and then walks upstairs to go

0:10:53.620 --> 0:10:57.949
<v Speaker 1>to bed. And I'm like, like freaking Dr. Bombay. Like,

0:10:57.990 --> 0:11:01.310
<v Speaker 1>you just holler, Dr. Bombay, Dr. Bombay, come right away.

0:11:01.330 --> 0:11:05.380
<v Speaker 1>From B-Wit. Yeah, like you're freaking... Dr. Bombay.

0:11:05.860 --> 0:11:06.319
<v Speaker 5>Now, Dr.

0:11:06.360 --> 0:11:08.699
<v Speaker 1>Bombay was called on Bewitched whenever there was a problem

0:11:08.720 --> 0:11:11.810
<v Speaker 1>with the magic? With something. The kid was sick or

0:11:11.850 --> 0:11:15.950
<v Speaker 1>something like that, or she couldn't twinkle her nose or whatever,

0:11:15.970 --> 0:11:17.210
<v Speaker 1>and then he'd come. And then.

0:11:19.920 --> 0:11:24.980
<v Speaker 1>He'd do something. But come right away, he'd always be like... Emergency, emergency. Yeah.

0:11:25.140 --> 0:11:27.640
<v Speaker 1>And he'd be like... Mr. Bombay. He'd have like a

0:11:27.740 --> 0:11:30.230
<v Speaker 1>pith helmet on or something. I was in the Africa

0:11:30.260 --> 0:11:33.880
<v Speaker 1>or whatever. And it's like, what do you need? And

0:11:33.920 --> 0:11:37.349
<v Speaker 1>it's something like that. But I felt really like I... Okay,

0:11:37.370 --> 0:11:39.429
<v Speaker 1>you just call me and I appear and then it's like,

0:11:39.470 --> 0:11:43.250
<v Speaker 1>we're done. You know, that was before the internet. Obviously,

0:11:43.470 --> 0:11:47.469
<v Speaker 1>you know, Bewitch came on before the internet because now

0:11:47.830 --> 0:11:50.449
<v Speaker 1>you couldn't do what they did. But the first two

0:11:50.490 --> 0:11:53.449
<v Speaker 1>years of that series, they had either Dick Sargent or

0:11:53.510 --> 0:11:56.790
<v Speaker 1>Dick York was the dad or the husband. And then

0:11:57.030 --> 0:11:59.530
<v Speaker 1>they ran into contract disputes with him, so they replaced

0:11:59.570 --> 0:12:01.210
<v Speaker 1>him with a guy who looks exactly like him.

0:12:01.830 --> 0:12:02.030
<v Speaker 6>Yeah.

0:12:02.429 --> 0:12:04.430
<v Speaker 1>So the first two years was Dick Sargent, and the

0:12:04.510 --> 0:12:08.410
<v Speaker 1>next four years was Dick York. A variety of Dick. Right,

0:12:10.210 --> 0:12:18.050
<v Speaker 1>but you couldn't do that nowadays. Well, Fresh Prince.

0:12:19.420 --> 0:12:23.280
<v Speaker 1>Of Bel Air probably was... That was the 90s, wasn't it?

0:12:23.280 --> 0:12:30.949
<v Speaker 1>Into 90s. Okay, so I got on the internet in 95? Wow. 96?

0:12:30.950 --> 0:12:35.670
<v Speaker 1>So his mom, they had it out, the two of them.

0:12:35.690 --> 0:12:39.460
<v Speaker 1>Remember when they replaced her? Yeah. I think it was

0:12:39.530 --> 0:12:41.280
<v Speaker 1>him who replaced her. Really?

0:12:41.320 --> 0:12:41.480
<v Speaker 5>Yeah.

0:12:41.620 --> 0:12:43.679
<v Speaker 1>I think he's like, nope. I've got another story for

0:12:43.700 --> 0:12:44.600
<v Speaker 1>you I heard just this week.

0:12:44.620 --> 0:12:45.520
<v Speaker 2>When.

0:12:46.780 --> 0:12:50.209
<v Speaker 1>Jerry Seinfeld first came to Los Angeles. He instantly got

0:12:50.250 --> 0:12:53.329
<v Speaker 1>a job as the comic relief on Benson, which is

0:12:53.650 --> 0:12:56.310
<v Speaker 1>odd to be the comic relief on a sitcom. That

0:12:56.330 --> 0:13:00.150
<v Speaker 1>means the sitcom wasn't going well. And so he does

0:13:00.190 --> 0:13:02.550
<v Speaker 1>the first show, second show, third show. He's a regular.

0:13:02.809 --> 0:13:05.770
<v Speaker 1>He's a regular on Benson. And he comes in for

0:13:05.790 --> 0:13:09.250
<v Speaker 1>the fourth show, table reading, and there's no script in

0:13:09.290 --> 0:13:12.710
<v Speaker 1>front of him. And he says to the script supervisor

0:13:12.880 --> 0:13:14.270
<v Speaker 1>or producer, hey, can I get a script here? And

0:13:14.530 --> 0:13:17.350
<v Speaker 1>they said, you're not on the show anymore. Your agent

0:13:17.370 --> 0:13:19.969
<v Speaker 1>didn't tell you? And he had to walk out of

0:13:20.010 --> 0:13:23.610
<v Speaker 1>that room in front of all the actors on Benson

0:13:24.450 --> 0:13:26.670
<v Speaker 1>as the guy who wasn't told that he's no longer

0:13:26.730 --> 0:13:27.170
<v Speaker 1>on the show.

0:13:28.050 --> 0:13:28.469
<v Speaker 5>Wow.

0:13:28.650 --> 0:13:30.910
<v Speaker 1>How crazy is that? I kind of feel like family

0:13:30.950 --> 0:13:34.140
<v Speaker 1>at this point. Could I stay and just listen? But

0:13:34.160 --> 0:13:35.540
<v Speaker 1>you know what he said? He said that was the

0:13:35.580 --> 0:13:37.699
<v Speaker 1>best lesson of his life because he promised when he

0:13:37.760 --> 0:13:40.459
<v Speaker 1>walked out that door, he was never, ever going to

0:13:40.480 --> 0:13:43.929
<v Speaker 1>do anybody's material except his own. He was only going to,

0:13:43.950 --> 0:13:45.750
<v Speaker 1>and if it led to a sitcom, great. If it didn't,

0:13:45.790 --> 0:13:48.530
<v Speaker 1>who cares? He's only going to do his material. He's

0:13:48.590 --> 0:13:49.340
<v Speaker 1>afraid of scripts.

0:13:49.820 --> 0:13:50.050
<v Speaker 5>Yeah.

0:13:50.250 --> 0:13:52.900
<v Speaker 1>He's like, no, I'll always have a script in front

0:13:52.920 --> 0:13:54.740
<v Speaker 1>of me if I'm the one writing it. Yeah, and

0:13:54.760 --> 0:13:56.660
<v Speaker 1>he writes everything. I don't remember him on that show.

0:13:56.760 --> 0:13:57.240
<v Speaker 2>I don't either.

0:13:57.620 --> 0:14:02.800
<v Speaker 1>I love Benson. If you go back, was it Robert Guillaume? Guillaume, yes.

0:14:03.920 --> 0:14:08.490
<v Speaker 1>And I made the mistake of asking Mark Thompson, wasn't

0:14:08.530 --> 0:14:11.250
<v Speaker 1>that the guy that got hit by a car in Malibu?

0:14:12.120 --> 0:14:14.400
<v Speaker 1>And he said, no, that was a different guy. It

0:14:14.420 --> 0:14:14.819
<v Speaker 1>wasn't Robert.

0:14:14.840 --> 0:14:15.370
<v Speaker 4>Ben Vereen.

0:14:15.380 --> 0:14:17.809
<v Speaker 1>Ben Vereen, yeah. Yeah. And I said, well, they're both

0:14:17.850 --> 0:14:20.780
<v Speaker 1>Broadway guys. Not going to dig yourself out of this one.

0:14:20.790 --> 0:14:22.730
<v Speaker 1>At least you didn't say LeVar Burton. Yeah, right. It

0:14:22.750 --> 0:14:24.850
<v Speaker 1>could have been LeVar Burton. He also got hit by

0:14:24.890 --> 0:14:28.970
<v Speaker 1>a car in Malibu. Yeah. It's odd that so many

0:14:28.990 --> 0:14:31.230
<v Speaker 1>guys are getting hit by cars in Malibu. A lot

0:14:31.270 --> 0:14:34.390
<v Speaker 1>of racists in Malibu. Okay, I'm glad you said that

0:14:35.030 --> 0:14:38.280
<v Speaker 1>because I would like to peel that back a little more.

0:14:38.340 --> 0:14:42.700
<v Speaker 1>They do not like people of color. I'm agreeing with you.

0:14:42.720 --> 0:14:45.760
<v Speaker 1>I know you're doing it sort of tongue-in-cheek. Are you

0:14:45.780 --> 0:14:46.600
<v Speaker 1>talking about cars?

0:14:47.440 --> 0:14:47.640
<v Speaker 5>Yeah.

0:14:48.720 --> 0:14:50.940
<v Speaker 1>Oh, not the drivers. I'm sure they're sweet people living

0:14:50.960 --> 0:14:53.880
<v Speaker 1>there in Malibu. The people who live in Malibu constantly

0:14:54.120 --> 0:14:57.430
<v Speaker 1>lecture people about how racist this country is, and then

0:14:57.450 --> 0:15:00.070
<v Speaker 1>they go home to a city that's 98% white people.

0:15:01.550 --> 0:15:04.390
<v Speaker 1>You know, a lot of people don't get this, especially

0:15:04.410 --> 0:15:07.770
<v Speaker 1>with politics and everybody's picking sides, but the world is

0:15:07.830 --> 0:15:10.930
<v Speaker 1>made up of hypocrites. That's right. We're all hypocrites. You

0:15:10.950 --> 0:15:12.990
<v Speaker 1>and I are right there. I remember one of my

0:15:13.050 --> 0:15:17.690
<v Speaker 1>favorite lines of Handel many, many years ago. He's arguing

0:15:17.730 --> 0:15:20.030
<v Speaker 1>with somebody back when he used to take calls. And

0:15:20.050 --> 0:15:23.130
<v Speaker 1>they're going back and forth, and he's talking about prisons

0:15:23.190 --> 0:15:26.540
<v Speaker 1>or something, not in his backyard or something. And the

0:15:26.560 --> 0:15:28.560
<v Speaker 1>guy's like, so you believe that prisons should be in

0:15:28.600 --> 0:15:31.460
<v Speaker 1>someone else's backyard? He goes, yeah, but not your backyard.

0:15:31.540 --> 0:15:34.580
<v Speaker 1>He goes, exactly right. He goes, how can you say that?

0:15:35.480 --> 0:15:40.050
<v Speaker 1>I'm a hypocrite. It's easy. I'm hypocritical as a person.

0:15:41.770 --> 0:15:44.770
<v Speaker 1>We had one this week, Crozier and I. Crozier and

0:15:44.890 --> 0:15:48.650
<v Speaker 1>I were talking about sunscreen at the, they don't sell

0:15:48.670 --> 0:15:50.370
<v Speaker 1>it at Dodger stadium. You got to bring your own

0:15:50.390 --> 0:15:54.030
<v Speaker 1>sunscreen to Dodger stadium. And Crozier said, isn't there a

0:15:54.110 --> 0:15:57.030
<v Speaker 1>dry one though? Because I said, it's probably a legal

0:15:57.070 --> 0:15:59.330
<v Speaker 1>issue because you know, Dodger stadium was built in the

0:15:59.350 --> 0:16:03.690
<v Speaker 1>late fifties and all of the walkways are, um, buffed

0:16:03.850 --> 0:16:08.380
<v Speaker 1>out really slick cement. The whole stadium is. And if

0:16:08.400 --> 0:16:11.000
<v Speaker 1>you put mixed sunscreen into that, it's like an ice rink.

0:16:11.460 --> 0:16:13.000
<v Speaker 1>And I said, there's probably a legal issue on why

0:16:13.040 --> 0:16:15.890
<v Speaker 1>they don't want sunscreen there. And Crozier said, but isn't

0:16:15.930 --> 0:16:19.970
<v Speaker 1>there a dry sunscreen? Like a powder or something? And

0:16:20.410 --> 0:16:24.790
<v Speaker 1>I said, I don't know. I never wear it. And

0:16:24.840 --> 0:16:27.460
<v Speaker 1>he said, neither does he. And yet for 20 minutes,

0:16:27.480 --> 0:16:31.420
<v Speaker 1>we're telling everybody to wear it. Oh, yeah.

0:16:31.440 --> 0:16:32.640
<v Speaker 4>Hypocrites.

0:16:32.740 --> 0:16:39.030
<v Speaker 1>That's a hypocrite. Well, you think that anchors during this week,

0:16:39.310 --> 0:16:42.850
<v Speaker 1>television news anchors, no, not you, television news anchors, trust me,

0:16:42.890 --> 0:16:46.670
<v Speaker 1>you've never said this when you hear me, that television

0:16:46.720 --> 0:16:49.580
<v Speaker 1>news anchors don't get off the air during a week

0:16:49.620 --> 0:16:52.600
<v Speaker 1>like we're going to have and call up all the

0:16:52.660 --> 0:16:55.160
<v Speaker 1>old people on their block saying, I'm really concerned about you.

0:16:55.180 --> 0:16:57.380
<v Speaker 1>Are you getting air to get me in some water? Yeah,

0:16:57.420 --> 0:17:00.340
<v Speaker 1>nobody does. Do you think they go, oh, honey, you know,

0:17:00.600 --> 0:17:01.920
<v Speaker 1>it's Thanksgiving.

0:17:01.940 --> 0:17:02.060
<v Speaker 4>Nobody.

0:17:02.710 --> 0:17:06.490
<v Speaker 1>Just let's pack our patience today. They're not doing any

0:17:06.530 --> 0:17:06.669
<v Speaker 1>of that.

0:17:06.690 --> 0:17:06.840
<v Speaker 5>Right.

0:17:06.910 --> 0:17:10.260
<v Speaker 1>Because we're all hypocrites. That's right. We don't practice what

0:17:10.300 --> 0:17:12.139
<v Speaker 1>we preach. Sometimes. Sometimes.

0:17:13.080 --> 0:17:16.920
<v Speaker 5>You're listening to Tim Conway Jr. On Demand from KFI

0:17:17.119 --> 0:17:19.240
<v Speaker 5>AM 640.

0:17:19.240 --> 0:17:23.889
<v Speaker 1>Neil Saavedra. I know. I know. But he leaves a

0:17:23.940 --> 0:17:27.810
<v Speaker 1>cooler on his front porch on hot days filled with

0:17:27.970 --> 0:17:30.090
<v Speaker 1>ice and bottles of ice water.

0:17:30.670 --> 0:17:30.870
<v Speaker 3>Yeah.

0:17:30.990 --> 0:17:35.219
<v Speaker 1>Bottles of water. Sometimes I'll put A variety of things. Sandwich? No,

0:17:35.240 --> 0:17:38.360
<v Speaker 1>I don't put food in there because I don't want,

0:17:38.380 --> 0:17:40.980
<v Speaker 1>you know, I thought about putting like, I don't know,

0:17:41.000 --> 0:17:42.020
<v Speaker 1>protein bars or something.

0:17:42.100 --> 0:17:42.600
<v Speaker 3>Fruit?

0:17:43.060 --> 0:17:46.899
<v Speaker 1>Yeah, fruit in there. And you leave it for the mailman?

0:17:47.040 --> 0:17:50.660
<v Speaker 1>I started for the postal guy, Charlie. He's a good guy,

0:17:50.980 --> 0:17:56.680
<v Speaker 1>and we have a hard route, hilly. Okay. And so

0:17:56.980 --> 0:17:59.119
<v Speaker 1>I would try and catch him. You know, if I

0:17:59.160 --> 0:18:02.220
<v Speaker 1>saw him on the cameras or something coming up the way,

0:18:02.420 --> 0:18:03.660
<v Speaker 1>I would try and get out there and say, hey,

0:18:03.680 --> 0:18:05.790
<v Speaker 1>you need anything? And then I thought I would miss

0:18:05.830 --> 0:18:08.610
<v Speaker 1>him sometimes. So I put it out. And then I thought, well,

0:18:08.630 --> 0:18:10.609
<v Speaker 1>you've got other drivers. So I put a sign on

0:18:10.670 --> 0:18:14.119
<v Speaker 1>it to let him know that whoever it is. And

0:18:14.130 --> 0:18:16.840
<v Speaker 1>I was telling Tim that it's like what they call

0:18:16.859 --> 0:18:19.659
<v Speaker 1>the black tax or the minority tax. It's people of

0:18:19.700 --> 0:18:22.140
<v Speaker 1>color that come up, always give it a second look.

0:18:22.200 --> 0:18:24.300
<v Speaker 1>And I know they're going, I don't want people to

0:18:24.340 --> 0:18:27.780
<v Speaker 1>think I'm stealing. And it bums me out. Yeah. White

0:18:27.800 --> 0:18:30.040
<v Speaker 1>guys go straight to it. They grab something. They give

0:18:30.060 --> 0:18:33.840
<v Speaker 1>the thumbs up in the camera. Oh, that's great. And

0:18:33.880 --> 0:18:36.350
<v Speaker 1>I want to pop on and just say, it's for you.

0:18:36.670 --> 0:18:39.260
<v Speaker 1>Take it. And it breaks my heart. Just take it.

0:18:39.340 --> 0:18:41.639
<v Speaker 1>It's for you. It's got your name on it. If

0:18:41.680 --> 0:18:43.959
<v Speaker 1>you're delivering something to our house, it's for you.

0:18:44.040 --> 0:18:44.159
<v Speaker 5>Right.

0:18:44.220 --> 0:18:46.820
<v Speaker 1>And then if he takes two, you're like, hey, buddy,

0:18:46.940 --> 0:18:48.980
<v Speaker 1>what's going on? I have a red button that locks

0:18:49.000 --> 0:18:53.330
<v Speaker 1>the gates. Yeah, that was– I only see one of you. No.

0:18:53.350 --> 0:18:57.510
<v Speaker 1>You know what I wanted to do on that level?

0:18:57.990 --> 0:19:01.730
<v Speaker 1>I used to– when we were younger, I used to

0:19:01.750 --> 0:19:03.530
<v Speaker 1>have a donut maker. Have you ever seen that? It's

0:19:03.570 --> 0:19:06.490
<v Speaker 1>like that gag Christmas gift. That's not a gag. That's

0:19:06.550 --> 0:19:09.169
<v Speaker 1>a donut maker. Yeah, but it's like $ 19, you know,

0:19:09.270 --> 0:19:12.409
<v Speaker 1>as seen on TV, the donut maker. I wanted to

0:19:12.430 --> 0:19:14.810
<v Speaker 1>put it in front of the house and make fresh

0:19:14.850 --> 0:19:17.050
<v Speaker 1>donuts and tell the cops, hey, you know, if you

0:19:17.070 --> 0:19:19.500
<v Speaker 1>ever want a donut, just to get the cops around

0:19:19.540 --> 0:19:22.800
<v Speaker 1>the neighborhood more. I don't know that they can take

0:19:22.880 --> 0:19:28.219
<v Speaker 1>food because I've thought of doing, getting the word out

0:19:28.930 --> 0:19:32.300
<v Speaker 1>And setting up the backyard for first responders to be

0:19:32.320 --> 0:19:33.659
<v Speaker 1>in the middle of the day if they want to

0:19:33.700 --> 0:19:36.440
<v Speaker 1>come in. Oh, that's great. And do that. And someone said,

0:19:36.619 --> 0:19:38.520
<v Speaker 1>I don't know that they can receive that. I think

0:19:38.540 --> 0:19:41.640
<v Speaker 1>you're right, because my wife bakes for the fire department,

0:19:42.200 --> 0:19:44.770
<v Speaker 1>and occasionally they take it, but I don't think they're

0:19:44.790 --> 0:19:45.270
<v Speaker 1>supposed to.

0:19:45.630 --> 0:19:45.990
<v Speaker 3>Really?

0:19:46.109 --> 0:19:46.449
<v Speaker 5>Yeah.

0:19:46.670 --> 0:19:49.530
<v Speaker 1>I always thought fire department would be like, yeah, bring it. Yeah,

0:19:49.609 --> 0:19:51.320
<v Speaker 1>I don't know. know if they are but I always

0:19:51.359 --> 0:19:53.320
<v Speaker 1>thought of like wouldn't it be great to give them

0:19:53.540 --> 0:19:56.960
<v Speaker 1>at Christmas one of those you know frozen like six

0:19:57.040 --> 0:20:00.750
<v Speaker 1>or ten frozen steaks and say hey thanks fellas you

0:20:00.770 --> 0:20:03.650
<v Speaker 1>know yeah that should be okay right from my your

0:20:03.690 --> 0:20:06.010
<v Speaker 1>place You can't... Oh, Wild Fork?

0:20:06.170 --> 0:20:06.350
<v Speaker 3>Yeah.

0:20:06.390 --> 0:20:10.350
<v Speaker 1>Wild Fork. A couple of tomahawks? Wild Fork. I think

0:20:10.450 --> 0:20:12.750
<v Speaker 1>I love you. You think they ever thought about buying

0:20:12.790 --> 0:20:17.429
<v Speaker 1>that song for their commercials? I don't know. Wild Fork.

0:20:17.490 --> 0:20:20.740
<v Speaker 1>I don't know. We actually love... You want to know

0:20:20.760 --> 0:20:24.560
<v Speaker 1>what sucks? I was all excited because your birthday's coming up.

0:20:24.600 --> 0:20:28.620
<v Speaker 1>That's right. And I have your Morongo party on my

0:20:28.640 --> 0:20:31.240
<v Speaker 1>calendar for October. Oh, good. It's in November.

0:20:31.510 --> 0:20:31.790
<v Speaker 5>I know.

0:20:31.850 --> 0:20:34.149
<v Speaker 1>And guess what else is going to be on the

0:20:34.190 --> 0:20:39.149
<v Speaker 1>same day? Your thanks grilling at Wild Fork. Where? Which one?

0:20:39.180 --> 0:20:41.119
<v Speaker 1>We're going to be in Laguna de Gal. Oh, it's

0:20:41.160 --> 0:20:43.210
<v Speaker 1>a hopping, skipping a jump. No, I looked at it.

0:20:43.300 --> 0:20:43.619
<v Speaker 5>It's not.

0:20:43.720 --> 0:20:45.950
<v Speaker 1>Yes, it is. I looked at it. How long? You're

0:20:45.990 --> 0:20:50.510
<v Speaker 1>done at five? Yeah, I've done it five, and I

0:20:50.630 --> 0:20:54.600
<v Speaker 1>looked Laguna Niguel to Morongo. Half hour? No, it's not.

0:20:54.600 --> 0:20:59.920
<v Speaker 1>40 minutes. No. Angel, what is Laguna Niguel to Morongo?

0:20:59.940 --> 0:21:01.180
<v Speaker 1>It's a 20-minute drive?

0:21:01.200 --> 0:21:03.919
<v Speaker 6>Oh, it's 25.

0:21:03.920 --> 0:21:05.300
<v Speaker 1>25 with traffic?

0:21:06.820 --> 0:21:09.800
<v Speaker 6>Yeah, with traffic, it's 25 without 20. Okay.

0:21:10.680 --> 0:21:13.540
<v Speaker 1>I don't trust her. I don't think she's listening to

0:21:13.580 --> 0:21:17.600
<v Speaker 1>the show. She is. You know what she does when

0:21:17.640 --> 0:21:18.100
<v Speaker 1>she listens?

0:21:19.070 --> 0:21:19.990
<v Speaker 6>When does she listen?

0:21:20.050 --> 0:21:24.139
<v Speaker 1>When she's on with Ellen K. The rest of us,

0:21:24.180 --> 0:21:27.760
<v Speaker 1>this is like, you know. You want to know a

0:21:27.780 --> 0:21:30.100
<v Speaker 1>secret about? She's like, oh, Ellen. You want to know

0:21:30.119 --> 0:21:33.020
<v Speaker 1>a secret about the lovely one, Angel Martinez? She does

0:21:33.100 --> 0:21:37.300
<v Speaker 1>traffic for the Hawaiian station, the news station over there.

0:21:37.520 --> 0:21:38.420
<v Speaker 1>Is it music or news?

0:21:40.590 --> 0:21:43.390
<v Speaker 6>I think they blast it on anything that'll play.

0:21:43.430 --> 0:21:46.669
<v Speaker 1>Okay. So she does AM and FM radio in Hawaii.

0:21:47.500 --> 0:21:50.160
<v Speaker 1>And if she comes across an accident or a fire,

0:21:50.540 --> 0:21:53.820
<v Speaker 1>some kind of crash, high-speed pursuit, and she can't pronounce

0:21:53.840 --> 0:21:56.460
<v Speaker 1>the name of the freeway or the street, it's like

0:21:56.500 --> 0:21:57.119
<v Speaker 1>it never happened.

0:21:57.740 --> 0:22:01.370
<v Speaker 6>That's right. If I can't say it, I'm not reporting

0:22:01.450 --> 0:22:01.830
<v Speaker 6>on it.

0:22:01.850 --> 0:22:04.910
<v Speaker 1>Isn't that great? It looks like a fatality on Hanukkah.

0:22:05.590 --> 0:22:09.669
<v Speaker 1>It cleared. All gone. All gone.

0:22:09.830 --> 0:22:10.609
<v Speaker 6>It's all clear.

0:22:11.369 --> 0:22:13.390
<v Speaker 1>I want to play you something and get your opinion.

0:22:13.710 --> 0:22:16.320
<v Speaker 1>And then in the 8 o'clock hour, we're going to

0:22:16.340 --> 0:22:18.040
<v Speaker 1>talk to Angel Martinez. She has a big show going

0:22:18.100 --> 0:22:20.500
<v Speaker 1>on this weekend. We'll talk about that. But let's talk

0:22:20.520 --> 0:22:23.760
<v Speaker 1>about this execution that failed. They tried to kill this

0:22:23.800 --> 0:22:26.949
<v Speaker 1>woman in Tennessee, and she straight-armed him. She gave him

0:22:27.020 --> 0:22:30.100
<v Speaker 1>the Heisman Trophy and said, uh-uh, I ain't going there.

0:22:30.119 --> 0:22:32.180
<v Speaker 1>It's a darn shame. She seems like a wonderful person.

0:22:32.320 --> 0:22:36.280
<v Speaker 1>She's not. Tonight, death row inmate Krista Pike alive, but

0:22:36.320 --> 0:22:40.139
<v Speaker 1>in critical condition after Tennessee authorities failed to execute her

0:22:40.400 --> 0:22:44.620
<v Speaker 1>following multiple lethal injections. Wow. No, okay. When I was younger,

0:22:44.640 --> 0:22:49.860
<v Speaker 1>I was of the mind that if you beat the execution,

0:22:49.920 --> 0:22:54.370
<v Speaker 1>you go free. She's a mess right now, apparently. I know.

0:22:54.470 --> 0:22:56.449
<v Speaker 1>She's like brain, a lot of brain damage. Well, they

0:22:56.470 --> 0:22:59.900
<v Speaker 1>gave her a ton. A double, well, you know what?

0:23:00.500 --> 0:23:04.200
<v Speaker 1>It is, we had Dr. Jim Keeney on this morning

0:23:04.300 --> 0:23:07.300
<v Speaker 1>to talk about it. And I asked him, I know

0:23:07.320 --> 0:23:10.100
<v Speaker 1>you got that whole Hippocratic Oath. What's the best way

0:23:10.140 --> 0:23:11.200
<v Speaker 1>to take someone out?

0:23:11.240 --> 0:23:11.520
<v Speaker 2>Oh, wow.

0:23:11.980 --> 0:23:17.240
<v Speaker 1>And he was telling me that it is a hundred,

0:23:17.820 --> 0:23:22.859
<v Speaker 1>a hundred, a hundred times, I think, It's 100 times

0:23:22.940 --> 0:23:25.619
<v Speaker 1>the dose they would give if they were doing it

0:23:25.720 --> 0:23:27.320
<v Speaker 1>for medical reasons. And they gave it to her twice.

0:23:27.340 --> 0:23:28.379
<v Speaker 2>Twice.

0:23:28.400 --> 0:23:30.180
<v Speaker 1>I think he said 100 times.

0:23:30.200 --> 0:23:30.280
<v Speaker 5>Wow.

0:23:30.300 --> 0:23:33.619
<v Speaker 1>So that would be 200 times. Or it was something outrageous.

0:23:33.640 --> 0:23:37.720
<v Speaker 1>Maybe it was 1,000 times. It was something outrageous. And

0:23:38.260 --> 0:23:45.280
<v Speaker 1>he hypothesized that on the first one, they went through,

0:23:45.560 --> 0:23:51.400
<v Speaker 1>probably through the vein. and went into her body rather than.

0:23:51.540 --> 0:23:51.740
<v Speaker 5>Right.

0:23:51.920 --> 0:23:55.220
<v Speaker 1>He goes, but if you're snoring, he goes, you're out.

0:23:55.460 --> 0:23:58.220
<v Speaker 1>You're still out, even if you're snoring. You know what happened, though,

0:23:58.720 --> 0:24:00.880
<v Speaker 1>is that those drugs were sitting on the shelf so

0:24:00.920 --> 0:24:04.119
<v Speaker 1>long that they lost their potency. No. That's what they're reporting.

0:24:04.140 --> 0:24:05.919
<v Speaker 1>They were saying, yeah. They don't look at it and

0:24:05.960 --> 0:24:06.939
<v Speaker 1>make sure it's fresh?

0:24:07.380 --> 0:24:07.580
<v Speaker 6>Nope.

0:24:07.740 --> 0:24:09.879
<v Speaker 3>That's all the stuff that she was bringing up and

0:24:09.920 --> 0:24:11.830
<v Speaker 3>her attorneys were bringing up beforehand because they asked her,

0:24:11.850 --> 0:24:13.909
<v Speaker 3>are you afraid to die? And she said, no, I'm

0:24:13.930 --> 0:24:15.970
<v Speaker 3>not afraid to die. I'm afraid of this process of

0:24:16.010 --> 0:24:20.419
<v Speaker 3>killing me. She said that like days before. How about

0:24:20.440 --> 0:24:22.960
<v Speaker 3>that comment? I'm afraid that they're not going to kill me. Yeah,

0:24:23.040 --> 0:24:25.280
<v Speaker 3>I'm afraid of how all this is going to go down.

0:24:25.460 --> 0:24:28.679
<v Speaker 1>Yeah, that's the whole thing going over the edge the

0:24:28.720 --> 0:24:30.820
<v Speaker 1>other day for Union Rescue. Oh, let's talk about that.

0:24:30.900 --> 0:24:34.020
<v Speaker 1>It's not the fall. It's the stop, the sudden stop.

0:24:34.040 --> 0:24:37.060
<v Speaker 1>That's right. Let's talk about how much you raised. I

0:24:37.420 --> 0:24:38.300
<v Speaker 1>heard you guys did really well.

0:24:39.220 --> 0:24:43.060
<v Speaker 5>You're listening to Tim Conway Jr. On Demand from KFI

0:24:43.240 --> 0:24:45.600
<v Speaker 5>AM 640.

0:24:45.869 --> 0:24:48.550
<v Speaker 1>Neil Savedra is with us. I asked Neil during the

0:24:48.570 --> 0:24:52.719
<v Speaker 1>break if he's a Jamba Juice guy, and you said

0:24:53.440 --> 0:24:56.419
<v Speaker 1>you get what I get. It's the Orange Dream Machine,

0:24:56.440 --> 0:24:58.720
<v Speaker 1>which is like an Orange Julius. Yeah, it's the knockoff

0:24:58.800 --> 0:25:01.869
<v Speaker 1>Orange Julius. I love it. And a kid in the

0:25:02.310 --> 0:25:04.570
<v Speaker 1>80s going to the mall... Orange Julius was the bomb.

0:25:04.660 --> 0:25:09.609
<v Speaker 1>And then you'd walk over to Round Table Pizza at

0:25:09.630 --> 0:25:12.450
<v Speaker 1>the mall, and they used to have a thick crust version,

0:25:12.590 --> 0:25:15.669
<v Speaker 1>and you could get just a slice for like 75

0:25:15.670 --> 0:25:20.550
<v Speaker 1>cents or a buck, whatever it was. And those two things, heaven. Yeah.

0:25:20.850 --> 0:25:23.830
<v Speaker 1>But I bet you did it like I did, where

0:25:23.890 --> 0:25:26.690
<v Speaker 1>you wanted Orange Julius, but it was at 10 o'clock

0:25:26.730 --> 0:25:28.320
<v Speaker 1>at night and you couldn't get it, and you wanted

0:25:28.340 --> 0:25:31.220
<v Speaker 1>to recreate it at home. I tried everything.

0:25:31.240 --> 0:25:31.400
<v Speaker 2>Yeah.

0:25:31.520 --> 0:25:33.750
<v Speaker 1>Oh, yeah. I've tried it. Powdered sugar, all that fresh

0:25:33.770 --> 0:25:36.230
<v Speaker 1>orange juice. I'll tell you what I've never done, because

0:25:36.490 --> 0:25:40.630
<v Speaker 1>I have a hard line. I have never, ever gone,

0:25:41.700 --> 0:25:46.700
<v Speaker 1>gotten an Orange Julius, not liked it, and then drove

0:25:46.820 --> 0:25:53.580
<v Speaker 1>to another one to scratch that itch. Never. Never. On

0:25:53.619 --> 0:25:57.720
<v Speaker 1>the same night I went to King Taco. I'm crazy. Yeah.

0:25:58.140 --> 0:26:00.300
<v Speaker 1>I mean, I thought about that when I was listening

0:26:00.380 --> 0:26:03.560
<v Speaker 1>to you talk about it. I'm like, what? Would I?

0:26:03.560 --> 0:26:06.479
<v Speaker 1>It's a true story. I'm like you. I wouldn't say anything.

0:26:06.640 --> 0:26:08.600
<v Speaker 1>I just buy it and go. Throw it away. I'm

0:26:08.640 --> 0:26:11.520
<v Speaker 1>like you. Okay. What Neil's referencing, I went to the

0:26:11.600 --> 0:26:15.359
<v Speaker 1>Burbank Jamba Juice, where I always go. I get an

0:26:15.440 --> 0:26:18.740
<v Speaker 1>Orange Dream machine for me, large. My wife, she gets

0:26:18.790 --> 0:26:21.109
<v Speaker 1>a medium. And I'm bringing it home, and it doesn't

0:26:21.150 --> 0:26:23.950
<v Speaker 1>taste right. Either the orange juice is turned, or they

0:26:23.970 --> 0:26:26.990
<v Speaker 1>put guava instead of orange juice in it. Something is

0:26:27.030 --> 0:26:30.100
<v Speaker 1>wrong with it. And I'm like, I just can't bring

0:26:30.119 --> 0:26:31.840
<v Speaker 1>this home to her. This is not going to go well.

0:26:32.170 --> 0:26:35.500
<v Speaker 1>So I drove to North Hollywood to another Jamba that's

0:26:35.540 --> 0:26:37.580
<v Speaker 1>open until 11 o'clock at night, got two more drinks,

0:26:37.600 --> 0:26:40.620
<v Speaker 1>and then brought those home and threw the other ones away. So,

0:26:41.220 --> 0:26:43.960
<v Speaker 1>but let me tell you, for people who are big

0:26:44.140 --> 0:26:47.420
<v Speaker 1>Jamba juice fans, I think Crozier is one of them.

0:26:47.440 --> 0:26:56.130
<v Speaker 1>I have discovered The Jesus Christ of drinks. The guy

0:26:56.710 --> 0:26:59.929
<v Speaker 1>who knows how to make better Jamba Juice than anybody

0:27:00.190 --> 0:27:04.140
<v Speaker 1>I've ever, ever had in my life. And his name

0:27:04.220 --> 0:27:08.860
<v Speaker 1>is Adon. A-D-O-N. He works at the North Hollywood store.

0:27:09.460 --> 0:27:14.120
<v Speaker 1>And it's... Leaps and bounds above every other Jamba Juice

0:27:14.200 --> 0:27:17.379
<v Speaker 1>I've ever been to in my life. I'm shaking thinking

0:27:17.440 --> 0:27:20.369
<v Speaker 1>about it. What do you think it is?

0:27:20.440 --> 0:27:20.840
<v Speaker 5>I don't know.

0:27:20.940 --> 0:27:23.680
<v Speaker 1>I asked him. What's this magic? Because I went there

0:27:23.720 --> 0:27:26.600
<v Speaker 1>two nights ago, and I got one. I was driving home,

0:27:26.640 --> 0:27:28.220
<v Speaker 1>and I said, I got to pull over and enjoy this.

0:27:28.320 --> 0:27:29.700
<v Speaker 1>This is the best thing I've ever had in my life.

0:27:30.119 --> 0:27:33.520
<v Speaker 1>And then I went again the following night, and he

0:27:33.560 --> 0:27:36.480
<v Speaker 1>sort of remembered me. He goes, hey, is your name Convict?

0:27:36.900 --> 0:27:42.210
<v Speaker 1>I'm like, well, close. You got the C-O-N right. Convicted. Yeah.

0:27:42.230 --> 0:27:44.870
<v Speaker 1>I said, no, it's not. And he said, I remember

0:27:44.890 --> 0:27:46.890
<v Speaker 1>you were in here last night. I said, buddy, I said,

0:27:47.170 --> 0:27:49.260
<v Speaker 1>I was going to call you last night. Remember those,

0:27:49.490 --> 0:27:52.720
<v Speaker 1>you see those commercials where you're turning into your parents? Yeah.

0:27:52.859 --> 0:27:56.500
<v Speaker 1>They're the greatest commercials. The insurance commercial. Yeah. You know,

0:27:56.560 --> 0:27:58.140
<v Speaker 1>a guy's driving in the car. He goes, hey, let's

0:27:58.340 --> 0:28:04.570
<v Speaker 1>try to pass this turkey. Yeah. given the Uber guy

0:28:04.609 --> 0:28:07.750
<v Speaker 1>directions on how to drive. And then when he gets out,

0:28:07.770 --> 0:28:10.889
<v Speaker 1>we'll see each other again, right? I'll see you around. Yeah,

0:28:11.100 --> 0:28:13.740
<v Speaker 1>you'll see me around. So I wanted to call Jamba

0:28:13.760 --> 0:28:16.440
<v Speaker 1>Juice last night to tell this guy Adan that he's

0:28:16.500 --> 0:28:19.560
<v Speaker 1>made the best drink ever, and I'm turning into my parents.

0:28:20.840 --> 0:28:26.130
<v Speaker 1>But I'm telling you, Neil, the Jamba Juice that he

0:28:26.190 --> 0:28:30.410
<v Speaker 1>makes at the North Hollywood store... is a billion light

0:28:30.450 --> 0:28:34.580
<v Speaker 1>years better than other java juices as you there's a

0:28:34.619 --> 0:28:40.610
<v Speaker 1>difference as we get older less matters but what matters

0:28:40.980 --> 0:28:43.930
<v Speaker 1>matters a lot so that's right you know all the

0:28:43.970 --> 0:28:47.790
<v Speaker 1>stuff we used to worry about think about they didn't

0:28:47.830 --> 0:28:52.000
<v Speaker 1>mean anything that's kids right you get older That Jamba

0:28:52.040 --> 0:28:54.760
<v Speaker 1>Juice is what you're looking forward to all day. I

0:28:55.100 --> 0:28:58.680
<v Speaker 1>drove around for 15 minutes to find parking. Now I

0:28:58.700 --> 0:29:00.780
<v Speaker 1>want to know a Don. Do you know what you

0:29:00.800 --> 0:29:01.200
<v Speaker 1>should have done?

0:29:01.360 --> 0:29:04.410
<v Speaker 3>You should have kept the bad ones and given one

0:29:04.430 --> 0:29:06.350
<v Speaker 3>of those to your wife first.

0:29:06.970 --> 0:29:07.230
<v Speaker 5>Yeah.

0:29:07.450 --> 0:29:09.250
<v Speaker 1>Well, you know what I mean? And then pull the

0:29:09.290 --> 0:29:10.710
<v Speaker 1>other one out afterwards. You know what I was thinking

0:29:10.730 --> 0:29:13.410
<v Speaker 1>about doing is keeping the bad ones. By the way,

0:29:13.450 --> 0:29:14.850
<v Speaker 1>I did freeze the bad ones. Put them in the

0:29:14.870 --> 0:29:16.430
<v Speaker 1>freezer while I was deciding what to do with them.

0:29:17.810 --> 0:29:19.860
<v Speaker 1>What do you think about this? Yeah. And I was

0:29:19.900 --> 0:29:21.640
<v Speaker 1>going to take them back to a Jamba Juice that

0:29:21.660 --> 0:29:24.380
<v Speaker 1>I'd never go to up on Van Nuys Boulevard in

0:29:24.420 --> 0:29:26.640
<v Speaker 1>Sylmar and go, hey, these things don't taste right. Did

0:29:26.660 --> 0:29:30.060
<v Speaker 1>you brush your teeth before you went? Because that typically

0:29:30.100 --> 0:29:32.240
<v Speaker 1>doesn't go well with orange juice. No, I never brush

0:29:32.270 --> 0:29:38.510
<v Speaker 1>my teeth. Yeah, I'm sorry. I'm telling you, that place,

0:29:39.070 --> 0:29:42.290
<v Speaker 1>the Jamba Juice with the Orange Dream Machine is unreal.

0:29:43.750 --> 0:29:45.890
<v Speaker 1>I gotta have it now. It's the best. I don't

0:29:45.930 --> 0:29:47.650
<v Speaker 1>even know that I could continue. It's open until 11

0:29:47.650 --> 0:29:54.200
<v Speaker 1>o'clock in North Hollywood. 11 o'clock! Alright, your kid's birthday's

0:29:54.240 --> 0:29:57.040
<v Speaker 1>coming up. In November. The end of November. He's gonna

0:29:57.060 --> 0:29:57.170
<v Speaker 1>be 10.

0:29:57.160 --> 0:29:57.440
<v Speaker 6>Yeah.

0:29:57.840 --> 0:29:58.220
<v Speaker 3>Yeah.

0:29:58.590 --> 0:30:01.830
<v Speaker 1>That's a big birthday. That's a big birthday. Double digits, man.

0:30:01.850 --> 0:30:05.450
<v Speaker 1>So fast. I know, right? All I remember was holding

0:30:05.470 --> 0:30:07.580
<v Speaker 1>him like a little football in my arm while I

0:30:07.580 --> 0:30:10.760
<v Speaker 1>was doing stuff in the kitchen. Yeah. I know you

0:30:10.780 --> 0:30:13.740
<v Speaker 1>did the same thing. I took my daughter everywhere I went.

0:30:13.820 --> 0:30:15.560
<v Speaker 1>I even brought her in here, you know, two or

0:30:15.580 --> 0:30:17.260
<v Speaker 1>three nights a week, and she would just sit there

0:30:17.300 --> 0:30:19.780
<v Speaker 1>doing her homework. Oh, I have photos of him in

0:30:19.820 --> 0:30:23.290
<v Speaker 1>the studios, too. And, you know, it thanks grilling events

0:30:23.400 --> 0:30:25.650
<v Speaker 1>and stuff like that when he's tiny. Yeah. I have

0:30:25.690 --> 0:30:29.880
<v Speaker 1>my daughter, when she was I think she was two,

0:30:30.320 --> 0:30:33.300
<v Speaker 1>and she's sitting in that chair, three, and she goes,

0:30:33.620 --> 0:30:36.240
<v Speaker 1>can I get some mungy instead of money? Can I

0:30:36.240 --> 0:30:38.040
<v Speaker 1>get some mungy? Because you want to take it out

0:30:38.120 --> 0:30:41.250
<v Speaker 1>of the snack machine. Oh, yeah, go to our convenience store.

0:30:41.630 --> 0:30:44.010
<v Speaker 1>Can I get some cookies? So that girl that sat

0:30:44.090 --> 0:30:45.730
<v Speaker 1>in that chair in 2010 when I started turns 21

0:30:45.730 --> 0:30:56.850
<v Speaker 1>on Monday. Oh, that's. You did it. But I'm not

0:30:56.890 --> 0:30:59.120
<v Speaker 1>good with it. No, you did it. But you did it.

0:30:59.470 --> 0:31:02.430
<v Speaker 1>I miss her being a child and all the stuff

0:31:02.470 --> 0:31:04.060
<v Speaker 1>we did together, all the places we went.

0:31:04.100 --> 0:31:06.480
<v Speaker 3>Mine just turned a quarter century old in August.

0:31:06.500 --> 0:31:08.380
<v Speaker 1>Oh, my God. It probably drives you crazy. You miss

0:31:08.420 --> 0:31:11.370
<v Speaker 1>the little girl when she ran to the door when

0:31:11.390 --> 0:31:11.810
<v Speaker 1>you got home.

0:31:11.850 --> 0:31:11.920
<v Speaker 3>Hey.

0:31:13.930 --> 0:31:17.090
<v Speaker 1>So you run to the door when you get home?

0:31:17.390 --> 0:31:22.230
<v Speaker 1>Sometimes my wife and my boy will go, yay, when

0:31:22.280 --> 0:31:24.660
<v Speaker 1>I come home. Oh, that's cool. They're just messing with,

0:31:24.720 --> 0:31:28.700
<v Speaker 1>they're just being, but yes, he does. If he's not

0:31:28.720 --> 0:31:31.540
<v Speaker 1>in the middle of a game, playing a game or something,

0:31:32.020 --> 0:31:35.560
<v Speaker 1>he absolutely would come. And when he walks in, goes

0:31:35.580 --> 0:31:38.340
<v Speaker 1>to the bathroom, washes his hand, comes sees his dad.

0:31:38.460 --> 0:31:41.480
<v Speaker 1>If I'm in the shop, if I'm in my... You

0:31:41.520 --> 0:31:43.180
<v Speaker 1>hug him every time you see him? I hug him

0:31:43.220 --> 0:31:44.400
<v Speaker 1>and smooch him every time I see him. I do

0:31:44.420 --> 0:31:46.610
<v Speaker 1>the same thing. Absolutely. And I was that way with

0:31:46.640 --> 0:31:49.870
<v Speaker 1>my parents. I never went through that thing in high

0:31:49.910 --> 0:31:52.150
<v Speaker 1>school where I didn't kiss my mom or I didn't

0:31:52.170 --> 0:31:54.430
<v Speaker 1>kiss my dad. I like kissing them both at the

0:31:54.450 --> 0:31:58.050
<v Speaker 1>same time. All right, Neil Saavedra. In the center. But

0:31:58.150 --> 0:32:02.900
<v Speaker 1>I know one thing you don't. I would never high-five them. No.

0:32:03.500 --> 0:32:03.940
<v Speaker 5>Never.

0:32:04.020 --> 0:32:07.800
<v Speaker 1>Couples don't high-five. You don't high-five people you love. I

0:32:07.820 --> 0:32:10.720
<v Speaker 1>do it ironically. That's the only way to do it.

0:32:10.790 --> 0:32:12.470
<v Speaker 1>The only way to do it. All right, we're live.

0:32:12.510 --> 0:32:13.950
<v Speaker 1>Thank you, Neil. We're live on KFI and 640.

0:32:13.930 --> 0:32:14.030
<v Speaker 2>Bye.

0:32:15.780 --> 0:32:19.020
<v Speaker 1>This is KFI. This has been the Conway Show on

0:32:19.060 --> 0:32:22.950
<v Speaker 1>demand on the iHeartRadio app. The air is live. Join

0:32:22.990 --> 0:32:26.950
<v Speaker 1>us on KFI AM 640, weeknight, 6 to 10 p.m.,

0:32:27.290 --> 0:32:29.540
<v Speaker 1>Monday through Friday. Ding dong with this app.