1 00:00:00,520 --> 00:00:05,520 Speaker 1: It's night Side with Dan Ray. I'm WBZ coustans me Radio. 2 00:00:07,080 --> 00:00:11,160 Speaker 2: Well wait, welcome back on my friends. This is Nightside 3 00:00:11,160 --> 00:00:13,119 Speaker 2: for Dan Ray, Bradley j for Dan. Happy New Year 4 00:00:13,720 --> 00:00:19,000 Speaker 2: do all, including especially Dan Ray. Uh. This is open 5 00:00:19,040 --> 00:00:24,840 Speaker 2: lines now, and of course we can focus on New 6 00:00:24,920 --> 00:00:29,120 Speaker 2: Year's stuff. Don't even have to. It's you. You're celebrating 7 00:00:29,160 --> 00:00:32,320 Speaker 2: New Year's with me and vice versa. By the way, 8 00:00:32,560 --> 00:00:35,239 Speaker 2: you know who else is working tonight. Besides all the 9 00:00:35,360 --> 00:00:41,280 Speaker 2: thousands of Tea operators in the operations department tonight, Rob 10 00:00:41,280 --> 00:00:45,440 Speaker 2: Brooks is working his h New Year's Eve in the 11 00:00:45,479 --> 00:00:49,520 Speaker 2: master control working the wheel. Six one seven two five 12 00:00:50,120 --> 00:00:57,280 Speaker 2: forty excuse me, six one seven two is the number. 13 00:00:57,640 --> 00:00:59,560 Speaker 2: I always have to be careful about the number, and 14 00:00:59,560 --> 00:01:03,160 Speaker 2: sometimes I overthink it. We have Tim in Boston who's 15 00:01:03,360 --> 00:01:06,320 Speaker 2: going to give us a shout. Anything you want to 16 00:01:06,360 --> 00:01:11,920 Speaker 2: talk about is fine. I mean, get my monk's working 17 00:01:11,959 --> 00:01:14,119 Speaker 2: the There we go. Hello, Tim, how are you sir? 18 00:01:15,400 --> 00:01:16,039 Speaker 3: I'm late? 19 00:01:16,080 --> 00:01:16,679 Speaker 4: How are you? 20 00:01:18,240 --> 00:01:18,520 Speaker 2: I know? 21 00:01:18,560 --> 00:01:18,680 Speaker 4: So? 22 00:01:18,720 --> 00:01:21,399 Speaker 2: This is Tim, Tim the t inspector. Now you're like 23 00:01:21,480 --> 00:01:22,640 Speaker 2: chief inspector. 24 00:01:22,319 --> 00:01:24,680 Speaker 3: Or something, right, I'm actually instructor. 25 00:01:25,319 --> 00:01:29,520 Speaker 2: Wow. So it's good to hear from you. You heard Brian, 26 00:01:30,319 --> 00:01:33,479 Speaker 2: your phone your quality, your phone calls a little mumbley. 27 00:01:33,840 --> 00:01:34,720 Speaker 2: Is there anything you can. 28 00:01:34,640 --> 00:01:34,960 Speaker 4: Do about it? 29 00:01:34,959 --> 00:01:36,319 Speaker 3: I apologize one second? 30 00:01:36,840 --> 00:01:39,560 Speaker 2: Yeah, sure, So I know Tim, because all right, how 31 00:01:39,560 --> 00:01:42,680 Speaker 2: are we doing now? Yeah? Much better. So I met 32 00:01:42,680 --> 00:01:45,800 Speaker 2: Tim on the t and I ride the Tea so 33 00:01:45,920 --> 00:01:48,160 Speaker 2: much that I'd see him around and just came to 34 00:01:48,200 --> 00:01:50,480 Speaker 2: know him from seeing him on the tee. And Brian 35 00:01:50,600 --> 00:01:53,840 Speaker 2: Kane on the advisory board said that you are a 36 00:01:53,920 --> 00:01:56,960 Speaker 2: legend in the Tea and in Boston. Tim, Well, that's 37 00:01:56,960 --> 00:01:57,559 Speaker 2: pretty cool. 38 00:01:57,880 --> 00:01:58,160 Speaker 4: Cool. 39 00:01:58,760 --> 00:02:00,440 Speaker 2: So how did you become a legend? 40 00:02:02,240 --> 00:02:02,400 Speaker 5: Well? 41 00:02:02,440 --> 00:02:05,000 Speaker 3: I used to make the history announcements. I tell people 42 00:02:05,000 --> 00:02:06,640 Speaker 3: about the history of the Tea as I did UH 43 00:02:07,080 --> 00:02:10,120 Speaker 3: did my trips, you know I did. I was an 44 00:02:10,160 --> 00:02:12,480 Speaker 3: operator for UH. I believe I was an offer for 45 00:02:12,600 --> 00:02:17,239 Speaker 3: seven years. Then I was an inspector for four and 46 00:02:17,560 --> 00:02:20,400 Speaker 3: now I'm actually teaching people how to how to do that. 47 00:02:21,560 --> 00:02:23,400 Speaker 2: Must a good gig. All this talk about the NBT 48 00:02:23,560 --> 00:02:25,600 Speaker 2: is great on n BT, A is great on New 49 00:02:25,720 --> 00:02:28,320 Speaker 2: Year's e because it's a time to party and drink 50 00:02:28,360 --> 00:02:32,320 Speaker 2: and it's very valuable, very important to the celebrate the 51 00:02:32,320 --> 00:02:36,360 Speaker 2: city celebration. So when you were on as an operator, 52 00:02:36,400 --> 00:02:38,520 Speaker 2: you worked the Green line, right, and I think I 53 00:02:38,560 --> 00:02:41,920 Speaker 2: remember you. You didn't tell so much. You told some 54 00:02:42,040 --> 00:02:44,079 Speaker 2: about the tea, but you talked about what was above 55 00:02:44,120 --> 00:02:46,400 Speaker 2: you as you went below and the history of what. 56 00:02:46,600 --> 00:02:50,560 Speaker 3: Yeah, absolutely what I used to I tell people talk 57 00:02:50,560 --> 00:02:53,600 Speaker 3: about Hines and I used to tell people about the 58 00:02:53,680 --> 00:02:56,000 Speaker 3: history of the A line. You know, everybody knows all 59 00:02:56,040 --> 00:02:57,839 Speaker 3: the other lines of Why what happened to the A Line? 60 00:02:57,919 --> 00:03:00,440 Speaker 3: I told him about the UH used to go to 61 00:03:00,480 --> 00:03:02,679 Speaker 3: Watertown and it was temporarily just spent him back in 62 00:03:02,760 --> 00:03:04,520 Speaker 3: nineteen sixty nine and it was never heard from again. 63 00:03:04,639 --> 00:03:08,240 Speaker 2: So that's too bad that the tracks were there and everything, 64 00:03:08,240 --> 00:03:13,680 Speaker 2: and it would it at what's that what's that corner 65 00:03:14,000 --> 00:03:20,360 Speaker 2: something corner where Packard's Corner where the B line takes 66 00:03:20,360 --> 00:03:22,480 Speaker 2: a left. The A line used to go straight all 67 00:03:22,520 --> 00:03:23,919 Speaker 2: the way to Watertown. 68 00:03:23,480 --> 00:03:27,480 Speaker 3: Right, yep, yep. I used to go through you know, Alston, 69 00:03:27,960 --> 00:03:32,000 Speaker 3: through Union Square and all the way down through Newton 70 00:03:32,080 --> 00:03:33,959 Speaker 3: Corner and straight into the Watertown Square. 71 00:03:34,360 --> 00:03:36,520 Speaker 2: That's a crime that that went away. I wonder why 72 00:03:36,600 --> 00:03:37,200 Speaker 2: that went away. 73 00:03:37,280 --> 00:03:41,440 Speaker 3: It is well, they weren't expecting the Riverside line to 74 00:03:41,480 --> 00:03:43,680 Speaker 3: be as popular as it was when back in the 75 00:03:43,760 --> 00:03:48,680 Speaker 3: day so they originally were planning on looping most of 76 00:03:48,720 --> 00:03:53,680 Speaker 3: the Riverside trains at Reservoir. Then it became as popular 77 00:03:53,720 --> 00:03:55,480 Speaker 3: as it did all the way to Riverside and they 78 00:03:55,480 --> 00:03:59,200 Speaker 3: needed the trains, so they temporarily spended it to put 79 00:03:59,200 --> 00:04:02,000 Speaker 3: all the trains out there, and then they just never 80 00:04:02,320 --> 00:04:04,520 Speaker 3: they never resumed the service. Kind of like what happened 81 00:04:04,560 --> 00:04:06,320 Speaker 3: on the heat Street line as well. 82 00:04:06,760 --> 00:04:09,880 Speaker 2: Kind of too bad because that it took you to 83 00:04:09,920 --> 00:04:12,880 Speaker 2: the probably to the Watertown bus yard where you could 84 00:04:13,120 --> 00:04:15,480 Speaker 2: pick up a bus and continue. But now there's this 85 00:04:15,520 --> 00:04:16,200 Speaker 2: big gap. 86 00:04:17,360 --> 00:04:23,360 Speaker 3: Correct, correct? So I I listened, I heard the last 87 00:04:23,360 --> 00:04:27,560 Speaker 3: ten minutes. I I've been pretty busy tonight obviously, but 88 00:04:27,640 --> 00:04:29,880 Speaker 3: I heard the last like ten minutes. We were talking 89 00:04:29,920 --> 00:04:34,320 Speaker 3: about the fair enforcement, yes, and a couple of other things. 90 00:04:34,839 --> 00:04:38,760 Speaker 2: So you're standing there as as an inspector trainer and 91 00:04:38,800 --> 00:04:41,360 Speaker 2: you're seeing hundreds of people get on the t and 92 00:04:41,400 --> 00:04:43,560 Speaker 2: not pay right. 93 00:04:44,080 --> 00:04:44,159 Speaker 6: No. 94 00:04:44,240 --> 00:04:46,320 Speaker 3: I think it was about five, maybe four or five 95 00:04:46,360 --> 00:04:48,880 Speaker 3: years ago. Some of my might out there might know 96 00:04:48,920 --> 00:04:54,320 Speaker 3: the exact time. But they decriminalized fair visions the massachist legislature, 97 00:04:54,960 --> 00:04:58,480 Speaker 3: so it's no longer a criminal offense, so there's no 98 00:04:58,800 --> 00:05:03,200 Speaker 3: incentive really for of someone to actually give up their ID, 99 00:05:03,800 --> 00:05:05,400 Speaker 3: but to actually take a fine. 100 00:05:06,360 --> 00:05:10,320 Speaker 2: So parking tickets aren't a criminal offense either, but people 101 00:05:10,400 --> 00:05:12,000 Speaker 2: pay them. 102 00:05:12,160 --> 00:05:17,040 Speaker 3: Oh yeah, most part. For the most part, people are 103 00:05:17,040 --> 00:05:18,039 Speaker 3: honest and they will pay. 104 00:05:18,200 --> 00:05:21,560 Speaker 2: But yeah, you're right, I disagree. I din'gree I disagree 105 00:05:21,600 --> 00:05:24,760 Speaker 2: with you, Tom. I see it. I can I see 106 00:05:25,040 --> 00:05:27,320 Speaker 2: them not paying most most of the people. 107 00:05:27,360 --> 00:05:29,719 Speaker 3: You know, I'm not. I'm not saying, you know, everybody 108 00:05:29,760 --> 00:05:35,360 Speaker 3: does trusting, trusting, And I heard about the UH that 109 00:05:35,560 --> 00:05:40,279 Speaker 3: you know, people are becoming normalized on the fact that 110 00:05:40,279 --> 00:05:43,640 Speaker 3: they're not paying. It's like it's like most of the 111 00:05:43,640 --> 00:05:46,800 Speaker 3: people over in Summerville, you know, with the new g 112 00:05:46,960 --> 00:05:49,279 Speaker 3: l X that was opened up, and none of the 113 00:05:49,520 --> 00:05:52,479 Speaker 3: stations have fair gates, So we have the transit of 114 00:05:52,480 --> 00:05:54,680 Speaker 3: asses out there trying to get people to pay as 115 00:05:54,680 --> 00:05:59,599 Speaker 3: they get on the train. And then they have validators 116 00:05:59,600 --> 00:06:03,920 Speaker 3: that are into the UH to the UH fair machines. 117 00:06:05,320 --> 00:06:07,160 Speaker 3: So we're having them do that. And we have all 118 00:06:07,160 --> 00:06:12,320 Speaker 3: the new fair inspectors that have been hired. How many 119 00:06:12,560 --> 00:06:15,200 Speaker 3: they will be out on jils as well? How many 120 00:06:16,240 --> 00:06:20,440 Speaker 3: I believe initially there have been sixteen hired and trained, 121 00:06:22,680 --> 00:06:26,080 Speaker 3: and I believe there are more being hired fairly soon. 122 00:06:26,480 --> 00:06:28,320 Speaker 2: So how will that work? They will be on the trains, 123 00:06:28,360 --> 00:06:31,400 Speaker 2: and how will they ask you to verify that you paid? 124 00:06:33,240 --> 00:06:38,760 Speaker 3: Well, they'll have fair validators that handheld validators that they'll 125 00:06:38,920 --> 00:06:43,600 Speaker 3: randomly walk up to a person. They'll be able to 126 00:06:43,640 --> 00:06:48,600 Speaker 3: scan their Charlie card or Charlie ticket and be able 127 00:06:48,640 --> 00:06:50,520 Speaker 3: to tell if they paid on that trip or not. 128 00:06:50,600 --> 00:06:56,080 Speaker 2: Okay, but these new fair paying devices let you pay 129 00:06:56,160 --> 00:06:59,880 Speaker 2: with your phone. How how can you make sure that 130 00:07:00,080 --> 00:07:03,400 Speaker 2: somebody that used their phone to pay actually did? How 131 00:07:03,440 --> 00:07:04,440 Speaker 2: do you verify that. 132 00:07:04,400 --> 00:07:06,000 Speaker 3: With the phone? 133 00:07:06,120 --> 00:07:06,320 Speaker 7: Yeah? 134 00:07:06,360 --> 00:07:08,000 Speaker 3: That that's the whole thing is that it will be 135 00:07:08,040 --> 00:07:13,000 Speaker 3: able to tell if a person either the phone or 136 00:07:13,960 --> 00:07:19,760 Speaker 3: or the ticket or you know, whichever whichever route they chose. 137 00:07:19,760 --> 00:07:22,200 Speaker 3: They can they can, they can tap on that validator 138 00:07:22,200 --> 00:07:23,360 Speaker 3: and it will be voth to tell. 139 00:07:23,960 --> 00:07:27,840 Speaker 2: Okay. How come t operators and God love them? They 140 00:07:27,840 --> 00:07:30,160 Speaker 2: work hard. They have to deal with a lot of 141 00:07:30,240 --> 00:07:34,680 Speaker 2: nice people, but a lot of mean people. Uhh. I 142 00:07:34,720 --> 00:07:40,640 Speaker 2: saw a huge fat tire basically electric motorcycle folded up 143 00:07:41,000 --> 00:07:43,280 Speaker 2: in a handicapped spot on the n B t A, 144 00:07:43,400 --> 00:07:46,600 Speaker 2: which I would think that and why is that all? 145 00:07:46,760 --> 00:07:48,000 Speaker 2: Why is that allowed. 146 00:07:50,160 --> 00:07:53,160 Speaker 3: On the green line, UH, on the heavy rol side, 147 00:07:53,200 --> 00:07:56,080 Speaker 3: the orange, red and blue lines, they're allowed to bring 148 00:07:56,120 --> 00:08:00,280 Speaker 3: a bike on board on the green line, and they 149 00:08:00,280 --> 00:08:02,560 Speaker 3: have to be folded up. If they're folded up, they 150 00:08:02,640 --> 00:08:07,560 Speaker 3: are actually allowed. There's nothing I get it. There are 151 00:08:07,560 --> 00:08:11,360 Speaker 3: some folded up bikes that are extremely large, but as 152 00:08:11,440 --> 00:08:13,880 Speaker 3: long as it's UH folded up, they are allowed to 153 00:08:13,880 --> 00:08:14,520 Speaker 3: bring the bike on. 154 00:08:14,440 --> 00:08:18,360 Speaker 2: Board, even during rush hour, even though in rush off, 155 00:08:18,400 --> 00:08:22,640 Speaker 2: because that wasn't the case before. But that's that's a 156 00:08:22,720 --> 00:08:25,200 Speaker 2: terrible rule in my opinion, and that needs to change. 157 00:08:25,600 --> 00:08:29,480 Speaker 2: You want people, you want, you know, people to take 158 00:08:29,560 --> 00:08:32,840 Speaker 2: the tea and if you have to, you know, wrestle 159 00:08:32,880 --> 00:08:35,920 Speaker 2: your way around some giant and you've seen you've all 160 00:08:36,000 --> 00:08:41,679 Speaker 2: seen these massive new you know, sixty pound, forty mile 161 00:08:41,679 --> 00:08:45,199 Speaker 2: an hour e bikes with tires that are nine inches 162 00:08:45,240 --> 00:08:49,679 Speaker 2: in circumference folded up in a handicapped place. That would 163 00:08:49,720 --> 00:08:54,840 Speaker 2: seem to be counterproductive. And on buses too, what's what 164 00:08:54,960 --> 00:08:56,319 Speaker 2: is the rule do you have to know the rule 165 00:08:56,360 --> 00:09:00,560 Speaker 2: about about baby carriages on buses? What's the rule there? 166 00:09:01,000 --> 00:09:01,880 Speaker 2: I don't know. 167 00:09:02,160 --> 00:09:04,959 Speaker 3: I don't think there's any restrictions on baby carriages on 168 00:09:05,000 --> 00:09:07,400 Speaker 3: buses and I know there are baby carriages that are 169 00:09:07,440 --> 00:09:13,000 Speaker 3: extremely wide and extremely long, and you know they probably 170 00:09:13,040 --> 00:09:14,679 Speaker 3: should be a rule that they have to be in 171 00:09:14,720 --> 00:09:16,240 Speaker 3: a certain area. 172 00:09:16,559 --> 00:09:20,360 Speaker 2: Okay, Well, every once in a while when I'm riding, 173 00:09:20,400 --> 00:09:24,439 Speaker 2: I'll see another inspector and say, hey, you know Tim 174 00:09:24,600 --> 00:09:26,640 Speaker 2: and I They go yeah, and I say tell him, 175 00:09:26,760 --> 00:09:29,160 Speaker 2: tell them Bradley, Jay said I, and he probably don't. 176 00:09:32,040 --> 00:09:36,199 Speaker 2: I hope to see you when that's sprawling underground place 177 00:09:36,240 --> 00:09:39,240 Speaker 2: I love called the subway. Soon. Thanks for calling in. 178 00:09:40,880 --> 00:09:44,520 Speaker 3: Gerry, talking to you as always always. 179 00:09:44,320 --> 00:09:46,840 Speaker 2: Let's take a break and we'll go to After this, 180 00:09:46,880 --> 00:09:50,000 Speaker 2: we'll go to listen Alison in Maine on. 181 00:09:50,120 --> 00:09:54,160 Speaker 1: W b Z It's Night Side with Dan Ray on 182 00:09:54,480 --> 00:09:57,080 Speaker 1: w b Boston's news Radio. 183 00:09:58,240 --> 00:10:01,559 Speaker 2: Happy New Year's or just reason okay new Year's. I mean, 184 00:10:01,840 --> 00:10:04,880 Speaker 2: at some point it's like happy New Year? 185 00:10:05,240 --> 00:10:05,640 Speaker 4: All right? 186 00:10:05,720 --> 00:10:09,400 Speaker 2: What about just a nice, comfortable new Year. I'd like 187 00:10:09,400 --> 00:10:11,600 Speaker 2: to know how your twenty twenty five was. I'd like 188 00:10:11,640 --> 00:10:14,360 Speaker 2: to know what you'd like to see improve in the 189 00:10:14,400 --> 00:10:18,679 Speaker 2: world in twenty twenty six. In the world, meaning your house, 190 00:10:18,840 --> 00:10:24,400 Speaker 2: your town, your state, your country, your world. I guess 191 00:10:24,400 --> 00:10:28,520 Speaker 2: that's it. We'll stop there, and I would like to hear. 192 00:10:28,760 --> 00:10:32,480 Speaker 2: I love stories. I'd love to hear the story of 193 00:10:32,520 --> 00:10:37,640 Speaker 2: your worst New Year and or your best New Year. 194 00:10:39,160 --> 00:10:42,160 Speaker 2: Everyone has a new year they can remember that just 195 00:10:42,200 --> 00:10:45,280 Speaker 2: didn't go well, and of course you have your your 196 00:10:45,880 --> 00:10:49,080 Speaker 2: best one as well. I have a story for each, 197 00:10:49,120 --> 00:10:52,199 Speaker 2: which I will tell you. I'd like to think they're interesting, 198 00:10:52,240 --> 00:10:58,200 Speaker 2: compelling stories. One's very very sad, and one involves travel. 199 00:11:00,160 --> 00:11:05,839 Speaker 2: Seven the number. Let's go to Alison in Maine. Hello, Hi. 200 00:11:06,520 --> 00:11:09,480 Speaker 6: I know you're a big animal lover, right, and this 201 00:11:09,600 --> 00:11:11,480 Speaker 6: is thought. I usually bring this up every year on 202 00:11:11,520 --> 00:11:13,559 Speaker 6: Morgan Show, but he's only down to two hours in 203 00:11:13,600 --> 00:11:16,480 Speaker 6: the weekends. He doesn't have time for things, and you know, 204 00:11:16,520 --> 00:11:19,680 Speaker 6: he's real nostalgia based, and I'm you know, I'm nostalgia 205 00:11:19,800 --> 00:11:23,079 Speaker 6: practically in my life now. But anyway, I just want 206 00:11:23,120 --> 00:11:24,719 Speaker 6: to bring something up, and I know it's just kind 207 00:11:24,720 --> 00:11:27,480 Speaker 6: of heavy, but back in twenty eleven year on the air, 208 00:11:27,480 --> 00:11:30,559 Speaker 6: when this happened in Dainsville, I'll hire some guy who 209 00:11:30,559 --> 00:11:33,880 Speaker 6: had a private menagerie of animals. He let them free, 210 00:11:34,000 --> 00:11:36,480 Speaker 6: and then he killed himself, and then the police showed 211 00:11:36,559 --> 00:11:41,760 Speaker 6: up and slaughtered many, many animals, and without even waiting 212 00:11:41,800 --> 00:11:43,760 Speaker 6: for the for the people from the zoo or you know, 213 00:11:43,800 --> 00:11:47,760 Speaker 6: tranquilizer guns or nets for anything. Eighteen tigers, seventeen lions, 214 00:11:47,800 --> 00:11:51,440 Speaker 6: eight bears and some other animals just completely slaughtered. And 215 00:11:51,520 --> 00:11:53,880 Speaker 6: most people don't even remember it, you know the way 216 00:11:53,920 --> 00:11:56,679 Speaker 6: that I think two days later Kadafi got killed or something, 217 00:11:56,760 --> 00:12:00,240 Speaker 6: so they just moved on a new cackle. And it's 218 00:12:00,240 --> 00:12:02,600 Speaker 6: been haunting me ever since. And uh, you know, and 219 00:12:02,960 --> 00:12:05,520 Speaker 6: I I try to help animals whenever I can't, I give. 220 00:12:05,559 --> 00:12:06,679 Speaker 6: I don't have a lot of money, but I give 221 00:12:06,679 --> 00:12:09,960 Speaker 6: to animal causes and things, and I have two kiddies 222 00:12:09,960 --> 00:12:12,079 Speaker 6: on my own, and I just want. 223 00:12:11,960 --> 00:12:15,640 Speaker 2: Let's think talk about what you can do to deal 224 00:12:15,679 --> 00:12:18,120 Speaker 2: with that horrible memory that keeps haunting you, if you 225 00:12:18,360 --> 00:12:21,080 Speaker 2: if you try to get help for it, because you know, 226 00:12:21,679 --> 00:12:24,720 Speaker 2: it might be like a PTS, a form of mild 227 00:12:24,760 --> 00:12:26,440 Speaker 2: domestic PTSD. 228 00:12:26,000 --> 00:12:28,160 Speaker 6: For you kind of it. Because I'm such a big 229 00:12:28,200 --> 00:12:31,120 Speaker 6: animal lover, and I just the idea that that, you know, 230 00:12:31,200 --> 00:12:33,400 Speaker 6: I mean, I'm not anti police or anything, but obviously 231 00:12:33,480 --> 00:12:37,120 Speaker 6: they were completely in the wrong there, and it's just it's, 232 00:12:37,160 --> 00:12:39,480 Speaker 6: as you said, people forgot, you know, And I just 233 00:12:39,600 --> 00:12:41,560 Speaker 6: very few people remember it except some of the animal 234 00:12:41,679 --> 00:12:44,480 Speaker 6: places and the There are a lot of places that 235 00:12:44,559 --> 00:12:46,319 Speaker 6: you can give to, and I'm not affiliated with them, 236 00:12:46,360 --> 00:12:48,440 Speaker 6: I'm not asking for money. But there's so many, you know, 237 00:12:49,000 --> 00:12:52,760 Speaker 6: Tiger Haven, Tiger Creek, Wildlife Refuge, there's even one in 238 00:12:52,760 --> 00:12:56,520 Speaker 6: in in Ohio called Noah's Lost Arc, and there's there's 239 00:12:56,600 --> 00:13:00,839 Speaker 6: just so many animal place helped farm animals farm thanks, 240 00:13:01,120 --> 00:13:05,520 Speaker 6: uh killers, key killers, sorry, keepers of the wild. There 241 00:13:05,520 --> 00:13:07,360 Speaker 6: are lots of places to give to, you know. And 242 00:13:07,720 --> 00:13:09,400 Speaker 6: if the animals have been saved, there were lots of 243 00:13:09,400 --> 00:13:11,439 Speaker 6: places they could have been sent to. You probably know 244 00:13:11,520 --> 00:13:14,960 Speaker 6: Tippy Headron the actress. She had a place called Chambala 245 00:13:14,960 --> 00:13:17,199 Speaker 6: where she had big cats and took care of them 246 00:13:17,200 --> 00:13:21,600 Speaker 6: all the time. And it's just it is very very sad. 247 00:13:21,720 --> 00:13:25,360 Speaker 2: That's very sad, and I'm glad that you're You're sort 248 00:13:25,360 --> 00:13:27,920 Speaker 2: of glad you reminded us of it. Yeah, so that 249 00:13:28,679 --> 00:13:32,679 Speaker 2: we'll if there's a situation, it won't happen again. And 250 00:13:33,280 --> 00:13:35,480 Speaker 2: I wish, you know, I hope that the pain of this, 251 00:13:35,640 --> 00:13:40,439 Speaker 2: the memory of that terrible thing, will hopefully hopefully subside 252 00:13:40,480 --> 00:13:43,080 Speaker 2: a bit in the in the new year. Maybe that's 253 00:13:43,120 --> 00:13:45,000 Speaker 2: what you could wish for. Of course, you're gonna wish 254 00:13:45,080 --> 00:13:47,880 Speaker 2: that it doesn't happen again. But I can tell this 255 00:13:48,080 --> 00:13:51,960 Speaker 2: causes you a lot of pain and you have to 256 00:13:52,000 --> 00:13:55,280 Speaker 2: live your life and you perhaps I should actually seek 257 00:13:55,320 --> 00:13:58,760 Speaker 2: professional help. It might help you either way. She's right. 258 00:13:59,360 --> 00:14:03,720 Speaker 2: It's a great to donate to pet shelters, et cetera. 259 00:14:03,880 --> 00:14:07,520 Speaker 2: And you don't need to necessarily donate to fire away 260 00:14:07,559 --> 00:14:14,480 Speaker 2: Tiger organizations. There are many around here. One that pops 261 00:14:14,520 --> 00:14:18,120 Speaker 2: to mind is Schultz's guesthouse in Denham, which is the 262 00:14:18,160 --> 00:14:21,840 Speaker 2: place I have. I got one of my dogs, one 263 00:14:21,880 --> 00:14:25,720 Speaker 2: of our dogs. They're so nice and they they take 264 00:14:25,760 --> 00:14:29,520 Speaker 2: care of these these dogs, and they they helped find 265 00:14:29,560 --> 00:14:33,160 Speaker 2: homes for them. And there are many places. Let's talk 266 00:14:33,160 --> 00:14:38,960 Speaker 2: to David in San Francisco. Hello David, Oh, hello. 267 00:14:38,760 --> 00:14:42,160 Speaker 8: Bradley, Happy New Year to you and uh everyone at 268 00:14:42,200 --> 00:14:48,040 Speaker 8: the WBZ. And yeah, I've had some wonderful uh New 269 00:14:48,120 --> 00:14:51,320 Speaker 8: Year's Eve. I lived in New York for seven years 270 00:14:51,720 --> 00:14:54,720 Speaker 8: and actually one year I went to the Times Square 271 00:14:54,800 --> 00:14:58,440 Speaker 8: to watched the ball drop and that was crazy cray 272 00:14:58,840 --> 00:14:59,960 Speaker 8: a million people there. 273 00:15:00,560 --> 00:15:05,160 Speaker 2: Crazy bad, pardon crazy good or crazy bad. 274 00:15:06,360 --> 00:15:10,080 Speaker 8: A little believed. But because some New Year's as I 275 00:15:10,400 --> 00:15:13,280 Speaker 8: started drinking too early in the evening and I missed it, 276 00:15:14,000 --> 00:15:16,440 Speaker 8: but for the most part, and I tended bar for 277 00:15:16,480 --> 00:15:19,800 Speaker 8: seven years too in Baltimore, and some of those were 278 00:15:19,880 --> 00:15:23,120 Speaker 8: really great, and for the most part they were very good. 279 00:15:23,160 --> 00:15:26,400 Speaker 8: But I had the reason I'm calling brobably because the 280 00:15:26,440 --> 00:15:28,840 Speaker 8: other night you were talking about music and a punk 281 00:15:28,880 --> 00:15:31,800 Speaker 8: scene and all that, and I was just really surprised 282 00:15:31,840 --> 00:15:33,880 Speaker 8: that you you never mentioned the Specials. 283 00:15:34,960 --> 00:15:38,000 Speaker 2: Okay, that's just open lines. That's fine to bring up. 284 00:15:38,320 --> 00:15:41,000 Speaker 2: Go ahead, make your case for the Specials. 285 00:15:41,680 --> 00:15:44,280 Speaker 8: Oh, they were my favorite bands since nineteen seventy eight. 286 00:15:44,400 --> 00:15:47,800 Speaker 8: And yeah, Terry Hall, the lead singer and writer, passed 287 00:15:47,800 --> 00:15:51,640 Speaker 8: away last year pancreatic cancer. And do you know that 288 00:15:51,680 --> 00:15:56,080 Speaker 8: he wrote or lits or sealed? I did not, And yeah, 289 00:15:56,120 --> 00:15:58,920 Speaker 8: he was hanging out with Belinda Carlisle from the Go 290 00:15:58,920 --> 00:16:01,960 Speaker 8: Gos and I guess you better for her or a band. 291 00:16:02,000 --> 00:16:05,400 Speaker 8: But he was really talented and one of my favorite 292 00:16:05,400 --> 00:16:08,680 Speaker 8: performers and songwriters. But uh huh, I mean, I'll let 293 00:16:08,680 --> 00:16:12,720 Speaker 8: it go there broadly, and you and everybody thirty eight states, 294 00:16:13,000 --> 00:16:16,640 Speaker 8: you all have a wonderful new year, and and thank 295 00:16:16,680 --> 00:16:17,720 Speaker 8: you for taking my call. 296 00:16:17,800 --> 00:16:18,000 Speaker 7: Man. 297 00:16:18,160 --> 00:16:23,200 Speaker 2: Of course, David so he brings up the fact that 298 00:16:23,240 --> 00:16:26,640 Speaker 2: he believes the band The Specials should have been included 299 00:16:26,680 --> 00:16:29,720 Speaker 2: in our pantheon of punk bands that we addressed the 300 00:16:29,760 --> 00:16:34,080 Speaker 2: other day. We I talked with Jim Sullivan music, former 301 00:16:34,160 --> 00:16:37,400 Speaker 2: music writer for the Boston Globe and author of a 302 00:16:37,480 --> 00:16:42,920 Speaker 2: music book about what was uh, you know, what were 303 00:16:42,960 --> 00:16:45,240 Speaker 2: the good punk bands and what really the most important 304 00:16:45,240 --> 00:16:47,680 Speaker 2: part is the definition of what a punk band is. 305 00:16:48,000 --> 00:16:53,160 Speaker 2: And I made and I maintain solidly that Incubus should 306 00:16:53,200 --> 00:16:56,160 Speaker 2: not be on any punk rock band lists. That just 307 00:16:56,200 --> 00:17:01,440 Speaker 2: doesn't fly. And further, the Green Day should not be 308 00:17:01,520 --> 00:17:04,200 Speaker 2: on any punk list. There are a number of reasons, 309 00:17:04,200 --> 00:17:07,240 Speaker 2: but I don't even really need to get into the 310 00:17:07,359 --> 00:17:12,080 Speaker 2: length of the songs, or the attitude of self destruction 311 00:17:12,359 --> 00:17:18,399 Speaker 2: and snihilism that I associate with punk bands mostly, or 312 00:17:18,480 --> 00:17:22,119 Speaker 2: the kind of living in desperate situations. You can't I 313 00:17:22,119 --> 00:17:25,240 Speaker 2: don't think you can be a rich punk band, and 314 00:17:25,280 --> 00:17:29,119 Speaker 2: once you got money, you're not punk anymore. That's my definition. 315 00:17:29,960 --> 00:17:33,520 Speaker 2: But there's kind of a slam dunk thing in this 316 00:17:33,720 --> 00:17:37,000 Speaker 2: music genres. There was punk rock and a lot of 317 00:17:37,000 --> 00:17:40,359 Speaker 2: you you know this is you grew up with stuff 318 00:17:40,400 --> 00:17:45,639 Speaker 2: you call punk rock punk rock, and then came post punk, 319 00:17:47,040 --> 00:17:50,359 Speaker 2: and the fact there was a genre called post punk 320 00:17:51,880 --> 00:17:55,480 Speaker 2: means punk was over, So for me, you had to 321 00:17:55,520 --> 00:17:59,360 Speaker 2: be in a certain time frame, maybe seventy five till 322 00:17:59,400 --> 00:18:04,080 Speaker 2: the time post punk music became popular because post punk 323 00:18:04,680 --> 00:18:11,080 Speaker 2: means after punk, which means punk is over. Let's take 324 00:18:11,119 --> 00:18:14,720 Speaker 2: a look at the phrase post war. What does that mean? 325 00:18:15,400 --> 00:18:20,440 Speaker 2: It means the war is over. Post anything means that 326 00:18:20,560 --> 00:18:33,359 Speaker 2: thing is over, postpartum, partum is over. So by definition, 327 00:18:34,320 --> 00:18:38,679 Speaker 2: anybody that came late doesn't count as punk. And now 328 00:18:38,760 --> 00:18:44,520 Speaker 2: let me address that. The Specials, I'd have to qualify 329 00:18:44,560 --> 00:18:47,719 Speaker 2: them as a ska band, and some some bands are 330 00:18:47,720 --> 00:18:55,160 Speaker 2: like half punk and half ska. But ska was a definite, 331 00:18:56,320 --> 00:18:58,879 Speaker 2: a very finite thing, and they were in the center 332 00:18:58,960 --> 00:19:04,720 Speaker 2: of that. And I don't consider skah a subset of punk. 333 00:19:05,119 --> 00:19:07,639 Speaker 2: I think of it as separate. So that's why I 334 00:19:07,680 --> 00:19:10,239 Speaker 2: wouldn't include them. But I did love the Specials and 335 00:19:10,320 --> 00:19:13,600 Speaker 2: select Her played them all the time, and actually went 336 00:19:13,640 --> 00:19:16,840 Speaker 2: to the Middle East one time and saw a kind 337 00:19:16,880 --> 00:19:20,399 Speaker 2: of supergroup made up of surviving or remaining members of 338 00:19:20,440 --> 00:19:24,760 Speaker 2: both of those bands. Number one top of the Pile 339 00:19:26,800 --> 00:19:32,359 Speaker 2: Clash Pistols, Ramos, Clash Boom Boom Boom, And there are 340 00:19:32,359 --> 00:19:34,399 Speaker 2: those out there that say you just can't play too 341 00:19:34,480 --> 00:19:37,879 Speaker 2: much clash and I would agree. My favorite rock video 342 00:19:37,960 --> 00:19:42,760 Speaker 2: is the Clash London Calling. So back to New Year's 343 00:19:42,840 --> 00:19:45,160 Speaker 2: Thanks for bringing that up, David, appreciate it. Open lines, 344 00:19:45,160 --> 00:19:47,520 Speaker 2: I said, you can talk about anything you like, say hello, 345 00:19:47,560 --> 00:19:51,560 Speaker 2: ask a question, hang out. You know, while everybody else 346 00:19:51,600 --> 00:19:57,560 Speaker 2: is getting hammered, you're you're hanging out, hanging in, being comfortable. 347 00:19:57,920 --> 00:20:01,320 Speaker 2: You've done that, You've been there. He decided, Nah, I'm 348 00:20:01,359 --> 00:20:05,399 Speaker 2: going to hang in here, not get a hangover. I 349 00:20:05,480 --> 00:20:11,439 Speaker 2: might as well begin my stories. I guess my worst 350 00:20:11,760 --> 00:20:17,560 Speaker 2: New Year's Eve ever, and it was quite bad. It 351 00:20:17,640 --> 00:20:24,560 Speaker 2: was in very very young, just over drinking age. And 352 00:20:25,600 --> 00:20:31,520 Speaker 2: in my when I grew up in New Hampshire, there 353 00:20:31,560 --> 00:20:33,560 Speaker 2: was a while the drinking age was eighteen, it was 354 00:20:33,600 --> 00:20:36,520 Speaker 2: twenty one, then it became eighteen exactly when I became eighteen, 355 00:20:37,000 --> 00:20:39,320 Speaker 2: and then kind of changed back kind of exactly when 356 00:20:39,320 --> 00:20:41,520 Speaker 2: I was twenty one. So in my early years the 357 00:20:41,560 --> 00:20:46,520 Speaker 2: drinking age was eighteen. And I remember one New Year's Eve, 358 00:20:47,720 --> 00:20:52,360 Speaker 2: a girl that I was sweet on said, Hey, I'm 359 00:20:52,440 --> 00:20:59,080 Speaker 2: babysitting for so and so, why don't you come over? 360 00:21:00,480 --> 00:21:04,760 Speaker 2: And of course that's a that's a red a red 361 00:21:04,800 --> 00:21:09,840 Speaker 2: banner idea. I think that's a fantastic idea. Absolutely, as 362 00:21:09,880 --> 00:21:11,640 Speaker 2: you know when you're when you're young, at least when 363 00:21:11,640 --> 00:21:14,680 Speaker 2: I was young, I was a nerd. I was outcast 364 00:21:14,720 --> 00:21:20,080 Speaker 2: in high school. I came from a small town outside. 365 00:21:20,359 --> 00:21:24,359 Speaker 2: We carpooled. I was one of those carpool losers. We 366 00:21:24,440 --> 00:21:27,200 Speaker 2: didn't we didn't belong to any of the cliques because 367 00:21:27,200 --> 00:21:31,600 Speaker 2: we didn't know anybody in junior high in that town. 368 00:21:31,640 --> 00:21:34,080 Speaker 2: Because we were we went to our own little elementary 369 00:21:34,119 --> 00:21:40,159 Speaker 2: school while they were forming their clicks. I was, you know, 370 00:21:41,440 --> 00:21:43,840 Speaker 2: I was in the in the country. I was a bumpkin. 371 00:21:43,960 --> 00:21:45,960 Speaker 2: So when I got there, I didn't know how to dress. 372 00:21:46,119 --> 00:21:49,520 Speaker 2: I didn't know that Levi's jeans were mandatory. I was 373 00:21:49,560 --> 00:21:55,119 Speaker 2: wearing my J. C. Penny mustard colored plaid slacks thinking 374 00:21:55,160 --> 00:21:59,600 Speaker 2: they were cool. Nope, they were not cool, not at 375 00:21:59,600 --> 00:22:03,719 Speaker 2: the time. So I the fact that someone that was 376 00:22:04,280 --> 00:22:09,360 Speaker 2: I was attracted to asked me nerd boy to come 377 00:22:09,400 --> 00:22:14,159 Speaker 2: over for New Year's while the while the parents of 378 00:22:14,200 --> 00:22:21,920 Speaker 2: the kid child had gone out, was like, WHOA, Absolutely, well, 379 00:22:21,960 --> 00:22:25,639 Speaker 2: I get over here. I don't know pretty early, I 380 00:22:25,640 --> 00:22:33,320 Speaker 2: guess it was dark, maybe seven was she this young 381 00:22:33,440 --> 00:22:38,480 Speaker 2: woman started raising the liquor cabinet a little too. She 382 00:22:38,600 --> 00:22:44,160 Speaker 2: was also legal of legal age, started overdoing it. I guess, 383 00:22:45,080 --> 00:22:47,280 Speaker 2: I don't know. She didn't seem to have much experience 384 00:22:47,320 --> 00:22:50,399 Speaker 2: of drinking because she was drinking too much. I was not, 385 00:22:52,160 --> 00:22:54,320 Speaker 2: but she drank too much and just went to sleep. 386 00:22:55,880 --> 00:22:57,919 Speaker 2: We'll call it sleep. Someone call it pass out. I'll 387 00:22:57,960 --> 00:23:03,159 Speaker 2: call it sleep out of mercy. Well, you want to 388 00:23:03,200 --> 00:23:06,720 Speaker 2: know what happened, then well you're just going to have 389 00:23:06,760 --> 00:23:10,240 Speaker 2: to stick around till after this break on WBZ. 390 00:23:11,600 --> 00:23:16,760 Speaker 1: Night Side, filmed with Dan Ray on WBZ Boston's news radio. 391 00:23:17,119 --> 00:23:19,600 Speaker 2: No, I hope you have an accountable New Year, New 392 00:23:19,680 --> 00:23:21,720 Speaker 2: Year's Eve, I should say, and I hope you have 393 00:23:21,760 --> 00:23:24,800 Speaker 2: a good New year. Twenty twenty five was for me. 394 00:23:25,000 --> 00:23:29,359 Speaker 2: Was was a good year. I mean, obviously, the number 395 00:23:29,440 --> 00:23:32,679 Speaker 2: one best thing that happened in the year, besides the 396 00:23:32,680 --> 00:23:35,840 Speaker 2: fact that I can still see, I can still walk, 397 00:23:36,280 --> 00:23:41,119 Speaker 2: I can still talk, I can still live life, is 398 00:23:41,160 --> 00:23:43,440 Speaker 2: that I was. You know, I'm now back with the 399 00:23:44,240 --> 00:23:47,920 Speaker 2: wb Z family, whom I love, and that's a huge 400 00:23:48,000 --> 00:23:52,840 Speaker 2: deal for me. So that's that's red letter year. And 401 00:23:52,880 --> 00:23:55,199 Speaker 2: I was, uh, you know, telling you could. I'd love 402 00:23:55,240 --> 00:23:58,359 Speaker 2: to hear your stories about your best New year and 403 00:23:59,320 --> 00:24:02,960 Speaker 2: Astoria new Year's, not so great, your worst New Year's. 404 00:24:03,520 --> 00:24:05,119 Speaker 2: And I was in the middle of my worst New 405 00:24:05,200 --> 00:24:08,679 Speaker 2: Year's story, and I'll finish that up. Then we'll get 406 00:24:08,680 --> 00:24:12,840 Speaker 2: the kneel in Watertown number six one seven two to 407 00:24:12,920 --> 00:24:16,520 Speaker 2: share anything you like. It's open lines, but that's certainly 408 00:24:16,600 --> 00:24:20,639 Speaker 2: a topic idea best worth New Year's. So when we 409 00:24:20,720 --> 00:24:23,639 Speaker 2: left off before the break had been invited over, I 410 00:24:23,720 --> 00:24:26,960 Speaker 2: was eighteen, the legal drinking age at the time in 411 00:24:27,000 --> 00:24:34,159 Speaker 2: New Hampshire, with someone that invited me over, also legal 412 00:24:34,840 --> 00:24:41,280 Speaker 2: in every way, and uh, she drank too much and 413 00:24:41,520 --> 00:24:43,960 Speaker 2: went to sleep. And there I am in the house 414 00:24:46,200 --> 00:24:48,520 Speaker 2: and I just said, this is no good. I'm getting 415 00:24:48,520 --> 00:24:53,760 Speaker 2: out of here, and did. But living ten miles away 416 00:24:53,920 --> 00:24:56,959 Speaker 2: on a cold, cold night, I just couldn't go home. 417 00:24:57,000 --> 00:25:00,560 Speaker 2: I didn't have anywhere to go. Could it jack home? 418 00:25:00,640 --> 00:25:04,840 Speaker 2: But too cold? Really, I would have been ten miles 419 00:25:04,920 --> 00:25:08,919 Speaker 2: at night, you know, late at night. I had done that, 420 00:25:09,040 --> 00:25:10,520 Speaker 2: I've done it a number of times, but I think 421 00:25:10,520 --> 00:25:13,520 Speaker 2: it was too cold that night, So what could I do? 422 00:25:13,680 --> 00:25:18,520 Speaker 2: I just had to kill time all night until day 423 00:25:20,000 --> 00:25:23,320 Speaker 2: in some place and there was only one place available, 424 00:25:24,000 --> 00:25:29,200 Speaker 2: and that was Dunkin Donuts. The Dunkin Donuts in Rochester, 425 00:25:29,359 --> 00:25:33,840 Speaker 2: New Hampshire was open all night, so I sat at 426 00:25:33,840 --> 00:25:37,760 Speaker 2: a stool back then they had stools and a counter 427 00:25:39,840 --> 00:25:47,119 Speaker 2: at the Dunkin Donuts for maybe ten hours, you know, 428 00:25:47,200 --> 00:25:52,960 Speaker 2: like eight, nine, ten, eleven, eight to six in the morning, 429 00:25:53,240 --> 00:25:55,920 Speaker 2: eight to eight, eight to six in the morning, something 430 00:25:56,000 --> 00:25:59,280 Speaker 2: like that. And you would not believe how slow time 431 00:25:59,320 --> 00:26:04,040 Speaker 2: can go in that situation. There's this clock right there, 432 00:26:04,119 --> 00:26:08,760 Speaker 2: right up there, talk tick and I had money for coffee. 433 00:26:08,760 --> 00:26:10,919 Speaker 2: I had money for donuts at all. And it was warm, 434 00:26:11,160 --> 00:26:15,600 Speaker 2: so there's that. But man, you have no idea how 435 00:26:15,680 --> 00:26:19,919 Speaker 2: long that stretch was. And then finally the sun came 436 00:26:20,000 --> 00:26:21,639 Speaker 2: up and warmed up a little bit and I didn't 437 00:26:21,680 --> 00:26:25,879 Speaker 2: manage to hit tik. So that was I guess that 438 00:26:26,000 --> 00:26:30,880 Speaker 2: was the worst one. I have three really good ones 439 00:26:30,920 --> 00:26:34,359 Speaker 2: that I'll share, but I'd really rather hear yours, And 440 00:26:34,520 --> 00:26:38,040 Speaker 2: of course, open lines, you can talk about anything as well. 441 00:26:38,080 --> 00:26:41,640 Speaker 2: I may actually pop up a couple of a couple 442 00:26:41,680 --> 00:26:45,600 Speaker 2: of items that wouldn't really justify an entire hour, but 443 00:26:45,720 --> 00:26:47,040 Speaker 2: this is a good time to bring up and you 444 00:26:47,040 --> 00:26:49,439 Speaker 2: can do that as well. Let's talk to Kneel and 445 00:26:49,480 --> 00:26:50,800 Speaker 2: Watertown on wb Z. 446 00:26:51,000 --> 00:26:55,360 Speaker 5: Hello me, Hello Bradley. I hope this isn't too much 447 00:26:55,359 --> 00:26:58,919 Speaker 5: of a stretch. But green Day, what's the name of 448 00:26:58,960 --> 00:27:03,400 Speaker 5: the lead man, lead singer, Billy Joe, Billy Joel. All right, 449 00:27:03,480 --> 00:27:07,320 Speaker 5: So the reason I know about him is because he 450 00:27:07,560 --> 00:27:14,080 Speaker 5: and Norah Jones and twenty thirteen they did a full We'll. 451 00:27:13,960 --> 00:27:16,000 Speaker 2: Stop you there and just explain why you're calling just 452 00:27:16,000 --> 00:27:18,840 Speaker 2: a moment ago, I made a big deal out of 453 00:27:18,880 --> 00:27:20,600 Speaker 2: saying green Day is not a real punk fan. 454 00:27:20,880 --> 00:27:22,640 Speaker 5: Oh no, I'm not challenging that at all. 455 00:27:23,040 --> 00:27:25,240 Speaker 2: All right, but that's why you're talking about green Day. 456 00:27:25,240 --> 00:27:26,120 Speaker 2: That's how it happened. 457 00:27:26,640 --> 00:27:30,800 Speaker 5: It's just the fact that it's green Day. Okay, so 458 00:27:31,080 --> 00:27:33,960 Speaker 5: as I so, I hope this is germane. But he 459 00:27:34,040 --> 00:27:39,200 Speaker 5: and Norah Jones twenty thirteen, they did a full copy 460 00:27:39,280 --> 00:27:43,640 Speaker 5: of the Everly Brothers album from nineteen fifty eight, Songs 461 00:27:43,680 --> 00:27:46,399 Speaker 5: Are Daddy Taught Us. I was very surprised at that, 462 00:27:46,480 --> 00:27:48,760 Speaker 5: and he said he just found it and he did it, 463 00:27:48,800 --> 00:27:54,560 Speaker 5: and it's really that's their masterpiece album from nineteen fifty eight. 464 00:27:54,640 --> 00:27:57,920 Speaker 5: And so that's why I have a place for Billy 465 00:27:58,000 --> 00:27:58,840 Speaker 5: Joel in my mind. 466 00:27:58,920 --> 00:28:02,760 Speaker 2: So don't get me wrong, I'm not I don't dislike 467 00:28:02,840 --> 00:28:08,160 Speaker 2: them or or Billy Joe, but they just don't fit 468 00:28:08,200 --> 00:28:09,800 Speaker 2: in the bud. But that's cool, that's nice that you 469 00:28:09,840 --> 00:28:10,480 Speaker 2: called about that. 470 00:28:10,680 --> 00:28:11,880 Speaker 5: Well, you said open lines. 471 00:28:11,960 --> 00:28:14,359 Speaker 2: Oh, you're totally right. You're totally right. Do you have 472 00:28:14,359 --> 00:28:19,200 Speaker 2: any recollection of a particularly good or it's particularly bad 473 00:28:19,359 --> 00:28:20,200 Speaker 2: New Year's Eve? 474 00:28:21,400 --> 00:28:22,640 Speaker 5: No, I'm sorry. 475 00:28:23,320 --> 00:28:26,040 Speaker 2: I tell you, all the hundreds of years that you've lived, 476 00:28:26,440 --> 00:28:29,920 Speaker 2: you you can't even think of one good New Year's 477 00:28:29,920 --> 00:28:31,040 Speaker 2: Eve or one bad one? 478 00:28:31,880 --> 00:28:35,840 Speaker 5: Can I tell you this? If it's if it's irrelevant, 479 00:28:35,840 --> 00:28:41,520 Speaker 5: I apologize, no problem. Give me January first, eighteen fifty two. 480 00:28:41,560 --> 00:28:45,720 Speaker 5: You know Robert Browning a great poet. He made a 481 00:28:45,760 --> 00:28:48,080 Speaker 5: New Year's resolution that he wanted to write a poem 482 00:28:48,120 --> 00:28:51,320 Speaker 5: every day. So he had to be looking at king 483 00:28:51,400 --> 00:28:55,280 Speaker 5: Lear where it's a long star. But Edgar potends he's mad, 484 00:28:55,320 --> 00:28:58,680 Speaker 5: and he says, child roll into the dark tower came. 485 00:29:00,320 --> 00:29:03,280 Speaker 5: So he wrote a poem. He had that as his 486 00:29:03,360 --> 00:29:06,400 Speaker 5: last line of the poem, thirty seven stanzas, and he 487 00:29:06,440 --> 00:29:08,960 Speaker 5: finished it that day. My first thought was he lied 488 00:29:09,000 --> 00:29:11,400 Speaker 5: in every word that's the first line, and went on 489 00:29:11,480 --> 00:29:13,400 Speaker 5: for thirty seven stanzas, and he said he didn't really 490 00:29:13,480 --> 00:29:15,360 Speaker 5: know what it was about, but it's it's really a 491 00:29:15,520 --> 00:29:20,080 Speaker 5: very interesting poeman, my master writer. So thanks for sh 492 00:29:21,360 --> 00:29:22,800 Speaker 5: Sorry it's irrelevant. 493 00:29:23,920 --> 00:29:27,040 Speaker 2: Nothing is irrelevant now open lines, and I appreciate it. 494 00:29:27,120 --> 00:29:31,320 Speaker 2: Hey Bob, and Woolburn wants to chime in here. Hello Bob, 495 00:29:31,400 --> 00:29:35,960 Speaker 2: thanks for being on with me on Nightside with Us. 496 00:29:36,160 --> 00:29:41,360 Speaker 7: Hey Bradley, nice to talk to you. So I'm kind 497 00:29:41,360 --> 00:29:44,400 Speaker 7: of a history buff and I'm going to be at 498 00:29:44,480 --> 00:29:48,520 Speaker 7: the Prospect Hill tomorrow. It's kind of a big celebration. 499 00:29:49,560 --> 00:29:54,000 Speaker 7: It's the first time the Grand Union Flag was raised 500 00:29:54,040 --> 00:29:57,880 Speaker 7: on American soil, and it's the turn in fiftieth anniversary tomorrow. 501 00:29:58,600 --> 00:30:03,080 Speaker 2: So I think guess Bob Allison was talking about that 502 00:30:03,600 --> 00:30:06,080 Speaker 2: they're raised on the flag the Prospect Till. Is that 503 00:30:06,120 --> 00:30:09,680 Speaker 2: Somerville and some of it Prospect Hill Park. Yeah, that's 504 00:30:09,680 --> 00:30:11,880 Speaker 2: a big deal. Tell us a little more about that event. 505 00:30:13,240 --> 00:30:16,160 Speaker 7: So I've been to it a couple of times, and 506 00:30:16,360 --> 00:30:19,680 Speaker 7: the idea is that they're going to have some speakers there. 507 00:30:20,560 --> 00:30:23,320 Speaker 7: There's a guy, John Coopman who kind of re enacts 508 00:30:24,520 --> 00:30:26,920 Speaker 7: George Washington. He's going to be there on his horse. 509 00:30:26,960 --> 00:30:29,040 Speaker 7: That they're going to have a little parade from City 510 00:30:29,040 --> 00:30:33,680 Speaker 7: Hall right up the Prospect Hill. And it was really 511 00:30:33,720 --> 00:30:36,520 Speaker 7: an act of defiance where they said, you know, all right, 512 00:30:37,560 --> 00:30:39,920 Speaker 7: we've got the Grand Union Flag. This was before Betsy 513 00:30:40,000 --> 00:30:41,800 Speaker 7: Ross and all that kind of stuff, but they said, 514 00:30:42,560 --> 00:30:44,720 Speaker 7: you know, we want to really claim this. And it 515 00:30:44,880 --> 00:30:47,640 Speaker 7: was a big hill, so it's something when they raised 516 00:30:47,640 --> 00:30:50,160 Speaker 7: it up on this fort. There's a nice fort there 517 00:30:50,160 --> 00:30:53,840 Speaker 7: that's thirty forty feet high. You could see it really 518 00:30:54,480 --> 00:30:58,400 Speaker 7: all throughout Boston, Roxbury, Dorchester, pretty high hill back in 519 00:30:58,440 --> 00:30:58,760 Speaker 7: the day. 520 00:30:58,920 --> 00:31:00,160 Speaker 2: So is the fort still there? 521 00:31:00,920 --> 00:31:01,160 Speaker 4: Yeah? 522 00:31:01,360 --> 00:31:02,920 Speaker 2: Is the original fort? 523 00:31:03,320 --> 00:31:05,960 Speaker 7: No, it's probably built up a little bit. It's it's 524 00:31:06,040 --> 00:31:11,440 Speaker 7: more of tradition kind of thing, but you can climb 525 00:31:11,520 --> 00:31:13,560 Speaker 7: up it. It's it's forty feet I it's it's almost 526 00:31:13,640 --> 00:31:17,160 Speaker 7: like a well, you know, made of rocks and all 527 00:31:17,200 --> 00:31:21,920 Speaker 7: that kind of stuff, and like it castle. Yeah, more 528 00:31:21,920 --> 00:31:24,320 Speaker 7: of a castle kind of thing. Yeah. 529 00:31:24,640 --> 00:31:27,200 Speaker 2: And can you talk about this Grand Union flag? What 530 00:31:27,720 --> 00:31:28,200 Speaker 2: it looked like. 531 00:31:29,680 --> 00:31:33,960 Speaker 7: Yeah, it was there's some stars on it. They had. 532 00:31:34,320 --> 00:31:37,840 Speaker 7: Let me see if I can look at a picture 533 00:31:37,880 --> 00:31:45,720 Speaker 7: of it. So it was some stripes. There was right 534 00:31:45,840 --> 00:31:49,080 Speaker 7: red and white stripes and then they had almost like 535 00:31:49,160 --> 00:31:55,440 Speaker 7: a British cross, so you know where the these stars 536 00:31:55,440 --> 00:32:02,400 Speaker 7: are nowadays. There was kind of an accent and the 537 00:32:02,440 --> 00:32:06,360 Speaker 7: tea was red and then part of it was blue 538 00:32:06,360 --> 00:32:08,160 Speaker 7: and part of it was white. So it was kind 539 00:32:08,160 --> 00:32:10,560 Speaker 7: of a Grand Union flag that they had for a while. 540 00:32:10,640 --> 00:32:13,040 Speaker 7: In seventeen seventy seven, I think is when Betsy Ross's 541 00:32:13,040 --> 00:32:16,080 Speaker 7: flag came in, but they call it the Continental Union 542 00:32:16,120 --> 00:32:21,360 Speaker 7: flag or the Grand Union Flag. You'll see some pictures 543 00:32:21,360 --> 00:32:25,360 Speaker 7: of that if you look at some history in the 544 00:32:25,360 --> 00:32:29,760 Speaker 7: seventeen seventy five, seventeen seventy six. But tomorrow it's gonna 545 00:32:29,760 --> 00:32:31,440 Speaker 7: be the tourn in fiftieth anniversary. 546 00:32:31,480 --> 00:32:36,280 Speaker 2: So what other parts of history do you like? Just 547 00:32:36,320 --> 00:32:38,000 Speaker 2: a revolution or others. 548 00:32:38,920 --> 00:32:43,040 Speaker 7: Well, I've actually been Captain Isaac Hall in a couple 549 00:32:43,120 --> 00:32:47,040 Speaker 7: events where Paul Revere gets on his horse and goes 550 00:32:47,040 --> 00:32:51,240 Speaker 7: from Charlestown to Medford. So mostly it's mostly what I've 551 00:32:51,280 --> 00:32:53,960 Speaker 7: done is the Revolutionary War. I've got a chance to 552 00:32:54,000 --> 00:32:55,719 Speaker 7: meet some of the guys that shoot the guns when 553 00:32:55,720 --> 00:32:59,000 Speaker 7: they score the touchdowns at the Gillette Stadium, and a 554 00:32:59,040 --> 00:33:03,200 Speaker 7: lot of those guys were that Revolutionary Patriotic militia kind 555 00:33:03,240 --> 00:33:06,240 Speaker 7: of uniform and they said, hey, when you retire, maybe 556 00:33:06,280 --> 00:33:08,360 Speaker 7: you can kind of help us out promoting it. And 557 00:33:08,920 --> 00:33:12,200 Speaker 7: so I've showed up a couple of their events and 558 00:33:12,200 --> 00:33:14,760 Speaker 7: and I'll be there tomorrow. I'm not doing anything formal. 559 00:33:14,840 --> 00:33:17,120 Speaker 7: I'm just kind of there that kind of promote that 560 00:33:17,160 --> 00:33:20,400 Speaker 7: we're putting up a statue of a woman in Medford 561 00:33:20,440 --> 00:33:23,160 Speaker 7: in April, of a woman that was known as the 562 00:33:23,160 --> 00:33:27,880 Speaker 7: mother of the Boston Tea Party, Sarah Bradley. Sarah Bradley Fulton. 563 00:33:29,760 --> 00:33:32,200 Speaker 2: That's the mother. So explain how how she's the mother 564 00:33:32,240 --> 00:33:32,880 Speaker 2: of the tea party. 565 00:33:34,000 --> 00:33:39,240 Speaker 7: Yeah. So her brother Nathaniel, his home was right on 566 00:33:39,320 --> 00:33:42,880 Speaker 7: Griffin's Wharf. So as they were discussing whether or not 567 00:33:43,320 --> 00:33:47,320 Speaker 7: they were going to send the tea back to London 568 00:33:47,360 --> 00:33:50,080 Speaker 7: and back to England, and they decided, we're not going 569 00:33:50,160 --> 00:33:51,720 Speaker 7: to dump it back. I mean, we're not going to 570 00:33:51,760 --> 00:33:54,760 Speaker 7: ship it back. We're going to dump it. A lot 571 00:33:54,800 --> 00:33:57,480 Speaker 7: of the people that decided that, you know, Samuel Adams 572 00:33:57,480 --> 00:34:00,040 Speaker 7: and the Sons of Liberty and the Grand Mason's and 573 00:34:00,040 --> 00:34:01,720 Speaker 7: all that kind of stuff, they said, well, if we 574 00:34:01,960 --> 00:34:03,680 Speaker 7: get on the boat, we're going to have to disguise 575 00:34:03,680 --> 00:34:06,360 Speaker 7: ourselves because if the British know who we are, we're 576 00:34:06,360 --> 00:34:08,480 Speaker 7: going to be trouble. You know. They could tower feathers, 577 00:34:08,480 --> 00:34:10,200 Speaker 7: they could do some damage to us. They could burn 578 00:34:10,200 --> 00:34:13,879 Speaker 7: a house down. So Sarah happened to be there and said, 579 00:34:13,880 --> 00:34:16,560 Speaker 7: come on over to my brother's house that's in yours house, 580 00:34:16,600 --> 00:34:18,759 Speaker 7: and I'll put some makeup on you and you won't 581 00:34:18,760 --> 00:34:20,520 Speaker 7: be able to tell who's who. I'll just put some 582 00:34:20,560 --> 00:34:23,239 Speaker 7: soyr on you and some ash on your face, and 583 00:34:23,239 --> 00:34:25,799 Speaker 7: we'll put some feathers in your and you kind of 584 00:34:25,840 --> 00:34:29,359 Speaker 7: grab some some rags and stuff and some stuff like 585 00:34:29,440 --> 00:34:32,160 Speaker 7: making you look like a mohawk Indian and just go 586 00:34:32,280 --> 00:34:34,320 Speaker 7: in there. And there's about thirty of them that she 587 00:34:34,440 --> 00:34:36,960 Speaker 7: dressed up, and the British didn't know what to do. 588 00:34:37,000 --> 00:34:39,000 Speaker 7: They're not going to mess with these Indians, you know. 589 00:34:39,160 --> 00:34:41,000 Speaker 7: So the next thing, you know, all these Indians they 590 00:34:41,000 --> 00:34:44,400 Speaker 7: were all synchronized. They went down the bottom and you 591 00:34:44,520 --> 00:34:46,160 Speaker 7: stay in the bottom, you hook it up to me 592 00:34:46,280 --> 00:34:49,000 Speaker 7: your second floor, third floor, and they had the full 593 00:34:49,040 --> 00:34:52,759 Speaker 7: synchronized thing. They dumped three hundred and forty buckets of 594 00:34:53,960 --> 00:34:56,000 Speaker 7: tea into the Harborn just a couple hours and then 595 00:34:56,040 --> 00:34:58,720 Speaker 7: they ran into the crowd because the crowd was cheering 596 00:34:58,719 --> 00:35:01,799 Speaker 7: them the whole time, and Sarah got some soap and 597 00:35:02,120 --> 00:35:04,000 Speaker 7: washed it all off with her sisters and a few 598 00:35:04,000 --> 00:35:06,920 Speaker 7: other people, and they dispersed. And the people that were 599 00:35:06,920 --> 00:35:11,840 Speaker 7: part of this Mohawk Indian disguise, they were sworn to secrecy, 600 00:35:11,840 --> 00:35:14,120 Speaker 7: and a lot of them didn't tell anyone that they 601 00:35:14,120 --> 00:35:16,719 Speaker 7: were actually on the ship until twenty thirty, forty fifty 602 00:35:16,800 --> 00:35:17,239 Speaker 7: years later. 603 00:35:18,600 --> 00:35:20,680 Speaker 2: Oh, thanks for I didn't realize that. Well, thank you 604 00:35:20,760 --> 00:35:23,359 Speaker 2: very much, Bob. I got I got to go now, 605 00:35:23,400 --> 00:35:26,200 Speaker 2: but thanks for the call. Appreciate it. We'll go to 606 00:35:26,239 --> 00:35:30,439 Speaker 2: Ohio after this and then hand over. 607 00:35:31,360 --> 00:35:31,640 Speaker 4: I have. 608 00:35:32,600 --> 00:35:35,520 Speaker 2: I've told you my sad New Year's story. I have 609 00:35:35,560 --> 00:35:38,839 Speaker 2: a couple of good New Year's stories, fun, upbeat. I'd 610 00:35:38,840 --> 00:35:41,520 Speaker 2: love to hear your you're not so good at New 611 00:35:41,600 --> 00:35:44,320 Speaker 2: Year and your best New Year and anything else you 612 00:35:44,360 --> 00:35:47,920 Speaker 2: want to talk about. Opening lines here on WBZ. 613 00:35:48,400 --> 00:35:52,680 Speaker 1: You're on Night Side with Dan Ray on WBZY, Boston's 614 00:35:52,719 --> 00:35:53,360 Speaker 1: news Radio. 615 00:35:54,600 --> 00:35:59,080 Speaker 2: Brad J for Dan tonight, Happy New Year's Eve, and 616 00:35:59,200 --> 00:36:02,920 Speaker 2: hope you have a pleasant tomorrow as well. It's interesting 617 00:36:02,920 --> 00:36:10,680 Speaker 2: about celebrating New Year's It's always anticlimactic after for me. 618 00:36:12,000 --> 00:36:15,399 Speaker 2: Ten nine, eight, seven, six, five four three to one. 619 00:36:16,080 --> 00:36:23,320 Speaker 2: Yay now, what you know, that was always a problem 620 00:36:23,360 --> 00:36:28,359 Speaker 2: for me, that the aftermath was a downer. That then 621 00:36:28,440 --> 00:36:32,480 Speaker 2: that kind of I think that was, you know, when 622 00:36:32,520 --> 00:36:36,480 Speaker 2: I realized that, that's when I stopped really partying on 623 00:36:36,920 --> 00:36:39,920 Speaker 2: New Year's as much. After that it became a more 624 00:36:40,040 --> 00:36:43,000 Speaker 2: chill event for me. Open lines. You want to talk 625 00:36:43,040 --> 00:36:46,080 Speaker 2: about your best or worst New Year's it's great. Anything 626 00:36:46,080 --> 00:36:49,120 Speaker 2: else is fine. Six, one, seven, two, five, ten thirties 627 00:36:49,320 --> 00:36:52,439 Speaker 2: Craig and Ohio. Hello, Craig, how you doing. 628 00:36:52,760 --> 00:36:58,239 Speaker 4: I'm gonna chime in on punk rock music. Sure, it 629 00:36:58,400 --> 00:37:03,759 Speaker 4: was seventy eight as in Amsterdam, and it seemed to 630 00:37:03,800 --> 00:37:08,319 Speaker 4: be exploding around then. I don't know for sure, but 631 00:37:08,360 --> 00:37:11,120 Speaker 4: I remember Johnny Rod and the sex Pistols was a 632 00:37:11,120 --> 00:37:14,319 Speaker 4: big thing. And then I was at a club called 633 00:37:14,320 --> 00:37:19,200 Speaker 4: the Paradisio his old church that turned into a rock 634 00:37:19,280 --> 00:37:23,839 Speaker 4: and roll club, and I was kind of freaked out, 635 00:37:24,160 --> 00:37:27,719 Speaker 4: you know. I remember as Sandy Vix's girl, she had 636 00:37:27,760 --> 00:37:31,680 Speaker 4: safety pins going from her cheek to her ear lobe, 637 00:37:31,840 --> 00:37:37,160 Speaker 4: and I was partaking in things that were available there, 638 00:37:37,560 --> 00:37:42,560 Speaker 4: and uh it was I asked the girl, what's the 639 00:37:42,640 --> 00:37:45,719 Speaker 4: name of the band, and she goes, She's from New 640 00:37:45,800 --> 00:37:52,719 Speaker 4: York and it was Blondie. Oh yeah, I'm talking. I 641 00:37:52,760 --> 00:37:55,759 Speaker 4: was five feet from the stage, so. 642 00:37:55,800 --> 00:37:58,719 Speaker 2: You must have been impressed by Blondie. The band was 643 00:37:58,760 --> 00:37:59,319 Speaker 2: pretty good. 644 00:38:00,400 --> 00:38:03,160 Speaker 4: Well, yeah, you know it was. But I was just 645 00:38:03,239 --> 00:38:05,400 Speaker 4: kind of like, wow, what the heck is going on 646 00:38:05,480 --> 00:38:09,239 Speaker 4: around the Blondie was you know, here's this you know, 647 00:38:09,520 --> 00:38:14,160 Speaker 4: beautiful blonde girl you know on the stage is singing. 648 00:38:14,880 --> 00:38:17,800 Speaker 4: I couldn't tell you one song to tell you the truth, 649 00:38:17,960 --> 00:38:23,239 Speaker 4: you know, its a long time ago, but uh, I 650 00:38:23,440 --> 00:38:26,480 Speaker 4: just never you know. And that's when the guys with 651 00:38:26,560 --> 00:38:30,279 Speaker 4: the big spikes in their hair, yes, I guess girls too, 652 00:38:31,400 --> 00:38:35,200 Speaker 4: And I was asking about I said, what's that all about? 653 00:38:35,280 --> 00:38:37,719 Speaker 4: And I said, well, they go to a job interview 654 00:38:37,880 --> 00:38:40,160 Speaker 4: like that. They know they're not going to get a job, 655 00:38:40,360 --> 00:38:44,239 Speaker 4: so they you know, so I guess they got more 656 00:38:44,360 --> 00:38:48,440 Speaker 4: government money or some government money or whatever. But uh so, 657 00:38:48,520 --> 00:38:49,200 Speaker 4: let me ask. 658 00:38:49,040 --> 00:38:53,719 Speaker 2: You, how did you end up there? And that, you know, 659 00:38:53,840 --> 00:38:57,520 Speaker 2: you being you? How did you end up in that environment. 660 00:38:59,280 --> 00:39:02,080 Speaker 4: You meaning Amsterdam, in Amsterdam and. 661 00:39:02,400 --> 00:39:04,480 Speaker 2: Even more particularly that particular club. 662 00:39:05,719 --> 00:39:08,040 Speaker 4: Well, I was, you know, as a young guy, I 663 00:39:08,080 --> 00:39:10,480 Speaker 4: was trying to look for, you know, some cool places 664 00:39:10,480 --> 00:39:14,200 Speaker 4: to go, and uh, you know, I was kind of 665 00:39:14,200 --> 00:39:16,919 Speaker 4: bored with everything else. And then you know, they told 666 00:39:16,920 --> 00:39:21,040 Speaker 4: me about the Paradisio and uh. As a matter of fact, 667 00:39:21,160 --> 00:39:24,320 Speaker 4: I remember one guy, I went downstairs and you've shown 668 00:39:24,400 --> 00:39:28,360 Speaker 4: me posters of uh the who played there and some 669 00:39:28,520 --> 00:39:33,160 Speaker 4: other bands, proco harm and stuff like that. I was like, Wow, 670 00:39:34,360 --> 00:39:36,080 Speaker 4: must be a cool place, you. 671 00:39:36,040 --> 00:39:38,239 Speaker 2: Know, in Amsterdam. 672 00:39:39,520 --> 00:39:42,160 Speaker 4: I was in the Navy and I took a train 673 00:39:42,280 --> 00:39:45,319 Speaker 4: from Rotterdam to Amsterdam. 674 00:39:44,800 --> 00:39:48,480 Speaker 2: Wow. And there must have been some eye opening stuff 675 00:39:48,480 --> 00:39:51,240 Speaker 2: there for you in Amsterdam. 676 00:39:51,480 --> 00:39:56,160 Speaker 4: Oh yeah, yeah, it was definitely different, you know, as wild, 677 00:39:56,680 --> 00:39:59,120 Speaker 4: you know, but you know, walking up and down the street, 678 00:39:59,280 --> 00:40:01,319 Speaker 4: women in the windows and stuff and. 679 00:40:03,120 --> 00:40:03,560 Speaker 9: Uh. 680 00:40:04,440 --> 00:40:08,320 Speaker 4: But uh, you know, I never got the punk rock music. 681 00:40:08,440 --> 00:40:12,640 Speaker 4: I just never got it, Bradley, you know, I a 682 00:40:12,680 --> 00:40:13,040 Speaker 4: lot of. 683 00:40:12,960 --> 00:40:15,759 Speaker 2: It I didn't like either, So I liked some of it. 684 00:40:15,840 --> 00:40:18,560 Speaker 2: I love the clash And I was never a big 685 00:40:18,600 --> 00:40:21,680 Speaker 2: sex Pistols fan, to tay the truth, and I kind 686 00:40:21,680 --> 00:40:24,400 Speaker 2: of admit, don't tell anybody I was never a giant 687 00:40:24,480 --> 00:40:27,080 Speaker 2: Ramos fan either. Craig, I gotta go because I gotta 688 00:40:27,120 --> 00:40:30,319 Speaker 2: make time, make time for Harold in Hanover before the 689 00:40:30,400 --> 00:40:32,520 Speaker 2: top of Harold, what's going on? 690 00:40:33,760 --> 00:40:36,839 Speaker 9: Hey, how you doing Bradley. We're talk to him quite 691 00:40:36,880 --> 00:40:40,120 Speaker 9: a while. Yeah, I know, we used to talk quite 692 00:40:40,120 --> 00:40:44,879 Speaker 9: a bit about your love for Bowie. Yes, I love 693 00:40:45,160 --> 00:40:48,520 Speaker 9: to act. I think you know. Given he died to Lily, 694 00:40:48,600 --> 00:40:53,239 Speaker 9: he didn't live longer here. He was dabbling another types 695 00:40:53,280 --> 00:40:55,839 Speaker 9: of music before he died. He listened to his last 696 00:40:57,280 --> 00:41:00,760 Speaker 9: I think, but not quite. No one could betish greative. 697 00:41:02,040 --> 00:41:02,319 Speaker 4: You know what. 698 00:41:03,800 --> 00:41:05,960 Speaker 2: I had to let you go because your phone is 699 00:41:06,000 --> 00:41:09,919 Speaker 2: breaking up, but I do I feel bad about that 700 00:41:10,719 --> 00:41:12,480 Speaker 2: after the break. If you can get a better phone, 701 00:41:12,560 --> 00:41:17,919 Speaker 2: we can continue or a better location. But it was inaudible, 702 00:41:18,040 --> 00:41:19,680 Speaker 2: couldn't really make out what you were saying. But he 703 00:41:19,719 --> 00:41:22,759 Speaker 2: didn't talk about David Bowie and his last album, which 704 00:41:22,800 --> 00:41:25,080 Speaker 2: is called Black Star, which he made Wiley was dying 705 00:41:25,640 --> 00:41:28,240 Speaker 2: and it turns out to be a masterpiece. It's actually 706 00:41:28,280 --> 00:41:31,319 Speaker 2: a jazz album. Love to have you on board. I'm 707 00:41:31,440 --> 00:41:35,279 Speaker 2: very thankful for all you. I'm glad that you call. 708 00:41:35,400 --> 00:41:37,880 Speaker 2: It's good that you have a voice on WBZ and 709 00:41:37,960 --> 00:41:40,920 Speaker 2: the community. I know you can feel that community. I 710 00:41:41,160 --> 00:41:44,320 Speaker 2: do have a question whenever happened to Joe Anne and Walfam. 711 00:41:44,360 --> 00:41:48,440 Speaker 2: I pray that she's okay. Well, if anybody knows her. 712 00:41:49,040 --> 00:41:51,600 Speaker 2: I suppose it's late to call her up, but I 713 00:41:51,640 --> 00:41:55,600 Speaker 2: hope joe Anne's okay, and maybe if she's listening, she'll call. 714 00:41:56,600 --> 00:41:58,600 Speaker 2: Tell me about your best New Year, your worst New Year, 715 00:41:59,280 --> 00:42:01,320 Speaker 2: New Year, or anything else here on WBZ