WEBVTT - EITM interviews Gunnar Nelson

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<v Speaker 1>And how are you. I am doing well, sir, How

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<v Speaker 1>are you?

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<v Speaker 2>I'm doing great now. It sounds like you've had nine

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<v Speaker 2>cups of coffee and I like it.

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<v Speaker 1>You're a little low, but I appreciate the compliment. I think. Anyway,

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<v Speaker 1>how are you doing, dude?

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<v Speaker 3>Where do you?

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<v Speaker 2>Little?

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<v Speaker 3>Life is great? Man?

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<v Speaker 2>Seriously, I caught a lick with the James gunn peacemaker

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<v Speaker 2>placement in that HBO show with John Cena with Nelson.

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<v Speaker 3>That was great. That happened a couple months ago.

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<v Speaker 2>And now we just woke up to a best selling

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<v Speaker 2>book on Amazon, so it feels pretty good.

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<v Speaker 4>Hey, So okay, so obviously we'll get into the book.

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<v Speaker 4>What happened to your hair is the name of the book.

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<v Speaker 1>Why? Well, let's let's back up to the beginning. Why why? Why? Now? Why? Now?

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<v Speaker 2>You know, honestly, it just kind of was one of

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<v Speaker 2>those things where over the years we had so many

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<v Speaker 2>people coming up with really important questions to us as

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<v Speaker 2>our father's son.

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<v Speaker 3>That's that was really the impetus.

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<v Speaker 2>It started out wanting to set the record straight with

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<v Speaker 2>what happened with our father's plane crash back in the

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<v Speaker 2>day that we weren't allowed to talk about back in

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<v Speaker 2>the day, and we just kind of hoped that time

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<v Speaker 2>was going to address that, and it.

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<v Speaker 1>Just seemed to not so.

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<v Speaker 2>After one too many people came up in an autograph

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<v Speaker 2>line and said, hey, you know, we heard all these

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<v Speaker 2>rumors about your dad's a plane crash.

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<v Speaker 3>What was the real deal?

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<v Speaker 2>We just decided to start writing the book just based

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<v Speaker 2>on that, and it turned into something much greater than that.

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<v Speaker 3>It was our opportunity in our own words.

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<v Speaker 2>There are no ghostwriters or anything like that, right, Matthew

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<v Speaker 2>and I got to tell our stories the first time

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<v Speaker 2>that we're telling our story rather than other people trying

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<v Speaker 2>to tell it for us.

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<v Speaker 4>You know what, you know what I don't understand though,

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<v Speaker 4>is like Ricky Nelson was very very famous, your dad

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<v Speaker 4>was a very very very famous person. And the plane

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<v Speaker 4>crash happens, and as it turns out, like we're.

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<v Speaker 1>Saying what it is, right, it's in the book, Like

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<v Speaker 1>I'm not hiding anything.

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<v Speaker 3>No, no, no, what we're saying what it is.

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<v Speaker 2>It turned out to be a leaking fuel line that

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<v Speaker 2>fed the heater in the back of the plane, that

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<v Speaker 2>filled the belly of the plane up with aviation fuel.

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<v Speaker 1>Right, and that faithful New Year's Eve.

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<v Speaker 2>It was coming in for a landing in decalb, Texas,

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<v Speaker 2>and the fuel sloshed forward and a spark in the

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<v Speaker 2>cockpit wiring actually set it on fire.

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<v Speaker 3>They actually landed the plane by the way.

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<v Speaker 2>They were able to land the plane, but the smoke

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<v Speaker 2>had taken everybody by the time that they were able

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<v Speaker 2>to see the pilot's escape through the escape patch in

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<v Speaker 2>the front, and they were the only two that survived.

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<v Speaker 2>They were really, really injured. But it was one of

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<v Speaker 2>those things where it was bad enough that we had

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<v Speaker 2>to deal with that. Our dad was our best friend.

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<v Speaker 2>Matt and I were just eighteen. We were all living

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<v Speaker 2>together and hanging out, and Matthew and I were actually

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<v Speaker 2>supposed to be on that plane.

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<v Speaker 4>Our father crazy is that? And your dad was like,

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<v Speaker 4>I got a bad something's not right here.

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<v Speaker 1>Just meet me there.

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<v Speaker 2>Well, look, as a dad myself, it's kind of one

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<v Speaker 2>of those things. All these years, I've wondered why it was.

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<v Speaker 2>But Matthew, Okay, first off, it was going into New

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<v Speaker 2>Year's Eve. It was the first semester after all of

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<v Speaker 2>our friends from high school had gone away to college

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<v Speaker 2>and they had come back and we were all going

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<v Speaker 2>to have New Year's Eve parties together and stuff. But

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<v Speaker 2>our dad was doing a New Year's Eve concert in Dallas,

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<v Speaker 2>and our plan was since we'd never flown on this

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<v Speaker 2>legendary plane. It was bought by I bought from Jerry

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<v Speaker 2>Lee Lewis. It was a World War Two era DC

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<v Speaker 2>three big plane that we were going to fly on

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<v Speaker 2>the plane with our father from his gig before New

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<v Speaker 2>Year's Eve in Alabama. We're going to fly with the

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<v Speaker 2>band and our dad to that New Year's Eve show

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<v Speaker 2>on the plane for the first time and catch New

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<v Speaker 2>Year's together, catch a show, And that was the whole

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<v Speaker 2>point of it. And for some reason our dad called

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<v Speaker 2>us the night before we were supposed to split. Matt

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<v Speaker 2>and I had our bags packed ready to go to

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<v Speaker 2>the airport and fly down there commercially. The next morning

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<v Speaker 2>he called out of the blue, and he was uncharacteristically

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<v Speaker 2>stern about it. He said, look, boys, just been thinking

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<v Speaker 2>about this. Love to spend New Year's with you, but

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<v Speaker 2>if we're going to do it, you gotta fly commercial

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<v Speaker 2>Dallas and meet me there. And you know, we were

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<v Speaker 2>kind of crabby about the whole thing, saying, you know,

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<v Speaker 2>the whole point was to fly on the plane and

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<v Speaker 2>he said, you know, look, I've made up my mind.

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<v Speaker 3>This is not a negotiation. It's not going to happen.

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<v Speaker 2>So we said, okay, well, we'll just wait here, hang

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<v Speaker 2>out with our friends for New Year's we'll see you

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<v Speaker 2>when you get back. And of course he never did right.

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<v Speaker 2>And then the press handled that so horribly. They started

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<v Speaker 2>this weird rumor about drug abuse on the plane having

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<v Speaker 2>any thing to do with it, and it was a whirlwind.

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<v Speaker 3>It was in the press cycle and so on top

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<v Speaker 3>of losing our dad.

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<v Speaker 2>As kids just eighteen, we had to navigate a really

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<v Speaker 2>toxic and violent press about how they were trashing our

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<v Speaker 2>dad's reputation.

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<v Speaker 3>But Matt and I at the time couldn't talk about it.

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<v Speaker 2>Because the deal was made that if the families of

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<v Speaker 2>the band that went down with the plane as well

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<v Speaker 2>were to get subsities, get paid, and be able to

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<v Speaker 2>pay for their kids, we weren't allowed to talk about it.

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<v Speaker 2>We had to wait until the NTSP report came out

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<v Speaker 2>a year later, which it did. Of course, it exonerated

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<v Speaker 2>our father. However, the damage had already been done. So

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<v Speaker 2>I still get people coming up at autograph lines like

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<v Speaker 2>I said, and asking and this book really does address

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<v Speaker 2>all of it.

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<v Speaker 4>But the part that I still don't get, and maybe

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<v Speaker 4>I'm just dumb, but the part that I don't get

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<v Speaker 4>is isn't it a big enough story? I feel horrible

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<v Speaker 4>saying this talk about your dad, but isn't it a

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<v Speaker 4>big enough story that Ricky Nelson and his band died

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<v Speaker 4>in a plane crash on New y Year's Eve? That

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<v Speaker 4>whether you don't have to go the extra step to

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<v Speaker 4>try to create like this false narrative about drug abuse.

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<v Speaker 4>How about just the fact that this guy who's his

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<v Speaker 4>parents are famous, he's got two young kids, he's got

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<v Speaker 4>a band there with families everybody.

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<v Speaker 1>Isn't that enough?

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<v Speaker 2>Well, sometimes we suck, Elliott, Like I said, you know, I,

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<v Speaker 2>you know, It's just kind of one of those things.

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<v Speaker 3>Man, It's just you would think.

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<v Speaker 2>But apparently there was a reporter from the Washington Post

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<v Speaker 2>walking around the wreckage afterwards and just launching questions, random

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<v Speaker 2>questions to the NTSB investigator who was there, and just

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<v Speaker 2>based on he said, oh, are you going to check

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<v Speaker 2>for drug abuse on the plane? And the investigator said, well,

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<v Speaker 2>we check for everything. Just on that, this guy decides

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<v Speaker 2>to write this totally fabricated story, which unfortunately caught wind

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<v Speaker 2>on the wire and spread everywhere.

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<v Speaker 3>But it was total bs.

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<v Speaker 2>The whole thing was right, and you know, I guess

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<v Speaker 2>that reporter just kind of wanted to be at the

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<v Speaker 2>forefront of all that. It's you know, it was tragic

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<v Speaker 2>and stuff, but it's really important to note. Look, honestly,

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<v Speaker 2>we lose a lot of us going to and from gigs.

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<v Speaker 2>I always say, just Matthew and I've been doing this

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<v Speaker 2>for forty years now, and they don't really pay us

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<v Speaker 2>for the shows.

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<v Speaker 1>They pay us for the travel, right, that's what we

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<v Speaker 1>get paid for.

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<v Speaker 2>And it's scary, you know sometimes in Matthew and I've

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<v Speaker 2>had a lot of close calls that are also in

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<v Speaker 2>the book as well. But it's just kind of that

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<v Speaker 2>part of the lifestyle where you have to get you

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<v Speaker 2>got to bring the rock to the people, and you

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<v Speaker 2>got to get there somehow. And this was just kind

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<v Speaker 2>of one of those times when a series of events

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<v Speaker 2>had to conspire absolutely perfectly in order for that particular

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<v Speaker 2>disaster to have happened. You take one of those events

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<v Speaker 2>out and it wouldn't have happened quite that way. And

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<v Speaker 2>so when that happens, you just kind of got to go. Well,

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<v Speaker 2>maybe maybe God just wanted them home. Maybe it was

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<v Speaker 2>just his time. Because coincidences are one thing, but so

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<v Speaker 2>many coincidences lining up is really hard to kind of

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<v Speaker 2>look around.

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<v Speaker 4>Hey, So the way that you and Matthew do this book,

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<v Speaker 4>it's pretty interesting. It's it's all broken up by chapters,

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<v Speaker 4>and and I do want to say that, while you

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<v Speaker 4>know there's there there is obviously a ton that is

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<v Speaker 4>paid to the family, it also gets into the nitty

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<v Speaker 4>gritty and the good and I guess a little bit

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<v Speaker 4>of the not so good of Nelson, but the But

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<v Speaker 4>it's written chapter by chapter, where you write a chapter

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<v Speaker 4>and Matthew writes a chapter, or you'll write about something

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<v Speaker 4>and then Matthew will do it. How did you guys

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<v Speaker 4>decide to break it up that way?

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<v Speaker 2>Well, that's that's a great question. Well, first off, there

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<v Speaker 2>are no ghostwriters involved in this at all. This is

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<v Speaker 2>all me and Matthew. We've got a very specific voice.

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<v Speaker 2>And when we're putting together the so to speak, the

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<v Speaker 2>big rocks, like what are the chapters we're going to

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<v Speaker 2>have to conquer here, we actually kind of divvy them

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<v Speaker 2>up based on who was most passionate or had the

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<v Speaker 2>best memory of certain things that went down.

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<v Speaker 3>That's initially how we did it.

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<v Speaker 2>There was only one chapter where we each wrote our

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<v Speaker 2>take on a particular event, and that was the event.

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<v Speaker 1>We just talked about the crash.

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<v Speaker 2>But for everything else it really flowed very very well.

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<v Speaker 2>I mean, it's not a short book. It's over five

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<v Speaker 2>hundred pages, over fifty chapters, and to be honest with you,

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<v Speaker 2>we could have written another book equally as long if

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<v Speaker 2>you really wanted to do like the old adults only

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<v Speaker 2>version that's coming next.

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<v Speaker 3>This one.

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<v Speaker 2>We just had to kind of take the big swipes

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<v Speaker 2>at things and it's been an amazing ride. Man.

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<v Speaker 3>Our childhood was not Ozzie and Harriet.

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<v Speaker 2>Our career, man, it just had more ups and downs

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<v Speaker 2>than Magic Mountain. But the whole point was we always

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<v Speaker 2>had each other, and we've always had this attitude that

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<v Speaker 2>a lot of people in our industry have attacked. We

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<v Speaker 2>are eternal optimists. We're grateful for everything. We are the

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<v Speaker 2>opposite of the Kardashians. We are grateful for not entitled

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<v Speaker 2>at all, and that's really helped us sometimes. It's all

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<v Speaker 2>we've been able to have. Like I've got a producer

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<v Speaker 2>friend named Jack Ponti, who worked with bon Jovi back

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<v Speaker 2>in the day, who once said to us, I've never

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<v Speaker 2>seen any two.

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<v Speaker 1>Guys able to make more out of nothing than you guys.

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<v Speaker 2>And I went thank you, and he's like, I didn't

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<v Speaker 2>mean it as a compliment, and it's like, but we

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<v Speaker 2>naturally did take it as a compliment.

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<v Speaker 3>And that's what's really helped us. Man.

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<v Speaker 4>So I jumped immediately to page one eighty four, Rocking

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<v Speaker 4>the Radio, and it just so happened to be written

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<v Speaker 4>by you. And it starts picking up where you guys

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<v Speaker 4>are talking about how Geffen Records, who you're signed to,

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<v Speaker 4>has you guys out on the road. And the plan was,

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<v Speaker 4>how are you guys going to break through? Millie Vanilli's

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<v Speaker 4>scandal has just broken. Here's two guys who obviously look alike,

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<v Speaker 4>and they're going to be out on the road.

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<v Speaker 1>So the whole thing was.

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<v Speaker 4>Before anything is out, let's get them out on the road.

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<v Speaker 4>And you guys are visiting two, three, four radio stations

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<v Speaker 4>in a day, sometimes in four or five different cities

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<v Speaker 4>cities in a day, And the whole thing was just

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<v Speaker 4>get out there and get known, and get out there

0:09:54.960 --> 0:09:57.840
<v Speaker 4>and get known, and oh quick side note, did you

0:09:57.920 --> 0:10:02.160
<v Speaker 4>really play a radio station manager's daughter's sweet sixteen party?

0:10:02.800 --> 0:10:03.000
<v Speaker 3>Oh?

0:10:03.120 --> 0:10:07.760
<v Speaker 2>Many of them, Absolutely, many of them. I also did

0:10:07.760 --> 0:10:09.920
<v Speaker 2>a lot of those free radio shows. I'm using air

0:10:10.000 --> 0:10:12.200
<v Speaker 2>quotes here. Radio shows. Sure, you show up with the

0:10:12.240 --> 0:10:16.320
<v Speaker 2>band and you play for free, and then you find

0:10:16.320 --> 0:10:19.480
<v Speaker 2>out that the company that owns the radio station is

0:10:19.520 --> 0:10:22.880
<v Speaker 2>selling tickets and making a ton of money, and you're

0:10:22.920 --> 0:10:24.800
<v Speaker 2>you're doing it for free just on the chance they're

0:10:24.800 --> 0:10:26.280
<v Speaker 2>going to spin your record on the stations.

0:10:26.360 --> 0:10:27.680
<v Speaker 3>We did a lot of those two.

0:10:27.880 --> 0:10:30.560
<v Speaker 1>So you're I'm sorry, go ahead, go ahead, No, no,

0:10:30.600 --> 0:10:31.600
<v Speaker 1>I mean what you were mentioning.

0:10:31.679 --> 0:10:33.360
<v Speaker 2>Yes, we did have to go to all the radio

0:10:33.360 --> 0:10:36.600
<v Speaker 2>stations because you talk about timing. As you mentioned, Milli

0:10:36.679 --> 0:10:39.000
<v Speaker 2>Vanilli comes out like eight months before us. The whole

0:10:39.000 --> 0:10:42.560
<v Speaker 2>scandal happens, actually eight months before we release. People see

0:10:42.559 --> 0:10:44.839
<v Speaker 2>the two of us in spandex and assless chaps and

0:10:44.840 --> 0:10:48.360
<v Speaker 2>they think we're like Milli Vanilla, you know, And honestly, dude,

0:10:48.400 --> 0:10:49.160
<v Speaker 2>we were a lot.

0:10:49.280 --> 0:10:50.320
<v Speaker 3>I mean, we really were.

0:10:50.400 --> 0:10:53.360
<v Speaker 2>The image was insane, but our model was love us

0:10:53.440 --> 0:10:54.760
<v Speaker 2>or hate us, You're going to know who we are.

0:10:54.880 --> 0:10:57.760
<v Speaker 2>But the problem with that is being sons of having

0:10:57.760 --> 0:11:01.400
<v Speaker 2>the image we had we had basically treated as guilty

0:11:01.440 --> 0:11:04.520
<v Speaker 2>until proven innocent. Right going to all of those radio

0:11:04.559 --> 0:11:08.120
<v Speaker 2>stations was not just to get known. It was to

0:11:08.240 --> 0:11:12.960
<v Speaker 2>get in there, raw and unfiltered, two acoustic guitars, two voices.

0:11:13.320 --> 0:11:14.880
<v Speaker 2>Of course, I don't know why you guys want us

0:11:14.920 --> 0:11:16.440
<v Speaker 2>to sing it for in the morning and sound like

0:11:16.440 --> 0:11:18.640
<v Speaker 2>we're in fine form, but that's kind of like the

0:11:18.720 --> 0:11:20.079
<v Speaker 2>nature of it. You go out and you do these

0:11:20.120 --> 0:11:23.600
<v Speaker 2>morning shows and you spread the word and it's it

0:11:23.640 --> 0:11:24.600
<v Speaker 2>can't be doctored.

0:11:24.880 --> 0:11:26.720
<v Speaker 3>You know, it's not auto tune. It's right there.

0:11:26.720 --> 0:11:30.080
<v Speaker 2>So people could hear the Matthew and I actually know

0:11:30.160 --> 0:11:32.440
<v Speaker 2>how to how to speak our mind, and we actually

0:11:32.440 --> 0:11:35.600
<v Speaker 2>can sing, and we can actually play talker. I don't

0:11:35.640 --> 0:11:38.280
<v Speaker 2>know why people wouldn't assume that we could, But that's

0:11:38.280 --> 0:11:40.520
<v Speaker 2>what that whole thing was about, was just to get

0:11:40.520 --> 0:11:42.640
<v Speaker 2>people talking at radio that like, hey, you know, I

0:11:42.679 --> 0:11:45.920
<v Speaker 2>wanted to write off those Nelson boys, but man, they're pretty.

0:11:45.760 --> 0:11:47.959
<v Speaker 4>Darn good, you know. So that's what we had to

0:11:48.000 --> 0:11:49.880
<v Speaker 4>start doing. So you guys are on your way to

0:11:49.920 --> 0:11:52.600
<v Speaker 4>the Bobby Poe Convention. We'll get into that in a second, and.

0:11:52.520 --> 0:11:53.160
<v Speaker 1>That takes place.

0:11:53.200 --> 0:11:56.440
<v Speaker 4>The Poe Convention is actually in Tyson's corner here in DC.

0:11:57.960 --> 0:12:00.679
<v Speaker 4>But here's the part that I didn't realize. And now, Gunner,

0:12:00.720 --> 0:12:03.040
<v Speaker 4>you won't you and I you will not remember me.

0:12:03.160 --> 0:12:07.000
<v Speaker 4>That's okay, but you talk about You guys are in

0:12:07.200 --> 0:12:11.240
<v Speaker 4>d C. And Pirate Radio plays your song out in

0:12:11.320 --> 0:12:15.360
<v Speaker 4>Los Angeles and people start calling you, going, holy crap,

0:12:15.400 --> 0:12:17.760
<v Speaker 4>Pirate Radio's playing your song. It's not out yet, like

0:12:18.480 --> 0:12:20.600
<v Speaker 4>it hasn't been put out yet. You guys are just

0:12:20.720 --> 0:12:23.440
<v Speaker 4>going and all of a sudden, Pirate starts playing it.

0:12:23.440 --> 0:12:26.079
<v Speaker 4>Now the part, Gunner, that you won't remember is at

0:12:26.120 --> 0:12:29.280
<v Speaker 4>Pirate Radio, I was Russell the Love Muscle.

0:12:29.960 --> 0:12:33.120
<v Speaker 2>Oh okay, now I know who I'm talking to you.

0:12:33.240 --> 0:12:33.840
<v Speaker 3>That's awesome.

0:12:35.320 --> 0:12:36.839
<v Speaker 1>And so I remember playing.

0:12:36.920 --> 0:12:40.280
<v Speaker 4>I remember you guys coming in and doing Christmas carols

0:12:40.320 --> 0:12:44.000
<v Speaker 4>at Pirate. I feel like Pirate and Nelson did so

0:12:44.240 --> 0:12:46.600
<v Speaker 4>much crap together we all may.

0:12:46.480 --> 0:12:47.920
<v Speaker 1>As well have been joined at the hip.

0:12:48.600 --> 0:12:49.560
<v Speaker 3>Ain't that the case?

0:12:49.600 --> 0:12:49.720
<v Speaker 4>Man?

0:12:49.920 --> 0:12:50.640
<v Speaker 3>Pirate Radio.

0:12:50.880 --> 0:12:53.240
<v Speaker 1>Wow, that was just a different day in radio. It

0:12:53.280 --> 0:12:53.959
<v Speaker 1>was so cool.

0:12:54.040 --> 0:12:56.200
<v Speaker 2>I always tell people I love the fact that our

0:12:56.240 --> 0:12:59.000
<v Speaker 2>first record came out before cell phones because we still

0:12:59.040 --> 0:13:03.560
<v Speaker 2>had culpable deny, you know, no photographic proof in the pocket.

0:13:03.640 --> 0:13:08.160
<v Speaker 2>You couldn't be tracked everywhere you went, and radio was fantastic.

0:13:08.200 --> 0:13:11.560
<v Speaker 2>Pirate Radio was a station in LA that basically auspiciously

0:13:11.600 --> 0:13:13.839
<v Speaker 2>played what they wanted to play, right, And this was

0:13:13.880 --> 0:13:15.719
<v Speaker 2>at a time when all the big companies, the big

0:13:15.760 --> 0:13:19.040
<v Speaker 2>corporations that ran radio were formatting everything. And this is

0:13:19.080 --> 0:13:22.559
<v Speaker 2>before Jack FM eliminated a lot of the DJs, and

0:13:22.720 --> 0:13:24.280
<v Speaker 2>it was really great. It's kind of like the Wild

0:13:24.360 --> 0:13:26.400
<v Speaker 2>West for radio. And we got into trouble all the

0:13:26.400 --> 0:13:28.320
<v Speaker 2>time with those guys. But the problem was we were

0:13:28.360 --> 0:13:30.960
<v Speaker 2>out on those radio tours, like we just mentioned, going

0:13:30.960 --> 0:13:32.640
<v Speaker 2>from city to city to city, and I was starting

0:13:32.679 --> 0:13:35.199
<v Speaker 2>to get phone calls from my friends going, hey, man,

0:13:35.240 --> 0:13:37.360
<v Speaker 2>your song sounds great on the radio and we'd never

0:13:37.480 --> 0:13:40.360
<v Speaker 2>heard it before, and it was very frustrating. So this

0:13:40.440 --> 0:13:44.280
<v Speaker 2>convention you mentioned, the Bobby Coat Boat Convention, legendary radio

0:13:44.320 --> 0:13:46.000
<v Speaker 2>convention that they don't do anymore because.

0:13:47.000 --> 0:13:48.520
<v Speaker 1>Ye strippers and cocaine.

0:13:48.920 --> 0:13:50.960
<v Speaker 3>Oh yeah, no, no, I don't know what you're talking about.

0:13:51.000 --> 0:13:51.839
<v Speaker 1>What are you talking about?

0:13:53.000 --> 0:13:54.520
<v Speaker 2>And it was one of those things too, because we

0:13:54.520 --> 0:13:56.080
<v Speaker 2>were always, you know, making the most out of what

0:13:56.160 --> 0:13:56.520
<v Speaker 2>we had.

0:13:56.600 --> 0:13:58.280
<v Speaker 3>That particular convention.

0:13:58.760 --> 0:14:01.000
<v Speaker 2>Our record label, Geffen rec was too cheap to get

0:14:01.000 --> 0:14:03.680
<v Speaker 2>a sweet upstairs where people were normally the radio guys

0:14:03.720 --> 0:14:06.760
<v Speaker 2>were normally corded, And so Matthew and I opened up

0:14:06.760 --> 0:14:09.760
<v Speaker 2>our guitar cases at the foot of the one elevator

0:14:09.760 --> 0:14:12.120
<v Speaker 2>that people would have to go up and down all day,

0:14:12.880 --> 0:14:15.520
<v Speaker 2>and we opened up our guitar cases and started busking

0:14:15.600 --> 0:14:18.360
<v Speaker 2>right there and playing our instruments and singing our songs.

0:14:18.920 --> 0:14:21.600
<v Speaker 2>And that's how we kind of introduced ourselves to a

0:14:21.640 --> 0:14:24.120
<v Speaker 2>lot of different radio people. And on the ride home

0:14:24.240 --> 0:14:27.800
<v Speaker 2>from the convention, one of our friends at radio said, Hey,

0:14:27.840 --> 0:14:30.000
<v Speaker 2>this is for the Nelson Boys, who were complaining about

0:14:30.000 --> 0:14:32.520
<v Speaker 2>the fact that they've never heard their song on the radio.

0:14:32.600 --> 0:14:34.920
<v Speaker 2>This is for you boys, And they played Love and

0:14:34.960 --> 0:14:37.160
<v Speaker 2>Affection and we had one of those that thing you

0:14:37.200 --> 0:14:40.560
<v Speaker 2>do moments. We've literally pulled over the car freaking out.

0:14:40.720 --> 0:14:43.000
<v Speaker 2>And I love radio compression. It was the first time

0:14:43.040 --> 0:14:44.400
<v Speaker 2>we ever heard our song on the radio.

0:14:44.520 --> 0:14:46.320
<v Speaker 3>Was awesome, and YouTube.

0:14:45.880 --> 0:14:48.160
<v Speaker 4>Were jumping around like you just won the super Bowl

0:14:48.200 --> 0:14:49.840
<v Speaker 4>on the side of the New Jersey Turnpike.

0:14:50.560 --> 0:14:53.200
<v Speaker 1>Well, that's pretty freaking cool, man, that's awesome. No, I

0:14:53.240 --> 0:14:55.600
<v Speaker 1>think it's great. I love that. That's in the.

0:14:55.560 --> 0:14:58.640
<v Speaker 2>Book, dude, We're just a couple of kids from Burbank

0:14:58.640 --> 0:15:00.640
<v Speaker 2>who just wanted to make music. We happened to have

0:15:00.680 --> 0:15:04.120
<v Speaker 2>a famous father that you know, was you know, sold

0:15:04.160 --> 0:15:07.600
<v Speaker 2>half or half a billion singles during his career. No pressure,

0:15:07.640 --> 0:15:10.280
<v Speaker 2>mind you, But to us, we just had music around

0:15:10.280 --> 0:15:11.920
<v Speaker 2>the house all the time, and we wanted to do

0:15:12.000 --> 0:15:15.040
<v Speaker 2>our own thing like the other generations of Nelson's had done.

0:15:15.040 --> 0:15:16.720
<v Speaker 2>Our grandpa had a big band and he had a

0:15:16.800 --> 0:15:19.720
<v Speaker 2>number one in nineteen thirty five, and our dad has

0:15:20.000 --> 0:15:22.840
<v Speaker 2>had his and you know, we had our success when

0:15:22.880 --> 0:15:25.120
<v Speaker 2>spandex was still a privilege and not a rite, and

0:15:25.160 --> 0:15:27.520
<v Speaker 2>it was great, man, it was a big, big fun

0:15:27.960 --> 0:15:30.240
<v Speaker 2>But they were songs that we wrote ourselves, that we

0:15:30.320 --> 0:15:31.200
<v Speaker 2>produced ourselves.

0:15:31.240 --> 0:15:32.920
<v Speaker 3>And now here we are, man, all.

0:15:32.880 --> 0:15:35.360
<v Speaker 2>These years later, talking about a book that we wrote ourselves.

0:15:35.400 --> 0:15:37.360
<v Speaker 2>It's pretty cool, hey, is it true?

0:15:37.400 --> 0:15:41.040
<v Speaker 4>Like like when Ricky Nelson would your dad was huge,

0:15:41.440 --> 0:15:46.160
<v Speaker 4>People would break into the house to like like climb

0:15:46.200 --> 0:15:48.680
<v Speaker 4>up the lattice work and break into the house. And

0:15:48.720 --> 0:15:52.000
<v Speaker 4>then his mom, your grandmother, would go meet him there

0:15:52.000 --> 0:15:54.520
<v Speaker 4>and like take them downstairs and serve them breakfast.

0:15:55.000 --> 0:15:55.520
<v Speaker 3>Pretty much.

0:15:55.600 --> 0:15:59.520
<v Speaker 2>Yeah, I mean she was actually really used to the

0:15:59.800 --> 0:16:03.000
<v Speaker 2>ty Bopper's kind of breaking. Everybody knew where the Nelson's lived,

0:16:03.000 --> 0:16:05.040
<v Speaker 2>by the way, if I mean a lot of your

0:16:05.040 --> 0:16:06.840
<v Speaker 2>listeners are too young to remember, but there was a

0:16:06.840 --> 0:16:09.880
<v Speaker 2>family television show called The Adventures of Ozzy and Harriet.

0:16:09.880 --> 0:16:12.080
<v Speaker 2>They ran for fourteen years and four hundred and thirty

0:16:12.120 --> 0:16:15.200
<v Speaker 2>five episodes, and there was an establishing shot at the

0:16:15.200 --> 0:16:17.440
<v Speaker 2>beginning of each episode of a big white house that

0:16:17.480 --> 0:16:20.160
<v Speaker 2>the family walked out of the front door and waved

0:16:20.200 --> 0:16:22.360
<v Speaker 2>to the camera that was their real house at eighteen

0:16:22.400 --> 0:16:25.600
<v Speaker 2>twenty two Caminal palm Merrow in Hollywood. Everyone knew where

0:16:25.600 --> 0:16:27.280
<v Speaker 2>that Nelson's lived, and it was a different time. You

0:16:27.280 --> 0:16:28.320
<v Speaker 2>didn't have you didn't have.

0:16:28.320 --> 0:16:30.640
<v Speaker 1>A big walls or security details.

0:16:30.680 --> 0:16:33.560
<v Speaker 2>And Grandma Harriet would tell us that she was very

0:16:33.640 --> 0:16:36.200
<v Speaker 2>used to when our dad caught a lick with his music.

0:16:36.560 --> 0:16:38.480
<v Speaker 2>It was only like sixteen or seventeen, but it was

0:16:38.480 --> 0:16:41.240
<v Speaker 2>a phenomenon. Her going up to put away our dad's

0:16:41.320 --> 0:16:44.520
<v Speaker 2>laundry and she's here like giggling, and she'd look over

0:16:44.600 --> 0:16:47.680
<v Speaker 2>and she'd see saddle shoes poking out from behind the

0:16:47.680 --> 0:16:50.000
<v Speaker 2>curtains by the window. I mean, girls would sneak in

0:16:50.080 --> 0:16:52.360
<v Speaker 2>all the time, and she would just you know, be

0:16:52.440 --> 0:16:54.680
<v Speaker 2>friendly to them and stuff and tell them that they

0:16:54.720 --> 0:16:56.840
<v Speaker 2>couldn't do that and take them downstairs and ask them

0:16:56.840 --> 0:16:57.960
<v Speaker 2>if they were hungry or whatever.

0:16:58.000 --> 0:17:02.880
<v Speaker 1>She was Harriet, she was awesome, but different times totally, Gunnard,

0:17:02.960 --> 0:17:03.520
<v Speaker 1>let me ask you this.

0:17:03.640 --> 0:17:05.960
<v Speaker 4>So there's there's a point in the book where you're

0:17:06.000 --> 0:17:10.680
<v Speaker 4>talking about how Nelson. So, so the song, the song

0:17:10.800 --> 0:17:12.840
<v Speaker 4>is out, the song is starting to get played, MTV

0:17:12.960 --> 0:17:15.880
<v Speaker 4>is starting to play it. You're back in Los Angeles

0:17:16.440 --> 0:17:18.600
<v Speaker 4>and before you went out on the road and before

0:17:18.600 --> 0:17:22.440
<v Speaker 4>the song started getting played. There there's a mall in

0:17:22.720 --> 0:17:26.119
<v Speaker 4>Sherman Oaks called the Galleria, and it was where you

0:17:26.200 --> 0:17:28.680
<v Speaker 4>and you and Matthew would go, just like any teenager

0:17:28.760 --> 0:17:31.119
<v Speaker 4>living in Sherman Oaks or living in that area would go.

0:17:31.440 --> 0:17:33.600
<v Speaker 1>You just went to the mall as kids. Nobody knew

0:17:33.600 --> 0:17:35.439
<v Speaker 1>who you were, nobody cared who you were. You were

0:17:35.440 --> 0:17:36.920
<v Speaker 1>just two kids walking around the mall.

0:17:37.359 --> 0:17:40.280
<v Speaker 4>And then all of a sudden, love and affection breaks

0:17:40.520 --> 0:17:42.399
<v Speaker 4>and you guys are going to go do an in

0:17:42.520 --> 0:17:47.440
<v Speaker 4>store appearance at the mall, and it is you guys

0:17:47.440 --> 0:17:49.320
<v Speaker 4>show up at the mall, and it's been two weeks

0:17:49.359 --> 0:17:51.440
<v Speaker 4>since the last time you two were at the mall

0:17:51.960 --> 0:17:55.679
<v Speaker 4>just shopping at that was at was the moment that

0:17:55.760 --> 0:17:59.280
<v Speaker 4>you guys got off the elevator and it is thousands

0:17:59.280 --> 0:18:02.199
<v Speaker 4>of people in the mall waiting to see you guys.

0:18:02.680 --> 0:18:06.120
<v Speaker 4>Is that the moment where it finally clicked of oh crap,

0:18:06.359 --> 0:18:07.080
<v Speaker 4>we did it.

0:18:08.320 --> 0:18:11.120
<v Speaker 2>That well, it was a different kind of realization. It

0:18:11.160 --> 0:18:14.040
<v Speaker 2>was like, oh crap, this is dangerous.

0:18:14.520 --> 0:18:15.840
<v Speaker 3>I mean it was.

0:18:15.880 --> 0:18:18.639
<v Speaker 2>First off, it was freaking awesome. I'm not gonna lie

0:18:18.680 --> 0:18:22.320
<v Speaker 2>about that. It was amazing. But the difference that being

0:18:22.359 --> 0:18:24.879
<v Speaker 2>on television makes, that was the only difference we shopped

0:18:24.920 --> 0:18:27.119
<v Speaker 2>for our trip to New York. We sat in for

0:18:27.240 --> 0:18:29.480
<v Speaker 2>Daisy Fuentes, who was on vacation, and did a show

0:18:29.520 --> 0:18:32.880
<v Speaker 2>called dial MTV where Matthew and I were front announcing

0:18:32.880 --> 0:18:35.159
<v Speaker 2>and back announcing videos but playing in and out of

0:18:35.200 --> 0:18:38.120
<v Speaker 2>the commercial breaks with our acoustic guitars and singing, and

0:18:38.200 --> 0:18:41.200
<v Speaker 2>we were kind of like a little bubble there when

0:18:41.200 --> 0:18:43.600
<v Speaker 2>we were doing that week of hosting. And then we

0:18:43.680 --> 0:18:46.840
<v Speaker 2>come back to Los Angeles to our stomping grounds and

0:18:46.960 --> 0:18:48.360
<v Speaker 2>the mall you're talking about, this is the same mall

0:18:48.400 --> 0:18:51.399
<v Speaker 2>that they filmed Fast Times at Ridgemont High End and

0:18:51.160 --> 0:18:53.359
<v Speaker 2>the in store that we were doing was at the

0:18:53.400 --> 0:18:56.280
<v Speaker 2>Licorice Pizza record store that was in that movie, and

0:18:56.359 --> 0:19:00.320
<v Speaker 2>so we get off the freight elevator and the sound

0:19:00.359 --> 0:19:04.800
<v Speaker 2>hit us like a jet engine. It was absolutely phenomenal

0:19:04.840 --> 0:19:07.040
<v Speaker 2>and a little scary, to be honest. We tried to

0:19:07.080 --> 0:19:09.879
<v Speaker 2>keep everybody very calm. And you know, matt and I

0:19:09.920 --> 0:19:11.560
<v Speaker 2>are still the same guys. We haven't changed it all.

0:19:11.600 --> 0:19:14.520
<v Speaker 2>The only difference was doing that work on MTV for

0:19:14.560 --> 0:19:18.920
<v Speaker 2>the week. It's incredible what that can do. Yeah, hey, look,

0:19:18.920 --> 0:19:21.639
<v Speaker 2>get on TV and it turns you from a solid

0:19:21.680 --> 0:19:23.359
<v Speaker 2>five into at least a strong eight.

0:19:23.400 --> 0:19:23.960
<v Speaker 3>It's amazing.

0:19:25.600 --> 0:19:27.280
<v Speaker 2>And you know, it was a different time too, because

0:19:27.280 --> 0:19:30.840
<v Speaker 2>now we are assaulted by input from our cell phones

0:19:30.840 --> 0:19:32.640
<v Speaker 2>and TikTok and all that stuff, and we've got short

0:19:32.640 --> 0:19:35.800
<v Speaker 2>attention span theater. But back then MTV was the eight

0:19:35.920 --> 0:19:38.480
<v Speaker 2>hundred pound Gorilla. It was on twenty four hours a day.

0:19:39.040 --> 0:19:42.359
<v Speaker 2>All the kids watched it all the time, and that

0:19:42.440 --> 0:19:44.600
<v Speaker 2>was really great, and Matthew and I really seemed to

0:19:44.600 --> 0:19:48.199
<v Speaker 2>connect very very well with the MTV culture and did

0:19:48.200 --> 0:19:49.199
<v Speaker 2>a lot of it, went on to do a lot

0:19:49.240 --> 0:19:51.560
<v Speaker 2>of hosting for them, and we had four number one

0:19:51.640 --> 0:19:54.879
<v Speaker 2>videos with that first record After the Rain and you know,

0:19:55.160 --> 0:19:57.680
<v Speaker 2>bottom line was, back then you could have that kind

0:19:57.720 --> 0:20:02.840
<v Speaker 2>of video play driven success. And everything's changed now, of course,

0:20:02.880 --> 0:20:05.240
<v Speaker 2>but just like every Nelson before, you take advantage of

0:20:05.240 --> 0:20:07.520
<v Speaker 2>the technology you've got at the time and do the

0:20:07.520 --> 0:20:09.760
<v Speaker 2>best you can. Unfortunately for us, man, it really it

0:20:09.800 --> 0:20:11.200
<v Speaker 2>caught a lick with a vengeance.

0:20:11.320 --> 0:20:12.600
<v Speaker 3>It was. It was pretty intense.

0:20:12.800 --> 0:20:13.679
<v Speaker 1>Now, let me ask you this.

0:20:13.840 --> 0:20:15.800
<v Speaker 4>That night, you guys go to the Rainbow Room on

0:20:15.840 --> 0:20:19.040
<v Speaker 4>the Sunset Strip just to kind of celebrate, like, holy crap,

0:20:19.080 --> 0:20:21.840
<v Speaker 4>that was amazing. At the end, when you guys are

0:20:21.920 --> 0:20:26.240
<v Speaker 4>leaving the Penthouse, pet of the Year grabs Matthew's hand

0:20:26.640 --> 0:20:28.639
<v Speaker 4>and wants to take him back to the hotel room,

0:20:28.720 --> 0:20:31.239
<v Speaker 4>and she says, I'm gonna f your brains out, and

0:20:31.359 --> 0:20:36.040
<v Speaker 4>Matthew says, pauses for a moment, and then says, Nope,

0:20:36.200 --> 0:20:38.400
<v Speaker 4>I'm not going, and that gives us whole reason about

0:20:38.440 --> 0:20:40.560
<v Speaker 4>why he's not going, And then the band gives him crap.

0:20:40.960 --> 0:20:44.600
<v Speaker 1>If she would have grabbed Gunner's hand, would you have gone.

0:20:45.920 --> 0:20:53.040
<v Speaker 2>Well, she would have been walking. Funny, let's just say

0:20:53.040 --> 0:20:56.680
<v Speaker 2>we're very, very different people. We give Matthew crap about

0:20:56.680 --> 0:20:58.320
<v Speaker 2>that moment all the time, because you know, of course

0:20:58.320 --> 0:21:00.240
<v Speaker 2>this was the beginning of the success back then, and

0:21:00.440 --> 0:21:02.199
<v Speaker 2>you know, he had his morals and his standards, and

0:21:02.240 --> 0:21:03.920
<v Speaker 2>he was like, oh, well, you know a week ago,

0:21:03.920 --> 0:21:06.320
<v Speaker 2>you wouldn't have cared. And mon said, there going, that's

0:21:06.359 --> 0:21:07.880
<v Speaker 2>a freakinghouse peut.

0:21:07.640 --> 0:21:08.040
<v Speaker 3>Of the year.

0:21:08.080 --> 0:21:08.760
<v Speaker 1>What are you doing?

0:21:09.359 --> 0:21:13.879
<v Speaker 2>And Matthew has, I think regretted that that moral stand

0:21:13.920 --> 0:21:16.880
<v Speaker 2>that he took with the Penthouse pet of the Year.

0:21:17.720 --> 0:21:18.679
<v Speaker 3>I think he's an idiot.

0:21:18.840 --> 0:21:21.280
<v Speaker 2>But I'm happy to say that Matthew thinks he's an

0:21:21.320 --> 0:21:21.920
<v Speaker 2>idiot now too.

0:21:22.080 --> 0:21:23.760
<v Speaker 1>Do you know the other part that I didn't realize.

0:21:23.800 --> 0:21:26.919
<v Speaker 4>You talk about going to a kiss show and seeing

0:21:26.960 --> 0:21:30.280
<v Speaker 4>them play. I believe it's with Winger and Slaughter and

0:21:30.320 --> 0:21:33.520
<v Speaker 4>you're talking, You're talking to Gene Simmons, and there's six

0:21:33.560 --> 0:21:37.560
<v Speaker 4>thousand people at the show, and Jean's miserable. He's like,

0:21:37.600 --> 0:21:39.879
<v Speaker 4>oh my god, this is all disappearing in front of

0:21:39.880 --> 0:21:41.520
<v Speaker 4>our eyes, like it's all falling apart.

0:21:41.880 --> 0:21:43.880
<v Speaker 1>You're like, oh my god, there's six thousand people here.

0:21:43.920 --> 0:21:46.560
<v Speaker 1>This is awesome. You and Matthew go out to the soundboard.

0:21:46.560 --> 0:21:49.480
<v Speaker 4>Anyway, the whole thing, But I never heard, I guess

0:21:50.080 --> 0:21:52.879
<v Speaker 4>why would I have ever heard? But the story about

0:21:52.920 --> 0:21:55.760
<v Speaker 4>you telling Gene, honestly, put your makeup on.

0:21:55.920 --> 0:21:56.879
<v Speaker 1>Nobody cares about you.

0:21:56.880 --> 0:21:57.080
<v Speaker 3>Guys.

0:21:57.119 --> 0:22:00.160
<v Speaker 1>You're ugly or you're That's not what they're here to say.

0:22:00.359 --> 0:22:02.600
<v Speaker 4>They want to see the circus, they want to see

0:22:02.600 --> 0:22:04.560
<v Speaker 4>everything around it.

0:22:04.640 --> 0:22:06.719
<v Speaker 1>Weirdly, Nelson saves Kiss.

0:22:08.600 --> 0:22:11.200
<v Speaker 2>Well, first off, I mean, Gene, we had a great

0:22:11.359 --> 0:22:13.159
<v Speaker 2>relationship back in the day. We were all managed by

0:22:13.200 --> 0:22:15.400
<v Speaker 2>the same manager. So Kiss was managed by the same

0:22:15.440 --> 0:22:17.320
<v Speaker 2>guy we were, and so we got a chance to

0:22:17.560 --> 0:22:19.080
<v Speaker 2>spend a little time there. And that was at the

0:22:19.080 --> 0:22:22.000
<v Speaker 2>Long Beach Arena. When that all went down. We were

0:22:22.040 --> 0:22:25.040
<v Speaker 2>backstage and Gene was looking out over the It was

0:22:25.119 --> 0:22:27.399
<v Speaker 2>kind of like one of those those skyboxes that the

0:22:27.480 --> 0:22:29.200
<v Speaker 2>dressing room was in, and he was looking out over

0:22:29.200 --> 0:22:31.359
<v Speaker 2>the crowd and he was bemoaning the fact that the

0:22:31.359 --> 0:22:33.960
<v Speaker 2>place held twelve thousand people and six thousand people were there,

0:22:34.520 --> 0:22:36.200
<v Speaker 2>and he was like, Oh, I think it's over, and

0:22:36.280 --> 0:22:38.639
<v Speaker 2>I can't believe this. It's like, Gene a kidding down there.

0:22:38.680 --> 0:22:40.680
<v Speaker 2>Six thousand people here, it's awesome, give him a great show.

0:22:41.040 --> 0:22:43.399
<v Speaker 2>So I just don't know what to do. It's getting tougher.

0:22:43.520 --> 0:22:45.880
<v Speaker 2>It's like, Jeane, you know, I'll give you my insight.

0:22:46.040 --> 0:22:51.080
<v Speaker 2>Here's my opinion. No one wants to see you guys

0:22:51.119 --> 0:22:54.040
<v Speaker 2>without your makeup on. You know, they're coming for the circus.

0:22:54.080 --> 0:22:56.600
<v Speaker 2>That's what they want, right, I'm telling you, If you

0:22:56.800 --> 0:22:58.919
<v Speaker 2>gave them what they wanted, if you put the makeup

0:22:58.960 --> 0:23:01.480
<v Speaker 2>back on and called it your farewell tour, you could

0:23:01.480 --> 0:23:04.200
<v Speaker 2>sell tickets for a thousand bucks apiece. Now, by the way,

0:23:04.359 --> 0:23:07.240
<v Speaker 2>back then, no one had done anything that autlandish. A

0:23:07.280 --> 0:23:09.520
<v Speaker 2>thousand bucks a ticket now it's normal. Back then it

0:23:09.600 --> 0:23:12.399
<v Speaker 2>was insane. People were selling tickets for twelve bucks a ticket.

0:23:12.800 --> 0:23:14.840
<v Speaker 2>And he just, you know, in Geene fashion, he kind

0:23:14.840 --> 0:23:16.400
<v Speaker 2>of looked at me and he throwed as brown Euan,

0:23:16.600 --> 0:23:19.320
<v Speaker 2>you really think so it's a Geene. I don't know

0:23:19.520 --> 0:23:22.879
<v Speaker 2>anybody seriously. If you put that makeup back on and

0:23:23.040 --> 0:23:25.560
<v Speaker 2>you had the fire and the blood and the whole thing,

0:23:25.600 --> 0:23:27.560
<v Speaker 2>and you called it your farewell tour, who wouldn't spend

0:23:27.600 --> 0:23:30.800
<v Speaker 2>a thousand dollars a ticket. Now, I'm not saying that

0:23:30.800 --> 0:23:33.600
<v Speaker 2>that conversation was what caused it, but I definitely think

0:23:33.600 --> 0:23:35.680
<v Speaker 2>it fanned some flames. I think he was thinking about

0:23:35.760 --> 0:23:38.720
<v Speaker 2>that anyways, right, But I think just sitting here with

0:23:38.760 --> 0:23:41.960
<v Speaker 2>a guy who looked like Faara faucet and talking about.

0:23:41.680 --> 0:23:42.320
<v Speaker 3>That whole thing.

0:23:42.680 --> 0:23:44.840
<v Speaker 2>You know, the one thing that Nelson and Kiss both

0:23:44.920 --> 0:23:47.199
<v Speaker 2>knew how to do was market you know, we had

0:23:47.240 --> 0:23:50.439
<v Speaker 2>an image, you had a brand, and it was outlandish

0:23:50.480 --> 0:23:53.040
<v Speaker 2>and outrageous and it wasn't normal and it got people talking.

0:23:53.080 --> 0:23:56.480
<v Speaker 2>We understood each other on that level. And you know,

0:23:56.480 --> 0:23:58.520
<v Speaker 2>the guy's a marketing genius. I can't take that away

0:23:58.520 --> 0:24:00.240
<v Speaker 2>from him. You know, he knows what he's doing and

0:24:00.280 --> 0:24:03.000
<v Speaker 2>he was smart enough to do exactly that. Put that

0:24:03.040 --> 0:24:06.119
<v Speaker 2>makeup back on and you know, get out there and

0:24:06.200 --> 0:24:09.600
<v Speaker 2>do that. Gene Simmons kind of walked thing that he does, and.

0:24:09.760 --> 0:24:10.560
<v Speaker 3>Man, it was awesome.

0:24:10.840 --> 0:24:13.560
<v Speaker 2>And you know, after that, people enjoyed the Kiss Farewell

0:24:13.560 --> 0:24:17.040
<v Speaker 2>tour for a full thirty years. Hey, we're chapters forty

0:24:17.040 --> 0:24:21.760
<v Speaker 2>four and forty five deliberately one after the other and

0:24:21.840 --> 0:24:26.000
<v Speaker 2>then written the way that they were, or not written

0:24:26.040 --> 0:24:26.840
<v Speaker 2>the way that they were.

0:24:26.960 --> 0:24:28.199
<v Speaker 1>Was that very intentional.

0:24:29.240 --> 0:24:31.080
<v Speaker 3>I'm trying to think, I don't have a book in

0:24:31.119 --> 0:24:31.520
<v Speaker 3>front of me.

0:24:31.840 --> 0:24:36.600
<v Speaker 4>Chapter forty four talks about it walks through how you

0:24:36.640 --> 0:24:39.440
<v Speaker 4>guys sold millions and millions of records. You don't make

0:24:39.480 --> 0:24:43.200
<v Speaker 4>any money, the debt, but it talks about number one,

0:24:43.200 --> 0:24:44.879
<v Speaker 4>would you do it all over again? And the answer

0:24:44.920 --> 0:24:51.720
<v Speaker 4>is yes, And you talk specifically about the kid watching

0:24:51.840 --> 0:24:54.879
<v Speaker 4>the After the Rain video and what that meant to

0:24:54.960 --> 0:24:58.760
<v Speaker 4>him and how that means more than selling records, And

0:24:58.800 --> 0:25:03.040
<v Speaker 4>then it goes into forty five. Is you and Matthew

0:25:03.320 --> 0:25:06.479
<v Speaker 4>talking about what you want to say to your ex wives?

0:25:07.680 --> 0:25:09.360
<v Speaker 3>Oh?

0:25:09.400 --> 0:25:11.639
<v Speaker 2>Well, I mean, the most writing I've done in this

0:25:11.680 --> 0:25:14.440
<v Speaker 2>book was was that particular that last chapter you mentioned.

0:25:14.600 --> 0:25:16.880
<v Speaker 2>When people get the book, they'll understand what I'm saying, right,

0:25:17.800 --> 0:25:21.080
<v Speaker 2>But no, there wasn't intense. The placement was not intentional.

0:25:21.080 --> 0:25:24.240
<v Speaker 2>But you know what is really important is when I

0:25:24.280 --> 0:25:27.360
<v Speaker 2>talk to young artists nowadays, are people trying to make

0:25:27.400 --> 0:25:30.679
<v Speaker 2>their mark in the wild West, That is the music business,

0:25:30.720 --> 0:25:33.560
<v Speaker 2>or what's left of it right now. The most important

0:25:33.560 --> 0:25:36.240
<v Speaker 2>thing you can do is really try to figure out

0:25:36.400 --> 0:25:38.280
<v Speaker 2>what it is you're about. What is it you have

0:25:38.400 --> 0:25:41.919
<v Speaker 2>to say that is so special and so unique and

0:25:41.960 --> 0:25:45.200
<v Speaker 2>so important that your fan out there that hasn't heard

0:25:45.240 --> 0:25:47.520
<v Speaker 2>you yet or hasn't seen you yet has to go

0:25:47.560 --> 0:25:49.320
<v Speaker 2>to you to get that exact thing.

0:25:50.080 --> 0:25:51.480
<v Speaker 3>And you mentioned a letter.

0:25:51.600 --> 0:25:54.160
<v Speaker 2>There's a stack of letters, actually, but that particular letter

0:25:54.200 --> 0:25:56.359
<v Speaker 2>that you mentioned is in my safe right now, and

0:25:56.400 --> 0:25:59.640
<v Speaker 2>it was from a kid who, at thirteen years of age,

0:25:59.640 --> 0:26:01.000
<v Speaker 2>as a way back in the day would have been

0:26:01.040 --> 0:26:04.960
<v Speaker 2>nineteen ninety, I had spent all day at school giving

0:26:04.960 --> 0:26:09.360
<v Speaker 2>away their possessions to their friends, and they were depressed.

0:26:09.359 --> 0:26:10.879
<v Speaker 2>They had marked that day was the day they were

0:26:10.920 --> 0:26:13.159
<v Speaker 2>going to end it all. Their parents were going to

0:26:13.160 --> 0:26:14.920
<v Speaker 2>be out of the house that day, and he had

0:26:14.960 --> 0:26:18.440
<v Speaker 2>it all planned. And he went back to his house

0:26:19.119 --> 0:26:21.879
<v Speaker 2>and he took his stepfather's thirty eight out of the

0:26:21.920 --> 0:26:24.159
<v Speaker 2>drawer and he had it on his lap and he

0:26:24.280 --> 0:26:28.800
<v Speaker 2>was mustering up the courage to do it, and he

0:26:28.880 --> 0:26:30.840
<v Speaker 2>was watching MTV in the background. Had just at that

0:26:30.960 --> 0:26:32.879
<v Speaker 2>moment one of our videos came on, and it was

0:26:32.920 --> 0:26:35.320
<v Speaker 2>our video for After the Rain, and there was a

0:26:35.359 --> 0:26:37.399
<v Speaker 2>line in that song which is don't be afraid to

0:26:37.440 --> 0:26:40.080
<v Speaker 2>lose what was never meant to be. And then he

0:26:40.200 --> 0:26:42.359
<v Speaker 2>watched the video and he saw the arc of it,

0:26:42.400 --> 0:26:44.679
<v Speaker 2>and it's about a kid who was kind of in

0:26:44.680 --> 0:26:48.480
<v Speaker 2>his situation, and it gave him enough time to pause

0:26:48.560 --> 0:26:51.440
<v Speaker 2>and call his grandmother and she came over and they intervened,

0:26:51.480 --> 0:26:53.439
<v Speaker 2>got him treatment and it had saved his life. So

0:26:53.760 --> 0:26:56.399
<v Speaker 2>he wrote me a letter about that that I have

0:26:56.520 --> 0:26:58.040
<v Speaker 2>in my safe that I pull out every now and

0:26:58.040 --> 0:26:59.480
<v Speaker 2>again when I'm feeling a little.

0:26:59.280 --> 0:27:01.320
<v Speaker 3>Low about why we do what we do.

0:27:01.359 --> 0:27:04.640
<v Speaker 2>But the coolest thing was about a month ago, this

0:27:04.720 --> 0:27:07.000
<v Speaker 2>guy shows up at one of our shows in an

0:27:07.040 --> 0:27:10.320
<v Speaker 2>autograph language till the very end, and it turns out

0:27:10.320 --> 0:27:13.600
<v Speaker 2>to be that kid now a man, and he wanted

0:27:13.640 --> 0:27:15.280
<v Speaker 2>to introduce me to his children.

0:27:15.520 --> 0:27:19.360
<v Speaker 1>Dude, that's awesome, Dude, are you kidding me? That's amazing,

0:27:19.680 --> 0:27:21.200
<v Speaker 1>that's awesome, that's great.

0:27:21.359 --> 0:27:21.560
<v Speaker 3>You know.

0:27:22.080 --> 0:27:25.200
<v Speaker 2>So it's not about the stuff, man, it's not about

0:27:25.240 --> 0:27:26.880
<v Speaker 2>the fame, it's not about the fortune.

0:27:27.000 --> 0:27:28.040
<v Speaker 3>It's not about the power.

0:27:28.080 --> 0:27:31.159
<v Speaker 2>I've had all of that and lost it all and

0:27:31.240 --> 0:27:34.000
<v Speaker 2>got it all back and lost it all. You know,

0:27:34.040 --> 0:27:35.359
<v Speaker 2>you sit there and you kind of go, man, what

0:27:35.520 --> 0:27:39.080
<v Speaker 2>is really really really important? And to me, music has

0:27:39.119 --> 0:27:41.000
<v Speaker 2>always just been a means to an end, you know,

0:27:41.000 --> 0:27:43.280
<v Speaker 2>it's about connecting with people. That Nelson's have always been

0:27:43.359 --> 0:27:45.960
<v Speaker 2>in the connection business, not the entertainment business, right, And

0:27:46.160 --> 0:27:48.520
<v Speaker 2>any chance we can get to, you know, give people

0:27:48.560 --> 0:27:51.240
<v Speaker 2>pause or lift him up a little bit or or whatever,

0:27:51.240 --> 0:27:53.600
<v Speaker 2>we've done it. And a lot of times it's cost

0:27:53.680 --> 0:27:56.600
<v Speaker 2>us everything and more that we've had but it's really

0:27:56.640 --> 0:27:59.119
<v Speaker 2>been worth In that chapter you mentioned, I mean, if

0:27:59.160 --> 0:28:01.080
<v Speaker 2>somebody had said to me in the very beginning, Okay,

0:28:01.760 --> 0:28:03.720
<v Speaker 2>you're going to be the most famous person in the

0:28:03.760 --> 0:28:07.520
<v Speaker 2>world for two years, but it's going to cost you everything,

0:28:07.640 --> 0:28:09.080
<v Speaker 2>and then some you're going to be in debt and

0:28:09.119 --> 0:28:11.359
<v Speaker 2>paying that debt off for thirty years. You're going to

0:28:11.440 --> 0:28:15.119
<v Speaker 2>become the pariah overnight that you never earned the brunt

0:28:15.160 --> 0:28:18.680
<v Speaker 2>of jokes because the paradigm of music shifted, and it's

0:28:18.720 --> 0:28:21.240
<v Speaker 2>going to take you that thirty years to work yourself back.

0:28:21.640 --> 0:28:24.200
<v Speaker 3>Would you still do it? And the answer is where

0:28:24.200 --> 0:28:24.959
<v Speaker 3>do I sign up?

0:28:25.200 --> 0:28:25.400
<v Speaker 2>Right?

0:28:25.600 --> 0:28:26.840
<v Speaker 3>Absolutely, let's go.

0:28:27.680 --> 0:28:30.120
<v Speaker 2>And I don't know, call me a glutton for punishment

0:28:30.160 --> 0:28:31.560
<v Speaker 2>or just a raging code of pennant.

0:28:31.720 --> 0:28:33.240
<v Speaker 3>I've got the greatest life in the world.

0:28:33.240 --> 0:28:35.480
<v Speaker 4>Man, Hey, last thing, and then I know I got

0:28:35.520 --> 0:28:38.080
<v Speaker 4>to let you jump. If the paid per view double

0:28:38.080 --> 0:28:41.040
<v Speaker 4>bill would have taken place with Axel Rose fighting Vince

0:28:41.080 --> 0:28:44.760
<v Speaker 4>Neil and you fighting Sebastian Bach, would you have totally

0:28:44.800 --> 0:28:45.520
<v Speaker 4>kicked his ass?

0:28:47.080 --> 0:28:50.200
<v Speaker 2>Well, I don't know, I you know, I don't know.

0:28:50.240 --> 0:28:52.040
<v Speaker 2>I will I will tell you this though, I was

0:28:52.040 --> 0:28:54.720
<v Speaker 2>a big Matthew says, Yes, Matthew says two things.

0:28:54.800 --> 0:28:57.280
<v Speaker 4>Number one, that Gunner was a huge man whore and

0:28:57.320 --> 0:28:59.520
<v Speaker 4>that you would have kicked his ass because of your

0:28:59.600 --> 0:29:00.479
<v Speaker 4>karate training.

0:29:01.120 --> 0:29:04.400
<v Speaker 2>Well it was actually combat kunk ku, but who's training.

0:29:04.480 --> 0:29:07.480
<v Speaker 3>But no, no, it's okay, I studied both. But you know,

0:29:07.600 --> 0:29:08.520
<v Speaker 3>it wasn't that.

0:29:08.840 --> 0:29:11.680
<v Speaker 2>It was a time when everybody was exchanging barbs through

0:29:11.720 --> 0:29:14.200
<v Speaker 2>the press and all that stuff, and Sebastian said some

0:29:14.240 --> 0:29:16.960
<v Speaker 2>stuff not about me, but about my twin and he

0:29:17.120 --> 0:29:19.720
<v Speaker 2>was physically threatening and that was kind of crossing the line.

0:29:19.800 --> 0:29:22.040
<v Speaker 3>So I just kind of said, you know, why don't

0:29:22.040 --> 0:29:23.560
<v Speaker 3>we stop being stupid.

0:29:24.040 --> 0:29:27.239
<v Speaker 2>Let's find a state that's unsanctioned and let's do this

0:29:27.280 --> 0:29:29.440
<v Speaker 2>is before the UFC. Let's do it and you know,

0:29:29.520 --> 0:29:32.120
<v Speaker 2>no rules sort of thing, and sell it on pay

0:29:32.120 --> 0:29:34.920
<v Speaker 2>per view. Let's not be dumb. Let's all make ourselves millionaires.

0:29:35.000 --> 0:29:35.280
<v Speaker 3>Let's go.

0:29:35.360 --> 0:29:37.320
<v Speaker 2>And to me, the way I looked at it, I

0:29:37.320 --> 0:29:41.560
<v Speaker 2>couldn't lose because Sebastian's like nine feet tall. Okay, the

0:29:41.640 --> 0:29:44.400
<v Speaker 2>guy is really and he's tough man. I'm not saying

0:29:44.400 --> 0:29:46.000
<v Speaker 2>he's a worse at all. Guy is a tough man.

0:29:46.680 --> 0:29:48.840
<v Speaker 2>But you know, if I lost the fight, all right,

0:29:48.880 --> 0:29:52.720
<v Speaker 2>I just got my ask exactly exactly, you know, but

0:29:53.320 --> 0:29:57.280
<v Speaker 2>if he lost the fight, if he lost the fight,

0:29:57.400 --> 0:30:00.560
<v Speaker 2>that would have been bad for him, right. So anyways, look,

0:30:00.560 --> 0:30:02.960
<v Speaker 2>it all worked itself out, and I will say, man

0:30:03.520 --> 0:30:08.160
<v Speaker 2>to me, very very very few guys sang rock and

0:30:08.240 --> 0:30:11.000
<v Speaker 2>roll better than Sebastian Bach. The guys have just a

0:30:11.200 --> 0:30:14.760
<v Speaker 2>monster vocalist. I've always loved his vocals. I don't like

0:30:14.800 --> 0:30:17.480
<v Speaker 2>his temper, but I've always admired his artistry.

0:30:18.200 --> 0:30:19.760
<v Speaker 1>The book What Happened to Your Hair?

0:30:19.880 --> 0:30:23.240
<v Speaker 4>How We Played Loud, Loved, Proud, and Never Back Down

0:30:23.320 --> 0:30:25.520
<v Speaker 4>Together is out and available.

0:30:25.600 --> 0:30:25.800
<v Speaker 3>Hey.

0:30:25.840 --> 0:30:29.240
<v Speaker 4>By the way, the chapter what if Pop Hadn't died

0:30:29.520 --> 0:30:30.760
<v Speaker 4>beautiful tribute Gunner.

0:30:30.800 --> 0:30:31.960
<v Speaker 1>I thought it was really really.

0:30:31.800 --> 0:30:35.400
<v Speaker 3>Sweet, banks man. That's that's how we actually ended the book.

0:30:35.440 --> 0:30:36.160
<v Speaker 3>That was the question.

0:30:36.440 --> 0:30:38.520
<v Speaker 2>And you know, of course I give everything just to

0:30:38.560 --> 0:30:40.920
<v Speaker 2>have five more minutes of my best friend, my dad here.

0:30:41.080 --> 0:30:44.320
<v Speaker 2>But you know what, if I'm really honest about it,

0:30:45.200 --> 0:30:47.920
<v Speaker 2>none of the songs that people know, almost that letter

0:30:48.160 --> 0:30:50.680
<v Speaker 2>that we talked about would not be in my safe

0:30:50.840 --> 0:30:53.440
<v Speaker 2>If our pop had had lived, I would be a

0:30:53.520 --> 0:30:55.960
<v Speaker 2>drummer in his band, probably right. I would never have

0:30:56.000 --> 0:30:57.840
<v Speaker 2>written that song. I never would have done any of

0:30:57.840 --> 0:31:01.440
<v Speaker 2>that stuff, So I don't know, Man, everything happens for

0:31:01.480 --> 0:31:03.600
<v Speaker 2>a reason. It doesn't feel that way when you're going

0:31:03.640 --> 0:31:06.400
<v Speaker 2>through it in the moment. But looking back on my

0:31:06.440 --> 0:31:09.920
<v Speaker 2>life now, man, everything that I've gone through has made

0:31:09.920 --> 0:31:13.320
<v Speaker 2>me who I am, and I don't regret that part

0:31:13.360 --> 0:31:16.080
<v Speaker 2>of it. But I also believe that your positivity is

0:31:16.120 --> 0:31:18.840
<v Speaker 2>a superpower and that the only control you really have

0:31:18.960 --> 0:31:21.520
<v Speaker 2>no matter who you are, because the circumstances are always

0:31:21.520 --> 0:31:22.800
<v Speaker 2>going to be the stimulus is going to be the

0:31:22.800 --> 0:31:24.959
<v Speaker 2>same as what you make out of it. And Matthew

0:31:24.960 --> 0:31:27.160
<v Speaker 2>and I have been making diamonds out of lumps of

0:31:27.160 --> 0:31:28.680
<v Speaker 2>coal for our entire lives.

0:31:28.800 --> 0:31:30.960
<v Speaker 4>And by the way, if that doesn't happen, g Norley,

0:31:31.080 --> 0:31:34.200
<v Speaker 4>Charlie and I are at Griffith Park Zoo or just

0:31:34.240 --> 0:31:36.560
<v Speaker 4>out of Griffith Park with everybody for the filming of

0:31:36.600 --> 0:31:37.720
<v Speaker 4>the After the Rain video.

0:31:38.600 --> 0:31:41.240
<v Speaker 1>Oh nice, but you were Russell the love muscle y,

0:31:41.360 --> 0:31:46.840
<v Speaker 1>Yes exactly, of course. Thank you for remembering Gunner all right, buddy.

0:31:46.880 --> 0:31:48.200
<v Speaker 1>The book is fantastic.

0:31:48.280 --> 0:31:52.720
<v Speaker 2>Congratulations dude, Thank you so much, and Merry Christmas, Happy

0:31:52.760 --> 0:31:56.000
<v Speaker 2>holidays to everybody out there. And man, good talking to

0:31:56.040 --> 0:31:58.360
<v Speaker 2>you after all of these years and what happened to

0:31:58.400 --> 0:31:59.920
<v Speaker 2>your hair. It's on Amazon right now.

0:32:00.000 --> 0:32:02.600
<v Speaker 1>Appreciate it, Thanks Gunner, thank you, Bye.