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Speaker 1: What's up everybody, and thank you because you have just

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Speaker 1: tuned in to Real Lass on Real Radio one O

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Speaker 1: four point one. I'm your host to night, mister James

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Speaker 1: John and we got a great show for everybody out there.

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Speaker 1: We are your night Captain Comedy. I got the very

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Speaker 1: funny godfather of Orlando comedy, mister Ken Miller aka a

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Speaker 1: hashtag coattail Gang. Because nobody said that me and Mike

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Speaker 1: Hurley heat right and wigs coattails. So the name of

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Speaker 1: our tour is now the coattail Tour.

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Speaker 2: That's funny.

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Speaker 1: If the publisher sist fence, go ahead and show it

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Speaker 1: to the game.

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Speaker 2: Hey, I said this man.

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Speaker 3: Any if a famous comic social media person came with

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Speaker 3: the you and said, I'm gonna pay you what I'm

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Speaker 3: getting paid your ass to building them coattails to.

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Speaker 2: Pro but a jealousy coat hanger gang. I've been there.

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Speaker 3: Hey, hey, I'd be like, I got something for you girl.

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Speaker 4: What you mean what you mean?

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Speaker 2: You late me?

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Speaker 4: You late you just on time.

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Speaker 2: The plastic one, We'll not take care of that. Don't

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Speaker 2: worry about it. Hey, use it like a slim gym

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Speaker 2: on a car.

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Speaker 1: Like if you use a plastic one like that that's

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Speaker 1: called the Mommy DearS.

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Speaker 2: You use it like you put it out them and

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Speaker 2: the baby arm come up like.

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Speaker 5: No, no, no, I do it like Sandman at the Apollo.

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Speaker 5: Oh no, the baby just sitting there, Hello my.

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Speaker 2: Baby, Hello, no, no, no again.

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Speaker 4: Hey, kidd y.

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Speaker 2: Guys, this is gonna be one of those shows.

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Speaker 1: We might not be back tomorrow, but while we here,

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Speaker 1: we're gonna have a good time on the baby saying.

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Speaker 2: That's funny. I'm also joy with the boy.

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Speaker 1: Shoot, just heard who helped start all this hilarity nine

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Speaker 1: years ago, mister Miguel Cologne.

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Speaker 2: Don't you forget the junior because he knows who his

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Speaker 2: daddy is. Miguel. How are you doing, man, I'm good.

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Speaker 6: First of all, anybody talking about you riding somebody's coattails

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Speaker 6: obviously isn't working.

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Speaker 4: Yeah, that's how work works, correct.

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Speaker 6: You know, somebody who has more shows takes you on

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Speaker 6: bigger and more shows as you keep expanded, until maybe

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Speaker 6: one day you are the biggest.

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Speaker 4: Name or you're just working a lot. But that's how

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Speaker 4: nobody's say.

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Speaker 6: Hey, James, yo, you riding Norwegian Cruises coattails?

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Speaker 4: I'll like yep all the way to the bank.

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Speaker 6: Yeah, el Kevin Hart, Jesus Christ, let these arenas breathe.

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Speaker 1: You know, gross bro, I don't care who takes me

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Speaker 1: on tour. I'll know Pam what's the name, Pam BONDI

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Speaker 1: tour like. I'll do that tour if you let me.

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Speaker 1: I don't care who.

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Speaker 6: I'll be there, Hey man, I'll be there with Christy

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Speaker 6: noan with a cowboy hat on talking about Hey man,

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Speaker 6: the people aggressively shooting videos and.

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Speaker 4: You know they agitating my secret mass police.

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Speaker 6: Okay, how are we gonna have a free country if

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Speaker 6: we can't have secret mass police? Y'all seen the Watchman,

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Speaker 6: The Watchman, the rest of my cage. Christy, Baby, we're good. Hey,

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Speaker 6: your nose is falling off.

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Speaker 2: Also, we have a very special guest to it's not

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Speaker 2: even a guest at this point. You are a part

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Speaker 2: of us.

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Speaker 1: We actually consider you are a sister, a fellow comedian

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Speaker 1: you know her, love her from the pillow Fork podcast

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Speaker 1: with Rue. I'm talking about my sister, miss Amy. Lookor Amy.

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Speaker 7: Hey, y'all, yeah, I'm literally riding your coaktails right the second.

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Speaker 7: So thank you for letting me be here.

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Speaker 4: Amy picked some better coach.

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Speaker 2: Yeah, I live in Florida. What else do I have?

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Speaker 4: I got y'all. I got y'all.

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Speaker 7: I thank you, thank you letting me.

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Speaker 3: All these other good radio so it was out here. Yeah,

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Speaker 3: the fifth best one on the station.

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Speaker 2: One on the station is hilarious.

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Speaker 7: I like being an underdog. I don't.

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Speaker 2: I told rue So.

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Speaker 7: Rue and I did a show out at a country

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Speaker 7: bar and Clairemont last weekend, and I was like, I

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Speaker 7: never want a headline.

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Speaker 2: I never, I never want to. That's a great topic.

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Speaker 2: I want to be.

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Speaker 7: I want to be a feature forever because headlining you

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Speaker 7: gotta get people in there. You gotta talk to everybody.

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Speaker 7: You gotta go for hour forty five minutes. You can't

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Speaker 7: like just sit and relax.

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Speaker 4: I like being a feature.

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Speaker 7: I mean, people dog me for that because I'm not

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Speaker 7: trying hard enough.

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Speaker 2: But I just like to be there.

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Speaker 7: I like to be part of the group.

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Speaker 1: We all as comedians know, and we call it the

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Speaker 1: sweet spot for a reason. When you middle, there's no pressure,

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Speaker 1: the host has.

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Speaker 2: Already warmed him up. You just slide and do your

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Speaker 2: quick twenty to thirty minutes. You done. You can go

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Speaker 2: to the bar, you can go home, whatever you want

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Speaker 2: to do.

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Speaker 1: It is up to the guy behind you that has

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Speaker 1: to do forty five toy hour, and he has to

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Speaker 1: do it no matter what just happened in front of him. Man,

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Speaker 1: it could have been a fight, it could have been

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Speaker 1: you bombing and no last and it's just a cold crowd.

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Speaker 1: But yeah, that forty five I ain't no joke. I'm

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Speaker 1: glad you said that because most people don't realize it.

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Speaker 7: So fIF fast on real radio is just fine for me.

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Speaker 3: Hey, hey, that club, that club been getting so notorious.

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Speaker 3: I had to seek our help to help people help

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Speaker 3: me feel it for Sunday because from from what I heard,

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Speaker 3: the comedy club that's the place told them they're not

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Speaker 3: allowed to comp and send out the email flyer.

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Speaker 2: They just want people to just show up.

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Speaker 3: And it started out packed and it slowly has been diminishing.

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Speaker 3: So me and me and my feature Tim Allen is

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Speaker 3: Jay Allen, we have been promoting the hell out of

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Speaker 3: it right and as of now I got forty people.

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Speaker 2: But I got forty people because it's free.

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Speaker 3: True, it's literally free. You go to the website and

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Speaker 3: there's no it's free. It's not there's no ten lillars.

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Speaker 3: You know, sometimes ten fifteen out. No, you get as

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Speaker 3: many tickets as you want, and when you go to

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Speaker 3: check out, it's free.

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Speaker 4: Come on.

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Speaker 7: You know, it's a beautiful place and everything. But like, yeah,

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Speaker 7: like having that ticket at filled and then having a

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Speaker 7: like do a good job and drive sometimes hours to

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Speaker 7: get somewhere else a lot. Maybe maybe when I'm real old,

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Speaker 7: but right now I like that it.

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Speaker 6: Boger's got crazy rooms. Bonger's got them kind of rooms

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Speaker 6: where it's like, what.

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Speaker 4: Are the tickets?

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Speaker 2: Calls? Oh, you just gotta go.

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Speaker 6: Drive to this Oak Tree at midnight and duel the

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Speaker 6: Devil on a guitar and you get ten tickets. Yeah,

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Speaker 6: you just like I'll buy I'll buy the tickets. No, no,

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Speaker 6: you gotta go battle leg. But at the Oak Tree

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Speaker 6: at eleven thirty five, Well you and Rolf.

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Speaker 2: Washington called the Devil went down to Georgia.

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Speaker 6: Yeah, yeah, they got nine of clubs. It's like, hey, man,

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Speaker 6: what do I gotta do to get four tickets? They

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Speaker 6: just slide a knife over the table and show you

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Speaker 6: a picture. That're like, he'll be at the docks by

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Speaker 6: three pm tomorrow. Make sure he knows that Penny's Grocery

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Speaker 6: sent a message oh, where will I find him near.

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Speaker 4: The omelet station? He'll doesn't belong.

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Speaker 2: Yeah, that's how you know. And Amy, I got to

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Speaker 2: give your flowers real quick.

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Speaker 1: Last time you're on the show, I gave you credit

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Speaker 1: because you made a very funny post super Bowl video

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Speaker 1: about white women with good intentions but just don't know

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Speaker 1: how to get it out when they see something cultural.

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Speaker 2: I'm like, oh my god, bad buddy. Do you guys

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Speaker 2: want to get like surface?

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Speaker 1: Very funny video. Good for you, but you made another

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Speaker 1: one that took me back because I come from the

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Speaker 1: hospitality living in Florida. I used to work at TGI

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Speaker 1: Fridays and I never told you that, but you were

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Speaker 1: dressed up by accident. You just woke up one day

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Speaker 1: and said, I'm gonna put on a hairnet, some crocs,

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Speaker 1: some chef pants, and so I can relive my days

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Speaker 1: working as a line cook at TGI Fridays.

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Speaker 2: You look just like one of those people.

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Speaker 1: And then you started quoting the things that line cooks

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Speaker 1: typically say to underage girls that are.

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Speaker 2: Host and you started going, hey, hey girl, you got

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Speaker 2: a boyfriend. Hey, I love to see you walk away.

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Speaker 1: All the things were not to post say that were

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Speaker 1: said at the teacher on Friday's kitchen back in the day,

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Speaker 1: to the good old days, Amy tell us what happened

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Speaker 1: to sexual harassment?

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Speaker 7: It's still alive, and well, don't worry, buddy.

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Speaker 4: It's yeah, James.

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Speaker 2: I have a pair of very short shorts, so I

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Speaker 2: hear it from.

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Speaker 4: Time to time to I'm like Jesus Fellas, just finished working.

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Speaker 2: On the road.

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Speaker 6: But then I walk away with a smile. I know

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Speaker 6: your savage animals. I have a great mind to call

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Speaker 6: you a supervisor, but I'm gonna let it go. And

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Speaker 6: I actually got my keys.

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Speaker 4: Whoops. I like some bread back here. Now.

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Speaker 7: It's hard because like I'm forty two, so I've kind

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Speaker 7: of aged out.

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Speaker 3: Yeah, yeah, why you Kevin hard her Man, Why then, yo,

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Speaker 3: get your life together.

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Speaker 7: My heart's bad, I know, I know, but like you did,

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Speaker 7: kind of age out until you get old enough for

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Speaker 7: people to like guilt, you know what I mean. So

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Speaker 7: I don't get sexual harassment, yes, and.

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Speaker 2: I'm gonna ask you a question about that.

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Speaker 3: So we had a we had a comedian here in

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Speaker 3: Orlando who he's gone now, but he posted this post

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Speaker 3: about how he had, you know, sexual harassment all to

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Speaker 3: a bunch of women and and and certain things he

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Speaker 3: did to women, right, and so I was telling him

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Speaker 3: how wrong he was.

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Speaker 2: He said, well, you do a duke can I said, no,

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Speaker 2: I don't.

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Speaker 3: He says, now, I'm asking if you if this is

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Speaker 3: you considered this sexual harassment. If I'm at a nightclub

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Speaker 3: and I see a beautiful woman, I walk up the

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Speaker 3: bun and say, girl, you're beautiful, and I try to

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Speaker 3: get her phone number, he says, that is sexual harassment.

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Speaker 7: No, it's harassment if she says no and you keep

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Speaker 7: on trying.

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Speaker 2: So we had a big argument.

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Speaker 3: I was like, bro, so I can't tell the woman

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Speaker 3: she's beautiful and that's what number is.

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Speaker 2: No, that's harassment. Well it's not harassment, And can I

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Speaker 2: give you some pushback on that real quick?

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Speaker 1: You said yeah, absolutely, Well you said if you keep asking,

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Speaker 1: that's harassment.

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Speaker 2: But I've always heard third times the charm.

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Speaker 1: Yeah yeah, bosk On, I'm just saying, come on, for

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Speaker 1: five minutes, he arrast that girl, right.

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Speaker 6: Like, I guess what, for five minutes? You also rocked

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Speaker 6: our world. Thanks boss k who.

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Speaker 3: Was in the middle school dance up and grinding up

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Speaker 3: on somebody else.

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Speaker 4: It's like the boys Michael Jackson had to do so

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Speaker 4: we could get thriller. Oh my god, there's always a price.

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Speaker 4: And while you go meet the devil on that road

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Speaker 4: to get them balkers tickets.

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Speaker 2: But no, no, no, no, no no no. You man

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Speaker 2: l who.

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Speaker 3: Followed the girl around the city for four minutes, he

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Speaker 3: just stopped her.

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Speaker 2: Hey, do you know he just stalked this girl for

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Speaker 2: four minutes?

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Speaker 6: Guys, do you know who love the most gentleman? If

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Speaker 6: go back and listen to some old nineties hip hops,

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Speaker 6: you know who is a gentleman? Mister Cheeks from the

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Speaker 6: Lost Boys, listen to Renee.

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Speaker 4: Excuse me, miss, but may I get your name? That

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Speaker 4: was his opening line to her.

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Speaker 6: It wasn't like, hey, girl, your booty is so big,

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Speaker 6: I want to put two pieces of corporate between the

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Speaker 6: eating behind the middle school.

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Speaker 2: No, no, let me talk about super thoughtful Miguel.

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Speaker 6: Yeah, man, heying, you illustrate it.

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Speaker 4: That me chatling Tracy Morgan right there, Yo.

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Speaker 2: Papa Bill, Let me tell you something about Renee.

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Speaker 4: Bro, take that booty and play like a congo in Africa.

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Speaker 3: Renee was so good, bro that the guy who shot

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Speaker 3: Renee I went back and shot.

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Speaker 6: Him for I'm oh dude a guy who went back

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Speaker 6: and shot Renee. He got he got a credit on

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Speaker 6: the album Renee So Good. The dude who killed Renee,

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Speaker 6: I went and killed him.

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Speaker 4: I was.

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Speaker 2: I tell mister chicks, I got this.

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Speaker 4: Go home.

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Speaker 6: Imagine your name is mister Cheeks, and you come off

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Speaker 6: to be one of the most romantic and gentlemanly rappers

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Speaker 6: in a song about your girl getting murdered. That song

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Speaker 6: is about a beautiful relationship. To be honest, listen to it.

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Speaker 6: She's got a great job. He respects her job, she

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Speaker 6: respects him as a rapper. They hang out, they kick it.

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Speaker 6: The first even even doesn't talk about there. He brings

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Speaker 6: up how he's not gonna go into detail about their

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Speaker 6: sexual escapade.

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Speaker 2: He's a gentleman, He's they's a gentleman's song.

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Speaker 6: And it made the rest of us look bad because

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Speaker 6: we was hanging out with Ken Miller on the corner.

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Speaker 6: He was like, hey girl, hey girl, you get a

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Speaker 6: CDL to draw that dump Trump.

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Speaker 2: Got her?

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Speaker 6: Hey girl, do this, hey girl, keep that thunderous applause now,

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Speaker 6: because that dang clapping.

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Speaker 4: Mama, what did you say, Hey ma, mama?

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Speaker 2: Sorry, Hey, y'all got go. Remember just Hey.

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Speaker 6: You remember your mama catching you do something and then

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Speaker 6: you're looking at your boys like they're bad people, Like, hey, man,

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Speaker 6: I don't care. I bust them in the face. I

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Speaker 6: told him I'm smoking. Blay you Mama like what you

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Speaker 6: got here? Hey, y'all gotta get out of here. Mama,

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Speaker 6: mama nating them boys. Was just talking to me about

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Speaker 6: about a job. And when I was a kid, that

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Speaker 6: was it for everything. Mamma would be like, whaite are you?

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Speaker 6: I was I was talking about a job. Yeah, I'm

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Speaker 6: wearing all I'm wearing all black with a pair of

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Speaker 6: bolt cutters in my hand, be like he was at

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Speaker 6: the bolt cutter warehouse.

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Speaker 2: Want me to work nights, Mama, Yeah, yeah, that's funny

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Speaker 2: as hell. Man. God, hey, mama, I need to know

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Speaker 2: if you can help me.

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Speaker 4: I fell on a bullet. Can you help me?

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Speaker 2: Mama?

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Speaker 6: Oh?

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Speaker 2: Man, God, god, this dude oday, did you do did

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Speaker 2: you take something? This pressure?

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Speaker 7: Man?

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Speaker 4: I'm fired up. Hey David Jolly, Hey, David Jolly, shout out.

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Speaker 4: He got the greatest new joke.

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Speaker 6: He talks about how he don't want to watch anybody twitch.

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Speaker 6: He's like, I want to watch you twitch. He's like

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Speaker 6: especially if you're old and grown. He's like, I want

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Speaker 6: to see a forty year old twitcher talking about what's up.

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Speaker 6: People took my blood pressure medication today so I won't

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Speaker 6: pass out at work.

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Speaker 4: Cash me later.

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Speaker 2: On that note, y'all, don't go anywhere.

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Speaker 1: We'll be right back on more Real Labs on Real

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Speaker 1: Radio one on four point one. Welcome back, everybody to

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Speaker 1: a very adult edition of Real Lass right here on Real.

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Speaker 2: Radio one on four point one.

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Speaker 1: I'm James J joining studio with Ken Miller, Miguel Cologne Junior,

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Speaker 1: and Amy Lecoor from the Pillow for podcast.

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Speaker 2: We were just talking about the fact.

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Speaker 1: That we grew up in a time where certain things

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Speaker 1: were allowed to happen they're probably shouldn't at the workplace.

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Speaker 1: We're talking about sexual harassment. Amy wants to bring it back,

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Speaker 1: So thank you Amy.

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Speaker 4: For bringing that up.

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Speaker 2: Ridiculous.

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Speaker 4: I'll tell you this much.

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Speaker 2: I think.

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Speaker 4: I think if we honestly look back on it, none

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Speaker 4: of this was allowed to happen. We just know did

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Speaker 4: nothing to stop it.

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Speaker 6: Correct, That's what it was like that you think about

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00:15:20,920 --> 00:15:23,160
Speaker 6: stuff nothing was a left because and then we do

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Speaker 6: with a touch of nostalgia. Sometimes we look at things.

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00:15:25,520 --> 00:15:27,680
Speaker 6: We're like, bag of my damn man. People was to

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Speaker 6: get uptight about drunk driving.

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Speaker 4: Nah, they did, they did. Yeah, I just really needed

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Speaker 4: to get home.

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Speaker 7: They have a story like if you ask your grandma, like, oh,

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Speaker 7: what was the story about?

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Speaker 4: Like you know your grandpa.

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Speaker 7: It was literally he stalked her until she said yes

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Speaker 7: and she got married. Like that's every grandma's story from

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Speaker 7: like the fifties on No Cowsby writing.

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Speaker 4: All those Disney movies. He's like, So then she's asleep,

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Speaker 4: right and you wake her up? You just wake Michael.

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Speaker 4: Every Disney movie is that.

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Speaker 7: It's kissing again, unawake, asleep is asleep?

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Speaker 4: Amy, don't make new words up? Unawake? Yeah, on away.

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Speaker 4: Even when she's asleep, she stay woke.

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Speaker 2: Okay, Yeah there you go.

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Speaker 4: Yeah, just kissing. Think about how much of a pervert

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Speaker 4: you were, Like so hear me out.

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Speaker 6: She's in this glass box right and there's seven little

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Speaker 6: dudes all around her, and you come in you just

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Speaker 6: kiss her. Yeah that's a movie for kids, right there.

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Speaker 6: I got another one too. She pricked herself on a

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Speaker 6: on a on a spindle and she's passed. Jimmy, what's

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00:16:32,640 --> 00:16:35,360
Speaker 6: up on all these passed up movies. Chill out, all right,

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Speaker 6: I'm making classics here. Meanwhile, the dude trying to get

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Speaker 6: rescuer down under his mate. He's like, I just I

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Speaker 6: wanted mice in there in Australia.

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Speaker 4: You gay, Kevin, you gay. I'm out here writing classics

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Speaker 4: all right. So there she's passed outright.

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Speaker 1: Wait, wait, all right, you want something different. I got

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Speaker 1: a brand new movie. You guys are gonna love it. Disney.

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Speaker 2: Let's say a girl has hair and a hero has

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Speaker 2: to pull it.

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Speaker 6: Wait a minute, we got hey, maybe I'm gonna throw

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Speaker 6: this in.

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Speaker 4: And you gots bob Iger. You tell me maybe he

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00:17:06,000 --> 00:17:09,360
Speaker 4: also got spitting him off one time. No, okay, it's

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Speaker 4: hard to animate. Kocandaga says, it's hard to animate.

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Speaker 2: Okay, we do that.

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Speaker 4: I got I got another one. She's a mermaid, right yeah, yeah,

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Speaker 4: but yo, that bitch don't talk. She's so time, she's

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Speaker 4: so quiet.

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Speaker 6: She's just some quiet. I'm like, hmm, but she can

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Speaker 6: read and write. That's weird because she signed a contract,

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Speaker 6: so she can't slip this dude the note like, hey man,

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Speaker 6: I'll throw it marry me.

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Speaker 4: You know she's sixteen. She's sixteen, too, right, right, right,

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Speaker 4: So she hasn't got all fair.

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Speaker 1: Oh imagine that there's two things. I don't have my

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Speaker 1: voice and a gag reflex.

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Speaker 4: Yeah, I put that note. Sebastian's like, ja daughter as

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Speaker 4: a hole.

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Speaker 2: She needs to go in the land because she needs

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Speaker 2: to go.

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Speaker 6: Meanwhile, too, they're like, they're like writing, and he's like,

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Speaker 6: so she signs a contract with some you know, with

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Speaker 6: some be an octopus, maybe jewish. I know how you

385
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Speaker 6: guys feel about that. Yeah, and then her daddy kills

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00:18:06,680 --> 00:18:11,040
Speaker 6: her to break the contract. Now hear me out, she

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Speaker 6: could be asleep.

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Speaker 2: How can we never give give Ursula credit?

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Speaker 1: Man, she's definitely a more of a butcher, but she

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Speaker 1: needs to be celebrated man for herself.

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Speaker 4: Ursula did nothing wrong. She sung a goddamn song.

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Speaker 6: Letting her know the rules. Yes, she was like, you

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00:18:30,440 --> 00:18:33,880
Speaker 6: did before I bought things before. Nobody kicked the rules

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Speaker 6: to me like that. Nobody ever was like, welcome to

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Speaker 6: Columbia ced house.

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Speaker 4: You gonna buy one for a penny, but it's gonna

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Speaker 4: cost you.

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Speaker 6: So you know, we have that moment, but nobody like,

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Speaker 6: let me think you you can sign a contract and

400
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Speaker 6: I will give you everything. I guaranteed in the contract

401
00:18:54,000 --> 00:18:56,440
Speaker 6: and if you know, if you win, you'll have no

402
00:18:56,600 --> 00:18:58,840
Speaker 6: voice and legs and you'll never see your dad and

403
00:18:59,160 --> 00:19:01,920
Speaker 6: stuff again, and areas like yo, let me get the

404
00:19:02,119 --> 00:19:04,440
Speaker 6: pen and the crabbers like the crab was like, yeah,

405
00:19:04,520 --> 00:19:06,200
Speaker 6: the crab was your homeboys like, don't do it.

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00:19:06,720 --> 00:19:08,040
Speaker 4: That's way too much APR.

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00:19:08,160 --> 00:19:12,879
Speaker 6: And you're like, Broddie, free honey, free money. If I

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00:19:12,880 --> 00:19:15,040
Speaker 6: don't buy this hell cat, it's like I'm losing.

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Speaker 2: It's true, It's true.

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Speaker 4: Yeah, Arsena did nothing wrong man, So so thank you.

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Speaker 2: Amy.

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Speaker 1: This from your amazing video you put out about looking

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Speaker 1: like you used to work at TGI Fridays as.

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Speaker 2: A line cook sexual harassing young girls. The first place

415
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Speaker 2: you need to.

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Speaker 1: Look if we're gonna fight sexual harassment in workplace in

417
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Speaker 1: restaurants is the underage hostesses, every single one of those

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Speaker 1: poor people.

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Speaker 2: Because I know because the cooks love the host people

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Speaker 2: because I was I was a host to holler at

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Speaker 2: me like James, what you going with them legs?

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Speaker 6: I'm like, hey, James, man, you try and get them

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00:19:52,200 --> 00:19:53,600
Speaker 6: biscuits covered in gravy.

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Speaker 4: Michelle chill, I'm going to work.

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Speaker 2: Oh, it's like you were there, like no, I'm a

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00:20:04,359 --> 00:20:06,800
Speaker 2: person respecting me. Put that top on. I like, no,

427
00:20:08,320 --> 00:20:08,560
Speaker 2: were you?

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00:20:09,920 --> 00:20:10,080
Speaker 3: Yeah?

429
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Speaker 2: I was a host.

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Speaker 7: I was hostess and I had us dress really cute.

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Speaker 7: I was nineteen, I was tiny.

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Speaker 4: Yeah, it was.

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Speaker 2: It was a wild time and there was a lot.

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Speaker 7: Of drugs and it was fun.

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Speaker 2: It was a fun time.

436
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Speaker 7: The sexual harassment was weird. You had to deal with it.

437
00:20:22,600 --> 00:20:24,440
Speaker 7: I mean even from like the CEO, like I was

438
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Speaker 7: just like again, we've talked about it was the ninety

439
00:20:26,600 --> 00:20:28,840
Speaker 7: early two thousands. It was just a normal part of life.

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Speaker 2: Unfortunately, that's crazy.

441
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Speaker 7: Like even the managers were like weird and stuff, oh

442
00:20:33,480 --> 00:20:35,680
Speaker 7: always every time. Why did think they hired me? I

443
00:20:35,880 --> 00:20:38,359
Speaker 7: was a young lady. I couldn't do math.

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Speaker 2: I couldn't care. How did I think about it?

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Speaker 6: There's no reason to want to hire like for hosts

446
00:20:47,320 --> 00:20:49,119
Speaker 6: now I think about it. Other than the fact that

447
00:20:49,160 --> 00:20:51,120
Speaker 6: they don't they don't want to pay you anything. There

448
00:20:51,200 --> 00:20:56,200
Speaker 6: is no reason to hire any like young cute person

449
00:20:56,280 --> 00:20:58,640
Speaker 6: to be a host. I want, I want, I want

450
00:20:58,800 --> 00:21:02,800
Speaker 6: just gruff, oh, biker lesbians, so that yo, you know

451
00:21:02,880 --> 00:21:05,399
Speaker 6: you're gonna starting to smoke with this waiter, you know.

452
00:21:06,440 --> 00:21:07,520
Speaker 2: Migil will Ursula.

453
00:21:07,960 --> 00:21:11,480
Speaker 4: Yeah, I want I want I want her there. I

454
00:21:11,560 --> 00:21:13,840
Speaker 4: want her curling a forty five town. When you walk

455
00:21:13,920 --> 00:21:16,880
Speaker 4: in and you're like, hey, man, she's like, I ain't

456
00:21:16,920 --> 00:21:18,480
Speaker 4: ass sixty eight.

457
00:21:19,960 --> 00:21:20,240
Speaker 7: Nine.

458
00:21:22,200 --> 00:21:23,840
Speaker 4: She drops it, she's like, what's up? Player?

459
00:21:23,920 --> 00:21:24,520
Speaker 2: Looks at this girl?

460
00:21:24,720 --> 00:21:25,040
Speaker 4: What's up?

461
00:21:25,119 --> 00:21:25,600
Speaker 2: Buttercup?

462
00:21:26,080 --> 00:21:30,520
Speaker 1: H Hey, when did Fridays start incorporating flannel into their uniforms? Like?

463
00:21:30,760 --> 00:21:38,640
Speaker 4: Man, she's at the weight bench getting spotted. Yeah, your table, mama, Yeah,

464
00:21:38,640 --> 00:21:41,720
Speaker 4: you want a table for four? Man, I want some

465
00:21:41,880 --> 00:21:47,040
Speaker 4: things too. I don't want a problem with her, Honey,

466
00:21:47,200 --> 00:21:48,000
Speaker 4: I'll sit at the bar.

467
00:21:48,200 --> 00:21:50,560
Speaker 2: Yeah, you go ahead and have a nice date with her.

468
00:21:50,680 --> 00:21:50,840
Speaker 4: Yeah.

469
00:21:51,000 --> 00:21:51,200
Speaker 7: Yeah.

470
00:21:51,640 --> 00:21:53,840
Speaker 3: It's it's crazy because when you think about it, like

471
00:21:54,000 --> 00:21:56,959
Speaker 3: the nineties and were talking about the harassment, I mean

472
00:21:57,040 --> 00:21:58,080
Speaker 3: you have think hooters.

473
00:21:58,800 --> 00:22:01,400
Speaker 2: Oh it was just a little shorts and boobs.

474
00:22:04,119 --> 00:22:06,200
Speaker 4: It was the simpler time, kid.

475
00:22:07,240 --> 00:22:10,040
Speaker 2: Hey, even now, what's the one now?

476
00:22:10,240 --> 00:22:10,959
Speaker 4: Twin peaks.

477
00:22:12,280 --> 00:22:17,440
Speaker 2: Twin is in the name. Twin Peaks is in the name.

478
00:22:18,280 --> 00:22:21,840
Speaker 2: I'm open. I'm open a restaurant wings, I'm open a restaurant.

479
00:22:21,480 --> 00:22:24,359
Speaker 6: Called Dogs and it's just dudes and hey, dudes in

480
00:22:24,400 --> 00:22:29,159
Speaker 6: great sweatpants. Oh yeah, no, no draws and welcome, Welcome,

481
00:22:29,200 --> 00:22:31,480
Speaker 6: to Dogs. I had to do it to balance things out.

482
00:22:31,920 --> 00:22:34,440
Speaker 6: Yeah right, hey, and I mean I'm like, I'll be

483
00:22:34,480 --> 00:22:36,040
Speaker 6: teaching the waiters like lizen, you want to get a

484
00:22:36,080 --> 00:22:38,479
Speaker 6: good tip, lean over the shoulder when you're looking at

485
00:22:38,480 --> 00:22:39,200
Speaker 6: the men, you just let it.

486
00:22:42,680 --> 00:22:42,880
Speaker 7: Yeah.

487
00:22:43,040 --> 00:22:45,399
Speaker 2: So you know Hooters is known for the wings, what

488
00:22:45,600 --> 00:22:48,400
Speaker 2: is what is dogs going to be known for? The bronx?

489
00:22:48,480 --> 00:22:53,840
Speaker 4: Baby, Dogs got the bronx.

490
00:22:53,960 --> 00:22:54,120
Speaker 6: Man.

491
00:22:54,280 --> 00:22:57,800
Speaker 4: Hey, welcome to Dogs. We got the biggest brons in town.

492
00:22:58,520 --> 00:23:01,560
Speaker 6: And then like I got like a Chinese dude coming

493
00:23:01,600 --> 00:23:03,160
Speaker 6: in to be there. I'm like, I'm I'm gonna start

494
00:23:03,160 --> 00:23:07,720
Speaker 6: your host buddy. Yeah, yeah, yeah, yeah, it's a time

495
00:23:07,760 --> 00:23:08,320
Speaker 6: you studying.

496
00:23:08,320 --> 00:23:11,200
Speaker 4: And welcome Vidie. I already seen it. You you gotta

497
00:23:11,240 --> 00:23:12,880
Speaker 4: put a spur on the end of it so doesn't

498
00:23:12,920 --> 00:23:13,280
Speaker 4: dragon it.

499
00:23:14,119 --> 00:23:16,320
Speaker 1: And welcome to Dongs. You can get it anyway you want.

500
00:23:16,359 --> 00:23:19,719
Speaker 1: We got it with sour kraut, mustard or mis uh

501
00:23:19,880 --> 00:23:20,480
Speaker 1: what do you call it?

502
00:23:20,680 --> 00:23:20,760
Speaker 6: Uh?

503
00:23:21,320 --> 00:23:24,520
Speaker 1: Damn it, hooking up coconut oil, whatever you want, whatever

504
00:23:24,600 --> 00:23:24,960
Speaker 1: you want.

505
00:23:25,480 --> 00:23:27,919
Speaker 4: Welcome to Dogs. I'm just doing a little blow at

506
00:23:27,960 --> 00:23:28,880
Speaker 4: my desk. Yeah.

507
00:23:28,920 --> 00:23:31,600
Speaker 6: I got a lot of feedback from my old restaurant

508
00:23:31,760 --> 00:23:32,480
Speaker 6: called Peaches.

509
00:23:33,000 --> 00:23:36,359
Speaker 4: Uh and they was protesting, so open dogs, shut the

510
00:23:36,480 --> 00:23:40,520
Speaker 4: jury up. Uh, I'd be honest, man.

511
00:23:41,119 --> 00:23:42,840
Speaker 6: At first, I was like, I want to sit around

512
00:23:42,840 --> 00:23:45,720
Speaker 6: here with a bunch of big dog dudes all day long.

513
00:23:45,960 --> 00:23:49,080
Speaker 6: But working at a restaurant with nothing but dudes. Man,

514
00:23:49,119 --> 00:23:52,200
Speaker 6: this place is all right. Anybody changes kegs, everybody just

515
00:23:52,280 --> 00:23:52,639
Speaker 6: pointing to it.

516
00:23:52,720 --> 00:23:54,760
Speaker 4: Do you change that keg right now? The keg?

517
00:23:55,160 --> 00:23:58,240
Speaker 6: It's pretty good nobody, you know, everybody has a good

518
00:23:58,440 --> 00:23:59,600
Speaker 6: Dogs is a great place.

519
00:23:59,720 --> 00:24:02,800
Speaker 4: Our softball team dominant.

520
00:24:07,880 --> 00:24:11,240
Speaker 1: Hell man, So a shout out to all the former

521
00:24:11,640 --> 00:24:13,680
Speaker 1: What do you call the hospitality jobs we all had,

522
00:24:13,760 --> 00:24:17,080
Speaker 1: We all came from hospitality. Ken Parker Brothers, TGI Fridays

523
00:24:17,119 --> 00:24:20,200
Speaker 1: for Me Center, fast food hospitality.

524
00:24:20,320 --> 00:24:23,160
Speaker 2: Yeah, oh yeah, absolutely, yes, absolutely, brother.

525
00:24:23,119 --> 00:24:27,520
Speaker 3: Especially, I always think of like serving and you know,

526
00:24:27,840 --> 00:24:30,800
Speaker 3: I never saw you still had to provide a service

527
00:24:30,880 --> 00:24:32,400
Speaker 3: for the public that is hospitality.

528
00:24:33,080 --> 00:24:35,320
Speaker 4: Especially. I would tell you this much like this is

529
00:24:35,640 --> 00:24:38,720
Speaker 4: this is like is it a combat mos? Like? Question?

530
00:24:39,119 --> 00:24:40,240
Speaker 4: Is is you know what I'm saying?

531
00:24:40,480 --> 00:24:43,760
Speaker 6: Like, hey, no artilleries we there, you know, eight miles back,

532
00:24:43,920 --> 00:24:44,280
Speaker 6: were there?

533
00:24:45,920 --> 00:24:48,399
Speaker 4: Out of out of hospital, out of fast food.

534
00:24:48,880 --> 00:24:53,240
Speaker 6: The most hospitality position there is the drive through operator.

535
00:24:53,440 --> 00:24:53,600
Speaker 1: Man.

536
00:24:54,760 --> 00:24:59,120
Speaker 6: Yeah, man, that poor s ob. I never worked fast food.

537
00:24:59,160 --> 00:25:04,200
Speaker 6: You know, I had dreams, but uh and I can read,

538
00:25:04,560 --> 00:25:06,720
Speaker 6: so yeah, I never know I was better. But the

539
00:25:06,880 --> 00:25:11,440
Speaker 6: uh yeah, the uh, the the real the real hospitality

540
00:25:11,600 --> 00:25:14,000
Speaker 6: mos and the fast food chain because that drive through

541
00:25:14,040 --> 00:25:18,560
Speaker 6: operator is constantly dealing with customer service all day long

542
00:25:18,680 --> 00:25:21,480
Speaker 6: and some of the worst people. That's why you've ever

543
00:25:21,560 --> 00:25:23,560
Speaker 6: been real nice to a drive through operator and they

544
00:25:23,600 --> 00:25:25,520
Speaker 6: still treat you like crap, And you like, how did

545
00:25:25,560 --> 00:25:28,440
Speaker 6: I get it? What does what does one nice person

546
00:25:28,600 --> 00:25:31,680
Speaker 6: mean in this? In the like, hey, man takes a

547
00:25:31,720 --> 00:25:32,920
Speaker 6: lot player, Man, I appreciate it.

548
00:25:33,000 --> 00:25:33,880
Speaker 2: Man, you're having a good day.

549
00:25:33,880 --> 00:25:36,160
Speaker 6: He's like just looking at you, like, oh, I'm having

550
00:25:36,200 --> 00:25:38,680
Speaker 6: a blast. I smell like chicken grease. And I just

551
00:25:38,760 --> 00:25:41,159
Speaker 6: got yelled at by a lady because she ordered a

552
00:25:41,240 --> 00:25:43,320
Speaker 6: diet coke and said it tastes too sweet.

553
00:25:44,240 --> 00:25:45,600
Speaker 2: Yeah, this is great man.

554
00:25:46,160 --> 00:25:47,720
Speaker 4: I'm just trying to work out a little more so

555
00:25:47,800 --> 00:25:49,200
Speaker 4: I get hired. The dongs.

556
00:25:51,160 --> 00:25:52,800
Speaker 1: I will lately.

557
00:25:53,680 --> 00:25:59,320
Speaker 2: Yeah, oh the ai yo. Yeah that's order bro, bro.

558
00:25:59,320 --> 00:26:01,320
Speaker 6: You want to talk about Yeah, I thought I thought

559
00:26:01,480 --> 00:26:04,679
Speaker 6: a sixteen year old kid could mess my order up.

560
00:26:05,160 --> 00:26:08,760
Speaker 4: No, no, a, I won't even do some stuff. I'm like, hey, man,

561
00:26:08,800 --> 00:26:13,280
Speaker 4: can I get that? No, no, onion, I'm sorry, that's

562
00:26:13,359 --> 00:26:15,440
Speaker 4: not how it's made. And I'm like, yeah, but this

563
00:26:15,520 --> 00:26:16,120
Speaker 4: is America.

564
00:26:16,520 --> 00:26:19,159
Speaker 6: And it's like, I'm sorry, Miguel, and then it just

565
00:26:19,160 --> 00:26:22,600
Speaker 6: starts telling me it's like searching your computer history.

566
00:26:23,080 --> 00:26:27,919
Speaker 4: I see you don't want mustard, but you do want BBL. Man,

567
00:26:27,920 --> 00:26:28,240
Speaker 4: I'll take it.

568
00:26:28,760 --> 00:26:29,960
Speaker 2: I'll take it. Hover it's made.

569
00:26:31,400 --> 00:26:31,760
Speaker 7: To take.

570
00:26:34,119 --> 00:26:37,960
Speaker 4: Interesting, Miguel. And you think she was born a woman. Hey,

571
00:26:38,000 --> 00:26:40,400
Speaker 4: I'll take I'll take the burker anyway, anyway, anyway you want.

572
00:26:45,359 --> 00:26:46,040
Speaker 2: I will say.

573
00:26:46,320 --> 00:26:48,920
Speaker 1: The toughest spot well, one of the most challenging spots

574
00:26:48,960 --> 00:26:51,960
Speaker 1: to work in a restaurant Friday or Saturday night expo.

575
00:26:52,600 --> 00:26:54,879
Speaker 1: Working that window when that food is spitting out in

576
00:26:54,920 --> 00:26:57,200
Speaker 1: the middle of rush can be absolutely crazy.

577
00:26:57,400 --> 00:26:58,399
Speaker 2: Can you know what XBO is?

578
00:26:58,680 --> 00:27:01,000
Speaker 1: No, that's the person that's making the food is coming

579
00:27:01,040 --> 00:27:03,000
Speaker 1: out the window, and you're trying to give it to

580
00:27:03,119 --> 00:27:05,240
Speaker 1: each of the waitresses or waiters.

581
00:27:05,200 --> 00:27:07,920
Speaker 6: And you're also calling out orders like hey, fire me

582
00:27:08,040 --> 00:27:11,280
Speaker 6: three steaks. You know what XPO is kN XPO is

583
00:27:11,359 --> 00:27:14,399
Speaker 6: the dude on the radio doing close air support. He's like, hey,

584
00:27:14,520 --> 00:27:18,000
Speaker 6: fire me three steaks. Sixteen tater to orders. So, you know,

585
00:27:18,200 --> 00:27:20,520
Speaker 6: because expo is the one job where like the general

586
00:27:20,560 --> 00:27:21,359
Speaker 6: manager could come up.

587
00:27:21,359 --> 00:27:23,160
Speaker 4: He'd be like, hey, Steven, get out of my way.

588
00:27:23,640 --> 00:27:24,480
Speaker 4: Sixteen trips.

589
00:27:24,600 --> 00:27:26,800
Speaker 2: Keep it going, keep it going. And they're like yo.

590
00:27:26,960 --> 00:27:28,960
Speaker 6: The assistant general managers come up to expos, like are

591
00:27:28,960 --> 00:27:30,040
Speaker 6: you keeping us alive out here?

592
00:27:30,080 --> 00:27:31,639
Speaker 2: Steve? Keep keeping us alive all right?

593
00:27:32,000 --> 00:27:36,760
Speaker 6: Keep feeling yep, trying to keep everything like sixty five

594
00:27:37,400 --> 00:27:40,520
Speaker 6: hands hands, all the tourists coming.

595
00:27:40,560 --> 00:27:50,960
Speaker 4: He's looking at everything. He's like arrow, tip down, take

596
00:27:51,040 --> 00:27:52,480
Speaker 4: it falling over.

597
00:27:55,280 --> 00:27:57,359
Speaker 2: There's just one crazy old guy, like I love the

598
00:27:57,480 --> 00:27:58,520
Speaker 2: smell of napum.

599
00:28:00,320 --> 00:28:02,200
Speaker 4: After it's all done, when the rush is all done,

600
00:28:02,200 --> 00:28:02,800
Speaker 4: it's like battle.

601
00:28:02,960 --> 00:28:05,720
Speaker 6: There's just one chef. He's sitting there smoking a cigarette.

602
00:28:06,000 --> 00:28:08,320
Speaker 6: General managers sitting next to him, like the colonel. This

603
00:28:08,480 --> 00:28:11,040
Speaker 6: is a nobody chef. He's the bottom of the layer.

604
00:28:11,320 --> 00:28:13,240
Speaker 6: And then here's the GM and they both shared a

605
00:28:13,320 --> 00:28:17,159
Speaker 6: cigarette and they're like it's kind of beautiful and.

606
00:28:17,240 --> 00:28:22,520
Speaker 4: It's sir, and he's like, god, damn gorgeous. He's just

607
00:28:22,640 --> 00:28:23,840
Speaker 4: sharing their cigarette.

608
00:28:25,040 --> 00:28:27,040
Speaker 2: Hey, the general manager doesn't have a shirt on for

609
00:28:27,119 --> 00:28:28,879
Speaker 2: some reason, no shirt on.

610
00:28:30,920 --> 00:28:33,000
Speaker 4: Just look at each other they hear the next rush

611
00:28:33,080 --> 00:28:36,360
Speaker 4: coming in. He's like, get some boy. He's like, thank you, sir.

612
00:28:36,840 --> 00:28:37,040
Speaker 7: You know.

613
00:28:38,760 --> 00:28:41,040
Speaker 2: All right, guys, on that note, don't go anywhere.

614
00:28:41,120 --> 00:28:43,360
Speaker 1: We'll be right back with more hilarity right here on

615
00:28:43,440 --> 00:28:45,600
Speaker 1: Real Last, Real Radio one on four point one.

616
00:29:03,120 --> 00:29:04,360
Speaker 2: Welcome back, everybody.

617
00:29:04,480 --> 00:29:07,840
Speaker 1: You are still listening to a very adult episode of

618
00:29:07,920 --> 00:29:10,520
Speaker 1: Real Last on Real Radio one or four point one.

619
00:29:10,600 --> 00:29:11,320
Speaker 2: I'm still your host.

620
00:29:11,400 --> 00:29:14,280
Speaker 1: Jane John joined with Miguel Cologne, Junior, Kim Miller and

621
00:29:14,320 --> 00:29:17,920
Speaker 1: Emilcord from the Pillow for podcast. Uh.

622
00:29:19,320 --> 00:29:20,560
Speaker 3: I don't you know where to go from here, but

623
00:29:20,960 --> 00:29:22,840
Speaker 3: I'm over trying to go to a heart attack.

624
00:29:22,920 --> 00:29:25,880
Speaker 2: Bro, you're killing me to good at dogs right now?

625
00:29:26,040 --> 00:29:28,040
Speaker 4: Man, sausage flatter.

626
00:29:28,680 --> 00:29:30,800
Speaker 2: Hey, you know the doctor said, I gotta cut cut

627
00:29:30,880 --> 00:29:31,880
Speaker 2: back on you know.

628
00:29:33,680 --> 00:29:37,640
Speaker 3: Hey yeah, hey James doctors. Bro, I had to go

629
00:29:37,760 --> 00:29:41,400
Speaker 3: get that stress test. Okay, man, let me tell y'all something.

630
00:29:41,600 --> 00:29:44,640
Speaker 3: Whoever invented this? I know the first ten people had

631
00:29:44,680 --> 00:29:49,560
Speaker 3: to die because because they literally put nuclear radiation in you.

632
00:29:49,720 --> 00:29:52,520
Speaker 2: Bro, it's it's got it's got nucleid.

633
00:29:52,600 --> 00:29:54,960
Speaker 3: So they put this radiation in you makes your heart

634
00:29:55,120 --> 00:29:57,880
Speaker 3: just start like your body burns. You feel like you're

635
00:29:57,880 --> 00:30:00,120
Speaker 3: about to peel on yourself. And then they say, and

636
00:30:00,200 --> 00:30:03,440
Speaker 3: I drink this soda because we need your heart to really.

637
00:30:03,240 --> 00:30:08,520
Speaker 2: Be beat br yo, br brow.

638
00:30:08,640 --> 00:30:11,000
Speaker 3: Let me tell you something, man, I thought this was

639
00:30:11,000 --> 00:30:12,680
Speaker 3: gonna make me do the treadmill. They don't do the

640
00:30:12,760 --> 00:30:16,000
Speaker 3: treadmill anymore. The treadmills in the room. And they're like, yeah,

641
00:30:16,000 --> 00:30:17,720
Speaker 3: we ain't use this thing in like five years, bro.

642
00:30:18,640 --> 00:30:20,720
Speaker 3: So they pumped that nuclear in you. And I told

643
00:30:20,760 --> 00:30:23,360
Speaker 3: that lady, I said, I guarantee you the first ten

644
00:30:23,400 --> 00:30:25,400
Speaker 3: to fifteen people died before they figured this out.

645
00:30:26,160 --> 00:30:27,000
Speaker 2: Like how much nouke?

646
00:30:27,080 --> 00:30:27,400
Speaker 7: Do you know?

647
00:30:28,080 --> 00:30:29,360
Speaker 4: Drug from RoboCop too?

648
00:30:30,000 --> 00:30:32,960
Speaker 1: That's right, that's fun, hey, but it makes you feel

649
00:30:33,000 --> 00:30:34,600
Speaker 1: like you're having a heart attack it dude.

650
00:30:34,760 --> 00:30:37,840
Speaker 3: You're like, yo, your body the sensation your body's burning.

651
00:30:38,120 --> 00:30:40,000
Speaker 3: So I'm talking to the lady, and you know, I

652
00:30:40,080 --> 00:30:42,320
Speaker 3: tell everybody I do comedy, and I'm talking to the

653
00:30:42,400 --> 00:30:44,040
Speaker 3: lady about comedy, and she says, so where are you.

654
00:30:44,000 --> 00:30:53,680
Speaker 2: Gonna be next? Right there? She ain't give me no

655
00:30:53,880 --> 00:30:56,200
Speaker 2: countdown or nothing. She's like, so, yeah, well, you know,

656
00:30:56,320 --> 00:31:02,240
Speaker 2: Joe Cortes was of my favorite. What you could have

657
00:31:02,320 --> 00:31:03,280
Speaker 2: gave me a three two.

658
00:31:03,200 --> 00:31:05,880
Speaker 4: One or something they need to do the stress test.

659
00:31:06,080 --> 00:31:08,040
Speaker 6: Like it's like it's training day. The cops like, Hey,

660
00:31:08,080 --> 00:31:10,640
Speaker 6: we're gonna go out. We're gonna we're gonna start real

661
00:31:10,760 --> 00:31:11,760
Speaker 6: slow kind of build up.

662
00:31:11,800 --> 00:31:12,560
Speaker 4: Come on, man, let's go.

663
00:31:12,840 --> 00:31:14,600
Speaker 6: I'm gonna have you drive my car because I want

664
00:31:14,640 --> 00:31:17,240
Speaker 6: to see how you react to like traffic and stuff.

665
00:31:17,240 --> 00:31:18,640
Speaker 4: You're like, all right, man. He's like, hey, man, do

666
00:31:18,720 --> 00:31:21,280
Speaker 4: this bump. And you're like, what to do this bump?

667
00:31:21,320 --> 00:31:22,240
Speaker 4: I need your heart rate up.

668
00:31:22,600 --> 00:31:23,160
Speaker 2: He's like, oh, you.

669
00:31:23,160 --> 00:31:25,160
Speaker 4: Ain't trying to do no blow. Huh, you don't want

670
00:31:25,200 --> 00:31:26,840
Speaker 4: to get your stress. You're like, I do, I'll do

671
00:31:26,960 --> 00:31:27,320
Speaker 4: a bump.

672
00:31:27,600 --> 00:31:28,240
Speaker 2: You do a bump.

673
00:31:28,320 --> 00:31:30,560
Speaker 4: He has you chug a mountain dew and then all

674
00:31:30,600 --> 00:31:32,400
Speaker 4: of a sudden there's like a police car behind you.

675
00:31:32,520 --> 00:31:34,680
Speaker 4: He's like, all right, man, drive slow because Yo, this

676
00:31:34,800 --> 00:31:38,400
Speaker 4: car is stolen. Like what? And then he pull out

677
00:31:38,440 --> 00:31:40,560
Speaker 4: a gap. He's like, and if they pull us over,

678
00:31:40,720 --> 00:31:41,880
Speaker 4: I ain't going back.

679
00:31:45,240 --> 00:31:46,800
Speaker 6: Come back to the hospital. They're like, hey, how do

680
00:31:46,840 --> 00:31:47,960
Speaker 6: you pass his stress test?

681
00:31:48,320 --> 00:31:49,200
Speaker 2: Hey? He cool?

682
00:31:49,320 --> 00:31:49,480
Speaker 1: Man?

683
00:31:49,720 --> 00:31:51,920
Speaker 6: Hey you ready to put some real work in player.

684
00:31:52,000 --> 00:31:55,640
Speaker 6: You hollered at us this hospital. We Hey, he's solid nerves.

685
00:31:56,160 --> 00:31:57,720
Speaker 6: He got that shootout with the cop.

686
00:31:58,120 --> 00:32:01,600
Speaker 4: He three pointed like, man never spiled the mountain dew

687
00:32:02,840 --> 00:32:05,800
Speaker 4: with the dogs. Afterwards, Man, this dude, Hey, don't forget

688
00:32:05,800 --> 00:32:06,200
Speaker 4: your cope.

689
00:32:06,800 --> 00:32:09,600
Speaker 2: Yeah, why do you think this hospital is called Memorial Son?

690
00:32:10,000 --> 00:32:10,720
Speaker 4: Yeah, we do it.

691
00:32:10,840 --> 00:32:10,920
Speaker 7: Bro.

692
00:32:12,720 --> 00:32:14,920
Speaker 4: I'm like I'm like afterward, I'm like, what's what's my cope?

693
00:32:15,040 --> 00:32:18,600
Speaker 4: He's like, Noah, no, nah, player yeah Cody.

694
00:32:19,160 --> 00:32:19,360
Speaker 2: Yeah.

695
00:32:21,000 --> 00:32:24,000
Speaker 3: The nurse that was working on me and I was

696
00:32:24,080 --> 00:32:26,840
Speaker 3: at the Vaguirl, the one out in Legnona, and the

697
00:32:26,920 --> 00:32:29,040
Speaker 3: lady that was doing my stress test, she was like,

698
00:32:29,800 --> 00:32:32,720
Speaker 3: she's seeing younger and younger and younger people come in

699
00:32:32,880 --> 00:32:33,760
Speaker 3: with heart issue.

700
00:32:33,800 --> 00:32:33,880
Speaker 4: Bro.

701
00:32:34,120 --> 00:32:36,720
Speaker 3: Yes, She's like the food and how people eat and

702
00:32:36,800 --> 00:32:39,360
Speaker 3: the lifestyle. She said when she first started, it was

703
00:32:39,440 --> 00:32:41,720
Speaker 3: like seventies and ages. She said she did a stress

704
00:32:41,760 --> 00:32:43,320
Speaker 3: test for a kid that was twenty six.

705
00:32:43,440 --> 00:32:48,000
Speaker 2: I said, was he drinking vegetable oil? Are you twenty six?

706
00:32:48,080 --> 00:32:48,560
Speaker 1: Of your heart?

707
00:32:48,720 --> 00:32:49,160
Speaker 6: That bad?

708
00:32:49,280 --> 00:32:49,320
Speaker 7: Like?

709
00:32:49,440 --> 00:32:52,200
Speaker 2: What's wrong with deep Fried Crisco?

710
00:32:52,640 --> 00:32:52,840
Speaker 4: Yeah?

711
00:32:54,400 --> 00:32:56,120
Speaker 2: He had dogs three times a day.

712
00:32:56,280 --> 00:33:00,320
Speaker 4: Like yeah, yo, he's just hanging out out side of

713
00:33:00,360 --> 00:33:03,360
Speaker 4: the Krispy Kree with his face just down his throat.

714
00:33:04,040 --> 00:33:04,720
Speaker 4: That's the dream.

715
00:33:06,240 --> 00:33:08,760
Speaker 1: We got dog in three sides we've got small medium

716
00:33:08,800 --> 00:33:14,000
Speaker 1: and god damn y let me get the men dingo,

717
00:33:14,840 --> 00:33:17,360
Speaker 1: damn with sound crowded mustard.

718
00:33:17,680 --> 00:33:20,200
Speaker 6: Hey for for lent, I get the transplatter. It's a

719
00:33:20,280 --> 00:33:24,240
Speaker 6: fish dog fish sausage.

720
00:33:26,320 --> 00:33:29,240
Speaker 3: But waiting on my test, like I said, you know,

721
00:33:29,480 --> 00:33:31,880
Speaker 3: I they really think it's just the ass refused girl.

722
00:33:31,960 --> 00:33:34,040
Speaker 3: But to be on the safe side, you know, I

723
00:33:34,160 --> 00:33:36,960
Speaker 3: had to go through all of that, man, and I

724
00:33:37,000 --> 00:33:40,200
Speaker 3: can also do you know, I'm gonna go ahead, Miguel.

725
00:33:40,640 --> 00:33:42,840
Speaker 4: Yeah, I just don't say real quick.

726
00:33:42,880 --> 00:33:45,000
Speaker 2: I was just suffering from as reflux too.

727
00:33:45,320 --> 00:33:47,240
Speaker 1: I don't at night when I lay down, man, it

728
00:33:47,320 --> 00:33:49,600
Speaker 1: starts to creep up, and I'm trying to watch what

729
00:33:49,760 --> 00:33:51,400
Speaker 1: I eat like to kind of see what sets it off.

730
00:33:51,400 --> 00:33:55,600
Speaker 1: And it's pretty much anything, every thing, anything coffee.

731
00:33:55,800 --> 00:33:57,800
Speaker 4: I'm sitting there like you told me hot wings give

732
00:33:57,800 --> 00:34:05,240
Speaker 4: you extra. But how would you, amy, how would you

733
00:34:05,400 --> 00:34:07,360
Speaker 4: design a stress test?

734
00:34:07,960 --> 00:34:11,360
Speaker 6: Like you're gonna create a stress test to evaluate stress?

735
00:34:11,440 --> 00:34:13,640
Speaker 2: You you got a I know one thing I would do.

736
00:34:14,080 --> 00:34:16,600
Speaker 6: I would be like, hey, man, I would just hand

737
00:34:16,640 --> 00:34:18,560
Speaker 6: you the sticks to the controller and I'd be like, yo,

738
00:34:18,640 --> 00:34:20,080
Speaker 6: this is the last level of contray.

739
00:34:20,120 --> 00:34:28,520
Speaker 4: You only got one life left, yo, yeah, yeah, everywhere.

740
00:34:29,239 --> 00:34:30,000
Speaker 4: I know the music.

741
00:34:31,880 --> 00:34:34,960
Speaker 6: I'm playing with you, but I'm gonna get up to

742
00:34:35,000 --> 00:34:36,480
Speaker 6: get something to drink in the middle of it.

743
00:34:36,760 --> 00:34:37,759
Speaker 2: No, I need you.

744
00:34:38,080 --> 00:34:38,920
Speaker 4: I'm relying on you.

745
00:34:39,160 --> 00:34:40,840
Speaker 2: I got the perfect stress test for Amy.

746
00:34:40,960 --> 00:34:43,680
Speaker 1: It would be her daughter in a room and there's

747
00:34:43,680 --> 00:34:46,440
Speaker 1: a bunch of wild dogs chained up and they're like,

748
00:34:46,520 --> 00:34:49,320
Speaker 1: we're gonna let this chain go, Amy, and they're gonna

749
00:34:49,360 --> 00:34:51,680
Speaker 1: get your daughter unless you say the N word.

750
00:34:53,320 --> 00:34:55,880
Speaker 4: Amy's grandfather would kick in the door like the kool Aid.

751
00:34:55,800 --> 00:35:00,520
Speaker 3: Man, Just do it.

752
00:35:01,160 --> 00:35:02,800
Speaker 7: Where did you gotta be at ten o'clock? It's a

753
00:35:02,880 --> 00:35:06,840
Speaker 7: normal Saturday, like just like I can't.

754
00:35:08,800 --> 00:35:10,319
Speaker 2: I love you, but I can't.

755
00:35:10,840 --> 00:35:13,120
Speaker 7: I don't know. It'd probably be like in like a

756
00:35:13,280 --> 00:35:14,320
Speaker 7: panic room with Miguel.

757
00:35:14,560 --> 00:35:18,120
Speaker 4: Probably, I ain't gonna be no panic in the panic room.

758
00:35:18,120 --> 00:35:21,080
Speaker 6: I'm gonna be like, listen, man, this is a special

759
00:35:21,160 --> 00:35:24,520
Speaker 6: blend I twisted up for being locked inside this panic room.

760
00:35:24,760 --> 00:35:24,960
Speaker 4: Yeah.

761
00:35:25,040 --> 00:35:28,799
Speaker 6: Yeah, it's called yelling Gorilla call Cinderella. We're gonna pass

762
00:35:28,840 --> 00:35:30,800
Speaker 6: out and some dude gonna wake us up with a look.

763
00:35:32,120 --> 00:35:40,719
Speaker 4: Sleep and you're gonna be a pumpkin later, don't you worry? Baby? No?

764
00:35:40,960 --> 00:35:43,920
Speaker 7: I think probably something comedy related, you know what I mean,

765
00:35:44,080 --> 00:35:46,360
Speaker 7: Like something where I have to like go and do

766
00:35:46,520 --> 00:35:49,759
Speaker 7: comedy and Daytona beachs at nine pm like I normally do.

767
00:35:49,920 --> 00:35:50,560
Speaker 2: I put my heart.

768
00:35:50,760 --> 00:35:53,000
Speaker 7: My heart is really bad too, honestly lately, and I

769
00:35:53,080 --> 00:35:55,000
Speaker 7: have my doctor's been yelling at me too. I'm on

770
00:35:55,080 --> 00:35:56,880
Speaker 7: all this blood presure minicine too, so I think it's

771
00:35:56,920 --> 00:35:59,839
Speaker 7: all of us, just the sleeping, bad, the eating.

772
00:36:00,520 --> 00:36:06,160
Speaker 2: Hey blood pressure crew, gang gang Gang. I know I'm

773
00:36:06,200 --> 00:36:06,560
Speaker 2: old man.

774
00:36:06,920 --> 00:36:08,840
Speaker 6: I crush up my blood pressure managine put them on

775
00:36:08,920 --> 00:36:09,840
Speaker 6: a bowl and smoke it.

776
00:36:10,120 --> 00:36:14,359
Speaker 7: And I'm like, okay, every morning, my blood pressure every morning.

777
00:36:14,960 --> 00:36:17,320
Speaker 4: You wa you got a journal for your blood pressure?

778
00:36:18,840 --> 00:36:23,400
Speaker 1: By the way, She's like my sleep journal, my my

779
00:36:23,600 --> 00:36:26,240
Speaker 1: dream journal, my blood pressure journal.

780
00:36:27,040 --> 00:36:28,719
Speaker 4: I don't remember my blood pressure. I just come to

781
00:36:28,760 --> 00:36:30,959
Speaker 4: my doctor and I'm like, yesterday it happened again. Whole body,

782
00:36:31,080 --> 00:36:32,120
Speaker 4: justitch up.

783
00:36:34,520 --> 00:36:35,239
Speaker 2: What do you got for that?

784
00:36:35,400 --> 00:36:37,000
Speaker 4: Give me some more. It's hard.

785
00:36:37,040 --> 00:36:39,080
Speaker 7: It's scary, like because I have to sleep out here

786
00:36:39,120 --> 00:36:42,400
Speaker 7: now too, since my heart feels like it's gonna fall out.

787
00:36:42,239 --> 00:36:45,080
Speaker 2: In the mot the you got the Darth Veda, the

788
00:36:45,200 --> 00:36:46,760
Speaker 2: baby I tried.

789
00:36:46,960 --> 00:36:49,000
Speaker 7: I can't sleep with it on it I talk and

790
00:36:49,080 --> 00:36:49,960
Speaker 7: walk in my sleep too.

791
00:36:50,000 --> 00:36:50,719
Speaker 4: I'm a cat.

792
00:36:50,960 --> 00:36:53,479
Speaker 2: You guys, wait, wait, wait, wait a minute. You said

793
00:36:53,560 --> 00:36:56,040
Speaker 2: you you talk, talk and walk.

794
00:36:56,640 --> 00:36:57,120
Speaker 4: Where do you go?

795
00:36:58,200 --> 00:37:00,440
Speaker 7: I've woken up many places. I've woken up out side.

796
00:37:00,560 --> 00:37:01,920
Speaker 7: I've woken up in my kitchen.

797
00:37:02,320 --> 00:37:05,560
Speaker 2: Ever you ever wake up in like an open mic always?

798
00:37:07,920 --> 00:37:08,960
Speaker 2: That's why my son was bad.

799
00:37:09,040 --> 00:37:10,239
Speaker 4: Yeah, that's why my sat was bad.

800
00:37:10,480 --> 00:37:12,000
Speaker 2: That's funny. You wake up and opened mic.

801
00:37:12,760 --> 00:37:15,560
Speaker 6: Your husband has to wake up sometimes you just walking

802
00:37:15,600 --> 00:37:22,560
Speaker 6: around the house talking like a like a sleep paralysis demon. Yeah,

803
00:37:22,920 --> 00:37:25,279
Speaker 6: I want like I had had a girl tell me

804
00:37:25,440 --> 00:37:27,239
Speaker 6: right before we passed out, we were drinking. This is

805
00:37:27,400 --> 00:37:29,759
Speaker 6: was in my twenties, right before we pass up bed,

806
00:37:29,800 --> 00:37:32,760
Speaker 6: We're like, cut it up. She's like, I screamed sometimes

807
00:37:32,840 --> 00:37:33,080
Speaker 6: in my.

808
00:37:33,160 --> 00:37:36,080
Speaker 4: Sleep, and that's like right as I passed out. No

809
00:37:37,320 --> 00:37:41,319
Speaker 4: to the sunken place. Oh, different life.

810
00:37:41,360 --> 00:37:43,319
Speaker 7: It's really scary. I've done it since I was like five.

811
00:37:43,560 --> 00:37:46,160
Speaker 7: Everybody on my dad's side does it. It's hereditary, and

812
00:37:46,320 --> 00:37:48,200
Speaker 7: you will. It's like people will be like, do you remember.

813
00:37:47,920 --> 00:37:49,319
Speaker 4: What you did? Was a war?

814
00:37:49,400 --> 00:37:55,120
Speaker 2: Bet just yelled out, Charlie, Charlie, Charlie.

815
00:37:57,440 --> 00:37:59,759
Speaker 7: It's scary because your whole life that you don't know

816
00:37:59,840 --> 00:38:01,920
Speaker 7: is the literal like hours of your life. You don't

817
00:38:01,960 --> 00:38:03,239
Speaker 7: know what you're doing. And then if you drink when

818
00:38:03,239 --> 00:38:04,359
Speaker 7: I would drink, it even worse.

819
00:38:04,440 --> 00:38:05,000
Speaker 2: So I don't drink.

820
00:38:05,360 --> 00:38:07,080
Speaker 4: I want to watch you eat a bunch of ambient

821
00:38:07,160 --> 00:38:08,400
Speaker 4: and just pound some tequila.

822
00:38:08,600 --> 00:38:09,600
Speaker 2: Just wake up.

823
00:38:09,640 --> 00:38:11,000
Speaker 6: And then if you find out you have a job

824
00:38:11,080 --> 00:38:14,360
Speaker 6: at night you didn't even know about, you wake up

825
00:38:14,440 --> 00:38:17,000
Speaker 6: and your your performance cprs an ambulance. They call you

826
00:38:17,040 --> 00:38:17,680
Speaker 6: a different name.

827
00:38:17,600 --> 00:38:20,440
Speaker 4: Rebecca, come on, come on, it's abating.

828
00:38:20,520 --> 00:38:23,600
Speaker 2: What Amy got a secret job at Dongs?

829
00:38:24,239 --> 00:38:27,320
Speaker 4: Yeah, she's a Hey, she's a general manager.

830
00:38:28,000 --> 00:38:29,280
Speaker 7: Dreams dreams.

831
00:38:29,640 --> 00:38:32,040
Speaker 6: She's like, hey, everybody knows the rules. Wet them sweatpants

832
00:38:32,040 --> 00:38:32,759
Speaker 6: before you get to work.

833
00:38:32,800 --> 00:38:35,520
Speaker 4: I want to see friend, I want it. I want

834
00:38:35,560 --> 00:38:39,600
Speaker 4: to face hugging like the alien. What we're doing later?

835
00:38:39,960 --> 00:38:42,440
Speaker 2: What's the weirdest place you woke up? Like, realize, oh

836
00:38:42,480 --> 00:38:44,359
Speaker 2: my god, where am I at outside?

837
00:38:45,640 --> 00:38:47,240
Speaker 4: I woke up in college.

838
00:38:47,280 --> 00:38:51,000
Speaker 7: I woke up outside on my steps. I'm not going

839
00:38:51,040 --> 00:38:52,840
Speaker 7: to tell you what I've done. I've done some crazy

840
00:38:52,880 --> 00:38:54,560
Speaker 7: things sleeping, So no.

841
00:38:54,640 --> 00:38:55,200
Speaker 4: Don't tell us.

842
00:38:55,320 --> 00:38:56,840
Speaker 2: Just tell us what the thumbnail looks like.

843
00:39:00,760 --> 00:39:05,120
Speaker 4: Imagine you just wake up, and uh, you just wake up.

844
00:39:05,400 --> 00:39:06,759
Speaker 2: And as you wake up, you just.

845
00:39:06,840 --> 00:39:09,160
Speaker 6: Look you driving a car and the cops like, well,

846
00:39:09,760 --> 00:39:12,120
Speaker 6: all right, the directions are right down there. You have

847
00:39:12,200 --> 00:39:17,080
Speaker 6: a good one, man, learn Just just tell us which

848
00:39:17,160 --> 00:39:17,640
Speaker 6: sight it's on.

849
00:39:17,800 --> 00:39:20,000
Speaker 2: I'm just saying, Or y'all.

850
00:39:19,880 --> 00:39:22,160
Speaker 7: Get me some sponsorships and we'll just film it, and

851
00:39:22,239 --> 00:39:24,880
Speaker 7: that's that person will be famous, and that person caadline,

852
00:39:24,920 --> 00:39:26,680
Speaker 7: I don't even know, it'll be a great other.

853
00:39:30,080 --> 00:39:30,600
Speaker 4: It's already.

854
00:39:31,880 --> 00:39:32,560
Speaker 2: Where's the money?

855
00:39:33,680 --> 00:39:35,520
Speaker 6: Hey, them Disney people, you're like, hold on, hold on,

856
00:39:35,560 --> 00:39:41,439
Speaker 6: hold on, she's asleep and awake. Oh my god, oh

857
00:39:41,560 --> 00:39:42,560
Speaker 6: my god, just kind of.

858
00:39:42,600 --> 00:39:43,239
Speaker 2: You know about this.

859
00:39:44,719 --> 00:39:46,520
Speaker 4: God and the ground?

860
00:39:47,040 --> 00:39:49,560
Speaker 2: I got what bro, you can go god spress test.

861
00:39:50,040 --> 00:39:52,319
Speaker 3: Take a man and put him in the room where

862
00:39:52,400 --> 00:39:54,680
Speaker 3: all his ex girlfriends. He got to actually tell them

863
00:39:54,680 --> 00:39:55,080
Speaker 3: the truth.

864
00:39:55,280 --> 00:40:01,240
Speaker 4: Oh wow, you don't.

865
00:40:01,080 --> 00:40:03,759
Speaker 2: Jump right out the window. Hey, hey, I'm like this,

866
00:40:03,920 --> 00:40:05,040
Speaker 2: let my heart explode.

867
00:40:05,960 --> 00:40:07,799
Speaker 4: I'll die, I'll die. I would.

868
00:40:07,840 --> 00:40:09,640
Speaker 6: I would be passing by the room and find out

869
00:40:09,640 --> 00:40:11,400
Speaker 6: what's going on. I would just run in there and

870
00:40:11,560 --> 00:40:13,960
Speaker 6: just and just choke him to death, and the copy

871
00:40:14,040 --> 00:40:17,000
Speaker 6: be like, why'd you kill him? I'd be like I

872
00:40:17,120 --> 00:40:19,360
Speaker 6: found out this poor dude was in a room with

873
00:40:19,520 --> 00:40:21,560
Speaker 6: all his exes and he had to tell him the truth.

874
00:40:21,760 --> 00:40:23,880
Speaker 4: The cops would turn off the tape recorder. Listen to me.

875
00:40:24,640 --> 00:40:28,080
Speaker 4: He had a gun. He came at you. Listen to me, boy,

876
00:40:28,239 --> 00:40:29,399
Speaker 4: I'm gonna save your life.

877
00:40:30,040 --> 00:40:32,160
Speaker 2: He came at you with the gun. There was nothing

878
00:40:32,200 --> 00:40:32,640
Speaker 2: you could do.

879
00:40:33,040 --> 00:40:34,360
Speaker 4: I'm gonna shoot you in the shoulder.

880
00:40:34,480 --> 00:40:39,640
Speaker 2: Kid, Hey, your good boy. You know you're a good boy.

881
00:40:40,800 --> 00:40:44,400
Speaker 1: Now stand steal that still and if you don't flinch,

882
00:40:44,400 --> 00:40:45,320
Speaker 1: I'll take you the dogs.

883
00:40:46,160 --> 00:40:50,759
Speaker 2: Still. Don't take you to dogs afterwards. Look at me.

884
00:40:50,840 --> 00:40:52,840
Speaker 4: Kids, they don't make men like you anymore.

885
00:40:53,160 --> 00:40:54,959
Speaker 2: It's not your fault. It's not your fault.

886
00:40:55,120 --> 00:40:55,359
Speaker 4: Okay.

887
00:40:55,480 --> 00:40:57,880
Speaker 7: Would y'all go on that show Love Is Blind or

888
00:40:57,880 --> 00:40:59,080
Speaker 7: any of those Netflix.

889
00:41:00,360 --> 00:41:01,080
Speaker 4: And they all do that.

890
00:41:01,200 --> 00:41:02,800
Speaker 7: They all have to like go and like talk to

891
00:41:02,880 --> 00:41:04,120
Speaker 7: all their acts. I've been watching that.

892
00:41:04,239 --> 00:41:04,800
Speaker 4: It's wild.

893
00:41:05,040 --> 00:41:05,560
Speaker 2: It's wild.

894
00:41:07,480 --> 00:41:09,640
Speaker 3: I'm old school, Amy, if I if I was single,

895
00:41:09,640 --> 00:41:10,320
Speaker 3: I'm old school.

896
00:41:10,360 --> 00:41:14,360
Speaker 2: I like the chase I'd rather be. You're trying to

897
00:41:14,400 --> 00:41:16,520
Speaker 2: get I like. I like the man. You'll get your

898
00:41:16,760 --> 00:41:20,839
Speaker 2: glass up my face live for that. Here's how old

899
00:41:20,880 --> 00:41:21,560
Speaker 2: school I am.

900
00:41:21,680 --> 00:41:24,959
Speaker 1: I told my wife, an old black saying that black

901
00:41:25,000 --> 00:41:26,520
Speaker 1: men would say today women back in the day.

902
00:41:26,520 --> 00:41:27,680
Speaker 2: And she was like, what the hell is that you

903
00:41:27,760 --> 00:41:34,040
Speaker 2: want another one that's Italians? But no, I said. What

904
00:41:34,200 --> 00:41:35,920
Speaker 2: I said to her was, She's like, why did you

905
00:41:35,960 --> 00:41:37,680
Speaker 2: come to my job? And I said, girl, I just

906
00:41:37,760 --> 00:41:41,799
Speaker 2: want to lay eyes on you. Yeah, my husband came

907
00:41:41,880 --> 00:41:42,439
Speaker 2: to my job.

908
00:41:43,160 --> 00:41:44,839
Speaker 4: Oh my god, that's what y'all did.

909
00:41:44,960 --> 00:41:47,000
Speaker 7: Y'all had a playbook to go to someone's job.

910
00:41:47,080 --> 00:41:49,120
Speaker 2: And well know the thing was what I told her.

911
00:41:49,200 --> 00:41:52,160
Speaker 1: She didn't understand, like old black men will say today, woman,

912
00:41:52,239 --> 00:41:53,600
Speaker 1: I just want to lay eyes on you.

913
00:41:53,880 --> 00:41:54,680
Speaker 4: I just want to see you.

914
00:41:55,200 --> 00:41:57,960
Speaker 2: And she was like safe, that's yeah, that's it.

915
00:41:58,080 --> 00:42:00,480
Speaker 3: Just makes sure she's good because already that's also make

916
00:42:00,520 --> 00:42:02,880
Speaker 3: sure that work husband eating lunch somewhere else.

917
00:42:02,920 --> 00:42:05,799
Speaker 2: So I got to beat his. Damn right. I'm looking

918
00:42:05,840 --> 00:42:07,120
Speaker 2: at you, Judy, because you.

919
00:42:07,160 --> 00:42:09,480
Speaker 3: Ain't gonna be sitting there at lunch with my wife

920
00:42:09,560 --> 00:42:11,359
Speaker 3: La Seine and having lunch with her.

921
00:42:11,760 --> 00:42:20,080
Speaker 6: I know you, Greg, I got I got your Facebook. Yeah, hey, hey,

922
00:42:20,520 --> 00:42:23,279
Speaker 6: wait wait till you find out. Greg also lays tile

923
00:42:23,360 --> 00:42:29,359
Speaker 6: You're like, hold on, baby, were trying done. I'll take

924
00:42:29,400 --> 00:42:31,080
Speaker 6: the day off. I'll go hang out with the real

925
00:42:31,200 --> 00:42:33,560
Speaker 6: life boys. Put the little pink thing on the thing.

926
00:42:33,640 --> 00:42:38,560
Speaker 2: I'll tell you my wife, one of my wife. Friends

927
00:42:38,640 --> 00:42:41,319
Speaker 2: like close male friends can fix some stuff. Hey, bro,

928
00:42:42,000 --> 00:42:44,279
Speaker 2: and I got some ribs on the smoke. Come on, no,

929
00:42:44,560 --> 00:42:45,800
Speaker 2: you know what, I'm gonna be out of town for

930
00:42:45,840 --> 00:42:46,880
Speaker 2: two days. Man, If you.

931
00:42:48,800 --> 00:42:51,799
Speaker 4: Fend the smoker, dog, make the bed afterwards.

932
00:42:55,120 --> 00:42:57,800
Speaker 1: Make the bed, hey, Miguel, make the bed because you

933
00:42:57,840 --> 00:42:59,080
Speaker 1: don't want to be disrespectful.

934
00:42:59,320 --> 00:43:00,719
Speaker 2: Yeah, good dude.

935
00:43:00,760 --> 00:43:02,279
Speaker 4: Hey here alfgear war vet.

936
00:43:03,080 --> 00:43:05,719
Speaker 6: Hey make sure y'all do it on the downstairs because

937
00:43:05,719 --> 00:43:06,800
Speaker 6: you know you're missing his leg.

938
00:43:09,080 --> 00:43:11,359
Speaker 4: Can't find on the first drive.

939
00:43:13,080 --> 00:43:15,560
Speaker 2: Real quick, before we go, where are.

940
00:43:15,520 --> 00:43:17,759
Speaker 1: Y'all gonna be performing? What shows you got to come up?

941
00:43:17,800 --> 00:43:19,480
Speaker 1: We'll start with Amy where you gonna be sweetish?

942
00:43:19,760 --> 00:43:24,799
Speaker 7: So Thursday and Longwood at Magnolia Yoga we have an

943
00:43:24,840 --> 00:43:27,400
Speaker 7: all arts open mic and right night. And y'all know

944
00:43:27,440 --> 00:43:30,239
Speaker 7: I'm a therapist, so I've been trying to make activities

945
00:43:30,280 --> 00:43:33,560
Speaker 7: where we do you know, comedy and emotions and uh

946
00:43:33,719 --> 00:43:37,040
Speaker 7: therapy type stuff. So that's on Thursday this week in Longwood.

947
00:43:37,640 --> 00:43:39,960
Speaker 2: Very nice. Okay, Miguel, what you got coming up?

948
00:43:39,960 --> 00:43:40,160
Speaker 4: Brother?

949
00:43:41,200 --> 00:43:41,319
Speaker 1: Uh?

950
00:43:41,640 --> 00:43:44,000
Speaker 6: March twenty second, I'm gonna be at Side Splitters in

951
00:43:44,160 --> 00:43:45,400
Speaker 6: Tampa with Jake Rica.

952
00:43:47,239 --> 00:43:49,560
Speaker 4: Uh, and then we got we got some more dates.

953
00:43:49,600 --> 00:43:54,160
Speaker 6: I know April April tenth and eleventh where hyenas in Dallas, Texas.

954
00:43:54,640 --> 00:43:55,279
Speaker 4: That's what's up.

955
00:43:55,400 --> 00:43:58,040
Speaker 6: So I'll keep plugging into more dates. And Amy, you

956
00:43:58,080 --> 00:43:59,919
Speaker 6: could not have come up with a more white woman

957
00:44:00,080 --> 00:44:04,440
Speaker 6: and Mike when it's like it's at yoga therapy session,

958
00:44:04,960 --> 00:44:08,360
Speaker 6: open mic, we're gonna this. This poem is called my

959
00:44:08,520 --> 00:44:12,319
Speaker 6: Vagina and uh, just you know, don't need the book.

960
00:44:12,719 --> 00:44:14,279
Speaker 4: I can't be at dogs all the time at nine

961
00:44:14,360 --> 00:44:18,920
Speaker 4: pm for I can't the dudes at a mic. I'm like,

962
00:44:18,960 --> 00:44:21,000
Speaker 4: this is gonna crush. I didn't make it. I need

963
00:44:21,040 --> 00:44:22,879
Speaker 4: a five pm Lady Vagina.

964
00:44:22,600 --> 00:44:26,400
Speaker 2: My com Sorry, that's funny. My Flower, My flower breathes

965
00:44:26,440 --> 00:44:26,600
Speaker 2: for you.

966
00:44:27,400 --> 00:44:29,120
Speaker 4: He is land on her real.

967
00:44:29,040 --> 00:44:30,680
Speaker 1: Quick, because I know his is going sound a whole

968
00:44:30,719 --> 00:44:32,719
Speaker 1: lot better than mine. I'm gonna be at Christy Bees

969
00:44:32,760 --> 00:44:35,520
Speaker 1: on Friday during fool shows, guys, come check me out.

970
00:44:35,719 --> 00:44:37,960
Speaker 1: Then I'll be in spring Hill on Saturday for mister

971
00:44:38,120 --> 00:44:40,600
Speaker 1: Rob g at the spring Uh what is it called

972
00:44:41,080 --> 00:44:44,360
Speaker 1: playhouse playing? It's a great place.

973
00:44:44,920 --> 00:44:47,399
Speaker 2: He's come check me out there and Kim Miller. Last,

974
00:44:47,480 --> 00:44:49,600
Speaker 2: but not least, Where are you gonna be performing, Sir?

975
00:44:49,960 --> 00:44:52,359
Speaker 3: I would be an Orange Park floor to Jacksonville at

976
00:44:52,440 --> 00:44:53,520
Speaker 3: the thrashyt Theater.

977
00:44:53,880 --> 00:44:55,480
Speaker 2: MG is at Wicks and Friends.

978
00:44:55,560 --> 00:44:58,040
Speaker 3: So if you're up in the Jacksonville area, get them tickets.

979
00:44:58,080 --> 00:45:00,800
Speaker 2: But Jay's let me take some net spring. Oh, I

980
00:45:01,080 --> 00:45:03,080
Speaker 2: love it. I got to get back out there. I

981
00:45:03,760 --> 00:45:04,360
Speaker 2: love that.

982
00:45:04,800 --> 00:45:06,239
Speaker 3: As a matter of fact, let me here rib up

983
00:45:06,239 --> 00:45:08,040
Speaker 3: because I ain't worked that thing in a couple of years.

984
00:45:08,080 --> 00:45:11,359
Speaker 1: Bro. That hit hit Tom up too, because he said

985
00:45:11,400 --> 00:45:12,120
Speaker 1: it's been a minute.

986
00:45:12,680 --> 00:45:13,840
Speaker 2: Yep. We already booked.

987
00:45:13,960 --> 00:45:16,399
Speaker 3: Okay, good, We're taking MGS Wicks down there. So I'm

988
00:45:16,400 --> 00:45:18,680
Speaker 3: just gonna roll with them, man, because I'd rather roll

989
00:45:18,719 --> 00:45:20,200
Speaker 3: with them because they sell tickets.

990
00:45:21,600 --> 00:45:23,960
Speaker 2: Amen, brother you Yeah, Thank.

991
00:45:23,880 --> 00:45:26,319
Speaker 1: Y'all so much for listening on behalf of myself, mister

992
00:45:26,400 --> 00:45:27,840
Speaker 1: James John, Miguel Colone Jr.

993
00:45:27,880 --> 00:45:31,640
Speaker 2: And Ken Miller and Amy Lecoor from the Pillow Fork Podcast.

994
00:45:31,920 --> 00:45:33,520
Speaker 1: Thank y'all for tunity name with us. We will see

995
00:45:33,560 --> 00:45:36,640
Speaker 1: y'all tomorrow. But until then, Kim Miller tell them what

996
00:45:36,719 --> 00:45:39,799
Speaker 1: to do. Take your ass to bed, ye out