1 00:00:00,320 --> 00:00:03,760 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:05,640 --> 00:00:10,200 Speaker 2: Whole hour of music news coming up. That's exciting. We're 3 00:00:10,200 --> 00:00:12,119 Speaker 2: going to play new music for people who don't like 4 00:00:12,160 --> 00:00:14,360 Speaker 2: new music, which is one of my favorite things to do, 5 00:00:14,480 --> 00:00:16,639 Speaker 2: because a lot of the music that I hear coming 6 00:00:16,680 --> 00:00:20,080 Speaker 2: out these days on new Music Friday playlists. I'm out 7 00:00:20,079 --> 00:00:23,119 Speaker 2: of the demo. I don't get it doesn't sound like 8 00:00:23,200 --> 00:00:26,200 Speaker 2: music to me. It sounds like robots. Half of its 9 00:00:26,239 --> 00:00:30,800 Speaker 2: AI anyway I did. Kids music is just for kids, 10 00:00:31,080 --> 00:00:34,240 Speaker 2: you know, teenagers. In the nineteen fifties, when they invented teenagers, 11 00:00:34,240 --> 00:00:37,599 Speaker 2: it changed everything. Did you know before the nineteen fifties, 12 00:00:37,640 --> 00:00:42,479 Speaker 2: like nobody cared about kids. Teenagers They were not valuable 13 00:00:42,479 --> 00:00:46,040 Speaker 2: to anybody. And then when they realized that they could 14 00:00:46,080 --> 00:00:52,960 Speaker 2: be fanatic about media and arts and culture, developed lifelong 15 00:00:53,000 --> 00:00:56,840 Speaker 2: affinities and they had the purchase power, they had the 16 00:00:56,880 --> 00:00:59,120 Speaker 2: payment power. You guys can come in, No, come on in. 17 00:01:00,760 --> 00:01:03,040 Speaker 2: Jack is Jack music band, Jack Priver just got here. 18 00:01:03,040 --> 00:01:05,399 Speaker 2: He's They walked down the hallway, look through the window, 19 00:01:05,440 --> 00:01:07,560 Speaker 2: saw me talking. Then they turned around. They can come 20 00:01:07,600 --> 00:01:10,360 Speaker 2: in if they want. I've been in alone in this 21 00:01:10,480 --> 00:01:13,440 Speaker 2: room for a while. But as soon as teenagers were 22 00:01:13,600 --> 00:01:18,320 Speaker 2: discovered to be of an economic value to the entertainment industry, 23 00:01:18,400 --> 00:01:21,200 Speaker 2: then you see from the nineteen fifties on all of 24 00:01:21,240 --> 00:01:24,800 Speaker 2: pop culture starts to compress and condense and get really 25 00:01:24,840 --> 00:01:31,160 Speaker 2: more about appealing to those people kids. And as time 26 00:01:31,160 --> 00:01:33,400 Speaker 2: has gone by, it got even younger and younger and younger. 27 00:01:33,400 --> 00:01:35,760 Speaker 2: And then the Internet came around, and obviously things now 28 00:01:35,760 --> 00:01:38,640 Speaker 2: are more niche and there's stuff for everybody. But I 29 00:01:38,680 --> 00:01:40,680 Speaker 2: think that what it shows you, especially is that once 30 00:01:40,680 --> 00:01:43,920 Speaker 2: you hit technically out of the demo at thirty five, 31 00:01:44,800 --> 00:01:46,399 Speaker 2: but it really felt like that for me once I 32 00:01:46,400 --> 00:01:48,320 Speaker 2: got into my late thirties, I was like, man, I 33 00:01:48,360 --> 00:01:52,480 Speaker 2: am really not vibing on what the young people are 34 00:01:52,520 --> 00:01:56,240 Speaker 2: listening to, because that's just not who I am. It's 35 00:01:56,280 --> 00:01:58,680 Speaker 2: not what the It's not for me, as they say. 36 00:01:59,360 --> 00:02:01,640 Speaker 2: So what you like to do is find some songs 37 00:02:02,760 --> 00:02:07,240 Speaker 2: that maybe feel like they're new music, but feel like 38 00:02:07,240 --> 00:02:09,760 Speaker 2: they're from another era. So that's coming up. 39 00:02:10,040 --> 00:02:13,240 Speaker 3: And I got married in Big Bear in a place 40 00:02:13,320 --> 00:02:14,560 Speaker 3: called the hitching Post. 41 00:02:17,800 --> 00:02:21,840 Speaker 2: Yes, how about that? The lady got married in a 42 00:02:21,880 --> 00:02:23,280 Speaker 2: Big Bear in a place called the hitching Post. 43 00:02:23,360 --> 00:02:26,560 Speaker 4: Oh yeah, sorry, I was working on some I heard 44 00:02:26,560 --> 00:02:29,920 Speaker 4: it with my subconscious but yeah, that's that's tremendous. 45 00:02:33,040 --> 00:02:37,760 Speaker 3: And it's no longer there, but I remember it very distinctly. 46 00:02:37,800 --> 00:02:42,200 Speaker 3: I got married in December, and yeah, December eighth is 47 00:02:42,240 --> 00:02:45,880 Speaker 3: my anniversary to my husband Scott, and we've been married. 48 00:02:46,160 --> 00:02:48,520 Speaker 3: I don't want to really say, but for a really 49 00:02:48,639 --> 00:02:49,160 Speaker 3: long time. 50 00:02:49,280 --> 00:02:54,799 Speaker 2: That's great. So anyway, yep, well, thank you so much 51 00:02:54,840 --> 00:02:55,919 Speaker 2: for the for the call. 52 00:02:55,960 --> 00:02:57,840 Speaker 4: We really appreciate it. I'm glad to find out that 53 00:02:57,880 --> 00:02:59,840 Speaker 4: there's more than one hitching post. I think the one 54 00:02:59,880 --> 00:03:02,800 Speaker 4: my grandparents got married out was in Cordelaine, Idaho. 55 00:03:03,080 --> 00:03:09,919 Speaker 2: Oh that's where a homeboy lives, right, Warren Buffett, is it? No, 56 00:03:10,000 --> 00:03:11,919 Speaker 2: I don't think that's right. I think he lives in Nebraska. 57 00:03:12,040 --> 00:03:15,160 Speaker 4: Probably a lot of proud boys and white supremacists live there. 58 00:03:15,240 --> 00:03:15,760 Speaker 1: Oh. 59 00:03:16,240 --> 00:03:17,480 Speaker 2: I don't know much about Idaho. 60 00:03:18,040 --> 00:03:18,240 Speaker 5: You know. 61 00:03:18,320 --> 00:03:22,240 Speaker 2: It's as being an Indiana person and living next to Illinois, 62 00:03:22,240 --> 00:03:24,799 Speaker 2: I only had so much room for states that started 63 00:03:24,840 --> 00:03:25,440 Speaker 2: with I. 64 00:03:25,440 --> 00:03:28,840 Speaker 4: I suspect Indiana probably has plenty in common with Idaho, 65 00:03:29,600 --> 00:03:30,760 Speaker 4: having lived in Indiana. 66 00:03:30,800 --> 00:03:32,880 Speaker 2: But I know it's kind of beautiful though, because Indiana 67 00:03:32,919 --> 00:03:36,800 Speaker 2: is incredibly flat, Like they're nothing but flat. Farm flat flat. 68 00:03:36,800 --> 00:03:39,240 Speaker 2: I mean, the southern Indiana area is not nice rolling hills, 69 00:03:39,280 --> 00:03:42,160 Speaker 2: but most of the central Indiana where Indianapolis is where 70 00:03:42,160 --> 00:03:44,040 Speaker 2: I grew up, and then going north to Chicago, it's 71 00:03:44,160 --> 00:03:47,880 Speaker 2: just like I sixty five up through the cornfields through Lafayette, 72 00:03:47,880 --> 00:03:52,080 Speaker 2: as you know, and just Cornfield after Cornfield after Cornfield. 73 00:03:52,080 --> 00:03:54,040 Speaker 2: But we did get those big like you have in 74 00:03:54,080 --> 00:03:56,280 Speaker 2: Palm Springs, those big wind turbines. 75 00:03:56,800 --> 00:04:00,760 Speaker 4: Ah, that was a big deal. Well, Indiana is vomitus. 76 00:04:00,840 --> 00:04:04,240 Speaker 4: Let's just put that right up, okay, But Idaho is 77 00:04:04,280 --> 00:04:09,160 Speaker 4: beautiful apart from you know, the Nazis. 78 00:04:09,480 --> 00:04:15,400 Speaker 2: Yeah, you know, I don't think right, that's you can't 79 00:04:15,520 --> 00:04:16,880 Speaker 2: just focus on that though. 80 00:04:17,560 --> 00:04:18,719 Speaker 4: No, focus on the good. 81 00:04:18,720 --> 00:04:21,159 Speaker 2: Focus on the good, Focus on the good. Hey. I 82 00:04:21,200 --> 00:04:23,360 Speaker 2: wanted to do this story because it really blew my mind. 83 00:04:23,360 --> 00:04:25,800 Speaker 2: And I haven't heard a lot about it on the 84 00:04:25,839 --> 00:04:29,000 Speaker 2: news elsewhere, but ABC seven here in Los Angeles, which 85 00:04:29,040 --> 00:04:33,479 Speaker 2: is a television station, did this story about a couple 86 00:04:33,560 --> 00:04:37,320 Speaker 2: who lost their home of thirty five years and they 87 00:04:37,320 --> 00:04:42,160 Speaker 2: were rebuilding in the Palisades. Of course, they lost their 88 00:04:42,160 --> 00:04:45,680 Speaker 2: home in the Palisades fire, a guy named Chris and 89 00:04:46,000 --> 00:04:50,440 Speaker 2: Jeff Spitz, and they were rebuilding, and they said the 90 00:04:50,440 --> 00:04:53,640 Speaker 2: fire department called and said, well, before we approve the permit, 91 00:04:54,440 --> 00:04:56,760 Speaker 2: we need a new hydrant to be put in because 92 00:04:56,800 --> 00:04:59,160 Speaker 2: the house is more than twice the legal limit from 93 00:04:59,200 --> 00:05:03,160 Speaker 2: the closest fire high So they contacted the LEDWP as 94 00:05:03,160 --> 00:05:06,240 Speaker 2: they were told to get a cost estimate for what 95 00:05:06,440 --> 00:05:09,040 Speaker 2: they'd have to pay to build and install a new hydrant. 96 00:05:10,240 --> 00:05:12,599 Speaker 2: So of course they went to their insurance company. The 97 00:05:12,600 --> 00:05:15,800 Speaker 2: insurance company wasn't going to cover it. They called LEDWP 98 00:05:17,200 --> 00:05:21,839 Speaker 2: and the quote came back for thirty five thousand dollars. 99 00:05:23,720 --> 00:05:28,720 Speaker 2: They also said that their neighbors didn't have the issue, 100 00:05:30,200 --> 00:05:32,320 Speaker 2: and that other neighbors who had built in the same 101 00:05:32,360 --> 00:05:35,839 Speaker 2: area in the last ten years didn't have the problem 102 00:05:35,839 --> 00:05:40,919 Speaker 2: when they were building before the fire. There are currently 103 00:05:40,920 --> 00:05:43,960 Speaker 2: two fire hydrants near their home. One is on Lombard 104 00:05:43,960 --> 00:05:47,200 Speaker 2: Avenue in the Via de las Olas and one at 105 00:05:47,279 --> 00:05:49,559 Speaker 2: Lombard and Friends Street if you're familiar with the area, 106 00:05:50,800 --> 00:05:55,039 Speaker 2: and they were very frustrated. It made them stop rebuilding 107 00:05:55,120 --> 00:05:57,360 Speaker 2: for eleven weeks because they were waiting on these permits 108 00:05:57,600 --> 00:05:59,880 Speaker 2: and trying to figure it out. They didn't obviously want 109 00:05:59,920 --> 00:06:02,000 Speaker 2: to pay the thirty five thousand dollars. But then they 110 00:06:02,040 --> 00:06:06,120 Speaker 2: reached out to their councilwoman and actually had to go 111 00:06:06,160 --> 00:06:10,560 Speaker 2: through the local government to convince the LEDWP to pick 112 00:06:10,640 --> 00:06:19,080 Speaker 2: up the price for the fire hydrant thirty five thousand dollars. 113 00:06:18,680 --> 00:06:21,120 Speaker 2: The wild thing about this is like, as you know, 114 00:06:21,520 --> 00:06:23,560 Speaker 2: they ran out of water up there during the fire, 115 00:06:24,120 --> 00:06:28,960 Speaker 2: so you got you make me pay thirty five thousand 116 00:06:28,960 --> 00:06:30,720 Speaker 2: dollars to put another fire hydrant that might not even 117 00:06:30,720 --> 00:06:34,840 Speaker 2: work if there's a fire. DWP rather told the Eyewitness 118 00:06:34,920 --> 00:06:37,880 Speaker 2: News placements of hydrants is determined by the Fire Department. 119 00:06:38,120 --> 00:06:41,240 Speaker 2: A future water mainline upgrade in the neighborhood where these 120 00:06:41,279 --> 00:06:44,960 Speaker 2: guys live will increase the hydrant's flow rate. When will 121 00:06:45,000 --> 00:06:48,400 Speaker 2: that happen, God only knows. Based on discussions with the LAFD, 122 00:06:48,480 --> 00:06:51,640 Speaker 2: DWP does not anticipate the additional fire hydrants will be 123 00:06:51,760 --> 00:06:56,040 Speaker 2: needed in the Palisades, but if they are, who pays 124 00:06:56,080 --> 00:06:58,839 Speaker 2: for it will be determined on a case by case basis, 125 00:06:59,080 --> 00:07:02,479 Speaker 2: And it's one of those where, you know, if they 126 00:07:02,520 --> 00:07:07,799 Speaker 2: didn't raise hell with the councilwoman with ABC seven Eyewitness News, 127 00:07:07,880 --> 00:07:10,720 Speaker 2: which the television station in Los Angeles, that they would 128 00:07:11,040 --> 00:07:14,360 Speaker 2: not have had any other option than to pay thirty 129 00:07:14,360 --> 00:07:19,200 Speaker 2: five thousand dollars to get that fire hydrant done. Happened 130 00:07:19,240 --> 00:07:22,000 Speaker 2: to me when I moved in. My inspector found that 131 00:07:22,080 --> 00:07:29,840 Speaker 2: THEDWP had installed the power incorrectly into the box, like 132 00:07:29,920 --> 00:07:33,680 Speaker 2: the drop from the power company was incorrectly installed into 133 00:07:33,720 --> 00:07:37,080 Speaker 2: the house, comes off, the power line, runs across the backyard, 134 00:07:37,800 --> 00:07:41,240 Speaker 2: goes into a masthead on the roof. We don't have 135 00:07:41,320 --> 00:07:47,320 Speaker 2: buried power lines, and someone else did this wrong. The 136 00:07:47,360 --> 00:07:51,080 Speaker 2: solution call LADWP, have them come out and fix it. Okay, cool, 137 00:07:51,120 --> 00:07:54,040 Speaker 2: move in whatever, call ELADWP. Months go by before they 138 00:07:54,120 --> 00:07:55,440 Speaker 2: come out. They come out and they see it and 139 00:07:55,480 --> 00:07:57,800 Speaker 2: they look at it and say, oh, that's messed up. 140 00:07:58,360 --> 00:08:01,280 Speaker 2: So yeah, we know. It's like no, it's your problem. 141 00:08:02,240 --> 00:08:04,720 Speaker 2: It's your problem. And I was like, what do you mean. 142 00:08:04,760 --> 00:08:08,920 Speaker 2: It's like, well, this wasn't permitted. It's happened, you know, 143 00:08:09,120 --> 00:08:13,200 Speaker 2: many years ago when they installed this thing. And guess 144 00:08:13,240 --> 00:08:14,400 Speaker 2: who had to pay to fix it? 145 00:08:16,400 --> 00:08:18,400 Speaker 1: You boy. 146 00:08:19,280 --> 00:08:21,560 Speaker 2: Something that I learned from this whole situation, I think 147 00:08:21,640 --> 00:08:25,080 Speaker 2: is that there is this sense here that all of 148 00:08:25,160 --> 00:08:28,480 Speaker 2: us who live in this very progressive place that's not 149 00:08:28,520 --> 00:08:30,800 Speaker 2: a secret, pay a lot of money. We have a 150 00:08:30,800 --> 00:08:40,200 Speaker 2: lot of expectations for a bigger government. We give our money, 151 00:08:40,200 --> 00:08:43,840 Speaker 2: our taxes. We hope that social services are taken care of. 152 00:08:45,480 --> 00:08:48,280 Speaker 2: But when push comes to shove, when the city is 153 00:08:48,320 --> 00:08:51,920 Speaker 2: on fire, the people who saved their homes, or the 154 00:08:51,960 --> 00:08:54,200 Speaker 2: people whose homes were saved, were people who stood out 155 00:08:54,240 --> 00:08:57,280 Speaker 2: there on their own with a fire hose in the 156 00:08:57,280 --> 00:09:04,120 Speaker 2: most It's crazy to me, all right, we were way 157 00:09:04,160 --> 00:09:06,040 Speaker 2: out of time here coming up. Jack Brivverara stopping by. 158 00:09:06,040 --> 00:09:07,640 Speaker 2: We're talking about New Music Friday for people who do 159 00:09:07,640 --> 00:09:09,600 Speaker 2: not like new music, and we're also talking about dive bars, 160 00:09:09,640 --> 00:09:11,880 Speaker 2: and we're playing solos, solo Still lots to come here 161 00:09:11,920 --> 00:09:13,280 Speaker 2: on I AM six forty. 162 00:09:14,120 --> 00:09:17,559 Speaker 1: You're listening to KFI AM six forty on demand. 163 00:09:22,000 --> 00:09:24,160 Speaker 2: It's New Music Friday for people who don't like new 164 00:09:24,240 --> 00:09:28,280 Speaker 2: music with me, Andy Reesemeyer and music man Jack Primavera. Hello, Hello, 165 00:09:28,320 --> 00:09:32,040 Speaker 2: it's good to be back. Welcome back. A longtime collaborator 166 00:09:32,720 --> 00:09:35,280 Speaker 2: of mine. We've made some music together over the years. 167 00:09:35,360 --> 00:09:39,640 Speaker 2: But also more importantly, you are an accomplished producer. You 168 00:09:39,720 --> 00:09:41,960 Speaker 2: work on The Voice, which is a television show on 169 00:09:42,080 --> 00:09:44,240 Speaker 2: NBC that's about music and singing. 170 00:09:44,400 --> 00:09:47,040 Speaker 6: It's a long running show and it's coming back in February. 171 00:09:47,120 --> 00:09:47,720 Speaker 2: That's excited. 172 00:09:47,760 --> 00:09:48,240 Speaker 6: Yes, I know. 173 00:09:48,360 --> 00:09:51,000 Speaker 2: What can you tell us from a little behind the 174 00:09:51,040 --> 00:09:53,480 Speaker 2: scenes from the show this season? 175 00:09:53,600 --> 00:09:56,280 Speaker 6: The big highlights are we only have three coaches, and 176 00:09:56,320 --> 00:09:58,400 Speaker 6: because it's on NBC slash Peak cover. 177 00:09:58,360 --> 00:09:59,440 Speaker 2: One of the chairs is broken. 178 00:09:59,480 --> 00:10:04,000 Speaker 6: I guess no, no, not broken. More intense competition. I 179 00:10:04,000 --> 00:10:06,720 Speaker 6: think that's part of the deal. It's around the Winter Olympics, 180 00:10:06,760 --> 00:10:09,880 Speaker 6: the NBA, the sports theme, more the competition. 181 00:10:10,040 --> 00:10:11,640 Speaker 2: It's a it's a lot of fun. 182 00:10:11,640 --> 00:10:13,600 Speaker 6: But the big thing is a lot of good singers, 183 00:10:13,640 --> 00:10:15,000 Speaker 6: truly great talent coming on. 184 00:10:15,160 --> 00:10:17,480 Speaker 2: Is it public? Who the coaches are this this season? Yeah? 185 00:10:17,520 --> 00:10:21,440 Speaker 6: Public? We got John Legend coming back, Adam Levine, oh 186 00:10:21,679 --> 00:10:22,439 Speaker 6: gangster of the show? 187 00:10:22,559 --> 00:10:22,920 Speaker 5: Wow? 188 00:10:23,640 --> 00:10:25,640 Speaker 6: Fun and everyone's favorite Kelly Clarkson. 189 00:10:25,720 --> 00:10:27,640 Speaker 2: Oh wow. What it's like a classics. 190 00:10:27,840 --> 00:10:30,439 Speaker 6: Yes, and they've all won before, so that's a whole 191 00:10:30,480 --> 00:10:32,320 Speaker 6: thing with it. They're all winning coaches. 192 00:10:32,400 --> 00:10:34,960 Speaker 2: Who were the original four. 193 00:10:35,240 --> 00:10:39,199 Speaker 6: Adam Levine, yeah, se Low, that's right, se Lo Green, 194 00:10:39,480 --> 00:10:44,520 Speaker 6: Christina Aguilera, and then at the time an unknown Lake Shelton. 195 00:10:45,160 --> 00:10:47,200 Speaker 6: What well, I mean you know in the country world 196 00:10:47,240 --> 00:10:48,960 Speaker 6: he was very popular, but that kind of launched him 197 00:10:49,000 --> 00:10:50,400 Speaker 6: into a different audience. 198 00:10:50,640 --> 00:10:53,920 Speaker 2: Did he meet Gwen there on the show? 199 00:10:54,000 --> 00:10:54,160 Speaker 7: Yeah? 200 00:10:54,240 --> 00:10:57,719 Speaker 2: Yeah, get out of town? Yeah, wow, Hollywood is the 201 00:10:57,720 --> 00:11:02,200 Speaker 2: best matchmaker. Well, we're talking about new music, and this 202 00:11:02,320 --> 00:11:05,360 Speaker 2: is an artist who I think, Harry Styles is somebody 203 00:11:05,360 --> 00:11:10,040 Speaker 2: who's always embraced older things. The first record, the first 204 00:11:10,080 --> 00:11:14,040 Speaker 2: Soul album, was definitely like four Dads. It was very 205 00:11:14,240 --> 00:11:15,839 Speaker 2: reminiscent of the Beatles, and there was a lot of 206 00:11:15,880 --> 00:11:20,960 Speaker 2: influences like British English rock. Most recently, you've kind of 207 00:11:20,960 --> 00:11:24,840 Speaker 2: seen this sort of poppy thing with the most recent 208 00:11:24,880 --> 00:11:27,760 Speaker 2: record or two records ago. Rather God, it's been so 209 00:11:27,800 --> 00:11:31,000 Speaker 2: long since the pandemic. But this new single, Aperture is 210 00:11:31,040 --> 00:11:35,760 Speaker 2: from an album called Kiss All the Time Disco occasionally 211 00:11:36,160 --> 00:11:37,560 Speaker 2: a lot of interesting things happening. 212 00:11:37,640 --> 00:11:37,800 Speaker 5: Right. 213 00:11:37,840 --> 00:11:41,840 Speaker 2: There's like the baritone guitar, which is like very old school, 214 00:11:42,679 --> 00:11:47,880 Speaker 2: very almost like seventies Western sound to it. There's this 215 00:11:48,040 --> 00:11:51,240 Speaker 2: syncopated beat, this drum machine that sounds almost like LCD 216 00:11:51,320 --> 00:11:54,760 Speaker 2: sound system, very sound, and then he's singing it away 217 00:11:54,800 --> 00:11:56,880 Speaker 2: that I think is a little bit less in front 218 00:11:56,880 --> 00:11:58,120 Speaker 2: and less like in your face. 219 00:11:58,240 --> 00:12:00,280 Speaker 6: Yes, the vocals are hidden back in the mix, or 220 00:12:00,320 --> 00:12:01,880 Speaker 6: not hidden, they're just they're back. 221 00:12:01,920 --> 00:12:04,480 Speaker 2: They're ducked to back. Yeah, it's not as obvious. I 222 00:12:04,520 --> 00:12:07,840 Speaker 2: hated this song at first. I was like, this sucks. 223 00:12:08,040 --> 00:12:10,720 Speaker 2: And I've listened to it now like four or five times, 224 00:12:10,720 --> 00:12:11,640 Speaker 2: and I love it. 225 00:12:11,640 --> 00:12:13,520 Speaker 6: It is a slow burn. It is one of the 226 00:12:13,559 --> 00:12:15,560 Speaker 6: It's a good first single because the album's coming out 227 00:12:15,600 --> 00:12:18,240 Speaker 6: this year, so it is an interesting single, Like, I 228 00:12:18,280 --> 00:12:20,280 Speaker 6: want to know what else is coming? Are they all 229 00:12:20,320 --> 00:12:22,120 Speaker 6: going to be like this? Is it just a sampling? 230 00:12:22,480 --> 00:12:24,120 Speaker 6: It's gonna be just like one off? I don't know, 231 00:12:24,160 --> 00:12:25,120 Speaker 6: but it's very cool. 232 00:12:25,200 --> 00:12:27,640 Speaker 2: It is cool. And one thing that I think is 233 00:12:27,720 --> 00:12:30,200 Speaker 2: notable about this is that the song is five minutes 234 00:12:30,240 --> 00:12:32,719 Speaker 2: and thirty seconds, which is something that only happened in 235 00:12:32,760 --> 00:12:35,199 Speaker 2: the nineteen eighties, you know, and we haven't had singles 236 00:12:35,400 --> 00:12:38,240 Speaker 2: that have been five and a half minutes long since 237 00:12:38,400 --> 00:12:42,120 Speaker 2: Tears for Fears was on the Billboard Top one hundred, truly, 238 00:12:42,240 --> 00:12:44,000 Speaker 2: And so I think that that is an interesting act 239 00:12:44,000 --> 00:12:47,360 Speaker 2: of defiance. In an era of social media, everything has 240 00:12:47,360 --> 00:12:54,200 Speaker 2: to happen immediately. Harry Styles is famous enough that he 241 00:12:54,360 --> 00:12:57,480 Speaker 2: can get away with a song that is not immediate, 242 00:12:57,880 --> 00:13:01,800 Speaker 2: a song that is repetitive, perhaps a song that is 243 00:13:01,880 --> 00:13:06,040 Speaker 2: more of a droning experience because he knows that people 244 00:13:06,120 --> 00:13:09,640 Speaker 2: will listen and will give him a chance. Definitely, definitely 245 00:13:09,840 --> 00:13:13,240 Speaker 2: fascinating stuff, So lots to see about where that comes. 246 00:13:13,280 --> 00:13:16,040 Speaker 2: This next record is from an artist called Meals, who 247 00:13:16,080 --> 00:13:19,720 Speaker 2: we've played here on the show before. For a cool artist, Amelia, 248 00:13:19,800 --> 00:13:21,000 Speaker 2: do you want to set this one up? 249 00:13:21,559 --> 00:13:25,800 Speaker 6: So there is a new EP out actually out today, 250 00:13:25,960 --> 00:13:27,960 Speaker 6: and this song is on it. It's called out West 251 00:13:28,320 --> 00:13:32,760 Speaker 6: and it is basically the sixties seventies Americana vibes that 252 00:13:32,800 --> 00:13:35,280 Speaker 6: you're missing in your life. It is such a cool, 253 00:13:35,320 --> 00:13:38,880 Speaker 6: groove driving baseline. It gives me like an outlaw country 254 00:13:38,960 --> 00:13:41,400 Speaker 6: vibe a little bit too, but it's just so cool. 255 00:13:41,480 --> 00:13:44,600 Speaker 6: And she recorded in Nashville. If I'm not mistaken cool 256 00:13:44,800 --> 00:13:47,520 Speaker 6: I mentioned the EP. It's Across the Raccoon Strait is 257 00:13:47,520 --> 00:13:50,160 Speaker 6: the name of this EP, and it is just a vibe. 258 00:13:50,200 --> 00:13:52,400 Speaker 2: It's so cool. It's great stuff. I mean, I'm a 259 00:13:52,480 --> 00:13:56,640 Speaker 2: huge fan of this kind of music, and I love 260 00:13:56,760 --> 00:13:59,360 Speaker 2: that it is being embraced by so many people. And 261 00:13:59,679 --> 00:14:02,800 Speaker 2: it's really awesome to watch country music, especially like good 262 00:14:02,840 --> 00:14:07,800 Speaker 2: country like this that's classic, that's American, have a life 263 00:14:07,880 --> 00:14:11,760 Speaker 2: outside of the stigma of what a country music artist 264 00:14:11,840 --> 00:14:13,200 Speaker 2: might have been if you were a pop person. 265 00:14:13,320 --> 00:14:16,720 Speaker 6: It's very much not country pop or pop country music. Yeah, 266 00:14:16,760 --> 00:14:18,160 Speaker 6: it's real, real cool, like wi you hear that beat, 267 00:14:18,160 --> 00:14:20,200 Speaker 6: you think, oh, Johnny Cash coming on this. It's very 268 00:14:20,240 --> 00:14:20,640 Speaker 6: very fun. 269 00:14:20,760 --> 00:14:23,440 Speaker 2: Yeah, absolutely little Dolly parton a little lad there for sure. 270 00:14:23,960 --> 00:14:27,000 Speaker 2: We've got another band called The Format with a song 271 00:14:27,040 --> 00:14:29,520 Speaker 2: called Shot in the Dark. This is a group that 272 00:14:29,640 --> 00:14:32,560 Speaker 2: was formed in the early two thousands. They had two records. 273 00:14:32,760 --> 00:14:35,800 Speaker 2: The lead singer went on to create a band called 274 00:14:35,920 --> 00:14:41,720 Speaker 2: Fun Yes, which Nate rust also with Jack Anthonov. 275 00:14:41,520 --> 00:14:45,320 Speaker 6: Of Bleacher's Fame and then a superstar producer fame after that. 276 00:14:46,280 --> 00:14:48,160 Speaker 2: The music that is being made at a high level 277 00:14:48,440 --> 00:14:52,920 Speaker 2: is all real sounds. It's all real bands playing real instruments. 278 00:14:52,920 --> 00:14:55,200 Speaker 2: I mean that is a complete shift from what we've 279 00:14:55,200 --> 00:14:57,200 Speaker 2: seen in the last ten years. And as a musician, 280 00:14:57,200 --> 00:14:59,120 Speaker 2: I love it, oh for sure. And I think that 281 00:15:00,120 --> 00:15:03,440 Speaker 2: especially you know you've seen even like with the new 282 00:15:03,520 --> 00:15:06,280 Speaker 2: Justin Bieber record, there's so much real music being played 283 00:15:06,280 --> 00:15:09,600 Speaker 2: by with real instruments that I think it's a cool era. 284 00:15:09,720 --> 00:15:10,480 Speaker 1: For sure, for sure. 285 00:15:10,520 --> 00:15:12,480 Speaker 6: And I know the front man, Nate Russ, said that 286 00:15:12,560 --> 00:15:15,600 Speaker 6: he wanted that effect. There's two of them in the format, 287 00:15:15,800 --> 00:15:18,200 Speaker 6: and Nate actually learned to play guitar, and they decided 288 00:15:18,400 --> 00:15:20,680 Speaker 6: what some distortion we wanted to feel like a garage 289 00:15:20,760 --> 00:15:22,800 Speaker 6: band kind of sound, and you definitely hear that in it. 290 00:15:22,880 --> 00:15:25,440 Speaker 2: Yeah, it's cool. It's cool to listen to real music 291 00:15:25,480 --> 00:15:27,800 Speaker 2: being played. Coming up, we're gonna do solo. The solo. 292 00:15:27,920 --> 00:15:30,200 Speaker 2: We've got the first one here. So what we'll do 293 00:15:30,240 --> 00:15:33,040 Speaker 2: is open up the phone lines and we're gonna have 294 00:15:33,080 --> 00:15:35,760 Speaker 2: you call in and see if you can tell us 295 00:15:36,680 --> 00:15:40,760 Speaker 2: what the solo is, from what song it's, from what 296 00:15:40,800 --> 00:15:46,400 Speaker 2: the artist is, and for bonus points, and this is 297 00:15:46,440 --> 00:15:50,320 Speaker 2: really important who the guitarist is. You don't have to, 298 00:15:50,360 --> 00:15:51,720 Speaker 2: but if you got it. The number is one one 299 00:15:51,800 --> 00:15:53,800 Speaker 2: hundred five two zero one five three four. That's one 300 00:15:53,680 --> 00:15:56,560 Speaker 2: one hundred five two zero one KFI. Here's our first one. 301 00:15:56,600 --> 00:15:59,640 Speaker 2: As we go to break, get those phones out ready, 302 00:16:00,000 --> 00:16:29,720 Speaker 2: there we go, love it all right? One five to 303 00:16:29,840 --> 00:16:31,600 Speaker 2: zero one KFI Mark Ronner, do you know it? 304 00:16:31,760 --> 00:16:33,040 Speaker 4: Come on? Everybody knows that one. 305 00:16:33,480 --> 00:16:35,760 Speaker 2: Maybe give us a call on five to zero one 306 00:16:35,840 --> 00:16:38,440 Speaker 2: five three four. We'll take your call. At the end 307 00:16:38,440 --> 00:16:39,480 Speaker 2: of the break. 308 00:16:39,520 --> 00:16:44,320 Speaker 1: Here you're listening to KFI AM six forty on demand. 309 00:16:45,720 --> 00:16:48,480 Speaker 2: Andy Reesmeyer here with you. We're playing solo. The solo. 310 00:16:48,720 --> 00:16:52,120 Speaker 2: The last time we talked, we played this song, this 311 00:16:52,280 --> 00:16:54,520 Speaker 2: sound solo from a song we asked you to call 312 00:16:54,520 --> 00:16:57,240 Speaker 2: in and tell you tell us what it is. We'll 313 00:16:57,280 --> 00:16:59,040 Speaker 2: play a couple seconds of it, and then we'll take 314 00:16:59,040 --> 00:17:01,000 Speaker 2: our first caller here. I believe we have Steve on 315 00:17:01,040 --> 00:17:03,120 Speaker 2: the line, but let us listen to this solo first. 316 00:17:16,280 --> 00:17:19,600 Speaker 2: All right, Steve, you are on KFI. The first one 317 00:17:19,680 --> 00:17:22,080 Speaker 2: was pretty easy. We had a lot of people who 318 00:17:22,160 --> 00:17:23,960 Speaker 2: knew what this was with Steve. Let's see if you can, 319 00:17:24,080 --> 00:17:24,960 Speaker 2: if you can guess the. 320 00:17:24,880 --> 00:17:30,719 Speaker 7: Solo, Yeah, well pretty sure. That's Boston more than a feeling. 321 00:17:30,960 --> 00:17:34,600 Speaker 2: Yes, sir, that is correct. Do you know who the 322 00:17:34,600 --> 00:17:35,359 Speaker 2: guitarist is? 323 00:17:36,520 --> 00:17:38,120 Speaker 7: I believe that is Tom Shultz. 324 00:17:38,440 --> 00:17:41,879 Speaker 2: That is correct. Hey, look at that two for two Steve, 325 00:17:42,119 --> 00:17:45,320 Speaker 2: Thank you so much for calling. Kicking it off real 326 00:17:45,400 --> 00:17:47,119 Speaker 2: nice this evening. What are you up to this evening? 327 00:17:48,640 --> 00:17:50,520 Speaker 7: I'm just actually running a couple of errands on my 328 00:17:50,520 --> 00:17:51,320 Speaker 7: way home right now. 329 00:17:51,640 --> 00:17:52,920 Speaker 2: That's great. Where's home for you? 330 00:17:54,680 --> 00:17:57,480 Speaker 5: I live with Fontana, but I have a second home 331 00:17:57,520 --> 00:17:58,919 Speaker 5: in California. 332 00:17:59,000 --> 00:18:02,439 Speaker 2: Oh yeah, I said, heights, very fun, very nice, not 333 00:18:02,480 --> 00:18:04,439 Speaker 2: too far from Wittier where the girls are prettier and 334 00:18:04,480 --> 00:18:08,320 Speaker 2: there's uh over the hill tubbies Tubbies. You ever go 335 00:18:08,400 --> 00:18:09,920 Speaker 2: to Tubbies down there the dive. 336 00:18:09,760 --> 00:18:11,400 Speaker 7: Bar, I've been there for sure. 337 00:18:12,080 --> 00:18:13,520 Speaker 2: Well we're gonna have to go check it out. Steve, 338 00:18:13,560 --> 00:18:15,480 Speaker 2: Thank you so much for calling. I appreciate you. Next 339 00:18:15,480 --> 00:18:20,680 Speaker 2: caller online, we've got Mark, who's calling from Japan. How 340 00:18:20,720 --> 00:18:25,199 Speaker 2: exciting is that? Whoa are you with us? 341 00:18:25,200 --> 00:18:25,440 Speaker 1: Mark? 342 00:18:27,760 --> 00:18:29,040 Speaker 5: Yes? Absolutely? How you doing? 343 00:18:29,400 --> 00:18:31,320 Speaker 7: I was really hoping to get them more than a feeling? 344 00:18:31,560 --> 00:18:33,960 Speaker 2: Well we already had that, guess, but I've got another 345 00:18:34,000 --> 00:18:36,600 Speaker 2: one here for you. So listen real closely and see 346 00:18:36,600 --> 00:18:56,879 Speaker 2: if you can guess this next song on solo the solo. 347 00:19:02,240 --> 00:19:03,760 Speaker 2: This sounds like the scene in Back to the Future, 348 00:19:03,760 --> 00:19:06,320 Speaker 2: you know, where Marty's playing the guitar and everyone like 349 00:19:06,480 --> 00:19:08,399 Speaker 2: is on board and then he starts soling like crazy 350 00:19:08,480 --> 00:19:10,560 Speaker 2: doing Van Halen. This is not Van Halen, by the way, 351 00:19:10,920 --> 00:19:14,880 Speaker 2: uh and just two darn loud Listen. You guys aren't 352 00:19:14,880 --> 00:19:17,360 Speaker 2: ready for that yet, but your kids are gonna love it. 353 00:19:17,400 --> 00:19:19,400 Speaker 2: Is that enough for your Mark to be able to guess? 354 00:19:19,520 --> 00:19:19,639 Speaker 7: Or do? 355 00:19:19,640 --> 00:19:20,760 Speaker 2: Would you like to hear some more? 356 00:19:22,920 --> 00:19:24,800 Speaker 5: Yeah? Can you please play a little bit. 357 00:19:24,760 --> 00:19:35,720 Speaker 2: More, of course. I think that's a pretty good giveaway. 358 00:19:36,720 --> 00:19:45,040 Speaker 7: Oh okay, okay, that's all I needed. Uh it's Rush. 359 00:19:43,160 --> 00:19:50,520 Speaker 2: Yes, sir, that's it very good and uh, that of 360 00:19:50,560 --> 00:19:56,080 Speaker 2: course is Rush guitarist Alex Lifson, I believe is who 361 00:19:56,119 --> 00:19:59,000 Speaker 2: played on Uh that is correct on that song. So 362 00:19:59,280 --> 00:20:01,440 Speaker 2: thank you so much for call it. How's Japan right now? 363 00:20:01,680 --> 00:20:03,080 Speaker 5: I only learned that. 364 00:20:03,760 --> 00:20:08,520 Speaker 7: I only learned his name from from Trailer Park Boys exactly. 365 00:20:09,200 --> 00:20:11,080 Speaker 2: What's what's happened in Japan? What time is it there? 366 00:20:13,520 --> 00:20:17,880 Speaker 7: It's it's about two tomorrow for you. I think that's 367 00:20:18,040 --> 00:20:19,000 Speaker 7: why it's. 368 00:20:20,440 --> 00:20:21,879 Speaker 2: Yeah, you've called before. 369 00:20:21,760 --> 00:20:27,159 Speaker 7: Right, Yeah, I have not, not to this show, I 370 00:20:27,160 --> 00:20:30,320 Speaker 7: don't think, but I've used to call the name that 371 00:20:30,400 --> 00:20:35,399 Speaker 7: classic on the Mo Kelly Show. I was on Tim 372 00:20:35,400 --> 00:20:36,240 Speaker 7: Conway Junior. 373 00:20:36,600 --> 00:20:36,800 Speaker 5: Yeah. 374 00:20:36,840 --> 00:20:40,359 Speaker 7: I love KFI all the time. We love my family crazy. 375 00:20:40,560 --> 00:20:43,000 Speaker 2: We love hearing from you. And I'm sure are you 376 00:20:43,040 --> 00:20:45,919 Speaker 2: from southern California originally? Is that why you know about us? 377 00:20:47,960 --> 00:20:48,160 Speaker 5: Yeah? 378 00:20:48,240 --> 00:20:52,560 Speaker 7: Yeah, Tustin and Coasta, Mesa is where I grew up? 379 00:20:52,800 --> 00:20:55,080 Speaker 2: Right on? Well, thank you so much for colling. Best 380 00:20:55,080 --> 00:20:57,000 Speaker 2: to luck to you out there, Mark, and we'll see 381 00:20:57,000 --> 00:20:59,720 Speaker 2: you next time you're in town. Call us any time. 382 00:21:00,080 --> 00:21:03,640 Speaker 7: He was corrected with Tom all right, thanks very much. 383 00:21:03,680 --> 00:21:06,600 Speaker 2: All righty, we'll see you. That's pretty exciting. Japan. Call 384 00:21:06,680 --> 00:21:09,080 Speaker 2: her from Japan. We've had people calling from uh we 385 00:21:09,119 --> 00:21:11,639 Speaker 2: had Oklahoma earlier, when we have Japan. 386 00:21:12,000 --> 00:21:12,960 Speaker 6: Very international. 387 00:21:13,760 --> 00:21:17,000 Speaker 2: The next guest is Ernest on solo, the solo, who 388 00:21:17,000 --> 00:21:20,160 Speaker 2: wants to guess a song? Ernest? Are you with us, sir? 389 00:21:21,480 --> 00:21:21,680 Speaker 5: Yes? 390 00:21:21,880 --> 00:21:24,680 Speaker 2: I am all right. Here we go our next Oh, 391 00:21:24,680 --> 00:21:27,080 Speaker 2: we're doing great, we're doing We're doing real well. And 392 00:21:27,320 --> 00:21:30,560 Speaker 2: uh see if you can get this next solo on solo, 393 00:21:30,600 --> 00:21:30,960 Speaker 2: the solo. 394 00:21:58,480 --> 00:21:59,119 Speaker 1: Do you know it? 395 00:22:00,359 --> 00:22:07,479 Speaker 2: I was airing the whole time. Yes, yes, sir, and 396 00:22:07,520 --> 00:22:09,159 Speaker 2: of course played by the one and only. 397 00:22:11,160 --> 00:22:15,800 Speaker 6: Uh oh that I don't remember. 398 00:22:15,840 --> 00:22:19,199 Speaker 2: He shares a name with our our news anchor. The 399 00:22:19,280 --> 00:22:20,399 Speaker 2: first part of his name. 400 00:22:22,960 --> 00:22:25,400 Speaker 5: Date was Mark. 401 00:22:25,440 --> 00:22:29,359 Speaker 2: What's your name is getting cold? That is Mark Knopfler 402 00:22:29,560 --> 00:22:33,760 Speaker 2: on guitar. There. What's incredible about that that song and 403 00:22:33,760 --> 00:22:36,400 Speaker 2: that solo is that you hear, especially towards the end here, 404 00:22:36,760 --> 00:22:39,880 Speaker 2: all of the like grey notes, all the like kind 405 00:22:39,880 --> 00:22:47,200 Speaker 2: of missed notes. Listen. Yeah, that's incredible. 406 00:22:47,240 --> 00:22:48,960 Speaker 6: It is a specific reason for that. It's because he 407 00:22:48,960 --> 00:22:51,439 Speaker 6: does not use a pick. He does the fingerpicking style, 408 00:22:51,720 --> 00:22:54,040 Speaker 6: and he said that the reason was was that he 409 00:22:54,160 --> 00:22:56,480 Speaker 6: finally got his dad to shell out some money for 410 00:22:56,480 --> 00:22:59,200 Speaker 6: a guitar, but didn't get an amplifier, so he learned 411 00:22:59,200 --> 00:23:03,080 Speaker 6: on an acoustic didn't have amplifications, we had to do fingerpicking. 412 00:23:03,119 --> 00:23:05,359 Speaker 2: That guy's an incredible guitarist, one of the best of 413 00:23:05,400 --> 00:23:08,280 Speaker 2: all time. And this song is such a vibe ten 414 00:23:08,320 --> 00:23:10,800 Speaker 2: minutes long, the live version of it or whatever. It's 415 00:23:10,840 --> 00:23:13,560 Speaker 2: like always you know, such a just put you in 416 00:23:13,560 --> 00:23:16,560 Speaker 2: a specific place. And what's crazy is that Dire Straits 417 00:23:16,600 --> 00:23:21,119 Speaker 2: released Sultan's a Swing in nineteen seventy eight, and I 418 00:23:21,880 --> 00:23:24,679 Speaker 2: learned that it came out that time today, like I 419 00:23:24,720 --> 00:23:27,800 Speaker 2: had no idea that song exists in no time at all, 420 00:23:27,880 --> 00:23:30,479 Speaker 2: because it could be eighties again, nineties or what. 421 00:23:30,640 --> 00:23:30,800 Speaker 5: You know. 422 00:23:30,920 --> 00:23:33,679 Speaker 2: So well, I'll tell you what, Ernest, thank you so 423 00:23:33,760 --> 00:23:36,320 Speaker 2: much for Colin. We really appreciate you. That's a solo 424 00:23:36,359 --> 00:23:37,560 Speaker 2: the Salt. Do you want to do one more because 425 00:23:37,560 --> 00:23:38,959 Speaker 2: we don't have any other callers right now, so if 426 00:23:39,000 --> 00:23:42,639 Speaker 2: you want to do another one, okay, all right, stand 427 00:23:42,640 --> 00:24:12,440 Speaker 2: by here for our next solo. On solo solo, it's 428 00:24:12,440 --> 00:24:16,399 Speaker 2: like that could be just the bad music to home improvement. 429 00:24:16,920 --> 00:24:18,600 Speaker 2: You know, I mean it could it could just be 430 00:24:18,840 --> 00:24:24,080 Speaker 2: like coming commercial break back from Guy Fieri's Diners, drive 431 00:24:24,119 --> 00:24:30,200 Speaker 2: Throughs and dives. What's up, y'all were taking the trip 432 00:24:30,280 --> 00:24:33,680 Speaker 2: hitting the road in the southern California where the girls 433 00:24:33,680 --> 00:24:37,600 Speaker 2: are hunt as they are mean? Ernest, do you have 434 00:24:37,640 --> 00:24:39,720 Speaker 2: any guests as far as what that so it might be? 435 00:24:39,960 --> 00:24:43,160 Speaker 5: Yeah, that's queen a crazy little. 436 00:24:43,880 --> 00:24:48,760 Speaker 2: Yes, alrighty, well, very good. Well you you put you 437 00:24:48,840 --> 00:24:51,119 Speaker 2: put him to shame, Ernest, you did great. Everybody who 438 00:24:51,200 --> 00:24:54,560 Speaker 2: called in did fantastic. We're gonna let you go. We've 439 00:24:54,560 --> 00:24:59,199 Speaker 2: got one more song to play here and uh I 440 00:25:00,040 --> 00:25:01,920 Speaker 2: you have to find it. But when we come back, 441 00:25:02,000 --> 00:25:04,240 Speaker 2: I will play it. We'll keep the phone lines open. 442 00:25:04,320 --> 00:25:06,080 Speaker 2: You can give us another call if if you know 443 00:25:06,119 --> 00:25:08,600 Speaker 2: the answer. It'll be our last segment here before the 444 00:25:08,760 --> 00:25:11,600 Speaker 2: end of the show. It's been nice to be back 445 00:25:11,600 --> 00:25:12,360 Speaker 2: on this Friday night. 446 00:25:12,400 --> 00:25:13,600 Speaker 4: It's gone fast, it's. 447 00:25:13,400 --> 00:25:15,960 Speaker 2: Gone so quack. We've got we covered a lot of ground. 448 00:25:16,040 --> 00:25:20,040 Speaker 2: We learned, we laughed, we live, laughed and loved, just 449 00:25:20,080 --> 00:25:22,760 Speaker 2: like it says in your kitchen, Mark Ronner, Yes. 450 00:25:22,640 --> 00:25:25,560 Speaker 4: That's exactly what it says. I'm a sampler in my kitchen. 451 00:25:26,160 --> 00:25:28,919 Speaker 2: What amaze? You still have the big sign in the 452 00:25:28,920 --> 00:25:30,879 Speaker 2: bathroom that says get naked. 453 00:25:31,960 --> 00:25:32,879 Speaker 4: Just go to the news. 454 00:25:35,000 --> 00:25:38,440 Speaker 1: You're listening to KFI AM six forty on demand. 455 00:25:40,040 --> 00:25:42,280 Speaker 2: We've got about ten minutes left and we've got one 456 00:25:42,760 --> 00:25:45,359 Speaker 2: last solo. So the phone lines are still open if 457 00:25:45,400 --> 00:25:48,240 Speaker 2: you want to call in and uh and and do 458 00:25:48,359 --> 00:25:52,480 Speaker 2: your best. I think, I think what if somebody, If 459 00:25:52,480 --> 00:25:55,960 Speaker 2: somebody wants it, I will try to if you call 460 00:25:56,000 --> 00:25:58,760 Speaker 2: in and win. I'm not kidding that. I'm gonna be 461 00:25:58,760 --> 00:26:00,440 Speaker 2: serious when I say this. I will try to find 462 00:26:01,080 --> 00:26:05,879 Speaker 2: the bear poop beer and send it to you. I 463 00:26:05,920 --> 00:26:07,720 Speaker 2: have some more details of which we'll get into when 464 00:26:07,720 --> 00:26:11,600 Speaker 2: we come back after this part of the show when 465 00:26:11,640 --> 00:26:14,479 Speaker 2: people call to sort of understand why there is this 466 00:26:14,520 --> 00:26:17,840 Speaker 2: beer that's made of bear poop. But before that, as 467 00:26:17,840 --> 00:26:20,879 Speaker 2: we continue on soloing the solo once again in studio 468 00:26:20,880 --> 00:26:24,840 Speaker 2: with Jack bro rivera hell music man, Jack, let's do it? 469 00:26:39,480 --> 00:26:42,280 Speaker 2: Do you think that this is too easy? I don't know, 470 00:26:42,640 --> 00:26:46,000 Speaker 2: because to me this sounds like a little old Tom 471 00:26:46,040 --> 00:26:49,200 Speaker 2: Sawyer Island Disneyland review. Well the Bears, you know what 472 00:26:49,240 --> 00:26:50,879 Speaker 2: I'm talking about? Yeah, Yeah, I don't know. What that 473 00:26:50,920 --> 00:26:52,040 Speaker 2: part of the park is called. 474 00:26:52,160 --> 00:26:52,719 Speaker 6: I know what you mean? 475 00:26:52,800 --> 00:26:56,760 Speaker 2: Yeah, yeah, Mark, do you know this? Mark does not 476 00:26:56,960 --> 00:27:01,359 Speaker 2: know foos? Do you know booh? Says now Nick? Not 477 00:27:01,440 --> 00:27:03,800 Speaker 2: a guitar solo? Actually, wait no, but it is a solo. 478 00:27:03,800 --> 00:27:08,560 Speaker 2: It is a solo. It's a banjo. We're a banjo track. 479 00:27:08,640 --> 00:27:12,000 Speaker 2: Perhaps if I am six forty, the phone numbers one 480 00:27:12,119 --> 00:27:14,240 Speaker 2: hundred five choozer one five three four. It's one hundred 481 00:27:14,280 --> 00:27:17,920 Speaker 2: five choozero one five three four. We've got some callers. Oh, 482 00:27:18,760 --> 00:27:23,359 Speaker 2: let's see if Victor knows the answer. Are you with us? 483 00:27:23,400 --> 00:27:23,680 Speaker 1: Victor? 484 00:27:24,920 --> 00:27:25,160 Speaker 6: Yes? 485 00:27:25,440 --> 00:27:27,320 Speaker 5: Can I hear a little bit more? 486 00:27:27,359 --> 00:27:27,600 Speaker 4: Again? 487 00:27:28,080 --> 00:27:28,760 Speaker 5: That was unhold? 488 00:27:28,880 --> 00:27:31,000 Speaker 2: Oh yeah, absolutely, stand by. Here we go three to 489 00:27:31,000 --> 00:27:34,720 Speaker 2: two and that sound was the Windows computer. That's not 490 00:27:34,760 --> 00:27:51,440 Speaker 2: what we're asking you to identify. All right, any guesses. 491 00:27:53,000 --> 00:27:55,120 Speaker 5: Made? Possibly Elton John? 492 00:27:55,440 --> 00:27:58,920 Speaker 2: Yes, yes, yes, that is uh. Do you know the song? 493 00:28:00,960 --> 00:28:04,600 Speaker 1: Uh no, I don't know the title. 494 00:28:04,600 --> 00:28:07,119 Speaker 2: Actually you got this, You've got this? 495 00:28:07,240 --> 00:28:08,199 Speaker 4: I lied I didn't know it. 496 00:28:08,280 --> 00:28:11,200 Speaker 2: You did know? You were just playing koy or what 497 00:28:11,240 --> 00:28:13,320 Speaker 2: I was working on something? Oh, I say, okay, you're busy. 498 00:28:13,320 --> 00:28:17,000 Speaker 2: You got actually as well? Yes, if you if you 499 00:28:17,040 --> 00:28:18,679 Speaker 2: know it, if you know it, cool if not, we 500 00:28:18,760 --> 00:28:20,280 Speaker 2: have Pat who could probably guess the name of the 501 00:28:20,320 --> 00:28:24,359 Speaker 2: song too. Yeah, let it all right? All right, well, 502 00:28:24,400 --> 00:28:27,720 Speaker 2: thank you so much for calling Victor. Victor is half right. Pat, 503 00:28:27,720 --> 00:28:29,399 Speaker 2: you're on k IF I am six or forty. Can 504 00:28:29,440 --> 00:28:32,040 Speaker 2: you land the plane for us? We're on short final here. 505 00:28:32,600 --> 00:28:35,719 Speaker 2: You just need to set her down and flare. Make 506 00:28:35,760 --> 00:28:37,680 Speaker 2: sure that you hit the parking brakes afterwards. 507 00:28:39,800 --> 00:28:40,120 Speaker 5: Got it? 508 00:28:42,200 --> 00:28:43,000 Speaker 2: Do you want to hear it again? 509 00:28:45,200 --> 00:28:45,400 Speaker 1: Yeah? 510 00:28:45,400 --> 00:28:46,080 Speaker 5: I didn't hear it. 511 00:28:46,320 --> 00:28:48,720 Speaker 2: Okay, No, that's okay, I'm sorry. I don't know how 512 00:28:48,760 --> 00:28:50,120 Speaker 2: the technology works. 513 00:29:01,040 --> 00:29:06,400 Speaker 5: Go ahead, Pat, okay, get back copy Cat. 514 00:29:07,240 --> 00:29:09,960 Speaker 2: That's club. It's glad to get back honey Cat. Yes, cat. 515 00:29:10,200 --> 00:29:12,240 Speaker 2: And as we heard before, Victor told us that that, 516 00:29:12,320 --> 00:29:22,920 Speaker 2: of course is the one and only Elton Jaws. Indeed, boy, Pat, 517 00:29:22,960 --> 00:29:24,680 Speaker 2: how are you doing this evening? What's that? What? What 518 00:29:24,960 --> 00:29:26,320 Speaker 2: brings you out here to KFI? 519 00:29:28,400 --> 00:29:31,479 Speaker 5: Oh? Man? Well, I'm on the freeway. I am not driving. 520 00:29:33,560 --> 00:29:36,800 Speaker 5: I've been a long time listener, first time caller. 521 00:29:37,000 --> 00:29:37,959 Speaker 2: Hey, we love here. 522 00:29:40,080 --> 00:29:43,560 Speaker 5: Actually, yeah, yeah, we have quite a history with KFI. 523 00:29:43,680 --> 00:29:48,440 Speaker 5: We got married on your radio station and uband wow, that's. 524 00:29:48,240 --> 00:29:51,880 Speaker 2: Amazing married, even better than the hitching post. Yeah, hand 525 00:29:52,560 --> 00:29:53,720 Speaker 2: Bill Handle married you. 526 00:29:55,200 --> 00:29:56,920 Speaker 5: Yes, the big chat bill Handle letter. 527 00:29:57,160 --> 00:30:00,840 Speaker 2: Yes, you know what a been addiction. I mean that 528 00:30:01,000 --> 00:30:05,680 Speaker 2: if anybody is gonna scare you into matrimony, I guess 529 00:30:05,760 --> 00:30:08,520 Speaker 2: spending time with Bill Handle you realize how expensive a 530 00:30:08,520 --> 00:30:13,760 Speaker 2: divorce could be. That's it, you got it. Yeah, there 531 00:30:13,760 --> 00:30:16,000 Speaker 2: you go. Well, congratulations to you, Pat, Thank you so 532 00:30:16,080 --> 00:30:17,920 Speaker 2: much for calling. And I hope you get where you're 533 00:30:17,920 --> 00:30:19,440 Speaker 2: going on the freeway tonight safely. 534 00:30:21,080 --> 00:30:22,760 Speaker 5: Thank you, Love you guys, you do. 535 00:30:23,040 --> 00:30:27,760 Speaker 2: All right? How about that big, big handles, big fat wedding. 536 00:30:27,880 --> 00:30:30,800 Speaker 2: That's so exciting, that's amazing, that's wonderful. Congratulations. 537 00:30:30,800 --> 00:30:31,080 Speaker 4: All right. 538 00:30:31,080 --> 00:30:33,720 Speaker 2: We got one last caller here, Ed, who unfortunately we 539 00:30:33,760 --> 00:30:37,200 Speaker 2: already guessed. We already know the guitar player. Oh actually, sure, 540 00:30:37,360 --> 00:30:39,400 Speaker 2: do you know? I do know? Okay, I don't know, 541 00:30:39,440 --> 00:30:43,720 Speaker 2: but maybe Edna and the banjo. It's a banjo player, Hi, Ed. 542 00:30:43,760 --> 00:30:45,880 Speaker 2: So we know it's Elton John. We know it's Get 543 00:30:45,920 --> 00:30:49,080 Speaker 2: Back Honky Cat. And and Jack Brimavera because he's an 544 00:30:49,200 --> 00:30:52,520 Speaker 2: encyclopedic genius knows the banjo player. 545 00:30:53,440 --> 00:30:56,240 Speaker 6: He is the longtime guitar player, but he happens to 546 00:30:56,240 --> 00:30:57,800 Speaker 6: play banjo on this particular song. 547 00:31:00,040 --> 00:31:02,240 Speaker 5: Okay, I happened to play banjo, you would think I 548 00:31:02,280 --> 00:31:05,760 Speaker 5: can kind of chime in. I was stuck on the 549 00:31:05,800 --> 00:31:10,040 Speaker 5: fourth attempt your neighbor from San Diego. I'm your neighbor 550 00:31:10,080 --> 00:31:14,320 Speaker 5: from San Diego, by the way, with mister Andy, and 551 00:31:14,360 --> 00:31:16,800 Speaker 5: I'm a first time caller on yours. But just know 552 00:31:17,600 --> 00:31:22,959 Speaker 5: I've called c Span and you guys is missing like 553 00:31:23,040 --> 00:31:26,240 Speaker 5: a spice, And by spice, I need you need that 554 00:31:26,400 --> 00:31:30,200 Speaker 5: person of color in your situation. You can keep my number. 555 00:31:30,880 --> 00:31:33,960 Speaker 5: I'm in the KFI our heart thing. I'm not gonna 556 00:31:34,080 --> 00:31:37,600 Speaker 5: I'm not gonna put it out there. Hey while La burns, 557 00:31:37,720 --> 00:31:41,360 Speaker 5: you all need to kind of just respect San Diego. Okay, 558 00:31:41,720 --> 00:31:44,280 Speaker 5: and I'm not talking comic con right now, but wats this? 559 00:31:44,840 --> 00:31:47,040 Speaker 5: I said a lot right there. But I was in 560 00:31:47,080 --> 00:31:49,120 Speaker 5: the middle of calling you guys for the fourth time 561 00:31:49,640 --> 00:31:52,280 Speaker 5: on your last track with crazy little thing call up. 562 00:31:52,360 --> 00:31:55,880 Speaker 2: Somebody took my yeah yeah it though. 563 00:31:55,800 --> 00:31:58,640 Speaker 5: Because because I could have started off with Okay, I'm 564 00:31:58,680 --> 00:32:01,760 Speaker 5: a black freddie Murky read but that would have over 565 00:32:01,840 --> 00:32:05,240 Speaker 5: some of some of you kids heads here, Okay, and 566 00:32:05,280 --> 00:32:07,720 Speaker 5: I did, and I did, and I did know Mark 567 00:32:07,800 --> 00:32:12,360 Speaker 5: Knopfler listen, but I'm not laughing at the youngster that 568 00:32:12,520 --> 00:32:17,440 Speaker 5: didn't and he and I and I speak a little Listen, 569 00:32:17,600 --> 00:32:22,600 Speaker 5: I speak a little honky cat to a lot of 570 00:32:22,600 --> 00:32:27,360 Speaker 5: the kids. Don't know this, no, no, And I'm not 571 00:32:27,440 --> 00:32:31,000 Speaker 5: just rambling, by the way. Listen, listen. I'm giving you 572 00:32:31,200 --> 00:32:34,320 Speaker 5: love emotionally. Now, this is a This is one of 573 00:32:34,320 --> 00:32:36,800 Speaker 5: those I can beat the end of the the you know, 574 00:32:36,840 --> 00:32:41,120 Speaker 5: the tailing. That's all right, I'm your was that like 575 00:32:41,200 --> 00:32:45,800 Speaker 5: the rump roast of the steak tonight. I'm giving you vibrations, 576 00:32:46,600 --> 00:32:52,480 Speaker 5: a lot of a lot of thank you. Andy. Hey, 577 00:32:52,640 --> 00:32:54,840 Speaker 5: I gotta I got a quick little I got a 578 00:32:54,880 --> 00:32:56,920 Speaker 5: shady little tagline for you. 579 00:32:57,000 --> 00:32:58,240 Speaker 2: Andy. 580 00:32:58,440 --> 00:33:01,440 Speaker 5: This is from from Edric from San Diego. Now, okay, 581 00:33:01,240 --> 00:33:04,920 Speaker 5: he save my number, Okay save It's only a because 582 00:33:04,920 --> 00:33:08,520 Speaker 5: I'm a third generation San Diego Now watch this. Andy. 583 00:33:08,680 --> 00:33:12,040 Speaker 5: You're not an Andy Cohen, but you don't want to 584 00:33:12,040 --> 00:33:17,520 Speaker 5: be an Andy Dick. You're somewhere in there. You're somewhere 585 00:33:17,560 --> 00:33:20,239 Speaker 5: in there, and I want you to really have an 586 00:33:20,280 --> 00:33:25,040 Speaker 5: ear and a heart that's not an iHeart pun for 587 00:33:25,240 --> 00:33:28,920 Speaker 5: your Los Angeles tonight, because list listen, instead of talking 588 00:33:28,960 --> 00:33:31,880 Speaker 5: about dive bar, you want to be a little more 589 00:33:31,920 --> 00:33:36,000 Speaker 5: sensitive to your town. Okay, and I'm sure not talking 590 00:33:36,040 --> 00:33:39,680 Speaker 5: Pacific Palisades. That's going all over uh some people's head 591 00:33:40,320 --> 00:33:42,800 Speaker 5: a side note, side note, do you know that you 592 00:33:42,840 --> 00:33:48,040 Speaker 5: remember the English Beat with Dave Wakeling? Yeah, okay, now 593 00:33:48,080 --> 00:33:50,440 Speaker 5: side I know that he's been up there in the 594 00:33:50,480 --> 00:33:54,560 Speaker 5: Palisades area for a while. Oh, googled the English Beat. 595 00:33:54,720 --> 00:33:57,360 Speaker 5: We know, you know that's a that's what he's always like. 596 00:33:58,760 --> 00:33:59,600 Speaker 2: Mirror in the bathroom. 597 00:34:00,120 --> 00:34:03,200 Speaker 5: Yet was a lot more than yeah, yeah, yeah, and 598 00:34:03,440 --> 00:34:08,400 Speaker 5: uh sooner or later was there? Uh uh get it? 599 00:34:09,200 --> 00:34:13,160 Speaker 5: We can save it for later. Yeah, right right, I 600 00:34:13,200 --> 00:34:14,920 Speaker 5: don't want to go over there, by the way, I'm 601 00:34:14,920 --> 00:34:17,879 Speaker 5: giving you kind of a vibe like, uh, hopefully your 602 00:34:17,920 --> 00:34:20,560 Speaker 5: crowd knows who our bill is. Sure you kind of 603 00:34:20,640 --> 00:34:22,560 Speaker 5: lead up to the coast, you guys, lead up the 604 00:34:22,600 --> 00:34:23,160 Speaker 5: coast to coast. 605 00:34:23,239 --> 00:34:24,399 Speaker 2: I know we got to get out of here because 606 00:34:24,400 --> 00:34:25,640 Speaker 2: they got to give it back. I gotta give it 607 00:34:25,640 --> 00:34:26,120 Speaker 2: over to GEORGI 608 00:34:26,160 --> 00:34:29,720 Speaker 1: Here real quick, k f I am sixty on demand.