1 00:00:00,320 --> 00:00:03,760 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:05,440 --> 00:00:07,960 Speaker 2: Lou Penrose with you till ten o'clock. Thank you for 3 00:00:08,000 --> 00:00:12,000 Speaker 2: tuning in. Good to have you along with us. June eleven, 4 00:00:12,800 --> 00:00:16,200 Speaker 2: that'll be the day for the ceremony of the Songwriters 5 00:00:16,480 --> 00:00:20,720 Speaker 2: Hall of Fame. These are the people that write the songs. Now, 6 00:00:20,760 --> 00:00:24,119 Speaker 2: sometimes the artists write the songs. Most of the time 7 00:00:24,160 --> 00:00:24,600 Speaker 2: they don't. 8 00:00:25,239 --> 00:00:26,840 Speaker 3: Not the biggies. Not the biggies. 9 00:00:28,400 --> 00:00:33,159 Speaker 2: And the spectacular exception to that rule is Taylor Swift, 10 00:00:33,159 --> 00:00:36,360 Speaker 2: who will be in the Hall of Fame in June 11 00:00:37,880 --> 00:00:41,760 Speaker 2: and the youngest person ever. 12 00:00:42,080 --> 00:00:45,200 Speaker 4: Taylor Swift is the youngest woman to be inducted into 13 00:00:45,240 --> 00:00:46,479 Speaker 4: the Songwriters. 14 00:00:45,960 --> 00:00:47,400 Speaker 3: Hall of Fame. I got that wrong. 15 00:00:48,200 --> 00:00:51,720 Speaker 2: Youngest woman ever. 16 00:00:52,040 --> 00:00:55,160 Speaker 4: Taylor Swift is the youngest woman to be inducted into 17 00:00:55,160 --> 00:00:57,960 Speaker 4: the Songwriters Hall of Fame. Joining her in the twenty 18 00:00:58,000 --> 00:01:04,280 Speaker 4: twenty six class Paul Stanley and Gene Simmons of Kiss, 19 00:01:04,560 --> 00:01:08,399 Speaker 4: Alanis Morris Set, Kenny Loggins, Christopher Tricky Stewart, who wrote 20 00:01:08,440 --> 00:01:09,720 Speaker 4: Rihanna's Umbrella. 21 00:01:09,600 --> 00:01:11,440 Speaker 3: Isn't it Umberella? 22 00:01:11,760 --> 00:01:14,360 Speaker 2: Did he write it as umbrella and then ran and 23 00:01:15,319 --> 00:01:19,840 Speaker 2: uh changed it? I like the way she sings it 24 00:01:19,880 --> 00:01:26,679 Speaker 2: with the Umberella. Hey hey, hey, uh foosh, what. 25 00:01:26,600 --> 00:01:28,360 Speaker 3: Do you think it's lists so far? I mean, is 26 00:01:28,400 --> 00:01:31,160 Speaker 3: that are these Hall of Fame songs? 27 00:01:32,240 --> 00:01:33,760 Speaker 2: I mean it's a good one. It's a good one. 28 00:01:33,920 --> 00:01:36,880 Speaker 2: Umberella is a winner. But yeah, it is the song. 29 00:01:37,040 --> 00:01:41,720 Speaker 2: The performance is nice. Are the lyrics that good? Yeah? 30 00:01:41,800 --> 00:01:44,800 Speaker 5: That's something to you know left, not much left to 31 00:01:44,800 --> 00:01:46,119 Speaker 5: the imagination there, but. 32 00:01:47,080 --> 00:01:49,120 Speaker 2: Like you know, like when it rains, right and the 33 00:01:49,240 --> 00:01:52,559 Speaker 2: rain is the symbolic symbolic bad times, things are bad, 34 00:01:52,600 --> 00:01:54,160 Speaker 2: you can stand under my umbrella. 35 00:01:54,640 --> 00:01:59,240 Speaker 3: Yeah, Okay, that's that's a that's visual because they're nice. Yeah. 36 00:01:59,280 --> 00:02:01,960 Speaker 5: Because it's not really an argument with Taylor because she's 37 00:02:02,000 --> 00:02:04,040 Speaker 5: like one of the few that actually writes her songs, 38 00:02:04,240 --> 00:02:06,280 Speaker 5: so she well deserved, right, But. 39 00:02:06,680 --> 00:02:10,480 Speaker 2: She's being honored as a songwriter Hall of Fame, So 40 00:02:10,480 --> 00:02:14,760 Speaker 2: this is not about performance. This is about the songwriting itself. Yeah, 41 00:02:14,800 --> 00:02:16,440 Speaker 2: and all right, so who else is on this list? 42 00:02:16,480 --> 00:02:19,560 Speaker 2: Because so far I'm unimpressed. I'm impressed with Taylor, I 43 00:02:19,639 --> 00:02:21,200 Speaker 2: have to say. And I'm gonna get a lot of 44 00:02:21,200 --> 00:02:24,160 Speaker 2: blowback from Kiss fans. And I'm a Kiss fan too. 45 00:02:24,680 --> 00:02:28,680 Speaker 2: I think I was Paul Sanley won Halloween. 46 00:02:30,400 --> 00:02:33,280 Speaker 3: But listen, I mean I want to rock and. 47 00:02:33,280 --> 00:02:38,079 Speaker 2: Roll all night and party every day. Okay, I mean 48 00:02:38,680 --> 00:02:39,919 Speaker 2: Hall of Fame lyrics there. 49 00:02:40,840 --> 00:02:44,720 Speaker 4: I don't know Alanis Morrissette, Kenny Loggin's Christopher, Tricky Stewart 50 00:02:44,840 --> 00:02:48,200 Speaker 4: who wrote Rihanna's Umbrella, Terry Britton and Graham Lyle who 51 00:02:48,200 --> 00:02:50,040 Speaker 4: wrote What's Love Got to Do With It? And many 52 00:02:50,080 --> 00:02:54,200 Speaker 4: other Tina Turner hits, and Walter Afanasief who wrote Mariah 53 00:02:54,280 --> 00:02:56,840 Speaker 4: Carey Smash Hero and All I Want for Christmas Is You? 54 00:02:57,080 --> 00:02:59,600 Speaker 3: All I Want for Christmas Is You? Is in the 55 00:02:59,639 --> 00:03:05,359 Speaker 3: song Writing Hall of Fame. The guys that wrote Wait, So. 56 00:03:07,200 --> 00:03:10,120 Speaker 2: The guy that wrote Umbrella, the guy that wrote What's 57 00:03:10,200 --> 00:03:11,960 Speaker 2: Love Got to Do With It? And the guy that 58 00:03:12,080 --> 00:03:14,240 Speaker 2: wrote All I Want for Christmas Is You will be 59 00:03:14,280 --> 00:03:17,560 Speaker 2: inducted next to Taylor Swift. Swift has got to stand 60 00:03:17,560 --> 00:03:21,200 Speaker 2: next to these people and say, I am honored to 61 00:03:21,280 --> 00:03:26,880 Speaker 2: be on this stage with these other poets not on. 62 00:03:27,200 --> 00:03:30,720 Speaker 4: The organization made the announcement on CBS Mornings. The ceremony 63 00:03:30,760 --> 00:03:33,320 Speaker 4: is slated for Thursday, June eleventh, at its longtime home 64 00:03:33,360 --> 00:03:36,040 Speaker 4: with a Marriott Marquis in New York City and will 65 00:03:36,040 --> 00:03:37,120 Speaker 4: not be open to the public. 66 00:03:37,200 --> 00:03:38,760 Speaker 2: Not open to the public. I would think that would 67 00:03:38,800 --> 00:03:41,840 Speaker 2: be something that would sell tickets. But all right, so 68 00:03:41,920 --> 00:03:45,400 Speaker 2: there you go. Taylor Swift kiss Alanis Morrisset. She has 69 00:03:45,440 --> 00:03:48,360 Speaker 2: some interesting tunes. So there are some songs that I mean, 70 00:03:48,600 --> 00:03:53,160 Speaker 2: Jagged Little Pill Is definitely has songwriting in it that 71 00:03:53,320 --> 00:03:57,240 Speaker 2: is so unique and so interesting that I'll take it. 72 00:03:58,880 --> 00:04:05,840 Speaker 2: Kenny Loggins, what from Caddy Shack the soundtrack to Caddy Shack. 73 00:04:06,160 --> 00:04:09,560 Speaker 2: Maybe there might be other things in his catalog that 74 00:04:09,640 --> 00:04:12,160 Speaker 2: really rock your boat, but. 75 00:04:12,160 --> 00:04:14,000 Speaker 3: This just does not sound like Hall of Fame stuff. 76 00:04:14,000 --> 00:04:16,000 Speaker 2: And I'm not taking away from the artists or the 77 00:04:16,040 --> 00:04:18,799 Speaker 2: songwriters or the singer songwriters. I'm not taking away from anything. 78 00:04:18,880 --> 00:04:22,119 Speaker 2: I'm just saying that the when I hear a song 79 00:04:22,400 --> 00:04:23,400 Speaker 2: writer hall. 80 00:04:23,240 --> 00:04:26,800 Speaker 3: Of Fame, I don't know. I think of some of 81 00:04:26,839 --> 00:04:33,279 Speaker 3: the more really interesting lyrics. Did you ever do this? 82 00:04:33,320 --> 00:04:36,200 Speaker 3: Fo shit? Did you ever like before? Because you're probably 83 00:04:36,200 --> 00:04:38,040 Speaker 3: too young, but before you could google. 84 00:04:37,720 --> 00:04:42,120 Speaker 2: It, there were sometimes songs and people got the lyrics 85 00:04:42,160 --> 00:04:44,440 Speaker 2: wrong and you would get into arguments with your friends 86 00:04:44,480 --> 00:04:46,920 Speaker 2: about what they were saying, you know in the song. 87 00:04:47,040 --> 00:04:49,960 Speaker 5: Oh yeah, I'm probably the last generation that would be 88 00:04:50,000 --> 00:04:51,760 Speaker 5: able to have that kind of argument. 89 00:04:52,440 --> 00:04:54,920 Speaker 2: Yeah, here's exactly right. People have no idea what we're 90 00:04:54,920 --> 00:04:56,680 Speaker 2: talking about. Arguing about what the lyrics. 91 00:04:56,480 --> 00:04:57,880 Speaker 3: Were, you just look it up. Yeah, well back in 92 00:04:57,880 --> 00:04:58,960 Speaker 3: the day, you couldn't look it up. 93 00:04:59,120 --> 00:05:04,080 Speaker 2: And some people put the lyrics, you know, either like 94 00:05:04,160 --> 00:05:06,560 Speaker 2: in in the CD, like in the little book that 95 00:05:06,600 --> 00:05:08,800 Speaker 2: comes in the CD, but sometimes not, and you. 96 00:05:08,839 --> 00:05:10,440 Speaker 3: Just had to go with what they were saying. And 97 00:05:10,760 --> 00:05:11,520 Speaker 3: if it was a. 98 00:05:12,440 --> 00:05:15,960 Speaker 2: Band that had really interesting lyrics, you really wanted to 99 00:05:16,040 --> 00:05:17,719 Speaker 2: know what they were saying so you could try and 100 00:05:17,760 --> 00:05:20,679 Speaker 2: figure out what the song meant ron or did you, 101 00:05:20,720 --> 00:05:23,320 Speaker 2: like ever get in a place where you didn't know 102 00:05:23,839 --> 00:05:26,080 Speaker 2: what they were singing and you were trying to figure 103 00:05:26,080 --> 00:05:27,200 Speaker 2: it out but couldn't. 104 00:05:26,960 --> 00:05:27,680 Speaker 3: Oh all the time? 105 00:05:27,920 --> 00:05:32,120 Speaker 6: Yeah, I mean that douche song still troubles me. The 106 00:05:32,200 --> 00:05:34,640 Speaker 6: Blinded by the Light song by the Light. 107 00:05:34,680 --> 00:05:39,040 Speaker 3: Yea, like a douche. I mean I literally remember sitting 108 00:05:39,040 --> 00:05:42,520 Speaker 3: around in college with my buddies arguing about. 109 00:05:42,600 --> 00:05:45,039 Speaker 2: Like pink Floyd comes to mind, pink Floyd, Like, you 110 00:05:45,080 --> 00:05:47,640 Speaker 2: want to know what they're saying, because you know, it's 111 00:05:47,640 --> 00:05:50,440 Speaker 2: something deep, it's something important you're listening to, you. 112 00:05:50,360 --> 00:05:51,240 Speaker 3: Know, wish you we hear. 113 00:05:51,680 --> 00:05:54,400 Speaker 2: And I literally remember having an argument with some of 114 00:05:54,400 --> 00:05:56,360 Speaker 2: the guys in my fraternity about what he was saying, 115 00:05:57,200 --> 00:06:00,760 Speaker 2: that there's a line in there, did you change a 116 00:06:00,839 --> 00:06:02,080 Speaker 2: walk on part. 117 00:06:02,200 --> 00:06:06,640 Speaker 3: In the war for a lead role in a cage? 118 00:06:07,520 --> 00:06:10,400 Speaker 3: And one of my friends is like, no, no, no, no, 119 00:06:10,560 --> 00:06:12,360 Speaker 3: that's not what he's saying. What are you talking about. 120 00:06:12,560 --> 00:06:15,440 Speaker 2: He's saying a walk on part of the wall, you know, 121 00:06:15,480 --> 00:06:18,200 Speaker 2: because they're all about the wall for a lead role 122 00:06:18,200 --> 00:06:20,920 Speaker 2: with a cane because he fell off the wall. And 123 00:06:20,960 --> 00:06:22,880 Speaker 2: we're like all rubbing our heads, going, well what does 124 00:06:22,920 --> 00:06:26,440 Speaker 2: that mean? And this is like real time passed. 125 00:06:26,200 --> 00:06:28,479 Speaker 3: Like we were really like sitting around thinking about this 126 00:06:28,600 --> 00:06:29,279 Speaker 3: kind of a thing. 127 00:06:29,320 --> 00:06:32,320 Speaker 2: And before you could look it up, you were just 128 00:06:32,480 --> 00:06:33,640 Speaker 2: trying to figure out what they were saying. 129 00:06:33,680 --> 00:06:35,880 Speaker 6: Well, I think Pink Floyd was counting on everybody listening 130 00:06:35,880 --> 00:06:38,039 Speaker 6: to be high or tripping or otherwise. 131 00:06:38,160 --> 00:06:39,200 Speaker 3: That's what made it work. 132 00:06:39,400 --> 00:06:41,640 Speaker 2: State Yeah, yeah, I'm not sure what this was, you know, 133 00:06:42,080 --> 00:06:45,200 Speaker 2: after party or happy hour when I mean we clearly 134 00:06:45,279 --> 00:06:46,800 Speaker 2: had the time to say what is he saying? 135 00:06:46,839 --> 00:06:47,680 Speaker 3: During it was on? 136 00:06:48,320 --> 00:06:51,679 Speaker 2: And what's fun is everybody that is so sure about 137 00:06:51,720 --> 00:06:55,800 Speaker 2: their interpretation of the actual lyric had always thought it 138 00:06:55,839 --> 00:07:01,320 Speaker 2: that way, and even when proven wrong. They're like, no, well, 139 00:07:01,360 --> 00:07:03,320 Speaker 2: because that's the best part is they. 140 00:07:03,080 --> 00:07:05,919 Speaker 3: Have their definition of why the lyric is that lyric? 141 00:07:06,200 --> 00:07:08,279 Speaker 6: Sure, But what makes you feel like you're living in 142 00:07:08,279 --> 00:07:10,080 Speaker 6: the future now is that you can just get right 143 00:07:10,120 --> 00:07:12,280 Speaker 6: on your phone or any keyboard and you can find 144 00:07:12,280 --> 00:07:14,360 Speaker 6: this stuff out instantly. And I still do that all 145 00:07:14,400 --> 00:07:14,760 Speaker 6: the time. 146 00:07:15,680 --> 00:07:17,760 Speaker 2: I wonder how many times, you know, you talk about 147 00:07:17,800 --> 00:07:21,240 Speaker 2: the wrapped up like a like there may be there 148 00:07:21,240 --> 00:07:23,240 Speaker 2: may be like you know, artists or at least the 149 00:07:23,280 --> 00:07:26,800 Speaker 2: songwriter that's no longer with us, and like the internet 150 00:07:26,840 --> 00:07:30,560 Speaker 2: could be wrong. There there are certain times that you know, 151 00:07:31,080 --> 00:07:33,360 Speaker 2: I'll look up lyrics dot com or whatever, and I 152 00:07:33,400 --> 00:07:35,920 Speaker 2: know that's not the exact right lyric that they kind 153 00:07:35,960 --> 00:07:38,280 Speaker 2: of made it out because it was this is there's 154 00:07:38,280 --> 00:07:40,920 Speaker 2: a famous song Louie Louie. Yeah, yeah, yeah, there were 155 00:07:40,960 --> 00:07:43,920 Speaker 2: hearings over that. The government had hearings over Louis Louie. 156 00:07:44,160 --> 00:07:46,760 Speaker 3: Right because nobody can figure out what they were saying. 157 00:07:46,960 --> 00:07:48,920 Speaker 2: And so but if you go to lyrics dot com, 158 00:07:49,160 --> 00:07:51,280 Speaker 2: they'll have the lyrics to Louie Louie. But I'll bet 159 00:07:51,320 --> 00:07:53,520 Speaker 2: you the people that wrote the song are like, that's 160 00:07:53,560 --> 00:07:56,160 Speaker 2: not really right. But whatever don'tkay, I read into it 161 00:07:56,200 --> 00:07:56,680 Speaker 2: what you want. 162 00:07:57,120 --> 00:07:59,880 Speaker 6: Yeah, there were there were people in government who thought 163 00:08:00,200 --> 00:08:03,120 Speaker 6: that Louis Louis was telling people to blank your girl 164 00:08:03,160 --> 00:08:05,400 Speaker 6: all night long, and they found that obscene. 165 00:08:07,080 --> 00:08:09,120 Speaker 2: And to this date, nobody actually knows what it is. 166 00:08:09,240 --> 00:08:11,640 Speaker 2: I remember, I have time to tell this story. I'll 167 00:08:11,640 --> 00:08:12,840 Speaker 2: tell the story I when I get back. But I 168 00:08:13,120 --> 00:08:17,560 Speaker 2: remember as a kid, my mom and her cousin who 169 00:08:17,600 --> 00:08:20,760 Speaker 2: was my godfather, arguing about a blondie song and they 170 00:08:20,800 --> 00:08:23,480 Speaker 2: literally placed a bet with each other. We were at 171 00:08:23,520 --> 00:08:25,240 Speaker 2: the I don't know where we were, like that's some 172 00:08:25,320 --> 00:08:27,240 Speaker 2: kind of family gathering, and they would literally get into 173 00:08:27,280 --> 00:08:28,560 Speaker 2: an argument over a blondie song. 174 00:08:28,640 --> 00:08:31,120 Speaker 3: What's song? I'll tell you the story story we come back, 175 00:08:31,120 --> 00:08:31,840 Speaker 3: all right, I'll hurry. 176 00:08:32,360 --> 00:08:36,199 Speaker 1: You're listening to kfi AM six forty on demand. 177 00:08:37,960 --> 00:08:38,760 Speaker 3: Louke Penrose. 178 00:08:39,320 --> 00:08:42,760 Speaker 2: I'm kfi AM six forty live everywhere on the iHeartRadio app. 179 00:08:42,800 --> 00:08:45,400 Speaker 2: So the Songwriters Hall of Fame, the inductees for the 180 00:08:45,400 --> 00:08:48,520 Speaker 2: class of twenty twenty six have been released. The list 181 00:08:48,920 --> 00:08:52,120 Speaker 2: It's happening June eleventh. Taylor Swift will be the youngest 182 00:08:52,120 --> 00:08:55,240 Speaker 2: woman ever inducted in the Hall of Fame for songwriting 183 00:08:55,679 --> 00:08:59,240 Speaker 2: kiss Alanis Morissett, Kenny Loggins and the guy that wrote 184 00:08:59,400 --> 00:09:03,360 Speaker 2: Umberella for Rhiannon, and also the guy that wrote What's 185 00:09:03,400 --> 00:09:05,720 Speaker 2: Love Got to Do With It for Tita Turner and 186 00:09:05,760 --> 00:09:09,079 Speaker 2: the guy that wrote All I Want for Christmas for 187 00:09:09,240 --> 00:09:12,559 Speaker 2: Mariah Carey. And I think it's a it's it's a 188 00:09:12,880 --> 00:09:16,000 Speaker 2: good list. It doesn't seem hall of fame heat not 189 00:09:16,160 --> 00:09:20,640 Speaker 2: from the songwriting perspective. And so I was telling you 190 00:09:20,679 --> 00:09:23,839 Speaker 2: about trying to figure out like when you couldn't look 191 00:09:23,880 --> 00:09:28,240 Speaker 2: up the lyrics and everybody having three different interpretations of 192 00:09:28,880 --> 00:09:32,680 Speaker 2: a section of a song and justifications for those interpretations, 193 00:09:32,880 --> 00:09:35,960 Speaker 2: and I just remember this argument. I always think about 194 00:09:35,960 --> 00:09:40,120 Speaker 2: it whenever I think about lyrics. 195 00:09:51,880 --> 00:09:56,040 Speaker 3: All right, So foosh, what did he say? What did 196 00:09:56,400 --> 00:09:59,720 Speaker 3: not tell you? Is it a walk on part? Walk 197 00:09:59,760 --> 00:10:01,400 Speaker 3: al part of the wall. 198 00:10:01,600 --> 00:10:03,960 Speaker 2: You know, because Pink Floyd's all about the wall, even 199 00:10:03,960 --> 00:10:05,880 Speaker 2: though the wall came out after Wish you Were Here? 200 00:10:05,920 --> 00:10:09,000 Speaker 2: But nevertheless, we didn't put that all together as we 201 00:10:09,000 --> 00:10:13,120 Speaker 2: were making the argument. See it's tough, right, but literally 202 00:10:13,160 --> 00:10:16,720 Speaker 2: people had the whole No, it's walk on part in 203 00:10:16,760 --> 00:10:19,640 Speaker 2: a war like a walk on part, like as an actor, 204 00:10:20,360 --> 00:10:22,360 Speaker 2: but then you're a lead role in a cage. You're 205 00:10:22,360 --> 00:10:24,679 Speaker 2: a lead role, but you're in a cage. And I 206 00:10:24,720 --> 00:10:27,400 Speaker 2: remember arguing that makes no sense, like that, what does 207 00:10:27,440 --> 00:10:30,200 Speaker 2: that mean? The best part about Pink Floyd is it 208 00:10:30,280 --> 00:10:32,400 Speaker 2: all fits once you understand what it means. And that 209 00:10:32,640 --> 00:10:34,400 Speaker 2: doesn't have anything to do with the rest of the song. 210 00:10:34,400 --> 00:10:36,679 Speaker 2: And they're talking about people that are not there and 211 00:10:36,800 --> 00:10:37,960 Speaker 2: talking about Sid Barrett. 212 00:10:39,320 --> 00:10:41,199 Speaker 3: But now we know it is. 213 00:10:40,960 --> 00:10:44,440 Speaker 2: A walk on part in a war for a lead 214 00:10:44,520 --> 00:10:47,800 Speaker 2: role in a cage. So I was wrong a long 215 00:10:47,840 --> 00:10:49,959 Speaker 2: time ago, but so is everybody else in the room. 216 00:10:50,000 --> 00:10:53,840 Speaker 2: So nobody got it right. So Ronner, you asked me this, 217 00:10:54,360 --> 00:10:57,240 Speaker 2: I remember this happening too, And again this was even 218 00:10:57,280 --> 00:11:00,640 Speaker 2: further before you could look up lyrics, and we were 219 00:11:00,640 --> 00:11:02,320 Speaker 2: sitting around, I don't know, it was dinner table, some 220 00:11:02,400 --> 00:11:05,959 Speaker 2: Italian function, you know how Italians are. Everybody's at dinner 221 00:11:06,000 --> 00:11:09,360 Speaker 2: at all times, not just the family, but the extended family, cousins, 222 00:11:09,360 --> 00:11:13,160 Speaker 2: people down the street, everybody. And my mother and her cousin, 223 00:11:13,160 --> 00:11:14,760 Speaker 2: they were about the same age, so they were always, 224 00:11:14,920 --> 00:11:15,960 Speaker 2: you know, talking to each other. 225 00:11:16,880 --> 00:11:21,480 Speaker 3: And she liked the new Blondie song. The song was 226 00:11:21,520 --> 00:11:22,679 Speaker 3: the Tide Is High. 227 00:11:23,640 --> 00:11:26,920 Speaker 2: And they literally got into an argument about the lyric, 228 00:11:28,120 --> 00:11:32,640 Speaker 2: and it's still it's still I still think my mom 229 00:11:32,720 --> 00:11:36,800 Speaker 2: might have been right. But if you remember how how 230 00:11:36,840 --> 00:11:50,960 Speaker 2: the hook goes, all right, Ronert, the tide is high, 231 00:11:51,360 --> 00:11:56,440 Speaker 2: I'm holding on, or the tide is the tide is high, 232 00:11:57,240 --> 00:11:58,120 Speaker 2: I'm moving on. 233 00:11:58,760 --> 00:12:03,560 Speaker 6: I couldn't hear it over the sound to my bong rip. Dude, Yeah, 234 00:12:03,600 --> 00:12:04,080 Speaker 6: that's right. 235 00:12:04,200 --> 00:12:06,720 Speaker 2: You gotta go outside and get snow first, but snow 236 00:12:06,800 --> 00:12:10,120 Speaker 2: in the bong, then do a second bong hit and 237 00:12:10,160 --> 00:12:13,280 Speaker 2: then listen to Pink Floyd and then tell me is 238 00:12:13,320 --> 00:12:14,040 Speaker 2: it a walk on. 239 00:12:14,080 --> 00:12:16,200 Speaker 6: Part of the wall? I never knew what that said. 240 00:12:16,240 --> 00:12:18,000 Speaker 6: I mean, what the hell is Kim Carnes saying? And 241 00:12:18,040 --> 00:12:21,560 Speaker 6: Betty Davis eyes there's all sorts of unanswered questions that 242 00:12:21,760 --> 00:12:23,880 Speaker 6: we're gonna take to our graves. 243 00:12:24,679 --> 00:12:28,360 Speaker 2: It was It was so funny because my godfather's like 244 00:12:28,400 --> 00:12:31,760 Speaker 2: that is clearly clearly holding on. 245 00:12:32,040 --> 00:12:33,840 Speaker 3: Please tell me they came to blows? Did they come 246 00:12:33,880 --> 00:12:35,040 Speaker 3: to blows over there? No? 247 00:12:35,040 --> 00:12:36,719 Speaker 2: No, no, but I remember they made some kind of 248 00:12:36,720 --> 00:12:39,560 Speaker 2: a wager, okay, And I remember thinking, who are you 249 00:12:39,559 --> 00:12:42,560 Speaker 2: gonna ask? What are you running into? Any of the 250 00:12:42,559 --> 00:12:44,280 Speaker 2: members of Blondie And who knows that she even wrote 251 00:12:44,320 --> 00:12:49,000 Speaker 2: the song. But that's that. You can see how that 252 00:12:49,000 --> 00:13:08,000 Speaker 2: could become an argument one more time, and it goes 253 00:13:08,040 --> 00:13:11,040 Speaker 2: on through the song a lot like that. That chorus 254 00:13:11,320 --> 00:13:13,680 Speaker 2: kind of continues its relatively simple song. 255 00:13:13,880 --> 00:13:15,559 Speaker 3: Yeah, I just cheated and looked it up, but I'm 256 00:13:15,600 --> 00:13:16,840 Speaker 3: not going to spoil it for anybody. 257 00:13:18,160 --> 00:13:21,840 Speaker 2: Oh very good. Well is it like on the official 258 00:13:21,880 --> 00:13:23,000 Speaker 2: Blondie website? 259 00:13:23,320 --> 00:13:26,040 Speaker 6: I mean well, I just googled it, so okay, you know, 260 00:13:26,559 --> 00:13:29,679 Speaker 6: you can't trust anything, so it could be something else 261 00:13:29,720 --> 00:13:31,080 Speaker 6: because I know of. 262 00:13:31,600 --> 00:13:34,439 Speaker 2: There's more than one. If you go to lyrics dot com, 263 00:13:34,480 --> 00:13:39,000 Speaker 2: there's more than one lyric that's incorrect and led Zeppelin. 264 00:13:38,760 --> 00:13:38,920 Speaker 6: So. 265 00:13:40,400 --> 00:13:42,320 Speaker 3: I don't always get it right. But okay, all right, 266 00:13:42,400 --> 00:13:44,280 Speaker 3: we'll hold that. Don't don't don't. 267 00:13:44,120 --> 00:13:50,360 Speaker 4: Reveal Penrose talk about some real prolific songwriting. Check out 268 00:13:50,360 --> 00:13:52,760 Speaker 4: Toby Keith. That'ns all I got to see and you 269 00:13:52,880 --> 00:13:53,880 Speaker 4: better recognize. 270 00:13:54,000 --> 00:13:57,840 Speaker 3: Okay, okay, bye bye, bye bye. Toby Keith. Good songwriter 271 00:13:57,920 --> 00:13:58,240 Speaker 3: for sure. 272 00:13:58,280 --> 00:14:01,280 Speaker 2: Toby Keith is in the song Writing Hall of Fame. 273 00:14:01,800 --> 00:14:06,440 Speaker 2: He was inducted in twenty fifteen. Yeah, yeah, there's no 274 00:14:06,640 --> 00:14:08,439 Speaker 2: there's no country on this list. I mean, I guess 275 00:14:08,520 --> 00:14:14,320 Speaker 2: Kenny Loggins, that's interesting. Well, Taylor Swift has got some 276 00:14:14,360 --> 00:14:18,000 Speaker 2: country flair, Like Taylor Swift can be as country as 277 00:14:18,120 --> 00:14:24,160 Speaker 2: the Eagles were country. She goes through phases, but I 278 00:14:24,560 --> 00:14:27,120 Speaker 2: think that's deserved. I mean, I think her work is 279 00:14:27,120 --> 00:14:29,960 Speaker 2: definitely Hall of Fame work. Alanis Morisset. 280 00:14:30,080 --> 00:14:31,240 Speaker 3: I guess. 281 00:14:34,680 --> 00:14:37,240 Speaker 2: The umbrella guy Rhannon did a good job at that. 282 00:14:38,080 --> 00:14:44,000 Speaker 2: I'm always impressed with Beyonce. She got away with something 283 00:14:44,680 --> 00:14:48,040 Speaker 2: when she did Irreplaceable every time, and I like that 284 00:14:48,160 --> 00:14:52,760 Speaker 2: song everything you Own in a Box to the left right, Irreplaceable. 285 00:14:52,880 --> 00:14:56,040 Speaker 2: Follow that song and she gets stuck or whoever wrote 286 00:14:56,080 --> 00:14:57,760 Speaker 2: the song, I think, oh, you know what, I think 287 00:14:57,880 --> 00:15:05,000 Speaker 2: Nilo wrote the from uh Feel this Moment. He did 288 00:15:05,000 --> 00:15:07,280 Speaker 2: the song with Pitbull and Feel This Moment. But I think, yeah, 289 00:15:07,320 --> 00:15:10,520 Speaker 2: I think he wrote that song. But like they were writing, 290 00:15:10,640 --> 00:15:14,960 Speaker 2: and you know, she gets you know, you know, all 291 00:15:14,960 --> 00:15:17,160 Speaker 2: of a sudden, she throws at her boyfriend, get all 292 00:15:17,200 --> 00:15:19,880 Speaker 2: the stuff out of the closet. Everything on the left 293 00:15:19,960 --> 00:15:24,360 Speaker 2: is yours, take it, and then she said, I can 294 00:15:24,360 --> 00:15:27,400 Speaker 2: get another one of you in a minute. And then 295 00:15:27,480 --> 00:15:32,720 Speaker 2: you can almost hear them thinking what rhymes with minute? Humm, 296 00:15:33,120 --> 00:15:34,800 Speaker 2: I can have another one of you in a minute. 297 00:15:35,440 --> 00:15:41,560 Speaker 2: In fact, he'll be here in a minute, so that 298 00:15:41,560 --> 00:15:44,160 Speaker 2: that does rhyme, But it's kind of cheating. That's trying 299 00:15:44,160 --> 00:15:47,400 Speaker 2: to you know, just cheating in basic songwriting. Hey, if 300 00:15:47,400 --> 00:15:51,000 Speaker 2: you like Toby Keith, he died and and he was 301 00:15:51,600 --> 00:15:53,720 Speaker 2: just after he died they put him in the actual 302 00:15:53,720 --> 00:15:57,000 Speaker 2: Country Music Hall of Fame, then I would recommend you 303 00:15:57,160 --> 00:16:01,200 Speaker 2: check out my buddy Cafe. Anderson is a personal friend, 304 00:16:01,360 --> 00:16:05,840 Speaker 2: and he is the singer songwriter of Mister Red, White 305 00:16:05,880 --> 00:16:10,200 Speaker 2: and Blue. It is like the official unofficial song of 306 00:16:10,400 --> 00:16:13,600 Speaker 2: the National Guard. So if you have a National Guardsman 307 00:16:13,640 --> 00:16:16,160 Speaker 2: in your family, they'll know who Confe is. And he 308 00:16:16,200 --> 00:16:19,760 Speaker 2: has other songs too, but that's like his Lee Greenwood song, 309 00:16:19,960 --> 00:16:21,960 Speaker 2: and it's a big one and it's really cool and 310 00:16:22,000 --> 00:16:24,360 Speaker 2: it's got a great video. And he used to live 311 00:16:24,360 --> 00:16:26,880 Speaker 2: in Santa Monica and that's how he did it. He 312 00:16:26,960 --> 00:16:30,280 Speaker 2: literally was writing songs, recording songs. Couldn't get a record deal, 313 00:16:30,320 --> 00:16:33,880 Speaker 2: couldn't get a contract. But YouTube had just came out, 314 00:16:34,120 --> 00:16:36,480 Speaker 2: and he said, you know, I don't have a job 315 00:16:36,760 --> 00:16:38,520 Speaker 2: and I don't have a record deal. Here's what I 316 00:16:38,600 --> 00:16:42,480 Speaker 2: can do. I can record myself singing my songs. And 317 00:16:42,680 --> 00:16:45,960 Speaker 2: put it on YouTube every day, and he was one 318 00:16:45,960 --> 00:16:49,880 Speaker 2: of those early users of the medium to become popular. 319 00:16:50,120 --> 00:16:54,520 Speaker 3: And that song was a big hit and you'll love it. 320 00:16:54,800 --> 00:16:58,400 Speaker 2: Mister Red, White and Blue Coffe Anderson good friend of mine. 321 00:16:58,440 --> 00:17:01,880 Speaker 2: Now he lives a well he's not in Santa Monica anymore, 322 00:17:02,960 --> 00:17:03,960 Speaker 2: but I appreciate that. 323 00:17:04,440 --> 00:17:05,960 Speaker 3: All right, So we got to go to the break. 324 00:17:06,240 --> 00:17:08,359 Speaker 3: Is it holding on or moving on? 325 00:17:11,600 --> 00:17:11,719 Speaker 4: Oh? 326 00:17:11,760 --> 00:17:13,080 Speaker 3: Are you asking me to reveal it? 327 00:17:13,200 --> 00:17:13,480 Speaker 6: Yeah? 328 00:17:13,560 --> 00:17:15,000 Speaker 3: Yeah, we have to do it for the break, we 329 00:17:15,040 --> 00:17:17,760 Speaker 3: have to wrap up segments. What I'm seeing is the 330 00:17:17,800 --> 00:17:19,399 Speaker 3: tide is high, but I'm holding on. 331 00:17:20,359 --> 00:17:23,080 Speaker 2: See that makes sense, right, because you're holding onto something 332 00:17:23,400 --> 00:17:25,120 Speaker 2: because the tide is rising and you want to hold 333 00:17:25,160 --> 00:17:27,160 Speaker 2: on to like a booie or something. 334 00:17:28,119 --> 00:17:30,240 Speaker 3: But you could also be moving on. 335 00:17:30,960 --> 00:17:34,679 Speaker 2: In other words, your love and this relationship is going 336 00:17:34,720 --> 00:17:37,280 Speaker 2: to drown me. And the tide is getting too high 337 00:17:37,280 --> 00:17:40,120 Speaker 2: and right, I mean, we're no longer in the shallow. 338 00:17:40,440 --> 00:17:42,480 Speaker 2: This is getting too deep. So I'm moving on. 339 00:17:42,680 --> 00:17:45,000 Speaker 3: Someone news to confront Deborah Harry. 340 00:17:45,119 --> 00:17:47,760 Speaker 2: That was my mom's justification. The tide is high, I'm 341 00:17:47,800 --> 00:17:52,080 Speaker 2: moving on, right, I'm out of here. And the other 342 00:17:52,160 --> 00:17:54,080 Speaker 2: person was saying, no, the tide is how I'm holding on, 343 00:17:55,040 --> 00:17:57,800 Speaker 2: which you'd hold on if waves were coming in, but 344 00:17:57,840 --> 00:17:58,760 Speaker 2: not just a rising tide. 345 00:17:58,800 --> 00:18:00,879 Speaker 6: Yeah, but the next line line in the song is 346 00:18:00,920 --> 00:18:03,000 Speaker 6: I'm going to be your number one. Number one holding 347 00:18:03,080 --> 00:18:06,960 Speaker 6: on is the only one that makes sense. Yeah, that's 348 00:18:06,960 --> 00:18:11,400 Speaker 6: what he said too. Okay, Well, I don't know if 349 00:18:11,440 --> 00:18:13,879 Speaker 6: it was ever settled. Yeah, somebody needs to contact Deborah 350 00:18:13,880 --> 00:18:16,440 Speaker 6: Harry and tell us what you was saying and your relatives. 351 00:18:16,480 --> 00:18:18,480 Speaker 6: We need to bury the hatchet, right. 352 00:18:18,520 --> 00:18:21,879 Speaker 2: That's right, because you know that Italians will they'll forgive, 353 00:18:21,920 --> 00:18:22,720 Speaker 2: but never forget. No. 354 00:18:22,800 --> 00:18:24,959 Speaker 6: I grew up around Italians and they carry a grudge. 355 00:18:25,440 --> 00:18:26,280 Speaker 6: You better believe it. 356 00:18:27,480 --> 00:18:35,520 Speaker 1: You're listening to KFI AM six forty on demand, getting 357 00:18:35,520 --> 00:18:36,000 Speaker 1: a little. 358 00:18:35,880 --> 00:18:38,480 Speaker 2: Chili in southern California, and I guess it might get 359 00:18:38,480 --> 00:18:41,720 Speaker 2: a little wet, but nowhere near the cold that they're 360 00:18:41,720 --> 00:18:45,520 Speaker 2: going to be experiencing. Over half the country is going 361 00:18:45,600 --> 00:18:47,520 Speaker 2: to be in the path of the storm over the 362 00:18:47,600 --> 00:18:52,240 Speaker 2: next couple of days. So I mentioned that my son's 363 00:18:52,560 --> 00:18:55,919 Speaker 2: godmother and she lives in Irvine, but she's from Louisiana, 364 00:18:56,200 --> 00:18:58,720 Speaker 2: and I texted them and I said, Hey, I'm at 365 00:18:58,800 --> 00:19:04,360 Speaker 2: KFI tonight, but call all your godmother's parents in Louisiana, 366 00:19:04,480 --> 00:19:07,119 Speaker 2: because the governor down there says that the whole state's 367 00:19:07,119 --> 00:19:10,880 Speaker 2: in a state of emergency. Make sure they just prepare 368 00:19:11,080 --> 00:19:13,200 Speaker 2: to not go outside and get a blanket and all that, 369 00:19:14,320 --> 00:19:17,480 Speaker 2: and they told me that they did. So, I mean 370 00:19:17,480 --> 00:19:20,000 Speaker 2: everyone's calling their relatives and I don't know if you 371 00:19:20,040 --> 00:19:25,640 Speaker 2: have plans to travel basically anywhere west of Colorado, east 372 00:19:25,640 --> 00:19:29,720 Speaker 2: of Colorado, out of Lax but we're keeping an eye 373 00:19:29,720 --> 00:19:34,040 Speaker 2: on flights and departures. I mean, there's no snow falling yet, 374 00:19:34,200 --> 00:19:37,080 Speaker 2: but it does look like it's going to be disruptive. 375 00:19:37,119 --> 00:19:41,000 Speaker 2: And you know how this works, like if if there's 376 00:19:41,040 --> 00:19:46,000 Speaker 2: any disruption, everybody's disrupted. Like you may have to go 377 00:19:46,040 --> 00:19:49,639 Speaker 2: to Salt Lake City. But the plane was coming from 378 00:19:50,359 --> 00:19:58,119 Speaker 2: Newark and landing in you know, Dallas or Houston and 379 00:19:58,160 --> 00:20:00,480 Speaker 2: then coming to San Diego and then come in Los 380 00:20:00,520 --> 00:20:02,399 Speaker 2: Angeles and then going to Salt Lake City. So it 381 00:20:02,480 --> 00:20:05,320 Speaker 2: just takes one delay to mess up your whole day. 382 00:20:05,880 --> 00:20:07,560 Speaker 2: So I don't know if that I have a friend, 383 00:20:08,520 --> 00:20:12,439 Speaker 2: This is amazing. I mean, what a what bad timing. 384 00:20:12,760 --> 00:20:15,560 Speaker 2: She was invited to a wedding and she literally had 385 00:20:15,600 --> 00:20:16,960 Speaker 2: a year to plan for this. 386 00:20:17,000 --> 00:20:20,960 Speaker 3: Wedding and it's in Dallas. 387 00:20:21,600 --> 00:20:25,360 Speaker 2: And she is in Where's where does she live now? 388 00:20:25,400 --> 00:20:28,040 Speaker 2: I thought she used to live in Orange County. Now 389 00:20:28,080 --> 00:20:30,760 Speaker 2: I think she's still somewhere somewhere in southern California. I 390 00:20:30,800 --> 00:20:31,680 Speaker 2: think she lives in Orange County. 391 00:20:31,720 --> 00:20:32,680 Speaker 3: It's a front of my wife's. 392 00:20:33,119 --> 00:20:35,080 Speaker 2: She was on the phone with my wife today and 393 00:20:35,240 --> 00:20:38,800 Speaker 2: she was trying to figure out a way to do 394 00:20:38,880 --> 00:20:40,479 Speaker 2: this affordably. 395 00:20:40,040 --> 00:20:42,240 Speaker 3: Because because when when you when you have to. 396 00:20:42,160 --> 00:20:46,199 Speaker 2: When someone invites you to a destination wedding and it's like, 397 00:20:46,800 --> 00:20:51,240 Speaker 2: you know, in Texas, they're really not handing you an invitation, 398 00:20:52,160 --> 00:20:55,359 Speaker 2: they're handing you a bill for one thousand dollars. Because 399 00:20:55,359 --> 00:20:57,720 Speaker 2: that's all said and done, how much is going to cost, 400 00:20:58,440 --> 00:21:01,000 Speaker 2: like round trip airfare to eat into Dallas. I mean 401 00:21:01,160 --> 00:21:04,280 Speaker 2: we're not talking about destination weddings to the Turks and 402 00:21:04,359 --> 00:21:08,680 Speaker 2: Caicos or to Cabo, just to Texas. But it's still 403 00:21:09,240 --> 00:21:12,520 Speaker 2: gonna be a couple hundred bucks each way, and you're 404 00:21:12,520 --> 00:21:15,440 Speaker 2: gonna have to pay for luggage, and then you got 405 00:21:15,440 --> 00:21:17,800 Speaker 2: to get a hotel room for two days and then 406 00:21:18,240 --> 00:21:21,000 Speaker 2: either renting a car or you're getting an uber depending 407 00:21:21,000 --> 00:21:23,719 Speaker 2: on how far away the hotel is to the wedding 408 00:21:24,200 --> 00:21:27,639 Speaker 2: or the reception, and that's you know, you didn't have 409 00:21:27,680 --> 00:21:29,480 Speaker 2: no idea how that's gonna how much that's gonna cost, 410 00:21:29,520 --> 00:21:34,959 Speaker 2: but you gotta factor it in then of course, you know, afterwards, 411 00:21:35,000 --> 00:21:37,880 Speaker 2: after the reception is over, you met the people at 412 00:21:37,880 --> 00:21:39,399 Speaker 2: your table, and now you want to go out with 413 00:21:39,440 --> 00:21:41,520 Speaker 2: them or go back to the hotel and drink at 414 00:21:41,560 --> 00:21:43,840 Speaker 2: the lobby bar. I mean, all said and done, you're 415 00:21:43,880 --> 00:21:46,320 Speaker 2: looking at a thousand dollars. That's what you have to expect. 416 00:21:46,920 --> 00:21:51,199 Speaker 2: So that's what she's trying to avoid. And so she 417 00:21:51,320 --> 00:21:53,280 Speaker 2: was talking to see with my wife to see if 418 00:21:53,359 --> 00:21:55,920 Speaker 2: they should if she should just drive, like is it 419 00:21:56,000 --> 00:21:59,679 Speaker 2: worth it to just gas up the car and just drive, 420 00:22:00,320 --> 00:22:03,920 Speaker 2: you know, ten hours without stopping, and and it didn't 421 00:22:03,960 --> 00:22:06,600 Speaker 2: pencil out. So she bit the bullet, bought the ticket 422 00:22:06,880 --> 00:22:11,840 Speaker 2: and just decided to settle in too. It's done, it's 423 00:22:11,880 --> 00:22:13,720 Speaker 2: on the credit card. I'll figure it out in thirty 424 00:22:13,800 --> 00:22:16,560 Speaker 2: days and figure out how to pay off this debt. 425 00:22:16,640 --> 00:22:18,439 Speaker 3: And I'm just gonna go and enjoy the wedding. 426 00:22:19,040 --> 00:22:21,560 Speaker 2: And now it's gonna be like the biggest snowstorm in 427 00:22:21,640 --> 00:22:23,880 Speaker 2: ten years to hit Texas. 428 00:22:24,680 --> 00:22:30,400 Speaker 3: So she may not be going after all incredible. 429 00:22:31,000 --> 00:22:34,560 Speaker 2: US any more songs that you need help with lyrics 430 00:22:34,560 --> 00:22:38,120 Speaker 2: on because Ronner's got the Google Open you can help 431 00:22:38,160 --> 00:22:38,760 Speaker 2: you figure it out. 432 00:22:39,960 --> 00:22:47,520 Speaker 3: What was that rever Reverend Blue Jeans, Diamond Forever in 433 00:22:47,520 --> 00:22:50,320 Speaker 3: blue Jeans, Forever in blue Jeans? Were they say, oh, 434 00:22:50,400 --> 00:22:52,199 Speaker 3: you thought it was Reverend Blue Jeans. 435 00:22:52,280 --> 00:22:55,159 Speaker 6: Yeah, I thought it was. I thought it was a 436 00:22:55,280 --> 00:22:58,600 Speaker 6: cool reverend or something. No, no, stay away from Reverend 437 00:22:58,640 --> 00:23:00,520 Speaker 6: blue Jeans. Don't sit on his lafe. 438 00:23:00,600 --> 00:23:04,639 Speaker 3: Okay. I had a guy in this had to be 439 00:23:04,720 --> 00:23:05,560 Speaker 3: like elementary school. 440 00:23:05,600 --> 00:23:08,159 Speaker 2: I don't remember when it was, but we had to 441 00:23:08,720 --> 00:23:14,360 Speaker 2: write down the words of the the Pledge of Allegiance, 442 00:23:15,480 --> 00:23:25,040 Speaker 2: and he literally wrote and and to the Republic and 443 00:23:25,200 --> 00:23:29,879 Speaker 2: Richard Stand, Richard Stand. That's what he wrote down on 444 00:23:29,880 --> 00:23:32,320 Speaker 2: his paper. And my teacher, I remember the teacher. The 445 00:23:32,359 --> 00:23:35,199 Speaker 2: teacher was mister Curtin, and he said, what and to 446 00:23:35,280 --> 00:23:38,760 Speaker 2: the Republic and Richard Stand, that's what you've been saying 447 00:23:38,800 --> 00:23:39,639 Speaker 2: since kindergarten. 448 00:23:39,760 --> 00:23:43,080 Speaker 3: Yeah, who is Richard Stand? I don't know. It was 449 00:23:43,080 --> 00:23:47,240 Speaker 3: probably some guy in the Revolution. He thought, well, what's 450 00:23:47,280 --> 00:23:49,240 Speaker 3: in the pledge? Richard Stand? 451 00:23:49,359 --> 00:23:53,119 Speaker 6: Richard fathers all loved Old Dick stand right. 452 00:23:53,000 --> 00:23:55,399 Speaker 3: Dick stand. You got Ben Franklin, you got Jefferson and 453 00:23:55,760 --> 00:23:58,120 Speaker 3: Dick stand. You know, they're all very important. That's why 454 00:23:58,160 --> 00:23:59,359 Speaker 3: he's he and he's. 455 00:23:59,240 --> 00:24:02,199 Speaker 2: Singularly Him and God are the only two people actually 456 00:24:02,240 --> 00:24:03,560 Speaker 2: in the budget allegiance. 457 00:24:03,640 --> 00:24:05,960 Speaker 3: Yeah, so you know, you people get it wrong. They 458 00:24:05,960 --> 00:24:09,760 Speaker 3: get it wrong. I still have arguments with my with 459 00:24:09,880 --> 00:24:12,160 Speaker 3: my buddies. When we were listening to led Zeppelin. 460 00:24:12,440 --> 00:24:15,080 Speaker 2: There's there's a line in like, my favorite led Zeppelin 461 00:24:15,119 --> 00:24:17,359 Speaker 2: song of all time, and it never appeared on an album. 462 00:24:17,400 --> 00:24:18,360 Speaker 3: It was a B side. 463 00:24:18,720 --> 00:24:21,840 Speaker 2: How these guys did not think this would be a 464 00:24:21,920 --> 00:24:24,840 Speaker 2: hit is amazing to me. I'm a huge Zeppelin fan, 465 00:24:25,040 --> 00:24:28,960 Speaker 2: and I'm always amazed with the choices that they made, 466 00:24:29,640 --> 00:24:33,600 Speaker 2: Like the led Zeppelin One is such an amazing and 467 00:24:33,600 --> 00:24:34,359 Speaker 2: perfect album. 468 00:24:34,760 --> 00:24:36,120 Speaker 3: I can't imagine what it. 469 00:24:36,080 --> 00:24:38,680 Speaker 2: Must have been like listening in the in the listening 470 00:24:38,760 --> 00:24:41,760 Speaker 2: room after the album was fully cut and mixed. You 471 00:24:41,800 --> 00:24:43,720 Speaker 2: know that way the way artists do it is they 472 00:24:43,760 --> 00:24:46,480 Speaker 2: all sit around for the final listen before it goes 473 00:24:46,480 --> 00:24:51,159 Speaker 2: to print, And were they sitting around nervous wondering, Man, 474 00:24:51,480 --> 00:24:52,679 Speaker 2: are the fans gonna like this? 475 00:24:53,400 --> 00:24:53,520 Speaker 4: Like? 476 00:24:53,680 --> 00:24:56,520 Speaker 2: It's just so amazing to me and that this song 477 00:24:56,640 --> 00:24:59,359 Speaker 2: never made it on any of their albums. You have 478 00:24:59,440 --> 00:25:01,320 Speaker 2: to think, what what else did you people leave on 479 00:25:01,359 --> 00:25:04,880 Speaker 2: the cutting room floor? This is absolutely brilliance. But there 480 00:25:04,960 --> 00:25:09,280 Speaker 2: is a there's a word that has been unclear to 481 00:25:09,440 --> 00:25:13,080 Speaker 2: all Zeppelin fans. And every Zeppelin fan listening right now 482 00:25:13,160 --> 00:25:16,800 Speaker 2: knows what I'm talking about, and every Zep fan listening 483 00:25:16,880 --> 00:25:23,400 Speaker 2: right now, I mean they're getting chills just hearing this part. 484 00:25:27,640 --> 00:25:31,080 Speaker 2: So that one's not clear. And and I know Ronner's 485 00:25:31,160 --> 00:25:32,200 Speaker 2: because he's the journalist. 486 00:25:32,280 --> 00:25:33,040 Speaker 3: He's looking it up. 487 00:25:33,240 --> 00:25:35,560 Speaker 2: If you, depending on the website you go to, it'll 488 00:25:35,600 --> 00:25:38,439 Speaker 2: be gonna leave her where the guitars play, and others 489 00:25:38,480 --> 00:25:40,560 Speaker 2: have gonna leave her when the guitars play. 490 00:25:40,640 --> 00:25:43,879 Speaker 6: Yeah, this one's much less clear than the Lemon song. Okay, 491 00:25:47,560 --> 00:25:48,920 Speaker 6: good for you. 492 00:25:48,920 --> 00:25:52,360 Speaker 1: You're listening to KFI AM six forty on demand. 493 00:25:54,119 --> 00:25:56,440 Speaker 2: Good to have you along with us coming up following 494 00:25:56,480 --> 00:26:00,560 Speaker 2: the news at nine. Uh, well, we all thought this 495 00:26:00,920 --> 00:26:04,920 Speaker 2: to be true, and now there is significant studies that 496 00:26:05,080 --> 00:26:08,240 Speaker 2: suggest that your cell phone is going to destroy your brain. 497 00:26:11,400 --> 00:26:12,680 Speaker 3: It stands to reason, right. 498 00:26:12,720 --> 00:26:16,800 Speaker 2: There's a lot going on inside that iPhone and it 499 00:26:16,800 --> 00:26:19,360 Speaker 2: can do amazing things. I mean, it has the ability 500 00:26:19,440 --> 00:26:24,440 Speaker 2: to unlock based on facial recognition. It knows your heart beat, 501 00:26:25,400 --> 00:26:30,400 Speaker 2: it's listening to what you're talking about. Who knows what's 502 00:26:30,440 --> 00:26:34,080 Speaker 2: going on in there? None of us are engineers, but 503 00:26:35,000 --> 00:26:40,200 Speaker 2: it is giving off something and it's measurable, and we 504 00:26:40,400 --> 00:26:44,600 Speaker 2: are the recommendations now are you know? It doesn't seem 505 00:26:44,760 --> 00:26:49,840 Speaker 2: like it's enough to eat your brain. But where you 506 00:26:49,920 --> 00:26:56,600 Speaker 2: can go on speakerphone or put on the iPods, which 507 00:26:56,640 --> 00:26:58,679 Speaker 2: I think is bad advice. The speakerphone, I think is 508 00:26:58,680 --> 00:27:02,000 Speaker 2: good advice to take calls. Where in the iPods that's 509 00:27:02,080 --> 00:27:06,480 Speaker 2: not good advice because like there's still a connection bluetooth 510 00:27:06,800 --> 00:27:10,960 Speaker 2: connection between the uh, the things in your ear and 511 00:27:11,000 --> 00:27:13,560 Speaker 2: the thing in your hand, so you know, the microwaves 512 00:27:13,640 --> 00:27:16,200 Speaker 2: or whatever waves the RF is still going there. 513 00:27:16,200 --> 00:27:17,960 Speaker 3: But it does make sense, right. 514 00:27:18,080 --> 00:27:21,760 Speaker 2: People are concerned about it because this is this will 515 00:27:21,760 --> 00:27:24,320 Speaker 2: be it Like we're the first generation of people where 516 00:27:24,320 --> 00:27:26,359 Speaker 2: we have that thing next to our head the whole 517 00:27:26,400 --> 00:27:29,200 Speaker 2: time and have these things in our ears the whole time. 518 00:27:29,720 --> 00:27:32,640 Speaker 3: When I was a kid, the concern was the headphones 519 00:27:33,280 --> 00:27:33,920 Speaker 3: and the stereo. 520 00:27:34,040 --> 00:27:37,399 Speaker 2: Remember those great big headphones, great big round things. And 521 00:27:37,400 --> 00:27:40,560 Speaker 2: I'm gonna talk about people in broadcasting. I'm talking about 522 00:27:40,880 --> 00:27:44,919 Speaker 2: you sitting at home with the headphones on listening to 523 00:27:44,960 --> 00:27:47,240 Speaker 2: Pink Floyd's Wish you we hear, trying to figure figure 524 00:27:47,240 --> 00:27:51,240 Speaker 2: out the lyrics. And your stereo had speakers. You could 525 00:27:51,280 --> 00:27:53,280 Speaker 2: just listen to it, but it wasn't enough. 526 00:27:53,520 --> 00:27:55,120 Speaker 3: You had to have it. You had to have those 527 00:27:55,160 --> 00:27:58,280 Speaker 3: headphones on. With the coiled black. 528 00:27:58,080 --> 00:28:01,880 Speaker 2: Cord and the and the plug, you couldn't go very far. 529 00:28:02,080 --> 00:28:05,199 Speaker 2: So you're literally laying on the carpet in front of 530 00:28:05,320 --> 00:28:07,280 Speaker 2: your mom's stereo system with the headphones on. 531 00:28:07,560 --> 00:28:10,040 Speaker 3: And what did they tell you? You're gonna ruin your hearing. 532 00:28:12,400 --> 00:28:15,040 Speaker 2: And it's probably true. You probably did some hearing damage, 533 00:28:15,720 --> 00:28:18,560 Speaker 2: but you didn't do it for long enough. Now we 534 00:28:18,760 --> 00:28:23,840 Speaker 2: are all with these computers next to our brain for 535 00:28:23,880 --> 00:28:27,080 Speaker 2: a long time, like for years, years and years and years, 536 00:28:27,160 --> 00:28:30,359 Speaker 2: and it's not ending anytime soon. So we'll have to 537 00:28:30,400 --> 00:28:33,760 Speaker 2: wait to find out how much damage we did, and then, 538 00:28:34,240 --> 00:28:36,800 Speaker 2: like I don't know, by twenty forty or something, they'll 539 00:28:36,800 --> 00:28:38,680 Speaker 2: put on guidelines where you're not allowed to put the 540 00:28:38,720 --> 00:28:43,360 Speaker 2: phone next to your ear or something. My wife doesn't 541 00:28:43,440 --> 00:28:46,200 Speaker 2: like people standing in front of the microwave oven in 542 00:28:46,280 --> 00:28:48,640 Speaker 2: my kitchen. I have one of those odd microwave ovens. 543 00:28:48,640 --> 00:28:50,320 Speaker 2: It's not a countertop microwave oven. 544 00:28:50,600 --> 00:28:51,240 Speaker 3: It came with the. 545 00:28:51,200 --> 00:28:53,960 Speaker 2: House, so it's not me being fufu, but it's a 546 00:28:53,960 --> 00:28:56,680 Speaker 2: built in microwave oven, and I don't love it because 547 00:28:58,680 --> 00:29:01,880 Speaker 2: it's like it's line of sight. It'd be better if 548 00:29:01,880 --> 00:29:04,800 Speaker 2: it was a little bit lower, but anyway, it's a 549 00:29:04,800 --> 00:29:05,280 Speaker 2: line of sight. 550 00:29:05,520 --> 00:29:07,720 Speaker 3: So I'm waiting for at beebs. 551 00:29:07,760 --> 00:29:09,400 Speaker 2: But for some reason, I feel they need to stand 552 00:29:09,440 --> 00:29:10,840 Speaker 2: in front of it, as if it's going to make 553 00:29:10,840 --> 00:29:13,520 Speaker 2: it go faster. And she's always telling me, get it, 554 00:29:13,560 --> 00:29:15,000 Speaker 2: don't stand in front of the microwave. 555 00:29:15,320 --> 00:29:18,200 Speaker 3: I'm like, what doors closed? It's a yeah, but it's 556 00:29:18,440 --> 00:29:19,320 Speaker 3: it's microwaving. 557 00:29:20,400 --> 00:29:22,280 Speaker 2: I'm like, yeah, but I don't feel any heat around it, 558 00:29:22,320 --> 00:29:25,600 Speaker 2: so I don't think the microwaves are coming out of 559 00:29:25,600 --> 00:29:28,760 Speaker 2: the box. And actually there is no heat, right, the 560 00:29:28,760 --> 00:29:30,080 Speaker 2: heat comes from the food. 561 00:29:30,640 --> 00:29:31,880 Speaker 3: But she's probably right. 562 00:29:32,280 --> 00:29:34,320 Speaker 2: Like, no good can come from you standing in front 563 00:29:34,320 --> 00:29:38,520 Speaker 2: of the microwave, so no good can come from you 564 00:29:38,560 --> 00:29:40,640 Speaker 2: having that phone next to your head all the time. 565 00:29:41,760 --> 00:29:43,520 Speaker 3: So that's what the recommendation is. 566 00:29:43,760 --> 00:29:46,880 Speaker 2: To put it on speaker mode for the rest of 567 00:29:46,920 --> 00:29:50,000 Speaker 2: your life, and whatever brain damage you got, you got now. 568 00:29:50,080 --> 00:29:51,040 Speaker 3: So there's no going back. 569 00:29:51,160 --> 00:29:53,160 Speaker 2: So well, I'll tell you what the report is and 570 00:29:53,200 --> 00:29:58,280 Speaker 2: then you can sort it out for yourself. Also, let's oh, 571 00:29:58,560 --> 00:30:02,080 Speaker 2: you know, talking about the things that young people will misdoing, 572 00:30:02,320 --> 00:30:05,520 Speaker 2: like sitting around without Google not trying to figure out 573 00:30:05,520 --> 00:30:11,080 Speaker 2: what the lyrics are of the song. Also, young people 574 00:30:11,240 --> 00:30:15,040 Speaker 2: won't know what it's like being tipsy listening to music 575 00:30:15,080 --> 00:30:20,000 Speaker 2: because literally, no gen Zer is drinking alcohol at all. 576 00:30:20,160 --> 00:30:22,760 Speaker 7: Five of the biggest alcohol makers in the world are 577 00:30:22,880 --> 00:30:26,640 Speaker 7: sitting on what's described as a lake of unsold alcohol. 578 00:30:27,120 --> 00:30:32,120 Speaker 2: A lake of unsold alcohol. That is good news writing, 579 00:30:32,200 --> 00:30:35,240 Speaker 2: mister Ronner, isn't that visual? That's what your news director 580 00:30:35,280 --> 00:30:37,440 Speaker 2: is always trying to get you to do, right like that? 581 00:30:37,760 --> 00:30:44,000 Speaker 6: Yeah, Martin when you need him right with a long straw. Seriously, 582 00:30:44,120 --> 00:30:46,400 Speaker 6: a lake of unsold alcohol. 583 00:30:47,440 --> 00:30:50,560 Speaker 3: Wow? Yeah, you hear that and you think, wow, that's 584 00:30:50,600 --> 00:30:51,560 Speaker 3: a lot, I mean, enough to. 585 00:30:51,560 --> 00:30:54,800 Speaker 7: Fill a lake ribed as a lake of nsold alcohol 586 00:30:55,040 --> 00:30:58,280 Speaker 7: twenty two billion dollars worth of inventory, according to the 587 00:30:58,320 --> 00:31:01,760 Speaker 7: Financial Times, the result of people drinking less than they 588 00:31:01,880 --> 00:31:04,200 Speaker 7: used to and to think there's still a week to 589 00:31:04,200 --> 00:31:05,760 Speaker 7: go in dry January. 590 00:31:05,880 --> 00:31:07,920 Speaker 3: Yeah, that's right. So that's a. 591 00:31:09,600 --> 00:31:12,160 Speaker 2: I mean, I know that the lakes here in California 592 00:31:12,200 --> 00:31:16,480 Speaker 2: are full, but there's a whole lake of alcohol. Gen 593 00:31:16,600 --> 00:31:21,120 Speaker 2: Z and millennials are not going out and they outgrew 594 00:31:21,200 --> 00:31:21,920 Speaker 2: binge drinking. 595 00:31:21,960 --> 00:31:26,200 Speaker 3: Now there's interesting, uh, you know, there's interesting. 596 00:31:25,880 --> 00:31:29,320 Speaker 2: Analysis of this is that drinking was supposed to be 597 00:31:29,400 --> 00:31:33,840 Speaker 2: a social lubricant that you go out with people that 598 00:31:33,880 --> 00:31:36,240 Speaker 2: you didn't know, or you go out with mixed company 599 00:31:36,440 --> 00:31:39,320 Speaker 2: or the mixed crowd, or you're going out with somebody 600 00:31:39,320 --> 00:31:40,960 Speaker 2: for the first time and you're trying to get like 601 00:31:41,000 --> 00:31:43,640 Speaker 2: you're on a date, and what's the first thing to 602 00:31:43,680 --> 00:31:46,000 Speaker 2: do before they right, the lady comes and they get 603 00:31:46,000 --> 00:31:49,360 Speaker 2: your drink order before food. So even the restaurant industry 604 00:31:49,400 --> 00:31:52,440 Speaker 2: knows that you need a drink, like before you even 605 00:31:52,440 --> 00:31:53,080 Speaker 2: touch the menu. 606 00:31:53,640 --> 00:31:54,840 Speaker 3: Let's get you started with a drink. 607 00:31:56,120 --> 00:31:58,640 Speaker 2: So, like I noticed that, like there is there is 608 00:31:58,760 --> 00:32:01,720 Speaker 2: kind of like a real rhythm that goes on in restaurants, 609 00:32:02,040 --> 00:32:04,840 Speaker 2: and it's because you need a drink so that you 610 00:32:04,880 --> 00:32:09,640 Speaker 2: can loosen up, relax and start talking and chatting. And 611 00:32:09,760 --> 00:32:11,560 Speaker 2: the same thing always happens. By the time she comes 612 00:32:11,560 --> 00:32:13,760 Speaker 2: back to take your order, you always say, my goodness, 613 00:32:13,800 --> 00:32:14,960 Speaker 2: I haven't even looked at the menu. 614 00:32:15,040 --> 00:32:16,800 Speaker 3: Yet you gotta have to give us a minute. That's 615 00:32:16,840 --> 00:32:17,760 Speaker 3: the sign of a good date. 616 00:32:17,840 --> 00:32:19,960 Speaker 2: That's how you know the date is going well when 617 00:32:20,000 --> 00:32:24,280 Speaker 2: everything is flowing in the conversation is going. But nobody 618 00:32:24,760 --> 00:32:28,720 Speaker 2: is social anymore, at least gen zers and millennials are 619 00:32:28,760 --> 00:32:32,840 Speaker 2: not social when they are out in public. They're on 620 00:32:32,880 --> 00:32:33,440 Speaker 2: their phones. 621 00:32:34,480 --> 00:32:35,560 Speaker 3: And I've seen this. 622 00:32:35,760 --> 00:32:39,280 Speaker 2: There's a bar near where when my wife and I 623 00:32:39,280 --> 00:32:43,640 Speaker 2: first got married, we were in an apartment like behind 624 00:32:43,720 --> 00:32:46,240 Speaker 2: a bar, and it was it was great. It was 625 00:32:46,280 --> 00:32:48,280 Speaker 2: like really good because we could just walk. There's a 626 00:32:48,280 --> 00:32:50,320 Speaker 2: couple of bars and restaurants in nearby, but we could 627 00:32:50,400 --> 00:32:52,720 Speaker 2: just walk home and. 628 00:32:52,360 --> 00:32:54,080 Speaker 3: We were you know, we just married, no kids, and 629 00:32:54,120 --> 00:32:54,560 Speaker 3: it was great. 630 00:32:54,560 --> 00:32:57,400 Speaker 2: And I always remember it was we were we were 631 00:32:57,440 --> 00:33:00,520 Speaker 2: at the just right place where you you ever like 632 00:33:00,600 --> 00:33:03,840 Speaker 2: you're somewhere like you're inside your an apartment or your 633 00:33:03,840 --> 00:33:05,680 Speaker 2: bedroom and the windows are open in the summer, and 634 00:33:05,720 --> 00:33:08,200 Speaker 2: you can literally hear the voices of people. You can 635 00:33:08,240 --> 00:33:10,640 Speaker 2: hear conversations, but they might be like a half a 636 00:33:10,640 --> 00:33:13,680 Speaker 2: block away, but the way their voice carries and bounces 637 00:33:13,720 --> 00:33:16,760 Speaker 2: off the walls, you could hear what they're saying. And 638 00:33:16,840 --> 00:33:19,400 Speaker 2: at two o'clock, like every Friday and Saturday night was 639 00:33:19,480 --> 00:33:22,280 Speaker 2: kind of fun. You could literally hear these drunk voices 640 00:33:22,320 --> 00:33:23,880 Speaker 2: and conversations as people got. 641 00:33:23,720 --> 00:33:26,360 Speaker 3: Into you know, into ubers or lifts or whatever. 642 00:33:27,040 --> 00:33:29,800 Speaker 2: But no, not anymore, because I was in that part 643 00:33:29,840 --> 00:33:32,440 Speaker 2: of town a couple of weeks ago. And that's what 644 00:33:32,480 --> 00:33:35,120 Speaker 2: people do. That's what gen z 's and millennials do. 645 00:33:35,200 --> 00:33:38,200 Speaker 2: They literally go to the bar, get on, get on 646 00:33:38,240 --> 00:33:40,640 Speaker 2: the bar stool. Some of them put their feet up 647 00:33:40,680 --> 00:33:42,880 Speaker 2: on the bar stool, so they're like kind of their 648 00:33:42,880 --> 00:33:45,120 Speaker 2: butt and the two heels are on the bar stool, 649 00:33:45,480 --> 00:33:49,400 Speaker 2: and because their knees serve as their easel, and they're 650 00:33:49,480 --> 00:33:52,080 Speaker 2: just they're talking to everybody that's not in the bar. 651 00:33:52,480 --> 00:33:56,000 Speaker 2: Everybody that they're chatting with and texting is somewhere else. 652 00:33:56,240 --> 00:33:58,200 Speaker 2: They're not talking to anybody in the bar. They're talking 653 00:33:58,200 --> 00:34:01,560 Speaker 2: to everybody that's not in the bar. And that's what 654 00:34:01,720 --> 00:34:04,320 Speaker 2: socializing is for a lot of these people. But they're 655 00:34:04,320 --> 00:34:07,040 Speaker 2: not boozing it up, and there's a whole lake of 656 00:34:07,080 --> 00:34:11,120 Speaker 2: unsold alcohol. Lou Penrose on kf I AM six forty 657 00:34:11,160 --> 00:34:12,719 Speaker 2: Live Everywhere on the iHeartRadio 658 00:34:12,719 --> 00:34:16,200 Speaker 1: App KFI AM six forty on demand