WEBVTT - HR. 3 - Turtles

0:00:17.400 --> 0:00:20.799
<v Speaker 1>All right, eight o'clock hours officially.

0:00:20.520 --> 0:00:25.200
<v Speaker 2>Here Doctor Morning Show, and uh you get in sports

0:00:25.239 --> 0:00:29.000
<v Speaker 2>again momentarily. Hey Mark Dad, some people asking me this weekend, yes,

0:00:29.160 --> 0:00:31.960
<v Speaker 2>because they heard your big news, you know, about the

0:00:32.000 --> 0:00:32.919
<v Speaker 2>twins and such like that.

0:00:33.400 --> 0:00:35.960
<v Speaker 1>Yeah, yeah, which is again exciting. Graduation.

0:00:36.120 --> 0:00:36.199
<v Speaker 3>Cha.

0:00:36.200 --> 0:00:37.080
<v Speaker 2>I didn't get to say that too you on the

0:00:37.080 --> 0:00:41.320
<v Speaker 2>air because I was graduation. Would your involvement with the

0:00:41.400 --> 0:00:42.400
<v Speaker 2>Timberwolves continue?

0:00:44.120 --> 0:00:46.640
<v Speaker 4>Yes, okay, I hope.

0:00:46.640 --> 0:00:50.040
<v Speaker 5>So I assume so things are so influx with the

0:00:50.120 --> 0:00:51.599
<v Speaker 5>Timberwolves because.

0:00:55.200 --> 0:00:56.560
<v Speaker 1>I don't even a gym spot.

0:00:56.560 --> 0:00:56.960
<v Speaker 3>I'm sorry.

0:00:57.080 --> 0:01:00.400
<v Speaker 1>It's just I want you to know that people are

0:01:00.760 --> 0:01:01.520
<v Speaker 1>they love you. Man.

0:01:01.800 --> 0:01:03.400
<v Speaker 2>I was standing in the airport talking to somebody I

0:01:03.440 --> 0:01:05.039
<v Speaker 2>did not know who was not going the same place

0:01:05.040 --> 0:01:06.880
<v Speaker 2>I was going, and they were asking me about that.

0:01:07.080 --> 0:01:08.680
<v Speaker 4>Oh really, Oh that's really sweet.

0:01:08.720 --> 0:01:09.360
<v Speaker 6>Thank you.

0:01:09.440 --> 0:01:09.679
<v Speaker 3>Yeah.

0:01:09.720 --> 0:01:12.680
<v Speaker 5>My my plan would be to continue with the Timberwolves. Yeah,

0:01:12.680 --> 0:01:14.880
<v Speaker 5>and just kind of shift from the links back to

0:01:14.920 --> 0:01:15.440
<v Speaker 5>the twins.

0:01:16.080 --> 0:01:21.039
<v Speaker 1>So that's it, okay, cool? Thanks? Yeah, yeah for sure, yeah, yeah, yeah.

0:01:20.800 --> 0:01:22.240
<v Speaker 4>I just like to keep working.

0:01:23.360 --> 0:01:26.560
<v Speaker 5>It would be the goal for a little bit that

0:01:26.600 --> 0:01:29.880
<v Speaker 5>makes one goal and then just like floating a pool

0:01:30.160 --> 0:01:30.679
<v Speaker 5>for the.

0:01:30.640 --> 0:01:33.920
<v Speaker 3>Your pool or somebody else's pool. I mean you have one.

0:01:35.840 --> 0:01:38.440
<v Speaker 4>It's only like two months until face down.

0:01:40.760 --> 0:01:44.200
<v Speaker 3>Yeah, I'm just saying, just be careful.

0:01:44.600 --> 0:01:50.120
<v Speaker 2>Okay, you know, here's your bathroom, the outdoor one.

0:01:50.200 --> 0:01:50.680
<v Speaker 1>That's what mean.

0:01:50.960 --> 0:01:52.440
<v Speaker 4>Yeah, don't come in.

0:01:52.440 --> 0:01:53.920
<v Speaker 1>It's one of the great regrets of my whole summer.

0:01:53.960 --> 0:01:55.320
<v Speaker 1>Last summers, I didn't break that thing in.

0:01:55.400 --> 0:01:56.600
<v Speaker 3>Yeah, the compost totally.

0:01:56.720 --> 0:01:57.720
<v Speaker 4>You're sitting right there.

0:01:58.120 --> 0:01:59.560
<v Speaker 1>No, I know, I said there for a long time.

0:02:00.480 --> 0:02:02.680
<v Speaker 4>Yeah, you brought the star Wars.

0:02:02.800 --> 0:02:07.200
<v Speaker 2>I did you remember an open bag I bought?

0:02:08.880 --> 0:02:09.120
<v Speaker 3>Cute?

0:02:09.160 --> 0:02:10.200
<v Speaker 1>It was the cutest thank you.

0:02:11.720 --> 0:02:15.040
<v Speaker 5>Totally random and off off topic question for you hawk

0:02:15.200 --> 0:02:18.359
<v Speaker 5>yes or just observance, and and for the room as well,

0:02:18.400 --> 0:02:21.680
<v Speaker 5>because I was in a hotel this weekend in Milwaukee.

0:02:21.200 --> 0:02:27.720
<v Speaker 4>Club volleyball tournament, super romantic. I did. Yeah, we hung

0:02:27.760 --> 0:02:28.679
<v Speaker 4>out for a little bit.

0:02:29.200 --> 0:02:29.600
<v Speaker 3>Sweet.

0:02:29.720 --> 0:02:31.120
<v Speaker 4>Yeah you use the trip.

0:02:33.080 --> 0:02:33.720
<v Speaker 1>Just freaked me out.

0:02:34.240 --> 0:02:41.480
<v Speaker 5>Hotel rooms do not have clocks anymore for the most part,

0:02:41.880 --> 0:02:46.079
<v Speaker 5>because nobody needs an alarm clock because they're all on

0:02:46.160 --> 0:02:49.720
<v Speaker 5>our phones. Did your did your hotel room in Montreal

0:02:50.440 --> 0:02:51.000
<v Speaker 5>have a clock?

0:02:51.240 --> 0:02:51.520
<v Speaker 1>Yes?

0:02:51.919 --> 0:02:52.920
<v Speaker 3>Oh you did?

0:02:53.200 --> 0:02:55.680
<v Speaker 1>Did? And and I'm glad because I like to have

0:02:55.720 --> 0:02:56.240
<v Speaker 1>the backup.

0:02:57.360 --> 0:02:58.800
<v Speaker 4>Oh you actually set I do.

0:02:58.880 --> 0:02:59.400
<v Speaker 1>I always do.

0:03:00.360 --> 0:03:02.440
<v Speaker 3>I don't think I've ever done that. That's interesting. I

0:03:02.480 --> 0:03:05.000
<v Speaker 3>don't think I've ever once set an alarm in a hotel.

0:03:05.120 --> 0:03:06.720
<v Speaker 4>Yeah, I even on.

0:03:06.680 --> 0:03:09.560
<v Speaker 3>The wake right hotel wake up called back in the day. Yes,

0:03:09.600 --> 0:03:11.600
<v Speaker 3>in the last twenty plus years, has always been the

0:03:11.600 --> 0:03:12.520
<v Speaker 3>phone close to twenty.

0:03:12.600 --> 0:03:14.160
<v Speaker 5>Not only do I set it on my phone, I

0:03:14.200 --> 0:03:17.359
<v Speaker 5>will set three or four one minute after the other.

0:03:17.600 --> 0:03:18.320
<v Speaker 6>Yeah, me too.

0:03:18.639 --> 0:03:22.760
<v Speaker 5>Yeah, Okay, So the last few hotel rooms I've stayed

0:03:22.760 --> 0:03:26.680
<v Speaker 5>in don't have a clock, and then I so then

0:03:26.680 --> 0:03:29.880
<v Speaker 5>I have an app on my phone that is that

0:03:30.120 --> 0:03:32.520
<v Speaker 5>is a clock, But then I have to use my

0:03:32.600 --> 0:03:35.760
<v Speaker 5>phone and prop it up and then if I get

0:03:35.800 --> 0:03:38.520
<v Speaker 5>a text, then it buzzes like in the middle of

0:03:38.560 --> 0:03:40.040
<v Speaker 5>the night, and then I got to go back to

0:03:40.080 --> 0:03:43.760
<v Speaker 5>my phone, and just I just thought, what a weird

0:03:43.880 --> 0:03:47.280
<v Speaker 5>observance that a lot of hotels no longer have a

0:03:47.400 --> 0:03:49.400
<v Speaker 5>clock because of the lack of.

0:03:49.920 --> 0:03:50.880
<v Speaker 4>Need for an alarm.

0:03:51.040 --> 0:03:53.400
<v Speaker 2>Well, I'm here, I'm glad we're talking about this because

0:03:53.400 --> 0:03:58.040
<v Speaker 2>I had to. It's been really had two observances. So

0:03:58.560 --> 0:04:03.600
<v Speaker 2>we stayed in a little town called Magog, which I

0:04:03.600 --> 0:04:05.120
<v Speaker 2>have a funny joke. I'll tell you guys, about off

0:04:05.120 --> 0:04:08.760
<v Speaker 2>the air boo, and then I had to fly out

0:04:08.840 --> 0:04:11.800
<v Speaker 2>yesterday and the traffic and Montreal is kind of heavy.

0:04:11.880 --> 0:04:15.240
<v Speaker 2>So I decided I would roll on into Montreal after

0:04:15.240 --> 0:04:17.040
<v Speaker 2>the races on Sunday night and spend the night at

0:04:17.040 --> 0:04:19.640
<v Speaker 2>the hotel that is actually at the airport. Like you

0:04:19.760 --> 0:04:21.800
<v Speaker 2>walk like we have here, we walk across and.

0:04:21.960 --> 0:04:23.880
<v Speaker 4>Acted too a gate even probably.

0:04:23.560 --> 0:04:27.320
<v Speaker 2>I will even it was a little spindyer, I will

0:04:27.320 --> 0:04:30.760
<v Speaker 2>do that forever if I can. Being at the airport

0:04:31.120 --> 0:04:33.960
<v Speaker 2>yesterday morning and not having to go to the airport

0:04:34.000 --> 0:04:35.120
<v Speaker 2>yesterday morning made my.

0:04:35.080 --> 0:04:36.640
<v Speaker 1>Sleep so good the night before.

0:04:37.600 --> 0:04:39.719
<v Speaker 2>The only negative the entire place was there's a giant

0:04:39.720 --> 0:04:41.960
<v Speaker 2>bottle of water sitting there and I couldn't read it

0:04:41.960 --> 0:04:43.720
<v Speaker 2>because it was in French and I wasn't sure if

0:04:43.760 --> 0:04:47.240
<v Speaker 2>it was free or three hundred thousand dollars, so I

0:04:47.320 --> 0:04:50.800
<v Speaker 2>never drank it, which I'm regretting at this moment because

0:04:50.800 --> 0:04:53.000
<v Speaker 2>it looked like a delicious bottle of water. But staying

0:04:53.000 --> 0:04:55.680
<v Speaker 2>at the airport hotel was awesome. I came out of

0:04:55.680 --> 0:04:59.200
<v Speaker 2>the hotel elevator, walked down the steps and was standing

0:04:59.240 --> 0:05:00.600
<v Speaker 2>right there where you check your luggage.

0:05:01.320 --> 0:05:02.440
<v Speaker 6>Yeah, that's great.

0:05:02.560 --> 0:05:05.680
<v Speaker 4>Have you guys ever done that one time, and.

0:05:05.640 --> 0:05:10.599
<v Speaker 5>The exit of the hotel was the security.

0:05:10.200 --> 0:05:14.960
<v Speaker 4>Line for the airport. I blew me away. I'm it

0:05:15.000 --> 0:05:15.800
<v Speaker 4>was awesome.

0:05:15.839 --> 0:05:17.039
<v Speaker 1>I can't even tell you.

0:05:17.320 --> 0:05:19.960
<v Speaker 2>I never sleep good the night before I fly because

0:05:19.960 --> 0:05:21.360
<v Speaker 2>I'm worried I'm not going to get there on time.

0:05:22.400 --> 0:05:26.520
<v Speaker 1>I'm ocd. Being at the airport wonderful.

0:05:26.720 --> 0:05:29.320
<v Speaker 3>Yeah, yep. Did you hear any of the planes?

0:05:29.480 --> 0:05:31.560
<v Speaker 2>I did not, And I wondered if I would. And

0:05:31.640 --> 0:05:34.800
<v Speaker 2>I looked my window looked right out at the tarmac,

0:05:35.120 --> 0:05:36.440
<v Speaker 2>and I thought I might hear them.

0:05:36.480 --> 0:05:38.440
<v Speaker 1>I did not. The windows must be extra extra thick.

0:05:39.279 --> 0:05:41.000
<v Speaker 3>They must put some soundproofing.

0:05:42.680 --> 0:05:46.120
<v Speaker 2>Soundof so you go, okay, I highly recommend that. And

0:05:46.160 --> 0:05:49.880
<v Speaker 2>we have one here called the inter Continental or right, yeah.

0:05:49.520 --> 0:05:55.400
<v Speaker 3>The content that's the Christopher Walking. How did you? How

0:05:55.400 --> 0:05:57.360
<v Speaker 3>do you survive an entire weekend without Wi Fi?

0:05:59.160 --> 0:05:59.920
<v Speaker 4>Without Wi Fi?

0:06:00.920 --> 0:06:03.200
<v Speaker 3>You're in Milwaukee and they don't have alarm clocks and

0:06:03.240 --> 0:06:03.839
<v Speaker 3>no Wi Fi?

0:06:04.000 --> 0:06:07.320
<v Speaker 1>Then, yeah, they invented the alarm clock. Did they're still watches?

0:06:08.000 --> 0:06:09.960
<v Speaker 3>They have a grandfather clock in the lobby.

0:06:10.080 --> 0:06:12.080
<v Speaker 1>Yeah, and it's actually a grandfather just.

0:06:13.720 --> 0:06:16.200
<v Speaker 3>And he's been drinking lney since noon, so he doesn't know.

0:06:16.160 --> 0:06:17.840
<v Speaker 1>What time do you care?

0:06:17.880 --> 0:06:18.560
<v Speaker 6>What time it is?

0:06:18.600 --> 0:06:20.120
<v Speaker 3>Get out of here. Get out of here. He wants

0:06:20.160 --> 0:06:25.040
<v Speaker 3>to fight you, so related to you? No, no sports update.

0:06:25.360 --> 0:06:27.960
<v Speaker 3>Well maybe this could kind of count as fan five.

0:06:28.600 --> 0:06:30.920
<v Speaker 3>Our ladies are in trouble here in the fifth O. No,

0:06:31.480 --> 0:06:34.400
<v Speaker 3>some work to do here. Denmark is yeah, but Denmark

0:06:34.480 --> 0:06:37.280
<v Speaker 3>has three and they have a good blocker out there,

0:06:37.320 --> 0:06:39.559
<v Speaker 3>so they it's uh, it's gonna get dicey here the USA.

0:06:39.600 --> 0:06:40.840
<v Speaker 3>He's got to find a way out of this. We're

0:06:40.920 --> 0:06:43.760
<v Speaker 3>up three two fifth and come on, Corey, this is

0:06:43.920 --> 0:06:46.760
<v Speaker 3>uh you're talking or I wish.

0:06:46.640 --> 0:06:49.640
<v Speaker 1>I could turn the sound up. It's just ridiculous.

0:06:49.800 --> 0:06:50.840
<v Speaker 3>Sue the hell out of us.

0:06:51.279 --> 0:06:53.159
<v Speaker 1>I know hard.

0:06:53.320 --> 0:06:55.039
<v Speaker 3>This has got to be a good shot. Oh no,

0:06:55.200 --> 0:06:57.280
<v Speaker 3>it was not ideal. That was hideous.

0:06:57.320 --> 0:06:59.880
<v Speaker 1>What happened? Talk to me because I can't see the

0:07:00.120 --> 0:07:01.640
<v Speaker 1>locker but there's still.

0:07:01.440 --> 0:07:04.920
<v Speaker 4>Three but there's still three red ones and I.

0:07:04.800 --> 0:07:09.600
<v Speaker 3>Think they're going for it. Wasn't good, So, yeah, this

0:07:09.640 --> 0:07:11.240
<v Speaker 3>could be. This could be a bad end for us.

0:07:11.280 --> 0:07:14.920
<v Speaker 7>We'll see, right, we have the hammer those that's yeah.

0:07:14.960 --> 0:07:16.920
<v Speaker 7>That and as long as we can find the button.

0:07:18.440 --> 0:07:18.640
<v Speaker 6>Yeah.

0:07:18.680 --> 0:07:20.360
<v Speaker 1>Well hey listenep looking brother.

0:07:20.360 --> 0:07:22.480
<v Speaker 3>Yeah, listen to the books. Eight years ago, when we

0:07:22.520 --> 0:07:25.560
<v Speaker 3>first started talking curling, we knew one percent of the sport.

0:07:25.640 --> 0:07:28.880
<v Speaker 3>Now I feel like we know ten percent. Right, there's

0:07:28.920 --> 0:07:31.840
<v Speaker 3>a little bit we weren't in the right direction kind

0:07:31.880 --> 0:07:34.320
<v Speaker 3>of know what we're talking about. I play shuffle board.

0:07:34.320 --> 0:07:38.040
<v Speaker 3>It's close. It's similar to this. I mean not really.

0:07:39.040 --> 0:07:40.520
<v Speaker 1>I've not really shuffle board before.

0:07:41.840 --> 0:07:45.680
<v Speaker 2>The NFL franchise tag window opens today runs through March third.

0:07:45.680 --> 0:07:48.000
<v Speaker 2>Didn't know that each team can pick one player who

0:07:48.040 --> 0:07:50.120
<v Speaker 2>was set to become an unrestricted free agent and keep them.

0:07:49.960 --> 0:07:50.960
<v Speaker 1>On the roster for next season.

0:07:51.200 --> 0:07:53.600
<v Speaker 2>It costs quite a bit, though, a number based on

0:07:53.640 --> 0:07:55.640
<v Speaker 2>the top five annual salaries at each position.

0:07:56.000 --> 0:08:00.440
<v Speaker 3>There is no rumors right now surrounding the Vikings, right, no, no,

0:07:59.840 --> 0:08:01.800
<v Speaker 3>No one's expected to get tagged.

0:08:01.880 --> 0:08:04.640
<v Speaker 1>Only to last year t Higgins and Trey Smith of

0:08:04.680 --> 0:08:06.000
<v Speaker 1>the of the Chiefs.

0:08:05.880 --> 0:08:11.560
<v Speaker 8>And everybody expects the Seahawks to not tag Kenneth Walker

0:08:12.680 --> 0:08:14.720
<v Speaker 8>so he will maybe be a free agent.

0:08:14.840 --> 0:08:17.040
<v Speaker 1>See the running back, Yeah, yeah, by that guy was great.

0:08:17.200 --> 0:08:18.280
<v Speaker 1>Yeh man was he good?

0:08:18.400 --> 0:08:18.880
<v Speaker 3>He is good.

0:08:19.000 --> 0:08:20.720
<v Speaker 1>He was the reason they won the Super Bowl, one

0:08:20.760 --> 0:08:23.440
<v Speaker 1>of them. Anyway, it was great. Couldn't stop m v

0:08:23.560 --> 0:08:25.960
<v Speaker 1>p M. It's fat Tuesday.

0:08:26.520 --> 0:08:33.600
<v Speaker 3>Hi, Rose, what happens on fat Tuesday? This is the

0:08:33.679 --> 0:08:37.880
<v Speaker 3>data go nuts and gluttonous, try and walk Thursday.

0:08:38.160 --> 0:08:41.120
<v Speaker 1>Yeah, well the start of tomorrow's the start of lens right.

0:08:41.200 --> 0:08:44.880
<v Speaker 3>Yeah, so what's your favorite sin? What's the eating one?

0:08:45.840 --> 0:08:46.839
<v Speaker 3>Glutton me that one?

0:08:46.920 --> 0:08:50.520
<v Speaker 1>Yeah, mm hmm, that's number two for me.

0:08:51.240 --> 0:08:58.920
<v Speaker 3>Yeah, lust m. But I like eating, you really do.

0:08:59.160 --> 0:09:02.600
<v Speaker 3>I do. Let's good, which is fine. That's why I am. Yeah,

0:09:02.679 --> 0:09:03.200
<v Speaker 3>be you man.

0:09:03.559 --> 0:09:06.480
<v Speaker 2>If I ever find a stink, if I ever find

0:09:06.520 --> 0:09:09.240
<v Speaker 2>a house of ill repent, it's also a buffet, I

0:09:09.280 --> 0:09:10.040
<v Speaker 2>may never go home.

0:09:10.080 --> 0:09:12.080
<v Speaker 6>So are you talking about like a lady house?

0:09:12.480 --> 0:09:15.480
<v Speaker 3>I think that that hotel at the airport had a

0:09:15.480 --> 0:09:19.280
<v Speaker 3>casino and a whorehouse attached, and an old country buffet

0:09:20.400 --> 0:09:23.960
<v Speaker 3>lived there. Terrible. Yeah, this, this end is falling apart.

0:09:24.280 --> 0:09:27.719
<v Speaker 3>What happens? We each have one shot to go, but

0:09:27.800 --> 0:09:30.839
<v Speaker 3>we're in big trouble there. I mean, this is looking

0:09:30.880 --> 0:09:36.400
<v Speaker 3>like a three for for Denmark. Here, we'll see it's over. Yeah,

0:09:36.400 --> 0:09:40.640
<v Speaker 3>and whatever, it's a bad end topic Conan gets it

0:09:41.160 --> 0:09:42.199
<v Speaker 3>is tired of curly.

0:09:44.400 --> 0:09:50.320
<v Speaker 7>That Tuesday Tuesday, they got a great couple of great

0:09:50.320 --> 0:09:54.280
<v Speaker 7>spots in Vegas like America.

0:09:54.320 --> 0:09:55.920
<v Speaker 1>Here was there one at the All America.

0:09:55.600 --> 0:09:58.680
<v Speaker 3>Are yeah, yeah, yeah, speaking of Vegas, well let's let

0:09:58.760 --> 0:10:02.160
<v Speaker 3>me come on, lease have your attention. Wait, I've just

0:10:02.200 --> 0:10:03.120
<v Speaker 3>been handed an.

0:10:03.080 --> 0:10:05.640
<v Speaker 4>Urgent and horrifying news story.

0:10:05.760 --> 0:10:09.199
<v Speaker 3>What I eat all of you to stop what you're doing.

0:10:09.840 --> 0:10:14.600
<v Speaker 3>Listen the hot rumors and this comes from the drummer. Yes,

0:10:15.240 --> 0:10:18.360
<v Speaker 3>oh yeah, says it. In twenty twenty seven, we could

0:10:18.360 --> 0:10:23.839
<v Speaker 3>expect a new album and a potential residency at the Sphere.

0:10:24.960 --> 0:10:28.360
<v Speaker 2>For Tool, which makes the most sense of any band

0:10:28.400 --> 0:10:29.240
<v Speaker 2>I've ever heard in.

0:10:29.240 --> 0:10:32.960
<v Speaker 3>My gosh, oh boy, take all of my money. I

0:10:33.120 --> 0:10:34.360
<v Speaker 3>will be there. We have to go.

0:10:34.559 --> 0:10:36.720
<v Speaker 1>It's not a band that would be more perfect.

0:10:36.440 --> 0:10:38.640
<v Speaker 3>There yeah, rip to music. So this is on the

0:10:38.679 --> 0:10:41.439
<v Speaker 3>button bar. The only thing I want in twenty twenty

0:10:41.440 --> 0:10:45.160
<v Speaker 3>seven is that giant ball and some Tool, right, I mean,

0:10:45.200 --> 0:10:47.839
<v Speaker 3>come on, yeah, you nailed it. You imagine what the

0:10:47.960 --> 0:10:49.199
<v Speaker 3>visuals for Tool would be.

0:10:49.760 --> 0:10:52.720
<v Speaker 2>Plus they don't they don't move around the stage, and

0:10:52.800 --> 0:10:54.160
<v Speaker 2>it stands on a perfect behind.

0:10:54.160 --> 0:10:57.720
<v Speaker 8>The drummer hides because no one is really going to

0:10:57.720 --> 0:10:58.520
<v Speaker 8>be focused.

0:10:58.240 --> 0:11:00.800
<v Speaker 3>On the band, because no, he doesn't care. He sits

0:11:00.800 --> 0:11:05.280
<v Speaker 3>in the dark anyway, right man, I mean take my

0:11:05.880 --> 0:11:08.959
<v Speaker 3>all my money? Oh yeah, yeah, just second. That's by

0:11:08.960 --> 0:11:11.680
<v Speaker 3>the way, this makes a ton of sense when you

0:11:11.720 --> 0:11:14.800
<v Speaker 3>hear but the article I read about the tool rumors

0:11:14.800 --> 0:11:18.040
<v Speaker 3>and the drummer basically saying that, yeah, we've been in

0:11:18.120 --> 0:11:20.320
<v Speaker 3>talks with the Sphere. It looks like twenty twenty sevens possible.

0:11:20.320 --> 0:11:25.160
<v Speaker 3>We're trying to figure it out. He said, how hell like,

0:11:25.280 --> 0:11:29.280
<v Speaker 3>it's an immense like program and process to get that

0:11:29.280 --> 0:11:31.800
<v Speaker 3>thing up and running, and it's expensive. He said, you

0:11:31.840 --> 0:11:33.560
<v Speaker 3>have to do a whole bunch of shows just to

0:11:33.600 --> 0:11:36.680
<v Speaker 3>start making money because it costs so much to get

0:11:36.800 --> 0:11:39.200
<v Speaker 3>that production, which makes a ton of sense. Think of

0:11:39.240 --> 0:11:43.040
<v Speaker 3>all the graphics, the visuals. It's apparently not a cheap

0:11:43.040 --> 0:11:45.160
<v Speaker 3>show to pull off. So the band doesn't even make

0:11:45.200 --> 0:11:47.480
<v Speaker 3>money until they That's why they have to do a residency.

0:11:47.480 --> 0:11:49.400
<v Speaker 3>It's why I can't play one show with the Sphere.

0:11:49.520 --> 0:11:52.720
<v Speaker 3>That makes sense. So it sounds like Metallica right is

0:11:52.800 --> 0:11:54.960
<v Speaker 3>next year likely? I don't know if it's finalized, but

0:11:55.000 --> 0:11:58.560
<v Speaker 3>next year's likely for Metallica, which like, oh wow, what

0:11:58.600 --> 0:12:02.960
<v Speaker 3>an unbelievable steal that was. How did they pull that off?

0:12:03.080 --> 0:12:05.160
<v Speaker 1>What just happened to me? Tell me? I don't scored a.

0:12:05.200 --> 0:12:08.679
<v Speaker 3>Point, So somehow dropped like an unbelievable shot. So instead

0:12:08.679 --> 0:12:11.640
<v Speaker 3>of Denmark getting three, the US cowan, how does she

0:12:11.679 --> 0:12:14.720
<v Speaker 3>pull that off? Man? I guess that's the why they

0:12:14.720 --> 0:12:18.720
<v Speaker 3>call it currently. How do you get to turn like that? Man?

0:12:20.240 --> 0:12:20.679
<v Speaker 6>A shot?

0:12:20.960 --> 0:12:23.640
<v Speaker 3>So? What a tool? Are we all in for? A tool? Marty?

0:12:23.679 --> 0:12:26.320
<v Speaker 3>You want to go see a tool in the sphere? Right? No,

0:12:26.480 --> 0:12:28.760
<v Speaker 3>she just wants to see it in the hotel room. Okay,

0:12:28.760 --> 0:12:30.520
<v Speaker 3>Oh my god, man, okay.

0:12:30.400 --> 0:12:31.720
<v Speaker 1>Buddy, to go there.

0:12:31.760 --> 0:12:34.559
<v Speaker 3>You don't know where the line is. You don't know

0:12:34.600 --> 0:12:36.280
<v Speaker 3>where the line is, Okay, but I don't get it.

0:12:36.840 --> 0:12:37.760
<v Speaker 3>I don't get it.

0:12:37.880 --> 0:12:42.360
<v Speaker 1>Okay, buddy, heavens right, it's okay, buddy, relaxed.

0:12:43.440 --> 0:12:45.880
<v Speaker 3>As soon as you started talking about the idea of

0:12:45.920 --> 0:12:48.480
<v Speaker 3>the tool at the Sphere, it makes so much sense. Right,

0:12:48.520 --> 0:12:50.520
<v Speaker 3>But when when the Sphere first launched, I'm like, man,

0:12:50.520 --> 0:12:52.240
<v Speaker 3>none of the bands that I like are big enough.

0:12:52.360 --> 0:12:54.280
<v Speaker 3>I don't know how this is going to work. Why

0:12:54.280 --> 0:12:56.880
<v Speaker 3>did I not think of tool as an obvious option?

0:12:56.960 --> 0:13:02.640
<v Speaker 3>Of course they're bring enough. They're gigantic. Man. Yes, yes,

0:13:02.800 --> 0:13:04.680
<v Speaker 3>it's gonna sell out like crazy. I'm he's gonna go

0:13:04.720 --> 0:13:06.920
<v Speaker 3>and he's gonna be very disappointed. Would you guys, would

0:13:06.960 --> 0:13:08.520
<v Speaker 3>you guys pay for you too? Wasn't it like four

0:13:08.559 --> 0:13:11.320
<v Speaker 3>or five hundred bucks? And we were worth every penny,

0:13:11.320 --> 0:13:12.679
<v Speaker 3>worth every penny completely.

0:13:12.760 --> 0:13:12.920
<v Speaker 1>Yeah.

0:13:13.120 --> 0:13:16.520
<v Speaker 8>I was stone cold, sober and it was outstanding. It

0:13:16.600 --> 0:13:18.360
<v Speaker 8>was one of the coolest experiences ever.

0:13:18.440 --> 0:13:18.800
<v Speaker 3>And it's this.

0:13:18.920 --> 0:13:21.160
<v Speaker 8>They do the same bit over and over again. That

0:13:21.320 --> 0:13:24.840
<v Speaker 8>was the set list they played. It was fan tasting.

0:13:25.000 --> 0:13:27.480
<v Speaker 3>That's my only concern about Tool and I don't think

0:13:27.520 --> 0:13:30.520
<v Speaker 3>that's the biggest problem. But I don't need the deep cuts.

0:13:31.160 --> 0:13:34.160
<v Speaker 3>Just play the hits. Each song is like eight minutes long.

0:13:34.240 --> 0:13:36.560
<v Speaker 3>Play like the ten songs we all want to hits.

0:13:36.800 --> 0:13:38.520
<v Speaker 3>Call it a day, and you can take all my money.

0:13:38.520 --> 0:13:41.000
<v Speaker 7>But that's why the other part of this announced this

0:13:41.120 --> 0:13:44.400
<v Speaker 7>announcement here the new album, the new album that's you

0:13:44.480 --> 0:13:45.800
<v Speaker 7>gotta Yeah.

0:13:45.800 --> 0:13:47.720
<v Speaker 3>But even like Fear and Oculum, which is now like

0:13:47.800 --> 0:13:50.280
<v Speaker 3>seven years old, had like two good songs. That's fine,

0:13:50.320 --> 0:13:51.319
<v Speaker 3>we only need like two.

0:13:51.320 --> 0:13:53.400
<v Speaker 1>Yeah, Well, they're only going to play three songs.

0:13:53.400 --> 0:13:57.640
<v Speaker 3>Exactly on time, songs an hour and a half. We

0:13:57.760 --> 0:14:00.319
<v Speaker 3>have to go. I'm going for sure. Yeah, they ever

0:14:00.400 --> 0:14:04.719
<v Speaker 3>do medleys, I don't know. I've only seen I think

0:14:04.720 --> 0:14:07.560
<v Speaker 3>I've seen him through three times.

0:14:07.360 --> 0:14:10.800
<v Speaker 8>It'll be too even when they're here and they don't

0:14:10.840 --> 0:14:14.280
<v Speaker 8>have the same capacity as the spirit. It's it's an

0:14:14.320 --> 0:14:15.720
<v Speaker 8>outstanding visual thing.

0:14:15.840 --> 0:14:19.160
<v Speaker 3>Yep. Yeah, what a home run. Yeah, he'll be sweet.

0:14:19.440 --> 0:14:20.920
<v Speaker 3>Forty four days, he'll be there.

0:14:22.160 --> 0:14:22.760
<v Speaker 1>It's a long time.

0:14:23.240 --> 0:14:26.120
<v Speaker 3>You're gonna You're gonna go to the entire residency. Wow,

0:14:26.680 --> 0:14:28.760
<v Speaker 3>you're going in forty four days. Yeah. I booked two

0:14:28.800 --> 0:14:31.200
<v Speaker 3>flights yesterday, two one way flights, and it made my

0:14:31.240 --> 0:14:34.000
<v Speaker 3>whole year. I can't I can't wait. Let's go one way,

0:14:34.320 --> 0:14:34.680
<v Speaker 3>one way.

0:14:35.040 --> 0:14:36.000
<v Speaker 8>He's living there.

0:14:35.840 --> 0:14:38.480
<v Speaker 1>Now, Yeah, he just he's gonna he's giving up.

0:14:38.920 --> 0:14:41.520
<v Speaker 3>Oh, I'm leaving on a jet plane. Don't know when

0:14:41.520 --> 0:14:45.280
<v Speaker 3>I'll be back again. Probably a couple of days later. Yeah, probably,

0:14:45.440 --> 0:14:48.920
<v Speaker 3>you son of a bitch. No, I'm rooting for it.

0:14:48.920 --> 0:14:49.480
<v Speaker 1>It sounds like it.

0:14:49.560 --> 0:14:52.280
<v Speaker 7>Probably I'm gonna be I'm gonna wear I'm gonna bring

0:14:52.320 --> 0:14:54.080
<v Speaker 7>Corey T shirts down there.

0:14:54.120 --> 0:14:55.800
<v Speaker 3>We're technically going to be there at the same time.

0:14:57.760 --> 0:14:59.920
<v Speaker 3>That's cute. It's gonna hang out. I'm there for business,

0:15:00.440 --> 0:15:03.120
<v Speaker 3>both going for we got time. No one of us is.

0:15:03.160 --> 0:15:05.280
<v Speaker 3>We have a lot of data this tool. I'll go

0:15:05.320 --> 0:15:07.160
<v Speaker 3>for two next year. He might be going for Tool

0:15:07.240 --> 0:15:13.000
<v Speaker 3>this year. He really is special, your special Beckery. He's

0:15:13.040 --> 0:15:14.760
<v Speaker 3>not perfect. We can hold hands on the fourth of

0:15:14.840 --> 0:15:20.960
<v Speaker 3>July Paris. That doesn't happen, Yes, PJ, we could. He's

0:15:21.000 --> 0:15:22.520
<v Speaker 3>in the hotline. This has got to be Tommy. He

0:15:22.560 --> 0:15:27.640
<v Speaker 3>wanted to go to TOOL next year. What if it is, Yeah,

0:15:28.080 --> 0:15:30.120
<v Speaker 3>I mean it could be Hawk special guest, but it

0:15:30.200 --> 0:15:33.520
<v Speaker 3>also could just be Tommy going I'll go see Bonus.

0:15:34.000 --> 0:15:36.360
<v Speaker 3>Oh yeah, hi, John Bonus.

0:15:37.280 --> 0:15:37.720
<v Speaker 9>How are we doing?

0:15:37.840 --> 0:15:38.000
<v Speaker 1>Hi?

0:15:38.200 --> 0:15:42.160
<v Speaker 3>Hey, Oh, We're just concerned about our guy, Pablo Lopez.

0:15:42.200 --> 0:15:43.960
<v Speaker 3>What's the update? I know he got it. Did he

0:15:44.000 --> 0:15:46.160
<v Speaker 3>get an MRI yesterday or is he getting one today?

0:15:47.280 --> 0:15:49.240
<v Speaker 9>I thought he was getting an MRI last night. I

0:15:49.280 --> 0:15:51.080
<v Speaker 9>am not at the ballpark and I did a run

0:15:51.120 --> 0:15:53.640
<v Speaker 9>this morning, so I haven't heard what the latest update

0:15:53.720 --> 0:15:54.200
<v Speaker 9>is on him.

0:15:54.400 --> 0:15:55.000
<v Speaker 3>Get those steps.

0:15:55.880 --> 0:16:00.760
<v Speaker 9>I will say this, the vibe wasn't one of a lot.

0:16:00.840 --> 0:16:03.000
<v Speaker 9>I mean, it's a serious concern because it's an elbow

0:16:03.000 --> 0:16:06.480
<v Speaker 9>injury and it's our ace, right, but it sounded like,

0:16:06.760 --> 0:16:08.760
<v Speaker 9>you know, it wasn't even totally sure he was going

0:16:08.840 --> 0:16:11.080
<v Speaker 9>to not try to pitch through it at the time,

0:16:12.120 --> 0:16:15.240
<v Speaker 9>like they were kind of like, well, you know, there's

0:16:15.240 --> 0:16:17.920
<v Speaker 9>no reason to push this. It's only it's only February

0:16:18.120 --> 0:16:22.440
<v Speaker 9>sixteenth or whatever, So you know that doesn't necessarily mean anything.

0:16:22.560 --> 0:16:24.520
<v Speaker 9>I mean, you still could be a serious envy. He

0:16:24.600 --> 0:16:26.680
<v Speaker 9>just didn't really feel it that much. But you know,

0:16:26.880 --> 0:16:30.680
<v Speaker 9>it was just a there wasn't a tremendous amount of concern,

0:16:31.520 --> 0:16:33.920
<v Speaker 9>uh expressed as it happened.

0:16:34.040 --> 0:16:36.880
<v Speaker 1>So okay, good news.

0:16:36.960 --> 0:16:37.800
<v Speaker 3>That sounds good.

0:16:42.160 --> 0:16:43.960
<v Speaker 9>Well we'll see. I mean, I'm I'm not at the

0:16:43.960 --> 0:16:46.760
<v Speaker 9>ballpark this morning, so you know, if you I would say,

0:16:46.840 --> 0:16:48.880
<v Speaker 9>you know, stay tuned for breaking updates from all the

0:16:48.960 --> 0:16:50.040
<v Speaker 9>beat writers who are there.

0:16:50.080 --> 0:16:52.600
<v Speaker 1>So how how long did you run?

0:16:54.320 --> 0:16:54.960
<v Speaker 9>Three miles?

0:16:55.200 --> 0:16:55.680
<v Speaker 1>That's awesome?

0:16:55.720 --> 0:16:55.840
<v Speaker 2>Men?

0:16:55.840 --> 0:16:56.640
<v Speaker 1>Did you run on the beach?

0:16:58.360 --> 0:17:00.960
<v Speaker 9>No, we did not run on the beach. We're downtown

0:17:01.040 --> 0:17:05.159
<v Speaker 9>not uh not on the beach. It's too expensive for

0:17:05.320 --> 0:17:08.600
<v Speaker 9>bonus consulting to be on the beach. Downtown is also

0:17:08.680 --> 0:17:09.360
<v Speaker 9>one of fun too.

0:17:09.440 --> 0:17:13.600
<v Speaker 3>So see any gators renning the parks? No gators on

0:17:13.600 --> 0:17:13.960
<v Speaker 3>the run.

0:17:15.280 --> 0:17:19.040
<v Speaker 9>No gators on the run yet, no giants there. We

0:17:19.320 --> 0:17:21.760
<v Speaker 9>will try to try and find some gators probably one time.

0:17:21.800 --> 0:17:25.800
<v Speaker 9>There's a there's a reserve here called the slough, the

0:17:25.960 --> 0:17:30.840
<v Speaker 9>six miles sleugh and uh, you can see alligators if

0:17:30.880 --> 0:17:34.080
<v Speaker 9>you go along those trails, swamps.

0:17:33.720 --> 0:17:39.120
<v Speaker 2>There muscles got the swampers. Uh, tell me one national

0:17:39.280 --> 0:17:42.480
<v Speaker 2>or not? Tell me one highlight that is not baseball

0:17:42.520 --> 0:17:43.800
<v Speaker 2>related from a trip so far.

0:17:45.119 --> 0:17:48.400
<v Speaker 9>Oh, let's see. Well, I mean, the one that's coming

0:17:48.480 --> 0:17:55.359
<v Speaker 9>up Saturday night is the Fort Myers Edison Edison Lights Parade.

0:17:56.560 --> 0:17:58.840
<v Speaker 9>Once a year they have their big their big event

0:17:59.240 --> 0:18:02.280
<v Speaker 9>is is a huge parade in downtown Fort Myers. And

0:18:02.320 --> 0:18:07.399
<v Speaker 9>there's a slice of Americana that lots of high school bands,

0:18:07.640 --> 0:18:10.320
<v Speaker 9>but it makes you think it's like a nineteen you know,

0:18:10.440 --> 0:18:13.639
<v Speaker 9>seventies and nineteen eighties parade. Lots of high school bands

0:18:13.640 --> 0:18:17.479
<v Speaker 9>and lots of you know, TV stations with floats, and

0:18:17.520 --> 0:18:19.200
<v Speaker 9>then lots of.

0:18:20.920 --> 0:18:21.320
<v Speaker 8>Lots of.

0:18:22.760 --> 0:18:26.920
<v Speaker 9>Police departs was showing off their latest military hardware, helicopters

0:18:26.920 --> 0:18:30.119
<v Speaker 9>and everything else. So we'll do a five k just

0:18:30.160 --> 0:18:32.240
<v Speaker 9>before that, and then we will sit down with a

0:18:32.280 --> 0:18:35.520
<v Speaker 9>beer and watch that go past us through downtown Port Myers.

0:18:35.680 --> 0:18:36.760
<v Speaker 1>Well, that sounds lovely.

0:18:36.840 --> 0:18:38.880
<v Speaker 3>Not a bad gig, John, not a bad gig.

0:18:40.800 --> 0:18:43.120
<v Speaker 9>I also just mentioned the sunset last night was fantastic.

0:18:43.119 --> 0:18:45.160
<v Speaker 9>We did make it to the beach last night, sat

0:18:45.200 --> 0:18:47.639
<v Speaker 9>along and had a couple of beers and watched the

0:18:47.640 --> 0:18:51.320
<v Speaker 9>start and go down with over the self of America.

0:18:51.440 --> 0:18:55.800
<v Speaker 1>Yeah you did. Enjoyed that, enjoyed keep us up today, brothers.

0:18:55.800 --> 0:18:56.720
<v Speaker 1>Thank you for calling in.

0:18:57.720 --> 0:18:58.440
<v Speaker 9>Yeah, thank you.

0:18:58.520 --> 0:19:01.680
<v Speaker 1>There you go the football it is so, he goes.

0:19:02.040 --> 0:19:05.480
<v Speaker 1>Our special guest is I thought he just said cerebral palsy.

0:19:05.760 --> 0:19:08.440
<v Speaker 3>Same. What did he say at the end there? Does

0:19:08.480 --> 0:19:10.480
<v Speaker 3>anybody have any idea what he just said? I thought

0:19:10.480 --> 0:19:13.960
<v Speaker 3>he said, you have cerebral palsy. I'm like, what, man,

0:19:14.000 --> 0:19:15.080
<v Speaker 3>this connection is not good.

0:19:15.560 --> 0:19:17.000
<v Speaker 1>I'm not sure why he would say that.

0:19:17.880 --> 0:19:20.679
<v Speaker 3>I don't think that he did. I just don't know

0:19:20.720 --> 0:19:21.920
<v Speaker 3>what he said. Hard to tell.

0:19:22.359 --> 0:19:24.879
<v Speaker 2>Well, all right, our special guest is here, yep, so

0:19:24.960 --> 0:19:26.320
<v Speaker 2>we'll bring him in for the next segment.

0:19:26.400 --> 0:19:28.440
<v Speaker 3>Let's go to break, all right, Power Trip Morning Show

0:19:28.440 --> 0:19:29.280
<v Speaker 3>after this on the fan.

0:19:41.880 --> 0:19:43.520
<v Speaker 1>I'm sorry about that. I was jamming out.

0:19:44.320 --> 0:19:47.360
<v Speaker 3>I'm a little surprised saust just didn't swear during the break.

0:19:48.960 --> 0:19:49.360
<v Speaker 1>To think about.

0:19:49.359 --> 0:19:51.439
<v Speaker 2>I'm glad that that that was done off the air,

0:19:51.480 --> 0:19:52.919
<v Speaker 2>because you're right. I think you might have cursed him,

0:19:53.200 --> 0:19:56.800
<v Speaker 2>but he did not. Ladies and gentlemen, please welcome to

0:19:56.800 --> 0:20:00.800
<v Speaker 2>the show. Dave simonad Long time.

0:20:01.480 --> 0:20:04.880
<v Speaker 6>The hell are you? I'm great man, good to see you.

0:20:04.960 --> 0:20:06.720
<v Speaker 6>Yeah you too, thanks for having me over.

0:20:06.880 --> 0:20:09.600
<v Speaker 3>Yeah, you came burying gifts for Sauce and he just

0:20:09.640 --> 0:20:12.399
<v Speaker 3>made his day. I think, dude, this is the sweetest

0:20:12.400 --> 0:20:14.680
<v Speaker 3>thing ever. I really appreciated that Sauce.

0:20:15.440 --> 0:20:18.880
<v Speaker 8>What is it he got me a the set list

0:20:18.960 --> 0:20:22.080
<v Speaker 8>that they had Dave and Tim Reynolds on stage, The

0:20:22.119 --> 0:20:24.600
<v Speaker 8>set list they had on the stage and then picked

0:20:24.640 --> 0:20:26.520
<v Speaker 8>from Dave and a pick from Tim Reynolds.

0:20:26.560 --> 0:20:30.040
<v Speaker 3>Can I see that set list for a second? Can I?

0:20:30.200 --> 0:20:32.159
<v Speaker 3>Can I see it? I'm not going to rip it up.

0:20:32.200 --> 0:20:33.120
<v Speaker 3>I'm not an a hole.

0:20:33.240 --> 0:20:34.040
<v Speaker 1>But which show is that?

0:20:34.119 --> 0:20:36.600
<v Speaker 8>From the one when they played in with trample by

0:20:36.640 --> 0:20:37.560
<v Speaker 8>Turtles in Mexico.

0:20:37.720 --> 0:20:38.399
<v Speaker 1>That's when I played.

0:20:38.440 --> 0:20:41.360
<v Speaker 6>We played there festival, dude outside cant coon.

0:20:41.640 --> 0:20:42.800
<v Speaker 3>Please tell me he's great?

0:20:42.920 --> 0:20:45.680
<v Speaker 6>Great? Yeah, yeah, he was the coolest we He asked

0:20:45.760 --> 0:20:47.200
<v Speaker 6>us to sit in with him and play a couple

0:20:47.200 --> 0:20:50.040
<v Speaker 6>of Grateful Dead songs. Was pretty fun. Yeah, and uh

0:20:50.200 --> 0:20:52.600
<v Speaker 6>so we had a little rehearsal with him, uh that

0:20:52.720 --> 0:20:54.280
<v Speaker 6>earlier in the day, and he was just like the

0:20:54.280 --> 0:20:57.080
<v Speaker 6>most humble, cool guy. Yeah yeah, really kind of self

0:20:57.119 --> 0:20:58.159
<v Speaker 6>depreciating and funny.

0:20:58.240 --> 0:20:58.840
<v Speaker 3>That's sweet.

0:20:58.880 --> 0:20:59.840
<v Speaker 6>Yeah, it's it's great.

0:21:00.080 --> 0:21:00.680
<v Speaker 3>That's awesome.

0:21:00.800 --> 0:21:04.720
<v Speaker 2>Man, you're you guys are and I this seems weird

0:21:04.760 --> 0:21:06.880
<v Speaker 2>to say because you were already huge, but you guys

0:21:06.920 --> 0:21:08.879
<v Speaker 2>are blowing up more and more and more. It just

0:21:08.920 --> 0:21:10.480
<v Speaker 2>it keeps growing and growing, doesn't it.

0:21:10.640 --> 0:21:15.480
<v Speaker 6>Well, maybe it's more of like a slow bird. Yeah,

0:21:15.760 --> 0:21:18.560
<v Speaker 6>we are twenty five years old. Now that's a man,

0:21:18.640 --> 0:21:18.800
<v Speaker 6>you know.

0:21:18.960 --> 0:21:20.760
<v Speaker 2>Yeah, yeah, but you know what I'm saying. I mean

0:21:20.760 --> 0:21:22.879
<v Speaker 2>it's fun to watch. Like, I think that throughout the industry,

0:21:22.880 --> 0:21:24.760
<v Speaker 2>it seems like you guys are are garnering more and

0:21:24.840 --> 0:21:25.440
<v Speaker 2>more success.

0:21:25.560 --> 0:21:28.280
<v Speaker 6>Oh yeah, I don't know. I think that our you know,

0:21:28.320 --> 0:21:30.680
<v Speaker 6>we're all we're kind of self employed, right, so we've

0:21:30.720 --> 0:21:33.000
<v Speaker 6>always just owned our own label and all that stuff.

0:21:33.040 --> 0:21:35.600
<v Speaker 6>So we've been working really hard to try to find

0:21:36.240 --> 0:21:38.320
<v Speaker 6>new little kind of pockets in the music business to

0:21:38.320 --> 0:21:40.480
<v Speaker 6>fit into and stuff. And it's it's it's always a

0:21:40.480 --> 0:21:43.160
<v Speaker 6>fun challenge, you know, Chris, It's it's wild West out there.

0:21:43.440 --> 0:21:43.640
<v Speaker 1>Yeah.

0:21:43.760 --> 0:21:45.240
<v Speaker 3>Now, especially who was it on the show?

0:21:45.280 --> 0:21:45.520
<v Speaker 6>Reason?

0:21:45.640 --> 0:21:47.679
<v Speaker 3>Was it Parker Fox? Who was it that? I couldn't

0:21:47.680 --> 0:21:51.000
<v Speaker 3>believe that we knew Dave? Was it Parker Mark Giant?

0:21:51.160 --> 0:21:51.480
<v Speaker 8>Yeah?

0:21:51.480 --> 0:21:53.680
<v Speaker 3>We thought we were messing with him. Yeah, so he's

0:21:53.840 --> 0:21:56.520
<v Speaker 3>probably super bummed that you're here and he's in Italy

0:21:56.560 --> 0:21:57.840
<v Speaker 3>watching his fiance play hockey.

0:21:57.920 --> 0:22:00.119
<v Speaker 1>Yeah, he's okay, probably, but yeah.

0:21:59.600 --> 0:22:02.320
<v Speaker 3>He's when he was not.

0:22:02.640 --> 0:22:04.560
<v Speaker 6>If I meet him, I will pretend like I've never

0:22:04.600 --> 0:22:05.560
<v Speaker 6>met any of you before.

0:22:07.600 --> 0:22:10.720
<v Speaker 2>That's a fan that so so even today though, like

0:22:10.760 --> 0:22:12.400
<v Speaker 2>when when you get asked to go play with Dave

0:22:12.400 --> 0:22:14.560
<v Speaker 2>Matthews and then you meet him and he likes you,

0:22:14.600 --> 0:22:16.200
<v Speaker 2>and then he asked you to be on stage, are

0:22:16.200 --> 0:22:16.800
<v Speaker 2>you still.

0:22:16.600 --> 0:22:18.160
<v Speaker 1>Like are you serious?

0:22:18.240 --> 0:22:24.560
<v Speaker 6>Oh? Absolutely? It's all just dumb. Yeah, especially like somebody

0:22:24.640 --> 0:22:26.760
<v Speaker 6>like that who was was kind of all you know,

0:22:26.800 --> 0:22:30.520
<v Speaker 6>everywhere when I was a kid. It's it seems just like,

0:22:31.520 --> 0:22:34.639
<v Speaker 6>you know, like fake, like what what do you what

0:22:34.680 --> 0:22:35.600
<v Speaker 6>do we get to do today?

0:22:36.200 --> 0:22:39.040
<v Speaker 8>I saw a video that I think either you guys

0:22:39.080 --> 0:22:43.320
<v Speaker 8>posted or Dave matthews band Twitter account posted of you

0:22:43.320 --> 0:22:45.639
<v Speaker 8>guys practicing Friend of the Devil. I think it was

0:22:45.960 --> 0:22:47.880
<v Speaker 8>how many do you just practice it once and then

0:22:47.920 --> 0:22:48.439
<v Speaker 8>go all right?

0:22:48.480 --> 0:22:51.480
<v Speaker 6>Pretty much? And that's kind of always been our style

0:22:51.640 --> 0:22:54.600
<v Speaker 6>is a little bit loose, and he was thankfully the

0:22:54.640 --> 0:22:56.879
<v Speaker 6>same way. Yeah, I mean, you know, it's a it.

0:22:56.960 --> 0:22:58.840
<v Speaker 6>We're at the beach, and it was two in the

0:22:58.880 --> 0:23:00.960
<v Speaker 6>afternoon or whatever, and the show was that night. So

0:23:01.280 --> 0:23:03.400
<v Speaker 6>you have to kind of accept a bit of of

0:23:03.800 --> 0:23:06.240
<v Speaker 6>like a wide range of acceptability as far as music

0:23:06.440 --> 0:23:11.520
<v Speaker 6>goes when it's like that. But it's it's it's the beauty.

0:23:11.520 --> 0:23:13.840
<v Speaker 6>I don't know. I love playing music with people, especially

0:23:13.880 --> 0:23:14.600
<v Speaker 6>when they're laid back.

0:23:14.600 --> 0:23:18.119
<v Speaker 3>It's what's the name of that song, it's it's a

0:23:18.680 --> 0:23:20.639
<v Speaker 3>Casey Jones that.

0:23:20.680 --> 0:23:22.399
<v Speaker 6>You played two of them, Friend of the Devil and

0:23:22.520 --> 0:23:23.399
<v Speaker 6>Casey Jones.

0:23:23.119 --> 0:23:25.000
<v Speaker 3>Friend of the Devil. We don't, let's reenact it. You'd

0:23:25.000 --> 0:23:27.359
<v Speaker 3>be Dave Simonette will be Dave Matthews and we'll reenact

0:23:27.400 --> 0:23:28.040
<v Speaker 3>what that sounds like.

0:23:28.080 --> 0:23:30.320
<v Speaker 1>Okay, believable.

0:23:30.480 --> 0:23:31.480
<v Speaker 6>Hi Dave, I'm Dave.

0:23:35.359 --> 0:23:41.440
<v Speaker 2>No, he's never gonna let a Dave back on stage.

0:23:45.480 --> 0:23:46.440
<v Speaker 1>He always says that to you.

0:23:47.280 --> 0:23:49.120
<v Speaker 3>It just got a little more sauce, just a little

0:23:49.160 --> 0:23:51.160
<v Speaker 3>bit of were one only. But when you do hike

0:23:51.200 --> 0:23:53.399
<v Speaker 3>it up a little bit, I will show off what

0:23:53.440 --> 0:23:56.040
<v Speaker 3>you got to Dave over there. That Dave not the

0:23:56.080 --> 0:23:56.440
<v Speaker 3>other day.

0:23:57.080 --> 0:23:59.200
<v Speaker 1>It's been a long time since you've been on, so you.

0:23:59.119 --> 0:23:59.960
<v Speaker 6>Guys haven't changed it.

0:24:01.680 --> 0:24:01.760
<v Speaker 2>Up.

0:24:04.000 --> 0:24:04.600
<v Speaker 1>It's working, you know.

0:24:04.760 --> 0:24:09.159
<v Speaker 2>It's oh boy, I've been compiling a long list of

0:24:09.240 --> 0:24:10.920
<v Speaker 2>questions for you, because it's been a long time I've

0:24:10.920 --> 0:24:15.040
<v Speaker 2>seen you. Okay, I'm The songs that you did on

0:24:15.080 --> 0:24:16.680
<v Speaker 2>not this last album, but the album before that with

0:24:16.800 --> 0:24:21.760
<v Speaker 2>Leanne Reims are completely beautiful, Thank you, And I loved

0:24:21.800 --> 0:24:23.920
<v Speaker 2>the songs without her, And then I heard the song

0:24:24.160 --> 0:24:27.600
<v Speaker 2>with her and it knocked me out. How did that happen?

0:24:27.880 --> 0:24:30.399
<v Speaker 2>And when she's singing? Is it easy for her?

0:24:30.440 --> 0:24:31.080
<v Speaker 1>If you know what I.

0:24:31.040 --> 0:24:36.680
<v Speaker 6>Mean, well, yes, she's an incredible singer. That's that's I

0:24:36.760 --> 0:24:40.840
<v Speaker 6>don't think that's up for debate really, but it came about,

0:24:40.840 --> 0:24:44.960
<v Speaker 6>I don't know, we were looking for another voice on the

0:24:45.040 --> 0:24:47.840
<v Speaker 6>record and we were just kind of trying to scour

0:24:48.440 --> 0:24:51.680
<v Speaker 6>just people we knew, people we'd heard of, and are

0:24:52.400 --> 0:24:55.280
<v Speaker 6>It's it's kind of like, I guess, maybe not as

0:24:55.280 --> 0:24:57.399
<v Speaker 6>exciting of a story as it could be, but it

0:24:57.440 --> 0:25:00.960
<v Speaker 6>was just our distribution company had reached picked up LeAnn

0:25:01.000 --> 0:25:03.280
<v Speaker 6>Rhyme's catalog and her name came up, and like in

0:25:03.320 --> 0:25:06.199
<v Speaker 6>a meeting that I was in, and uh, it was like,

0:25:06.280 --> 0:25:09.439
<v Speaker 6>let's ask lea Ane like I mean she you know,

0:25:09.560 --> 0:25:13.240
<v Speaker 6>growing up, I just remember that being one of the

0:25:13.280 --> 0:25:15.919
<v Speaker 6>strongest voices i'd ever heard, you know, I didn't. We

0:25:15.960 --> 0:25:18.720
<v Speaker 6>don't know or have any kind of personal connection, but

0:25:19.280 --> 0:25:22.640
<v Speaker 6>just kind of blindly reached out, and uh, I was surprised.

0:25:22.680 --> 0:25:24.520
<v Speaker 6>She said, yeah, just send over some music so I

0:25:24.520 --> 0:25:27.399
<v Speaker 6>can figure it out, like figure out a part and

0:25:27.440 --> 0:25:29.920
<v Speaker 6>then the rest. I don't know. It's just on the record,

0:25:29.920 --> 0:25:32.240
<v Speaker 6>I guess, but it's that was quite an honor.

0:25:32.680 --> 0:25:34.800
<v Speaker 1>It said, were you in the room when she recorded her.

0:25:35.480 --> 0:25:38.359
<v Speaker 6>I didn't get to do that now, Yeah, but she

0:25:38.600 --> 0:25:43.480
<v Speaker 6>was really really open and and friendly about like working

0:25:43.600 --> 0:25:45.720
<v Speaker 6>up her harmony part. So we did get to do

0:25:45.760 --> 0:25:50.680
<v Speaker 6>a little collaboration there, and then you know, I I

0:25:50.720 --> 0:25:52.520
<v Speaker 6>don't have a lot of suggestions for a singer like

0:25:52.600 --> 0:25:56.399
<v Speaker 6>Leanne Rhymes. I mean my feedback was like, that's great.

0:25:57.640 --> 0:25:59.800
<v Speaker 2>She's been through so much, like you kind of forget

0:25:59.840 --> 0:26:02.520
<v Speaker 2>how great she is. I mean, that's the reason she

0:26:02.560 --> 0:26:06.080
<v Speaker 2>became huge early is because her voice is otherworldly.

0:26:06.480 --> 0:26:10.119
<v Speaker 6>Yeah, it's she's had quite a you know, a like

0:26:10.240 --> 0:26:14.040
<v Speaker 6>fantastic and diverse career. Yeah, but it was really it

0:26:14.160 --> 0:26:16.280
<v Speaker 6>was really cool, and it was that was another thing

0:26:16.359 --> 0:26:18.359
<v Speaker 6>like kind of like what I was saying earlier about

0:26:18.359 --> 0:26:21.320
<v Speaker 6>it just seemed like fake, you know, like what Leanne

0:26:21.359 --> 0:26:23.680
<v Speaker 6>Rymes is gonna sing on her? Sure? What the hell

0:26:24.280 --> 0:26:27.160
<v Speaker 6>you know? And then so I don't know. I thought

0:26:27.240 --> 0:26:28.639
<v Speaker 6>she just knocked it out of the park. And she

0:26:28.800 --> 0:26:31.400
<v Speaker 6>was a real just like we were talking about Dave

0:26:31.400 --> 0:26:35.399
<v Speaker 6>Matthews or whatever, just a real humble and and warm

0:26:35.520 --> 0:26:38.800
<v Speaker 6>person to work with. And I you know, there's the

0:26:38.920 --> 0:26:41.400
<v Speaker 6>old adage don't meet your heroes or whatever. You think

0:26:41.480 --> 0:26:44.040
<v Speaker 6>like you might not want to get too much behind

0:26:44.040 --> 0:26:46.320
<v Speaker 6>the scenes with people with that amount of fame. But

0:26:46.920 --> 0:26:49.120
<v Speaker 6>at least in those two cases, they were both wonderful.

0:26:49.960 --> 0:26:50.600
<v Speaker 3>That's sweet.

0:26:50.840 --> 0:26:53.720
<v Speaker 6>Yeah, I like to report that to everybody. Yeah, yeah,

0:26:53.960 --> 0:26:54.800
<v Speaker 6>that's good for sure.

0:26:54.880 --> 0:26:56.800
<v Speaker 2>Maybe of the song I'm talking about, but but there's

0:26:56.840 --> 0:26:58.480
<v Speaker 2>two of them. But the one I'm specifically talking about

0:26:58.520 --> 0:27:01.000
<v Speaker 2>is called out of Time, which is a great song.

0:27:01.040 --> 0:27:01.400
<v Speaker 1>By the way.

0:27:01.400 --> 0:27:02.679
<v Speaker 2>The only thing I know for sure is we all

0:27:02.760 --> 0:27:05.200
<v Speaker 2>run out of Time. That's just a great tune, man,

0:27:05.240 --> 0:27:06.480
<v Speaker 2>Thank you, Chris, great.

0:27:06.280 --> 0:27:10.639
<v Speaker 4>Song, David. How how often does Turtles may I just

0:27:10.680 --> 0:27:11.000
<v Speaker 4>call you?

0:27:11.280 --> 0:27:13.400
<v Speaker 6>Yeah, yeah, we're there, it's fine.

0:27:13.440 --> 0:27:17.800
<v Speaker 5>How often does Turtles work on new music? And how

0:27:17.800 --> 0:27:21.800
<v Speaker 5>do you know when it's time to work on new music?

0:27:21.840 --> 0:27:22.399
<v Speaker 4>Collectively?

0:27:22.400 --> 0:27:25.600
<v Speaker 5>Because you all, I would assume come together, go off

0:27:25.640 --> 0:27:26.960
<v Speaker 5>and do your own things come together.

0:27:27.040 --> 0:27:29.800
<v Speaker 4>How do you know when it's time to do new music?

0:27:29.960 --> 0:27:32.520
<v Speaker 6>Yeah, I mean, good question. I don't know. It just

0:27:32.560 --> 0:27:36.119
<v Speaker 6>feels right. We're working on it now, and I'm working

0:27:36.119 --> 0:27:38.240
<v Speaker 6>on a batch of songs, and we're gonna go and

0:27:38.240 --> 0:27:42.919
<v Speaker 6>hopefully go into the studio this year, and and you know,

0:27:43.040 --> 0:27:46.520
<v Speaker 6>it's it's I hate to make concrete plans in that

0:27:46.720 --> 0:27:51.200
<v Speaker 6>area because first of all, it takes me a long

0:27:51.240 --> 0:27:54.520
<v Speaker 6>time to write an album's worth of music. So I

0:27:54.840 --> 0:27:57.240
<v Speaker 6>kind of say, like, I'm feeling like doing that now,

0:27:57.280 --> 0:27:58.960
<v Speaker 6>and so I'll start writing and then we kind of

0:27:59.000 --> 0:28:02.600
<v Speaker 6>loosely plan a year around that. If I'm successful at

0:28:02.600 --> 0:28:07.359
<v Speaker 6>writing ten twelve, you know, songs that we all like,

0:28:08.440 --> 0:28:11.800
<v Speaker 6>we could probably go to the studio this month and

0:28:11.840 --> 0:28:14.160
<v Speaker 6>then try to try to keep it very you know,

0:28:14.400 --> 0:28:18.600
<v Speaker 6>non concrete, just to keep the I don't know, I

0:28:18.640 --> 0:28:22.400
<v Speaker 6>feel like creativity for me, when I start putting too

0:28:22.400 --> 0:28:26.159
<v Speaker 6>many hard walls around it, it kind of dies. So so

0:28:26.240 --> 0:28:27.600
<v Speaker 6>I don't know as far as like, how do I

0:28:27.640 --> 0:28:31.560
<v Speaker 6>know when I don't know, yeah, stars or something. Yeah,

0:28:34.320 --> 0:28:36.040
<v Speaker 6>maybe I just feel bored with what we've been playing

0:28:36.119 --> 0:28:37.960
<v Speaker 6>or something, and we need new songs. It's not as

0:28:37.960 --> 0:28:38.520
<v Speaker 6>simple as that.

0:28:38.680 --> 0:28:41.600
<v Speaker 4>And does nobody else write not?

0:28:41.600 --> 0:28:43.640
<v Speaker 6>Not really. I guess a couple of guys write some

0:28:43.720 --> 0:28:47.880
<v Speaker 6>instrumental stuff which we have recorded and had on albums.

0:28:47.920 --> 0:28:51.400
<v Speaker 6>But as far as most of the song writing is mine.

0:28:52.040 --> 0:28:54.880
<v Speaker 3>Straight cash HOMEI make that money.

0:28:55.120 --> 0:28:56.840
<v Speaker 6>I don't know what you know about the music business

0:28:58.200 --> 0:29:00.520
<v Speaker 6>correctly if I'm wrong, though, Dave, it's it seems like,

0:29:01.000 --> 0:29:03.280
<v Speaker 6>at least on most of the songs I know, all

0:29:03.320 --> 0:29:05.080
<v Speaker 6>the artists are credited as writers.

0:29:05.200 --> 0:29:08.440
<v Speaker 1>Yeah, split that I do. Yeah, Wow, Yeah, that's big man.

0:29:08.680 --> 0:29:13.680
<v Speaker 6>Early on in our career, you know, we had to

0:29:14.000 --> 0:29:17.240
<v Speaker 6>figure all that stuff out as far as you know

0:29:17.320 --> 0:29:19.680
<v Speaker 6>that it's a band, but it's also all of our livings,

0:29:19.680 --> 0:29:21.760
<v Speaker 6>so we had to make it a you know, legal

0:29:22.280 --> 0:29:25.120
<v Speaker 6>h And we were thinking about that, and there were

0:29:25.120 --> 0:29:27.920
<v Speaker 6>some other bands that I was looking as far as

0:29:27.960 --> 0:29:33.600
<v Speaker 6>songwriting goes, and I thought that the model where everybody

0:29:33.600 --> 0:29:35.680
<v Speaker 6>in the you know, I guess the short answer is

0:29:37.320 --> 0:29:39.520
<v Speaker 6>most of the people would never hear these songs without

0:29:39.560 --> 0:29:42.480
<v Speaker 6>that band. In my mind, and so I thought it's

0:29:42.520 --> 0:29:45.120
<v Speaker 6>only fair to carve them in, you know, fair.

0:29:46.000 --> 0:29:47.720
<v Speaker 3>I have a two part tool question. Since we were

0:29:47.760 --> 0:29:49.200
<v Speaker 3>just talking about Tool right before you get.

0:29:49.320 --> 0:29:51.040
<v Speaker 6>Listening on the way in. So I'd like to go

0:29:51.040 --> 0:29:52.080
<v Speaker 6>to that Spear show with you guys.

0:29:52.080 --> 0:29:53.920
<v Speaker 3>Well, so that's that. That's what I we're gonna ask

0:29:53.960 --> 0:29:55.800
<v Speaker 3>you about this fear. That was part two because you know,

0:29:55.880 --> 0:29:58.120
<v Speaker 3>Tool is a band. One of their nickname is your

0:29:58.240 --> 0:30:01.080
<v Speaker 3>favorite band's favorite band. Yeah, I'm sure you've heard that,

0:30:01.320 --> 0:30:04.360
<v Speaker 3>and your music is nothing like Tool, right, but my

0:30:04.800 --> 0:30:06.400
<v Speaker 3>guess is you have a lot of respect for what

0:30:06.440 --> 0:30:09.280
<v Speaker 3>they do exactly. So number one, I wanted to know

0:30:09.280 --> 0:30:10.840
<v Speaker 3>if you were a Tool fan, And then number two,

0:30:11.600 --> 0:30:13.280
<v Speaker 3>not just as a fan going to the Sphere, but

0:30:13.320 --> 0:30:16.160
<v Speaker 3>like when you see a venue like that and you

0:30:16.160 --> 0:30:19.560
<v Speaker 3>your vibe, that kind of Americana trampled vibe. Does that

0:30:19.680 --> 0:30:22.440
<v Speaker 3>play in a place like the Sphere or does music

0:30:22.480 --> 0:30:23.280
<v Speaker 3>play anywhere?

0:30:23.560 --> 0:30:26.560
<v Speaker 6>I like to think it plays anywhere, but I don't.

0:30:26.720 --> 0:30:29.480
<v Speaker 6>I mean, I honestly don't know. I think that that

0:30:29.760 --> 0:30:33.000
<v Speaker 6>still is so new that there's still like throwing darts

0:30:33.040 --> 0:30:34.840
<v Speaker 6>at it. See what works, you know what I mean?

0:30:36.240 --> 0:30:38.280
<v Speaker 6>I think, like what you said, I think Tool is

0:30:38.320 --> 0:30:40.920
<v Speaker 6>going to be really crazy cool there. I think they

0:30:41.000 --> 0:30:44.680
<v Speaker 6>Grateful Dead were great there, probably because that fits their vibe.

0:30:45.920 --> 0:30:48.160
<v Speaker 6>But I don't know if I mean, we wouldn't say no,

0:30:49.880 --> 0:30:52.640
<v Speaker 6>I don't think we could justify a residency at the sphere.

0:30:52.720 --> 0:30:54.320
<v Speaker 6>But if there was some kind of bill that we

0:30:54.360 --> 0:30:56.200
<v Speaker 6>would be on, I'd love to see it from the inside,

0:30:56.240 --> 0:30:58.680
<v Speaker 6>you know, like you said. Though I heard what you

0:30:58.720 --> 0:31:00.320
<v Speaker 6>said on the air about the production, we do know

0:31:00.360 --> 0:31:02.960
<v Speaker 6>a little bit about that, and it is insanely expensive.

0:31:03.480 --> 0:31:06.000
<v Speaker 6>So it has to be a band that can sell

0:31:06.040 --> 0:31:08.200
<v Speaker 6>tickets for like a month, you know.

0:31:08.680 --> 0:31:10.680
<v Speaker 3>And once you do a tool cover, you're looking for

0:31:10.720 --> 0:31:13.000
<v Speaker 3>new music. You did that awesome radio Head cover that

0:31:13.080 --> 0:31:14.080
<v Speaker 3>was a ten out of ten.

0:31:14.280 --> 0:31:16.200
<v Speaker 6>Yeah, that would be fun to figure out a tool song,

0:31:16.480 --> 0:31:20.160
<v Speaker 6>you know, speaking of that has my pay grade really has.

0:31:20.200 --> 0:31:22.880
<v Speaker 1>Has a band, whether a big time band or a

0:31:22.880 --> 0:31:25.400
<v Speaker 1>small time band, ever covered one of your songs in

0:31:25.440 --> 0:31:27.320
<v Speaker 1>a way that maybe you didn't expect that you liked.

0:31:27.640 --> 0:31:32.400
<v Speaker 6>Good question. Yeah, yeah, it's it's I feel like I'm

0:31:32.600 --> 0:31:34.400
<v Speaker 6>stacking the deck a little on the answer there, because

0:31:34.440 --> 0:31:38.040
<v Speaker 6>we did. We did a contest for that a couple

0:31:38.080 --> 0:31:42.440
<v Speaker 6>of years ago where we asked people to cover one

0:31:42.480 --> 0:31:44.400
<v Speaker 6>of our songs and send a video or just post

0:31:44.440 --> 0:31:47.280
<v Speaker 6>on Instagram or whatever, and then the winner of that

0:31:47.520 --> 0:31:49.400
<v Speaker 6>or you know, the person, the one that we like

0:31:49.480 --> 0:31:51.720
<v Speaker 6>the best, got to come. They come and played that

0:31:51.760 --> 0:31:54.320
<v Speaker 6>song with us at Red Rocks. They did we did

0:31:54.320 --> 0:31:57.120
<v Speaker 6>their version of it, oh with them singing it or whatever.

0:31:57.200 --> 0:31:59.240
<v Speaker 6>So I actually got a whole lot of that in

0:31:59.280 --> 0:32:02.040
<v Speaker 6>a short amount of time. And it was really amazing

0:32:02.520 --> 0:32:04.760
<v Speaker 6>and humbling, you know, to see all these people play

0:32:05.280 --> 0:32:07.160
<v Speaker 6>a song that I wrote or whatever, but it was

0:32:07.800 --> 0:32:10.720
<v Speaker 6>they picked whatever song they wanted. It was really cool,

0:32:10.760 --> 0:32:12.120
<v Speaker 6>almost embarrassing cool.

0:32:13.280 --> 0:32:14.760
<v Speaker 3>I don't even know how you wrap your head around

0:32:14.800 --> 0:32:17.640
<v Speaker 3>the fact if if you're their favorite band, they're singing

0:32:18.200 --> 0:32:20.360
<v Speaker 3>one of their favorite songs with their favorite band on

0:32:20.520 --> 0:32:23.160
<v Speaker 3>arguably the greatest venue in the.

0:32:24.160 --> 0:32:26.920
<v Speaker 6>Amazing job too. It was so cool. And she's you know,

0:32:27.040 --> 0:32:30.800
<v Speaker 6>young and just kind of starting out in her music career,

0:32:30.800 --> 0:32:33.640
<v Speaker 6>which is what she wants, and it was great and

0:32:33.680 --> 0:32:36.440
<v Speaker 6>she was like I was way more nervous than she,

0:32:36.960 --> 0:32:42.440
<v Speaker 6>you know, I don't know, I've always impressed by It's

0:32:42.480 --> 0:32:46.560
<v Speaker 6>it's an interesting experience having somebody play my song, and

0:32:46.600 --> 0:32:50.280
<v Speaker 6>it's it's always very flattering and it's I'm always like

0:32:50.320 --> 0:32:53.120
<v Speaker 6>surprised that somebody even knows enough to do that, you know,

0:32:53.960 --> 0:32:56.640
<v Speaker 6>But yeah, it's it's it's it's incredible.

0:32:56.760 --> 0:32:58.960
<v Speaker 3>You on the Red Rocks calendar again this summer.

0:32:59.000 --> 0:33:02.280
<v Speaker 6>No, we're still on a little hiatus from uh from that,

0:33:02.400 --> 0:33:04.440
<v Speaker 6>which is good. We did it ten years in a

0:33:04.520 --> 0:33:07.560
<v Speaker 6>row or something, and we wanted to try to you

0:33:07.600 --> 0:33:09.400
<v Speaker 6>know how it is when you play, like if we

0:33:09.400 --> 0:33:11.400
<v Speaker 6>play a show there, that's a really big van, that's

0:33:11.400 --> 0:33:13.240
<v Speaker 6>the biggest venue for us. That's you know, a lot

0:33:13.280 --> 0:33:15.240
<v Speaker 6>of bands will play that as like a smaller place

0:33:15.280 --> 0:33:17.440
<v Speaker 6>to play because it's cool, but for us that's the

0:33:17.440 --> 0:33:20.360
<v Speaker 6>biggest thing. And so when we do that, we can't

0:33:20.360 --> 0:33:23.920
<v Speaker 6>really play in that area anywhere else. Yeah, And so

0:33:23.960 --> 0:33:26.600
<v Speaker 6>we wanted a couple of years to go explore other

0:33:26.680 --> 0:33:28.880
<v Speaker 6>places in Colorado that we haven't been for a while,

0:33:28.920 --> 0:33:32.000
<v Speaker 6>and and some some other stuff like that in the neighborhood,

0:33:32.000 --> 0:33:34.480
<v Speaker 6>which has been really fun. This year. We're we have

0:33:34.840 --> 0:33:37.400
<v Speaker 6>some I just realized it's not announced it, but a

0:33:37.520 --> 0:33:39.240
<v Speaker 6>couple of other Colorado things that we're going to do

0:33:39.240 --> 0:33:42.320
<v Speaker 6>which we wouldn't be able to do. Hopefully, you know,

0:33:42.560 --> 0:33:44.120
<v Speaker 6>in the next couple of years we'll get back over

0:33:44.120 --> 0:33:47.080
<v Speaker 6>there though, because it's the coolest. Hey, Dave, question for you,

0:33:47.160 --> 0:33:48.240
<v Speaker 6>where's Zach voice comes?

0:33:51.720 --> 0:33:52.880
<v Speaker 3>I'm in Minnetonka.

0:33:54.560 --> 0:33:57.680
<v Speaker 7>No you you opened, you guys open for Zach Bryan

0:33:58.040 --> 0:34:00.560
<v Speaker 7>on that big tour, And I want to ask about

0:34:00.600 --> 0:34:04.080
<v Speaker 7>the stage setup that they had there, being in the

0:34:04.160 --> 0:34:07.520
<v Speaker 7>round like that, what was it like being basically surrounded

0:34:07.560 --> 0:34:12.080
<v Speaker 7>by people and what was that experience like not having

0:34:12.120 --> 0:34:15.360
<v Speaker 7>the the I guess safety net of a stage behind you.

0:34:16.200 --> 0:34:20.080
<v Speaker 6>Well, yeah, that that. We have a couple more shows

0:34:20.120 --> 0:34:22.560
<v Speaker 6>coming up with Zach this year too. That like witnessing that.

0:34:22.800 --> 0:34:26.839
<v Speaker 6>Especially that tour we were on was this first arena tour,

0:34:27.480 --> 0:34:30.760
<v Speaker 6>and I mean we might as well have been opening

0:34:30.800 --> 0:34:32.640
<v Speaker 6>for the Beatles, you know what I mean. I've never

0:34:32.680 --> 0:34:36.319
<v Speaker 6>seen a crowd like that before. Like I remember in

0:34:37.120 --> 0:34:39.520
<v Speaker 6>Oh Man, I wish I could remember what city was in,

0:34:39.560 --> 0:34:43.640
<v Speaker 6>but one of these arenas looking over well while he

0:34:43.760 --> 0:34:46.040
<v Speaker 6>was playing, not while we were playing, and seeing this

0:34:46.239 --> 0:34:52.440
<v Speaker 6>like six foot five like grown man cowboy just just yeah,

0:34:52.640 --> 0:34:56.360
<v Speaker 6>just sobbing because like tears streaming down his face. And

0:34:56.360 --> 0:34:59.520
<v Speaker 6>I was like, man, I've never I've never seen passion

0:34:59.600 --> 0:35:03.879
<v Speaker 6>like that. It was yeah, really cool experience. Thankfully, we

0:35:03.880 --> 0:35:07.600
<v Speaker 6>were mostly pretty well received, you know, at that it's

0:35:07.600 --> 0:35:09.960
<v Speaker 6>something like that everybody just wants to they've never seen

0:35:10.040 --> 0:35:12.319
<v Speaker 6>Zach before you know. That was the first one as

0:35:12.360 --> 0:35:15.880
<v Speaker 6>far as the stage goes. For us as the opening band,

0:35:15.880 --> 0:35:17.840
<v Speaker 6>we were on one of the wings, so we didn't

0:35:17.880 --> 0:35:21.399
<v Speaker 6>really fully take advantage of the round, but it was

0:35:22.080 --> 0:35:23.760
<v Speaker 6>I would say that I thought it was a really

0:35:23.760 --> 0:35:27.279
<v Speaker 6>great production it. I mean I could have I don't

0:35:27.280 --> 0:35:28.640
<v Speaker 6>know if we might as well been standing on a

0:35:28.640 --> 0:35:29.319
<v Speaker 6>pyramid up there.

0:35:30.239 --> 0:35:30.520
<v Speaker 3>Matter.

0:35:31.040 --> 0:35:33.839
<v Speaker 6>You know, we played early in forty five minutes opening gig,

0:35:33.880 --> 0:35:39.680
<v Speaker 6>but I will that's another another person and crew of people,

0:35:39.719 --> 0:35:42.480
<v Speaker 6>Like the whole crew of that toured was acted pretty

0:35:42.520 --> 0:35:45.360
<v Speaker 6>much most of them still do. Were some of the

0:35:45.400 --> 0:35:48.360
<v Speaker 6>most welcoming and great people that we've worked with. Absolutely,

0:35:48.920 --> 0:35:54.319
<v Speaker 6>what was Far Made like Farm Made was great. Yeah,

0:35:54.360 --> 0:36:00.120
<v Speaker 6>I mean my kids thought it was too long, but

0:36:00.440 --> 0:36:02.200
<v Speaker 6>such a cool experience. But I don't know, any time

0:36:02.239 --> 0:36:04.120
<v Speaker 6>you get to see like that, that bill of people,

0:36:04.160 --> 0:36:05.480
<v Speaker 6>I might be the only time you get to see

0:36:05.480 --> 0:36:06.160
<v Speaker 6>that bill of people.

0:36:06.360 --> 0:36:09.920
<v Speaker 2>You know, anybody, in particular our group of people that

0:36:09.960 --> 0:36:11.520
<v Speaker 2>you met. Again, we're talking to Dave some of that

0:36:11.600 --> 0:36:13.120
<v Speaker 2>to Trample by Turtles and dead Man.

0:36:13.239 --> 0:36:16.360
<v Speaker 6>That's actually where I met Dave Matthews. Yeah, he was

0:36:16.360 --> 0:36:18.200
<v Speaker 6>standing on the side of the stage while we played

0:36:18.239 --> 0:36:21.000
<v Speaker 6>and and came off and and and met him there.

0:36:21.000 --> 0:36:23.160
<v Speaker 6>But yeah, I got I got to say how to

0:36:23.239 --> 0:36:29.600
<v Speaker 6>Neil Young for like one second, which was really real highlight. Yeah,

0:36:29.600 --> 0:36:34.360
<v Speaker 6>but we had just done a tour with Willie Nelson

0:36:34.400 --> 0:36:38.040
<v Speaker 6>and Bob Dylan that summer up until then, so we

0:36:38.040 --> 0:36:41.160
<v Speaker 6>we had and I have I met Willie because we

0:36:41.160 --> 0:36:43.160
<v Speaker 6>we've toured with him a little bit. Actually I never

0:36:43.239 --> 0:36:46.080
<v Speaker 6>nobody met Bob. That's that's a whole different story probably,

0:36:46.120 --> 0:36:49.520
<v Speaker 6>But I met a lot of their crew, and that's

0:36:49.719 --> 0:36:51.360
<v Speaker 6>a lot of times, I don't know, man on tours

0:36:51.400 --> 0:36:52.839
<v Speaker 6>like that, a lot of times we end up hanging

0:36:52.880 --> 0:36:55.840
<v Speaker 6>out with everybody else's crew. I think that that's maybe

0:36:55.920 --> 0:36:59.960
<v Speaker 6>more our vibe, you know, like hanging out in the parking,

0:37:00.080 --> 0:37:02.520
<v Speaker 6>not with the text and the stage hands.

0:37:02.719 --> 0:37:05.719
<v Speaker 8>So did Dave see you guys at farm Hand and

0:37:05.840 --> 0:37:08.120
<v Speaker 8>was like, you guys should come on tour with us.

0:37:11.360 --> 0:37:14.040
<v Speaker 6>Know, we had we had booked the Mexico show already,

0:37:14.040 --> 0:37:17.319
<v Speaker 6>but that's when he'd pretty much had asked us to

0:37:17.480 --> 0:37:20.759
<v Speaker 6>play with him. That was there, Yeah, Yeah, it was.

0:37:21.160 --> 0:37:23.520
<v Speaker 6>It was a really cool experience and a cause in

0:37:23.520 --> 0:37:26.600
<v Speaker 6>which I believe, you know, So it was it was

0:37:27.160 --> 0:37:29.480
<v Speaker 6>an honor to kind of to raise awareness and money

0:37:29.520 --> 0:37:33.160
<v Speaker 6>for their mission, and also just to as a concert goer,

0:37:33.200 --> 0:37:35.520
<v Speaker 6>just to kick back and watch a bunch of legends

0:37:35.520 --> 0:37:37.399
<v Speaker 6>play songs all day. It's very cool.

0:37:37.440 --> 0:37:39.680
<v Speaker 3>So is the Dylan story not arable or is it not?

0:37:40.680 --> 0:37:42.799
<v Speaker 6>I mean, it's nothing new. I don't think with him,

0:37:43.360 --> 0:37:46.200
<v Speaker 6>he's just a very private person, you know. Uh so

0:37:46.280 --> 0:37:49.040
<v Speaker 6>he you know, he he's kind of like walks, walks

0:37:49.080 --> 0:37:50.960
<v Speaker 6>through the venue on his way to the stage, plays

0:37:50.960 --> 0:37:55.319
<v Speaker 6>the show, walks back out kind of thing. And you know,

0:37:55.480 --> 0:37:58.279
<v Speaker 6>I never fault anybody for that kind of He was

0:37:58.360 --> 0:38:02.839
<v Speaker 6>never rude or meet, you know, disrespectful to anybody. That's

0:38:02.880 --> 0:38:05.960
<v Speaker 6>just how he's comfortable and getting on stage even after

0:38:06.040 --> 0:38:08.760
<v Speaker 6>as long as he's done it, everybody's got their own routine.

0:38:09.320 --> 0:38:13.240
<v Speaker 6>And so I always think like, yeah, whatever whatever makes

0:38:13.280 --> 0:38:16.280
<v Speaker 6>it makes your anxiety relax to get up there, that's.

0:38:16.120 --> 0:38:18.319
<v Speaker 2>What you got to do when you're writing like you

0:38:18.360 --> 0:38:21.000
<v Speaker 2>are right now. Can you listen to other people's music

0:38:21.040 --> 0:38:21.880
<v Speaker 2>or do you have to stay away?

0:38:22.719 --> 0:38:22.799
<v Speaker 7>No?

0:38:22.920 --> 0:38:24.440
<v Speaker 6>I do? I mean I always do.

0:38:25.239 --> 0:38:25.359
<v Speaker 4>Uh.

0:38:27.000 --> 0:38:31.600
<v Speaker 6>It's I don't know if anybody's innocent of theft and songwriting,

0:38:31.640 --> 0:38:34.279
<v Speaker 6>you know what I mean? And I think most of

0:38:34.320 --> 0:38:38.120
<v Speaker 6>it is unconscious and you just absorb everything you hear

0:38:38.160 --> 0:38:40.600
<v Speaker 6>all the time, and it made me. I like to

0:38:40.680 --> 0:38:43.280
<v Speaker 6>think it kind of distills in your brain and comes

0:38:43.280 --> 0:38:47.800
<v Speaker 6>back out something a little bit different. I Yeah, there's

0:38:47.840 --> 0:38:50.640
<v Speaker 6>sometimes when somebody is too good, Like I think, maybe

0:38:50.440 --> 0:38:52.920
<v Speaker 6>I try not to be competitive in music, but I

0:38:52.960 --> 0:38:55.759
<v Speaker 6>think sometimes I can't help it. Like sometimes I'll hear,

0:38:56.719 --> 0:39:00.520
<v Speaker 6>for instance, there's this band Big Thief. Maybe you guys

0:39:00.520 --> 0:39:04.200
<v Speaker 6>know that band. Their songwriter, Adrian Linker, to me, is

0:39:04.239 --> 0:39:08.080
<v Speaker 6>one of the most interesting songwriters of our time right now,

0:39:08.520 --> 0:39:10.920
<v Speaker 6>and so I'm not listening to any of them at

0:39:10.960 --> 0:39:13.400
<v Speaker 6>the moment because I'll hear a song like that she

0:39:13.560 --> 0:39:18.880
<v Speaker 6>wrote and I'll just want to retire. She said it art.

0:39:20.760 --> 0:39:23.200
<v Speaker 6>But for me, my main challenge is trying to come

0:39:23.280 --> 0:39:26.319
<v Speaker 6>up with a chord progression or a melody or you know,

0:39:26.360 --> 0:39:28.919
<v Speaker 6>a phrase that I haven't already haven't done before. Yeah,

0:39:29.080 --> 0:39:31.759
<v Speaker 6>And like I was saying to my wife yesterday because

0:39:31.800 --> 0:39:33.680
<v Speaker 6>I was writing and I was really frustrated, and I

0:39:33.719 --> 0:39:35.480
<v Speaker 6>told her, I think I'm out of words, like I

0:39:35.600 --> 0:39:38.120
<v Speaker 6>used them all all the words that I know. So

0:39:38.200 --> 0:39:40.200
<v Speaker 6>I try to, especially in times like this, I do

0:39:40.280 --> 0:39:43.680
<v Speaker 6>a lot of writing exercises, and I reach out and

0:39:43.760 --> 0:39:47.719
<v Speaker 6>try to find other writers that have published advice or

0:39:48.880 --> 0:39:52.759
<v Speaker 6>you know, your brain can keep moving, so it's trying

0:39:52.760 --> 0:39:54.800
<v Speaker 6>to find new ways to unlock that stuff.

0:39:54.840 --> 0:39:56.759
<v Speaker 1>Can you use alternate tunings or is it hard to

0:39:56.760 --> 0:39:58.239
<v Speaker 1>do a little bit?

0:39:58.360 --> 0:40:01.239
<v Speaker 6>But yeah, I'm not a great guitar player. Probably a

0:40:01.280 --> 0:40:04.120
<v Speaker 6>first tell you that you're doing just fine. It seems

0:40:04.160 --> 0:40:04.680
<v Speaker 6>like you're doing.

0:40:06.480 --> 0:40:08.319
<v Speaker 2>When you're on stage. I've always wanted to ask you this,

0:40:08.360 --> 0:40:09.880
<v Speaker 2>and I never got a chance. When you're on stage,

0:40:09.880 --> 0:40:12.680
<v Speaker 2>we're traveled by turtles, and there's no drummer. Who is

0:40:12.719 --> 0:40:13.680
<v Speaker 2>the metronome of the band?

0:40:13.719 --> 0:40:15.040
<v Speaker 1>Is it you? Is it your right hand?

0:40:15.719 --> 0:40:19.480
<v Speaker 6>Everybody in that band would say it's somebody else, which

0:40:19.520 --> 0:40:22.040
<v Speaker 6>is probably why it works, you know what I mean.

0:40:22.320 --> 0:40:25.600
<v Speaker 6>Nobody is really saddled with that. I think each person

0:40:25.680 --> 0:40:29.680
<v Speaker 6>kind of follows something unique to them, and so it

0:40:30.000 --> 0:40:32.640
<v Speaker 6>only really works when it's all happening together and it's

0:40:32.960 --> 0:40:35.720
<v Speaker 6>a very fluid tempo. Usually.

0:40:35.800 --> 0:40:37.160
<v Speaker 1>Yeah, and I would guess you guys don't use a

0:40:37.160 --> 0:40:37.920
<v Speaker 1>click or anything like that.

0:40:37.920 --> 0:40:41.680
<v Speaker 6>Right, No, No, I can't do it. Yeah, if we're

0:40:41.760 --> 0:40:44.799
<v Speaker 6>it's we've tried, you know, in the studio, before and

0:40:44.840 --> 0:40:48.160
<v Speaker 6>it really we're no good when we're that good, if

0:40:48.200 --> 0:40:50.120
<v Speaker 6>that makes sense, Yeah, yeah.

0:40:49.800 --> 0:40:51.799
<v Speaker 1>Yeah, for sure. Hey, the Beatles didn't use.

0:40:51.680 --> 0:40:54.040
<v Speaker 6>It, right, Yeah, I don't even know if they had it,

0:40:54.400 --> 0:40:57.520
<v Speaker 6>I'm saying, right, yeah, yeah, I don't know. It's it's

0:40:57.719 --> 0:41:00.880
<v Speaker 6>I we had whatever it is that we have together

0:41:01.040 --> 0:41:05.439
<v Speaker 6>playing as far as our tempo and rhythm goes. It's

0:41:05.520 --> 0:41:08.160
<v Speaker 6>just something that that for us is a little bit

0:41:08.280 --> 0:41:12.000
<v Speaker 6>unresearched and I almost superstitious. They don't want to dig

0:41:12.040 --> 0:41:12.960
<v Speaker 6>into it too far, you know.

0:41:13.320 --> 0:41:15.439
<v Speaker 2>Yeah, yeah, I can see that for sure. Who else

0:41:15.480 --> 0:41:17.319
<v Speaker 2>besides big thiefs should we be listening to that way?

0:41:17.320 --> 0:41:18.399
<v Speaker 1>Don't that we don't know about?

0:41:18.440 --> 0:41:18.560
<v Speaker 3>Uh?

0:41:19.160 --> 0:41:21.520
<v Speaker 6>Well, you guys ever listened to Eric Coskin and he's

0:41:21.520 --> 0:41:23.920
<v Speaker 6>a local guy. I'm going to see him on Friday.

0:41:25.000 --> 0:41:27.120
<v Speaker 6>He's one of my favorite artists right now too. Also

0:41:27.120 --> 0:41:27.840
<v Speaker 6>a great songwriter.

0:41:28.480 --> 0:41:29.879
<v Speaker 1>Great, thank you. That's pretty cool.

0:41:30.800 --> 0:41:34.280
<v Speaker 3>Where are you at in the uh the Billy Corgan

0:41:34.400 --> 0:41:37.320
<v Speaker 3>theory that AI is going to wipe out all music

0:41:37.360 --> 0:41:39.640
<v Speaker 3>creativity in the next five years. He is a pretty

0:41:39.640 --> 0:41:42.040
<v Speaker 3>gloom outlook that this is going the wrong way pretty fast?

0:41:42.040 --> 0:41:46.040
<v Speaker 3>Where you want to guy? I mean, he makes good

0:41:46.080 --> 0:41:48.520
<v Speaker 3>points but maybe his timeline is off it. How do

0:41:48.560 --> 0:41:50.000
<v Speaker 3>you feel so far? What have you seen out of

0:41:50.000 --> 0:41:52.680
<v Speaker 3>the impact of AI and in the music industry.

0:41:53.239 --> 0:41:57.120
<v Speaker 6>I'm not a it's a hard it's hard for me

0:41:57.280 --> 0:41:59.200
<v Speaker 6>to talk. I feel like me to talk about without

0:41:59.280 --> 0:42:01.920
<v Speaker 6>sounding it's like an old man yelling at clouds, you know,

0:42:02.800 --> 0:42:06.920
<v Speaker 6>because it's like these kids in their new technology. I

0:42:07.480 --> 0:42:10.880
<v Speaker 6>my my personal opinion is I don't love it. I

0:42:10.920 --> 0:42:15.440
<v Speaker 6>think that I've seen some writing. Thankfully now I feel

0:42:15.440 --> 0:42:17.480
<v Speaker 6>like I can pick it out. But I don't think

0:42:17.480 --> 0:42:21.080
<v Speaker 6>we're that far from a lot of popular artists leaning

0:42:21.120 --> 0:42:24.440
<v Speaker 6>heavily on AI. I also don't think that most people

0:42:24.480 --> 0:42:27.440
<v Speaker 6>care if they do, so, I don't know. I think

0:42:27.480 --> 0:42:32.040
<v Speaker 6>that it's it's not going anywhere. I don't plan on

0:42:32.160 --> 0:42:34.719
<v Speaker 6>using it in my own writing life, because for me,

0:42:34.840 --> 0:42:38.839
<v Speaker 6>that's my favorite art form, is writing. But I do

0:42:38.920 --> 0:42:43.680
<v Speaker 6>think that that it is probably already has a larger

0:42:43.719 --> 0:42:47.080
<v Speaker 6>impact than people know. Yeah, and I think it's we'll

0:42:47.160 --> 0:42:49.520
<v Speaker 6>just keep I don't. I mean, I don't think we're

0:42:49.560 --> 0:42:52.680
<v Speaker 6>that far away from having a fully simulated acts you know.

0:42:54.120 --> 0:42:56.680
<v Speaker 2>Do you You don't even have to tell me, but

0:42:57.280 --> 0:42:59.840
<v Speaker 2>do you have a favorite lyric that you ever wrote,

0:43:00.480 --> 0:43:02.480
<v Speaker 2>would I ask you that question that nothing comes to mind?

0:43:02.640 --> 0:43:04.480
<v Speaker 6>No, I wouldn't say it if I did either.

0:43:04.640 --> 0:43:08.680
<v Speaker 3>Yeah, smart, so you know it's a great thing.

0:43:09.080 --> 0:43:13.040
<v Speaker 6>Yeah me, No, So for me, I like, I'm usually

0:43:13.120 --> 0:43:16.560
<v Speaker 6>most excited about what's coming. And I heard you guys

0:43:16.560 --> 0:43:18.719
<v Speaker 6>talking trash about the Tool making a new record, which

0:43:18.760 --> 0:43:23.080
<v Speaker 6>I wanted to tell you to knock that off. They

0:43:23.640 --> 0:43:25.960
<v Speaker 6>you know that's the same. If it's it's it's uh.

0:43:26.920 --> 0:43:29.200
<v Speaker 6>I mean, you just want to keep making music, And

0:43:29.480 --> 0:43:31.600
<v Speaker 6>I think everybody should be, even if you know a

0:43:31.640 --> 0:43:33.440
<v Speaker 6>lot of your fans are most excited about something you

0:43:33.440 --> 0:43:36.000
<v Speaker 6>did twenty years ago. I think that if the artist

0:43:36.080 --> 0:43:38.120
<v Speaker 6>is most excited about what they're doing now, that probably

0:43:38.200 --> 0:43:40.360
<v Speaker 6>keeps them pretty relevant and at least more exciting to

0:43:40.400 --> 0:43:41.200
<v Speaker 6>watch on stage.

0:43:41.280 --> 0:43:41.480
<v Speaker 3>Yeah.

0:43:42.080 --> 0:43:45.880
<v Speaker 4>The have you ever heard the lyric Marnie's Gone and

0:43:45.920 --> 0:43:46.600
<v Speaker 4>no one cares?

0:43:47.360 --> 0:43:48.600
<v Speaker 6>You know, tell me about it?

0:43:48.640 --> 0:43:49.200
<v Speaker 4>Didn't do well?

0:43:49.480 --> 0:43:53.479
<v Speaker 3>It was AI generated but yeah, really good hook.

0:43:53.600 --> 0:43:55.480
<v Speaker 1>Yeah, but I thought the AI hit it right on

0:43:55.480 --> 0:43:55.799
<v Speaker 1>the money.

0:43:55.880 --> 0:43:56.080
<v Speaker 2>Yeah.

0:43:56.200 --> 0:43:57.239
<v Speaker 1>The only time I've ever been.

0:43:57.160 --> 0:43:58.680
<v Speaker 4>Fans, I didn't love it.

0:43:58.800 --> 0:44:01.400
<v Speaker 3>Yea, even Billy cork and loved it. Yeah, that's what

0:44:01.400 --> 0:44:02.359
<v Speaker 3>made him change his mind.

0:44:03.680 --> 0:44:05.160
<v Speaker 6>I take back everything I said.

0:44:06.360 --> 0:44:08.239
<v Speaker 2>Well, it's just so great to see you man, Thanks

0:44:08.239 --> 0:44:09.920
<v Speaker 2>for coming out, and if you're gonna be around for

0:44:09.960 --> 0:44:12.440
<v Speaker 2>a while, please feel free to join us anytime. This

0:44:12.560 --> 0:44:14.520
<v Speaker 2>studio belongs to you, anytime you want to come hang out.

0:44:14.600 --> 0:44:16.080
<v Speaker 6>Thank you. Good to see everybody.

0:44:16.000 --> 0:44:18.360
<v Speaker 1>Yeah, like great to see your success.

0:44:18.800 --> 0:44:19.160
<v Speaker 3>Thank you.

0:44:19.360 --> 0:44:21.400
<v Speaker 1>Yeah man, Yeah, Martin, you get a setlist?

0:44:21.400 --> 0:44:23.600
<v Speaker 3>What do you do with that setlist? Frame it? Probably? Yeah,

0:44:24.000 --> 0:44:25.719
<v Speaker 3>when you do those picks, learn how to play guitar

0:44:25.800 --> 0:44:28.480
<v Speaker 3>or the ukulele or something. No, I'll probably put them

0:44:28.480 --> 0:44:31.040
<v Speaker 3>in the frame. Oh man, that's how I end.

0:44:31.239 --> 0:44:33.720
<v Speaker 5>Why is the set list in the shape of a receipt?

0:44:33.760 --> 0:44:35.040
<v Speaker 5>I've never seen that before.

0:44:35.480 --> 0:44:40.320
<v Speaker 3>They've got that CBS, yes, metaphor maybe that's exactly right. Yeah, yeah,

0:44:42.360 --> 0:44:43.520
<v Speaker 3>show the camera sauce.

0:44:43.680 --> 0:44:45.400
<v Speaker 1>Yeah, could you please show us these are cameras?

0:44:46.080 --> 0:44:52.080
<v Speaker 3>Yeah, yeah, there is wow pay twenty five bangers a night.

0:44:52.520 --> 0:44:56.280
<v Speaker 8>Yeah, probably twenty five is wow. I lost, but yeah

0:44:56.320 --> 0:44:58.640
<v Speaker 8>a lot. Yeah, I can't wait to see him. They'll

0:44:58.640 --> 0:45:00.640
<v Speaker 8>be here in Junie old man.

0:45:00.760 --> 0:45:01.319
<v Speaker 1>Can't wait now.

0:45:01.480 --> 0:45:03.160
<v Speaker 2>Maybe traveled By Turtles will be on stage with him.

0:45:03.200 --> 0:45:06.239
<v Speaker 2>You never know, you never know, We never know, Matt right,

0:45:06.360 --> 0:45:07.440
<v Speaker 2>yeah right.

0:45:07.360 --> 0:45:09.319
<v Speaker 3>Maybe you should take Dave with you because he got

0:45:09.320 --> 0:45:12.040
<v Speaker 3>you the set Listen, you want to go with you?

0:45:12.080 --> 0:45:12.319
<v Speaker 8>All right?

0:45:12.360 --> 0:45:13.880
<v Speaker 3>You can go show with you, yeah, and then you

0:45:13.880 --> 0:45:15.719
<v Speaker 3>can come to Tool with us next year. Are you

0:45:15.760 --> 0:45:16.840
<v Speaker 3>a Vegas guy anyway?

0:45:17.640 --> 0:45:20.279
<v Speaker 6>No, but for the sphere, I'll go for that.

0:45:20.360 --> 0:45:22.680
<v Speaker 3>Let's go. All right, Well, let's take a Tool trip

0:45:22.680 --> 0:45:24.440
<v Speaker 3>in twenty twenty seven. Do you want to go.

0:45:24.600 --> 0:45:26.839
<v Speaker 4>Well, I'm seeing Sarah Evans at Windstock. If you want

0:45:26.840 --> 0:45:27.920
<v Speaker 4>to come, move very similar.

0:45:28.200 --> 0:45:30.480
<v Speaker 6>I'd like to go to a show with everybody.

0:45:30.640 --> 0:45:33.239
<v Speaker 3>All right, let's do it to see on the bill.

0:45:33.320 --> 0:45:35.200
<v Speaker 2>Next time you play Red Rocks, I'll pay you a

0:45:35.239 --> 0:45:38.319
<v Speaker 2>thousand dollars. Let me play one song on my guitar.

0:45:39.280 --> 0:45:39.600
<v Speaker 9>All right?

0:45:40.480 --> 0:45:43.120
<v Speaker 3>Nine to noon is next. The Power Trip returns tomorrow

0:45:43.239 --> 0:45:44.399
<v Speaker 3>five thirty to nine.

0:45:44.520 --> 0:45:52.879
<v Speaker 2>Right here on the thing, You too have a dam,

0:45:52.920 --> 0:45:54.200
<v Speaker 2>But keep on dreaming of baby girl.

0:45:54.239 --> 0:45:56.440
<v Speaker 1>It's gonna be a great day.