1 00:00:17,400 --> 00:00:20,799 Speaker 1: All right, eight o'clock hours officially. 2 00:00:20,520 --> 00:00:25,200 Speaker 2: Here Doctor Morning Show, and uh you get in sports 3 00:00:25,239 --> 00:00:29,000 Speaker 2: again momentarily. Hey Mark Dad, some people asking me this weekend, yes, 4 00:00:29,160 --> 00:00:31,960 Speaker 2: because they heard your big news, you know, about the 5 00:00:32,000 --> 00:00:32,919 Speaker 2: twins and such like that. 6 00:00:33,400 --> 00:00:35,960 Speaker 1: Yeah, yeah, which is again exciting. Graduation. 7 00:00:36,120 --> 00:00:36,199 Speaker 3: Cha. 8 00:00:36,200 --> 00:00:37,080 Speaker 2: I didn't get to say that too you on the 9 00:00:37,080 --> 00:00:41,320 Speaker 2: air because I was graduation. Would your involvement with the 10 00:00:41,400 --> 00:00:42,400 Speaker 2: Timberwolves continue? 11 00:00:44,120 --> 00:00:46,640 Speaker 4: Yes, okay, I hope. 12 00:00:46,640 --> 00:00:50,040 Speaker 5: So I assume so things are so influx with the 13 00:00:50,120 --> 00:00:51,599 Speaker 5: Timberwolves because. 14 00:00:55,200 --> 00:00:56,560 Speaker 1: I don't even a gym spot. 15 00:00:56,560 --> 00:00:56,960 Speaker 3: I'm sorry. 16 00:00:57,080 --> 00:01:00,400 Speaker 1: It's just I want you to know that people are 17 00:01:00,760 --> 00:01:01,520 Speaker 1: they love you. Man. 18 00:01:01,800 --> 00:01:03,400 Speaker 2: I was standing in the airport talking to somebody I 19 00:01:03,440 --> 00:01:05,039 Speaker 2: did not know who was not going the same place 20 00:01:05,040 --> 00:01:06,880 Speaker 2: I was going, and they were asking me about that. 21 00:01:07,080 --> 00:01:08,680 Speaker 4: Oh really, Oh that's really sweet. 22 00:01:08,720 --> 00:01:09,360 Speaker 6: Thank you. 23 00:01:09,440 --> 00:01:09,679 Speaker 3: Yeah. 24 00:01:09,720 --> 00:01:12,680 Speaker 5: My my plan would be to continue with the Timberwolves. Yeah, 25 00:01:12,680 --> 00:01:14,880 Speaker 5: and just kind of shift from the links back to 26 00:01:14,920 --> 00:01:15,440 Speaker 5: the twins. 27 00:01:16,080 --> 00:01:21,039 Speaker 1: So that's it, okay, cool? Thanks? Yeah, yeah for sure, yeah, yeah, yeah. 28 00:01:20,800 --> 00:01:22,240 Speaker 4: I just like to keep working. 29 00:01:23,360 --> 00:01:26,560 Speaker 5: It would be the goal for a little bit that 30 00:01:26,600 --> 00:01:29,880 Speaker 5: makes one goal and then just like floating a pool 31 00:01:30,160 --> 00:01:30,679 Speaker 5: for the. 32 00:01:30,640 --> 00:01:33,920 Speaker 3: Your pool or somebody else's pool. I mean you have one. 33 00:01:35,840 --> 00:01:38,440 Speaker 4: It's only like two months until face down. 34 00:01:40,760 --> 00:01:44,200 Speaker 3: Yeah, I'm just saying, just be careful. 35 00:01:44,600 --> 00:01:50,120 Speaker 2: Okay, you know, here's your bathroom, the outdoor one. 36 00:01:50,200 --> 00:01:50,680 Speaker 1: That's what mean. 37 00:01:50,960 --> 00:01:52,440 Speaker 4: Yeah, don't come in. 38 00:01:52,440 --> 00:01:53,920 Speaker 1: It's one of the great regrets of my whole summer. 39 00:01:53,960 --> 00:01:55,320 Speaker 1: Last summers, I didn't break that thing in. 40 00:01:55,400 --> 00:01:56,600 Speaker 3: Yeah, the compost totally. 41 00:01:56,720 --> 00:01:57,720 Speaker 4: You're sitting right there. 42 00:01:58,120 --> 00:01:59,560 Speaker 1: No, I know, I said there for a long time. 43 00:02:00,480 --> 00:02:02,680 Speaker 4: Yeah, you brought the star Wars. 44 00:02:02,800 --> 00:02:07,200 Speaker 2: I did you remember an open bag I bought? 45 00:02:08,880 --> 00:02:09,120 Speaker 3: Cute? 46 00:02:09,160 --> 00:02:10,200 Speaker 1: It was the cutest thank you. 47 00:02:11,720 --> 00:02:15,040 Speaker 5: Totally random and off off topic question for you hawk 48 00:02:15,200 --> 00:02:18,359 Speaker 5: yes or just observance, and and for the room as well, 49 00:02:18,400 --> 00:02:21,680 Speaker 5: because I was in a hotel this weekend in Milwaukee. 50 00:02:21,200 --> 00:02:27,720 Speaker 4: Club volleyball tournament, super romantic. I did. Yeah, we hung 51 00:02:27,760 --> 00:02:28,679 Speaker 4: out for a little bit. 52 00:02:29,200 --> 00:02:29,600 Speaker 3: Sweet. 53 00:02:29,720 --> 00:02:31,120 Speaker 4: Yeah you use the trip. 54 00:02:33,080 --> 00:02:33,720 Speaker 1: Just freaked me out. 55 00:02:34,240 --> 00:02:41,480 Speaker 5: Hotel rooms do not have clocks anymore for the most part, 56 00:02:41,880 --> 00:02:46,079 Speaker 5: because nobody needs an alarm clock because they're all on 57 00:02:46,160 --> 00:02:49,720 Speaker 5: our phones. Did your did your hotel room in Montreal 58 00:02:50,440 --> 00:02:51,000 Speaker 5: have a clock? 59 00:02:51,240 --> 00:02:51,520 Speaker 1: Yes? 60 00:02:51,919 --> 00:02:52,920 Speaker 3: Oh you did? 61 00:02:53,200 --> 00:02:55,680 Speaker 1: Did? And and I'm glad because I like to have 62 00:02:55,720 --> 00:02:56,240 Speaker 1: the backup. 63 00:02:57,360 --> 00:02:58,800 Speaker 4: Oh you actually set I do. 64 00:02:58,880 --> 00:02:59,400 Speaker 1: I always do. 65 00:03:00,360 --> 00:03:02,440 Speaker 3: I don't think I've ever done that. That's interesting. I 66 00:03:02,480 --> 00:03:05,000 Speaker 3: don't think I've ever once set an alarm in a hotel. 67 00:03:05,120 --> 00:03:06,720 Speaker 4: Yeah, I even on. 68 00:03:06,680 --> 00:03:09,560 Speaker 3: The wake right hotel wake up called back in the day. Yes, 69 00:03:09,600 --> 00:03:11,600 Speaker 3: in the last twenty plus years, has always been the 70 00:03:11,600 --> 00:03:12,520 Speaker 3: phone close to twenty. 71 00:03:12,600 --> 00:03:14,160 Speaker 5: Not only do I set it on my phone, I 72 00:03:14,200 --> 00:03:17,359 Speaker 5: will set three or four one minute after the other. 73 00:03:17,600 --> 00:03:18,320 Speaker 6: Yeah, me too. 74 00:03:18,639 --> 00:03:22,760 Speaker 5: Yeah, Okay, So the last few hotel rooms I've stayed 75 00:03:22,760 --> 00:03:26,680 Speaker 5: in don't have a clock, and then I so then 76 00:03:26,680 --> 00:03:29,880 Speaker 5: I have an app on my phone that is that 77 00:03:30,120 --> 00:03:32,520 Speaker 5: is a clock, But then I have to use my 78 00:03:32,600 --> 00:03:35,760 Speaker 5: phone and prop it up and then if I get 79 00:03:35,800 --> 00:03:38,520 Speaker 5: a text, then it buzzes like in the middle of 80 00:03:38,560 --> 00:03:40,040 Speaker 5: the night, and then I got to go back to 81 00:03:40,080 --> 00:03:43,760 Speaker 5: my phone, and just I just thought, what a weird 82 00:03:43,880 --> 00:03:47,280 Speaker 5: observance that a lot of hotels no longer have a 83 00:03:47,400 --> 00:03:49,400 Speaker 5: clock because of the lack of. 84 00:03:49,920 --> 00:03:50,880 Speaker 4: Need for an alarm. 85 00:03:51,040 --> 00:03:53,400 Speaker 2: Well, I'm here, I'm glad we're talking about this because 86 00:03:53,400 --> 00:03:58,040 Speaker 2: I had to. It's been really had two observances. So 87 00:03:58,560 --> 00:04:03,600 Speaker 2: we stayed in a little town called Magog, which I 88 00:04:03,600 --> 00:04:05,120 Speaker 2: have a funny joke. I'll tell you guys, about off 89 00:04:05,120 --> 00:04:08,760 Speaker 2: the air boo, and then I had to fly out 90 00:04:08,840 --> 00:04:11,800 Speaker 2: yesterday and the traffic and Montreal is kind of heavy. 91 00:04:11,880 --> 00:04:15,240 Speaker 2: So I decided I would roll on into Montreal after 92 00:04:15,240 --> 00:04:17,040 Speaker 2: the races on Sunday night and spend the night at 93 00:04:17,040 --> 00:04:19,640 Speaker 2: the hotel that is actually at the airport. Like you 94 00:04:19,760 --> 00:04:21,800 Speaker 2: walk like we have here, we walk across and. 95 00:04:21,960 --> 00:04:23,880 Speaker 4: Acted too a gate even probably. 96 00:04:23,560 --> 00:04:27,320 Speaker 2: I will even it was a little spindyer, I will 97 00:04:27,320 --> 00:04:30,760 Speaker 2: do that forever if I can. Being at the airport 98 00:04:31,120 --> 00:04:33,960 Speaker 2: yesterday morning and not having to go to the airport 99 00:04:34,000 --> 00:04:35,120 Speaker 2: yesterday morning made my. 100 00:04:35,080 --> 00:04:36,640 Speaker 1: Sleep so good the night before. 101 00:04:37,600 --> 00:04:39,719 Speaker 2: The only negative the entire place was there's a giant 102 00:04:39,720 --> 00:04:41,960 Speaker 2: bottle of water sitting there and I couldn't read it 103 00:04:41,960 --> 00:04:43,720 Speaker 2: because it was in French and I wasn't sure if 104 00:04:43,760 --> 00:04:47,240 Speaker 2: it was free or three hundred thousand dollars, so I 105 00:04:47,320 --> 00:04:50,800 Speaker 2: never drank it, which I'm regretting at this moment because 106 00:04:50,800 --> 00:04:53,000 Speaker 2: it looked like a delicious bottle of water. But staying 107 00:04:53,000 --> 00:04:55,680 Speaker 2: at the airport hotel was awesome. I came out of 108 00:04:55,680 --> 00:04:59,200 Speaker 2: the hotel elevator, walked down the steps and was standing 109 00:04:59,240 --> 00:05:00,600 Speaker 2: right there where you check your luggage. 110 00:05:01,320 --> 00:05:02,440 Speaker 6: Yeah, that's great. 111 00:05:02,560 --> 00:05:05,680 Speaker 4: Have you guys ever done that one time, and. 112 00:05:05,640 --> 00:05:10,599 Speaker 5: The exit of the hotel was the security. 113 00:05:10,200 --> 00:05:14,960 Speaker 4: Line for the airport. I blew me away. I'm it 114 00:05:15,000 --> 00:05:15,800 Speaker 4: was awesome. 115 00:05:15,839 --> 00:05:17,039 Speaker 1: I can't even tell you. 116 00:05:17,320 --> 00:05:19,960 Speaker 2: I never sleep good the night before I fly because 117 00:05:19,960 --> 00:05:21,360 Speaker 2: I'm worried I'm not going to get there on time. 118 00:05:22,400 --> 00:05:26,520 Speaker 1: I'm ocd. Being at the airport wonderful. 119 00:05:26,720 --> 00:05:29,320 Speaker 3: Yeah, yep. Did you hear any of the planes? 120 00:05:29,480 --> 00:05:31,560 Speaker 2: I did not, And I wondered if I would. And 121 00:05:31,640 --> 00:05:34,800 Speaker 2: I looked my window looked right out at the tarmac, 122 00:05:35,120 --> 00:05:36,440 Speaker 2: and I thought I might hear them. 123 00:05:36,480 --> 00:05:38,440 Speaker 1: I did not. The windows must be extra extra thick. 124 00:05:39,279 --> 00:05:41,000 Speaker 3: They must put some soundproofing. 125 00:05:42,680 --> 00:05:46,120 Speaker 2: Soundof so you go, okay, I highly recommend that. And 126 00:05:46,160 --> 00:05:49,880 Speaker 2: we have one here called the inter Continental or right, yeah. 127 00:05:49,520 --> 00:05:55,400 Speaker 3: The content that's the Christopher Walking. How did you? How 128 00:05:55,400 --> 00:05:57,360 Speaker 3: do you survive an entire weekend without Wi Fi? 129 00:05:59,160 --> 00:05:59,920 Speaker 4: Without Wi Fi? 130 00:06:00,920 --> 00:06:03,200 Speaker 3: You're in Milwaukee and they don't have alarm clocks and 131 00:06:03,240 --> 00:06:03,839 Speaker 3: no Wi Fi? 132 00:06:04,000 --> 00:06:07,320 Speaker 1: Then, yeah, they invented the alarm clock. Did they're still watches? 133 00:06:08,000 --> 00:06:09,960 Speaker 3: They have a grandfather clock in the lobby. 134 00:06:10,080 --> 00:06:12,080 Speaker 1: Yeah, and it's actually a grandfather just. 135 00:06:13,720 --> 00:06:16,200 Speaker 3: And he's been drinking lney since noon, so he doesn't know. 136 00:06:16,160 --> 00:06:17,840 Speaker 1: What time do you care? 137 00:06:17,880 --> 00:06:18,560 Speaker 6: What time it is? 138 00:06:18,600 --> 00:06:20,120 Speaker 3: Get out of here. Get out of here. He wants 139 00:06:20,160 --> 00:06:25,040 Speaker 3: to fight you, so related to you? No, no sports update. 140 00:06:25,360 --> 00:06:27,960 Speaker 3: Well maybe this could kind of count as fan five. 141 00:06:28,600 --> 00:06:30,920 Speaker 3: Our ladies are in trouble here in the fifth O. No, 142 00:06:31,480 --> 00:06:34,400 Speaker 3: some work to do here. Denmark is yeah, but Denmark 143 00:06:34,480 --> 00:06:37,280 Speaker 3: has three and they have a good blocker out there, 144 00:06:37,320 --> 00:06:39,559 Speaker 3: so they it's uh, it's gonna get dicey here the USA. 145 00:06:39,600 --> 00:06:40,840 Speaker 3: He's got to find a way out of this. We're 146 00:06:40,920 --> 00:06:43,760 Speaker 3: up three two fifth and come on, Corey, this is 147 00:06:43,920 --> 00:06:46,760 Speaker 3: uh you're talking or I wish. 148 00:06:46,640 --> 00:06:49,640 Speaker 1: I could turn the sound up. It's just ridiculous. 149 00:06:49,800 --> 00:06:50,840 Speaker 3: Sue the hell out of us. 150 00:06:51,279 --> 00:06:53,159 Speaker 1: I know hard. 151 00:06:53,320 --> 00:06:55,039 Speaker 3: This has got to be a good shot. Oh no, 152 00:06:55,200 --> 00:06:57,280 Speaker 3: it was not ideal. That was hideous. 153 00:06:57,320 --> 00:06:59,880 Speaker 1: What happened? Talk to me because I can't see the 154 00:07:00,120 --> 00:07:01,640 Speaker 1: locker but there's still. 155 00:07:01,440 --> 00:07:04,920 Speaker 4: Three but there's still three red ones and I. 156 00:07:04,800 --> 00:07:09,600 Speaker 3: Think they're going for it. Wasn't good, So, yeah, this 157 00:07:09,640 --> 00:07:11,240 Speaker 3: could be. This could be a bad end for us. 158 00:07:11,280 --> 00:07:14,920 Speaker 7: We'll see, right, we have the hammer those that's yeah. 159 00:07:14,960 --> 00:07:16,920 Speaker 7: That and as long as we can find the button. 160 00:07:18,440 --> 00:07:18,640 Speaker 6: Yeah. 161 00:07:18,680 --> 00:07:20,360 Speaker 1: Well hey listenep looking brother. 162 00:07:20,360 --> 00:07:22,480 Speaker 3: Yeah, listen to the books. Eight years ago, when we 163 00:07:22,520 --> 00:07:25,560 Speaker 3: first started talking curling, we knew one percent of the sport. 164 00:07:25,640 --> 00:07:28,880 Speaker 3: Now I feel like we know ten percent. Right, there's 165 00:07:28,920 --> 00:07:31,840 Speaker 3: a little bit we weren't in the right direction kind 166 00:07:31,880 --> 00:07:34,320 Speaker 3: of know what we're talking about. I play shuffle board. 167 00:07:34,320 --> 00:07:38,040 Speaker 3: It's close. It's similar to this. I mean not really. 168 00:07:39,040 --> 00:07:40,520 Speaker 1: I've not really shuffle board before. 169 00:07:41,840 --> 00:07:45,680 Speaker 2: The NFL franchise tag window opens today runs through March third. 170 00:07:45,680 --> 00:07:48,000 Speaker 2: Didn't know that each team can pick one player who 171 00:07:48,040 --> 00:07:50,120 Speaker 2: was set to become an unrestricted free agent and keep them. 172 00:07:49,960 --> 00:07:50,960 Speaker 1: On the roster for next season. 173 00:07:51,200 --> 00:07:53,600 Speaker 2: It costs quite a bit, though, a number based on 174 00:07:53,640 --> 00:07:55,640 Speaker 2: the top five annual salaries at each position. 175 00:07:56,000 --> 00:08:00,440 Speaker 3: There is no rumors right now surrounding the Vikings, right, no, no, 176 00:07:59,840 --> 00:08:01,800 Speaker 3: No one's expected to get tagged. 177 00:08:01,880 --> 00:08:04,640 Speaker 1: Only to last year t Higgins and Trey Smith of 178 00:08:04,680 --> 00:08:06,000 Speaker 1: the of the Chiefs. 179 00:08:05,880 --> 00:08:11,560 Speaker 8: And everybody expects the Seahawks to not tag Kenneth Walker 180 00:08:12,680 --> 00:08:14,720 Speaker 8: so he will maybe be a free agent. 181 00:08:14,840 --> 00:08:17,040 Speaker 1: See the running back, Yeah, yeah, by that guy was great. 182 00:08:17,200 --> 00:08:18,280 Speaker 1: Yeh man was he good? 183 00:08:18,400 --> 00:08:18,880 Speaker 3: He is good. 184 00:08:19,000 --> 00:08:20,720 Speaker 1: He was the reason they won the Super Bowl, one 185 00:08:20,760 --> 00:08:23,440 Speaker 1: of them. Anyway, it was great. Couldn't stop m v 186 00:08:23,560 --> 00:08:25,960 Speaker 1: p M. It's fat Tuesday. 187 00:08:26,520 --> 00:08:33,600 Speaker 3: Hi, Rose, what happens on fat Tuesday? This is the 188 00:08:33,679 --> 00:08:37,880 Speaker 3: data go nuts and gluttonous, try and walk Thursday. 189 00:08:38,160 --> 00:08:41,120 Speaker 1: Yeah, well the start of tomorrow's the start of lens right. 190 00:08:41,200 --> 00:08:44,880 Speaker 3: Yeah, so what's your favorite sin? What's the eating one? 191 00:08:45,840 --> 00:08:46,839 Speaker 3: Glutton me that one? 192 00:08:46,920 --> 00:08:50,520 Speaker 1: Yeah, mm hmm, that's number two for me. 193 00:08:51,240 --> 00:08:58,920 Speaker 3: Yeah, lust m. But I like eating, you really do. 194 00:08:59,160 --> 00:09:02,600 Speaker 3: I do. Let's good, which is fine. That's why I am. Yeah, 195 00:09:02,679 --> 00:09:03,200 Speaker 3: be you man. 196 00:09:03,559 --> 00:09:06,480 Speaker 2: If I ever find a stink, if I ever find 197 00:09:06,520 --> 00:09:09,240 Speaker 2: a house of ill repent, it's also a buffet, I 198 00:09:09,280 --> 00:09:10,040 Speaker 2: may never go home. 199 00:09:10,080 --> 00:09:12,080 Speaker 6: So are you talking about like a lady house? 200 00:09:12,480 --> 00:09:15,480 Speaker 3: I think that that hotel at the airport had a 201 00:09:15,480 --> 00:09:19,280 Speaker 3: casino and a whorehouse attached, and an old country buffet 202 00:09:20,400 --> 00:09:23,960 Speaker 3: lived there. Terrible. Yeah, this, this end is falling apart. 203 00:09:24,280 --> 00:09:27,719 Speaker 3: What happens? We each have one shot to go, but 204 00:09:27,800 --> 00:09:30,839 Speaker 3: we're in big trouble there. I mean, this is looking 205 00:09:30,880 --> 00:09:36,400 Speaker 3: like a three for for Denmark. Here, we'll see it's over. Yeah, 206 00:09:36,400 --> 00:09:40,640 Speaker 3: and whatever, it's a bad end topic Conan gets it 207 00:09:41,160 --> 00:09:42,199 Speaker 3: is tired of curly. 208 00:09:44,400 --> 00:09:50,320 Speaker 7: That Tuesday Tuesday, they got a great couple of great 209 00:09:50,320 --> 00:09:54,280 Speaker 7: spots in Vegas like America. 210 00:09:54,320 --> 00:09:55,920 Speaker 1: Here was there one at the All America. 211 00:09:55,600 --> 00:09:58,680 Speaker 3: Are yeah, yeah, yeah, speaking of Vegas, well let's let 212 00:09:58,760 --> 00:10:02,160 Speaker 3: me come on, lease have your attention. Wait, I've just 213 00:10:02,200 --> 00:10:03,120 Speaker 3: been handed an. 214 00:10:03,080 --> 00:10:05,640 Speaker 4: Urgent and horrifying news story. 215 00:10:05,760 --> 00:10:09,199 Speaker 3: What I eat all of you to stop what you're doing. 216 00:10:09,840 --> 00:10:14,600 Speaker 3: Listen the hot rumors and this comes from the drummer. Yes, 217 00:10:15,240 --> 00:10:18,360 Speaker 3: oh yeah, says it. In twenty twenty seven, we could 218 00:10:18,360 --> 00:10:23,839 Speaker 3: expect a new album and a potential residency at the Sphere. 219 00:10:24,960 --> 00:10:28,360 Speaker 2: For Tool, which makes the most sense of any band 220 00:10:28,400 --> 00:10:29,240 Speaker 2: I've ever heard in. 221 00:10:29,240 --> 00:10:32,960 Speaker 3: My gosh, oh boy, take all of my money. I 222 00:10:33,120 --> 00:10:34,360 Speaker 3: will be there. We have to go. 223 00:10:34,559 --> 00:10:36,720 Speaker 1: It's not a band that would be more perfect. 224 00:10:36,440 --> 00:10:38,640 Speaker 3: There yeah, rip to music. So this is on the 225 00:10:38,679 --> 00:10:41,439 Speaker 3: button bar. The only thing I want in twenty twenty 226 00:10:41,440 --> 00:10:45,160 Speaker 3: seven is that giant ball and some Tool, right, I mean, 227 00:10:45,200 --> 00:10:47,839 Speaker 3: come on, yeah, you nailed it. You imagine what the 228 00:10:47,960 --> 00:10:49,199 Speaker 3: visuals for Tool would be. 229 00:10:49,760 --> 00:10:52,720 Speaker 2: Plus they don't they don't move around the stage, and 230 00:10:52,800 --> 00:10:54,160 Speaker 2: it stands on a perfect behind. 231 00:10:54,160 --> 00:10:57,720 Speaker 8: The drummer hides because no one is really going to 232 00:10:57,720 --> 00:10:58,520 Speaker 8: be focused. 233 00:10:58,240 --> 00:11:00,800 Speaker 3: On the band, because no, he doesn't care. He sits 234 00:11:00,800 --> 00:11:05,280 Speaker 3: in the dark anyway, right man, I mean take my 235 00:11:05,880 --> 00:11:08,959 Speaker 3: all my money? Oh yeah, yeah, just second. That's by 236 00:11:08,960 --> 00:11:11,680 Speaker 3: the way, this makes a ton of sense when you 237 00:11:11,720 --> 00:11:14,800 Speaker 3: hear but the article I read about the tool rumors 238 00:11:14,800 --> 00:11:18,040 Speaker 3: and the drummer basically saying that, yeah, we've been in 239 00:11:18,120 --> 00:11:20,320 Speaker 3: talks with the Sphere. It looks like twenty twenty sevens possible. 240 00:11:20,320 --> 00:11:25,160 Speaker 3: We're trying to figure it out. He said, how hell like, 241 00:11:25,280 --> 00:11:29,280 Speaker 3: it's an immense like program and process to get that 242 00:11:29,280 --> 00:11:31,800 Speaker 3: thing up and running, and it's expensive. He said, you 243 00:11:31,840 --> 00:11:33,560 Speaker 3: have to do a whole bunch of shows just to 244 00:11:33,600 --> 00:11:36,680 Speaker 3: start making money because it costs so much to get 245 00:11:36,800 --> 00:11:39,200 Speaker 3: that production, which makes a ton of sense. Think of 246 00:11:39,240 --> 00:11:43,040 Speaker 3: all the graphics, the visuals. It's apparently not a cheap 247 00:11:43,040 --> 00:11:45,160 Speaker 3: show to pull off. So the band doesn't even make 248 00:11:45,200 --> 00:11:47,480 Speaker 3: money until they That's why they have to do a residency. 249 00:11:47,480 --> 00:11:49,400 Speaker 3: It's why I can't play one show with the Sphere. 250 00:11:49,520 --> 00:11:52,720 Speaker 3: That makes sense. So it sounds like Metallica right is 251 00:11:52,800 --> 00:11:54,960 Speaker 3: next year likely? I don't know if it's finalized, but 252 00:11:55,000 --> 00:11:58,560 Speaker 3: next year's likely for Metallica, which like, oh wow, what 253 00:11:58,600 --> 00:12:02,960 Speaker 3: an unbelievable steal that was. How did they pull that off? 254 00:12:03,080 --> 00:12:05,160 Speaker 1: What just happened to me? Tell me? I don't scored a. 255 00:12:05,200 --> 00:12:08,679 Speaker 3: Point, So somehow dropped like an unbelievable shot. So instead 256 00:12:08,679 --> 00:12:11,640 Speaker 3: of Denmark getting three, the US cowan, how does she 257 00:12:11,679 --> 00:12:14,720 Speaker 3: pull that off? Man? I guess that's the why they 258 00:12:14,720 --> 00:12:18,720 Speaker 3: call it currently. How do you get to turn like that? Man? 259 00:12:20,240 --> 00:12:20,679 Speaker 6: A shot? 260 00:12:20,960 --> 00:12:23,640 Speaker 3: So? What a tool? Are we all in for? A tool? Marty? 261 00:12:23,679 --> 00:12:26,320 Speaker 3: You want to go see a tool in the sphere? Right? No, 262 00:12:26,480 --> 00:12:28,760 Speaker 3: she just wants to see it in the hotel room. Okay, 263 00:12:28,760 --> 00:12:30,520 Speaker 3: Oh my god, man, okay. 264 00:12:30,400 --> 00:12:31,720 Speaker 1: Buddy, to go there. 265 00:12:31,760 --> 00:12:34,559 Speaker 3: You don't know where the line is. You don't know 266 00:12:34,600 --> 00:12:36,280 Speaker 3: where the line is, Okay, but I don't get it. 267 00:12:36,840 --> 00:12:37,760 Speaker 3: I don't get it. 268 00:12:37,880 --> 00:12:42,360 Speaker 1: Okay, buddy, heavens right, it's okay, buddy, relaxed. 269 00:12:43,440 --> 00:12:45,880 Speaker 3: As soon as you started talking about the idea of 270 00:12:45,920 --> 00:12:48,480 Speaker 3: the tool at the Sphere, it makes so much sense. Right, 271 00:12:48,520 --> 00:12:50,520 Speaker 3: But when when the Sphere first launched, I'm like, man, 272 00:12:50,520 --> 00:12:52,240 Speaker 3: none of the bands that I like are big enough. 273 00:12:52,360 --> 00:12:54,280 Speaker 3: I don't know how this is going to work. Why 274 00:12:54,280 --> 00:12:56,880 Speaker 3: did I not think of tool as an obvious option? 275 00:12:56,960 --> 00:13:02,640 Speaker 3: Of course they're bring enough. They're gigantic. Man. Yes, yes, 276 00:13:02,800 --> 00:13:04,680 Speaker 3: it's gonna sell out like crazy. I'm he's gonna go 277 00:13:04,720 --> 00:13:06,920 Speaker 3: and he's gonna be very disappointed. Would you guys, would 278 00:13:06,960 --> 00:13:08,520 Speaker 3: you guys pay for you too? Wasn't it like four 279 00:13:08,559 --> 00:13:11,320 Speaker 3: or five hundred bucks? And we were worth every penny, 280 00:13:11,320 --> 00:13:12,679 Speaker 3: worth every penny completely. 281 00:13:12,760 --> 00:13:12,920 Speaker 1: Yeah. 282 00:13:13,120 --> 00:13:16,520 Speaker 8: I was stone cold, sober and it was outstanding. It 283 00:13:16,600 --> 00:13:18,360 Speaker 8: was one of the coolest experiences ever. 284 00:13:18,440 --> 00:13:18,800 Speaker 3: And it's this. 285 00:13:18,920 --> 00:13:21,160 Speaker 8: They do the same bit over and over again. That 286 00:13:21,320 --> 00:13:24,840 Speaker 8: was the set list they played. It was fan tasting. 287 00:13:25,000 --> 00:13:27,480 Speaker 3: That's my only concern about Tool and I don't think 288 00:13:27,520 --> 00:13:30,520 Speaker 3: that's the biggest problem. But I don't need the deep cuts. 289 00:13:31,160 --> 00:13:34,160 Speaker 3: Just play the hits. Each song is like eight minutes long. 290 00:13:34,240 --> 00:13:36,560 Speaker 3: Play like the ten songs we all want to hits. 291 00:13:36,800 --> 00:13:38,520 Speaker 3: Call it a day, and you can take all my money. 292 00:13:38,520 --> 00:13:41,000 Speaker 7: But that's why the other part of this announced this 293 00:13:41,120 --> 00:13:44,400 Speaker 7: announcement here the new album, the new album that's you 294 00:13:44,480 --> 00:13:45,800 Speaker 7: gotta Yeah. 295 00:13:45,800 --> 00:13:47,720 Speaker 3: But even like Fear and Oculum, which is now like 296 00:13:47,800 --> 00:13:50,280 Speaker 3: seven years old, had like two good songs. That's fine, 297 00:13:50,320 --> 00:13:51,319 Speaker 3: we only need like two. 298 00:13:51,320 --> 00:13:53,400 Speaker 1: Yeah, Well, they're only going to play three songs. 299 00:13:53,400 --> 00:13:57,640 Speaker 3: Exactly on time, songs an hour and a half. We 300 00:13:57,760 --> 00:14:00,319 Speaker 3: have to go. I'm going for sure. Yeah, they ever 301 00:14:00,400 --> 00:14:04,719 Speaker 3: do medleys, I don't know. I've only seen I think 302 00:14:04,720 --> 00:14:07,560 Speaker 3: I've seen him through three times. 303 00:14:07,360 --> 00:14:10,800 Speaker 8: It'll be too even when they're here and they don't 304 00:14:10,840 --> 00:14:14,280 Speaker 8: have the same capacity as the spirit. It's it's an 305 00:14:14,320 --> 00:14:15,720 Speaker 8: outstanding visual thing. 306 00:14:15,840 --> 00:14:19,160 Speaker 3: Yep. Yeah, what a home run. Yeah, he'll be sweet. 307 00:14:19,440 --> 00:14:20,920 Speaker 3: Forty four days, he'll be there. 308 00:14:22,160 --> 00:14:22,760 Speaker 1: It's a long time. 309 00:14:23,240 --> 00:14:26,120 Speaker 3: You're gonna You're gonna go to the entire residency. Wow, 310 00:14:26,680 --> 00:14:28,760 Speaker 3: you're going in forty four days. Yeah. I booked two 311 00:14:28,800 --> 00:14:31,200 Speaker 3: flights yesterday, two one way flights, and it made my 312 00:14:31,240 --> 00:14:34,000 Speaker 3: whole year. I can't I can't wait. Let's go one way, 313 00:14:34,320 --> 00:14:34,680 Speaker 3: one way. 314 00:14:35,040 --> 00:14:36,000 Speaker 8: He's living there. 315 00:14:35,840 --> 00:14:38,480 Speaker 1: Now, Yeah, he just he's gonna he's giving up. 316 00:14:38,920 --> 00:14:41,520 Speaker 3: Oh, I'm leaving on a jet plane. Don't know when 317 00:14:41,520 --> 00:14:45,280 Speaker 3: I'll be back again. Probably a couple of days later. Yeah, probably, 318 00:14:45,440 --> 00:14:48,920 Speaker 3: you son of a bitch. No, I'm rooting for it. 319 00:14:48,920 --> 00:14:49,480 Speaker 1: It sounds like it. 320 00:14:49,560 --> 00:14:52,280 Speaker 7: Probably I'm gonna be I'm gonna wear I'm gonna bring 321 00:14:52,320 --> 00:14:54,080 Speaker 7: Corey T shirts down there. 322 00:14:54,120 --> 00:14:55,800 Speaker 3: We're technically going to be there at the same time. 323 00:14:57,760 --> 00:14:59,920 Speaker 3: That's cute. It's gonna hang out. I'm there for business, 324 00:15:00,440 --> 00:15:03,120 Speaker 3: both going for we got time. No one of us is. 325 00:15:03,160 --> 00:15:05,280 Speaker 3: We have a lot of data this tool. I'll go 326 00:15:05,320 --> 00:15:07,160 Speaker 3: for two next year. He might be going for Tool 327 00:15:07,240 --> 00:15:13,000 Speaker 3: this year. He really is special, your special Beckery. He's 328 00:15:13,040 --> 00:15:14,760 Speaker 3: not perfect. We can hold hands on the fourth of 329 00:15:14,840 --> 00:15:20,960 Speaker 3: July Paris. That doesn't happen, Yes, PJ, we could. He's 330 00:15:21,000 --> 00:15:22,520 Speaker 3: in the hotline. This has got to be Tommy. He 331 00:15:22,560 --> 00:15:27,640 Speaker 3: wanted to go to TOOL next year. What if it is, Yeah, 332 00:15:28,080 --> 00:15:30,120 Speaker 3: I mean it could be Hawk special guest, but it 333 00:15:30,200 --> 00:15:33,520 Speaker 3: also could just be Tommy going I'll go see Bonus. 334 00:15:34,000 --> 00:15:36,360 Speaker 3: Oh yeah, hi, John Bonus. 335 00:15:37,280 --> 00:15:37,720 Speaker 9: How are we doing? 336 00:15:37,840 --> 00:15:38,000 Speaker 1: Hi? 337 00:15:38,200 --> 00:15:42,160 Speaker 3: Hey, Oh, We're just concerned about our guy, Pablo Lopez. 338 00:15:42,200 --> 00:15:43,960 Speaker 3: What's the update? I know he got it. Did he 339 00:15:44,000 --> 00:15:46,160 Speaker 3: get an MRI yesterday or is he getting one today? 340 00:15:47,280 --> 00:15:49,240 Speaker 9: I thought he was getting an MRI last night. I 341 00:15:49,280 --> 00:15:51,080 Speaker 9: am not at the ballpark and I did a run 342 00:15:51,120 --> 00:15:53,640 Speaker 9: this morning, so I haven't heard what the latest update 343 00:15:53,720 --> 00:15:54,200 Speaker 9: is on him. 344 00:15:54,400 --> 00:15:55,000 Speaker 3: Get those steps. 345 00:15:55,880 --> 00:16:00,760 Speaker 9: I will say this, the vibe wasn't one of a lot. 346 00:16:00,840 --> 00:16:03,000 Speaker 9: I mean, it's a serious concern because it's an elbow 347 00:16:03,000 --> 00:16:06,480 Speaker 9: injury and it's our ace, right, but it sounded like, 348 00:16:06,760 --> 00:16:08,760 Speaker 9: you know, it wasn't even totally sure he was going 349 00:16:08,840 --> 00:16:11,080 Speaker 9: to not try to pitch through it at the time, 350 00:16:12,120 --> 00:16:15,240 Speaker 9: like they were kind of like, well, you know, there's 351 00:16:15,240 --> 00:16:17,920 Speaker 9: no reason to push this. It's only it's only February 352 00:16:18,120 --> 00:16:22,440 Speaker 9: sixteenth or whatever, So you know that doesn't necessarily mean anything. 353 00:16:22,560 --> 00:16:24,520 Speaker 9: I mean, you still could be a serious envy. He 354 00:16:24,600 --> 00:16:26,680 Speaker 9: just didn't really feel it that much. But you know, 355 00:16:26,880 --> 00:16:30,680 Speaker 9: it was just a there wasn't a tremendous amount of concern, 356 00:16:31,520 --> 00:16:33,920 Speaker 9: uh expressed as it happened. 357 00:16:34,040 --> 00:16:36,880 Speaker 1: So okay, good news. 358 00:16:36,960 --> 00:16:37,800 Speaker 3: That sounds good. 359 00:16:42,160 --> 00:16:43,960 Speaker 9: Well we'll see. I mean, I'm I'm not at the 360 00:16:43,960 --> 00:16:46,760 Speaker 9: ballpark this morning, so you know, if you I would say, 361 00:16:46,840 --> 00:16:48,880 Speaker 9: you know, stay tuned for breaking updates from all the 362 00:16:48,960 --> 00:16:50,040 Speaker 9: beat writers who are there. 363 00:16:50,080 --> 00:16:52,600 Speaker 1: So how how long did you run? 364 00:16:54,320 --> 00:16:54,960 Speaker 9: Three miles? 365 00:16:55,200 --> 00:16:55,680 Speaker 1: That's awesome? 366 00:16:55,720 --> 00:16:55,840 Speaker 2: Men? 367 00:16:55,840 --> 00:16:56,640 Speaker 1: Did you run on the beach? 368 00:16:58,360 --> 00:17:00,960 Speaker 9: No, we did not run on the beach. We're downtown 369 00:17:01,040 --> 00:17:05,159 Speaker 9: not uh not on the beach. It's too expensive for 370 00:17:05,320 --> 00:17:08,600 Speaker 9: bonus consulting to be on the beach. Downtown is also 371 00:17:08,680 --> 00:17:09,360 Speaker 9: one of fun too. 372 00:17:09,440 --> 00:17:13,600 Speaker 3: So see any gators renning the parks? No gators on 373 00:17:13,600 --> 00:17:13,960 Speaker 3: the run. 374 00:17:15,280 --> 00:17:19,040 Speaker 9: No gators on the run yet, no giants there. We 375 00:17:19,320 --> 00:17:21,760 Speaker 9: will try to try and find some gators probably one time. 376 00:17:21,800 --> 00:17:25,800 Speaker 9: There's a there's a reserve here called the slough, the 377 00:17:25,960 --> 00:17:30,840 Speaker 9: six miles sleugh and uh, you can see alligators if 378 00:17:30,880 --> 00:17:34,080 Speaker 9: you go along those trails, swamps. 379 00:17:33,720 --> 00:17:39,120 Speaker 2: There muscles got the swampers. Uh, tell me one national 380 00:17:39,280 --> 00:17:42,480 Speaker 2: or not? Tell me one highlight that is not baseball 381 00:17:42,520 --> 00:17:43,800 Speaker 2: related from a trip so far. 382 00:17:45,119 --> 00:17:48,400 Speaker 9: Oh, let's see. Well, I mean, the one that's coming 383 00:17:48,480 --> 00:17:55,359 Speaker 9: up Saturday night is the Fort Myers Edison Edison Lights Parade. 384 00:17:56,560 --> 00:17:58,840 Speaker 9: Once a year they have their big their big event 385 00:17:59,240 --> 00:18:02,280 Speaker 9: is is a huge parade in downtown Fort Myers. And 386 00:18:02,320 --> 00:18:07,399 Speaker 9: there's a slice of Americana that lots of high school bands, 387 00:18:07,640 --> 00:18:10,320 Speaker 9: but it makes you think it's like a nineteen you know, 388 00:18:10,440 --> 00:18:13,639 Speaker 9: seventies and nineteen eighties parade. Lots of high school bands 389 00:18:13,640 --> 00:18:17,479 Speaker 9: and lots of you know, TV stations with floats, and 390 00:18:17,520 --> 00:18:19,200 Speaker 9: then lots of. 391 00:18:20,920 --> 00:18:21,320 Speaker 8: Lots of. 392 00:18:22,760 --> 00:18:26,920 Speaker 9: Police departs was showing off their latest military hardware, helicopters 393 00:18:26,920 --> 00:18:30,119 Speaker 9: and everything else. So we'll do a five k just 394 00:18:30,160 --> 00:18:32,240 Speaker 9: before that, and then we will sit down with a 395 00:18:32,280 --> 00:18:35,520 Speaker 9: beer and watch that go past us through downtown Port Myers. 396 00:18:35,680 --> 00:18:36,760 Speaker 1: Well, that sounds lovely. 397 00:18:36,840 --> 00:18:38,880 Speaker 3: Not a bad gig, John, not a bad gig. 398 00:18:40,800 --> 00:18:43,120 Speaker 9: I also just mentioned the sunset last night was fantastic. 399 00:18:43,119 --> 00:18:45,160 Speaker 9: We did make it to the beach last night, sat 400 00:18:45,200 --> 00:18:47,639 Speaker 9: along and had a couple of beers and watched the 401 00:18:47,640 --> 00:18:51,320 Speaker 9: start and go down with over the self of America. 402 00:18:51,440 --> 00:18:55,800 Speaker 1: Yeah you did. Enjoyed that, enjoyed keep us up today, brothers. 403 00:18:55,800 --> 00:18:56,720 Speaker 1: Thank you for calling in. 404 00:18:57,720 --> 00:18:58,440 Speaker 9: Yeah, thank you. 405 00:18:58,520 --> 00:19:01,680 Speaker 1: There you go the football it is so, he goes. 406 00:19:02,040 --> 00:19:05,480 Speaker 1: Our special guest is I thought he just said cerebral palsy. 407 00:19:05,760 --> 00:19:08,440 Speaker 3: Same. What did he say at the end there? Does 408 00:19:08,480 --> 00:19:10,480 Speaker 3: anybody have any idea what he just said? I thought 409 00:19:10,480 --> 00:19:13,960 Speaker 3: he said, you have cerebral palsy. I'm like, what, man, 410 00:19:14,000 --> 00:19:15,080 Speaker 3: this connection is not good. 411 00:19:15,560 --> 00:19:17,000 Speaker 1: I'm not sure why he would say that. 412 00:19:17,880 --> 00:19:20,679 Speaker 3: I don't think that he did. I just don't know 413 00:19:20,720 --> 00:19:21,920 Speaker 3: what he said. Hard to tell. 414 00:19:22,359 --> 00:19:24,879 Speaker 2: Well, all right, our special guest is here, yep, so 415 00:19:24,960 --> 00:19:26,320 Speaker 2: we'll bring him in for the next segment. 416 00:19:26,400 --> 00:19:28,440 Speaker 3: Let's go to break, all right, Power Trip Morning Show 417 00:19:28,440 --> 00:19:29,280 Speaker 3: after this on the fan. 418 00:19:41,880 --> 00:19:43,520 Speaker 1: I'm sorry about that. I was jamming out. 419 00:19:44,320 --> 00:19:47,360 Speaker 3: I'm a little surprised saust just didn't swear during the break. 420 00:19:48,960 --> 00:19:49,360 Speaker 1: To think about. 421 00:19:49,359 --> 00:19:51,439 Speaker 2: I'm glad that that that was done off the air, 422 00:19:51,480 --> 00:19:52,919 Speaker 2: because you're right. I think you might have cursed him, 423 00:19:53,200 --> 00:19:56,800 Speaker 2: but he did not. Ladies and gentlemen, please welcome to 424 00:19:56,800 --> 00:20:00,800 Speaker 2: the show. Dave simonad Long time. 425 00:20:01,480 --> 00:20:04,880 Speaker 6: The hell are you? I'm great man, good to see you. 426 00:20:04,960 --> 00:20:06,720 Speaker 6: Yeah you too, thanks for having me over. 427 00:20:06,880 --> 00:20:09,600 Speaker 3: Yeah, you came burying gifts for Sauce and he just 428 00:20:09,640 --> 00:20:12,399 Speaker 3: made his day. I think, dude, this is the sweetest 429 00:20:12,400 --> 00:20:14,680 Speaker 3: thing ever. I really appreciated that Sauce. 430 00:20:15,440 --> 00:20:18,880 Speaker 8: What is it he got me a the set list 431 00:20:18,960 --> 00:20:22,080 Speaker 8: that they had Dave and Tim Reynolds on stage, The 432 00:20:22,119 --> 00:20:24,600 Speaker 8: set list they had on the stage and then picked 433 00:20:24,640 --> 00:20:26,520 Speaker 8: from Dave and a pick from Tim Reynolds. 434 00:20:26,560 --> 00:20:30,040 Speaker 3: Can I see that set list for a second? Can I? 435 00:20:30,200 --> 00:20:32,159 Speaker 3: Can I see it? I'm not going to rip it up. 436 00:20:32,200 --> 00:20:33,120 Speaker 3: I'm not an a hole. 437 00:20:33,240 --> 00:20:34,040 Speaker 1: But which show is that? 438 00:20:34,119 --> 00:20:36,600 Speaker 8: From the one when they played in with trample by 439 00:20:36,640 --> 00:20:37,560 Speaker 8: Turtles in Mexico. 440 00:20:37,720 --> 00:20:38,399 Speaker 1: That's when I played. 441 00:20:38,440 --> 00:20:41,360 Speaker 6: We played there festival, dude outside cant coon. 442 00:20:41,640 --> 00:20:42,800 Speaker 3: Please tell me he's great? 443 00:20:42,920 --> 00:20:45,680 Speaker 6: Great? Yeah, yeah, he was the coolest we He asked 444 00:20:45,760 --> 00:20:47,200 Speaker 6: us to sit in with him and play a couple 445 00:20:47,200 --> 00:20:50,040 Speaker 6: of Grateful Dead songs. Was pretty fun. Yeah, and uh 446 00:20:50,200 --> 00:20:52,600 Speaker 6: so we had a little rehearsal with him, uh that 447 00:20:52,720 --> 00:20:54,280 Speaker 6: earlier in the day, and he was just like the 448 00:20:54,280 --> 00:20:57,080 Speaker 6: most humble, cool guy. Yeah yeah, really kind of self 449 00:20:57,119 --> 00:20:58,159 Speaker 6: depreciating and funny. 450 00:20:58,240 --> 00:20:58,840 Speaker 3: That's sweet. 451 00:20:58,880 --> 00:20:59,840 Speaker 6: Yeah, it's it's great. 452 00:21:00,080 --> 00:21:00,680 Speaker 3: That's awesome. 453 00:21:00,800 --> 00:21:04,720 Speaker 2: Man, you're you guys are and I this seems weird 454 00:21:04,760 --> 00:21:06,880 Speaker 2: to say because you were already huge, but you guys 455 00:21:06,920 --> 00:21:08,879 Speaker 2: are blowing up more and more and more. It just 456 00:21:08,920 --> 00:21:10,480 Speaker 2: it keeps growing and growing, doesn't it. 457 00:21:10,640 --> 00:21:15,480 Speaker 6: Well, maybe it's more of like a slow bird. Yeah, 458 00:21:15,760 --> 00:21:18,560 Speaker 6: we are twenty five years old. Now that's a man, 459 00:21:18,640 --> 00:21:18,800 Speaker 6: you know. 460 00:21:18,960 --> 00:21:20,760 Speaker 2: Yeah, yeah, but you know what I'm saying. I mean 461 00:21:20,760 --> 00:21:22,879 Speaker 2: it's fun to watch. Like, I think that throughout the industry, 462 00:21:22,880 --> 00:21:24,760 Speaker 2: it seems like you guys are are garnering more and 463 00:21:24,840 --> 00:21:25,440 Speaker 2: more success. 464 00:21:25,560 --> 00:21:28,280 Speaker 6: Oh yeah, I don't know. I think that our you know, 465 00:21:28,320 --> 00:21:30,680 Speaker 6: we're all we're kind of self employed, right, so we've 466 00:21:30,720 --> 00:21:33,000 Speaker 6: always just owned our own label and all that stuff. 467 00:21:33,040 --> 00:21:35,600 Speaker 6: So we've been working really hard to try to find 468 00:21:36,240 --> 00:21:38,320 Speaker 6: new little kind of pockets in the music business to 469 00:21:38,320 --> 00:21:40,480 Speaker 6: fit into and stuff. And it's it's it's always a 470 00:21:40,480 --> 00:21:43,160 Speaker 6: fun challenge, you know, Chris, It's it's wild West out there. 471 00:21:43,440 --> 00:21:43,640 Speaker 1: Yeah. 472 00:21:43,760 --> 00:21:45,240 Speaker 3: Now, especially who was it on the show? 473 00:21:45,280 --> 00:21:45,520 Speaker 6: Reason? 474 00:21:45,640 --> 00:21:47,679 Speaker 3: Was it Parker Fox? Who was it that? I couldn't 475 00:21:47,680 --> 00:21:51,000 Speaker 3: believe that we knew Dave? Was it Parker Mark Giant? 476 00:21:51,160 --> 00:21:51,480 Speaker 8: Yeah? 477 00:21:51,480 --> 00:21:53,680 Speaker 3: We thought we were messing with him. Yeah, so he's 478 00:21:53,840 --> 00:21:56,520 Speaker 3: probably super bummed that you're here and he's in Italy 479 00:21:56,560 --> 00:21:57,840 Speaker 3: watching his fiance play hockey. 480 00:21:57,920 --> 00:22:00,119 Speaker 1: Yeah, he's okay, probably, but yeah. 481 00:21:59,600 --> 00:22:02,320 Speaker 3: He's when he was not. 482 00:22:02,640 --> 00:22:04,560 Speaker 6: If I meet him, I will pretend like I've never 483 00:22:04,600 --> 00:22:05,560 Speaker 6: met any of you before. 484 00:22:07,600 --> 00:22:10,720 Speaker 2: That's a fan that so so even today though, like 485 00:22:10,760 --> 00:22:12,400 Speaker 2: when when you get asked to go play with Dave 486 00:22:12,400 --> 00:22:14,560 Speaker 2: Matthews and then you meet him and he likes you, 487 00:22:14,600 --> 00:22:16,200 Speaker 2: and then he asked you to be on stage, are 488 00:22:16,200 --> 00:22:16,800 Speaker 2: you still. 489 00:22:16,600 --> 00:22:18,160 Speaker 1: Like are you serious? 490 00:22:18,240 --> 00:22:24,560 Speaker 6: Oh? Absolutely? It's all just dumb. Yeah, especially like somebody 491 00:22:24,640 --> 00:22:26,760 Speaker 6: like that who was was kind of all you know, 492 00:22:26,800 --> 00:22:30,520 Speaker 6: everywhere when I was a kid. It's it seems just like, 493 00:22:31,520 --> 00:22:34,639 Speaker 6: you know, like fake, like what what do you what 494 00:22:34,680 --> 00:22:35,600 Speaker 6: do we get to do today? 495 00:22:36,200 --> 00:22:39,040 Speaker 8: I saw a video that I think either you guys 496 00:22:39,080 --> 00:22:43,320 Speaker 8: posted or Dave matthews band Twitter account posted of you 497 00:22:43,320 --> 00:22:45,639 Speaker 8: guys practicing Friend of the Devil. I think it was 498 00:22:45,960 --> 00:22:47,880 Speaker 8: how many do you just practice it once and then 499 00:22:47,920 --> 00:22:48,439 Speaker 8: go all right? 500 00:22:48,480 --> 00:22:51,480 Speaker 6: Pretty much? And that's kind of always been our style 501 00:22:51,640 --> 00:22:54,600 Speaker 6: is a little bit loose, and he was thankfully the 502 00:22:54,640 --> 00:22:56,879 Speaker 6: same way. Yeah, I mean, you know, it's a it. 503 00:22:56,960 --> 00:22:58,840 Speaker 6: We're at the beach, and it was two in the 504 00:22:58,880 --> 00:23:00,960 Speaker 6: afternoon or whatever, and the show was that night. So 505 00:23:01,280 --> 00:23:03,400 Speaker 6: you have to kind of accept a bit of of 506 00:23:03,800 --> 00:23:06,240 Speaker 6: like a wide range of acceptability as far as music 507 00:23:06,440 --> 00:23:11,520 Speaker 6: goes when it's like that. But it's it's it's the beauty. 508 00:23:11,520 --> 00:23:13,840 Speaker 6: I don't know. I love playing music with people, especially 509 00:23:13,880 --> 00:23:14,600 Speaker 6: when they're laid back. 510 00:23:14,600 --> 00:23:18,119 Speaker 3: It's what's the name of that song, it's it's a 511 00:23:18,680 --> 00:23:20,639 Speaker 3: Casey Jones that. 512 00:23:20,680 --> 00:23:22,399 Speaker 6: You played two of them, Friend of the Devil and 513 00:23:22,520 --> 00:23:23,399 Speaker 6: Casey Jones. 514 00:23:23,119 --> 00:23:25,000 Speaker 3: Friend of the Devil. We don't, let's reenact it. You'd 515 00:23:25,000 --> 00:23:27,359 Speaker 3: be Dave Simonette will be Dave Matthews and we'll reenact 516 00:23:27,400 --> 00:23:28,040 Speaker 3: what that sounds like. 517 00:23:28,080 --> 00:23:30,320 Speaker 1: Okay, believable. 518 00:23:30,480 --> 00:23:31,480 Speaker 6: Hi Dave, I'm Dave. 519 00:23:35,359 --> 00:23:41,440 Speaker 2: No, he's never gonna let a Dave back on stage. 520 00:23:45,480 --> 00:23:46,440 Speaker 1: He always says that to you. 521 00:23:47,280 --> 00:23:49,120 Speaker 3: It just got a little more sauce, just a little 522 00:23:49,160 --> 00:23:51,160 Speaker 3: bit of were one only. But when you do hike 523 00:23:51,200 --> 00:23:53,399 Speaker 3: it up a little bit, I will show off what 524 00:23:53,440 --> 00:23:56,040 Speaker 3: you got to Dave over there. That Dave not the 525 00:23:56,080 --> 00:23:56,440 Speaker 3: other day. 526 00:23:57,080 --> 00:23:59,200 Speaker 1: It's been a long time since you've been on, so you. 527 00:23:59,119 --> 00:23:59,960 Speaker 6: Guys haven't changed it. 528 00:24:01,680 --> 00:24:01,760 Speaker 2: Up. 529 00:24:04,000 --> 00:24:04,600 Speaker 1: It's working, you know. 530 00:24:04,760 --> 00:24:09,159 Speaker 2: It's oh boy, I've been compiling a long list of 531 00:24:09,240 --> 00:24:10,920 Speaker 2: questions for you, because it's been a long time I've 532 00:24:10,920 --> 00:24:15,040 Speaker 2: seen you. Okay, I'm The songs that you did on 533 00:24:15,080 --> 00:24:16,680 Speaker 2: not this last album, but the album before that with 534 00:24:16,800 --> 00:24:21,760 Speaker 2: Leanne Reims are completely beautiful, Thank you, And I loved 535 00:24:21,800 --> 00:24:23,920 Speaker 2: the songs without her, And then I heard the song 536 00:24:24,160 --> 00:24:27,600 Speaker 2: with her and it knocked me out. How did that happen? 537 00:24:27,880 --> 00:24:30,399 Speaker 2: And when she's singing? Is it easy for her? 538 00:24:30,440 --> 00:24:31,080 Speaker 1: If you know what I. 539 00:24:31,040 --> 00:24:36,680 Speaker 6: Mean, well, yes, she's an incredible singer. That's that's I 540 00:24:36,760 --> 00:24:40,840 Speaker 6: don't think that's up for debate really, but it came about, 541 00:24:40,840 --> 00:24:44,960 Speaker 6: I don't know, we were looking for another voice on the 542 00:24:45,040 --> 00:24:47,840 Speaker 6: record and we were just kind of trying to scour 543 00:24:48,440 --> 00:24:51,680 Speaker 6: just people we knew, people we'd heard of, and are 544 00:24:52,400 --> 00:24:55,280 Speaker 6: It's it's kind of like, I guess, maybe not as 545 00:24:55,280 --> 00:24:57,399 Speaker 6: exciting of a story as it could be, but it 546 00:24:57,440 --> 00:25:00,960 Speaker 6: was just our distribution company had reached picked up LeAnn 547 00:25:01,000 --> 00:25:03,280 Speaker 6: Rhyme's catalog and her name came up, and like in 548 00:25:03,320 --> 00:25:06,199 Speaker 6: a meeting that I was in, and uh, it was like, 549 00:25:06,280 --> 00:25:09,439 Speaker 6: let's ask lea Ane like I mean she you know, 550 00:25:09,560 --> 00:25:13,240 Speaker 6: growing up, I just remember that being one of the 551 00:25:13,280 --> 00:25:15,919 Speaker 6: strongest voices i'd ever heard, you know, I didn't. We 552 00:25:15,960 --> 00:25:18,720 Speaker 6: don't know or have any kind of personal connection, but 553 00:25:19,280 --> 00:25:22,640 Speaker 6: just kind of blindly reached out, and uh, I was surprised. 554 00:25:22,680 --> 00:25:24,520 Speaker 6: She said, yeah, just send over some music so I 555 00:25:24,520 --> 00:25:27,399 Speaker 6: can figure it out, like figure out a part and 556 00:25:27,440 --> 00:25:29,920 Speaker 6: then the rest. I don't know. It's just on the record, 557 00:25:29,920 --> 00:25:32,240 Speaker 6: I guess, but it's that was quite an honor. 558 00:25:32,680 --> 00:25:34,800 Speaker 1: It said, were you in the room when she recorded her. 559 00:25:35,480 --> 00:25:38,359 Speaker 6: I didn't get to do that now, Yeah, but she 560 00:25:38,600 --> 00:25:43,480 Speaker 6: was really really open and and friendly about like working 561 00:25:43,600 --> 00:25:45,720 Speaker 6: up her harmony part. So we did get to do 562 00:25:45,760 --> 00:25:50,680 Speaker 6: a little collaboration there, and then you know, I I 563 00:25:50,720 --> 00:25:52,520 Speaker 6: don't have a lot of suggestions for a singer like 564 00:25:52,600 --> 00:25:56,399 Speaker 6: Leanne Rhymes. I mean my feedback was like, that's great. 565 00:25:57,640 --> 00:25:59,800 Speaker 2: She's been through so much, like you kind of forget 566 00:25:59,840 --> 00:26:02,520 Speaker 2: how great she is. I mean, that's the reason she 567 00:26:02,560 --> 00:26:06,080 Speaker 2: became huge early is because her voice is otherworldly. 568 00:26:06,480 --> 00:26:10,119 Speaker 6: Yeah, it's she's had quite a you know, a like 569 00:26:10,240 --> 00:26:14,040 Speaker 6: fantastic and diverse career. Yeah, but it was really it 570 00:26:14,160 --> 00:26:16,280 Speaker 6: was really cool, and it was that was another thing 571 00:26:16,359 --> 00:26:18,359 Speaker 6: like kind of like what I was saying earlier about 572 00:26:18,359 --> 00:26:21,320 Speaker 6: it just seemed like fake, you know, like what Leanne 573 00:26:21,359 --> 00:26:23,680 Speaker 6: Rymes is gonna sing on her? Sure? What the hell 574 00:26:24,280 --> 00:26:27,160 Speaker 6: you know? And then so I don't know. I thought 575 00:26:27,240 --> 00:26:28,639 Speaker 6: she just knocked it out of the park. And she 576 00:26:28,800 --> 00:26:31,400 Speaker 6: was a real just like we were talking about Dave 577 00:26:31,400 --> 00:26:35,399 Speaker 6: Matthews or whatever, just a real humble and and warm 578 00:26:35,520 --> 00:26:38,800 Speaker 6: person to work with. And I you know, there's the 579 00:26:38,920 --> 00:26:41,400 Speaker 6: old adage don't meet your heroes or whatever. You think 580 00:26:41,480 --> 00:26:44,040 Speaker 6: like you might not want to get too much behind 581 00:26:44,040 --> 00:26:46,320 Speaker 6: the scenes with people with that amount of fame. But 582 00:26:46,920 --> 00:26:49,120 Speaker 6: at least in those two cases, they were both wonderful. 583 00:26:49,960 --> 00:26:50,600 Speaker 3: That's sweet. 584 00:26:50,840 --> 00:26:53,720 Speaker 6: Yeah, I like to report that to everybody. Yeah, yeah, 585 00:26:53,960 --> 00:26:54,800 Speaker 6: that's good for sure. 586 00:26:54,880 --> 00:26:56,800 Speaker 2: Maybe of the song I'm talking about, but but there's 587 00:26:56,840 --> 00:26:58,480 Speaker 2: two of them. But the one I'm specifically talking about 588 00:26:58,520 --> 00:27:01,000 Speaker 2: is called out of Time, which is a great song. 589 00:27:01,040 --> 00:27:01,400 Speaker 1: By the way. 590 00:27:01,400 --> 00:27:02,679 Speaker 2: The only thing I know for sure is we all 591 00:27:02,760 --> 00:27:05,200 Speaker 2: run out of Time. That's just a great tune, man, 592 00:27:05,240 --> 00:27:06,480 Speaker 2: Thank you, Chris, great. 593 00:27:06,280 --> 00:27:10,639 Speaker 4: Song, David. How how often does Turtles may I just 594 00:27:10,680 --> 00:27:11,000 Speaker 4: call you? 595 00:27:11,280 --> 00:27:13,400 Speaker 6: Yeah, yeah, we're there, it's fine. 596 00:27:13,440 --> 00:27:17,800 Speaker 5: How often does Turtles work on new music? And how 597 00:27:17,800 --> 00:27:21,800 Speaker 5: do you know when it's time to work on new music? 598 00:27:21,840 --> 00:27:22,399 Speaker 4: Collectively? 599 00:27:22,400 --> 00:27:25,600 Speaker 5: Because you all, I would assume come together, go off 600 00:27:25,640 --> 00:27:26,960 Speaker 5: and do your own things come together. 601 00:27:27,040 --> 00:27:29,800 Speaker 4: How do you know when it's time to do new music? 602 00:27:29,960 --> 00:27:32,520 Speaker 6: Yeah, I mean, good question. I don't know. It just 603 00:27:32,560 --> 00:27:36,119 Speaker 6: feels right. We're working on it now, and I'm working 604 00:27:36,119 --> 00:27:38,240 Speaker 6: on a batch of songs, and we're gonna go and 605 00:27:38,240 --> 00:27:42,919 Speaker 6: hopefully go into the studio this year, and and you know, 606 00:27:43,040 --> 00:27:46,520 Speaker 6: it's it's I hate to make concrete plans in that 607 00:27:46,720 --> 00:27:51,200 Speaker 6: area because first of all, it takes me a long 608 00:27:51,240 --> 00:27:54,520 Speaker 6: time to write an album's worth of music. So I 609 00:27:54,840 --> 00:27:57,240 Speaker 6: kind of say, like, I'm feeling like doing that now, 610 00:27:57,280 --> 00:27:58,960 Speaker 6: and so I'll start writing and then we kind of 611 00:27:59,000 --> 00:28:02,600 Speaker 6: loosely plan a year around that. If I'm successful at 612 00:28:02,600 --> 00:28:07,359 Speaker 6: writing ten twelve, you know, songs that we all like, 613 00:28:08,440 --> 00:28:11,800 Speaker 6: we could probably go to the studio this month and 614 00:28:11,840 --> 00:28:14,160 Speaker 6: then try to try to keep it very you know, 615 00:28:14,400 --> 00:28:18,600 Speaker 6: non concrete, just to keep the I don't know, I 616 00:28:18,640 --> 00:28:22,400 Speaker 6: feel like creativity for me, when I start putting too 617 00:28:22,400 --> 00:28:26,159 Speaker 6: many hard walls around it, it kind of dies. So so 618 00:28:26,240 --> 00:28:27,600 Speaker 6: I don't know as far as like, how do I 619 00:28:27,640 --> 00:28:31,560 Speaker 6: know when I don't know, yeah, stars or something. Yeah, 620 00:28:34,320 --> 00:28:36,040 Speaker 6: maybe I just feel bored with what we've been playing 621 00:28:36,119 --> 00:28:37,960 Speaker 6: or something, and we need new songs. It's not as 622 00:28:37,960 --> 00:28:38,520 Speaker 6: simple as that. 623 00:28:38,680 --> 00:28:41,600 Speaker 4: And does nobody else write not? 624 00:28:41,600 --> 00:28:43,640 Speaker 6: Not really. I guess a couple of guys write some 625 00:28:43,720 --> 00:28:47,880 Speaker 6: instrumental stuff which we have recorded and had on albums. 626 00:28:47,920 --> 00:28:51,400 Speaker 6: But as far as most of the song writing is mine. 627 00:28:52,040 --> 00:28:54,880 Speaker 3: Straight cash HOMEI make that money. 628 00:28:55,120 --> 00:28:56,840 Speaker 6: I don't know what you know about the music business 629 00:28:58,200 --> 00:29:00,520 Speaker 6: correctly if I'm wrong, though, Dave, it's it seems like, 630 00:29:01,000 --> 00:29:03,280 Speaker 6: at least on most of the songs I know, all 631 00:29:03,320 --> 00:29:05,080 Speaker 6: the artists are credited as writers. 632 00:29:05,200 --> 00:29:08,440 Speaker 1: Yeah, split that I do. Yeah, Wow, Yeah, that's big man. 633 00:29:08,680 --> 00:29:13,680 Speaker 6: Early on in our career, you know, we had to 634 00:29:14,000 --> 00:29:17,240 Speaker 6: figure all that stuff out as far as you know 635 00:29:17,320 --> 00:29:19,680 Speaker 6: that it's a band, but it's also all of our livings, 636 00:29:19,680 --> 00:29:21,760 Speaker 6: so we had to make it a you know, legal 637 00:29:22,280 --> 00:29:25,120 Speaker 6: h And we were thinking about that, and there were 638 00:29:25,120 --> 00:29:27,920 Speaker 6: some other bands that I was looking as far as 639 00:29:27,960 --> 00:29:33,600 Speaker 6: songwriting goes, and I thought that the model where everybody 640 00:29:33,600 --> 00:29:35,680 Speaker 6: in the you know, I guess the short answer is 641 00:29:37,320 --> 00:29:39,520 Speaker 6: most of the people would never hear these songs without 642 00:29:39,560 --> 00:29:42,480 Speaker 6: that band. In my mind, and so I thought it's 643 00:29:42,520 --> 00:29:45,120 Speaker 6: only fair to carve them in, you know, fair. 644 00:29:46,000 --> 00:29:47,720 Speaker 3: I have a two part tool question. Since we were 645 00:29:47,760 --> 00:29:49,200 Speaker 3: just talking about Tool right before you get. 646 00:29:49,320 --> 00:29:51,040 Speaker 6: Listening on the way in. So I'd like to go 647 00:29:51,040 --> 00:29:52,080 Speaker 6: to that Spear show with you guys. 648 00:29:52,080 --> 00:29:53,920 Speaker 3: Well, so that's that. That's what I we're gonna ask 649 00:29:53,960 --> 00:29:55,800 Speaker 3: you about this fear. That was part two because you know, 650 00:29:55,880 --> 00:29:58,120 Speaker 3: Tool is a band. One of their nickname is your 651 00:29:58,240 --> 00:30:01,080 Speaker 3: favorite band's favorite band. Yeah, I'm sure you've heard that, 652 00:30:01,320 --> 00:30:04,360 Speaker 3: and your music is nothing like Tool, right, but my 653 00:30:04,800 --> 00:30:06,400 Speaker 3: guess is you have a lot of respect for what 654 00:30:06,440 --> 00:30:09,280 Speaker 3: they do exactly. So number one, I wanted to know 655 00:30:09,280 --> 00:30:10,840 Speaker 3: if you were a Tool fan, And then number two, 656 00:30:11,600 --> 00:30:13,280 Speaker 3: not just as a fan going to the Sphere, but 657 00:30:13,320 --> 00:30:16,160 Speaker 3: like when you see a venue like that and you 658 00:30:16,160 --> 00:30:19,560 Speaker 3: your vibe, that kind of Americana trampled vibe. Does that 659 00:30:19,680 --> 00:30:22,440 Speaker 3: play in a place like the Sphere or does music 660 00:30:22,480 --> 00:30:23,280 Speaker 3: play anywhere? 661 00:30:23,560 --> 00:30:26,560 Speaker 6: I like to think it plays anywhere, but I don't. 662 00:30:26,720 --> 00:30:29,480 Speaker 6: I mean, I honestly don't know. I think that that 663 00:30:29,760 --> 00:30:33,000 Speaker 6: still is so new that there's still like throwing darts 664 00:30:33,040 --> 00:30:34,840 Speaker 6: at it. See what works, you know what I mean? 665 00:30:36,240 --> 00:30:38,280 Speaker 6: I think, like what you said, I think Tool is 666 00:30:38,320 --> 00:30:40,920 Speaker 6: going to be really crazy cool there. I think they 667 00:30:41,000 --> 00:30:44,680 Speaker 6: Grateful Dead were great there, probably because that fits their vibe. 668 00:30:45,920 --> 00:30:48,160 Speaker 6: But I don't know if I mean, we wouldn't say no, 669 00:30:49,880 --> 00:30:52,640 Speaker 6: I don't think we could justify a residency at the sphere. 670 00:30:52,720 --> 00:30:54,320 Speaker 6: But if there was some kind of bill that we 671 00:30:54,360 --> 00:30:56,200 Speaker 6: would be on, I'd love to see it from the inside, 672 00:30:56,240 --> 00:30:58,680 Speaker 6: you know, like you said. Though I heard what you 673 00:30:58,720 --> 00:31:00,320 Speaker 6: said on the air about the production, we do know 674 00:31:00,360 --> 00:31:02,960 Speaker 6: a little bit about that, and it is insanely expensive. 675 00:31:03,480 --> 00:31:06,000 Speaker 6: So it has to be a band that can sell 676 00:31:06,040 --> 00:31:08,200 Speaker 6: tickets for like a month, you know. 677 00:31:08,680 --> 00:31:10,680 Speaker 3: And once you do a tool cover, you're looking for 678 00:31:10,720 --> 00:31:13,000 Speaker 3: new music. You did that awesome radio Head cover that 679 00:31:13,080 --> 00:31:14,080 Speaker 3: was a ten out of ten. 680 00:31:14,280 --> 00:31:16,200 Speaker 6: Yeah, that would be fun to figure out a tool song, 681 00:31:16,480 --> 00:31:20,160 Speaker 6: you know, speaking of that has my pay grade really has. 682 00:31:20,200 --> 00:31:22,880 Speaker 1: Has a band, whether a big time band or a 683 00:31:22,880 --> 00:31:25,400 Speaker 1: small time band, ever covered one of your songs in 684 00:31:25,440 --> 00:31:27,320 Speaker 1: a way that maybe you didn't expect that you liked. 685 00:31:27,640 --> 00:31:32,400 Speaker 6: Good question. Yeah, yeah, it's it's I feel like I'm 686 00:31:32,600 --> 00:31:34,400 Speaker 6: stacking the deck a little on the answer there, because 687 00:31:34,440 --> 00:31:38,040 Speaker 6: we did. We did a contest for that a couple 688 00:31:38,080 --> 00:31:42,440 Speaker 6: of years ago where we asked people to cover one 689 00:31:42,480 --> 00:31:44,400 Speaker 6: of our songs and send a video or just post 690 00:31:44,440 --> 00:31:47,280 Speaker 6: on Instagram or whatever, and then the winner of that 691 00:31:47,520 --> 00:31:49,400 Speaker 6: or you know, the person, the one that we like 692 00:31:49,480 --> 00:31:51,720 Speaker 6: the best, got to come. They come and played that 693 00:31:51,760 --> 00:31:54,320 Speaker 6: song with us at Red Rocks. They did we did 694 00:31:54,320 --> 00:31:57,120 Speaker 6: their version of it, oh with them singing it or whatever. 695 00:31:57,200 --> 00:31:59,240 Speaker 6: So I actually got a whole lot of that in 696 00:31:59,280 --> 00:32:02,040 Speaker 6: a short amount of time. And it was really amazing 697 00:32:02,520 --> 00:32:04,760 Speaker 6: and humbling, you know, to see all these people play 698 00:32:05,280 --> 00:32:07,160 Speaker 6: a song that I wrote or whatever, but it was 699 00:32:07,800 --> 00:32:10,720 Speaker 6: they picked whatever song they wanted. It was really cool, 700 00:32:10,760 --> 00:32:12,120 Speaker 6: almost embarrassing cool. 701 00:32:13,280 --> 00:32:14,760 Speaker 3: I don't even know how you wrap your head around 702 00:32:14,800 --> 00:32:17,640 Speaker 3: the fact if if you're their favorite band, they're singing 703 00:32:18,200 --> 00:32:20,360 Speaker 3: one of their favorite songs with their favorite band on 704 00:32:20,520 --> 00:32:23,160 Speaker 3: arguably the greatest venue in the. 705 00:32:24,160 --> 00:32:26,920 Speaker 6: Amazing job too. It was so cool. And she's you know, 706 00:32:27,040 --> 00:32:30,800 Speaker 6: young and just kind of starting out in her music career, 707 00:32:30,800 --> 00:32:33,640 Speaker 6: which is what she wants, and it was great and 708 00:32:33,680 --> 00:32:36,440 Speaker 6: she was like I was way more nervous than she, 709 00:32:36,960 --> 00:32:42,440 Speaker 6: you know, I don't know, I've always impressed by It's 710 00:32:42,480 --> 00:32:46,560 Speaker 6: it's an interesting experience having somebody play my song, and 711 00:32:46,600 --> 00:32:50,280 Speaker 6: it's it's always very flattering and it's I'm always like 712 00:32:50,320 --> 00:32:53,120 Speaker 6: surprised that somebody even knows enough to do that, you know, 713 00:32:53,960 --> 00:32:56,640 Speaker 6: But yeah, it's it's it's it's incredible. 714 00:32:56,760 --> 00:32:58,960 Speaker 3: You on the Red Rocks calendar again this summer. 715 00:32:59,000 --> 00:33:02,280 Speaker 6: No, we're still on a little hiatus from uh from that, 716 00:33:02,400 --> 00:33:04,440 Speaker 6: which is good. We did it ten years in a 717 00:33:04,520 --> 00:33:07,560 Speaker 6: row or something, and we wanted to try to you 718 00:33:07,600 --> 00:33:09,400 Speaker 6: know how it is when you play, like if we 719 00:33:09,400 --> 00:33:11,400 Speaker 6: play a show there, that's a really big van, that's 720 00:33:11,400 --> 00:33:13,240 Speaker 6: the biggest venue for us. That's you know, a lot 721 00:33:13,280 --> 00:33:15,240 Speaker 6: of bands will play that as like a smaller place 722 00:33:15,280 --> 00:33:17,440 Speaker 6: to play because it's cool, but for us that's the 723 00:33:17,440 --> 00:33:20,360 Speaker 6: biggest thing. And so when we do that, we can't 724 00:33:20,360 --> 00:33:23,920 Speaker 6: really play in that area anywhere else. Yeah, And so 725 00:33:23,960 --> 00:33:26,600 Speaker 6: we wanted a couple of years to go explore other 726 00:33:26,680 --> 00:33:28,880 Speaker 6: places in Colorado that we haven't been for a while, 727 00:33:28,920 --> 00:33:32,000 Speaker 6: and and some some other stuff like that in the neighborhood, 728 00:33:32,000 --> 00:33:34,480 Speaker 6: which has been really fun. This year. We're we have 729 00:33:34,840 --> 00:33:37,400 Speaker 6: some I just realized it's not announced it, but a 730 00:33:37,520 --> 00:33:39,240 Speaker 6: couple of other Colorado things that we're going to do 731 00:33:39,240 --> 00:33:42,320 Speaker 6: which we wouldn't be able to do. Hopefully, you know, 732 00:33:42,560 --> 00:33:44,120 Speaker 6: in the next couple of years we'll get back over 733 00:33:44,120 --> 00:33:47,080 Speaker 6: there though, because it's the coolest. Hey, Dave, question for you, 734 00:33:47,160 --> 00:33:48,240 Speaker 6: where's Zach voice comes? 735 00:33:51,720 --> 00:33:52,880 Speaker 3: I'm in Minnetonka. 736 00:33:54,560 --> 00:33:57,680 Speaker 7: No you you opened, you guys open for Zach Bryan 737 00:33:58,040 --> 00:34:00,560 Speaker 7: on that big tour, And I want to ask about 738 00:34:00,600 --> 00:34:04,080 Speaker 7: the stage setup that they had there, being in the 739 00:34:04,160 --> 00:34:07,520 Speaker 7: round like that, what was it like being basically surrounded 740 00:34:07,560 --> 00:34:12,080 Speaker 7: by people and what was that experience like not having 741 00:34:12,120 --> 00:34:15,360 Speaker 7: the the I guess safety net of a stage behind you. 742 00:34:16,200 --> 00:34:20,080 Speaker 6: Well, yeah, that that. We have a couple more shows 743 00:34:20,120 --> 00:34:22,560 Speaker 6: coming up with Zach this year too. That like witnessing that. 744 00:34:22,800 --> 00:34:26,839 Speaker 6: Especially that tour we were on was this first arena tour, 745 00:34:27,480 --> 00:34:30,760 Speaker 6: and I mean we might as well have been opening 746 00:34:30,800 --> 00:34:32,640 Speaker 6: for the Beatles, you know what I mean. I've never 747 00:34:32,680 --> 00:34:36,319 Speaker 6: seen a crowd like that before. Like I remember in 748 00:34:37,120 --> 00:34:39,520 Speaker 6: Oh Man, I wish I could remember what city was in, 749 00:34:39,560 --> 00:34:43,640 Speaker 6: but one of these arenas looking over well while he 750 00:34:43,760 --> 00:34:46,040 Speaker 6: was playing, not while we were playing, and seeing this 751 00:34:46,239 --> 00:34:52,440 Speaker 6: like six foot five like grown man cowboy just just yeah, 752 00:34:52,640 --> 00:34:56,360 Speaker 6: just sobbing because like tears streaming down his face. And 753 00:34:56,360 --> 00:34:59,520 Speaker 6: I was like, man, I've never I've never seen passion 754 00:34:59,600 --> 00:35:03,879 Speaker 6: like that. It was yeah, really cool experience. Thankfully, we 755 00:35:03,880 --> 00:35:07,600 Speaker 6: were mostly pretty well received, you know, at that it's 756 00:35:07,600 --> 00:35:09,960 Speaker 6: something like that everybody just wants to they've never seen 757 00:35:10,040 --> 00:35:12,319 Speaker 6: Zach before you know. That was the first one as 758 00:35:12,360 --> 00:35:15,880 Speaker 6: far as the stage goes. For us as the opening band, 759 00:35:15,880 --> 00:35:17,840 Speaker 6: we were on one of the wings, so we didn't 760 00:35:17,880 --> 00:35:21,399 Speaker 6: really fully take advantage of the round, but it was 761 00:35:22,080 --> 00:35:23,760 Speaker 6: I would say that I thought it was a really 762 00:35:23,760 --> 00:35:27,279 Speaker 6: great production it. I mean I could have I don't 763 00:35:27,280 --> 00:35:28,640 Speaker 6: know if we might as well been standing on a 764 00:35:28,640 --> 00:35:29,319 Speaker 6: pyramid up there. 765 00:35:30,239 --> 00:35:30,520 Speaker 3: Matter. 766 00:35:31,040 --> 00:35:33,839 Speaker 6: You know, we played early in forty five minutes opening gig, 767 00:35:33,880 --> 00:35:39,680 Speaker 6: but I will that's another another person and crew of people, 768 00:35:39,719 --> 00:35:42,480 Speaker 6: Like the whole crew of that toured was acted pretty 769 00:35:42,520 --> 00:35:45,360 Speaker 6: much most of them still do. Were some of the 770 00:35:45,400 --> 00:35:48,360 Speaker 6: most welcoming and great people that we've worked with. Absolutely, 771 00:35:48,920 --> 00:35:54,319 Speaker 6: what was Far Made like Farm Made was great. Yeah, 772 00:35:54,360 --> 00:36:00,120 Speaker 6: I mean my kids thought it was too long, but 773 00:36:00,440 --> 00:36:02,200 Speaker 6: such a cool experience. But I don't know, any time 774 00:36:02,239 --> 00:36:04,120 Speaker 6: you get to see like that, that bill of people, 775 00:36:04,160 --> 00:36:05,480 Speaker 6: I might be the only time you get to see 776 00:36:05,480 --> 00:36:06,160 Speaker 6: that bill of people. 777 00:36:06,360 --> 00:36:09,920 Speaker 2: You know, anybody, in particular our group of people that 778 00:36:09,960 --> 00:36:11,520 Speaker 2: you met. Again, we're talking to Dave some of that 779 00:36:11,600 --> 00:36:13,120 Speaker 2: to Trample by Turtles and dead Man. 780 00:36:13,239 --> 00:36:16,360 Speaker 6: That's actually where I met Dave Matthews. Yeah, he was 781 00:36:16,360 --> 00:36:18,200 Speaker 6: standing on the side of the stage while we played 782 00:36:18,239 --> 00:36:21,000 Speaker 6: and and came off and and and met him there. 783 00:36:21,000 --> 00:36:23,160 Speaker 6: But yeah, I got I got to say how to 784 00:36:23,239 --> 00:36:29,600 Speaker 6: Neil Young for like one second, which was really real highlight. Yeah, 785 00:36:29,600 --> 00:36:34,360 Speaker 6: but we had just done a tour with Willie Nelson 786 00:36:34,400 --> 00:36:38,040 Speaker 6: and Bob Dylan that summer up until then, so we 787 00:36:38,040 --> 00:36:41,160 Speaker 6: we had and I have I met Willie because we 788 00:36:41,160 --> 00:36:43,160 Speaker 6: we've toured with him a little bit. Actually I never 789 00:36:43,239 --> 00:36:46,080 Speaker 6: nobody met Bob. That's that's a whole different story probably, 790 00:36:46,120 --> 00:36:49,520 Speaker 6: But I met a lot of their crew, and that's 791 00:36:49,719 --> 00:36:51,360 Speaker 6: a lot of times, I don't know, man on tours 792 00:36:51,400 --> 00:36:52,839 Speaker 6: like that, a lot of times we end up hanging 793 00:36:52,880 --> 00:36:55,840 Speaker 6: out with everybody else's crew. I think that that's maybe 794 00:36:55,920 --> 00:36:59,960 Speaker 6: more our vibe, you know, like hanging out in the parking, 795 00:37:00,080 --> 00:37:02,520 Speaker 6: not with the text and the stage hands. 796 00:37:02,719 --> 00:37:05,719 Speaker 8: So did Dave see you guys at farm Hand and 797 00:37:05,840 --> 00:37:08,120 Speaker 8: was like, you guys should come on tour with us. 798 00:37:11,360 --> 00:37:14,040 Speaker 6: Know, we had we had booked the Mexico show already, 799 00:37:14,040 --> 00:37:17,319 Speaker 6: but that's when he'd pretty much had asked us to 800 00:37:17,480 --> 00:37:20,759 Speaker 6: play with him. That was there, Yeah, Yeah, it was. 801 00:37:21,160 --> 00:37:23,520 Speaker 6: It was a really cool experience and a cause in 802 00:37:23,520 --> 00:37:26,600 Speaker 6: which I believe, you know, So it was it was 803 00:37:27,160 --> 00:37:29,480 Speaker 6: an honor to kind of to raise awareness and money 804 00:37:29,520 --> 00:37:33,160 Speaker 6: for their mission, and also just to as a concert goer, 805 00:37:33,200 --> 00:37:35,520 Speaker 6: just to kick back and watch a bunch of legends 806 00:37:35,520 --> 00:37:37,399 Speaker 6: play songs all day. It's very cool. 807 00:37:37,440 --> 00:37:39,680 Speaker 3: So is the Dylan story not arable or is it not? 808 00:37:40,680 --> 00:37:42,799 Speaker 6: I mean, it's nothing new. I don't think with him, 809 00:37:43,360 --> 00:37:46,200 Speaker 6: he's just a very private person, you know. Uh so 810 00:37:46,280 --> 00:37:49,040 Speaker 6: he you know, he he's kind of like walks, walks 811 00:37:49,080 --> 00:37:50,960 Speaker 6: through the venue on his way to the stage, plays 812 00:37:50,960 --> 00:37:55,319 Speaker 6: the show, walks back out kind of thing. And you know, 813 00:37:55,480 --> 00:37:58,279 Speaker 6: I never fault anybody for that kind of He was 814 00:37:58,360 --> 00:38:02,839 Speaker 6: never rude or meet, you know, disrespectful to anybody. That's 815 00:38:02,880 --> 00:38:05,960 Speaker 6: just how he's comfortable and getting on stage even after 816 00:38:06,040 --> 00:38:08,760 Speaker 6: as long as he's done it, everybody's got their own routine. 817 00:38:09,320 --> 00:38:13,240 Speaker 6: And so I always think like, yeah, whatever whatever makes 818 00:38:13,280 --> 00:38:16,280 Speaker 6: it makes your anxiety relax to get up there, that's. 819 00:38:16,120 --> 00:38:18,319 Speaker 2: What you got to do when you're writing like you 820 00:38:18,360 --> 00:38:21,000 Speaker 2: are right now. Can you listen to other people's music 821 00:38:21,040 --> 00:38:21,880 Speaker 2: or do you have to stay away? 822 00:38:22,719 --> 00:38:22,799 Speaker 7: No? 823 00:38:22,920 --> 00:38:24,440 Speaker 6: I do? I mean I always do. 824 00:38:25,239 --> 00:38:25,359 Speaker 4: Uh. 825 00:38:27,000 --> 00:38:31,600 Speaker 6: It's I don't know if anybody's innocent of theft and songwriting, 826 00:38:31,640 --> 00:38:34,279 Speaker 6: you know what I mean? And I think most of 827 00:38:34,320 --> 00:38:38,120 Speaker 6: it is unconscious and you just absorb everything you hear 828 00:38:38,160 --> 00:38:40,600 Speaker 6: all the time, and it made me. I like to 829 00:38:40,680 --> 00:38:43,280 Speaker 6: think it kind of distills in your brain and comes 830 00:38:43,280 --> 00:38:47,800 Speaker 6: back out something a little bit different. I Yeah, there's 831 00:38:47,840 --> 00:38:50,640 Speaker 6: sometimes when somebody is too good, Like I think, maybe 832 00:38:50,440 --> 00:38:52,920 Speaker 6: I try not to be competitive in music, but I 833 00:38:52,960 --> 00:38:55,759 Speaker 6: think sometimes I can't help it. Like sometimes I'll hear, 834 00:38:56,719 --> 00:39:00,520 Speaker 6: for instance, there's this band Big Thief. Maybe you guys 835 00:39:00,520 --> 00:39:04,200 Speaker 6: know that band. Their songwriter, Adrian Linker, to me, is 836 00:39:04,239 --> 00:39:08,080 Speaker 6: one of the most interesting songwriters of our time right now, 837 00:39:08,520 --> 00:39:10,920 Speaker 6: and so I'm not listening to any of them at 838 00:39:10,960 --> 00:39:13,400 Speaker 6: the moment because I'll hear a song like that she 839 00:39:13,560 --> 00:39:18,880 Speaker 6: wrote and I'll just want to retire. She said it art. 840 00:39:20,760 --> 00:39:23,200 Speaker 6: But for me, my main challenge is trying to come 841 00:39:23,280 --> 00:39:26,319 Speaker 6: up with a chord progression or a melody or you know, 842 00:39:26,360 --> 00:39:28,919 Speaker 6: a phrase that I haven't already haven't done before. Yeah, 843 00:39:29,080 --> 00:39:31,759 Speaker 6: And like I was saying to my wife yesterday because 844 00:39:31,800 --> 00:39:33,680 Speaker 6: I was writing and I was really frustrated, and I 845 00:39:33,719 --> 00:39:35,480 Speaker 6: told her, I think I'm out of words, like I 846 00:39:35,600 --> 00:39:38,120 Speaker 6: used them all all the words that I know. So 847 00:39:38,200 --> 00:39:40,200 Speaker 6: I try to, especially in times like this, I do 848 00:39:40,280 --> 00:39:43,680 Speaker 6: a lot of writing exercises, and I reach out and 849 00:39:43,760 --> 00:39:47,719 Speaker 6: try to find other writers that have published advice or 850 00:39:48,880 --> 00:39:52,759 Speaker 6: you know, your brain can keep moving, so it's trying 851 00:39:52,760 --> 00:39:54,800 Speaker 6: to find new ways to unlock that stuff. 852 00:39:54,840 --> 00:39:56,759 Speaker 1: Can you use alternate tunings or is it hard to 853 00:39:56,760 --> 00:39:58,239 Speaker 1: do a little bit? 854 00:39:58,360 --> 00:40:01,239 Speaker 6: But yeah, I'm not a great guitar player. Probably a 855 00:40:01,280 --> 00:40:04,120 Speaker 6: first tell you that you're doing just fine. It seems 856 00:40:04,160 --> 00:40:04,680 Speaker 6: like you're doing. 857 00:40:06,480 --> 00:40:08,319 Speaker 2: When you're on stage. I've always wanted to ask you this, 858 00:40:08,360 --> 00:40:09,880 Speaker 2: and I never got a chance. When you're on stage, 859 00:40:09,880 --> 00:40:12,680 Speaker 2: we're traveled by turtles, and there's no drummer. Who is 860 00:40:12,719 --> 00:40:13,680 Speaker 2: the metronome of the band? 861 00:40:13,719 --> 00:40:15,040 Speaker 1: Is it you? Is it your right hand? 862 00:40:15,719 --> 00:40:19,480 Speaker 6: Everybody in that band would say it's somebody else, which 863 00:40:19,520 --> 00:40:22,040 Speaker 6: is probably why it works, you know what I mean. 864 00:40:22,320 --> 00:40:25,600 Speaker 6: Nobody is really saddled with that. I think each person 865 00:40:25,680 --> 00:40:29,680 Speaker 6: kind of follows something unique to them, and so it 866 00:40:30,000 --> 00:40:32,640 Speaker 6: only really works when it's all happening together and it's 867 00:40:32,960 --> 00:40:35,720 Speaker 6: a very fluid tempo. Usually. 868 00:40:35,800 --> 00:40:37,160 Speaker 1: Yeah, and I would guess you guys don't use a 869 00:40:37,160 --> 00:40:37,920 Speaker 1: click or anything like that. 870 00:40:37,920 --> 00:40:41,680 Speaker 6: Right, No, No, I can't do it. Yeah, if we're 871 00:40:41,760 --> 00:40:44,799 Speaker 6: it's we've tried, you know, in the studio, before and 872 00:40:44,840 --> 00:40:48,160 Speaker 6: it really we're no good when we're that good, if 873 00:40:48,200 --> 00:40:50,120 Speaker 6: that makes sense, Yeah, yeah. 874 00:40:49,800 --> 00:40:51,799 Speaker 1: Yeah, for sure. Hey, the Beatles didn't use. 875 00:40:51,680 --> 00:40:54,040 Speaker 6: It, right, Yeah, I don't even know if they had it, 876 00:40:54,400 --> 00:40:57,520 Speaker 6: I'm saying, right, yeah, yeah, I don't know. It's it's 877 00:40:57,719 --> 00:41:00,880 Speaker 6: I we had whatever it is that we have together 878 00:41:01,040 --> 00:41:05,439 Speaker 6: playing as far as our tempo and rhythm goes. It's 879 00:41:05,520 --> 00:41:08,160 Speaker 6: just something that that for us is a little bit 880 00:41:08,280 --> 00:41:12,000 Speaker 6: unresearched and I almost superstitious. They don't want to dig 881 00:41:12,040 --> 00:41:12,960 Speaker 6: into it too far, you know. 882 00:41:13,320 --> 00:41:15,439 Speaker 2: Yeah, yeah, I can see that for sure. Who else 883 00:41:15,480 --> 00:41:17,319 Speaker 2: besides big thiefs should we be listening to that way? 884 00:41:17,320 --> 00:41:18,399 Speaker 1: Don't that we don't know about? 885 00:41:18,440 --> 00:41:18,560 Speaker 3: Uh? 886 00:41:19,160 --> 00:41:21,520 Speaker 6: Well, you guys ever listened to Eric Coskin and he's 887 00:41:21,520 --> 00:41:23,920 Speaker 6: a local guy. I'm going to see him on Friday. 888 00:41:25,000 --> 00:41:27,120 Speaker 6: He's one of my favorite artists right now too. Also 889 00:41:27,120 --> 00:41:27,840 Speaker 6: a great songwriter. 890 00:41:28,480 --> 00:41:29,879 Speaker 1: Great, thank you. That's pretty cool. 891 00:41:30,800 --> 00:41:34,280 Speaker 3: Where are you at in the uh the Billy Corgan 892 00:41:34,400 --> 00:41:37,320 Speaker 3: theory that AI is going to wipe out all music 893 00:41:37,360 --> 00:41:39,640 Speaker 3: creativity in the next five years. He is a pretty 894 00:41:39,640 --> 00:41:42,040 Speaker 3: gloom outlook that this is going the wrong way pretty fast? 895 00:41:42,040 --> 00:41:46,040 Speaker 3: Where you want to guy? I mean, he makes good 896 00:41:46,080 --> 00:41:48,520 Speaker 3: points but maybe his timeline is off it. How do 897 00:41:48,560 --> 00:41:50,000 Speaker 3: you feel so far? What have you seen out of 898 00:41:50,000 --> 00:41:52,680 Speaker 3: the impact of AI and in the music industry. 899 00:41:53,239 --> 00:41:57,120 Speaker 6: I'm not a it's a hard it's hard for me 900 00:41:57,280 --> 00:41:59,200 Speaker 6: to talk. I feel like me to talk about without 901 00:41:59,280 --> 00:42:01,920 Speaker 6: sounding it's like an old man yelling at clouds, you know, 902 00:42:02,800 --> 00:42:06,920 Speaker 6: because it's like these kids in their new technology. I 903 00:42:07,480 --> 00:42:10,880 Speaker 6: my my personal opinion is I don't love it. I 904 00:42:10,920 --> 00:42:15,440 Speaker 6: think that I've seen some writing. Thankfully now I feel 905 00:42:15,440 --> 00:42:17,480 Speaker 6: like I can pick it out. But I don't think 906 00:42:17,480 --> 00:42:21,080 Speaker 6: we're that far from a lot of popular artists leaning 907 00:42:21,120 --> 00:42:24,440 Speaker 6: heavily on AI. I also don't think that most people 908 00:42:24,480 --> 00:42:27,440 Speaker 6: care if they do, so, I don't know. I think 909 00:42:27,480 --> 00:42:32,040 Speaker 6: that it's it's not going anywhere. I don't plan on 910 00:42:32,160 --> 00:42:34,719 Speaker 6: using it in my own writing life, because for me, 911 00:42:34,840 --> 00:42:38,839 Speaker 6: that's my favorite art form, is writing. But I do 912 00:42:38,920 --> 00:42:43,680 Speaker 6: think that that it is probably already has a larger 913 00:42:43,719 --> 00:42:47,080 Speaker 6: impact than people know. Yeah, and I think it's we'll 914 00:42:47,160 --> 00:42:49,520 Speaker 6: just keep I don't. I mean, I don't think we're 915 00:42:49,560 --> 00:42:52,680 Speaker 6: that far away from having a fully simulated acts you know. 916 00:42:54,120 --> 00:42:56,680 Speaker 2: Do you You don't even have to tell me, but 917 00:42:57,280 --> 00:42:59,840 Speaker 2: do you have a favorite lyric that you ever wrote, 918 00:43:00,480 --> 00:43:02,480 Speaker 2: would I ask you that question that nothing comes to mind? 919 00:43:02,640 --> 00:43:04,480 Speaker 6: No, I wouldn't say it if I did either. 920 00:43:04,640 --> 00:43:08,680 Speaker 3: Yeah, smart, so you know it's a great thing. 921 00:43:09,080 --> 00:43:13,040 Speaker 6: Yeah me, No, So for me, I like, I'm usually 922 00:43:13,120 --> 00:43:16,560 Speaker 6: most excited about what's coming. And I heard you guys 923 00:43:16,560 --> 00:43:18,719 Speaker 6: talking trash about the Tool making a new record, which 924 00:43:18,760 --> 00:43:23,080 Speaker 6: I wanted to tell you to knock that off. They 925 00:43:23,640 --> 00:43:25,960 Speaker 6: you know that's the same. If it's it's it's uh. 926 00:43:26,920 --> 00:43:29,200 Speaker 6: I mean, you just want to keep making music, And 927 00:43:29,480 --> 00:43:31,600 Speaker 6: I think everybody should be, even if you know a 928 00:43:31,640 --> 00:43:33,440 Speaker 6: lot of your fans are most excited about something you 929 00:43:33,440 --> 00:43:36,000 Speaker 6: did twenty years ago. I think that if the artist 930 00:43:36,080 --> 00:43:38,120 Speaker 6: is most excited about what they're doing now, that probably 931 00:43:38,200 --> 00:43:40,360 Speaker 6: keeps them pretty relevant and at least more exciting to 932 00:43:40,400 --> 00:43:41,200 Speaker 6: watch on stage. 933 00:43:41,280 --> 00:43:41,480 Speaker 3: Yeah. 934 00:43:42,080 --> 00:43:45,880 Speaker 4: The have you ever heard the lyric Marnie's Gone and 935 00:43:45,920 --> 00:43:46,600 Speaker 4: no one cares? 936 00:43:47,360 --> 00:43:48,600 Speaker 6: You know, tell me about it? 937 00:43:48,640 --> 00:43:49,200 Speaker 4: Didn't do well? 938 00:43:49,480 --> 00:43:53,479 Speaker 3: It was AI generated but yeah, really good hook. 939 00:43:53,600 --> 00:43:55,480 Speaker 1: Yeah, but I thought the AI hit it right on 940 00:43:55,480 --> 00:43:55,799 Speaker 1: the money. 941 00:43:55,880 --> 00:43:56,080 Speaker 2: Yeah. 942 00:43:56,200 --> 00:43:57,239 Speaker 1: The only time I've ever been. 943 00:43:57,160 --> 00:43:58,680 Speaker 4: Fans, I didn't love it. 944 00:43:58,800 --> 00:44:01,400 Speaker 3: Yea, even Billy cork and loved it. Yeah, that's what 945 00:44:01,400 --> 00:44:02,359 Speaker 3: made him change his mind. 946 00:44:03,680 --> 00:44:05,160 Speaker 6: I take back everything I said. 947 00:44:06,360 --> 00:44:08,239 Speaker 2: Well, it's just so great to see you man, Thanks 948 00:44:08,239 --> 00:44:09,920 Speaker 2: for coming out, and if you're gonna be around for 949 00:44:09,960 --> 00:44:12,440 Speaker 2: a while, please feel free to join us anytime. This 950 00:44:12,560 --> 00:44:14,520 Speaker 2: studio belongs to you, anytime you want to come hang out. 951 00:44:14,600 --> 00:44:16,080 Speaker 6: Thank you. Good to see everybody. 952 00:44:16,000 --> 00:44:18,360 Speaker 1: Yeah, like great to see your success. 953 00:44:18,800 --> 00:44:19,160 Speaker 3: Thank you. 954 00:44:19,360 --> 00:44:21,400 Speaker 1: Yeah man, Yeah, Martin, you get a setlist? 955 00:44:21,400 --> 00:44:23,600 Speaker 3: What do you do with that setlist? Frame it? Probably? Yeah, 956 00:44:24,000 --> 00:44:25,719 Speaker 3: when you do those picks, learn how to play guitar 957 00:44:25,800 --> 00:44:28,480 Speaker 3: or the ukulele or something. No, I'll probably put them 958 00:44:28,480 --> 00:44:31,040 Speaker 3: in the frame. Oh man, that's how I end. 959 00:44:31,239 --> 00:44:33,720 Speaker 5: Why is the set list in the shape of a receipt? 960 00:44:33,760 --> 00:44:35,040 Speaker 5: I've never seen that before. 961 00:44:35,480 --> 00:44:40,320 Speaker 3: They've got that CBS, yes, metaphor maybe that's exactly right. Yeah, yeah, 962 00:44:42,360 --> 00:44:43,520 Speaker 3: show the camera sauce. 963 00:44:43,680 --> 00:44:45,400 Speaker 1: Yeah, could you please show us these are cameras? 964 00:44:46,080 --> 00:44:52,080 Speaker 3: Yeah, yeah, there is wow pay twenty five bangers a night. 965 00:44:52,520 --> 00:44:56,280 Speaker 8: Yeah, probably twenty five is wow. I lost, but yeah 966 00:44:56,320 --> 00:44:58,640 Speaker 8: a lot. Yeah, I can't wait to see him. They'll 967 00:44:58,640 --> 00:45:00,640 Speaker 8: be here in Junie old man. 968 00:45:00,760 --> 00:45:01,319 Speaker 1: Can't wait now. 969 00:45:01,480 --> 00:45:03,160 Speaker 2: Maybe traveled By Turtles will be on stage with him. 970 00:45:03,200 --> 00:45:06,239 Speaker 2: You never know, you never know, We never know, Matt right, 971 00:45:06,360 --> 00:45:07,440 Speaker 2: yeah right. 972 00:45:07,360 --> 00:45:09,319 Speaker 3: Maybe you should take Dave with you because he got 973 00:45:09,320 --> 00:45:12,040 Speaker 3: you the set Listen, you want to go with you? 974 00:45:12,080 --> 00:45:12,319 Speaker 8: All right? 975 00:45:12,360 --> 00:45:13,880 Speaker 3: You can go show with you, yeah, and then you 976 00:45:13,880 --> 00:45:15,719 Speaker 3: can come to Tool with us next year. Are you 977 00:45:15,760 --> 00:45:16,840 Speaker 3: a Vegas guy anyway? 978 00:45:17,640 --> 00:45:20,279 Speaker 6: No, but for the sphere, I'll go for that. 979 00:45:20,360 --> 00:45:22,680 Speaker 3: Let's go. All right, Well, let's take a Tool trip 980 00:45:22,680 --> 00:45:24,440 Speaker 3: in twenty twenty seven. Do you want to go. 981 00:45:24,600 --> 00:45:26,839 Speaker 4: Well, I'm seeing Sarah Evans at Windstock. If you want 982 00:45:26,840 --> 00:45:27,920 Speaker 4: to come, move very similar. 983 00:45:28,200 --> 00:45:30,480 Speaker 6: I'd like to go to a show with everybody. 984 00:45:30,640 --> 00:45:33,239 Speaker 3: All right, let's do it to see on the bill. 985 00:45:33,320 --> 00:45:35,200 Speaker 2: Next time you play Red Rocks, I'll pay you a 986 00:45:35,239 --> 00:45:38,319 Speaker 2: thousand dollars. Let me play one song on my guitar. 987 00:45:39,280 --> 00:45:39,600 Speaker 9: All right? 988 00:45:40,480 --> 00:45:43,120 Speaker 3: Nine to noon is next. The Power Trip returns tomorrow 989 00:45:43,239 --> 00:45:44,399 Speaker 3: five thirty to nine. 990 00:45:44,520 --> 00:45:52,879 Speaker 2: Right here on the thing, You too have a dam, 991 00:45:52,920 --> 00:45:54,200 Speaker 2: But keep on dreaming of baby girl. 992 00:45:54,239 --> 00:45:56,440 Speaker 1: It's gonna be a great day.