1 00:00:03,720 --> 00:00:08,440 Speaker 1: And now it's time for Joe Escalante Live from Hollywood. 2 00:00:08,800 --> 00:00:12,240 Speaker 1: If by Hollywood you mean Burbank across the street promo 3 00:00:12,280 --> 00:00:14,480 Speaker 1: meaners and it's at that serves beer. 4 00:00:26,200 --> 00:00:29,479 Speaker 2: It's true. Joe Escalante Live from Hollywood. And this is 5 00:00:29,520 --> 00:00:32,360 Speaker 2: two hours of the business end of show business, the 6 00:00:32,400 --> 00:00:38,960 Speaker 2: business affairs of Hollywood. And do we have a blockbuster 7 00:00:39,040 --> 00:00:43,599 Speaker 2: show tonight, Sam. Yeah. Just as I'm getting into the studio, 8 00:00:44,159 --> 00:00:51,400 Speaker 2: I'm getting word that Rihanna's house has been her mansion, 9 00:00:51,479 --> 00:00:55,360 Speaker 2: as they're calling it, hit by at least ten rounds 10 00:00:55,360 --> 00:01:03,360 Speaker 2: of gunfire. So we will We're gonna update. So a 11 00:01:03,480 --> 00:01:06,600 Speaker 2: woman fired several shots into the Beverly Hills home a 12 00:01:06,600 --> 00:01:11,520 Speaker 2: pop star Rihanna and around penetrated a wall of the mansion, 13 00:01:12,040 --> 00:01:16,440 Speaker 2: law enforcement people say. Los Angeles Police responded to the 14 00:01:16,520 --> 00:01:20,119 Speaker 2: report at one twenty one. It's just a couple hours 15 00:01:20,160 --> 00:01:24,839 Speaker 2: ago and a thirty year old female suspect was taken 16 00:01:24,840 --> 00:01:26,000 Speaker 2: into custody. 17 00:01:25,760 --> 00:01:27,840 Speaker 3: And she was home when this happened. 18 00:01:28,080 --> 00:01:33,080 Speaker 2: Unbelievable, that's terrifying. According to police, the suspect fired multiple 19 00:01:33,200 --> 00:01:36,080 Speaker 2: rounds from inside her vehicle toward the celebrities home that's 20 00:01:36,080 --> 00:01:39,640 Speaker 2: called the dry by Sam No injuries were reported yet 21 00:01:41,640 --> 00:01:46,360 Speaker 2: approximately ten shots. Blah blah blah. She lives in a 22 00:01:46,400 --> 00:01:49,919 Speaker 2: colonial style mansion in the post Office neighborhood of Beverly 23 00:01:50,000 --> 00:01:54,040 Speaker 2: Hills with her partner. Do you know who her rapper 24 00:01:54,040 --> 00:01:54,480 Speaker 2: partner is? 25 00:01:55,160 --> 00:01:58,120 Speaker 3: Ah, let's see. Is it asap Rocky? 26 00:01:58,240 --> 00:02:00,440 Speaker 2: You are absolutely right about that. The cup we'll share 27 00:02:00,480 --> 00:02:08,440 Speaker 2: three young children, daughter and two sons. So anyway, you know, 28 00:02:09,480 --> 00:02:11,880 Speaker 2: people aren't safe in Beverly Hills post office. Do you 29 00:02:11,919 --> 00:02:15,440 Speaker 2: know Beverly Hill's post office really means? No, it's a 30 00:02:15,480 --> 00:02:18,160 Speaker 2: Los Angeles but you use the Beverly Hills post Office 31 00:02:18,160 --> 00:02:20,240 Speaker 2: to get your mail. Oh, okay, so they don't really 32 00:02:20,280 --> 00:02:21,920 Speaker 2: live in the city of Los Angeles. They live in 33 00:02:22,160 --> 00:02:23,680 Speaker 2: I mean the city of Beverly Hills. They live in 34 00:02:23,720 --> 00:02:27,880 Speaker 2: Los Angeles, but it's you have a Beverly Hills zip 35 00:02:27,919 --> 00:02:30,680 Speaker 2: code kind of thing and you use the Beverly Hills 36 00:02:30,800 --> 00:02:31,680 Speaker 2: post Office. 37 00:02:31,880 --> 00:02:34,480 Speaker 3: It's kind of like Universal Studios, how it has Universal 38 00:02:34,480 --> 00:02:37,120 Speaker 3: City and their own post office, on fire department, their 39 00:02:37,160 --> 00:02:38,280 Speaker 3: own little setup. 40 00:02:38,320 --> 00:02:41,519 Speaker 2: I'm assuming it's kind of like the outskirts of Hooterville, 41 00:02:41,600 --> 00:02:45,160 Speaker 2: which aren't really not part of Pixley, but you would. 42 00:02:46,760 --> 00:02:47,640 Speaker 2: I'm just lying. 43 00:02:47,919 --> 00:02:49,760 Speaker 3: I haven't been to Hooterville in so long. 44 00:02:51,200 --> 00:02:52,640 Speaker 2: Let me tell you, I go there all the time. 45 00:02:53,720 --> 00:02:55,440 Speaker 2: What I do I think I talked about this before, 46 00:02:55,520 --> 00:02:57,720 Speaker 2: is I just go to all the MeTV channels and 47 00:02:57,760 --> 00:03:00,760 Speaker 2: all that stuff, and I just scour through. They're they're 48 00:03:01,480 --> 00:03:05,720 Speaker 2: schedule just recording one episode or maybe two episodes of 49 00:03:05,760 --> 00:03:09,120 Speaker 2: each cool show so that they're always on my DVR. Okay, 50 00:03:09,760 --> 00:03:12,480 Speaker 2: now for people who have not cut the cord, you 51 00:03:12,520 --> 00:03:12,960 Speaker 2: can do that. 52 00:03:13,600 --> 00:03:17,120 Speaker 3: I've seen a lot of those, the ME TV stations 53 00:03:17,160 --> 00:03:20,639 Speaker 3: and all that that. They've got some pretty good channels 54 00:03:20,639 --> 00:03:24,080 Speaker 3: on there, some good stuff. There's some good shows, classics. 55 00:03:24,160 --> 00:03:26,359 Speaker 2: There's I found. I just found a new one recently 56 00:03:26,400 --> 00:03:31,760 Speaker 2: called Stony Burke start starring Jack Lord. Now Jack Lord 57 00:03:31,840 --> 00:03:34,960 Speaker 2: is from Hawaii. FI yeah, so's he's Officer mcgarrett. I 58 00:03:34,960 --> 00:03:37,000 Speaker 2: never even knew he did something before that, but he was. 59 00:03:37,600 --> 00:03:41,880 Speaker 2: He was a frontier Western you know do gooder named 60 00:03:41,920 --> 00:03:42,760 Speaker 2: Stony Burke. 61 00:03:43,200 --> 00:03:46,840 Speaker 3: So he was a frontier Western do gooder turned Hawaiian 62 00:03:47,280 --> 00:03:48,320 Speaker 3: police investigator. 63 00:03:48,840 --> 00:03:54,560 Speaker 2: Yes, awesome, and he those episodes that's versatility. Well, I 64 00:03:54,640 --> 00:03:57,560 Speaker 2: found one on on YouTube like if you can't find 65 00:03:57,600 --> 00:04:00,680 Speaker 2: him on like Lancelot Link, Secret Champ you can't find 66 00:04:00,720 --> 00:04:03,240 Speaker 2: it anywhere because it's cruel to apes, Yes, but you 67 00:04:03,280 --> 00:04:05,200 Speaker 2: can find it on YouTube, where it's okay to be 68 00:04:05,240 --> 00:04:12,120 Speaker 2: cruel to apes. Okay, so we got some breaking news there. 69 00:04:13,280 --> 00:04:16,960 Speaker 2: That's what people listen to the show for. Now. This 70 00:04:17,040 --> 00:04:19,159 Speaker 2: is a legal show. What's going to happen to this person. 71 00:04:19,920 --> 00:04:23,560 Speaker 2: This person is going to be you know, processed, and 72 00:04:24,279 --> 00:04:29,039 Speaker 2: because these are famous people, probably it'll be hard for 73 00:04:29,080 --> 00:04:32,800 Speaker 2: her to get out of jail as soon as it 74 00:04:32,800 --> 00:04:35,800 Speaker 2: would have been. Like if she was firing a gun 75 00:04:35,839 --> 00:04:40,240 Speaker 2: into anybody's home, just in nobody's home, she'd be out 76 00:04:40,240 --> 00:04:46,320 Speaker 2: of jail tonight. But with these celebrities, the cynical host 77 00:04:46,320 --> 00:04:50,159 Speaker 2: of this program thinks that she'll spend at least a 78 00:04:50,200 --> 00:04:52,920 Speaker 2: few days in jail until she gets a lawyer, and 79 00:04:53,279 --> 00:04:56,000 Speaker 2: then the lawyer will then they'll go through the process 80 00:04:56,040 --> 00:04:58,320 Speaker 2: and maybe they'll think that she's a danger to others 81 00:04:58,360 --> 00:05:01,040 Speaker 2: and to herself, and they could an eyebail, or they 82 00:05:01,040 --> 00:05:03,560 Speaker 2: could grant her a really high bail. And if you 83 00:05:03,600 --> 00:05:06,280 Speaker 2: got really high bail, like where her family has to 84 00:05:06,320 --> 00:05:08,839 Speaker 2: put up their house, then you kind of know she's 85 00:05:08,880 --> 00:05:12,840 Speaker 2: going to be less dangerous than she would be if 86 00:05:12,880 --> 00:05:15,360 Speaker 2: you just let her walk out the door like they 87 00:05:15,440 --> 00:05:17,040 Speaker 2: do everywhere else. 88 00:05:17,440 --> 00:05:19,800 Speaker 3: Once we get a little bit more detail on the 89 00:05:19,839 --> 00:05:22,680 Speaker 3: whole story, I think we'll get a clearer picture on 90 00:05:22,720 --> 00:05:25,080 Speaker 3: whether or not she is going to get bail. We 91 00:05:25,120 --> 00:05:28,440 Speaker 3: don't know what instigated or what prompted the whole thing. 92 00:05:28,640 --> 00:05:32,359 Speaker 2: Well, obviously it was her last single. I think we 93 00:05:32,440 --> 00:05:34,479 Speaker 2: know that, and I'm not afraid to say it, like 94 00:05:34,520 --> 00:05:38,960 Speaker 2: you're equivocating over there saying that once we know more details, 95 00:05:39,000 --> 00:05:41,960 Speaker 2: we'll have more details. Now, that's not what people tune 96 00:05:41,960 --> 00:05:45,640 Speaker 2: into this radio show to hear. They know her last 97 00:05:45,680 --> 00:05:53,480 Speaker 2: single was offensive to many people, and sometimes especially thirty 98 00:05:53,520 --> 00:05:55,320 Speaker 2: year old females. Sometimes you pay a price for that. 99 00:05:55,640 --> 00:05:57,400 Speaker 2: But you know what, she's an artist. She took chances 100 00:05:59,320 --> 00:06:00,839 Speaker 2: and what I know about are honest. She doesn't mine. 101 00:06:00,839 --> 00:06:04,440 Speaker 2: She'll take a bullet for her art. Okay. 102 00:06:05,360 --> 00:06:08,839 Speaker 3: I think everybody at some point needs to like show 103 00:06:09,040 --> 00:06:12,000 Speaker 3: how much commitment they have to their art on that level. 104 00:06:12,160 --> 00:06:19,360 Speaker 2: Yeah, maybe they thought it was Nicki Minaj's house because 105 00:06:19,560 --> 00:06:22,960 Speaker 2: she's in the crossfire her Sydney Sweeney. 106 00:06:24,480 --> 00:06:26,880 Speaker 3: Oh are they are they popping up in the news now? 107 00:06:27,160 --> 00:06:29,200 Speaker 2: Yeah? 108 00:06:29,279 --> 00:06:31,120 Speaker 3: Are they behaving badly? Should we hold that for the 109 00:06:31,160 --> 00:06:34,239 Speaker 3: celebs behaving badly or are they behaving well? 110 00:06:34,760 --> 00:06:37,919 Speaker 2: Now that I think the haters are behaving badly, okay, 111 00:06:37,960 --> 00:06:42,880 Speaker 2: because there seems to be a thing where if you 112 00:06:44,240 --> 00:06:50,360 Speaker 2: don't agree with the politics of the mob on the internet, 113 00:06:51,040 --> 00:06:53,560 Speaker 2: you're not allowed to make a living and they can 114 00:06:53,600 --> 00:06:56,520 Speaker 2: always come up with something how dare you? You stand 115 00:06:56,520 --> 00:07:00,720 Speaker 2: for the arts, and you stand for this protected a 116 00:07:01,080 --> 00:07:04,200 Speaker 2: marginalized group, and you stand for these ones, and these 117 00:07:04,240 --> 00:07:09,560 Speaker 2: ones are being damaged by the current administration. So then 118 00:07:10,080 --> 00:07:14,280 Speaker 2: so everybody has to have the same political view. Everybody 119 00:07:14,320 --> 00:07:17,480 Speaker 2: has to agree, and if you don't, then you are, 120 00:07:17,760 --> 00:07:19,880 Speaker 2: you know, off d Auschwitz wherever they put people that 121 00:07:19,920 --> 00:07:24,680 Speaker 2: they don't like to have around. And this is what 122 00:07:24,680 --> 00:07:26,960 Speaker 2: I always tell people. It's like, whatever side you're on, 123 00:07:28,200 --> 00:07:30,760 Speaker 2: try to only say things that could not be refuted 124 00:07:31,240 --> 00:07:34,640 Speaker 2: by a ten year old. Now, if you said. 125 00:07:34,560 --> 00:07:37,880 Speaker 3: That is great advice for life in general. 126 00:07:37,720 --> 00:07:39,520 Speaker 2: Like if you got a if a ten year old 127 00:07:39,520 --> 00:07:42,880 Speaker 2: disagrees with you, then and he can come up with 128 00:07:42,920 --> 00:07:45,480 Speaker 2: something off the top and say, well, like right right now, 129 00:07:45,520 --> 00:07:48,640 Speaker 2: if I said, well, like what I just said, Uh, 130 00:07:49,200 --> 00:07:53,760 Speaker 2: let's say, Nicki minaj you stand for marginalized groups, and 131 00:07:53,960 --> 00:07:57,040 Speaker 2: how dare you support the current administration, they are harming 132 00:07:57,160 --> 00:08:00,880 Speaker 2: marginalized groups. And the ten year old would say, well, 133 00:08:01,280 --> 00:08:05,360 Speaker 2: you know, some people think that this theory that the 134 00:08:05,400 --> 00:08:10,120 Speaker 2: current administration has will in the long run benefit marginalized groups. 135 00:08:10,600 --> 00:08:13,600 Speaker 2: And so that's why. So what you're saying is just 136 00:08:13,640 --> 00:08:16,640 Speaker 2: an opinion. It's and I believe that I have the 137 00:08:16,680 --> 00:08:19,000 Speaker 2: same love for marginalized groups. I just have a different 138 00:08:19,040 --> 00:08:22,480 Speaker 2: way of going about it. And I think in the 139 00:08:22,560 --> 00:08:24,960 Speaker 2: United States of America we like to have a diversity 140 00:08:25,120 --> 00:08:28,200 Speaker 2: of opinion. And there's two ways to go about two 141 00:08:28,240 --> 00:08:30,800 Speaker 2: ways to skin a cat, and a ten year old 142 00:08:30,800 --> 00:08:32,199 Speaker 2: could come up with all that. What I just said 143 00:08:32,760 --> 00:08:36,320 Speaker 2: only two ways could be. There's more than one way. 144 00:08:36,559 --> 00:08:39,680 Speaker 2: I know that, So a ten year old could come 145 00:08:39,760 --> 00:08:42,600 Speaker 2: up with that. So anything you say, if I if 146 00:08:42,640 --> 00:08:47,080 Speaker 2: a ten year old can refute it. It didn't need 147 00:08:47,120 --> 00:08:49,839 Speaker 2: to be said in public. It just didn't. You can 148 00:08:49,840 --> 00:08:52,000 Speaker 2: think it, yeah, and you can be it could be 149 00:08:52,080 --> 00:08:59,440 Speaker 2: your mantra, it could be your moral imperative. It could 150 00:09:00,600 --> 00:09:03,160 Speaker 2: but you don't need to say it in public because 151 00:09:03,240 --> 00:09:05,120 Speaker 2: a ten year old could refute it anyway. So what's 152 00:09:05,160 --> 00:09:08,959 Speaker 2: the point. Don't sound stupid or don't sound only smart 153 00:09:08,960 --> 00:09:14,360 Speaker 2: to people who agree with you. All Right, Hollywood needs 154 00:09:14,360 --> 00:09:15,440 Speaker 2: more people like me, I think. 155 00:09:15,320 --> 00:09:17,200 Speaker 3: Sam, I think so, I think, so think. 156 00:09:17,840 --> 00:09:21,640 Speaker 2: All right, this is Joe Ascalante. We're going to take 157 00:09:21,760 --> 00:09:24,800 Speaker 2: a break and check out the traffic which I was 158 00:09:24,880 --> 00:09:29,200 Speaker 2: just in and it was hideous right here in Los Angeles. 159 00:09:29,280 --> 00:09:31,520 Speaker 2: So hopefully you're not in it, or hopefully we can 160 00:09:31,559 --> 00:09:33,640 Speaker 2: help you avoid it right here in k K E. 161 00:09:33,760 --> 00:09:38,199 Speaker 2: I b AM eleven fifty Joe'scalante Life from Hollywood. By Hollywood, 162 00:09:38,320 --> 00:09:44,120 Speaker 2: you mean Burbank. The box office, Sam, It's continues to 163 00:09:44,679 --> 00:09:48,520 Speaker 2: be a topic of discussion on this program every week. 164 00:09:49,080 --> 00:09:54,760 Speaker 2: Now we will get to the celebrities behaving badly and 165 00:09:56,160 --> 00:09:59,600 Speaker 2: some defamation cases and things like that that we always 166 00:09:59,640 --> 00:10:02,800 Speaker 2: like to talk about. But you know, I'm here to 167 00:10:02,840 --> 00:10:06,440 Speaker 2: also encourage people to save Hollywood by going to the 168 00:10:06,480 --> 00:10:10,000 Speaker 2: movie theaters, or at least make Hollywood not get worse 169 00:10:12,040 --> 00:10:17,320 Speaker 2: usbox office this weekend. Sam. It's a familiar pattern animation 170 00:10:17,520 --> 00:10:26,280 Speaker 2: franchises just driving theatrical success while riskier prestige projects struggle. 171 00:10:27,520 --> 00:10:31,000 Speaker 2: So we got Pixars Hoppers, another animated animal. Like I 172 00:10:31,040 --> 00:10:36,000 Speaker 2: said last week, I think this trend will somehow. You know, 173 00:10:36,040 --> 00:10:40,440 Speaker 2: it's got a just collapse under its own weight. 174 00:10:40,679 --> 00:10:44,320 Speaker 3: I think there's elements of it that do need to collapse, 175 00:10:44,360 --> 00:10:47,000 Speaker 3: like when we see old animated films where they try 176 00:10:47,000 --> 00:10:50,920 Speaker 3: to make the animals more actual, lifelike like we had 177 00:10:50,960 --> 00:10:54,120 Speaker 3: with Lion King and stuff like that. That's part of 178 00:10:54,160 --> 00:10:56,720 Speaker 3: the industry that I'm okay with watching that part collapse. 179 00:10:56,800 --> 00:11:01,240 Speaker 3: But this movie is one that is a an original story. 180 00:11:01,280 --> 00:11:04,959 Speaker 3: It's Pixar, you know, doing their usual Pixar thing. And 181 00:11:05,040 --> 00:11:07,600 Speaker 3: usually when Pixar puts something out there, especially if it's 182 00:11:07,600 --> 00:11:10,400 Speaker 3: something brand new, a lot of people line up for it. 183 00:11:10,440 --> 00:11:12,360 Speaker 2: Well, I'll tell you you know it's gonna be good 184 00:11:12,360 --> 00:11:15,040 Speaker 2: because pick Shar does. And I just think there's too 185 00:11:15,080 --> 00:11:18,600 Speaker 2: many talking animals. And at some point the I mean 186 00:11:18,679 --> 00:11:21,360 Speaker 2: the kids, I guess kids have always liked talking animals. Bugs, 187 00:11:21,400 --> 00:11:25,240 Speaker 2: Bunny was a big deal for me. Felix, the cat's name, 188 00:11:25,280 --> 00:11:30,439 Speaker 2: a few Mickey Mouse, Tom and Jerry didn't say much. No, 189 00:11:30,960 --> 00:11:32,679 Speaker 2: but I liked all that stuff, So I guess it's 190 00:11:32,840 --> 00:11:36,840 Speaker 2: I guess. I guess I'm just being noticing that every 191 00:11:37,080 --> 00:11:41,040 Speaker 2: other movie is a talking animal. So just even just 192 00:11:41,040 --> 00:11:43,400 Speaker 2: disregard what I said, Pixar comes out with the movie 193 00:11:43,400 --> 00:11:47,440 Speaker 2: You're absolutely right. It's gonna be great because they know 194 00:11:47,760 --> 00:11:51,959 Speaker 2: stories above everything. This is gonna be You might see 195 00:11:51,960 --> 00:11:56,880 Speaker 2: this hopper, what does he see? A rabbit or some 196 00:11:57,000 --> 00:11:59,160 Speaker 2: kind of gopher or something like that. 197 00:12:00,240 --> 00:12:02,560 Speaker 3: He isn't some kind of animal. I don't know. 198 00:12:02,880 --> 00:12:07,280 Speaker 2: Anyways, it's going to be good. And they dominated the 199 00:12:07,280 --> 00:12:11,520 Speaker 2: box office this week, knocked Scream seven off the chart. 200 00:12:11,800 --> 00:12:16,400 Speaker 2: And uh, Hopper is a beaver? A beaver? Okay, okay, 201 00:12:16,400 --> 00:12:19,360 Speaker 2: so you know, you know who doesn't like a beaver? Yeah, 202 00:12:19,480 --> 00:12:22,760 Speaker 2: everybody likes a beaver. They're industrious, they you know, they 203 00:12:22,800 --> 00:12:26,480 Speaker 2: get I mean, damn, I mean, they're they're they're they're 204 00:12:26,520 --> 00:12:31,800 Speaker 2: a symbol of American ingenuity and the Protestant work ethic 205 00:12:31,920 --> 00:12:34,360 Speaker 2: that this country was founded on. 206 00:12:34,480 --> 00:12:37,240 Speaker 3: Yeah, and they there their approach to life is one 207 00:12:37,240 --> 00:12:40,160 Speaker 3: that I try to take to my life. 208 00:12:40,559 --> 00:12:47,040 Speaker 2: Damn it all, damnit, Wow, this gout. The dad jokes 209 00:12:47,040 --> 00:12:48,680 Speaker 2: are flowing. I forgot your dad? 210 00:12:48,840 --> 00:12:50,839 Speaker 3: Yeah, where, I mean, where else would they come from 211 00:12:50,920 --> 00:12:52,240 Speaker 3: on this show? Okay? 212 00:12:52,640 --> 00:12:57,280 Speaker 2: So Hoppers forty six million dollars in money at the 213 00:12:57,320 --> 00:13:00,760 Speaker 2: box office. Scream seven did seventeen thousand total of ninety 214 00:13:00,800 --> 00:13:04,600 Speaker 2: five thousand. Number three was The Bride did seventy three hundred. 215 00:13:04,640 --> 00:13:07,959 Speaker 2: We'll talk about that because your host saw it last night. 216 00:13:09,080 --> 00:13:12,440 Speaker 2: Number four the Goat eighty three thoughts, that's doing great too. 217 00:13:12,960 --> 00:13:17,320 Speaker 2: Eighty three million totally did four million this weekend Weathering Heights. 218 00:13:18,280 --> 00:13:21,040 Speaker 2: I don't think anyone should have should watch Weathering Heights 219 00:13:21,040 --> 00:13:25,240 Speaker 2: except for just women by themselves. I'm gonna tell you men, 220 00:13:25,600 --> 00:13:27,120 Speaker 2: you could take the high road on this and just 221 00:13:27,120 --> 00:13:32,800 Speaker 2: say that this movie is morally offensive because of the 222 00:13:32,800 --> 00:13:38,720 Speaker 2: the what do you call it? When infidelity? It makes 223 00:13:38,760 --> 00:13:47,040 Speaker 2: you sit through and like just just overlook infidelity. Yeah, 224 00:13:47,080 --> 00:13:48,960 Speaker 2: I can't do it. Crime. 225 00:13:48,960 --> 00:13:51,000 Speaker 3: That's a great way to try to get out of 226 00:13:51,000 --> 00:13:51,480 Speaker 3: seeing them. 227 00:13:51,559 --> 00:13:54,760 Speaker 2: Yeah, do you want to celebrate infidelity Darling, because I 228 00:13:55,200 --> 00:13:59,040 Speaker 2: for one do not. What is your obsession with this movie? 229 00:13:59,120 --> 00:14:02,640 Speaker 2: With this man who breaking up a marriage? What is that? 230 00:14:02,920 --> 00:14:07,040 Speaker 2: And this and this woman, this scheming woman? What what 231 00:14:07,280 --> 00:14:11,880 Speaker 2: I mean? I I I can't sink that low, So 232 00:14:12,000 --> 00:14:12,880 Speaker 2: I refuse. 233 00:14:13,120 --> 00:14:15,520 Speaker 3: I would have a heart like for me. There's a 234 00:14:15,559 --> 00:14:18,640 Speaker 3: thin line between making that point you're trying to make 235 00:14:18,720 --> 00:14:22,640 Speaker 3: and thou dost protest too much? You might be raising 236 00:14:22,680 --> 00:14:25,960 Speaker 3: your own red flag there. Yes, yes, so you might 237 00:14:26,000 --> 00:14:28,040 Speaker 3: want to just you know, say okay, honey, I'm gonna 238 00:14:28,040 --> 00:14:28,840 Speaker 3: go see it with you. 239 00:14:29,160 --> 00:14:31,840 Speaker 2: That's what I did. Yeah, uh in the end, that's 240 00:14:31,840 --> 00:14:36,040 Speaker 2: what we do. Crime one oh one forty one million total. Uh, 241 00:14:36,200 --> 00:14:39,520 Speaker 2: Send Help sixty one million total. That's one of the 242 00:14:39,520 --> 00:14:42,400 Speaker 2: best movies of the year. If you haven't seen Send Help, 243 00:14:43,880 --> 00:14:46,840 Speaker 2: see it this weekend or next weekend or during the 244 00:14:46,840 --> 00:14:51,880 Speaker 2: week even. I can only imagine two and then epic, 245 00:14:52,080 --> 00:14:53,760 Speaker 2: which I just figured this out today. You know what 246 00:14:53,760 --> 00:14:56,760 Speaker 2: epic stands for, no Elvis Presley. 247 00:14:56,400 --> 00:14:59,720 Speaker 3: And concerts concert. Yeah, that's what it stands for. 248 00:15:00,200 --> 00:15:03,800 Speaker 2: Anyway, it's you know, making some money. I haven't seen yet, 249 00:15:03,800 --> 00:15:08,320 Speaker 2: but I certainly want to. And the animated David doing well, 250 00:15:08,160 --> 00:15:10,360 Speaker 2: we do better for it had animals. 251 00:15:11,000 --> 00:15:12,280 Speaker 3: That's usually how it goes. 252 00:15:12,520 --> 00:15:14,200 Speaker 2: Yeah, yep, so. 253 00:15:15,840 --> 00:15:16,080 Speaker 3: Yeah. 254 00:15:16,120 --> 00:15:21,400 Speaker 2: So. Maggie Jillen Hall directed The Bride. It's an eighty 255 00:15:21,440 --> 00:15:27,680 Speaker 2: million dollar Gothic semi musical, opened to about seven million 256 00:15:28,880 --> 00:15:34,400 Speaker 2: this weekend. It's unconventional, i'd say, to say the least. 257 00:15:35,640 --> 00:15:40,920 Speaker 2: They're describing it as a punk rock interpretation of the 258 00:15:40,960 --> 00:15:43,840 Speaker 2: Bride of Frankenstein. And when I heard that, of course, 259 00:15:43,880 --> 00:15:47,360 Speaker 2: I was offended, because you know, my life has been 260 00:15:47,400 --> 00:15:50,360 Speaker 2: spent in this punk rock world. And I've noticed now 261 00:15:51,240 --> 00:15:54,680 Speaker 2: it's it's I'm kind of watching this happen before my eyes. 262 00:15:54,920 --> 00:15:59,960 Speaker 2: The word punk rock is becoming a part of the Zeitkeist, 263 00:16:00,160 --> 00:16:02,800 Speaker 2: or the vernacular. I would say, it's part of the 264 00:16:02,960 --> 00:16:08,720 Speaker 2: vernacular used to describe something, and usually it's being described 265 00:16:08,760 --> 00:16:16,080 Speaker 2: it's describing a some kind of chaotic take on things, 266 00:16:16,480 --> 00:16:23,000 Speaker 2: usually by white people. And this is pretty accurate. I mean, 267 00:16:23,040 --> 00:16:28,720 Speaker 2: this the Frankenstein and this thing. Let's let's just let's just. 268 00:16:28,640 --> 00:16:31,040 Speaker 3: Go over this movie we got about him in and 269 00:16:31,080 --> 00:16:31,400 Speaker 3: a half. 270 00:16:31,600 --> 00:16:33,800 Speaker 2: Okay, well, we're gon We're just kind of dip into 271 00:16:33,840 --> 00:16:38,280 Speaker 2: it a little bit. It's a biographical drama about a 272 00:16:38,440 --> 00:16:41,480 Speaker 2: legendary Broadway Oh no, that's Blue Moon. Okay, we're gonna 273 00:16:41,480 --> 00:16:44,080 Speaker 2: get to Blue Moon. I also saw that. All right, 274 00:16:44,600 --> 00:16:46,960 Speaker 2: let's worsh my notes on the Frankenstein thing. 275 00:16:50,120 --> 00:16:52,520 Speaker 3: Are you gonna are Are you basically gonna just tell 276 00:16:52,520 --> 00:16:55,240 Speaker 3: people to get off your punk rock lawn right now? 277 00:16:55,920 --> 00:16:59,200 Speaker 2: Really? I just kind of I just kind of think 278 00:16:59,240 --> 00:17:02,360 Speaker 2: I have to face the facts that it's that's what 279 00:17:02,440 --> 00:17:03,080 Speaker 2: this word is. 280 00:17:03,440 --> 00:17:06,280 Speaker 3: The use of the word punk rock is has morphed 281 00:17:06,320 --> 00:17:09,720 Speaker 3: into something that is not what it was originally intended 282 00:17:09,760 --> 00:17:09,960 Speaker 3: to be. 283 00:17:10,240 --> 00:17:13,960 Speaker 2: Or is it I'm saying I'm turning the page or 284 00:17:14,640 --> 00:17:16,960 Speaker 2: I hit the tipping point on this. At first it 285 00:17:17,040 --> 00:17:20,119 Speaker 2: was used to describe white people playing rock music. They 286 00:17:20,240 --> 00:17:23,000 Speaker 2: used it for that, like in the late nineties and 287 00:17:23,119 --> 00:17:27,800 Speaker 2: into the two thousands. Now it's I think they've kind 288 00:17:27,800 --> 00:17:30,600 Speaker 2: of refined it, and it's been around so long. I'm 289 00:17:30,640 --> 00:17:34,200 Speaker 2: okay with this adjective because I get it right away. 290 00:17:34,200 --> 00:17:38,560 Speaker 2: And when I saw this movie, I said, I was 291 00:17:38,600 --> 00:17:41,240 Speaker 2: kind offended at first. I go, They're freaking right, that's 292 00:17:41,280 --> 00:17:43,639 Speaker 2: exactly what this is. It's it's what it is, and 293 00:17:43,760 --> 00:17:45,639 Speaker 2: I have a reason why, and we'll talk about it 294 00:17:45,680 --> 00:17:48,240 Speaker 2: when we come back on Joe Escalante Live from Hollywood 295 00:17:50,720 --> 00:17:54,719 Speaker 2: Joe Iscalante Live from Hollywood. If by Hollywood you mean 296 00:17:54,760 --> 00:17:58,439 Speaker 2: burd Bank. The engineer just left the room, and so I'm, uh, 297 00:17:59,119 --> 00:18:02,080 Speaker 2: I'm broadcasting it. I think I'm broadcasting. Hey, we had 298 00:18:02,080 --> 00:18:05,720 Speaker 2: some dead air, so I think I'm broadcasting. And let 299 00:18:05,720 --> 00:18:11,199 Speaker 2: me know if I am, because uhh yeah, okay, that 300 00:18:11,200 --> 00:18:14,959 Speaker 2: commercial break. But let me tell you something, nothing works well, 301 00:18:15,080 --> 00:18:17,480 Speaker 2: thank you. No machines work. But yeah, so I just 302 00:18:17,480 --> 00:18:19,480 Speaker 2: thought i'd turn the mic on and start chatting with 303 00:18:19,520 --> 00:18:20,000 Speaker 2: these people. 304 00:18:20,880 --> 00:18:21,720 Speaker 3: Well, thank you very much. 305 00:18:21,840 --> 00:18:23,240 Speaker 2: That used to happen to me when I was at 306 00:18:23,280 --> 00:18:25,639 Speaker 2: Indy one O three one, and then pretty soon I 307 00:18:25,720 --> 00:18:27,320 Speaker 2: just told the engineer, would you go sit in that 308 00:18:27,320 --> 00:18:28,920 Speaker 2: booth right now? And then I ran my own board 309 00:18:28,960 --> 00:18:31,919 Speaker 2: for the rest of my career. Actually, but I'm not 310 00:18:31,920 --> 00:18:32,600 Speaker 2: going to do that here. 311 00:18:32,840 --> 00:18:33,399 Speaker 3: Well, thank you. 312 00:18:34,720 --> 00:18:39,680 Speaker 2: Okay, we're talking about The Bride the what is being 313 00:18:39,720 --> 00:18:43,960 Speaker 2: called a punk rock reimagining of the Bride of Frankenstein's story. 314 00:18:44,119 --> 00:18:47,879 Speaker 2: Set in nineteen thirty Chicago, the story follows a scientist 315 00:18:49,240 --> 00:18:51,160 Speaker 2: right there, I'm out because I don't believe in science, 316 00:18:51,560 --> 00:18:55,200 Speaker 2: who creates a companion for Frankenstein's monster. You see why 317 00:18:55,200 --> 00:18:59,240 Speaker 2: I don't. It'sam But instead of becoming an obedient bride 318 00:18:59,680 --> 00:19:02,880 Speaker 2: that he expects, she develops her own identity and rebels 319 00:19:02,880 --> 00:19:07,000 Speaker 2: against the men controlling her life. The film blends horror, romance, 320 00:19:07,040 --> 00:19:09,879 Speaker 2: and musical elements, which makes it one of the most 321 00:19:10,359 --> 00:19:13,200 Speaker 2: the more unusual studio releases this year. This is a 322 00:19:13,240 --> 00:19:19,200 Speaker 2: studio release, So which is you know, meaning it seems 323 00:19:19,200 --> 00:19:24,080 Speaker 2: like it's like an indie film, but it's not. And Maggie, 324 00:19:24,640 --> 00:19:29,199 Speaker 2: Maggie Jillenhall, you might remember her from movies like Secretary 325 00:19:29,440 --> 00:19:30,120 Speaker 2: or The Dark Knight. 326 00:19:31,320 --> 00:19:34,879 Speaker 3: She's good actress, very good, talented family. 327 00:19:35,280 --> 00:19:38,639 Speaker 2: Oh absolutely, and this film I think she did a 328 00:19:38,640 --> 00:19:46,080 Speaker 2: great job directing. It begins with Mary Shelley, the author 329 00:19:46,240 --> 00:19:54,760 Speaker 2: of Frankenstein the original, who is apparently in hell and 330 00:19:54,880 --> 00:19:58,040 Speaker 2: she's and she's speaking from hell, and then she ends 331 00:19:58,119 --> 00:20:03,760 Speaker 2: up possessing this woman, and this woman ends up being 332 00:20:03,920 --> 00:20:06,200 Speaker 2: the you know, dug out of a grave because she dies. 333 00:20:06,280 --> 00:20:08,679 Speaker 2: I'm not really giving away much because so it works 334 00:20:09,600 --> 00:20:11,240 Speaker 2: and she becomes the bride of Frankenstein. 335 00:20:11,400 --> 00:20:13,040 Speaker 3: Hello, hits me. 336 00:20:14,240 --> 00:20:21,879 Speaker 2: Yeah, so, and Frankenstein is played by Christian Bale. Okay, 337 00:20:21,960 --> 00:20:24,200 Speaker 2: Christian Bale is one of the most talented, beloved actors 338 00:20:24,240 --> 00:20:26,880 Speaker 2: of our time, and I think everybody should see every 339 00:20:26,880 --> 00:20:30,680 Speaker 2: movie Christian Bale is in. So I when I found 340 00:20:30,720 --> 00:20:32,560 Speaker 2: out who was in it, I thought, first I thought 341 00:20:32,600 --> 00:20:34,240 Speaker 2: the movie was going to be like a scary movie. 342 00:20:34,320 --> 00:20:35,679 Speaker 2: My wife wouldn't want to watch it, so I was 343 00:20:35,680 --> 00:20:38,159 Speaker 2: ignoring it. And then she goes, no, Christian Bale is 344 00:20:38,200 --> 00:20:40,879 Speaker 2: in it. Maggie Jillenhall directed it, like okay, we're in 345 00:20:41,000 --> 00:20:45,919 Speaker 2: let's go so. Yeah. So it's a demonic possession story. 346 00:20:46,600 --> 00:20:48,840 Speaker 2: Is a mystical things happening all the time, which means 347 00:20:48,840 --> 00:20:53,679 Speaker 2: you can there's a little suspension of disbelief that you 348 00:20:53,720 --> 00:20:58,040 Speaker 2: need to engage in. And uh, I think you might 349 00:20:58,119 --> 00:21:01,240 Speaker 2: like the movie. Really, yeah, I think you might like it. 350 00:21:01,359 --> 00:21:03,639 Speaker 2: It's original enough to where, even if you see some 351 00:21:03,680 --> 00:21:06,200 Speaker 2: flaws in it gets silly at times, you're like, hey, 352 00:21:07,640 --> 00:21:09,520 Speaker 2: all movies can't be the same, and this one is 353 00:21:10,480 --> 00:21:14,280 Speaker 2: an original to say the least. And of all the 354 00:21:14,320 --> 00:21:19,360 Speaker 2: reimagining of vampires and Frankenstein's and Wolfman's and stuff like that, 355 00:21:19,520 --> 00:21:21,640 Speaker 2: I'll put this there right up there near the top. 356 00:21:21,800 --> 00:21:24,679 Speaker 3: So it's an original take on a classic theme. So 357 00:21:24,760 --> 00:21:25,240 Speaker 3: that's good. 358 00:21:25,480 --> 00:21:27,600 Speaker 2: And you know what, it has all these things like, 359 00:21:27,640 --> 00:21:33,639 Speaker 2: you know, feminism, but not too heavy handed. You know. 360 00:21:33,680 --> 00:21:35,919 Speaker 2: It's like women are going to rise up. You know, 361 00:21:38,400 --> 00:21:41,280 Speaker 2: that can go too far like it did in another 362 00:21:41,280 --> 00:21:43,760 Speaker 2: movie I saw, which we'll talk about in a little bit, 363 00:21:44,160 --> 00:21:45,920 Speaker 2: which usually the Oscar movies are like a lot of 364 00:21:45,960 --> 00:21:48,560 Speaker 2: eat your peas and stuff like. This is not like that. 365 00:21:48,720 --> 00:21:51,960 Speaker 2: But it is girl power, you know, and they did 366 00:21:51,960 --> 00:21:55,880 Speaker 2: it well. It's morally offensive, don't get me wrong. There's 367 00:21:56,000 --> 00:22:00,400 Speaker 2: unprotected on premarital sex going on Willie Nil. But it's 368 00:22:00,400 --> 00:22:03,600 Speaker 2: between a possessed woman and a frickin monster, so. 369 00:22:03,800 --> 00:22:05,960 Speaker 3: You know, I mean it is demonic possession. 370 00:22:06,040 --> 00:22:06,520 Speaker 2: Yeah, it is. 371 00:22:06,760 --> 00:22:08,800 Speaker 3: Would you expect anything less? Yeh no? 372 00:22:09,440 --> 00:22:14,639 Speaker 2: And yeah. Warner Brothers made this for an estimated eighty 373 00:22:15,000 --> 00:22:21,240 Speaker 2: million dollars opening weekly, seven million domestically, meaning it's probably 374 00:22:21,280 --> 00:22:25,159 Speaker 2: tracking toward a major financial loss unless it gets some 375 00:22:25,200 --> 00:22:28,240 Speaker 2: big you know, second life overseas. But I think it 376 00:22:28,320 --> 00:22:30,119 Speaker 2: might turn it. It could turn into a kind of a 377 00:22:30,160 --> 00:22:34,120 Speaker 2: you know, nightmare before Christmas classic. I could see girls 378 00:22:34,400 --> 00:22:37,679 Speaker 2: going to see it dressing up like she does pretty 379 00:22:37,680 --> 00:22:42,040 Speaker 2: awesome makeup, because when she gets revived, her face gets stained. 380 00:22:43,119 --> 00:22:45,320 Speaker 2: She's running around this whole movie with a stained face. 381 00:22:45,800 --> 00:22:49,280 Speaker 3: It's made seven million so far, and it's not really 382 00:22:49,320 --> 00:22:51,919 Speaker 3: putting up too many big numbers, but it sounds like 383 00:22:51,960 --> 00:22:54,719 Speaker 3: the kind of movie like back in the day that 384 00:22:54,920 --> 00:22:57,840 Speaker 3: if you had cable and you would watch HBO or Showtime, 385 00:22:57,960 --> 00:23:01,280 Speaker 3: it becomes a cult classic amongst kids through that app. 386 00:23:01,640 --> 00:23:03,359 Speaker 2: I think it will. I think this Christmas, I mean 387 00:23:03,400 --> 00:23:05,320 Speaker 2: not the Christmas, but this Halloween. You're gonna see a 388 00:23:05,359 --> 00:23:10,639 Speaker 2: lot of Her name in the movie is Penelope Rogers. 389 00:23:10,920 --> 00:23:13,360 Speaker 2: You're going to see a lot of them, and all 390 00:23:13,400 --> 00:23:15,560 Speaker 2: you need is a stained face and like a veil. 391 00:23:16,480 --> 00:23:20,119 Speaker 2: That's it. You're her. And then you go out with Frankenstein, 392 00:23:20,160 --> 00:23:23,760 Speaker 2: any Frankenstein mask or you know, big Forehead will do 393 00:23:23,840 --> 00:23:28,840 Speaker 2: and and and it's a winner, excellent. So but the tone, 394 00:23:29,040 --> 00:23:33,400 Speaker 2: you know, very unusual, like part like gothic horror part. 395 00:23:33,600 --> 00:23:36,040 Speaker 2: You know, I wouldn't call these punk rock music or 396 00:23:36,040 --> 00:23:39,520 Speaker 2: anything like that, but it's erratic dancing, which someone might 397 00:23:39,600 --> 00:23:42,040 Speaker 2: mistake for punk rock, but it's really just you know, 398 00:23:42,119 --> 00:23:47,760 Speaker 2: interpretive dancing. And but Christian Bale does a lot of 399 00:23:50,440 --> 00:23:55,919 Speaker 2: like classic like vaudeville dancing. Because it's taking place in 400 00:23:55,960 --> 00:23:59,520 Speaker 2: the thirties in New York and Chicago. Christian Bale gets 401 00:23:59,520 --> 00:24:02,760 Speaker 2: it looks like you having a blast doing it, and 402 00:24:02,800 --> 00:24:05,679 Speaker 2: then it starts getting into weird territories where you're like, 403 00:24:06,640 --> 00:24:10,080 Speaker 2: wait a second, do they think we haven't seen young Frankenstein? 404 00:24:10,880 --> 00:24:13,199 Speaker 2: And then they throw a nod of young Frankenstein like 405 00:24:13,240 --> 00:24:16,320 Speaker 2: a wink. Of course, we know you've seen Ryan Frankenstein. 406 00:24:16,520 --> 00:24:20,000 Speaker 3: Okay, so it's not self aware, yes, very self aware 407 00:24:20,040 --> 00:24:20,680 Speaker 3: that that's good. 408 00:24:20,840 --> 00:24:23,200 Speaker 2: Yeah, we're not you know, don't think we didn't think that. 409 00:24:23,080 --> 00:24:25,600 Speaker 3: I was about to say a movie with interpretive dancing 410 00:24:25,640 --> 00:24:28,760 Speaker 3: it that did not turn you off immediately. I'm actually intrigued. 411 00:24:28,800 --> 00:24:33,800 Speaker 2: Now, No, I like it because because there's and then 412 00:24:34,200 --> 00:24:40,920 Speaker 2: Jake Jillenhall plays a like an early talkie movie star 413 00:24:41,480 --> 00:24:43,560 Speaker 2: in it, with the you know, pasty face and the 414 00:24:43,720 --> 00:24:47,000 Speaker 2: singing like that kind of stuff, and he does all 415 00:24:47,040 --> 00:24:50,320 Speaker 2: his own vocals and he's amazing. When you see him, 416 00:24:50,359 --> 00:24:52,760 Speaker 2: you go, I can't believe that's Jake jillen Hall. You 417 00:24:52,880 --> 00:24:57,800 Speaker 2: got and At Benning in the movie some other like 418 00:24:57,880 --> 00:25:00,920 Speaker 2: you know, surprise characters. But let's go to Blue Moon. 419 00:25:01,760 --> 00:25:02,320 Speaker 2: Blue Moon. 420 00:25:03,880 --> 00:25:05,200 Speaker 3: You teased us with this one. 421 00:25:05,600 --> 00:25:10,520 Speaker 2: Yeah. A biographical drama about the legendary Broadway lyricist Lawrence 422 00:25:10,880 --> 00:25:15,359 Speaker 2: Larry Hart. He's half of the songwriting duo Rogers and Heart. 423 00:25:15,800 --> 00:25:18,840 Speaker 2: Now maybe you're like you're thinking Rogers and Hammerstein, But 424 00:25:18,920 --> 00:25:23,600 Speaker 2: before Rogers and Hammerstein, there was Rogers and Heart. And 425 00:25:23,680 --> 00:25:26,439 Speaker 2: the movie takes place largely during one night in a 426 00:25:26,480 --> 00:25:30,199 Speaker 2: New York City bar. It's all in this bar Heart's 427 00:25:30,200 --> 00:25:33,679 Speaker 2: career and personal life for collapsing, just as his former 428 00:25:33,720 --> 00:25:38,040 Speaker 2: partner Richard Rogers is celebrating the success of Oklahoma with 429 00:25:38,200 --> 00:25:41,640 Speaker 2: his new collaborator Oscar Hammerstein or whatever the guy's name, 430 00:25:41,960 --> 00:25:45,840 Speaker 2: Rogers and Hammerstein. So Rogers and Hammerstein make Oklahoma. Rogers 431 00:25:45,880 --> 00:25:50,159 Speaker 2: and Hart are I've just broke up because Heart is 432 00:25:50,200 --> 00:25:54,679 Speaker 2: an alcoholic and he's an air dwell and so he 433 00:25:54,720 --> 00:25:57,320 Speaker 2: sits in there, so he watches Oklahoma and he's like this, 434 00:25:57,359 --> 00:25:59,200 Speaker 2: look at this schlock. You know, I just can't believe 435 00:25:59,240 --> 00:26:01,080 Speaker 2: how lame it is. And then he goes so he 436 00:26:01,119 --> 00:26:02,960 Speaker 2: goes to the bar early where the after party is 437 00:26:03,000 --> 00:26:07,360 Speaker 2: going to be, and so it's him talking about how 438 00:26:07,440 --> 00:26:09,920 Speaker 2: dumb Oklahoma is, but he knows it's gonna be the 439 00:26:09,920 --> 00:26:12,439 Speaker 2: biggest musical love all time. And he's always, you know, 440 00:26:12,480 --> 00:26:16,120 Speaker 2: how how much worse could it get? Because since he's 441 00:26:16,160 --> 00:26:23,600 Speaker 2: been dumped by by Richard Rogers and then then at 442 00:26:23,800 --> 00:26:29,240 Speaker 2: the same time, he's you know, trying to molest you know, 443 00:26:29,440 --> 00:26:33,280 Speaker 2: young delivery boys and things like that because he's he's 444 00:26:33,520 --> 00:26:35,919 Speaker 2: a big gay. He's a big ga on the gay side. 445 00:26:36,040 --> 00:26:42,159 Speaker 2: And uh directed by Richard Link Leader Okay known for 446 00:26:42,280 --> 00:26:47,400 Speaker 2: Dazed and Confused Slackers stuff like that, and Ethan Hawke 447 00:26:48,760 --> 00:26:54,760 Speaker 2: does the plays the lead role playing this guy and 448 00:26:54,800 --> 00:26:56,919 Speaker 2: you're like, this guy could win an Oscar. Then it 449 00:26:56,960 --> 00:27:01,280 Speaker 2: turns out he is nominated for an Oscar. He might win. Now, 450 00:27:01,320 --> 00:27:03,600 Speaker 2: Margaret Qually. I don't know if you've if you're familiar 451 00:27:03,640 --> 00:27:06,800 Speaker 2: with Margaret Qually, but she is hot. 452 00:27:07,400 --> 00:27:08,440 Speaker 3: I have not seen her. 453 00:27:08,480 --> 00:27:11,000 Speaker 2: No, she's in a lot of movies now, one after another. 454 00:27:11,000 --> 00:27:13,520 Speaker 2: Everyone wants her. You want Sidney Sweeney, or you want 455 00:27:13,560 --> 00:27:14,400 Speaker 2: Margaret Kually. 456 00:27:14,920 --> 00:27:15,639 Speaker 3: I gotta see this. 457 00:27:16,280 --> 00:27:21,760 Speaker 2: And so she plays the lovely debutante or I will 458 00:27:21,840 --> 00:27:23,560 Speaker 2: call it an agen she's kind of like an ingen new 459 00:27:23,600 --> 00:27:25,760 Speaker 2: but she's not an actress. He's more of a set decorator. 460 00:27:26,720 --> 00:27:29,120 Speaker 3: Uh not Margaret Thatcher. 461 00:27:29,480 --> 00:27:34,280 Speaker 2: No, okay, yeah, so wow, yes, So heart is in 462 00:27:34,400 --> 00:27:35,800 Speaker 2: love with her. He's in love with there and he 463 00:27:35,840 --> 00:27:38,440 Speaker 2: starts telling you to tell everybody that that that that's 464 00:27:38,480 --> 00:27:42,240 Speaker 2: his new girlfriend. Okay, even though it really it's it's 465 00:27:42,240 --> 00:27:44,960 Speaker 2: his you know, he's in the friend zone and and 466 00:27:45,000 --> 00:27:48,399 Speaker 2: he can't get he can't just can't face it, you know, 467 00:27:48,480 --> 00:27:50,439 Speaker 2: even though he wouldn't know what to do with her 468 00:27:50,680 --> 00:27:56,720 Speaker 2: because he's he's gay from space, as they say, ethan Hawk. Yeah, 469 00:27:56,800 --> 00:27:59,439 Speaker 2: gonna get an Oscar or gonna he's gonna be celebrated, 470 00:27:59,440 --> 00:28:04,320 Speaker 2: at least in my win it, but he's definitely deserving 471 00:28:04,359 --> 00:28:06,720 Speaker 2: of it. Blue Moon is one of the songs that 472 00:28:06,880 --> 00:28:11,040 Speaker 2: Rogers and Heart wrote. My Funny Valentine Lady is a tramp. 473 00:28:12,440 --> 00:28:12,880 Speaker 3: Classics. 474 00:28:13,119 --> 00:28:16,639 Speaker 2: Now this is a Sony Pictures classic, So unlike the 475 00:28:16,680 --> 00:28:20,959 Speaker 2: Big Swing of the Bride, it doesn't have to make 476 00:28:21,000 --> 00:28:23,800 Speaker 2: that much money. Yeah, it's got a modest budget. It 477 00:28:23,840 --> 00:28:26,720 Speaker 2: all takes place in one room, and except at the 478 00:28:26,720 --> 00:28:28,960 Speaker 2: beginning there's a little bit of a stage of Oklahoma 479 00:28:29,200 --> 00:28:31,359 Speaker 2: and Oklahoma. You know, when they're talking the way they 480 00:28:31,359 --> 00:28:32,440 Speaker 2: talk about it in the movie, you just want to 481 00:28:32,440 --> 00:28:34,439 Speaker 2: see it again because it's so ridiculous. It's just so 482 00:28:35,000 --> 00:28:39,840 Speaker 2: you know, it's just corny, cornstock musical, but it's going 483 00:28:39,920 --> 00:28:42,240 Speaker 2: to become like the biggest musical of all time. And 484 00:28:42,480 --> 00:28:44,720 Speaker 2: they were talking about this is what people want. Yeah, 485 00:28:44,760 --> 00:28:50,120 Speaker 2: and then like the Heart is just saying, like, I 486 00:28:51,080 --> 00:28:54,920 Speaker 2: want to do a musical based on like pol Pot 487 00:28:55,000 --> 00:28:56,960 Speaker 2: or something. It wasn't poul Pot, but he had something 488 00:28:57,440 --> 00:28:59,600 Speaker 2: like Marco Polo. He's got Marco Polo. 489 00:29:00,160 --> 00:29:02,000 Speaker 3: Aldot is a pretty interesting one. 490 00:29:02,120 --> 00:29:05,960 Speaker 2: Michael Polo. He wanted to do, uh really, and is. 491 00:29:05,960 --> 00:29:07,800 Speaker 3: There gonna be like a weird staging of Holiday in 492 00:29:07,840 --> 00:29:09,280 Speaker 3: Cambodia or something. 493 00:29:09,080 --> 00:29:12,200 Speaker 2: Could be could be honest, I'm there. Rogers is like no, no, no, no, 494 00:29:12,240 --> 00:29:15,600 Speaker 2: we're gonna do Yankee Doodle Dandy again or something like that. 495 00:29:17,560 --> 00:29:24,720 Speaker 2: But anyway, uh, definitely worth seeing and and it's gonna 496 00:29:24,720 --> 00:29:27,840 Speaker 2: be a big thing on Oscar time. Ethan Hawke. I 497 00:29:27,840 --> 00:29:30,680 Speaker 2: don't know if you remember him or his movies. 498 00:29:30,840 --> 00:29:34,400 Speaker 3: Oh yeah, no, he is a nineties legend and he 499 00:29:34,520 --> 00:29:37,200 Speaker 3: kind of faded from from view for a little bit, 500 00:29:37,240 --> 00:29:40,720 Speaker 3: but he made a he made some pretty big comebacks, 501 00:29:40,760 --> 00:29:43,160 Speaker 3: which is great. 502 00:29:41,680 --> 00:29:46,600 Speaker 2: Yeh, Training Day yep, before Sunrise trilogy. Those are the 503 00:29:46,600 --> 00:29:49,840 Speaker 2: ones written my thing, but usually the AI reports I 504 00:29:49,880 --> 00:29:52,920 Speaker 2: get you're usually missed the good ones that these people do, 505 00:29:53,000 --> 00:29:56,480 Speaker 2: so don't. Uh so. Yeah, it's one of those things 506 00:29:56,480 --> 00:29:58,880 Speaker 2: where like a guy does fade a while away a 507 00:29:58,960 --> 00:30:03,440 Speaker 2: little bit and then he comes back as a you 508 00:30:03,480 --> 00:30:07,200 Speaker 2: know with this just go for broke performance and gets 509 00:30:07,200 --> 00:30:09,720 Speaker 2: an oscar like that guy in like sling Blade. 510 00:30:10,280 --> 00:30:12,320 Speaker 3: Also the one that was in the Whale a couple 511 00:30:12,320 --> 00:30:16,520 Speaker 3: of years ago. Yah yeah, and Sino Man, Yes Man, 512 00:30:17,600 --> 00:30:22,520 Speaker 3: Brendan Fraser exactly that genuinely nice guy exactly that. 513 00:30:24,840 --> 00:30:27,160 Speaker 2: Or the guy that Kelly Leek guy that was Kelly 514 00:30:27,200 --> 00:30:29,280 Speaker 2: leaking bad newspaars and then like he went away and 515 00:30:29,280 --> 00:30:31,960 Speaker 2: he comes back and he gets an oscar just like that. 516 00:30:32,040 --> 00:30:35,040 Speaker 2: This is one of those roles in interesting. 517 00:30:35,120 --> 00:30:37,440 Speaker 3: I am definitely got my intercipe. 518 00:30:37,960 --> 00:30:43,760 Speaker 2: Saw another Academy nominee nominee this week called train Dreams, 519 00:30:44,480 --> 00:30:47,680 Speaker 2: and uh, I think let's take a break, check the traffic. 520 00:30:47,720 --> 00:30:49,080 Speaker 2: We'll come back. I'll tell you what I thought of 521 00:30:49,160 --> 00:30:51,600 Speaker 2: Trained Dreams and whether I can recommend it to you 522 00:30:52,080 --> 00:30:56,560 Speaker 2: on the Joe'sclante Live from Hollywood radio program Joe'scalante Live 523 00:30:56,600 --> 00:31:02,959 Speaker 2: from Hollywood. If my Hollywood you mean Burbanko. This is movies, 524 00:31:03,160 --> 00:31:07,760 Speaker 2: this is TV Business Affairs of Hollywood, every Sunday right 525 00:31:07,760 --> 00:31:10,160 Speaker 2: here on k EIB eleven fifty on your AM dial 526 00:31:11,120 --> 00:31:14,040 Speaker 2: if you want to list the show, and it's listened 527 00:31:14,040 --> 00:31:17,239 Speaker 2: to the show, and it's podcast version that happens just 528 00:31:17,280 --> 00:31:23,040 Speaker 2: a little bit after the show is over and Sam 529 00:31:23,080 --> 00:31:30,760 Speaker 2: here just spins the radio program into a podcast. Magically. 530 00:31:32,720 --> 00:31:38,040 Speaker 3: It's magical. It's a magical experience for me. And I'm 531 00:31:38,120 --> 00:31:41,160 Speaker 3: sure that that you can feel the magic come through 532 00:31:41,200 --> 00:31:42,360 Speaker 3: the speakers when you listen. 533 00:31:42,920 --> 00:31:47,040 Speaker 2: I don't know how you do it. Okay, helltho a podcast, 534 00:31:47,080 --> 00:31:49,520 Speaker 2: isn't it just an MP three just someone puts somewhere 535 00:31:49,520 --> 00:31:50,880 Speaker 2: and you download it and listen to it. 536 00:31:51,120 --> 00:31:52,600 Speaker 3: Well, I have to cut it up and put stuff 537 00:31:52,640 --> 00:31:53,959 Speaker 3: in elements and stuff like that in there. 538 00:31:53,960 --> 00:31:59,160 Speaker 2: But yeah, okay, okay, anyway, Blue Moon starring Ethan Hawk, 539 00:31:59,320 --> 00:32:02,640 Speaker 2: we already talked it, but I'm gonna just reiterate big 540 00:32:02,680 --> 00:32:06,560 Speaker 2: recommendation on that one. However morally offensive it may be 541 00:32:08,320 --> 00:32:10,000 Speaker 2: some of the kids adult subjects. You don't want your 542 00:32:10,080 --> 00:32:12,880 Speaker 2: kids listening to a lot of cussing. 543 00:32:13,480 --> 00:32:15,560 Speaker 3: That tends to happen in movies nowadays. 544 00:32:15,920 --> 00:32:18,320 Speaker 2: Not a fan, but you know, what are you gonna do? 545 00:32:20,040 --> 00:32:20,680 Speaker 2: What are you gonna do? 546 00:32:21,680 --> 00:32:23,320 Speaker 3: Well, we are on the radio, so we try to 547 00:32:23,360 --> 00:32:24,600 Speaker 3: avoid the whole cussing thing. 548 00:32:24,840 --> 00:32:27,040 Speaker 2: Yeah, it's a good habit to get in because you 549 00:32:27,040 --> 00:32:28,600 Speaker 2: never know when you're going to be around a small 550 00:32:28,680 --> 00:32:30,880 Speaker 2: child or the pontiff. 551 00:32:31,560 --> 00:32:35,840 Speaker 3: True, and the shame is that I took three years 552 00:32:35,840 --> 00:32:37,440 Speaker 3: of Latin and the only parts of it that I 553 00:32:37,440 --> 00:32:40,600 Speaker 3: remember are the cuss words. So if I were to 554 00:32:40,680 --> 00:32:43,440 Speaker 3: start unloading that, the only person that would know what 555 00:32:43,440 --> 00:32:45,880 Speaker 3: I'm saying is the Pope, and I would greatly offend. 556 00:32:45,680 --> 00:32:47,360 Speaker 2: Him that's not honorable. 557 00:32:47,480 --> 00:32:51,840 Speaker 3: No, no, but it usually it's usually the profanity that sticks. 558 00:32:52,360 --> 00:32:55,120 Speaker 2: Well. You know, you could get a tesla and have 559 00:32:55,160 --> 00:32:59,120 Speaker 2: a Latin tutor in your in your car. You could 560 00:32:59,120 --> 00:33:02,280 Speaker 2: pick it back up. It's interesting, and then you could 561 00:33:02,800 --> 00:33:06,640 Speaker 2: you would never have to say that again. Train Dreams 562 00:33:07,880 --> 00:33:09,840 Speaker 2: is nominated for Best Picture. 563 00:33:10,720 --> 00:33:14,080 Speaker 3: Did you know that Sam Train Dreams. Yes, we mentioned 564 00:33:14,120 --> 00:33:16,160 Speaker 3: that that. Yeah, it's up for Best Picture. And I've 565 00:33:16,200 --> 00:33:17,920 Speaker 3: never seen it nor heard of it up until I 566 00:33:17,960 --> 00:33:18,960 Speaker 3: saw it was nominated. 567 00:33:19,600 --> 00:33:22,680 Speaker 2: Let's uh, yeah, I hadn't really heard it. It was nominated. 568 00:33:22,840 --> 00:33:25,360 Speaker 2: Obviously you didn't read the book. You know it's a 569 00:33:25,520 --> 00:33:29,800 Speaker 2: but ever, Okay, it's a book that's famous book. We'll 570 00:33:29,800 --> 00:33:33,040 Speaker 2: talk about it. Okay, Best Picture. Here's the nominees, Bougonia, 571 00:33:33,520 --> 00:33:35,360 Speaker 2: which we talked about in the show. I think I 572 00:33:35,400 --> 00:33:37,680 Speaker 2: gave it a thumbs out. Yeah, yeah, f one, I 573 00:33:37,800 --> 00:33:40,880 Speaker 2: give it a thumbs up, if you you know, if 574 00:33:40,920 --> 00:33:44,760 Speaker 2: you like bread, Pitt Frankenstein. I stopped in the middle 575 00:33:44,800 --> 00:33:46,280 Speaker 2: and said, I'd rather see this in a theater. And 576 00:33:46,320 --> 00:33:49,120 Speaker 2: I'm seeing it in a theater on March tenth. Oh, okay, 577 00:33:49,200 --> 00:33:55,040 Speaker 2: at the Century or the Cinemak Belitaria and Huntington Beach. 578 00:33:56,040 --> 00:33:57,360 Speaker 3: That's your favorite theater, isn't it. 579 00:33:57,400 --> 00:34:00,640 Speaker 2: Yeah? Oh yeah, Platinum Platinum member, thank you, thank you 580 00:34:00,720 --> 00:34:04,240 Speaker 2: very much. Hamnet. I've almost got enough points to get 581 00:34:04,240 --> 00:34:07,840 Speaker 2: a pair of Cinemark socks. Movie club socks. 582 00:34:07,960 --> 00:34:09,120 Speaker 3: They give you socks. 583 00:34:09,480 --> 00:34:12,360 Speaker 2: Well, I'm always looking for merch in there, like you know, 584 00:34:12,440 --> 00:34:16,560 Speaker 2: Redeemed for prizes, because it's pretty odd merch, you know, weird? 585 00:34:17,160 --> 00:34:19,160 Speaker 3: Are they socks that they like encourage you to wear 586 00:34:19,280 --> 00:34:20,719 Speaker 3: during the movies when you show up? 587 00:34:20,800 --> 00:34:27,880 Speaker 2: Yeah, the compression socks made for christpher Nolan movies. 588 00:34:31,920 --> 00:34:33,799 Speaker 3: Yeah, a lot. I'm going to get those socks. A 589 00:34:33,800 --> 00:34:36,120 Speaker 3: lot of blood cloths can happen. I could see sitting 590 00:34:36,120 --> 00:34:36,960 Speaker 3: down too long through those. 591 00:34:37,120 --> 00:34:42,840 Speaker 2: Okay, So we got bog f one, Frankenstein, Hamnet, Marty Supreme, 592 00:34:43,520 --> 00:34:50,520 Speaker 2: One Battle after another, The Secret Agent, Sentimental Values, Sinners, 593 00:34:50,920 --> 00:34:55,440 Speaker 2: and Train Dreams. Okay, so I have seen all of 594 00:34:55,480 --> 00:35:00,680 Speaker 2: those except for Sentimental Values, Value Whenever, and then half 595 00:35:00,719 --> 00:35:06,680 Speaker 2: of Frankenson. So far, out of this list, I haven't 596 00:35:06,680 --> 00:35:09,360 Speaker 2: done my Top ten for the Year list yet, but 597 00:35:09,400 --> 00:35:11,600 Speaker 2: out of this list, I'd have to say the best 598 00:35:11,600 --> 00:35:14,319 Speaker 2: one in this list, the best movie of the year 599 00:35:14,600 --> 00:35:17,799 Speaker 2: is Nirvana. The Band the show the movie. But the 600 00:35:17,800 --> 00:35:22,480 Speaker 2: best on this list, let's see from Bogognia one Frankenstein 601 00:35:22,760 --> 00:35:33,560 Speaker 2: can eliminate nuts. It's between Marty Supreme and Train Dreams. 602 00:35:33,600 --> 00:35:37,040 Speaker 2: I'd have to say, Okay, the worst movie on this list, 603 00:35:38,120 --> 00:35:44,160 Speaker 2: which probably will win, is the movie Sinners talked to Him. 604 00:35:44,200 --> 00:35:49,719 Speaker 2: I play golf with a gentleman on Thursday who told 605 00:35:49,719 --> 00:35:51,879 Speaker 2: me he walked out of it. He and his wife 606 00:35:51,920 --> 00:35:55,880 Speaker 2: walked out of Sinners. Really I wanted to, but I 607 00:35:55,920 --> 00:35:58,080 Speaker 2: had nowhere to go, so I just stayed there and 608 00:35:58,200 --> 00:36:02,080 Speaker 2: endured it. What a way my time, and so waste 609 00:36:02,120 --> 00:36:05,800 Speaker 2: the time because it's just another vampire story and nothing 610 00:36:05,840 --> 00:36:08,040 Speaker 2: new is happening. Because you've seen the vampire story the 611 00:36:08,040 --> 00:36:10,040 Speaker 2: whole time. You know exactly what's going to happen, and 612 00:36:10,080 --> 00:36:15,160 Speaker 2: they don't deviate from it enough. It's nothing's new, nothing 613 00:36:15,200 --> 00:36:18,000 Speaker 2: new and clever is happening. It's just a vampire movie. 614 00:36:18,080 --> 00:36:21,320 Speaker 2: And I don't have time for another vampire movie anyway. 615 00:36:22,600 --> 00:36:22,719 Speaker 1: Uh. 616 00:36:23,080 --> 00:36:28,319 Speaker 2: Train Dreams, Wow, I just want to'll sneak up on you. Yeah. 617 00:36:28,360 --> 00:36:35,080 Speaker 2: It's a quiet American frontier drama about a railroad and 618 00:36:35,120 --> 00:36:38,000 Speaker 2: a log worker. Well he's like a railroad and logging worker. 619 00:36:38,440 --> 00:36:40,880 Speaker 2: It's not about a railroad. It's about a railroad and 620 00:36:40,960 --> 00:36:45,320 Speaker 2: logging worker named Robert Greenier who lives in the Pacific 621 00:36:45,400 --> 00:36:49,640 Speaker 2: Northwest in the early nineteen hundreds. The story follows Greinier 622 00:36:49,719 --> 00:36:55,799 Speaker 2: across decades as he watches the American West transform railroads, industry, 623 00:36:56,200 --> 00:37:00,440 Speaker 2: and modernization, slowly replacing the wilderness and the good way 624 00:37:00,440 --> 00:37:05,759 Speaker 2: of life. He knows, okay, it's it's not really like 625 00:37:06,080 --> 00:37:10,719 Speaker 2: a normal plot. In the Train Dreams, I noticed that 626 00:37:10,800 --> 00:37:15,719 Speaker 2: like something drastic happened, you know, that turned everything on 627 00:37:15,800 --> 00:37:20,960 Speaker 2: its head like a story, you know, point where you 628 00:37:21,000 --> 00:37:23,400 Speaker 2: would normally I go, what is say? That's something that 629 00:37:23,440 --> 00:37:27,239 Speaker 2: would normally happen at either ten minutes in to set 630 00:37:27,280 --> 00:37:30,120 Speaker 2: the stage or at thirty minutes to close the final 631 00:37:30,400 --> 00:37:34,120 Speaker 2: the first act. But it happened at like fifty minutes 632 00:37:35,160 --> 00:37:37,520 Speaker 2: into the movie. I go, all right, they're not following 633 00:37:37,560 --> 00:37:45,120 Speaker 2: conventional storytelling script writing patterns. And because it's less of 634 00:37:45,160 --> 00:37:48,520 Speaker 2: a plot driven movie and more of a meditation on 635 00:37:48,560 --> 00:37:53,200 Speaker 2: loneliness and work. In the Fading Frontier directed by a 636 00:37:53,200 --> 00:37:56,040 Speaker 2: guy named Clint Bentley, I guess he made a movie 637 00:37:56,080 --> 00:38:00,360 Speaker 2: called Jockey. I haven't seen it, sorry, And. 638 00:38:02,600 --> 00:38:05,080 Speaker 3: Was it a short film. Look up the actor that 639 00:38:05,120 --> 00:38:08,440 Speaker 3: played the lead. Okay, ah, we done. Yeah, well we 640 00:38:08,520 --> 00:38:10,120 Speaker 3: got to hit the top of the hour. But we 641 00:38:10,200 --> 00:38:12,080 Speaker 3: will be back in the next hour to finish up 642 00:38:12,120 --> 00:38:12,520 Speaker 3: the story. 643 00:38:12,880 --> 00:38:16,600 Speaker 2: All hih when we come back more train dreams. People 644 00:38:16,600 --> 00:38:21,120 Speaker 2: are clamoring for. But Joe's Goalante live from Hollywood. Joe's 645 00:38:21,160 --> 00:38:23,800 Speaker 2: Goalante live from Hollywood. If by Hollywood you mean Burbank. 646 00:38:24,000 --> 00:38:27,600 Speaker 2: This is two hours at the business end of show business. 647 00:38:28,360 --> 00:38:31,200 Speaker 2: And we do it every Sunday here on KiB eleven 648 00:38:31,280 --> 00:38:34,319 Speaker 2: fifty on your AM dial. And Sam, we've been doing 649 00:38:34,360 --> 00:38:36,400 Speaker 2: the show or I've been doing the show for twenty 650 00:38:36,440 --> 00:38:40,120 Speaker 2: years now in some form or another. Started on Indy 651 00:38:40,120 --> 00:38:44,480 Speaker 2: one oh three to one FM radio in Los Angeles here, 652 00:38:44,600 --> 00:38:50,520 Speaker 2: moved over to KiB when it was called Kday back 653 00:38:50,520 --> 00:38:55,160 Speaker 2: in the nineteen fifties, and now here it is twenty 654 00:38:55,200 --> 00:39:01,560 Speaker 2: years later KiB and I we're still doing it. Yeah, 655 00:39:02,640 --> 00:39:04,880 Speaker 2: waiting for my Marconi Award? Would you get a Marconi 656 00:39:04,920 --> 00:39:06,120 Speaker 2: Award if you do this long enough? 657 00:39:06,200 --> 00:39:08,759 Speaker 3: I think so. At least you should for putting in 658 00:39:08,840 --> 00:39:11,200 Speaker 3: this much time and effort and blood, sweat and tears 659 00:39:11,239 --> 00:39:14,640 Speaker 3: into this industry. Yes, you deserve one. You've earned one. Emotionally, 660 00:39:15,480 --> 00:39:20,040 Speaker 3: you have an emotional one. It's invisible, just like our emotions. 661 00:39:20,160 --> 00:39:24,319 Speaker 2: Thank you, that's for sure. The only awards I got, 662 00:39:24,360 --> 00:39:25,920 Speaker 2: I got it. I get a gold record every now 663 00:39:25,920 --> 00:39:28,520 Speaker 2: and then. But I got a Best Soundtrack for the 664 00:39:28,560 --> 00:39:33,400 Speaker 2: Independent Film Awards or something like that, Independent Records. It 665 00:39:33,560 --> 00:39:35,400 Speaker 2: just came. I didn't know it was he nominated. I 666 00:39:35,400 --> 00:39:36,920 Speaker 2: don't know. It just came in the mail. So Joe 667 00:39:37,000 --> 00:39:41,400 Speaker 2: was gon want to say, best Soundtrack Music Supervisor on 668 00:39:41,480 --> 00:39:45,640 Speaker 2: a movie, thank you? And that's it. 669 00:39:45,840 --> 00:39:47,280 Speaker 3: I wish I knew about it. 670 00:39:48,680 --> 00:39:50,160 Speaker 2: Yeah, I would have gone. 671 00:39:50,440 --> 00:39:50,680 Speaker 3: Yeah. 672 00:39:51,160 --> 00:39:53,120 Speaker 2: I mean I imagine there was a gala or something 673 00:39:53,160 --> 00:39:54,879 Speaker 2: like that. I could have dressed up. 674 00:39:56,880 --> 00:40:00,399 Speaker 3: So did they say, who accepted the award? On your half? 675 00:40:00,800 --> 00:40:03,520 Speaker 2: And that's what I would like that information too. Uh. 676 00:40:03,840 --> 00:40:06,480 Speaker 2: The Vandals got an Impact Award for the Orange County 677 00:40:06,560 --> 00:40:08,680 Speaker 2: Music Awards once. Okay, I don't know what that means, 678 00:40:08,680 --> 00:40:12,439 Speaker 2: but we went and collected it and then I gave 679 00:40:14,280 --> 00:40:17,279 Speaker 2: to my hand to Dick Dale his Lifetime Achievement Award. 680 00:40:17,719 --> 00:40:19,760 Speaker 2: Oh that's the Orange County Music Awards. 681 00:40:20,080 --> 00:40:21,560 Speaker 3: That's cool. That was fun. 682 00:40:22,280 --> 00:40:26,880 Speaker 2: Uh, it's fun out my award, my awards. The Sublime 683 00:40:26,920 --> 00:40:33,400 Speaker 2: is nominated for iHeart Radio Award for Best Like Song 684 00:40:33,480 --> 00:40:36,120 Speaker 2: and Best Performance, Best Performance and Best So. 685 00:40:36,800 --> 00:40:39,840 Speaker 3: I just saw on the TVs out here in the hallways, 686 00:40:39,840 --> 00:40:42,799 Speaker 3: you know how they run occasional promos and stuff. Right 687 00:40:42,840 --> 00:40:45,360 Speaker 3: when I was walking through there, they were showing Sublime 688 00:40:45,520 --> 00:40:46,240 Speaker 3: live on stage. 689 00:40:46,320 --> 00:40:49,239 Speaker 2: Oh nice, yeah, good. Finally. Yeah, if they won't put 690 00:40:49,239 --> 00:40:51,800 Speaker 2: my my image on these walls in this radio station, 691 00:40:51,840 --> 00:40:54,560 Speaker 2: at least my clients can be celebrated. 692 00:40:54,680 --> 00:40:55,480 Speaker 3: Yes, for sure. 693 00:40:55,680 --> 00:40:57,440 Speaker 2: What would they do if I put a picture of 694 00:40:57,480 --> 00:40:59,520 Speaker 2: me up on the wall with everybody else who's around. 695 00:40:59,800 --> 00:41:01,719 Speaker 3: I think we should do this and try. We should 696 00:41:01,760 --> 00:41:04,000 Speaker 3: like see how one out there, yeah, and see how 697 00:41:04,040 --> 00:41:06,440 Speaker 3: long it lasts and see like if anybody questions it. 698 00:41:06,560 --> 00:41:10,399 Speaker 2: Yeah, it's a good idea. There is a guy, an 699 00:41:10,400 --> 00:41:18,279 Speaker 2: Australian TV guy who he won a contest like go 700 00:41:18,360 --> 00:41:22,960 Speaker 2: around and like a reality show in Australia, and they're 701 00:41:22,960 --> 00:41:24,759 Speaker 2: gonna say they're gonna give you a camera and you 702 00:41:24,800 --> 00:41:26,120 Speaker 2: go around and you film the stuff and you come 703 00:41:26,120 --> 00:41:28,560 Speaker 2: back and whatever you come back with that you filmed, 704 00:41:28,760 --> 00:41:32,080 Speaker 2: you're going to get a prize if you're the winner. 705 00:41:32,360 --> 00:41:37,680 Speaker 2: And this guy forgot his name, but he went to 706 00:41:37,719 --> 00:41:41,000 Speaker 2: Disneyland from Australia and he and he has his like 707 00:41:41,239 --> 00:41:43,120 Speaker 2: camera and a stick before there were selfie sticks. He 708 00:41:43,160 --> 00:41:45,560 Speaker 2: made one. He made something. So he's he's going to 709 00:41:45,560 --> 00:41:48,800 Speaker 2: Disneyland and he sneaks into Disneyland through a back window 710 00:41:49,000 --> 00:41:51,440 Speaker 2: in some I mean, I live here my whole life. 711 00:41:51,600 --> 00:41:55,080 Speaker 2: I've never heard of anyone successfully not too many people 712 00:41:55,120 --> 00:42:02,520 Speaker 2: successfully breaking into Disneyland. And if they did, I just 713 00:42:02,560 --> 00:42:04,879 Speaker 2: haven't heard it. My friends, the guys in Tso well, 714 00:42:04,920 --> 00:42:08,120 Speaker 2: they broke into Disneyland once on a Monday, and that 715 00:42:08,200 --> 00:42:09,879 Speaker 2: was back in the days when Disneyland was not open 716 00:42:09,920 --> 00:42:12,680 Speaker 2: on Mondays. So they hopped the fence and they start 717 00:42:12,680 --> 00:42:16,040 Speaker 2: walking around Disneyland and they realize it's not open. 718 00:42:17,360 --> 00:42:19,479 Speaker 3: Nothing. There's nothing running here. 719 00:42:19,719 --> 00:42:21,160 Speaker 2: No, so they were trapped. 720 00:42:21,440 --> 00:42:23,160 Speaker 3: There's no popcorn, no nothing. 721 00:42:23,360 --> 00:42:27,400 Speaker 2: They were trapped. Yeah. 722 00:42:27,440 --> 00:42:29,160 Speaker 3: Did they have to call the police on themselves or 723 00:42:29,160 --> 00:42:31,720 Speaker 3: did they end up like waiting until the next morning 724 00:42:31,719 --> 00:42:32,799 Speaker 3: when somebody showed up. 725 00:42:32,840 --> 00:42:34,720 Speaker 2: I mean there's a lot of people there, there's workers 726 00:42:34,719 --> 00:42:40,120 Speaker 2: and security. Okay, so they got popped. Okay, Oh yeah, 727 00:42:40,239 --> 00:42:41,920 Speaker 2: you got popped like that. You can't go to Disneyland 728 00:42:41,920 --> 00:42:47,440 Speaker 2: for a long time, so don't try that. Children. So 729 00:42:47,560 --> 00:42:53,920 Speaker 2: this guy sneaks into Disneyland. His name is John. I'll 730 00:42:53,920 --> 00:42:55,600 Speaker 2: get his name so you can look him up on YouTube. 731 00:42:56,080 --> 00:43:02,600 Speaker 2: I can't remember it just yet. But he goes a 732 00:43:02,760 --> 00:43:05,960 Speaker 2: couple of things he does. He makes a plaque. He 733 00:43:05,960 --> 00:43:07,920 Speaker 2: brings a plaque with him. It's a golden plaque and 734 00:43:07,960 --> 00:43:16,920 Speaker 2: it says Walt Disney was a reported on other Americans 735 00:43:16,960 --> 00:43:20,359 Speaker 2: to the FBI. Just said like like one of these 736 00:43:20,440 --> 00:43:24,120 Speaker 2: dark prints claims about Walt Disney. Like he he turned 737 00:43:24,120 --> 00:43:27,960 Speaker 2: in he turned in his fellow Hollywood uh uh comrades 738 00:43:27,960 --> 00:43:31,080 Speaker 2: in for to the House on American Activities in the FBI, 739 00:43:31,160 --> 00:43:34,600 Speaker 2: something like that. And he and it was like a 740 00:43:34,800 --> 00:43:37,680 Speaker 2: plaque that he that he had had sticky tape on 741 00:43:37,680 --> 00:43:39,880 Speaker 2: and he put it underneath his portrait in the in 742 00:43:39,960 --> 00:43:43,160 Speaker 2: the Walt Disney gallery on Main Street. And he said 743 00:43:43,200 --> 00:43:45,080 Speaker 2: he stayed there for two days. He said at one point, 744 00:43:45,160 --> 00:43:48,319 Speaker 2: at one point has he has a footage of an 745 00:43:48,320 --> 00:43:54,799 Speaker 2: employee polishing it. And then you know he does some 746 00:43:54,920 --> 00:43:56,759 Speaker 2: stupid things like it puts a sign on the back 747 00:43:56,800 --> 00:44:00,680 Speaker 2: of one of those Chippendale's says I el crack or 748 00:44:00,719 --> 00:44:03,640 Speaker 2: something like that. But he has a sodom Hussein doll 749 00:44:03,680 --> 00:44:07,040 Speaker 2: that he's made, and he goes on the Small World 750 00:44:07,840 --> 00:44:09,160 Speaker 2: and he places it in there. 751 00:44:09,719 --> 00:44:10,359 Speaker 3: Wow. 752 00:44:10,400 --> 00:44:12,799 Speaker 2: And then he goes on again and films it still there, 753 00:44:13,080 --> 00:44:14,960 Speaker 2: you know, to get the full effect that. 754 00:44:14,960 --> 00:44:19,120 Speaker 3: Is hysterically funny. Yeah. So I'm sure he got in 755 00:44:19,160 --> 00:44:20,080 Speaker 3: a lot of trouble for it. 756 00:44:21,239 --> 00:44:22,839 Speaker 2: I don't know he got I mean he you know, 757 00:44:23,360 --> 00:44:24,960 Speaker 2: the Australians didn't care. They put him on TV and 758 00:44:24,960 --> 00:44:25,600 Speaker 2: they show the whole thing. 759 00:44:25,840 --> 00:44:28,959 Speaker 3: Well, I mean, I'm sure Australians were pleased as punch 760 00:44:29,000 --> 00:44:30,600 Speaker 3: about it. It sounds like a lot of. 761 00:44:30,520 --> 00:44:35,279 Speaker 2: Fun trouble for it. I was working at UPN at 762 00:44:35,280 --> 00:44:36,759 Speaker 2: the moment. I was trying to get him a show 763 00:44:36,760 --> 00:44:38,440 Speaker 2: on UPN. When I saw this, I go, we need 764 00:44:38,480 --> 00:44:44,040 Speaker 2: this guy. Yeah. But like most, like ninety nine of 765 00:44:44,080 --> 00:44:46,600 Speaker 2: my shows, they don't go anywhere, but a couple of 766 00:44:46,680 --> 00:44:51,200 Speaker 2: them do. Okay, let's talk about one of the best 767 00:44:51,239 --> 00:44:54,080 Speaker 2: movies now that I wasted all your time on that 768 00:44:54,400 --> 00:44:59,000 Speaker 2: Train Dreams Now, Train Dreams. I'll just read say the 769 00:44:59,480 --> 00:45:03,280 Speaker 2: description Quiet American frontier drama about a railroad and logging 770 00:45:03,320 --> 00:45:07,640 Speaker 2: guy named Robert Grainier. It stars a guy named Joel Edgerton. 771 00:45:08,320 --> 00:45:10,840 Speaker 2: He was in the Great Gatsby. He's in some Australian, 772 00:45:10,880 --> 00:45:14,880 Speaker 2: so he's another Australian and he knocks it out of 773 00:45:14,880 --> 00:45:18,200 Speaker 2: the park with this roll like you're watching it, like 774 00:45:18,239 --> 00:45:22,480 Speaker 2: I said something at fifteen minutes happens and you're like, 775 00:45:22,520 --> 00:45:24,160 Speaker 2: why is it happening at a fifteen minutes? Things are 776 00:45:24,160 --> 00:45:26,440 Speaker 2: supposed to happen either at ten minutes and ten minutes 777 00:45:26,480 --> 00:45:29,719 Speaker 2: like some they call it the inciting incident that's going 778 00:45:29,760 --> 00:45:32,280 Speaker 2: to set all the everything in motion. Then after thirty 779 00:45:32,280 --> 00:45:35,000 Speaker 2: minutes you're going to have the end of the first act. 780 00:45:36,360 --> 00:45:39,640 Speaker 2: Then after thirty minutes you're going to start the third act. 781 00:45:40,239 --> 00:45:41,759 Speaker 2: Things got to wrap up. It's got to be some 782 00:45:41,880 --> 00:45:45,680 Speaker 2: kind of a gauntlet that the hero goes through and 783 00:45:45,680 --> 00:45:48,000 Speaker 2: he almost gets it, but then he doesn't. Then he 784 00:45:48,080 --> 00:45:54,200 Speaker 2: finally does all that kind of story stuff. Joel Edgerton 785 00:45:54,280 --> 00:45:56,719 Speaker 2: is nominated for an Oscar for Best Actor for this 786 00:45:56,840 --> 00:45:59,440 Speaker 2: movie Trained Dreams, How do you Like That? Along with 787 00:46:00,080 --> 00:46:06,640 Speaker 2: Rocking Phoenix, Brad Pitt, Michael B. Jordan from Sinners and 788 00:46:06,880 --> 00:46:11,640 Speaker 2: uh I think it's Ethan Hawk and Blue Moon. Although 789 00:46:11,680 --> 00:46:13,080 Speaker 2: you know, I get a lot of bad info my 790 00:46:14,080 --> 00:46:16,520 Speaker 2: my AI lists that come out. I always have to 791 00:46:16,600 --> 00:46:24,319 Speaker 2: check them but what's uh, let's contemplate Train Dreams for 792 00:46:24,360 --> 00:46:29,920 Speaker 2: a second. Train Dreams is based on a book. Okay, 793 00:46:30,000 --> 00:46:35,279 Speaker 2: the book is rather famous written by Dennis Johnson, and 794 00:46:35,320 --> 00:46:37,520 Speaker 2: it bounced around Hollywood for more than a decade until 795 00:46:37,560 --> 00:46:43,360 Speaker 2: it finally got made. So uh, but it's one of 796 00:46:43,360 --> 00:46:45,799 Speaker 2: those like if you still read books and if you're 797 00:46:45,880 --> 00:46:48,120 Speaker 2: still talking about books with other people. Dennis Johnson is 798 00:46:48,120 --> 00:46:53,920 Speaker 2: a guy who's his name comes up and uh. His 799 00:46:54,000 --> 00:46:57,640 Speaker 2: books often focus on these you know, drifters or outsiders, 800 00:46:58,600 --> 00:47:03,839 Speaker 2: addicts searching for redemption. He wrote a book that became 801 00:47:03,840 --> 00:47:08,000 Speaker 2: a movie called Jesus's Son in a Vietnam novel called 802 00:47:08,040 --> 00:47:11,440 Speaker 2: Tree of Smoke, that one the National Book Award, Pretty 803 00:47:11,440 --> 00:47:19,160 Speaker 2: good Train Dreams Perlutz serprise finalist and now an Oscar 804 00:47:19,360 --> 00:47:22,240 Speaker 2: nominated film. Basically, this s guy's out in the wilderness 805 00:47:22,280 --> 00:47:26,120 Speaker 2: and he's kind of It's about a quiet the quiet 806 00:47:26,160 --> 00:47:29,960 Speaker 2: life of somebody out in the wilderness in the Northwest. 807 00:47:29,960 --> 00:47:32,200 Speaker 2: They work in logging camps, they work in the railroads. 808 00:47:32,560 --> 00:47:35,439 Speaker 2: But what is their life like and what does it mean? 809 00:47:36,120 --> 00:47:39,200 Speaker 2: And that's what they contemplate. Now he's working in the 810 00:47:39,280 --> 00:47:43,640 Speaker 2: nineteen tens on railroads and logging okay, but he lives 811 00:47:43,680 --> 00:47:47,120 Speaker 2: to be sixty something, so pretty soon it's the nineteen 812 00:47:47,200 --> 00:47:51,040 Speaker 2: fifties and he's in the wilderness the whole time. But 813 00:47:51,080 --> 00:47:52,560 Speaker 2: he can take a train, so he goes into he 814 00:47:52,600 --> 00:47:56,640 Speaker 2: goes into town and he's seeing astronauts on the TV 815 00:47:56,760 --> 00:48:00,480 Speaker 2: screens in the in the TV shop, you know, they 816 00:48:00,480 --> 00:48:02,200 Speaker 2: have the TVs out there, and they show the news. 817 00:48:03,200 --> 00:48:05,359 Speaker 2: He sees an astronautic, what is that guy? Someone says, Oh, 818 00:48:05,360 --> 00:48:07,600 Speaker 2: it's an astronaut, and he's like, what the hell is that? 819 00:48:08,640 --> 00:48:11,080 Speaker 2: And then he sees them. He goes into a movie 820 00:48:11,080 --> 00:48:14,040 Speaker 2: theater and watches some movie and it's like, so weird 821 00:48:14,080 --> 00:48:15,960 Speaker 2: because this guy's been out in the wilderness and not 822 00:48:16,040 --> 00:48:19,960 Speaker 2: like a Jeremiah Johnson way way way. He's working. Yeah, 823 00:48:20,000 --> 00:48:22,160 Speaker 2: he's got a cabin, but he works in logging. He 824 00:48:22,239 --> 00:48:27,000 Speaker 2: works in railroads. And so if you were if you 825 00:48:27,000 --> 00:48:29,480 Speaker 2: were born in like eighteen ninety, I mean, you would 826 00:48:29,480 --> 00:48:32,319 Speaker 2: be alive in the fifties. Yeah, eighteen ninety, you're like, 827 00:48:32,400 --> 00:48:35,120 Speaker 2: just deal, you know, you're in nineteen ten. You start working. 828 00:48:36,960 --> 00:48:41,800 Speaker 2: There's no electricity, there's no in these areas. There's no telephones, 829 00:48:41,800 --> 00:48:43,960 Speaker 2: there's no television, there's no radios in there or anything. 830 00:48:44,280 --> 00:48:47,359 Speaker 2: Then pretty soon you're in the nineteen fifties and it's 831 00:48:47,400 --> 00:48:51,920 Speaker 2: the atomic age, and but you're what did your life mean? Well, 832 00:48:52,920 --> 00:48:55,720 Speaker 2: I mean you built the railroads, he did the logging. 833 00:48:55,960 --> 00:48:57,920 Speaker 2: You had to open up the Pacific Northwest so other 834 00:48:57,960 --> 00:49:01,200 Speaker 2: people could be like Bill Gates, they could have their 835 00:49:01,200 --> 00:49:07,120 Speaker 2: own their things. So it's it's just it's very deep. 836 00:49:07,280 --> 00:49:10,839 Speaker 2: You start thinking about what your life means, and what 837 00:49:10,880 --> 00:49:12,880 Speaker 2: your purpose is, and why you were here and what 838 00:49:12,920 --> 00:49:15,239 Speaker 2: will happen when you're gone, and why did you end 839 00:49:15,320 --> 00:49:18,680 Speaker 2: up at this time period. Some people say, Wow, we're 840 00:49:18,760 --> 00:49:21,040 Speaker 2: lucky to be live right now because we have this 841 00:49:21,160 --> 00:49:25,239 Speaker 2: and we have that. You know, maybe maybe not. But 842 00:49:27,760 --> 00:49:34,879 Speaker 2: it's really worth seeing and you can see it on TV. 843 00:49:34,960 --> 00:49:36,320 Speaker 2: I think it'll be fine on TV. Don't need to 844 00:49:36,320 --> 00:49:39,960 Speaker 2: see it in the theater, so you know, rent it 845 00:49:40,000 --> 00:49:42,160 Speaker 2: say it really really good movie. I helpe it would win. 846 00:49:43,160 --> 00:49:45,239 Speaker 2: It's better than Sinners. I mean, this movie stay with 847 00:49:45,320 --> 00:49:46,799 Speaker 2: all the movies that I just read off to you, 848 00:49:47,200 --> 00:49:48,680 Speaker 2: this is the movie that stays with. 849 00:49:48,640 --> 00:49:49,240 Speaker 3: Me the most. 850 00:49:49,800 --> 00:49:53,920 Speaker 2: It just stays with me and it'll stay with you. 851 00:49:53,960 --> 00:49:56,640 Speaker 2: I believe if you watch Train Dreams and the guy 852 00:49:56,920 --> 00:49:59,040 Speaker 2: Edgerton is a good looking actor, so lady's gonna like it. 853 00:50:01,360 --> 00:50:05,080 Speaker 2: There's a he's got a wife. She's uh, not bad. 854 00:50:05,880 --> 00:50:06,080 Speaker 3: You know. 855 00:50:06,120 --> 00:50:09,239 Speaker 2: I like to see beautiful people in movies. But that's 856 00:50:09,280 --> 00:50:12,520 Speaker 2: my recommendation. Oh, William H. Macy's in it. 857 00:50:12,760 --> 00:50:14,640 Speaker 3: Oh okay, it's a pretty good role. 858 00:50:14,880 --> 00:50:17,840 Speaker 2: Yeah, so let me know what you think. You know, 859 00:50:17,880 --> 00:50:19,680 Speaker 2: you can also agree or disagree with me if you 860 00:50:19,680 --> 00:50:22,440 Speaker 2: go to the Facebook Joe Ascalante Live from Hollywood Facebook 861 00:50:22,440 --> 00:50:24,520 Speaker 2: and you can just post it there that you agree 862 00:50:24,600 --> 00:50:27,080 Speaker 2: or disagree with me about any of the movies I recommend. 863 00:50:27,400 --> 00:50:29,399 Speaker 2: And right now we're going to take a break, check 864 00:50:29,440 --> 00:50:32,560 Speaker 2: the traffic, and be back with Joe's Scalante Live from Hollywood. 865 00:50:33,000 --> 00:50:37,080 Speaker 2: Joe'scalante Live from Hollywood. My Hollywood, you mean bur Bank. 866 00:50:38,600 --> 00:50:40,640 Speaker 2: Two hours of the Business end of show Business where 867 00:50:40,640 --> 00:50:45,080 Speaker 2: we do talk about movies, TV and most of my 868 00:50:45,120 --> 00:50:51,239 Speaker 2: information is erroneously supplied by CHATCHIBT. But when I hear 869 00:50:51,360 --> 00:50:54,239 Speaker 2: I know it's wrong. When I'm when I'm reading it 870 00:50:54,280 --> 00:50:56,560 Speaker 2: again and I'm like, oh my god. The best actor 871 00:50:56,640 --> 00:51:03,680 Speaker 2: category is Leonardo DiCaprio in one Battle after another. Chatchi 872 00:51:03,760 --> 00:51:07,080 Speaker 2: BT told me he got snubbed and it's a scandal. 873 00:51:07,360 --> 00:51:08,520 Speaker 2: It just makes up things. 874 00:51:08,640 --> 00:51:10,920 Speaker 3: That's that's a scandal in and of itself. 875 00:51:10,920 --> 00:51:13,280 Speaker 2: The biggest snub, biggest snub of the year is Leonardo 876 00:51:13,320 --> 00:51:18,000 Speaker 2: DiCaprio not getting nominated for one Battle after the other. However, 877 00:51:18,120 --> 00:51:22,840 Speaker 2: he is nominated according to CNN Michael B. Jordan's that 878 00:51:22,920 --> 00:51:26,239 Speaker 2: was the only one that chatchy bt got right of 879 00:51:26,280 --> 00:51:28,040 Speaker 2: all of them for Sinners, that's the only one he 880 00:51:28,080 --> 00:51:28,399 Speaker 2: got right. 881 00:51:29,520 --> 00:51:31,640 Speaker 3: Ethan Hawk wasn't on there, Timothy. 882 00:51:31,360 --> 00:51:38,640 Speaker 2: Eth Ethan Hawk was Uh, it was was not no, 883 00:51:38,800 --> 00:51:42,279 Speaker 2: it said uh, Andrew Scott, I guess it's another guy, 884 00:51:42,360 --> 00:51:46,960 Speaker 2: another guy in Blue Moon. That's what That's what chatchibt thinks. 885 00:51:47,239 --> 00:51:49,799 Speaker 2: But the real nominees are Brad are not Brad Pitt. 886 00:51:49,800 --> 00:51:52,200 Speaker 2: It said Brad Pitt. Remember I looked at you, Brad Pitt. 887 00:51:53,440 --> 00:51:55,320 Speaker 3: That. Yeah, That's why there was like a little silence 888 00:51:55,360 --> 00:51:57,080 Speaker 3: after we mentioned it. It was like, wait a minute, 889 00:51:57,320 --> 00:51:58,880 Speaker 3: what's going on. That's why I know we got a 890 00:51:58,880 --> 00:52:04,760 Speaker 3: problem here. So the nominees are DiCaprio, Michael Jordan, Wagner 891 00:52:05,920 --> 00:52:12,080 Speaker 3: Mora for Secret Agents at Brazilian movie, Ethan Hawke, and 892 00:52:12,120 --> 00:52:12,960 Speaker 3: Timothy Shellamy. 893 00:52:13,400 --> 00:52:18,040 Speaker 2: Yeah. So they didn't even have Timothy Sheallamy Chap Gibt doesn't. 894 00:52:18,080 --> 00:52:20,120 Speaker 2: They don't even know about it. I should tell him, Yeah, 895 00:52:20,200 --> 00:52:20,920 Speaker 2: he's a good actor. 896 00:52:21,120 --> 00:52:23,000 Speaker 3: Well, I mean he is under a little bit of fire. 897 00:52:23,080 --> 00:52:25,959 Speaker 3: Maybe they're immediately dismissing him because. 898 00:52:25,640 --> 00:52:27,279 Speaker 2: Oh wait, don't you have breaking news on. 899 00:52:27,440 --> 00:52:32,960 Speaker 3: Yeah, breaking news the chances of Timothy sports Chalet's Oscar 900 00:52:33,560 --> 00:52:36,920 Speaker 3: win for next week. Everybody was already predicting it except 901 00:52:36,920 --> 00:52:37,840 Speaker 3: for chat gbt. 902 00:52:38,560 --> 00:52:39,160 Speaker 2: Uh. 903 00:52:39,360 --> 00:52:41,319 Speaker 3: He got in a little bit of trouble. He's having 904 00:52:41,360 --> 00:52:44,359 Speaker 3: a little backlash from some comments he made in an 905 00:52:44,440 --> 00:52:50,880 Speaker 3: interview with actor Matthew McConaughey. He said that basically something 906 00:52:50,880 --> 00:52:53,279 Speaker 3: to the extent of he wants to like he knows 907 00:52:53,280 --> 00:52:56,120 Speaker 3: that he has to go around and do media junkets 908 00:52:56,200 --> 00:52:59,360 Speaker 3: for different movies to try to encourage people like we 909 00:52:59,440 --> 00:53:01,399 Speaker 3: do here to go to the theater and help keep 910 00:53:01,440 --> 00:53:06,960 Speaker 3: the movie theater alive. And he says, eventually, oh here, 911 00:53:07,040 --> 00:53:12,280 Speaker 3: eventually backtrack, but uh, he was saying that he wanted. 912 00:53:14,040 --> 00:53:19,120 Speaker 3: Let's see, he basically said that no one cares about 913 00:53:19,440 --> 00:53:26,200 Speaker 3: ballet or opera artists and their performances, and so. 914 00:53:26,400 --> 00:53:27,880 Speaker 2: Did he say anything that wasn't true? 915 00:53:28,480 --> 00:53:28,560 Speaker 1: Uh? 916 00:53:28,640 --> 00:53:33,560 Speaker 3: He was basically saying like how orchestra or uh, you know, 917 00:53:34,160 --> 00:53:38,239 Speaker 3: different operas and ballet performances have to go out and 918 00:53:38,360 --> 00:53:40,600 Speaker 3: do a lot of promotional stuff to try to keep 919 00:53:40,760 --> 00:53:44,360 Speaker 3: their industry alive. And he's like, I don't want to 920 00:53:44,360 --> 00:53:46,200 Speaker 3: see if we can do or I don't want to 921 00:53:46,239 --> 00:53:48,759 Speaker 3: do that. Have to you know, resort to doing that 922 00:53:49,000 --> 00:53:52,360 Speaker 3: with the film industry specific and then he ultimately backtracked 923 00:53:52,400 --> 00:53:55,000 Speaker 3: because and saying that you know, if people want to, 924 00:53:55,360 --> 00:53:58,359 Speaker 3: they can go and see movies like Barbie or Oppenheimer 925 00:53:58,440 --> 00:54:00,680 Speaker 3: movies that are really good. Those are gonna be the 926 00:54:00,680 --> 00:54:03,080 Speaker 3: things that draw people out to the theater. But he 927 00:54:03,200 --> 00:54:05,000 Speaker 3: was more or less saying that. 928 00:54:05,600 --> 00:54:07,719 Speaker 2: You're true yourself. And why did he say that was 929 00:54:07,760 --> 00:54:08,759 Speaker 2: not true or wrong? 930 00:54:08,960 --> 00:54:10,840 Speaker 3: Let me see, I don't think there was anything false 931 00:54:10,880 --> 00:54:12,480 Speaker 3: that he was saying. It was just his opinion. 932 00:54:12,560 --> 00:54:15,960 Speaker 2: Nobody cares about ballet people and opera people. It's true, Yeah, 933 00:54:16,160 --> 00:54:19,680 Speaker 2: nobody cares. The government has to subsidize ballet and opera now, 934 00:54:20,000 --> 00:54:22,520 Speaker 2: uh where no one will see it or will die. 935 00:54:22,600 --> 00:54:24,759 Speaker 2: But you know what, I'm happy to have my tax 936 00:54:24,800 --> 00:54:28,200 Speaker 2: dollars go there. I wanted to die, but nobody cares. 937 00:54:28,320 --> 00:54:28,480 Speaker 1: Now. 938 00:54:28,560 --> 00:54:31,920 Speaker 3: English Opera. National Opera offered him free tickets to go 939 00:54:32,000 --> 00:54:35,239 Speaker 3: and see their show to change his mind. Seattle Operas US. 940 00:54:36,000 --> 00:54:39,200 Speaker 3: They're using his name as a promo for discount. 941 00:54:38,719 --> 00:54:41,160 Speaker 2: Tickets they're making they're making it all about them. Yeah, 942 00:54:41,200 --> 00:54:44,040 Speaker 2: and they should get over themselves. Every what, every what 943 00:54:44,120 --> 00:54:48,200 Speaker 2: he said was was true. And I'm I'm that's just 944 00:54:48,360 --> 00:54:52,520 Speaker 2: you know, they're trying to just since he's so freaking 945 00:54:52,560 --> 00:54:56,120 Speaker 2: famous and talented and good looking, they're trying to uh 946 00:54:57,640 --> 00:54:59,800 Speaker 2: bring him down, and I want to stand for it. Anyway, 947 00:54:59,840 --> 00:55:04,600 Speaker 2: back to Best Actor, Joel Edgerton is not nominated at all. 948 00:55:04,719 --> 00:55:07,880 Speaker 2: He should be, but he's not. But chat Chept loved 949 00:55:08,080 --> 00:55:11,160 Speaker 2: Trained Dreams so much it thinks that he's the best Actor. 950 00:55:11,920 --> 00:55:14,640 Speaker 3: Interesting. I would actually want to go back to chat 951 00:55:14,719 --> 00:55:19,200 Speaker 3: Cheapt after all of this, after the awards God are 952 00:55:19,239 --> 00:55:23,000 Speaker 3: given out to see which awards chat Chept thinks everybody got. 953 00:55:23,160 --> 00:55:26,759 Speaker 2: Yeah, it's not going to be accurate. No, okay, so 954 00:55:28,400 --> 00:55:31,640 Speaker 2: we did the movies. The movies were accurate. No, I 955 00:55:31,640 --> 00:55:38,800 Speaker 2: got those from another source though. Best Director Walking Trier 956 00:55:39,480 --> 00:55:43,080 Speaker 2: for sentimental value, I haven't seen it. Sorry, Chloe's out 957 00:55:43,440 --> 00:55:47,920 Speaker 2: for Hamnet and good for her. Ryan Coogler's Sinners, terrible movie. 958 00:55:48,239 --> 00:55:51,840 Speaker 2: Josh Safti, Marty Supreme, hand it over to him right now, 959 00:55:52,239 --> 00:55:54,880 Speaker 2: right now, Yeah, hand it over to him. Paul Thomas 960 00:55:54,920 --> 00:55:57,239 Speaker 2: Anderson from One Battle after Another. A lot of people 961 00:55:57,280 --> 00:56:00,680 Speaker 2: hate that movie. I loved it, But that one goes 962 00:56:00,719 --> 00:56:05,799 Speaker 2: to Safty, Best Actress. I'm just gonna roll through these. 963 00:56:05,800 --> 00:56:07,400 Speaker 2: We have other stories too, but I'm gonna kind of 964 00:56:07,520 --> 00:56:13,120 Speaker 2: I'm gonna dip in and out of the Oscars Best Actor, Uh, DiCaprio, 965 00:56:13,280 --> 00:56:17,920 Speaker 2: Jordan Wagner, Mora, Ethan Hawk, Timothy Chalomy. This is a 966 00:56:17,920 --> 00:56:22,960 Speaker 2: tough one, Chalomy. If he did shoot himself in the foot, Uh, 967 00:56:23,040 --> 00:56:27,120 Speaker 2: it will go to Ethan Hawk. Yeah, but Timothy Chalomagne 968 00:56:27,120 --> 00:56:31,040 Speaker 2: Ethan Hawk, neck and neck, neck and neck on that 969 00:56:31,080 --> 00:56:34,719 Speaker 2: one could be a spoiler Ethan Hawk, but Shalo May 970 00:56:34,920 --> 00:56:35,720 Speaker 2: it's his to lose. 971 00:56:36,040 --> 00:56:38,360 Speaker 3: Yeah, And here's the actual quote that he said. I 972 00:56:38,360 --> 00:56:41,000 Speaker 3: don't want to be working in ballet or opera where 973 00:56:41,040 --> 00:56:44,319 Speaker 3: thing where things or or things where it's like, hey, 974 00:56:44,400 --> 00:56:46,759 Speaker 3: let's keep this thing alive, even though it's like no 975 00:56:46,760 --> 00:56:50,200 Speaker 3: one cares about this anymore. All respect to ballet and 976 00:56:50,239 --> 00:56:53,040 Speaker 3: opera people out there. I just lost fourteen cents in viewership. 977 00:56:54,360 --> 00:56:57,040 Speaker 3: He wreck he realized he said something he wasn't supposed 978 00:56:57,080 --> 00:56:58,239 Speaker 3: to and try to walk it back. 979 00:56:58,560 --> 00:57:00,000 Speaker 2: All right, Well, you know what I'm gonna tell you. 980 00:57:00,000 --> 00:57:05,200 Speaker 2: I'm about Timothy Chalomagne. That I can say from first 981 00:57:05,360 --> 00:57:09,440 Speaker 2: d experience. He loves to talk. He's doing tons of 982 00:57:09,440 --> 00:57:14,759 Speaker 2: press for Marty Supreme. He's he he's going above and 983 00:57:14,760 --> 00:57:16,880 Speaker 2: beyond and he's talking. You're talking and talking, talking, appreciate. 984 00:57:16,960 --> 00:57:19,200 Speaker 2: He's going to say something you know that he shouldn't 985 00:57:19,240 --> 00:57:22,560 Speaker 2: say so. But if he did, if he did shoot 986 00:57:22,640 --> 00:57:25,320 Speaker 2: himself on the foot, Ethan Hawk is right there. Who's 987 00:57:25,320 --> 00:57:27,240 Speaker 2: going to get the best director? Okay, we got already 988 00:57:27,240 --> 00:57:31,840 Speaker 2: got that, John Safti, Josh Safti's another. This show is 989 00:57:31,880 --> 00:57:37,120 Speaker 2: just flying by Best Actress. I guess I'll do that 990 00:57:37,160 --> 00:57:37,800 Speaker 2: when I come back. 991 00:57:37,960 --> 00:57:38,880 Speaker 3: Yeah, good tease. 992 00:57:41,400 --> 00:57:44,600 Speaker 2: Joe Scalante Live from Hollywood with the winner of the 993 00:57:44,600 --> 00:57:51,280 Speaker 2: Best Actress Award for Movie Acting right after this, Okay, 994 00:57:51,640 --> 00:57:56,520 Speaker 2: Joe'scolante continuing with the Joe Scalante Live from Hollywood Radio program. 995 00:57:57,520 --> 00:57:59,760 Speaker 2: I'm gonna go I'm gonna do the Best Actress And 996 00:57:59,760 --> 00:58:01,320 Speaker 2: then to go back to my other stories, I got 997 00:58:01,320 --> 00:58:08,640 Speaker 2: some good ones. Today Sam okay, best actress renat Te 998 00:58:09,440 --> 00:58:13,680 Speaker 2: rins fe. I guess it's a Scandinavian person for sentimental value. 999 00:58:14,160 --> 00:58:18,600 Speaker 2: Emma Stone and Bougonna. She was great Rose Byrne and 1000 00:58:18,800 --> 00:58:22,120 Speaker 2: if I had legs, i'd kick you. I haven't seen 1001 00:58:22,160 --> 00:58:25,480 Speaker 2: all of it, but I saw her. Yeah, I saw 1002 00:58:25,520 --> 00:58:28,080 Speaker 2: the first dat. She's very good in it. Not gonna win, 1003 00:58:28,200 --> 00:58:31,760 Speaker 2: but very good. Jesse Buckley probably not gonna win for this, 1004 00:58:31,880 --> 00:58:36,080 Speaker 2: but will win next year for the Bride. She's also 1005 00:58:36,120 --> 00:58:40,200 Speaker 2: plays the bride of Frankenstein. Okay, and she was the 1006 00:58:40,760 --> 00:58:45,160 Speaker 2: Shakespeare's wife in Hamnet. I like that now. The fifth 1007 00:58:45,200 --> 00:58:49,640 Speaker 2: nominee and my favorite Kate Hudson in Song Sung Blue. 1008 00:58:49,880 --> 00:58:54,400 Speaker 2: So I was more impressed by that rule because she 1009 00:58:54,400 --> 00:58:58,320 Speaker 2: had to sing also and she she she she made 1010 00:58:58,320 --> 00:59:00,960 Speaker 2: me believe it was her nice. 1011 00:59:00,920 --> 00:59:04,360 Speaker 3: And Kate Hudson legendary at this point of her career, 1012 00:59:04,440 --> 00:59:07,640 Speaker 3: I would call her a legendary actress. So to see 1013 00:59:07,640 --> 00:59:11,040 Speaker 3: that level of versatility come out of hers pretty cool. 1014 00:59:11,440 --> 00:59:12,320 Speaker 2: Do you know who her dad is? 1015 00:59:14,120 --> 00:59:19,360 Speaker 3: Oh? Jeez, no, but isn't the ma. Isn't her mom Goldie. 1016 00:59:18,800 --> 00:59:25,600 Speaker 2: Han, Goldie Han, But her dad Bill Hudson an American actor, 1017 00:59:25,680 --> 00:59:27,920 Speaker 2: musician and producer. He was a founding member of the 1018 00:59:28,000 --> 00:59:31,640 Speaker 2: nineteen sixties band The Hudson Brothers with his younger brothers 1019 00:59:31,640 --> 00:59:35,240 Speaker 2: Brett and Mark. The band starred in the CBS sketch 1020 00:59:35,280 --> 00:59:40,720 Speaker 2: comedy series The Hudson Brothers Razzle Dazzle Show, which I 1021 00:59:40,840 --> 00:59:42,160 Speaker 2: watched every Saturday morning. 1022 00:59:42,280 --> 00:59:44,440 Speaker 3: You were both razzled and dazzled. 1023 00:59:44,080 --> 00:59:49,520 Speaker 2: And Razzle dazzled me. They're hideous haircuts. So he marries 1024 00:59:50,480 --> 00:59:55,320 Speaker 2: Goldie Hans still alive, seventy six years old, and he 1025 00:59:57,040 --> 01:00:01,000 Speaker 2: has a daughter named Kate Hudson, and she is an 1026 01:00:01,040 --> 01:00:05,040 Speaker 2: amazing actress. She is, Yeah, she's an nepple baby. 1027 01:00:05,080 --> 01:00:08,000 Speaker 3: I guess right, most of Hollywood is at this point. 1028 01:00:08,040 --> 01:00:10,280 Speaker 2: I would say, yeah, why not? You want to go 1029 01:00:10,280 --> 01:00:14,520 Speaker 2: away that you can bank on. Now, speaking of babies, 1030 01:00:16,120 --> 01:00:26,640 Speaker 2: let's talk about Michael Jackson. Oh boy, Michael Jackson. What 1031 01:00:26,760 --> 01:00:27,720 Speaker 2: is he up to this week? 1032 01:00:29,280 --> 01:00:31,880 Speaker 3: I would do my Michael Jackson impression right now, but 1033 01:00:31,920 --> 01:00:34,840 Speaker 3: nobody would hear anything, okay, because he's dead. 1034 01:00:34,960 --> 01:00:39,080 Speaker 2: Well, A new lawsuit hilarious with your dad jokes. A 1035 01:00:39,120 --> 01:00:42,840 Speaker 2: new lawsuit filed February twenty seventh, that's pretty recent, and 1036 01:00:43,000 --> 01:00:48,160 Speaker 2: Los Angeles accuses Michael Jackson of sexually abusing and trafficking 1037 01:00:48,240 --> 01:00:51,160 Speaker 2: four siblings over more than a decade, Sam, can you 1038 01:00:51,200 --> 01:00:51,600 Speaker 2: believe this? 1039 01:00:52,680 --> 01:00:53,240 Speaker 3: Wow? 1040 01:00:53,600 --> 01:00:56,920 Speaker 2: Well, these young people who are now over eighteen are 1041 01:00:56,960 --> 01:01:02,880 Speaker 2: Frank Coskio, Dominic Coskio, Maria and Nicole Costio, and a'l 1042 01:01:02,920 --> 01:01:06,160 Speaker 2: Go Costkio. The father reportedly met Jackson while working at 1043 01:01:06,160 --> 01:01:09,720 Speaker 2: a luxury hotel. You know, Michael Jackson loves luxury hotels. 1044 01:01:09,840 --> 01:01:12,400 Speaker 2: He likes luxury and the finer things. And he's in 1045 01:01:12,440 --> 01:01:18,120 Speaker 2: this hotel and he met the father and it became 1046 01:01:18,120 --> 01:01:22,640 Speaker 2: close to him, and they often described any and he 1047 01:01:22,720 --> 01:01:25,280 Speaker 2: introduced the family to him, and they often described themselves 1048 01:01:25,280 --> 01:01:32,200 Speaker 2: as as Michael Jackson's second family. Frank Costio, the dad, 1049 01:01:32,760 --> 01:01:34,920 Speaker 2: wrote a twenty eleven memoir that you're gonna have to 1050 01:01:34,920 --> 01:01:39,200 Speaker 2: get your hands on, called my Friend Michael, defending Jackson 1051 01:01:39,280 --> 01:01:44,200 Speaker 2: against earlier allegations. That was the best what the book did. Okay, 1052 01:01:45,440 --> 01:01:51,280 Speaker 2: So this guy was a defender of you know, you 1053 01:01:51,320 --> 01:01:52,920 Speaker 2: know what happen people. Everyone said, Oh, this guy's my 1054 01:01:53,000 --> 01:01:54,880 Speaker 2: listing children. Oh my god, he sleeps with kids, he 1055 01:01:55,240 --> 01:01:59,360 Speaker 2: gives them a wine he calls a Jesus juice. There's 1056 01:01:59,400 --> 01:02:01,640 Speaker 2: a new there's a new beverage in town you will 1057 01:02:01,640 --> 01:02:07,400 Speaker 2: find in this story coming up soon. Lawsuit claims that 1058 01:02:08,560 --> 01:02:11,439 Speaker 2: Michael Jackson began abusing the siblings when they were around 1059 01:02:11,520 --> 01:02:14,320 Speaker 2: seven or eight years old, and the abuse continued for years. 1060 01:02:15,000 --> 01:02:20,720 Speaker 2: He showed the children pornography. That's wrong. He sexually abused 1061 01:02:20,800 --> 01:02:26,280 Speaker 2: the siblings individually over many years. Wow, that's wrong. He 1062 01:02:26,400 --> 01:02:28,640 Speaker 2: forced two of the boys to watch him assault their sister, 1063 01:02:28,760 --> 01:02:32,680 Speaker 2: Marie Nicole. Now, these are only the allegations, Sam, I 1064 01:02:33,360 --> 01:02:40,200 Speaker 2: want you to make sure that that's understood. He gave 1065 01:02:40,280 --> 01:02:43,640 Speaker 2: the children alcohol and drugs, including prescription drugs like Xanax 1066 01:02:43,680 --> 01:02:48,479 Speaker 2: and viagra. He used child friendly nicknames for alcohol, such 1067 01:02:48,520 --> 01:02:52,440 Speaker 2: as Jesus Juice for wine and Disney Juice for hard alcohol. 1068 01:02:53,120 --> 01:02:54,480 Speaker 3: Wow, Disney Juice. 1069 01:02:55,560 --> 01:03:00,760 Speaker 2: Allegedly instructed employees to obtain alcohol and drugs for the employees. 1070 01:03:00,760 --> 01:03:03,280 Speaker 2: And that's what the father says. That the employees knew 1071 01:03:03,320 --> 01:03:07,600 Speaker 2: everything about this, okay, and they facilitated it. He threatened 1072 01:03:07,600 --> 01:03:11,040 Speaker 2: the children, telling them their lives and their families' lives 1073 01:03:11,080 --> 01:03:14,480 Speaker 2: would be ruined if the abuse became public. He was like, 1074 01:03:14,720 --> 01:03:19,600 Speaker 2: this abuse has to be private abuse, otherwise your families 1075 01:03:19,600 --> 01:03:23,160 Speaker 2: will be ruined. And they fell for that. He coached 1076 01:03:23,200 --> 01:03:26,800 Speaker 2: them on what to say if adults asked them about molestation. 1077 01:03:27,880 --> 01:03:31,520 Speaker 2: Lawsuit also claims Jackson manipulated the family to gain access 1078 01:03:32,240 --> 01:03:36,360 Speaker 2: to gain access to the children by encouraging their parents 1079 01:03:36,440 --> 01:03:41,840 Speaker 2: to homeschool them, isolating the siblings from each other, arranging 1080 01:03:41,840 --> 01:03:45,800 Speaker 2: international trips and travel through his business organization. The complaint 1081 01:03:45,840 --> 01:03:48,960 Speaker 2: alleges the abuse continued until shortly before Jackson's death in 1082 01:03:48,960 --> 01:03:53,240 Speaker 2: two thousand and nine. They want to Their causes of 1083 01:03:53,280 --> 01:03:58,160 Speaker 2: action are child sex trafficking, negligence, intentional af folction, emotional distress, 1084 01:03:58,680 --> 01:04:02,520 Speaker 2: breach of contract from and exigent hiring employees related to 1085 01:04:02,560 --> 01:04:07,800 Speaker 2: the facilitating the abuse. Now. Their lawyer is Howard King. 1086 01:04:07,880 --> 01:04:10,360 Speaker 2: He's a very prominent lower I think he's like the 1087 01:04:11,400 --> 01:04:15,720 Speaker 2: maybe the Metallica lawyer Okay King said in a statement 1088 01:04:15,760 --> 01:04:18,080 Speaker 2: the family chose to speak out despite threats from the estate. 1089 01:04:18,600 --> 01:04:20,880 Speaker 2: They seek compensation for more than a decade of abuse 1090 01:04:20,920 --> 01:04:25,040 Speaker 2: and hope their case will encourage other victims to come forward. 1091 01:04:26,280 --> 01:04:31,760 Speaker 2: The estate's attorney, Martin Singer, strongly denies the allegations. This 1092 01:04:31,840 --> 01:04:34,120 Speaker 2: is what Singer said about the lawsuit said, it's a 1093 01:04:34,160 --> 01:04:36,720 Speaker 2: desperate money grabs. Sam yeah By the members of the 1094 01:04:36,760 --> 01:04:40,280 Speaker 2: Caskio family trying to obtain hundreds of millions of dollars. 1095 01:04:40,680 --> 01:04:43,200 Speaker 2: He also pointed out that the Costcio family defended Jackson 1096 01:04:43,200 --> 01:04:45,880 Speaker 2: publicey for decades. He's like, so, what's up with that? 1097 01:04:47,160 --> 01:04:49,880 Speaker 2: In their two thousand and three criminal trial that Michael 1098 01:04:50,000 --> 01:04:54,560 Speaker 2: had involving Gavin Arvizo, in which Jackson was acquitted thanks 1099 01:04:54,560 --> 01:04:58,560 Speaker 2: to them, Singer said, the new filing is forum shopping 1100 01:04:58,760 --> 01:05:00,840 Speaker 2: in an attempt to obtain the lot payout. You know, 1101 01:05:00,920 --> 01:05:04,760 Speaker 2: forum shopping is and they go around and they go, well, 1102 01:05:04,800 --> 01:05:08,360 Speaker 2: you file this case in this state because they get 1103 01:05:08,360 --> 01:05:10,840 Speaker 2: a lot of guilty verdicts in this state or whatever, 1104 01:05:10,880 --> 01:05:13,480 Speaker 2: so you keep or the judges or whatever. Yeah, and 1105 01:05:13,600 --> 01:05:20,520 Speaker 2: it's shady. Here's a complication. Siblings say they previously signed 1106 01:05:20,520 --> 01:05:23,360 Speaker 2: a twenty nineteen agreement they believed was a life rights deal, 1107 01:05:23,960 --> 01:05:26,520 Speaker 2: but later discovered it was a non disparagement clause, saying 1108 01:05:26,520 --> 01:05:28,840 Speaker 2: they're not allowed to disparage him, they're not allowed to 1109 01:05:28,840 --> 01:05:31,400 Speaker 2: say that he molested them, and then it had binding 1110 01:05:31,480 --> 01:05:35,240 Speaker 2: arbitration provisions. They claim the agreement was designed to prevent 1111 01:05:35,280 --> 01:05:39,360 Speaker 2: them from suing or speaking publicly about the allegations They 1112 01:05:39,400 --> 01:05:42,400 Speaker 2: are currently trying to invalidate that agreement in court. And 1113 01:05:42,440 --> 01:05:45,760 Speaker 2: you can't have a non disparagement agreement if it's non 1114 01:05:45,800 --> 01:05:48,880 Speaker 2: disparagement about something that's illegal activity. So all they have 1115 01:05:48,920 --> 01:05:51,280 Speaker 2: to do is say, I'm going to talk about illegal activity. 1116 01:05:51,320 --> 01:05:53,240 Speaker 2: You know one can it can make me stop. But 1117 01:05:53,320 --> 01:05:56,560 Speaker 2: if it's wrong, they could be sued for defamation. Who 1118 01:05:56,600 --> 01:05:59,600 Speaker 2: could sue them for defamation? If Michael Jackson is dead, 1119 01:06:01,960 --> 01:06:05,400 Speaker 2: you're right the estate because the estate would be harmed 1120 01:06:05,480 --> 01:06:08,840 Speaker 2: if people are running around saying he's a pedophile. Because 1121 01:06:08,880 --> 01:06:11,000 Speaker 2: do you remember when when he was at his worst 1122 01:06:12,040 --> 01:06:16,040 Speaker 2: for pedofile accusations, there was no Michael Jackson on the radio. 1123 01:06:16,720 --> 01:06:19,480 Speaker 2: Captain EO shut down yep, and then it started creeping back. 1124 01:06:19,520 --> 01:06:21,920 Speaker 2: It's back now, I think, but maybe it'll go away 1125 01:06:22,040 --> 01:06:24,720 Speaker 2: if these guys have anything to say about it. There's 1126 01:06:24,720 --> 01:06:28,280 Speaker 2: also a lawsuit by Wade Robson and James safe Chuck, 1127 01:06:29,200 --> 01:06:33,360 Speaker 2: the two accusers featured in the documentary Leaving Neverland. Now, 1128 01:06:33,400 --> 01:06:38,080 Speaker 2: this documentary Leaving Leaving Netherland, Sam was the documentary that 1129 01:06:38,120 --> 01:06:40,480 Speaker 2: they say they watched, these kids watched and then they 1130 01:06:40,560 --> 01:06:45,160 Speaker 2: kind of snapped out of their hypnotism. Okay, that's what 1131 01:06:45,160 --> 01:06:46,720 Speaker 2: they say. They said when they saw it, they go, way, 1132 01:06:46,760 --> 01:06:49,680 Speaker 2: that's kind of what happened to us. Did we get bamboozled? 1133 01:06:50,680 --> 01:06:54,960 Speaker 2: Did we get hoodwinked? Maybe we did. And then they 1134 01:06:54,960 --> 01:06:56,680 Speaker 2: started talking about it, and then they said, we gotta 1135 01:06:56,920 --> 01:07:01,640 Speaker 2: we have to step forward so others may step forward. 1136 01:07:03,240 --> 01:07:10,040 Speaker 2: But that's so gross. If it's true, it's very sick. Man. 1137 01:07:10,480 --> 01:07:14,920 Speaker 2: It's not true. He's a persecuted individual. Yeah, he's a 1138 01:07:15,160 --> 01:07:16,080 Speaker 2: christ like figure. 1139 01:07:17,880 --> 01:07:21,120 Speaker 3: It's hard to like hard to get any kind of 1140 01:07:22,160 --> 01:07:24,280 Speaker 3: accurate read on this when one person's dead. 1141 01:07:24,840 --> 01:07:30,440 Speaker 2: Well, I'll tell you. While he was alive, I had friends. 1142 01:07:30,800 --> 01:07:33,400 Speaker 2: I had a friend that was a personal assistant to 1143 01:07:33,480 --> 01:07:36,840 Speaker 2: a very very very very very famous person, one of 1144 01:07:36,840 --> 01:07:39,640 Speaker 2: the most famous people of the world. And so he 1145 01:07:39,680 --> 01:07:43,200 Speaker 2: had to go over there a lot because he would 1146 01:07:43,480 --> 01:07:46,200 Speaker 2: he would love this famous person. And he said to 1147 01:07:46,160 --> 01:07:49,200 Speaker 2: you go in there, like can Webster walks out of 1148 01:07:49,200 --> 01:07:51,479 Speaker 2: the bedroom or people like that. It's like like young 1149 01:07:51,960 --> 01:07:54,600 Speaker 2: kids were like, you know, sleeping. This is according to 1150 01:07:54,600 --> 01:07:57,080 Speaker 2: this guy, they're sleeping in the room and there and 1151 01:07:57,160 --> 01:07:59,120 Speaker 2: he didn't say I haven't seen him have sex or anything, 1152 01:07:59,240 --> 01:08:01,960 Speaker 2: but they're sleeping into Yeah. Now, if you're a girl man, 1153 01:08:02,000 --> 01:08:03,560 Speaker 2: and you have a young kids sleeping in your bed. 1154 01:08:05,000 --> 01:08:07,880 Speaker 2: This is what's gonna happen to you. You're gonna be 1155 01:08:07,920 --> 01:08:09,760 Speaker 2: accused of molestation. If you have a lot of money, 1156 01:08:09,760 --> 01:08:11,800 Speaker 2: people are gonna sue you and try to take your 1157 01:08:11,800 --> 01:08:13,800 Speaker 2: money away. So you got to be a grown up 1158 01:08:14,440 --> 01:08:17,200 Speaker 2: and not have children in your bedroom. And if you 1159 01:08:17,240 --> 01:08:19,720 Speaker 2: want children in your bedroom, you need to just be 1160 01:08:19,800 --> 01:08:22,240 Speaker 2: locked up. Yeah. And even if you're not having sex 1161 01:08:22,320 --> 01:08:25,120 Speaker 2: with him, it puts them in a really bad situation 1162 01:08:25,920 --> 01:08:28,880 Speaker 2: and their parents, you know, look at us. The parents. 1163 01:08:29,000 --> 01:08:31,080 Speaker 2: Parents are trying to say, well, he's Michael Jackson. He's 1164 01:08:31,080 --> 01:08:35,680 Speaker 2: so nice, and my kid loves him. I just I 1165 01:08:35,720 --> 01:08:39,519 Speaker 2: never liked that oh Michael Jackson thing because it just 1166 01:08:39,560 --> 01:08:43,400 Speaker 2: seemed like he was getting away with too much. And 1167 01:08:43,439 --> 01:08:45,360 Speaker 2: then when he gets popped for it, he's like, oh, 1168 01:08:45,400 --> 01:08:48,080 Speaker 2: I love the children. I love the children. You're an idiot. 1169 01:08:48,360 --> 01:08:49,960 Speaker 2: You have kids in your bedroom all night? 1170 01:08:50,040 --> 01:08:53,240 Speaker 3: Yeah? And I believe when he was asked, have you 1171 01:08:53,280 --> 01:08:55,439 Speaker 3: ever had kids in your bedroom, he was like yes, 1172 01:08:56,439 --> 01:09:01,200 Speaker 3: he admitted that he denied doing anything of a sexual 1173 01:09:01,280 --> 01:09:05,439 Speaker 3: nature with them. But if you're going to acknowledge that 1174 01:09:05,479 --> 01:09:08,080 Speaker 3: you're having kids that are not your own in your bed, 1175 01:09:08,200 --> 01:09:10,639 Speaker 3: you're running the risk of having stuff like that happen. 1176 01:09:11,160 --> 01:09:12,640 Speaker 2: Then there's no one around it tell them not to 1177 01:09:12,640 --> 01:09:12,880 Speaker 2: do that. 1178 01:09:13,240 --> 01:09:13,679 Speaker 3: Yeah. 1179 01:09:14,080 --> 01:09:19,519 Speaker 2: Well, celebrities, you know, they get rid of people that 1180 01:09:19,560 --> 01:09:23,240 Speaker 2: tell them not to do things. They only surround themselves 1181 01:09:24,320 --> 01:09:27,439 Speaker 2: with people that demand very little of them, the sick ones. 1182 01:09:28,680 --> 01:09:33,280 Speaker 2: But you know, Michael Jackson had when he was he 1183 01:09:33,320 --> 01:09:37,519 Speaker 2: was trying to have kids and then he was I 1184 01:09:37,520 --> 01:09:39,280 Speaker 2: think it was reported. I think it was Diane Swear said, 1185 01:09:42,240 --> 01:09:45,000 Speaker 2: when you first got pregnant, first got that one one pregnant, 1186 01:09:45,040 --> 01:09:47,400 Speaker 2: and she said, what are you going to name the baby? 1187 01:09:48,040 --> 01:09:49,720 Speaker 2: And he said, if it's a girl, we're gonna name 1188 01:09:49,720 --> 01:09:53,280 Speaker 2: it Lisa. And if it's a boy, I'm gonna have 1189 01:09:53,280 --> 01:09:53,720 Speaker 2: sex with it. 1190 01:09:57,280 --> 01:09:57,920 Speaker 3: Oh boy. 1191 01:09:59,040 --> 01:10:01,120 Speaker 2: And that was just report. I didn't I don't know 1192 01:10:01,160 --> 01:10:04,040 Speaker 2: if that's true. That's just chat cheapt. 1193 01:10:04,240 --> 01:10:05,320 Speaker 3: Yeah, no, chat ChiPT. 1194 01:10:05,479 --> 01:10:07,840 Speaker 2: I don't take any responsibility for that. That that better news. 1195 01:10:07,840 --> 01:10:09,080 Speaker 2: I think it might have been wrong too. I think 1196 01:10:09,320 --> 01:10:12,280 Speaker 2: I think that that might have been inaccurate. Yes, all right, 1197 01:10:12,360 --> 01:10:13,840 Speaker 2: let's take a break and check the traffic on Joe 1198 01:10:13,920 --> 01:10:15,240 Speaker 2: Scalante Live from Hollywood. 1199 01:10:35,400 --> 01:10:42,479 Speaker 1: Joe Asante, he's my lawyer, you don't want money, he 1200 01:10:42,640 --> 01:10:43,280 Speaker 1: does it at all. 1201 01:10:44,360 --> 01:10:46,880 Speaker 2: Joe Scalante Live from Hollywood, by Hollywood, do you mean 1202 01:10:46,920 --> 01:10:51,639 Speaker 2: Burbank Tyler. Tyler Perry has responded to that seventy seven 1203 01:10:51,720 --> 01:10:56,160 Speaker 2: million dollars sexual misconduct lawsuit Sam that we reported on 1204 01:10:56,400 --> 01:11:01,200 Speaker 2: a week or so ago. So he's the owner of 1205 01:11:01,200 --> 01:11:03,280 Speaker 2: Tyler Perry Studios in Atlanta and makes a lot of 1206 01:11:03,320 --> 01:11:04,760 Speaker 2: movies the medea. Is that how you say that? 1207 01:11:04,800 --> 01:11:05,519 Speaker 3: May Media? 1208 01:11:05,600 --> 01:11:07,519 Speaker 2: Yeah, yeah, it makes all those movies. I have a 1209 01:11:07,520 --> 01:11:10,719 Speaker 2: song in his upcoming movie. Actually really yeah, I do 1210 01:11:11,880 --> 01:11:14,519 Speaker 2: a big payday for the vandals, thank you very much. 1211 01:11:14,520 --> 01:11:16,200 Speaker 2: But I'm gonna be fair when I report about him. 1212 01:11:16,479 --> 01:11:17,040 Speaker 3: Okay. 1213 01:11:17,320 --> 01:11:24,519 Speaker 2: The plaintiff is Derek Dixon, the lying plaintiffil he appeared 1214 01:11:24,560 --> 01:11:29,280 Speaker 2: in something and he's filing seventy seven million dollar lawsuit 1215 01:11:29,720 --> 01:11:32,000 Speaker 2: leedging Perry used his power in the industry to pursue 1216 01:11:32,000 --> 01:11:36,840 Speaker 2: a sexual relationship with him and retaliated when Dixon rejected him. 1217 01:11:37,840 --> 01:11:40,960 Speaker 2: Dixon says he first met Perry in twenty nineteen while 1218 01:11:41,000 --> 01:11:44,600 Speaker 2: working on a project. Claims Perry later invited him to 1219 01:11:44,680 --> 01:11:47,920 Speaker 2: his Atlanta home and private jet trips, promising to advance 1220 01:11:47,960 --> 01:11:52,920 Speaker 2: his career. Lawsuit, Perry sent explicit messages in sexual proposition, 1221 01:11:53,320 --> 01:11:57,519 Speaker 2: which Dixon says he rejected. Dixon claims that after refusing 1222 01:11:57,560 --> 01:12:01,680 Speaker 2: the advances, his opportunities with Perry's productions dried up. He 1223 01:12:01,720 --> 01:12:05,040 Speaker 2: played a guy like it was called like dude number 1224 01:12:05,040 --> 01:12:07,800 Speaker 2: ten in one movie. 1225 01:12:07,520 --> 01:12:10,080 Speaker 3: So he didn't actually have like a named role. He 1226 01:12:10,200 --> 01:12:11,320 Speaker 3: was just somebody who. 1227 01:12:11,200 --> 01:12:13,240 Speaker 2: Was like something number ten. I forgot what it was. 1228 01:12:13,320 --> 01:12:16,880 Speaker 2: But so Tyler's responses to the new development that's happened 1229 01:12:16,920 --> 01:12:20,160 Speaker 2: is his legal team has denied the allegations, calling it 1230 01:12:20,200 --> 01:12:23,080 Speaker 2: a shakedown and a money grab. The attorney says his 1231 01:12:23,160 --> 01:12:27,400 Speaker 2: fault the claims, you're false and opportunistic. He never gave Perry, 1232 01:12:27,439 --> 01:12:30,880 Speaker 2: never conditioned employment on a relationship. Plaintiff is attempting to 1233 01:12:30,920 --> 01:12:34,080 Speaker 2: exploit Perry's wealth and fame. Perry's lawyers say they intend 1234 01:12:34,120 --> 01:12:37,479 Speaker 2: to fight this case aggressively, and it doesn't seem to 1235 01:12:37,520 --> 01:12:40,800 Speaker 2: be any evidence at all in this case. It's just 1236 01:12:40,840 --> 01:12:46,680 Speaker 2: a guy throwing claims around. And as far as I know, 1237 01:12:46,760 --> 01:12:49,160 Speaker 2: he's not gay, Tyler Perry, but then some people say 1238 01:12:49,160 --> 01:12:51,600 Speaker 2: he's gay because all these people are accusing him of 1239 01:12:51,600 --> 01:12:57,040 Speaker 2: of gay assaults. But I don't know. You know, you 1240 01:12:57,040 --> 01:12:59,479 Speaker 2: have a bunch of money, you're more successful, you are 1241 01:13:00,280 --> 01:13:01,760 Speaker 2: the bigger, the target is on your back. 1242 01:13:02,280 --> 01:13:05,439 Speaker 3: That's that's for sure. But it also means that you 1243 01:13:05,479 --> 01:13:07,519 Speaker 3: get held to that higher standard. If you're gonna have 1244 01:13:07,600 --> 01:13:10,479 Speaker 3: that kind of money, you better behave yes. 1245 01:13:10,560 --> 01:13:13,320 Speaker 2: But so anyway, we don't know about this one at all. 1246 01:13:13,720 --> 01:13:14,000 Speaker 3: That's what. 1247 01:13:14,120 --> 01:13:17,400 Speaker 2: There's no evidence that I've seen that that that says 1248 01:13:17,400 --> 01:13:20,439 Speaker 2: it's true or not true. Meaning he's guilt. He's innocent 1249 01:13:20,520 --> 01:13:23,320 Speaker 2: until proven guilty, and not just because he gave me 1250 01:13:23,360 --> 01:13:27,080 Speaker 2: a bunch of money. The Amazing Race contestant Jonathan and 1251 01:13:27,120 --> 01:13:31,439 Speaker 2: Anna Towns is to contestants have filed an eight million 1252 01:13:31,439 --> 01:13:35,800 Speaker 2: dollar defamation lawsuit against the producers of that CBS show, 1253 01:13:38,400 --> 01:13:41,040 Speaker 2: Amazing Race. And they say this is a new thing. 1254 01:13:42,160 --> 01:13:44,960 Speaker 2: They should, they claim the shows. It's I mean, it's 1255 01:13:44,960 --> 01:13:48,439 Speaker 2: a trend. People are suing reality shows claiming that editing 1256 01:13:48,840 --> 01:13:55,400 Speaker 2: deliberately portrayed them badly. Here, the plaintiff says that Editing 1257 01:13:55,439 --> 01:13:59,000 Speaker 2: portrayed Jonathan as abusive and morally depraved. 1258 01:14:00,680 --> 01:14:03,200 Speaker 3: Maybe they portrayed themselves as being abusive. 1259 01:14:03,200 --> 01:14:06,960 Speaker 2: Impromisers allegedly ignored they've annoyed context in these you know, 1260 01:14:07,479 --> 01:14:09,880 Speaker 2: and then they said that later he was found the 1261 01:14:09,880 --> 01:14:12,000 Speaker 2: ad autism, so he was not even responsible for his 1262 01:14:12,479 --> 01:14:17,280 Speaker 2: horrible abusive behavior. They claimed selective editing destroyed his reputation 1263 01:14:17,360 --> 01:14:27,559 Speaker 2: and caused professional harm. Uh so there, this is okay. Now, 1264 01:14:27,600 --> 01:14:30,200 Speaker 2: if they really did this and had a diabolical desire 1265 01:14:30,240 --> 01:14:33,600 Speaker 2: to destroy the person, that would be malice and you 1266 01:14:33,600 --> 01:14:37,880 Speaker 2: can't do that. But and in these things, I don't know, 1267 01:14:37,880 --> 01:14:39,880 Speaker 2: do you consider him a public person? If he's on 1268 01:14:39,920 --> 01:14:41,920 Speaker 2: a reality show and he signed up to a reality show, 1269 01:14:42,360 --> 01:14:43,799 Speaker 2: is he is he a public figure? 1270 01:14:44,360 --> 01:14:46,680 Speaker 3: It makes him somewhat of a public figure, yes, but 1271 01:14:47,040 --> 01:14:51,400 Speaker 3: it also is one where it's like you're not necessarily 1272 01:14:51,400 --> 01:14:55,759 Speaker 3: earning your fame just because you're on a TV show 1273 01:14:55,960 --> 01:14:57,720 Speaker 3: as a game show contestant. 1274 01:14:57,960 --> 01:15:00,559 Speaker 2: Yeah, but what is in my opini he is a 1275 01:15:00,560 --> 01:15:03,439 Speaker 2: public figure is meaning that he would have to prove 1276 01:15:03,520 --> 01:15:06,040 Speaker 2: actual malice. He would have to prove they were trying 1277 01:15:06,040 --> 01:15:08,400 Speaker 2: to destroy him and not just trying to make the 1278 01:15:08,439 --> 01:15:11,160 Speaker 2: show more interesting. And everybody knows before you sign up 1279 01:15:11,200 --> 01:15:14,000 Speaker 2: for these things that they're gonna manipulate them to make 1280 01:15:14,200 --> 01:15:17,840 Speaker 2: more drama. That's what their bread and butter is. So 1281 01:15:17,920 --> 01:15:20,160 Speaker 2: he signs up for this thing, he signs up to 1282 01:15:20,280 --> 01:15:22,639 Speaker 2: be a public figure. He says, hey, everybody, please make 1283 01:15:22,680 --> 01:15:24,720 Speaker 2: me a public figure. I'm begging you. I'm going to 1284 01:15:24,760 --> 01:15:27,120 Speaker 2: go to these auditions. I'm gonna make an ass out 1285 01:15:27,120 --> 01:15:29,360 Speaker 2: of myself so i can be a public figure. Okay, 1286 01:15:29,439 --> 01:15:33,160 Speaker 2: you're a public figure. Now we have to defamation. As 1287 01:15:33,200 --> 01:15:36,280 Speaker 2: you know, a something has to be something that makes 1288 01:15:36,320 --> 01:15:38,800 Speaker 2: people spit on the ground like you're abusive. Okay, well 1289 01:15:38,880 --> 01:15:41,920 Speaker 2: you're abusive. I spit on the ground, all right. That's defamatory. 1290 01:15:42,200 --> 01:15:47,280 Speaker 2: Also has to be untrue, and if it's a public person, 1291 01:15:47,400 --> 01:15:50,400 Speaker 2: public person, public figure, you have to show this extra 1292 01:15:50,640 --> 01:15:55,960 Speaker 2: step of malice, and that's hard to prove. He has 1293 01:15:56,000 --> 01:15:59,200 Speaker 2: to prove that they did this with actual malice, trying 1294 01:15:59,200 --> 01:16:03,439 Speaker 2: to destroy him and not just create entertainment, and that 1295 01:16:03,640 --> 01:16:05,479 Speaker 2: they knew it would destroy his career and all that 1296 01:16:05,520 --> 01:16:08,959 Speaker 2: kind of stuff. Very hard to establish. 1297 01:16:09,040 --> 01:16:10,120 Speaker 3: And don't why him? 1298 01:16:10,840 --> 01:16:14,640 Speaker 2: Yeah, exactly why him? And so to me, if you 1299 01:16:14,680 --> 01:16:19,280 Speaker 2: want to go on a show like The Amazing Race, 1300 01:16:19,600 --> 01:16:23,439 Speaker 2: first of all, there's something a little bit wrong with you, off, 1301 01:16:23,560 --> 01:16:28,479 Speaker 2: little disordered. You want this kind of attention, and then 1302 01:16:28,600 --> 01:16:31,000 Speaker 2: you should know they're gonna make you look like an 1303 01:16:31,040 --> 01:16:34,479 Speaker 2: a hole. If they can. That's what they do. So 1304 01:16:35,320 --> 01:16:37,680 Speaker 2: he wanted these people they go on an amazing race. 1305 01:16:37,680 --> 01:16:39,639 Speaker 2: They want to be on it so bad they are 1306 01:16:39,680 --> 01:16:41,960 Speaker 2: desperate to be on it. Okay, so you're on it. 1307 01:16:42,000 --> 01:16:44,400 Speaker 2: You know what they do. And he says, and this 1308 01:16:44,439 --> 01:16:47,000 Speaker 2: is something called the villain edit phenomenon. Make this guy 1309 01:16:47,000 --> 01:16:49,599 Speaker 2: a villain. You know that that's happening. If you don't 1310 01:16:49,640 --> 01:16:52,240 Speaker 2: like it, don't do the show. That's why I faught 1311 01:16:52,320 --> 01:16:55,280 Speaker 2: on this. And I don't think he should you unless 1312 01:16:55,280 --> 01:16:57,439 Speaker 2: they have a smoking gun of someone saying, let's destroy 1313 01:16:57,479 --> 01:17:03,920 Speaker 2: this guy because he's he's a he likes UCLA instead 1314 01:17:03,920 --> 01:17:06,200 Speaker 2: of USC or you know, some reason why they don't 1315 01:17:06,200 --> 01:17:07,280 Speaker 2: like him. They want to destroy him. 1316 01:17:07,360 --> 01:17:07,559 Speaker 3: Yeah. 1317 01:17:08,760 --> 01:17:11,040 Speaker 2: So, and it's to me, if you're a person that 1318 01:17:11,120 --> 01:17:14,720 Speaker 2: wants to go on an amazing race, just suck it up. 1319 01:17:15,479 --> 01:17:22,280 Speaker 2: It's hard, it's you know, there's a lot of there's 1320 01:17:22,920 --> 01:17:25,479 Speaker 2: there there. They have to make drama, and then when 1321 01:17:25,520 --> 01:17:27,800 Speaker 2: they make the drama, you're gonna sue them. The same 1322 01:17:27,800 --> 01:17:31,280 Speaker 2: thing happened on Below Deck. There was a lawsuit filed 1323 01:17:31,280 --> 01:17:35,880 Speaker 2: against Universal pressure this guy into the romantic story lines. 1324 01:17:35,880 --> 01:17:40,559 Speaker 2: His name is Emil cots Uh manipulated schedules to put 1325 01:17:40,640 --> 01:17:44,080 Speaker 2: him with this other girl for gave him alcohol and 1326 01:17:44,160 --> 01:17:46,040 Speaker 2: then he says it made him look bad and then 1327 01:17:46,040 --> 01:17:47,360 Speaker 2: he was gonna have a sailing career. 1328 01:17:47,360 --> 01:17:50,720 Speaker 3: And that's the thing. 1329 01:17:51,400 --> 01:17:54,599 Speaker 2: This guy, the guy on on the below deck is 1330 01:17:54,600 --> 01:17:57,160 Speaker 2: suing for six hundred and thirty three to eight hundred 1331 01:17:57,160 --> 01:18:00,800 Speaker 2: and fifty million because he said they have So that's 1332 01:18:00,800 --> 01:18:01,880 Speaker 2: why I wanted this much. 1333 01:18:02,000 --> 01:18:05,320 Speaker 3: Yeah, And the problem is if you're not, if you 1334 01:18:05,360 --> 01:18:09,519 Speaker 3: don't give them content like that to edit and chop 1335 01:18:09,600 --> 01:18:11,559 Speaker 3: up and make you look bad with, then they're not 1336 01:18:11,560 --> 01:18:14,719 Speaker 3: going to have any fuel to use against you. Chances 1337 01:18:14,720 --> 01:18:16,200 Speaker 3: are he did behave. 1338 01:18:16,760 --> 01:18:19,479 Speaker 2: He did, but they had autism, he found out later. 1339 01:18:19,880 --> 01:18:21,880 Speaker 3: But there are plenty of people with autism who don't 1340 01:18:21,880 --> 01:18:24,799 Speaker 3: misbehave on that level. So using that as an excuse 1341 01:18:26,040 --> 01:18:27,240 Speaker 3: it falls a little hollow to me. 1342 01:18:27,479 --> 01:18:29,679 Speaker 2: It's not fair to people who actually do have autism 1343 01:18:29,680 --> 01:18:30,559 Speaker 2: and struggle every day. 1344 01:18:30,720 --> 01:18:30,960 Speaker 3: Yep. 1345 01:18:31,040 --> 01:18:34,720 Speaker 2: And if you to me, it's just you know, you're 1346 01:18:34,720 --> 01:18:41,280 Speaker 2: trying to get on a reality show. Take your lumps, right, Okay, 1347 01:18:42,640 --> 01:18:47,280 Speaker 2: that does it for this weeks Joe Ascalante Live from Hollywood. 1348 01:18:47,280 --> 01:18:49,439 Speaker 2: I now leave you with just a taste of the 1349 01:18:49,479 --> 01:18:50,639 Speaker 2: greatest song ever betten