1 00:00:00,280 --> 00:00:06,480 Speaker 1: It's a wild Wednesday here on Kfan, and we're taking 2 00:00:06,480 --> 00:00:09,560 Speaker 1: your talkbacks for tickets all day long. Use a talkback 3 00:00:09,560 --> 00:00:12,520 Speaker 1: feature on the iHeartRadio app and describe this wild season 4 00:00:12,600 --> 00:00:15,960 Speaker 1: so far in three words. Winners will be selected all 5 00:00:16,040 --> 00:00:19,840 Speaker 1: day for Wild versus Jets tickets tomorrow. Get the details 6 00:00:19,840 --> 00:00:21,919 Speaker 1: at kfan dot com keyboard contests. 7 00:00:40,760 --> 00:00:42,440 Speaker 2: I mean it's like blows. 8 00:00:43,560 --> 00:00:49,400 Speaker 3: Huh, Live by the Dog, you died by the dog? 9 00:00:52,520 --> 00:01:01,160 Speaker 2: Okay, calm down, comment? Did you yell it down the hall? 10 00:01:01,760 --> 00:01:02,280 Speaker 4: Not yet? 11 00:01:02,440 --> 00:01:04,880 Speaker 1: You were about to just play button bar sound bites? 12 00:01:04,959 --> 00:01:10,560 Speaker 2: Beautiful. Well, I had to ask Corner's office. 13 00:01:10,600 --> 00:01:15,720 Speaker 5: I said, in regards to licensed music, can you play 14 00:01:15,720 --> 00:01:19,800 Speaker 5: a snippet on a podcast if it is indeed newsworthy? 15 00:01:19,800 --> 00:01:22,720 Speaker 5: Because I was told that, for instance, let's say Paul 16 00:01:22,800 --> 00:01:24,440 Speaker 5: McCart Now he did not die, but let's say Paul 17 00:01:24,480 --> 00:01:27,399 Speaker 5: McCartney died, you could open a segment and play a 18 00:01:27,400 --> 00:01:32,319 Speaker 5: piece of Paul McCartney music because it's it's a newsworthy item. 19 00:01:32,520 --> 00:01:34,120 Speaker 5: It's not sure, it's not that you're playing the song. 20 00:01:34,160 --> 00:01:36,400 Speaker 5: And I was told, yes, you can do that short 21 00:01:36,440 --> 00:01:37,880 Speaker 5: but quick. So we're going to have you do that 22 00:01:37,920 --> 00:01:39,920 Speaker 5: for a lot to talk well, no, we're not going 23 00:01:39,959 --> 00:01:41,800 Speaker 5: to do let but we're gonna we are going to 24 00:01:41,880 --> 00:01:48,560 Speaker 5: play a song because a legendary, a musician who they 25 00:01:48,600 --> 00:01:51,040 Speaker 5: think has played more live shows than anybody. 26 00:01:50,680 --> 00:01:52,960 Speaker 2: In the history of the world, passed away. The story 27 00:01:52,920 --> 00:01:53,400 Speaker 2: of Hockey. 28 00:01:53,760 --> 00:01:57,360 Speaker 5: Well he's not dead either, as well I know, but 29 00:01:57,440 --> 00:01:59,600 Speaker 5: maybe Hockey has played more live shows than. 30 00:01:59,520 --> 00:02:01,080 Speaker 2: Anybody plays A lot he does. 31 00:02:02,880 --> 00:02:04,280 Speaker 5: You'd have to go a lot longer to catch up 32 00:02:04,320 --> 00:02:06,360 Speaker 5: to Bob Weir. But we're going to talk about that 33 00:02:06,520 --> 00:02:10,000 Speaker 5: during Rock Talk with Brian Oak. But right now, it's 34 00:02:10,000 --> 00:02:10,919 Speaker 5: time for five to three. 35 00:02:10,919 --> 00:02:14,080 Speaker 2: Four time Now four. 36 00:02:16,240 --> 00:02:20,240 Speaker 3: Five questions, Well, actually three, but five sounds like more 37 00:02:20,280 --> 00:02:31,760 Speaker 3: than four. Question number one. 38 00:02:28,680 --> 00:02:31,280 Speaker 4: It's now time to take an in depth look at 39 00:02:31,280 --> 00:02:32,680 Speaker 4: the welfare of the Wolves. 40 00:02:32,880 --> 00:02:35,600 Speaker 2: The question should strictly be do you like rates? 41 00:02:36,840 --> 00:02:42,200 Speaker 1: Right as Peppers were gonna ask me, The Timberwolves without 42 00:02:42,240 --> 00:02:46,080 Speaker 1: Anthony Edwards, without Rudy Gobert beat the Bucks one thirty nine, 43 00:02:46,160 --> 00:02:50,440 Speaker 1: one oh six Last Night in Milliewaukee. Julius Randall Talley 44 00:02:50,520 --> 00:02:53,600 Speaker 1: twenty nine points, eight rebounds, six assists. Naz Red added 45 00:02:53,680 --> 00:02:57,760 Speaker 1: nineteen points. Jade McDaniel contributed seventeen points, six boards and 46 00:02:57,800 --> 00:03:01,520 Speaker 1: five assists, and something called Bones Highland had twenty three 47 00:03:01,560 --> 00:03:04,880 Speaker 1: points off the bench. The Wolves are six and one 48 00:03:05,080 --> 00:03:08,160 Speaker 1: in twenty twenty six, common was six s OUCHI from 49 00:03:08,240 --> 00:03:10,480 Speaker 1: last night's winning Milliewaukee And do you like parades? 50 00:03:10,720 --> 00:03:15,120 Speaker 6: I like parades, I like Bones Highland. Do you like 51 00:03:15,200 --> 00:03:19,200 Speaker 6: playing Bones Highland or sign Bones Highland? More than is 52 00:03:19,240 --> 00:03:21,280 Speaker 6: his real name Bones? Do you think or do you 53 00:03:21,320 --> 00:03:22,160 Speaker 6: think that's a nickname? 54 00:03:23,200 --> 00:03:24,920 Speaker 5: Or do you think his like birth given name is 55 00:03:25,000 --> 00:03:29,040 Speaker 5: Bones Highland? And then was it knee bone? Is it 56 00:03:29,080 --> 00:03:33,280 Speaker 5: maybe it's short for knee bone, thigh bone, neck bone, 57 00:03:33,520 --> 00:03:34,200 Speaker 5: ankle bone. 58 00:03:34,320 --> 00:03:37,280 Speaker 1: Looks like Bones is not his real name. It's nishan 59 00:03:37,520 --> 00:03:43,280 Speaker 1: Lee Bones Highland. Bones is in quotational note oh he 60 00:03:43,440 --> 00:03:48,240 Speaker 1: was uh born in Delaware. Started playing basketball after watching 61 00:03:48,240 --> 00:03:49,839 Speaker 1: his older brother and a friend playing at the park. 62 00:03:49,880 --> 00:03:53,160 Speaker 1: He was nicknamed Busy Bones or Bones, in part due 63 00:03:53,160 --> 00:03:54,440 Speaker 1: to his slender build. 64 00:03:56,680 --> 00:04:00,880 Speaker 2: I see what I like about is it? 65 00:04:00,920 --> 00:04:05,200 Speaker 5: Wasn't it the general manager who's just he drafted Bones 66 00:04:05,240 --> 00:04:09,040 Speaker 5: for Denver? I believe is that correct loved Bones and 67 00:04:09,120 --> 00:04:11,480 Speaker 5: Bones's career to this point had been I just think 68 00:04:11,560 --> 00:04:15,960 Speaker 5: I don't think there's anything special about it. And there 69 00:04:16,000 --> 00:04:18,000 Speaker 5: was a quote from Finch in the Fisher Aft factory 70 00:04:18,000 --> 00:04:20,599 Speaker 5: West Side today was he said it was a gamer 71 00:04:20,680 --> 00:04:24,599 Speaker 5: story and basically said they've been trying to encourage Bones 72 00:04:24,640 --> 00:04:27,480 Speaker 5: to be a bit more aggressive, you know, don't pass 73 00:04:27,560 --> 00:04:30,279 Speaker 5: up on your shot all the time, blah blah blah. 74 00:04:30,680 --> 00:04:34,560 Speaker 5: And so apparently he did that last night. And as 75 00:04:34,640 --> 00:04:37,720 Speaker 5: backup point guard, because am I correct is is basically 76 00:04:37,800 --> 00:04:40,320 Speaker 5: Aunt the point guard now by default on the club 77 00:04:40,360 --> 00:04:42,120 Speaker 5: as he played the point guard position. 78 00:04:42,160 --> 00:04:44,080 Speaker 2: I think he's basically our point guard. 79 00:04:44,920 --> 00:04:48,279 Speaker 5: And you know, well you know a Conley too, but 80 00:04:48,360 --> 00:04:51,360 Speaker 5: I mean Conley's limited on his minutes because he's he's 81 00:04:51,400 --> 00:04:55,000 Speaker 5: a basketball dinosaur. So get more out of Bones is big. 82 00:04:55,360 --> 00:04:57,120 Speaker 5: You know how many points did Bones have last night? 83 00:04:57,160 --> 00:04:57,520 Speaker 3: Did you say? 84 00:04:57,520 --> 00:05:01,560 Speaker 2: It was a twenty point three? That's that's a nice 85 00:05:01,680 --> 00:05:02,520 Speaker 2: night for anybody. 86 00:05:03,520 --> 00:05:05,960 Speaker 5: And then the Baron Je guy played quite a bit 87 00:05:06,040 --> 00:05:09,599 Speaker 5: last night and he apparently remember there were those that 88 00:05:09,600 --> 00:05:11,320 Speaker 5: thought Baron Jay should start in Iowa. 89 00:05:12,040 --> 00:05:13,000 Speaker 2: Not a chance man. 90 00:05:13,080 --> 00:05:14,400 Speaker 4: Yeah, help be on at two o'clock today. 91 00:05:14,480 --> 00:05:16,679 Speaker 5: Yeah, you know you start this guy, you let them play. 92 00:05:16,680 --> 00:05:19,960 Speaker 5: And now because of Gobert alt bear Je got he 93 00:05:20,040 --> 00:05:23,719 Speaker 5: got he must have played thirteen fourteen minutes sixty seven points, 94 00:05:23,680 --> 00:05:26,560 Speaker 5: sixty seven boards assists. He played pretty well for himself. 95 00:05:26,839 --> 00:05:29,000 Speaker 5: They say, I read there too. He had some real 96 00:05:29,080 --> 00:05:32,120 Speaker 5: nice spin move or something underneath the basket, reverse layup 97 00:05:32,200 --> 00:05:34,880 Speaker 5: or something. So they got kids, and you know he 98 00:05:35,000 --> 00:05:36,839 Speaker 5: got an opportunity to be a real good player too. 99 00:05:37,080 --> 00:05:39,000 Speaker 2: I just like the way they're playing. I just wish 100 00:05:39,080 --> 00:05:39,800 Speaker 2: they could. 101 00:05:40,400 --> 00:05:41,800 Speaker 5: I guess I just got to get used to the 102 00:05:41,839 --> 00:05:44,640 Speaker 5: fact that when you when they play terrible teams, most 103 00:05:44,640 --> 00:05:45,960 Speaker 5: of the time, they're just going to go through the 104 00:05:46,040 --> 00:05:47,520 Speaker 5: motions and if they win, if they win, or if 105 00:05:47,520 --> 00:05:50,080 Speaker 5: they lose, they lose. They just want to be in 106 00:05:50,160 --> 00:05:53,400 Speaker 5: that top six. And right now that's where their headed sins. Thanksgiving. 107 00:05:53,440 --> 00:05:57,440 Speaker 5: They have the best record in the NBA. So and 108 00:05:57,520 --> 00:06:02,440 Speaker 5: the Randall guy, did they like Benjamin the second half 109 00:06:02,480 --> 00:06:04,520 Speaker 5: just because he'd played so well in the first half. 110 00:06:04,520 --> 00:06:08,720 Speaker 2: He didn't need to be so much. Yeah, because he. 111 00:06:08,680 --> 00:06:11,120 Speaker 5: Had like twenty four in the first I think he 112 00:06:11,240 --> 00:06:13,679 Speaker 5: was close to a triple double through one quarter. 113 00:06:13,760 --> 00:06:14,440 Speaker 2: He was so good. 114 00:06:14,560 --> 00:06:18,120 Speaker 5: Last night and we talked about Randall in depth. I 115 00:06:18,160 --> 00:06:20,560 Speaker 5: think it was Monday where there was a piece in 116 00:06:20,600 --> 00:06:23,800 Speaker 5: the fish wrap factory west Side, just talking about where 117 00:06:23,800 --> 00:06:26,040 Speaker 5: he's been, where he's going where he's at, and how 118 00:06:26,080 --> 00:06:29,360 Speaker 5: he likes to get to the stadium early, become one 119 00:06:29,440 --> 00:06:32,359 Speaker 5: within the basketball court. He likes it quiet and just 120 00:06:32,400 --> 00:06:34,320 Speaker 5: getting ready for the game. He spends a lot of time. 121 00:06:34,320 --> 00:06:35,800 Speaker 5: And that's when I asked you, and you said, when 122 00:06:35,839 --> 00:06:37,599 Speaker 5: you go to hockey games, whether you're playing or coaching, 123 00:06:37,680 --> 00:06:40,320 Speaker 5: you like to be there early. When I do a comedy, 124 00:06:40,360 --> 00:06:41,680 Speaker 5: I like it in there two or three hours before 125 00:06:41,720 --> 00:06:41,960 Speaker 5: the show. 126 00:06:41,960 --> 00:06:43,560 Speaker 2: I just do. I like to check things out and 127 00:06:43,600 --> 00:06:44,120 Speaker 2: do everything. 128 00:06:44,400 --> 00:06:46,440 Speaker 5: And so you and I are both about I think 129 00:06:46,480 --> 00:06:48,839 Speaker 5: I'm as good at comedy as Julius Randall is at basketball, 130 00:06:48,839 --> 00:06:50,320 Speaker 5: and I think you're as good at coaching hockey as 131 00:06:50,400 --> 00:06:53,600 Speaker 5: Julius Radall's at basketball. So it's that kind of loyalty 132 00:06:53,600 --> 00:06:56,400 Speaker 5: and dedication and hard work that pays off. But yeah, 133 00:06:56,520 --> 00:06:58,760 Speaker 5: it's all good right now, you know. And I know 134 00:06:58,920 --> 00:07:02,280 Speaker 5: somebody said yesterday the text, how does that taste? Those 135 00:07:02,640 --> 00:07:04,640 Speaker 5: kind words coming out of your mouth about the Timrods 136 00:07:04,640 --> 00:07:07,920 Speaker 5: are postings? Give me something positive to talk about, and 137 00:07:07,960 --> 00:07:10,000 Speaker 5: I will. I mean, once you've made the Western Conference 138 00:07:10,040 --> 00:07:13,119 Speaker 5: finals twice in a row, to be a few games 139 00:07:13,160 --> 00:07:15,440 Speaker 5: over five hundred and lose to terrible teams. 140 00:07:15,520 --> 00:07:19,840 Speaker 2: That doesn't impress me yet, It just doesn't. Now I 141 00:07:19,960 --> 00:07:22,520 Speaker 2: like what I see. Keep it up. Let's get that 142 00:07:22,640 --> 00:07:23,200 Speaker 2: second seed. 143 00:07:23,280 --> 00:07:25,240 Speaker 5: Rosen basically said that he thought they would be a 144 00:07:25,320 --> 00:07:28,840 Speaker 5: number two seed in the Western Conference finals. Why stop there, 145 00:07:29,640 --> 00:07:31,600 Speaker 5: Why don't we get home court advantage? But let's get 146 00:07:31,640 --> 00:07:33,680 Speaker 5: the number one seed in your mirror. 147 00:07:34,040 --> 00:07:35,480 Speaker 3: May be closer than they appear. 148 00:07:37,160 --> 00:07:39,760 Speaker 1: We're not just half game out of a second place? Yeah, 149 00:07:39,960 --> 00:07:41,880 Speaker 1: half game behind San Antonio in Denver. 150 00:07:42,040 --> 00:07:44,720 Speaker 2: How many are we out of first? Can't be five? 151 00:07:45,560 --> 00:07:46,720 Speaker 4: Are seven? 152 00:07:47,400 --> 00:07:47,640 Speaker 1: All right? 153 00:07:47,840 --> 00:07:48,800 Speaker 4: We al so sizable? 154 00:07:48,880 --> 00:07:50,200 Speaker 2: Yeah, but first time, by. 155 00:07:50,160 --> 00:07:53,160 Speaker 1: The way, I was reading Bones Highlands Wikipedia page, had 156 00:07:53,160 --> 00:07:57,280 Speaker 1: no idea his junior year. That's eleventh month old cousin 157 00:07:57,320 --> 00:08:00,560 Speaker 1: and grandmother died in a house fire. He has escaped 158 00:08:01,120 --> 00:08:03,440 Speaker 1: by jumping from his second floor bedroom. You end up 159 00:08:03,440 --> 00:08:06,480 Speaker 1: suffering a torn for teller Tendon would slid sideline him 160 00:08:06,480 --> 00:08:07,080 Speaker 1: for six months. 161 00:08:07,080 --> 00:08:09,080 Speaker 4: But that's pretty about that true. That's pretty sad. 162 00:08:09,120 --> 00:08:10,640 Speaker 2: Yeah, it's just tragic. 163 00:08:13,000 --> 00:08:14,480 Speaker 4: Question number two. 164 00:08:15,240 --> 00:08:17,960 Speaker 2: It's tom Now for. 165 00:08:17,280 --> 00:08:22,400 Speaker 4: What you're right? All right? 166 00:08:22,440 --> 00:08:25,120 Speaker 1: Common ranked the following on what's most likely to happen 167 00:08:25,280 --> 00:08:28,800 Speaker 1: in twenty twenty six in Minnesota Sports. A while the 168 00:08:28,920 --> 00:08:34,280 Speaker 1: choir Sidney Crosby, B Wolves A choir John Morant or 169 00:08:34,400 --> 00:08:41,479 Speaker 1: c the Vikings signed Aaron Rodgers. 170 00:08:43,280 --> 00:08:46,120 Speaker 5: Well, you seem to think you mentioned Crosby's name a 171 00:08:46,160 --> 00:08:48,280 Speaker 5: couple of times, and if that's just wishful thinking, or 172 00:08:48,280 --> 00:08:51,079 Speaker 5: if you actually it's wishful thinking, I would say Rogers 173 00:08:51,120 --> 00:08:52,000 Speaker 5: signing with the Vikings. 174 00:08:52,280 --> 00:08:52,880 Speaker 4: I'd put that one. 175 00:08:52,960 --> 00:08:54,959 Speaker 5: Yeah, I would put that one because I don't think 176 00:08:55,440 --> 00:08:58,520 Speaker 5: I had made a notation in my notes, believe it 177 00:08:58,640 --> 00:08:59,720 Speaker 5: or not, I shouldn't tell people. 178 00:08:59,720 --> 00:09:02,080 Speaker 2: That's kind of spoils a bit. It's like it's like 179 00:09:02,280 --> 00:09:04,600 Speaker 2: taking a look at the curtain behind the Wizard of Oz. 180 00:09:04,920 --> 00:09:06,199 Speaker 2: I do a little bit of show prep. 181 00:09:06,840 --> 00:09:08,800 Speaker 5: And I saw a story when it first became the 182 00:09:08,880 --> 00:09:10,959 Speaker 5: rumor that Morant was was going to be on the 183 00:09:10,960 --> 00:09:16,040 Speaker 5: trading block lading sponsor for Morant, and one of them 184 00:09:16,040 --> 00:09:18,200 Speaker 5: was Minnesota. Matter of fact, that was the first team 185 00:09:18,240 --> 00:09:20,880 Speaker 5: on this list. But now I think since then they've 186 00:09:20,920 --> 00:09:23,160 Speaker 5: been removed. I don't think the Wolves have any interest. 187 00:09:23,200 --> 00:09:25,520 Speaker 5: I don't it would be it would be a tough 188 00:09:25,559 --> 00:09:27,719 Speaker 5: and I don't know if I want Morant. Isn't he 189 00:09:27,800 --> 00:09:29,959 Speaker 5: the guy that's had trouble a couple of times with 190 00:09:31,800 --> 00:09:33,720 Speaker 5: he's had some off court issues and I don't know 191 00:09:33,720 --> 00:09:35,439 Speaker 5: how good he really is, and I don't know. I 192 00:09:35,920 --> 00:09:38,480 Speaker 5: kind of like the way that you know, I don't know. 193 00:09:38,520 --> 00:09:40,040 Speaker 5: I don't know if he can add more salar, but 194 00:09:40,120 --> 00:09:42,280 Speaker 5: he's he's a hell of a talent. So but I 195 00:09:42,320 --> 00:09:44,080 Speaker 5: don't think they're going to go after him. 196 00:09:44,600 --> 00:09:45,040 Speaker 2: And I don't know. 197 00:09:45,120 --> 00:09:48,000 Speaker 5: Crosby's a possibility, but I think Aaron he's going to 198 00:09:48,080 --> 00:09:52,520 Speaker 5: play again, I think, and Vikings made no bones highland 199 00:09:52,600 --> 00:09:56,400 Speaker 5: about it yesterday that they said we'd like to make 200 00:09:56,440 --> 00:09:58,600 Speaker 5: sure that our quarterback room's a little deeper. 201 00:09:58,600 --> 00:10:00,960 Speaker 2: And so I think they I think this time they 202 00:10:01,040 --> 00:10:01,720 Speaker 2: might welcome here. 203 00:10:02,080 --> 00:10:06,199 Speaker 5: Though if they do, you know, it's it's Rogers is 204 00:10:06,240 --> 00:10:07,960 Speaker 5: going to be the starter, right because he's not gonna 205 00:10:08,320 --> 00:10:10,520 Speaker 5: he's not going on the well just sit on with 206 00:10:10,600 --> 00:10:13,880 Speaker 5: a you know, you know, tunor the kid and have 207 00:10:14,200 --> 00:10:14,880 Speaker 5: a visor on. 208 00:10:15,080 --> 00:10:17,040 Speaker 2: And no, he ain't doing that. So but I think 209 00:10:17,040 --> 00:10:19,480 Speaker 2: it's a possibility. 210 00:10:20,120 --> 00:10:27,280 Speaker 3: Question number three, and now it's time to go in 211 00:10:27,320 --> 00:10:28,359 Speaker 3: the trenches. 212 00:10:29,160 --> 00:10:33,160 Speaker 1: NFL dot Com today had a story putting together confidence 213 00:10:33,240 --> 00:10:37,160 Speaker 1: rankings super Bowl odds for eight NFL playoff teams still 214 00:10:37,160 --> 00:10:40,400 Speaker 1: in continent. Contentents though they ranked the eight teams and 215 00:10:40,440 --> 00:10:43,800 Speaker 1: how confident they are on winning a Super Bowl. At eight, 216 00:10:43,880 --> 00:10:48,640 Speaker 1: they have the forty nine Ers, seven, Broncos, Bears at six, 217 00:10:49,200 --> 00:10:54,880 Speaker 1: Texans at five, Patriots at four, Bills at three, Rams 218 00:10:54,920 --> 00:10:58,200 Speaker 1: at two, and Seahawks at number one. Common Do you 219 00:10:58,240 --> 00:11:00,720 Speaker 1: agree with their Big Game It's ranking? 220 00:11:03,240 --> 00:11:03,400 Speaker 4: Uh? 221 00:11:08,400 --> 00:11:10,920 Speaker 5: Yeah, I mean, I guess I give the Bears a 222 00:11:10,960 --> 00:11:11,920 Speaker 5: little bit better of a chance. 223 00:11:12,000 --> 00:11:12,679 Speaker 2: I know they do. 224 00:11:12,800 --> 00:11:15,520 Speaker 5: They come from behind victories, and they look awful for 225 00:11:15,679 --> 00:11:18,160 Speaker 5: good portions of the game. And I know that Kayler 226 00:11:18,200 --> 00:11:20,880 Speaker 5: Williams isn't a complete quarterback yet. But I like their 227 00:11:21,000 --> 00:11:24,880 Speaker 5: chances better than their giving it. I guess forty nine 228 00:11:24,960 --> 00:11:27,280 Speaker 5: ers at the bottom just because they are so injury ravage. 229 00:11:27,320 --> 00:11:32,319 Speaker 2: But my gosh, they they they almost pulled. 230 00:11:32,400 --> 00:11:36,600 Speaker 5: Uh they beat the Eagles, you know, and they and 231 00:11:36,640 --> 00:11:38,960 Speaker 5: they lost Kittle for this for much of the second half. 232 00:11:38,960 --> 00:11:42,440 Speaker 5: And they haven't had a lot of starters all year long. Uh. 233 00:11:42,480 --> 00:11:44,920 Speaker 2: I know that the it's And I've heard enough from 234 00:11:44,920 --> 00:11:46,800 Speaker 2: the Viking fans, you know, you. 235 00:11:46,800 --> 00:11:49,839 Speaker 5: Know, Viking fans that were all in on going with 236 00:11:49,840 --> 00:11:53,920 Speaker 5: with McCarthy instead of Donald A couple of reads. I 237 00:11:53,920 --> 00:11:56,240 Speaker 5: think the biggest one is they just don't want Donald 238 00:11:56,400 --> 00:11:58,200 Speaker 5: to be really good because that would prove the Vikings 239 00:11:58,240 --> 00:11:59,959 Speaker 5: made a bad decision, and it would they would kill 240 00:12:00,760 --> 00:12:03,800 Speaker 5: I think also it's people do look at that game 241 00:12:03,840 --> 00:12:06,400 Speaker 5: against the Lines and the game against the Rams arey 242 00:12:06,440 --> 00:12:08,120 Speaker 5: and play very good inns twenty turnovers this year. 243 00:12:08,160 --> 00:12:10,240 Speaker 2: But I've said it a million times. I'll say it again. 244 00:12:10,280 --> 00:12:13,240 Speaker 5: Mahomes ain't available and Nora's josh anam so you play 245 00:12:13,280 --> 00:12:14,559 Speaker 5: with you know, you got to. You got to take 246 00:12:14,559 --> 00:12:16,679 Speaker 5: the best of the lot after that, And I think 247 00:12:16,760 --> 00:12:20,400 Speaker 5: Darnold's a really good quarterback. Kids got a lot of confidence. 248 00:12:20,760 --> 00:12:22,440 Speaker 5: He's going to turn the ball over. As a matter 249 00:12:22,480 --> 00:12:25,080 Speaker 5: of fact, I guarantee you against the Rams, he's going 250 00:12:25,120 --> 00:12:25,520 Speaker 5: to turn. 251 00:12:25,400 --> 00:12:26,680 Speaker 2: The ball over once or twice. 252 00:12:26,800 --> 00:12:28,280 Speaker 5: But I still think they're gonna win, and I think 253 00:12:28,280 --> 00:12:29,720 Speaker 5: they can win the big game, and I would put 254 00:12:29,720 --> 00:12:31,319 Speaker 5: them as the favorite absolute. 255 00:12:32,679 --> 00:12:38,080 Speaker 3: And that's it for today's edition of five Questions, Well 256 00:12:38,120 --> 00:12:41,160 Speaker 3: actually three questions, but five sounds like more than four. 257 00:12:41,400 --> 00:12:44,040 Speaker 2: Rock Talk and Rock Rank with Brian Ogus next year 258 00:12:44,080 --> 00:12:44,319 Speaker 2: in the. 259 00:12:44,240 --> 00:12:45,559 Speaker 1: Fan the Fan once to give you a shot to 260 00:12:45,600 --> 00:12:48,120 Speaker 1: win bonus box with our national cast contest and to 261 00:12:48,120 --> 00:12:50,160 Speaker 1: the keyword credit at Camp in dot com Now for 262 00:12:50,280 --> 00:12:52,720 Speaker 1: shadow winning, the keyword is credit and turn out campe 263 00:12:52,720 --> 00:13:03,000 Speaker 1: in dot com? 264 00:13:03,520 --> 00:13:06,120 Speaker 2: How are we back already? 265 00:13:07,080 --> 00:13:08,199 Speaker 4: How are you not back already? 266 00:13:08,320 --> 00:13:10,400 Speaker 5: Well, I went to the restroom, is all I did, 267 00:13:10,480 --> 00:13:11,880 Speaker 5: and opened the door for Brian or the winter of 268 00:13:11,960 --> 00:13:12,439 Speaker 5: the restroom. 269 00:13:12,520 --> 00:13:13,959 Speaker 2: Usually we have nine minute breaks. 270 00:13:14,120 --> 00:13:17,959 Speaker 4: In the words of Steve Miller, time keeps on slipping 271 00:13:18,040 --> 00:13:20,880 Speaker 4: and slip, slipping, slipping into the future. 272 00:13:21,080 --> 00:13:23,520 Speaker 5: Still, one of my favorite moments was the Steve Miller 273 00:13:23,559 --> 00:13:24,520 Speaker 5: concert Rock Talk. 274 00:13:24,520 --> 00:13:25,240 Speaker 2: That's Brian Oak. 275 00:13:27,440 --> 00:13:34,679 Speaker 5: This is twenty fifteen at Welch, Minnesota, Treasure Island Outdoors Amphitheater. 276 00:13:35,760 --> 00:13:38,560 Speaker 5: Peter Frampton opened him for him. That's when Frampton came apart. 277 00:13:39,559 --> 00:13:42,480 Speaker 5: That's where lost his mind. He lost his mind because 278 00:13:42,640 --> 00:13:45,400 Speaker 5: he's in this intricate guitar solo, kind of a slower one. 279 00:13:45,679 --> 00:13:47,880 Speaker 5: In the crowd's cheering. He looks up, why are they cheering? Well, 280 00:13:47,880 --> 00:13:49,800 Speaker 5: camera guy from the stage and put it on some 281 00:13:49,840 --> 00:13:52,120 Speaker 5: gallows on some guy's shoulder. Yeah, look at the Franpton 282 00:13:52,160 --> 00:13:53,720 Speaker 5: comes a live Elman. I already thought it was cool. 283 00:13:54,520 --> 00:13:57,920 Speaker 5: Does it again? And Frampton's mad? He storms off stage, 284 00:13:59,640 --> 00:14:01,800 Speaker 5: No one, what's going on? Twenty minutes later he comes 285 00:14:01,800 --> 00:14:03,720 Speaker 5: back on, runs over to the camera guy. He's trying 286 00:14:03,720 --> 00:14:04,760 Speaker 5: to pull the camera out. 287 00:14:04,600 --> 00:14:05,640 Speaker 2: Of his hands. Wow. 288 00:14:05,920 --> 00:14:07,240 Speaker 4: Twenty minutes later, he's still mad. 289 00:14:07,320 --> 00:14:08,400 Speaker 2: Yeah, yeah, And I think what happened. 290 00:14:08,440 --> 00:14:10,480 Speaker 5: Steve Miller finally probably said if you don't go back 291 00:14:10,520 --> 00:14:12,360 Speaker 5: on stage, you're not getting your paycheck, right, you have 292 00:14:12,400 --> 00:14:15,080 Speaker 5: to finish the show. And he was mad because he said, well, 293 00:14:15,120 --> 00:14:18,080 Speaker 5: you know, I'm I'm into my guitar playing. And it's 294 00:14:18,120 --> 00:14:21,480 Speaker 5: a quiet moment, and it's like, well, dude, look, you're 295 00:14:21,480 --> 00:14:22,920 Speaker 5: at the end of your career. Are we happy you're 296 00:14:22,960 --> 00:14:24,640 Speaker 5: still playing and people want to see you. 297 00:14:24,720 --> 00:14:25,560 Speaker 2: It's just like you're at. 298 00:14:25,520 --> 00:14:28,800 Speaker 4: A rock show. You're not at the Philharmonic. Yes, okay, 299 00:14:28,920 --> 00:14:31,600 Speaker 4: I mean you're lucky. He was just somebody waving their 300 00:14:31,720 --> 00:14:34,160 Speaker 4: arms back and forth, sitting on someone's shoulders. It could 301 00:14:34,160 --> 00:14:36,720 Speaker 4: have been anything. That is about the most unrock and 302 00:14:36,800 --> 00:14:38,320 Speaker 4: roll thing I've ever heard in my life. 303 00:14:38,400 --> 00:14:40,040 Speaker 5: Do you feel like we do? I mean his biggest 304 00:14:40,040 --> 00:14:43,560 Speaker 5: song is about a hangover. Yeah, and so just relax 305 00:14:43,640 --> 00:14:46,600 Speaker 5: and he just play songs. But it made national news, 306 00:14:46,600 --> 00:14:48,760 Speaker 5: Oh yeah, world wide news. And I was there was 307 00:14:48,760 --> 00:14:50,040 Speaker 5: Deuce's second ever concert. 308 00:14:50,160 --> 00:14:52,280 Speaker 4: Fabulous with Me was so much fun. Memories. 309 00:14:52,560 --> 00:14:56,720 Speaker 5: We played trucking, Yeah, we did by the Grateful Dead, 310 00:14:56,720 --> 00:14:59,160 Speaker 5: And let's full disclosure, neither one of you, neither you 311 00:14:59,280 --> 00:15:00,920 Speaker 5: or I would be considered no. 312 00:15:01,000 --> 00:15:03,920 Speaker 4: But I consider myself very dead adjacent for a couple 313 00:15:03,960 --> 00:15:07,160 Speaker 4: of reasons. One is that I pay attention to music 314 00:15:07,200 --> 00:15:09,640 Speaker 4: and the dead or an important part of the story 315 00:15:09,680 --> 00:15:14,120 Speaker 4: of American music, certainly in the sixties. And also I, 316 00:15:14,440 --> 00:15:16,880 Speaker 4: for the period of about a year, lived with four 317 00:15:16,920 --> 00:15:19,920 Speaker 4: other Deadheads. So that's all I've ever heard. I heard, 318 00:15:20,000 --> 00:15:21,440 Speaker 4: that was all we heard during that. I was like, 319 00:15:21,480 --> 00:15:23,240 Speaker 4: I've got the new Pixies record. We could put that 320 00:15:23,320 --> 00:15:26,520 Speaker 4: on and know it was yet another hissy scratching dupe 321 00:15:26,560 --> 00:15:30,840 Speaker 4: tape of Fillmore seventy one, with Hams Eldan guesting on 322 00:15:30,880 --> 00:15:33,600 Speaker 4: the drum segment, and it just it went on. And 323 00:15:33,800 --> 00:15:36,000 Speaker 4: I know, let's just say, I know enough about the 324 00:15:36,080 --> 00:15:39,200 Speaker 4: Dead to understand them and to report factually on them, 325 00:15:39,400 --> 00:15:41,320 Speaker 4: but I am not what you would call a deadhead. 326 00:15:41,480 --> 00:15:45,000 Speaker 5: They were folk rock, I guess, psychedelics, psych very much. 327 00:15:45,080 --> 00:15:48,239 Speaker 4: I mean, they were the beating heart of San Francisco's 328 00:15:48,240 --> 00:15:52,360 Speaker 4: psychedelic music scene at a really unprecedented time in America. 329 00:15:52,440 --> 00:15:57,600 Speaker 4: Certainly there were bands out of that area that stars. Yeah, 330 00:15:58,080 --> 00:16:00,920 Speaker 4: they went on to much much greater commercial success, but 331 00:16:01,000 --> 00:16:04,320 Speaker 4: nobody ultimately ended up creating the decade long thing that 332 00:16:04,360 --> 00:16:08,840 Speaker 4: they created. And while the revolution the counterculture movement is happening, 333 00:16:09,280 --> 00:16:12,840 Speaker 4: they were as important as any band as what we 334 00:16:12,880 --> 00:16:14,760 Speaker 4: call the Hate Hate Ashbury. I mean, one of the 335 00:16:14,760 --> 00:16:19,440 Speaker 4: most iconic moments in musical history space time that ever existed, 336 00:16:19,920 --> 00:16:21,960 Speaker 4: because again, there had been nothing else like it, and 337 00:16:22,000 --> 00:16:24,840 Speaker 4: there was a genuine belief that a new utopia was 338 00:16:24,920 --> 00:16:26,920 Speaker 4: being born out of the midst of all the chaos. 339 00:16:26,960 --> 00:16:30,360 Speaker 4: Sounds vaguely familiar, that somehow there was this area out 340 00:16:30,400 --> 00:16:33,320 Speaker 4: on the West coast, nestled up against the ocean, in 341 00:16:33,440 --> 00:16:37,280 Speaker 4: gorgeous northern California, where peace and love were the defining 342 00:16:37,360 --> 00:16:39,560 Speaker 4: rules of the day, where people could be free, where 343 00:16:39,560 --> 00:16:41,640 Speaker 4: we could all just get together man. 344 00:16:42,440 --> 00:16:46,160 Speaker 5: And unfortunately, writing an anthem, I'm just saying period, I'm. 345 00:16:46,000 --> 00:16:48,640 Speaker 4: Saying that that was the belief at the time nationwide, 346 00:16:48,640 --> 00:16:51,680 Speaker 4: and so you saw this sort of unpreprecedented. Certainly, there 347 00:16:51,680 --> 00:16:55,480 Speaker 4: have been huge migrations in America at certain times based 348 00:16:55,520 --> 00:16:58,360 Speaker 4: on various reasons, but this was the first really truly 349 00:16:58,480 --> 00:17:04,119 Speaker 4: sort of mega cultural music oriented and spiritual oriented movement 350 00:17:04,280 --> 00:17:06,960 Speaker 4: where so many people from every walks of every walk 351 00:17:07,000 --> 00:17:09,280 Speaker 4: of life, every portion of the country moved to this 352 00:17:09,359 --> 00:17:12,560 Speaker 4: one city in hopes of this impossible utopia. And of 353 00:17:12,600 --> 00:17:16,199 Speaker 4: course it wasn't impossible. The dream didn't last long, and 354 00:17:16,240 --> 00:17:19,879 Speaker 4: it got dark and ugly very fast. Yeah, well, and 355 00:17:19,960 --> 00:17:22,199 Speaker 4: maybe even started to die before that, but that was 356 00:17:22,240 --> 00:17:24,879 Speaker 4: the final nail in the coffin. To be certain, George 357 00:17:24,880 --> 00:17:27,760 Speaker 4: Harrison once very very famously went to see the Hate 358 00:17:27,840 --> 00:17:30,480 Speaker 4: because he's, like, man, all anybody talks about is the 359 00:17:30,480 --> 00:17:33,160 Speaker 4: groovy hippie movement, and he was into genuine peace and 360 00:17:33,240 --> 00:17:36,480 Speaker 4: love and enlightenment. And he went there and he sort 361 00:17:36,520 --> 00:17:40,480 Speaker 4: of famously was underwhelmed and even disappointed, saying, you know, 362 00:17:40,840 --> 00:17:43,159 Speaker 4: he came here for he wanted to believe that the 363 00:17:43,240 --> 00:17:45,679 Speaker 4: dreams and the stories were true. And he said it 364 00:17:45,720 --> 00:17:47,960 Speaker 4: was dingy and it was dirty, and it was filled 365 00:17:48,000 --> 00:17:53,159 Speaker 4: with pimps and grifters and drug dealers, and it wasn't 366 00:17:53,200 --> 00:17:57,200 Speaker 4: anything like the promised utopia of the songs. If you're 367 00:17:57,200 --> 00:17:59,600 Speaker 4: going to San Francisco where flowers in your hair a 368 00:17:59,720 --> 00:18:02,879 Speaker 4: gor anthem that captured the hearts and imagination of a 369 00:18:02,920 --> 00:18:06,760 Speaker 4: generation of young people who wanted something different, wanted something better, 370 00:18:06,800 --> 00:18:09,560 Speaker 4: didn't want the establishment, didn't want what had come before them, 371 00:18:09,880 --> 00:18:11,920 Speaker 4: And it turned out that's just what it was. It 372 00:18:12,040 --> 00:18:13,919 Speaker 4: was a dream. It was a nice hope for a 373 00:18:13,960 --> 00:18:17,240 Speaker 4: few years, but ultimately the hate collapsed under the weight 374 00:18:17,280 --> 00:18:20,320 Speaker 4: of its own excesses, and it was just it was 375 00:18:20,359 --> 00:18:23,399 Speaker 4: a utopian dream that couldn't be sustained. But while it 376 00:18:23,440 --> 00:18:25,480 Speaker 4: was going on, a lot of important music came out, 377 00:18:25,560 --> 00:18:29,280 Speaker 4: a lot of important figures in American popular culture surface, 378 00:18:29,800 --> 00:18:32,560 Speaker 4: and the Grateful Dead are very very much a part 379 00:18:32,760 --> 00:18:35,120 Speaker 4: of this pretty incredible time in American history. 380 00:18:35,280 --> 00:18:37,520 Speaker 2: Are you going to San Francisco by Scott McKenzie. 381 00:18:37,560 --> 00:18:39,879 Speaker 4: I love San Francisco is a gorgeous city, and of 382 00:18:39,880 --> 00:18:43,800 Speaker 4: all the places to me in your counterculture revolution, that's 383 00:18:43,840 --> 00:18:45,080 Speaker 4: a good one right there. 384 00:18:45,160 --> 00:18:46,560 Speaker 2: This headline says. 385 00:18:46,680 --> 00:18:49,000 Speaker 5: The first paragraph of the story says, Bob Weir, a 386 00:18:49,080 --> 00:18:53,240 Speaker 5: founding member of the Grateful Dead, whose rhythm, guitar work, songwriting, 387 00:18:53,359 --> 00:18:56,960 Speaker 5: and tireless touring helped push traditional American blues and folk 388 00:18:57,080 --> 00:19:00,760 Speaker 5: music into the modern era. He died he beat cancer, 389 00:19:00,840 --> 00:19:02,439 Speaker 5: but he had some underlying health issues. 390 00:19:02,880 --> 00:19:03,520 Speaker 2: That's what it says. 391 00:19:03,600 --> 00:19:05,920 Speaker 5: The same and also posted that he had been diagnosed 392 00:19:05,920 --> 00:19:08,600 Speaker 5: with cancer in July and beat it, but succumbed to 393 00:19:08,800 --> 00:19:13,240 Speaker 5: underlying long issues across more than six decades. Where was 394 00:19:13,280 --> 00:19:18,040 Speaker 5: one of music's true road warriors, performing thousands of shows 395 00:19:18,080 --> 00:19:20,680 Speaker 5: with almost a dozen bands, And then we often stood 396 00:19:20,720 --> 00:19:25,080 Speaker 5: figuratively and sometimes literally in Jerry Garcia shadow were eventually 397 00:19:25,200 --> 00:19:28,000 Speaker 5: assumed the status of elder statesmen of the jam band 398 00:19:28,160 --> 00:19:30,560 Speaker 5: music genre that spun off from the. 399 00:19:30,640 --> 00:19:35,520 Speaker 2: Dead Jerry Garcia died. Was that back in like five, 400 00:19:35,640 --> 00:19:36,680 Speaker 2: or was even earlier than that. 401 00:19:36,760 --> 00:19:38,400 Speaker 4: It might be. I don't even remember off the top 402 00:19:38,440 --> 00:19:39,640 Speaker 4: of my head. It was a minute ago. 403 00:19:39,600 --> 00:19:42,000 Speaker 5: When they when they I like that when they met, 404 00:19:42,720 --> 00:19:45,800 Speaker 5: when they met, Bob Weird was significantly younger. 405 00:19:46,000 --> 00:19:48,479 Speaker 4: He was. He was by far the youngest member. I mean, 406 00:19:48,520 --> 00:19:52,240 Speaker 4: he was the young, fresh faced teenager who joined up 407 00:19:52,280 --> 00:19:54,840 Speaker 4: with these guys that were already kind of grizzled vets 408 00:19:54,880 --> 00:19:57,600 Speaker 4: of the scene, certainly in San Francisco, of the cultural scene, 409 00:19:57,600 --> 00:19:58,560 Speaker 4: if not the music scene. 410 00:19:58,720 --> 00:20:02,200 Speaker 5: Born in San Francisco and forty seven, we're gravitated to 411 00:20:02,280 --> 00:20:05,160 Speaker 5: folk music in his teenage years. It was a chance 412 00:20:05,440 --> 00:20:11,000 Speaker 5: encounter with Garcia in a Palo Alto, California music store 413 00:20:11,040 --> 00:20:13,320 Speaker 5: on New Year's Eve nineteen sixty three, when Weir was 414 00:20:13,440 --> 00:20:15,480 Speaker 5: just sixteen years old. That would start one of the 415 00:20:15,520 --> 00:20:19,080 Speaker 5: most important friendships in rock history. Together, Garcia and Wear 416 00:20:19,160 --> 00:20:21,200 Speaker 5: formed the basis for The Dead's emergence as not just 417 00:20:21,320 --> 00:20:23,879 Speaker 5: a band, but as a counter culture onto itself. And 418 00:20:23,960 --> 00:20:27,160 Speaker 5: that's not understated, that's true. That's sound like, oh, you're 419 00:20:27,240 --> 00:20:31,000 Speaker 5: exaggerating because the guy died. It was a counter culture 420 00:20:31,160 --> 00:20:33,600 Speaker 5: unto itself, and it remained. 421 00:20:33,280 --> 00:20:35,760 Speaker 4: So well after the sixties and the seventies when we 422 00:20:35,840 --> 00:20:38,560 Speaker 4: consider it, when we think about both musical and cultural 423 00:20:38,640 --> 00:20:45,399 Speaker 4: counterculture movements. They created an entire ecosphere of people who 424 00:20:45,480 --> 00:20:47,840 Speaker 4: traveled around the country and around the world literally to 425 00:20:47,920 --> 00:20:52,520 Speaker 4: see them perform live. And there was an entire microcosm, 426 00:20:52,600 --> 00:20:55,399 Speaker 4: an entire industry, an entire culture that was set up 427 00:20:55,440 --> 00:20:57,760 Speaker 4: around The Dead, the Dead's music, and the Dead touring. 428 00:20:58,240 --> 00:21:00,639 Speaker 4: No one had done that before, and it hasn't been 429 00:21:00,720 --> 00:21:01,800 Speaker 4: duplicated since. 430 00:21:01,640 --> 00:21:05,760 Speaker 2: There is probably no more loyal fan base. I don't 431 00:21:05,760 --> 00:21:07,159 Speaker 2: think there is To say the very I. 432 00:21:07,400 --> 00:21:09,239 Speaker 4: Would agree with that. I mean, there are fans who 433 00:21:09,560 --> 00:21:11,920 Speaker 4: will are rider dine with the bands that they love, 434 00:21:12,280 --> 00:21:14,720 Speaker 4: but in terms of scope and scale and duration, no 435 00:21:14,920 --> 00:21:15,480 Speaker 4: no band like. 436 00:21:15,920 --> 00:21:17,680 Speaker 5: I also read in one of the many stories I 437 00:21:17,760 --> 00:21:20,920 Speaker 5: read about Weird that they figure nobody is performed in 438 00:21:20,960 --> 00:21:23,119 Speaker 5: front of a live audience more often in the history 439 00:21:23,119 --> 00:21:26,680 Speaker 5: of music than Bob Weird. For six decades, they constantly toured. 440 00:21:26,720 --> 00:21:29,040 Speaker 5: That's what they really. They did records. None of the 441 00:21:29,080 --> 00:21:32,360 Speaker 5: records were ever considered overwhelming. It was their road shows, 442 00:21:32,400 --> 00:21:36,560 Speaker 5: their live performances that were always different, always add lib. 443 00:21:36,640 --> 00:21:38,680 Speaker 5: I just read stories about how Weird would do things 444 00:21:38,760 --> 00:21:41,119 Speaker 5: and musicians that joined as man would have to follow along, 445 00:21:41,440 --> 00:21:43,399 Speaker 5: and they loved it. They said, you just try to 446 00:21:43,520 --> 00:21:46,600 Speaker 5: keep pacing it. No two songs were ever done the same. 447 00:21:47,080 --> 00:21:48,840 Speaker 5: And again I wasn't a dead They only had one 448 00:21:48,920 --> 00:21:51,160 Speaker 5: top ten hit and that was Touch of Grave, very 449 00:21:51,320 --> 00:21:55,280 Speaker 5: late that the eightiesies. Yeah, otherwise, even like Trucking, you know, 450 00:21:55,359 --> 00:21:56,800 Speaker 5: that was a I mean, if you were a dad head, 451 00:21:56,840 --> 00:21:58,560 Speaker 5: I mean, and I know if you're a big dead Head, 452 00:21:58,560 --> 00:22:00,520 Speaker 5: you'd probably go truck It's just a low on the 453 00:22:00,560 --> 00:22:03,040 Speaker 5: list of exactly. But it was a kind that when 454 00:22:03,160 --> 00:22:06,199 Speaker 5: my hate Ashbury days, that was the song that attracted 455 00:22:06,280 --> 00:22:07,760 Speaker 5: us to the Dead and Wayne I ever became a 456 00:22:07,800 --> 00:22:08,120 Speaker 5: dead Head. 457 00:22:08,160 --> 00:22:11,680 Speaker 4: But yeah, they've got some songs I like and what 458 00:22:11,800 --> 00:22:14,240 Speaker 4: I really love living with those dead Heads and actually 459 00:22:14,240 --> 00:22:16,200 Speaker 4: going on tour with them a couple of times. I 460 00:22:16,400 --> 00:22:19,080 Speaker 4: liked the people. I liked the culture. I enjoyed the 461 00:22:19,280 --> 00:22:22,840 Speaker 4: recreational substances. I loved the vibe, the nature that we 462 00:22:23,000 --> 00:22:25,600 Speaker 4: were outside of everything else that was going on and 463 00:22:25,840 --> 00:22:28,159 Speaker 4: charting our own course and doing this and enjoying this thing. 464 00:22:28,800 --> 00:22:31,640 Speaker 4: And I just wish I'd liked the music better. 465 00:22:31,720 --> 00:22:33,320 Speaker 2: Gary died in nineteen ninety five. 466 00:22:33,359 --> 00:22:35,440 Speaker 4: There was even further back, thirty years ago. 467 00:22:35,480 --> 00:22:37,359 Speaker 2: Yeah, thirty years ago. Let's take a break, come back. 468 00:22:37,359 --> 00:22:38,120 Speaker 2: There's more. 469 00:22:39,440 --> 00:22:43,840 Speaker 5: Music news to get to and rock Rank, Rock Rank, 470 00:22:43,880 --> 00:22:46,640 Speaker 5: all that and more here on Rock Talk with Tennabe 471 00:22:46,680 --> 00:22:47,480 Speaker 5: Common and Brian O. 472 00:22:47,640 --> 00:22:47,920 Speaker 4: Here on that. 473 00:22:48,000 --> 00:22:50,119 Speaker 2: I think have a podcast. We'll talk about that too 474 00:22:50,160 --> 00:22:50,840 Speaker 2: when we come back. 475 00:23:06,960 --> 00:23:09,320 Speaker 1: One Shiman and what's happening with a favorite KAFM program. 476 00:23:09,800 --> 00:23:12,280 Speaker 1: Make your voice heard on the Bradshawn Brian text line. 477 00:23:12,840 --> 00:23:14,199 Speaker 1: Let us know we have to say about texting your 478 00:23:14,200 --> 00:23:17,040 Speaker 1: messages six four six eight six. That's six four six 479 00:23:17,160 --> 00:23:20,360 Speaker 1: eight six standard message data right, supply uncommon? 480 00:23:20,440 --> 00:23:22,240 Speaker 2: He's tend to be Who's Brian O? 481 00:23:22,600 --> 00:23:26,399 Speaker 4: Yeah, you have a podcast? I do it's going very 482 00:23:26,560 --> 00:23:30,760 Speaker 4: very well. Actually, I uh yeah, it's it's called The 483 00:23:30,800 --> 00:23:33,000 Speaker 4: Brian Oak Show. It is available, so it is going 484 00:23:33,080 --> 00:23:34,840 Speaker 4: very very well. It is going very very well. We've 485 00:23:34,840 --> 00:23:39,399 Speaker 4: been doing it for in terms of listenership, we've never 486 00:23:39,520 --> 00:23:44,399 Speaker 4: had better numbers in terms of duration. We just recorded 487 00:23:44,440 --> 00:23:47,919 Speaker 4: episode five hundred and forty five yesterday featuring an incredible 488 00:23:48,000 --> 00:23:50,440 Speaker 4: band out of South Minneapolis. You're familiar with the movie 489 00:23:50,480 --> 00:23:53,600 Speaker 4: School of Rock, Sure, Okay, Well, there's real life schools 490 00:23:53,600 --> 00:23:56,240 Speaker 4: of Rock and virtually every city in this country where 491 00:23:56,320 --> 00:23:59,080 Speaker 4: it's a way to encourage very young kids to get 492 00:23:59,240 --> 00:24:02,000 Speaker 4: involved in making music with each other. Well, one such 493 00:24:02,080 --> 00:24:04,640 Speaker 4: band that came together a group of friends from Minneapolis 494 00:24:05,119 --> 00:24:08,160 Speaker 4: known as Kickstart, and they have got this awesome benefit 495 00:24:08,240 --> 00:24:13,240 Speaker 4: coming up on Saturday at the Ladonia Serves Area in 496 00:24:13,359 --> 00:24:15,800 Speaker 4: Northeast Minneapolis where they're going to play. And the two 497 00:24:15,840 --> 00:24:19,560 Speaker 4: guys around my podcast yesterday, Eddie and Sebastian, shout out 498 00:24:19,600 --> 00:24:22,000 Speaker 4: to you both. Eddie's thirteen, he plays the bass. Sebastian 499 00:24:22,119 --> 00:24:25,280 Speaker 4: is fourteen. He plays the guitar. A seven member teenage 500 00:24:25,359 --> 00:24:28,479 Speaker 4: band who are out there making rock action happen from 501 00:24:28,520 --> 00:24:31,800 Speaker 4: a very young age. And their concert on Saturday is 502 00:24:31,960 --> 00:24:35,639 Speaker 4: a benefit for many of their neighbors who are in 503 00:24:36,200 --> 00:24:38,680 Speaker 4: dire straits these days. And we'll leave it right there. 504 00:24:38,840 --> 00:24:41,600 Speaker 4: But one of the members of the band, a Kid, 505 00:24:42,200 --> 00:24:44,719 Speaker 4: was actually tackled outside his own high school, and we'll 506 00:24:44,800 --> 00:24:47,520 Speaker 4: just leave it there. So they are young kids doing 507 00:24:47,560 --> 00:24:49,399 Speaker 4: the right things for the right reason. They were awesome. 508 00:24:49,440 --> 00:24:52,240 Speaker 4: And that's just one example of how my podcast focus 509 00:24:52,680 --> 00:24:55,080 Speaker 4: on the Twin Cities and the Greater Twin Cities area. 510 00:24:55,200 --> 00:24:57,760 Speaker 4: It's ninety five percent about music, five percent about the 511 00:24:57,840 --> 00:25:01,000 Speaker 4: other stuff out there. And yeah, I appreciate that people 512 00:25:01,080 --> 00:25:05,080 Speaker 4: listen and continue to share and amplify because I don't know, 513 00:25:05,240 --> 00:25:09,280 Speaker 4: I love music, and I love Minnesota and Minneapolis specifically, 514 00:25:09,440 --> 00:25:11,840 Speaker 4: and I'm always going to do everything I can to 515 00:25:11,920 --> 00:25:14,399 Speaker 4: promote and protect this lovely area that we live in. 516 00:25:14,560 --> 00:25:18,159 Speaker 4: I don't know, if you saw this story, do you 517 00:25:18,400 --> 00:25:23,959 Speaker 4: know who Vinnie Vincent is? Yeah, Vinnie Vincent's Invasion. Now, 518 00:25:23,960 --> 00:25:25,600 Speaker 4: I don't know. I couldn't name a song with a 519 00:25:25,680 --> 00:25:31,320 Speaker 4: gun to my head, but I remember seeing the outrageous 520 00:25:31,359 --> 00:25:35,600 Speaker 4: hair metal stylings, the impossible outfits. He was right. He 521 00:25:35,720 --> 00:25:37,720 Speaker 4: was one of the guys who came along later and 522 00:25:38,119 --> 00:25:41,000 Speaker 4: then he came out with a band called Vinnie Vincent's Invasion, 523 00:25:41,200 --> 00:25:44,240 Speaker 4: and that is where my Vinnie Vincent knowledge comes to 524 00:25:44,280 --> 00:25:45,000 Speaker 4: a grinding halt. 525 00:25:45,119 --> 00:25:45,800 Speaker 2: Here's what it says. 526 00:25:45,960 --> 00:25:48,760 Speaker 5: Ex Kiss member Vinnie Vincent announced last month he would 527 00:25:48,800 --> 00:25:56,160 Speaker 5: sell his new record Judgment Day guitarmigeddon Guitarmageddon. 528 00:25:55,440 --> 00:25:59,119 Speaker 2: One song. He was going to release it. He was 529 00:25:59,160 --> 00:26:01,240 Speaker 2: going to release it one song at a time. 530 00:26:02,880 --> 00:26:08,280 Speaker 5: The controversial decision offered fans collector singles as individually signed 531 00:26:08,280 --> 00:26:13,240 Speaker 5: in numbered CDs, each costing two one hundred dollars plus shipping, 532 00:26:13,600 --> 00:26:17,520 Speaker 5: but only once reaching one thousand pre sales. So if 533 00:26:17,560 --> 00:26:18,879 Speaker 5: you want to listen to the song, you have to 534 00:26:18,920 --> 00:26:20,840 Speaker 5: give him two hundred dollars and you get to own 535 00:26:20,880 --> 00:26:24,359 Speaker 5: the song. The first single, Ride the Serpent, is described 536 00:26:24,400 --> 00:26:28,560 Speaker 5: as a nearly eight minute intense guitar power drive featuring 537 00:26:28,920 --> 00:26:32,800 Speaker 5: Vincent on guitars and bass, Robert Fleischmann formerly of Journey 538 00:26:32,880 --> 00:26:35,640 Speaker 5: on vocals, and Carrie Jordan on drums. 539 00:26:36,040 --> 00:26:39,320 Speaker 2: Vincent wrote and produced the song. According to Ultimate. 540 00:26:39,080 --> 00:26:43,000 Speaker 5: Classic Rock, The website lists eighteen song titles, so buying 541 00:26:43,080 --> 00:26:45,960 Speaker 5: the complete album would cost at least thirty six hundred dollars. 542 00:26:47,080 --> 00:26:50,200 Speaker 5: He defended the price arguing that the rollout plan was 543 00:26:50,280 --> 00:26:53,600 Speaker 5: his best way of fighting against the illegal downloads, file sharing, 544 00:26:53,680 --> 00:26:56,520 Speaker 5: streaming services, and other changes to the music industry over 545 00:26:56,600 --> 00:26:59,200 Speaker 5: the years that have made it harder for artists to 546 00:26:59,320 --> 00:27:02,639 Speaker 5: get paid at quickly. Rolling Stone reported last month that 547 00:27:02,720 --> 00:27:06,040 Speaker 5: he insisted each CD single is worth more than most 548 00:27:06,280 --> 00:27:07,120 Speaker 5: entire albums. 549 00:27:07,200 --> 00:27:08,760 Speaker 2: If he doesn't mind saying so himself. 550 00:27:08,960 --> 00:27:09,880 Speaker 4: What was the name of the song? 551 00:27:09,960 --> 00:27:10,440 Speaker 3: Did it say? 552 00:27:12,720 --> 00:27:15,359 Speaker 4: Writing the Serpent from Guitarmageddon. 553 00:27:14,600 --> 00:27:17,320 Speaker 2: From a guitar Megeddon? It would be the first full 554 00:27:17,359 --> 00:27:18,560 Speaker 2: length album from Vinnie. 555 00:27:19,640 --> 00:27:21,680 Speaker 5: It would be the first full time album from Vinnie 556 00:27:21,760 --> 00:27:23,720 Speaker 5: Visited Invasion since nineteen eighty eight. 557 00:27:24,240 --> 00:27:27,640 Speaker 4: I so his first album in over thirty five years, 558 00:27:28,320 --> 00:27:30,119 Speaker 4: and he never really had a hit to begin with. 559 00:27:30,320 --> 00:27:33,560 Speaker 4: He's a rock figure and established guitar player, and I'm 560 00:27:33,600 --> 00:27:36,720 Speaker 4: sure he has a whatever. The smaller version of a 561 00:27:36,800 --> 00:27:41,280 Speaker 4: legion is of fans, and I do seriously sympathize with 562 00:27:41,600 --> 00:27:45,080 Speaker 4: the struggles of musicians in the industry. The game has 563 00:27:45,200 --> 00:27:48,960 Speaker 4: changed completely and it's not like it was in the eighties, right, 564 00:27:49,040 --> 00:27:52,560 Speaker 4: And so while we do need to find innovative, interesting 565 00:27:52,760 --> 00:27:56,240 Speaker 4: and competitive ways for musicians to compete and stay doing 566 00:27:56,280 --> 00:27:58,480 Speaker 4: what they do in the marketplace given the nature of 567 00:27:58,560 --> 00:28:02,359 Speaker 4: the changes thirty two, I wouldn't pay thirty two hundred 568 00:28:02,359 --> 00:28:04,720 Speaker 4: dollars for a new don't short of sorry thirty six 569 00:28:04,880 --> 00:28:07,359 Speaker 4: hundred dollars for a new David Bowie album. 570 00:28:07,520 --> 00:28:08,840 Speaker 2: Here's it gets better. 571 00:28:09,640 --> 00:28:13,080 Speaker 5: Vincent responded to backlash online, telling fans that he's perfectly 572 00:28:13,160 --> 00:28:15,280 Speaker 5: fine never releasing the music if not enough people pay 573 00:28:15,400 --> 00:28:16,040 Speaker 5: us asking price. 574 00:28:16,080 --> 00:28:18,320 Speaker 2: There's what he said. Wow, he wrote this on Facebook. 575 00:28:18,600 --> 00:28:20,879 Speaker 2: There's no money in record labels. There are a dead end. 576 00:28:21,200 --> 00:28:24,719 Speaker 5: Unless I get compensated for my work, the album stays unheard. 577 00:28:25,200 --> 00:28:28,639 Speaker 5: The praise from a fan basis pointless unless I'm compensated. First, 578 00:28:29,480 --> 00:28:32,879 Speaker 5: I am the manufacturer. I produce high end product. I 579 00:28:33,000 --> 00:28:34,160 Speaker 5: set the price accordingly. 580 00:28:34,280 --> 00:28:36,800 Speaker 2: It's that simple. There's non argument here. There's no discussion. 581 00:28:37,160 --> 00:28:42,440 Speaker 2: I've created an elite product for elite taste. I just 582 00:28:42,600 --> 00:28:42,840 Speaker 2: love it. 583 00:28:43,560 --> 00:28:46,640 Speaker 5: So for the smash and grab EBT card group of 584 00:28:46,720 --> 00:28:51,720 Speaker 5: self entitled complainers, woa whoa uh beatching about price? 585 00:28:51,920 --> 00:28:52,520 Speaker 2: Bleep off? 586 00:28:53,360 --> 00:28:53,600 Speaker 4: Wow? 587 00:28:54,000 --> 00:28:56,600 Speaker 2: Well, so it comes down to this. This is what 588 00:28:56,720 --> 00:28:59,600 Speaker 2: he writes. If the fan supports not there, which does 589 00:28:59,680 --> 00:29:02,080 Speaker 2: not app to be, this record will not be released. 590 00:29:02,120 --> 00:29:02,560 Speaker 4: Am I fine? 591 00:29:02,600 --> 00:29:05,720 Speaker 5: With that, absolutely one. It'll be the greatest album of 592 00:29:05,760 --> 00:29:08,160 Speaker 5: all time, never to be heard, never to be released. 593 00:29:08,480 --> 00:29:11,280 Speaker 5: If people want my music and think they're punishing me 594 00:29:11,360 --> 00:29:13,480 Speaker 5: by not buying it because of the price, it matters 595 00:29:13,560 --> 00:29:13,920 Speaker 5: not to me. 596 00:29:14,320 --> 00:29:15,720 Speaker 2: They're the ones who will lose out. 597 00:29:16,080 --> 00:29:17,800 Speaker 4: You're gonna lose out in your two hundred dollars for 598 00:29:18,000 --> 00:29:23,160 Speaker 4: one song one song now again, course, correction is fine 599 00:29:23,240 --> 00:29:26,840 Speaker 4: and finding a way to compensate artists, I wholeheartedly applaud 600 00:29:26,880 --> 00:29:30,080 Speaker 4: those endeavors. There isn't a song that's come out that's 601 00:29:30,080 --> 00:29:33,080 Speaker 4: worth two hundred dollars, let alone by Vinnie Vincent. 602 00:29:33,200 --> 00:29:35,040 Speaker 2: It gets better, How is it possible? 603 00:29:35,120 --> 00:29:40,400 Speaker 5: Benson also doubled down on his boasts, comparing Guitarmageddon to 604 00:29:40,880 --> 00:29:45,400 Speaker 5: Meet the Beatles, Led Zeppelin II, Jimmy Hendrix, Are you 605 00:29:45,560 --> 00:29:51,240 Speaker 5: experienced Jeff Beck's Truth, Cream's Wheel of Fire, and anything. 606 00:29:51,000 --> 00:29:54,360 Speaker 2: From Pink Floyd Anything well, just at Pink Floyd, et cetera. 607 00:29:54,560 --> 00:29:57,440 Speaker 5: He says, the only difference in these albums are generation 608 00:29:57,600 --> 00:29:59,600 Speaker 5: tested and have the benefit of fermentation of. 609 00:29:59,680 --> 00:30:01,600 Speaker 4: Time and people bought them in the first place. 610 00:30:01,680 --> 00:30:04,480 Speaker 5: But as for impact and perfection from first song to last, 611 00:30:05,120 --> 00:30:06,440 Speaker 5: guitar Ageddon is a classic. 612 00:30:07,400 --> 00:30:09,080 Speaker 2: Wow, if he doesn't mind saying so himself. 613 00:30:09,120 --> 00:30:12,000 Speaker 4: You see, literally, by definition, it can't be a classic. 614 00:30:12,440 --> 00:30:18,480 Speaker 4: Only time can bestow that particular honorific. That's one of so. 615 00:30:18,800 --> 00:30:23,520 Speaker 4: I mean, there's megalomania, and there is self involvement, and 616 00:30:23,600 --> 00:30:26,280 Speaker 4: then there's whatever this nonsense that Vinnie Vincent is doing. 617 00:30:26,760 --> 00:30:32,480 Speaker 4: Unless you are an independently wealthy headbanger who still remembers 618 00:30:32,520 --> 00:30:35,600 Speaker 4: the halcyon days of hair metal from the eighties and 619 00:30:35,840 --> 00:30:38,720 Speaker 4: you happen to have an outrageous trust fund, no one 620 00:30:38,880 --> 00:30:42,000 Speaker 4: is going to buy that. No one, no, not one person, no. 621 00:30:42,320 --> 00:30:44,240 Speaker 4: And I but I just. 622 00:30:44,280 --> 00:30:45,000 Speaker 2: Absolutely like it. 623 00:30:45,040 --> 00:30:46,360 Speaker 1: I love what you just I like. 624 00:30:46,400 --> 00:30:47,760 Speaker 2: As a matter of fact, if you don't want to 625 00:30:47,760 --> 00:30:49,320 Speaker 2: listen to it, don't worry. It's greatest ALBM of all. 626 00:30:49,560 --> 00:30:51,200 Speaker 4: You don't want to hear the greatest album of all time, 627 00:30:51,280 --> 00:30:53,840 Speaker 4: feel free go ahead and walk on by, and you'll 628 00:30:53,880 --> 00:30:57,040 Speaker 4: be kicking yourself later when your kids have face tattoos 629 00:30:57,080 --> 00:30:59,320 Speaker 4: of Vinnie Vincent over their own face. It was so 630 00:30:59,480 --> 00:31:03,120 Speaker 4: much fun, that is I mean again, the world is 631 00:31:03,200 --> 00:31:06,200 Speaker 4: so bizarre that every time I want to be mind 632 00:31:06,280 --> 00:31:09,280 Speaker 4: boggled by these I've learned now and really this is 633 00:31:09,360 --> 00:31:12,160 Speaker 4: sort of a garden variety weirdo rock and roll story. 634 00:31:12,240 --> 00:31:14,560 Speaker 4: You know, there's a lot going on out there, And 635 00:31:14,720 --> 00:31:16,840 Speaker 4: thank you, Vinny Vincent for at least giving me a 636 00:31:17,080 --> 00:31:20,000 Speaker 4: very hearty chot. I thought if that story had stopped 637 00:31:20,000 --> 00:31:22,840 Speaker 4: after the fact that he was calling his album Guitar Again, 638 00:31:23,360 --> 00:31:26,000 Speaker 4: I still would have been delighted by that story. And 639 00:31:26,120 --> 00:31:28,120 Speaker 4: it only you were right when you kept saying it 640 00:31:28,240 --> 00:31:31,080 Speaker 4: gets better. Kid, that's a good one right there. 641 00:31:31,160 --> 00:31:32,680 Speaker 2: I used this would little Bee. 642 00:31:32,960 --> 00:31:34,960 Speaker 5: I was going to use it with you last Wednesday, 643 00:31:35,000 --> 00:31:36,960 Speaker 5: but you were out, and I did this with a 644 00:31:37,000 --> 00:31:39,720 Speaker 5: little bit on Friday on this out a variety. 645 00:31:41,760 --> 00:31:46,040 Speaker 2: A current musician, singer I think more than a musician, 646 00:31:46,120 --> 00:31:46,560 Speaker 2: but I don't know. 647 00:31:46,800 --> 00:31:51,800 Speaker 5: Sure became the fifth musician to reach the milestone of billionaire. 648 00:31:52,200 --> 00:31:54,600 Speaker 4: Wow, who do you think that was? Well, let's think. 649 00:31:55,040 --> 00:31:58,120 Speaker 4: Is Taylor Swift a billionaire already? She's on that list already. Yeah, 650 00:31:58,320 --> 00:32:01,680 Speaker 4: I'm trying to think who the other billionaire is? Are Beyonce. 651 00:32:03,720 --> 00:32:05,960 Speaker 2: Just reached that list? Yes, she reached out us. 652 00:32:06,360 --> 00:32:07,920 Speaker 5: Do you have the rest of that list on? Yes, 653 00:32:08,000 --> 00:32:10,280 Speaker 5: I have the list for the other billionaire musicians. See 654 00:32:10,280 --> 00:32:11,840 Speaker 5: if you can guess any of them. First, of all 655 00:32:12,080 --> 00:32:14,320 Speaker 5: you did mention Taylor Swift, Yeah, and Beyonce. 656 00:32:14,600 --> 00:32:16,840 Speaker 4: There we're talking about people who are making music right now, right, 657 00:32:16,960 --> 00:32:21,840 Speaker 4: not legends they are, They are all still working. Paul McCartney. No, okay. 658 00:32:23,480 --> 00:32:26,080 Speaker 2: Then one is a female. The other two are males. 659 00:32:26,520 --> 00:32:29,240 Speaker 4: Okay, another's female. Who's a I mean because a billion, 660 00:32:29,440 --> 00:32:31,640 Speaker 4: even though we seem to hear the term billionaire all 661 00:32:31,640 --> 00:32:34,320 Speaker 4: the time, a billion is still a tremendous amount of money. 662 00:32:34,960 --> 00:32:39,440 Speaker 4: Who's the other Madonna? No, no, it's a one named 663 00:32:39,480 --> 00:32:47,360 Speaker 4: artist share No okay, Shakira no, uh am I gonna 664 00:32:47,400 --> 00:32:48,640 Speaker 4: I'm just gonna be obvious, right. 665 00:32:48,880 --> 00:32:51,000 Speaker 5: Yeah, yeah, well maybe not obvious, but it's a name 666 00:32:51,000 --> 00:32:53,000 Speaker 5: that's been around for a long long time now, very 667 00:32:53,120 --> 00:32:53,840 Speaker 5: very successful. 668 00:32:54,400 --> 00:33:00,360 Speaker 4: No, no, you're welcome. That was for you. Ours than 669 00:33:00,440 --> 00:33:05,680 Speaker 4: are really all of our other endeavors. Her her makeup 670 00:33:05,720 --> 00:33:07,680 Speaker 4: stuff and her clothing stuff, that's what it means. But 671 00:33:08,000 --> 00:33:10,080 Speaker 4: her personal wealth is at over a bit I remember 672 00:33:10,120 --> 00:33:12,120 Speaker 4: hearing that a while ago. And the other two are dudes, 673 00:33:12,200 --> 00:33:13,400 Speaker 4: not jay Z on that list. 674 00:33:13,600 --> 00:33:15,720 Speaker 2: Jay z Z, you have too and one family that 675 00:33:15,760 --> 00:33:16,440 Speaker 2: are billionaires. 676 00:33:16,640 --> 00:33:18,800 Speaker 4: Nice. Well, you know you like to keep things equal 677 00:33:18,840 --> 00:33:22,400 Speaker 4: in most relationships. Whenever you can the breadwinner in that 678 00:33:24,480 --> 00:33:28,720 Speaker 4: he's not a billionaire. Well, but maybe, yeah, I don't 679 00:33:28,720 --> 00:33:32,040 Speaker 4: know this guy. It's going to be someone I don't like. 680 00:33:32,080 --> 00:33:36,520 Speaker 4: I already know. I can't think of it. 681 00:33:36,640 --> 00:33:38,800 Speaker 2: Okay, let me. I'll just give you one hint, do it? 682 00:33:38,960 --> 00:33:41,160 Speaker 2: Hold on for one second. This as a hint. 683 00:33:44,400 --> 00:33:46,040 Speaker 4: I hope you're all out there screaming along in your 684 00:33:46,080 --> 00:33:48,120 Speaker 4: car because it's super obvious. But I just I can't 685 00:33:48,240 --> 00:33:51,680 Speaker 4: because a billion, that's a real high water mark. So 686 00:33:51,800 --> 00:33:54,560 Speaker 4: we've got Rihanna, We've got jay Z, We've got Beyonce, 687 00:33:54,880 --> 00:33:57,400 Speaker 4: we have he did this song, just got Okay. 688 00:33:57,560 --> 00:33:59,920 Speaker 5: In the day we sweat it out on the streets 689 00:34:00,080 --> 00:34:04,080 Speaker 5: of a runaway American dream. Oh at night, really at night, 690 00:34:04,160 --> 00:34:07,800 Speaker 5: we ride through mansions of glory in Suicide Machine. 691 00:34:07,600 --> 00:34:11,480 Speaker 4: Bruce Springsteen is a billionaire. I would love to see 692 00:34:11,520 --> 00:34:14,000 Speaker 4: a breakdown of that, because, again, no disrespect at all 693 00:34:14,120 --> 00:34:17,240 Speaker 4: to one of the great American troubadours, but a billion 694 00:34:17,360 --> 00:34:19,160 Speaker 4: is a lot of money, even for someone who tours 695 00:34:19,200 --> 00:34:22,399 Speaker 4: aggressively and consistently and satisfyingly as he does. 696 00:34:22,880 --> 00:34:24,600 Speaker 2: That's a lot of funey, a lot of money. But 697 00:34:24,640 --> 00:34:25,520 Speaker 2: apparently he's got. 698 00:34:25,400 --> 00:34:27,360 Speaker 4: It well, good for him and good for everybody on 699 00:34:27,480 --> 00:34:27,759 Speaker 4: the list. 700 00:34:27,840 --> 00:34:28,080 Speaker 3: You know what. 701 00:34:28,760 --> 00:34:33,640 Speaker 4: For ever, for every Beyonce, there are thousands of Vinnie Vincent's. Okay, 702 00:34:34,480 --> 00:34:38,560 Speaker 4: well here's one. Well, congratulations to Beyonce for joining a 703 00:34:38,840 --> 00:34:39,880 Speaker 4: very exclusive club. 704 00:34:41,000 --> 00:34:43,080 Speaker 2: Certainly earned it. You're getting ripped. 705 00:34:43,200 --> 00:34:44,239 Speaker 4: Go ahead, this. 706 00:34:44,360 --> 00:34:51,960 Speaker 5: One says, what a hater ocus Vinnie Vincent invasion, Vinnie 707 00:34:52,000 --> 00:34:52,680 Speaker 5: Vincent guitar. 708 00:34:52,920 --> 00:34:54,600 Speaker 2: Again. You don't have to like them, but you have 709 00:34:54,680 --> 00:34:56,400 Speaker 2: to pay on an arm and leg for as. 710 00:34:58,600 --> 00:34:58,759 Speaker 1: Well. 711 00:34:58,840 --> 00:35:00,600 Speaker 2: You do more than an arm. 712 00:35:00,880 --> 00:35:02,799 Speaker 4: I like it when someone gets the bit. I don't 713 00:35:02,840 --> 00:35:05,960 Speaker 4: mind taking a little heat. But well done. That was excellent. Yeah, 714 00:35:06,080 --> 00:35:09,800 Speaker 4: it's uh, you don't have to like them, but you 715 00:35:09,880 --> 00:35:11,359 Speaker 4: have to pay an arma. Do you have to take 716 00:35:11,400 --> 00:35:13,480 Speaker 4: out a second mortgage if you want that whole album? 717 00:35:13,520 --> 00:35:15,279 Speaker 4: And who I mean, once you get a taste of it, 718 00:35:15,600 --> 00:35:18,160 Speaker 4: Once you get a taste of it through Ride the Serpent, 719 00:35:19,280 --> 00:35:21,680 Speaker 4: once you once you hear Ride the Serpent, there's no 720 00:35:21,800 --> 00:35:24,280 Speaker 4: way you can say no to the remaining seventeen tracks. 721 00:35:24,920 --> 00:35:27,840 Speaker 4: It's it is, it's farcical, it's beyond the pale. 722 00:35:28,080 --> 00:35:29,040 Speaker 2: It's time now for. 723 00:35:31,080 --> 00:35:39,239 Speaker 5: Rock Rank Rock Rank Rock Rock Lank Rock Rock Rock 724 00:35:39,719 --> 00:35:40,960 Speaker 5: Rock Bike We. 725 00:35:41,080 --> 00:35:43,359 Speaker 1: Love rock rank Brian Today, I want you to rank 726 00:35:43,400 --> 00:35:48,160 Speaker 1: your top five duos of all time, your top five duos. 727 00:35:48,239 --> 00:35:49,960 Speaker 4: I'm more than happy to do this, but I want 728 00:35:49,960 --> 00:35:50,360 Speaker 4: to say. 729 00:35:50,320 --> 00:35:51,040 Speaker 2: Enough time at the end. 730 00:35:51,320 --> 00:35:53,040 Speaker 4: What's that Indigo girls at the top of the list. 731 00:35:53,080 --> 00:35:55,120 Speaker 4: Why don't they're at the number one on the alternate list? 732 00:35:55,200 --> 00:35:55,279 Speaker 3: Right? 733 00:35:55,280 --> 00:35:57,120 Speaker 4: I was going to say, is either before or after 734 00:35:57,200 --> 00:35:59,760 Speaker 4: I give you my top five. The list of honorable 735 00:35:59,800 --> 00:36:03,759 Speaker 4: men on this is devastatingly huge, because this was really 736 00:36:03,840 --> 00:36:06,440 Speaker 4: hard to whittle down. And again I didn't go by popularity. 737 00:36:06,480 --> 00:36:09,959 Speaker 4: I went my top five duos of all time, coming 738 00:36:10,000 --> 00:36:12,479 Speaker 4: in at number five. I know he's not a likable dude, 739 00:36:12,640 --> 00:36:15,359 Speaker 4: and history will remember him as such, but when they 740 00:36:15,400 --> 00:36:18,200 Speaker 4: were together and when they were at their peak, for 741 00:36:18,480 --> 00:36:21,360 Speaker 4: my personal taste, the height of soul meeting rock and 742 00:36:21,520 --> 00:36:24,360 Speaker 4: roll is Ike and Tina Turner, Ike and Tina Turner 743 00:36:24,400 --> 00:36:26,799 Speaker 4: together because like it or not, whether or not, yeah, 744 00:36:26,800 --> 00:36:28,960 Speaker 4: I mean, Ike was a bad person, we know that now, 745 00:36:29,400 --> 00:36:33,680 Speaker 4: but he also made some of the most incredible, heavy, 746 00:36:33,960 --> 00:36:37,320 Speaker 4: riff oriented soul music in the entire era. And of 747 00:36:37,400 --> 00:36:40,239 Speaker 4: course we're talking about one of the greatest living vocalists 748 00:36:40,320 --> 00:36:43,160 Speaker 4: of all time in Tina Turner. So those two together 749 00:36:43,239 --> 00:36:44,680 Speaker 4: they come in at number five on my list. 750 00:36:44,760 --> 00:36:46,400 Speaker 1: I will say that could be like a conversation for 751 00:36:46,440 --> 00:36:48,560 Speaker 1: another day of how you're supposed to feel about artists 752 00:36:48,600 --> 00:36:50,759 Speaker 1: that you loved. Oh, there's a lot on that list, 753 00:36:50,840 --> 00:36:53,640 Speaker 1: and then a lot of you know, off the mic 754 00:36:53,719 --> 00:36:57,160 Speaker 1: stuff happens, and you know, like, right, I liked r Kelly. 755 00:36:57,480 --> 00:36:59,040 Speaker 4: We called I supposed to feel about him? 756 00:36:59,040 --> 00:36:59,120 Speaker 3: Now? 757 00:36:59,160 --> 00:37:01,400 Speaker 4: Can I still listen to music? And we call that 758 00:37:02,000 --> 00:37:04,000 Speaker 4: how do we separate the art from the artist? And 759 00:37:04,480 --> 00:37:06,600 Speaker 4: that might be another topic for another well, and that's 760 00:37:06,600 --> 00:37:08,759 Speaker 4: a tricky one because everyone has to draw that line 761 00:37:08,760 --> 00:37:13,000 Speaker 4: wherever they can live comfortably. Like Gary Glitter involved in 762 00:37:13,080 --> 00:37:15,480 Speaker 4: some very nasty stuff, but we still hear his songs 763 00:37:15,520 --> 00:37:17,560 Speaker 4: every time you're at a stadium to see a sporting event. 764 00:37:17,800 --> 00:37:20,000 Speaker 2: Can I ask for a I need a ruling? 765 00:37:20,200 --> 00:37:26,200 Speaker 5: Yeah, Steely Dan, Yep, they count. That counts because it 766 00:37:26,280 --> 00:37:28,759 Speaker 5: was Fagan and Becker and they had other musicians play, 767 00:37:28,800 --> 00:37:29,439 Speaker 5: but they were. 768 00:37:29,400 --> 00:37:29,960 Speaker 4: They were the two. 769 00:37:30,120 --> 00:37:31,880 Speaker 2: They were the main ones that they were, They were 770 00:37:31,920 --> 00:37:32,960 Speaker 2: the constant, they were the West. 771 00:37:33,560 --> 00:37:35,320 Speaker 4: No, they absolutely count as a duo. 772 00:37:35,160 --> 00:37:38,720 Speaker 5: Because that's my number one, number one, number one Steely 773 00:37:38,800 --> 00:37:39,960 Speaker 5: Dan is one of my favorite. 774 00:37:39,640 --> 00:37:42,560 Speaker 4: Bands, and they show up on every list of famous 775 00:37:42,600 --> 00:37:43,759 Speaker 4: musical duos you've ever seen. 776 00:37:43,840 --> 00:37:44,480 Speaker 2: I'm a huge fan. 777 00:37:44,560 --> 00:37:46,319 Speaker 4: I'm not a huge fan, but I understand why they're 778 00:37:46,400 --> 00:37:48,439 Speaker 4: your number one, and I understand why so many people 779 00:37:48,600 --> 00:37:51,200 Speaker 4: revere them so deeply. It just, again, it all falls 780 00:37:51,280 --> 00:37:52,759 Speaker 4: down to you don't get to pick what you love. 781 00:37:52,840 --> 00:37:54,480 Speaker 4: And I've never heard a song that just kind of 782 00:37:54,560 --> 00:37:56,919 Speaker 4: like got me. You know, I've heard good songs by him. 783 00:37:56,800 --> 00:37:57,279 Speaker 2: But not from me. 784 00:37:57,400 --> 00:37:58,880 Speaker 5: I think you also told me too, because they were 785 00:37:58,920 --> 00:38:00,880 Speaker 5: such perfectionists, and then you thought, well, you don't. 786 00:38:00,680 --> 00:38:02,800 Speaker 2: Have to be perfect and that because they were, I 787 00:38:02,880 --> 00:38:05,600 Speaker 2: mean so bad. They would bring in Brian Oak to 788 00:38:05,680 --> 00:38:06,560 Speaker 2: play guitar. 789 00:38:06,440 --> 00:38:09,040 Speaker 4: Riff and not be happy until I left crying like a. 790 00:38:09,040 --> 00:38:11,120 Speaker 5: Twenty five second guitar riph and you played for eight 791 00:38:11,200 --> 00:38:12,840 Speaker 5: hours and they'd go, hey, thanks for coming in, we 792 00:38:12,880 --> 00:38:13,400 Speaker 5: appreciate it. 793 00:38:13,480 --> 00:38:15,520 Speaker 2: And then they would say it wasn't good enough. That's 794 00:38:15,520 --> 00:38:16,279 Speaker 2: how perfect And. 795 00:38:16,320 --> 00:38:18,480 Speaker 4: Again, that's fine. You're allowed as an artist to set 796 00:38:18,520 --> 00:38:20,920 Speaker 4: the standard that you want to express to the world, 797 00:38:21,400 --> 00:38:22,759 Speaker 4: but it's just it's not my jam. 798 00:38:23,160 --> 00:38:26,840 Speaker 2: I just love their sardonic look at things there. I 799 00:38:27,000 --> 00:38:29,839 Speaker 2: just loved their sommer anyways, that would be an Amriz four. 800 00:38:30,360 --> 00:38:34,360 Speaker 4: Number four is a French electronic duo whose faces we 801 00:38:34,640 --> 00:38:38,360 Speaker 4: rarely but really never saw publicly. Daft Punk coming in 802 00:38:38,520 --> 00:38:42,320 Speaker 4: at number four to get luck and see now, but 803 00:38:42,440 --> 00:38:45,000 Speaker 4: again that's only one that Here's one of the reasons 804 00:38:45,040 --> 00:38:47,120 Speaker 4: I love them is that they were different with every 805 00:38:47,160 --> 00:38:50,560 Speaker 4: album they put out. Sometimes they were a classic down 806 00:38:50,640 --> 00:38:54,160 Speaker 4: tempo groove, funky beats and nothing else. Other Times they 807 00:38:54,200 --> 00:38:56,279 Speaker 4: did a full blown disco album like that where they 808 00:38:56,320 --> 00:38:59,680 Speaker 4: brought in Farrell and Giorgio Moroder. I've always loved a 809 00:38:59,719 --> 00:39:02,920 Speaker 4: lot of techno music and electro EDM, whatever you want 810 00:39:02,920 --> 00:39:05,640 Speaker 4: to call it. I don't care. The name is less 811 00:39:05,680 --> 00:39:07,480 Speaker 4: important than the quality of what's being put out. There's 812 00:39:07,480 --> 00:39:09,400 Speaker 4: a lot of pedestrian stuff, a lot of terrible stuff, 813 00:39:09,440 --> 00:39:13,000 Speaker 4: but very few people, very very few bands ever have 814 00:39:13,239 --> 00:39:16,480 Speaker 4: brought the kind of music they do to a scale 815 00:39:17,000 --> 00:39:20,040 Speaker 4: like that on Bands like Justice and Chemical Brothers are close, 816 00:39:20,160 --> 00:39:22,799 Speaker 4: but daft Punk to me is the high water mark 817 00:39:22,920 --> 00:39:25,600 Speaker 4: of electronic music in the last fifteen twenty years. Okay, 818 00:39:25,960 --> 00:39:29,000 Speaker 4: number three, number three, COM's going to be with me 819 00:39:29,120 --> 00:39:31,800 Speaker 4: on this one. We are going back to the early seventies, 820 00:39:31,840 --> 00:39:36,120 Speaker 4: really throughout all the seventies to well, you have one 821 00:39:36,200 --> 00:39:37,880 Speaker 4: of my one of the lines that you used to 822 00:39:37,920 --> 00:39:41,279 Speaker 4: say on the air regularly, not that you repeat yourself often, 823 00:39:41,360 --> 00:39:44,960 Speaker 4: but you used to regards this band, and it was 824 00:39:45,040 --> 00:39:47,320 Speaker 4: before I really got to know you, and it endeared 825 00:39:47,400 --> 00:39:50,160 Speaker 4: you to me as much as anything you'd ever said 826 00:39:50,200 --> 00:39:52,719 Speaker 4: on the radio when you were back selling that that 827 00:39:52,920 --> 00:39:59,200 Speaker 4: was a song by Karen Carpenter, or no, what did 828 00:39:59,239 --> 00:39:59,520 Speaker 4: you say? 829 00:40:00,239 --> 00:40:03,799 Speaker 2: That's the Carpenter's Karen Carpenter and her sister. 830 00:40:03,680 --> 00:40:08,279 Speaker 4: Richard exactly because he had that common early seventies. I 831 00:40:08,440 --> 00:40:10,440 Speaker 4: had the same cut when I was a kid, and 832 00:40:11,320 --> 00:40:15,680 Speaker 4: little kind of a prince, valiant, little lord funtleroy. But 833 00:40:16,000 --> 00:40:21,040 Speaker 4: that being said, jokes aside, Adam, the Carpenters are perfect 834 00:40:21,080 --> 00:40:21,799 Speaker 4: American pop. 835 00:40:22,040 --> 00:40:22,719 Speaker 2: They are. 836 00:40:23,120 --> 00:40:26,320 Speaker 4: The production is flawless. You may say a little lifeless, 837 00:40:26,400 --> 00:40:28,719 Speaker 4: but it's just it's so clean and so pretty and 838 00:40:28,840 --> 00:40:29,520 Speaker 4: so beautiful. 839 00:40:29,920 --> 00:40:32,200 Speaker 2: And then Karen Carpenter's voice, well that's it. 840 00:40:32,360 --> 00:40:34,759 Speaker 4: Then you add that you put the beating heart in 841 00:40:34,840 --> 00:40:38,880 Speaker 4: the center of that perfect machine. With Karen Carpenter's unparalleled voice, 842 00:40:39,360 --> 00:40:43,600 Speaker 4: her command of phrasing, her use of dynamics, there's really 843 00:40:43,680 --> 00:40:45,520 Speaker 4: not ever been anybody quite like her, and I think 844 00:40:45,520 --> 00:40:48,279 Speaker 4: the two of them together, The Carpenters, although a lot 845 00:40:48,280 --> 00:40:51,040 Speaker 4: of people see it as light rock or elevator music, 846 00:40:51,320 --> 00:40:52,120 Speaker 4: I think are one of them. 847 00:40:52,200 --> 00:40:52,920 Speaker 2: It's very cheesy. 848 00:40:53,520 --> 00:40:56,279 Speaker 4: Well yes, but only because it's so well produced and 849 00:40:56,440 --> 00:40:57,239 Speaker 4: so approachable. 850 00:40:57,640 --> 00:40:58,600 Speaker 2: Songs are kind of corny. 851 00:40:58,719 --> 00:41:00,239 Speaker 4: I don't think that. I don't think that. The not 852 00:41:00,400 --> 00:41:02,520 Speaker 4: corny like Captain and Taneil Corney, who are on my 853 00:41:02,640 --> 00:41:04,759 Speaker 4: Honorable Mentions list, by the way, but not in my 854 00:41:04,880 --> 00:41:08,319 Speaker 4: top five. The Carpenters. I can see why people pooh 855 00:41:08,320 --> 00:41:09,879 Speaker 4: pooh them, especially like you know, I was a young 856 00:41:09,920 --> 00:41:12,360 Speaker 4: punk rock kid in the eighties. Carpenters. What song was 857 00:41:12,400 --> 00:41:13,840 Speaker 4: played at every wedding back and was it? 858 00:41:13,880 --> 00:41:14,400 Speaker 2: Close to you? 859 00:41:14,640 --> 00:41:15,200 Speaker 5: Is that the song? 860 00:41:15,280 --> 00:41:19,600 Speaker 2: It was played? Boom, It's every you could do. 861 00:41:21,239 --> 00:41:21,959 Speaker 4: Every time? 862 00:41:22,480 --> 00:41:24,799 Speaker 2: But think about that, you need that was played at 863 00:41:24,840 --> 00:41:26,120 Speaker 2: every single wedding back then. 864 00:41:27,040 --> 00:41:28,000 Speaker 1: Just like me. 865 00:41:28,880 --> 00:41:35,400 Speaker 4: Number two long to be close to Thank you for 866 00:41:35,480 --> 00:41:39,840 Speaker 4: indulging me. There Number two somewhere between the worlds of 867 00:41:39,960 --> 00:41:42,359 Speaker 4: folk and rock, when the America hadn't made up its 868 00:41:42,400 --> 00:41:44,239 Speaker 4: mind and you didn't really have to make up your mind, 869 00:41:44,280 --> 00:41:45,960 Speaker 4: but folk was gigantic rock. 870 00:41:45,840 --> 00:41:49,720 Speaker 2: And roll was gigantic, but my story seldom told. 871 00:41:50,000 --> 00:41:53,359 Speaker 4: No, no, no, We're gonna go back even a little 872 00:41:53,400 --> 00:41:55,880 Speaker 4: bit before them, to a band that would go on 873 00:41:56,000 --> 00:41:58,680 Speaker 4: to influence modern day country artists, would go on to 874 00:41:58,800 --> 00:42:04,839 Speaker 4: influence punk rockers, virtually every singer songwriter. No, bye bye 875 00:42:05,120 --> 00:42:08,000 Speaker 4: love the Everly Brothers. Yeah, the Everly Brothers. 876 00:42:08,080 --> 00:42:08,360 Speaker 3: To me. 877 00:42:09,880 --> 00:42:13,479 Speaker 4: Of that era of bands and performers of that ilk, 878 00:42:13,960 --> 00:42:16,600 Speaker 4: I don't think anybody came anywhere near them in terms 879 00:42:16,640 --> 00:42:20,080 Speaker 4: of songwriting, in terms of execution. If you want a 880 00:42:20,120 --> 00:42:22,239 Speaker 4: good example of how it translates into the modern age, 881 00:42:22,560 --> 00:42:24,799 Speaker 4: Billy Joe Armstrong, lead singer of Green Day, and Nora 882 00:42:24,960 --> 00:42:27,560 Speaker 4: Jones put out a record together called for Everly that 883 00:42:27,760 --> 00:42:31,560 Speaker 4: is their love letter to the Everly Brothers, and highly 884 00:42:31,800 --> 00:42:35,000 Speaker 4: highly recommended My brother open. 885 00:42:34,760 --> 00:42:37,440 Speaker 5: For the Everly Brothers for three weeks at at the 886 00:42:37,480 --> 00:42:40,759 Speaker 5: Desert End. He said they were the two kindest, most 887 00:42:40,880 --> 00:42:41,840 Speaker 5: easiest guys. 888 00:42:43,120 --> 00:42:45,440 Speaker 4: And some of the greatest performers and songwriters in American 889 00:42:45,520 --> 00:42:46,040 Speaker 4: music history. 890 00:42:46,120 --> 00:42:48,120 Speaker 2: We got to a number number one, number one. 891 00:42:48,200 --> 00:42:49,719 Speaker 4: I know it's criminal to you that I did not 892 00:42:49,800 --> 00:42:52,000 Speaker 4: include Simon and Garfunkel on this list, but for again, 893 00:42:52,080 --> 00:42:55,919 Speaker 4: we're talking my list. Number one favorite American musical duo 894 00:42:56,000 --> 00:42:58,320 Speaker 4: of all time is The White Stripes at the Detroit, 895 00:42:58,440 --> 00:43:01,080 Speaker 4: Michigan period. What do you think I was going with? 896 00:43:01,400 --> 00:43:05,600 Speaker 4: Hollo Oats Okay, listener, Hellos super Fast. Here's my list 897 00:43:05,680 --> 00:43:10,800 Speaker 4: of honorable mentions. Simon and Garfunkel, Jan and Dean, Smothermothers, Brothers, Amazing, Sleaford, 898 00:43:10,880 --> 00:43:13,239 Speaker 4: Mod's You, Rhythmics, Indigo Girls Out There, Money and Share, 899 00:43:13,400 --> 00:43:16,080 Speaker 4: haling Oates, Captain and teneil Air, Supply Salt and Peppa. 900 00:43:16,120 --> 00:43:18,800 Speaker 4: Although they're technically a trio, Sam and Dave, Seals and 901 00:43:18,840 --> 00:43:21,919 Speaker 4: Croft Shields and Yarnell Sonny and Cher and the Righteous Brothers. 902 00:43:22,040 --> 00:43:24,720 Speaker 4: Col and Oates had one good song that is incorrectly, 903 00:43:24,960 --> 00:43:25,760 Speaker 4: vastly incorrect. 904 00:43:25,760 --> 00:43:27,520 Speaker 2: They have one good song, and that song would be 905 00:43:28,000 --> 00:43:28,479 Speaker 2: She's Gone. 906 00:43:28,719 --> 00:43:31,600 Speaker 4: They have one good song about thousands of great songs. 907 00:43:32,520 --> 00:43:34,920 Speaker 2: And no one's gonna agree with me on this. I 908 00:43:35,080 --> 00:43:37,120 Speaker 2: think on that list on my top five would be 909 00:43:37,719 --> 00:43:38,600 Speaker 2: Loggins and Messina. 910 00:43:38,840 --> 00:43:41,000 Speaker 4: Yeah, a lot of people agree. If you've seen it 911 00:43:41,040 --> 00:43:43,359 Speaker 4: from Polko, go look online, and a ton of people 912 00:43:43,440 --> 00:43:44,480 Speaker 4: think they belong in the top. 913 00:43:44,600 --> 00:43:48,480 Speaker 2: I think their music was so spectacular. 914 00:43:48,560 --> 00:43:48,719 Speaker 4: Yeah. 915 00:43:48,719 --> 00:43:51,160 Speaker 5: I love everything they ever did, especially I know you're 916 00:43:51,200 --> 00:43:54,800 Speaker 5: not supposed to select greatest Hissed albums as your favorite albums, 917 00:43:54,960 --> 00:43:57,360 Speaker 5: but their Best of Friends album, which is the greatest 918 00:43:57,400 --> 00:43:59,920 Speaker 5: hits album, every single song from starting. 919 00:44:00,040 --> 00:44:03,359 Speaker 2: I've had nine copies of that album and just warn 920 00:44:03,400 --> 00:44:03,839 Speaker 2: it right out. 921 00:44:03,840 --> 00:44:05,120 Speaker 4: I understand, I know how it goes. 922 00:44:06,000 --> 00:44:06,399 Speaker 2: Very good. 923 00:44:07,520 --> 00:44:09,520 Speaker 5: Always good to see you, and again that podcast, if 924 00:44:09,520 --> 00:44:10,720 Speaker 5: people are interested, it's. 925 00:44:10,560 --> 00:44:12,399 Speaker 4: Called The Brian Oakshow. And if you care about music 926 00:44:12,400 --> 00:44:14,560 Speaker 4: anywhere near as much as I do, it's kind of 927 00:44:14,600 --> 00:44:16,480 Speaker 4: the focus to the whole show. So I would encourage 928 00:44:16,480 --> 00:44:18,440 Speaker 4: you to tune in The Brian Oaks Show podcast. You 929 00:44:18,480 --> 00:44:20,279 Speaker 4: can go back and listen to any one of the 930 00:44:20,360 --> 00:44:22,360 Speaker 4: five hundred and forty five episodes, and you can do 931 00:44:22,440 --> 00:44:25,080 Speaker 4: that by finding it on the free iHeartRadio app. 932 00:44:25,080 --> 00:44:25,800 Speaker 2: See you next Wednesday. 933 00:44:25,840 --> 00:44:27,759 Speaker 5: See then that's Brian oak Well, Tyke a break come Back, 934 00:44:27,760 --> 00:44:29,319 Speaker 5: Mark Rows and joins us next year on the Fan