1 00:00:00,480 --> 00:00:04,360 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:08,800 --> 00:00:11,520 Speaker 2: Live everywhere on the iHeartRadio app. Mark Thompson sitting in 3 00:00:11,560 --> 00:00:16,279 Speaker 2: on a wet, wet Tuesday night. I mean, it's I 4 00:00:16,320 --> 00:00:19,800 Speaker 2: guess the worst is passed from what I'm seeing, but man, 5 00:00:19,840 --> 00:00:23,279 Speaker 2: it was dropping for a while. First major snows in 6 00:00:23,320 --> 00:00:28,000 Speaker 2: the Sierra too, by the way, Really some heavy snow there. 7 00:00:28,600 --> 00:00:30,680 Speaker 2: What is the latest, Mark, I guess that it really 8 00:00:30,720 --> 00:00:34,080 Speaker 2: is the fact that now it's clearing skies. It's beautiful, 9 00:00:34,159 --> 00:00:38,680 Speaker 2: It's it'll be a refreshing morning as I'm is what 10 00:00:38,720 --> 00:00:40,599 Speaker 2: I'm guessing. I think we're just about the other end 11 00:00:40,600 --> 00:00:42,320 Speaker 2: of it. We might get a little bit more rain tonight, 12 00:00:44,760 --> 00:00:48,280 Speaker 2: some rogue showers, some sun tomorrow though, let's look on 13 00:00:48,280 --> 00:00:51,680 Speaker 2: the bright side. Yes, yeah, absolutely, the sun will come 14 00:00:51,680 --> 00:00:55,800 Speaker 2: out tomorrow. Annie was right. We have a lot to 15 00:00:55,840 --> 00:01:03,680 Speaker 2: get to. I had a celebrity experience sighting today, and 16 00:01:04,200 --> 00:01:07,000 Speaker 2: I mentioned it, not just because I had the celebrity siding, 17 00:01:07,080 --> 00:01:11,199 Speaker 2: which in itself is you know, we are in Hollywood, 18 00:01:11,360 --> 00:01:14,840 Speaker 2: you kind of bump into them, but because I got 19 00:01:14,920 --> 00:01:17,480 Speaker 2: up into my head a lot about it before I 20 00:01:17,600 --> 00:01:21,480 Speaker 2: had the encounter. I got up into my own sort 21 00:01:21,480 --> 00:01:24,959 Speaker 2: of neurotic insecurity about it. You know, like, what do 22 00:01:25,000 --> 00:01:29,520 Speaker 2: you say you do? You've everybody's had these encounters, and 23 00:01:29,600 --> 00:01:32,400 Speaker 2: maybe it's an athlete, maybe it's a screen star. Whatever, 24 00:01:32,480 --> 00:01:35,759 Speaker 2: you're going, okay now, and I should I say hey, 25 00:01:35,760 --> 00:01:38,200 Speaker 2: I've been a fan since I was a kid. Should 26 00:01:38,240 --> 00:01:41,400 Speaker 2: I say you know, hey, I saw you in whatever 27 00:01:41,480 --> 00:01:45,080 Speaker 2: and you were really good? Or do I identify myself 28 00:01:45,160 --> 00:01:47,920 Speaker 2: in some way that sort of lets the person know 29 00:01:48,280 --> 00:01:52,640 Speaker 2: I'm in show business? Also, you're not just some plea, 30 00:01:53,160 --> 00:01:58,720 Speaker 2: not a civilian. I am in your business, you see. 31 00:02:00,080 --> 00:02:04,040 Speaker 2: So when you do that, you have to do it 32 00:02:04,120 --> 00:02:06,240 Speaker 2: in such a way where you're not just you know, 33 00:02:06,320 --> 00:02:11,440 Speaker 2: buffoonish about it. You know, you may recognize me from 34 00:02:11,480 --> 00:02:13,680 Speaker 2: Law and Order Season eleven. I mean you don't want to, 35 00:02:13,919 --> 00:02:16,560 Speaker 2: you know, you want to try to say something that 36 00:02:16,680 --> 00:02:20,520 Speaker 2: is that is cool. You may know me as the 37 00:02:20,600 --> 00:02:22,840 Speaker 2: voice of Cheaters, Thank you, like you know, you know, 38 00:02:23,919 --> 00:02:32,400 Speaker 2: but even that, like you'd say, you know, I'm Mark Thompson. 39 00:02:34,800 --> 00:02:36,320 Speaker 2: And then you if you're going to go with a 40 00:02:36,440 --> 00:02:38,840 Speaker 2: show business reference, what do you do? You say? You 41 00:02:38,840 --> 00:02:41,760 Speaker 2: know you can't do anything, well, Mark Thompson, what have 42 00:02:41,800 --> 00:02:45,480 Speaker 2: you done? You'd say, well, you know, KFI Radio and 43 00:02:45,800 --> 00:02:48,680 Speaker 2: I'm on iHeart Radio. Maybe that's what you do, because 44 00:02:48,720 --> 00:02:52,840 Speaker 2: that's what you're doing now. You don't go Maybe you 45 00:02:52,960 --> 00:02:56,480 Speaker 2: recognize my voice from American Idols. It's fourteen seasons of that, 46 00:02:57,280 --> 00:03:00,440 Speaker 2: When Good Times Go Bad, Season one, two, three, four 47 00:03:00,480 --> 00:03:03,160 Speaker 2: and five, When Good Pets Go Bad U one, two, three, 48 00:03:03,240 --> 00:03:06,639 Speaker 2: four and five. Right, you don't you don't list your 49 00:03:06,680 --> 00:03:10,320 Speaker 2: resume for someone. I mean, you know, that would be funny. 50 00:03:10,480 --> 00:03:12,360 Speaker 2: That's the way you should do it as a sketch. 51 00:03:12,960 --> 00:03:16,440 Speaker 2: But in real life it's going to be somebody's taking 52 00:03:16,480 --> 00:03:19,840 Speaker 2: baby steps away from you. So I'd leave all that 53 00:03:19,880 --> 00:03:22,320 Speaker 2: stuff out. I don't you know. I don't identify myself 54 00:03:22,320 --> 00:03:24,960 Speaker 2: in any way it's related. I want to. I want 55 00:03:25,000 --> 00:03:29,160 Speaker 2: to say, hey, look I I have a an ouvra. Also, 56 00:03:29,320 --> 00:03:36,160 Speaker 2: I have, you know, a portfolio of film and television appearances. Also, okay, 57 00:03:38,120 --> 00:03:40,440 Speaker 2: I was in an Aaron Sorkin movie maybe you've heard 58 00:03:40,480 --> 00:03:47,400 Speaker 2: of him, Award winning writer The American President. I was 59 00:03:47,400 --> 00:03:50,480 Speaker 2: in it with Richard Dreyfuss. I had to scene multiple 60 00:03:50,520 --> 00:03:54,160 Speaker 2: scenes with him. I want to say that. I want 61 00:03:54,240 --> 00:03:58,800 Speaker 2: to I want to scream my relevance because it's a celebrity. 62 00:03:59,320 --> 00:04:04,320 Speaker 2: But of course I don't. It wouldn't be cool. So 63 00:04:06,160 --> 00:04:09,160 Speaker 2: then I'm at the pharmacy. That's where this happened. At 64 00:04:09,160 --> 00:04:16,240 Speaker 2: the pharmacy, and he's got his son with him. I'm thinking, yeah, 65 00:04:16,279 --> 00:04:20,440 Speaker 2: do you want to I do you want to do 66 00:04:20,440 --> 00:04:22,960 Speaker 2: a thing with the it's awkward with the kid. You 67 00:04:22,960 --> 00:04:25,440 Speaker 2: don't want to. Like I'm telling you, I get up 68 00:04:25,440 --> 00:04:28,960 Speaker 2: too of my my head about this too much. Just 69 00:04:28,960 --> 00:04:32,880 Speaker 2: say hello, Just say hey, a big fan. That's what 70 00:04:32,920 --> 00:04:34,359 Speaker 2: I should do. And by the way, that's what I 71 00:04:34,440 --> 00:04:37,839 Speaker 2: do a lot of the time. But this one I 72 00:04:38,000 --> 00:04:45,880 Speaker 2: had several different roads in. So the guy I'm talking 73 00:04:45,880 --> 00:04:54,400 Speaker 2: about is Ashton Kutcher. Okay, Now, Ashton Kutcher is a 74 00:04:54,400 --> 00:05:00,840 Speaker 2: celebrity for multiple things. Right he did. Of course, he 75 00:05:02,040 --> 00:05:05,360 Speaker 2: replaced Charlie Sheen in Two and a Half Men, Right. 76 00:05:06,920 --> 00:05:12,560 Speaker 2: Prior to that, he was in that seventies show, right 77 00:05:13,520 --> 00:05:16,320 Speaker 2: he was. Also, he's been in a bunch of movies. 78 00:05:16,400 --> 00:05:18,880 Speaker 2: You could tell me what movies, ron or that's your department. 79 00:05:19,040 --> 00:05:21,800 Speaker 2: I haven't seen a ton of Ashton Kutcher movies. 80 00:05:21,880 --> 00:05:22,760 Speaker 3: Dude, where's my Car? 81 00:05:23,480 --> 00:05:24,839 Speaker 2: My car is a big one. But I'm not going 82 00:05:24,920 --> 00:05:27,000 Speaker 2: to say, hey, loved you and dude, where's my car? 83 00:05:27,080 --> 00:05:29,479 Speaker 2: I mean, that's like almost a put down, right, really. 84 00:05:29,320 --> 00:05:31,280 Speaker 4: No, I would be humbled by that. 85 00:05:31,400 --> 00:05:34,520 Speaker 2: Actually, well, I just don't think it's an opener, you 86 00:05:34,520 --> 00:05:36,440 Speaker 2: know what I mean. It may be something you'd throw 87 00:05:36,480 --> 00:05:37,880 Speaker 2: into like, hey, I know it's weird to say this, 88 00:05:38,000 --> 00:05:40,240 Speaker 2: but I always love dude, whar's my car? And I 89 00:05:40,320 --> 00:05:43,159 Speaker 2: have dude, where's where my car? Viewing parties in my 90 00:05:43,200 --> 00:05:46,000 Speaker 2: house every year whatever. Then that might be fun, but 91 00:05:46,279 --> 00:05:51,039 Speaker 2: it's not an opener. It's my point. So of course 92 00:05:51,080 --> 00:05:53,159 Speaker 2: he did punks and he you know, he was a 93 00:05:53,320 --> 00:05:55,400 Speaker 2: you know, he's a model. He was married. Wasn't he 94 00:05:55,440 --> 00:05:56,040 Speaker 2: married to me? 95 00:05:56,160 --> 00:05:56,320 Speaker 1: More? 96 00:05:56,720 --> 00:05:56,960 Speaker 2: Was he? 97 00:05:57,440 --> 00:05:59,320 Speaker 3: He was? But he's presently married to me. 98 00:05:59,480 --> 00:06:05,880 Speaker 2: Lukun Ah right, Melacunas, Yeah, yeah, yeah, yeah, So I've 99 00:06:06,080 --> 00:06:12,080 Speaker 2: met Meelacunis. I was good friends with a couple of 100 00:06:12,120 --> 00:06:15,440 Speaker 2: the kids on that seventies show. While that seventy show 101 00:06:15,520 --> 00:06:17,440 Speaker 2: was on. We were really good friends, and I would 102 00:06:17,640 --> 00:06:19,920 Speaker 2: go down and play cards on the set of that 103 00:06:20,000 --> 00:06:24,359 Speaker 2: seventies show. But i'd never met Ashton Kutcher, so I 104 00:06:24,360 --> 00:06:27,960 Speaker 2: couldn't even say, because this is the good opener, Wow, 105 00:06:28,120 --> 00:06:31,040 Speaker 2: it's been forever. But we met on the set of 106 00:06:31,320 --> 00:06:33,360 Speaker 2: that seventies show. I was down there to play. Now. 107 00:06:33,440 --> 00:06:37,120 Speaker 2: Now you could just say that, but that's not what 108 00:06:37,200 --> 00:06:39,800 Speaker 2: I do. If it didn't actually happen, I'm not going 109 00:06:39,839 --> 00:06:44,120 Speaker 2: to just use it as an opener. So I'm standing 110 00:06:44,200 --> 00:06:46,839 Speaker 2: there and it's a little bit like I'm thinking in 111 00:06:46,839 --> 00:06:48,719 Speaker 2: my head. And this is where it's just awful to 112 00:06:48,760 --> 00:06:50,920 Speaker 2: be Mark Thompson, because you have this in your head. 113 00:06:50,960 --> 00:06:52,360 Speaker 2: You want to say the right thing. You want to 114 00:06:52,400 --> 00:06:55,320 Speaker 2: stick the landing. It's nothing, Mark, just say hello and 115 00:06:55,360 --> 00:06:57,960 Speaker 2: move on. What's a big deal. No, no, no, no, I 116 00:06:58,040 --> 00:07:03,119 Speaker 2: want this to go really well. So I'm standing there. 117 00:07:04,000 --> 00:07:08,680 Speaker 2: It's Ashton, it's his son, it's me at the pharmacy, 118 00:07:09,200 --> 00:07:12,280 Speaker 2: and we're just waiting. And then for me it seems 119 00:07:12,280 --> 00:07:16,560 Speaker 2: like forever is I'm reviewing what I might say, and 120 00:07:18,400 --> 00:07:21,640 Speaker 2: when we come back, I will tell you what my 121 00:07:21,720 --> 00:07:28,440 Speaker 2: opener was. And then I followed my opener. This is 122 00:07:28,520 --> 00:07:31,480 Speaker 2: really the high wire act. When you follow the opener, 123 00:07:32,160 --> 00:07:36,960 Speaker 2: you exchange pleasantries, you've shaken hands, you've acknowledged the sun, 124 00:07:37,600 --> 00:07:42,640 Speaker 2: and then you go back, you go back for another sortie. 125 00:07:43,920 --> 00:07:48,600 Speaker 2: That is the high wire act. And that did happen, 126 00:07:48,720 --> 00:07:50,200 Speaker 2: And I will tell you what I went back with. 127 00:07:50,680 --> 00:07:55,200 Speaker 2: I'll give you the whole transcript when we come back. 128 00:07:57,160 --> 00:07:59,280 Speaker 2: I think it went well. I'll tell you how I 129 00:07:59,320 --> 00:08:02,480 Speaker 2: think it went when we come back. It's KFI AM 130 00:08:02,520 --> 00:08:05,200 Speaker 2: six forty, Mark Thompson sitting in on a wet Tuesday night. 131 00:08:05,240 --> 00:08:08,680 Speaker 2: We're live everywhere on the iHeartRadio app. Lou Penrose buried 132 00:08:08,760 --> 00:08:11,560 Speaker 2: under that DiAngelo music? What was that? Sam? I don't 133 00:08:11,560 --> 00:08:18,480 Speaker 2: know what it's sadu di'angelo passing away? Young person too? 134 00:08:18,560 --> 00:08:20,800 Speaker 2: Was he fifty one? Is that what it was? Sam? Yeah, 135 00:08:20,920 --> 00:08:22,480 Speaker 2: passed away. Pancreatic cancer. 136 00:08:22,600 --> 00:08:23,840 Speaker 4: It's just fortunate. 137 00:08:24,120 --> 00:08:27,560 Speaker 2: Brutal cancer too. I mean it's all awful, but pancreatic 138 00:08:27,560 --> 00:08:33,640 Speaker 2: cancer supposally particularly terrible, really really sad. But and I 139 00:08:33,760 --> 00:08:38,720 Speaker 2: just you know, fifty one, it's just insanely young, really 140 00:08:38,760 --> 00:08:43,600 Speaker 2: insanely young. I was texting, this is really grim. I'm 141 00:08:43,600 --> 00:08:45,319 Speaker 2: sorry to get off on this now. Were he started with, 142 00:08:45,400 --> 00:08:47,680 Speaker 2: it's your fault, Sam, because you played the Di'angelo and 143 00:08:47,720 --> 00:08:50,600 Speaker 2: he just passed away. I was just texting with my 144 00:08:50,600 --> 00:08:54,240 Speaker 2: friend who's got days to live, sad back and he 145 00:08:54,280 --> 00:08:56,240 Speaker 2: has cancer also, he's been But I'll tell you something 146 00:08:56,320 --> 00:08:57,880 Speaker 2: which was really cool about I saw a year and 147 00:08:57,920 --> 00:09:00,280 Speaker 2: a half ago. He lives back east. He came, I'm here. 148 00:09:00,480 --> 00:09:05,720 Speaker 2: We're meeting on the campus of UCLA, and and he 149 00:09:06,240 --> 00:09:09,960 Speaker 2: as we walked toward each other, he beat his chest 150 00:09:10,200 --> 00:09:13,040 Speaker 2: and he said, fifty two rounds of chemo and I'm 151 00:09:13,080 --> 00:09:17,000 Speaker 2: still going Mark. It was just great. He's that kind 152 00:09:17,040 --> 00:09:21,560 Speaker 2: of guy. But uh, you know, cancer is just brutal. 153 00:09:21,880 --> 00:09:23,520 Speaker 2: And I was just texting him and sort of at 154 00:09:23,559 --> 00:09:28,240 Speaker 2: the end, everybody's texting and calling, of course, but sad, 155 00:09:28,280 --> 00:09:31,160 Speaker 2: sad stuff. Man, when young people pass away, and then 156 00:09:31,240 --> 00:09:35,560 Speaker 2: DiAngelo is one of them, fifty one years old. This 157 00:09:35,679 --> 00:09:38,760 Speaker 2: is KFIAM six forty. We're live everywhere on the iHeartRadio app. 158 00:09:38,760 --> 00:09:40,959 Speaker 2: I'm Mark Thompson. I'm here to bum you out tonight, 159 00:09:41,080 --> 00:09:44,480 Speaker 2: gonna tell stories about people passing away. I'm sure we 160 00:09:44,520 --> 00:09:46,920 Speaker 2: have other celebrity obits we could share with you. 161 00:09:46,920 --> 00:09:51,040 Speaker 5: You know DiAngelo's wife, Angie Stone, she's an RMB sing. 162 00:09:51,200 --> 00:09:55,760 Speaker 5: She also passed away recently, my god, leaving their child 163 00:09:55,840 --> 00:09:56,400 Speaker 5: an orphan. 164 00:09:56,679 --> 00:09:59,160 Speaker 3: Oh my god, I'm going to bum everyone out. 165 00:09:59,360 --> 00:10:04,439 Speaker 2: Nicky a very strong with bummage tonight, coming in over 166 00:10:04,480 --> 00:10:08,880 Speaker 2: the top. So we have DiAngelo. I come in with 167 00:10:09,000 --> 00:10:11,880 Speaker 2: my friend who's passing away in days. But you come 168 00:10:12,000 --> 00:10:14,280 Speaker 2: over the top, you say, I'll see those two, and 169 00:10:14,320 --> 00:10:18,679 Speaker 2: I'll raise you the fact that his wife all also 170 00:10:18,720 --> 00:10:22,119 Speaker 2: passed away, leaving the child parentless. 171 00:10:22,360 --> 00:10:24,199 Speaker 3: I think she died in a car accident. 172 00:10:25,520 --> 00:10:29,960 Speaker 2: Sad. All right, Well, Nikki set the bar very high 173 00:10:30,040 --> 00:10:33,640 Speaker 2: for us tonight in terms of bumming people out, but 174 00:10:33,720 --> 00:10:37,840 Speaker 2: we'll try to get to it. Meantime, on the other 175 00:10:37,920 --> 00:10:43,400 Speaker 2: side of town, I will finish my celebrity brush story. 176 00:10:44,960 --> 00:10:48,559 Speaker 2: If you'll remember from before the break, I'm in a pharmacy, 177 00:10:49,200 --> 00:10:53,960 Speaker 2: my regular pharmacy. I was there to get an inoculation today. 178 00:10:55,200 --> 00:10:57,760 Speaker 2: And as I wait for them to prepare the syringe 179 00:10:57,840 --> 00:11:01,320 Speaker 2: and the procedure and everything they've got to do, I 180 00:11:01,480 --> 00:11:09,240 Speaker 2: spy a tall fellow wearing a Chicago Bears jacket and 181 00:11:09,280 --> 00:11:13,160 Speaker 2: it's Ashton Kutcher, and he's with his son, and I thought, 182 00:11:13,160 --> 00:11:16,280 Speaker 2: oh my god, I know some of the same people 183 00:11:16,320 --> 00:11:20,160 Speaker 2: that he used to work with on the set of 184 00:11:20,200 --> 00:11:26,280 Speaker 2: that seventies show. And I'll mention one of them to him. Now, 185 00:11:26,360 --> 00:11:28,880 Speaker 2: this is after I've checked off, as I was telling you, 186 00:11:29,800 --> 00:11:31,760 Speaker 2: against all of these other things, like just say hey, 187 00:11:31,880 --> 00:11:34,560 Speaker 2: don't say anything at all, don't bother him whatever, But 188 00:11:34,600 --> 00:11:39,160 Speaker 2: we're just it's awkward almost because it's just us waiting 189 00:11:39,160 --> 00:11:42,600 Speaker 2: there by the counter, he and his son and me. 190 00:11:45,240 --> 00:11:47,000 Speaker 2: In a way, it would be almost rude not to 191 00:11:47,000 --> 00:11:54,960 Speaker 2: say something. He's a celebrity, So I go for this. 192 00:11:55,280 --> 00:11:58,600 Speaker 2: Among the choices like do I reference something that I've 193 00:11:58,640 --> 00:12:02,480 Speaker 2: been in show business to say, hey, you know I'm 194 00:12:03,040 --> 00:12:06,080 Speaker 2: show business adjacent, I'm one of you. Do I go 195 00:12:06,160 --> 00:12:09,280 Speaker 2: with some project that maybe we both worked on, if 196 00:12:09,280 --> 00:12:13,040 Speaker 2: I could remember that. But I hadn't been able to 197 00:12:13,040 --> 00:12:14,760 Speaker 2: come up with anything like that, and so I went 198 00:12:14,880 --> 00:12:19,760 Speaker 2: with the I think very strong play. It's a real 199 00:12:19,800 --> 00:12:22,520 Speaker 2: good one if you are approaching a celebrity and you 200 00:12:22,559 --> 00:12:27,840 Speaker 2: want to say hello, it's the mutual friend reference. So 201 00:12:27,960 --> 00:12:34,360 Speaker 2: I went with Ashton. Hey, I introduced myself. I said 202 00:12:34,400 --> 00:12:37,240 Speaker 2: we were a good friend, and I mentioned one of 203 00:12:37,240 --> 00:12:40,840 Speaker 2: the people on that seventies show is a friend of mine, 204 00:12:41,040 --> 00:12:43,760 Speaker 2: and he said, oh my gosh, that's so great. Please 205 00:12:43,800 --> 00:12:47,640 Speaker 2: say hi to her when you speak to her again. 206 00:12:48,960 --> 00:12:53,000 Speaker 2: So now in his response, I'm trying to tweak my 207 00:12:53,200 --> 00:12:56,920 Speaker 2: radar to see if we're having a conversation right now 208 00:12:56,960 --> 00:13:00,240 Speaker 2: or if he's kissing me off. You know, I have 209 00:13:00,280 --> 00:13:04,680 Speaker 2: to be honest, I felt a little kiss offfish from him, 210 00:13:06,080 --> 00:13:08,240 Speaker 2: and I'm wondering is it because of his son. I said, oh, 211 00:13:08,280 --> 00:13:10,400 Speaker 2: this is your this is your son. Hello, nice to 212 00:13:10,440 --> 00:13:13,400 Speaker 2: see you, sir. I said, well, how old did the 213 00:13:13,440 --> 00:13:17,240 Speaker 2: sun look? He's I'm gonna say eight. Okay, so too 214 00:13:17,280 --> 00:13:19,280 Speaker 2: young for you to say something like hey, kid, the 215 00:13:19,320 --> 00:13:26,360 Speaker 2: magnums are in that aisle. Wow. Wow, that is so 216 00:13:26,480 --> 00:13:28,640 Speaker 2: out of line. No, no, no, if he had been 217 00:13:28,640 --> 00:13:30,280 Speaker 2: a little bit older, that would have been cool. Bo 218 00:13:30,440 --> 00:13:32,480 Speaker 2: is that right at that age? How old? How old 219 00:13:32,520 --> 00:13:33,600 Speaker 2: do you have to be for you to that to 220 00:13:33,640 --> 00:13:38,480 Speaker 2: be cool? I'm saying thirteen or fourteen? No, no, twelve, 221 00:13:39,240 --> 00:13:42,240 Speaker 2: no no, no, no, no, no no, And well you'd 222 00:13:42,320 --> 00:13:44,080 Speaker 2: never get that from me. I don't have that move. 223 00:13:44,760 --> 00:13:49,280 Speaker 2: But no, he was in the cute young kid stage. 224 00:13:51,280 --> 00:13:55,480 Speaker 2: So again, now I kind of just back away, you 225 00:13:55,559 --> 00:13:57,160 Speaker 2: know what I mean. Well, it's great seeing you, you 226 00:13:57,160 --> 00:13:59,160 Speaker 2: know what I mean. And then I go sit and wait, 227 00:13:59,200 --> 00:14:02,000 Speaker 2: and I'm waiting at the back of the pharmacy. So 228 00:14:02,080 --> 00:14:06,960 Speaker 2: now we're not in the same physical space. But I say, 229 00:14:07,480 --> 00:14:09,600 Speaker 2: I text my other half and I say, yeah, it's 230 00:14:09,600 --> 00:14:11,400 Speaker 2: so cool. I'm waiting in the pharmacy I'm getting my 231 00:14:12,000 --> 00:14:18,400 Speaker 2: shot my VACS and i'm and I bumped into Ashton 232 00:14:18,480 --> 00:14:23,640 Speaker 2: Kutcher and she says, oh, are cleaners? The guy who 233 00:14:24,480 --> 00:14:27,800 Speaker 2: delivers the cleaning to the house. Loves him, won't stop 234 00:14:27,840 --> 00:14:31,920 Speaker 2: talking about him every time, so I know it's odd. 235 00:14:32,760 --> 00:14:37,280 Speaker 2: So now I go in when he comes back because 236 00:14:37,320 --> 00:14:39,680 Speaker 2: he's walking around the store with his son. He comes 237 00:14:39,720 --> 00:14:43,880 Speaker 2: back into my space and I hit him with what, Hey, 238 00:14:43,920 --> 00:14:49,160 Speaker 2: by the way, do you know Max the cleaner? And 239 00:14:49,200 --> 00:14:57,200 Speaker 2: he says no, I don't know, And I'm thinking I 240 00:14:57,200 --> 00:15:01,760 Speaker 2: wouldn't even my day. In fact, a wife forced me 241 00:15:01,800 --> 00:15:03,760 Speaker 2: to mention this and I said, no, the guy who 242 00:15:03,800 --> 00:15:05,760 Speaker 2: cleans the clothes. He says, oh, yeah, yeah, yeah, No, 243 00:15:05,800 --> 00:15:07,160 Speaker 2: I do know him. And now I think I'm back 244 00:15:07,160 --> 00:15:09,240 Speaker 2: in the game. Okay, I'm back in the game with him. 245 00:15:10,360 --> 00:15:15,880 Speaker 2: And I'm thinking, though, dude, just shut up already and 246 00:15:15,960 --> 00:15:18,440 Speaker 2: let this guy be in there. And then he says, 247 00:15:18,680 --> 00:15:21,320 Speaker 2: I think the conversation's over, right. I'm thinking we've screwed 248 00:15:21,320 --> 00:15:23,840 Speaker 2: this up. He's kind of acknowledged it. Then he says 249 00:15:23,880 --> 00:15:28,120 Speaker 2: to me, he does a really nice job. I'm thinking, oh, 250 00:15:28,120 --> 00:15:32,200 Speaker 2: maybe the conversation's back on with Ashton. Mixed signals for sure, 251 00:15:32,360 --> 00:15:34,960 Speaker 2: thank you. I can't figure this out. And then he 252 00:15:34,960 --> 00:15:37,880 Speaker 2: says one other thing, like, never has screwed anything up 253 00:15:37,920 --> 00:15:40,040 Speaker 2: of mine, I'll say that somebody like that. I'm thinking, well, 254 00:15:40,040 --> 00:15:42,480 Speaker 2: maybe he's is he trying? Is he trying to reach 255 00:15:42,520 --> 00:15:46,320 Speaker 2: out to me right now? I'm scrambling to really find 256 00:15:46,360 --> 00:15:53,640 Speaker 2: magnetic north on this. And I believe I said maybe 257 00:15:53,760 --> 00:15:55,960 Speaker 2: one other thing to him. Oh, I think I just 258 00:15:56,000 --> 00:15:58,480 Speaker 2: said on the Then I got my shot on the 259 00:15:58,520 --> 00:16:00,920 Speaker 2: way and I said, hey, great to see you, see 260 00:16:00,920 --> 00:16:04,920 Speaker 2: you again soon. And that was it. It was, in my mind, 261 00:16:06,520 --> 00:16:09,160 Speaker 2: a first date that went very well, I thought, but 262 00:16:09,280 --> 00:16:12,800 Speaker 2: had some confusing cross currents. What did you want out 263 00:16:12,800 --> 00:16:15,360 Speaker 2: of the exchange? Thank you? That's what I was asking myself. 264 00:16:15,480 --> 00:16:19,040 Speaker 2: I wanted to I wanted a really warm exchange with 265 00:16:20,120 --> 00:16:23,200 Speaker 2: somebody who I felt was like a neighbor. Acknowledgment, Yes, yeah, 266 00:16:23,240 --> 00:16:26,320 Speaker 2: you know, I may wanted to feel seen. Yeah, And 267 00:16:26,400 --> 00:16:28,480 Speaker 2: I thought to be honest and fair to him. I 268 00:16:28,480 --> 00:16:31,120 Speaker 2: thought he did a pretty good job. I think I 269 00:16:31,280 --> 00:16:34,200 Speaker 2: was the one who's I'm so spring loaded for rejection 270 00:16:35,000 --> 00:16:38,440 Speaker 2: that I think I was overthinking it and just interpreting 271 00:16:38,480 --> 00:16:40,360 Speaker 2: everything in a negative way. If I had just gone 272 00:16:40,440 --> 00:16:45,440 Speaker 2: with kind of a some confidence. I think that's what 273 00:16:45,480 --> 00:16:49,720 Speaker 2: you take away from this story. Confidence own it. But 274 00:16:49,800 --> 00:16:51,880 Speaker 2: I was in that place where I both didn't want 275 00:16:51,960 --> 00:16:55,480 Speaker 2: to be that guy, but I also felt like, oh, 276 00:16:55,680 --> 00:16:58,080 Speaker 2: I'm you know, I've got something to connect with with 277 00:16:58,160 --> 00:17:00,440 Speaker 2: this guy. And we're just standing here in the pharmacy 278 00:17:00,560 --> 00:17:02,480 Speaker 2: and it's just the two of us. Did you notice 279 00:17:02,520 --> 00:17:07,080 Speaker 2: what he was buying? I did not, because I could 280 00:17:07,119 --> 00:17:10,159 Speaker 2: have gone any number of directions. Yeah, that's again. I 281 00:17:10,200 --> 00:17:12,600 Speaker 2: try I try to. I try to mind my own 282 00:17:12,760 --> 00:17:17,560 Speaker 2: my own businessespecially in a pharmacy. Yeah, right, exactly right, right, right, Wow, 283 00:17:17,640 --> 00:17:19,360 Speaker 2: you have that too. I had that condition a couple 284 00:17:19,400 --> 00:17:24,120 Speaker 2: of years ago. Right, That lotion will take care of it. Yeah, yeah, 285 00:17:24,880 --> 00:17:29,480 Speaker 2: uh all right. That's my look. The story is four 286 00:17:29,480 --> 00:17:31,840 Speaker 2: hours old and you're the only people I'm telling about it. 287 00:17:31,920 --> 00:17:35,080 Speaker 2: So there it is. That's a wrap on the on 288 00:17:35,119 --> 00:17:38,480 Speaker 2: the Ashton story. Mark Thompson Sitting on a Tuesday night, 289 00:17:38,560 --> 00:17:41,960 Speaker 2: a wet Tuesday night in Los Angeles, We're KFI AM 290 00:17:42,000 --> 00:17:44,399 Speaker 2: six forty live everywhere on the iHeartRadio app. 291 00:17:45,040 --> 00:17:48,879 Speaker 1: You're listening to KFI AM six forty on demand. 292 00:17:50,560 --> 00:17:54,959 Speaker 2: Into the night a wet Tuesday as We're drying out 293 00:17:55,000 --> 00:17:57,840 Speaker 2: in southern California and KFI AM six forty live everywhere 294 00:17:57,880 --> 00:18:00,560 Speaker 2: in the iHeart Radio app Mark Thompson sitting in on 295 00:18:00,600 --> 00:18:03,879 Speaker 2: this Tuesday night, and I'll tell you they the rumors 296 00:18:03,880 --> 00:18:08,679 Speaker 2: are hot. I didn't realize it. He's never been married before, 297 00:18:09,800 --> 00:18:12,440 Speaker 2: and he is a man, and this is something else 298 00:18:12,480 --> 00:18:17,600 Speaker 2: I didn't realize. Who's he's over sixty years old. Keanu 299 00:18:17,760 --> 00:18:20,920 Speaker 2: reefs he looks good. Yeah, I don't think of him 300 00:18:20,920 --> 00:18:27,360 Speaker 2: as someone who he's sixty one and there are rumors 301 00:18:27,359 --> 00:18:31,160 Speaker 2: that he's going to be married. Do you know anything 302 00:18:31,200 --> 00:18:32,879 Speaker 2: about this, Nikki. I feel like you're more tied to 303 00:18:32,920 --> 00:18:35,240 Speaker 2: the world of entertainment than I am. 304 00:18:37,200 --> 00:18:37,520 Speaker 1: Yeah. 305 00:18:37,600 --> 00:18:42,760 Speaker 5: He was speaking to E News and he basically said 306 00:18:42,920 --> 00:18:45,560 Speaker 5: that he is yet to walk down the aisle, but 307 00:18:45,640 --> 00:18:47,240 Speaker 5: he he thinks I guess he. 308 00:18:47,160 --> 00:18:51,360 Speaker 3: Thinks the rumors acute. But he's still a non married stud. 309 00:18:53,840 --> 00:18:55,840 Speaker 2: His words are yours, my words. 310 00:18:55,960 --> 00:18:59,879 Speaker 5: I represent all women. He's up there with Dolly partner. 311 00:18:59,920 --> 00:19:02,160 Speaker 5: I feel in terms of a national treasure. 312 00:19:02,400 --> 00:19:04,600 Speaker 2: Oh, that's really cool of you to say. I mean, 313 00:19:04,640 --> 00:19:07,399 Speaker 2: I'm sure you know he was not born in this country. 314 00:19:07,440 --> 00:19:09,640 Speaker 5: You're aware of that, right, Yeah, But he is America 315 00:19:09,680 --> 00:19:11,960 Speaker 5: now even though he was born in Canada. 316 00:19:11,880 --> 00:19:14,240 Speaker 2: He was born actually in Beirut. Let. 317 00:19:14,920 --> 00:19:18,840 Speaker 5: Yeah, he's lived in Australia. He's a man of the globe. 318 00:19:18,920 --> 00:19:21,040 Speaker 2: He is well listened to Nicky's he really is into them. 319 00:19:21,040 --> 00:19:25,399 Speaker 2: And Keanu Reeves, who isn't he's an icon? He was 320 00:19:25,480 --> 00:19:29,080 Speaker 2: raised in Canada. It's true. And when you think back 321 00:19:29,200 --> 00:19:35,000 Speaker 2: on everything he's done, I guess it's the matrix. Is 322 00:19:35,040 --> 00:19:37,400 Speaker 2: that the isn't that it? Mark? That would be your thing? 323 00:19:37,400 --> 00:19:39,880 Speaker 2: I'm sure. Oh yeah, that was a big one when 324 00:19:39,880 --> 00:19:41,840 Speaker 2: it came out. But I mean, isn't that when when 325 00:19:41,840 --> 00:19:43,919 Speaker 2: I say Keanu Reeves, isn't that what you go to? 326 00:19:44,200 --> 00:19:45,920 Speaker 2: I go to John Wick? Oh you do go? I 327 00:19:45,960 --> 00:19:48,720 Speaker 2: mean I might be a borderline sociopath, but I like 328 00:19:48,760 --> 00:19:49,479 Speaker 2: the Wick movies. 329 00:19:49,600 --> 00:19:54,160 Speaker 3: I like Dracula. Oh come on, come on, Dracula. 330 00:19:54,320 --> 00:19:56,200 Speaker 2: Why didn't you just say the Shakespeare one while you're 331 00:19:56,200 --> 00:19:58,560 Speaker 2: at it? Which one? What Shakespeare movie was he in? Oh? 332 00:19:58,800 --> 00:20:01,120 Speaker 3: Wasn't he in much? A do about nothing? 333 00:20:01,359 --> 00:20:03,399 Speaker 2: Wow? That's great knowledge. I didn't even know he was 334 00:20:03,400 --> 00:20:05,639 Speaker 2: in it. I don't think those two movies played to 335 00:20:05,680 --> 00:20:08,640 Speaker 2: his strengths. The Whig movies he doesn't say a lot, 336 00:20:08,720 --> 00:20:11,040 Speaker 2: but he commits a lot of violence. And I think 337 00:20:11,040 --> 00:20:13,400 Speaker 2: that's about right. Bill. He's a good action. 338 00:20:13,720 --> 00:20:15,080 Speaker 3: Bill and Ted was his strength. 339 00:20:15,240 --> 00:20:17,160 Speaker 2: Billain Ted was huge. That was back in the. 340 00:20:17,080 --> 00:20:20,320 Speaker 3: Eighties, nineties actually as well. 341 00:20:20,280 --> 00:20:22,600 Speaker 2: That's right. Well, there was a Sweet sequel and that 342 00:20:22,640 --> 00:20:22,879 Speaker 2: was in the. 343 00:20:22,920 --> 00:20:25,719 Speaker 5: Nineties, and then there was recent one during COVID and 344 00:20:25,800 --> 00:20:29,240 Speaker 5: I loved that one, and the newest one he made. 345 00:20:29,680 --> 00:20:33,160 Speaker 2: Yeah, you're right, they made a like a much later sequel. 346 00:20:34,560 --> 00:20:37,800 Speaker 2: He made a lot of really smart decisions, Keanu Reeves 347 00:20:37,800 --> 00:20:40,760 Speaker 2: did about his career when I'm just thinking about you know, 348 00:20:40,840 --> 00:20:44,280 Speaker 2: he did Point Break. Remember he was in Point Break. 349 00:20:44,280 --> 00:20:44,960 Speaker 2: That was huge. 350 00:20:45,520 --> 00:20:48,360 Speaker 3: That's the best, right, that's the iconic. 351 00:20:48,640 --> 00:20:51,600 Speaker 2: And then right after that, this is again in the nineties, 352 00:20:51,680 --> 00:20:55,320 Speaker 2: he was in Speed with Sandra Bullock. I mean, these 353 00:20:55,359 --> 00:20:58,920 Speaker 2: are really big movies. And it's not like he did 354 00:20:58,960 --> 00:21:01,920 Speaker 2: clunkers in between. He was pretty good at I think 355 00:21:02,000 --> 00:21:03,000 Speaker 2: picking projects. 356 00:21:03,119 --> 00:21:05,640 Speaker 3: And he did one with Diane Keaton, right. 357 00:21:05,480 --> 00:21:07,840 Speaker 2: And and what was it? Yeah, dank it was it 358 00:21:07,880 --> 00:21:09,679 Speaker 2: called Something's Got to Give? Was that it? 359 00:21:09,800 --> 00:21:10,480 Speaker 3: I think that's it? 360 00:21:10,680 --> 00:21:15,040 Speaker 2: Yeah, yeah, that's and really those are two virtuoso actors 361 00:21:15,080 --> 00:21:19,120 Speaker 2: working in a project. Like that, you know. But yeah, 362 00:21:19,119 --> 00:21:23,440 Speaker 2: but the matrix you're right in John Wick super actiony. 363 00:21:25,720 --> 00:21:28,840 Speaker 2: And it's interesting too that, you know, kind of what 364 00:21:28,920 --> 00:21:33,080 Speaker 2: Nicky's alluding to or hinting at. At sixty one, he's 365 00:21:33,080 --> 00:21:34,959 Speaker 2: still got it, like, you know, he's still got that 366 00:21:35,320 --> 00:21:40,600 Speaker 2: sex appeal. Really impressive, really really impressive. I played cards 367 00:21:40,640 --> 00:21:43,199 Speaker 2: with him once in West Hollywood. Oh can I come 368 00:21:43,320 --> 00:21:45,280 Speaker 2: next in a private card? Well it was was long 369 00:21:45,280 --> 00:21:48,400 Speaker 2: time as twenty years ago, so they haven't had another 370 00:21:48,440 --> 00:21:52,639 Speaker 2: game that I know of. But he was very nice. 371 00:21:52,880 --> 00:21:55,880 Speaker 2: So what kind of cards are we talking about here? Poker? 372 00:21:56,280 --> 00:21:59,080 Speaker 2: I would guess he's good at bluffing. I don't remember 373 00:21:59,119 --> 00:22:01,560 Speaker 2: him being good or I just thought, oh he was. 374 00:22:01,880 --> 00:22:05,440 Speaker 2: He was very nice, you know. Not A poker is 375 00:22:05,440 --> 00:22:08,960 Speaker 2: great for that. It, you know, puts you in a 376 00:22:09,080 --> 00:22:11,840 Speaker 2: mix with people you might not otherwise have a mix with. 377 00:22:12,240 --> 00:22:15,600 Speaker 2: You know, I played with Leonardo DiCaprio a couple of times. 378 00:22:16,080 --> 00:22:18,520 Speaker 2: Look at this, Yeah, I mean, but again, it's not like, 379 00:22:19,320 --> 00:22:21,959 Speaker 2: you know, you don't sit there and go, hey, listen. 380 00:22:22,640 --> 00:22:24,639 Speaker 2: When you were shooting Titanic, I heard that, you know, 381 00:22:24,680 --> 00:22:26,399 Speaker 2: you don't you just don't do that, right, That wouldn't 382 00:22:26,400 --> 00:22:27,800 Speaker 2: be cool Yeah, you wouldn't be good. So you're kind 383 00:22:27,800 --> 00:22:29,359 Speaker 2: of and you're all just kind of playing cards and 384 00:22:29,400 --> 00:22:30,120 Speaker 2: you know doing. 385 00:22:30,000 --> 00:22:33,040 Speaker 4: Did you ever have any really big poker wins against 386 00:22:33,080 --> 00:22:36,680 Speaker 4: any celebrity, like any memorable like you know, we're going 387 00:22:36,760 --> 00:22:37,639 Speaker 4: head in Uh. 388 00:22:37,680 --> 00:22:40,240 Speaker 2: No, one funny at each other. It's funny you asked 389 00:22:40,240 --> 00:22:42,080 Speaker 2: that question because I actually remember a hand that I 390 00:22:42,320 --> 00:22:46,359 Speaker 2: called him on Leo DiCaprio and he had a queen 391 00:22:46,480 --> 00:22:48,960 Speaker 2: high flush and I called him, called him that flush 392 00:22:49,040 --> 00:22:51,520 Speaker 2: hit the river, a possible flush, and I still commit 393 00:22:51,560 --> 00:22:53,080 Speaker 2: a big bet on the river and I still called 394 00:22:53,119 --> 00:22:58,320 Speaker 2: him down. So I lost that hand, the biggest uh. 395 00:22:58,600 --> 00:23:01,840 Speaker 2: When I was going to have but I the guy 396 00:23:01,960 --> 00:23:04,200 Speaker 2: is so nice and when I give you know who 397 00:23:04,240 --> 00:23:07,760 Speaker 2: it is, you'll understand why he's so nice that I 398 00:23:07,840 --> 00:23:09,800 Speaker 2: as he was about to do it, I knew I 399 00:23:09,840 --> 00:23:11,879 Speaker 2: just had him crushed. I said, don't do it, and 400 00:23:11,920 --> 00:23:15,960 Speaker 2: I turned my cards over to actually show him that 401 00:23:16,080 --> 00:23:22,600 Speaker 2: I had the stone cold winter. Was the chef Jose Andreas, 402 00:23:22,720 --> 00:23:25,240 Speaker 2: the guy who runs the the World Kitchen, what's it 403 00:23:25,280 --> 00:23:27,480 Speaker 2: called Mark the I forget, but you got to give 404 00:23:27,520 --> 00:23:29,360 Speaker 2: that guy a break. Yeah, he you know, he goes 405 00:23:29,400 --> 00:23:31,800 Speaker 2: to all these places he goes to the earthquakes in Haiti, 406 00:23:31,840 --> 00:23:34,639 Speaker 2: he goes to the Middle East, in Gaza, he goes everywhere, 407 00:23:35,080 --> 00:23:39,600 Speaker 2: and he you know these in Puerto Rico after a hurricane. 408 00:23:39,600 --> 00:23:42,560 Speaker 2: He goes to all these places with his people. He's 409 00:23:42,680 --> 00:23:46,760 Speaker 2: so salt of the earth. And he was, you know, 410 00:23:46,880 --> 00:23:49,000 Speaker 2: getting ready that we'd been in this hand, and there's 411 00:23:49,040 --> 00:23:51,600 Speaker 2: all a sudden I just finally, and I just turned 412 00:23:51,640 --> 00:23:53,639 Speaker 2: over my cards to show him. I said, don't do 413 00:23:53,680 --> 00:23:55,560 Speaker 2: it. It was like the last hand of the night. So no, 414 00:23:55,720 --> 00:24:01,360 Speaker 2: I can't remember any situation where I've taken down somebody 415 00:24:01,359 --> 00:24:03,680 Speaker 2: in a huge I mean, you know, I played cards 416 00:24:03,720 --> 00:24:06,000 Speaker 2: regularly with some some well known people who I'd beaten 417 00:24:06,000 --> 00:24:09,359 Speaker 2: out of pods. But it's not like you know, like 418 00:24:09,440 --> 00:24:11,600 Speaker 2: Kevin Pollack and I play cards all the time and 419 00:24:11,680 --> 00:24:12,560 Speaker 2: you know that sort of thing. 420 00:24:12,600 --> 00:24:15,560 Speaker 4: But I does he do random impersonations in the middle 421 00:24:15,560 --> 00:24:15,800 Speaker 4: of it. 422 00:24:15,880 --> 00:24:18,160 Speaker 2: He is when he tells the story, he does the impressions, 423 00:24:18,200 --> 00:24:20,640 Speaker 2: which is so good. That's funny. Yeah, he's very entertaining. 424 00:24:20,760 --> 00:24:24,400 Speaker 2: But you'd feel terrible if you cleaned out Jose Andres. No, exactly, 425 00:24:24,440 --> 00:24:26,399 Speaker 2: I do not want to beat Jose Andres. That was 426 00:24:26,440 --> 00:24:29,679 Speaker 2: the Yeah, exactly right. But the Keanu Reeves night, it 427 00:24:29,840 --> 00:24:33,480 Speaker 2: was unremarkable for the money changing hands and for the poker, 428 00:24:33,480 --> 00:24:35,040 Speaker 2: but I remember him being a very good guy. And 429 00:24:35,119 --> 00:24:38,720 Speaker 2: apparently he's still available ladies. So that is the word. 430 00:24:39,440 --> 00:24:41,640 Speaker 2: Mark Thompson sitting in on Tuesday night. We're KFI AM 431 00:24:41,760 --> 00:24:44,960 Speaker 2: six forty live everywhere on the iHeartRadio app. KFI AM 432 00:24:44,960 --> 00:24:47,440 Speaker 2: six forty Live everywhere on the iHeart Radio app. Mark 433 00:24:47,440 --> 00:24:52,040 Speaker 2: Thompson on Tuesday night. We're drying out after a good 434 00:24:52,200 --> 00:24:55,679 Speaker 2: amount of rain and snow. But we're told now just 435 00:24:55,720 --> 00:25:00,280 Speaker 2: a couple of storms still rumbling around by daybreak should 436 00:25:00,320 --> 00:25:03,960 Speaker 2: pretty well be clearing out. Apparently the news is coming 437 00:25:03,960 --> 00:25:06,480 Speaker 2: out of Britney Spears Land, and you know I don't 438 00:25:06,520 --> 00:25:10,000 Speaker 2: follow that beat. I have to toss it to our 439 00:25:10,359 --> 00:25:15,880 Speaker 2: Britney Spears correspondent, Nicki Nicky, please update us well. 440 00:25:15,880 --> 00:25:21,080 Speaker 5: According to People Magazine, her ex husband k fed aka 441 00:25:21,240 --> 00:25:25,800 Speaker 5: Kevin Federline said that she called her ex boyfriend justin 442 00:25:25,880 --> 00:25:29,359 Speaker 5: Timberlake the night before their wedding to ask if they 443 00:25:29,359 --> 00:25:33,080 Speaker 5: were finally over. So Kevin's I think he's come out 444 00:25:33,080 --> 00:25:36,040 Speaker 5: with a memoir and he's just kind of throwing daggers 445 00:25:36,040 --> 00:25:39,320 Speaker 5: at Britney. And he's also claimed that their son said 446 00:25:39,359 --> 00:25:44,040 Speaker 5: that they woke up to her standing over them while 447 00:25:44,080 --> 00:25:45,679 Speaker 5: they were in bed and she had a knife in 448 00:25:45,680 --> 00:25:48,160 Speaker 5: her hand, so like literally the knives are still out 449 00:25:48,200 --> 00:25:48,720 Speaker 5: for Brittany. 450 00:25:49,080 --> 00:25:54,280 Speaker 2: Wow, these are pretty heavy duty allegations. 451 00:25:53,560 --> 00:25:57,040 Speaker 5: Justice for Britney. She's been through a lot. Apparently she 452 00:25:57,040 --> 00:25:58,320 Speaker 5: should date Keanu. 453 00:25:58,480 --> 00:26:01,680 Speaker 2: I think, well, I think they seem like different types, 454 00:26:02,200 --> 00:26:04,560 Speaker 2: but maybe they could have like a Yin and a yang. 455 00:26:04,800 --> 00:26:07,720 Speaker 5: Well have you seen Keanuh's girlfriend, the one he was 456 00:26:07,760 --> 00:26:09,000 Speaker 5: a rumor too of married? 457 00:26:09,280 --> 00:26:12,080 Speaker 2: I have not. I wait a minute, I might have. 458 00:26:12,400 --> 00:26:16,480 Speaker 2: She looked pretty Yeah, yeah, what straight? Fine? 459 00:26:16,600 --> 00:26:17,760 Speaker 3: Kind of what basic? 460 00:26:18,160 --> 00:26:22,080 Speaker 2: Wait a minute, but I yeah, please one at a time, 461 00:26:22,600 --> 00:26:23,960 Speaker 2: go ahead, Sam go. 462 00:26:24,080 --> 00:26:26,880 Speaker 4: I think she's beautiful and he's been with her for 463 00:26:27,119 --> 00:26:29,639 Speaker 4: the longest time, and you could tell that they are 464 00:26:29,640 --> 00:26:30,520 Speaker 4: all about each other. 465 00:26:30,560 --> 00:26:34,520 Speaker 2: She's gorgeous and Mark, how about you? I think basic 466 00:26:34,720 --> 00:26:37,000 Speaker 2: might be a bit much. I think there's nothing wrong 467 00:26:37,040 --> 00:26:39,480 Speaker 2: with her at all, and she's age appropriate and it's 468 00:26:39,480 --> 00:26:42,480 Speaker 2: not some gross Leo thing with with somebody twenty years younger. 469 00:26:42,560 --> 00:26:45,080 Speaker 5: Well, she's kind of like the woman where like Keanu 470 00:26:45,119 --> 00:26:48,760 Speaker 5: Reeves is he's an icon he's gorgeous, he's amazing, and 471 00:26:48,800 --> 00:26:51,000 Speaker 5: then you see that he's finally got this girlfriend who 472 00:26:51,040 --> 00:26:52,879 Speaker 5: has been with for a while, and a woman like 473 00:26:52,920 --> 00:26:54,800 Speaker 5: me looks at her and goes, you mean, I could 474 00:26:54,840 --> 00:26:57,960 Speaker 5: have had him this entire time. You think so totally. 475 00:26:59,000 --> 00:27:01,320 Speaker 5: I'm way here to them his girlfriend. Let's just get 476 00:27:01,320 --> 00:27:01,640 Speaker 5: that out. 477 00:27:01,720 --> 00:27:03,480 Speaker 2: Well. I like that your self esteem is healthy. 478 00:27:03,720 --> 00:27:05,800 Speaker 3: I suffer from high self esteem. 479 00:27:05,880 --> 00:27:08,560 Speaker 2: I think that's great, that that's not a bad thing 480 00:27:08,560 --> 00:27:12,040 Speaker 2: at all. I do think that you should be giving 481 00:27:12,119 --> 00:27:16,159 Speaker 2: him credit for not going for some you know, shimmering, 482 00:27:16,359 --> 00:27:18,320 Speaker 2: glimmering object kind of woman. 483 00:27:18,680 --> 00:27:19,920 Speaker 3: Yes, she's in her fifties. 484 00:27:20,119 --> 00:27:23,679 Speaker 2: Yeah, she's gone for someone age appropriate who's very attractive 485 00:27:23,880 --> 00:27:28,280 Speaker 2: and who you know, seems as though, apparently because they've 486 00:27:28,320 --> 00:27:30,320 Speaker 2: been together for a while, kind of the backbeat of 487 00:27:30,359 --> 00:27:34,080 Speaker 2: his world. Like, you know, I think what you're suggesting 488 00:27:34,200 --> 00:27:37,400 Speaker 2: is that, you know, she jumps on the he jump 489 00:27:37,440 --> 00:27:39,800 Speaker 2: on the Britney Spears train, which is you know, a 490 00:27:39,840 --> 00:27:43,879 Speaker 2: bullet train to you know, maybe a couple of stops 491 00:27:43,960 --> 00:27:46,840 Speaker 2: that will land you in some awkward situation. He's a 492 00:27:46,840 --> 00:27:48,840 Speaker 2: man in his sixties now, I don't think he's in 493 00:27:48,920 --> 00:27:50,960 Speaker 2: for the Hollywood thrill. Ride. It might be another way 494 00:27:50,960 --> 00:27:51,679 Speaker 2: to put it, you know. 495 00:27:51,880 --> 00:27:54,760 Speaker 5: Well, I mean, I'm not in the Hollywood throwl ride either, 496 00:27:54,880 --> 00:27:57,080 Speaker 5: and I'm in my forties, so he should dump her 497 00:27:57,080 --> 00:27:57,639 Speaker 5: and date me. 498 00:27:57,920 --> 00:28:01,200 Speaker 2: I see. So this is really all about your desire 499 00:28:01,320 --> 00:28:03,199 Speaker 2: to connect with Keanu Reeves. 500 00:28:03,240 --> 00:28:04,960 Speaker 3: Always I love an older man. 501 00:28:05,160 --> 00:28:08,359 Speaker 2: Wow, well, this is really very good news for Keanu 502 00:28:08,400 --> 00:28:13,040 Speaker 2: Reeves should he decide to dance out of this latest relationship. 503 00:28:13,160 --> 00:28:16,080 Speaker 5: And he has a connection with Australia. He filmed the 504 00:28:16,119 --> 00:28:17,240 Speaker 5: Matrix films there. 505 00:28:17,440 --> 00:28:19,320 Speaker 2: Oh, that's right, he ripped it. That would be a 506 00:28:19,320 --> 00:28:21,600 Speaker 2: good opener if you ever see him in a pharmacy. 507 00:28:21,880 --> 00:28:24,679 Speaker 2: Let me ask you, what is her name? Alexandra Grant? 508 00:28:24,720 --> 00:28:25,240 Speaker 2: Is that her name? 509 00:28:25,280 --> 00:28:29,560 Speaker 5: Yes, she's a visual artist and she's got white gray 510 00:28:29,600 --> 00:28:32,240 Speaker 5: white hair. She doesn't dye her hair like I do. 511 00:28:32,480 --> 00:28:34,680 Speaker 2: Well, I mean that's it's a good thing, isn't it 512 00:28:34,760 --> 00:28:37,439 Speaker 2: That she is who she is and she's comfortable with herself. Yea. 513 00:28:37,440 --> 00:28:40,080 Speaker 5: It gives the rest of us clubs hope that we 514 00:28:40,160 --> 00:28:42,800 Speaker 5: can bag a stud like Keana. 515 00:28:43,200 --> 00:28:45,960 Speaker 4: It just makes me feel like he's not shallow. Yeah, 516 00:28:46,840 --> 00:28:50,680 Speaker 4: she's a mystique in can you not be? Can you 517 00:28:50,720 --> 00:28:53,360 Speaker 4: get any nicer? Is there anything else we can do? 518 00:28:53,960 --> 00:28:54,600 Speaker 1: Can he do? 519 00:28:55,280 --> 00:28:57,360 Speaker 4: Everything I've ever seen him do has been nothing but 520 00:28:57,520 --> 00:29:01,200 Speaker 4: kindness and honey and all kinds into sweetness dripping off 521 00:29:01,240 --> 00:29:01,440 Speaker 4: of them. 522 00:29:01,480 --> 00:29:02,880 Speaker 3: Well, who do you think is nicer them? 523 00:29:02,920 --> 00:29:06,960 Speaker 5: Do you think Keanu or Dolly Parton is the nicer one? 524 00:29:07,360 --> 00:29:09,920 Speaker 2: Oh? Bubble wrap both of them? Yeah, they've never heard 525 00:29:09,920 --> 00:29:12,240 Speaker 2: a bad word about either one? Yeah, that's so true. 526 00:29:12,360 --> 00:29:14,160 Speaker 3: Anyone else as nice as those two? 527 00:29:15,400 --> 00:29:17,960 Speaker 2: I think they are? They ring the nice bell pretty. 528 00:29:18,000 --> 00:29:21,200 Speaker 2: But I must say that there's been some pretty nice 529 00:29:21,960 --> 00:29:24,400 Speaker 2: celebrities also who bubble to the top of the A list. 530 00:29:24,400 --> 00:29:26,920 Speaker 2: I think never heard really anything bad about George Clooney, 531 00:29:26,960 --> 00:29:28,880 Speaker 2: for example, I've never heard anything. 532 00:29:29,800 --> 00:29:34,920 Speaker 3: I don't trust George Clooney. 533 00:29:36,280 --> 00:29:38,719 Speaker 2: Can you explain why? I just have to ask? But 534 00:29:38,840 --> 00:29:42,600 Speaker 2: you've never heard anything bad about him? I just got 535 00:29:42,600 --> 00:29:44,360 Speaker 2: a bad feeding out, I got a bad feeting. I've 536 00:29:44,360 --> 00:29:45,160 Speaker 2: had George Clany. 537 00:29:45,200 --> 00:29:48,080 Speaker 3: That's it. Am I the artful dodge now? Am I? 538 00:29:48,320 --> 00:29:51,000 Speaker 2: Yeah? I'm sorry. I don't do the impression very well. 539 00:29:52,920 --> 00:29:57,200 Speaker 2: But anyway, well, given the fact that you don't trust 540 00:29:57,200 --> 00:29:59,440 Speaker 2: George Cline, I'll keep him out of the conversation. But back 541 00:29:59,480 --> 00:30:04,160 Speaker 2: to the point, both Jana Reeves and Dolly Parton. Yeah, 542 00:30:04,200 --> 00:30:07,560 Speaker 2: I think they ring the bell as national treasures. Let 543 00:30:07,560 --> 00:30:09,040 Speaker 2: me ask you what the situation is since you know 544 00:30:09,120 --> 00:30:11,360 Speaker 2: a lot about entertainment. With Dolly Parton, she was ill, 545 00:30:11,440 --> 00:30:14,600 Speaker 2: but is she is she no longer struggling with the illness? 546 00:30:14,680 --> 00:30:16,760 Speaker 5: Well it was I think it was her sister who 547 00:30:16,800 --> 00:30:19,120 Speaker 5: came out and said prayers for Dolly. But then Dolly 548 00:30:19,200 --> 00:30:23,240 Speaker 5: came out and sort of calmed everybody and said, it's okay, 549 00:30:23,280 --> 00:30:25,960 Speaker 5: it's just a little thing. It's all right people. So 550 00:30:26,000 --> 00:30:30,200 Speaker 5: she soothed us even if she's had a little something 551 00:30:30,200 --> 00:30:32,200 Speaker 5: that she needs to correct. I don't know what it was. 552 00:30:32,360 --> 00:30:33,400 Speaker 2: I think it was kidney stone. 553 00:30:33,480 --> 00:30:36,240 Speaker 3: Kidneys, Well, no, that would be painful. 554 00:30:35,920 --> 00:30:38,520 Speaker 2: Painful, but not but survivable, you know, it's not some 555 00:30:38,560 --> 00:30:41,920 Speaker 2: one of those things. I saw her the day before 556 00:30:42,320 --> 00:30:45,440 Speaker 2: all of this blasted out. I saw her doing a 557 00:30:47,160 --> 00:30:51,600 Speaker 2: Instagram live. I think it was with Riba McIntyre. And 558 00:30:52,960 --> 00:30:56,600 Speaker 2: I had Thanksgiving with Reba McIntyre once and it was 559 00:30:57,440 --> 00:31:01,320 Speaker 2: and I really think Reba McIntyre's insanely talented, and so 560 00:31:01,480 --> 00:31:05,200 Speaker 2: Reba McIntyre caught my eye and again I just follow 561 00:31:05,280 --> 00:31:07,040 Speaker 2: on Instagram now and I'm not really in touch with 562 00:31:07,040 --> 00:31:09,280 Speaker 2: the real McIntyre, but we have mutual friends that kind 563 00:31:09,320 --> 00:31:11,080 Speaker 2: of thing. But so that's what called me. So I 564 00:31:11,240 --> 00:31:14,080 Speaker 2: was starting to watching that, and I started watching her 565 00:31:14,360 --> 00:31:16,080 Speaker 2: with this back and forth with Dolly Partner, and they 566 00:31:16,120 --> 00:31:18,960 Speaker 2: were kind of I think they were selling stuff. Is 567 00:31:19,000 --> 00:31:23,200 Speaker 2: that possible? They're selling like stuff from like an Etsy equivalent. 568 00:31:23,200 --> 00:31:25,400 Speaker 2: It seemed like they were like it was either that 569 00:31:25,720 --> 00:31:28,320 Speaker 2: or a It was an interesting thing. It was something 570 00:31:28,360 --> 00:31:31,400 Speaker 2: commercial and it was also like an ask me anything 571 00:31:31,400 --> 00:31:33,440 Speaker 2: type thing. Because Dolly Partner was very open about a 572 00:31:33,520 --> 00:31:34,920 Speaker 2: number of things. I wish I could remember what a 573 00:31:34,920 --> 00:31:37,719 Speaker 2: few of them were. But then the next day the 574 00:31:37,760 --> 00:31:40,800 Speaker 2: news broke that she's in some kind of health struggle, 575 00:31:40,840 --> 00:31:42,920 Speaker 2: and I'm thinking, I just saw her. I'm not even 576 00:31:43,120 --> 00:31:46,640 Speaker 2: a day ago. It was a live Instagram with Reba McIntyre. 577 00:31:47,160 --> 00:31:51,160 Speaker 2: They were taking live questions from the audience, and so 578 00:31:51,760 --> 00:31:54,160 Speaker 2: to hear that she was in a health struggle just 579 00:31:54,160 --> 00:31:56,680 Speaker 2: didn't seem to track. But the notion that she has 580 00:31:56,760 --> 00:32:00,880 Speaker 2: kidney stones, now it does make sense because that's a again, 581 00:32:00,920 --> 00:32:06,720 Speaker 2: that's not like some long battle with some disease. No. 582 00:32:06,920 --> 00:32:10,520 Speaker 5: Anyway, it apparently it caused an infection, but she's okay. 583 00:32:10,800 --> 00:32:13,680 Speaker 5: I think Actually, there's another celebrity who I think we 584 00:32:13,720 --> 00:32:15,520 Speaker 5: can add to the nice list, and this is this 585 00:32:15,600 --> 00:32:18,520 Speaker 5: one's out of left field post malone. 586 00:32:19,160 --> 00:32:22,000 Speaker 2: Oh, any thoughts on post malone Sam. 587 00:32:22,720 --> 00:32:25,320 Speaker 4: I think he needs more longevity, I need more work. 588 00:32:25,360 --> 00:32:27,960 Speaker 2: Yeah, I think, right, people, right, you have to he's 589 00:32:27,960 --> 00:32:29,240 Speaker 2: not road tested. 590 00:32:29,360 --> 00:32:31,360 Speaker 3: I'm calling it now. He's one of the nice ones. 591 00:32:31,480 --> 00:32:31,800 Speaker 2: All right. 592 00:32:33,440 --> 00:32:36,440 Speaker 3: Oh and Pamela Pamela Anderson, but she's Canadian, So. 593 00:32:37,080 --> 00:32:39,440 Speaker 2: Okay, all right, you keep working on it. Build the 594 00:32:39,440 --> 00:32:42,120 Speaker 2: list out. I will, all right. Mark Thompsons sitting it. 595 00:32:42,160 --> 00:32:45,160 Speaker 2: On Tuesday Night, we're KFI AM six forty live everywhere 596 00:32:45,320 --> 00:32:46,680 Speaker 2: on the iHeartRadio app. 597 00:32:47,480 --> 00:32:50,920 Speaker 1: You're listening to KFI AM six forty on demand.