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Speaker 1: You're listening to KFI AM six forty on demand.

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Speaker 2: Yes, the halftime show that just won't end. There are

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Speaker 2: people still nitpicking it. First with the welfare sign in

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Speaker 2: the window. Somebody is really examining every aspect of that

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Speaker 2: halftime show to catch that.

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Speaker 3: I had no idea.

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Speaker 2: I saw that the choreography was pretty intense. I got

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Speaker 2: the sugarcane, figured that part out, and I got the

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Speaker 2: ending with all the flags, and that actually made a

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Speaker 2: lot of sense. I thought that, all right, that's unifying

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Speaker 2: that we live in the United States. We call it America,

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Speaker 2: but actually the hemisphere is America.

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Speaker 3: So what the message was.

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Speaker 2: Even though I don't understand what the lyrics were, is

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Speaker 2: that we're all Americans, like a Bolivian is an American

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Speaker 2: and al SALVADORI is an American, a Canadian is an American.

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Speaker 2: We live in the United States of America, but we're

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Speaker 2: all Americans.

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Speaker 3: And Mike, that's good little hemispheric geography there. I'm down

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Speaker 3: with that.

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Speaker 2: It would it wouldn't have been nearly as controversial if

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Speaker 2: people didn't insist on making it controversial. So now people

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Speaker 2: are mad that food stamps are allowed at the store,

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Speaker 2: that isn't really a store, but a facade of a

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Speaker 2: store on the set.

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Speaker 4: Then in the back there's a sign that says we

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Speaker 4: accept EBT.

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Speaker 5: Oh Lord have mercy.

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Speaker 4: So apparently this market La Marquetta was originally a network

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Speaker 4: of pushcart vendors and whatever and merchants that became a

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Speaker 4: social hub for the area's Latino immigrant community in like

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Speaker 4: the nineteen thirties in New York City. So this marketplace

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Speaker 4: apparently helped transform the New York enclave into the Spanish Harlem.

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Speaker 5: But the EBT sign is hilarious.

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Speaker 4: I'll also point out that three percent of the island

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Speaker 4: of Puerto Rico is on food stamps.

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Speaker 3: Oh that's a shot.

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Speaker 2: Well, look if they qualify for food stam Look, I

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Speaker 2: don't is that a critique of the people of Puerto Rico.

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Speaker 2: I mean, they're not even a state, so they have

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Speaker 2: a ways to go to get on.

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Speaker 3: That is not a fair criticism of the people of

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Speaker 3: Puerto Rico. Although the purpose was to, I guess, show

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Speaker 3: off Puerto Rican culture to the greater American public. I

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Speaker 3: don't know that's it's a little bit too close analysis

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Speaker 3: for me, and I don't know where she got that stature.

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Speaker 3: If it's really true. But there you go.

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Speaker 2: People are now the hating on the mercado. And I

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Speaker 2: guess the little boy wasn't the little boy. I didn't

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Speaker 2: even catch the little boy. You remember when Ice were

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Speaker 2: attempting to stop and eat legal alien in Minnesota and

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Speaker 2: they stopped the truck. The illegal jumped out of the

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Speaker 2: truck and ran, and the Ice guys were chasing after him,

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Speaker 2: and they discovered in the truck an abandoned little boy,

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Speaker 2: and the Ice guy said, hey, stay with the kid.

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Speaker 2: I'm gonna go get the illegal. And they got the illegal,

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Speaker 2: and the photograph is this little boy. And the narrative was,

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Speaker 2: oh my goodness, how heartless, how cruel of a policy.

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Speaker 2: Ice are arresting little boys, which isn't what happened. But

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Speaker 2: to amplify that photograph, I guess Bad Bunny put a

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Speaker 2: little boy in the skit. And it turns out not

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Speaker 2: to be the actual little boy.

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Speaker 6: The little boy who was part of Bad Bunny super

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Speaker 6: Bowl halftime show is not Liam Kanejo Ramos. That's the

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Speaker 6: five year old who is detained by immigration officials in Minnesota.

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Speaker 3: All right, stop, that's not true.

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Speaker 2: Oh my goodness, please, I don't want to get into

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Speaker 2: a big you know, eedy alalien debate over this, but

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Speaker 2: please with the narrative. The five year old was not

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Speaker 2: detained by Immigration and Customs enforcement. You cannot detain a

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Speaker 2: five year old detained from what his tea time at

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Speaker 2: the golf course. How do you detain a five year old?

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Speaker 2: He was detained, so he missed his business flight. He's

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Speaker 2: five years old. He was in the truck.

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Speaker 3: When when please pull over.

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Speaker 2: A car and the driver of the car go run

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Speaker 2: and runs away, and they go up to the car

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Speaker 2: and there's a five year old strapped in the back

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Speaker 2: seat of the car. Are the police detaining the five

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Speaker 2: year old? Such ridiculous language here. So what happened was

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Speaker 2: there was a warrant and Immigration and Customs Enforcement warned

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Speaker 2: not warrant for the arrest, warrant to remove, a removal

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Speaker 2: warrant very different. When the ice guys come, it's over.

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Speaker 2: You're going in the back of the ice van. You

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Speaker 2: don't have the right to remain silent. You can sing

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Speaker 2: a song if you want, you can talk or not talk,

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Speaker 2: it doesn't matter. You're not going to see a judge.

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Speaker 2: You're being removed, which is why they run The illegals

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Speaker 2: know this. That's why there it's very dangerous for immigration

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Speaker 2: and Customs enforcement. The illegals know when they see IC

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Speaker 2: it's not like the old days. They're never coming back

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Speaker 2: to the country once that van door shuts on them.

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Speaker 2: So that's why they run and wrestle with the ICE guys.

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Speaker 3: In the parking lot of the home depot.

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Speaker 2: Very dangerous situation, but the ICE guys they pull the

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Speaker 2: guy over. Guys sees Ice says, oh, this is my

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Speaker 2: last chance if I don't run on never coming back

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Speaker 2: to the United States.

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Speaker 3: And they see a five year old. What exactly are

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Speaker 3: the ICE agents supposed to do with a five year old?

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Speaker 3: I mean, it's not fair. The illegals are putting us

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Speaker 3: in a very difficult situation.

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Speaker 2: I these vehicles don't have car seats in the back, right,

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Speaker 2: we don't have little teddy bears in the trunk.

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Speaker 3: These are not their officers.

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Speaker 2: They're not going to the elementary school encouraging your children

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Speaker 2: to say no to drugs. They're dealing with illegal gang

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Speaker 2: members from Alsalvador most of the time, so they're not

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Speaker 2: equipped to handle coming upon a five year old, and

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Speaker 2: it's very dangerous. So they do the best they can.

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Speaker 2: But the people that are critical, what do they expect

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Speaker 2: the ICE agents to do with the five year old?

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Speaker 2: All they can do is stand next to him and

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Speaker 2: wait for some other authority to come get custody of

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Speaker 2: him and keep him safe. So please with the whole

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Speaker 2: narrative driving at the arrested a five year old.

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Speaker 6: That's the five year old who is detained by immigration

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Speaker 6: officials in Minnesota and taken to a detention facility in

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Speaker 6: Texas along with his father.

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Speaker 3: All right, stop, we don't know that this adult illegal

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Speaker 3: is his fall. Stop saying it's his father. Why do

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Speaker 3: you assume it's the child's father because the illegal told

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Speaker 3: you that it is the nature of illegals to not

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Speaker 3: have documents. Remember they're undocumented. Is this your son? Yes?

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Speaker 3: How do we know that they can't prove it?

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Speaker 2: It's safer to assume that this individual is a child

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Speaker 2: molester than it is that it's the child's father, and

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Speaker 2: not a really good example for the son to be

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Speaker 2: evading authorities like that.

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Speaker 3: Right. I teach my boys to obey authority, So not

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Speaker 3: father of the year and the detention center. I don't

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Speaker 3: know what do.

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Speaker 2: They expect to put these people. It's a real problem.

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Speaker 2: This is not our problem, but it is certainly a problem.

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Speaker 2: These people, these foreigners, put us in a really tough spot.

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Speaker 2: They abandon their child and run away. We catch them,

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Speaker 2: what are we supposed to do with them? They have

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Speaker 2: no documentation. We can't even determined for sure if it's

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Speaker 2: actually a blood relative, let alone the father. So we

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Speaker 2: got to stick him somewhere while we call Planet Earth

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Speaker 2: to find out where they belong. So we put them

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Speaker 2: in a detention facility. That's a nice way of saying it.

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Speaker 2: I mean, I don't know what else to call it.

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Speaker 2: We're not going to put them up at the Hilton.

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Speaker 2: They're not free to go. They're not ours. So we

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Speaker 2: got to put them somewhere, and we probably shouldn't put

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Speaker 2: them together until we can confirm that they actually belong together.

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Speaker 3: Then the process begins. And you know, the illegal says, well,

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Speaker 3: I'm from Ecuador. Okay, do you have a passport?

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Speaker 7: No?

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Speaker 2: All right, Well it's a little bit of work, isn't it.

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Speaker 2: Maybe he's not really from Ecuador. Maybe he's from Bolivia,

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Speaker 2: but he's wanted in Bolivia for child sex trafficking, So

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Speaker 2: he's saying Ecuador. Maybe that's happening. You know, illegals do lie.

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Speaker 3: So it's a lot of work. You think the ice

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Speaker 3: work is a lot of work.

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Speaker 2: Processing these people for deportation to someplace on planet Earth

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Speaker 2: other than the deportation facility in Texas is work.

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Speaker 3: A lot of work. It takes time. Plus you call

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Speaker 3: Ecuador and you say, hey, is this guy yours? Well,

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Speaker 3: we don't know. Do you have any does he have

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Speaker 3: any paperwork?

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Speaker 7: No?

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Speaker 2: Okay, fingerprint him and then fax it to us. But

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Speaker 2: right now the fingerprint machine in Ecuador's broken, so it

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Speaker 2: might be a while before we can confirm he is

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Speaker 2: who he.

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Speaker 3: Says he is.

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Speaker 2: You see, it's very hard, and the fingerprint machine has

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Speaker 2: broken in all of these thirdborll countries. And then you

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Speaker 2: got the newspeople complaining that they're spending so much time

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Speaker 2: in the detention center at the basement of the federal building.

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Speaker 3: Well, what are we supposed to do? So spare me

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Speaker 3: the little boy montage In the halftime show.

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Speaker 1: You're listening to KFI AM six forty on demand.

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Speaker 3: Damn, Lou Penrose, you're the best ever.

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Speaker 7: You nail it.

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Speaker 3: I'll tell you what, hey man.

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Speaker 7: As far as the Super Bowl goes, I think it's

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Speaker 7: a combination of drinking beers or whatever and all that

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Speaker 7: bad or good food, depending on how you look at it.

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Speaker 7: It definitely puts you in a hangover situation the next day.

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Speaker 7: It's kind of a bummer. I always said, put the

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Speaker 7: super Bowl on Saturday. I'm all for the day off

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Speaker 7: the next day.

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Speaker 8: Take care.

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Speaker 3: I appreciate the call. You take care.

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Speaker 2: Instead of having the super Bowl on Saturday, Let's keep

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Speaker 2: it on Sunday, and you take care.

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Speaker 3: I think you can.

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Speaker 2: Work a little harder at evening yourself out a little bit,

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Speaker 2: drink a little water. I started with protein. I went

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Speaker 2: with the shrimp cocktail, and then I saw the ribs.

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Speaker 2: It is possible that a slice of pizza made it

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Speaker 2: in by the third quarter, but by then I was

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Speaker 2: already at least four grey goose and and SODA's into it.

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Speaker 2: So I can't help that. But I think you can.

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Speaker 2: I think you can do a better. I don't think

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Speaker 2: you need to take the day off. I don't think

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Speaker 2: we need to make the Monday after super Bowl Sunday

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Speaker 2: and national holiday. I mean, come on, we're talking some

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Speaker 2: chicken wings here. It's not that big of a deal.

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Speaker 2: A lot of people went out and did you see this?

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Speaker 3: This is the Zoo Sports Bar in Saint Petersburg, Florida.

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Speaker 3: He did what a lot of people did. He turned

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Speaker 3: the halftime show to another channel. And of course not

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Speaker 3: everybody likes that, but that's up to the bar owner.

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Speaker 2: So people need to understand what they have control over.

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Speaker 2: You have control over choosing the bar. You have control

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Speaker 2: over betting on the team. You have control over Gray

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Speaker 2: Goose and soda or Tito's and soda. And you have

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Speaker 2: control over walking home, calling an uber or getting a dui.

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Speaker 2: That's pretty much the end of your control. Who is

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Speaker 2: on the television in the bar is up to the

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Speaker 2: bar and the bar manager. And if the bar manager

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Speaker 2: wants to change it to some other halftime show, you

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Speaker 2: can't be going up to the manager and yelling and

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Speaker 2: screaming a.

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Speaker 3: Halftime show the whole experience.

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Speaker 5: Why are you playing bad Bunny at the halftime show

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Speaker 5: because I put this halftime show on because this is

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Speaker 5: what the majority.

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Speaker 3: How you doing.

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Speaker 2: Like the guy's filming himself drunk arguing with the bartender

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Speaker 2: about Bad Bunny not being on in the bar.

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Speaker 3: That's classic.

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Speaker 2: We I'm surprised technology has not advanced one more step

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Speaker 2: in its accessory.

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Speaker 3: I really am.

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Speaker 2: I mean it's time for a step up, since everybody

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Speaker 2: is going to broadcast or at least record every single

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Speaker 2: thing they do, particularly if the intent is to be confrontational,

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Speaker 2: but even if the intent is not confrontation, I see

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Speaker 2: people filming things hoping that there's a confrontation. But clearly

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Speaker 2: everybody wants content at all times, which takes away one hand,

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Speaker 2: and you really need both hands if you're going to

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Speaker 2: get into confrontation. You want to be prepared. I mean

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Speaker 2: if you want the video to be any good, so

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Speaker 2: that takes away a hand. If you got to hold

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Speaker 2: your cell phone the whole time that you're trying to

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Speaker 2: get into a genuine conflict with a bar manager on

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Speaker 2: Super Bowl Sunday over the halftime show, that would be

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Speaker 2: a good time to have an Accessoryosh. I see these

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Speaker 2: people a lot now because everybody's a content creator, and

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Speaker 2: you see them they have like this hand held little

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Speaker 2: fuzzy microphone. It looks like a guitar pick with a

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Speaker 2: beard on it, but they hold it with just two fingers.

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Speaker 2: But I see people using this a lot, and it's wireless,

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Speaker 2: so it must bluetooth to the to the cell phone.

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Speaker 2: They still are basically using just a cell phone. But

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Speaker 2: do you see these little microphones that people have these

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Speaker 2: days with a little gray windscreen. I see a lot

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Speaker 2: like Nick Shirley has one, and I don't know what

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Speaker 2: it is like. I don't do a lot of this

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Speaker 2: content creating in bars, but I see a lot of

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Speaker 2: people with these microphones. I don't see anybody with like

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Speaker 2: a remote lens. And that's really what you need. You

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Speaker 2: kind of need to have body cam on you so

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Speaker 2: you have both your hands so you can be illustrative

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Speaker 2: and you're arguing with the with the bar owner or

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Speaker 2: maybe eventually the camera lens will just be in your

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Speaker 2: eyeglass frame. I see that's coming along. So the bar

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Speaker 2: tend that throws them out. It's like, well, then link,

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Speaker 2: it's my bar. This is what my patrons have asked for.

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Speaker 3: And if you don't.

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Speaker 2: Want to watch what we're watching, lead, and the guy says,

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Speaker 2: I am gonna lead.

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Speaker 3: I'm gonna pay first. Yeah, I can't pay first. I

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Speaker 3: shouldn't pay for the full experience. That's a that's really good.

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Speaker 3: I shouldn't pay, but I'm gonna pay.

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Speaker 7: Good.

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Speaker 5: Going to happen.

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Speaker 3: You're gonna play somebody yet, yeah, you might get because

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Speaker 3: you might look like.

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Speaker 8: A right, I guess.

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Speaker 3: So now they're arguing over who's a racist. It always

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Speaker 3: gets to race. Always.

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Speaker 2: It's always two white guys arguing about who is more

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Speaker 2: racist for not watching Bad Bunny.

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Speaker 3: This is incredible to me.

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Speaker 2: It neither of you are racist. It is not racist

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Speaker 2: to not want to watch Bad Bunny. It's not racist

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Speaker 2: to wish to watch Kid Rock. White is a race.

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Speaker 2: It would be racist if Bad Bunny was.

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Speaker 3: Not allowed to perform for the super Bowl because he

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Speaker 3: was Puerto Rican. You can watch or turn away. That

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Speaker 3: isn't racism. Why you want a racist? Why you're complaining

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Speaker 3: about the show? This show right here, all right, give

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Speaker 3: me a neighbor. I have a bunch of other things

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Speaker 3: that we happen to you to super Bull experience, I

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Speaker 3: like to see always the lead waitress is always the

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Speaker 3: one to solve the problem.

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Speaker 2: Like the owner's arguing, he's stick arguing this guy's drug.

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Speaker 2: She's like, all right, chop, chop, can we wrap this

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Speaker 2: up here?

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Speaker 3: This show right all right, give me a neighbor. And

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Speaker 3: I have a bunch of other things that we happen

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Speaker 3: to you for the super Bowl experience.

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Speaker 5: This is super.

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Speaker 9: Chart you have you have a good night, thank.

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Speaker 10: You, you gets you.

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Speaker 3: Might lose a lot of I love it. Here you go,

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Speaker 3: Here's America twenty twenty six. You might get customers, you

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Speaker 3: might lose customers. We're not changing it. You should change it.

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Speaker 3: I came in here to watch the entire super Bowl experience.

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Speaker 3: Well then get out.

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Speaker 2: I am getting out, but I gotta pay first. But

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Speaker 2: I shouldn't have to pay. Unbelievable.

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Speaker 3: That's the bar fight in twenty twenty six. Super Bowl

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Speaker 3: twenty twenty six.

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Speaker 1: In the books, you're listening to KFI AM six forty

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Speaker 1: on demand.

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Speaker 8: Hey, lou, really you should put the lyrics on the website,

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Speaker 8: because Yeah, I read his lyrics and are filthy. A

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Speaker 8: lot of the P word and a lot of about

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Speaker 8: anal sex. And I can't believe that this is supposed

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Speaker 8: to be a family event with someone like that. It's

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Speaker 8: really very disgusting. Anyway, you should put the lyrics on

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Speaker 8: some people can see what this guy was actually saying.

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Speaker 3: Anyway, I appreciate the call.

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Speaker 2: I have heard that a lot of backdoor stuff going on.

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Speaker 2: I like backdoor stuff, but you know, look, this is

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Speaker 2: a you know, this is an adult record. I don't

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Speaker 2: know if it had a warning label. I don't know

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Speaker 2: if there is warning labels on albums in other countries.

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Speaker 3: It's gonna be hard.

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Speaker 2: These days to a Grammy Award winning album of the

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Speaker 2: Year that doesn't have a lot of bad words in it.

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Speaker 3: That's just a statement of fact of modern taste. Now.

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Speaker 2: I don't know this because I don't speak Spanish, but

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Speaker 2: I heard that they change the lyrics of some of

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Speaker 2: the songs or scrubbed some of the lyrics of some

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Speaker 2: of the songs to get a lot of the back

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Speaker 2: door stuff out and a lot of the naughty words out.

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Speaker 2: And that's good because I presume there are people listening

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Speaker 2: with children in the room who understand Spanish.

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Speaker 3: So that's good. What I don't understand is the concept.

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Speaker 3: I get it the.

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Speaker 2: NFL is going for a global audience, and that's why

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Speaker 2: they're playing football games in Brazil and Mexico City, and

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Speaker 2: I think they going to Australia next year, and they're

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Speaker 2: going to Germany, right, all right, fine, so they want

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Speaker 2: to be a world thing. And right now, Bad Bunny

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Speaker 2: is huge on Planet Earth and getting bigger in the

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Speaker 2: United States.

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Speaker 3: So it was a good fit. It did make sense.

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Speaker 2: But what what I don't understand is introducing this world

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Speaker 2: wide phenom of music to an American audience on a

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Speaker 2: prime time showcase, which the super Bowl Halftime Show is,

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Speaker 2: and then people say, hey, I don't understand the lyrics,

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Speaker 2: but I don't have to understand the lyrics. Americans watch

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Speaker 2: opera and they don't understand what's going on there.

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Speaker 3: But it was a catchy tune.

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Speaker 2: I'll go out and get the album, or I'll download

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Speaker 2: the album or whatever, and you know, they put it

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Speaker 2: on and then maybe they'll look at the translation of the.

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Speaker 3: Lyrics and realize, wow, that's some that's some hardcore stuff.

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Speaker 1: Luke pain rules sounds so gay.

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Speaker 2: Hey, hey, hey, thank you for the call a a A.

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Speaker 7: Do you realize next year the super Bowl is on

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Speaker 7: Valentine's Day and the fifteenth President's Day.

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Speaker 3: That's right, And I'll still have to work, but you're

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00:20:04,119 --> 00:20:06,880
Speaker 3: absolutely right. Everybody will be able to get really smashed

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Speaker 3: and get into arguments with the bar tender over what's

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Speaker 3: on the TV. It's gonna be another good one.

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Speaker 2: I don't know who they're gonna I do know it's

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Speaker 2: gonna be in Los Angeles, which is great because we're

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Speaker 2: like a RAMS affiliate, so I should be able to

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00:20:24,600 --> 00:20:27,360
Speaker 2: get tickets and then I can go and get into

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Speaker 2: arguments with people and that could be show content.

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Speaker 3: Poosh, Do they ever let us do that anymore?

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Speaker 2: Are we ever allowed to go out of the building

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Speaker 2: with a microphone or has that been all?

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Speaker 3: Is that the COVID kind of ended?

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Speaker 8: Uh?

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Speaker 5: You mean as far as like reporting or just like

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Speaker 5: man on the Street stuff, Like like.

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Speaker 2: Man on the Streets stuff, ya, reporters like they don't

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Speaker 2: really get into arguments, but like talk show hosts used

380
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Speaker 2: to be able to go out and argue with people.

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Speaker 5: I think now they just have a dedicated street guy.

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Speaker 5: Because there's a couple there's a couple of shows in

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Speaker 5: the FM stations in the morning that do that. But

384
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Speaker 5: the hosts themselves them to it, They'll have someone else

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Speaker 5: do it for them.

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Speaker 3: Right, So we get some intern out there, Yeah, and

387
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Speaker 3: he gets clobbered over there exactly.

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Speaker 2: Yeah, Yeah, I can see that's a problem. It's a

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00:21:09,280 --> 00:21:11,359
Speaker 2: rough world out there now. It's not like the old days.

390
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Speaker 2: We can go and get into a talk show debate.

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Speaker 3: Man. Maybe it's better we stay inside the building. Hey,

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Speaker 3: forty eight years ago today today.

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Speaker 2: It was released on on the tenth of February. February tenth,

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Speaker 2: forty eight years ago Van Halen's self titled debut album,

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Speaker 2: nineteen seventy eight. Boy, that does age right?

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Speaker 3: Do you remember where you were the first time you

397
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Speaker 3: heard it? Oh? Yeah, I remember where I was. Can

398
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Speaker 3: you believe that forty eight years ago?

399
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Speaker 2: That does make me feel old because I don't even

400
00:22:02,520 --> 00:22:04,239
Speaker 2: feel like I'm forty eight years old. And I had

401
00:22:04,240 --> 00:22:05,520
Speaker 2: to be old enough to be able to buy it,

402
00:22:05,560 --> 00:22:08,680
Speaker 2: so I must have been like, I don't know, fourteen.

403
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Speaker 3: Ron or does that age you? Or does is that

404
00:22:13,000 --> 00:22:14,000
Speaker 3: old man music to you?

405
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Speaker 7: Now?

406
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Speaker 10: No comment.

407
00:22:15,240 --> 00:22:18,040
Speaker 11: I have the skin of a fetus and I look

408
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Speaker 11: really really young.

409
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Speaker 3: That's right, it spelt I just spelt like an East

410
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Speaker 3: German boy. You're like them?

411
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Speaker 11: Oh god, yeah, I've liked that. Somebody from the East

412
00:22:27,280 --> 00:22:29,840
Speaker 11: German women's swim team, thank you very much. No no,

413
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Speaker 11: I was reflecting on Eddie being gone, which makes me

414
00:22:33,520 --> 00:22:37,879
Speaker 11: feel tremendously old because we're entering that era where I

415
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Speaker 11: guess all the artists who were are essentially our parents'

416
00:22:40,320 --> 00:22:41,720
Speaker 11: age are are going.

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Speaker 3: Right.

418
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Speaker 2: But I didn't look at I mean, I thought they

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00:22:45,960 --> 00:22:48,840
Speaker 2: were older because they were on TV. But when you

420
00:22:48,880 --> 00:22:51,800
Speaker 2: think about well, when I think about it, they were

421
00:22:51,840 --> 00:22:55,080
Speaker 2: they were not much older than I was, like when

422
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Speaker 2: I was sitting in my living room watching MTV and

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00:23:01,000 --> 00:23:04,679
Speaker 2: watching Eddie and Diamond Dave. I mean, they were like

424
00:23:04,800 --> 00:23:06,440
Speaker 2: less than ten years older.

425
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Speaker 3: Than I was at the time, Okay, which is kind

426
00:23:09,320 --> 00:23:11,400
Speaker 3: of weird, right, I mean, because when you're a kid

427
00:23:11,440 --> 00:23:13,920
Speaker 3: watching people on MTV, you think they're grown ups because

428
00:23:13,920 --> 00:23:14,840
Speaker 3: you're like fourteen. Yeah.

429
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Speaker 11: I routinely freak out thinking that all that classic MTV

430
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Speaker 11: stuff is now forty years old, forty.

431
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Speaker 2: Years old, but the forty eight years old for van Halen,

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Speaker 2: that's just amazing. I remember listening to it. Nothing else

433
00:23:34,200 --> 00:23:38,760
Speaker 2: sounded like it. I mean, that's the I mean, that's

434
00:23:38,800 --> 00:23:41,480
Speaker 2: the definition of a classic, right, I mean it was.

435
00:23:41,520 --> 00:23:44,920
Speaker 2: It peaked at nineteen on Billboard. It was one of

436
00:23:44,920 --> 00:23:47,359
Speaker 2: the best selling albums ever. Van Halen released the self

437
00:23:47,640 --> 00:23:52,160
Speaker 2: titled debut album on this day seventy eight, single handedly

438
00:23:52,240 --> 00:23:56,600
Speaker 2: reshaping the landscape. This Is Rolling Stone single handedly reshaped

439
00:23:56,600 --> 00:23:59,800
Speaker 2: the landscape of hard rock by introducing a new standard

440
00:23:59,840 --> 00:24:05,480
Speaker 2: of guitar work, high energy and Arena Ready Sound on

441
00:24:05,520 --> 00:24:09,480
Speaker 2: the album why they considered what are the most what

442
00:24:09,520 --> 00:24:11,920
Speaker 2: are the greatest rock debut albums of all time?

443
00:24:12,040 --> 00:24:12,600
Speaker 3: I'd say so.

444
00:24:13,119 --> 00:24:17,320
Speaker 2: I mean that like that was a wide album in

445
00:24:17,440 --> 00:24:19,880
Speaker 2: its breadth. I mean had two cover tunes, not one,

446
00:24:19,960 --> 00:24:24,960
Speaker 2: two cover tunes, uh, and a lot of originals ain't

447
00:24:25,000 --> 00:24:29,359
Speaker 2: talking about Love is still considered like one of their

448
00:24:29,400 --> 00:24:32,560
Speaker 2: most important songs, and even when Sammy took over, they

449
00:24:32,600 --> 00:24:34,440
Speaker 2: continued to keep it in the playlist.

450
00:24:35,359 --> 00:24:42,120
Speaker 3: It was it was sometimes the encore and reportedly Eddie

451
00:24:42,119 --> 00:24:45,880
Speaker 3: didn't like it. Not his favorite song, very simple song,

452
00:24:46,080 --> 00:24:46,600
Speaker 3: only two.

453
00:24:46,560 --> 00:25:00,400
Speaker 2: Chords, and yet the fans can't get enough of it.

454
00:25:00,400 --> 00:25:02,119
Speaker 3: It's kind of a simple song. It's kind of an

455
00:25:02,200 --> 00:25:07,760
Speaker 3: arpeggio of a chord, but it rocks to this very day.

456
00:25:08,680 --> 00:25:12,120
Speaker 1: You're listening to KFI AM six forty on demand.

457
00:25:14,000 --> 00:25:18,280
Speaker 2: Serena Williams is getting piled on over her ad during

458
00:25:18,320 --> 00:25:22,560
Speaker 2: the Super Bowl Serena Williams Big Tennis Star.

459
00:25:23,920 --> 00:25:27,240
Speaker 3: I mean, she's done very well in tennis. Where I

460
00:25:27,240 --> 00:25:33,000
Speaker 3: have the number here twenty three? Did she have twenty

461
00:25:33,000 --> 00:25:34,120
Speaker 3: three Grand Slam titles.

462
00:25:34,359 --> 00:25:37,520
Speaker 2: She's done very well, really really good at tennis and

463
00:25:38,280 --> 00:25:44,159
Speaker 2: certainly a focused and disciplined athlete. You cannot achieve the

464
00:25:44,280 --> 00:25:49,359
Speaker 2: level of athletic success that she has without focus, intensity

465
00:25:49,440 --> 00:25:55,320
Speaker 2: and discipline. And she is having a hard time keeping

466
00:25:55,359 --> 00:25:58,480
Speaker 2: her weight under control. And she has made the decision

467
00:25:58,880 --> 00:26:02,760
Speaker 2: to use a GLP and now she's a spokesperson for

468
00:26:03,000 --> 00:26:06,480
Speaker 2: the company of the GLP one that she uses, which

469
00:26:06,520 --> 00:26:10,840
Speaker 2: is called Row. And the commercial was on TV and

470
00:26:11,240 --> 00:26:12,320
Speaker 2: she's encouraging other.

471
00:26:12,200 --> 00:26:13,760
Speaker 3: People who are.

472
00:26:15,520 --> 00:26:19,440
Speaker 2: Looking to get their bodies under control with assistance.

473
00:26:20,000 --> 00:26:20,879
Speaker 3: And people are.

474
00:26:20,720 --> 00:26:23,879
Speaker 2: Really being mean to her. I mean, they're really picking

475
00:26:23,920 --> 00:26:24,800
Speaker 2: on her. Slammoner.

476
00:26:25,160 --> 00:26:28,800
Speaker 3: A lot of athletes are on her case, and we'll

477
00:26:29,200 --> 00:26:33,080
Speaker 3: talk about whether or not it's fair or unfair.

478
00:26:33,240 --> 00:26:36,560
Speaker 10: Hi, Lou, A barrio in Puerto Rico's subsection of a town,

479
00:26:37,160 --> 00:26:40,800
Speaker 10: kind of like Clermont or La Jolla is for San Diego.

480
00:26:41,440 --> 00:26:44,600
Speaker 10: That's what a barrio is now. Usually we say barrio

481
00:26:44,840 --> 00:26:47,919
Speaker 10: as a the town you're from, the subsection of the

482
00:26:47,960 --> 00:26:52,080
Speaker 10: town you're from. It's not like here was like Barrio

483
00:26:52,160 --> 00:26:53,240
Speaker 10: Logan was a slum.

484
00:26:53,760 --> 00:26:58,760
Speaker 3: I appreciate the call. So the thing about words is.

485
00:27:00,240 --> 00:27:04,840
Speaker 2: Matter and the strict definition of words is different sometimes

486
00:27:04,880 --> 00:27:08,320
Speaker 2: than the impression certain words give, particularly if they are

487
00:27:08,440 --> 00:27:17,840
Speaker 2: foreign words. So establishing a barrio as a set in

488
00:27:17,960 --> 00:27:21,240
Speaker 2: the Super Bowl to romance.

489
00:27:22,600 --> 00:27:28,560
Speaker 3: A particular culture may work, or it may not. See

490
00:27:28,600 --> 00:27:29,919
Speaker 3: I don't know if you know this.

491
00:27:30,600 --> 00:27:34,240
Speaker 2: I'm gonna let you in a little secret. People don't

492
00:27:34,280 --> 00:27:37,520
Speaker 2: want to live in the barrio. People want to get

493
00:27:37,520 --> 00:27:38,720
Speaker 2: out of the barrio.

494
00:27:40,800 --> 00:27:41,439
Speaker 3: Like I don't.

495
00:27:43,200 --> 00:27:45,440
Speaker 2: I don't know if I don't know anybody that wants

496
00:27:45,480 --> 00:27:48,320
Speaker 2: to move back to the barrio. Nobody that wins the

497
00:27:48,359 --> 00:27:51,000
Speaker 2: lottery says. What I'm gonna do is get myself a

498
00:27:51,040 --> 00:27:54,560
Speaker 2: place in the barrio. The barrio is where you go

499
00:27:54,760 --> 00:28:00,600
Speaker 2: to get prostitutes and drugs. Now, I know, in television

500
00:28:00,720 --> 00:28:06,120
Speaker 2: and then movies and film, and in a screen.

501
00:28:05,920 --> 00:28:07,880
Speaker 3: And stage and in books.

502
00:28:08,440 --> 00:28:14,480
Speaker 2: It's romanticized, right because it evokes emotion of where we

503
00:28:14,600 --> 00:28:18,000
Speaker 2: came from. But at the end of the day, nobody

504
00:28:18,000 --> 00:28:20,360
Speaker 2: wants to be in the barrio. I noticed that there

505
00:28:20,400 --> 00:28:25,440
Speaker 2: are no housing developments going up. You know where they're

506
00:28:25,440 --> 00:28:29,639
Speaker 2: breaking ground on ninety brand new five thousand square foot

507
00:28:29,640 --> 00:28:34,680
Speaker 2: homes on a half acre lot and calling it Barrio

508
00:28:34,840 --> 00:28:44,560
Speaker 2: del Rey or Barrio Heights or the Spoint Barrio estates.

509
00:28:45,280 --> 00:28:48,200
Speaker 3: You don't see that like ever? You know what.

510
00:28:49,720 --> 00:28:52,640
Speaker 2: The word connotes an image that you would want to

511
00:28:52,640 --> 00:28:57,880
Speaker 2: move away from. So that's where the criticism of the

512
00:28:57,880 --> 00:29:01,479
Speaker 2: whole barrio thing comes up, like people want to get

513
00:29:01,480 --> 00:29:02,040
Speaker 2: away from the bar.

514
00:29:04,640 --> 00:29:08,240
Speaker 3: Just saying, but I appreciate the call. God, damn, Lou Penrose,

515
00:29:08,280 --> 00:29:09,560
Speaker 3: you're the best ever.

516
00:29:09,960 --> 00:29:10,960
Speaker 10: You nail it.

517
00:29:11,080 --> 00:29:13,240
Speaker 3: I'll tell you what, I appreciate your call.

518
00:29:13,720 --> 00:29:15,200
Speaker 1: Pain rules sounds so gay?

519
00:29:15,480 --> 00:29:18,880
Speaker 2: Hey, hey, hey, hey, did I mention forty eight years

520
00:29:18,920 --> 00:29:24,080
Speaker 2: ago today?

521
00:29:28,320 --> 00:29:30,480
Speaker 3: You know, really, if can't, I is going to do

522
00:29:30,520 --> 00:29:37,120
Speaker 3: a change. We ought to be doing more of this. Yeah.

523
00:29:37,160 --> 00:29:39,920
Speaker 3: Back in the day, this used to play on AM radio.

524
00:29:41,320 --> 00:29:43,640
Speaker 3: The fidelity wasn't nearly as good. But this has all

525
00:29:43,640 --> 00:29:47,640
Speaker 3: been remastered and this is the way Los Angeles.

526
00:29:47,200 --> 00:29:49,400
Speaker 2: Sounded forty eight years ago when he turned on the radio.

527
00:29:51,840 --> 00:29:54,720
Speaker 2: So that's a that's like a step in the right.

528
00:29:54,680 --> 00:29:58,240
Speaker 3: Direction, all right. So we got to uh, what have

529
00:29:58,320 --> 00:29:59,040
Speaker 3: we got to do here?

530
00:29:59,080 --> 00:29:59,200
Speaker 7: Oh?

531
00:29:59,280 --> 00:30:03,400
Speaker 2: Oh hey, this is partly personal. I worked at Burger King,

532
00:30:03,800 --> 00:30:05,680
Speaker 2: and I worked at Burger King when I was fourteen

533
00:30:05,760 --> 00:30:08,440
Speaker 2: years old. It was my first job, and I had

534
00:30:08,440 --> 00:30:10,240
Speaker 2: it going to permit from the State of New York

535
00:30:10,280 --> 00:30:12,760
Speaker 2: in order to work. Believe it or not, I wanted

536
00:30:12,760 --> 00:30:15,120
Speaker 2: to work. They wanted to limit my ability to work

537
00:30:15,880 --> 00:30:20,040
Speaker 2: for my own good. And I guess somewhere where is

538
00:30:20,040 --> 00:30:22,840
Speaker 2: this in the Midwest. Somewhere they let a bunch of

539
00:30:22,880 --> 00:30:25,680
Speaker 2: fourteen and fifteen year olds work, but they made them

540
00:30:25,680 --> 00:30:26,200
Speaker 2: work over time.

541
00:30:26,400 --> 00:30:30,080
Speaker 9: Burger King franchise was having it their way over sixteen

542
00:30:30,120 --> 00:30:33,920
Speaker 9: hundred child labor wage violations. Five ninety three employees ages

543
00:30:34,080 --> 00:30:37,440
Speaker 9: fourteen and fifteen were allowed to begin work without required

544
00:30:37,560 --> 00:30:40,560
Speaker 9: child labor permits. Six hundred and twenty seven minor employees

545
00:30:40,600 --> 00:30:42,880
Speaker 9: work shifts of six hours or more without.

546
00:30:42,760 --> 00:30:45,400
Speaker 3: Work six hours or more. Oh my, that's right. You're

547
00:30:45,440 --> 00:30:50,160
Speaker 3: only allowed to work four hours on the weekday and

548
00:30:51,240 --> 00:30:54,320
Speaker 3: one eight hour shift on the weekend. Can't do two

549
00:30:54,440 --> 00:30:56,560
Speaker 3: eight hours while school is in session.

550
00:30:58,240 --> 00:31:01,760
Speaker 2: Summertime, you could do Saturday and Sunday twelve to eight,

551
00:31:03,880 --> 00:31:05,880
Speaker 2: but you got to be careful. They don't want you

552
00:31:05,960 --> 00:31:08,600
Speaker 2: working after school too many hours. And if you work

553
00:31:08,760 --> 00:31:09,720
Speaker 2: over three hours, you.

554
00:31:09,760 --> 00:31:11,840
Speaker 3: Got to get a break, some kind of a meal break,

555
00:31:13,120 --> 00:31:16,400
Speaker 3: which is why sometimes we work two hour shifts. That's

556
00:31:16,400 --> 00:31:16,920
Speaker 3: how they got you.

557
00:31:18,520 --> 00:31:21,280
Speaker 2: Not even worth suiting up for a two hour shift, right,

558
00:31:22,720 --> 00:31:24,400
Speaker 2: But uh yeah, that Burger King's in trouble.

559
00:31:24,440 --> 00:31:26,400
Speaker 3: Now it ohs a whole lot of money.

560
00:31:26,200 --> 00:31:29,280
Speaker 9: Equally required meal breaks, and hundreds of minors under age

561
00:31:29,320 --> 00:31:31,280
Speaker 9: sixteen worked outside of permitted hour.

562
00:31:31,440 --> 00:31:33,600
Speaker 3: Oh no, didn't have the permit. Can you imagine that?

563
00:31:34,480 --> 00:31:37,280
Speaker 2: Like, nobody is forcing anybody at fourteen to work at

564
00:31:37,280 --> 00:31:41,680
Speaker 2: Burger King, but because they didn't go and file whatever

565
00:31:41,720 --> 00:31:45,000
Speaker 2: paperwork they were supposed to file, now the owner is

566
00:31:45,040 --> 00:31:45,480
Speaker 2: in trouble.

567
00:31:46,920 --> 00:31:50,400
Speaker 3: Well, foosh, you you worked young? What was your was?

568
00:31:50,920 --> 00:31:52,400
Speaker 3: Did you work at fourteen or fifteen? Or did you

569
00:31:52,440 --> 00:31:53,240
Speaker 3: wait till you're sixteen?

570
00:31:53,400 --> 00:31:53,560
Speaker 7: Uh?

571
00:31:55,640 --> 00:31:58,320
Speaker 5: I think it was just turned seventeen. I actually worked

572
00:31:58,360 --> 00:32:02,520
Speaker 5: at a gym that was really Yeah, I worked in

573
00:32:02,560 --> 00:32:04,400
Speaker 5: the fitness instructor.

574
00:32:04,440 --> 00:32:06,640
Speaker 3: I had no idea now it was.

575
00:32:06,760 --> 00:32:09,280
Speaker 5: That I didn't didn't go to school that early. But no,

576
00:32:09,360 --> 00:32:12,160
Speaker 5: I worked with like the childcare area. So that's where

577
00:32:12,200 --> 00:32:13,960
Speaker 5: I was for a few years. And I made a

578
00:32:13,960 --> 00:32:15,480
Speaker 5: lot of good friends that I still talked to today.

579
00:32:15,600 --> 00:32:16,760
Speaker 5: So it's really cool.

580
00:32:16,960 --> 00:32:18,760
Speaker 3: Isn't that true? That is absolutely true.

581
00:32:18,880 --> 00:32:21,280
Speaker 2: I have friends that I worked with when I was

582
00:32:21,320 --> 00:32:23,440
Speaker 2: fourteen that I am friends with to this day.

583
00:32:23,760 --> 00:32:25,640
Speaker 3: I mean we don't see each other that often, but

584
00:32:25,680 --> 00:32:26,840
Speaker 3: we check it on Facebook.

585
00:32:26,880 --> 00:32:29,440
Speaker 2: And they are people that I met when I was

586
00:32:30,480 --> 00:32:33,840
Speaker 2: making whoppers and whoppers with cheese on the whopper board

587
00:32:33,920 --> 00:32:34,520
Speaker 2: at Burger Cake.

588
00:32:34,920 --> 00:32:37,960
Speaker 3: That's incredible. Yeah, friends that you made that you stay

589
00:32:37,960 --> 00:32:40,719
Speaker 3: in touch with. I love it well. I hope you.

590
00:32:41,240 --> 00:32:43,960
Speaker 3: I hope you had all the proper licenses to be

591
00:32:44,000 --> 00:32:45,200
Speaker 3: working at the at the.

592
00:32:45,120 --> 00:32:48,320
Speaker 5: Gym I did with the CPR training every six.

593
00:32:48,080 --> 00:32:49,560
Speaker 3: Months CPR training.

594
00:32:49,640 --> 00:32:52,920
Speaker 5: Yeah, gotta be writing in case they decide to swallow

595
00:32:52,920 --> 00:32:53,440
Speaker 5: a marble.

596
00:32:55,880 --> 00:32:58,720
Speaker 3: That's great, O. K IF I am six forty live

597
00:32:58,800 --> 00:32:59,960
Speaker 3: everywhere on the Iheartrate.

598
00:33:00,120 --> 00:33:03,720
Speaker 1: What KF I A M six forty on demand

599
00:33:06,200 --> 00:33:06,240
Speaker 8: M