1 00:00:00,320 --> 00:00:03,760 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:05,640 --> 00:00:09,240 Speaker 2: What party people, I know it. 3 00:00:09,240 --> 00:00:13,440 Speaker 3: It is windy and cold in southern California. Glad you 4 00:00:13,480 --> 00:00:16,960 Speaker 3: could spend some time with us on KFI. Mark Thompson 5 00:00:17,000 --> 00:00:20,360 Speaker 3: sitting in tonight on KFI AM six forty. We're live 6 00:00:20,440 --> 00:00:22,160 Speaker 3: everywhere on the iHeartRadio app. 7 00:00:22,200 --> 00:00:22,720 Speaker 2: I have it. 8 00:00:23,040 --> 00:00:25,920 Speaker 3: I recommend it. I listen to it. You'll be happy 9 00:00:25,960 --> 00:00:30,440 Speaker 3: with it, that iHeartRadio app. By the way, there's a 10 00:00:31,480 --> 00:00:40,360 Speaker 3: method and a modality of communication on the iHeartRadio app 11 00:00:40,760 --> 00:00:46,320 Speaker 3: whereby you can beam into us. You yourself can be 12 00:00:46,360 --> 00:00:50,920 Speaker 3: the broadcaster. I forget what it's called. Is I think 13 00:00:51,000 --> 00:00:51,760 Speaker 3: called talkback? 14 00:00:51,880 --> 00:00:54,040 Speaker 2: Talkback? Thank you? It's like living in the future. 15 00:00:56,040 --> 00:00:59,680 Speaker 3: Yeah. The talkback feature on iHeartRadio. In the upper right 16 00:00:59,720 --> 00:01:03,080 Speaker 3: hand corner of the as I recall of the screen 17 00:01:04,080 --> 00:01:08,080 Speaker 3: is a microphone and you press the microphone. That means 18 00:01:08,120 --> 00:01:11,840 Speaker 3: that it's recording your voice, your communication. You see whatever 19 00:01:11,880 --> 00:01:14,000 Speaker 3: you want and you have thirty seconds to do it 20 00:01:14,040 --> 00:01:16,240 Speaker 3: and then send it to us and we will share 21 00:01:16,280 --> 00:01:19,880 Speaker 3: those if necessary. Throughout the show. Much going on. As 22 00:01:19,880 --> 00:01:22,520 Speaker 3: I has mentioned, cold, windy, and this has not been 23 00:01:23,000 --> 00:01:26,800 Speaker 3: a wind without problems. There was an overturn on the 24 00:01:26,959 --> 00:01:33,720 Speaker 3: five Freeway, and this overturn across multiple lanes closed all 25 00:01:33,760 --> 00:01:36,080 Speaker 3: the southbound lanes near Pyramid Lake. 26 00:01:36,120 --> 00:01:36,880 Speaker 2: Today it's on. 27 00:01:36,840 --> 00:01:40,119 Speaker 4: The southbound side of the five at Cherry Canyon, which 28 00:01:40,160 --> 00:01:42,759 Speaker 4: is south of Pyramid Lake, and we'll open up out 29 00:01:42,760 --> 00:01:43,200 Speaker 4: of the shop. 30 00:01:44,040 --> 00:01:46,440 Speaker 2: What are you doing, Richie, I'm in the middle of 31 00:01:46,480 --> 00:01:50,880 Speaker 2: playing that Hello San Fernando Valley. 32 00:01:50,960 --> 00:01:52,600 Speaker 3: Or if you want to play a different cut, now 33 00:01:53,160 --> 00:01:56,040 Speaker 3: tell you this is This is why I'm not doing 34 00:01:56,080 --> 00:01:56,680 Speaker 3: this anymore. 35 00:01:56,840 --> 00:01:58,720 Speaker 2: Okay, come in with you. Can you just do the 36 00:01:58,760 --> 00:02:01,000 Speaker 2: one night? Yeah? I thought I could. 37 00:02:01,880 --> 00:02:04,160 Speaker 3: Turns out people are running in and out of here 38 00:02:04,320 --> 00:02:08,800 Speaker 3: changing the file on me. And Richard's one of our 39 00:02:08,800 --> 00:02:14,639 Speaker 3: top producers. All right, should I continue with this? Rich 40 00:02:15,040 --> 00:02:17,799 Speaker 3: Can I continue with the high the rig and then 41 00:02:18,040 --> 00:02:18,640 Speaker 3: I'll do the winds. 42 00:02:18,800 --> 00:02:21,000 Speaker 2: Got to do it before the wind pushes the button again. 43 00:02:21,760 --> 00:02:24,920 Speaker 4: On the southbound side of the five at Cherry Canyon, 44 00:02:24,960 --> 00:02:27,680 Speaker 4: which is south of Pyramid Link, and we'll open up 45 00:02:27,680 --> 00:02:29,480 Speaker 4: out of the shop. We can't see around the band. 46 00:02:29,480 --> 00:02:31,480 Speaker 4: We're getting banged up pretty good in the helicopter, so 47 00:02:31,760 --> 00:02:33,680 Speaker 4: you could tell just how bad it is. The big 48 00:02:33,720 --> 00:02:36,040 Speaker 4: deal here once again at southbound so you know that 49 00:02:36,120 --> 00:02:38,440 Speaker 4: travel out of Bakersfield, coming out of Gorman, you just 50 00:02:38,480 --> 00:02:40,440 Speaker 4: can't get through. There's no way to get through all 51 00:02:40,520 --> 00:02:41,160 Speaker 4: those trucks. 52 00:02:41,320 --> 00:02:43,600 Speaker 3: That is a rough ride by the way, being in 53 00:02:43,639 --> 00:02:46,400 Speaker 3: a helicopter and all of that stuff. I mean, these 54 00:02:46,400 --> 00:02:50,560 Speaker 3: guys are unbelievable. They really just you know, they shake 55 00:02:50,600 --> 00:02:54,360 Speaker 3: it off, but man, it is it really will I 56 00:02:54,360 --> 00:02:57,400 Speaker 3: think test your tolerance some. 57 00:02:57,400 --> 00:03:00,240 Speaker 5: Mark in your weathermen days. Was it like a lot 58 00:03:00,320 --> 00:03:03,200 Speaker 5: more difficult or was it more taxing for you when 59 00:03:03,280 --> 00:03:07,880 Speaker 5: it became whether it's heavy winds, heavy rain, like like 60 00:03:08,000 --> 00:03:09,040 Speaker 5: what's happening right now? 61 00:03:09,080 --> 00:03:09,480 Speaker 2: Like did it? 62 00:03:10,400 --> 00:03:13,799 Speaker 3: That's when it's when I rose to the occasion staff, 63 00:03:13,919 --> 00:03:16,720 Speaker 3: when I knew that I need to I need to 64 00:03:17,080 --> 00:03:20,200 Speaker 3: hunk it down. I need to marshal all of my training. 65 00:03:20,840 --> 00:03:24,799 Speaker 3: It's when I brought in all my years in all 66 00:03:24,880 --> 00:03:28,720 Speaker 3: the different meteorological circumstances that affected me, all of my 67 00:03:28,919 --> 00:03:30,720 Speaker 3: knowledge of the atmospheric sciences. 68 00:03:31,000 --> 00:03:32,400 Speaker 2: It all became focused. 69 00:03:32,960 --> 00:03:36,760 Speaker 3: Then somehow I'd have to communicate that to an awaiting 70 00:03:36,800 --> 00:03:39,960 Speaker 3: audience and audience that counted on me staff, And so 71 00:03:40,600 --> 00:03:46,200 Speaker 3: it was I would speak live extemporaneously without a script, 72 00:03:46,560 --> 00:03:49,640 Speaker 3: somehow try to integrate all of that, which I've just 73 00:03:49,680 --> 00:03:53,680 Speaker 3: referred to and give the audience a sense what was 74 00:03:53,720 --> 00:03:57,400 Speaker 3: going to happen by boiling it down to a simple cartoon. 75 00:03:57,760 --> 00:03:59,720 Speaker 2: In the five day forecast. 76 00:04:00,520 --> 00:04:02,440 Speaker 3: It was you know, when I first started, it was 77 00:04:02,520 --> 00:04:05,600 Speaker 3: only five days. Now it's seven days. It's seven yeah, yeah, yeah, 78 00:04:05,640 --> 00:04:07,760 Speaker 3: it was just a five day forecast when I started. 79 00:04:07,880 --> 00:04:10,840 Speaker 3: And by the way, the verifiability on days four and five, 80 00:04:11,000 --> 00:04:14,160 Speaker 3: depending on where you are, is much much lower and 81 00:04:14,160 --> 00:04:16,920 Speaker 3: depending on the season. But seven days, I mean, that's 82 00:04:16,960 --> 00:04:19,520 Speaker 3: a serious that's a serious forecast. 83 00:04:19,320 --> 00:04:20,800 Speaker 2: But yeah, you had. 84 00:04:20,640 --> 00:04:22,120 Speaker 3: To step you had to step it up in a 85 00:04:22,160 --> 00:04:26,480 Speaker 3: situation with certain the wind, cold that definitely brings more 86 00:04:26,520 --> 00:04:29,560 Speaker 3: attention to the weather guy. And of course Santa Anna's 87 00:04:29,600 --> 00:04:32,800 Speaker 3: big time and any kind of rain, yeah, any sort 88 00:04:32,800 --> 00:04:35,960 Speaker 3: of major storm event, particularly in a region that's already 89 00:04:35,960 --> 00:04:37,960 Speaker 3: been hard hit. Yeah, as a weather guy, you really 90 00:04:37,960 --> 00:04:40,440 Speaker 3: had to, you know, sort of honor that obligation. 91 00:04:40,600 --> 00:04:43,200 Speaker 5: And people got and you were trying to be serious, 92 00:04:43,240 --> 00:04:45,039 Speaker 5: but people got mad when you didn't do the dancing, 93 00:04:45,120 --> 00:04:45,920 Speaker 5: and it's like, we. 94 00:04:45,960 --> 00:04:49,400 Speaker 3: Have serious weather. Though it is true, I can't dance now. 95 00:04:49,640 --> 00:04:52,679 Speaker 3: It is true. The dancing which I did on Channel 96 00:04:52,760 --> 00:04:56,000 Speaker 3: three so Fox own Channel eleven and Channel thirteen. The 97 00:04:56,080 --> 00:05:01,240 Speaker 3: dancing I did on Channel thirteen was really born of 98 00:05:01,600 --> 00:05:04,279 Speaker 3: me not wanting to be on Channel thirteen. I was 99 00:05:04,320 --> 00:05:06,960 Speaker 3: on Channel eleven already. What am I doing on Channel thirteen? 100 00:05:06,960 --> 00:05:08,919 Speaker 3: This is like an extra hour I'm working. And you know, 101 00:05:09,000 --> 00:05:14,600 Speaker 3: I was fundamentally and continue to be very lazy. And 102 00:05:14,680 --> 00:05:18,200 Speaker 3: so the laziness what in me made me sort of 103 00:05:18,200 --> 00:05:19,560 Speaker 3: resent that I have to do this extra hour. 104 00:05:19,600 --> 00:05:21,159 Speaker 2: But anyway, I was doing the extra hour. It's more 105 00:05:21,160 --> 00:05:22,640 Speaker 2: of a rock and roll show. You know. 106 00:05:22,680 --> 00:05:25,760 Speaker 3: They have more like swishes and swoops and like pieces 107 00:05:25,760 --> 00:05:29,000 Speaker 3: of animation and music cues, and I like that, and 108 00:05:29,080 --> 00:05:32,040 Speaker 3: I said to the director, just keep the music up 109 00:05:32,400 --> 00:05:34,520 Speaker 3: when I come on, and then I just started dancing. 110 00:05:34,520 --> 00:05:38,039 Speaker 3: And that's when it became a thing because I started 111 00:05:38,080 --> 00:05:40,600 Speaker 3: playing really like heavy hip hop music and I'm the 112 00:05:40,800 --> 00:05:41,720 Speaker 3: member white guy. 113 00:05:41,800 --> 00:05:43,000 Speaker 2: Yeah, just is very funny. 114 00:05:43,160 --> 00:05:47,080 Speaker 3: So but to stepf point, when we're in the middle 115 00:05:47,160 --> 00:05:49,599 Speaker 3: of a big weather event, you could even say tonight 116 00:05:49,720 --> 00:05:53,480 Speaker 3: is it's cold. They're windshills that are dangerous. There are 117 00:05:53,560 --> 00:05:56,240 Speaker 3: high wind warnings and effect for parts of La County tonight, 118 00:05:57,000 --> 00:06:01,160 Speaker 3: and so sometimes I wouldn't answer it just was inappropriate. 119 00:06:01,200 --> 00:06:02,880 Speaker 3: I mean, you know it certainly a Santa Ana wins 120 00:06:02,920 --> 00:06:05,400 Speaker 3: and you've got fire and I'm not gonna dance. I 121 00:06:05,400 --> 00:06:08,560 Speaker 3: mean I don't care, you know. And the dancing was 122 00:06:08,600 --> 00:06:10,920 Speaker 3: always something I did, you know, towards the end after 123 00:06:10,920 --> 00:06:14,760 Speaker 3: I got some forecast out, although sometimes on a pretty 124 00:06:15,279 --> 00:06:17,680 Speaker 3: calm weather pattern, I remember I danced to the entire thing, 125 00:06:17,760 --> 00:06:19,920 Speaker 3: and sometimes I didn't say anything. I think Jimmy Kimmel 126 00:06:20,160 --> 00:06:22,480 Speaker 3: ran some stuff once where I didn't say anything the 127 00:06:22,600 --> 00:06:26,719 Speaker 3: entire forecast. Anyway, more to the point, when I didn't dance, 128 00:06:26,920 --> 00:06:28,120 Speaker 3: this is what you're saying stuff. 129 00:06:28,279 --> 00:06:29,279 Speaker 2: It's absolutely true. 130 00:06:29,480 --> 00:06:34,440 Speaker 3: The phone lines at Fox blew up, people angry that 131 00:06:34,520 --> 00:06:36,560 Speaker 3: I didn't. It's the only reason I tune in. How 132 00:06:36,600 --> 00:06:38,960 Speaker 3: can you do this? I tune into Mark Jompson will 133 00:06:39,000 --> 00:06:43,760 Speaker 3: see him dance. Wow, Sorry, dude, I don't know if 134 00:06:43,760 --> 00:06:47,920 Speaker 3: you noticed, but like we got serious weather information exactly. 135 00:06:48,240 --> 00:06:51,640 Speaker 3: This is not like a dancing situation Studio fifty four, right, 136 00:06:51,839 --> 00:06:53,279 Speaker 3: just very very weird. 137 00:06:53,960 --> 00:06:56,800 Speaker 2: So yeah, that was that was wild. 138 00:06:57,080 --> 00:07:00,400 Speaker 3: But you know, you know, on a night like tonight, 139 00:07:00,640 --> 00:07:02,960 Speaker 3: probably the weather they're going to play up high, you know, 140 00:07:03,160 --> 00:07:05,480 Speaker 3: higher in the in the show. That kind of thing, 141 00:07:05,520 --> 00:07:08,000 Speaker 3: at least in local news. It's a it's a big, 142 00:07:08,040 --> 00:07:10,760 Speaker 3: big story. And wins blowing through the San Fernando Valley. 143 00:07:11,000 --> 00:07:12,880 Speaker 3: We'll talk about that, as I say, they're high wind 144 00:07:12,880 --> 00:07:16,119 Speaker 3: warnings and effect. The other is other news of course, 145 00:07:16,160 --> 00:07:19,640 Speaker 3: outside of LA We will get to at some point 146 00:07:19,840 --> 00:07:24,360 Speaker 3: the law enforcement dragnet that has settled in from the 147 00:07:24,440 --> 00:07:25,800 Speaker 3: Ice shooting investigation. 148 00:07:25,880 --> 00:07:28,480 Speaker 2: We'll get into that a little bit later. And I 149 00:07:28,520 --> 00:07:30,160 Speaker 2: want to hear from. 150 00:07:31,720 --> 00:07:35,760 Speaker 3: Those of you who might have been at the Palisades 151 00:07:35,920 --> 00:07:41,560 Speaker 3: event yesterday, the Palisades fire and the Eaten fire through Altadena. 152 00:07:42,920 --> 00:07:46,760 Speaker 3: These are fires that have devastated these communities. 153 00:07:46,800 --> 00:07:48,840 Speaker 2: I think it'll be maybe decades. 154 00:07:48,880 --> 00:07:51,120 Speaker 3: I think it will be decades before these communities really 155 00:07:51,120 --> 00:07:54,320 Speaker 3: get back to any kind of normal rhythm. And there 156 00:07:54,400 --> 00:07:58,280 Speaker 3: are many, many questions being asked and many failures being 157 00:07:58,320 --> 00:08:00,880 Speaker 3: pointed to when we look at these fire So we'll 158 00:08:00,880 --> 00:08:02,400 Speaker 3: get into some of that as well. 159 00:08:03,000 --> 00:08:04,120 Speaker 2: Much ahead. 160 00:08:04,960 --> 00:08:08,360 Speaker 1: You're listening to KFI AM six forty on demand. 161 00:08:09,880 --> 00:08:14,120 Speaker 3: Mark Thompson sitting in on this Thursday night. Very windy 162 00:08:14,120 --> 00:08:16,800 Speaker 3: in southern California, and the winds are going to increase. 163 00:08:16,880 --> 00:08:20,560 Speaker 3: Power outages are possible. There's an increased risk of down trees, 164 00:08:20,680 --> 00:08:23,240 Speaker 3: they'll be blowing debris. I mean all of these things 165 00:08:23,240 --> 00:08:24,680 Speaker 3: you may have noticed of the day to day. It 166 00:08:24,720 --> 00:08:27,760 Speaker 3: was quite windy indeed, and as I was saying, it 167 00:08:27,840 --> 00:08:31,840 Speaker 3: will continue windy through the night. In fact, there are 168 00:08:31,920 --> 00:08:35,280 Speaker 3: high wind warnings up for a lot of La County and. 169 00:08:36,080 --> 00:08:40,360 Speaker 6: The San Fernando Valley feeling like a day. Strong gusts 170 00:08:40,400 --> 00:08:44,400 Speaker 6: making their presence felt in Porter Ranch Thursday morning in Silmar, 171 00:08:44,480 --> 00:08:47,760 Speaker 6: trees are shaking, plastic bags flying and people are holding 172 00:08:47,800 --> 00:08:48,600 Speaker 6: onto their hats. 173 00:08:48,679 --> 00:08:50,400 Speaker 1: It's pretty dangerous, you know, you want people to be 174 00:08:50,440 --> 00:08:51,600 Speaker 1: careful in so does Dafhatako. 175 00:08:51,800 --> 00:08:55,000 Speaker 3: When plastic bags start going, then you really know, right, 176 00:08:55,000 --> 00:08:56,640 Speaker 3: I mean that that is when there's. 177 00:08:56,480 --> 00:08:58,640 Speaker 2: When plastic bags go flying. Are we agreeing on that 178 00:08:58,640 --> 00:09:00,000 Speaker 2: that's plastic bags flying? 179 00:09:00,240 --> 00:09:04,000 Speaker 3: Yeah, that's uh yeah, that's deaf con one. When the 180 00:09:04,120 --> 00:09:05,480 Speaker 3: plastic bags get. 181 00:09:05,320 --> 00:09:08,360 Speaker 6: Playlastic bags flying and people are holding onto their. 182 00:09:08,200 --> 00:09:09,480 Speaker 1: Hats, it's pretty dangerous. 183 00:09:09,480 --> 00:09:10,679 Speaker 2: You know, you want people to be careful. 184 00:09:10,679 --> 00:09:13,480 Speaker 6: In the Staffataco Is of Vampedo on Glen Oaks, I'm. 185 00:09:13,360 --> 00:09:15,440 Speaker 3: Just saying that when plastic bags go flying and people 186 00:09:15,440 --> 00:09:17,680 Speaker 3: are holding on their hats, that's not the dangerous part. 187 00:09:17,720 --> 00:09:20,679 Speaker 2: Well, no, no, that's the American Beauty Test, thank you. 188 00:09:20,920 --> 00:09:25,240 Speaker 2: That's right. There was the hat that blew in American 189 00:09:25,280 --> 00:09:25,880 Speaker 2: Beauty or the. 190 00:09:25,840 --> 00:09:28,400 Speaker 3: Bag the bag the plastic bag blew and kind of 191 00:09:28,400 --> 00:09:32,199 Speaker 3: a swirling motion there as eerie music played over the 192 00:09:32,280 --> 00:09:33,240 Speaker 3: driveway of that guy. 193 00:09:33,320 --> 00:09:35,360 Speaker 2: Is that what you're saying. Yeah, it's foreboding. That's how 194 00:09:35,400 --> 00:09:36,920 Speaker 2: you know they're foreboding the way. 195 00:09:37,040 --> 00:09:40,480 Speaker 6: Okay, plastic bags flying and people are holding onto their hats. 196 00:09:40,600 --> 00:09:41,600 Speaker 1: It's pretty dangerous, you know. 197 00:09:41,600 --> 00:09:42,320 Speaker 2: You want people to be. 198 00:09:42,360 --> 00:09:44,960 Speaker 6: Careful in The staffataco Is of Vampedo on Glen Oaks 199 00:09:45,000 --> 00:09:47,600 Speaker 6: Boulevard tell us the wind is always a concern, often 200 00:09:47,640 --> 00:09:50,120 Speaker 6: strong enough to pull down their patio lights or push 201 00:09:50,160 --> 00:09:50,680 Speaker 6: someone over. 202 00:09:50,800 --> 00:09:53,280 Speaker 2: We try to get the strongest guy inside to take 203 00:09:53,320 --> 00:09:56,840 Speaker 2: the trash out, but hey, he's over here blowing sideways. 204 00:09:57,960 --> 00:10:01,439 Speaker 6: Some in Silmore telling us they worry about pulling branches 205 00:10:01,480 --> 00:10:04,680 Speaker 6: down on power lines as well as conditions on their commute. 206 00:10:04,760 --> 00:10:08,160 Speaker 7: They should drive carefully, you know, and you know there 207 00:10:08,200 --> 00:10:09,000 Speaker 7: could be stuff. 208 00:10:08,720 --> 00:10:10,800 Speaker 5: Flying on the road from how windy it gets. 209 00:10:11,679 --> 00:10:12,120 Speaker 2: Yeah. 210 00:10:12,160 --> 00:10:14,880 Speaker 6: We've been tracking the outage bat from sokel Edison, not 211 00:10:14,920 --> 00:10:17,600 Speaker 6: seeing any significant outages at this point connected to any 212 00:10:17,679 --> 00:10:20,839 Speaker 6: high winds, but we'll continue tracking that information here. 213 00:10:20,760 --> 00:10:23,600 Speaker 3: As we will, and again their high wind warnings in 214 00:10:23,679 --> 00:10:27,120 Speaker 3: effect through parts of La County for the rest of 215 00:10:27,120 --> 00:10:31,240 Speaker 3: the week, I mean into Saturday morning. I told you 216 00:10:31,240 --> 00:10:33,320 Speaker 3: about the big rig that went down in the five 217 00:10:33,360 --> 00:10:39,120 Speaker 3: Freeway corridor. It was blocked southbound for much of the afternoon. 218 00:10:40,679 --> 00:10:45,800 Speaker 3: In the San Gabriel Mountains, the fourteen I believe there 219 00:10:45,880 --> 00:10:49,280 Speaker 3: was a high wind warning there and they recorded gus 220 00:10:49,280 --> 00:10:54,920 Speaker 3: as high as seventy miles an hour, so down trees 221 00:10:55,320 --> 00:10:58,040 Speaker 3: and all of these things that are related to a 222 00:10:58,120 --> 00:11:02,520 Speaker 3: huge event like this reminiscent of what happened a year ago. Now, look, 223 00:11:02,520 --> 00:11:07,760 Speaker 3: this is a Santa Ana wind event that is short lived, 224 00:11:08,000 --> 00:11:10,400 Speaker 3: all right. I mean you're talking about an increase in 225 00:11:10,440 --> 00:11:14,480 Speaker 3: winds overnight, so tomorrow morning you'll have the peak of 226 00:11:14,480 --> 00:11:19,959 Speaker 3: those winds in some areas. As I say, by Saturday, 227 00:11:20,400 --> 00:11:22,720 Speaker 3: you could have wind gus as high as seventy miles 228 00:11:22,720 --> 00:11:25,800 Speaker 3: an hour. So relative to the kind of Santa Ana 229 00:11:25,840 --> 00:11:30,480 Speaker 3: event we saw that produced the supercharged fires and all 230 00:11:30,520 --> 00:11:34,800 Speaker 3: of those issues relative to that, this will not be 231 00:11:34,880 --> 00:11:38,720 Speaker 3: in the same category, but nonetheless it will make for 232 00:11:38,880 --> 00:11:43,680 Speaker 3: some travel issues. Light snow possible to home pass and 233 00:11:43,880 --> 00:11:49,280 Speaker 3: their weather advisories that continue to be posted throughout southern California. 234 00:11:49,360 --> 00:11:50,960 Speaker 2: So watch it. 235 00:11:50,960 --> 00:11:53,719 Speaker 3: It's one of those situations that's developing, and I do 236 00:11:53,800 --> 00:11:58,000 Speaker 3: think sadly. You know, stuff comes out of nowhere. So 237 00:11:58,760 --> 00:12:03,480 Speaker 3: that's the that's the deal on the wind. Meanwhile, what 238 00:12:03,520 --> 00:12:06,679 Speaker 3: we care about is that the Golden Gloves are coming up, 239 00:12:07,520 --> 00:12:09,960 Speaker 3: and you know, you cannot have too much of a 240 00:12:10,000 --> 00:12:12,440 Speaker 3: wind event those globes start blowing everywhere. 241 00:12:12,600 --> 00:12:17,120 Speaker 8: She's back, Nicki Glazer is rolling out the red carpet 242 00:12:17,160 --> 00:12:19,920 Speaker 8: at the Beverly Hilton for Sunday's Golden Globe. 243 00:12:19,920 --> 00:12:23,440 Speaker 3: Oh so this is the pre Golden Globes event at 244 00:12:23,480 --> 00:12:28,199 Speaker 3: the Beverly Hilton or she's rolling it out on. 245 00:12:29,679 --> 00:12:31,920 Speaker 2: I'm unclear, but I guess. So we'll find out. 246 00:12:32,040 --> 00:12:34,560 Speaker 8: The pressure is on. Is the comedian gears up to 247 00:12:34,600 --> 00:12:35,319 Speaker 8: host the show? 248 00:12:35,559 --> 00:12:37,880 Speaker 3: I see, so she's just rehearsing the Golden Globes at 249 00:12:37,880 --> 00:12:38,520 Speaker 3: the Beverly Hilton. 250 00:12:38,600 --> 00:12:39,920 Speaker 2: Very good. The pressure is on? 251 00:12:40,160 --> 00:12:42,679 Speaker 8: Is the comedian gears up to host the show for 252 00:12:42,840 --> 00:12:44,240 Speaker 8: the second year in a row? 253 00:12:44,480 --> 00:12:45,600 Speaker 2: What do you have up your sleeve? 254 00:12:45,720 --> 00:12:48,280 Speaker 9: With Leo and Julia Roberts and George Clooney. It's just 255 00:12:48,320 --> 00:12:51,480 Speaker 9: like that's who I grew up idolizing as like I'll 256 00:12:51,480 --> 00:12:52,960 Speaker 9: never be in the same room as them. It's like 257 00:12:53,040 --> 00:12:55,000 Speaker 9: kind of surreal. So I would like to have some 258 00:12:55,080 --> 00:12:56,960 Speaker 9: moments with them, And to have a moment you have 259 00:12:57,000 --> 00:12:58,680 Speaker 9: to make a joke. So it's like finding a way 260 00:12:58,760 --> 00:13:00,880 Speaker 9: to let them know how much I love them, but 261 00:13:00,920 --> 00:13:02,360 Speaker 9: also like being funny about it. 262 00:13:02,640 --> 00:13:05,280 Speaker 3: Last Now, she was very good last year, so I 263 00:13:05,280 --> 00:13:07,640 Speaker 3: would imagine that's why the having her back this. 264 00:13:07,760 --> 00:13:10,920 Speaker 8: Last year, you had nine nine wardrobe chairs? Yeah, yeah, 265 00:13:10,960 --> 00:13:12,000 Speaker 8: what's on tap for this year? 266 00:13:12,120 --> 00:13:15,040 Speaker 9: I think it's nine again. It's really exciting. I've got 267 00:13:15,080 --> 00:13:17,800 Speaker 9: some really fun looks at my sleeve. Some of them 268 00:13:17,800 --> 00:13:19,280 Speaker 9: don't even have sleeves any music. 269 00:13:19,320 --> 00:13:25,840 Speaker 3: She does a a serious and Vicki Gleizer thinks very funny, 270 00:13:26,120 --> 00:13:28,280 Speaker 3: very funny. I remember her last year is very funny. 271 00:13:28,480 --> 00:13:30,840 Speaker 3: She's really funny. She made her name on those Comedy 272 00:13:30,840 --> 00:13:33,520 Speaker 3: Central roasts where she was just absolutely vicious. 273 00:13:33,920 --> 00:13:35,520 Speaker 2: Yeah, isn't that wild. It's kind of. 274 00:13:37,320 --> 00:13:39,520 Speaker 3: Yet another way in which you can, you know, break 275 00:13:39,520 --> 00:13:41,200 Speaker 3: your career open as a comic. 276 00:13:41,640 --> 00:13:43,120 Speaker 2: Oh yeah, well, or go the other way. 277 00:13:43,120 --> 00:13:44,600 Speaker 3: There are other people who did those and when you 278 00:13:44,600 --> 00:13:47,559 Speaker 3: see their solo acts, they're not that funny. Well, I'm 279 00:13:47,559 --> 00:13:49,720 Speaker 3: trying to think if anybody did it and like flamed 280 00:13:49,720 --> 00:13:51,960 Speaker 3: out so badly that it cost them their career for 281 00:13:52,000 --> 00:13:52,400 Speaker 3: a while. 282 00:13:52,480 --> 00:13:53,360 Speaker 2: I can't think of that. 283 00:13:53,840 --> 00:13:56,280 Speaker 3: I think it's usually a you know, if you do 284 00:13:56,400 --> 00:13:59,800 Speaker 3: really well, it could blow open stuff and opportunities for you. 285 00:13:59,840 --> 00:14:02,800 Speaker 2: But I can't think anyway. Maybe there is an example. Now, 286 00:14:02,800 --> 00:14:04,840 Speaker 2: she really blew some people's hair bag with some of 287 00:14:04,840 --> 00:14:06,080 Speaker 2: the things. 288 00:14:05,720 --> 00:14:09,520 Speaker 3: Right right, I mean, that's a forum that is so 289 00:14:10,720 --> 00:14:14,120 Speaker 3: wonderfully rich with opportunity for people who are great at 290 00:14:14,160 --> 00:14:19,080 Speaker 3: crafting jokes. And just to remember, Greg Giraldo is just 291 00:14:19,320 --> 00:14:20,960 Speaker 3: the very this goes back away. 292 00:14:21,080 --> 00:14:22,680 Speaker 2: Maybe it's so funny. 293 00:14:22,680 --> 00:14:25,960 Speaker 3: I mean, maybe the very best material that was brought 294 00:14:25,960 --> 00:14:28,600 Speaker 3: to this and of course Jeff Ross, you know, but yeah, 295 00:14:28,600 --> 00:14:32,400 Speaker 3: you're right, it was that which gave her this visibility, 296 00:14:32,440 --> 00:14:35,280 Speaker 3: and then she's paid it off with some very successful 297 00:14:35,680 --> 00:14:38,840 Speaker 3: Netflix specials, I think, and she's sort of become a 298 00:14:38,960 --> 00:14:43,000 Speaker 3: darling of the edgy comedy set. And when you're looking 299 00:14:43,000 --> 00:14:45,240 Speaker 3: for these hosts for these award shows and you want 300 00:14:45,320 --> 00:14:48,240 Speaker 3: something edgy, but something that you know America will still 301 00:14:48,280 --> 00:14:50,640 Speaker 3: swallow she's a pretty good choice. 302 00:14:50,760 --> 00:14:52,040 Speaker 2: So she's back for year two. 303 00:14:52,120 --> 00:14:55,240 Speaker 8: Last year you had nine nine wardrobe change. Yeah, yeah, 304 00:14:55,280 --> 00:14:56,320 Speaker 8: what's on tap for this year? 305 00:14:56,440 --> 00:14:59,360 Speaker 9: I think it's nine again. It's really exciting. I've got 306 00:14:59,400 --> 00:15:01,960 Speaker 9: some really if one looks at my sleeve, some of 307 00:15:02,000 --> 00:15:03,040 Speaker 9: them don't even have sleeves. 308 00:15:03,080 --> 00:15:04,320 Speaker 2: Any musical number. 309 00:15:04,320 --> 00:15:09,840 Speaker 9: Popular, You're gonna be popular. People loved Popular last year. 310 00:15:09,880 --> 00:15:11,880 Speaker 9: I loved it. So we're trying to figure something out, 311 00:15:11,880 --> 00:15:14,040 Speaker 9: but nothing said in stone yet. That's kind of the 312 00:15:14,120 --> 00:15:17,800 Speaker 9: joy of this job is that Popular happened the night before, 313 00:15:17,840 --> 00:15:20,760 Speaker 9: like literally the night before the globes last year, and 314 00:15:20,840 --> 00:15:23,680 Speaker 9: so we're gonna be coming up with stuff right up until. 315 00:15:24,000 --> 00:15:24,960 Speaker 2: That's pretty wild. 316 00:15:25,080 --> 00:15:27,040 Speaker 3: I didn't realize that she did a whole thing, a 317 00:15:27,120 --> 00:15:31,240 Speaker 3: whole musical number, which is of course a right, that's 318 00:15:31,440 --> 00:15:35,320 Speaker 3: it's a take on Wicked, right, and that they came 319 00:15:35,400 --> 00:15:36,920 Speaker 3: up with just the night before. 320 00:15:37,080 --> 00:15:40,400 Speaker 2: That's pretty cool. Wow. That just shows how strong she 321 00:15:40,560 --> 00:15:41,840 Speaker 2: is a as. 322 00:15:41,600 --> 00:15:44,880 Speaker 3: A I agree, and I it's just interesting how the 323 00:15:44,920 --> 00:15:47,960 Speaker 3: writing room evolves. I guess think about they must have 324 00:15:48,040 --> 00:15:51,560 Speaker 3: sacrificed another bit to find that one. 325 00:15:51,560 --> 00:15:55,080 Speaker 9: You'd think Popular happened the night before, like literally the 326 00:15:55,200 --> 00:15:58,000 Speaker 9: night before the Globes last year, and so we're gonna 327 00:15:58,000 --> 00:16:01,240 Speaker 9: be coming up with stuff right up until the last minute. 328 00:16:01,520 --> 00:16:04,240 Speaker 8: Every seat in this ballroom will be filled with a listers. 329 00:16:04,280 --> 00:16:06,840 Speaker 8: Look at this table, the he cards are out, Emma Stone, 330 00:16:06,960 --> 00:16:08,120 Speaker 8: Orlando Bloom. 331 00:16:08,000 --> 00:16:10,000 Speaker 2: Leonardo DiCaprio, Michael B. Jordan. 332 00:16:10,240 --> 00:16:13,040 Speaker 8: Gives you a sense of the cloud inside this ballroom. 333 00:16:13,160 --> 00:16:14,320 Speaker 2: Come Golden Globe night. 334 00:16:14,600 --> 00:16:18,800 Speaker 3: Yeah, I'm getting nervous already, Big Golden Globes. Nicki Glazer 335 00:16:18,880 --> 00:16:23,960 Speaker 3: likes that spray on tan. She did a big thing 336 00:16:24,040 --> 00:16:26,720 Speaker 3: on that last years. A shame to admit it. Yeah, 337 00:16:27,160 --> 00:16:31,920 Speaker 3: she talked about it on stage. Well, I think part 338 00:16:31,960 --> 00:16:34,800 Speaker 3: of her bid is that she's an uncomfortable oversharer. 339 00:16:34,920 --> 00:16:36,120 Speaker 2: She used to hear. 340 00:16:36,240 --> 00:16:38,800 Speaker 3: Her gig on Conan was to say things that would 341 00:16:39,760 --> 00:16:42,680 Speaker 3: mortify him as well. Oh is that right. That's great, 342 00:16:43,120 --> 00:16:48,200 Speaker 3: that's great. She's super talented. And the Globes are Sunday 343 00:16:48,640 --> 00:16:51,800 Speaker 3: in Los Angeles at the Beverly Hilton. By then the 344 00:16:51,840 --> 00:16:55,960 Speaker 3: winds will have diminished and the laughter, the frivolity, and 345 00:16:56,040 --> 00:17:01,239 Speaker 3: the self congratulations can get underway with out a problem. 346 00:17:01,680 --> 00:17:05,520 Speaker 3: When we come back, we go to Disneyland. 347 00:17:06,440 --> 00:17:09,880 Speaker 1: You're listening to KFI Am six forty on demand. 348 00:17:11,440 --> 00:17:14,560 Speaker 3: If you're listening to us tonight on the iHeartRadio app, 349 00:17:14,600 --> 00:17:17,720 Speaker 3: you can join us. Yes, it's true. You can join 350 00:17:17,800 --> 00:17:22,080 Speaker 3: us via the talkback feature. There's a microphone in the 351 00:17:22,160 --> 00:17:25,400 Speaker 3: upper right hand part of that iHeartRadio app. If you're 352 00:17:25,520 --> 00:17:29,399 Speaker 3: on your phone with it, and you can press that microphone, 353 00:17:30,080 --> 00:17:33,680 Speaker 3: record yourself I think up to thirty seconds and send 354 00:17:33,720 --> 00:17:36,280 Speaker 3: it to us and we will share some of them. 355 00:17:36,280 --> 00:17:38,280 Speaker 3: I think we've got a couple coming in already. We'll 356 00:17:38,280 --> 00:17:40,320 Speaker 3: get to them in a moment, but we'd love to 357 00:17:40,359 --> 00:17:43,560 Speaker 3: have you in the mix. The more you talk, the 358 00:17:43,640 --> 00:17:46,520 Speaker 3: less I have to talk. Mark Thompson here on Thursday night. 359 00:17:46,520 --> 00:17:48,560 Speaker 3: It is windy, it is cold. There are high wind 360 00:17:48,600 --> 00:17:51,680 Speaker 3: warnings throughout southern California. Do take it seriously because the 361 00:17:51,720 --> 00:17:54,119 Speaker 3: winds will increase through Saturday morning. 362 00:17:54,119 --> 00:17:54,919 Speaker 2: From what I'm told. 363 00:17:55,200 --> 00:17:59,720 Speaker 3: At Disneyland, they had to evacuate the monorail today. 364 00:18:00,119 --> 00:18:00,399 Speaker 2: See that. 365 00:18:02,080 --> 00:18:05,000 Speaker 3: Yes, I mean you don't expect that in the world's 366 00:18:05,000 --> 00:18:08,119 Speaker 3: happiest place, well, especially the mono rail. It's kind of 367 00:18:08,240 --> 00:18:10,439 Speaker 3: I feel like that's a boiler plate thing that is 368 00:18:10,480 --> 00:18:13,320 Speaker 3: so dependable. But I guess there was some issue and 369 00:18:13,520 --> 00:18:17,800 Speaker 3: sixty people had to be taken off the I want 370 00:18:17,800 --> 00:18:18,520 Speaker 3: to call it a ride. 371 00:18:18,560 --> 00:18:19,120 Speaker 2: Well, yeah, the. 372 00:18:19,040 --> 00:18:21,639 Speaker 3: Monorail is one of those symbols of the future, and 373 00:18:21,960 --> 00:18:24,560 Speaker 3: you don't expect those to break down. Yeah, I guess 374 00:18:24,600 --> 00:18:27,440 Speaker 3: there are some hiccups even in the future. Yeah, the 375 00:18:27,560 --> 00:18:31,359 Speaker 3: Jetson's never had this problem. No, No, they did have 376 00:18:31,400 --> 00:18:33,440 Speaker 3: a monorail of course. You know what happened to the 377 00:18:33,480 --> 00:18:37,680 Speaker 3: Simpsons when they built their monorail that didn't work out 378 00:18:37,720 --> 00:18:43,440 Speaker 3: so well. The ride that I was on that did 379 00:18:43,560 --> 00:18:45,880 Speaker 3: break at Disneyland. Have you ever been on a ride 380 00:18:45,920 --> 00:18:48,440 Speaker 3: where it breaks or something happens they have to take 381 00:18:48,480 --> 00:18:49,000 Speaker 3: you off of it. 382 00:18:49,119 --> 00:18:52,160 Speaker 2: Is anybody here, Steph? Does that happening with you ever? 383 00:18:52,720 --> 00:18:54,520 Speaker 2: That's definitely happened to me. It has. 384 00:18:54,760 --> 00:18:57,480 Speaker 5: Yeah, yeah, it was the I don't know if you've 385 00:18:57,480 --> 00:19:00,520 Speaker 5: been on it, probably not, but the I don't know 386 00:19:00,560 --> 00:19:02,560 Speaker 5: what it's actually called, but it's based on the Mummy 387 00:19:02,680 --> 00:19:03,840 Speaker 5: at Universal Studios. 388 00:19:03,920 --> 00:19:04,600 Speaker 2: Oh that's cool. 389 00:19:04,640 --> 00:19:07,280 Speaker 5: So really it's a it's a it's intense. I mean 390 00:19:07,320 --> 00:19:09,840 Speaker 5: it's only it's a short ride, but it is fast 391 00:19:09,880 --> 00:19:13,159 Speaker 5: and it's dark. Yeah, like you can't see it's like 392 00:19:13,160 --> 00:19:16,200 Speaker 5: the matter horn on steroids. Wow, basically, why is that fun. 393 00:19:16,680 --> 00:19:20,040 Speaker 5: It's so cool. No, it actually it's really a fun ride. 394 00:19:20,080 --> 00:19:22,359 Speaker 5: It's it's really short too, but. 395 00:19:22,119 --> 00:19:24,440 Speaker 3: It's it's sort of like light space Mountain, like a 396 00:19:24,520 --> 00:19:26,120 Speaker 3: roller coaster in the darkness. 397 00:19:26,280 --> 00:19:28,880 Speaker 5: Yeah, you're you basically, yeah, you sit in a seat 398 00:19:28,960 --> 00:19:33,119 Speaker 5: and the the car is so small that you have 399 00:19:33,160 --> 00:19:35,200 Speaker 5: to no matter what you have, you have to put 400 00:19:35,200 --> 00:19:35,840 Speaker 5: it in a locker. 401 00:19:35,920 --> 00:19:37,520 Speaker 2: So they offer you, you know, the lockers to put 402 00:19:37,520 --> 00:19:37,960 Speaker 2: your stuff in. 403 00:19:38,640 --> 00:19:42,480 Speaker 5: But yeah, we were going through it, and so a 404 00:19:42,560 --> 00:19:45,119 Speaker 5: part of the ride is you get to a certain 405 00:19:45,160 --> 00:19:48,560 Speaker 5: spot and it goes backwards and it got stuck there 406 00:19:48,960 --> 00:19:50,040 Speaker 5: and so they had to turn it on. 407 00:19:50,480 --> 00:19:53,480 Speaker 3: Everyone had to get out, and it was the lights. Yeah, 408 00:19:53,840 --> 00:19:56,679 Speaker 3: like ruins the illusion. Sure, you know, turning the light 409 00:19:56,720 --> 00:19:58,200 Speaker 3: shout at the end of the night of the bar. 410 00:19:58,520 --> 00:20:02,760 Speaker 3: Oh wait a minute, So everybody's not quite as sexy 411 00:20:02,760 --> 00:20:03,600 Speaker 3: as I thought they were. 412 00:20:03,960 --> 00:20:05,439 Speaker 2: And I was like, oh, I can see there's the 413 00:20:05,440 --> 00:20:06,639 Speaker 2: car and I saw it. 414 00:20:06,800 --> 00:20:09,480 Speaker 5: It's funny to see the track, you know, where you 415 00:20:09,520 --> 00:20:11,800 Speaker 5: go and where you you know, reverse and all that stuff. 416 00:20:11,840 --> 00:20:14,200 Speaker 5: But yeah, yeah, it's happened before. But that's the only 417 00:20:14,240 --> 00:20:15,600 Speaker 5: one that's actually pretty great. 418 00:20:15,680 --> 00:20:18,680 Speaker 3: I mean, just because the before and after on that 419 00:20:18,840 --> 00:20:20,239 Speaker 3: is so dramatic, you know. 420 00:20:20,840 --> 00:20:21,800 Speaker 2: I was on the. 421 00:20:23,440 --> 00:20:27,399 Speaker 3: New one, the Star Wars experience there at Disneyland. 422 00:20:27,440 --> 00:20:28,800 Speaker 2: Oh yeah, I want to go on that. Yeah, it's 423 00:20:28,880 --> 00:20:29,400 Speaker 2: really cool. 424 00:20:29,560 --> 00:20:31,560 Speaker 3: And one of the reasons it's really cool is because 425 00:20:31,960 --> 00:20:37,200 Speaker 3: it's part ride and it's part sort of theatrical experience, 426 00:20:37,320 --> 00:20:39,000 Speaker 3: you know. You I don't want to give away too 427 00:20:39,080 --> 00:20:40,960 Speaker 3: much or those who haven't gone on it, but by 428 00:20:40,960 --> 00:20:42,919 Speaker 3: now I'm sure the word is out anyway. But still 429 00:20:43,840 --> 00:20:46,480 Speaker 3: there's an aspect of it that is sort of interaction 430 00:20:46,600 --> 00:20:49,840 Speaker 3: with real, live characters. So there's live action and then 431 00:20:49,840 --> 00:20:52,919 Speaker 3: there's the ride. So something went wrong and I have 432 00:20:53,000 --> 00:20:54,919 Speaker 3: no idea what it was, but I'm halfway through the 433 00:20:55,000 --> 00:20:58,720 Speaker 3: ride and this Disney person comes up and says, follow 434 00:20:58,760 --> 00:21:02,280 Speaker 3: me please, We're gonna just been a malfunction, you know. 435 00:21:03,400 --> 00:21:05,480 Speaker 3: And I think they said malfunction, which is very Star 436 00:21:05,520 --> 00:21:07,960 Speaker 3: Wars he to say malfunctioning, not that the road ride 437 00:21:08,000 --> 00:21:10,159 Speaker 3: is broken. They never use the word ride, you know. 438 00:21:10,920 --> 00:21:14,879 Speaker 3: But then they take you through the back. It's kind 439 00:21:14,920 --> 00:21:18,840 Speaker 3: of like going through the back of a convention center, 440 00:21:18,960 --> 00:21:21,520 Speaker 3: like past the steam trays type thing and the sort 441 00:21:21,560 --> 00:21:26,240 Speaker 3: of where, you know, the white Tablecloth experience that they're 442 00:21:26,280 --> 00:21:29,960 Speaker 3: in the great dining room at the Golden Clothes, Let's say, 443 00:21:30,080 --> 00:21:35,080 Speaker 3: is lost if you go backstage into the back corridors. Similarly, 444 00:21:35,119 --> 00:21:38,080 Speaker 3: at Disneyland, when they pull you up that Star Wars tour, 445 00:21:38,520 --> 00:21:41,879 Speaker 3: they walk you up through these very institutional corridors that 446 00:21:41,960 --> 00:21:45,680 Speaker 3: could be anywhere, you know, and then you're out back 447 00:21:45,800 --> 00:21:50,240 Speaker 3: in the park and then they say they gave us 448 00:21:50,359 --> 00:21:55,280 Speaker 3: an electronic something with the app, as I recall, or 449 00:21:55,320 --> 00:21:58,560 Speaker 3: some way in which we could go up say or 450 00:21:58,680 --> 00:22:00,840 Speaker 3: show something and people would know. 451 00:22:00,960 --> 00:22:02,760 Speaker 2: The people who were that, oh, we don't have. 452 00:22:02,720 --> 00:22:04,560 Speaker 3: To wait online because we were on the ride before, 453 00:22:04,600 --> 00:22:06,439 Speaker 3: we've already waited online, and they got us back on 454 00:22:08,000 --> 00:22:11,000 Speaker 3: return ticket. Basically, yeah, return ticket, thank you. But as 455 00:22:11,040 --> 00:22:12,720 Speaker 3: I recall, it was some kind of an electronic thing. 456 00:22:12,840 --> 00:22:15,480 Speaker 2: That's cool. Yeah, So that was that was for me. 457 00:22:16,320 --> 00:22:17,960 Speaker 3: Yeah, that was the only time I was at Disneyland 458 00:22:17,960 --> 00:22:21,200 Speaker 3: and something went wrong that way. We had the story 459 00:22:21,240 --> 00:22:26,040 Speaker 3: the other night about how the Indiana Jones ride went. 460 00:22:26,600 --> 00:22:30,280 Speaker 3: Remember that that huge ball in Indiana Jones in a 461 00:22:30,359 --> 00:22:33,679 Speaker 3: Disneyland staffer had to jump in front of it to 462 00:22:34,119 --> 00:22:36,080 Speaker 3: prevent it from hitting a bunch of people who are 463 00:22:36,119 --> 00:22:38,359 Speaker 3: just at the park. That's how you know it's real. Yeah, 464 00:22:38,400 --> 00:22:41,560 Speaker 3: that's it's not digital. You never hear about this at 465 00:22:41,560 --> 00:22:43,919 Speaker 3: the Hall of the President's ever. No, no, no, all 466 00:22:44,000 --> 00:22:45,639 Speaker 3: the president are one hundred percent. 467 00:22:46,359 --> 00:22:46,560 Speaker 8: Uh. 468 00:22:46,640 --> 00:22:49,679 Speaker 3: I told you about reading the I audition for the 469 00:22:49,800 --> 00:22:52,760 Speaker 3: voice of Lincoln. 470 00:22:52,960 --> 00:22:54,520 Speaker 2: Listen to this. This is this is. 471 00:22:54,480 --> 00:22:58,920 Speaker 3: Absolutely true of Lincoln's. 472 00:22:58,920 --> 00:23:00,600 Speaker 2: Because it's so obscure, you're gonna think, oh, he made 473 00:23:00,600 --> 00:23:00,840 Speaker 2: that up. 474 00:23:00,920 --> 00:23:03,520 Speaker 3: No, no, no, this is exactly what I auditioned for for 475 00:23:03,760 --> 00:23:09,360 Speaker 3: Lincoln's photographer. So I guess there was some scene they 476 00:23:09,359 --> 00:23:13,600 Speaker 3: were doing with the former president Abraham Lincoln and his photographer, 477 00:23:13,640 --> 00:23:16,399 Speaker 3: and the voice of the photographer was something I was 478 00:23:16,880 --> 00:23:20,280 Speaker 3: auditioning for. And you know, you audition with different voices. 479 00:23:20,320 --> 00:23:22,600 Speaker 3: I didn't you know, I didn't speak like this, right, 480 00:23:23,280 --> 00:23:27,040 Speaker 3: But that's the problem. You don't really know how he spoke. Yeah, 481 00:23:27,640 --> 00:23:30,439 Speaker 3: and they say they didn't want any kind of regionalisms. 482 00:23:30,480 --> 00:23:32,199 Speaker 3: I remember that they didn't want like it you to 483 00:23:32,200 --> 00:23:36,320 Speaker 3: do it with like a Southern accent, or even a 484 00:23:36,359 --> 00:23:39,439 Speaker 3: faint Southern accent or a faint Midwestern accent. There are 485 00:23:39,440 --> 00:23:41,320 Speaker 3: a lot of voiceover people are so very talented. They 486 00:23:41,320 --> 00:23:43,800 Speaker 3: could do like they can dial in whatever accent you want. 487 00:23:44,320 --> 00:23:46,080 Speaker 3: I have a couple of them, but not too many. 488 00:23:46,240 --> 00:23:50,719 Speaker 3: But anyway, the point is that I remember being confused 489 00:23:50,760 --> 00:23:54,199 Speaker 3: a little bit and where the audition was. Well, now 490 00:23:54,440 --> 00:23:58,680 Speaker 3: I think it was either a callback or that's where 491 00:23:58,680 --> 00:24:03,120 Speaker 3: the audition was, it was, if not Disneyland, some other 492 00:24:03,280 --> 00:24:06,119 Speaker 3: like really big. I just remember being in a really big, 493 00:24:06,200 --> 00:24:10,400 Speaker 3: like eighty R stage, like a really big, uh stage 494 00:24:10,400 --> 00:24:12,280 Speaker 3: where they do a lot of sound work, you know. 495 00:24:12,480 --> 00:24:14,760 Speaker 2: Was it maybe like the Burbank studios here it might 496 00:24:14,760 --> 00:24:15,040 Speaker 2: have been. 497 00:24:15,240 --> 00:24:18,639 Speaker 3: It might have been, Yeah, And I just that's intimidating 498 00:24:18,680 --> 00:24:21,040 Speaker 3: also because you know, you're walking into this big hall 499 00:24:21,440 --> 00:24:24,719 Speaker 3: and then you're at this uh it's a you know, 500 00:24:24,760 --> 00:24:27,320 Speaker 3: it's like a music stand sitting there right with a 501 00:24:27,359 --> 00:24:30,800 Speaker 3: microphone in front of it, and so it's just very intimidating. 502 00:24:31,000 --> 00:24:32,840 Speaker 3: I mean, I didn't screw it up or anything, but 503 00:24:32,840 --> 00:24:34,720 Speaker 3: I didn't get it. You know, I didn't get the job, 504 00:24:35,920 --> 00:24:40,320 Speaker 3: But it was to me like the thing I really wanted, 505 00:24:40,400 --> 00:24:43,120 Speaker 3: because what a great thing to be able to say, oh, yeah, 506 00:24:43,280 --> 00:24:44,200 Speaker 3: you're going to Disneyland. 507 00:24:44,280 --> 00:24:46,119 Speaker 2: If you go to Hall of President's that's my voice 508 00:24:46,119 --> 00:24:46,720 Speaker 2: soun or whatever. 509 00:24:46,800 --> 00:24:48,720 Speaker 3: Yeah, You're like, oh dude, yeah, but how do you 510 00:24:48,760 --> 00:24:50,920 Speaker 3: even research for I don't think Ken Burns spent a 511 00:24:50,920 --> 00:24:54,679 Speaker 3: lot of time on Lincoln's photography, now where that was 512 00:24:54,720 --> 00:24:57,240 Speaker 3: the problem I had with the series? Actually yeah, yeah, 513 00:24:57,280 --> 00:25:00,440 Speaker 3: I mean, you know, you call yourself a thorough documentarian, Burns, 514 00:25:00,440 --> 00:25:02,720 Speaker 3: where you left out the whole photography thing colms down? 515 00:25:02,840 --> 00:25:03,080 Speaker 2: Yeah? 516 00:25:03,240 --> 00:25:05,480 Speaker 3: Do you remember the line? No, no, no, no, no no. 517 00:25:05,680 --> 00:25:08,240 Speaker 3: I really don't remember a lot about it. I just 518 00:25:08,320 --> 00:25:10,760 Speaker 3: don't remember. I wanted it badly, I didn't get it, 519 00:25:10,960 --> 00:25:13,679 Speaker 3: and that it was confusing, like the direction was so 520 00:25:14,240 --> 00:25:16,960 Speaker 3: generic that I didn't really know what to do with it. 521 00:25:18,480 --> 00:25:21,359 Speaker 3: And sometimes that can be, you know, just really really rough. 522 00:25:21,400 --> 00:25:22,840 Speaker 3: And there's still a lot of that where it's just 523 00:25:22,840 --> 00:25:26,560 Speaker 3: too generic. But that would have been so much fun. 524 00:25:26,720 --> 00:25:29,560 Speaker 3: Has a Disneyland ride over crapped out on you? 525 00:25:29,640 --> 00:25:30,000 Speaker 2: Mark? 526 00:25:30,440 --> 00:25:34,240 Speaker 3: No, I sound like mister Spock here, but I just 527 00:25:34,280 --> 00:25:37,840 Speaker 3: don't understand the concept of paying an exorbitant amount of 528 00:25:37,880 --> 00:25:40,320 Speaker 3: money to have my wits scared out of me on 529 00:25:40,359 --> 00:25:42,960 Speaker 3: a ride that also runs the risk of going to 530 00:25:43,080 --> 00:25:45,720 Speaker 3: put Yeah, but I'm not doing well. Just one thing, 531 00:25:45,760 --> 00:25:47,120 Speaker 3: and we got to take a break. But one thing 532 00:25:47,119 --> 00:25:48,520 Speaker 3: I would say to you, and then we'll take some 533 00:25:48,560 --> 00:25:51,560 Speaker 3: of your talkbacks. Thank you guys for being part of 534 00:25:51,600 --> 00:25:55,720 Speaker 3: the show tonight. But it's not a place Disneyland where 535 00:25:55,720 --> 00:25:58,800 Speaker 3: there any scary rides, particularly I mean, you know, I 536 00:25:58,840 --> 00:26:01,800 Speaker 3: get it, Space Mountain may maybe if you're kind of 537 00:26:01,840 --> 00:26:04,960 Speaker 3: a sensitive to roller coasters, but I'm not a roller 538 00:26:04,960 --> 00:26:06,680 Speaker 3: coaster guy at all, and there's nothing at Disneyland that 539 00:26:06,720 --> 00:26:09,560 Speaker 3: scares me. So I don't think anything is scaring the 540 00:26:09,560 --> 00:26:11,280 Speaker 3: Bejesus out of you. I guess to what I'm saying 541 00:26:11,320 --> 00:26:14,040 Speaker 3: at Disneyland anyway, I totally take your point about you know, 542 00:26:14,760 --> 00:26:16,160 Speaker 3: you got to be into it if you're a Great 543 00:26:16,160 --> 00:26:20,359 Speaker 3: America or six Flags or whatever it is. But but 544 00:26:20,400 --> 00:26:22,760 Speaker 3: Disneyland doesn't have that. It's I'd say, it's more experience. 545 00:26:22,960 --> 00:26:24,719 Speaker 2: You'll be safe over there. Yeah, exactly. 546 00:26:24,920 --> 00:26:27,359 Speaker 3: I'm still fixated on this Lincolns photography thing. That was 547 00:26:27,359 --> 00:26:29,480 Speaker 3: the line something like, could you turn your head a 548 00:26:29,480 --> 00:26:31,720 Speaker 3: little to the leftster And by the way, do you 549 00:26:31,800 --> 00:26:35,879 Speaker 3: have an extra theater ticket tonight? Mister president, mister president, 550 00:26:35,920 --> 00:26:38,199 Speaker 3: show me sexy, Show me sexy. Come on, sir, come on, 551 00:26:38,240 --> 00:26:40,439 Speaker 3: come on, turn it to the side. Give me blue steel, 552 00:26:41,280 --> 00:26:42,359 Speaker 3: Mark Thompson here. 553 00:26:44,280 --> 00:26:49,960 Speaker 1: Wow, you're listening to KFI AM six forty on demand. 554 00:26:55,200 --> 00:26:58,760 Speaker 3: We is there there's some cross traffic of some kind? 555 00:26:58,880 --> 00:26:59,439 Speaker 3: Is that from me? 556 00:27:00,080 --> 00:27:00,159 Speaker 8: Know? 557 00:27:00,560 --> 00:27:01,400 Speaker 3: Is it? 558 00:27:01,400 --> 00:27:05,080 Speaker 2: Could it be? Yeah? That was you? What what is it? Uh? 559 00:27:05,280 --> 00:27:09,800 Speaker 2: What is that? Richie? Did you hit something that's weird? 560 00:27:11,600 --> 00:27:18,280 Speaker 3: Hold on, nobody panic, Everything's fine. You never know where 561 00:27:18,320 --> 00:27:22,440 Speaker 3: that could be, where that could be coming from? Oh, 562 00:27:22,520 --> 00:27:24,760 Speaker 3: I know, I know he's I've found it. I've found it. 563 00:27:24,800 --> 00:27:27,520 Speaker 3: I found it. Okay, I've found it. This is our 564 00:27:27,640 --> 00:27:32,000 Speaker 3: Tony de Koppel segment. Yes, but that's the like, that's 565 00:27:32,000 --> 00:27:34,280 Speaker 3: the news CBS Evening News anchor. I heard that he 566 00:27:34,320 --> 00:27:37,000 Speaker 3: had problems on his first day, a rough start. Yeah, 567 00:27:37,040 --> 00:27:38,639 Speaker 3: so what happened? What was the problem? I didn't see it. 568 00:27:39,640 --> 00:27:41,000 Speaker 3: Uh where would I start? 569 00:27:41,160 --> 00:27:41,280 Speaker 2: Uh? 570 00:27:41,440 --> 00:27:43,760 Speaker 3: Well, so he's taken over, and it's kind of a 571 00:27:43,760 --> 00:27:46,000 Speaker 3: big deal. He's taken over, and there's a new kind 572 00:27:46,000 --> 00:27:50,640 Speaker 3: of editorial bias and it's sort of like Fox News 573 00:27:50,760 --> 00:27:54,520 Speaker 3: light is Kyler. Yeah, Yeah, there is some technical snaffhoos. 574 00:27:54,560 --> 00:27:56,680 Speaker 3: So I'm just saying, so there's all I guess. The 575 00:27:56,720 --> 00:27:59,280 Speaker 3: reason I'm trying to set the stage is that there's 576 00:27:59,280 --> 00:28:01,920 Speaker 3: a lot of focus on this first day. So he's 577 00:28:01,960 --> 00:28:04,639 Speaker 3: the new anchor first day, and so what happened to 578 00:28:04,720 --> 00:28:08,320 Speaker 3: the technical misfirings or what? Yeah, yeah, and he didn't 579 00:28:08,320 --> 00:28:10,440 Speaker 3: handle it as smooth as he possibly could. 580 00:28:10,440 --> 00:28:11,880 Speaker 2: But I will say he's got good hair. 581 00:28:12,720 --> 00:28:15,480 Speaker 3: He has got great hair, and he's comes from the 582 00:28:15,520 --> 00:28:17,800 Speaker 3: morning show and he's I've always thought of him as 583 00:28:17,840 --> 00:28:22,200 Speaker 3: sort of unflappable. But I guess he got flapped slightly flapped. Yeah, interesting, 584 00:28:22,560 --> 00:28:25,000 Speaker 3: I don't know anyway. Yeah, we had a little bit 585 00:28:25,000 --> 00:28:27,440 Speaker 3: of a than one of those moments here. What can 586 00:28:27,480 --> 00:28:32,119 Speaker 3: I say on the talkback on iHeartRadio? We get this 587 00:28:32,320 --> 00:28:36,520 Speaker 3: is the uh. I guess people just leave a message 588 00:28:36,760 --> 00:28:39,040 Speaker 3: Richie drops them over here and let's give a listen 589 00:28:39,040 --> 00:28:39,640 Speaker 3: to Thompson. 590 00:28:39,680 --> 00:28:40,480 Speaker 2: I'll just get to see you. 591 00:28:40,840 --> 00:28:43,880 Speaker 10: Yes, I just hit the talkback button with a microphone. 592 00:28:43,920 --> 00:28:45,600 Speaker 10: That's being the iHeartRadio app. 593 00:28:45,840 --> 00:28:46,840 Speaker 2: That's right, that's whay I worked. 594 00:28:46,840 --> 00:28:47,440 Speaker 10: I'm Thompson. 595 00:28:47,640 --> 00:28:48,040 Speaker 2: Yeah. 596 00:28:48,160 --> 00:28:51,520 Speaker 10: You can do so many things, but you definitely belong 597 00:28:52,160 --> 00:28:54,120 Speaker 10: right there at this time. 598 00:28:54,360 --> 00:28:57,360 Speaker 2: Thank you. You are perfect. Wow for my drive homes. 599 00:28:57,360 --> 00:28:58,360 Speaker 10: Thank you so very much. 600 00:28:58,440 --> 00:28:59,920 Speaker 2: Oh wow, what a cool one. Thompson. 601 00:29:00,080 --> 00:29:03,840 Speaker 3: Yeah, m Thompson, Oh dad, look at that. Yeah, very cool. 602 00:29:04,040 --> 00:29:07,200 Speaker 3: We need more of those, uh, he sounded familiar to me. 603 00:29:07,240 --> 00:29:09,000 Speaker 3: It almost makes me wonder if it's a friend of 604 00:29:09,000 --> 00:29:09,760 Speaker 3: mine or something. 605 00:29:09,920 --> 00:29:12,560 Speaker 2: You think somebody put up to it. I don't think no. 606 00:29:12,680 --> 00:29:15,880 Speaker 6: I mean I can check where it comes from. 607 00:29:16,360 --> 00:29:19,200 Speaker 2: Check where it comes from, Thompson, don't Thompson. I'll just 608 00:29:19,240 --> 00:29:22,720 Speaker 2: guess to you. It just sounds familiar. M. Thompson. I'm Thompson. 609 00:29:22,760 --> 00:29:24,200 Speaker 2: I'll just guess to you. It sounds like one of 610 00:29:24,280 --> 00:29:26,120 Speaker 2: Conway's friends or something. Maybe. 611 00:29:26,480 --> 00:29:29,200 Speaker 3: I don't know, it could be. No, especially I know 612 00:29:29,280 --> 00:29:33,000 Speaker 3: that you're on. I appreciate the that's cool the thought. Nonetheless, 613 00:29:33,040 --> 00:29:38,960 Speaker 3: that's very, very very cool. I have this one in 614 00:29:39,000 --> 00:29:39,920 Speaker 3: here too. What is this? 615 00:29:39,920 --> 00:29:43,520 Speaker 2: This is a let me click this so I can 616 00:29:43,560 --> 00:29:45,760 Speaker 2: hear it. You can hear it. I missed the dancing 617 00:29:45,800 --> 00:29:48,760 Speaker 2: weather Man, Mark Thomson. Oh yeah, so great to hear 618 00:29:48,800 --> 00:29:51,960 Speaker 2: you back on the radio. I was in Texas, so 619 00:29:52,240 --> 00:29:54,840 Speaker 2: I missed you for several weeks. 620 00:29:54,880 --> 00:29:56,360 Speaker 4: Great to hear you on the radio. 621 00:29:56,480 --> 00:29:59,280 Speaker 3: Oh that's sweet, Mark, Well, welcome back. You made it 622 00:29:59,320 --> 00:30:02,240 Speaker 3: back just in time for the wind. A lot of 623 00:30:02,240 --> 00:30:07,560 Speaker 3: them Californians moved to Texas. Huh there was that whole exodus. Yeah, 624 00:30:07,800 --> 00:30:10,360 Speaker 3: moving to Texas, Man, it was during COVID. Remember, I 625 00:30:10,400 --> 00:30:13,000 Speaker 3: don't want to any vaccine. I don't want to any 626 00:30:13,080 --> 00:30:16,600 Speaker 3: mask I'm gonna move. Moved my ass to Texas. 627 00:30:16,760 --> 00:30:20,160 Speaker 5: My favorite or not my favorite, but my What I 628 00:30:20,160 --> 00:30:23,800 Speaker 5: took from it was Toyota moving to Texas because I 629 00:30:23,880 --> 00:30:28,240 Speaker 5: lived somewhat close to the North American branch and that 630 00:30:28,640 --> 00:30:29,800 Speaker 5: they took off to Texas. 631 00:30:29,800 --> 00:30:33,520 Speaker 3: Oh, they just they relocated the whole thing. Yeah, wow, Yeah, 632 00:30:33,840 --> 00:30:36,120 Speaker 3: I guess Tesla did the same thing. Although there's still 633 00:30:36,120 --> 00:30:40,040 Speaker 3: a big factory up there in the Bay Area. Yeah, 634 00:30:40,080 --> 00:30:43,680 Speaker 3: and there's a there's even some Tesla stuff down here in. 635 00:30:45,040 --> 00:30:49,160 Speaker 5: There's they have a Tesla, but it's by me. It's 636 00:30:49,160 --> 00:30:51,720 Speaker 5: at the Hawthorne Airport. No, it's like two minutes away 637 00:30:52,520 --> 00:30:55,320 Speaker 5: for me. Those Tesla's are pretty amazing. I had two 638 00:30:55,360 --> 00:30:57,160 Speaker 5: of them, and they are. 639 00:30:57,440 --> 00:31:00,560 Speaker 3: I never really use the self driving feature, but they 640 00:31:01,000 --> 00:31:02,560 Speaker 3: give you a self driving feature, and of course I 641 00:31:02,560 --> 00:31:03,280 Speaker 3: think it's an upgrade. 642 00:31:03,320 --> 00:31:03,880 Speaker 2: You have to pay for it. 643 00:31:03,960 --> 00:31:06,360 Speaker 3: But even if you didn't pay for it, because I 644 00:31:06,360 --> 00:31:08,760 Speaker 3: I don't want I don't want anything. The one thing 645 00:31:08,760 --> 00:31:10,800 Speaker 3: about Tesla is they got all these alerts. The thing 646 00:31:10,880 --> 00:31:13,400 Speaker 3: is binging, it's bonging, it's turning you back into the 647 00:31:13,560 --> 00:31:15,800 Speaker 3: you know, the lane. It's giving you a lane warning. 648 00:31:16,000 --> 00:31:17,680 Speaker 3: It's like, dude, I don't need a lane warning. I'm 649 00:31:18,000 --> 00:31:22,440 Speaker 3: I'm moving over lanes. Does it have a self immolation feature? 650 00:31:23,600 --> 00:31:27,040 Speaker 3: I know they've had issues with that, but with the 651 00:31:27,080 --> 00:31:32,400 Speaker 3: things catching fire, but the but but but the what's 652 00:31:32,440 --> 00:31:38,880 Speaker 3: that too soon too? But the but they give you 653 00:31:39,000 --> 00:31:42,800 Speaker 3: a beta test for free of the self driving thing 654 00:31:43,040 --> 00:31:45,640 Speaker 3: that Tesla has, Okay, and so they gave it to 655 00:31:45,680 --> 00:31:49,240 Speaker 3: me for free when I had a Tesla and they 656 00:31:49,320 --> 00:31:51,840 Speaker 3: let you kind of literally road test and if you 657 00:31:51,920 --> 00:31:53,720 Speaker 3: like it, then you pay the upgrade, which. 658 00:31:53,600 --> 00:31:56,120 Speaker 2: Is like five thousand dollars or whatever. Does you want the 659 00:31:56,200 --> 00:31:57,000 Speaker 2: self driving future? 660 00:31:57,040 --> 00:31:58,800 Speaker 3: So I again, I didn't want the self driving future, 661 00:31:58,840 --> 00:32:00,680 Speaker 3: but you know, you give this to me for I'm curious, 662 00:32:00,720 --> 00:32:04,880 Speaker 3: so I'll see how it works. So here's the truth 663 00:32:04,920 --> 00:32:09,200 Speaker 3: of it. It works really well. It works as well 664 00:32:09,240 --> 00:32:12,040 Speaker 3: as you know, having somebody drive you. I mean, it 665 00:32:12,240 --> 00:32:17,800 Speaker 3: just is fine. The problem is that it doesn't do 666 00:32:17,880 --> 00:32:20,920 Speaker 3: something that you probably do without even thinking about it. 667 00:32:21,800 --> 00:32:25,760 Speaker 3: And sometimes you'd think about this, but I'm guessing sometimes 668 00:32:25,800 --> 00:32:27,400 Speaker 3: you're just doing it and not even thinking about it, 669 00:32:27,440 --> 00:32:32,880 Speaker 3: and that is you're avoiding parks in the road, and 670 00:32:32,960 --> 00:32:37,120 Speaker 3: you're avoiding potholes, and you're avoiding rough spots in the road. 671 00:32:38,200 --> 00:32:42,160 Speaker 3: And you're doing that because you have been a city 672 00:32:42,240 --> 00:32:45,600 Speaker 3: driver for so long, you've driven in and around cities 673 00:32:45,640 --> 00:32:48,440 Speaker 3: that have roads that have taken quite a beating. The 674 00:32:48,600 --> 00:32:52,320 Speaker 3: self driving Tesla it doesn't do that. It doesn't see 675 00:32:52,360 --> 00:32:56,320 Speaker 3: those things. It sees big obstacles, it sees big objects. 676 00:32:56,360 --> 00:33:00,000 Speaker 3: It's going as you've directed toward whatever place you're going. 677 00:33:00,120 --> 00:33:01,800 Speaker 3: You know, if you're going to home depot or if 678 00:33:01,800 --> 00:33:06,080 Speaker 3: you're just going to home, it will do that perfectly. 679 00:33:06,520 --> 00:33:11,200 Speaker 3: But the ride is much bumpier, and you really notice, like, 680 00:33:11,240 --> 00:33:13,440 Speaker 3: oh man, you're going yeah, like I would have gone 681 00:33:13,480 --> 00:33:15,720 Speaker 3: around that pothole, and you think that this is not 682 00:33:15,800 --> 00:33:18,680 Speaker 3: a big deal. But you find a lot of potholes 683 00:33:18,720 --> 00:33:22,280 Speaker 3: every day in and around Los Angeles, and I thought 684 00:33:22,320 --> 00:33:25,040 Speaker 3: it was a bummer. I did not like it. Now 685 00:33:25,040 --> 00:33:26,960 Speaker 3: maybe they've refined it, but that was within the last 686 00:33:27,040 --> 00:33:31,040 Speaker 3: year I think about that. Wow, nor did I. Nor 687 00:33:31,040 --> 00:33:33,360 Speaker 3: did I. I didn't think about it at all. But 688 00:33:33,440 --> 00:33:37,280 Speaker 3: it's one of those things that you really do notice, 689 00:33:37,480 --> 00:33:42,240 Speaker 3: especially after it rains. Oh my god, oh exactly exactly exactly. 690 00:33:42,280 --> 00:33:44,840 Speaker 7: Here's all the political protests are upting across the country. 691 00:33:44,840 --> 00:33:47,160 Speaker 2: This is another talkback one real quick. 692 00:33:47,240 --> 00:33:49,800 Speaker 7: With all the political protests or upting across the country 693 00:33:49,840 --> 00:33:53,000 Speaker 7: this week, we might have another huge protest breaking in 694 00:33:53,120 --> 00:33:56,920 Speaker 7: here if Mark Thompson doesn't get placed into KIFI seven 695 00:33:56,960 --> 00:34:01,800 Speaker 7: to ten times now, Mark Thompson. 696 00:34:01,720 --> 00:34:03,959 Speaker 3: Thank you very much, young man, thank you for that. 697 00:34:04,320 --> 00:34:07,200 Speaker 3: I also like his reporting. He sounded he's absolutely said. 698 00:34:07,280 --> 00:34:08,680 Speaker 3: I was thinking the same thing as an anchors, like. 699 00:34:08,880 --> 00:34:11,640 Speaker 7: All the political protests erupting across the country this week. 700 00:34:11,880 --> 00:34:15,319 Speaker 3: With all the political protests erupting across the country this week, all. 701 00:34:15,239 --> 00:34:17,560 Speaker 7: The political protests erupting across the country this. 702 00:34:17,520 --> 00:34:18,600 Speaker 2: Week, we might have another one. 703 00:34:18,600 --> 00:34:20,959 Speaker 7: Might have another huge protest break in here. 704 00:34:21,160 --> 00:34:22,600 Speaker 2: Yeah. That was very very great. 705 00:34:22,719 --> 00:34:27,600 Speaker 3: Yeah, very strong, well done, Well done, kf I AM 706 00:34:27,600 --> 00:34:29,120 Speaker 3: six on demand.