1 00:00:00,360 --> 00:00:03,159 Speaker 1: The Temper Trap has a brand new record, sun Gazer 2 00:00:03,279 --> 00:00:06,560 Speaker 1: Day at Merriweather Post Pavilion tonight with Musing block party. 3 00:00:06,640 --> 00:00:09,440 Speaker 1: Please welcome the Temper Traps. 4 00:00:09,960 --> 00:00:12,119 Speaker 2: How we doing boys? Excellent? 5 00:00:12,400 --> 00:00:12,640 Speaker 3: Good? 6 00:00:12,760 --> 00:00:12,959 Speaker 4: Good? 7 00:00:13,000 --> 00:00:13,360 Speaker 5: Good? 8 00:00:13,680 --> 00:00:16,160 Speaker 1: Is this the one thing that you didn't miss during 9 00:00:16,239 --> 00:00:18,840 Speaker 1: hiatus was getting up and going into doing morning radio? 10 00:00:19,239 --> 00:00:20,079 Speaker 6: What are you talking about? 11 00:00:20,640 --> 00:00:22,160 Speaker 7: That's the product we missed most. 12 00:00:22,320 --> 00:00:27,160 Speaker 1: That's why we're back for God's sake. Is it fun 13 00:00:27,200 --> 00:00:27,760 Speaker 1: being back? 14 00:00:28,400 --> 00:00:28,760 Speaker 8: Yeah? 15 00:00:28,800 --> 00:00:31,360 Speaker 6: Totally. Yeah, it's just like, uh, just. 16 00:00:31,280 --> 00:00:33,720 Speaker 7: Like the good old days, except we're all dad's now, 17 00:00:33,760 --> 00:00:35,920 Speaker 7: so we're sort of missing our family, not sort of, 18 00:00:35,960 --> 00:00:37,479 Speaker 7: we're very much missing our families. 19 00:00:37,560 --> 00:00:39,080 Speaker 6: But uh, other than that, it's been fun. 20 00:00:39,120 --> 00:00:40,959 Speaker 5: How long how long how long have you been out 21 00:00:40,960 --> 00:00:41,520 Speaker 5: on this run? 22 00:00:42,320 --> 00:00:43,040 Speaker 6: Almost a month? 23 00:00:43,320 --> 00:00:45,599 Speaker 1: The okay, so that is enough time to miss or 24 00:00:46,240 --> 00:00:48,559 Speaker 1: it's enough time to miss them, but be like, all right, 25 00:00:48,560 --> 00:00:51,000 Speaker 1: this is kind of nice not having to uh, not 26 00:00:51,080 --> 00:00:52,480 Speaker 1: having to deal with it all the time. 27 00:00:53,400 --> 00:00:54,840 Speaker 5: Yeah, that part I get. 28 00:00:55,000 --> 00:00:58,400 Speaker 1: The the so so well, first of all, how is 29 00:00:58,440 --> 00:00:58,960 Speaker 1: the run going? 30 00:00:59,040 --> 00:00:59,720 Speaker 5: Is it doing it going? 31 00:00:59,760 --> 00:00:59,960 Speaker 4: Well? 32 00:01:00,760 --> 00:01:03,120 Speaker 9: Yeah, it's been heaps of fun. It's like it's such 33 00:01:03,120 --> 00:01:06,400 Speaker 9: a being playing with a band like news, it's you know, 34 00:01:06,480 --> 00:01:10,080 Speaker 9: there's a lot of like expectation, and we've been you know, 35 00:01:10,120 --> 00:01:12,000 Speaker 9: we come out early, we're playing to a bit of 36 00:01:12,040 --> 00:01:14,119 Speaker 9: an emptier crowd, so you really have to work hard 37 00:01:14,120 --> 00:01:15,680 Speaker 9: to win them over right. 38 00:01:15,720 --> 00:01:16,920 Speaker 8: So it's been a great challenge, you know. 39 00:01:16,959 --> 00:01:18,560 Speaker 9: I think it's been. It's been really good for us 40 00:01:18,560 --> 00:01:20,880 Speaker 9: as a band. It feels like we're trying to prove ourselves. 41 00:01:20,920 --> 00:01:23,880 Speaker 5: And do you have any history with Mews at all. 42 00:01:26,840 --> 00:01:29,640 Speaker 7: Other than they were one of the first bands I 43 00:01:29,720 --> 00:01:32,560 Speaker 7: saw at Big Doubt, which is an Australian festival that 44 00:01:32,600 --> 00:01:35,600 Speaker 7: I broke into because we were skinned and we didn't 45 00:01:35,640 --> 00:01:38,760 Speaker 7: have money to go to the festival. Other than that, 46 00:01:38,959 --> 00:01:39,640 Speaker 7: not really. 47 00:01:40,080 --> 00:01:40,440 Speaker 10: Uh. 48 00:01:40,880 --> 00:01:43,600 Speaker 7: I think there's some kind of connection maybe through Quarter Marshall, 49 00:01:43,640 --> 00:01:46,880 Speaker 7: who's the label head in the UK. 50 00:01:47,080 --> 00:01:50,640 Speaker 1: Maybe right, But but just now, like even even going back, 51 00:01:50,960 --> 00:01:52,800 Speaker 1: you guys never never cross pants. 52 00:01:54,000 --> 00:01:56,880 Speaker 7: I'm sure we've played festival like the same festivals. 53 00:01:57,000 --> 00:01:59,000 Speaker 5: You had to have played the same f Yeah, I 54 00:01:59,040 --> 00:02:00,000 Speaker 5: think that makes it. 55 00:02:00,360 --> 00:02:02,400 Speaker 1: Do you think they ever broke into a festival to 56 00:02:02,400 --> 00:02:03,240 Speaker 1: watch you play? 57 00:02:03,880 --> 00:02:04,560 Speaker 6: Probably not? 58 00:02:06,160 --> 00:02:06,760 Speaker 8: Probably not. 59 00:02:07,840 --> 00:02:11,839 Speaker 7: I think the festival tickets. 60 00:02:10,520 --> 00:02:12,519 Speaker 2: Oh yes, And I'm poor you. 61 00:02:13,440 --> 00:02:16,240 Speaker 5: I was so unable to afford a concert ticket. 62 00:02:16,720 --> 00:02:18,399 Speaker 6: I don't pay for anything anymore these days. 63 00:02:18,840 --> 00:02:19,480 Speaker 5: I got right on. 64 00:02:19,840 --> 00:02:22,720 Speaker 1: Goddamn right you were you were you bad like that 65 00:02:22,800 --> 00:02:23,520 Speaker 1: as a kid though? 66 00:02:23,560 --> 00:02:26,160 Speaker 5: Like were you were? You were you bad about stuff 67 00:02:26,200 --> 00:02:26,480 Speaker 5: like that? 68 00:02:26,960 --> 00:02:27,600 Speaker 6: Not bad? 69 00:02:28,520 --> 00:02:30,920 Speaker 7: Well, you know, we were just keen to go to 70 00:02:31,000 --> 00:02:32,799 Speaker 7: festivals and we didn't have money, so you got to 71 00:02:32,800 --> 00:02:33,400 Speaker 7: get creative. 72 00:02:33,400 --> 00:02:35,680 Speaker 5: I guess so you were so you were breaking in? 73 00:02:36,639 --> 00:02:38,639 Speaker 7: Yeah? 74 00:02:39,280 --> 00:02:42,600 Speaker 6: Sorry, sorry, kids, I don't do what I do. 75 00:02:43,960 --> 00:02:44,320 Speaker 5: Were you? 76 00:02:44,400 --> 00:02:48,160 Speaker 1: I'm assuming growing up well, Australia like like they've always said, 77 00:02:48,160 --> 00:02:51,400 Speaker 1: and maybe maybe it's changed, maybe it's changed now. But 78 00:02:51,480 --> 00:02:53,360 Speaker 1: like when you guys, when you guys started, and you 79 00:02:53,400 --> 00:02:56,000 Speaker 1: guys have known each other going way way, way way back, 80 00:02:56,480 --> 00:02:59,919 Speaker 1: But when when you guys started, wasn't there wasn't there 81 00:03:00,480 --> 00:03:05,360 Speaker 1: like a conscious push of like Australia can't be home, 82 00:03:05,560 --> 00:03:07,960 Speaker 1: like it'll always be home. I get that, but it 83 00:03:08,000 --> 00:03:11,000 Speaker 1: can't be home base. I guess is it where you 84 00:03:11,200 --> 00:03:14,080 Speaker 1: had to leave Australia if you were gonna, if you 85 00:03:14,080 --> 00:03:14,840 Speaker 1: were gonna make it. 86 00:03:15,600 --> 00:03:16,200 Speaker 5: Why though? 87 00:03:17,000 --> 00:03:19,120 Speaker 7: Is it just it's nobody. I don't want to say nobody. 88 00:03:19,120 --> 00:03:22,400 Speaker 7: I think it's the same today. It's not the same today. 89 00:03:22,440 --> 00:03:25,080 Speaker 7: But when we were starting out, you know this was 90 00:03:25,400 --> 00:03:29,919 Speaker 7: I think Spotify wasn't even a thing yet, so you 91 00:03:30,040 --> 00:03:33,840 Speaker 7: really had to yeah, leave to make a debt internationally. 92 00:03:33,960 --> 00:03:36,200 Speaker 7: So that's what everyone did. If if you had like 93 00:03:36,520 --> 00:03:38,640 Speaker 7: bigger dreams in Australia, you moved to London or. 94 00:03:38,680 --> 00:03:40,680 Speaker 5: New York, how do you know? How do you know? 95 00:03:40,760 --> 00:03:45,520 Speaker 1: At what point though, it's like, okay, we're we're good enough, 96 00:03:45,680 --> 00:03:48,680 Speaker 1: we think we're good enough, let's leave and go to 97 00:03:48,960 --> 00:03:52,520 Speaker 1: whether it's London. Obviously you guys chose London, but why, like, 98 00:03:52,560 --> 00:03:54,000 Speaker 1: how do you how do you know you're there? 99 00:03:54,920 --> 00:03:57,600 Speaker 9: Well, we got signed to a total record label, so 100 00:03:57,640 --> 00:03:59,680 Speaker 9: it was kind of the decision was almost made for us. 101 00:04:00,040 --> 00:04:02,880 Speaker 9: It's just like you know, shopping around for labels. We 102 00:04:02,880 --> 00:04:04,520 Speaker 9: got signed to a UK label and it was like 103 00:04:04,760 --> 00:04:07,320 Speaker 9: come to the UK, right, So just it made sense 104 00:04:07,360 --> 00:04:08,800 Speaker 9: and then that was our home base and we we 105 00:04:08,800 --> 00:04:11,320 Speaker 9: could get to America easy, we could get to Europe easy. 106 00:04:11,360 --> 00:04:13,280 Speaker 8: Yes, So it was just kind of like it's it 107 00:04:13,400 --> 00:04:14,640 Speaker 8: just was a natural progression. 108 00:04:14,720 --> 00:04:17,600 Speaker 1: But people were still coming through Australia to find you 109 00:04:17,839 --> 00:04:19,920 Speaker 1: in order to in order to sign you. So it's 110 00:04:19,920 --> 00:04:23,240 Speaker 1: not like nobody comes there. It's just not it's just 111 00:04:23,440 --> 00:04:25,720 Speaker 1: it's not an easy place on the tour to get to. 112 00:04:26,320 --> 00:04:29,839 Speaker 7: It's really fine the trip. 113 00:04:32,400 --> 00:04:34,280 Speaker 1: So let's start with the Let's start with the record 114 00:04:34,360 --> 00:04:36,560 Speaker 1: sun Gazer, and then we'll get into some other stuff. 115 00:04:36,839 --> 00:04:39,440 Speaker 1: After being after being gone for so long, I guess 116 00:04:39,800 --> 00:04:40,919 Speaker 1: you don't even need the qualify. 117 00:04:41,040 --> 00:04:42,240 Speaker 5: The record's fantastic. 118 00:04:42,880 --> 00:04:43,159 Speaker 6: Thank you. 119 00:04:43,320 --> 00:04:45,560 Speaker 5: Yeah, the record is really really good. I assume that 120 00:04:45,600 --> 00:04:47,680 Speaker 5: you're pleased with how with how it turned down. 121 00:04:48,040 --> 00:04:50,760 Speaker 6: Very pleased. Yeah, really, we're super proud of it. Yeah. 122 00:04:50,800 --> 00:04:54,039 Speaker 1: And what was the what was the when when when 123 00:04:54,240 --> 00:04:56,800 Speaker 1: you were like, Okay, now we're gonna go, we're gonna 124 00:04:56,839 --> 00:04:59,800 Speaker 1: start writing, We're going to put everything together. I think 125 00:04:59,800 --> 00:05:02,680 Speaker 1: I've read something where I think it was you who said, 126 00:05:02,720 --> 00:05:04,719 Speaker 1: with so much time a part and so much personal 127 00:05:04,720 --> 00:05:07,760 Speaker 1: growth from all of us, it feels like it's almost 128 00:05:07,800 --> 00:05:10,680 Speaker 1: the most pure collection of music we've we've done. 129 00:05:11,920 --> 00:05:12,760 Speaker 5: Does that sound right? 130 00:05:13,400 --> 00:05:13,839 Speaker 6: Yeah? 131 00:05:13,920 --> 00:05:18,280 Speaker 7: Yeah, I think you know. One of the things that 132 00:05:18,400 --> 00:05:22,640 Speaker 7: happened to us, I guess is we just we matured 133 00:05:22,680 --> 00:05:25,960 Speaker 7: a lot. And I think sometimes immaturity can really get 134 00:05:25,960 --> 00:05:28,920 Speaker 7: in the way of you making the best product right. 135 00:05:29,000 --> 00:05:32,400 Speaker 7: And so I think with you know, being able to 136 00:05:32,440 --> 00:05:36,200 Speaker 7: step to move yourself away in order for the best 137 00:05:36,240 --> 00:05:38,839 Speaker 7: ideas to come through comes with maturity, and I think 138 00:05:38,839 --> 00:05:40,520 Speaker 7: that's what we did on this record. 139 00:05:40,920 --> 00:05:43,400 Speaker 1: And then I also read where you were talking about 140 00:05:43,640 --> 00:05:47,000 Speaker 1: in terms of being in the writing room when it 141 00:05:47,040 --> 00:05:49,720 Speaker 1: was time to sit down and as a band, that 142 00:05:49,760 --> 00:05:51,800 Speaker 1: it was more fun than you guys have had in 143 00:05:52,200 --> 00:05:54,800 Speaker 1: like going back to the previous records, this. 144 00:05:54,720 --> 00:05:55,640 Speaker 5: One was more fun. 145 00:05:56,200 --> 00:05:58,240 Speaker 1: Is that just is that a case of, like you said, 146 00:05:58,320 --> 00:06:00,560 Speaker 1: maturity and you know where you are, or is that 147 00:06:00,600 --> 00:06:03,320 Speaker 1: a case of, wow, I really miss this. 148 00:06:04,480 --> 00:06:06,560 Speaker 8: I think it was probably a mix of everything. 149 00:06:06,640 --> 00:06:08,440 Speaker 9: I think when we came into it, we didn't have 150 00:06:08,480 --> 00:06:10,719 Speaker 9: any expectations of what would happen. I don't know if 151 00:06:10,920 --> 00:06:12,400 Speaker 9: any of us were thinking, oh, we're going to make 152 00:06:12,440 --> 00:06:15,400 Speaker 9: another album. It was literally like we were in Australia 153 00:06:15,440 --> 00:06:17,560 Speaker 9: together for something else and we're like, let's just get 154 00:06:17,600 --> 00:06:19,800 Speaker 9: into the studio and do some writing. And it just 155 00:06:19,839 --> 00:06:22,640 Speaker 9: so happened that that everything sort of aligned at that point. 156 00:06:22,680 --> 00:06:24,680 Speaker 9: Because it was pretty early on when we started, like 157 00:06:25,040 --> 00:06:27,479 Speaker 9: the first couple of songs we started jamming, you could 158 00:06:27,480 --> 00:06:30,360 Speaker 9: feel there was a little bit of magic there that hadn't. 159 00:06:30,120 --> 00:06:31,120 Speaker 8: Been there for a long time. 160 00:06:31,440 --> 00:06:33,560 Speaker 1: So it wasn't a case of I guess. I guess 161 00:06:33,600 --> 00:06:36,200 Speaker 1: I'm mistaken. I thought it was a case of because 162 00:06:36,240 --> 00:06:38,839 Speaker 1: I was going to ask was it who reached out 163 00:06:38,920 --> 00:06:41,479 Speaker 1: to who first and was like, let's give this a run, 164 00:06:41,880 --> 00:06:44,120 Speaker 1: But it sounds like everybody just happened to be home 165 00:06:44,160 --> 00:06:44,760 Speaker 1: in Australia. 166 00:06:44,960 --> 00:06:48,000 Speaker 5: Was like, all right, well I got nothing going on. 167 00:06:48,120 --> 00:06:50,200 Speaker 7: Yeah, yeah, it's a little bit of what Joseph said, 168 00:06:50,200 --> 00:06:52,880 Speaker 7: but also a little bit of There was a girl 169 00:06:52,960 --> 00:06:57,000 Speaker 7: on TikTok that did a rendition of sweet Disposition, sure, 170 00:06:57,400 --> 00:06:58,160 Speaker 7: and that sort of. 171 00:06:58,160 --> 00:07:02,080 Speaker 1: By the way, there's about a million people on TikTok TikTok, 172 00:07:02,600 --> 00:07:04,000 Speaker 1: but they yeah, that that. 173 00:07:04,000 --> 00:07:07,760 Speaker 7: Sort of you know, went viral, as they say, And 174 00:07:07,800 --> 00:07:10,280 Speaker 7: then probably a couple of weeks after that, the Mac 175 00:07:10,360 --> 00:07:14,280 Speaker 7: Miller song that sample love Lost one of a song 176 00:07:14,320 --> 00:07:18,160 Speaker 7: from our first record also came out, and I think 177 00:07:18,200 --> 00:07:23,120 Speaker 7: our monthly listener on Spotify spiked from thirteen meal to 178 00:07:23,320 --> 00:07:26,080 Speaker 7: seventeen mil within like less than a month. So then 179 00:07:26,720 --> 00:07:28,720 Speaker 7: that's so then the label reached out and was like, hey, 180 00:07:28,840 --> 00:07:30,800 Speaker 7: you know, if you're ever going to do another record, 181 00:07:30,920 --> 00:07:31,520 Speaker 7: now's the time. 182 00:07:31,920 --> 00:07:33,000 Speaker 5: Were you hesitant at all? 183 00:07:33,600 --> 00:07:34,080 Speaker 6: Yeah? 184 00:07:34,120 --> 00:07:34,840 Speaker 5: Were you really? 185 00:07:35,040 --> 00:07:35,240 Speaker 10: Yeah? 186 00:07:35,280 --> 00:07:37,760 Speaker 5: Of course to just say like and I mean listen. 187 00:07:38,200 --> 00:07:39,560 Speaker 5: It's I understand what you say. 188 00:07:39,600 --> 00:07:42,840 Speaker 1: Like it's thirteen million listens going to seventeen and people, I. 189 00:07:42,760 --> 00:07:46,160 Speaker 5: Mean people love the band. Yeah, you went away, fans didn't. 190 00:07:46,800 --> 00:07:49,000 Speaker 1: Is when when when the label called, there was still 191 00:07:49,000 --> 00:07:51,640 Speaker 1: a part of you that was like, we're not gonna 192 00:07:51,640 --> 00:07:51,960 Speaker 1: do it. 193 00:07:52,600 --> 00:07:53,840 Speaker 7: Not no, we're not gonna do. 194 00:07:53,800 --> 00:07:56,680 Speaker 6: It, but like should we do this? Is this gonna 195 00:07:56,720 --> 00:07:57,080 Speaker 6: be fun? 196 00:07:57,160 --> 00:07:58,600 Speaker 8: Is this gonna be gonna be fun? 197 00:07:58,800 --> 00:08:01,880 Speaker 7: We're just gonna do the same old thing again, right? 198 00:08:02,120 --> 00:08:03,960 Speaker 5: The same old thing worked pretty well though? 199 00:08:05,400 --> 00:08:09,200 Speaker 6: Is what are you saying this the previously. 200 00:08:09,880 --> 00:08:12,240 Speaker 5: You guys, you guys did pretty well. 201 00:08:12,680 --> 00:08:15,880 Speaker 11: Yea, yeah, yeah, so yeah, yeah. 202 00:08:15,560 --> 00:08:16,640 Speaker 6: But it's I don't know. 203 00:08:17,040 --> 00:08:19,640 Speaker 7: I guess as as a creative you sort of you'd 204 00:08:19,680 --> 00:08:21,880 Speaker 7: like to think that you want to evolve and you 205 00:08:21,920 --> 00:08:23,960 Speaker 7: want to expand, and so I think that's where our 206 00:08:24,000 --> 00:08:24,600 Speaker 7: heads were at. 207 00:08:24,640 --> 00:08:27,240 Speaker 1: Actually, So when you walked into the writing room, so 208 00:08:27,280 --> 00:08:29,160 Speaker 1: you're all back in Australia, I don't know what town 209 00:08:29,160 --> 00:08:31,280 Speaker 1: you're in, it doesn't matter, but like when you all 210 00:08:31,360 --> 00:08:33,920 Speaker 1: walk walked in, did it seem very natural or was 211 00:08:33,920 --> 00:08:36,199 Speaker 1: it like, oh, I haven't seen you in a bit. 212 00:08:37,040 --> 00:08:38,920 Speaker 9: I'd say it felt pretty natural. Yeah, we had a 213 00:08:38,960 --> 00:08:41,280 Speaker 9: bunch of songs floating around. We've all been working on stuff, 214 00:08:41,360 --> 00:08:47,920 Speaker 9: just like in the background, independently, independent ideas, sketches. Yeah, 215 00:08:47,960 --> 00:08:50,440 Speaker 9: and so we sort of just started working on you know, 216 00:08:50,440 --> 00:08:52,200 Speaker 9: pick a couple of them and the start and I 217 00:08:52,200 --> 00:08:55,600 Speaker 9: think it just felt really good straight away. 218 00:08:55,679 --> 00:08:57,559 Speaker 8: So so that was it was a big surprise. 219 00:08:57,960 --> 00:09:01,360 Speaker 6: We were all like, we should do more, but this 220 00:09:01,440 --> 00:09:02,120 Speaker 6: felt pretty good. 221 00:09:02,200 --> 00:09:04,280 Speaker 1: So the first one, the first song you you you 222 00:09:04,320 --> 00:09:06,959 Speaker 1: worked on when you got in there was koru right, yeah, 223 00:09:07,000 --> 00:09:12,080 Speaker 1: the which is which if that? If that doesn't go well? 224 00:09:12,520 --> 00:09:14,160 Speaker 1: Did I read at some point? I don't know if 225 00:09:14,160 --> 00:09:15,920 Speaker 1: it still is, do you But didn't you say that's 226 00:09:15,920 --> 00:09:17,240 Speaker 1: your favorite song on the record? 227 00:09:17,800 --> 00:09:18,720 Speaker 6: Yeah? Yeah? 228 00:09:18,760 --> 00:09:19,040 Speaker 5: Why? 229 00:09:20,080 --> 00:09:20,520 Speaker 12: Uh? 230 00:09:20,760 --> 00:09:22,520 Speaker 5: You like how I you like how I questioned it? 231 00:09:22,480 --> 00:09:25,040 Speaker 5: It's not my favorite, noah, if it's yours? 232 00:09:25,080 --> 00:09:31,040 Speaker 11: So yeah, probably, you know, I'm probably because that was 233 00:09:31,080 --> 00:09:33,439 Speaker 11: the first song that we tried out, and that was 234 00:09:33,520 --> 00:09:36,199 Speaker 11: kind of the one where we all felt like, oh, 235 00:09:36,240 --> 00:09:39,520 Speaker 11: maybe there still is magic in here after all these years, 236 00:09:39,559 --> 00:09:40,640 Speaker 11: you know, So it's. 237 00:09:40,520 --> 00:09:41,520 Speaker 6: Probably a little bit of that. 238 00:09:43,720 --> 00:09:45,440 Speaker 7: And at the time when someone asked me what's your 239 00:09:45,440 --> 00:09:47,560 Speaker 7: favorite song, I probably chose Kooru. 240 00:09:47,640 --> 00:09:49,880 Speaker 6: But if you ask me today, I'll probably choose something else. 241 00:09:50,000 --> 00:09:50,800 Speaker 5: What is it today? 242 00:09:51,600 --> 00:09:53,880 Speaker 7: I'm gonna say Lifeline And that's another one that I 243 00:09:53,920 --> 00:09:54,360 Speaker 7: really like. 244 00:09:54,720 --> 00:09:56,080 Speaker 8: Right, yeah, what about you? 245 00:09:57,559 --> 00:10:00,920 Speaker 9: Oh, there's a song called Dystopia, right, which is it's 246 00:10:00,920 --> 00:10:02,520 Speaker 9: a little bit it's a little bit left of field 247 00:10:02,520 --> 00:10:05,559 Speaker 9: on the album, but I think it's awesome. 248 00:10:05,800 --> 00:10:07,440 Speaker 5: All right, all right, But well I told you like 249 00:10:07,520 --> 00:10:08,080 Speaker 5: all of them. 250 00:10:08,160 --> 00:10:10,880 Speaker 1: I mean that that would be the key if when 251 00:10:10,920 --> 00:10:13,280 Speaker 1: when you sat down and you started working, Koru was 252 00:10:13,320 --> 00:10:15,720 Speaker 1: the first one you started working on. If that would 253 00:10:15,760 --> 00:10:18,240 Speaker 1: have gone I don't want to say south, but if 254 00:10:18,280 --> 00:10:19,319 Speaker 1: it would have just been like. 255 00:10:20,880 --> 00:10:22,600 Speaker 5: Would everybody have left? And that would have been. 256 00:10:22,520 --> 00:10:24,560 Speaker 8: It, It's possible. 257 00:10:24,760 --> 00:10:26,360 Speaker 9: I mean, I don't I don't know like we I 258 00:10:26,360 --> 00:10:29,520 Speaker 9: don't think we were really thinking much further than that 259 00:10:29,600 --> 00:10:32,720 Speaker 9: little moment of the writing. And I think if it 260 00:10:32,760 --> 00:10:34,480 Speaker 9: if it didn't feel good, I think all of us 261 00:10:34,520 --> 00:10:37,240 Speaker 9: are probably at a place that where were like, we're 262 00:10:37,280 --> 00:10:39,800 Speaker 9: not going to keep pushing something that doesn't feel good. 263 00:10:40,440 --> 00:10:43,760 Speaker 7: Yeah, we probably would have you tried maybe two more 264 00:10:43,840 --> 00:10:46,440 Speaker 7: songs in it, and by then it was like not 265 00:10:46,559 --> 00:10:47,319 Speaker 7: good then. 266 00:10:47,720 --> 00:10:51,440 Speaker 1: Yeah, but now if you if you look at where 267 00:10:51,440 --> 00:10:54,320 Speaker 1: it is now though, like thank god it went well. 268 00:10:54,520 --> 00:10:55,160 Speaker 6: Yeah, for sure. 269 00:10:55,320 --> 00:10:58,320 Speaker 1: Yeah, because every everything you see, everything you read, it 270 00:10:58,440 --> 00:11:01,319 Speaker 1: sounds like like you said, like now, like now the 271 00:11:02,200 --> 00:11:05,400 Speaker 1: machine's going right, like now the record's out, you're back 272 00:11:05,400 --> 00:11:07,120 Speaker 1: out on tour, and it's going to be that way 273 00:11:07,160 --> 00:11:07,720 Speaker 1: for a while. 274 00:11:08,440 --> 00:11:10,160 Speaker 5: But it seems like everybody's happy. 275 00:11:10,360 --> 00:11:13,200 Speaker 1: And it was whether whether the break was too long, 276 00:11:13,320 --> 00:11:14,280 Speaker 1: long enough, whatever. 277 00:11:14,679 --> 00:11:17,800 Speaker 5: It seems like it all hit at the right time. Yeah, yeah, no, 278 00:11:17,880 --> 00:11:18,320 Speaker 5: that's great. 279 00:11:18,360 --> 00:11:20,120 Speaker 1: I want to ask you about another song on the 280 00:11:20,400 --> 00:11:22,960 Speaker 1: on the record, I was reading about giving up Air, 281 00:11:23,960 --> 00:11:29,120 Speaker 1: the which which started on when when when temper trap 282 00:11:29,200 --> 00:11:29,760 Speaker 1: was taken there? 283 00:11:29,920 --> 00:11:32,920 Speaker 5: What do you call it? Like, I hate saying hiatus? 284 00:11:32,960 --> 00:11:34,439 Speaker 5: What what do you what do you guys call it? 285 00:11:35,360 --> 00:11:35,520 Speaker 13: Oh? 286 00:11:35,600 --> 00:11:37,719 Speaker 1: Okay, it's not a break. I mean that's a hell 287 00:11:37,720 --> 00:11:41,000 Speaker 1: of a long break. So hiatus hiatus. But that came 288 00:11:41,040 --> 00:11:42,920 Speaker 1: out of that came out of a side project that 289 00:11:42,960 --> 00:11:44,080 Speaker 1: you would Yeah, I. 290 00:11:43,960 --> 00:11:49,080 Speaker 7: Had an electronic solo project called blood Moon. Yeah, and 291 00:11:49,120 --> 00:11:52,120 Speaker 7: that was a song off off that record, off that EP, 292 00:11:52,480 --> 00:11:53,760 Speaker 7: blood Moon et P Right. 293 00:11:54,240 --> 00:11:55,160 Speaker 5: It's a heavy song. 294 00:11:55,880 --> 00:11:57,440 Speaker 6: Yeah, uh huh the uh? 295 00:11:57,640 --> 00:12:01,720 Speaker 1: And and where where where it comes from? Are you 296 00:12:01,720 --> 00:12:06,080 Speaker 1: telling that story or or no? I leave it alone 297 00:12:06,080 --> 00:12:07,120 Speaker 1: if you want, that's fine. 298 00:12:07,440 --> 00:12:09,439 Speaker 7: Yeah, I mean, it's just it's a it's about a 299 00:12:10,640 --> 00:12:13,319 Speaker 7: a loss, a death in the in in the family, 300 00:12:13,440 --> 00:12:17,640 Speaker 7: someone close to me, and it's about that through the 301 00:12:17,720 --> 00:12:21,720 Speaker 7: perspective of not necessarily my eyes, but through the eyes 302 00:12:21,760 --> 00:12:22,080 Speaker 7: of the. 303 00:12:22,160 --> 00:12:26,040 Speaker 1: Person another family member. Sure, and and and you you 304 00:12:26,080 --> 00:12:28,240 Speaker 1: talk about or I read and then and then I 305 00:12:28,240 --> 00:12:30,880 Speaker 1: won't push, I promise, But you were you were you 306 00:12:30,920 --> 00:12:34,440 Speaker 1: were talking about how it's through the perspective of the 307 00:12:34,480 --> 00:12:36,720 Speaker 1: other family member, who, like you said, is the mother. 308 00:12:37,760 --> 00:12:39,720 Speaker 5: You didn't even have a kid at the point. 309 00:12:40,679 --> 00:12:43,080 Speaker 1: So when when when I go back and I listened 310 00:12:43,120 --> 00:12:47,200 Speaker 1: to the words and the song for somebody who didn't 311 00:12:47,240 --> 00:12:50,400 Speaker 1: even have a kid at the time, I mean, that's 312 00:12:50,400 --> 00:12:52,400 Speaker 1: a hell of a job, I mean, to to try 313 00:12:52,400 --> 00:12:55,360 Speaker 1: to capture that without really knowing what that what that 314 00:12:55,400 --> 00:12:58,320 Speaker 1: could feel like like that, that's that's very special. 315 00:12:58,720 --> 00:13:03,520 Speaker 7: Yeah, yeah, yeah, I never really thought about it like that. 316 00:13:03,600 --> 00:13:06,520 Speaker 7: I suppose I was just kind of yeah, I don't know, 317 00:13:06,640 --> 00:13:11,520 Speaker 7: it was it was such an impactful thing that happened, 318 00:13:13,160 --> 00:13:17,560 Speaker 7: and the lyrics sort of kind of sometimes I have 319 00:13:17,600 --> 00:13:20,280 Speaker 7: to work really hard for lyrics, but this wasn't one 320 00:13:20,320 --> 00:13:22,760 Speaker 7: of those times. So it was almost like I was 321 00:13:22,840 --> 00:13:23,959 Speaker 7: right there for the picking. 322 00:13:25,080 --> 00:13:26,760 Speaker 5: The why do you struggle with lyric? 323 00:13:26,800 --> 00:13:29,080 Speaker 1: Because I did read that somewhere else also where You're like, 324 00:13:29,400 --> 00:13:31,680 Speaker 1: I like the music part of it, but when it 325 00:13:31,720 --> 00:13:33,320 Speaker 1: gets to the lyric time, I'm like. 326 00:13:34,320 --> 00:13:35,120 Speaker 6: Yeah, I'm just not. 327 00:13:36,559 --> 00:13:38,960 Speaker 7: I'm not a lyric guy. I have to work hard 328 00:13:38,960 --> 00:13:39,200 Speaker 7: for it. 329 00:13:39,280 --> 00:13:39,480 Speaker 10: You know. 330 00:13:39,600 --> 00:13:43,200 Speaker 7: I'm not like your Alex Turner's or your Nick Caves. 331 00:13:43,240 --> 00:13:46,960 Speaker 7: I feel like they're lyric guys that just then learn 332 00:13:47,080 --> 00:13:48,480 Speaker 7: to play guitar or something. 333 00:13:48,520 --> 00:13:51,040 Speaker 6: You know, I'm the other way around. 334 00:13:51,120 --> 00:13:53,560 Speaker 1: You're the musician who then has to like, I don't 335 00:13:53,600 --> 00:13:54,439 Speaker 1: know what to write about. 336 00:13:55,080 --> 00:13:56,240 Speaker 2: I don't know what's right about? 337 00:13:56,559 --> 00:13:57,880 Speaker 7: Is what I'm writing cheesy? 338 00:13:58,160 --> 00:13:58,680 Speaker 6: Is this cool? 339 00:13:58,720 --> 00:14:00,520 Speaker 7: Is this poetic enough? Is this too poetic? 340 00:14:00,520 --> 00:14:00,640 Speaker 5: Well? 341 00:14:00,679 --> 00:14:04,920 Speaker 7: People, it's just like this constant storm in my mind 342 00:14:05,000 --> 00:14:08,320 Speaker 7: of you know, doubting myself. 343 00:14:08,400 --> 00:14:11,120 Speaker 5: Have you thought about letting anybody else write the lyrics? 344 00:14:11,360 --> 00:14:11,560 Speaker 6: Yeah? 345 00:14:11,640 --> 00:14:14,400 Speaker 5: Yeah, I'm not, Please do for sure. 346 00:14:14,440 --> 00:14:14,760 Speaker 2: I'm not. 347 00:14:16,080 --> 00:14:18,360 Speaker 6: Yes, I'm not, like, no, I'm not. 348 00:14:18,640 --> 00:14:20,520 Speaker 7: You know, I've never said to the band, no, it's 349 00:14:20,560 --> 00:14:23,240 Speaker 7: only my domain to write lyrics or whatnot. 350 00:14:23,680 --> 00:14:24,880 Speaker 6: I think I'm not. 351 00:14:25,160 --> 00:14:27,880 Speaker 7: I wouldn't say I'm great at it. 352 00:14:27,960 --> 00:14:30,760 Speaker 6: But the thing that I am good at is. 353 00:14:32,360 --> 00:14:35,960 Speaker 7: I'm good at knowing whether a song, song, a word 354 00:14:36,120 --> 00:14:38,280 Speaker 7: sings well or not. You know, because you can write 355 00:14:38,280 --> 00:14:40,760 Speaker 7: the most poetic thing on paper, right, But I can 356 00:14:40,840 --> 00:14:42,800 Speaker 7: just read something and I can tell that's not going 357 00:14:42,880 --> 00:14:43,440 Speaker 7: to sing well. 358 00:14:43,560 --> 00:14:45,040 Speaker 5: Is that because it's going to have to come out 359 00:14:45,040 --> 00:14:46,000 Speaker 5: of your mouth anyway? 360 00:14:46,320 --> 00:14:48,160 Speaker 7: And because I've just done it for so long that 361 00:14:48,240 --> 00:14:52,160 Speaker 7: I know what words sing well and what doesn't you know? 362 00:14:52,560 --> 00:14:52,720 Speaker 6: Right? 363 00:14:52,840 --> 00:14:54,560 Speaker 8: So yeah, so if you so. 364 00:14:54,560 --> 00:14:57,280 Speaker 1: So we're all in the writing room, right and and 365 00:14:57,560 --> 00:15:00,520 Speaker 1: we're we're writing along and everything's going fine, and then 366 00:15:00,680 --> 00:15:03,760 Speaker 1: let's just say like, but I don't know. Let's Jeffrey 367 00:15:03,760 --> 00:15:06,120 Speaker 1: writes something and you hear it, are you kind about 368 00:15:06,120 --> 00:15:08,040 Speaker 1: it and go like, oh, that's really good? Or you go, dude, 369 00:15:08,040 --> 00:15:10,040 Speaker 1: I can't sing that, Like that's not a singable song. 370 00:15:10,800 --> 00:15:12,920 Speaker 7: If it's really good, I'll be like, that's really good. 371 00:15:13,080 --> 00:15:16,840 Speaker 7: And if it's not, then I'll say it's it's not great. 372 00:15:17,280 --> 00:15:22,120 Speaker 7: I actually bounce ideas off with Toby quite a bit 373 00:15:22,280 --> 00:15:27,240 Speaker 7: because his mom's an English teacher. You know, he's very 374 00:15:27,960 --> 00:15:33,400 Speaker 7: he's into literature and stuff. But yeah, you know, it's 375 00:15:33,400 --> 00:15:36,960 Speaker 7: the same thing. I just know what words sing well 376 00:15:37,040 --> 00:15:38,040 Speaker 7: and what doesn't? 377 00:15:38,080 --> 00:15:40,400 Speaker 8: I guess error does it get? 378 00:15:40,440 --> 00:15:41,880 Speaker 5: Does it get? Does it get easier? 379 00:15:44,160 --> 00:15:44,360 Speaker 2: Oh? 380 00:15:44,520 --> 00:15:44,760 Speaker 4: Man? 381 00:15:45,080 --> 00:15:45,960 Speaker 6: Does it get easier? 382 00:15:46,040 --> 00:15:46,280 Speaker 10: Yeah? 383 00:15:46,320 --> 00:15:49,360 Speaker 6: Sometimes sometimes not. It's always a struggle for me. 384 00:15:49,520 --> 00:15:54,720 Speaker 1: Yeah, turned out okay, Yeah, with all the South doubt 385 00:15:54,720 --> 00:15:55,040 Speaker 1: and stuff. 386 00:15:55,040 --> 00:15:57,200 Speaker 9: You know, is I think like some of Dougie's lyrics, 387 00:15:57,240 --> 00:15:59,960 Speaker 9: I think it's some of my favorite and in any song. 388 00:16:00,600 --> 00:16:03,240 Speaker 5: But Joseph, let me ask you this, will you will 389 00:16:03,280 --> 00:16:04,200 Speaker 5: you tell them cheesy? 390 00:16:06,200 --> 00:16:09,200 Speaker 8: If I really thought so, I would, Yeah, But I don't. 391 00:16:09,320 --> 00:16:11,080 Speaker 9: I don't know if there's it's often that I that 392 00:16:11,160 --> 00:16:14,200 Speaker 9: I would think this is really cheesy, Like I think 393 00:16:14,600 --> 00:16:16,880 Speaker 9: sometimes as well. It's it's you've got to give songs 394 00:16:16,920 --> 00:16:19,160 Speaker 9: a bit of time to sit with them, and the 395 00:16:19,240 --> 00:16:22,640 Speaker 9: meaning changes and the feeling changes, and sometimes lyrics that 396 00:16:22,680 --> 00:16:25,240 Speaker 9: you may not have liked originally can come around. 397 00:16:25,600 --> 00:16:28,080 Speaker 5: We're very open with each other, right like ye was 398 00:16:28,080 --> 00:16:28,960 Speaker 5: that always the case? 399 00:16:29,640 --> 00:16:30,160 Speaker 6: Probably not? 400 00:16:30,360 --> 00:16:32,280 Speaker 7: And this I think this is one of the things 401 00:16:32,280 --> 00:16:36,680 Speaker 7: that's uh has made this process kind of really fine freeing, 402 00:16:36,760 --> 00:16:40,280 Speaker 7: and is we're just at a point in our lives 403 00:16:40,280 --> 00:16:43,840 Speaker 7: where we don't take offense to things as much, so 404 00:16:44,080 --> 00:16:47,480 Speaker 7: we're just open, you know, like Toby Will Toby the 405 00:16:47,560 --> 00:16:49,800 Speaker 7: Dramma will definitely tell me if it's something's cheesy, and 406 00:16:49,800 --> 00:16:50,800 Speaker 7: he doesn't mean to worse. 407 00:16:50,880 --> 00:16:55,960 Speaker 14: It's like that's you know, right, okay and right, and 408 00:16:56,360 --> 00:16:58,520 Speaker 14: you're at a point where you're I don't want to say, 409 00:16:58,600 --> 00:17:01,280 Speaker 14: can accept it, but where it doesn't bother you. 410 00:17:01,320 --> 00:17:03,920 Speaker 7: No, no, And if he's right, then I'll change it. 411 00:17:03,960 --> 00:17:06,199 Speaker 7: But if I feel like it's not cheesy, then i'll 412 00:17:06,480 --> 00:17:08,639 Speaker 7: you know, I'll present my case whatever. 413 00:17:08,640 --> 00:17:11,160 Speaker 1: Right, who who is the first person that you guys 414 00:17:11,160 --> 00:17:16,199 Speaker 1: played the record for, I mean outside of the group, 415 00:17:16,600 --> 00:17:19,879 Speaker 1: and then like whoever, like the producers or engineers are. 416 00:17:20,160 --> 00:17:23,639 Speaker 7: Well, we played it too. We went to dinner to 417 00:17:23,760 --> 00:17:29,280 Speaker 7: Malay's house. Malay did Channel Orange and Blonde. He's a 418 00:17:29,280 --> 00:17:31,440 Speaker 7: great producer and a friend of ours. We went to 419 00:17:31,560 --> 00:17:33,280 Speaker 7: house to Nashville and that was the first time we 420 00:17:33,320 --> 00:17:37,639 Speaker 7: played the record to someone from start to finish, listen 421 00:17:37,840 --> 00:17:39,760 Speaker 7: through the whole thing, and you really loved it. 422 00:17:39,760 --> 00:17:41,440 Speaker 6: I was like, Wow, it's really cool. 423 00:17:41,560 --> 00:17:46,480 Speaker 5: That's awesome. Yeah, that's awesome. It's just I just feel like, after. 424 00:17:46,640 --> 00:17:50,240 Speaker 1: So much time to sit down and go all right, 425 00:17:50,280 --> 00:17:52,000 Speaker 1: we're at a point where we're going to do this 426 00:17:52,400 --> 00:17:55,399 Speaker 1: we're gonna have fun. You're having fun doing it, and 427 00:17:55,440 --> 00:17:58,359 Speaker 1: for it to come out and feel like because the 428 00:17:58,400 --> 00:18:01,800 Speaker 1: record is so good, just to feel like here we go, 429 00:18:02,000 --> 00:18:04,480 Speaker 1: like we're we're going again. It just has to be 430 00:18:04,480 --> 00:18:08,200 Speaker 1: a real positive feeling to kind of crank it all 431 00:18:08,280 --> 00:18:10,159 Speaker 1: up again and know that that I don't want to 432 00:18:10,160 --> 00:18:13,040 Speaker 1: call it that magic is still there, but that you 433 00:18:13,119 --> 00:18:15,600 Speaker 1: know you're talented like that you guys have already proven, 434 00:18:15,680 --> 00:18:17,520 Speaker 1: but to know that it's still there and we can 435 00:18:17,600 --> 00:18:19,159 Speaker 1: still go when we want to. 436 00:18:19,880 --> 00:18:23,199 Speaker 9: It feels nice like being at the stages of our 437 00:18:23,240 --> 00:18:25,680 Speaker 9: life and not leaving on the stage that we were 438 00:18:25,720 --> 00:18:28,199 Speaker 9: before and like that being the end of the story. 439 00:18:28,560 --> 00:18:30,600 Speaker 8: It's kind of like whatever wherever we are now, it. 440 00:18:30,680 --> 00:18:32,760 Speaker 9: Just I think we're just really proud of it, like 441 00:18:33,040 --> 00:18:35,880 Speaker 9: for every level of the music, relationships with each other 442 00:18:35,960 --> 00:18:38,280 Speaker 9: and yeah, it's just it's just fun. 443 00:18:38,359 --> 00:18:40,000 Speaker 1: That's great, all right, So let me do this. Let 444 00:18:40,040 --> 00:18:43,280 Speaker 1: me take a quick break. We'll come back tonight. You 445 00:18:43,320 --> 00:18:47,320 Speaker 1: guys are at Merriweather with Block Party and Muse Sungazer 446 00:18:47,359 --> 00:18:49,040 Speaker 1: is out, so we'll come back. We'll play a little bit, 447 00:18:49,320 --> 00:18:51,439 Speaker 1: take a quick break. The temper Trap is with us. 448 00:18:51,520 --> 00:18:54,720 Speaker 1: It's Elliott in the Morning, Elliott in the Morning. 449 00:18:55,160 --> 00:18:56,600 Speaker 5: The Temper Trap is with us. 450 00:18:57,440 --> 00:19:02,800 Speaker 1: Sungazer is out and available now at Merriweather Post Pavilion Tonight. 451 00:19:02,520 --> 00:19:04,440 Speaker 5: With News and block Party. 452 00:19:05,440 --> 00:19:09,359 Speaker 1: Real quick, before we before we started playing, was your 453 00:19:09,440 --> 00:19:12,160 Speaker 1: high school all like like famous kids? 454 00:19:13,000 --> 00:19:15,399 Speaker 8: You know what's funny, there's actually a few bands. I 455 00:19:15,440 --> 00:19:16,840 Speaker 8: don't know if you do. You remember the band of 456 00:19:16,960 --> 00:19:19,880 Speaker 8: Naked and Famous. Uh yeah, yeah, So those all those 457 00:19:19,920 --> 00:19:21,399 Speaker 8: guys went I went to school. We all went to 458 00:19:21,440 --> 00:19:22,040 Speaker 8: school together. 459 00:19:23,359 --> 00:19:25,080 Speaker 9: And there's a few like people that have come out 460 00:19:25,080 --> 00:19:28,120 Speaker 9: of there that are like writers in la and someone's 461 00:19:28,160 --> 00:19:30,240 Speaker 9: like Dom Dollars creative director and stuff. 462 00:19:30,280 --> 00:19:32,040 Speaker 5: So there was a so it was like an arty, 463 00:19:32,119 --> 00:19:32,840 Speaker 5: fartsy school. 464 00:19:32,880 --> 00:19:36,040 Speaker 8: Well, I don't know, not necessarily, it just I don't know. 465 00:19:36,040 --> 00:19:37,800 Speaker 9: There just seemed to be a kind of in the 466 00:19:37,880 --> 00:19:40,480 Speaker 9: years around us, there seemed to be a lot of 467 00:19:40,480 --> 00:19:42,080 Speaker 9: people that went on to do something at the time. 468 00:19:42,080 --> 00:19:44,560 Speaker 5: Were you the most famous one because you were in Hercules? 469 00:19:46,000 --> 00:19:49,760 Speaker 5: Oh and what's the other one? Thought Zena. 470 00:19:50,240 --> 00:19:52,199 Speaker 9: I was on like a TV show that was that 471 00:19:52,320 --> 00:19:54,520 Speaker 9: was kind of like the equivalent of I don't know 472 00:19:54,520 --> 00:19:56,960 Speaker 9: if you knew Neighbors, the Australian show Neighbors, but it's 473 00:19:56,960 --> 00:19:59,280 Speaker 9: like daytime TV or nighttime TV, but. 474 00:19:59,320 --> 00:20:01,960 Speaker 5: Like a like a soap opera. Oh okay, oh so 475 00:20:02,040 --> 00:20:03,280 Speaker 5: you were you were a soap star. 476 00:20:03,400 --> 00:20:05,119 Speaker 8: I was in I was in a New Zealand. 477 00:20:07,119 --> 00:20:09,120 Speaker 5: Dougie was a big deal. 478 00:20:12,560 --> 00:20:14,720 Speaker 8: So maybe I was the most famous. But it wasn't. 479 00:20:14,840 --> 00:20:16,119 Speaker 8: It wasn't a nice experience. 480 00:20:17,080 --> 00:20:18,840 Speaker 5: Wait why not? Why wasn't that nice? 481 00:20:19,119 --> 00:20:21,360 Speaker 8: Because I just got tasseled and teased a lot. 482 00:20:22,680 --> 00:20:24,680 Speaker 1: Really didn't bother you at like hide behind all those 483 00:20:24,720 --> 00:20:26,040 Speaker 1: big paychecks. 484 00:20:26,320 --> 00:20:26,960 Speaker 10: The other kids. 485 00:20:27,080 --> 00:20:29,879 Speaker 8: Wasn't big paychecks. I had a small role, so it 486 00:20:29,960 --> 00:20:30,840 Speaker 8: wasn't it wasn't big. 487 00:20:30,880 --> 00:20:33,800 Speaker 9: But yeah, I remember, like I really was happy to 488 00:20:33,800 --> 00:20:36,600 Speaker 9: finish it and just like start doing music and make 489 00:20:36,640 --> 00:20:37,560 Speaker 9: that my identity and. 490 00:20:37,600 --> 00:20:37,920 Speaker 14: Not for you. 491 00:20:42,240 --> 00:20:44,280 Speaker 5: But you were saying you were horrible at school? 492 00:20:44,560 --> 00:20:44,960 Speaker 6: Terrible? 493 00:20:45,160 --> 00:20:45,800 Speaker 5: Were you really? 494 00:20:47,080 --> 00:20:51,119 Speaker 7: I just uh, yeah, I mean I went to school 495 00:20:51,160 --> 00:20:59,080 Speaker 7: in Indonesia. And if you're not academically inclined or you know, like. 496 00:21:01,280 --> 00:21:03,440 Speaker 6: In doing well in sports, you're kind. 497 00:21:03,240 --> 00:21:07,720 Speaker 7: Of so you're useless. And I was the useless kid, 498 00:21:07,920 --> 00:21:09,520 Speaker 7: you know, pretty useless. 499 00:21:09,600 --> 00:21:11,680 Speaker 5: Yeah, so then what are you so then what do 500 00:21:11,760 --> 00:21:12,400 Speaker 5: you end up doing? 501 00:21:12,400 --> 00:21:12,640 Speaker 8: Though? 502 00:21:12,840 --> 00:21:14,440 Speaker 1: Like if you're so if you're not into sports or 503 00:21:14,480 --> 00:21:16,520 Speaker 1: you're not into the education, then you're just kind of 504 00:21:16,560 --> 00:21:17,280 Speaker 1: cast aside. 505 00:21:17,800 --> 00:21:18,040 Speaker 10: Yeah. 506 00:21:18,160 --> 00:21:21,960 Speaker 7: I was just always the disruptive kid, sitting in the back, 507 00:21:22,560 --> 00:21:25,439 Speaker 7: you know, at detention, getting my parents called up to 508 00:21:25,520 --> 00:21:28,000 Speaker 7: the school all the time. I got kicked out of 509 00:21:28,320 --> 00:21:29,240 Speaker 7: school as well. 510 00:21:29,760 --> 00:21:32,880 Speaker 1: Uh would you get kicked out for just not doing anything? 511 00:21:33,000 --> 00:21:36,359 Speaker 7: Just that is an accumulation of stuff, you know. I 512 00:21:36,400 --> 00:21:39,160 Speaker 7: was naughty for sure, naughty? And what look like were 513 00:21:39,160 --> 00:21:39,679 Speaker 7: you fighting? 514 00:21:41,359 --> 00:21:44,280 Speaker 6: Yeah? There's that, and then there's just. 515 00:21:44,320 --> 00:21:46,359 Speaker 5: Like were we smoking weed at school? 516 00:21:47,520 --> 00:21:47,720 Speaker 10: Uh? 517 00:21:47,880 --> 00:21:50,199 Speaker 7: No, No, I never I never liked tweed. 518 00:21:50,359 --> 00:21:54,400 Speaker 1: No, really, No, So you were fighting? What what part 519 00:21:54,400 --> 00:21:57,080 Speaker 1: of my missing you? I feel like you're leaving something out? 520 00:21:57,760 --> 00:21:58,720 Speaker 5: Uh? 521 00:21:59,160 --> 00:22:01,399 Speaker 6: I was just I was. He's the naughty kid. I 522 00:22:01,400 --> 00:22:01,800 Speaker 6: don't know. 523 00:22:03,640 --> 00:22:05,639 Speaker 7: Some of the things I probably shouldn't talk about actually 524 00:22:05,640 --> 00:22:07,480 Speaker 7: on on radio. 525 00:22:07,600 --> 00:22:09,160 Speaker 6: But yeah, I was just a naughty kid. 526 00:22:09,680 --> 00:22:11,560 Speaker 1: Leave it at that, all right, all right, I'll leave 527 00:22:11,560 --> 00:22:13,760 Speaker 1: it there, all right? What are we What are we 528 00:22:13,760 --> 00:22:15,120 Speaker 1: gonna play? What are we gonna play? 529 00:22:15,480 --> 00:22:18,639 Speaker 7: We're gonna play now, We're gonna play Love Lost, which 530 00:22:18,680 --> 00:22:20,600 Speaker 7: is a classic from the first record. 531 00:22:20,720 --> 00:22:22,440 Speaker 5: Whenever you're ready, sir, let's do it. 532 00:22:22,760 --> 00:22:23,400 Speaker 6: Phone's off. 533 00:22:25,600 --> 00:22:52,800 Speaker 3: H Hello, was lost and all and was gone. Hello 534 00:22:53,760 --> 00:23:06,160 Speaker 3: world loss. And if you flash your heart. 535 00:23:09,480 --> 00:23:24,040 Speaker 10: No war, then no proy. 536 00:23:26,440 --> 00:23:41,120 Speaker 12: Your wallser to call to TI, chail your walls around. 537 00:23:44,280 --> 00:23:57,199 Speaker 13: Too hard to climb, none need, But I can still 538 00:23:57,720 --> 00:24:00,359 Speaker 13: re bey. 539 00:24:02,240 --> 00:24:03,960 Speaker 6: If you flash out. 540 00:24:08,119 --> 00:24:15,680 Speaker 2: A warm mystery, no prob. 541 00:24:25,880 --> 00:24:28,040 Speaker 10: No promy. 542 00:24:45,000 --> 00:24:57,160 Speaker 15: Loves either Rabo, real things, the Ben green. 543 00:25:04,080 --> 00:25:14,280 Speaker 1: Ke or. 544 00:25:17,160 --> 00:25:46,520 Speaker 10: Me to take on the new spell. 545 00:26:00,760 --> 00:26:03,240 Speaker 1: Tell you in the morning. The temper trap is with U. 546 00:26:03,520 --> 00:26:08,439 Speaker 1: Su Gazer is out and available now. Quick question, So 547 00:26:08,520 --> 00:26:11,760 Speaker 1: when when when we were on hiatus and you'd mentioned 548 00:26:11,800 --> 00:26:13,840 Speaker 1: you you you had that song that you wrote that 549 00:26:14,040 --> 00:26:16,040 Speaker 1: during the when with your side project? 550 00:26:16,200 --> 00:26:18,840 Speaker 5: How'd you end up in Berlin? Like of all places? 551 00:26:18,840 --> 00:26:20,639 Speaker 5: Why did you? Yeah? Why'd you choose there? 552 00:26:21,680 --> 00:26:23,200 Speaker 7: Uh? 553 00:26:23,040 --> 00:26:23,159 Speaker 1: Uh? 554 00:26:23,240 --> 00:26:25,840 Speaker 7: Because we were living in London and I was just 555 00:26:25,880 --> 00:26:28,560 Speaker 7: sick of London. I never really liked it, to be honest. Uh. 556 00:26:29,400 --> 00:26:31,360 Speaker 7: It's nice to visit, but I never liked living there. 557 00:26:31,400 --> 00:26:34,199 Speaker 7: And I but I still wanted to stay in Europe. 558 00:26:34,359 --> 00:26:40,920 Speaker 7: So I had heard about Berlin, you know, tales about Berlin, 559 00:26:41,640 --> 00:26:45,120 Speaker 7: fun stuff, right, and I thought like, yeah, I want 560 00:26:45,160 --> 00:26:46,840 Speaker 7: to get out of London, but I want to stay 561 00:26:47,080 --> 00:26:51,000 Speaker 7: in Europe, and so yeah, I just chose Berlin just. 562 00:26:52,080 --> 00:26:55,080 Speaker 5: But I mean, I'm but as the you. 563 00:26:55,080 --> 00:26:57,320 Speaker 1: You guys had to have played Berlin before, I mean 564 00:26:57,359 --> 00:26:58,280 Speaker 1: you had to have gone through. 565 00:26:58,359 --> 00:27:00,240 Speaker 5: But I guess you don't have time like when you're just. 566 00:27:01,040 --> 00:27:03,000 Speaker 6: Day just like going through. 567 00:27:03,040 --> 00:27:05,320 Speaker 7: I didn't know anything about Billion other than the stories 568 00:27:05,359 --> 00:27:07,199 Speaker 7: that my friends told me. 569 00:27:07,560 --> 00:27:09,960 Speaker 5: Right, Was it as decadent as they told you? 570 00:27:10,200 --> 00:27:10,879 Speaker 6: Pretty decadent? 571 00:27:11,000 --> 00:27:11,160 Speaker 3: Yeah? 572 00:27:14,920 --> 00:27:16,160 Speaker 5: How long? How long were you there? 573 00:27:16,680 --> 00:27:17,320 Speaker 10: For years? 574 00:27:17,520 --> 00:27:23,520 Speaker 5: That's not bad? Yeah, that's not bad. Yeah you miss it? No, No, 575 00:27:23,640 --> 00:27:24,000 Speaker 5: I haven't. 576 00:27:25,040 --> 00:27:27,320 Speaker 7: Yeah, I live in Bali now. It's pretty good. 577 00:27:28,880 --> 00:27:31,200 Speaker 5: And I is that a nice place to live? 578 00:27:31,840 --> 00:27:35,160 Speaker 1: Like all I've I've never been, but all you see 579 00:27:35,200 --> 00:27:37,760 Speaker 1: are the pictures of like I imagine. 580 00:27:37,000 --> 00:27:38,000 Speaker 6: Now and stuff. 581 00:27:38,080 --> 00:27:40,359 Speaker 1: Yeah, like you live like on like like on a 582 00:27:40,440 --> 00:27:43,760 Speaker 1: in a hut with like a glass bottom and like all. 583 00:27:43,760 --> 00:27:45,320 Speaker 5: The fish, Like that's how you live. 584 00:27:46,160 --> 00:27:48,399 Speaker 7: No, not quite. I'm sure some people are living like that, 585 00:27:48,480 --> 00:27:51,800 Speaker 7: but not me. I'm building a house in the village. 586 00:27:51,960 --> 00:27:55,520 Speaker 7: There's no one there. It's pretty secluded, but I'm only 587 00:27:55,520 --> 00:27:58,840 Speaker 7: twenty minutes away from like the beach. So that's kind 588 00:27:58,880 --> 00:28:00,960 Speaker 7: of the speed on on for these days. 589 00:28:01,000 --> 00:28:03,679 Speaker 5: Well different than Berlin, I would assume, very different that 590 00:28:03,760 --> 00:28:04,760 Speaker 5: was a hard four years. 591 00:28:08,240 --> 00:28:11,440 Speaker 1: And then Joseph Durham break you you went, you went 592 00:28:11,480 --> 00:28:14,040 Speaker 1: back to New Zealand And were you a teacher? 593 00:28:14,320 --> 00:28:14,600 Speaker 8: Yeah? 594 00:28:14,640 --> 00:28:16,720 Speaker 9: So I was actually living in Australia during that time, 595 00:28:16,760 --> 00:28:18,760 Speaker 9: So I moved back from I can't. 596 00:28:18,640 --> 00:28:20,760 Speaker 5: Keep track of I don't know where where you are. 597 00:28:20,840 --> 00:28:23,080 Speaker 9: We have probably one of the most like our our 598 00:28:23,280 --> 00:28:27,480 Speaker 9: locations are very inconvenient for being in a band. But yeah, 599 00:28:27,520 --> 00:28:30,520 Speaker 9: I moved from the UK back to Australia. Uh, And 600 00:28:30,680 --> 00:28:32,800 Speaker 9: I was in Australia during all that time. I just 601 00:28:32,840 --> 00:28:35,480 Speaker 9: moved to New Zealand last year because. 602 00:28:35,280 --> 00:28:37,119 Speaker 8: I just had a child and so my wife and 603 00:28:37,119 --> 00:28:40,280 Speaker 8: I decided we would go back to back to family. 604 00:28:40,320 --> 00:28:41,840 Speaker 5: But is that did I read that right? You were 605 00:28:41,840 --> 00:28:42,960 Speaker 5: you were teaching during that time? 606 00:28:43,000 --> 00:28:44,960 Speaker 8: Yeah, just teaching guitar, teaching guitar. 607 00:28:44,760 --> 00:28:47,960 Speaker 1: And oh I thought like you were like teaching English 608 00:28:48,120 --> 00:28:51,080 Speaker 1: or math or something along those lines, or how to 609 00:28:51,080 --> 00:28:52,560 Speaker 1: be how to be a child. 610 00:28:52,320 --> 00:28:54,840 Speaker 5: Actor, something along those lines. 611 00:28:54,920 --> 00:28:56,840 Speaker 8: Yeah, No, just just teaching teaching music. 612 00:28:57,280 --> 00:28:59,800 Speaker 1: Is everybody still spread out, like I mean, obviously now 613 00:28:59,800 --> 00:29:02,680 Speaker 1: I'm row But is everybody still just completely spread. 614 00:29:02,400 --> 00:29:04,760 Speaker 9: Out more spread out atle different country like every one 615 00:29:04,760 --> 00:29:05,960 Speaker 9: of us in a different country. 616 00:29:06,240 --> 00:29:09,800 Speaker 5: So where's Where's where's Toby in Australia? 617 00:29:09,880 --> 00:29:11,760 Speaker 9: Yeah and there and. 618 00:29:11,960 --> 00:29:14,920 Speaker 5: Yeah he married an American woman. Yeah yeah, smart guy. 619 00:29:18,640 --> 00:29:21,560 Speaker 5: So but connect the dots, like, go all the way back. 620 00:29:21,920 --> 00:29:24,520 Speaker 1: Where was the like like you were in Indonesia, you 621 00:29:24,520 --> 00:29:26,960 Speaker 1: get kicked out of school, you move, everybody's all over? 622 00:29:27,040 --> 00:29:29,240 Speaker 5: Where was Where was the meeting point? 623 00:29:29,600 --> 00:29:30,200 Speaker 8: Melbourne? 624 00:29:30,680 --> 00:29:35,120 Speaker 5: That's where everybody. Everybody ended up. Yeah, I got you. 625 00:29:35,520 --> 00:29:38,600 Speaker 1: And then it was just you just start running into 626 00:29:38,600 --> 00:29:39,880 Speaker 1: each other. This one knows this. 627 00:29:39,880 --> 00:29:42,440 Speaker 7: This one knows used to work in the same clothing store, 628 00:29:42,440 --> 00:29:44,480 Speaker 7: which is Australia's urban outfitters. 629 00:29:44,520 --> 00:29:46,960 Speaker 5: Basically is that General Pants. 630 00:29:48,400 --> 00:29:51,480 Speaker 6: You terrible name for a clothing store. 631 00:29:51,520 --> 00:29:55,440 Speaker 7: We sold more than just pants, by the way. 632 00:29:55,800 --> 00:29:56,480 Speaker 5: So that's where. 633 00:29:56,520 --> 00:30:01,000 Speaker 1: That's where everybody was, and everybody was together and friendships 634 00:30:01,000 --> 00:30:02,520 Speaker 1: for him, and then it was like I like music, 635 00:30:02,560 --> 00:30:04,400 Speaker 1: You like music, and you guys started a band. 636 00:30:04,920 --> 00:30:07,240 Speaker 6: Yeah yeah, I mean it was my idea to start 637 00:30:07,280 --> 00:30:10,160 Speaker 6: the band. I approached Toby first, our drummer. 638 00:30:10,280 --> 00:30:14,920 Speaker 7: He uh reluctantly said yes, the band practice one day 639 00:30:14,960 --> 00:30:19,320 Speaker 7: and this, and then realized that we were way more 640 00:30:19,320 --> 00:30:20,880 Speaker 7: fun to hang out with than the band that he 641 00:30:20,960 --> 00:30:22,560 Speaker 7: was already in so he chose us. 642 00:30:22,640 --> 00:30:24,560 Speaker 8: But yeah, Joseph. 643 00:30:24,400 --> 00:30:26,360 Speaker 7: Was our boss kind of so to speak. 644 00:30:26,400 --> 00:30:27,400 Speaker 5: Oh you were the manager? 645 00:30:27,720 --> 00:30:30,320 Speaker 8: Well yeah, yeah, I was a three ic. They called 646 00:30:30,360 --> 00:30:31,280 Speaker 8: it third in charge. 647 00:30:32,600 --> 00:30:34,719 Speaker 7: That's why I would never listen to anything, because he's 648 00:30:34,760 --> 00:30:35,800 Speaker 7: only third in charge. 649 00:30:35,880 --> 00:30:36,360 Speaker 10: Yeah, my god? 650 00:30:36,440 --> 00:30:38,240 Speaker 5: How low on the icy were you? 651 00:30:39,200 --> 00:30:41,000 Speaker 7: I was just a casual Me and Toby. We were 652 00:30:41,040 --> 00:30:43,400 Speaker 7: just casuals, working three days a week. 653 00:30:43,440 --> 00:30:43,920 Speaker 6: We didn't care. 654 00:30:43,960 --> 00:30:45,560 Speaker 8: I couldn't tell these guys what today. 655 00:30:46,040 --> 00:30:48,280 Speaker 1: So but like, so, when you asked Joseph to join 656 00:30:48,320 --> 00:30:50,560 Speaker 1: the band, was it like asking your manager to like, 657 00:30:50,600 --> 00:30:53,080 Speaker 1: come hang out a little ass kissy? 658 00:30:55,240 --> 00:30:55,760 Speaker 7: He was cool? 659 00:30:57,240 --> 00:30:59,480 Speaker 5: How long? How long did it take though the like? 660 00:30:59,520 --> 00:31:02,400 Speaker 1: Because go back to when we were talking about at 661 00:31:02,400 --> 00:31:04,640 Speaker 1: some point, like you're writing and you're working and you 662 00:31:04,680 --> 00:31:05,320 Speaker 1: get discovered. 663 00:31:05,400 --> 00:31:08,280 Speaker 5: How how long? How long were you guys grinded? Or 664 00:31:08,320 --> 00:31:10,360 Speaker 5: did it did it? I don't want to say happen quick? 665 00:31:10,720 --> 00:31:12,640 Speaker 5: But did it start to did it start to come 666 00:31:12,680 --> 00:31:13,640 Speaker 5: together pretty quickly? 667 00:31:13,720 --> 00:31:13,920 Speaker 15: Yeah? 668 00:31:14,320 --> 00:31:14,600 Speaker 5: No way. 669 00:31:15,800 --> 00:31:18,840 Speaker 7: I would say we got signed in nine, is that right, Joey? 670 00:31:18,920 --> 00:31:19,440 Speaker 8: Or yeah? 671 00:31:19,480 --> 00:31:21,080 Speaker 6: Oh eight? Yeah, oh eight? 672 00:31:21,160 --> 00:31:25,640 Speaker 7: And we were probably grinding from two thousand and four, probably. 673 00:31:25,960 --> 00:31:27,800 Speaker 1: Four years, does it I mean, I'm sure at the 674 00:31:27,840 --> 00:31:32,760 Speaker 1: time it feels like a lifetime, but in hindsight, I mean, 675 00:31:32,760 --> 00:31:35,600 Speaker 1: that's that's less than half your hiatus, Like, it doesn't 676 00:31:35,600 --> 00:31:37,400 Speaker 1: really seem it was it was that long. 677 00:31:37,760 --> 00:31:38,400 Speaker 6: Yeah, it wasn't. 678 00:31:38,600 --> 00:31:40,680 Speaker 7: I mean, it's not exactly an overnight thing, but yeah, 679 00:31:40,680 --> 00:31:43,760 Speaker 7: you're it's not that long, but it's yeah, was it 680 00:31:43,840 --> 00:31:44,760 Speaker 7: overnight either. 681 00:31:44,560 --> 00:31:46,560 Speaker 1: When you look back at the at the ten years, 682 00:31:46,640 --> 00:31:48,880 Speaker 1: does it does it seem I guess it was seven 683 00:31:48,920 --> 00:31:50,800 Speaker 1: if you don't count like getting together and writing and 684 00:31:50,840 --> 00:31:53,360 Speaker 1: doing stuff like that. But in terms of kind of 685 00:31:53,640 --> 00:31:57,280 Speaker 1: for for fans the temper Traf's been gone for a decade, 686 00:31:57,880 --> 00:31:59,760 Speaker 1: is it does it seem like it went quick? 687 00:31:59,920 --> 00:32:00,640 Speaker 14: Or no? 688 00:32:03,640 --> 00:32:05,920 Speaker 9: COVID happened during that time as well, so it's sort 689 00:32:05,960 --> 00:32:09,520 Speaker 9: of like that kind of almost three years out of 690 00:32:09,560 --> 00:32:11,840 Speaker 9: that where we just kind of couldn't do anything right. So, 691 00:32:12,440 --> 00:32:15,640 Speaker 9: you know, in some ways it feels for me anyway, 692 00:32:15,640 --> 00:32:18,760 Speaker 9: it felt it felt relatively quick because it was just 693 00:32:18,800 --> 00:32:21,640 Speaker 9: you know, like i'd moved back from the UK in Australia. 694 00:32:21,760 --> 00:32:25,080 Speaker 9: It was almost Yeah, it felt like once once COVID 695 00:32:25,120 --> 00:32:28,640 Speaker 9: had stopped and things were opening up again, it felt pretty. 696 00:32:28,480 --> 00:32:28,840 Speaker 8: Quick for me. 697 00:32:28,920 --> 00:32:29,080 Speaker 5: You know. 698 00:32:29,120 --> 00:32:30,880 Speaker 1: What's kind of nice though, is like because you we 699 00:32:30,920 --> 00:32:33,240 Speaker 1: would hear from bands who were like, dude, COVID was 700 00:32:33,320 --> 00:32:36,080 Speaker 1: so like for for for a musician, there was no touring. 701 00:32:36,120 --> 00:32:38,720 Speaker 1: It was so hard for you guys, it was okay. 702 00:32:38,880 --> 00:32:41,960 Speaker 1: It didn't interfere with anything. I mean your regular lives, yes, 703 00:32:42,400 --> 00:32:43,240 Speaker 1: but not the band. 704 00:32:43,960 --> 00:32:45,720 Speaker 9: Well, it kind of forced us to have a break 705 00:32:45,880 --> 00:32:51,640 Speaker 9: from each other, right that we hadn't had before, So that, which. 706 00:32:51,480 --> 00:32:53,480 Speaker 8: Is might be the reason why we're here. 707 00:32:55,360 --> 00:32:56,120 Speaker 5: Well, you know, it's funny. 708 00:32:56,120 --> 00:32:59,520 Speaker 1: I read some where Toby had said every band should 709 00:32:59,560 --> 00:33:01,880 Speaker 1: take a break from each other. And I don't know 710 00:33:01,920 --> 00:33:05,760 Speaker 1: if he was half joking or half serious, but it 711 00:33:05,800 --> 00:33:08,400 Speaker 1: almost sounded like he was like, everybody should take a break. 712 00:33:09,400 --> 00:33:10,680 Speaker 1: I don't know if it needs to be seven eight 713 00:33:10,760 --> 00:33:13,480 Speaker 1: years and they come back and kind of figure it out. 714 00:33:14,520 --> 00:33:17,280 Speaker 6: Yeah, I mean in our case, we definitely needed it. 715 00:33:18,520 --> 00:33:20,360 Speaker 1: And you also have the luxury to be able to 716 00:33:20,400 --> 00:33:21,880 Speaker 1: do it, I mean, to be able to take that 717 00:33:21,960 --> 00:33:22,560 Speaker 1: kind of time. 718 00:33:22,800 --> 00:33:23,680 Speaker 6: Yeah, that's true. 719 00:33:24,120 --> 00:33:27,920 Speaker 7: And also the pandemic has just said sort of I 720 00:33:27,960 --> 00:33:31,520 Speaker 7: think prolonged that break. Maybe if maybe if it wasn't 721 00:33:31,560 --> 00:33:34,080 Speaker 7: for that, we would have gotten back together sooner. 722 00:33:34,200 --> 00:33:39,240 Speaker 1: Maybe right, so we'll do the rest of this run 723 00:33:39,280 --> 00:33:43,040 Speaker 1: out with MEWS and then I saw you guys do 724 00:33:43,160 --> 00:33:47,440 Speaker 1: go back to Australia and run a bunch of headlining 725 00:33:47,480 --> 00:33:52,440 Speaker 1: shows there. I'm assuming that we're going to have a 726 00:33:52,480 --> 00:33:55,200 Speaker 1: Temper Trap headlining show in the US. 727 00:33:55,600 --> 00:33:58,360 Speaker 5: Yeah, I hope so yeah, yeah, no, I mean we 728 00:33:58,440 --> 00:34:01,440 Speaker 5: know that's common. Yeah, we're just not outre people want it? 729 00:34:01,960 --> 00:34:04,120 Speaker 7: Do you guys want it? 730 00:34:06,240 --> 00:34:06,360 Speaker 1: All? 731 00:34:06,440 --> 00:34:06,600 Speaker 4: Right? 732 00:34:07,240 --> 00:34:08,799 Speaker 5: Give me another song then I'll get you guys out 733 00:34:08,800 --> 00:34:09,040 Speaker 5: of here. 734 00:34:09,400 --> 00:34:12,200 Speaker 6: Sweet cool. 735 00:34:19,719 --> 00:34:24,960 Speaker 10: Day, my home. 736 00:34:27,760 --> 00:34:37,600 Speaker 4: This lay it down and all of thesions? 737 00:34:37,760 --> 00:34:43,640 Speaker 10: Have you feeding? Where have they gone? In? 738 00:34:43,719 --> 00:34:48,879 Speaker 15: The fast. 739 00:34:49,120 --> 00:34:52,200 Speaker 7: Feels like kissing Canny. 740 00:34:55,640 --> 00:34:59,719 Speaker 4: Boo feels like kissin canny. 741 00:35:05,120 --> 00:35:10,759 Speaker 16: It's hard to breathe in giving up Bell, Lean up bell? 742 00:35:10,960 --> 00:35:11,480 Speaker 10: How of my. 743 00:35:11,520 --> 00:35:12,759 Speaker 2: Dreams will reappear? 744 00:35:14,600 --> 00:35:17,040 Speaker 10: Never Meana? Now he's hanging on a prayer? 745 00:35:18,880 --> 00:35:27,000 Speaker 16: Uh uh giving up bell, lean up bell? 746 00:35:27,200 --> 00:35:27,680 Speaker 10: How of my. 747 00:35:27,719 --> 00:35:31,320 Speaker 2: Dreams will reappear? And everything I know? 748 00:35:31,520 --> 00:35:33,160 Speaker 10: He's hanging on a prayer. 749 00:35:34,920 --> 00:35:42,240 Speaker 15: Ah uh side. 750 00:35:45,360 --> 00:35:58,160 Speaker 4: O your crazy thing, break it down, moleno tied choking 751 00:35:58,320 --> 00:35:59,640 Speaker 4: the life power. 752 00:36:01,320 --> 00:36:03,880 Speaker 10: Nothing was left in this. 753 00:36:04,920 --> 00:36:11,760 Speaker 3: As It's like guessing, can. 754 00:36:17,600 --> 00:36:29,640 Speaker 10: Sure listening? Can? It's hard to breathe there giving up 755 00:36:29,640 --> 00:36:31,400 Speaker 10: bare lean appair Homo ma. 756 00:36:31,560 --> 00:36:33,560 Speaker 2: Dress reappeared. 757 00:36:34,360 --> 00:36:36,840 Speaker 10: When everything I always haying on a prayer. 758 00:36:38,719 --> 00:36:48,640 Speaker 17: Uh uh, giving up barely a pair Homo madres reapeard, 759 00:36:50,200 --> 00:36:51,040 Speaker 17: when everything. 760 00:36:50,760 --> 00:36:52,640 Speaker 10: I always haying on a prayer. 761 00:36:54,520 --> 00:36:58,560 Speaker 16: Uh h. 762 00:36:59,560 --> 00:37:22,399 Speaker 10: It's like, uh, give back, give a cop It's like, uh. 763 00:37:38,960 --> 00:37:42,359 Speaker 18: Uh give it not back, give it not back, give 764 00:37:42,400 --> 00:37:56,759 Speaker 18: it not back, give it not oh, give it not back, 765 00:37:56,920 --> 00:37:59,160 Speaker 18: give it not back, give it not back, give it 766 00:37:59,239 --> 00:37:59,960 Speaker 18: not bad. 767 00:38:01,239 --> 00:38:01,399 Speaker 7: Want. 768 00:38:01,440 --> 00:38:03,680 Speaker 10: Anything I know is hanging on upraya. 769 00:38:04,840 --> 00:38:07,560 Speaker 5: The temperate trap is with us. They will be at 770 00:38:07,640 --> 00:38:12,239 Speaker 5: Meriwether tonight with Muse. Sungazer is out and available now. 771 00:38:12,400 --> 00:38:14,440 Speaker 5: Dougie Joseph, thank you guys very much for coming in 772 00:38:14,680 --> 00:38:15,480 Speaker 5: so much for having us