WEBVTT - EITM interviews Brad Meltzer

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<v Speaker 1>Please welcome our friend, mister Brad Meltzer. Oh so happy

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<v Speaker 1>to hear the song. Can I ask you this? Can

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<v Speaker 1>I ask you this?

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<v Speaker 2>This song makes an appearance in the book. The way

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<v Speaker 2>that it makes the appearance in the book is hysterical.

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<v Speaker 2>I love it is that real, like at some point

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<v Speaker 2>where you and all your jackass friends trying to figure

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<v Speaker 2>out what's the last song you listen to?

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<v Speaker 1>Well, that's my life.

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<v Speaker 3>Oh no, no, but like no, I do think I

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<v Speaker 3>actually do think that in the scene in the book,

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<v Speaker 3>it doesn't ruin anything, but it's all about, like you know,

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<v Speaker 3>it's a book about looking backwards or looking forward and

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<v Speaker 3>realizing that if you look backwards you look at regret,

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<v Speaker 3>and if you look forward, you look at anxiety.

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<v Speaker 1>What's going to happen?

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<v Speaker 2>Right?

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<v Speaker 3>And the only way to be really present is of course,

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<v Speaker 3>to be in the present. But in my house there

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<v Speaker 3>is a constant fight of music, right, And I firmly

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<v Speaker 3>believe that if you just sit and listen to your

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<v Speaker 3>old music from when you were like seventeen years old,

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<v Speaker 3>it's like it's old music death.

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<v Speaker 1>It's like definitely it's a miserable thing.

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<v Speaker 3>And if you're not constantly like transforming and engaging with

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<v Speaker 3>something new and growing.

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<v Speaker 1>And I was like, I got it. I got it,

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<v Speaker 1>and the only question.

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<v Speaker 3>But what I love about it is that the last

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<v Speaker 3>scene is is they play you know, he plays.

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<v Speaker 1>Zig plays for Nola Betty Davis.

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<v Speaker 3>She's like, let me see the last song that was

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<v Speaker 3>on your thing and he plays it for it. And

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<v Speaker 3>the thing that I do like, She's like, this sucks,

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<v Speaker 3>but it's great like that, and I just love that

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<v Speaker 3>she likes it and I can't. I didn't plan that.

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<v Speaker 3>And I was just like, no, she's good. Because every

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<v Speaker 3>by the way, when you started playing it, every head

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<v Speaker 3>in this room here we were all of course, it's

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<v Speaker 3>still got.

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<v Speaker 1>That book is still a killer, by the way, And

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<v Speaker 1>I did. I will confess.

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<v Speaker 2>I sent bradda text when I was reading the book

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<v Speaker 2>over the break and it had been four years, and

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<v Speaker 2>I told you, I think the last time we talked,

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<v Speaker 2>I was very nervous.

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<v Speaker 1>You haven't written a novel in a loris the you

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<v Speaker 1>You didn't miss a beat.

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<v Speaker 2>The book is fantastic, fantastic.

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<v Speaker 1>And the other the other.

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<v Speaker 2>Thing that I was concerned about is it's the third

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<v Speaker 2>in a series.

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<v Speaker 1>It's a Zig and Nola novel. So how long ago

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<v Speaker 1>was the first one? How long ago was the first one?

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<v Speaker 1>I was like twenty eighteen, I mean a long time ago.

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<v Speaker 2>Yeah, and so then the last one was four years ago.

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<v Speaker 2>So if everybody hasn't read both of them, my concern

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<v Speaker 2>is you don't know who Zig and Nola are. Is

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<v Speaker 2>that you would start and go like, I don't know

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<v Speaker 2>who these people are and be lost.

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<v Speaker 1>Does it help? Yes?

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<v Speaker 2>Are there things that you can kind of flash back to?

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<v Speaker 2>I don't remember everything from one four years ago.

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<v Speaker 3>My wife was proofing the book and she's like, I

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<v Speaker 3>don't remember what happened. She's married to me and had

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<v Speaker 3>children with me, So of course I write every book

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<v Speaker 3>is you do not need to read anything? Right Literally,

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<v Speaker 3>the blurb they put on the cover of the book

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<v Speaker 3>for the best some best selling author says the perfect

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<v Speaker 3>place to meet Zig and Nola.

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<v Speaker 1>Yes, and it's grace, It is great.

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<v Speaker 2>What is the And I know because you've done this

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<v Speaker 2>in the past, what is the best thumbnail for the book?

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<v Speaker 2>Because there are here here is you've been on book

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<v Speaker 2>tour this week, right here is here is what nobody

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<v Speaker 2>has said to you at a book tour. And I

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<v Speaker 2>know people will read the book and finish it quickly

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<v Speaker 2>and then show up at the book at the book

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<v Speaker 2>tours and meeting you and they'll talk to you about

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<v Speaker 2>the whole book. Nobody has said this to you on

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<v Speaker 2>the book tour, oh I saw that coming.

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<v Speaker 3>Yeah, thing, nobody will ever say that to you for

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<v Speaker 3>this book. At the ending of this book has a

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<v Speaker 3>twist that.

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<v Speaker 1>By the way, forget the ending of a book. There

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<v Speaker 1>is so much that happens.

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<v Speaker 2>Like you get the main story, there is so much

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<v Speaker 2>that goes on.

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<v Speaker 1>Nobody nobody has said.

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<v Speaker 2>To you oh yeah, oh yeah, I would have I

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<v Speaker 2>would have done that I had.

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<v Speaker 3>I have people who and you know, people my my reader,

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<v Speaker 3>they're smart right like they are. They they do not

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<v Speaker 3>want to get to the end and be like I guess,

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<v Speaker 3>but they are coming and they're like dude, dude, oh yeah,

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<v Speaker 3>And I love that. Like that to me when I

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<v Speaker 3>write a book, I'm like, if you guess the ending,

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<v Speaker 3>you win, but if you don't, I win. And I

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<v Speaker 3>and and that's why I am. When I read a book,

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<v Speaker 3>you beat everybody. In this book, you will beat everybody.

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<v Speaker 1>Love the ending of this book. Can I ask you this?

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<v Speaker 2>And from people that are reading it, has anybody has

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<v Speaker 2>anybody confessed to tearing up during the Oh yeah, okay.

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<v Speaker 1>Well because it's a really person.

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<v Speaker 3>But it's a person, you know, and I do think

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<v Speaker 3>and I'm just you know, it's super personal this one.

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<v Speaker 3>And I mean that in the way it's a weird

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<v Speaker 3>thing to say, but I'm going to say, supers, I'm

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<v Speaker 3>going to tell you why.

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<v Speaker 1>Here's why.

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<v Speaker 3>So the book, you know, I never I never know

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<v Speaker 3>the full quote unquote theme.

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<v Speaker 1>Right, I'm not like the setup. Let's just do this up.

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<v Speaker 3>So a man walks into a funeral home carrying his

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<v Speaker 3>favorite blue suit.

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<v Speaker 1>Right.

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<v Speaker 3>He has got a terminal disease, and this is the

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<v Speaker 3>suit he wants to be buried him.

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<v Speaker 1>But here's the thing.

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<v Speaker 3>If you go into your local bank and you open

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<v Speaker 3>up a safety deposit box, then the paperwork is filed,

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<v Speaker 3>and that means the government could eventually find it.

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<v Speaker 1>Same thing.

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<v Speaker 3>You go to the ups store, you open up a

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<v Speaker 3>po box, right, But if you secretly sew something into

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<v Speaker 3>the lining of your suit and you hand that suit

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<v Speaker 3>over to your local funeral director, you have the ultimate

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<v Speaker 3>untraceable hiding spot. And so the man goes back to

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<v Speaker 3>his hotel. There is a guy with a gun waiting

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<v Speaker 3>and says, where is it? Man says, I don't know

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<v Speaker 3>what you're talking about, shoots the man dead. That suit

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<v Speaker 3>is still in the funeral home. You won't believe what's

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<v Speaker 3>hidden inside it or who's about to find it. Right,

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<v Speaker 3>that's chapter one.

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<v Speaker 1>Of the Viper. Yeah, no, that's how it starts. Chapter two.

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<v Speaker 1>By the way, where did that idea? Where was that

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<v Speaker 1>idea born in a funeral home?

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<v Speaker 3>Because I'm frigging only I love funeral homes, So I

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<v Speaker 3>go to this.

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<v Speaker 1>This is great.

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<v Speaker 3>I go to this funeral home with my buddy in

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<v Speaker 3>Pennsylvania and usually go to the funeral home and you're like,

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<v Speaker 3>for the wrong reason, you don't want to be there.

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<v Speaker 1>This is light a day.

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<v Speaker 3>And he's showing me, like, here where the urns are,

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<v Speaker 3>and here's where all the scalpels are and the bone

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<v Speaker 3>saws and these gruesome things.

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<v Speaker 1>But then there's this one door.

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<v Speaker 3>That has this giant padlock on it, and I'm like, well,

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<v Speaker 3>what's that? And that's of course all I care about now,

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<v Speaker 3>and he's like, oh, watch this, and he pulls out

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<v Speaker 3>a key, undoes the padlock, opens it up. The door

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<v Speaker 3>swings wide, and there's like all these clothes that look

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<v Speaker 3>like your grandparents what they wore to your wedding, your

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<v Speaker 3>bar mitzvah or whatever, like like the fancy affair. So

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<v Speaker 3>it's like pinstry suits and like sequin gowns, and if

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<v Speaker 3>you're old and you have no family, you pick out

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<v Speaker 3>what you're gonna wear to your funeral.

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<v Speaker 1>So that is true. That is true.

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<v Speaker 3>And the craziest part is is there's like Jets jerseys

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<v Speaker 3>in there. There's like a guy who's got a cowboy

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<v Speaker 3>hat in there. Someone's like and he said, I'm like,

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<v Speaker 3>what's the cowboy hat. He's like, yeah, this guy. I

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<v Speaker 3>have a client, he said, my ex wife hates his

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<v Speaker 3>cowboy hat. Make sure it's on my body, in my coffin.

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<v Speaker 3>Like he's determined to the end to like put the

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<v Speaker 3>knife in her.

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<v Speaker 1>And people are crazy.

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<v Speaker 3>But I looked at that and right there was like,

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<v Speaker 3>this is the best hiding spot I've ever seen in

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<v Speaker 3>my life.

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<v Speaker 1>No, really, is it? Really? Till you die, no one

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<v Speaker 1>will find what you put in there. Right by the way.

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<v Speaker 1>I love that. That's true. I love that.

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<v Speaker 3>But you know it's true, right like when you see

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<v Speaker 3>it and I say, oh, there's clothes but you pick

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<v Speaker 3>out to me, You're like, there's something that hits you

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<v Speaker 3>in the chest that goes that seems real to me. Yes,

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<v Speaker 3>and that's what I and that to me is always

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<v Speaker 3>where we start off.

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<v Speaker 1>So so go back to So why the the personal?

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<v Speaker 1>Is it personal?

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<v Speaker 2>Because you've already donated your clothes to the funeral hallway?

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<v Speaker 1>Well, you know, I got to pick out my Superman

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<v Speaker 1>outfit too. Can I tell you?

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<v Speaker 3>Though I've never told you about this, my father, May

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<v Speaker 3>he rest in peace.

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<v Speaker 1>And this is also where the idea comes from.

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<v Speaker 3>My father is the only guy I think in the

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<v Speaker 3>whole universe who convinced the Florida DMV when he went

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<v Speaker 3>to get his driver's license, and you got to take

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<v Speaker 3>that serious picture. It's a government picture to let him

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<v Speaker 3>wear a baseball cap in it. Okay, shut up, I

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<v Speaker 3>promise you it is true. I have the physical proof.

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<v Speaker 3>And I'm like, Dad, how and he's like, ah, the

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<v Speaker 3>woman liked me. I'm like, so my father when we

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<v Speaker 3>buried him, is buried in a baseball cap that says

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<v Speaker 3>best pop ever. And I was like, and the people

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<v Speaker 3>are like, they gotta put a something like my my

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<v Speaker 3>dad didn't want to wear a suit to it. There's

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<v Speaker 3>no way I'm putting a Yankee old you know, Jane

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<v Speaker 3>yild sit on my dad. I'm like, he's wearing a

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<v Speaker 3>baseball cap in his grave. I'm like, that's awesome, which

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<v Speaker 3>is all I'm so, you know, I'm picking it. So

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<v Speaker 3>but this so, why is this personal? So the opening

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<v Speaker 3>page of the book, the very first thing you read

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<v Speaker 3>is this great military quote and it says, I don't

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<v Speaker 3>believe in closure. I'm not sure we ever get over anything.

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<v Speaker 1>Okay, that's before chapter one, you're right.

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<v Speaker 2>But because the first line is these were the last

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<v Speaker 2>sixteen minutes of his life.

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<v Speaker 1>I love that opening line. Yeah, no, I do too.

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<v Speaker 1>I did too.

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<v Speaker 3>But I know what you're talking about right by that

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<v Speaker 3>opening little quote that you see, and it's about closure

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<v Speaker 3>and and it's the last thing I put in the book.

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<v Speaker 3>When the book was done, I found that quote and

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<v Speaker 3>I was like, why is this It hit me like

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<v Speaker 3>a harpoon in the chest, and I'm like, why is

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<v Speaker 3>this closure quote hitting me? And here's the thing is,

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<v Speaker 3>you know, we know each other a long time, and

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<v Speaker 3>you know I have a complicated relationship with my father.

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<v Speaker 3>I buried my mom and my dad and I spent

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<v Speaker 3>a lot of books trying to figure out, you know,

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<v Speaker 3>how to get over my parents' deaths. And so my

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<v Speaker 3>mom died. I wrote a book about a character who

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<v Speaker 3>lost their mom. My dad died there about character lost

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<v Speaker 3>their dad. I'm a very complex person, right, like you

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<v Speaker 3>can never crack my code. But when I was working

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<v Speaker 3>on this, I so I'll just tell you the story.

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<v Speaker 3>When I was at Michigan, and I was in my

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<v Speaker 3>senior year at Michigan, I go to a register for

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<v Speaker 3>classes and they say to me, you're kicked out of school.

0:09:08.000 --> 0:09:09.520
<v Speaker 3>I'm like, what are you talking about. They're like, your

0:09:09.520 --> 0:09:11.240
<v Speaker 3>bills aren't paid. No one paid your bills. And my

0:09:11.280 --> 0:09:14.360
<v Speaker 3>first thought is like dad, and I know it's my dad.

0:09:14.440 --> 0:09:17.080
<v Speaker 3>My dad was you know, not educated, always bad with money,

0:09:17.160 --> 0:09:19.080
<v Speaker 3>like just created a lot of chaos in our lives.

0:09:19.679 --> 0:09:22.080
<v Speaker 3>But I go downstairs. They give me some loans at

0:09:22.120 --> 0:09:23.840
<v Speaker 3>one percent. They're really nice to be like, let that

0:09:23.880 --> 0:09:25.679
<v Speaker 3>we will graduate on time. Like thank you to these

0:09:25.679 --> 0:09:27.560
<v Speaker 3>strange you know, the woman and the bursters in the

0:09:27.559 --> 0:09:31.480
<v Speaker 3>registruge office. So now I graduate, I move and you

0:09:31.520 --> 0:09:34.120
<v Speaker 3>get your you know whatever, you get your mail all

0:09:34.120 --> 0:09:35.960
<v Speaker 3>sent you at your new address. So now my real

0:09:36.480 --> 0:09:38.560
<v Speaker 3>mail from home is coming to this new address I have,

0:09:39.280 --> 0:09:42.920
<v Speaker 3>and in the mail Eliott comes forty thousand dollars of

0:09:43.040 --> 0:09:46.679
<v Speaker 3>credit card debt on credit cards that I did not open, right,

0:09:46.760 --> 0:09:49.040
<v Speaker 3>And that's how my father was paying for my college.

0:09:49.080 --> 0:09:50.959
<v Speaker 3>He was taking out illegal credit cards. You know those

0:09:50.960 --> 0:09:52.880
<v Speaker 3>ads to every college kid says, sign up for a

0:09:52.880 --> 0:09:55.480
<v Speaker 3>new credit card. My dad signed up for all of them,

0:09:55.840 --> 0:09:58.240
<v Speaker 3>every single one. And they said to me, the only

0:09:58.280 --> 0:10:00.319
<v Speaker 3>way you're getting out of forty thousand dollars there's a

0:10:00.360 --> 0:10:03.120
<v Speaker 3>debt is you got to prosecute your father. You got

0:10:03.120 --> 0:10:05.679
<v Speaker 3>to say, because it's fraud, you have to testify against him,

0:10:05.760 --> 0:10:07.440
<v Speaker 3>or otherwise all its debts on you. And I'm like,

0:10:07.559 --> 0:10:10.400
<v Speaker 3>I'm not ratting out my own father, right, So of course,

0:10:10.440 --> 0:10:12.280
<v Speaker 3>we make some peace with the companies.

0:10:12.320 --> 0:10:12.960
<v Speaker 1>We give them money.

0:10:12.960 --> 0:10:15.640
<v Speaker 3>And it's such a dumb plan too, because a credit

0:10:15.640 --> 0:10:17.600
<v Speaker 3>card is a twenty two percent interest rate. My dad

0:10:17.600 --> 0:10:19.920
<v Speaker 3>could have a one percent loan, So it's just so dumb.

0:10:20.200 --> 0:10:23.120
<v Speaker 3>But again, we calm everything down and the ground gets

0:10:23.200 --> 0:10:26.200
<v Speaker 3>normal again. But eventually, if you keep getting hit in

0:10:26.200 --> 0:10:27.760
<v Speaker 3>the back of the head, you start looking over your

0:10:27.760 --> 0:10:30.920
<v Speaker 3>own shoulder. Right, here's the part I missed about that story.

0:10:31.040 --> 0:10:33.840
<v Speaker 3>And I told this part of my dad's funeral. When

0:10:33.880 --> 0:10:36.880
<v Speaker 3>my dad was a kid, his father used to beat

0:10:36.920 --> 0:10:38.640
<v Speaker 3>him up. He was a boxer in the military. He

0:10:38.720 --> 0:10:41.240
<v Speaker 3>used to hit my dad. I know for sure my

0:10:41.320 --> 0:10:43.880
<v Speaker 3>dad jumped in front of his younger brother to take

0:10:43.920 --> 0:10:46.439
<v Speaker 3>the hits for him, for his younger brother so he

0:10:46.480 --> 0:10:48.560
<v Speaker 3>won't get hit. I know my dad jumped in front

0:10:48.559 --> 0:10:50.800
<v Speaker 3>of his own mother, my grandmother, so she wouldn't take

0:10:50.800 --> 0:10:55.400
<v Speaker 3>the hit. And what I didn't realize is that that's

0:10:55.400 --> 0:10:57.600
<v Speaker 3>what my dad was doing for me. He was trying

0:10:57.679 --> 0:11:00.600
<v Speaker 3>to take the hit for me financially so that I

0:11:00.600 --> 0:11:02.560
<v Speaker 3>could be the first of my immediate family to get

0:11:02.600 --> 0:11:04.840
<v Speaker 3>out and go to a four year college. But I

0:11:04.880 --> 0:11:08.240
<v Speaker 3>couldn't see that part of the story because I was

0:11:08.320 --> 0:11:10.839
<v Speaker 3>so focused on my hurt and my pain and look

0:11:10.880 --> 0:11:12.560
<v Speaker 3>what you did to me and me, me, me, me,

0:11:13.280 --> 0:11:16.040
<v Speaker 3>And I couldn't see that he was trying that. And

0:11:16.720 --> 0:11:18.600
<v Speaker 3>it goes to this one thing in the book, and

0:11:18.640 --> 0:11:20.560
<v Speaker 3>I didn't until I got to the end. And again

0:11:20.600 --> 0:11:22.720
<v Speaker 3>it won't warn anything, but there's this word at the

0:11:22.760 --> 0:11:26.720
<v Speaker 3>end of the book in the viper called pentimento, and

0:11:26.840 --> 0:11:28.480
<v Speaker 3>pentimento is a painting term.

0:11:28.559 --> 0:11:31.200
<v Speaker 2>Can I can I tell you this just I couldn't

0:11:31.200 --> 0:11:33.080
<v Speaker 2>pronounce the word it was.

0:11:33.200 --> 0:11:36.480
<v Speaker 1>No, I knew, I knew what it wasn't but pimento.

0:11:36.600 --> 0:11:38.840
<v Speaker 1>That's what I did. That's how I read it. You

0:11:38.880 --> 0:11:41.960
<v Speaker 1>read it, of course like, all right, well, I guess

0:11:42.000 --> 0:11:43.200
<v Speaker 1>arts used pimento.

0:11:44.679 --> 0:11:45.960
<v Speaker 3>But I found this one. I didn't know what the

0:11:46.000 --> 0:11:48.199
<v Speaker 3>word was. Pentimento. I never heard a word in my life.

0:11:48.280 --> 0:11:50.319
<v Speaker 3>It's a it's a term in painting. When the paint

0:11:50.400 --> 0:11:53.599
<v Speaker 3>gets so old and dry, it becomes transparent.

0:11:53.640 --> 0:11:54.480
<v Speaker 1>You could see through it.

0:11:54.840 --> 0:11:57.640
<v Speaker 3>And so what happens is is that you can actually

0:11:57.679 --> 0:12:01.560
<v Speaker 3>see the artists, the original underneath the pencil lines that

0:12:01.600 --> 0:12:04.280
<v Speaker 3>are on the canvas before it, before they paint it,

0:12:04.280 --> 0:12:05.760
<v Speaker 3>so like you know, and that's what they do. They

0:12:05.760 --> 0:12:07.600
<v Speaker 3>sketch it out, so a tree or a woman's dress.

0:12:07.600 --> 0:12:10.080
<v Speaker 3>It's swaying one way. They change your mind, it sways

0:12:10.080 --> 0:12:12.120
<v Speaker 3>the other way. So what you're seeing is the rough draft.

0:12:12.160 --> 0:12:14.000
<v Speaker 3>You go to see a Davincian in a museum, you

0:12:14.000 --> 0:12:15.880
<v Speaker 3>see there's like the kind of pencil lines in them,

0:12:16.320 --> 0:12:19.960
<v Speaker 3>and those rough drafts, like all rough drafts, have regrets,

0:12:20.000 --> 0:12:21.680
<v Speaker 3>they have mistakes, they have things you wish you could

0:12:21.679 --> 0:12:24.160
<v Speaker 3>take back. And it dawned on me when I learned

0:12:24.160 --> 0:12:27.960
<v Speaker 3>this word that we are all rough drafts. We all

0:12:27.960 --> 0:12:31.400
<v Speaker 3>have past versions of ourselves that are filled with regrets

0:12:31.440 --> 0:12:34.880
<v Speaker 3>and filled with flaws. And the thing is, though, you

0:12:34.920 --> 0:12:37.760
<v Speaker 3>can't make a masterpiece without them, right. So to me,

0:12:37.920 --> 0:12:41.040
<v Speaker 3>closures overrated. I think, what you have to do And

0:12:41.080 --> 0:12:44.360
<v Speaker 3>this is what the whole book gave me is I

0:12:44.520 --> 0:12:46.720
<v Speaker 3>finally realize you just have to love yourself for who

0:12:46.760 --> 0:12:49.200
<v Speaker 3>you are, your good parts, your bad parts, your family parts,

0:12:49.240 --> 0:12:52.120
<v Speaker 3>those things. And I finally this book for me, what

0:12:52.160 --> 0:12:55.760
<v Speaker 3>the Viper did is it let me find some forgiveness

0:12:55.760 --> 0:12:59.960
<v Speaker 3>for my dad and welcome to my free therapy.

0:13:00.240 --> 0:13:01.320
<v Speaker 1>Really, that's what it was.

0:13:01.400 --> 0:13:03.560
<v Speaker 3>And that and and so I realized as I was running,

0:13:03.559 --> 0:13:05.880
<v Speaker 3>I'm like, those things that are affecting Zig and those

0:13:05.880 --> 0:13:08.480
<v Speaker 3>things that are affecting Nola, it's nothing I made up.

0:13:08.480 --> 0:13:10.400
<v Speaker 3>I was like, oh crap, that's what I've been dealing

0:13:10.400 --> 0:13:12.520
<v Speaker 3>with for the past two years, trying to figure this out.

0:13:12.760 --> 0:13:15.680
<v Speaker 3>And I was carrying that that that heartache and pagn

0:13:15.720 --> 0:13:18.439
<v Speaker 3>that he caused me around and and I was when

0:13:18.440 --> 0:13:20.000
<v Speaker 3>you let it go, man, it lightens you up.

0:13:20.320 --> 0:13:22.680
<v Speaker 2>I gotta tell you, I when I when I read

0:13:22.679 --> 0:13:24.400
<v Speaker 2>the book, I didn't get any of that.

0:13:24.840 --> 0:13:27.120
<v Speaker 1>Yeah, you didn't get well, you have to come to

0:13:27.160 --> 0:13:31.200
<v Speaker 1>therapy with me. It's way more fun. No, But like,

0:13:31.240 --> 0:13:34.240
<v Speaker 1>do you feel better about I? Actually do? I mean that?

0:13:34.640 --> 0:13:37.720
<v Speaker 1>You know I always say it because I'm being complete? No, no, no,

0:13:37.760 --> 0:13:38.480
<v Speaker 1>you can't know that.

0:13:38.720 --> 0:13:40.720
<v Speaker 2>You would have no idea, Like I read the book

0:13:40.720 --> 0:13:43.160
<v Speaker 2>and I wasn't like, wow, I feel really enlightened, right, right,

0:13:43.200 --> 0:13:45.719
<v Speaker 2>But what you do feel really enjoyed the book.

0:13:45.600 --> 0:13:47.640
<v Speaker 3>Of course, But but I hope what you feel when

0:13:47.679 --> 0:13:50.320
<v Speaker 3>you do it is that book is about kind of

0:13:50.679 --> 0:13:54.160
<v Speaker 3>trying to accept yourself. Right, Like Nola will never let

0:13:54.280 --> 0:13:57.079
<v Speaker 3>Zig get closer, I never like do anything.

0:13:57.080 --> 0:13:59.960
<v Speaker 1>That's and and again not running the end of the book.

0:14:00.040 --> 0:14:02.320
<v Speaker 3>But the whole book is about dealing and making peace

0:14:02.360 --> 0:14:02.960
<v Speaker 3>with your past.

0:14:03.400 --> 0:14:03.559
<v Speaker 1>Right.

0:14:03.600 --> 0:14:06.120
<v Speaker 3>It's Nola's mother's dead. She's got to find out who

0:14:06.240 --> 0:14:06.959
<v Speaker 3>killed her mother.

0:14:07.480 --> 0:14:08.040
<v Speaker 1>Simple thing.

0:14:08.360 --> 0:14:10.840
<v Speaker 3>And that is literally the code. And for me, that

0:14:10.960 --> 0:14:13.160
<v Speaker 3>is like, my dad is dead. How do I make

0:14:13.200 --> 0:14:15.160
<v Speaker 3>peace with that? Because it's not Nola says, I don't

0:14:15.160 --> 0:14:15.880
<v Speaker 3>care who killed my mom.

0:14:15.920 --> 0:14:16.120
<v Speaker 1>I don't.

0:14:16.160 --> 0:14:19.680
<v Speaker 3>I didn't like my mom. She but she has to

0:14:19.680 --> 0:14:21.440
<v Speaker 3>make peace with it. And that's what she's doing.

0:14:21.440 --> 0:14:23.360
<v Speaker 1>The whole book. The Hey, can I ask you this?

0:14:23.440 --> 0:14:26.480
<v Speaker 1>So the funeral home thing is is real.

0:14:26.520 --> 0:14:29.320
<v Speaker 2>You went to a funeral home and you saw the suits.

0:14:29.000 --> 0:14:33.280
<v Speaker 2>There's the thing and the prob Well, anyway, this whole

0:14:33.280 --> 0:14:35.760
<v Speaker 2>group of kids, Nola's mom and her friends and all

0:14:35.800 --> 0:14:37.760
<v Speaker 2>of that, what are they called the Breakfast Club?

0:14:37.840 --> 0:14:41.240
<v Speaker 3>Yeah, breakfast breakfast club if you are like gen X

0:14:41.320 --> 0:14:44.080
<v Speaker 3>or millennial, like they have been coming out and drove

0:14:44.160 --> 0:14:46.280
<v Speaker 3>to the book signing and they're like, I am seen

0:14:47.320 --> 0:14:49.440
<v Speaker 3>Like this is a book that opens with halland Oates,

0:14:49.640 --> 0:14:52.840
<v Speaker 3>ends with Betty Davis eyes and the gang in the group.

0:14:52.680 --> 0:14:55.640
<v Speaker 1>Is called the Breakfast Club. But is that based on?

0:14:55.920 --> 0:14:58.120
<v Speaker 2>So the whole thing was when they were in school,

0:14:58.360 --> 0:15:00.760
<v Speaker 2>they would go to like people's houses for parties and

0:15:00.800 --> 0:15:03.160
<v Speaker 2>they would run it through the house and they would

0:15:03.160 --> 0:15:06.280
<v Speaker 2>steal stuff from inside the house from their friends, which,

0:15:06.280 --> 0:15:07.640
<v Speaker 2>by the way, I grew up with a bunch of

0:15:07.680 --> 0:15:08.400
<v Speaker 2>hoodlum friends.

0:15:08.640 --> 0:15:11.320
<v Speaker 1>We never did that. We never did that.

0:15:11.560 --> 0:15:13.760
<v Speaker 2>We did take a door off a hand and put

0:15:13.760 --> 0:15:16.440
<v Speaker 2>it through a glass table, but we never stole from

0:15:16.480 --> 0:15:20.320
<v Speaker 2>the person's house. Did Brad Meltzer, as a child in

0:15:20.440 --> 0:15:22.680
<v Speaker 2>high school steal from their friend's house.

0:15:23.080 --> 0:15:25.160
<v Speaker 3>First of all, I was the poorest kid. I would

0:15:25.240 --> 0:15:27.680
<v Speaker 3>never steal from their houses. I was always like, how

0:15:27.680 --> 0:15:29.880
<v Speaker 3>do you have stealing from your house? And no one

0:15:29.920 --> 0:15:32.760
<v Speaker 3>want to crap in my house? My my Kenwood stereo

0:15:33.120 --> 0:15:35.240
<v Speaker 3>like that was like I got a deal for like

0:15:35.280 --> 0:15:37.400
<v Speaker 3>one hundred bucks. I thought I was rich, and like,

0:15:37.920 --> 0:15:40.160
<v Speaker 3>no one stole from me. I would never steal from anyone.

0:15:40.240 --> 0:15:44.600
<v Speaker 3>But here's the part that's true is and I won't

0:15:44.600 --> 0:15:46.120
<v Speaker 3>I'm trying to say it without running that part of

0:15:46.120 --> 0:15:50.280
<v Speaker 3>the book. We did very much find something illegal in

0:15:50.360 --> 0:15:51.160
<v Speaker 3>someone's house.

0:15:51.280 --> 0:15:52.760
<v Speaker 1>Did you realize, yes.

0:15:52.520 --> 0:15:57.880
<v Speaker 2>I'm gonna guess it's not what's aggressive.

0:15:57.160 --> 0:15:58.880
<v Speaker 1>It was very aggressive.

0:15:58.920 --> 0:16:02.360
<v Speaker 3>But you know, when you go to someone's house, you

0:16:02.440 --> 0:16:04.680
<v Speaker 3>see stuff, right, you see how people live. I remember

0:16:04.680 --> 0:16:07.080
<v Speaker 3>going to people's houses and again they had two cars

0:16:07.080 --> 0:16:08.920
<v Speaker 3>at a real house. I was like, you have a

0:16:09.040 --> 0:16:11.600
<v Speaker 3>house like and when you go in their bedrooms you'd

0:16:11.600 --> 0:16:14.600
<v Speaker 3>see things right. But we walked in there was There's

0:16:14.600 --> 0:16:16.320
<v Speaker 3>one scene that is one hundred percent true.

0:16:16.480 --> 0:16:17.760
<v Speaker 1>There was one woman.

0:16:18.960 --> 0:16:20.800
<v Speaker 3>Now woman, but was a girl back then who would

0:16:20.840 --> 0:16:24.000
<v Speaker 3>go to her house and her hot mom always had

0:16:24.040 --> 0:16:27.640
<v Speaker 3>bikini photos of herself on the refrigerator. And we would

0:16:27.680 --> 0:16:30.400
<v Speaker 3>find every excuse to go get a drink from that

0:16:30.520 --> 0:16:33.920
<v Speaker 3>refrigerator because we were like, oh, I'm so partsed right now.

0:16:33.960 --> 0:16:36.400
<v Speaker 1>It just which is of course in the book.

0:16:36.480 --> 0:16:38.320
<v Speaker 3>And then you're and then when you see that, you're

0:16:38.360 --> 0:16:40.880
<v Speaker 3>seeing people's lives, and then you stumble upon you open

0:16:40.880 --> 0:16:43.280
<v Speaker 3>a closet, you open a glove compartment, you open something,

0:16:43.680 --> 0:16:46.160
<v Speaker 3>and there's something that you're like, oh crap, I didn't

0:16:46.200 --> 0:16:48.680
<v Speaker 3>know they had this, and that part's real, right. And

0:16:48.720 --> 0:16:52.000
<v Speaker 3>by the way, not only that, but the yellow corvette

0:16:52.040 --> 0:16:54.760
<v Speaker 3>that they find it in. Yes, that's my wife's dad's

0:16:54.800 --> 0:16:56.800
<v Speaker 3>car and his mid life crisis. Oh yeah, that's his

0:16:56.920 --> 0:16:59.560
<v Speaker 3>midlife crisis car. I was like, Bobby, boy, that car

0:16:59.640 --> 0:17:01.760
<v Speaker 3>is going to the book because I remember I was

0:17:01.800 --> 0:17:04.240
<v Speaker 3>like fifteen years old, sixteen years old, and he bought

0:17:04.280 --> 0:17:07.800
<v Speaker 3>a yellow vet, and I was like, even at sixteen,

0:17:07.840 --> 0:17:09.920
<v Speaker 3>I was like, maybe tone it down a little bit,

0:17:10.160 --> 0:17:13.280
<v Speaker 3>you know, but I was like, the yellow Vet's going

0:17:13.359 --> 0:17:13.840
<v Speaker 3>in the book.

0:17:14.680 --> 0:17:17.320
<v Speaker 2>So but then so so they find something illegal in

0:17:17.359 --> 0:17:19.159
<v Speaker 2>the house and that that kind of sets up the

0:17:19.200 --> 0:17:22.159
<v Speaker 2>breakfast club and everything that happens and unfolds. But then

0:17:22.200 --> 0:17:24.239
<v Speaker 2>there's there's so many and this is what I mean,

0:17:24.280 --> 0:17:26.439
<v Speaker 2>where nobody was like I saw that coming. There's so

0:17:26.520 --> 0:17:29.000
<v Speaker 2>many twists and turns. There's so many things that go

0:17:29.440 --> 0:17:33.160
<v Speaker 2>in a million different ways. The the Orange Company, the.

0:17:33.080 --> 0:17:38.160
<v Speaker 1>Scene in the scene in the basement or whatever. Yeah, dude,

0:17:38.320 --> 0:17:39.280
<v Speaker 1>that's amazing.

0:17:39.359 --> 0:17:41.920
<v Speaker 3>That may be one of my favorite like action sequence

0:17:42.000 --> 0:17:45.080
<v Speaker 3>scenes to like me and I again, I love making

0:17:45.119 --> 0:17:48.360
<v Speaker 3>your term pages and that's fine, but I love everyone's

0:17:48.359 --> 0:17:50.960
<v Speaker 3>reaction in that scene, right, everyone's true to for him there.

0:17:51.000 --> 0:17:53.760
<v Speaker 1>Oh, it's great, it is, It is great.

0:17:54.080 --> 0:17:56.199
<v Speaker 2>The can I ask you this like when you when

0:17:56.240 --> 0:17:59.320
<v Speaker 2>you're writing, and so there's there's the Breakfast Club for

0:17:59.720 --> 0:18:02.600
<v Speaker 2>lack of a better term, right, and there's five members

0:18:02.600 --> 0:18:05.359
<v Speaker 2>in the in the Breakfast Club, and then there's there's Zig,

0:18:05.440 --> 0:18:09.439
<v Speaker 2>There's there there's Nola, there's Roddy Who's who's Zig's brother? Like,

0:18:09.520 --> 0:18:12.120
<v Speaker 2>and then and then you you learn other characters and

0:18:12.560 --> 0:18:15.919
<v Speaker 2>like Jules and all these other people. Do you and

0:18:15.960 --> 0:18:18.920
<v Speaker 2>this like just nerdy question do you have to like

0:18:20.240 --> 0:18:23.000
<v Speaker 2>do you write down like, oh, this one's related to

0:18:23.040 --> 0:18:25.360
<v Speaker 2>this one and this one was related to this one,

0:18:25.440 --> 0:18:26.920
<v Speaker 2>and here's the arc to get there.

0:18:26.960 --> 0:18:29.160
<v Speaker 3>And I know that I'll I know that I can

0:18:29.240 --> 0:18:30.960
<v Speaker 3>keep that in mind, a lot of people, a lot

0:18:30.960 --> 0:18:31.280
<v Speaker 3>of people.

0:18:31.400 --> 0:18:31.520
<v Speaker 1>Right.

0:18:31.640 --> 0:18:34.440
<v Speaker 3>The thing the key is is what what I do

0:18:34.680 --> 0:18:38.200
<v Speaker 3>have to write down and figure out is as I got.

0:18:38.280 --> 0:18:39.760
<v Speaker 3>I used to give the whole plot in my head

0:18:39.800 --> 0:18:41.280
<v Speaker 3>every book. I just had the plot in my head.

0:18:41.320 --> 0:18:41.800
<v Speaker 1>I do the thing.

0:18:42.200 --> 0:18:44.840
<v Speaker 3>Middle Age has taken that gift from me. And so

0:18:44.880 --> 0:18:47.080
<v Speaker 3>at one point in the book, I remember Cory and

0:18:47.080 --> 0:18:48.960
<v Speaker 3>I were talking. I wrote the plot. I'm like, right, right, right,

0:18:48.960 --> 0:18:50.800
<v Speaker 3>this is what's gonna happen in this scene. And I

0:18:50.840 --> 0:18:53.200
<v Speaker 3>got it in my head. And then two weeks later

0:18:53.240 --> 0:18:55.479
<v Speaker 3>I was like, what's happening in this scene? And she's like,

0:18:55.640 --> 0:18:57.400
<v Speaker 3>didn't you write it down? I'm like, I didn't write

0:18:57.400 --> 0:18:57.720
<v Speaker 3>it down?

0:18:57.800 --> 0:18:58.119
<v Speaker 1>Crap?

0:18:58.160 --> 0:18:59.840
<v Speaker 3>And then I and I thought I wrote it down.

0:18:59.880 --> 0:19:01.000
<v Speaker 3>I was like, I know I wrote it down, but

0:19:01.040 --> 0:19:03.240
<v Speaker 3>I couldn't find it right. So I plotted again, and

0:19:03.280 --> 0:19:06.359
<v Speaker 3>I tell the plot again, and then like two weeks

0:19:06.359 --> 0:19:08.840
<v Speaker 3>after I write it, I find where I wrote it down.

0:19:09.359 --> 0:19:11.840
<v Speaker 1>The only good news was it was the exact same thing.

0:19:12.119 --> 0:19:15.479
<v Speaker 3>So I was totally consistent, Like whatever crap I make up, like,

0:19:15.520 --> 0:19:17.919
<v Speaker 3>I'm consistently making it up. So that's the only thing

0:19:17.960 --> 0:19:19.240
<v Speaker 3>I have to do is I do have to write

0:19:19.240 --> 0:19:20.119
<v Speaker 3>down the bigger picture.

0:19:20.560 --> 0:19:23.240
<v Speaker 2>Okay, So if the if the corvette is real, if

0:19:23.280 --> 0:19:26.200
<v Speaker 2>the if the suits at a funeral home are real,

0:19:26.680 --> 0:19:29.639
<v Speaker 2>is Malcolm Latrine reel who was always picked last?

0:19:30.119 --> 0:19:33.400
<v Speaker 3>So Malcolm, I know, Malcolm Latrine is so every every

0:19:33.400 --> 0:19:36.560
<v Speaker 3>every childhood story, I will say, nearly every childhood story

0:19:36.600 --> 0:19:37.639
<v Speaker 3>in there is based on somebody.

0:19:37.720 --> 0:19:38.600
<v Speaker 1>Is it really? Oh yeah?

0:19:38.640 --> 0:19:41.880
<v Speaker 2>So in fact, Melissa Cutman really a spoiled little turn bag.

0:19:42.480 --> 0:19:43.359
<v Speaker 1>Let me tell you something.

0:19:43.960 --> 0:19:47.760
<v Speaker 3>Don't go looking for initials in my books, like my

0:19:47.840 --> 0:19:50.959
<v Speaker 3>high school, juniorhigh school, elementar school. In fact, the story

0:19:50.960 --> 0:19:53.639
<v Speaker 3>that's real, the most real story that happened to me

0:19:53.720 --> 0:19:56.399
<v Speaker 3>is there's a scene with a school yard fight, right,

0:19:56.480 --> 0:19:58.639
<v Speaker 3>and I twisted the end of it. But when I

0:19:58.680 --> 0:20:01.600
<v Speaker 3>first moved to Florida, I had come from New York,

0:20:01.640 --> 0:20:04.560
<v Speaker 3>and I whatever. I grew up in Brooklyn and we

0:20:04.600 --> 0:20:06.240
<v Speaker 3>used to get in the fights because people gotten fights

0:20:06.280 --> 0:20:07.800
<v Speaker 3>in the school yard. So I but now I moved

0:20:07.840 --> 0:20:11.000
<v Speaker 3>to Florida and I don't know anybody. And I go

0:20:11.080 --> 0:20:14.400
<v Speaker 3>to Florida and all of a sudden, the first day,

0:20:14.440 --> 0:20:17.280
<v Speaker 3>this kid will not be named comes in like throws

0:20:17.280 --> 0:20:20.040
<v Speaker 3>his shoulder into my chest and knocks me back, and

0:20:20.040 --> 0:20:22.560
<v Speaker 3>I'm like, and the thing is when you were the

0:20:22.600 --> 0:20:25.480
<v Speaker 3>first day of school in a new school. The one

0:20:25.560 --> 0:20:27.920
<v Speaker 3>rule I brought from Brooklyn is because I'm like, I'll

0:20:27.920 --> 0:20:29.320
<v Speaker 3>fight this guy. But I'm like, you don't get in

0:20:29.359 --> 0:20:30.920
<v Speaker 3>a fight unless you think you can win. You don't

0:20:30.960 --> 0:20:32.040
<v Speaker 3>have to know you want to win. But at least

0:20:32.040 --> 0:20:34.040
<v Speaker 3>it's close. This kid was a head taller than me,

0:20:34.800 --> 0:20:36.480
<v Speaker 3>and I'm like, I don't know if this guy's the

0:20:36.520 --> 0:20:37.760
<v Speaker 3>toughest guy in the school or not.

0:20:37.800 --> 0:20:39.560
<v Speaker 1>And I'm like, do I pick a fight with this guy?

0:20:39.920 --> 0:20:42.439
<v Speaker 3>Second day I go in, he does it again, and

0:20:42.480 --> 0:20:44.520
<v Speaker 3>I'm like, it's my second day of school. It's like

0:20:44.560 --> 0:20:49.040
<v Speaker 3>karate kid time. Right, It's like and finally, the shortest

0:20:49.119 --> 0:20:51.600
<v Speaker 3>kid in the class who I kept the name on him,

0:20:52.119 --> 0:20:56.400
<v Speaker 3>Scott Kohler, right sees what's happening to me and says, dude,

0:20:56.480 --> 0:20:58.159
<v Speaker 3>can I just tell you some I'm like yeah, and

0:20:58.160 --> 0:21:00.520
<v Speaker 3>he's like, I'm gonna make his name out. He says

0:21:00.640 --> 0:21:03.879
<v Speaker 3>Elliott's a wuss and I'm like, thank you for that

0:21:03.880 --> 0:21:06.359
<v Speaker 3>piece of information. And so of course the next day

0:21:06.359 --> 0:21:07.919
<v Speaker 3>when he does it to me, I just crack him

0:21:07.960 --> 0:21:10.240
<v Speaker 3>and throw him over the chairs and we're done. But

0:21:10.359 --> 0:21:12.159
<v Speaker 3>that scene in the book, right, I won't warn the

0:21:12.200 --> 0:21:14.439
<v Speaker 3>ending of what happens, right, I twist the ending of it,

0:21:14.480 --> 0:21:17.760
<v Speaker 3>of course, But the setup is me me, it is

0:21:17.800 --> 0:21:19.920
<v Speaker 3>one hundred percent the Obviously, what happens in the book

0:21:19.920 --> 0:21:21.159
<v Speaker 3>to me is fifty times.

0:21:20.880 --> 0:21:22.600
<v Speaker 1>Better of how it plays out.

0:21:23.359 --> 0:21:26.479
<v Speaker 3>But make no mistake, my childhood is on display in

0:21:26.480 --> 0:21:27.479
<v Speaker 3>this book, in the viper.

0:21:27.560 --> 0:21:29.080
<v Speaker 2>And then I'll tell you the other the other thing

0:21:29.119 --> 0:21:31.120
<v Speaker 2>that I love him. We've talked about this, I think

0:21:31.160 --> 0:21:33.399
<v Speaker 2>I think we talked about it. It was either the

0:21:33.440 --> 0:21:36.320
<v Speaker 2>first of the Zigandola books or the second one.

0:21:36.640 --> 0:21:38.920
<v Speaker 1>But but Zig is here.

0:21:38.680 --> 0:21:44.359
<v Speaker 2>He's a mortician, mortician at Dover, and you do such

0:21:44.359 --> 0:21:50.080
<v Speaker 2>a beautiful job of paying tribute to the morticians, and

0:21:50.160 --> 0:21:52.520
<v Speaker 2>like in I even read the acknowledgments in the book,

0:21:53.240 --> 0:21:57.280
<v Speaker 2>but you do talk about how the morticians at Dover

0:21:58.040 --> 0:22:03.000
<v Speaker 2>really are unbelievable people, not just because they're morticians and

0:22:03.040 --> 0:22:05.840
<v Speaker 2>they're doing it, but like, these are people who lost

0:22:05.880 --> 0:22:10.439
<v Speaker 2>their lives. I mean.

0:22:10.520 --> 0:22:12.160
<v Speaker 3>And that's the thing is for those who don't know Dover,

0:22:12.240 --> 0:22:15.200
<v Speaker 3>those you know, you've seen it, those when a soldier

0:22:15.240 --> 0:22:18.280
<v Speaker 3>dies in the military, that flag covered coffin comes off

0:22:18.320 --> 0:22:19.560
<v Speaker 3>that plane and everyone salutes.

0:22:20.200 --> 0:22:23.320
<v Speaker 1>But it's not just the soldiers. It's like the nine

0:22:23.359 --> 0:22:23.760
<v Speaker 1>to eleven.

0:22:23.800 --> 0:22:26.800
<v Speaker 3>All the Pentagon victims went to Dover, right, the space

0:22:26.840 --> 0:22:29.320
<v Speaker 3>Shuttle went down, the astronaut's bodies went to Dover. In fact,

0:22:29.400 --> 0:22:31.640
<v Speaker 3>right now in Venezuela, all the CIA people something goes

0:22:31.680 --> 0:22:34.240
<v Speaker 3>south and sideways, their bodies are coming to Dover too.

0:22:34.520 --> 0:22:37.240
<v Speaker 3>So Dover's filled with secrets, and I of course love secrets.

0:22:37.280 --> 0:22:39.560
<v Speaker 3>But what I love more is that the morticians there

0:22:39.600 --> 0:22:44.080
<v Speaker 3>will spend twelve hours rewiring someone's jaw, smoothing it over

0:22:44.119 --> 0:22:46.480
<v Speaker 3>with clay because a family wants to see their son

0:22:46.560 --> 0:22:50.200
<v Speaker 3>one last time in their coffin, rebuilding someone's hand because

0:22:50.200 --> 0:22:52.040
<v Speaker 3>a mother says, I want to hold my child's hand

0:22:52.080 --> 0:22:55.400
<v Speaker 3>one last time, right, And they will not take overtime,

0:22:55.440 --> 0:22:57.000
<v Speaker 3>some of the ones I met, even though the government

0:22:57.000 --> 0:23:00.159
<v Speaker 3>employees and twelve hours extra to make that done, and

0:23:00.160 --> 0:23:02.399
<v Speaker 3>they're like, I want to show this fallen soldier the

0:23:02.400 --> 0:23:05.400
<v Speaker 3>dignity and respect they deserve. And I love the fact

0:23:05.440 --> 0:23:09.040
<v Speaker 3>that you get you know, in Dover, Delaware, of all places,

0:23:09.359 --> 0:23:12.240
<v Speaker 3>is America's most secret funeral home, right, And that to

0:23:12.280 --> 0:23:14.480
<v Speaker 3>me was just the coolest thing and I kept being

0:23:14.520 --> 0:23:17.520
<v Speaker 3>attracted to writing about it, which when I look as

0:23:17.520 --> 0:23:19.040
<v Speaker 3>I say it to you, I'm like, that's the most

0:23:19.080 --> 0:23:20.600
<v Speaker 3>unhealthy thing. That all I want to do is spend

0:23:20.600 --> 0:23:23.240
<v Speaker 3>my time in like you know, the secret funeral home.

0:23:23.640 --> 0:23:27.399
<v Speaker 3>But I just appreciate the dignity and respect they bring

0:23:27.480 --> 0:23:30.080
<v Speaker 3>to those people who have given and made the ultimate sacrifice.

0:23:30.080 --> 0:23:32.760
<v Speaker 1>Oh it's great, and you do you do that.

0:23:32.800 --> 0:23:35.119
<v Speaker 2>But at the same time, you also talk about if

0:23:35.160 --> 0:23:37.920
<v Speaker 2>I may read, zig sat there a moment.

0:23:38.000 --> 0:23:39.760
<v Speaker 1>This has nothing to do with Dover. By the way,

0:23:40.240 --> 0:23:42.760
<v Speaker 1>zig sat there a moment. I'm the woman and.

0:23:42.680 --> 0:23:46.480
<v Speaker 2>Her bulldog crossed the street, lowering its butt. The bulldog

0:23:46.560 --> 0:23:49.840
<v Speaker 2>took a thick dump in the middle of the sidewalk.

0:23:50.000 --> 0:23:53.200
<v Speaker 3>I promise you this is true. Is My wife tried

0:23:53.200 --> 0:23:56.960
<v Speaker 3>to take out the word thick, and I know she's

0:23:56.960 --> 0:24:00.680
<v Speaker 3>listening right now and laughing and nodding, and I was like, no, no,

0:24:01.000 --> 0:24:03.840
<v Speaker 3>because I've evoked something and I just love that. Three

0:24:03.920 --> 0:24:06.040
<v Speaker 3>years later in my life that that's what you read

0:24:06.080 --> 0:24:08.160
<v Speaker 3>on the radio. I spent my whole trying to move

0:24:08.240 --> 0:24:12.439
<v Speaker 3>my father's death and you read that one that she

0:24:12.800 --> 0:24:14.360
<v Speaker 3>was like, don't put that in there.

0:24:14.560 --> 0:24:16.840
<v Speaker 2>And then advice number three that Zig got when he

0:24:16.880 --> 0:24:18.639
<v Speaker 2>turned forty nine. He got three pieces.

0:24:18.600 --> 0:24:21.040
<v Speaker 3>Way let me can I tell you. I'll you have

0:24:21.080 --> 0:24:22.720
<v Speaker 3>to read them, but I'll tell you where they come from.

0:24:22.760 --> 0:24:26.040
<v Speaker 2>Okay, so Zig the character when he turned forty nine,

0:24:26.080 --> 0:24:29.359
<v Speaker 2>he got three pieces of advice. Number one, never pass

0:24:29.440 --> 0:24:33.040
<v Speaker 2>up a bathroom. Number two, don't trust a.

0:24:33.080 --> 0:24:37.080
<v Speaker 1>Fart, great advice. Number three, never waste an erection.

0:24:37.520 --> 0:24:40.560
<v Speaker 3>Fantastic advice. Let me tell you where this comes from.

0:24:40.640 --> 0:24:45.640
<v Speaker 3>I am hiking in the mountains of Switzerland. Okay, this

0:24:45.680 --> 0:24:48.600
<v Speaker 3>is you can't make this up. My buddy, who made

0:24:48.600 --> 0:24:51.440
<v Speaker 3>a lot of money, says he lost his fiftieth birthday

0:24:51.880 --> 0:24:53.960
<v Speaker 3>in Covid and he said, I'm going to take all

0:24:53.960 --> 0:24:56.920
<v Speaker 3>my friends and you get yourself to Switzerland. I'm paying

0:24:56.960 --> 0:24:59.480
<v Speaker 3>for the rest. So we all are like, oh my gosh,

0:24:59.520 --> 0:25:02.360
<v Speaker 3>We're going to Switzerland and on the mountain on our

0:25:02.480 --> 0:25:05.119
<v Speaker 3>like most tired day because basically for us, I'm a

0:25:05.200 --> 0:25:08.280
<v Speaker 3>jew hiking right like it's fetching over the Alps, like

0:25:08.320 --> 0:25:11.679
<v Speaker 3>that's it. And my buddy leans over to me and says,

0:25:11.800 --> 0:25:13.840
<v Speaker 3>I am you know, I'm turning fifty and I just

0:25:13.920 --> 0:25:16.440
<v Speaker 3>got the best advice. And he told me those lines

0:25:16.440 --> 0:25:19.440
<v Speaker 3>and on the mountain, I opened up my notes app

0:25:19.480 --> 0:25:22.080
<v Speaker 3>and was like this, I promise you will be in

0:25:22.119 --> 0:25:22.800
<v Speaker 3>the next book.

0:25:23.200 --> 0:25:24.080
<v Speaker 1>I promise you.

0:25:24.320 --> 0:25:28.120
<v Speaker 3>And I just sent last week the screenshot of those

0:25:28.600 --> 0:25:30.600
<v Speaker 3>of the advice to everyone that was hiking that day,

0:25:30.600 --> 0:25:33.320
<v Speaker 3>and I said, and his name is Bubbles. I said,

0:25:33.320 --> 0:25:36.879
<v Speaker 3>Bubble's advice is finally seeing the light of day. And

0:25:37.040 --> 0:25:39.960
<v Speaker 3>again I could I could win like the Nobel Prize,

0:25:40.000 --> 0:25:43.080
<v Speaker 3>I could win whatever. But this group of guys, my friends,

0:25:43.080 --> 0:25:45.560
<v Speaker 3>are just so happy that don't waste an erection is

0:25:45.600 --> 0:25:47.960
<v Speaker 3>a piece of a device in one of my books.

0:25:48.080 --> 0:25:50.480
<v Speaker 2>You know what, it makes me happy. I pulled those

0:25:50.520 --> 0:25:54.680
<v Speaker 2>two things out. We never spoke about that, never spoke.

0:25:54.440 --> 0:25:55.840
<v Speaker 1>I got think dump and.

0:25:57.280 --> 0:25:57.520
<v Speaker 2>The thing.

0:25:57.600 --> 0:25:59.920
<v Speaker 3>But that's why we're friends, right, because it's like when

0:26:00.480 --> 0:26:03.600
<v Speaker 3>these books are all just me being unfiltered and there,

0:26:03.640 --> 0:26:05.440
<v Speaker 3>and you're pulling out all the parts that are me,

0:26:05.680 --> 0:26:06.919
<v Speaker 3>so of course you're gonna find that.

0:26:06.960 --> 0:26:08.080
<v Speaker 1>All right, here's what I want to do.

0:26:08.160 --> 0:26:10.119
<v Speaker 2>I want to take a quick break, but when we

0:26:10.200 --> 0:26:13.120
<v Speaker 2>come back, I have to address the witness Protection program,

0:26:13.400 --> 0:26:15.800
<v Speaker 2>must okay, So give me a quick break, we'll come back.

0:26:16.240 --> 0:26:18.480
<v Speaker 2>Brad Meltzer's brand new novel it's called the Viper.

0:26:18.520 --> 0:26:20.560
<v Speaker 1>Its freaking awesome. It just came out.

0:26:21.080 --> 0:26:24.120
<v Speaker 2>Brad will be at Barnes and Noble tonight at Tyson's

0:26:24.119 --> 0:26:26.080
<v Speaker 2>Corner Center six o'clock tonight.

0:26:26.520 --> 0:26:28.879
<v Speaker 1>You can see Brad there quick break at Ellie in

0:26:28.880 --> 0:26:30.080
<v Speaker 1>the morning. Elliott.

0:26:31.640 --> 0:26:34.000
<v Speaker 2>One of the things that I love, and you've always

0:26:34.000 --> 0:26:36.000
<v Speaker 2>been like this, You've always been like this, is you

0:26:36.119 --> 0:26:39.679
<v Speaker 2>learn real things in the book, even though it's fiction.

0:26:39.800 --> 0:26:42.879
<v Speaker 1>It's just all made up. I love this. I know

0:26:42.920 --> 0:26:43.520
<v Speaker 1>where you're going.

0:26:43.720 --> 0:26:49.760
<v Speaker 2>The Marshals and the Witness Protection Program is ridiculous.

0:26:49.880 --> 0:26:52.600
<v Speaker 3>Ridiculous, I mean it really is. And listen, I've been

0:26:52.800 --> 0:26:54.800
<v Speaker 3>We've talked over the years. I've done the secret tunnels

0:26:54.800 --> 0:26:57.720
<v Speaker 3>below the White House, I've done the Labyrinth below the Capitol,

0:26:57.760 --> 0:27:01.439
<v Speaker 3>I've done the tunnels below Disney World. Nothing has been

0:27:01.520 --> 0:27:04.160
<v Speaker 3>harder than getting into the Witness Protection program, right, because

0:27:04.160 --> 0:27:07.439
<v Speaker 3>it's the Witness Protection program, right. And and when we

0:27:07.480 --> 0:27:10.200
<v Speaker 3>think of witness protection, you think of like Tony Soprano

0:27:10.400 --> 0:27:12.199
<v Speaker 3>or Henry Hill at the end the Goodfellas, Like you

0:27:12.240 --> 0:27:13.320
<v Speaker 3>get a nose job.

0:27:13.119 --> 0:27:15.200
<v Speaker 1>And then you know, you go live in Colorado somewhere.

0:27:15.040 --> 0:27:17.080
<v Speaker 2>Yeah, right, you get an ID or a new like

0:27:17.480 --> 0:27:19.880
<v Speaker 2>that your folder and you just move somewhere.

0:27:19.960 --> 0:27:22.919
<v Speaker 3>And what I love is and that's why Witness Protection,

0:27:23.040 --> 0:27:24.960
<v Speaker 3>just to be clear, was designed for take down the

0:27:25.000 --> 0:27:26.440
<v Speaker 3>mob and it worked.

0:27:26.640 --> 0:27:29.600
<v Speaker 1>It actually worked, so the mob became less impactful in

0:27:29.640 --> 0:27:30.200
<v Speaker 1>the universe.

0:27:30.240 --> 0:27:32.840
<v Speaker 3>But it's not like crime stopped, right, So what I

0:27:32.880 --> 0:27:35.320
<v Speaker 3>love in the book that you see is that new

0:27:35.359 --> 0:27:38.479
<v Speaker 3>criminals took their place. So, yes, mobsters were the biggest

0:27:38.480 --> 0:27:41.879
<v Speaker 3>group that we're in Witness Protection, but then eventually gang

0:27:41.920 --> 0:27:44.199
<v Speaker 3>members were the biggest group in Witness Protection because they

0:27:44.240 --> 0:27:46.520
<v Speaker 3>took over after the mob and then nine to eleven happened.

0:27:46.560 --> 0:27:48.840
<v Speaker 3>We started chasing terrorists, So terrorists with the biggest group.

0:27:49.080 --> 0:27:50.920
<v Speaker 3>You want to know who the biggest group One of

0:27:50.960 --> 0:27:54.719
<v Speaker 3>the biggest groups right now and Witness Protection is accountants.

0:27:54.560 --> 0:27:57.200
<v Speaker 1>Because shut up, are you serious? Because we move in.

0:27:57.119 --> 0:27:59.359
<v Speaker 3>A world of data right And I just love that

0:27:59.359 --> 0:28:02.040
<v Speaker 3>we've made like the full swing from like the mobster

0:28:02.320 --> 0:28:09.760
<v Speaker 3>to accountant the bullet like Morty something who has bar

0:28:09.880 --> 0:28:13.840
<v Speaker 3>Mitzvah had lias for everybody like so, And I love

0:28:13.880 --> 0:28:16.320
<v Speaker 3>the fact that when you read this book, you will

0:28:16.400 --> 0:28:18.480
<v Speaker 3>never look at Witness Protection the same way again.

0:28:18.560 --> 0:28:19.439
<v Speaker 1>Can I ask this?

0:28:19.520 --> 0:28:22.639
<v Speaker 2>And I and I don't want it to give anything away.

0:28:23.760 --> 0:28:25.680
<v Speaker 1>Is you're right?

0:28:25.760 --> 0:28:27.480
<v Speaker 2>You think that there's some you know, go back to

0:28:27.520 --> 0:28:30.120
<v Speaker 2>the go back to to Mobland. There's you know, some

0:28:30.480 --> 0:28:33.560
<v Speaker 2>old Italian who picks up and moves to Colorado and

0:28:33.600 --> 0:28:35.520
<v Speaker 2>he blends into a neighborhood and nobody.

0:28:35.200 --> 0:28:35.840
<v Speaker 1>Knows who it is.

0:28:36.160 --> 0:28:37.680
<v Speaker 2>And you go through this thing in the book where

0:28:37.720 --> 0:28:41.240
<v Speaker 2>you explain, well, now somebody new moves into a neighborhood.

0:28:41.960 --> 0:28:44.080
<v Speaker 2>I could go on Zillo and nobody paid for his house.

0:28:44.480 --> 0:28:47.240
<v Speaker 2>I can google him and learn everything about him. So

0:28:47.360 --> 0:28:51.200
<v Speaker 2>you can't just drop one person into a neighborhood. And

0:28:51.240 --> 0:28:52.920
<v Speaker 2>I don't know if I could say what what?

0:28:53.000 --> 0:28:54.360
<v Speaker 1>Well, no, I won't say what it is.

0:28:54.360 --> 0:28:56.200
<v Speaker 3>But you're right, like it used to be, you drop

0:28:56.200 --> 0:28:58.080
<v Speaker 3>a person neighborhood, you look at your neighbor and you're like,

0:28:58.120 --> 0:28:59.360
<v Speaker 3>I want to talk to that person or I don't

0:28:59.360 --> 0:29:02.200
<v Speaker 3>all meet him, right, won't? And now if you saw

0:29:02.240 --> 0:29:04.320
<v Speaker 3>a new neighbor that came to your neighborhood, and again,

0:29:05.320 --> 0:29:07.320
<v Speaker 3>if they had anything shifty about them, or even if

0:29:07.320 --> 0:29:09.040
<v Speaker 3>they didn't, you do look at Zillo, you see what

0:29:09.040 --> 0:29:11.040
<v Speaker 3>they pay for their house, because we're all nosy, but

0:29:12.200 --> 0:29:14.120
<v Speaker 3>maybe you look at their Facebook page. But if they

0:29:14.120 --> 0:29:16.120
<v Speaker 3>don't have a Facebook page, oh my gosh, that's even

0:29:16.160 --> 0:29:17.000
<v Speaker 3>more crazy now.

0:29:17.160 --> 0:29:18.320
<v Speaker 1>Now it's even more suspicious.

0:29:18.680 --> 0:29:21.440
<v Speaker 3>And so what the Witness Protection had to figure out

0:29:21.480 --> 0:29:23.160
<v Speaker 3>how to do is how to build new people. And

0:29:23.560 --> 0:29:25.520
<v Speaker 3>by the way, you can now look and see if

0:29:25.520 --> 0:29:27.080
<v Speaker 3>they have a criminal record. You can see if they're

0:29:27.080 --> 0:29:28.840
<v Speaker 3>a pedophile. You can see where they went to school.

0:29:28.840 --> 0:29:30.560
<v Speaker 3>You can see where their mutual friends are. If they

0:29:30.560 --> 0:29:32.200
<v Speaker 3>went to that high school. I know that high school.

0:29:32.240 --> 0:29:34.480
<v Speaker 3>Everyone now knows someone at some high school. I have

0:29:34.520 --> 0:29:36.280
<v Speaker 3>a connection with that. And so if you have no

0:29:36.320 --> 0:29:38.480
<v Speaker 3>connection with anything where they went to a school, you do,

0:29:38.520 --> 0:29:41.440
<v Speaker 3>and there's no connection, it's so much harder to make

0:29:41.480 --> 0:29:43.960
<v Speaker 3>fake backgrounds for people. And I won't ruin the ending

0:29:44.000 --> 0:29:46.160
<v Speaker 3>of it, but when you read the viper again, Witness

0:29:46.160 --> 0:29:47.720
<v Speaker 3>Protection is going to blow your mind.

0:29:47.880 --> 0:29:50.680
<v Speaker 1>It's crazy. But is that? But it is accurate? Oh yeah.

0:29:50.680 --> 0:29:53.800
<v Speaker 3>In fact, the thing that was really fun for me

0:29:54.040 --> 0:29:56.960
<v Speaker 3>is the people who helped me with the Witness Protection side.

0:29:57.760 --> 0:29:59.920
<v Speaker 3>We knew I knew, they knew my books and now

0:30:00.160 --> 0:30:03.000
<v Speaker 3>was really helpful. And you know, obviously there were things

0:30:03.000 --> 0:30:04.560
<v Speaker 3>they said to me. They said, I'm going to tell

0:30:04.560 --> 0:30:07.240
<v Speaker 3>you this. You can't print this right, don't put this

0:30:07.320 --> 0:30:08.920
<v Speaker 3>in the viper, but you need to understand this so

0:30:08.960 --> 0:30:12.000
<v Speaker 3>you can have this part and that will make more sense.

0:30:12.000 --> 0:30:14.040
<v Speaker 3>And and and the big thing that I know you're

0:30:14.040 --> 0:30:16.520
<v Speaker 3>thinking right now, that's in the book, the big boom.

0:30:17.240 --> 0:30:19.680
<v Speaker 3>They helped me with that and was like, let's just

0:30:19.760 --> 0:30:22.480
<v Speaker 3>say this is very close to something that I will

0:30:22.520 --> 0:30:25.880
<v Speaker 3>not say to you. And I was like, tell me now,

0:30:26.440 --> 0:30:29.880
<v Speaker 3>But I love when that when I mean now that

0:30:29.960 --> 0:30:31.600
<v Speaker 3>it's the best part of the viper to me, it's

0:30:31.600 --> 0:30:33.719
<v Speaker 3>the best, Like that's the thing that everyone said to me, like,

0:30:33.920 --> 0:30:34.960
<v Speaker 3>oh that's a good bit.

0:30:35.120 --> 0:30:36.600
<v Speaker 1>That's a fun bit. Are there?

0:30:37.000 --> 0:30:40.160
<v Speaker 2>And I'm trying to remember, yeah, no, this is in

0:30:40.200 --> 0:30:40.480
<v Speaker 2>the book.

0:30:40.520 --> 0:30:43.320
<v Speaker 1>How many WHITSEC offices are there? I actually you know

0:30:43.360 --> 0:30:44.160
<v Speaker 1>the number? Is it there?

0:30:44.240 --> 0:30:44.360
<v Speaker 2>No?

0:30:44.400 --> 0:30:44.880
<v Speaker 1>I don't know.

0:30:45.080 --> 0:30:47.360
<v Speaker 3>There's a lot. No, there's a lot. And because you

0:30:47.360 --> 0:30:49.280
<v Speaker 3>know what they do, you got to check in that.

0:30:49.400 --> 0:30:51.800
<v Speaker 3>The thing is will you explained the witse Oh yeah?

0:30:51.560 --> 0:30:55.760
<v Speaker 3>So when this protection is what's so great about it

0:30:55.800 --> 0:30:58.120
<v Speaker 3>is it offers you this ability to escape your life

0:30:58.120 --> 0:31:00.400
<v Speaker 3>and start over, right, which is so tan and right

0:31:00.400 --> 0:31:02.200
<v Speaker 3>You're gonna leave it all behind, and we all want

0:31:02.240 --> 0:31:04.120
<v Speaker 3>to do it, by the way, I would do it tomorrow, right,

0:31:04.160 --> 0:31:05.960
<v Speaker 3>And that's why all of us right now you're like, wait,

0:31:06.200 --> 0:31:07.440
<v Speaker 3>start my life over.

0:31:07.600 --> 0:31:10.000
<v Speaker 1>I get rid of everything good and the bad. Right,

0:31:10.040 --> 0:31:12.160
<v Speaker 1>I do it. I start over tomorrow. And that's the thing.

0:31:12.160 --> 0:31:15.800
<v Speaker 3>And but here's the problem is that the Witness Protection

0:31:15.880 --> 0:31:17.920
<v Speaker 3>program has told this is their stat and I love

0:31:17.960 --> 0:31:20.760
<v Speaker 3>this stat. They said they have never ever lost anyone

0:31:21.160 --> 0:31:25.120
<v Speaker 3>in Witness Protection, not once, as long as they followed

0:31:25.120 --> 0:31:27.800
<v Speaker 3>our rules, right, which is the huge asterisk. Right. Well,

0:31:27.840 --> 0:31:29.840
<v Speaker 3>you say in the book, the worst thing that happens

0:31:29.960 --> 0:31:32.240
<v Speaker 3>is they get bored. That's the thing is people get bored.

0:31:32.480 --> 0:31:34.600
<v Speaker 3>And what they do is is, you know, you leave

0:31:34.640 --> 0:31:36.240
<v Speaker 3>behind Okay, you don't like your mother in law, you

0:31:36.280 --> 0:31:37.640
<v Speaker 3>leave behind you Like, that's a good one. I'll tell

0:31:37.640 --> 0:31:40.480
<v Speaker 3>you that's fine. But people got to leave behind their sisters.

0:31:40.920 --> 0:31:43.920
<v Speaker 3>Sometimes they won't need to take your dog. And that

0:31:43.960 --> 0:31:47.080
<v Speaker 3>one undoes a lot of people, right, it really does,

0:31:47.120 --> 0:31:49.280
<v Speaker 3>because people are like, I'll be fine without my dog,

0:31:49.320 --> 0:31:51.719
<v Speaker 3>and then six months go by and you're like, let

0:31:51.800 --> 0:31:54.440
<v Speaker 3>me just call and get a picture. And when you call,

0:31:54.760 --> 0:31:58.280
<v Speaker 3>guess what, You're not listening to the rules, and you're

0:31:58.400 --> 0:31:59.560
<v Speaker 3>now the walking dead.

0:32:00.360 --> 0:32:01.000
<v Speaker 1>You're in trouble.

0:32:01.040 --> 0:32:03.840
<v Speaker 3>And the problem is and does explained to me, is

0:32:04.240 --> 0:32:06.320
<v Speaker 3>there is a call in all of our chests. It's

0:32:06.320 --> 0:32:08.560
<v Speaker 3>the call from home. And when you escape it and

0:32:08.640 --> 0:32:11.760
<v Speaker 3>you and you say goodbye, six months later people get

0:32:11.800 --> 0:32:14.120
<v Speaker 3>lonely and they get sad and they can't follow it.

0:32:14.200 --> 0:32:17.600
<v Speaker 3>And I love that. There's something so human about that,

0:32:17.640 --> 0:32:19.280
<v Speaker 3>and of course plays a huge part in the.

0:32:19.320 --> 0:32:20.680
<v Speaker 1>Viper is there so?

0:32:20.840 --> 0:32:24.520
<v Speaker 2>But there are definitely WITSEC offices around DC.

0:32:24.840 --> 0:32:29.160
<v Speaker 3>Oh I know, oh yes, oh yes, because don't well

0:32:29.360 --> 0:32:31.920
<v Speaker 3>and think of it this way, just logically, right, think

0:32:31.920 --> 0:32:33.680
<v Speaker 3>of what you have to do in WITSEC because you're

0:32:33.680 --> 0:32:38.120
<v Speaker 3>bringing someone who's going to testify secretly to testify, right,

0:32:38.160 --> 0:32:42.080
<v Speaker 3>which means you need to be near courthouses, so you

0:32:42.160 --> 0:32:45.560
<v Speaker 3>can't just be in the middle of nowhere. So think

0:32:45.560 --> 0:32:48.000
<v Speaker 3>about it, right, And I love and the funny party.

0:32:48.040 --> 0:32:51.760
<v Speaker 3>This is last night. I'm at my event in Baltimore

0:32:52.280 --> 0:32:54.840
<v Speaker 3>and this woman comes up and she's like, I work

0:32:54.880 --> 0:32:55.480
<v Speaker 3>for the Marshals.

0:32:55.520 --> 0:32:58.040
<v Speaker 1>I didn't even know this book was about witness protection.

0:32:58.400 --> 0:33:01.280
<v Speaker 3>And she says, and she blurts out where one of

0:33:01.280 --> 0:33:03.280
<v Speaker 3>the She's like, there was a building it was.

0:33:03.320 --> 0:33:05.080
<v Speaker 1>I'm just so and so and we used to it.

0:33:05.200 --> 0:33:07.680
<v Speaker 3>And she blurts out at my book signing where the

0:33:07.720 --> 0:33:12.040
<v Speaker 3>secret location is. I'm like, this is fantastic, and she said,

0:33:12.040 --> 0:33:13.640
<v Speaker 3>we used to use this building we have bought for

0:33:13.680 --> 0:33:15.640
<v Speaker 3>the government. The government, you know, needed it for other

0:33:15.680 --> 0:33:17.160
<v Speaker 3>things and we took it for a safe house. And

0:33:17.160 --> 0:33:19.680
<v Speaker 3>I was like, that's why'd you tell me now that

0:33:19.680 --> 0:33:20.960
<v Speaker 3>you should have told me that two years ago.

0:33:20.960 --> 0:33:21.760
<v Speaker 1>I would have put in the book.

0:33:21.840 --> 0:33:23.959
<v Speaker 2>Do you know how many did the marshals tell you

0:33:24.000 --> 0:33:26.600
<v Speaker 2>how many people are in witness Protection? Every time there's

0:33:26.640 --> 0:33:29.120
<v Speaker 2>a story and we do it all the time, every

0:33:29.120 --> 0:33:31.240
<v Speaker 2>time there's a story like in the news and we

0:33:31.280 --> 0:33:31.840
<v Speaker 2>start talking to.

0:33:31.960 --> 0:33:33.640
<v Speaker 1>Like, oh, they can't figure this out. They can't figure

0:33:33.680 --> 0:33:37.720
<v Speaker 1>this out. Everybody, us listeners, everybody's like witness protection. Obviously

0:33:39.040 --> 0:33:41.480
<v Speaker 1>of course do we know it's very well? They don't

0:33:41.800 --> 0:33:43.640
<v Speaker 1>tell you number. I don't know if they've released it.

0:33:43.680 --> 0:33:44.600
<v Speaker 1>I don't know what it is.

0:33:44.640 --> 0:33:46.640
<v Speaker 3>But but the thing, the heart, the thing that I

0:33:46.680 --> 0:33:49.520
<v Speaker 3>really want to know is how many people did it fail?

0:33:49.600 --> 0:33:49.760
<v Speaker 2>For?

0:33:49.960 --> 0:33:50.240
<v Speaker 1>How many?

0:33:50.480 --> 0:33:54.000
<v Speaker 3>And not because the marshals have incredible respectful Sure, they

0:33:54.040 --> 0:33:56.960
<v Speaker 3>are incredible, and that's why I love working with them.

0:33:57.360 --> 0:33:59.160
<v Speaker 3>What I want to know is how many people screwed

0:33:59.160 --> 0:34:02.240
<v Speaker 3>themselves by Lee, because they'll tell you, you know, over time,

0:34:02.280 --> 0:34:03.680
<v Speaker 3>how many ex people they've saved.

0:34:03.680 --> 0:34:05.479
<v Speaker 1>There's some sure number on their website. Right.

0:34:05.520 --> 0:34:07.880
<v Speaker 3>I want to know how many people could stand leaving

0:34:07.960 --> 0:34:10.800
<v Speaker 3>their dog, how many people couldn't stand leaving their sister

0:34:10.920 --> 0:34:11.480
<v Speaker 3>or their brother.

0:34:11.880 --> 0:34:15.959
<v Speaker 1>That's the fascinating thing to me. Is there another Zig

0:34:16.000 --> 0:34:16.400
<v Speaker 1>and Nola?

0:34:16.560 --> 0:34:18.279
<v Speaker 3>Or we don't Oh yeah, no, no, no, I'm still going.

0:34:18.360 --> 0:34:20.279
<v Speaker 3>We're still going, still going, Yeah, we're still going. The

0:34:20.719 --> 0:34:23.360
<v Speaker 3>reason I so here's what I figured out. So Zig

0:34:23.400 --> 0:34:26.480
<v Speaker 3>is this character who believes if you're a kind person

0:34:26.880 --> 0:34:29.000
<v Speaker 3>and you know you're good to people, you make the

0:34:29.000 --> 0:34:32.560
<v Speaker 3>world a better place. It's a beautiful idea, completely naive idea,

0:34:32.600 --> 0:34:35.680
<v Speaker 3>but that's an idea worth fighting for, right, Nola, she's

0:34:35.680 --> 0:34:38.120
<v Speaker 3>like my girl with the dragon tattoo, right like and

0:34:38.120 --> 0:34:39.880
<v Speaker 3>and if you like those books, you'll like the Viper.

0:34:39.920 --> 0:34:42.880
<v Speaker 3>But she believes the exactly opposite. She's like, that's crap.

0:34:43.000 --> 0:34:44.400
<v Speaker 3>Like if you want the world to make sense, you

0:34:44.400 --> 0:34:45.880
<v Speaker 3>grab it by the throat and you force it to

0:34:45.920 --> 0:34:49.239
<v Speaker 3>make sense. And especially when you see injustice, you gotta fight.

0:34:49.840 --> 0:34:51.600
<v Speaker 3>And I used to think Elia for the first two books.

0:34:51.600 --> 0:34:54.560
<v Speaker 3>I was like, well, I'm I'm zig because I do

0:34:54.600 --> 0:34:56.560
<v Speaker 3>believe if you're kind, you make the world a better place.

0:34:56.560 --> 0:34:58.840
<v Speaker 3>But I'm also Nola, and I feel like, if you

0:34:58.840 --> 0:35:01.319
<v Speaker 3>see someone being picked on and use your voice and fight,

0:35:01.360 --> 0:35:02.520
<v Speaker 3>harden you ever fought before?

0:35:02.600 --> 0:35:03.399
<v Speaker 1>Man, what are you doing?

0:35:03.840 --> 0:35:05.600
<v Speaker 3>And I used to just think that these books were

0:35:05.600 --> 0:35:07.680
<v Speaker 3>my way of figuring out which side of me is right?

0:35:07.800 --> 0:35:08.680
<v Speaker 1>Am I zig? Am I No?

0:35:08.840 --> 0:35:11.920
<v Speaker 3>And again when I wrote The Viper, it dawned on me.

0:35:11.960 --> 0:35:14.960
<v Speaker 3>I'm like, I don't have to pick. You don't have

0:35:15.040 --> 0:35:17.080
<v Speaker 3>to pick. All of us are zigging. No, all of

0:35:17.160 --> 0:35:20.160
<v Speaker 3>us are really kind on some days and on other days, Man,

0:35:20.200 --> 0:35:22.080
<v Speaker 3>we've got some fight with us, especially.

0:35:21.719 --> 0:35:23.000
<v Speaker 1>When you see someone being picked on.

0:35:23.400 --> 0:35:25.600
<v Speaker 3>And I love the fact that it lets me explore

0:35:26.040 --> 0:35:29.960
<v Speaker 3>this kind of you know this again, it's the thing

0:35:29.960 --> 0:35:30.759
<v Speaker 3>that keeps coming back to.

0:35:30.800 --> 0:35:31.839
<v Speaker 1>But I really believe if you.

0:35:31.800 --> 0:35:35.680
<v Speaker 3>Love yourself for who you are, that's your ultimate superpower

0:35:35.719 --> 0:35:38.239
<v Speaker 3>you unlock. That's the thing, is just accepting yourself. And

0:35:38.280 --> 0:35:41.040
<v Speaker 3>I think we spend so much time beating ourselves up.

0:35:41.080 --> 0:35:43.359
<v Speaker 3>And I know we were talking and joking before about

0:35:43.360 --> 0:35:45.640
<v Speaker 3>the theme of the book, but that's the theme of

0:35:45.640 --> 0:35:46.440
<v Speaker 3>the Breakfast Club too.

0:35:46.440 --> 0:35:47.480
<v Speaker 1>It's all over the book, right.

0:35:47.520 --> 0:35:49.320
<v Speaker 3>The whole thing of the Breakfast Club is I remember

0:35:49.360 --> 0:35:51.120
<v Speaker 3>seeing that movie for the first time and being like,

0:35:51.520 --> 0:35:53.760
<v Speaker 3>I guess, you know, I'm certainly part of the nerd guy,

0:35:53.880 --> 0:35:55.480
<v Speaker 3>and I'm you know, I probably got some of the

0:35:55.520 --> 0:35:57.600
<v Speaker 3>tough guy into too, because I'm just angry at some

0:35:57.719 --> 0:36:00.439
<v Speaker 3>crap my dad. And then by the end to the movie,

0:36:00.440 --> 0:36:02.880
<v Speaker 3>You're like, you know what, Yeah, I'm a little bit

0:36:02.920 --> 0:36:04.720
<v Speaker 3>of the athlete and night. Yeah, I love Molly Ringwam

0:36:04.760 --> 0:36:07.399
<v Speaker 3>and I'm a freaking like we're everybody. Yeah, right, And

0:36:07.640 --> 0:36:10.239
<v Speaker 3>that's that's why I picked the Breakfast Club in the book, right,

0:36:10.360 --> 0:36:12.319
<v Speaker 3>is like it's just that idea of like trying to

0:36:12.360 --> 0:36:14.719
<v Speaker 3>get to a point in middle aged somewhere now of

0:36:14.920 --> 0:36:18.160
<v Speaker 3>just just accept yourself, man, all your flaws, love your

0:36:18.200 --> 0:36:19.960
<v Speaker 3>bad parts as much as you love your good parts.

0:36:20.239 --> 0:36:21.840
<v Speaker 1>And then the last thing, because I know, I know

0:36:21.880 --> 0:36:22.600
<v Speaker 1>you got to jump.

0:36:23.480 --> 0:36:25.120
<v Speaker 2>And I don't know if this has ever come up

0:36:25.160 --> 0:36:27.520
<v Speaker 2>between the two of us, but I mentioned I read.

0:36:27.560 --> 0:36:29.400
<v Speaker 1>I read everything. I read the acknowledgments.

0:36:30.120 --> 0:36:35.280
<v Speaker 2>I love that Michale Jola gets mentioned in the acknowledgments

0:36:35.280 --> 0:36:37.799
<v Speaker 2>from the Airborne Toxic Event I love him.

0:36:37.880 --> 0:36:40.239
<v Speaker 1>He's a good friend. But is he really did we

0:36:40.320 --> 0:36:42.279
<v Speaker 1>know that? I don't think. I don't think we knew

0:36:42.280 --> 0:36:45.040
<v Speaker 1>that he's a good guy. He is. His book was great,

0:36:45.040 --> 0:36:47.600
<v Speaker 1>Hollywood Park, What do your thing? Helped them? When he

0:36:47.600 --> 0:36:49.360
<v Speaker 1>was writing in the beginning, He's like, I wrote a novel.

0:36:49.360 --> 0:36:49.839
<v Speaker 1>Can we talk?

0:36:49.880 --> 0:36:52.839
<v Speaker 3>I'm like, of course, brother, So that's yeah, of course,

0:36:52.880 --> 0:36:55.560
<v Speaker 3>Hollywood Park, I have That's why their original event's copy.

0:36:55.320 --> 0:36:58.480
<v Speaker 1>Of Oh it's so good. I love friend. But he

0:36:58.680 --> 0:36:59.520
<v Speaker 1>so his.

0:36:59.600 --> 0:37:01.960
<v Speaker 3>Line in there, he has a line in there that

0:37:02.400 --> 0:37:03.920
<v Speaker 3>because I blurbd that you can see my name is

0:37:03.920 --> 0:37:06.040
<v Speaker 3>on the book, like I've blurbd that book. And there's

0:37:06.080 --> 0:37:07.920
<v Speaker 3>a line in there that says, I'm gonna mess it

0:37:07.960 --> 0:37:09.759
<v Speaker 3>up because it's been like five years since it's been out.

0:37:09.880 --> 0:37:11.200
<v Speaker 1>Never wasting erection.

0:37:11.440 --> 0:37:11.480
<v Speaker 2>No.

0:37:11.560 --> 0:37:11.759
<v Speaker 1>Yeah.

0:37:12.880 --> 0:37:15.920
<v Speaker 3>What I love though, is that I know that you've

0:37:15.960 --> 0:37:17.839
<v Speaker 3>said that out loud. There are so many people right

0:37:17.880 --> 0:37:21.280
<v Speaker 3>now that are like, Honey, Ellied and Brown.

0:37:22.080 --> 0:37:24.600
<v Speaker 1>Don't waste a baby, don't waste.

0:37:24.880 --> 0:37:26.520
<v Speaker 3>But he has the thing that says, like, there's no

0:37:26.640 --> 0:37:29.480
<v Speaker 3>such thing as a good fight, like when you get

0:37:29.480 --> 0:37:31.279
<v Speaker 3>into it, or a fair fight, when you get into it,

0:37:31.360 --> 0:37:33.600
<v Speaker 3>just fight and and I that was my way to

0:37:33.640 --> 0:37:35.279
<v Speaker 3>tip the hat to him, and and some of the

0:37:35.280 --> 0:37:37.000
<v Speaker 3>stuff that's revealed there you see is of course a

0:37:37.040 --> 0:37:37.480
<v Speaker 3>tip of that hat.

0:37:37.520 --> 0:37:41.080
<v Speaker 1>That's awesome. That's awesome. Are people bringing yellow Starburst to.

0:37:41.480 --> 0:37:43.240
<v Speaker 3>No one's brought yellow star Wars, but they are bringing

0:37:43.239 --> 0:37:46.359
<v Speaker 3>the tattoos, are saying the tattoo that. So we gave

0:37:46.400 --> 0:37:48.760
<v Speaker 3>these Viper tattoos out for anyone who joined our mailing

0:37:48.760 --> 0:37:51.880
<v Speaker 3>list on our website, and I will say tonight, anyone

0:37:51.880 --> 0:37:54.920
<v Speaker 3>who comes to Tyson's Corner like where we were a

0:37:54.960 --> 0:37:57.880
<v Speaker 3>couple of little kids that people tatted up their little kids.

0:37:58.040 --> 0:38:00.840
<v Speaker 3>So I'm still waiting for someone to do a tram stamp.

0:38:01.239 --> 0:38:05.640
<v Speaker 3>I'm like, someone whoever does the tram stamp at Tyson's Corner,

0:38:06.040 --> 0:38:08.680
<v Speaker 3>you are first in line. You are first in line,

0:38:08.680 --> 0:38:10.359
<v Speaker 3>because that's the only picture I one because I thought

0:38:10.360 --> 0:38:12.120
<v Speaker 3>I thought, I was like, I want someone to bring

0:38:12.160 --> 0:38:15.040
<v Speaker 3>a kid, and on the second event, someone's like, here's

0:38:15.040 --> 0:38:16.279
<v Speaker 3>my kid. I tatted them up for you, and I

0:38:16.320 --> 0:38:19.440
<v Speaker 3>was like, holy cow. So I think the only thing

0:38:19.440 --> 0:38:21.359
<v Speaker 3>on the checklist at this point is tramstamp, and then

0:38:21.360 --> 0:38:23.160
<v Speaker 3>the Viper Tour will truly be complete.

0:38:23.760 --> 0:38:26.520
<v Speaker 2>The Viper a Zig and Nola novel is out and

0:38:26.600 --> 0:38:27.439
<v Speaker 2>available now.

0:38:27.920 --> 0:38:29.879
<v Speaker 1>Brad will be at Tyson's Corner Center.

0:38:29.920 --> 0:38:33.399
<v Speaker 2>The Barnes and Noble at Tyson's Corner Center starting at

0:38:33.480 --> 0:38:34.360
<v Speaker 2>six o'clock tonight.

0:38:34.440 --> 0:38:37.200
<v Speaker 1>Dude, congratulations that book is freaking awesome.