1 00:00:03,480 --> 00:00:08,240 Speaker 1: And now it's I'm for Joe Escalante live from Hollywood. 2 00:00:08,560 --> 00:00:12,000 Speaker 1: If by Hollywood you mean Burbie across the street promo 3 00:00:12,080 --> 00:00:14,280 Speaker 1: meaners and it's a little that serves beer. 4 00:00:25,800 --> 00:00:30,840 Speaker 2: All right, Joe Wiscalante here of course with Sam and 5 00:00:32,240 --> 00:00:33,199 Speaker 2: Sam can you hear me? 6 00:00:33,240 --> 00:00:34,320 Speaker 3: Okay, everything's good. 7 00:00:34,320 --> 00:00:35,440 Speaker 1: Yeah, loud and clear. 8 00:00:35,560 --> 00:00:39,400 Speaker 2: How you doing, buddy, Well, I'm doing pretty good, just 9 00:00:39,479 --> 00:00:42,519 Speaker 2: you know, going through the same things, going to the movies, 10 00:00:42,880 --> 00:00:49,280 Speaker 2: managing Sublime and dealing with the vandals and this radio show. 11 00:00:49,640 --> 00:00:53,720 Speaker 2: Other than that, I got nothing to do. I can 12 00:00:53,760 --> 00:00:56,840 Speaker 2: tell you that I'm gonna I am. Now you shall 13 00:00:56,840 --> 00:00:59,760 Speaker 2: now address me as award winning writer Joe Scalante, because 14 00:01:00,760 --> 00:01:03,720 Speaker 2: my film won the Audience Award at the Newport Beach 15 00:01:03,720 --> 00:01:07,640 Speaker 2: Film Festival, and I thought that was pretty cool. It's 16 00:01:07,720 --> 00:01:13,119 Speaker 2: the film is called The Harbor Chronicles. But then I thought, 17 00:01:13,160 --> 00:01:18,800 Speaker 2: wait a second, Now I've got an award. You know 18 00:01:18,880 --> 00:01:23,480 Speaker 2: those those boxes that they check or like IMDb, if 19 00:01:23,480 --> 00:01:25,960 Speaker 2: you go to my IMDb page, which I encourage everybody 20 00:01:25,959 --> 00:01:28,279 Speaker 2: to go to my IMDb page, because if you're listening 21 00:01:28,280 --> 00:01:30,319 Speaker 2: to the show, go to the IMDb page. 22 00:01:30,319 --> 00:01:31,959 Speaker 3: If Joe's golant and look at it. 23 00:01:31,959 --> 00:01:36,000 Speaker 2: It's it's fascinating and you'll see things that it will 24 00:01:36,040 --> 00:01:42,600 Speaker 2: surprise you and they're all true, unlike Wikipedia pages which 25 00:01:42,840 --> 00:01:48,840 Speaker 2: contained weird stuff. But the award section, I got nothing. 26 00:01:50,120 --> 00:01:58,120 Speaker 4: I got congratulations, Award Winner, Award Wiener, Award Wiener. 27 00:01:59,320 --> 00:02:00,240 Speaker 3: We're gonna have you. 28 00:02:00,720 --> 00:02:03,720 Speaker 2: Change the intro now that I'm award an award an 29 00:02:03,720 --> 00:02:04,320 Speaker 2: Award Wianer. 30 00:02:04,440 --> 00:02:06,440 Speaker 4: We're going to have to get somebody to actually sprinkle 31 00:02:06,440 --> 00:02:07,440 Speaker 4: in award winner. 32 00:02:08,080 --> 00:02:10,560 Speaker 1: Yeah, maybe you know what we should be doing. 33 00:02:10,560 --> 00:02:12,080 Speaker 4: We should be going because you know how we have 34 00:02:12,160 --> 00:02:14,760 Speaker 4: our annual party for the Oscars at the Wiener Schnitzel 35 00:02:14,800 --> 00:02:15,600 Speaker 4: that serves the beer. 36 00:02:16,120 --> 00:02:16,520 Speaker 3: True. 37 00:02:16,720 --> 00:02:19,240 Speaker 4: Uh, maybe we need to come out with a special 38 00:02:19,240 --> 00:02:22,000 Speaker 4: hot dog to commemorate this, the Award Wiener. 39 00:02:22,320 --> 00:02:28,359 Speaker 2: The Award Wiener Schnitzel. Okay, that's a good idea. There's 40 00:02:28,360 --> 00:02:31,160 Speaker 2: some endorsement deals here that I'm you know, my mind 41 00:02:31,200 --> 00:02:36,320 Speaker 2: is spinning really with the possibilities. The North Korean fusion 42 00:02:36,320 --> 00:02:39,720 Speaker 2: hot dogs that they have there or I guess they're tacos. 43 00:02:39,760 --> 00:02:43,000 Speaker 2: Technically those are good, but I think the Joe the 44 00:02:43,040 --> 00:02:48,760 Speaker 2: Award the Award Wiener dog is coming your way. 45 00:02:48,960 --> 00:02:56,239 Speaker 3: So anyway, we got that. Just nice my wife is sick. 46 00:02:56,200 --> 00:02:58,680 Speaker 2: Could call me, award award winning writer, you know, but 47 00:02:58,760 --> 00:03:00,560 Speaker 2: I'm gonna let I'm only making do it for a 48 00:03:00,560 --> 00:03:01,600 Speaker 2: couple of weeks. 49 00:03:02,000 --> 00:03:04,760 Speaker 4: I'm sure it's gonna, you know, wear out on her 50 00:03:04,800 --> 00:03:08,040 Speaker 4: a little, you know, after not too long. Just saying, Hey, 51 00:03:08,280 --> 00:03:12,639 Speaker 4: award winning Joe, can you please come down for dinner? Yeah, 52 00:03:13,320 --> 00:03:14,119 Speaker 4: award winning Joe. 53 00:03:14,120 --> 00:03:15,040 Speaker 1: Did you check the mail? 54 00:03:17,000 --> 00:03:18,840 Speaker 3: That's it? You think you got it? That's pretty much 55 00:03:18,880 --> 00:03:20,880 Speaker 3: it goes on at my house. Did you check the mail? 56 00:03:21,240 --> 00:03:21,920 Speaker 3: Come to dinner? 57 00:03:22,360 --> 00:03:27,840 Speaker 2: Things like that, Yeah, okay, So what I god in 58 00:03:27,880 --> 00:03:30,120 Speaker 2: the movie in the movie Business the business of this 59 00:03:30,440 --> 00:03:32,720 Speaker 2: program where we do two hours of the business end 60 00:03:32,720 --> 00:03:37,080 Speaker 2: of show business every week from five pm to seven pm. 61 00:03:37,160 --> 00:03:40,360 Speaker 2: Right here in k e IB eleven fifty on your 62 00:03:40,400 --> 00:03:41,080 Speaker 2: AM dial. 63 00:03:41,880 --> 00:03:48,680 Speaker 3: We have box Office News today for the weekend of 64 00:03:48,720 --> 00:03:51,040 Speaker 3: November fourteenth and fifteenth. 65 00:03:51,280 --> 00:03:55,000 Speaker 2: Now you see me, now you don't coming in at 66 00:03:55,040 --> 00:03:57,960 Speaker 2: number one. Then we have the Running Man is a 67 00:03:58,000 --> 00:04:02,840 Speaker 2: big deal. Predator is still is dropping, but it's you know, 68 00:04:02,880 --> 00:04:06,680 Speaker 2: it's still in there. We're going to talk about some 69 00:04:06,720 --> 00:04:14,240 Speaker 2: streaming stuff like Frankenstein and the Chair Company and Kim Kardashian. 70 00:04:14,840 --> 00:04:18,120 Speaker 2: It's got a new lawsuit. It seems like it's an 71 00:04:18,160 --> 00:04:20,920 Speaker 2: old lawsuit, but it's a new lawsuit. And it's good 72 00:04:20,920 --> 00:04:23,800 Speaker 2: if she doesn't have a new lawsuit, because that means 73 00:04:23,800 --> 00:04:25,880 Speaker 2: there might be a new sex tape or something, and 74 00:04:25,960 --> 00:04:28,920 Speaker 2: we don't need that. Drake's got a lawsuit, Neil Young's 75 00:04:28,920 --> 00:04:32,280 Speaker 2: got a lawsuit, Rock and Roll Hall of Fame's got 76 00:04:32,320 --> 00:04:35,800 Speaker 2: a lawsuit. It's directly related to my work at the 77 00:04:35,800 --> 00:04:40,000 Speaker 2: Punk Rock Museum in Las Vegas. And when I say directly, 78 00:04:40,040 --> 00:04:44,599 Speaker 2: I mean remotely, indirectly, not even close. The Rams are 79 00:04:44,680 --> 00:04:46,960 Speaker 2: involved in a lawsuit, and the Rams are playing a 80 00:04:47,000 --> 00:04:49,640 Speaker 2: big game today. I don't want to make any spoilers 81 00:04:49,640 --> 00:04:52,760 Speaker 2: for anybody about that game. So if you were recording it, 82 00:04:52,760 --> 00:04:55,760 Speaker 2: because a lot of people are recording football games in 83 00:04:55,800 --> 00:04:59,000 Speaker 2: baseball games, Sam, and they don't want to hear the spoilers. 84 00:04:59,080 --> 00:05:00,520 Speaker 2: This is not a sports show, so I'm not going 85 00:05:00,560 --> 00:05:01,680 Speaker 2: to say anything about that game. 86 00:05:01,839 --> 00:05:04,800 Speaker 4: This is what my brother does with like basketball games. 87 00:05:04,800 --> 00:05:08,040 Speaker 4: He'll he won't start watching the game until like thirty 88 00:05:08,080 --> 00:05:10,760 Speaker 4: minutes after it started. Oh, I knew that, and then 89 00:05:10,800 --> 00:05:14,440 Speaker 4: he fast forwards all of the commercial breaks, hoping that 90 00:05:14,560 --> 00:05:16,720 Speaker 4: by the end of the game he's on time he's 91 00:05:16,760 --> 00:05:17,200 Speaker 4: got up. 92 00:05:17,320 --> 00:05:22,520 Speaker 2: Yeah, that's what I do with all sports games, because yeah, 93 00:05:22,760 --> 00:05:25,000 Speaker 2: I set them to record the ones I want to watch, 94 00:05:25,040 --> 00:05:32,240 Speaker 2: which is usually the Dodgers and the Rams UCLA. Then I, yeah, 95 00:05:32,279 --> 00:05:35,360 Speaker 2: I do the same thing. And sports are the only 96 00:05:35,400 --> 00:05:38,120 Speaker 2: thing where you must watch commercials. Yeah, they've got you. 97 00:05:38,279 --> 00:05:40,080 Speaker 2: And that's why sports is such a big business in 98 00:05:40,120 --> 00:05:43,960 Speaker 2: television because everything else can be recorded watched another way. 99 00:05:44,040 --> 00:05:46,120 Speaker 3: You can pay a little money and not have. 100 00:05:46,040 --> 00:05:49,080 Speaker 2: To watch commercials, and a lot of streaming services, but 101 00:05:49,480 --> 00:05:51,520 Speaker 2: sports you must watch them. 102 00:05:51,960 --> 00:05:52,640 Speaker 3: They have you. 103 00:05:53,520 --> 00:05:57,040 Speaker 2: But if we're like your brother, we just start a 104 00:05:57,080 --> 00:06:01,560 Speaker 2: half hour later and it's fit test. But you do 105 00:06:01,600 --> 00:06:04,760 Speaker 2: miss a lot of good commercials because the sports has 106 00:06:04,800 --> 00:06:07,840 Speaker 2: the money to pay for really good commercials. But that's 107 00:06:07,960 --> 00:06:11,279 Speaker 2: you know, no one ever sat on their deathbed and said, 108 00:06:11,320 --> 00:06:14,200 Speaker 2: you know what, my one regret, so I missed it. 109 00:06:14,680 --> 00:06:17,880 Speaker 2: I might have fast forward through some really quality commercials. 110 00:06:18,160 --> 00:06:20,880 Speaker 4: I wonder which ESPN package it is that you have 111 00:06:20,920 --> 00:06:22,800 Speaker 4: to pay for to make it so that live sporting 112 00:06:22,839 --> 00:06:25,480 Speaker 4: events have no commercial breaks and the players don't take 113 00:06:25,520 --> 00:06:27,320 Speaker 4: any breaks at all. How much you have to pay 114 00:06:27,360 --> 00:06:29,680 Speaker 4: to make it so that the players don't take any timeouts? 115 00:06:31,120 --> 00:06:34,599 Speaker 3: Well, I'll work on that. That's a way for you 116 00:06:34,600 --> 00:06:35,320 Speaker 3: and I to get rich. 117 00:06:35,440 --> 00:06:36,560 Speaker 1: Yeah, we'll make it happen. 118 00:06:37,640 --> 00:06:40,560 Speaker 2: Okay, So why don't we go to the box office 119 00:06:42,120 --> 00:06:44,479 Speaker 2: the movies right away. I have a bunch of lawsuit stuff. 120 00:06:44,520 --> 00:06:45,279 Speaker 2: We'll get to that later. 121 00:06:47,560 --> 00:06:52,440 Speaker 3: We got Nicki Minaj coming up anyway, now you see me? 122 00:06:52,480 --> 00:06:57,520 Speaker 3: Now you don't? Have you heard of this? So I 123 00:06:57,560 --> 00:06:59,480 Speaker 3: have seen any movies? Seen any movies this week? 124 00:07:00,200 --> 00:07:01,480 Speaker 1: Go to the theaters this week? 125 00:07:01,520 --> 00:07:05,200 Speaker 4: I did stay home and watch my son's favorite movie 126 00:07:05,200 --> 00:07:06,720 Speaker 4: with him, Monty Python and. 127 00:07:06,680 --> 00:07:10,320 Speaker 2: The Holy Grail Deliverance. Yes, I talked to the kids. 128 00:07:10,600 --> 00:07:13,200 Speaker 2: He loves a huge man. Oh, he has a new favorite. 129 00:07:13,240 --> 00:07:16,120 Speaker 1: Okay, sorry, yeah, the ban Joe's gotten old for him. 130 00:07:16,520 --> 00:07:22,560 Speaker 3: Okay, well number one this is like, are you kidding me? Now? 131 00:07:22,560 --> 00:07:23,040 Speaker 3: You see me? 132 00:07:23,120 --> 00:07:27,760 Speaker 2: Now you don't a magician heist films from a franchise. 133 00:07:27,920 --> 00:07:28,720 Speaker 3: Yeah, yeah, I. 134 00:07:30,320 --> 00:07:32,920 Speaker 2: Barely remember this coming out and I just couldn't take it, 135 00:07:33,440 --> 00:07:39,920 Speaker 2: so I didn't go see it. It's a they're calling 136 00:07:39,920 --> 00:07:42,960 Speaker 2: it an illusion driven caper. Directed by Ruben Fleischer. You 137 00:07:43,040 --> 00:07:46,600 Speaker 2: might remember him from Zombie Land. The sequel adds big 138 00:07:46,720 --> 00:07:52,200 Speaker 2: names like Justice Smith. You might remember him as a 139 00:07:52,200 --> 00:07:53,280 Speaker 2: Pokemon detective. 140 00:07:53,920 --> 00:07:55,040 Speaker 1: Thank you Yeah. 141 00:07:55,440 --> 00:07:59,360 Speaker 4: Really fun movie. Highly underrated film. I highly recommend it. 142 00:07:59,480 --> 00:07:59,880 Speaker 3: Good to Know. 143 00:08:00,120 --> 00:08:02,960 Speaker 2: Ariana green Blat from Uh the Poo played the young 144 00:08:02,960 --> 00:08:04,239 Speaker 2: gamorra Camera. 145 00:08:04,440 --> 00:08:06,840 Speaker 3: I don't know what we call it in Avengers. 146 00:08:06,400 --> 00:08:11,280 Speaker 2: Finity Wars, and I don't know magic. I have a 147 00:08:11,320 --> 00:08:15,320 Speaker 2: love hate relationship with it. Sometimes I look at magic 148 00:08:15,480 --> 00:08:17,000 Speaker 2: or like if you go to the Magic Castle and 149 00:08:17,040 --> 00:08:17,800 Speaker 2: some guy comes up. 150 00:08:17,680 --> 00:08:19,960 Speaker 3: To you with a deck of cards, I just run screaming. 151 00:08:20,880 --> 00:08:22,480 Speaker 2: But then you'll go inside a room and you'll watch 152 00:08:22,520 --> 00:08:25,200 Speaker 2: something that Magic Castle and will blow your mind, especially 153 00:08:25,240 --> 00:08:25,920 Speaker 2: the mentalists. 154 00:08:25,960 --> 00:08:26,720 Speaker 3: How do they do it? 155 00:08:27,160 --> 00:08:31,240 Speaker 4: The Are the card magicians like oddly more demonic than 156 00:08:31,280 --> 00:08:31,760 Speaker 4: the others. 157 00:08:32,720 --> 00:08:33,480 Speaker 3: No, I don't think so. 158 00:08:33,559 --> 00:08:38,319 Speaker 2: They're just like it seems like they're maybe guys that 159 00:08:38,760 --> 00:08:40,800 Speaker 2: learned to do cards to meet girls, and they're never 160 00:08:40,840 --> 00:08:43,679 Speaker 2: going to meet a girl, so doing you know, close 161 00:08:43,760 --> 00:08:45,679 Speaker 2: up maggic so they never met a girl. 162 00:08:46,040 --> 00:08:46,880 Speaker 3: So they're in cels. 163 00:08:49,520 --> 00:08:53,200 Speaker 2: But I had a guy at the Magic Castle once 164 00:08:53,440 --> 00:08:56,280 Speaker 2: do a thing where like they picked someone out in 165 00:08:56,320 --> 00:08:59,319 Speaker 2: the audience, like okay, volunteers, and someone picked me. I 166 00:08:59,360 --> 00:09:01,480 Speaker 2: don't know how I got and they go, okay, hand 167 00:09:01,480 --> 00:09:06,960 Speaker 2: that guy a book and then okay, thumb through the book, 168 00:09:07,320 --> 00:09:09,360 Speaker 2: and the book's like, you know, at six hundred pages. 169 00:09:09,640 --> 00:09:13,640 Speaker 2: Thumb through the book. Stop anywhere you want, or he 170 00:09:13,720 --> 00:09:14,240 Speaker 2: says stop. 171 00:09:14,280 --> 00:09:14,640 Speaker 3: I don't know. 172 00:09:14,679 --> 00:09:17,760 Speaker 2: So I stop on a page page that I choose, 173 00:09:18,520 --> 00:09:21,040 Speaker 2: and he goes, Okay, see a word in there. Just 174 00:09:21,120 --> 00:09:23,360 Speaker 2: go anywhere there and pick out one word and focus 175 00:09:23,400 --> 00:09:25,440 Speaker 2: on it. And I go and I see one word. 176 00:09:25,480 --> 00:09:28,160 Speaker 2: It's like oven. And he goes and at certain point 177 00:09:28,160 --> 00:09:32,160 Speaker 2: he goes, yeah, the word is oven. I'm like, whoa, 178 00:09:32,320 --> 00:09:34,640 Speaker 2: you just got that out of my mind. So there's 179 00:09:34,640 --> 00:09:36,640 Speaker 2: no way you can fake that if it's you. So anyway, 180 00:09:36,640 --> 00:09:42,760 Speaker 2: I'm not saying that magic is fake or is all nauseating, 181 00:09:42,800 --> 00:09:45,000 Speaker 2: but I don't think I could sit through a whole movie. 182 00:09:45,440 --> 00:09:47,440 Speaker 2: But after a number one at the box office in 183 00:09:47,440 --> 00:09:50,439 Speaker 2: a sequel, you know, maybe I'm missing something. But now 184 00:09:50,480 --> 00:09:52,240 Speaker 2: you but you know what I like better is now 185 00:09:52,280 --> 00:09:54,760 Speaker 2: you see him now you don't, which is a Dexter 186 00:09:57,240 --> 00:10:01,120 Speaker 2: Dexter Riley Kurt Russell movie, a Disney movie from the 187 00:10:01,120 --> 00:10:01,880 Speaker 2: seventy switch. 188 00:10:01,920 --> 00:10:06,520 Speaker 3: Oh cool, it's a pretty good movie. So that's number one. 189 00:10:06,800 --> 00:10:07,320 Speaker 3: Number one. 190 00:10:08,200 --> 00:10:09,160 Speaker 1: Let's go break real. 191 00:10:09,120 --> 00:10:11,520 Speaker 2: Quick, Okay, go to break and we'll come back with 192 00:10:13,040 --> 00:10:14,839 Speaker 2: I saw the worst movie of twenty twenty five. 193 00:10:14,880 --> 00:10:17,720 Speaker 3: I'll tell you about that. I'm Joe's Galante Live from Hollywood. 194 00:10:18,280 --> 00:10:21,880 Speaker 2: Hey, Joe'scalante Live from Hollywood at New Sunday five to 195 00:10:21,960 --> 00:10:28,360 Speaker 2: seven KiB and then podcasts later in the evening. 196 00:10:29,040 --> 00:10:31,400 Speaker 3: Listening to podcasts anywhere or some of the podcasts don't 197 00:10:31,400 --> 00:10:32,240 Speaker 3: go up? Do these? Sam? 198 00:10:32,640 --> 00:10:36,240 Speaker 4: No, But actually we switched over to a new platform 199 00:10:36,280 --> 00:10:38,240 Speaker 4: for the podcast so we have a couple of them 200 00:10:38,280 --> 00:10:40,000 Speaker 4: that went up on the old one. And I found 201 00:10:40,040 --> 00:10:43,040 Speaker 4: out that this this wonderful radio company. 202 00:10:43,280 --> 00:10:44,760 Speaker 1: They took all of the. 203 00:10:44,720 --> 00:10:48,199 Speaker 4: Time to reset all of the radio stations to this 204 00:10:48,280 --> 00:10:50,880 Speaker 4: new format, and they didn't set up a page for us. 205 00:10:51,000 --> 00:10:54,480 Speaker 4: So they are in the process of rebuilding our podcast page. 206 00:10:54,960 --> 00:10:59,840 Speaker 4: Are our show specifically, No, the entire radio station, the old. 207 00:10:59,720 --> 00:11:01,480 Speaker 2: Station, and yeah, the station is kind of a master 208 00:11:01,720 --> 00:11:05,800 Speaker 2: child of the iHeart system, but we like it that way. 209 00:11:05,920 --> 00:11:10,800 Speaker 4: Yeah, we owe the Puerto Rico to the Iheart's United States. 210 00:11:11,280 --> 00:11:11,720 Speaker 3: Very good. 211 00:11:13,040 --> 00:11:15,920 Speaker 2: I've been on the station since before it was the 212 00:11:16,040 --> 00:11:19,000 Speaker 2: station when it used to be Air America. 213 00:11:19,160 --> 00:11:19,760 Speaker 1: I remember that. 214 00:11:20,320 --> 00:11:22,160 Speaker 2: Yeah, So this has been going on since like two 215 00:11:22,160 --> 00:11:23,559 Speaker 2: thousand and nine. 216 00:11:23,760 --> 00:11:26,800 Speaker 3: I guess. So that's a lot of years doing this. 217 00:11:29,400 --> 00:11:34,360 Speaker 2: I'm waiting for my Marconi nomination, Sam. Because it's now 218 00:11:34,360 --> 00:11:36,320 Speaker 2: that I'm an award winner, we have to go to 219 00:11:36,360 --> 00:11:37,400 Speaker 2: the next logical step. 220 00:11:37,880 --> 00:11:40,360 Speaker 1: Yeah. Absolutely, more awards. 221 00:11:42,240 --> 00:11:43,040 Speaker 3: Let's stuck them up. 222 00:11:43,400 --> 00:11:48,920 Speaker 2: Yeah, Okay, talking about the movies, I'll get to the 223 00:11:48,920 --> 00:11:52,840 Speaker 2: worst movie of twenty twenty five, which finally was released. 224 00:11:54,920 --> 00:12:01,280 Speaker 2: But let me go to go down to the box 225 00:12:01,360 --> 00:12:08,400 Speaker 2: office list or the top ones and maybe talk a 226 00:12:08,400 --> 00:12:10,839 Speaker 2: little bit about this is anyone and anyone else? You know, 227 00:12:11,080 --> 00:12:14,880 Speaker 2: we need to know you didn't see anything? Yeah, I 228 00:12:14,880 --> 00:12:17,480 Speaker 2: think we've talked about it. Oh the Running Man, Yeah, 229 00:12:18,440 --> 00:12:20,720 Speaker 2: running Man? Oh yeah, the Running Man interests me. That 230 00:12:20,800 --> 00:12:24,880 Speaker 2: is number two because Running Man, as you know, is 231 00:12:24,920 --> 00:12:28,400 Speaker 2: a new take on the nineteen eighty seven schwartzen Ager 232 00:12:28,440 --> 00:12:29,079 Speaker 2: cult classic. 233 00:12:29,440 --> 00:12:31,599 Speaker 1: Love that movie, by the way, coming. 234 00:12:31,360 --> 00:12:34,359 Speaker 3: From perhaps my favorite director in. 235 00:12:34,280 --> 00:12:38,840 Speaker 2: The business right now directing today one of my favorite, 236 00:12:38,840 --> 00:12:40,520 Speaker 2: one of my top three for sure. 237 00:12:41,880 --> 00:12:45,360 Speaker 3: Is Edgar Wright, known for Baby Driver, Sean of the. 238 00:12:45,320 --> 00:12:51,760 Speaker 2: Dead, the Sparks documentary, and one of the greatest movies 239 00:12:51,760 --> 00:12:54,920 Speaker 2: of the last ten years, Last Night in Soho. If 240 00:12:54,960 --> 00:12:59,000 Speaker 2: you haven't seen Last Night in Soho, such a wonderful, wonderful, 241 00:12:59,000 --> 00:13:02,840 Speaker 2: wonderful movie is so good, or the soundtrack you could 242 00:13:02,880 --> 00:13:04,360 Speaker 2: just listen to it in your Spotify and. 243 00:13:05,880 --> 00:13:07,240 Speaker 3: Save a nickel. I guess I don't know. 244 00:13:09,640 --> 00:13:16,280 Speaker 2: So I haven't seen the New Running Man. I got 245 00:13:16,280 --> 00:13:18,120 Speaker 2: a confession to make, Sam, I haven't seen the Old 246 00:13:18,200 --> 00:13:18,640 Speaker 2: Running Man. 247 00:13:18,960 --> 00:13:22,120 Speaker 1: Really, Oh Old, the Original Running Man is. 248 00:13:22,720 --> 00:13:24,560 Speaker 2: It's such a movie you would see in just like 249 00:13:24,679 --> 00:13:25,679 Speaker 2: ten times or something. 250 00:13:25,760 --> 00:13:28,000 Speaker 4: Oh yeah, that's one that I you know, like I 251 00:13:28,040 --> 00:13:29,360 Speaker 4: was a kid when it came out. I was eight 252 00:13:29,400 --> 00:13:31,480 Speaker 4: years old when it came out, and so I never 253 00:13:31,520 --> 00:13:33,439 Speaker 4: really saw it in the theater. But it's one of 254 00:13:33,480 --> 00:13:36,280 Speaker 4: those movies that became a cult classic for people in 255 00:13:36,320 --> 00:13:37,760 Speaker 4: my generation because of HBO. 256 00:13:38,800 --> 00:13:41,839 Speaker 3: Yes that that was your generation's Z channel. You have 257 00:13:41,960 --> 00:13:45,120 Speaker 3: the Z Channel, We're on TV and these things. 258 00:13:45,200 --> 00:13:49,040 Speaker 4: Oh I remember those, Yeah, but this one is, like 259 00:13:49,080 --> 00:13:53,040 Speaker 4: the original was highly entertaining. It was one of those 260 00:13:53,120 --> 00:13:56,480 Speaker 4: It was the movie where I think every single scene 261 00:13:57,000 --> 00:14:00,920 Speaker 4: was scripted around some kind of tag line that Arnold 262 00:14:00,920 --> 00:14:03,040 Speaker 4: Schwarzenegger was going to deliver in that moment. 263 00:14:03,480 --> 00:14:06,720 Speaker 2: So, oh yeah, do you remember the voice generator that 264 00:14:06,480 --> 00:14:09,440 Speaker 2: that you could go on the internet and and and 265 00:14:09,520 --> 00:14:13,040 Speaker 2: push all these buttons in it, and like for all 266 00:14:13,080 --> 00:14:15,360 Speaker 2: of Schwarzenegger's sayings, and you push one and it. 267 00:14:15,280 --> 00:14:19,120 Speaker 3: Says, I'll be back another one. It's not the Tuma. 268 00:14:19,400 --> 00:14:22,360 Speaker 1: Yeah yeah, yeah that one. 269 00:14:22,640 --> 00:14:26,680 Speaker 4: That movie had some incredible one liners in it that 270 00:14:27,120 --> 00:14:30,600 Speaker 4: I think every single like death scene in that movie 271 00:14:30,800 --> 00:14:34,120 Speaker 4: was framed around this specific one liner that he was 272 00:14:34,200 --> 00:14:37,400 Speaker 4: gonna just nail at the end and have everybody be 273 00:14:37,480 --> 00:14:41,560 Speaker 4: like yeah, because really he got Schwarzenegger really built his 274 00:14:41,800 --> 00:14:46,880 Speaker 4: fame on the one that epic line from Terminator I'll 275 00:14:46,880 --> 00:14:49,280 Speaker 4: be back. So it seems like every single film that 276 00:14:49,320 --> 00:14:51,960 Speaker 4: they tried to make for him around that genre was 277 00:14:52,040 --> 00:14:54,320 Speaker 4: one that they were just trying to get the next 278 00:14:54,480 --> 00:14:57,600 Speaker 4: I'll be back line out of. And this movie was 279 00:14:57,680 --> 00:14:59,320 Speaker 4: just throwing every single line at the wall. 280 00:14:59,360 --> 00:14:59,880 Speaker 1: It was great. 281 00:15:00,320 --> 00:15:03,120 Speaker 2: It'll be interesting to see how the grown up like 282 00:15:03,320 --> 00:15:05,520 Speaker 2: Edgar Wright will deal with this. And he has Glenn 283 00:15:05,640 --> 00:15:09,280 Speaker 2: Powell in the top Row front and you might remember 284 00:15:09,360 --> 00:15:11,760 Speaker 2: him from Top Gun, so we'll see how that is 285 00:15:11,920 --> 00:15:19,520 Speaker 2: should be launching this guy's career into household name world. Okay, 286 00:15:19,560 --> 00:15:20,440 Speaker 2: so the worst. 287 00:15:20,160 --> 00:15:25,440 Speaker 3: Film of twenty twenty five here it is. 288 00:15:26,400 --> 00:15:32,120 Speaker 2: It's called Die My Love, and it's not doing well 289 00:15:32,160 --> 00:15:34,160 Speaker 2: in the box office, and it's not doing well in 290 00:15:34,200 --> 00:15:38,040 Speaker 2: my brain. And I actually didn't make it through Sam. 291 00:15:38,240 --> 00:15:39,640 Speaker 2: I couldn't make it through the whole film. 292 00:15:39,760 --> 00:15:41,560 Speaker 1: Die my love died in the theater. 293 00:15:42,320 --> 00:15:45,720 Speaker 2: Yeah, died on the vine. And I told my wife, 294 00:15:45,840 --> 00:15:50,360 Speaker 2: I'm like, hey, I'm going to go to the bathroom 295 00:15:50,200 --> 00:15:54,000 Speaker 2: and probably not coming back, but I'll meet in the lobby. 296 00:15:54,240 --> 00:15:56,440 Speaker 2: I'll be fine, don't worry about it. And she rolled 297 00:15:56,480 --> 00:16:03,360 Speaker 2: her eyes. Yeah, it's idye, my love. 298 00:16:07,000 --> 00:16:10,680 Speaker 3: So what's it about? So I did? I see most 299 00:16:10,680 --> 00:16:10,960 Speaker 3: of it? 300 00:16:11,040 --> 00:16:13,040 Speaker 2: And then I looked on the internet to see what 301 00:16:13,120 --> 00:16:16,760 Speaker 2: happened at the end, not that I cared too much. 302 00:16:17,600 --> 00:16:21,000 Speaker 2: But it's directed by some woman named Lynn Ramsay or. 303 00:16:20,880 --> 00:16:22,840 Speaker 3: Some guy with a woman's name. I don't know. 304 00:16:23,440 --> 00:16:29,000 Speaker 2: Uh, she directed We Need to Talk about Kevin and 305 00:16:29,120 --> 00:16:31,200 Speaker 2: you were never really here. 306 00:16:31,280 --> 00:16:33,760 Speaker 3: But I think I might have saw that anyway. 307 00:16:33,840 --> 00:16:37,760 Speaker 2: Jennifer Lawrence, it's Jennifer Lawrence's new movie, and she every 308 00:16:37,760 --> 00:16:40,080 Speaker 2: once in a while gets into a big stinker. The 309 00:16:40,200 --> 00:16:43,920 Speaker 2: Three the Trainer for it looked really compelling. It's her 310 00:16:43,960 --> 00:16:47,480 Speaker 2: and Robert Pattinson and they're arguing, you know they're and 311 00:16:47,520 --> 00:16:52,880 Speaker 2: the argument is really funny and I mean he's Batman, right, 312 00:16:52,920 --> 00:16:56,640 Speaker 2: you know, I mean he's a big star. It's really funny. 313 00:16:56,640 --> 00:16:57,960 Speaker 2: They're just going at it and it's. 314 00:16:57,800 --> 00:16:58,640 Speaker 3: A vicious fight. 315 00:16:58,800 --> 00:17:03,160 Speaker 2: You know, there's really personal attacks and they're hilarious. 316 00:17:04,280 --> 00:17:09,359 Speaker 3: But then when you see it, you know, it sucks. 317 00:17:10,280 --> 00:17:12,920 Speaker 3: They call it a dark psychological drama. 318 00:17:13,640 --> 00:17:18,800 Speaker 2: Touches of Black comedy, adapted from a twenty twelve novel 319 00:17:19,080 --> 00:17:21,399 Speaker 2: by Arianna Harwicks. I wonder if that person likes the 320 00:17:21,440 --> 00:17:26,399 Speaker 2: movie or not, But shame on that person for writing 321 00:17:26,440 --> 00:17:31,359 Speaker 2: the book that led to this premiered and can and 322 00:17:31,440 --> 00:17:32,879 Speaker 2: I don't know what it won, but I'm sure it 323 00:17:32,880 --> 00:17:33,560 Speaker 2: won something. 324 00:17:33,400 --> 00:17:35,600 Speaker 3: Because it's so awful. It's about this. 325 00:17:35,560 --> 00:17:41,680 Speaker 2: Woman, Grace, and she's got her husband, Jackson, and after 326 00:17:41,760 --> 00:17:46,240 Speaker 2: they leave their New York lives where we remote inherited 327 00:17:46,280 --> 00:17:49,320 Speaker 2: home in rural Montana, so you're going, oh, he inherited 328 00:17:49,320 --> 00:17:49,600 Speaker 2: a home. 329 00:17:49,600 --> 00:17:50,280 Speaker 3: This might be good. 330 00:17:50,720 --> 00:17:55,000 Speaker 2: And then she gives birth shortly after the move, and 331 00:17:55,040 --> 00:17:58,960 Speaker 2: then she gets postpartum you know, depression. The whole movie 332 00:17:59,040 --> 00:18:03,639 Speaker 2: is about her postpartum depression and the symptoms, and you know, 333 00:18:03,680 --> 00:18:08,040 Speaker 2: the terrible life that she has after that occurs. So 334 00:18:08,040 --> 00:18:10,440 Speaker 2: it's a disease movie. Basically, if you're going to see 335 00:18:10,480 --> 00:18:13,200 Speaker 2: Die My Love, you're going to see a disease movie. 336 00:18:13,600 --> 00:18:15,320 Speaker 2: All right, do you want to see a disease movie? 337 00:18:15,359 --> 00:18:18,160 Speaker 2: It should be said, it should be promoted as Die 338 00:18:18,240 --> 00:18:22,439 Speaker 2: My Love. Jennifer Lawrence, Robert Pattinson in a disease movie, Okay. 339 00:18:22,520 --> 00:18:24,560 Speaker 2: And it's also a disease that they kind of exploit 340 00:18:25,840 --> 00:18:26,840 Speaker 2: for their profit. 341 00:18:27,200 --> 00:18:29,640 Speaker 1: What was the disease by It's a. 342 00:18:29,560 --> 00:18:31,120 Speaker 3: Postpartum depression, that was it. 343 00:18:31,560 --> 00:18:33,920 Speaker 2: Yeah, And it's just like, hey, look at all the 344 00:18:34,000 --> 00:18:37,560 Speaker 2: drama we can get out of postpartum depression. And people have, 345 00:18:38,160 --> 00:18:40,679 Speaker 2: people are are that have that are more than just 346 00:18:41,119 --> 00:18:46,120 Speaker 2: a bunch of you know, horrible incidents that destroy their 347 00:18:46,119 --> 00:18:49,000 Speaker 2: marriages and mental illnesses. 348 00:18:49,560 --> 00:18:53,679 Speaker 3: Is you know, it can be funny if. 349 00:18:53,560 --> 00:18:56,240 Speaker 2: It's done in a certain way, and they this, you know, 350 00:18:56,280 --> 00:18:58,320 Speaker 2: are entertaining if it's done in a certain way. 351 00:18:58,560 --> 00:19:02,359 Speaker 3: This was I felt as exploit. And let's take a 352 00:19:02,400 --> 00:19:03,080 Speaker 3: break and we come back. 353 00:19:03,160 --> 00:19:06,160 Speaker 2: Let's talk about the other people that hate this movie 354 00:19:06,720 --> 00:19:10,120 Speaker 2: called Die My Love On Joe's Golante and Live from Hollywood. 355 00:19:11,000 --> 00:19:15,320 Speaker 3: Joe's Golante, Live from Hollywood. This is the. 356 00:19:14,400 --> 00:19:16,439 Speaker 2: Show that brings you two hours of the business End 357 00:19:16,480 --> 00:19:20,000 Speaker 2: of Show Business every Sunday on k eib leven fifty 358 00:19:20,000 --> 00:19:22,320 Speaker 2: on your AM dial, and we're talking about the worst 359 00:19:22,320 --> 00:19:24,800 Speaker 2: movie of twenty twenty five which has finally been released. 360 00:19:24,840 --> 00:19:30,080 Speaker 3: It is Jennifer Lawrence and Robert Pattinson and Die My Love. Now. 361 00:19:33,560 --> 00:19:41,760 Speaker 3: This movie is a it's a tragedy. 362 00:19:42,200 --> 00:19:44,159 Speaker 2: She was in another movie about a burning like a 363 00:19:44,200 --> 00:19:45,520 Speaker 2: witch and the house burning down. 364 00:19:45,600 --> 00:19:48,760 Speaker 3: It was terrible. She gets herself into these situations. 365 00:19:50,520 --> 00:19:56,040 Speaker 4: So it's a psychological thriller, dark comedy. Yeah, what it's 366 00:19:56,119 --> 00:19:56,920 Speaker 4: trying to be at. 367 00:19:56,960 --> 00:20:00,560 Speaker 2: Least, Yeah, that's what they're trying to see to do. 368 00:20:00,760 --> 00:20:05,520 Speaker 2: And it's like, I think it's it's got a few interesting, 369 00:20:05,720 --> 00:20:08,560 Speaker 2: you know, characters in it, like Sissy Space is in it. 370 00:20:09,520 --> 00:20:11,400 Speaker 3: Nick Nolty's in it. Although I didn't know it. 371 00:20:11,320 --> 00:20:14,560 Speaker 1: Was him, he probably either. 372 00:20:15,119 --> 00:20:15,400 Speaker 3: I think. 373 00:20:15,440 --> 00:20:18,600 Speaker 2: So three quarters of the film went through and I go, 374 00:20:18,800 --> 00:20:24,320 Speaker 2: I don't know who. I know that's somebody, but I 375 00:20:24,320 --> 00:20:27,640 Speaker 2: couldn't recognize it because it's a guy. He's got Alzheimer's too, 376 00:20:27,680 --> 00:20:30,399 Speaker 2: So throw that disease in there a little bit for 377 00:20:30,480 --> 00:20:32,359 Speaker 2: good measure, but. 378 00:20:36,040 --> 00:20:38,160 Speaker 3: Or just awful. 379 00:20:40,040 --> 00:20:42,160 Speaker 1: You don't see very pleased with this film. 380 00:20:42,440 --> 00:20:45,159 Speaker 2: Who else didn't like it. It's gotten Martin Scorsese attached 381 00:20:45,200 --> 00:20:46,920 Speaker 2: to it. But he'll put his name on anything these days. 382 00:20:47,000 --> 00:20:51,680 Speaker 2: I've noticed, so something's going on with him. I don't 383 00:20:51,680 --> 00:20:52,280 Speaker 2: know what it is. 384 00:20:52,840 --> 00:20:54,400 Speaker 3: Distributed by movie. 385 00:20:54,760 --> 00:20:59,080 Speaker 2: It's funny because there's good like uh A twenty four 386 00:20:59,400 --> 00:21:04,240 Speaker 2: and Neon good distributors. You can kind of depend on 387 00:21:04,280 --> 00:21:06,440 Speaker 2: those movies. But they were all out bid or I 388 00:21:06,440 --> 00:21:07,680 Speaker 2: don't know if they bid at all. But there was 389 00:21:07,720 --> 00:21:10,920 Speaker 2: an enormous amount of money paid for this at the 390 00:21:10,920 --> 00:21:11,600 Speaker 2: film festival. 391 00:21:11,680 --> 00:21:14,520 Speaker 3: Can I guess it would be twenty four million dollars. 392 00:21:14,520 --> 00:21:17,560 Speaker 2: Someone paid shelled out for it, which is a high 393 00:21:17,560 --> 00:21:19,399 Speaker 2: price for a film that goes on the block like that. 394 00:21:21,240 --> 00:21:25,679 Speaker 2: But I hope they lose every penny. I hope it 395 00:21:25,680 --> 00:21:29,399 Speaker 2: takes this company down. This is what people are saying, 396 00:21:30,920 --> 00:21:34,400 Speaker 2: misery for misery's sake. Two hours of watching someone unravel 397 00:21:34,760 --> 00:21:39,439 Speaker 2: with no meaning behind it. They wallow in depression, not 398 00:21:39,520 --> 00:21:43,080 Speaker 2: a story. I think that's pretty accurate. They're just wallowing 399 00:21:43,080 --> 00:21:45,480 Speaker 2: in depression. You don't want to go there. Jennifer Lawrence 400 00:21:45,560 --> 00:21:48,800 Speaker 2: is great, but the movie goes nowhere. That's another headline 401 00:21:49,520 --> 00:21:53,120 Speaker 2: from some critics. People who don't like it. They praise 402 00:21:53,200 --> 00:21:56,600 Speaker 2: Jennifer Lawrence. She's great in it, don't get me wrong, 403 00:21:57,080 --> 00:21:59,639 Speaker 2: but she made a big mistake bringing this to the screen. 404 00:22:00,320 --> 00:22:06,720 Speaker 2: It lacks plot, progression, circles the same emotional beats, never 405 00:22:06,800 --> 00:22:08,760 Speaker 2: answers the question why am I watching this? 406 00:22:09,880 --> 00:22:12,680 Speaker 4: And that's an important question that should be the first 407 00:22:12,720 --> 00:22:16,600 Speaker 4: thing that gets answered when they think that's. 408 00:22:16,400 --> 00:22:18,439 Speaker 2: Why I left, because I'm like, why am I watching this? 409 00:22:18,600 --> 00:22:25,000 Speaker 2: Why am I indulging these people in their dramatization of 410 00:22:25,080 --> 00:22:28,960 Speaker 2: mental illness? It has no purpose. First of all, these 411 00:22:29,000 --> 00:22:31,320 Speaker 2: people move into this house. You don't know where the 412 00:22:31,359 --> 00:22:33,639 Speaker 2: house is because you know they're trying to be clever, like, well, 413 00:22:33,680 --> 00:22:36,520 Speaker 2: I wonder where this house is, Okay, I wonder where 414 00:22:36,560 --> 00:22:38,520 Speaker 2: they came from. All you see on their license plates 415 00:22:38,520 --> 00:22:40,840 Speaker 2: they came from New York, I guess. 416 00:22:41,400 --> 00:22:43,879 Speaker 3: And then you go, oh, look, I'm pissing. I'm piercing 417 00:22:44,560 --> 00:22:45,360 Speaker 3: the puzzle. 418 00:22:45,040 --> 00:22:48,239 Speaker 2: Together and finding out, you know, more and more about them, 419 00:22:48,280 --> 00:22:50,960 Speaker 2: But I never really do. They just start fighting, and 420 00:22:51,320 --> 00:22:56,119 Speaker 2: not believe fighting, they just start being having sex all 421 00:22:56,119 --> 00:23:01,080 Speaker 2: the time, okay, And she's a sex at it. And 422 00:23:01,520 --> 00:23:07,879 Speaker 2: obviously we're looking at someone who had some abuse problems 423 00:23:10,400 --> 00:23:13,600 Speaker 2: earlier in her life. Now, if you want to do 424 00:23:13,760 --> 00:23:18,480 Speaker 2: abuse earlier in your life, you should, you should do it. 425 00:23:19,880 --> 00:23:20,120 Speaker 3: Okay. 426 00:23:20,119 --> 00:23:23,440 Speaker 2: I can't even remember the movie I saw recently where 427 00:23:24,400 --> 00:23:29,320 Speaker 2: the guys like You're trying to figure out everything that happened. 428 00:23:28,920 --> 00:23:31,400 Speaker 3: With this guy. What's the you know, what's it? What's 429 00:23:31,440 --> 00:23:31,840 Speaker 3: it like? 430 00:23:31,960 --> 00:23:35,639 Speaker 2: And then and then he gets pulled over by a 431 00:23:35,680 --> 00:23:45,959 Speaker 2: cop and the cop says, hey, how you doing these days? 432 00:23:46,600 --> 00:23:54,320 Speaker 3: Well I'm doing okay. Well, I'm really sorry what happened 433 00:23:54,480 --> 00:23:58,160 Speaker 3: back when I was your babysitter, Because that's okay, dude, 434 00:23:58,359 --> 00:24:00,000 Speaker 3: I don't care about anymore. I don't care about it. 435 00:24:00,280 --> 00:24:03,600 Speaker 2: That was that kidnap movie where they kidnapped the girl. 436 00:24:06,119 --> 00:24:09,000 Speaker 2: I think we talked about it last week. They kidnapped 437 00:24:09,040 --> 00:24:14,280 Speaker 2: the the the girl that's the head of the CEO 438 00:24:14,600 --> 00:24:19,320 Speaker 2: in the the town and she. 439 00:24:20,920 --> 00:24:23,520 Speaker 3: Is an alien or he thinks she's nailing. 440 00:24:23,840 --> 00:24:26,679 Speaker 4: Okay, did we talk about that movie? No, this is 441 00:24:26,840 --> 00:24:30,600 Speaker 4: like all new to me, and now I'm intrigued. Oh 442 00:24:30,640 --> 00:24:33,600 Speaker 4: that's right, Begonia. Yes, we did talk about this one. 443 00:24:33,480 --> 00:24:36,000 Speaker 2: Okay, but going you treated this subject pretty interestingly because 444 00:24:36,000 --> 00:24:37,960 Speaker 2: then this guy's just trying to pull a caper in 445 00:24:38,040 --> 00:24:41,760 Speaker 2: his hometown and this cops pulling pulled him over and said, I'm. 446 00:24:41,640 --> 00:24:43,359 Speaker 3: Really sorry what happened when I was your babysitter. 447 00:24:43,400 --> 00:24:45,560 Speaker 2: Man, you know, really it's okay, man, it's all the 448 00:24:45,560 --> 00:24:47,119 Speaker 2: past worry about man, you know, let me go. 449 00:24:47,480 --> 00:24:50,479 Speaker 3: Okay, man, are you still doing okay? Okay. I'll come 450 00:24:50,520 --> 00:24:52,760 Speaker 3: by and see you sometimes. And then he's like, oh God. 451 00:24:52,840 --> 00:24:54,879 Speaker 2: And then he comes by and this guy's got a 452 00:24:54,920 --> 00:24:57,320 Speaker 2: woman hit in his basement and the guy that used 453 00:24:57,320 --> 00:25:00,439 Speaker 2: to molest him in town is the babysitter is like 454 00:25:01,000 --> 00:25:03,400 Speaker 2: a cop and he's just coming over to like say 455 00:25:03,400 --> 00:25:06,639 Speaker 2: he's really sorry for molesting him. And and it's just 456 00:25:06,720 --> 00:25:08,520 Speaker 2: kind of a town where you could see like molestation 457 00:25:08,600 --> 00:25:13,560 Speaker 2: would would would just kind of someone would get away 458 00:25:13,560 --> 00:25:15,119 Speaker 2: with it and then it would just like this kid 459 00:25:15,160 --> 00:25:17,439 Speaker 2: doesn't want to talk about it. The CoP's not going 460 00:25:17,440 --> 00:25:19,200 Speaker 2: to turn himself in, so he's only just but he's 461 00:25:19,280 --> 00:25:21,440 Speaker 2: riddled with guilt about it. And there's a baby, there's 462 00:25:21,440 --> 00:25:27,400 Speaker 2: a person hiding in the basement. Now that is you know, fascinating, 463 00:25:28,160 --> 00:25:31,680 Speaker 2: and this die my love, it is just. 464 00:25:33,480 --> 00:25:33,920 Speaker 3: Stupid. 465 00:25:34,119 --> 00:25:37,800 Speaker 4: Sounds like it sounds like it was exploitive of mental 466 00:25:37,840 --> 00:25:40,159 Speaker 4: health and like it was trying to do psychological thrilling 467 00:25:40,359 --> 00:25:43,560 Speaker 4: by kind of just exploiting psychology. 468 00:25:43,880 --> 00:25:45,679 Speaker 3: You're thrilled for what, like, you know, oh, what are 469 00:25:45,680 --> 00:25:47,280 Speaker 3: they doing? Now? They're having sex again? 470 00:25:47,560 --> 00:25:48,879 Speaker 2: All right, well now, and then all of a sudden 471 00:25:48,880 --> 00:25:50,800 Speaker 2: at some point, oh, they're not having sex. So I 472 00:25:50,800 --> 00:25:53,240 Speaker 2: think this is the point. They were having wild sex 473 00:25:54,359 --> 00:25:56,840 Speaker 2: and then she had a baby, and then they were 474 00:25:56,880 --> 00:26:00,800 Speaker 2: not having sex. Oh no, and and that was the 475 00:26:01,359 --> 00:26:03,320 Speaker 2: whole arc pretty much. 476 00:26:03,520 --> 00:26:07,320 Speaker 4: So basically it's just adult life for people who become parents. 477 00:26:07,800 --> 00:26:10,080 Speaker 2: Yes, And these people happen to be in an old 478 00:26:10,119 --> 00:26:13,200 Speaker 2: house they inherited in Montana, and maybe their fishes out 479 00:26:13,200 --> 00:26:16,440 Speaker 2: of water. And then some black guy on a motorcycle 480 00:26:16,520 --> 00:26:18,840 Speaker 2: keeps coming by, and she keeps either having sex with 481 00:26:18,880 --> 00:26:22,400 Speaker 2: them or fascinating about having sex with them. You can't tell, 482 00:26:22,840 --> 00:26:25,119 Speaker 2: and you can't tell what the fantasy parts are what 483 00:26:25,160 --> 00:26:28,600 Speaker 2: the reality parts are, and you don't. You don't like 484 00:26:28,680 --> 00:26:30,840 Speaker 2: these people, and you had they didn't give you one 485 00:26:31,280 --> 00:26:35,960 Speaker 2: thing to grab onto to maybe like them or have 486 00:26:36,040 --> 00:26:40,480 Speaker 2: some connection to them. It never happened. You have no 487 00:26:40,560 --> 00:26:45,080 Speaker 2: idea what this director wants you to feel, but definitely 488 00:26:46,000 --> 00:26:49,160 Speaker 2: they sum it up in this one review, Oscar Bait 489 00:26:49,240 --> 00:26:50,600 Speaker 2: disguised as an indie film. 490 00:26:51,400 --> 00:26:52,920 Speaker 3: Hum, so. 491 00:26:55,320 --> 00:27:01,159 Speaker 2: That's it for Die, Die my love. I did see 492 00:27:01,359 --> 00:27:04,440 Speaker 2: some good stuff in the streaming world. Have you seen 493 00:27:04,480 --> 00:27:05,240 Speaker 2: The Chair Company? 494 00:27:05,920 --> 00:27:08,840 Speaker 1: No, this is a thing. 495 00:27:10,040 --> 00:27:10,240 Speaker 3: Yeah. 496 00:27:10,240 --> 00:27:16,399 Speaker 2: The Chair Company is a It's a film about a 497 00:27:16,400 --> 00:27:18,679 Speaker 2: guy who does not work at a chair company, but 498 00:27:18,800 --> 00:27:21,919 Speaker 2: he is obsessed with a chair company and he's going 499 00:27:22,000 --> 00:27:24,520 Speaker 2: to get to the bottom of the mystery of the 500 00:27:24,600 --> 00:27:28,840 Speaker 2: Chair Company. You haven't heard of this Tim Robinson that's 501 00:27:28,920 --> 00:27:30,600 Speaker 2: known as the guy from I Think You Should Leave. 502 00:27:31,080 --> 00:27:34,399 Speaker 4: No, this sounds I mean, of all the premises that 503 00:27:34,400 --> 00:27:36,639 Speaker 4: you could come up with a chair company to be 504 00:27:36,720 --> 00:27:37,560 Speaker 4: fascinated about. 505 00:27:37,680 --> 00:27:38,760 Speaker 1: I'm curious now. 506 00:27:39,040 --> 00:27:41,800 Speaker 2: He plays Ron Trosper, a middle aged manager or a 507 00:27:41,840 --> 00:27:46,840 Speaker 2: middle manager who's embarrassment over a malfunctioning office chair spirals. 508 00:27:46,359 --> 00:27:48,200 Speaker 3: Into a full blown corporate conspiracy. 509 00:27:48,640 --> 00:27:54,480 Speaker 2: The tone mixers workplace satire with surreal mystery, which you 510 00:27:54,520 --> 00:27:58,440 Speaker 2: know it's cringe comedy because this guy's like a cringe guy. 511 00:27:58,480 --> 00:28:01,479 Speaker 2: He's just, you know, Okay, everything's uncomfortable for this guy. 512 00:28:01,560 --> 00:28:03,800 Speaker 2: It's produced it's a TV show by A twenty four 513 00:28:03,920 --> 00:28:06,159 Speaker 2: in partnership with HBO, so you know it's going to 514 00:28:06,240 --> 00:28:09,720 Speaker 2: be good. So is the chair Company, although it does 515 00:28:09,880 --> 00:28:11,600 Speaker 2: like to do the same thing over and over and 516 00:28:11,600 --> 00:28:12,359 Speaker 2: over and over again. 517 00:28:12,760 --> 00:28:14,040 Speaker 3: But like this show. 518 00:28:14,359 --> 00:28:16,600 Speaker 2: So let's take a break and listen to commercials and 519 00:28:17,200 --> 00:28:19,000 Speaker 2: we'll come back on. Joe Scilante Lyne. 520 00:28:18,840 --> 00:28:52,840 Speaker 3: From Hollywood Award winning that's true. Thank you everybody. I 521 00:28:52,880 --> 00:28:55,959 Speaker 3: want to thank the people of the New Year, the 522 00:28:56,000 --> 00:29:00,720 Speaker 3: New Part Beat Film Festival. I want to thank my director. 523 00:29:01,920 --> 00:29:06,400 Speaker 2: I'm going to thank my editor pieced together my story, 524 00:29:06,520 --> 00:29:09,920 Speaker 2: you know, on the so you can see the film 525 00:29:10,200 --> 00:29:14,440 Speaker 2: that I wrote and produced at the Bay Theater on 526 00:29:14,480 --> 00:29:17,680 Speaker 2: November twenty ninth, they're doing another showing of it. Every 527 00:29:17,680 --> 00:29:20,880 Speaker 2: time I plays there it sells out. And so November 528 00:29:20,880 --> 00:29:23,600 Speaker 2: twenty nine, think the Bay Theater and all I did 529 00:29:23,640 --> 00:29:27,320 Speaker 2: with this movie really is the guy the director had 530 00:29:27,360 --> 00:29:29,600 Speaker 2: it done and it was an hour long, and. 531 00:29:29,520 --> 00:29:30,480 Speaker 3: He thought it should be. 532 00:29:31,200 --> 00:29:34,440 Speaker 2: He thought someone told him direct documentaries, the feature documentary 533 00:29:34,480 --> 00:29:35,520 Speaker 2: should be one hour long. 534 00:29:37,400 --> 00:29:39,040 Speaker 1: Most of them are a little longer from what I've 535 00:29:39,080 --> 00:29:39,680 Speaker 1: heard and seen. 536 00:29:40,360 --> 00:29:42,480 Speaker 3: Yeah, they're ninety minutes. A feature film is twenty minutes. 537 00:29:42,640 --> 00:29:44,160 Speaker 3: And I'm like, I was thinking, who told you this? 538 00:29:44,680 --> 00:29:46,680 Speaker 2: I don't know. I go it's gonna be ninety minutes 539 00:29:46,680 --> 00:29:48,480 Speaker 2: because it'll be too boring. It's just a bunch of 540 00:29:48,520 --> 00:29:51,440 Speaker 2: surfing and the surf shops. It's about the world's oldest 541 00:29:51,800 --> 00:29:55,680 Speaker 2: and longest running surf store in the in the world, 542 00:29:56,400 --> 00:30:01,200 Speaker 2: Harbor Surf in Main Street and Seal Beach, my hometown here, 543 00:30:01,720 --> 00:30:04,400 Speaker 2: and you probably have seen the T shirts, maybe the 544 00:30:04,440 --> 00:30:07,680 Speaker 2: stickers on the cars. It's quite a legendary story, but 545 00:30:07,680 --> 00:30:09,560 Speaker 2: it's a small time story. It's a very small story, 546 00:30:10,040 --> 00:30:14,480 Speaker 2: you know, from its regional. So the trick was, how 547 00:30:14,480 --> 00:30:18,720 Speaker 2: do we make it ninety minutes without making it like 548 00:30:18,760 --> 00:30:21,120 Speaker 2: the director fear and would be too boring, you know, 549 00:30:21,200 --> 00:30:23,960 Speaker 2: too much surfing, too much of this surf shop. 550 00:30:24,000 --> 00:30:24,920 Speaker 3: Who cares? 551 00:30:25,600 --> 00:30:29,240 Speaker 2: So to me, what I did is I turned it 552 00:30:29,240 --> 00:30:32,680 Speaker 2: into a movie that was well, this is remarkable that 553 00:30:32,760 --> 00:30:35,640 Speaker 2: this happened, and it could only happen in Seal Beach, 554 00:30:36,160 --> 00:30:42,240 Speaker 2: and here's why. So that's the story we weave in. 555 00:30:40,880 --> 00:30:46,000 Speaker 2: The mythology of the story of Seal Beach was quite interesting. 556 00:30:46,040 --> 00:30:50,720 Speaker 4: I have a hard time finding, like I mean, really 557 00:30:51,080 --> 00:30:54,840 Speaker 4: one of the most legendary documentaries about surfing is Endless Summer, 558 00:30:55,160 --> 00:30:58,200 Speaker 4: where they go and serve it like it's endlessly. 559 00:30:57,840 --> 00:31:02,800 Speaker 1: Surfing in the entire and like even one of them was. 560 00:31:02,920 --> 00:31:05,840 Speaker 4: One of the most famous moments from the film is 561 00:31:05,840 --> 00:31:07,880 Speaker 4: when they found a wave that they could keep riding 562 00:31:07,920 --> 00:31:11,560 Speaker 4: for an hour, you know, and that was I don't know, 563 00:31:12,160 --> 00:31:15,440 Speaker 4: I don't know how somebody can feel like a surf 564 00:31:15,480 --> 00:31:18,920 Speaker 4: documentary with more with just people surfing and it would 565 00:31:18,920 --> 00:31:21,120 Speaker 4: be considered boring when that's what people come to see. 566 00:31:21,680 --> 00:31:27,760 Speaker 2: Well, this guy is smart because Seal Beach and has 567 00:31:29,160 --> 00:31:32,880 Speaker 2: small waves and nobody wants to see ninety minutes of 568 00:31:32,920 --> 00:31:36,080 Speaker 2: Seal Beach waves. So you got to take the story 569 00:31:36,080 --> 00:31:38,440 Speaker 2: of the Seal Beach boards and you go out and 570 00:31:38,520 --> 00:31:40,880 Speaker 2: you find big waves. But this guy is not a 571 00:31:40,880 --> 00:31:45,720 Speaker 2: big waves surf photographer, which would come from or He's 572 00:31:45,720 --> 00:31:47,720 Speaker 2: not going to travel the world like Bruce Brown did 573 00:31:47,760 --> 00:31:54,320 Speaker 2: in the in the Summer. It's not going to do that. 574 00:31:54,320 --> 00:31:57,440 Speaker 2: That's that's just not going to happen. So he's trying 575 00:31:57,440 --> 00:31:59,600 Speaker 2: to tell the story and he has to do it 576 00:31:59,600 --> 00:32:03,920 Speaker 2: with these of you know, smaller waves and this you know, 577 00:32:04,520 --> 00:32:05,920 Speaker 2: small story, but a story. 578 00:32:05,720 --> 00:32:06,840 Speaker 3: With a lot of heart. 579 00:32:07,080 --> 00:32:13,040 Speaker 2: Sam And so he was right, that just needed something different. 580 00:32:13,080 --> 00:32:15,120 Speaker 2: But Seal Beach is a town to where like this 581 00:32:15,200 --> 00:32:18,120 Speaker 2: is they call it the Mayberry by the sea. It's 582 00:32:18,240 --> 00:32:22,160 Speaker 2: very slot quiet and sleepy. The main street hasn't changed 583 00:32:22,800 --> 00:32:26,040 Speaker 2: in Some main streets haven't changed in hundreds of years 584 00:32:26,120 --> 00:32:30,080 Speaker 2: or whatever. This main street hasn't changed in you know, 585 00:32:30,160 --> 00:32:32,800 Speaker 2: maybe seventy years, sixty years. 586 00:32:33,280 --> 00:32:36,240 Speaker 3: But that's quite remarkable in California. 587 00:32:36,640 --> 00:32:39,240 Speaker 2: Like if you go to Huntington Beach's main street, you 588 00:32:39,280 --> 00:32:44,040 Speaker 2: know they've redone the whole thing in some like stucco nightmare, 589 00:32:44,600 --> 00:32:47,800 Speaker 2: you know, like even before the dot com boom generated 590 00:32:47,840 --> 00:32:50,160 Speaker 2: a bunch of money to even do things like that correctly. 591 00:32:51,000 --> 00:32:54,680 Speaker 2: And so it's just it's it's not as cool as 592 00:32:54,720 --> 00:32:56,320 Speaker 2: this when you come to this place. It just looks 593 00:32:56,320 --> 00:33:02,120 Speaker 2: like the nineteen sixties and it's quiet. The streets roll 594 00:33:02,240 --> 00:33:08,240 Speaker 2: up at eight thirty four, Irish bars stay open, and 595 00:33:09,640 --> 00:33:16,800 Speaker 2: the history of the town is one of alcohol, illegal 596 00:33:16,800 --> 00:33:19,840 Speaker 2: alcohol sales, gambling, and prostitution. 597 00:33:20,400 --> 00:33:24,880 Speaker 3: All right, Yes, amusement parks. So that's the. 598 00:33:24,840 --> 00:33:26,480 Speaker 1: Interesting part, fun for everyone. 599 00:33:26,960 --> 00:33:30,920 Speaker 2: Yeah, So the Yeah and the Bay Theater I went 600 00:33:30,960 --> 00:33:35,719 Speaker 2: to see Two nights ago, I went to see A 601 00:33:35,760 --> 00:33:40,560 Speaker 2: Fistful of Dollars Sergio Leoni movie of Clint Eastwood, the 602 00:33:40,600 --> 00:33:43,760 Speaker 2: first of the Dollars trilogy. A Fistful of dollars for 603 00:33:43,840 --> 00:33:46,040 Speaker 2: a few dollars more, and Good, Bad, and the Ugly 604 00:33:46,640 --> 00:33:49,240 Speaker 2: is the first one. Clint Eastwood is amazing in it. 605 00:33:49,320 --> 00:33:51,680 Speaker 2: It's just so iconic. He's just an icon on the 606 00:33:51,720 --> 00:33:54,840 Speaker 2: screen at all times. This Guy's ninety five is still living. 607 00:33:56,080 --> 00:33:58,040 Speaker 2: It's kind of a remake of Yo Jimbo, which is 608 00:33:58,080 --> 00:34:02,240 Speaker 2: playing played at the Bay today. The Bay Theater is 609 00:34:02,280 --> 00:34:08,120 Speaker 2: the most beautifully restored, like you know, art house. I 610 00:34:08,120 --> 00:34:09,879 Speaker 2: guess it's kind of like you know where they show 611 00:34:09,920 --> 00:34:11,400 Speaker 2: different movies every No, I don't know what you call that, 612 00:34:11,600 --> 00:34:15,920 Speaker 2: like a revival theater, that's what it's a revival house. 613 00:34:15,920 --> 00:34:19,840 Speaker 2: And they also have live concerts there. So if you 614 00:34:19,880 --> 00:34:24,040 Speaker 2: go to the Google and look up the Bay Theater 615 00:34:24,080 --> 00:34:27,799 Speaker 2: and Seal Beach and find a movie that you want 616 00:34:27,840 --> 00:34:30,360 Speaker 2: to see again or from your past, or something you 617 00:34:30,360 --> 00:34:32,640 Speaker 2: haven't seen, and you're going to be sitting in the 618 00:34:32,640 --> 00:34:37,160 Speaker 2: most beautiful, beautifully restored theater that you've ever seen. 619 00:34:37,680 --> 00:34:40,200 Speaker 3: And the screen the. 620 00:34:39,600 --> 00:34:44,879 Speaker 2: Fistful of Dollars was full wide screen like CinemaScope, which 621 00:34:45,040 --> 00:34:48,640 Speaker 2: most of the films like I see lately don't like 622 00:34:48,760 --> 00:34:51,480 Speaker 2: that one, the one I just talked about. The worst 623 00:34:51,480 --> 00:34:53,399 Speaker 2: movie twenty twenty five that's shot in like a one 624 00:34:53,600 --> 00:34:56,759 Speaker 2: thirty one ratio. That's like, it's like a box on 625 00:34:56,800 --> 00:34:59,680 Speaker 2: your screen, got black lines on either side of the 626 00:34:59,719 --> 00:35:01,719 Speaker 2: screen in a in a modern theater, and you're like, 627 00:35:01,719 --> 00:35:04,040 Speaker 2: why is this? Why doesn't he even this movie today? 628 00:35:04,320 --> 00:35:07,920 Speaker 2: In twenty twenty five? Fill that screen you take you 629 00:35:07,960 --> 00:35:09,640 Speaker 2: go to see a classic film at the Bay Theater. 630 00:35:09,719 --> 00:35:13,520 Speaker 2: It's gonna fill that screen. Sound is wonderful and I 631 00:35:13,560 --> 00:35:16,439 Speaker 2: can't recommend it enough. What a date night for you 632 00:35:16,520 --> 00:35:19,520 Speaker 2: and your lady, That's what I say. Are you and 633 00:35:19,560 --> 00:35:24,880 Speaker 2: your man whoever, whatever, whatever situation you're in, all right, 634 00:35:24,960 --> 00:35:26,960 Speaker 2: let's move on a little bit. I'm gonna skip Frankenstein 635 00:35:26,960 --> 00:35:30,359 Speaker 2: from Giermo del Toro because we'll talk about it later, 636 00:35:30,640 --> 00:35:31,480 Speaker 2: maybe next week. 637 00:35:31,920 --> 00:35:33,480 Speaker 3: I don't really finished it because it's not it's it's 638 00:35:33,480 --> 00:35:33,719 Speaker 3: a movie. 639 00:35:33,760 --> 00:35:34,879 Speaker 2: As soon as you watch it, you go, this would 640 00:35:34,920 --> 00:35:37,560 Speaker 2: be in the theater, So it's it looks so amazing, 641 00:35:37,640 --> 00:35:38,399 Speaker 2: it should be in the theater. 642 00:35:38,440 --> 00:35:40,120 Speaker 3: Why is it on Netflix? Why didn't I get to 643 00:35:40,120 --> 00:35:42,160 Speaker 3: see it in the theater? So you got to start 644 00:35:42,160 --> 00:35:47,400 Speaker 3: from there. Let's go to the usual stuff. 645 00:35:49,520 --> 00:35:54,879 Speaker 2: Kim Kardashian and Chris Jenner are suing there's still still 646 00:35:54,960 --> 00:35:59,120 Speaker 2: same lawsuit over the sex tape they had. And if 647 00:35:59,160 --> 00:36:01,000 Speaker 2: you look into this, you know, I think we all 648 00:36:01,000 --> 00:36:03,680 Speaker 2: fought like, oh, she has sex tape got leaked somewhere, 649 00:36:04,160 --> 00:36:06,319 Speaker 2: the poor dear, but it made her career and now 650 00:36:06,360 --> 00:36:10,160 Speaker 2: she's famous and rich and beautifuls Okay. But but if 651 00:36:10,160 --> 00:36:12,359 Speaker 2: you read the stuff of this lawsuit, it turns out 652 00:36:13,400 --> 00:36:19,720 Speaker 2: that they concocted the whole thing, ray j A the person, 653 00:36:19,840 --> 00:36:23,640 Speaker 2: the other the mail in the thing they had this 654 00:36:23,800 --> 00:36:26,760 Speaker 2: they filmed themselves having sex. Then they thought, what should 655 00:36:26,760 --> 00:36:29,440 Speaker 2: we do with it? It's pretty good, and then together 656 00:36:29,520 --> 00:36:32,640 Speaker 2: with Chris Janner, they said, okay, we'll release it and 657 00:36:32,680 --> 00:36:35,719 Speaker 2: then we'll make up a fake story that Kim is 658 00:36:35,760 --> 00:36:39,120 Speaker 2: a victim and she didn't want to get released, release it, 659 00:36:39,160 --> 00:36:42,680 Speaker 2: and she'll file a fake lawsuit against you, and we'll 660 00:36:42,680 --> 00:36:44,759 Speaker 2: come up with a settlement. And they did, and they 661 00:36:44,760 --> 00:36:48,080 Speaker 2: gave him six million dollars, and that's the truth. Evidently 662 00:36:49,000 --> 00:36:50,840 Speaker 2: he got. And then he got the six million dollars 663 00:36:51,000 --> 00:36:54,360 Speaker 2: and then he sued them now and said, wait, a 664 00:36:54,440 --> 00:36:56,480 Speaker 2: second part of this thing is you weren't supposed to 665 00:36:56,520 --> 00:36:59,400 Speaker 2: talk about it in the Kardashian TV shows, and you did, 666 00:36:59,880 --> 00:37:02,439 Speaker 2: so I'm suing you, and they're like, well, I've got 667 00:37:02,440 --> 00:37:04,000 Speaker 2: some I'm mad at you for something else, so I'm 668 00:37:04,040 --> 00:37:07,440 Speaker 2: countersuing you. And now they're in the news again. So 669 00:37:07,600 --> 00:37:09,520 Speaker 2: now this looks like a real lawsuit, like he's mad 670 00:37:09,520 --> 00:37:11,080 Speaker 2: at them. He's saying, you're just doing this for publicity. 671 00:37:11,120 --> 00:37:11,880 Speaker 3: This is BS. 672 00:37:12,719 --> 00:37:14,880 Speaker 2: I don't know, but he started it, so who knows. 673 00:37:15,400 --> 00:37:21,319 Speaker 2: All right, so that's it's educational. Yeah, okay, for the 674 00:37:21,360 --> 00:37:24,640 Speaker 2: purposes of this show. There's a very important lawsuit that 675 00:37:24,760 --> 00:37:30,239 Speaker 2: was actually legally fully litigated where a guy to sue 676 00:37:30,239 --> 00:37:31,799 Speaker 2: the Rock and Roll Hall of Fame because they used 677 00:37:31,800 --> 00:37:34,040 Speaker 2: one of his pictures and they didn't get permission, and 678 00:37:34,040 --> 00:37:36,480 Speaker 2: we all know that you can't do that. But the 679 00:37:36,600 --> 00:37:39,640 Speaker 2: judge the Rock and Roll Hall of Fame argued, of course, 680 00:37:39,920 --> 00:37:43,160 Speaker 2: this is fair use. It is a transformative use of 681 00:37:43,280 --> 00:37:43,880 Speaker 2: his picture. 682 00:37:44,239 --> 00:37:45,200 Speaker 3: It used to be just. 683 00:37:45,160 --> 00:37:49,680 Speaker 2: A photo to promote a band, Eddie van Halen in 684 00:37:49,719 --> 00:37:54,279 Speaker 2: the Van Halen Band. But now it's a historical artifact 685 00:37:54,719 --> 00:38:00,080 Speaker 2: and qualified for fair use because it really demonstrates the 686 00:38:00,080 --> 00:38:03,760 Speaker 2: the times in the historical context of rock and roll 687 00:38:04,760 --> 00:38:07,480 Speaker 2: at the time I was taken. I cannot believe this 688 00:38:07,640 --> 00:38:10,440 Speaker 2: argument work but it did. So this is good for 689 00:38:10,719 --> 00:38:13,200 Speaker 2: museums that are trying to just say, you know, this 690 00:38:13,239 --> 00:38:17,200 Speaker 2: is a whole picture we got. And I'm not saying 691 00:38:17,200 --> 00:38:19,400 Speaker 2: this is the right decision, but it'll help museums to 692 00:38:19,480 --> 00:38:22,000 Speaker 2: fight off people who are just thinking they if they 693 00:38:22,040 --> 00:38:25,040 Speaker 2: see their picture somewhere, they can sue when they really 694 00:38:25,080 --> 00:38:25,920 Speaker 2: don't have damages. 695 00:38:27,760 --> 00:38:28,719 Speaker 1: That's fascinating. 696 00:38:29,080 --> 00:38:29,279 Speaker 3: Yeah. 697 00:38:29,760 --> 00:38:32,239 Speaker 2: I sent it over to the Punk Rock Museum as 698 00:38:32,239 --> 00:38:36,120 Speaker 2: soon as I saw the article, and they were like, whoa, 699 00:38:36,239 --> 00:38:38,279 Speaker 2: you know, does it change things? 700 00:38:38,320 --> 00:38:39,680 Speaker 3: Like could you do you still. 701 00:38:39,480 --> 00:38:41,560 Speaker 2: Want to get permission from people to show any picture? 702 00:38:41,640 --> 00:38:43,800 Speaker 2: You still do, but you have a weapon now of 703 00:38:43,920 --> 00:38:45,919 Speaker 2: someone sends you a nasty letter, you say, hey, read 704 00:38:45,920 --> 00:38:46,520 Speaker 2: this article. 705 00:38:46,760 --> 00:38:48,319 Speaker 3: Yeah, tell me those days are over. 706 00:38:49,080 --> 00:38:50,840 Speaker 1: This is transformative stuff. 707 00:38:51,400 --> 00:38:58,919 Speaker 2: Transformative, that's the correct parlance. Drake is being sued over 708 00:38:58,960 --> 00:39:03,400 Speaker 2: a video called What I Miss, which they say infringes 709 00:39:03,520 --> 00:39:08,600 Speaker 2: on a copyright on a exhibit or an artwork called 710 00:39:08,600 --> 00:39:11,600 Speaker 2: America Guns, which is all it is is Americans with 711 00:39:11,760 --> 00:39:13,680 Speaker 2: all their guns laid out on the ground in front 712 00:39:13,719 --> 00:39:14,200 Speaker 2: of their house. 713 00:39:14,640 --> 00:39:15,760 Speaker 3: That's the whole art piece. 714 00:39:16,200 --> 00:39:20,080 Speaker 2: It's not they're suing each each other saying, hey, Drake, 715 00:39:20,160 --> 00:39:22,600 Speaker 2: you you you laid your guns out by your pool, 716 00:39:22,719 --> 00:39:27,320 Speaker 2: like some of the artwork or the photographs I took. Yeah, 717 00:39:27,560 --> 00:39:29,760 Speaker 2: I think I think it's a bad lawsuit. 718 00:39:29,800 --> 00:39:32,759 Speaker 3: I think Drake is the winner in this one. But 719 00:39:32,840 --> 00:39:36,040 Speaker 3: I think we're over time, so let's just call it 720 00:39:36,120 --> 00:39:36,440 Speaker 3: right there. 721 00:39:36,520 --> 00:39:39,319 Speaker 2: Joe Scalante live from Hollywood to see you guys next week. 722 00:39:39,360 --> 00:39:40,840 Speaker 3: I know lean you with just the taste of the 723 00:39:40,840 --> 00:39:41,960 Speaker 3: greatest song ever written.