WEBVTT - Obsession

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<v Speaker 1>Hey, fire boy, what's up? Get this the other day?

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<v Speaker 1>Is doing my mom a favor?

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<v Speaker 2>Yeah?

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<v Speaker 1>I went over there. I took her grill apart, cleaned

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<v Speaker 1>everything in there, took all the gum.

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<v Speaker 2>How did you clean it? You scrub it, you soak it?

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<v Speaker 2>What did we do?

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<v Speaker 1>I got that grill cleaner, the spray yep, I sprayed

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<v Speaker 1>every single piece. I scraped off every loose piece of

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<v Speaker 1>shit that was on there from the last couple of years.

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<v Speaker 1>Thing is as spotless as you could possibly do.

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<v Speaker 2>Love that.

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<v Speaker 1>But after you do that, you then want to start

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<v Speaker 1>the grill and let it run for like fifteen twenty

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<v Speaker 1>minutes before you use it again.

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<v Speaker 2>Another turn off any excess chemicals.

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<v Speaker 1>So after getting a new tank, I went to turn

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<v Speaker 1>it on. It wasn't starting, So I went to get

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<v Speaker 1>one of those long lighters with a stem and I

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<v Speaker 1>hit it with that. Got a fucking fireball in the face.

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<v Speaker 2>Well, yeah, go if you turn it on, if the

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<v Speaker 2>tank is open and you're trying to ignite it, gas

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<v Speaker 2>is getting fed through the line and the ignition the

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<v Speaker 2>pilot is not there, so gas.

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<v Speaker 1>I know how a grill works.

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<v Speaker 2>Gas is just building.

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<v Speaker 1>I've started grills. Don't tell me that I haven't done that.

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<v Speaker 2>Okay, So you got attacked by a fireball.

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<v Speaker 1>Yeah, I lost a lot of arm hair yep. And

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<v Speaker 1>then I lost my hand hair on this side, and

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<v Speaker 1>then it fringed up my mustache.

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<v Speaker 2>I mean, you have enough mustache hairs to go around there.

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<v Speaker 2>I was concerned about your eyebrows.

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<v Speaker 1>I wasn't concerned until you asked me about my eyebrows,

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<v Speaker 1>and I'm like, shit, let me go check in my eyelashes.

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<v Speaker 2>Yes. Yeah, So luckily, I think your your mustache is

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<v Speaker 2>so thick that it protected your upper face. That's that's

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<v Speaker 2>good for you.

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<v Speaker 1>It's like a parachute beyond that. Also, in my parents' backyard,

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<v Speaker 1>I play whiffleball with my son. I got twenty four whiffleballs. Yep,

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<v Speaker 1>that's what I do. I just fucking pepper. I just

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<v Speaker 1>toss them over and he keeps on following them over

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<v Speaker 1>this one fence. As kids, when you would play stick

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<v Speaker 1>ball whatever it is, you would just hop the fence

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<v Speaker 1>and then hop back over.

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<v Speaker 2>Right.

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<v Speaker 1>Yeah, people don't have easily hoppable fences anymore. They got

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<v Speaker 1>those tall white fences.

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<v Speaker 2>Yeap.

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<v Speaker 1>So I walked around the block and for the most part,

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<v Speaker 1>My idea was to write the address on every ball

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<v Speaker 1>and then if it goes over the fence, they'll just.

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<v Speaker 2>Throw it back found please return to.

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<v Speaker 1>But I've noticed that those people are never around. So

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<v Speaker 1>I walked around and there are seven balls back there.

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<v Speaker 1>I'm not gonna lose seven balls going up this long driveway.

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<v Speaker 1>So many motion sensor cameras. I'm like, if this house

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<v Speaker 1>gets robbed, they're gonna fucking nab me.

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<v Speaker 2>No, you just gotta announce because there's probably a nest

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<v Speaker 2>camera too. Hey, I'm just grabbing my seven whiffle balls

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<v Speaker 2>in your yard. But it's a good point because vital

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<v Speaker 2>fences are much more prevalent than they were when we

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<v Speaker 2>were kids thirty years ago. But also, like a chain

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<v Speaker 2>link fence, you can see through and maybe a neighbor

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<v Speaker 2>it could see that you're just jumping over to get

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<v Speaker 2>your your balls. That doesn't exist as often nowadays. You're

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<v Speaker 2>getting shot us you can't. Like a chain link fence,

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<v Speaker 2>you can use the chain link to sort of propel yourself.

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<v Speaker 2>The vinyl. You're gonna kick through the panel and now

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<v Speaker 2>you're gonna replace someone's panel.

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<v Speaker 1>One goo three yeah jobs three. King of Queen Marl

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<v Speaker 1>Street Entertainment. I'm go and we are the Mac and

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<v Speaker 1>Goo program. We bring you. I like my frown better

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<v Speaker 1>than your frown a little bit. You're too poudy. She

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<v Speaker 1>did a great job of By the way, Obsession, I'm

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<v Speaker 1>kind of obsessed specifically with that one scene the movie

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<v Speaker 1>in general, great love the movie, but the party scene

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<v Speaker 1>of when uh squirmy wormy, when he has the little

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<v Speaker 1>party Djanga trick of kiss the person to your left

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<v Speaker 1>and it goes to her. I cannot stop thinking of

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<v Speaker 1>her face as she stares back at not Dave Franco.

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<v Speaker 2>Yeah, Obsession, which Goo and I have been meaning to

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<v Speaker 2>get her out to and talk about now for a

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<v Speaker 2>couple of weeks. We were finally doing today. I think

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<v Speaker 2>what the best part about this movie is, Goo, is

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<v Speaker 2>I'm having a hard time deciding what my favorite scene

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<v Speaker 2>is in the movie, and that's usually indicative of a

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<v Speaker 2>great movie. There's not just one standout scene. There's two, three,

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<v Speaker 2>or four that then become a really interesting conversation about

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<v Speaker 2>the movie because you don't truly know what's going on

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<v Speaker 2>the entire time, and yet it still intrigues you. Goo

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<v Speaker 2>Obsession hit theaters on May fifteenth, this is an R

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<v Speaker 2>rated horror, romance, and thriller subgenres here dark romance, psychological horror,

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<v Speaker 2>psychological thriller, supernatural horror. This is a runtime of a

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<v Speaker 2>very crisp one hundred and eight minutes, not quite two hours,

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<v Speaker 2>but not super short either at the box office GOO.

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<v Speaker 2>And this is really why we're talking about it, because

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<v Speaker 2>word of mouth has propelled this movie to one hundred

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<v Speaker 2>and fifty two million domestically up to two hundred nine

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<v Speaker 2>million worldwide off of seven hundred and fifty k. That's right,

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<v Speaker 2>seven hundred and fifty thousand dollars budget, under one million, dollars,

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<v Speaker 2>under one million. So it has made this studio an

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<v Speaker 2>awful lot of money. Opening weekend it made sixteen million.

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<v Speaker 2>Second weekend it made twenty two point four million, that's

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<v Speaker 2>a thirty percent increase. Third weekend twenty six point four million,

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<v Speaker 2>a ten percent increase off the thirty percent increase. And

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<v Speaker 2>then this past weekend GOO, it made actually, I think

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<v Speaker 2>we're maybe even missing a weekend here.

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<v Speaker 1>Now that's it.

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<v Speaker 2>That's four. This past weekend it made twenty five point

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<v Speaker 2>six million, just a slight decrease from week three, but

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<v Speaker 2>still better than the first two.

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<v Speaker 1>So the jump in week one to week two, week

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<v Speaker 1>two to week three, that is, it is the first movie,

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<v Speaker 1>first non holiday movie sends et to have the higher

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<v Speaker 1>week over week for back to back.

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<v Speaker 2>Yeah a lot, not a lot. You see it a

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<v Speaker 2>couple times a year. The week one to week two

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<v Speaker 2>increase because word of mouth and ratings. This did it

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<v Speaker 2>three consecutive weeks.

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<v Speaker 1>And I'm not gonna lie. I'm almost more impressed by

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<v Speaker 1>week four pretty much holding levels.

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<v Speaker 2>Still better than the first two weeks. Yeah, it's it's

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<v Speaker 2>fucking insane. And so this movie Goo is written and

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<v Speaker 2>directed by Curry Barker. I don't think anyone really knows

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<v Speaker 2>him by name. You might recognize his face from some

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<v Speaker 2>social media stuff as YouTube channel if you liked Obsession Goo.

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<v Speaker 2>He's got two upcoming projects. The first is Anything But Ghosts.

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<v Speaker 2>That's gonna be a twenty twenty seven comedy horror movie.

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<v Speaker 2>And then he's also signed on for the Texas Chainsaw Masters.

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<v Speaker 2>I don't want that remake redo whatever that's in pre production.

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<v Speaker 1>Although get your money, sure, get your money.

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<v Speaker 2>Anything but Ghosts synopsis Two fake paranormal investigators must face

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<v Speaker 2>actual ghosts while dealing with the deception of their own

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<v Speaker 2>fraudulent business. I like that premise, I like that idea,

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<v Speaker 2>and his background is comedy, so that might be pretty fun.

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<v Speaker 1>Yeah, because even with this movie, there really isn't any

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<v Speaker 1>horror to it until we hit the third act.

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<v Speaker 2>It's pretty fucking creepy. It's pretty creepy.

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<v Speaker 1>It definitely has some creepy moments, but there's it's not

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<v Speaker 1>full on horror. I would even I would say it

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<v Speaker 1>almost dabbles more in comedy than it does horror.

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<v Speaker 2>Yeah, but at the same time, the creepiness in this

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<v Speaker 2>movie makes me more uncomfortable and afraid than like most

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<v Speaker 2>other horror elements. So in that respect, it is like

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<v Speaker 2>a pretty good horror movie.

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<v Speaker 1>And also some of the stuff that he does to

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<v Speaker 1>add that spookiness, add that darkness to it. It's very

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<v Speaker 1>good camera work where it's almost he's reversing someone walking

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<v Speaker 1>forward as opposed to having them walk backwards. He just

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<v Speaker 1>takes that film and and it kind of like a glides.

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<v Speaker 2>Yes, yes, yes, good obsession on Roddy Tee's ninety five

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<v Speaker 2>percent from the critics, ninety four percent from the audience.

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<v Speaker 2>That keeps going back and forth, and so it's been

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<v Speaker 2>duel ninety five's multiple times on Metacritic of seventy seven,

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<v Speaker 2>So everyone is liking this borderline loving it. Synopsis. After

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<v Speaker 2>breaking the mysterious one wish willow to win his CRUSH's heart,

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<v Speaker 2>a hopeless romantic finds himself getting exactly what he asked for,

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<v Speaker 2>but soon discovers that some desires come at a dark,

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<v Speaker 2>sinister price. This movie stars Michael Johnston as Bear that's

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<v Speaker 2>the fella that makes the wish. Indy Navarate as Nicky.

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<v Speaker 2>She is the crush I guess.

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<v Speaker 1>For lack of her when in a war.

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<v Speaker 2>Yeah, she's pretty awesome in this, and so is Michael Johnston.

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<v Speaker 2>Indy navaraate, I've never seen her in anything. Apparently she

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<v Speaker 2>was in many episodes of Superman and Lois Oh cool,

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<v Speaker 2>so maybe that's worth checking.

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<v Speaker 1>You know what she loves? You know what she wants

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<v Speaker 1>to be in?

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<v Speaker 2>What's that?

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<v Speaker 1>A jackass movie?

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<v Speaker 2>I love that?

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<v Speaker 1>Love that first, But she's upset because the series is

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<v Speaker 1>a jar.

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<v Speaker 2>Sure do other characters that play here? There's not many,

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<v Speaker 2>not many to know anyways. Cooper Tomlinson as Ian.

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<v Speaker 1>He it's not Clark Duke.

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<v Speaker 2>He is the co creator of the YouTube channel that

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<v Speaker 2>Barker also created.

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<v Speaker 1>So while I appreciate and people have pointed this out,

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<v Speaker 1>Barker is bringing his friend along, He's bringing his buddy along.

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<v Speaker 1>He's you know, he's sharing the success having watched the

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<v Speaker 1>YouTube channel and seeing how Cooper Tomlinson is in the

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<v Speaker 1>YouTube channel because he's always like he's the he's the complainer. Sure,

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<v Speaker 1>he's like, oh what are we doing? This is literally

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<v Speaker 1>little lots of literalies. I think I have in my

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<v Speaker 1>head now that I don't like him. So he sticks

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<v Speaker 1>out to me in this movie as someone that I

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<v Speaker 1>do not like. Heading into it, I did not have

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<v Speaker 1>that issue.

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<v Speaker 2>I've seen a lot less of their YouTube stuff, so

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<v Speaker 2>I did not have that.

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<v Speaker 1>I don't care for it.

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<v Speaker 2>We also had Megan Lawless as Sarah. Andy Richter as

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<v Speaker 2>Carter Andy rich Do he's the boss and I think

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<v Speaker 2>he might even be Sarah's dad or something like that.

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<v Speaker 2>I think it is, yeah, And then we also have

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<v Speaker 2>Curry Barker as the one which Willow customer service voice

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<v Speaker 2>you hear on the phone call, and then Darren Toonder

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<v Speaker 2>as Harry. He's the shop worker once Bear goes back

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<v Speaker 2>and is looking for more one which willows and he's

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<v Speaker 2>the one that tells him to call the customer service number.

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<v Speaker 2>Gu a little background above Barker here. And it is

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<v Speaker 2>significant because this movie has become such a great success,

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<v Speaker 2>I think it's worth diving into this. So that YouTube

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<v Speaker 2>channel we discussed briefly is called That's a Bad Idea

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<v Speaker 2>once again, co created by Cooper Tomlinson. And so Barker

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<v Speaker 2>uploaded a short horror film called The Chair to that

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<v Speaker 2>channel in twenty twenty three, which got the attention of Hollywood,

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<v Speaker 2>specifically producer James Harris, who wanted him to adapt that

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<v Speaker 2>into a feature length film. Instead, Barker took that opportunity

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<v Speaker 2>to pitch him Obsession, which is a distinct idea nothing

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<v Speaker 2>like The Chair, that he says is heavily influenced by

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<v Speaker 2>an episode of The Simpsons, which.

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<v Speaker 1>Is Treehouse of Horror, Monkey.

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<v Speaker 2>Monkey paw yep. And so eventually this gets greenlit and

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<v Speaker 2>they shoot this film over twenty days in LA in

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<v Speaker 2>October of twenty twenty four. The aforementioned seven hundred and

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<v Speaker 2>fifty thousand dollars. This is Barker's second feature length film

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<v Speaker 2>after Milk and Cereal. Serial Killed spelled like serial killer,

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<v Speaker 2>but this was the first to be released in theaters.

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<v Speaker 2>In fact, it was released at Toronto International Film Festival

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<v Speaker 2>in the fall of last year, and then Focus Features

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<v Speaker 2>acquired the distribution rates for somewhere between fourteen and fifteen million,

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<v Speaker 2>the highest price ever commanded by a genre film in

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<v Speaker 2>Toronto International Film Festival history. They also had Jason Bloom

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<v Speaker 2>come aborn as an executive producer under Bloomhouse Productions. And

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<v Speaker 2>it has become Focus Features highest grossing film of all

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<v Speaker 2>time and currently the tenth highest grossing film of twenty

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<v Speaker 2>twenty six. And it's just gonna keep going further and

0:11:41.080 --> 0:11:42.240
<v Speaker 2>further up that list now.

0:11:42.360 --> 0:11:45.800
<v Speaker 1>And we've talked about like, how how have we seen

0:11:45.920 --> 0:11:49.079
<v Speaker 1>in the past other movies, because it's it's really once

0:11:49.120 --> 0:11:52.040
<v Speaker 1>a decade that you see a movie like this where

0:11:52.080 --> 0:11:56.320
<v Speaker 1>it comes out of nowhere, and the buzz around it

0:11:56.360 --> 0:11:59.480
<v Speaker 1>is it's crazy, and it keeps on building and building,

0:11:59.600 --> 0:12:03.160
<v Speaker 1>especially with its box office. The first one that comes

0:12:03.160 --> 0:12:05.800
<v Speaker 1>to my mind is the Blair Witch Project, on a

0:12:05.800 --> 0:12:10.160
<v Speaker 1>budget of nothing, made a crazy amount of money in

0:12:10.200 --> 0:12:14.040
<v Speaker 1>the late nineties, but that had a different kind of

0:12:14.120 --> 0:12:16.160
<v Speaker 1>It wasn't social media at the time, but like an

0:12:16.160 --> 0:12:19.599
<v Speaker 1>Internet push that made you believe that the story might be.

0:12:19.840 --> 0:12:22.160
<v Speaker 2>Yeah. Yeah, So when I finished, as you had watched

0:12:22.160 --> 0:12:24.520
<v Speaker 2>it a day or two before me, And then when

0:12:24.520 --> 0:12:26.720
<v Speaker 2>I watched this movie and then was thinking about the

0:12:26.800 --> 0:12:29.559
<v Speaker 2>cultural impact, I was like, man, I don't really remember

0:12:30.360 --> 0:12:32.880
<v Speaker 2>something like this. And then you pointed out a good

0:12:32.920 --> 0:12:34.880
<v Speaker 2>one which I think is more comparable than the Blair

0:12:34.880 --> 0:12:37.880
<v Speaker 2>Witch Project, was Paranormal Activity in two thousand and eight.

0:12:38.040 --> 0:12:41.880
<v Speaker 1>I only pointed that out because this movie just passed

0:12:41.880 --> 0:12:45.120
<v Speaker 1>that movie in box office earnings, and I'm like, oh,

0:12:45.360 --> 0:12:46.360
<v Speaker 1>that's pretty similar.

0:12:46.400 --> 0:12:50.600
<v Speaker 2>Actually, yeah, and you know, not exactly the same type

0:12:50.640 --> 0:12:53.760
<v Speaker 2>of horror, but a little bit similar. But that wasn't

0:12:53.800 --> 0:12:56.760
<v Speaker 2>as beloved as this one's being touted.

0:12:56.840 --> 0:12:58.680
<v Speaker 1>That one got six sequels.

0:12:58.720 --> 0:13:02.440
<v Speaker 2>True, That MOO was shot for fifteen thousand dollars originally,

0:13:02.480 --> 0:13:05.120
<v Speaker 2>and then once it was bought by Paramount, they gave

0:13:05.160 --> 0:13:08.160
<v Speaker 2>them two hundred thousand dollars to reshoot the ending and

0:13:08.200 --> 0:13:10.920
<v Speaker 2>made it a little more spectacular. That earned one hundred

0:13:10.920 --> 0:13:13.280
<v Speaker 2>and eight million at the US box office and just

0:13:13.360 --> 0:13:15.880
<v Speaker 2>under two hundred million worldwide. So to your point, that's

0:13:15.880 --> 0:13:18.720
<v Speaker 2>already been surpassed by this and that has been cited

0:13:18.760 --> 0:13:22.240
<v Speaker 2>as the most profitable film ever. And yes, it did

0:13:22.280 --> 0:13:26.560
<v Speaker 2>cost less than Obsession, but you know, inflation ya da YadA,

0:13:26.559 --> 0:13:28.840
<v Speaker 2>I'm sure it's pretty similar actual costs, and this has

0:13:28.840 --> 0:13:31.280
<v Speaker 2>already made more so I think you can start calling

0:13:31.320 --> 0:13:33.319
<v Speaker 2>Obsession the most profitable film ever.

0:13:33.440 --> 0:13:35.840
<v Speaker 1>So you're telling me that a dollar now is worth

0:13:36.280 --> 0:13:38.360
<v Speaker 1>a different amount than a dollar in the past.

0:13:38.400 --> 0:13:41.360
<v Speaker 2>That's that's what I'm saying, Goo. I don't think you

0:13:41.400 --> 0:13:45.120
<v Speaker 2>could aptly describe this movie as Blair Witch Project like

0:13:45.240 --> 0:13:46.600
<v Speaker 2>or paranormal activity life.

0:13:46.640 --> 0:13:50.760
<v Speaker 1>I'm saying more in its cultural relevance, but that not movie.

0:13:50.840 --> 0:13:53.560
<v Speaker 2>No, no, what this movie feels like to me, Gou.

0:13:53.600 --> 0:13:56.760
<v Speaker 2>These are the two movies that I feel like it's

0:13:56.840 --> 0:14:00.840
<v Speaker 2>similar to, well, not similar to, but a combination dashes

0:14:00.880 --> 0:14:04.839
<v Speaker 2>of him. It feels like it follows in Misery had

0:14:04.880 --> 0:14:07.640
<v Speaker 2>a baby and made Obsession with a little bit of

0:14:08.000 --> 0:14:11.280
<v Speaker 2>a dash of Audition, that Korean or Japanese film that's

0:14:11.360 --> 0:14:14.760
<v Speaker 2>really gross, and a little bit of hereditary in here

0:14:14.880 --> 0:14:19.240
<v Speaker 2>Goo too, with Nicky's movements and stuff like that. It's

0:14:19.320 --> 0:14:22.200
<v Speaker 2>pulled from a lot of really great horror movies and

0:14:22.240 --> 0:14:27.440
<v Speaker 2>horror elements, and the story is pretty simple. So the

0:14:27.520 --> 0:14:31.200
<v Speaker 2>script is pretty simple, but it's the performances of Michael

0:14:31.240 --> 0:14:34.920
<v Speaker 2>Johnson as Bear and Indy navarat Or Navarrete as Nikki

0:14:35.040 --> 0:14:36.640
<v Speaker 2>that really make this whole thing go.

0:14:36.880 --> 0:14:38.800
<v Speaker 1>And when we get to the end of the year,

0:14:38.960 --> 0:14:41.400
<v Speaker 1>I feel like this movie is going to be nominated

0:14:41.480 --> 0:14:44.880
<v Speaker 1>for several Mac and Goo Awards, Cinemac and Gooviye Awards,

0:14:45.320 --> 0:14:49.360
<v Speaker 1>and Indy Nevarante I think right now is at the

0:14:49.400 --> 0:14:51.560
<v Speaker 1>forefront of charming our pants off.

0:14:51.800 --> 0:14:56.400
<v Speaker 2>Yeah, and she's clearly the shining star coming out of this,

0:14:56.400 --> 0:14:58.960
<v Speaker 2>a breakout star coming out of this. But you wouldn't

0:14:58.960 --> 0:15:01.560
<v Speaker 2>be able to pull this off even with as good

0:15:01.600 --> 0:15:05.360
<v Speaker 2>as she is without Michael Johnston being like such a

0:15:05.400 --> 0:15:07.280
<v Speaker 2>ship bag loser type of character.

0:15:07.440 --> 0:15:10.120
<v Speaker 1>Yes, And also what I like about him is that

0:15:10.200 --> 0:15:14.920
<v Speaker 1>he is so anxious the entire movie. Yeah that at

0:15:15.000 --> 0:15:17.800
<v Speaker 1>no like even when he's at his like is he

0:15:17.880 --> 0:15:20.600
<v Speaker 1>ever really happy? But like if he at his happiest,

0:15:20.760 --> 0:15:23.320
<v Speaker 1>you still feel you feel gross with him.

0:15:23.400 --> 0:15:27.040
<v Speaker 2>Yeah, he's he's really the villain of the whole movie,

0:15:27.120 --> 0:15:29.440
<v Speaker 2>right he I mean, and that's what at the end

0:15:29.480 --> 0:15:31.280
<v Speaker 2>of it. That's sort of where you're where you're coming

0:15:31.320 --> 0:15:34.120
<v Speaker 2>around to. And we'll be spoiler free here for another

0:15:34.280 --> 0:15:36.960
<v Speaker 2>couple of minutes, but that's one of your bigger takeaways

0:15:37.000 --> 0:15:38.600
<v Speaker 2>at the end of this movie is like, I think

0:15:38.640 --> 0:15:39.920
<v Speaker 2>he's really the bad guy here.

0:15:39.920 --> 0:15:41.480
<v Speaker 1>I mean it's not really at the end of the movie.

0:15:41.520 --> 0:15:44.640
<v Speaker 1>It's really it's pretty early on you're like, Okay.

0:15:44.520 --> 0:15:47.600
<v Speaker 2>About halfway through you're like, oh, he's not trying to

0:15:47.600 --> 0:15:48.920
<v Speaker 2>really better this situation.

0:15:49.360 --> 0:15:53.440
<v Speaker 1>Now he's he's okay with what's happening. He's okay with it.

0:15:54.000 --> 0:15:58.240
<v Speaker 1>So also, I mentioned Awards his buddy, not Bradley Cooper.

0:15:58.320 --> 0:16:02.760
<v Speaker 1>What's his buddy's name, Cooper Tomlinson, not La Danian Tomlinson. Yes,

0:16:02.840 --> 0:16:05.120
<v Speaker 1>you take those two. You take Bradley Cooper and La

0:16:05.200 --> 0:16:08.200
<v Speaker 1>Danian Tomlinson. They make a baby, and you have his

0:16:08.240 --> 0:16:11.240
<v Speaker 1>friend in this movie. He is gonna win the first

0:16:11.280 --> 0:16:14.960
<v Speaker 1>ever not Clark Duke away right or next Clark Dukey.

0:16:14.680 --> 0:16:16.680
<v Speaker 2>Given annually possibly.

0:16:16.440 --> 0:16:19.640
<v Speaker 1>Like if this movie was made twenty years ago, it

0:16:19.720 --> 0:16:23.640
<v Speaker 1>would have starred Dave Franco and Clark Duke. It's not

0:16:23.680 --> 0:16:26.400
<v Speaker 1>bad fill in the blank on anybody else. Once you

0:16:26.440 --> 0:16:28.880
<v Speaker 1>have those two, the money prints, it's said to go,

0:16:29.680 --> 0:16:32.720
<v Speaker 1>I guess we'll just jump into this fun factor. Nonegone

0:16:32.720 --> 0:16:36.480
<v Speaker 1>all this stuff. There's so much fun. They do a

0:16:36.520 --> 0:16:40.800
<v Speaker 1>great job of They see something, they react, and then

0:16:40.880 --> 0:16:43.640
<v Speaker 1>you see what they're looking at. So there's a scene

0:16:43.640 --> 0:16:47.080
<v Speaker 1>where he sees that she has duct taped the door shut,

0:16:47.880 --> 0:16:51.280
<v Speaker 1>and the visual of the duct tape fucking killed me.

0:16:51.440 --> 0:16:55.040
<v Speaker 2>Yeah, you're right, that was hilarious and terrifying. But there

0:16:55.080 --> 0:16:57.800
<v Speaker 2>are and that's why this movie works as a horror movie.

0:16:57.840 --> 0:17:01.600
<v Speaker 2>So well, it's so creepy. There's like three or four

0:17:01.640 --> 0:17:05.320
<v Speaker 2>scenes where your anticipation of what we're about to see

0:17:05.720 --> 0:17:08.760
<v Speaker 2>gives makes you super anxious. You're like, oh, what the

0:17:08.840 --> 0:17:11.560
<v Speaker 2>fuck is going on here? Because you're hearing a lot

0:17:11.560 --> 0:17:14.879
<v Speaker 2>of noises, you're hearing dialogue, but you don't necessarily see

0:17:14.920 --> 0:17:16.800
<v Speaker 2>the thing that the characters are reacting to.

0:17:17.160 --> 0:17:18.880
<v Speaker 1>And then, of course, if you watch and you look

0:17:18.880 --> 0:17:22.240
<v Speaker 1>in the background, you'll see her randomly outside of a window.

0:17:22.359 --> 0:17:25.679
<v Speaker 1>Sometimes you'll see her staring at them from way way beyond.

0:17:25.760 --> 0:17:28.120
<v Speaker 2>She walks behind them at one point, like halfway through

0:17:28.119 --> 0:17:29.200
<v Speaker 2>the movie, and I was like, oh.

0:17:29.119 --> 0:17:32.720
<v Speaker 1>Fuck, there's a few things in here. The party scene

0:17:32.840 --> 0:17:35.959
<v Speaker 1>is my favorite scene of the year so far, her frown,

0:17:36.359 --> 0:17:39.919
<v Speaker 1>her pulling her friend back. I love it. Anytime in

0:17:39.960 --> 0:17:42.520
<v Speaker 1>this movie where she starts to repeat herself like she's

0:17:42.560 --> 0:17:45.440
<v Speaker 1>broken yep, she does it at the party, she does

0:17:45.440 --> 0:17:48.399
<v Speaker 1>it on the date, she does it near the end

0:17:48.480 --> 0:17:50.960
<v Speaker 1>of the movie. It's your fault. It's your fault. It's

0:17:50.960 --> 0:17:54.600
<v Speaker 1>your fault. It's I really And they do a good job.

0:17:54.640 --> 0:17:56.920
<v Speaker 1>And we'll talk about it in spoilers because I don't

0:17:56.920 --> 0:17:59.159
<v Speaker 1>want to spoil any of that. But they do a

0:17:59.160 --> 0:18:03.280
<v Speaker 1>good job showing cracks. Yes I'm not talking about Max cracks.

0:18:03.520 --> 0:18:05.879
<v Speaker 2>So in that sense too. There's a little bit of

0:18:05.920 --> 0:18:07.680
<v Speaker 2>a get Out dash in there as well.

0:18:07.720 --> 0:18:09.400
<v Speaker 1>It's a little gold get yeah, a little a little

0:18:09.400 --> 0:18:13.200
<v Speaker 1>bit also. Actually, this movie does have a lot of

0:18:13.280 --> 0:18:17.680
<v Speaker 1>the cultural like get Out. It wasn't from a small budget,

0:18:18.080 --> 0:18:20.480
<v Speaker 1>but it was from a guy who came from comedy

0:18:21.080 --> 0:18:24.800
<v Speaker 1>and kind of had that lightheartedness while still doing this

0:18:24.880 --> 0:18:26.320
<v Speaker 1>super dark topod.

0:18:26.040 --> 0:18:28.880
<v Speaker 2>Point, good point. Yeah, I think I like to get

0:18:28.920 --> 0:18:31.320
<v Speaker 2>Out a little bit more than this. But it's a

0:18:31.359 --> 0:18:33.520
<v Speaker 2>good conversation. That's how good this movie is.

0:18:33.720 --> 0:18:39.080
<v Speaker 1>Satisfactor I was, I like how it's messy, but I

0:18:39.119 --> 0:18:41.480
<v Speaker 1>think they could have had a more satisfactor ending.

0:18:41.720 --> 0:18:44.879
<v Speaker 2>I agree with you. I think the only moment in

0:18:44.920 --> 0:18:48.680
<v Speaker 2>which this movie lacks, even though it may be fitting

0:18:49.200 --> 0:18:53.400
<v Speaker 2>for the character of Bear, is the conclusion. I wanted

0:18:53.440 --> 0:18:57.240
<v Speaker 2>maybe a little bit more of a stamp on the

0:18:57.320 --> 0:19:00.680
<v Speaker 2>end of this movie, but I also think it works

0:19:00.920 --> 0:19:03.040
<v Speaker 2>like it And you know, I'm a sucker for a

0:19:03.040 --> 0:19:06.399
<v Speaker 2>great ending, a great finale goo. So I do think

0:19:06.600 --> 0:19:09.520
<v Speaker 2>it didn't stumble across the finish line here, it didn't trip.

0:19:10.160 --> 0:19:13.000
<v Speaker 2>I do think that it's the weakest part of the

0:19:13.000 --> 0:19:16.520
<v Speaker 2>movie is the ending, but it also leads to because

0:19:16.760 --> 0:19:20.440
<v Speaker 2>of what you see with Nikki at the end, that's

0:19:20.560 --> 0:19:23.840
<v Speaker 2>maybe keeping this movie alive too, with the discussion of

0:19:23.880 --> 0:19:26.760
<v Speaker 2>what really transpired Borometer.

0:19:27.520 --> 0:19:31.480
<v Speaker 1>I won't say the beginning is boring, but it might

0:19:31.600 --> 0:19:35.280
<v Speaker 1>be because him and his friends are all very awkward

0:19:35.320 --> 0:19:39.040
<v Speaker 1>together and maybe that just plays into like he's a

0:19:39.080 --> 0:19:39.840
<v Speaker 1>weird dude.

0:19:39.960 --> 0:19:43.760
<v Speaker 2>Yeah, it's dark, it's awkward. I think it's necessary to

0:19:43.880 --> 0:19:47.240
<v Speaker 2>really understand the group dynamic and the characters. It really

0:19:47.320 --> 0:19:50.639
<v Speaker 2>shows that they're kind of they're not losers, but they're like,

0:19:51.080 --> 0:19:52.640
<v Speaker 2>they don't have a ton of friends.

0:19:52.680 --> 0:19:55.720
<v Speaker 1>Also, are they really friends or is it they're co

0:19:55.960 --> 0:19:57.080
<v Speaker 1>workers so they hang out.

0:19:57.200 --> 0:20:00.960
<v Speaker 2>Yeah, that that sort of thing, And that part exists

0:20:01.000 --> 0:20:04.120
<v Speaker 2>to show you the Bear and Nikki dynamic because it's

0:20:04.160 --> 0:20:06.320
<v Speaker 2>like he's really hopeful that he gets to hang out

0:20:06.320 --> 0:20:08.880
<v Speaker 2>with her, spend time with her, and she's just like, yeah, sure,

0:20:08.920 --> 0:20:09.720
<v Speaker 2>he'll drive me home.

0:20:09.840 --> 0:20:13.960
<v Speaker 1>Brother sister, Yeah, Halloween. Will this movie Wyane over time?

0:20:14.440 --> 0:20:16.440
<v Speaker 1>I mean everyone has it so high up right now

0:20:16.480 --> 0:20:18.760
<v Speaker 1>that sure people are eventually gonna pick at it. And

0:20:18.840 --> 0:20:22.080
<v Speaker 1>just wait until the Waynes brothers get their hands on

0:20:22.119 --> 0:20:25.480
<v Speaker 1>this and everyone notices, Uh, maybe it's not that great.

0:20:25.600 --> 0:20:28.920
<v Speaker 2>It's gone up a dog since I've seen it, maybe two.

0:20:29.000 --> 0:20:32.159
<v Speaker 2>That's where I'm at. So I love this movie. I

0:20:32.240 --> 0:20:33.919
<v Speaker 2>wasn't sure if I loved it when I finished it,

0:20:34.359 --> 0:20:36.080
<v Speaker 2>and now that a couple of days have passed, I

0:20:36.119 --> 0:20:38.080
<v Speaker 2>loved it, and I want people to see it so

0:20:38.080 --> 0:20:39.200
<v Speaker 2>I can talk to them about it.

0:20:39.240 --> 0:20:41.399
<v Speaker 1>Aw, Quater World, Is this better or worse than the

0:20:41.440 --> 0:20:43.200
<v Speaker 1>nineteen ninety five classic water World?

0:20:43.320 --> 0:20:45.720
<v Speaker 2>It is better, kid, that going out of my face.

0:20:46.400 --> 0:20:49.800
<v Speaker 1>When life gives you a gentleman by the name of

0:20:49.880 --> 0:20:52.840
<v Speaker 1>Jesse Plemmons and he squeezes all that good stuff all

0:20:52.880 --> 0:20:58.040
<v Speaker 1>over you. Is there anyone in this movie that does

0:20:58.119 --> 0:21:01.480
<v Speaker 1>the same, takes that little bit and gives you a

0:21:01.520 --> 0:21:02.080
<v Speaker 1>lot back.

0:21:02.320 --> 0:21:04.760
<v Speaker 2>Yeah? So this is hard because the movie really only

0:21:04.800 --> 0:21:06.600
<v Speaker 2>has four central characters to.

0:21:06.880 --> 0:21:10.280
<v Speaker 1>Pretty Richter who's just there? Credit to Andy Richter.

0:21:10.480 --> 0:21:13.600
<v Speaker 2>I'll say Curry Barker as the customer service guy on

0:21:13.640 --> 0:21:18.240
<v Speaker 2>the phone. That phone call for me is what pomped

0:21:18.240 --> 0:21:19.680
<v Speaker 2>the movie up to the next level.

0:21:19.720 --> 0:21:23.000
<v Speaker 1>It's it's great Max credit Union. Who are you giving

0:21:23.000 --> 0:21:23.399
<v Speaker 1>credits to?

0:21:23.520 --> 0:21:28.320
<v Speaker 2>Obviously, Indy Navarette deserves all of the flowers she's getting

0:21:28.400 --> 0:21:31.879
<v Speaker 2>here as Nicky, but I still want to give Michael

0:21:31.920 --> 0:21:35.800
<v Speaker 2>Johnson as Bear his flowers too, because it doesn't work

0:21:35.920 --> 0:21:40.040
<v Speaker 2>without him being such a fucking like sad sack loser

0:21:40.119 --> 0:21:43.719
<v Speaker 2>type character. And him it's so believable the way he

0:21:43.720 --> 0:21:46.960
<v Speaker 2>plays it, and and it's so necessary to have that dynamic.

0:21:47.040 --> 0:21:52.840
<v Speaker 1>If we had a bouquet, I would give her like eight. Yeah, yeah,

0:21:53.040 --> 0:21:55.119
<v Speaker 1>let's tal about this. Let's give her seven of the dozen.

0:21:56.080 --> 0:22:00.120
<v Speaker 1>Let's give Curry Barker two. No, let's give him three.

0:21:59.880 --> 0:22:02.360
<v Speaker 1>I'm doing math in my head right on the tough

0:22:02.400 --> 0:22:05.399
<v Speaker 1>time five roses left, I'm gonna give him four and

0:22:05.400 --> 0:22:06.800
<v Speaker 1>then I'll give Bear one.

0:22:07.440 --> 0:22:10.480
<v Speaker 2>All right, he still gets seventy five to one.

0:22:10.520 --> 0:22:14.920
<v Speaker 1>All right, Pants Tent City Excite bike Mania. What got

0:22:14.960 --> 0:22:17.399
<v Speaker 1>you going in this movie? It's the party scene for

0:22:17.480 --> 0:22:21.159
<v Speaker 1>me that got me. I loved every second of sitting

0:22:21.200 --> 0:22:26.160
<v Speaker 1>in that weird her poem I'm on your left her frown,

0:22:26.760 --> 0:22:30.680
<v Speaker 1>I'm on your left. It was hilarious. It was creepy,

0:22:31.680 --> 0:22:33.760
<v Speaker 1>the first part of like I want to sit next

0:22:33.800 --> 0:22:36.080
<v Speaker 1>to Nikki and like, I don't think you do. I

0:22:36.080 --> 0:22:37.760
<v Speaker 1>don't think you do want to sit next to Nikki.

0:22:38.000 --> 0:22:40.240
<v Speaker 2>Yeah, And that's like maybe fourth or fifth on my

0:22:40.280 --> 0:22:43.199
<v Speaker 2>list of scenes that really really made this pop for me.

0:22:43.240 --> 0:22:43.960
<v Speaker 2>It's a great one.

0:22:44.080 --> 0:22:45.520
<v Speaker 1>I think that's what pops man.

0:22:45.880 --> 0:22:49.520
<v Speaker 2>Like I said, the customer service phone call turns everything

0:22:49.640 --> 0:22:53.520
<v Speaker 2>around when you're like, wait, what's going on here? Because

0:22:53.800 --> 0:22:57.320
<v Speaker 2>like the scream in the background, the creepy movements that

0:22:58.040 --> 0:23:00.720
<v Speaker 2>turn it into hereditary ishue, which the best part of

0:23:00.760 --> 0:23:04.359
<v Speaker 2>hereditary is great, and then obviously the staring wheel scene,

0:23:04.600 --> 0:23:08.000
<v Speaker 2>which you knew something like that was coming, but the

0:23:08.040 --> 0:23:09.919
<v Speaker 2>way it happens was fucking awesome.

0:23:10.160 --> 0:23:14.040
<v Speaker 1>It's your fall man. For those of you tarty to

0:23:14.080 --> 0:23:16.040
<v Speaker 1>the Mac and Goo party, we rate everything on a

0:23:16.080 --> 0:23:19.560
<v Speaker 1>forty hot dog rating system. Mac We've been gushing for

0:23:20.320 --> 0:23:24.119
<v Speaker 1>twenty five minutes about this movie, and I still feel

0:23:24.119 --> 0:23:28.320
<v Speaker 1>like it deserves more. It does so much with so little.

0:23:28.720 --> 0:23:31.560
<v Speaker 1>I feel like all of the characters. All the actors

0:23:31.680 --> 0:23:34.880
<v Speaker 1>nail exactly what they have to do for that character type,

0:23:35.320 --> 0:23:38.119
<v Speaker 1>because while we don't get the deepest look into really

0:23:38.240 --> 0:23:40.840
<v Speaker 1>any of them, we get just enough. We don't need

0:23:40.880 --> 0:23:44.720
<v Speaker 1>all this backstory. It's pretty much on the surface, this

0:23:44.760 --> 0:23:48.520
<v Speaker 1>is what you get. And I fucking loved it. I

0:23:48.600 --> 0:23:52.479
<v Speaker 1>loved the like I mentioned the party scene. I liked

0:23:52.560 --> 0:23:54.119
<v Speaker 1>the ending. I thought we could have done something a

0:23:54.119 --> 0:23:56.760
<v Speaker 1>little bit different that might take a dog away from it.

0:23:56.800 --> 0:24:00.040
<v Speaker 1>I love the camera work in this. I love the

0:24:00.280 --> 0:24:03.520
<v Speaker 1>sneakiness in the background of trying to pick up little things.

0:24:04.040 --> 0:24:07.000
<v Speaker 1>I love him living in his grandmother's house. I feel

0:24:07.000 --> 0:24:09.080
<v Speaker 1>like that adds to it as well. It does add

0:24:09.119 --> 0:24:13.320
<v Speaker 1>something to the end. But thirty eight hot Dogs.

0:24:14.160 --> 0:24:18.360
<v Speaker 2>Like go go oh wow. So that's your number one

0:24:18.400 --> 0:24:19.120
<v Speaker 2>movie on the year.

0:24:19.200 --> 0:24:21.200
<v Speaker 1>Yes, easily number one, I think.

0:24:21.040 --> 0:24:23.080
<v Speaker 2>In the discussion for best movie of the year. Coming into

0:24:23.119 --> 0:24:26.080
<v Speaker 2>this for me was Project Hail Mary and twenty eight

0:24:26.119 --> 0:24:28.240
<v Speaker 2>years later To the Bone Temple. Those are my top two.

0:24:28.880 --> 0:24:31.479
<v Speaker 2>And you Teaz for me that this was your favorite

0:24:31.480 --> 0:24:34.359
<v Speaker 2>movie of the year after seeing it, and I wasn't

0:24:34.400 --> 0:24:37.720
<v Speaker 2>sure at first if it was. Immediately afterwards, I was like,

0:24:37.760 --> 0:24:40.160
<v Speaker 2>that's at least like a thirty six Dogger. And as

0:24:40.200 --> 0:24:43.080
<v Speaker 2>I sit here in front of you today, Goo, in

0:24:43.160 --> 0:24:45.880
<v Speaker 2>the Year of Our Lord twenty twenty six, I too

0:24:46.040 --> 0:24:48.840
<v Speaker 2>have this at thirty eight hot Dogs thirty seven. I

0:24:48.920 --> 0:24:50.840
<v Speaker 2>was thinking, the more I'm thinking about it, I think

0:24:50.840 --> 0:24:52.680
<v Speaker 2>it's at thirty eight because I want people to see

0:24:52.720 --> 0:24:55.600
<v Speaker 2>it so much. So not quite a forty Dogger doesn't

0:24:55.600 --> 0:24:58.320
<v Speaker 2>have that pizaz at the end that I so very

0:24:58.400 --> 0:25:02.280
<v Speaker 2>much crave. But the conversation and everything surrounding this movie,

0:25:02.359 --> 0:25:05.400
<v Speaker 2>it's it's nearly impulsive not to have it up this.

0:25:05.480 --> 0:25:07.640
<v Speaker 1>High, and all that conversation is deserved.

0:25:07.720 --> 0:25:10.800
<v Speaker 2>Yeah, And that's really what's driving my love for this

0:25:10.880 --> 0:25:15.560
<v Speaker 2>movie is the end of this movie and everything that

0:25:15.600 --> 0:25:17.800
<v Speaker 2>happens post phone call, when you start to think, wait,

0:25:17.840 --> 0:25:20.960
<v Speaker 2>what's really going on here? And then at the end

0:25:21.200 --> 0:25:24.640
<v Speaker 2>with Nikki, you're like, oh, there's like a whole leveled,

0:25:24.800 --> 0:25:29.560
<v Speaker 2>layered situation here. That is a really interesting discussion to have.

0:25:29.680 --> 0:25:31.760
<v Speaker 2>So thirty eight Hot Dogs number one movie of the

0:25:31.800 --> 0:25:34.440
<v Speaker 2>year with a bullet So far for Mac and go all.

0:25:34.400 --> 0:25:38.840
<v Speaker 1>Right, let's get too spoilers spilt spier spoilers, So we'll

0:25:38.840 --> 0:25:42.439
<v Speaker 1>start this off. First off, Curry Barker has said after

0:25:42.480 --> 0:25:45.240
<v Speaker 1>this and people have started to post this, that you'll

0:25:45.280 --> 0:25:47.720
<v Speaker 1>probably see a news report in one of his other

0:25:47.800 --> 0:25:49.560
<v Speaker 1>movies that Nicky's in prison.

0:25:49.680 --> 0:25:52.360
<v Speaker 2>Yeah, that makes sense. You know, I think they're gonna

0:25:52.359 --> 0:25:54.280
<v Speaker 2>be able to blame a lot of shit on Bear.

0:25:54.720 --> 0:25:57.919
<v Speaker 2>Bear takes his own life, so you know, you can

0:25:57.960 --> 0:26:00.359
<v Speaker 2>be like, he did a lot of this, but she's

0:26:00.720 --> 0:26:02.520
<v Speaker 2>tied into a lot of it as well, so she's

0:26:02.600 --> 0:26:04.399
<v Speaker 2>naturally going to get also.

0:26:05.160 --> 0:26:07.760
<v Speaker 1>And this might have been too clean of an ending,

0:26:08.280 --> 0:26:12.720
<v Speaker 1>but allowing him to take his own life, it seems

0:26:12.760 --> 0:26:16.919
<v Speaker 1>like he didn't suffer as much as she did. But

0:26:17.119 --> 0:26:20.840
<v Speaker 1>I almost would have preferred if after she wished that

0:26:21.920 --> 0:26:24.399
<v Speaker 1>he fucking loved her more than anyone else in the

0:26:24.440 --> 0:26:27.640
<v Speaker 1>world when he was snapped into that. I almost wish

0:26:27.720 --> 0:26:31.040
<v Speaker 1>that he was stuck in that purgatory that she was

0:26:31.080 --> 0:26:33.080
<v Speaker 1>stuck in for the rest of his life.

0:26:33.480 --> 0:26:35.320
<v Speaker 2>Yeah, I get that, and I think it would have

0:26:35.359 --> 0:26:40.199
<v Speaker 2>been a fitting punishment what I'm wrestling with here, And

0:26:40.600 --> 0:26:43.280
<v Speaker 2>I might end up liking this ending more than I

0:26:43.320 --> 0:26:47.040
<v Speaker 2>think right now. He's so fucked in the head. The

0:26:47.119 --> 0:26:50.720
<v Speaker 2>obvious solution about two thirds away through this movie is

0:26:50.760 --> 0:26:54.320
<v Speaker 2>you kill NICKI you just fucking kill Nicki, but he.

0:26:54.320 --> 0:26:56.920
<v Speaker 1>Loves he's responsible for doing that too.

0:26:56.920 --> 0:26:59.760
<v Speaker 2>Or for sure, which she's living with that guilt. But

0:26:59.840 --> 0:27:03.040
<v Speaker 2>he also loves to a certain degree her being so

0:27:03.160 --> 0:27:07.080
<v Speaker 2>obsessed with him, and he loves her so much still

0:27:07.560 --> 0:27:10.600
<v Speaker 2>that he wants her to toy. He wants to work

0:27:10.640 --> 0:27:11.560
<v Speaker 2>through the problems.

0:27:11.600 --> 0:27:13.440
<v Speaker 1>You can also look at the title of the movie

0:27:13.480 --> 0:27:15.760
<v Speaker 1>of Obsessed and it's actually he's obsessed with one.

0:27:15.720 --> 0:27:18.240
<v Speaker 2>Hundred per which is where maybe the ending makes a

0:27:18.280 --> 0:27:20.439
<v Speaker 2>lot of sense. He loves her so much and is

0:27:20.440 --> 0:27:24.080
<v Speaker 2>obsessed with her so much he kills himself over killing her.

0:27:24.280 --> 0:27:26.760
<v Speaker 2>I do like alsho and it fits the character who's

0:27:26.800 --> 0:27:28.640
<v Speaker 2>too big of a pussy to shoot himself in the head.

0:27:28.840 --> 0:27:29.560
<v Speaker 2>He overdoes.

0:27:29.680 --> 0:27:31.680
<v Speaker 1>It made me think of the Lonely Island song like

0:27:31.720 --> 0:27:33.720
<v Speaker 1>a Boss when he goes to shoot himself and the

0:27:33.920 --> 0:27:37.280
<v Speaker 1>like I'm too big of a pussy. Int it like, yeah,

0:27:37.359 --> 0:27:39.600
<v Speaker 1>you fucking lose her. You did this, You did this

0:27:39.680 --> 0:27:42.399
<v Speaker 1>to the person that you love even though you don't

0:27:42.400 --> 0:27:46.200
<v Speaker 1>truly know who she is. And also she and do

0:27:46.240 --> 0:27:49.159
<v Speaker 1>you have that weird hansol and Gretel's story, the poem

0:27:49.200 --> 0:27:51.960
<v Speaker 1>that she tells at the party of she truly looks

0:27:52.000 --> 0:27:54.840
<v Speaker 1>at him as if their brother insisted. So all of

0:27:54.880 --> 0:27:58.280
<v Speaker 1>this stuff that she now, there's cracks that she's in there,

0:27:58.320 --> 0:28:01.160
<v Speaker 1>she's somewhere in there, but she's not able to get

0:28:01.200 --> 0:28:05.160
<v Speaker 1>out of. She is dealing with this torture the entire

0:28:05.280 --> 0:28:06.240
<v Speaker 1>time that they're together.

0:28:06.440 --> 0:28:08.960
<v Speaker 2>Yeah, So the whole jumping off point right, the one

0:28:09.000 --> 0:28:12.199
<v Speaker 2>wish Willow. He wishes her to love him more than

0:28:12.200 --> 0:28:14.080
<v Speaker 2>anyone's ever loved anything, something to that effect.

0:28:14.200 --> 0:28:17.000
<v Speaker 1>He says it in an angry fashion that almost makes

0:28:17.040 --> 0:28:19.720
<v Speaker 1>it more aggressive than it should have. Yeah, yeah, anybody

0:28:19.760 --> 0:28:20.920
<v Speaker 1>else in this fucking world.

0:28:20.920 --> 0:28:24.760
<v Speaker 2>And then the instant where it cuts back to her

0:28:24.920 --> 0:28:27.280
<v Speaker 2>just standing like in front of the house was a

0:28:27.320 --> 0:28:31.520
<v Speaker 2>great moment. And then it just slowly devolves to a

0:28:31.600 --> 0:28:35.040
<v Speaker 2>greater and scarier and creepery air obsession to the point

0:28:35.080 --> 0:28:38.040
<v Speaker 2>where he now needs to reverse this or fix this,

0:28:38.240 --> 0:28:41.440
<v Speaker 2>remedy this. So he goes back to get more one

0:28:41.480 --> 0:28:44.800
<v Speaker 2>wish Willows and has suggested to call the customer service

0:28:44.840 --> 0:28:48.440
<v Speaker 2>line on the back. He does that, and the person

0:28:48.680 --> 0:28:51.680
<v Speaker 2>is just kind of stringing him along on this phone call,

0:28:52.400 --> 0:28:55.720
<v Speaker 2>and then he says, do you want to talk to her?

0:28:55.800 --> 0:28:57.720
<v Speaker 2>Do you want to talk to Nicky and you're like,

0:28:57.800 --> 0:29:00.520
<v Speaker 2>what and you hear screaming in the background, Hold on

0:29:00.600 --> 0:29:03.200
<v Speaker 2>a second, what the fuck is going on here? It

0:29:03.360 --> 0:29:05.800
<v Speaker 2>like added a whole new layer to this whole thing.

0:29:06.160 --> 0:29:08.960
<v Speaker 2>It made it a little more sci fi ish, a

0:29:08.960 --> 0:29:11.760
<v Speaker 2>little bit more, you know, more than I thought it was.

0:29:11.840 --> 0:29:13.800
<v Speaker 2>And I'm like, oh, well, now I'm really intrigued as

0:29:13.840 --> 0:29:15.720
<v Speaker 2>to what is actually going on here.

0:29:15.760 --> 0:29:17.840
<v Speaker 1>Because also at that point, and you know, granted you

0:29:17.840 --> 0:29:19.880
<v Speaker 1>should have picked up on this, not you, but him

0:29:19.960 --> 0:29:22.400
<v Speaker 1>should have picked up on this early on that he

0:29:22.480 --> 0:29:25.200
<v Speaker 1>wishes that Nicki loved him more than anyone else in

0:29:25.240 --> 0:29:28.920
<v Speaker 1>the fucking world. Nicki, even at the beginning, that's not

0:29:29.160 --> 0:29:31.880
<v Speaker 1>her loving him. That's a shell and it's what he

0:29:31.960 --> 0:29:32.840
<v Speaker 1>projects into it.

0:29:32.960 --> 0:29:35.880
<v Speaker 2>The real Nicki keeps poking through. And then the major

0:29:35.960 --> 0:29:38.600
<v Speaker 2>moment is when he gets up to get out of

0:29:38.600 --> 0:29:41.440
<v Speaker 2>bed at like three in the morning and she's like

0:29:41.600 --> 0:29:44.920
<v Speaker 2>sleeping there, but the real Nicky says, please kill me.

0:29:45.080 --> 0:29:46.760
<v Speaker 1>And that's more toward the end of the movie though,

0:29:46.760 --> 0:29:48.120
<v Speaker 1>that's like end of second act.

0:29:48.320 --> 0:29:52.520
<v Speaker 2>Yes, yeah, that's before she bashes in Sarah's head on

0:29:52.560 --> 0:29:55.160
<v Speaker 2>the steering wheel with the brick. And there's also a

0:29:55.200 --> 0:29:57.440
<v Speaker 2>great little line of dialogue in there, and he's like,

0:29:57.440 --> 0:29:59.960
<v Speaker 2>what's so bad about being with me? And she says,

0:30:00.120 --> 0:30:02.520
<v Speaker 2>I've never been with you. So you're like, oh, the

0:30:02.600 --> 0:30:07.040
<v Speaker 2>real Niki is not experiencing everything.

0:30:06.600 --> 0:30:09.200
<v Speaker 1>Once again, that's just a shell, that's just a body

0:30:09.240 --> 0:30:09.920
<v Speaker 1>that's not Nicki.

0:30:10.080 --> 0:30:12.120
<v Speaker 2>And there's an interesting thing that has come out now

0:30:12.680 --> 0:30:16.720
<v Speaker 2>from Currie Barker who said that he had Indie film

0:30:16.800 --> 0:30:20.680
<v Speaker 2>two versions of the Nikki character, and one was that

0:30:20.720 --> 0:30:24.440
<v Speaker 2>she was actually interested in Bear pre wish and one

0:30:24.480 --> 0:30:28.320
<v Speaker 2>where she's not, and that he messed those two shots

0:30:28.800 --> 0:30:31.480
<v Speaker 2>or characters, I guess together for the final cut, and

0:30:31.600 --> 0:30:34.480
<v Speaker 2>I do think that's a little bit so the ending

0:30:35.200 --> 0:30:39.800
<v Speaker 2>I'm not loving. And also there are some inconsistencies with

0:30:39.920 --> 0:30:42.520
<v Speaker 2>the Niki character because of that, so I don't know

0:30:42.520 --> 0:30:45.480
<v Speaker 2>if it was the best choice. But it also some

0:30:45.600 --> 0:30:47.880
<v Speaker 2>of the confusion around what's going on is at play

0:30:47.920 --> 0:30:48.800
<v Speaker 2>because of that too.

0:30:49.080 --> 0:30:51.960
<v Speaker 1>I feel like it might have soured people if at

0:30:51.960 --> 0:30:54.520
<v Speaker 1>the end of the movie he ends up killing her,

0:30:54.880 --> 0:30:57.640
<v Speaker 1>And granted, like he's probably in trouble for all these murders,

0:30:58.200 --> 0:31:00.680
<v Speaker 1>but he's the one that gets to live now and

0:31:01.040 --> 0:31:04.800
<v Speaker 1>everybody else is now gone. It's a repercussion to his wish.

0:31:04.960 --> 0:31:07.920
<v Speaker 2>Yeah, yeah, no, there's there's something there with that, because

0:31:08.480 --> 0:31:11.920
<v Speaker 2>he decides ultimately, in order to stop this curse, he

0:31:11.960 --> 0:31:15.080
<v Speaker 2>needs to kill himself. And like he's he's been a

0:31:15.120 --> 0:31:17.760
<v Speaker 2>really bad guy at this point, like he helps dump

0:31:17.800 --> 0:31:21.200
<v Speaker 2>Sarah's body or so he thinks, yeah yeah, and uh

0:31:21.480 --> 0:31:24.000
<v Speaker 2>couldn't bring himself to shoot himself. So when he finally

0:31:24.080 --> 0:31:29.160
<v Speaker 2>overdoses the Shelle Nicky is sobbing out of sadness. And

0:31:29.200 --> 0:31:33.440
<v Speaker 2>then when he finally expires, that switch flips real. Nicky

0:31:33.440 --> 0:31:37.640
<v Speaker 2>comes to and has this screaming, crying emotion because everything's

0:31:37.720 --> 0:31:39.920
<v Speaker 2>kind of coming back to her, or some of it's

0:31:39.960 --> 0:31:41.720
<v Speaker 2>coming back to her, and she's seeing the scene in

0:31:41.720 --> 0:31:44.600
<v Speaker 2>front of her there and that's a great moment for sure,

0:31:44.640 --> 0:31:46.040
<v Speaker 2>and that's where the movie leaves you.

0:31:46.360 --> 0:31:49.720
<v Speaker 1>I also love in that final scene where she puts

0:31:49.760 --> 0:31:53.200
<v Speaker 1>on all of Sarah's clothes, she draws tattoos all over

0:31:53.240 --> 0:31:56.760
<v Speaker 1>herself and then also I think new rock Star point

0:31:56.760 --> 0:31:58.200
<v Speaker 1>of the so because I didn't pick up on it

0:31:58.240 --> 0:32:00.840
<v Speaker 1>at the movie, it looks like she he scalped her

0:32:00.880 --> 0:32:02.080
<v Speaker 1>friend and put her hair out.

0:32:02.160 --> 0:32:04.760
<v Speaker 2>Oh yeah, you might be right, You might be right. Yeah,

0:32:04.800 --> 0:32:07.000
<v Speaker 2>you're right, because She's got Sarah's body propped up in

0:32:07.320 --> 0:32:11.240
<v Speaker 2>the bedroom there too. It's just really fucking crazy and creepy,

0:32:11.800 --> 0:32:14.960
<v Speaker 2>and I just kept coming back to while viewing it,

0:32:15.040 --> 0:32:17.160
<v Speaker 2>why the fuck doesn't he kill her? And it's because

0:32:17.200 --> 0:32:20.920
<v Speaker 2>he's still so obsessed with her, you know. That's the

0:32:20.960 --> 0:32:23.920
<v Speaker 2>obsession with her causes him to kill himself instead of

0:32:23.960 --> 0:32:24.440
<v Speaker 2>killing her.

0:32:24.600 --> 0:32:26.880
<v Speaker 1>New Rockstar also pointed out it would have been funny

0:32:26.960 --> 0:32:30.120
<v Speaker 1>if when his buddy wished for the billion dollars because money,

0:32:30.200 --> 0:32:32.840
<v Speaker 1>oh yeah, weighs a lot, if it had crushed him

0:32:32.840 --> 0:32:33.400
<v Speaker 1>and killed him.

0:32:34.400 --> 0:32:37.520
<v Speaker 2>That was an unbelievable scene too. Like that, it takes

0:32:37.560 --> 0:32:39.000
<v Speaker 2>you out of it for a little bit, but because

0:32:39.080 --> 0:32:42.280
<v Speaker 2>those two characters are still locked in, it brings you

0:32:42.400 --> 0:32:44.960
<v Speaker 2>right back in. His friend he has him wished the

0:32:45.240 --> 0:32:48.520
<v Speaker 2>Cooper Tomlinson fellow there ian wants him to wish for

0:32:48.600 --> 0:32:51.520
<v Speaker 2>something that will help break this curse, and instead he

0:32:51.520 --> 0:32:54.600
<v Speaker 2>wishes for a million dollars and then money just starts

0:32:54.680 --> 0:32:57.320
<v Speaker 2>raining down on them. And the face that Bear gives

0:32:57.520 --> 0:32:59.600
<v Speaker 2>was fucking great in that scene. That was awesome.

0:32:59.840 --> 0:33:01.880
<v Speaker 1>The one last note here that we have on the

0:33:01.920 --> 0:33:04.920
<v Speaker 1>movie is a theory that has been floating around social

0:33:04.920 --> 0:33:07.640
<v Speaker 1>media now in the movie, he does eat a cat's sand.

0:33:07.640 --> 0:33:09.680
<v Speaker 2>He doesn't eat a cat poop sandwich. He eats an

0:33:09.720 --> 0:33:13.800
<v Speaker 2>actual cat sandwich made for him because he's her little

0:33:13.840 --> 0:33:14.560
<v Speaker 2>food criptic.

0:33:14.800 --> 0:33:16.120
<v Speaker 1>But can you tell me what the theory is?

0:33:16.240 --> 0:33:20.040
<v Speaker 2>Yeah, so the cat's theory goo is right around the

0:33:20.080 --> 0:33:23.400
<v Speaker 2>moment that he makes the wish that Nicki loves him

0:33:23.400 --> 0:33:26.760
<v Speaker 2>more than anyone's ever loved anything, whatever the exact phrase was,

0:33:27.040 --> 0:33:29.560
<v Speaker 2>he finds out his cat is dead. He gets home,

0:33:29.800 --> 0:33:32.160
<v Speaker 2>his cat is dead on the floor, and the cat

0:33:32.240 --> 0:33:37.880
<v Speaker 2>theory states that essentially Sandy the cat, that soul has

0:33:38.000 --> 0:33:41.840
<v Speaker 2>entered Nicky's body and consumed her body, and that becomes

0:33:41.920 --> 0:33:45.440
<v Speaker 2>the shell personality. She stalks him like a cat does,

0:33:45.760 --> 0:33:48.680
<v Speaker 2>moves really weird like cats can. She's like lingering in

0:33:48.720 --> 0:33:51.080
<v Speaker 2>the corners and waits for him in the doorway. She's

0:33:51.160 --> 0:33:54.160
<v Speaker 2>leaving gifts for him. So don't I don't.

0:33:53.960 --> 0:33:56.240
<v Speaker 1>Think that's exactly what's going on.

0:33:57.160 --> 0:34:00.560
<v Speaker 2>I think that's overthinking and it's it certainly can like

0:34:00.680 --> 0:34:04.080
<v Speaker 2>there's some things there, but it's an interesting theory to

0:34:04.120 --> 0:34:05.640
<v Speaker 2>think about. I don't think that's what's happening now.

0:34:05.680 --> 0:34:07.520
<v Speaker 1>I don't think that's the case. And the only reason

0:34:07.520 --> 0:34:10.040
<v Speaker 1>why I kind of like it is because when she

0:34:10.120 --> 0:34:13.040
<v Speaker 1>gives them the cat sandwich, she says, you know, what's

0:34:13.040 --> 0:34:15.960
<v Speaker 1>the culprit and then she puts dash cat and you

0:34:16.040 --> 0:34:17.840
<v Speaker 1>might read it as like, oh, she's telling him what

0:34:17.840 --> 0:34:19.400
<v Speaker 1>it's a cat? Or is she signing it?

0:34:19.480 --> 0:34:22.160
<v Speaker 2>Yeah, I'm a cat. Really the shell's name is cat.

0:34:23.480 --> 0:34:25.239
<v Speaker 1>Yeah, like me, now I'm a cat.

0:34:25.320 --> 0:34:27.880
<v Speaker 2>I think this is a discussion that we'll continue to

0:34:27.880 --> 0:34:29.960
<v Speaker 2>have as the year goes on of what truly was

0:34:30.120 --> 0:34:34.400
<v Speaker 2>transpiring in Nicky's head and what Nicky was feeling. But

0:34:34.520 --> 0:34:37.560
<v Speaker 2>there there are some great moments in here in this

0:34:37.680 --> 0:34:40.120
<v Speaker 2>movie that scare the shit out of you. But then

0:34:40.160 --> 0:34:42.840
<v Speaker 2>those low level ones where she's like, kill me please,

0:34:43.440 --> 0:34:45.600
<v Speaker 2>and then that conversation he has with Sarah in the

0:34:45.600 --> 0:34:49.560
<v Speaker 2>car where you're anticipating Nicki coming and then bashes her

0:34:49.600 --> 0:34:54.040
<v Speaker 2>skull in it was his boteah. There's just there's three

0:34:54.120 --> 0:34:56.280
<v Speaker 2>or four really great moments in this movie that scare

0:34:56.320 --> 0:34:59.120
<v Speaker 2>the shit out of you, really creep you out. That's

0:34:59.480 --> 0:35:02.120
<v Speaker 2>like the best there's moments of Hereditary with that. This

0:35:02.280 --> 0:35:03.799
<v Speaker 2>also does really really well.

0:35:09.200 --> 0:35:15.120
<v Speaker 1>Let's get into mack Sack and mack Sak could be anything.

0:35:15.239 --> 0:35:17.440
<v Speaker 1>It could be about and Mac. We just watched a

0:35:17.560 --> 0:35:20.000
<v Speaker 1>movie all about a wish.

0:35:20.160 --> 0:35:24.800
<v Speaker 2>It's true, it's mad. It's my wish for you.

0:35:25.120 --> 0:35:28.160
<v Speaker 1>I guess I'm gonna ask you, Mac, what do you believe?

0:35:28.400 --> 0:35:32.120
<v Speaker 1>Are the wishes that are used the most in movies

0:35:32.160 --> 0:35:32.759
<v Speaker 1>and television?

0:35:32.880 --> 0:35:35.960
<v Speaker 2>The money one is an obvious one, right, the money

0:35:35.960 --> 0:35:39.120
<v Speaker 2>one A lot of times there's rules where you can't

0:35:39.120 --> 0:35:41.960
<v Speaker 2>wish someone to love you, which they don't do. In here,

0:35:42.440 --> 0:35:44.680
<v Speaker 2>he wishes her to be obsess Well, I guess he

0:35:44.760 --> 0:35:47.319
<v Speaker 2>does love me more than usually. That's not a lot.

0:35:47.400 --> 0:35:49.759
<v Speaker 1>If that wasn't Robin Williams Genie though, that was a

0:35:49.800 --> 0:35:50.359
<v Speaker 1>rule with it.

0:35:50.320 --> 0:35:52.920
<v Speaker 2>Usually wishes in magic, you can't wish someone to love you,

0:35:53.520 --> 0:35:55.759
<v Speaker 2>but you can wish for things that they might love,

0:35:55.880 --> 0:35:58.040
<v Speaker 2>like money and status and that sort of thing. You

0:35:58.160 --> 0:36:01.120
<v Speaker 2>wish to be a prince like prince, tell me fabulous.

0:36:04.320 --> 0:36:07.680
<v Speaker 2>That's probably a good one. Status in money. What's a

0:36:07.719 --> 0:36:08.160
<v Speaker 2>third one?

0:36:08.239 --> 0:36:08.440
<v Speaker 1>I have?

0:36:08.560 --> 0:36:08.759
<v Speaker 2>Here?

0:36:09.360 --> 0:36:13.960
<v Speaker 1>Google ai overview. I typed in most wished upon wishes

0:36:14.000 --> 0:36:17.160
<v Speaker 1>in movies growing up I want to be older. I

0:36:17.200 --> 0:36:19.320
<v Speaker 1>want to be a grown up. Or when you're an adult,

0:36:19.360 --> 0:36:19.920
<v Speaker 1>I want to be.

0:36:19.880 --> 0:36:22.160
<v Speaker 2>A kidd You get like the thirteen going on thirty.

0:36:21.920 --> 0:36:28.279
<v Speaker 1>Swapped seventeen again, Matthew Perry is Zach Effron rewriting reality

0:36:28.600 --> 0:36:31.320
<v Speaker 1>or the past? So altering the past? You have Superman

0:36:31.360 --> 0:36:34.880
<v Speaker 1>who turns the world around, or you have the Butterfly Effect.

0:36:35.080 --> 0:36:38.040
<v Speaker 2>By the way, I've mentioned it before on this podcast.

0:36:38.080 --> 0:36:41.320
<v Speaker 2>I don't know last time I have the Butterfly Effect.

0:36:41.520 --> 0:36:45.399
<v Speaker 2>The theatrical cut, It's fine, it's okay. I need you.

0:36:45.960 --> 0:36:49.440
<v Speaker 2>Anyone that likes time travel and time warping type movies

0:36:49.480 --> 0:36:54.240
<v Speaker 2>and stories, watch the Butterfly Effect director's cut. It's so good.

0:36:54.480 --> 0:36:57.760
<v Speaker 2>It fundamentally changes your understanding and viewing of the movie.

0:36:57.800 --> 0:37:01.240
<v Speaker 1>It's fucking great erasing your exists to see how everyone

0:37:01.280 --> 0:37:05.560
<v Speaker 1>else's lives would be without you changing the world Shrek, Like,

0:37:05.560 --> 0:37:07.200
<v Speaker 1>what if me and Fiona never met So?

0:37:07.320 --> 0:37:09.200
<v Speaker 2>That would be a good one, right, and that would

0:37:09.320 --> 0:37:12.000
<v Speaker 2>erase heartbreak? No, that'd be a good one. I wish

0:37:12.000 --> 0:37:16.120
<v Speaker 2>I had never met So and So Bruce almighty, m okay, yep,

0:37:16.239 --> 0:37:16.919
<v Speaker 2>that's a good one.

0:37:17.000 --> 0:37:19.480
<v Speaker 1>How about this one? The devil comes to you, I

0:37:19.560 --> 0:37:22.239
<v Speaker 1>want your soul. You can get whatever you want. And

0:37:22.239 --> 0:37:24.920
<v Speaker 1>then Brennan Frazier says, I want all these things, and

0:37:24.960 --> 0:37:29.759
<v Speaker 1>you're gonna take every one of these literally and then

0:37:30.120 --> 0:37:32.520
<v Speaker 1>changing lives, so like I'm gonna Freaky Friday.

0:37:32.560 --> 0:37:34.960
<v Speaker 2>Ye yeah, yeah, yeah good. Here's a question for you.

0:37:35.719 --> 0:37:39.680
<v Speaker 2>If we were to remake Bedazzled today, who would play

0:37:39.680 --> 0:37:41.880
<v Speaker 2>Elizabeth Hurley? Would it still be Elizabeth Hurley?

0:37:41.920 --> 0:37:43.800
<v Speaker 1>Elizabeth Hurley still does look great.

0:37:43.840 --> 0:37:47.120
<v Speaker 2>Annada Armis's who I was thinking of. Yep, that'd be perfect.

0:37:47.280 --> 0:37:49.600
<v Speaker 2>She's got it. She's got a tantalizing accent, and she

0:37:49.640 --> 0:37:50.600
<v Speaker 2>looks unbelievable.

0:37:50.640 --> 0:37:52.680
<v Speaker 1>You need that look, yeah, and I don't think someone

0:37:52.760 --> 0:37:55.920
<v Speaker 1>like a Sidney Sweeney could have like that angry like

0:37:56.080 --> 0:37:57.160
<v Speaker 1>I'm gonna slap you around.

0:37:57.160 --> 0:37:58.359
<v Speaker 2>Look, I'd like to see it though.

0:37:58.480 --> 0:38:00.239
<v Speaker 1>Yeah, those are all those are all the wishes man.

0:38:00.239 --> 0:38:02.319
<v Speaker 1>But let me ask you this, mac. If I gave

0:38:02.400 --> 0:38:05.799
<v Speaker 1>you one wish, a wish will, what would you wish for?

0:38:05.880 --> 0:38:07.280
<v Speaker 2>I'd probably wish for a billion dollars?

0:38:07.440 --> 0:38:08.040
<v Speaker 1>I think money?

0:38:08.080 --> 0:38:11.200
<v Speaker 2>Yeah, right, We're old enough in this life where we

0:38:11.280 --> 0:38:15.000
<v Speaker 2>have a decent amount of experiences, we have some great

0:38:15.080 --> 0:38:18.279
<v Speaker 2>family members, loved ones. I think primarily what you and

0:38:18.320 --> 0:38:19.520
<v Speaker 2>I need is money.

0:38:19.600 --> 0:38:21.719
<v Speaker 1>You know what's funny is that someone said to me

0:38:21.800 --> 0:38:23.480
<v Speaker 1>the other day, They're like, oh, you're still doing that

0:38:23.520 --> 0:38:26.400
<v Speaker 1>podcast with mac right and like, yeah, you must make

0:38:26.440 --> 0:38:28.640
<v Speaker 1>pretty good money off of that. I'm like, you'd think

0:38:28.800 --> 0:38:30.760
<v Speaker 1>you think think right.

0:38:32.719 --> 0:38:35.640
<v Speaker 2>Money. Yeah, I'm just I've had that similar conversation, and

0:38:35.640 --> 0:38:37.840
<v Speaker 2>I'm like, no, we just do it because we like

0:38:37.960 --> 0:38:41.160
<v Speaker 2>talking to each other. We don't get as much someone.

0:38:40.960 --> 0:38:42.880
<v Speaker 1>Else is making money and no one's telling me. But

0:38:43.000 --> 0:38:43.399
<v Speaker 1>who knows.

0:38:43.560 --> 0:38:46.400
<v Speaker 2>Maybe we signed a bad deal in our agent's cleaning up, kind.

0:38:46.239 --> 0:38:48.040
<v Speaker 1>Of like some of these people in this movie that

0:38:48.360 --> 0:38:50.000
<v Speaker 1>aren't really getting all the money.

0:38:49.760 --> 0:38:54.239
<v Speaker 2>Which, by the way, I understand their gripe that this

0:38:54.320 --> 0:38:57.120
<v Speaker 2>movie is making hundreds of millions of dollars and they're

0:38:57.239 --> 0:39:00.920
<v Speaker 2>they're each getting like two thousand from their original contract. However,

0:39:02.080 --> 0:39:05.200
<v Speaker 2>they also would get paid if this movie sucked and

0:39:05.520 --> 0:39:07.800
<v Speaker 2>didn't make any money. Maybe it'd be nice if you

0:39:07.800 --> 0:39:10.239
<v Speaker 2>could get it. Write writing you get one percent of

0:39:10.280 --> 0:39:11.200
<v Speaker 2>future earnings, but.

0:39:11.640 --> 0:39:12.719
<v Speaker 1>You should ask that happen.

0:39:12.840 --> 0:39:13.960
<v Speaker 2>Yeah, yeah, yeah.

0:39:14.239 --> 0:39:18.799
<v Speaker 1>I also like, I feel like Curry Barker and the

0:39:18.880 --> 0:39:21.520
<v Speaker 1>lead actress, they're gonna get more roles than they're gonna

0:39:21.520 --> 0:39:21.719
<v Speaker 1>get you.

0:39:21.800 --> 0:39:24.680
<v Speaker 2>Yeah, Curry Barker's gonna use the exact same people who

0:39:24.760 --> 0:39:27.640
<v Speaker 2>use for this movie, and so your next one. Yes,

0:39:27.680 --> 0:39:29.560
<v Speaker 2>you would love money right now. You love money like

0:39:29.600 --> 0:39:32.080
<v Speaker 2>Mac and Goold love money. But your next one, you're

0:39:32.080 --> 0:39:33.799
<v Speaker 2>gonna get a lot of money to do that same

0:39:33.920 --> 0:39:36.520
<v Speaker 2>role and probably work less because they're gonna hire more people.

0:39:36.600 --> 0:39:39.480
<v Speaker 1>I also read a quote from Carl Anthony Towns the.

0:39:39.480 --> 0:39:41.080
<v Speaker 2>Other Cat Cat. Yeah.

0:39:41.120 --> 0:39:44.680
<v Speaker 1>He said that in the city of New York, being

0:39:45.000 --> 0:39:49.080
<v Speaker 1>respected is almost more important than money. And I said,

0:39:49.320 --> 0:39:51.520
<v Speaker 1>you're a fucking idiot. You can buy respect.

0:39:51.760 --> 0:39:53.560
<v Speaker 2>I can't live in the City of New York unless

0:39:53.560 --> 0:39:54.280
<v Speaker 2>I have money.

0:39:54.840 --> 0:39:58.600
<v Speaker 1>Yeah, dude, you make fifty million dollars a year, right,

0:39:58.800 --> 0:40:01.000
<v Speaker 1>would you like to trade that for the respect that eye?

0:40:01.160 --> 0:40:04.240
<v Speaker 2>So maybe he's like, I'll make twenty million and have respect. Sure,

0:40:04.280 --> 0:40:06.000
<v Speaker 2>I'd love twenty million in respect as well.

0:40:06.040 --> 0:40:10.000
<v Speaker 1>I just want money, man, That's all I want. Oh

0:40:10.040 --> 0:40:12.200
<v Speaker 1>you know what else? I would wish for a more

0:40:12.320 --> 0:40:14.359
<v Speaker 1>manageable dick. This one's too big.

0:40:15.960 --> 0:40:18.279
<v Speaker 2>And then I'll add on my wish. I'll take what

0:40:18.360 --> 0:40:20.040
<v Speaker 2>you're chopping off. I'll take your extra.

0:40:20.160 --> 0:40:22.759
<v Speaker 1>So you guys are sharing this wish, Willow, and your

0:40:22.880 --> 0:40:25.160
<v Speaker 1>wish is that you're willing to give some of your inches.

0:40:25.480 --> 0:40:27.640
<v Speaker 2>Combine the two hogs, and then we'll cut it in

0:40:27.680 --> 0:40:29.959
<v Speaker 2>half and that'll be you get the same second.

0:40:29.800 --> 0:40:39.400
<v Speaker 1>Chinese finger trap. Honor the Armist comes thus as the devil,

0:40:39.480 --> 0:40:41.920
<v Speaker 1>and she says, Okay, I'm gonna get you guys paid

0:40:41.920 --> 0:40:44.440
<v Speaker 1>for that podcast. Yeah, yeah, you get one wish? Do

0:40:44.480 --> 0:40:47.680
<v Speaker 1>you want money? No, we're actually looking to swamp a

0:40:47.880 --> 0:40:48.759
<v Speaker 1>couple in the.

0:40:48.840 --> 0:40:50.920
<v Speaker 2>Mean of our hogs. And then we both get that.

0:40:54.239 --> 0:40:57.120
<v Speaker 1>I don't know we'd play the gentleman in Bedazzled.

0:40:56.480 --> 0:40:58.000
<v Speaker 2>Too Jacob Loordie.

0:40:58.400 --> 0:41:01.000
<v Speaker 1>Maybe I was gonna say he's too much of a hunk,

0:41:01.000 --> 0:41:03.080
<v Speaker 1>but Brendan Fraser at the time was a pretty big hut.

0:41:03.080 --> 0:41:04.880
<v Speaker 2>I don't know if a lord has the comedic chops.

0:41:04.920 --> 0:41:11.279
<v Speaker 1>Actually, you need you need some funniness, Adam Sandler, What

0:41:11.320 --> 0:41:11.919
<v Speaker 1>do you mean?

0:41:13.640 --> 0:41:14.000
<v Speaker 2>All right?

0:41:14.080 --> 0:41:16.200
<v Speaker 1>Whatever? Man, Where can the folks find us?

0:41:16.200 --> 0:41:19.000
<v Speaker 2>You can find us on Instagram and Twitter x as

0:41:19.160 --> 0:41:21.799
<v Speaker 2>at Mac and Goo podcasts every other platform. We are

0:41:21.840 --> 0:41:25.880
<v Speaker 2>mac apersand go Mac Shift seven Goo That includes Facebook,

0:41:25.880 --> 0:41:29.000
<v Speaker 2>Sister Tuning Castbucks, Ppreaker, Google Play, i harrd Radio or

0:41:29.040 --> 0:41:31.520
<v Speaker 2>on Spotify. More importantly, Apple podcast get on their rate

0:41:31.520 --> 0:41:34.640
<v Speaker 2>review subscribe five stars. Maybe one of these days, in

0:41:34.680 --> 0:41:37.200
<v Speaker 2>an alternate timeline, we will get you a Mac and

0:41:37.239 --> 0:41:39.520
<v Speaker 2>Go T shirt given to us by the folks over

0:41:39.520 --> 0:41:42.960
<v Speaker 2>at Watertown Sportswear. That's Watertown Sportswear, thirty four Mod Auburn

0:41:42.960 --> 0:41:47.080
<v Speaker 2>Street in Watertown. Watertownsportswear dot com experts, screenprinting and embroidery, t.

0:41:47.160 --> 0:41:49.360
<v Speaker 1>Buble dot Com mar check us out at the end

0:41:49.360 --> 0:41:52.279
<v Speaker 1>of the week for most likely a news dump. I

0:41:52.320 --> 0:41:54.279
<v Speaker 1>know you're not going to see Disclosure Day by the

0:41:54.280 --> 0:41:54.840
<v Speaker 1>time that it is.

0:41:54.840 --> 0:41:58.480
<v Speaker 2>Really you're not going to see Disclosure Day, and for weeks.

0:41:58.160 --> 0:41:59.960
<v Speaker 1>Maybe months, I'm not sure you have to see it.

0:42:00.040 --> 0:42:01.080
<v Speaker 2>Thank you for that confirmation.

0:42:01.320 --> 0:42:04.680
<v Speaker 1>I really like like small portions of the.

0:42:04.640 --> 0:42:08.680
<v Speaker 2>Movie tapas you like the tapus of the movie.

0:42:08.719 --> 0:42:11.240
<v Speaker 1>I liked the disclosing in the movie.

0:42:11.440 --> 0:42:13.960
<v Speaker 2>I was onto this from the beginning. Now you may

0:42:13.960 --> 0:42:16.760
<v Speaker 2>call me a pessimist. The minute we saw this trailer,

0:42:16.880 --> 0:42:18.719
<v Speaker 2>I'm like, this movie's not gonna be good.

0:42:18.880 --> 0:42:22.600
<v Speaker 1>Everything surrounding the story of how we get to the

0:42:22.680 --> 0:42:25.000
<v Speaker 1>disclosing I could have done without.

0:42:24.760 --> 0:42:27.160
<v Speaker 2>Once we finished this, can you spoil the movie from right? Well? Yeah,

0:42:27.160 --> 0:42:27.880
<v Speaker 2>all right, thank you?

0:42:27.920 --> 0:42:31.000
<v Speaker 1>All right. So Tuesdays are goosdays. I abused kangaroos a

0:42:31.160 --> 0:42:34.880
<v Speaker 1>dam barton you gotta say bye bye.

0:42:34.920 --> 0:42:37.040
<v Speaker 2>I was too excited about the Disclosure Day spoiler.

0:42:42.320 --> 0:42:44.920
<v Speaker 1>Please flip the cassette over to side B to continue

0:42:44.920 --> 0:42:48.280
<v Speaker 1>the adventure. Now it's time for girls jumping on worms.