1
00:00:00,080 --> 00:00:03,040
Speaker 1: All right, hello friends, it is the after show podcast.

2
00:00:03,279 --> 00:00:05,720
Speaker 1: I am justin. You probably know that if you're listening

3
00:00:05,800 --> 00:00:08,920
Speaker 1: to this, but thank you for listening. I appreciate it

4
00:00:09,000 --> 00:00:11,240
Speaker 1: so much. Some couple of things to get to today

5
00:00:12,039 --> 00:00:14,960
Speaker 1: to check in with. Thank you to everybody that sent talkbacks.

6
00:00:14,960 --> 00:00:17,439
Speaker 1: I really I appreciate you, guys. I love coming in

7
00:00:17,440 --> 00:00:21,000
Speaker 1: in the morning and hearing talkbacks from the previous podcast.

8
00:00:21,320 --> 00:00:23,680
Speaker 1: And yesterday was kind of a free for all. I

9
00:00:23,680 --> 00:00:26,639
Speaker 1: did a solo podcast for like ten minutes or I

10
00:00:26,800 --> 00:00:29,000
Speaker 1: just I don't even know what I talked about, but

11
00:00:29,240 --> 00:00:30,960
Speaker 1: I think I said some good stuff. I don't know.

12
00:00:31,200 --> 00:00:31,440
Speaker 2: Justin.

13
00:00:31,640 --> 00:00:34,479
Speaker 3: It's Mo from Salem, New Hampshire, and I just have

14
00:00:34,600 --> 00:00:40,000
Speaker 3: to say you are just a fantastic, inspiring human being.

15
00:00:40,680 --> 00:00:44,080
Speaker 3: Truly just listening, keep going, keep going to you talk

16
00:00:44,320 --> 00:00:47,640
Speaker 3: off the cuff like that about what's truly important in life,

17
00:00:48,640 --> 00:00:52,720
Speaker 3: and you know it's it's just awesome and it's such

18
00:00:52,720 --> 00:00:56,520
Speaker 3: a privilege to be able to listen to you and

19
00:00:57,920 --> 00:00:58,720
Speaker 3: you're just awesome.

20
00:00:58,960 --> 00:01:00,520
Speaker 1: Thank you, Thank you. I love you too.

21
00:01:00,560 --> 00:01:00,640
Speaker 2: Mo.

22
00:01:00,760 --> 00:01:03,000
Speaker 1: Mo is from Salem, New Hampshire. I love her. Producer

23
00:01:03,080 --> 00:01:05,839
Speaker 1: Riley's here, Hi, Riley, Hello, how are you? You probably

24
00:01:05,920 --> 00:01:07,600
Speaker 1: heard her snickering. We're gonna get to you in one

25
00:01:07,640 --> 00:01:09,840
Speaker 1: second because we have something to tackle you and I

26
00:01:10,520 --> 00:01:12,160
Speaker 1: that has to deal with what you do on the show.

27
00:01:12,760 --> 00:01:16,520
Speaker 1: But yeah, Mo actually lives in Salem, I believe. Yeah,

28
00:01:16,640 --> 00:01:19,399
Speaker 1: she lives there and she is a nurse. And she

29
00:01:19,480 --> 00:01:21,959
Speaker 1: came to my yard sale Riley. Remember I had that

30
00:01:22,040 --> 00:01:24,720
Speaker 1: yard sale a couple of years ago. She came and

31
00:01:24,840 --> 00:01:28,319
Speaker 1: was hanging out. And then another day I was did

32
00:01:28,360 --> 00:01:30,200
Speaker 1: she buy something from there? She did? I forget what

33
00:01:30,240 --> 00:01:33,880
Speaker 1: she got. She bought something, probably well, she probably felt

34
00:01:33,880 --> 00:01:36,280
Speaker 1: bad that she had to buy something from nanny. It

35
00:01:36,360 --> 00:01:39,840
Speaker 1: was ridiculous. But another time I was in market basket.

36
00:01:39,959 --> 00:01:43,000
Speaker 1: Now you're you live in Salem, Riley. So there's ten

37
00:01:43,000 --> 00:01:45,920
Speaker 1: market baskets within a one mile radius, by the way,

38
00:01:45,920 --> 00:01:46,880
Speaker 1: which one's your favorite?

39
00:01:47,040 --> 00:01:52,000
Speaker 4: Oh so okay, the old, new one, the one that's

40
00:01:52,200 --> 00:01:53,720
Speaker 4: now by the Marshalls, And.

41
00:01:54,040 --> 00:01:54,840
Speaker 1: That's the one I go to.

42
00:01:54,960 --> 00:01:59,559
Speaker 4: Yeah, yeah, Joe far we're getting a whole Foods. Yeah,

43
00:01:59,560 --> 00:02:01,880
Speaker 4: you didn't know that that's.

44
00:02:01,120 --> 00:02:04,840
Speaker 1: Going in Tuscan. Not sure where I know, because my

45
00:02:04,880 --> 00:02:05,559
Speaker 1: wife is excited.

46
00:02:05,600 --> 00:02:06,800
Speaker 4: You even have room for that?

47
00:02:07,040 --> 00:02:09,120
Speaker 1: I don't know, But there's been a high. There's been

48
00:02:09,160 --> 00:02:12,520
Speaker 1: a high demand for it. Yeah, I think actually yeah,

49
00:02:12,600 --> 00:02:15,799
Speaker 1: so yeah, so there's three market baskets Tuscan. The one

50
00:02:15,840 --> 00:02:19,519
Speaker 1: you just said in the middle is a small older one. Yeah,

51
00:02:19,560 --> 00:02:22,840
Speaker 1: that's yeah. And I feel like that's for the elderly

52
00:02:22,880 --> 00:02:28,200
Speaker 1: people absolutely, Like my wife's grandmother shops there and nanny

53
00:02:28,280 --> 00:02:30,560
Speaker 1: drops her off. She's eighty four and she does her

54
00:02:30,600 --> 00:02:32,360
Speaker 1: shopping by herself and then they pick her up.

55
00:02:32,400 --> 00:02:33,480
Speaker 4: But I don't like going to that one because I

56
00:02:33,520 --> 00:02:34,320
Speaker 4: don't know where anything is.

57
00:02:34,400 --> 00:02:36,200
Speaker 1: Yeah, I mean neither. I like the one that we

58
00:02:36,240 --> 00:02:37,680
Speaker 1: go to. Mean, I love it.

59
00:02:37,680 --> 00:02:38,280
Speaker 4: It's perfect.

60
00:02:40,200 --> 00:02:42,440
Speaker 1: So I was in that little one and it was

61
00:02:42,480 --> 00:02:44,640
Speaker 1: like on a Friday, I had done the After Show

62
00:02:44,680 --> 00:02:47,799
Speaker 1: with Winnie and I was in there shopping and this

63
00:02:48,120 --> 00:02:50,760
Speaker 1: woman walked by me and she she was on her phone.

64
00:02:50,760 --> 00:02:53,200
Speaker 1: I noticed she was on her phone, walks by me. Whatever.

65
00:02:53,680 --> 00:02:56,200
Speaker 1: A few minutes later, I'm checking out and the woman's

66
00:02:56,240 --> 00:02:59,240
Speaker 1: coming towards me now and she's holding the phone and

67
00:02:59,280 --> 00:03:01,840
Speaker 1: she goes, oh, oh my god, I'm listening to the

68
00:03:01,880 --> 00:03:05,160
Speaker 1: after Show while I'm shopping, and now here you are.

69
00:03:05,360 --> 00:03:08,519
Speaker 1: And it was mom, that's actually kind of funny. Pretty funny, right,

70
00:03:08,680 --> 00:03:11,480
Speaker 1: pretty cool. So that's that Thank you everybody. Yeah, I

71
00:03:11,560 --> 00:03:14,560
Speaker 1: was talking about I know you probably didn't listen yesterday,

72
00:03:14,600 --> 00:03:17,280
Speaker 1: but I was talking about perspective in life and how

73
00:03:17,320 --> 00:03:21,040
Speaker 1: important perspective is and having a positive attitude towards things

74
00:03:21,040 --> 00:03:22,840
Speaker 1: and how you look at things is really you know

75
00:03:22,919 --> 00:03:25,280
Speaker 1: how your day is gonna go. Yeah, if you look

76
00:03:25,280 --> 00:03:27,839
Speaker 1: at things things negatively, you're gonna have a negative day.

77
00:03:27,919 --> 00:03:30,400
Speaker 4: One thing that I love about if we ever carpool together,

78
00:03:30,440 --> 00:03:32,040
Speaker 4: because I make you do that a lot for me

79
00:03:32,120 --> 00:03:34,680
Speaker 4: because I don't want to drive. I like that you

80
00:03:34,720 --> 00:03:37,560
Speaker 4: turn everything into a life lesson for me. Like not

81
00:03:37,640 --> 00:03:40,920
Speaker 4: in like a grandpa, no, like in like very much

82
00:03:40,920 --> 00:03:43,000
Speaker 4: like an older brother sort of way. I always feel like,

83
00:03:43,080 --> 00:03:44,960
Speaker 4: I like, get out of your car and I'm like, Okay,

84
00:03:45,000 --> 00:03:46,640
Speaker 4: I've got things to think about now.

85
00:03:47,560 --> 00:03:50,960
Speaker 1: It's just because of experience, I think. You know, It's

86
00:03:51,000 --> 00:03:53,160
Speaker 1: just you go through things, you learn things, and I've

87
00:03:53,200 --> 00:03:58,080
Speaker 1: made every mistake possible. There is a voicemail okay that

88
00:03:58,240 --> 00:04:01,400
Speaker 1: was sent to me from years ago this and I

89
00:04:01,600 --> 00:04:04,520
Speaker 1: can't even listen to it. I don't even know. I

90
00:04:04,560 --> 00:04:07,960
Speaker 1: was so angry yelling at somebody. It's a long story

91
00:04:08,000 --> 00:04:10,400
Speaker 1: as to why it exists. But I listened to it,

92
00:04:10,440 --> 00:04:13,240
Speaker 1: and I'm like, who is that person? You know? So

93
00:04:13,320 --> 00:04:15,520
Speaker 1: I've been through some crazy, crazy stuff.

94
00:04:15,600 --> 00:04:18,240
Speaker 4: Yeah, thinking back on your older self, you mean you

95
00:04:18,400 --> 00:04:19,680
Speaker 4: left it or somebody left it.

96
00:04:19,880 --> 00:04:22,120
Speaker 1: I left it for somebody else that I was angry at,

97
00:04:22,120 --> 00:04:24,400
Speaker 1: and I was like yelling and screaming at them and

98
00:04:24,440 --> 00:04:29,159
Speaker 1: being kind of threatening towards them, and I'm like, super embarrassed.

99
00:04:29,200 --> 00:04:32,800
Speaker 1: I played it for my wife. She goes, what is that?

100
00:04:33,480 --> 00:04:34,479
Speaker 1: Why were you so angry?

101
00:04:35,000 --> 00:04:37,400
Speaker 4: But then you have moments where that cop reached out

102
00:04:37,400 --> 00:04:39,480
Speaker 4: to you and he was like, I'm so proud of you.

103
00:04:39,560 --> 00:04:42,560
Speaker 1: Oh my god, you remember that? Oh my god. I

104
00:04:42,560 --> 00:04:45,480
Speaker 1: don't know if I ever shared that in this podcast. Yeah.

105
00:04:45,760 --> 00:04:49,520
Speaker 1: Sergeant Mollus from Malden, Massachuset. He's retired now, but he

106
00:04:49,720 --> 00:04:51,720
Speaker 1: was the high school cop at Maldon High and then

107
00:04:51,720 --> 00:04:53,520
Speaker 1: he was a detective and then he became chief of

108
00:04:53,640 --> 00:04:55,680
Speaker 1: the police. He lived right around the corner from me,

109
00:04:55,960 --> 00:04:58,840
Speaker 1: so he arrested me several times, and all my friends,

110
00:04:58,960 --> 00:05:01,640
Speaker 1: everything he knew, all all about me, was on my case.

111
00:05:01,839 --> 00:05:05,400
Speaker 1: He was a legit like cops cop if you will. Yeah,

112
00:05:05,440 --> 00:05:08,320
Speaker 1: And obviously I ended up leaving Maldon, and you know,

113
00:05:08,400 --> 00:05:10,480
Speaker 1: did what I did and turned my life around to whatever.

114
00:05:10,800 --> 00:05:13,279
Speaker 1: And then one day someone came in, a salesperson and

115
00:05:13,279 --> 00:05:15,960
Speaker 1: there was an envelope left under the radio station door

116
00:05:16,200 --> 00:05:18,479
Speaker 1: and it was a letter from him, and it was

117
00:05:18,520 --> 00:05:20,640
Speaker 1: like it was beautiful, like he goes, you know, I

118
00:05:20,680 --> 00:05:22,760
Speaker 1: always wonder what happened to you, and I had no idea.

119
00:05:23,360 --> 00:05:26,240
Speaker 1: And a friend of mine was a woman, was talking

120
00:05:26,240 --> 00:05:28,680
Speaker 1: to me recently saying, you know, there's a kid from

121
00:05:28,760 --> 00:05:31,440
Speaker 1: Malden on Kiss one o eight now and I looked

122
00:05:31,480 --> 00:05:34,359
Speaker 1: you up and I just cannot believe one year alive

123
00:05:35,040 --> 00:05:37,680
Speaker 1: and to where you are. I'm so proud of you,

124
00:05:37,680 --> 00:05:39,039
Speaker 1: you know. And he gave me his phone number. I

125
00:05:39,040 --> 00:05:41,520
Speaker 1: never called him. I should have called him, yeah, but.

126
00:05:42,080 --> 00:05:44,640
Speaker 4: Also sometimes it's good to just leave it as that.

127
00:05:45,240 --> 00:05:47,960
Speaker 1: Yeah, you know, yeah, he was a motherfucker though. I

128
00:05:47,960 --> 00:05:51,400
Speaker 1: want to a quick story. So I had gotten arrested

129
00:05:51,440 --> 00:05:54,159
Speaker 1: for something out to forget what it was. And when

130
00:05:54,160 --> 00:05:56,080
Speaker 1: I got arrested, they had, you know, he brought me

131
00:05:56,120 --> 00:05:58,479
Speaker 1: in and he brought me into like the interrogation room,

132
00:05:58,720 --> 00:06:02,080
Speaker 1: and he started asking me questions about other like drug

133
00:06:02,120 --> 00:06:05,080
Speaker 1: dealers and people in the city. And obviously you don't talk.

134
00:06:05,240 --> 00:06:08,000
Speaker 1: That's the general rule. You don't snitch, you don't talk.

135
00:06:08,040 --> 00:06:09,680
Speaker 1: So I wouldn't tell him anything, and he was getting

136
00:06:09,720 --> 00:06:11,880
Speaker 1: so mad because these were my friends, and so I

137
00:06:11,880 --> 00:06:14,720
Speaker 1: didn't tell him anything because god forbid, I'm ever labeled

138
00:06:14,720 --> 00:06:18,800
Speaker 1: a rat. Yeah, and so whatever, he was mad, they

139
00:06:18,839 --> 00:06:22,479
Speaker 1: booked me. Whatever. Fast forward like some time later, I'm

140
00:06:22,560 --> 00:06:25,440
Speaker 1: standing in Malden Square with a group of my friends

141
00:06:25,880 --> 00:06:27,840
Speaker 1: and he comes walking up because we were kind of

142
00:06:27,880 --> 00:06:30,840
Speaker 1: near the police station. He walks by us, I kid,

143
00:06:30,880 --> 00:06:35,120
Speaker 1: you not interrupts us and goes, hey, justin you know,

144
00:06:35,360 --> 00:06:37,920
Speaker 1: that was a really good talk we had last week

145
00:06:38,000 --> 00:06:39,960
Speaker 1: or whatever, you know, just I really enjoyed it. It

146
00:06:40,000 --> 00:06:42,520
Speaker 1: was a good talk we had at the station. My

147
00:06:42,560 --> 00:06:44,599
Speaker 1: friends were like, what the fuck does that mean? He

148
00:06:44,680 --> 00:06:48,479
Speaker 1: basically was insinuating Riley that I was a snitch and

149
00:06:48,560 --> 00:06:51,200
Speaker 1: I had to convince my friends that I didn't and

150
00:06:51,240 --> 00:06:54,120
Speaker 1: he was making it up and ended up, Okay, I

151
00:06:54,200 --> 00:06:57,960
Speaker 1: didn't get stitches that time. Now that's a So when

152
00:06:58,040 --> 00:07:01,640
Speaker 1: you are in that world obviously snitching and ratting and

153
00:07:01,680 --> 00:07:05,039
Speaker 1: it's the lowest form of life, but then what happens

154
00:07:05,120 --> 00:07:07,440
Speaker 1: is I learned this from like a mentor of mine,

155
00:07:07,560 --> 00:07:10,000
Speaker 1: is once you get out of that life, and you're

156
00:07:10,040 --> 00:07:14,160
Speaker 1: not involved in that anymore. The word rat really doesn't

157
00:07:14,200 --> 00:07:18,760
Speaker 1: exist because you're not in there in that world anymore.

158
00:07:19,160 --> 00:07:21,040
Speaker 1: So I learned that because after I got clean, I

159
00:07:21,080 --> 00:07:23,400
Speaker 1: would still use that lingo like I'm not a rat,

160
00:07:23,600 --> 00:07:25,840
Speaker 1: I'm not a rat. And one time this guy said

161
00:07:25,880 --> 00:07:27,640
Speaker 1: to me, he goes, No, that word doesn't exist to

162
00:07:27,640 --> 00:07:30,200
Speaker 1: you anymore. Now if you go back into a world

163
00:07:30,240 --> 00:07:32,560
Speaker 1: of crime, then it does. He goes. I'll give you

164
00:07:32,560 --> 00:07:35,920
Speaker 1: an example. If I'm at my house and I see

165
00:07:35,920 --> 00:07:39,360
Speaker 1: someone breaking into my neighbor's house, I'm calling the police. Yeah,

166
00:07:39,400 --> 00:07:41,400
Speaker 1: does that make me a rat? And I thought about

167
00:07:41,400 --> 00:07:43,680
Speaker 1: it and I go no, he goes, See what I mean,

168
00:07:43,880 --> 00:07:46,640
Speaker 1: He's gonna move away from that, away from that lingo

169
00:07:46,720 --> 00:07:49,480
Speaker 1: and that thought process. I just thought that was interesting.

170
00:07:49,680 --> 00:07:51,720
Speaker 1: So there you go. Shout out to mo went on

171
00:07:51,760 --> 00:07:54,680
Speaker 1: a tangent. There one other thing I want to get

172
00:07:54,720 --> 00:07:57,120
Speaker 1: to before we get to Riley and what we're going

173
00:07:57,160 --> 00:07:58,840
Speaker 1: to talk about real quick, which has to do with

174
00:07:58,960 --> 00:08:01,200
Speaker 1: the show, is this.

175
00:08:01,520 --> 00:08:01,640
Speaker 2: Hi.

176
00:08:01,880 --> 00:08:05,120
Speaker 5: Justin. My name's Christine. I'm just leaving you a message

177
00:08:05,160 --> 00:08:10,200
Speaker 5: because I heard an alarming commercial on the radio on

178
00:08:10,280 --> 00:08:15,240
Speaker 5: kissinoight this afternoon, A very long time morning show listener,

179
00:08:15,960 --> 00:08:22,120
Speaker 5: and I heard a commercial for Christinome from Homeland Security

180
00:08:22,720 --> 00:08:27,280
Speaker 5: talking about ice and deportation. I'm assuming that's from iHeart.

181
00:08:28,000 --> 00:08:31,360
Speaker 1: Yes, this is a giant deal at the radio station

182
00:08:31,440 --> 00:08:34,880
Speaker 1: that we are dealing with. Yeah, this is not us.

183
00:08:35,200 --> 00:08:37,760
Speaker 1: I mean it plays on our stations, but basically we

184
00:08:37,800 --> 00:08:40,680
Speaker 1: didn't even know it was playing. It's just started playing.

185
00:08:41,080 --> 00:08:43,720
Speaker 1: And my boss is like fielding calls and emails about it.

186
00:08:43,800 --> 00:08:46,760
Speaker 1: So this is pushed through nationally. We have no control

187
00:08:46,800 --> 00:08:48,960
Speaker 1: over it. It sucks because a lot of people are

188
00:08:49,000 --> 00:08:52,640
Speaker 1: angrily angry and rightfully so right and so between that

189
00:08:52,720 --> 00:08:55,800
Speaker 1: and top Dog the top Dog Law, it's like, people go,

190
00:08:55,880 --> 00:08:57,760
Speaker 1: what the hell are you doing? So I just wanted

191
00:08:57,800 --> 00:09:00,600
Speaker 1: to play that just to know that. Yeah, we're dealing

192
00:09:00,679 --> 00:09:03,360
Speaker 1: with it too. We get a lot of complaints about it,

193
00:09:03,920 --> 00:09:07,400
Speaker 1: and my boss is applying to like every email.

194
00:09:07,520 --> 00:09:07,720
Speaker 5: Yeah.

195
00:09:07,840 --> 00:09:10,920
Speaker 4: He told us to give people his email if they

196
00:09:10,960 --> 00:09:11,880
Speaker 4: have issues.

197
00:09:11,640 --> 00:09:13,480
Speaker 1: Which I have, if they've DMed yeah.

198
00:09:13,360 --> 00:09:15,760
Speaker 4: Which is pretty telling about how we feel about it.

199
00:09:15,800 --> 00:09:18,440
Speaker 1: I feel like so the way he the way it

200
00:09:18,480 --> 00:09:22,120
Speaker 1: was positioned to me is like on a scale of like, obviously,

201
00:09:22,160 --> 00:09:23,839
Speaker 1: what happened with Winny and her layoffs and all the

202
00:09:23,880 --> 00:09:25,600
Speaker 1: company layffs, not just her, all of them was like

203
00:09:25,640 --> 00:09:27,800
Speaker 1: a big deal. It's a big fallout on every radio

204
00:09:27,800 --> 00:09:31,880
Speaker 1: station that was affected by the layoffs. That right there,

205
00:09:31,960 --> 00:09:35,120
Speaker 1: much bigger. Yeah, Like as far as being a problem

206
00:09:35,240 --> 00:09:37,440
Speaker 1: because a lot of people are upset about it.

207
00:09:37,440 --> 00:09:40,080
Speaker 4: Yeah, it sucks and I we understand.

208
00:09:40,280 --> 00:09:42,559
Speaker 1: Yeah. So the way the radio station works is obviously

209
00:09:42,600 --> 00:09:44,720
Speaker 1: you have like commercials that we've run that are local,

210
00:09:44,800 --> 00:09:46,480
Speaker 1: and then we have ones that are national, and then

211
00:09:46,480 --> 00:09:48,480
Speaker 1: we have ones that are kind of pushed through. We

212
00:09:48,520 --> 00:09:51,320
Speaker 1: don't put them in, they're pushed through on a national level,

213
00:09:51,320 --> 00:09:54,080
Speaker 1: and that's one of them. And so it just started

214
00:09:54,080 --> 00:09:56,520
Speaker 1: playing and now he's dealing with it. We're dealing with it,

215
00:09:56,559 --> 00:09:57,240
Speaker 1: so we're sorry.

216
00:09:57,760 --> 00:10:00,280
Speaker 4: Yeah, I do turn the air down if I so,

217
00:10:00,280 --> 00:10:01,280
Speaker 4: I don't want to listen to it either.

218
00:10:01,360 --> 00:10:03,040
Speaker 1: I get it, Yeah, I get I get it. Man,

219
00:10:03,040 --> 00:10:04,679
Speaker 1: I get so many DMS about it. So yeah, I

220
00:10:04,760 --> 00:10:07,040
Speaker 1: just know it's it's not us. It's kind of out

221
00:10:07,080 --> 00:10:09,320
Speaker 1: of control. I hate to keep saying that, but it's true.

222
00:10:09,760 --> 00:10:12,199
Speaker 1: It's like it's like the layoffs thing. I had to

223
00:10:12,280 --> 00:10:14,560
Speaker 1: keep saying that it's out of our control. But there's

224
00:10:14,600 --> 00:10:17,760
Speaker 1: nothing we can do, just is what it is, but Riley,

225
00:10:17,760 --> 00:10:19,360
Speaker 1: I did get a talk back. That's why I brought

226
00:10:19,400 --> 00:10:21,920
Speaker 1: you in so you can speak to this as can

227
00:10:22,000 --> 00:10:23,040
Speaker 1: I justin.

228
00:10:23,640 --> 00:10:28,959
Speaker 2: Would you ever consider giving us a kind of play

229
00:10:29,080 --> 00:10:33,600
Speaker 2: by play of what goes into producing a show. I've

230
00:10:33,640 --> 00:10:36,880
Speaker 2: always been curious on what goes on behind the scenes.

231
00:10:37,720 --> 00:10:42,080
Speaker 2: It just comes across so easy, but I know there's

232
00:10:42,120 --> 00:10:44,760
Speaker 2: a ton of prep and I'd love to learn more.

233
00:10:45,040 --> 00:10:49,160
Speaker 1: Thanks, now she's talking my language. And I'd brought in

234
00:10:49,280 --> 00:10:52,200
Speaker 1: producer Riley because you are called producer Riley.

235
00:10:52,440 --> 00:10:54,360
Speaker 4: Yeah thatgame for a reason.

236
00:10:55,040 --> 00:10:58,680
Speaker 1: Yeah, Well, because Lisa's son is named Riley. So when

237
00:10:58,679 --> 00:10:59,800
Speaker 1: you join the show.

238
00:11:00,040 --> 00:11:02,600
Speaker 4: Be that side note on that. Well, so my middle

239
00:11:02,640 --> 00:11:05,080
Speaker 4: name is Catherine, and my mom wanted to call me

240
00:11:05,160 --> 00:11:07,000
Speaker 4: Riley Kate when I was growing up, and then when

241
00:11:07,040 --> 00:11:09,200
Speaker 4: I got to like elementary school, I was like, I'll

242
00:11:09,200 --> 00:11:11,160
Speaker 4: just go by Riley. I wish i'd gone by Riley

243
00:11:11,240 --> 00:11:12,640
Speaker 4: Kate though, because I could have been Riley Kate on

244
00:11:12,720 --> 00:11:13,280
Speaker 4: Kiss Want to wait?

245
00:11:13,640 --> 00:11:15,120
Speaker 1: Oh yeah, it might have been.

246
00:11:15,040 --> 00:11:17,920
Speaker 4: So cool name. I could have been Riley Kate instead

247
00:11:17,920 --> 00:11:19,000
Speaker 4: of producing.

248
00:11:20,480 --> 00:11:22,240
Speaker 1: Missed opportunity better than McCabe.

249
00:11:22,920 --> 00:11:23,960
Speaker 4: And he chose that name.

250
00:11:24,080 --> 00:11:24,559
Speaker 1: He chose it.

251
00:11:24,880 --> 00:11:26,160
Speaker 4: I didn't choose producer Riley.

252
00:11:26,280 --> 00:11:29,079
Speaker 1: No, we gave that name to Yeah, McCabe's real name

253
00:11:29,120 --> 00:11:32,240
Speaker 1: is Mike, and there was a kid in his high school. Well,

254
00:11:32,280 --> 00:11:33,920
Speaker 1: I'm going to have a mon soon he'll tell the story.

255
00:11:33,960 --> 00:11:35,640
Speaker 1: There was kid in his high school name McCabe and

256
00:11:35,679 --> 00:11:36,280
Speaker 1: he liked that name.

257
00:11:36,320 --> 00:11:37,400
Speaker 4: Yeah, it's not even his last name.

258
00:11:37,400 --> 00:11:38,600
Speaker 1: He's not even his last name.

259
00:11:39,160 --> 00:11:42,080
Speaker 4: Which is very confusing to me. Still sometimes I forget.

260
00:11:41,760 --> 00:11:44,920
Speaker 1: That he's an interesting character. Anyway, when it comes to

261
00:11:45,000 --> 00:11:47,880
Speaker 1: producing the show, yes, a lot of work goes into it,

262
00:11:48,320 --> 00:11:52,600
Speaker 1: a lot. So I want to get your thoughts first, Okay,

263
00:11:52,800 --> 00:11:55,360
Speaker 1: because what you do is you helped me produce the show,

264
00:11:55,679 --> 00:11:58,040
Speaker 1: and obviously your role's kind of changed with you know,

265
00:11:58,080 --> 00:12:03,400
Speaker 1: the changes and everything. Yeah, but originally you were answering

266
00:12:03,400 --> 00:12:08,400
Speaker 1: the phones, doing the podcast and assisting me. Is that right? Yeah,

267
00:12:08,520 --> 00:12:10,160
Speaker 1: so you would so you'd answer the phones, and that

268
00:12:10,320 --> 00:12:13,440
Speaker 1: you'd edit the show up and put the podcast up. Yeah,

269
00:12:13,559 --> 00:12:15,600
Speaker 1: and now you do. You have to run the board

270
00:12:15,760 --> 00:12:19,839
Speaker 1: and do the video and will not answer the phones.

271
00:12:19,880 --> 00:12:20,440
Speaker 1: I have to do that.

272
00:12:21,200 --> 00:12:22,720
Speaker 4: We we split it.

273
00:12:23,360 --> 00:12:25,319
Speaker 1: I try. She'd you should see what we do. It's

274
00:12:25,320 --> 00:12:28,840
Speaker 1: actually unbelievable. It's crazy. But when it comes to producing

275
00:12:28,840 --> 00:12:31,439
Speaker 1: the show. So I get in around four a m.

276
00:12:31,720 --> 00:12:35,920
Speaker 1: Bill gets in around four to four fifteen. I get in.

277
00:12:36,400 --> 00:12:39,400
Speaker 1: I go right to printing everything that Billy needs. So

278
00:12:39,440 --> 00:12:43,400
Speaker 1: that's all the news stories, the entertainment stories. I set

279
00:12:43,440 --> 00:12:45,560
Speaker 1: up kind of the the it's called the log of

280
00:12:45,600 --> 00:12:48,040
Speaker 1: what our music is. Riley does it the most of it.

281
00:12:48,360 --> 00:12:50,360
Speaker 1: I'll go in and make some adjustments that I like

282
00:12:50,480 --> 00:12:54,280
Speaker 1: to do, and then I start pulling sound. Right, So

283
00:12:55,400 --> 00:12:57,240
Speaker 1: I give Billy what he needs. So I give him

284
00:12:57,240 --> 00:13:00,720
Speaker 1: a national news feed, a local feed, and then entertainment feed.

285
00:13:01,000 --> 00:13:02,679
Speaker 1: I give him that. I give him the weather. He

286
00:13:02,760 --> 00:13:05,440
Speaker 1: begins writing his news and getting that ready. While he's

287
00:13:05,480 --> 00:13:09,440
Speaker 1: doing that, I am printing more entertainment stories. What I

288
00:13:09,480 --> 00:13:12,640
Speaker 1: do during the day is as I'm on my phone scrolling,

289
00:13:12,720 --> 00:13:16,080
Speaker 1: doom scrolling, I'm screenshotting. And so when I come in,

290
00:13:16,160 --> 00:13:20,120
Speaker 1: we have prep services that kind of highlight different entertainment stories.

291
00:13:20,280 --> 00:13:22,200
Speaker 1: I'll print them, I'll pull the sound, I'll go to

292
00:13:22,240 --> 00:13:25,160
Speaker 1: my phone, my notes, I'll go on TMZ, and I'll

293
00:13:25,200 --> 00:13:28,640
Speaker 1: try to pull as much as possible. Okay, And it's

294
00:13:28,679 --> 00:13:31,280
Speaker 1: at this time that Riley comes in, and so Riley

295
00:13:31,320 --> 00:13:33,080
Speaker 1: does the five to six AM. So you come in

296
00:13:33,080 --> 00:13:34,960
Speaker 1: and you bang that out the five to six am

297
00:13:35,000 --> 00:13:36,840
Speaker 1: the pre show, and then you come in and join

298
00:13:36,920 --> 00:13:38,280
Speaker 1: us and you sit in with us.

299
00:13:38,360 --> 00:13:39,679
Speaker 4: Yeah. After I do the log, Yeah.

300
00:13:39,640 --> 00:13:42,320
Speaker 1: Yep, so oh yes, you finish the log, get that ready,

301
00:13:42,320 --> 00:13:44,080
Speaker 1: and then you come in with us. You sit down

302
00:13:44,679 --> 00:13:47,520
Speaker 1: and Billy writes his news and then he has to

303
00:13:47,520 --> 00:13:50,360
Speaker 1: write his entertainment too, So then he'll take all the

304
00:13:50,400 --> 00:13:52,600
Speaker 1: stories that I printed. He'll sit with Riley and I

305
00:13:52,800 --> 00:13:54,360
Speaker 1: he'll lay them all out in front of him and

306
00:13:54,360 --> 00:13:57,760
Speaker 1: he'll start building a report. It's basically what he does.

307
00:13:58,160 --> 00:14:00,920
Speaker 1: And so once he's we'll do the six forty, then

308
00:14:00,960 --> 00:14:03,640
Speaker 1: we'll do the entertainment, and then once he's done, the

309
00:14:03,679 --> 00:14:08,000
Speaker 1: show starts at six am. Lisa gets in around four fifty.

310
00:14:08,120 --> 00:14:10,680
Speaker 4: Yeah, she is in around five when I do, I think, yeah.

311
00:14:10,440 --> 00:14:12,240
Speaker 1: And she's part of it too, but she helps more

312
00:14:12,360 --> 00:14:15,520
Speaker 1: billion the office. Yes, So as Billy's writing, he's talking

313
00:14:15,520 --> 00:14:17,960
Speaker 1: on Lisa about different stories and then he and then

314
00:14:17,960 --> 00:14:20,600
Speaker 1: he comes in here with us. He finishes, then Lisa

315
00:14:21,040 --> 00:14:23,320
Speaker 1: goes into the main studio gets ready for the traffic.

316
00:14:23,440 --> 00:14:23,720
Speaker 4: Yes.

317
00:14:23,760 --> 00:14:25,120
Speaker 1: At six am, do I have everything?

318
00:14:25,200 --> 00:14:27,040
Speaker 4: Yeah? I feel like they discuss what they think is

319
00:14:27,080 --> 00:14:30,840
Speaker 4: important ye together. Yeah, yeah, but that's it.

320
00:14:30,920 --> 00:14:31,400
Speaker 1: Yeah, well I.

321
00:14:31,400 --> 00:14:32,080
Speaker 4: Also do the weather.

322
00:14:32,520 --> 00:14:33,360
Speaker 1: You also do the weather?

323
00:14:33,480 --> 00:14:36,280
Speaker 4: Yeah, well I do Lisa's weather and I do the weather. Seven,

324
00:14:36,680 --> 00:14:39,760
Speaker 4: I'm seven, hello, ten, eleven, and twelve.

325
00:14:39,840 --> 00:14:41,120
Speaker 1: Do you know that I didn't know that?

326
00:14:41,440 --> 00:14:41,800
Speaker 4: Yeah?

327
00:14:41,920 --> 00:14:45,680
Speaker 1: Oh on kiss on kiss yeah nice, I'll have to

328
00:14:45,720 --> 00:14:50,160
Speaker 1: I'll have to listen, all right. So then we have

329
00:14:50,240 --> 00:14:52,000
Speaker 1: to come up with topics for the show. What are

330
00:14:52,000 --> 00:14:55,360
Speaker 1: we going to talk about? So Riley does a prep

331
00:14:55,440 --> 00:14:59,320
Speaker 1: sheet yep and a trending sheet too, Yes.

332
00:14:59,360 --> 00:15:01,640
Speaker 4: Yeah, I do both, just like I try to look

333
00:15:01,680 --> 00:15:04,120
Speaker 4: through some of the prep sites that we have stuff

334
00:15:04,120 --> 00:15:07,560
Speaker 4: that I know that you probably wouldn't pull an entertainment.

335
00:15:07,800 --> 00:15:10,800
Speaker 4: So some of like the more random ones like today,

336
00:15:11,000 --> 00:15:14,320
Speaker 4: which you would have pulled but you didn't. So it's fine,

337
00:15:14,960 --> 00:15:17,960
Speaker 4: Like the Goop thing yea, like I had that on there.

338
00:15:18,000 --> 00:15:20,040
Speaker 4: That way they could refer to that the stuff that

339
00:15:20,080 --> 00:15:23,400
Speaker 4: I think we might need, you pull, the stuff that

340
00:15:23,440 --> 00:15:25,720
Speaker 4: we need eyeple, the stuff that we might need.

341
00:15:25,920 --> 00:15:29,520
Speaker 1: Yes, yes, So we just basically gather and then we

342
00:15:29,720 --> 00:15:32,640
Speaker 1: put together essentially is what it is. So I'll give

343
00:15:32,640 --> 00:15:36,440
Speaker 1: you an example today Today Billy came in, he did

344
00:15:36,440 --> 00:15:39,840
Speaker 1: his news, then he did his entertainment before he does entertainment.

345
00:15:40,200 --> 00:15:42,480
Speaker 1: We produced a six forty segment which is kind of

346
00:15:42,520 --> 00:15:45,040
Speaker 1: where entertainment used to be, but we moved it so

347
00:15:45,120 --> 00:15:47,240
Speaker 1: now it's more of we kind of pull one big

348
00:15:47,280 --> 00:15:49,840
Speaker 1: story or one you know story we think it's worth

349
00:15:49,880 --> 00:15:52,600
Speaker 1: talking about to put at six forty. So today we

350
00:15:52,600 --> 00:15:57,000
Speaker 1: were thinking about it and the Macy's Thanksgiving Parade, huge lineup.

351
00:15:57,040 --> 00:15:59,360
Speaker 1: It's connected to jingle Ball. Obviously there's a lot of

352
00:15:59,360 --> 00:16:02,840
Speaker 1: audio attack to it. I love playing audio, so anything

353
00:16:02,840 --> 00:16:04,600
Speaker 1: that we can play a lot of audio, I'm just

354
00:16:04,640 --> 00:16:06,720
Speaker 1: an audio guy. You know that about me if you

355
00:16:06,760 --> 00:16:09,280
Speaker 1: listen to the show. So we did that at six forty,

356
00:16:09,680 --> 00:16:12,040
Speaker 1: and then we had Turkey Toss at seven ten. So

357
00:16:12,120 --> 00:16:14,840
Speaker 1: the jingle Ball tickets, it's just very busy. So Billy

358
00:16:14,880 --> 00:16:17,000
Speaker 1: writes all this down, so he has notes to go

359
00:16:17,040 --> 00:16:18,240
Speaker 1: by because it's a lot.

360
00:16:18,400 --> 00:16:20,600
Speaker 4: He does it all by hand, which is so funny.

361
00:16:20,720 --> 00:16:22,560
Speaker 1: It's very old school him.

362
00:16:22,640 --> 00:16:25,120
Speaker 4: Yeah, just like create all these and so that's why

363
00:16:25,120 --> 00:16:27,960
Speaker 4: if you hear him turning papers, it's because he's turning

364
00:16:28,200 --> 00:16:30,720
Speaker 4: like eight different papers in front of him, right, which

365
00:16:30,760 --> 00:16:32,840
Speaker 4: I always think is so funny when I hear the

366
00:16:32,880 --> 00:16:35,640
Speaker 4: papers turning like in the audio, just.

367
00:16:35,640 --> 00:16:37,080
Speaker 1: Because he has so much in front of him and

368
00:16:37,080 --> 00:16:39,200
Speaker 1: most people probably now that we said it, they might

369
00:16:39,240 --> 00:16:41,720
Speaker 1: hear it, yeah, but typically they don't. They don't hear it.

370
00:16:41,920 --> 00:16:42,120
Speaker 2: Yeah.

371
00:16:42,320 --> 00:16:44,560
Speaker 1: So yeah, so then we do that. Then we have

372
00:16:44,640 --> 00:16:45,880
Speaker 1: to in the midst of all that, come up with

373
00:16:45,920 --> 00:16:48,360
Speaker 1: a good topic time, which usually comes from us going

374
00:16:48,360 --> 00:16:51,240
Speaker 1: over the entertainment stories of the day. Today was Tom Brady.

375
00:16:51,280 --> 00:16:52,920
Speaker 1: That was an easy one, you know, it's kind of

376
00:16:52,960 --> 00:16:54,880
Speaker 1: people talking about it. That's something we want to talk

377
00:16:54,880 --> 00:16:58,520
Speaker 1: about with our listeners. That was topic time. And then

378
00:16:58,520 --> 00:17:01,120
Speaker 1: the rest of the show, Riley we plugging on the sheet.

379
00:17:01,200 --> 00:17:04,160
Speaker 1: So but things are like fast moving and they're always changing.

380
00:17:04,240 --> 00:17:06,399
Speaker 1: So we do our headline segment or I'll pull some

381
00:17:06,440 --> 00:17:08,120
Speaker 1: headlines that are real or fake, which is a fun

382
00:17:08,160 --> 00:17:10,520
Speaker 1: thing that we can put anywhere. But if there's another

383
00:17:10,520 --> 00:17:12,480
Speaker 1: story that comes up, like a trending or local story,

384
00:17:12,520 --> 00:17:14,040
Speaker 1: we'll put that at eight twenty. Yeah.

385
00:17:14,040 --> 00:17:15,439
Speaker 4: Sometimes we'll move things around.

386
00:17:15,520 --> 00:17:17,359
Speaker 1: Yeah, So it's all laid out on a sheet that

387
00:17:17,400 --> 00:17:19,840
Speaker 1: we go by essentially, and then we had Joe Fower

388
00:17:19,880 --> 00:17:23,200
Speaker 1: from Tuscan at nine to ten, and then nine and nine,

389
00:17:23,280 --> 00:17:26,600
Speaker 1: twenty five and nine are wrap up in talkback left over,

390
00:17:26,880 --> 00:17:29,879
Speaker 1: so we have the basic structure of the show that

391
00:17:29,960 --> 00:17:34,760
Speaker 1: makes sense. Yeah, right, And then during the show, Riley

392
00:17:34,800 --> 00:17:37,680
Speaker 1: is running the board, so she's in there. Anything that's

393
00:17:37,720 --> 00:17:40,520
Speaker 1: playing over the over the radio, she's running and making

394
00:17:40,560 --> 00:17:43,359
Speaker 1: sure it's running. She's pushing the buttons. She's keeping Billy

395
00:17:43,359 --> 00:17:45,800
Speaker 1: and Lisa on time so they know what's going on.

396
00:17:46,280 --> 00:17:47,040
Speaker 1: What am I missing?

397
00:17:47,080 --> 00:17:51,120
Speaker 4: I run Lisa's traffics. Lisa's traffics like the biggest besides

398
00:17:51,200 --> 00:17:52,680
Speaker 4: obviously getting into the show.

399
00:17:52,920 --> 00:17:54,879
Speaker 1: Yeah, but there's a lot of traffics.

400
00:17:55,080 --> 00:17:57,800
Speaker 4: So many traffics feel bad for Lee, like she'll be like,

401
00:17:57,840 --> 00:18:00,560
Speaker 4: can I go to the bathroom? Like nope, no traffic

402
00:18:00,640 --> 00:18:01,560
Speaker 4: and a live here.

403
00:18:02,200 --> 00:18:04,480
Speaker 1: The live read thing is another big part of the show.

404
00:18:04,680 --> 00:18:07,280
Speaker 1: So not a lot of other shows do that, the

405
00:18:07,359 --> 00:18:11,399
Speaker 1: live read thing. Really Yeah, well they do. Yeah, they

406
00:18:11,400 --> 00:18:14,520
Speaker 1: don't do it on Jamming maybe in other other cities,

407
00:18:14,960 --> 00:18:17,439
Speaker 1: but but they do it here. They've always done that

408
00:18:17,600 --> 00:18:21,040
Speaker 1: because it costs more, right, because think about that, if

409
00:18:21,040 --> 00:18:23,760
Speaker 1: the commercials start, people tend to tune out. But if

410
00:18:23,760 --> 00:18:25,960
Speaker 1: the commercials are coming to an end and it ends

411
00:18:25,960 --> 00:18:29,200
Speaker 1: with traffic, they know we're coming back or coming to music.

412
00:18:29,520 --> 00:18:31,480
Speaker 4: So that they're listening to the traffic or.

413
00:18:31,400 --> 00:18:33,119
Speaker 1: They're listening to the traffic, and then it goes right

414
00:18:33,160 --> 00:18:35,119
Speaker 1: into a live read and you're like, oh is this content?

415
00:18:35,160 --> 00:18:36,879
Speaker 1: Oh no, and then you hear the commercial.

416
00:18:36,760 --> 00:18:38,480
Speaker 4: Boom, or you'll just be like, well, the music is

417
00:18:38,480 --> 00:18:39,840
Speaker 4: coming up in a second, so I'll just wait.

418
00:18:39,920 --> 00:18:43,360
Speaker 1: Yeah and smart, and it's very smart and you gotta

419
00:18:43,359 --> 00:18:45,440
Speaker 1: think about it about it too. We do our whole

420
00:18:45,440 --> 00:18:49,520
Speaker 1: show live. Yeah, like it's live live. There was a

421
00:18:49,600 --> 00:18:52,439
Speaker 1: kid named Zach who works in our traffic department that

422
00:18:52,600 --> 00:18:54,879
Speaker 1: was shadowing today. He was kind of sitting in with

423
00:18:55,000 --> 00:18:57,200
Speaker 1: Riley and I seeing what we do because he's interested

424
00:18:57,240 --> 00:19:01,719
Speaker 1: in the you know, broadcasting programming side of things, and

425
00:19:01,760 --> 00:19:04,080
Speaker 1: he goes, you guys do this all live?

426
00:19:04,480 --> 00:19:04,680
Speaker 4: Yeah?

427
00:19:04,840 --> 00:19:05,840
Speaker 1: Like yeah, yeah.

428
00:19:05,880 --> 00:19:07,679
Speaker 4: He was like, you guys kind of build the shot

429
00:19:07,680 --> 00:19:10,679
Speaker 4: of nothing and we were like, yeah, every single.

430
00:19:10,480 --> 00:19:13,439
Speaker 1: Day pretty much. It just it just happens, and we

431
00:19:13,560 --> 00:19:14,800
Speaker 1: do a lot in four.

432
00:19:14,520 --> 00:19:16,920
Speaker 4: Hours, so so much.

433
00:19:17,000 --> 00:19:19,560
Speaker 1: Yeah, Like he was watching me put it together the

434
00:19:19,600 --> 00:19:22,639
Speaker 1: whole entertainment, how I do the sound, and I was

435
00:19:22,720 --> 00:19:25,440
Speaker 1: pulling sound in real time while live on the air.

436
00:19:25,600 --> 00:19:27,360
Speaker 1: I mean, he just couldn't believe it. To me, it's

437
00:19:27,400 --> 00:19:29,640
Speaker 1: normal to you it's normal because you know we've been

438
00:19:29,680 --> 00:19:32,000
Speaker 1: doing it, but to him it was like shocking.

439
00:19:32,359 --> 00:19:35,240
Speaker 4: It is really interesting to see and he was kind

440
00:19:35,240 --> 00:19:36,879
Speaker 4: of standing over your shoulder like I used to do.

441
00:19:37,080 --> 00:19:40,439
Speaker 4: But it is interesting to see you when I know

442
00:19:40,600 --> 00:19:42,840
Speaker 4: you're looking for a sound bite that's in the system

443
00:19:42,880 --> 00:19:47,000
Speaker 4: already and you're still talking on air. You are typing

444
00:19:47,080 --> 00:19:50,320
Speaker 4: something and also talking at the same time. I'm always

445
00:19:50,440 --> 00:19:53,080
Speaker 4: very impressed when you do that. Yeah, because I know

446
00:19:53,119 --> 00:19:55,199
Speaker 4: you like you sort it in a specific way, so

447
00:19:55,240 --> 00:19:57,240
Speaker 4: you have things titled in ways that you're like, Okay,

448
00:19:57,280 --> 00:19:59,600
Speaker 4: I know X y Z is titled like this. I

449
00:19:59,600 --> 00:20:01,960
Speaker 4: will can pull it up easily. But it's still very

450
00:20:02,000 --> 00:20:04,239
Speaker 4: impressive to watch you type and talk at the same time.

451
00:20:04,280 --> 00:20:07,080
Speaker 1: Yeah, because I'm thinking, I'm listening for keywords that would

452
00:20:07,119 --> 00:20:09,240
Speaker 1: be good. I'm always just searching for sound so as

453
00:20:09,280 --> 00:20:11,880
Speaker 1: I'm talking, and you know, he's talking about Sidney Sweeney

454
00:20:11,880 --> 00:20:14,280
Speaker 1: and the jeans thing, so I'm typing in jeans or

455
00:20:14,280 --> 00:20:16,480
Speaker 1: I'm typing in fashion. I have it stored a certain

456
00:20:16,520 --> 00:20:18,359
Speaker 1: way to see if there's any clips that I can

457
00:20:18,400 --> 00:20:20,640
Speaker 1: possibly play, and when there's a good one, I'm able

458
00:20:20,680 --> 00:20:22,439
Speaker 1: to play it or talk into it and play it,

459
00:20:22,760 --> 00:20:24,720
Speaker 1: so it's just a it's just I feel like there's

460
00:20:24,760 --> 00:20:26,800
Speaker 1: something that we have that not a lot of other

461
00:20:26,880 --> 00:20:27,400
Speaker 1: shows have.

462
00:20:27,600 --> 00:20:29,199
Speaker 4: It's super individual and special.

463
00:20:29,480 --> 00:20:31,400
Speaker 1: Yeah, and I'm playing I'm playing talkbacks live.

464
00:20:31,840 --> 00:20:33,880
Speaker 4: Yeah that's yeah, yeah, which.

465
00:20:33,640 --> 00:20:34,639
Speaker 1: Is actually pretty crazy.

466
00:20:34,680 --> 00:20:37,760
Speaker 4: It's like we love that the talkbacks are like literally

467
00:20:37,800 --> 00:20:38,480
Speaker 4: part of the show.

468
00:20:38,760 --> 00:20:41,720
Speaker 1: Yeah. Yeah, they say crazy things. Then it's not us

469
00:20:41,720 --> 00:20:44,959
Speaker 1: saying the crazy things, you know, because lud knows if

470
00:20:44,960 --> 00:20:49,200
Speaker 1: I was to Yeah, I don't know. I feel like

471
00:20:50,200 --> 00:20:52,920
Speaker 1: I can be more edgy. I'm more edgy off the

472
00:20:53,040 --> 00:20:56,760
Speaker 1: air and my natural life obviously, you know, I can

473
00:20:56,840 --> 00:20:59,040
Speaker 1: say more things that are you know, whatever, But on

474
00:20:59,200 --> 00:21:01,600
Speaker 1: the air, I feel like it doesn't sound right.

475
00:21:02,320 --> 00:21:05,040
Speaker 4: No. Yeah, I feel like the only time we ever

476
00:21:05,160 --> 00:21:08,960
Speaker 4: get like a little is it's usually like just jokes. Yeah, yeah,

477
00:21:09,080 --> 00:21:11,240
Speaker 4: like you're not obviously we're not bringing up something that's

478
00:21:11,320 --> 00:21:13,760
Speaker 4: like too dirty because we know that there's kids in

479
00:21:13,800 --> 00:21:16,680
Speaker 4: the car, Like there's always going to be times where

480
00:21:16,840 --> 00:21:20,760
Speaker 4: it doesn't land, and we don't love that, Like we

481
00:21:20,840 --> 00:21:21,720
Speaker 4: want our jokes to land.

482
00:21:21,800 --> 00:21:24,400
Speaker 1: Yeah, the kids thing is a big deal. That's something

483
00:21:24,480 --> 00:21:27,080
Speaker 1: that we forget sometimes is the kids are in the

484
00:21:27,160 --> 00:21:29,480
Speaker 1: back seat and then they'll DM me and be like,

485
00:21:29,560 --> 00:21:31,760
Speaker 1: now my kid's asking me what a vibrator is?

486
00:21:32,160 --> 00:21:35,000
Speaker 4: Yeah, like what's a slut? Yeah yeah, and we're.

487
00:21:34,920 --> 00:21:37,240
Speaker 1: Like oh no, or god forbid. They go to school

488
00:21:37,240 --> 00:21:38,359
Speaker 1: and repeat what they heard too.

489
00:21:38,560 --> 00:21:41,600
Speaker 4: And you have young kids, so you understand what it's

490
00:21:41,680 --> 00:21:44,720
Speaker 4: like to be in the car or you're able saying well, dad,

491
00:21:44,760 --> 00:21:46,280
Speaker 4: what does that mean? And then you're like, oh no,

492
00:21:46,560 --> 00:21:47,119
Speaker 4: don't say that.

493
00:21:47,520 --> 00:21:49,440
Speaker 1: Yep, I do, absolutely, I do.

494
00:21:50,000 --> 00:21:52,359
Speaker 4: Another thing I think people would love to know is

495
00:21:52,600 --> 00:21:56,320
Speaker 4: how you get all of the candid microphones from.

496
00:21:56,840 --> 00:21:59,480
Speaker 1: Oh yeah, So when Billy's in my studio in the

497
00:21:59,560 --> 00:22:02,800
Speaker 1: morning or anytime he walks in, I start recording when

498
00:22:02,840 --> 00:22:06,040
Speaker 1: he doesn't know. So those candid microphones are real. He

499
00:22:06,160 --> 00:22:07,520
Speaker 1: doesn't know he's being recorded.

500
00:22:07,640 --> 00:22:09,840
Speaker 4: If he ever says that's edited, it's not.

501
00:22:10,080 --> 00:22:12,960
Speaker 1: It's not edited. It's not. At the he comes in,

502
00:22:13,080 --> 00:22:15,960
Speaker 1: he sits down and he just starts talking. And I

503
00:22:16,119 --> 00:22:20,160
Speaker 1: have to It's funny because with Riley, when she first

504
00:22:20,200 --> 00:22:23,400
Speaker 1: started coming in, she didn't know what I was doing.

505
00:22:24,200 --> 00:22:27,040
Speaker 1: So you have to pick up cues on when Billy's

506
00:22:27,080 --> 00:22:28,440
Speaker 1: going to go on a rant. When he gets it,

507
00:22:28,560 --> 00:22:31,280
Speaker 1: he gets angry, and so when he does you got

508
00:22:31,400 --> 00:22:33,880
Speaker 1: to kind of not talk and let him talk.

509
00:22:34,000 --> 00:22:35,600
Speaker 4: I feel like I've gotten pretty good about that.

510
00:22:35,840 --> 00:22:38,399
Speaker 1: Yeah. So there were a couple that were ruined by Riley.

511
00:22:38,480 --> 00:22:41,240
Speaker 4: You didn't know or is somebody walking in or whatever.

512
00:22:41,560 --> 00:22:43,720
Speaker 1: Yeah, So then Riley would be like talking to him,

513
00:22:43,840 --> 00:22:45,840
Speaker 1: it's Bill, what do you mean? Oh no, you're crazy

514
00:22:45,920 --> 00:22:48,800
Speaker 1: Billy Billy, but you're talking over him, and so it

515
00:22:48,920 --> 00:22:50,879
Speaker 1: just not clean audio. So I had to talk with her.

516
00:22:50,920 --> 00:22:52,600
Speaker 1: I'm like, look, you got to pick up a cue

517
00:22:52,640 --> 00:22:54,760
Speaker 1: when he's going on a rant. Just be quiet or

518
00:22:54,920 --> 00:22:56,480
Speaker 1: just say like one word.

519
00:22:56,680 --> 00:22:59,080
Speaker 4: Now else I can usually see when you turn the

520
00:22:59,119 --> 00:23:01,239
Speaker 4: mic on or like potted up. So usually I'm pretty good.

521
00:23:01,560 --> 00:23:04,480
Speaker 4: But it's one thing that we both do is we'll

522
00:23:04,520 --> 00:23:06,399
Speaker 4: try to set him off a little bit, Like if

523
00:23:06,440 --> 00:23:08,720
Speaker 4: he's going on a rant, sometimes we'll try to like

524
00:23:09,000 --> 00:23:09,680
Speaker 4: stoke the fire.

525
00:23:09,880 --> 00:23:10,080
Speaker 1: Yeah.

526
00:23:10,160 --> 00:23:12,480
Speaker 4: It that way he keeps going. The more he ramped up,

527
00:23:12,520 --> 00:23:13,800
Speaker 4: he gets more the funny.

528
00:23:13,600 --> 00:23:16,280
Speaker 1: Hurt is for us. It's the best. Unhinged Billy is

529
00:23:16,440 --> 00:23:18,359
Speaker 1: just the best. It's literally and that's what we.

530
00:23:18,480 --> 00:23:24,760
Speaker 4: Get from five to six thirty. He's crazy.

531
00:23:25,000 --> 00:23:26,920
Speaker 1: He is a crazy person in a good way. He's

532
00:23:27,000 --> 00:23:29,719
Speaker 1: lovable crazy, but he is crazy. Oh, we love him.

533
00:23:29,920 --> 00:23:32,520
Speaker 1: We love him. So any other questions about producing the

534
00:23:32,560 --> 00:23:35,200
Speaker 1: show you can ask, it doesn't matter. I'll try to

535
00:23:35,200 --> 00:23:36,400
Speaker 1: answer as much as possible.

536
00:23:37,960 --> 00:23:38,520
Speaker 4: I do have.

537
00:23:38,880 --> 00:23:42,240
Speaker 1: McCabe coming in soon. Power of Recovery is coming in.

538
00:23:42,760 --> 00:23:45,200
Speaker 1: I'm booking some people to come in and join me.

539
00:23:45,280 --> 00:23:48,320
Speaker 1: If not, I'll just yap. Imagine that I just talk

540
00:23:48,680 --> 00:23:50,840
Speaker 1: like I'm talking to my friends because I feel like

541
00:23:51,119 --> 00:23:51,840
Speaker 1: they're my friends.

542
00:23:52,040 --> 00:23:53,719
Speaker 4: There is one day that I don't know you might

543
00:23:53,720 --> 00:23:55,359
Speaker 4: have been on the phone, but I did peek in

544
00:23:55,480 --> 00:23:57,360
Speaker 4: here because I was looking for you, and you had

545
00:23:57,440 --> 00:24:00,159
Speaker 4: your feet up on the desk like reclining with your

546
00:24:00,200 --> 00:24:03,040
Speaker 4: headphones on, so I could tell that you were recording something,

547
00:24:03,480 --> 00:24:05,680
Speaker 4: but like your feet were just like fully up on

548
00:24:05,800 --> 00:24:07,720
Speaker 4: the desk, and I was like, who's.

549
00:24:07,480 --> 00:24:09,720
Speaker 1: He talking to me? Yeah? I was talking to myself, well,

550
00:24:09,760 --> 00:24:11,280
Speaker 1: my friends. I was talking to my friends, right, but

551
00:24:11,400 --> 00:24:13,399
Speaker 1: really to myself. But I think they like it. I

552
00:24:13,440 --> 00:24:15,359
Speaker 1: think they appreciate it. So you can always join the

553
00:24:15,400 --> 00:24:17,320
Speaker 1: app to show. You can always get your input in

554
00:24:17,600 --> 00:24:20,800
Speaker 1: on the iHeartRadio app. You just boom, hit that microphone button,

555
00:24:20,880 --> 00:24:23,000
Speaker 1: leave a talk back, and produce a rally. Thank you

556
00:24:23,040 --> 00:24:25,920
Speaker 1: so much for coming in today anytime. I appreciate it

557
00:24:26,160 --> 00:24:29,080
Speaker 1: and I have a good day. We will talk tomorrow hopefully,

558
00:24:29,440 --> 00:24:31,040
Speaker 1: but I feel pretty good about it. Bye bye,