1 00:00:00,120 --> 00:00:04,760 Speaker 1: That Netflix is the Devil Bobby. We're going up, up, up. 2 00:00:04,800 --> 00:00:09,000 Speaker 1: It's our moment, you know, together, We're glowing, gonna be 3 00:00:09,039 --> 00:00:16,000 Speaker 1: gonna be Golden Globes, Tarantee, no respects. You get a 4 00:00:16,040 --> 00:00:21,200 Speaker 1: spider Man, You get a Spider Man, the Boys, Goo 5 00:00:21,320 --> 00:00:27,840 Speaker 1: Goo Power Rangers, acting, and so much more here on 6 00:00:28,480 --> 00:00:32,040 Speaker 1: News Dupe what not, Big Dog? 7 00:00:32,240 --> 00:00:35,400 Speaker 2: The headlines work so much better when I prompt you 8 00:00:35,400 --> 00:00:37,800 Speaker 2: you know, what do you mean by getting to character? 9 00:00:38,120 --> 00:00:40,040 Speaker 2: I geta have no characters? 10 00:00:40,400 --> 00:00:42,720 Speaker 1: No, And even when I like when I put notes, 11 00:00:42,920 --> 00:00:44,960 Speaker 1: you're like, what the fuck does that mean? 12 00:00:45,120 --> 00:00:50,320 Speaker 2: I get so fucking confused. Hi, Hello, how's it going, 13 00:00:50,640 --> 00:00:52,000 Speaker 2: Great Grand wonderful? 14 00:00:52,120 --> 00:00:54,600 Speaker 1: This is our award winning chemistry that we've worked on 15 00:00:54,760 --> 00:00:58,040 Speaker 1: for over a decade. Yeah, speaking of awards. 16 00:00:57,600 --> 00:00:59,640 Speaker 2: Now that I just said that, that's a great transition. Yeah, 17 00:00:59,640 --> 00:01:04,720 Speaker 2: I'm gonna cut you off, Great Grand Wonderful. I've said 18 00:01:04,760 --> 00:01:08,160 Speaker 2: that many times in my life. That'd be that's gotta 19 00:01:08,160 --> 00:01:10,440 Speaker 2: be top four or five phrases I've said my whole. 20 00:01:10,760 --> 00:01:13,160 Speaker 1: I've always wanted to do a podcast on this, and 21 00:01:13,160 --> 00:01:16,840 Speaker 1: you're always like, I don't know, I'm gonna forget the 22 00:01:16,880 --> 00:01:20,319 Speaker 1: phrases I want to do throwaway crap that we always 23 00:01:20,400 --> 00:01:23,320 Speaker 1: say that is from a movie or a television show, 24 00:01:23,360 --> 00:01:26,440 Speaker 1: that it's not the most quotable thing. But it's the 25 00:01:26,480 --> 00:01:28,920 Speaker 1: garbage that we pick up and we take with us 26 00:01:28,959 --> 00:01:29,720 Speaker 1: through our life. 27 00:01:29,760 --> 00:01:31,600 Speaker 2: But that makes it the most quotable. 28 00:01:32,000 --> 00:01:35,120 Speaker 1: I say, buckle up buccaroo three to four times a day. 29 00:01:36,800 --> 00:01:39,800 Speaker 2: But like when we and that sort of thing, like 30 00:01:40,000 --> 00:01:44,240 Speaker 2: can we include you know, eight seven seven seven cars 31 00:01:44,240 --> 00:01:46,720 Speaker 2: for kids? Like is that stuff included? Is the Hess truck? 32 00:01:46,880 --> 00:01:50,440 Speaker 2: The hash trucks? That stuff included? 33 00:01:50,560 --> 00:01:52,600 Speaker 1: I think we just need to have a whole separate 34 00:01:52,680 --> 00:01:53,800 Speaker 1: jingles category. 35 00:01:53,960 --> 00:01:56,400 Speaker 2: Okay, well now so now it's two layered. 36 00:01:56,600 --> 00:01:58,520 Speaker 1: Well, don't put batteries in the trash like. 37 00:01:58,520 --> 00:02:00,360 Speaker 2: These onion podcasts. 38 00:02:00,840 --> 00:02:03,640 Speaker 1: We are an onion or a par fait. 39 00:02:04,880 --> 00:02:06,440 Speaker 2: Okay, all right, all right. 40 00:02:06,800 --> 00:02:07,560 Speaker 1: News don't. 41 00:02:08,840 --> 00:02:09,120 Speaker 2: All right? 42 00:02:09,160 --> 00:02:11,679 Speaker 1: Mac, you added this to the show. You want to 43 00:02:11,720 --> 00:02:14,360 Speaker 1: tell me something about yourself? Or are you good? No? 44 00:02:14,480 --> 00:02:15,800 Speaker 1: I just like this is. 45 00:02:16,000 --> 00:02:18,360 Speaker 2: I'd say, like once a year, it seems as we 46 00:02:18,480 --> 00:02:21,560 Speaker 2: talk about how you would like to die. Gamble del 47 00:02:21,600 --> 00:02:25,800 Speaker 2: Toro is talking about death. In fact, he's looking forward 48 00:02:25,800 --> 00:02:29,120 Speaker 2: to death. He said, why should you want to live longer? 49 00:02:29,320 --> 00:02:31,720 Speaker 2: I'm a big fan of death. I'm certainly looking forward 50 00:02:31,760 --> 00:02:34,600 Speaker 2: to it because it's the day you go, well tomorrow, 51 00:02:34,600 --> 00:02:36,080 Speaker 2: I won't have any problems. 52 00:02:36,400 --> 00:02:38,360 Speaker 1: So all right, you know. 53 00:02:40,520 --> 00:02:44,240 Speaker 2: Two things. Gambled del Toro can't have too many problems 54 00:02:44,240 --> 00:02:46,280 Speaker 2: going on in this world. I don't know what's what's 55 00:02:46,320 --> 00:02:51,160 Speaker 2: going on there. I also think this question is you 56 00:02:51,200 --> 00:02:53,920 Speaker 2: know double edged sword? Heir you? Because if you're a 57 00:02:53,960 --> 00:02:58,000 Speaker 2: religious person, not I, you might be looking forward to 58 00:02:58,040 --> 00:03:01,160 Speaker 2: death in greener pastures. Either you just fucking die and 59 00:03:01,200 --> 00:03:04,400 Speaker 2: that's it. You get buried and or cremated and that's that. 60 00:03:04,880 --> 00:03:07,000 Speaker 2: So I am not looking forward to death. 61 00:03:07,080 --> 00:03:08,959 Speaker 1: What's been popping up on my reels a lot, and 62 00:03:09,000 --> 00:03:10,680 Speaker 1: I might have listened to a bit of this interview. 63 00:03:10,680 --> 00:03:13,920 Speaker 1: It's from the Conan O'Brien podcast I Need a Friend. 64 00:03:14,400 --> 00:03:18,680 Speaker 1: It's when he had Mark Maron on and Maren kept 65 00:03:18,720 --> 00:03:22,160 Speaker 1: on talking about when Bob Odenkirk had his big heart 66 00:03:22,200 --> 00:03:26,200 Speaker 1: attack and pretty much died. He was texting Maren after 67 00:03:26,760 --> 00:03:29,160 Speaker 1: being like, hey, you know, when you die, there's no light, 68 00:03:29,320 --> 00:03:33,360 Speaker 1: there's no afterlife. And anytime that he would end a 69 00:03:33,400 --> 00:03:35,640 Speaker 1: statement like he'd write about something else and be like, 70 00:03:35,720 --> 00:03:38,400 Speaker 1: oh and remember this, when you die, there's nothing. 71 00:03:40,000 --> 00:03:42,240 Speaker 2: I always think you hear these stories. And I have 72 00:03:42,280 --> 00:03:45,520 Speaker 2: an uncle who was nearly crushed by a forklift like 73 00:03:45,600 --> 00:03:49,280 Speaker 2: thirty years ago, and he says there was a sort 74 00:03:49,320 --> 00:03:51,680 Speaker 2: of like seeing light moment. And in my head, I 75 00:03:51,760 --> 00:03:55,120 Speaker 2: think that's just because you're losing consciousness and it's going blurry. 76 00:03:55,360 --> 00:03:57,960 Speaker 2: That's how I'm interpreting it. So I think that's what 77 00:03:58,040 --> 00:04:00,400 Speaker 2: a lot of people have sort of seen the years 78 00:04:00,400 --> 00:04:03,680 Speaker 2: and just misinterpret it. But once again, I suppose if 79 00:04:03,680 --> 00:04:05,360 Speaker 2: you're religious, you may be looking forward. 80 00:04:05,480 --> 00:04:08,400 Speaker 1: You know what light I hope to see when I'm dying. 81 00:04:08,720 --> 00:04:09,200 Speaker 2: What's that? 82 00:04:09,400 --> 00:04:09,880 Speaker 1: Crystal? 83 00:04:11,280 --> 00:04:15,960 Speaker 2: Yeah? Crystal packet? GUYE No, I like the pre made 84 00:04:15,960 --> 00:04:18,080 Speaker 2: I don't need to. We used to do back in 85 00:04:18,320 --> 00:04:22,359 Speaker 2: let's say two thousand and eight. Crystal like packet UV blue. 86 00:04:22,600 --> 00:04:26,840 Speaker 2: Mix those two things, dynamite, dynamite, it'll get you drunk. 87 00:04:27,040 --> 00:04:28,599 Speaker 1: What's your other favorite lights? 88 00:04:29,000 --> 00:04:29,200 Speaker 2: Oh? 89 00:04:29,240 --> 00:04:29,960 Speaker 1: Minute made light? 90 00:04:30,320 --> 00:04:30,760 Speaker 2: No? 91 00:04:30,760 --> 00:04:33,119 Speaker 1: No, No, I don't mind Minute made light no, because 92 00:04:33,160 --> 00:04:34,880 Speaker 1: most other things call themselves diet. 93 00:04:34,920 --> 00:04:37,640 Speaker 2: I don't really like lemonade, though, you pink or yellow? 94 00:04:37,839 --> 00:04:39,520 Speaker 2: I'm a pink guy. If I gotta choose, of course. 95 00:04:39,360 --> 00:04:41,560 Speaker 1: I'm gonna pink pink too, But I don't think anything 96 00:04:41,560 --> 00:04:42,719 Speaker 1: else up bright. 97 00:04:43,080 --> 00:04:46,280 Speaker 2: Light bright light bright. Okay, sure, rainbow bright. 98 00:04:46,560 --> 00:04:47,919 Speaker 1: Well that's not light though. 99 00:04:48,120 --> 00:04:50,880 Speaker 2: People are drawing connections from rainbow bright to stranger things. 100 00:04:50,920 --> 00:04:54,800 Speaker 1: So so comment in the YouTube. First off, if you're 101 00:04:54,839 --> 00:04:58,080 Speaker 1: listening on the podcast, hit pause, go to YouTube, smash 102 00:04:58,120 --> 00:05:00,880 Speaker 1: that subscribe button. Thumbs up on the this video, go 103 00:05:00,920 --> 00:05:04,880 Speaker 1: through our entire catalog, give his thumbs up, leave a comment. 104 00:05:05,320 --> 00:05:08,520 Speaker 1: It doesn't matter what it is. Engagement, that's all that matters. 105 00:05:08,560 --> 00:05:11,360 Speaker 1: I'm told that negative engagement is the same as positive, 106 00:05:11,400 --> 00:05:13,200 Speaker 1: even though it hurts my feelings and then it makes 107 00:05:13,240 --> 00:05:19,080 Speaker 1: me feel like Benicio del Toro. But do that? Yeah, Like, 108 00:05:19,200 --> 00:05:21,039 Speaker 1: oh my god? You know what else pops up on 109 00:05:21,080 --> 00:05:25,200 Speaker 1: my Instagram feed? A lot is from the Detroiters when 110 00:05:25,360 --> 00:05:28,880 Speaker 1: Tim is going through the comment section of his girlfriend's page. 111 00:05:31,200 --> 00:05:34,960 Speaker 1: What is that supposed to mean? That's how I feel 112 00:05:35,000 --> 00:05:41,920 Speaker 1: reading every comment. Ever, let us know your favorite lights 113 00:05:41,960 --> 00:05:46,480 Speaker 1: down below the northern that's a good one news dumb 114 00:05:48,160 --> 00:05:50,480 Speaker 1: all right, So what we're about to talk about might 115 00:05:50,640 --> 00:05:55,800 Speaker 1: mean fucking nothing because right now Paramount is planning a 116 00:05:55,839 --> 00:06:01,159 Speaker 1: hostile takeover. Also, this might be deemed monopoly and it's 117 00:06:01,200 --> 00:06:01,919 Speaker 1: not allowed. 118 00:06:02,120 --> 00:06:03,640 Speaker 2: I don't understand those rules. 119 00:06:03,680 --> 00:06:05,599 Speaker 1: Look, I don't know what the rules are. I honestly 120 00:06:05,600 --> 00:06:10,760 Speaker 1: don't care. Netflix also might have been doing this to 121 00:06:10,800 --> 00:06:15,400 Speaker 1: delay someone else buying HBO Slash uh not DC, but 122 00:06:15,480 --> 00:06:18,680 Speaker 1: DC is involved, HBO and Warner Brothers. Like by them 123 00:06:18,720 --> 00:06:22,120 Speaker 1: doing this, it might delay a purchase by another company 124 00:06:22,160 --> 00:06:25,120 Speaker 1: for two years, allowing them to do more things, and 125 00:06:25,160 --> 00:06:29,719 Speaker 1: it depreciates the asset. There's too much, I like a bye, 126 00:06:30,040 --> 00:06:32,320 Speaker 1: Well no, but what might happen because they do that? 127 00:06:32,920 --> 00:06:36,839 Speaker 1: They might have lawyers dig into lawyers and lawmakers dig 128 00:06:36,880 --> 00:06:39,120 Speaker 1: into some CD shit that they're up to, and they 129 00:06:39,200 --> 00:06:41,720 Speaker 1: might get in trouble for other stuff. Look, there's too 130 00:06:41,800 --> 00:06:46,479 Speaker 1: much going on with this story, and until anything actually happens, 131 00:06:46,560 --> 00:06:47,680 Speaker 1: I don't know if I care. 132 00:06:48,040 --> 00:06:52,520 Speaker 2: No, that's true, and I think in general I wouldn't 133 00:06:52,560 --> 00:06:54,120 Speaker 2: before this next what is that? 134 00:06:54,640 --> 00:06:56,159 Speaker 1: By the way, we didn't even talk about it. 135 00:06:56,160 --> 00:07:04,840 Speaker 2: So Netflix is essentially buy WB STUDIOSO and yeah, WB. 136 00:07:04,960 --> 00:07:10,000 Speaker 2: Warner Brothers owns DC Comics, HBO, HBO, Max, WB Games, 137 00:07:10,040 --> 00:07:13,800 Speaker 2: Adult Swim Cartoon Network. So in general I am not 138 00:07:14,000 --> 00:07:18,360 Speaker 2: for this. I think I think this makes the film 139 00:07:18,440 --> 00:07:24,160 Speaker 2: industry worse. However, However, the Netflix isn't really the underdog 140 00:07:24,200 --> 00:07:27,480 Speaker 2: it used to be. I like when someone muddies the 141 00:07:27,520 --> 00:07:30,920 Speaker 2: waters and Netflix is fighting dirty and I like that. 142 00:07:31,120 --> 00:07:33,080 Speaker 2: I like that they're out for spite. I like that 143 00:07:33,120 --> 00:07:35,920 Speaker 2: they're kind of intentionally doing this to fuck paramount because 144 00:07:35,960 --> 00:07:40,080 Speaker 2: you know what, fuck paramount Paramounts not doing the right 145 00:07:40,120 --> 00:07:43,040 Speaker 2: things either. So I'm like, I'm okay with muddy in 146 00:07:43,080 --> 00:07:43,440 Speaker 2: the water. 147 00:07:43,760 --> 00:07:47,600 Speaker 1: By the time this podcast is posted, this story might 148 00:07:47,640 --> 00:07:49,400 Speaker 1: have changed seven times. 149 00:07:49,240 --> 00:07:52,960 Speaker 2: But in general, what it has done, normanly is muddying 150 00:07:53,000 --> 00:07:53,360 Speaker 2: the water. 151 00:07:53,480 --> 00:07:57,080 Speaker 1: Yeah, it's completely muddied the water, agreed. But it's also 152 00:07:57,240 --> 00:08:00,480 Speaker 1: so Netflix is the number one streaming service, and then 153 00:08:00,840 --> 00:08:03,080 Speaker 1: HBO I think, is like third or something like that. 154 00:08:03,360 --> 00:08:06,440 Speaker 1: A second Amazon Prime is in the middle, but no one. 155 00:08:07,000 --> 00:08:09,720 Speaker 1: Everyone has Amazon Prime because they want deliveries. 156 00:08:09,840 --> 00:08:13,240 Speaker 2: Yes, so it's it's baked in, which is honestly an 157 00:08:13,480 --> 00:08:14,320 Speaker 2: ingenious way. 158 00:08:14,280 --> 00:08:16,760 Speaker 1: And that's what everything should. We should have stuff baked 159 00:08:16,760 --> 00:08:19,120 Speaker 1: into all of our streaming services. They should offer a 160 00:08:19,160 --> 00:08:20,280 Speaker 1: little something on the side. 161 00:08:20,400 --> 00:08:25,240 Speaker 2: I mean, I a little gibber I. 162 00:08:25,120 --> 00:08:27,560 Speaker 1: These companies would offer it over the pants. This one's 163 00:08:27,640 --> 00:08:28,360 Speaker 1: under the pants. 164 00:08:29,200 --> 00:08:31,560 Speaker 2: My home consumption. Now I have this little trinket. 165 00:08:31,680 --> 00:08:34,440 Speaker 1: You can't be talking about ething you can't be talking 166 00:08:34,480 --> 00:08:37,040 Speaker 1: about the is all over looked. 167 00:08:37,160 --> 00:08:39,880 Speaker 2: I've looked into it. Oh okay, but the only streaming 168 00:08:39,920 --> 00:08:43,440 Speaker 2: service I kept is Prime because it's attached to Amazon Prime. 169 00:08:43,600 --> 00:08:44,800 Speaker 2: So they're genius. 170 00:08:45,080 --> 00:08:48,880 Speaker 1: What should these streaming companies offer Just a little bit accent, eat. 171 00:08:48,800 --> 00:08:51,559 Speaker 2: Something, give me something, Just send me some pens or 172 00:08:51,600 --> 00:08:53,360 Speaker 2: something and i'll streaming service. 173 00:08:53,520 --> 00:08:56,360 Speaker 1: Maybe a little discount on like household items. 174 00:08:56,600 --> 00:08:59,679 Speaker 2: Yeah yeah, I wouldn't be send me toilet paper every month. 175 00:08:59,760 --> 00:09:05,000 Speaker 1: I'll toilet paper, dish soap, a new washer and dryer. 176 00:09:08,880 --> 00:09:12,000 Speaker 2: After you watch your thousandth movie, you get a new washer. Shot. 177 00:09:13,200 --> 00:09:16,440 Speaker 1: There should be incentives. There should be a ticket system. 178 00:09:16,480 --> 00:09:19,200 Speaker 1: There should be some kind of a token thing. Our 179 00:09:19,360 --> 00:09:21,480 Speaker 1: lives should be like Chuck E cheese. 180 00:09:24,240 --> 00:09:26,800 Speaker 2: I want a Netflix arcade yesterday. 181 00:09:27,960 --> 00:09:31,240 Speaker 1: Yeah. So, what's his name here? Ted sarandis who I 182 00:09:31,360 --> 00:09:34,839 Speaker 1: thought was the sportscaster. But he is the guy that 183 00:09:35,080 --> 00:09:37,880 Speaker 1: runs Netflix. I believe he's the boss. And he said, 184 00:09:37,880 --> 00:09:41,199 Speaker 1: we're saving Hollywood by doing this. We're in a period 185 00:09:41,240 --> 00:09:44,040 Speaker 1: of transition. Folks grew up thinking I want to make 186 00:09:44,160 --> 00:09:47,280 Speaker 1: movies on gigantic screens and have strangers watch them. 187 00:09:47,760 --> 00:09:50,680 Speaker 2: No one used that terminology by those are the. 188 00:09:50,679 --> 00:09:53,720 Speaker 1: Words I've always used. I used to shoot home videos 189 00:09:53,840 --> 00:09:56,280 Speaker 1: of me and my cousins doing weird plays but set 190 00:09:56,360 --> 00:09:58,920 Speaker 1: in the nineties. And then I'm like, I want people 191 00:09:59,000 --> 00:10:01,280 Speaker 1: to see this on a fucking I can't take television. Now. 192 00:10:01,320 --> 00:10:04,000 Speaker 2: If we are talking side jobs and gibbers, then we 193 00:10:04,080 --> 00:10:06,360 Speaker 2: are talking strangers. Then I'm back on board. 194 00:10:06,520 --> 00:10:09,719 Speaker 1: Yes, let's see here. So what he is trying to 195 00:10:09,800 --> 00:10:12,360 Speaker 1: think of? So right now he's saying, movies playing in 196 00:10:12,440 --> 00:10:14,280 Speaker 1: theaters for two months and then you have to wait, 197 00:10:14,320 --> 00:10:17,439 Speaker 1: you're gonna do vod you gotta do streaming. That's outdated. 198 00:10:17,800 --> 00:10:19,679 Speaker 1: Let's get rid of that. He wants to do a 199 00:10:19,800 --> 00:10:23,000 Speaker 1: two week window in theaters and then we get moving. 200 00:10:23,200 --> 00:10:25,319 Speaker 2: I think there's a happy medium. He does have a point. 201 00:10:26,440 --> 00:10:30,600 Speaker 2: The lag time between when people are interested in seeing 202 00:10:30,679 --> 00:10:32,760 Speaker 2: movies in the theater and then when it actually comes 203 00:10:32,800 --> 00:10:35,040 Speaker 2: out in streaming is too long. There's too much time. 204 00:10:35,160 --> 00:10:36,880 Speaker 1: So what they need to figure out. They need to 205 00:10:37,000 --> 00:10:40,120 Speaker 1: figure out a way to advance this. I do agree, 206 00:10:40,720 --> 00:10:43,240 Speaker 1: but maybe the quick two weeks and then like that's 207 00:10:43,320 --> 00:10:46,600 Speaker 1: a bit too much. You need to advance society all 208 00:10:46,679 --> 00:10:47,080 Speaker 1: the time. 209 00:10:47,280 --> 00:10:50,679 Speaker 2: Well, I think this lag time was built in in 210 00:10:50,840 --> 00:10:54,520 Speaker 2: an era twenty twenty five years ago where VHS and 211 00:10:54,600 --> 00:10:57,120 Speaker 2: DVD sales would pop up six months later, and so 212 00:10:57,400 --> 00:11:00,200 Speaker 2: it was an intentional lag time there to drum up 213 00:11:00,280 --> 00:11:04,360 Speaker 2: interest again. Now with home streaming, no one's really buying movies. 214 00:11:04,760 --> 00:11:07,560 Speaker 2: You may buy a movie on streaming if you really 215 00:11:07,640 --> 00:11:08,160 Speaker 2: really want. 216 00:11:08,040 --> 00:11:09,520 Speaker 1: To set weeks. 217 00:11:09,800 --> 00:11:12,160 Speaker 2: You don't own it, Yeah, your account owns it, but 218 00:11:12,200 --> 00:11:15,400 Speaker 2: you don't physically own it. But my point is there's 219 00:11:15,480 --> 00:11:19,280 Speaker 2: no at any time, sure there's no there's no real 220 00:11:19,840 --> 00:11:24,360 Speaker 2: added revenue stream so you might as well play into 221 00:11:24,440 --> 00:11:27,800 Speaker 2: the streamer's appetite. Have it in the theaters for four weeks, 222 00:11:27,840 --> 00:11:29,880 Speaker 2: six weeks, whatever it is, and then when it's not 223 00:11:30,120 --> 00:11:33,680 Speaker 2: it should be immediately streaming. If you by week five 224 00:11:33,800 --> 00:11:35,480 Speaker 2: or six, if you haven't seen it in the theater, 225 00:11:35,600 --> 00:11:37,800 Speaker 2: you're not gonna see it in the theater, right, So 226 00:11:38,400 --> 00:11:40,920 Speaker 2: put it on home streaming for two weeks, for five 227 00:11:41,080 --> 00:11:43,839 Speaker 2: ninety nine, whatever it is, and then after another two 228 00:11:43,840 --> 00:11:46,600 Speaker 2: weeks or a month, then maybe it's free. I get there, 229 00:11:46,640 --> 00:11:48,320 Speaker 2: you get you gotta have. You make a little money 230 00:11:48,360 --> 00:11:50,439 Speaker 2: on the streaming side, but don't let it sit in 231 00:11:50,480 --> 00:11:52,760 Speaker 2: theaters for two two and a half months. Then have 232 00:11:52,880 --> 00:11:54,640 Speaker 2: a two to two and a half month gap, then 233 00:11:54,760 --> 00:11:56,880 Speaker 2: come the streaming for a month where you can pay 234 00:11:56,920 --> 00:11:58,959 Speaker 2: for it, and then it's free because people are just 235 00:11:59,040 --> 00:11:59,880 Speaker 2: gonna wait till it's. 236 00:12:00,240 --> 00:12:03,480 Speaker 1: The issue is that the movie theaters don't make money 237 00:12:03,679 --> 00:12:06,640 Speaker 1: on the newly released movies in the first two weeks. 238 00:12:06,800 --> 00:12:09,079 Speaker 1: They make money on it after that. That's where the 239 00:12:09,160 --> 00:12:10,320 Speaker 1: movie theaters make any money. 240 00:12:10,400 --> 00:12:12,760 Speaker 2: It's like three movies a year that even come into 241 00:12:12,800 --> 00:12:16,640 Speaker 2: play with that, and Jimi does that. There's this whole 242 00:12:16,720 --> 00:12:20,480 Speaker 2: thing too, where like people are, oh, the theater snacks 243 00:12:20,640 --> 00:12:23,760 Speaker 2: so expensive. First of all, if you who's a man 244 00:12:23,840 --> 00:12:27,199 Speaker 2: that brings whole fucking whole meals into a theater, you 245 00:12:27,360 --> 00:12:29,520 Speaker 2: don't need to buy anything from the theater. Bring whatever 246 00:12:29,520 --> 00:12:34,160 Speaker 2: the fuck you want. No one's checking anything. I like 247 00:12:34,360 --> 00:12:36,120 Speaker 2: movie theater popcorn, so I'm gonna buy it. 248 00:12:36,160 --> 00:12:36,640 Speaker 1: I am too. 249 00:12:36,800 --> 00:12:38,640 Speaker 2: But you can bring whatever the fuck you want into 250 00:12:38,679 --> 00:12:39,040 Speaker 2: the theater. 251 00:12:39,520 --> 00:12:41,400 Speaker 1: Mac is not telling you to do that. By the way, 252 00:12:41,520 --> 00:12:44,680 Speaker 1: Max Mac is looking to be uh put in jail 253 00:12:44,760 --> 00:12:46,959 Speaker 1: right now. I don't know what his deal is. 254 00:12:47,320 --> 00:12:51,439 Speaker 2: I just like they're treating the movie theater experience as 255 00:12:51,520 --> 00:12:54,800 Speaker 2: if you can't come close to replicating it at home. 256 00:12:55,040 --> 00:12:57,800 Speaker 2: And these days you just can. You simply can, And 257 00:12:57,920 --> 00:12:58,800 Speaker 2: they're ignoring that. 258 00:12:59,080 --> 00:13:00,720 Speaker 1: I also have a feeling and that if this does 259 00:13:00,800 --> 00:13:02,400 Speaker 1: go through, it's not going to go through. This is 260 00:13:02,480 --> 00:13:06,280 Speaker 1: completely But if it does, Netflix would pretty much not 261 00:13:06,559 --> 00:13:10,240 Speaker 1: only own the home theater experience, but they could do 262 00:13:10,320 --> 00:13:13,280 Speaker 1: whatever they want movie theater experience as well, because they 263 00:13:13,360 --> 00:13:15,760 Speaker 1: own almost every movie outside of Disney. 264 00:13:15,840 --> 00:13:18,440 Speaker 2: Now, yeah, it creates an interesting dynamic. 265 00:13:18,640 --> 00:13:21,680 Speaker 1: It's they bought Boardwalk for. 266 00:13:21,920 --> 00:13:25,840 Speaker 2: A further divide, Like there's still you know, a few 267 00:13:25,920 --> 00:13:28,280 Speaker 2: times a year at least for me, I get giddy 268 00:13:28,360 --> 00:13:31,480 Speaker 2: going to theater for certain movies. You and I love movies. 269 00:13:31,559 --> 00:13:34,920 Speaker 2: We have a fucking movie podcast kind of, but it's 270 00:13:35,040 --> 00:13:37,200 Speaker 2: not like we're going to the theater every week. 271 00:13:37,920 --> 00:13:38,079 Speaker 1: You know. 272 00:13:38,320 --> 00:13:40,440 Speaker 2: It's just a handful of movies we really get jacked 273 00:13:40,520 --> 00:13:42,960 Speaker 2: up for. So now let's talk about the general public. 274 00:13:43,320 --> 00:13:45,160 Speaker 2: It might be one or two movies a year they're 275 00:13:45,200 --> 00:13:47,400 Speaker 2: jacked up for to go to the theater. So you 276 00:13:47,600 --> 00:13:51,400 Speaker 2: need to cater to those people. That's the broader audience. 277 00:13:51,559 --> 00:13:53,679 Speaker 1: You just need to It's as simple as that movies 278 00:13:53,720 --> 00:13:55,520 Speaker 1: are too expensive. I'll tell you that going to the 279 00:13:55,600 --> 00:13:57,000 Speaker 1: movie theater is too expensive. 280 00:13:57,280 --> 00:13:59,080 Speaker 2: I'll tell you this. If you're a theater that still exists, 281 00:13:59,120 --> 00:14:01,000 Speaker 2: you don't have a clienticcy, I'm not coming. I'm not 282 00:14:01,080 --> 00:14:01,360 Speaker 2: doing it. 283 00:14:01,600 --> 00:14:05,599 Speaker 1: Yeah you hear that in Netflix News, demp you know 284 00:14:05,679 --> 00:14:08,120 Speaker 1: who does have recloinning seats? The Golden Globes me in 285 00:14:08,200 --> 00:14:10,280 Speaker 1: every home in the country, I think he said, the 286 00:14:10,320 --> 00:14:14,160 Speaker 1: Golden Globes ever clining seats. Tell me all about this 287 00:14:14,240 --> 00:14:16,080 Speaker 1: crap and get it done as quickly as Paul sock. 288 00:14:16,200 --> 00:14:19,080 Speaker 1: You all right care about this at all? 289 00:14:19,280 --> 00:14:23,240 Speaker 2: The Golden Globe noms were just release. Uh, we have 290 00:14:23,360 --> 00:14:25,240 Speaker 2: twenty seven categories. You I don't know if you ever 291 00:14:25,320 --> 00:14:26,680 Speaker 2: knew the number there. 292 00:14:27,280 --> 00:14:27,400 Speaker 1: Uh. 293 00:14:27,600 --> 00:14:30,160 Speaker 2: This year is the first year they have upped it 294 00:14:30,280 --> 00:14:34,160 Speaker 2: from five to six nominees per category. Listen aligns more 295 00:14:34,200 --> 00:14:37,080 Speaker 2: with the Academy Awards, who nominates six per category and 296 00:14:37,200 --> 00:14:41,200 Speaker 2: obviously gives actors and actresses another you know, one person 297 00:14:41,240 --> 00:14:43,920 Speaker 2: in each category. It's a good thing overall. Leading the 298 00:14:43,960 --> 00:14:46,720 Speaker 2: way with nine nominations is one battle after another, which 299 00:14:46,720 --> 00:14:48,360 Speaker 2: I think we both have. Is the number one movie 300 00:14:48,400 --> 00:14:52,400 Speaker 2: on the year. They're nominated for Best Picture, Director, Director, 301 00:14:52,560 --> 00:14:56,600 Speaker 2: Actor Leo of course, actress Jason Finnley love to see that. Uh, 302 00:14:56,680 --> 00:15:00,560 Speaker 2: supporting actress Teana Taylor GOI they got two supporting which 303 00:15:00,600 --> 00:15:00,840 Speaker 2: I love. 304 00:15:00,880 --> 00:15:01,680 Speaker 1: This is my favorite part. 305 00:15:01,800 --> 00:15:04,640 Speaker 2: Yeah, del Toro and Sean Penn. They're both deserving. They're 306 00:15:04,640 --> 00:15:06,560 Speaker 2: both deserving that, So I love that. I hope that 307 00:15:06,720 --> 00:15:10,200 Speaker 2: carries over to the Academy Awards. Also nominated for screenplay 308 00:15:10,200 --> 00:15:14,680 Speaker 2: and original Score. Senator's got six nominations Picture Director, Actor, 309 00:15:14,920 --> 00:15:18,600 Speaker 2: Screenplay score at two actors No, just one he didn't get. 310 00:15:18,640 --> 00:15:21,480 Speaker 2: He didn't get double credit. Also of note here, gou 311 00:15:21,600 --> 00:15:23,960 Speaker 2: this is a great thing. Cynthia Rivo is the first 312 00:15:24,000 --> 00:15:26,800 Speaker 2: black woman in Globes history to be nominated twice for 313 00:15:26,920 --> 00:15:30,600 Speaker 2: Best Actress Comedy Musical category. So that's great. 314 00:15:30,640 --> 00:15:33,640 Speaker 1: It's the same character twice though, so what No, I'm 315 00:15:33,680 --> 00:15:38,080 Speaker 1: not like it still counts. Yeah, just saying, just saying, 316 00:15:38,360 --> 00:15:40,160 Speaker 1: way to bring us down there. Good, Jeff Kent is 317 00:15:40,200 --> 00:15:42,320 Speaker 1: in the Hall of Fame. Sorry, the twelve. 318 00:15:42,120 --> 00:15:44,480 Speaker 2: Best Picture nominees and if you remember, the Globes does 319 00:15:44,560 --> 00:15:48,040 Speaker 2: this weird thing where they combine it or sorry not combined, 320 00:15:48,120 --> 00:15:51,560 Speaker 2: the opposite of that, break it down into the Comedy 321 00:15:51,720 --> 00:15:54,640 Speaker 2: Musical category, which is bizarre, and then the drama category. 322 00:15:54,880 --> 00:15:56,960 Speaker 2: I don't know how they ever settled on those. But 323 00:15:57,320 --> 00:15:59,920 Speaker 2: here we are the Best Picture nominees for Comedy music 324 00:16:00,240 --> 00:16:03,920 Speaker 2: Blue Moon but gone. Yeah, Marty Supreme, no other choice, 325 00:16:04,000 --> 00:16:07,040 Speaker 2: nouvelle vague and one battle after another. I do like 326 00:16:07,120 --> 00:16:09,680 Speaker 2: that one battle after another got pushed over the comedy 327 00:16:09,720 --> 00:16:12,360 Speaker 2: region here. It's gonna win that, well, Marty Supreme might win. 328 00:16:12,400 --> 00:16:14,520 Speaker 1: That actually gives it a chance for this and Sinners 329 00:16:14,560 --> 00:16:14,800 Speaker 1: to win. 330 00:16:15,120 --> 00:16:18,120 Speaker 2: Yeah, well, I think Hamnet is gonna win Drama. It's 331 00:16:18,120 --> 00:16:21,200 Speaker 2: gonna be between Hamnett and Sinners. The nominees for Drama 332 00:16:21,280 --> 00:16:24,920 Speaker 2: Franken and Steen, Hamnett the Secret Agent, Sentimental Value, Sinners. 333 00:16:25,080 --> 00:16:28,400 Speaker 2: It was just an accident, so to me, the first 334 00:16:28,440 --> 00:16:31,280 Speaker 2: category is between Marty Supreme, one battle after another, the 335 00:16:31,360 --> 00:16:35,120 Speaker 2: second category between Hamnet and Sinners. Those are probably, in 336 00:16:35,240 --> 00:16:38,520 Speaker 2: my mind, the four chances at winning Best Picture in 337 00:16:38,720 --> 00:16:41,360 Speaker 2: the Academy Awards in the in the winter or spring? 338 00:16:41,640 --> 00:16:44,880 Speaker 2: Is it February March? I don't know who fucking cares good? 339 00:16:44,960 --> 00:16:47,520 Speaker 2: The Best Director noms Pta for One Battle after Another, 340 00:16:47,600 --> 00:16:50,680 Speaker 2: Coogler for Sinners, Del Toro for Frankenstein, who might not 341 00:16:50,720 --> 00:16:53,840 Speaker 2: even be with us at the time, Jafar Panahi for 342 00:16:53,960 --> 00:16:56,920 Speaker 2: it was just an accident to Foreign Film. I actually 343 00:16:57,000 --> 00:16:59,920 Speaker 2: looked at the trailer today. I'm very intrigued by that movie. 344 00:17:00,720 --> 00:17:03,840 Speaker 2: Joaquin Trier for sentimental Value, I think also a foreign film, 345 00:17:04,160 --> 00:17:08,000 Speaker 2: and Chloe Zal for ham Net. So I think movies 346 00:17:08,119 --> 00:17:10,840 Speaker 2: that I'm looking forward to seeing. And if you're interested 347 00:17:10,880 --> 00:17:13,359 Speaker 2: in all on award winners, some of the ones you 348 00:17:13,400 --> 00:17:15,280 Speaker 2: should be looking to watch over the next couple of 349 00:17:15,320 --> 00:17:19,440 Speaker 2: months is Marty Supreme, Blue Moon, no other choice, Frankenstein, 350 00:17:19,480 --> 00:17:21,920 Speaker 2: that's on Netflix. I still haven't seen it, ham Neet 351 00:17:22,040 --> 00:17:24,960 Speaker 2: sentimental Value, it was just an accident. And I'm also 352 00:17:25,040 --> 00:17:27,600 Speaker 2: hearing that Rose Burns performance and if I had legs, 353 00:17:27,640 --> 00:17:30,200 Speaker 2: i'd kick you as fucking tremendous, So that alone makes 354 00:17:30,240 --> 00:17:33,080 Speaker 2: it worth seeing. If I see those, I think eightish movies. 355 00:17:33,359 --> 00:17:35,280 Speaker 2: That's gonna bring me close to fifty on the year, 356 00:17:35,440 --> 00:17:37,159 Speaker 2: So that'll put me in a good spot. Goo, you 357 00:17:37,200 --> 00:17:38,080 Speaker 2: have your hand raised. 358 00:17:38,320 --> 00:17:41,960 Speaker 1: Adam Sandler, What about him? He was nominated for J 359 00:17:42,200 --> 00:17:44,040 Speaker 1: Kelly Okay, Supporting Actor? 360 00:17:44,200 --> 00:17:46,560 Speaker 2: How about that? Isn't he the main actor? George Clooney 361 00:17:46,640 --> 00:17:48,760 Speaker 2: is Oh, that's right, that's right, that's right. Okay. 362 00:17:49,160 --> 00:17:50,480 Speaker 1: Can you fucking pat him on the back? 363 00:17:50,680 --> 00:17:51,760 Speaker 2: All right? Sure, I will. 364 00:17:52,200 --> 00:17:57,200 Speaker 1: I will say good job, mister Sandler se le Man, heh, 365 00:17:57,240 --> 00:18:00,200 Speaker 1: Shannon May. I've watched his interview with Shalla Man that 366 00:18:00,280 --> 00:18:02,240 Speaker 1: he did, and I have also watched most of the 367 00:18:02,320 --> 00:18:04,480 Speaker 1: Ariana Grande stuff I heard. 368 00:18:04,560 --> 00:18:08,200 Speaker 2: And I'm intrigued by which the context this was brought 369 00:18:08,240 --> 00:18:09,920 Speaker 2: up in. But I heard he brings up mac Miller 370 00:18:10,000 --> 00:18:13,399 Speaker 2: like instantly in the Grande interview. Oh really, yeah, so 371 00:18:13,480 --> 00:18:14,359 Speaker 2: maybe he didn't watch it. 372 00:18:15,480 --> 00:18:17,679 Speaker 1: No, I've seen clips. I've seen most of it in clips. 373 00:18:17,920 --> 00:18:18,879 Speaker 2: Gotcha, got you? Gotcha? 374 00:18:19,040 --> 00:18:20,520 Speaker 1: I haven't seen it as a whole. Was it in 375 00:18:20,720 --> 00:18:23,400 Speaker 1: like was he like he brought up that he knows 376 00:18:23,440 --> 00:18:24,440 Speaker 1: he's passed? Correct? 377 00:18:24,520 --> 00:18:26,680 Speaker 2: I think that's why he was bringing I think I 378 00:18:26,760 --> 00:18:28,320 Speaker 2: don't know what the question was asked, but I just 379 00:18:28,359 --> 00:18:30,119 Speaker 2: saw a tweet that he brought up Mac Miller like 380 00:18:30,240 --> 00:18:33,320 Speaker 2: instantly in that conversation. So I'm intrigued. 381 00:18:33,400 --> 00:18:38,560 Speaker 1: Yeah, news Dobe Quentin Tarantino got a foot in his mouth? 382 00:18:38,600 --> 00:18:42,200 Speaker 1: Am I right? I'm sure he'd enjoyed that, actually would. 383 00:18:42,000 --> 00:18:45,200 Speaker 2: Really enjoy it. Or here here's a question I have 384 00:18:45,359 --> 00:18:47,520 Speaker 2: for you foot folks out there, if we have any listeners. 385 00:18:48,119 --> 00:18:49,920 Speaker 2: Is it the toes or is it the physical foot. 386 00:18:50,080 --> 00:18:52,119 Speaker 2: Do you like do you like want one more than 387 00:18:52,160 --> 00:18:54,920 Speaker 2: the other? Because when people talk about hands, I think 388 00:18:54,960 --> 00:18:56,600 Speaker 2: there's like a finger thing, you know. I don't think 389 00:18:56,600 --> 00:18:58,800 Speaker 2: there's like a hand thing. So is it a toes 390 00:18:58,880 --> 00:19:01,120 Speaker 2: thing or is it a full foot? That's the question 391 00:19:01,200 --> 00:19:01,359 Speaker 2: I have. 392 00:19:01,600 --> 00:19:04,080 Speaker 1: My question now is does he keep speaking out of 393 00:19:04,200 --> 00:19:06,120 Speaker 1: place because he likes the thought of having a foot 394 00:19:06,160 --> 00:19:06,600 Speaker 1: in his mouth? 395 00:19:08,840 --> 00:19:11,240 Speaker 2: He gets off on the metaphorical foot. 396 00:19:11,400 --> 00:19:13,680 Speaker 1: I think we just kind of figured it out. I 397 00:19:13,800 --> 00:19:17,160 Speaker 1: think metaphor toes gotta be toes. 398 00:19:17,600 --> 00:19:18,760 Speaker 2: I think he's a toes guy. 399 00:19:18,840 --> 00:19:21,720 Speaker 1: Yeah, he loves the piggies. He loves the piggies. Okay, 400 00:19:21,760 --> 00:19:24,320 Speaker 1: So he was on the Brett Ellis podcast. Brett Ellis 401 00:19:24,480 --> 00:19:28,280 Speaker 1: is the author of American Psycho, and he was giving 402 00:19:28,320 --> 00:19:33,560 Speaker 1: his top twenty films of the twenty first century the Currents. 403 00:19:35,119 --> 00:19:39,200 Speaker 1: Yeah you see at number three he had Toy Story three. 404 00:19:39,440 --> 00:19:40,320 Speaker 2: Yeah, what a mistake. 405 00:19:40,400 --> 00:19:43,240 Speaker 1: That number one was Black Hawk Down right insane. 406 00:19:43,440 --> 00:19:45,800 Speaker 2: Yeah that's a good film, good, but that's insane. 407 00:19:46,359 --> 00:19:49,280 Speaker 1: I bet if it was if it was Mike from 408 00:19:49,359 --> 00:19:53,120 Speaker 1: The Chair Company watching it, it'd be black Cock down. Yes, Yeah, 409 00:19:53,960 --> 00:19:56,159 Speaker 1: all right, I'm happy we got to that one. Okay. 410 00:19:56,320 --> 00:19:59,520 Speaker 1: So when talking about There Will Be Blood, which he 411 00:19:59,600 --> 00:20:03,080 Speaker 1: put it number five, he said that if it changed 412 00:20:03,200 --> 00:20:05,720 Speaker 1: one thing, it would be the best movie of the 413 00:20:05,760 --> 00:20:10,280 Speaker 1: past twenty five years, and that is Paul Dano, where 414 00:20:10,320 --> 00:20:12,200 Speaker 1: he said it's supposed to be a two hander. But 415 00:20:12,359 --> 00:20:17,000 Speaker 1: Dano is weak, sauce man. He is just such a weak, weak, 416 00:20:17,240 --> 00:20:21,879 Speaker 1: uninteresting guy, the weakest fucking actor in SAG. A couple laughs, 417 00:20:21,920 --> 00:20:24,480 Speaker 1: and then he eventually called them the limps dick. And 418 00:20:24,520 --> 00:20:27,040 Speaker 1: if he's called them the limpus dick and SAG, I'm 419 00:20:27,119 --> 00:20:29,520 Speaker 1: also in SAG. I'd argument a little bit limper you 420 00:20:29,560 --> 00:20:31,680 Speaker 1: get a limp cock gotta be okay. 421 00:20:32,960 --> 00:20:38,360 Speaker 2: This is a really interesting take and opinion. And first 422 00:20:38,359 --> 00:20:40,439 Speaker 2: of all, I don't give a fuck. Let me let 423 00:20:40,520 --> 00:20:42,680 Speaker 2: me preface it this way. Tantino's a weird guy with 424 00:20:42,760 --> 00:20:45,879 Speaker 2: weird opinions, who cares if he hates Paul Dano. But 425 00:20:45,960 --> 00:20:49,000 Speaker 2: I will say to love, there will be no. 426 00:20:50,200 --> 00:20:52,960 Speaker 1: There will will be blood. I watched the other one, 427 00:20:53,000 --> 00:20:53,919 Speaker 1: there will not be blood. 428 00:20:54,080 --> 00:20:57,399 Speaker 2: To love, there will be blood so much, which relies 429 00:20:57,520 --> 00:21:01,480 Speaker 2: so heavily on Dano's character being that foil. And I 430 00:21:01,560 --> 00:21:04,119 Speaker 2: think the way it's supposed to be done, but to 431 00:21:04,320 --> 00:21:07,119 Speaker 2: hate him that much is really bizarre. Now, I just 432 00:21:07,200 --> 00:21:10,080 Speaker 2: recently rewatched that movie Goo. I don't really care for 433 00:21:10,160 --> 00:21:12,879 Speaker 2: that movie. I don't think it's that great. No, obviously, 434 00:21:13,000 --> 00:21:14,880 Speaker 2: Daniel d Lewis is great, but I just don't really 435 00:21:14,920 --> 00:21:18,560 Speaker 2: care for that movie. But to to come away hating 436 00:21:18,680 --> 00:21:20,640 Speaker 2: Dano that much is well. 437 00:21:20,640 --> 00:21:23,399 Speaker 1: It's obviously something personal. There's gotta be. 438 00:21:23,480 --> 00:21:26,200 Speaker 2: Something hates feet or tous. 439 00:21:27,080 --> 00:21:29,320 Speaker 1: But he ended his statement by like, oh, I don't 440 00:21:29,400 --> 00:21:32,280 Speaker 1: like Dano, I don't like Owen Wilson, but it's like 441 00:21:32,720 --> 00:21:36,080 Speaker 1: Owen Wilson. Yes, we all agree. He's not trying to 442 00:21:36,160 --> 00:21:37,160 Speaker 1: make Oscar worthy. 443 00:21:37,760 --> 00:21:39,800 Speaker 2: To have an opinion on Owen Wilson is weird. 444 00:21:40,080 --> 00:21:43,359 Speaker 1: Owen Wilson is doing what he does best all the time. 445 00:21:43,680 --> 00:21:44,120 Speaker 2: Yes, fun. 446 00:21:44,680 --> 00:21:47,560 Speaker 1: But then he also tossed in Matthew Lillard, and Lillard's like, 447 00:21:47,640 --> 00:21:48,800 Speaker 1: what the fuck did I do? 448 00:21:49,000 --> 00:21:51,040 Speaker 2: Just catching a straight I couldn't even tell you the 449 00:21:51,080 --> 00:21:52,679 Speaker 2: last time Matthew Lilar was in anything. 450 00:21:53,040 --> 00:21:55,080 Speaker 1: He was in Five Nights at Freddy's two. That's what 451 00:21:55,160 --> 00:21:59,359 Speaker 1: he's recently. And Tarantino I believe was promoting the combination 452 00:21:59,480 --> 00:22:01,919 Speaker 1: of Kill Bill one and two, the whole bloody affair 453 00:22:02,080 --> 00:22:04,200 Speaker 1: that came out last Friday. That's what he was promoting 454 00:22:04,240 --> 00:22:07,560 Speaker 1: while on this show. Sure making headlines. No one's talking 455 00:22:07,640 --> 00:22:10,280 Speaker 1: about that because everyone's like, why are you fucking attacking 456 00:22:10,400 --> 00:22:11,119 Speaker 1: all these actors? 457 00:22:11,320 --> 00:22:11,800 Speaker 2: So mad? 458 00:22:12,960 --> 00:22:15,520 Speaker 1: But Matthew Lillard was at one of the cons over 459 00:22:15,560 --> 00:22:18,760 Speaker 1: the weekend and he told the audience Quentin Tarantino says, 460 00:22:18,800 --> 00:22:21,399 Speaker 1: he doesn't like me as an actor. It hurts your feelings. 461 00:22:21,480 --> 00:22:24,240 Speaker 1: It fucking sucks. And he wouldn't say that about Tom 462 00:22:24,359 --> 00:22:26,840 Speaker 1: cruise Er, a top line actor, which he did. He 463 00:22:26,880 --> 00:22:28,879 Speaker 1: talked about Paul Dano that way. It's just weird that 464 00:22:28,960 --> 00:22:32,280 Speaker 1: he tossed fucking stupid but the scream out on No. 465 00:22:32,440 --> 00:22:34,760 Speaker 1: But Dano is a pretty big fucking actor. 466 00:22:34,800 --> 00:22:36,800 Speaker 2: Though it's not by the way, I'd still say he's 467 00:22:36,880 --> 00:22:40,000 Speaker 2: be He's still not starring in blockbuster movies. 468 00:22:39,760 --> 00:22:41,880 Speaker 1: You know. Either way. He said, he's not very popular 469 00:22:42,000 --> 00:22:44,880 Speaker 1: in Hollywood, but he's popular with his fans. It's two 470 00:22:45,000 --> 00:22:47,960 Speaker 1: different microcosms. It's humbling and it hurts. 471 00:22:48,280 --> 00:22:51,040 Speaker 2: I wonder if Tarantino has seen The Batman. Do you 472 00:22:51,119 --> 00:22:51,680 Speaker 2: think he has? 473 00:22:52,200 --> 00:22:52,560 Speaker 1: I don't know. 474 00:22:52,640 --> 00:22:54,359 Speaker 2: That was pretty great in that and I think that 475 00:22:54,960 --> 00:22:58,480 Speaker 2: puts Dano on another level. But I think for fifteen 476 00:22:58,560 --> 00:23:01,120 Speaker 2: years now we've all reckoned. Said. Dano is a great 477 00:23:01,160 --> 00:23:04,399 Speaker 2: supporting actor, and really you know, sends that home in 478 00:23:04,520 --> 00:23:07,760 Speaker 2: The Batman. I like Dano, but whatever, I don't really care. Uh, 479 00:23:08,400 --> 00:23:09,880 Speaker 2: Hating Matthew Lillard is easy. 480 00:23:10,040 --> 00:23:12,320 Speaker 1: No, it's not. How dare you hash to egg Mike 481 00:23:12,440 --> 00:23:14,919 Speaker 1: King get out of here? You leave Matthew Lillard alone, 482 00:23:16,440 --> 00:23:20,480 Speaker 1: Like zoing Scoob, I should have done the Matthew Lillard 483 00:23:20,600 --> 00:23:23,720 Speaker 1: voice when I was doing that. What Lillard's Tom Matino 484 00:23:23,800 --> 00:23:24,400 Speaker 1: doesn't care. 485 00:23:24,400 --> 00:23:25,119 Speaker 2: For my acting? 486 00:23:25,240 --> 00:23:27,360 Speaker 1: It hurt your feelings. It fucking's Uh. 487 00:23:27,760 --> 00:23:31,920 Speaker 2: Lillard's comments make me think he's a big Tarantino fan 488 00:23:32,080 --> 00:23:34,080 Speaker 2: and like wants to be in a Tarantino movie and 489 00:23:34,119 --> 00:23:35,560 Speaker 2: now he realizes he's never gonna be in. 490 00:23:35,800 --> 00:23:39,520 Speaker 1: All these actors, writers, directors have come out in defense 491 00:23:39,600 --> 00:23:43,400 Speaker 1: of Dano. My favorite one has been Gabe from the Office, 492 00:23:43,760 --> 00:23:46,520 Speaker 1: who put out a video Sack Woods us weird looking 493 00:23:46,560 --> 00:23:55,520 Speaker 1: white guys have to stick together. News Dope got our 494 00:23:55,640 --> 00:23:58,480 Speaker 1: trailer for the final season of the Boys. Season five 495 00:23:58,520 --> 00:24:03,399 Speaker 1: will premiere with two episode on May twentieth. Eight episodes 496 00:24:03,560 --> 00:24:08,640 Speaker 1: in the season Daredevil, Born Again, Season two, Invincible season four, 497 00:24:09,200 --> 00:24:12,399 Speaker 1: and the Boys will all release new episodes at the 498 00:24:12,520 --> 00:24:16,160 Speaker 1: same time. The big question from the trailer first off, 499 00:24:16,840 --> 00:24:22,000 Speaker 1: has uh has Butcher Butcher? Has he gotten rid of 500 00:24:22,119 --> 00:24:24,760 Speaker 1: what is inside of him? Or is that still controlling him? 501 00:24:24,800 --> 00:24:26,399 Speaker 2: Oh? I think that's still a big part of it. 502 00:24:26,480 --> 00:24:29,840 Speaker 2: And ever a lot of the online dialogue so far 503 00:24:29,920 --> 00:24:33,280 Speaker 2: it is like hunted Butcher get back with the Boys. Well, 504 00:24:33,680 --> 00:24:36,159 Speaker 2: watch the season and you'll find out, dude, that's like, 505 00:24:36,320 --> 00:24:39,640 Speaker 2: that's that's part of the whole shebang here. 506 00:24:39,800 --> 00:24:44,359 Speaker 1: And then also who is Homelander punching and then putting 507 00:24:44,400 --> 00:24:47,080 Speaker 1: a lot of thought into should I keep on doing 508 00:24:47,160 --> 00:24:50,280 Speaker 1: this while punching? Want to hear my guess You're gonna 509 00:24:50,280 --> 00:24:51,840 Speaker 1: guess Ryan. I'm gonna guess Ryan. 510 00:24:52,000 --> 00:24:53,360 Speaker 2: It's either Ryan or Soldier Boy. 511 00:24:53,600 --> 00:24:55,800 Speaker 1: Who else would he have a connection to it? 512 00:24:56,000 --> 00:24:57,399 Speaker 2: Could it could be Butcher. 513 00:24:57,600 --> 00:24:59,560 Speaker 1: It depends on how strong Butcher is at the point, 514 00:24:59,600 --> 00:25:01,360 Speaker 1: because it needs to be someone that is strong enough 515 00:25:01,400 --> 00:25:01,800 Speaker 1: to take. 516 00:25:01,680 --> 00:25:03,719 Speaker 2: His posish Just why I think it's Ryan or Soldier Boy. 517 00:25:03,800 --> 00:25:06,080 Speaker 2: I think it's Ryan, and the emotional thing would be 518 00:25:06,160 --> 00:25:06,800 Speaker 2: more so Ryan. 519 00:25:06,920 --> 00:25:07,160 Speaker 1: Ryan. 520 00:25:07,359 --> 00:25:11,200 Speaker 2: I'm intrigued. I've said it once, I've said it a 521 00:25:11,240 --> 00:25:14,320 Speaker 2: million times. Every time the Boys is on. I'm reminded 522 00:25:14,400 --> 00:25:17,080 Speaker 2: how much better it is than just about everything on television. 523 00:25:17,400 --> 00:25:19,240 Speaker 2: So even like an average Boys season is still the 524 00:25:19,280 --> 00:25:21,800 Speaker 2: best thing on TV. And this trailer got me going 525 00:25:21,840 --> 00:25:24,680 Speaker 2: a little bit. I'm intrigued. I'm a full star lighter. 526 00:25:24,760 --> 00:25:27,920 Speaker 2: She's at her full you know strength here, like I'm 527 00:25:27,960 --> 00:25:32,199 Speaker 2: looking forward to, you know, no frill season balls out. 528 00:25:32,240 --> 00:25:35,639 Speaker 2: We got eight episodes to conclude the story, and I 529 00:25:35,720 --> 00:25:37,280 Speaker 2: hope there's a lot of deaths. I hope a lot 530 00:25:37,320 --> 00:25:39,480 Speaker 2: of fucking people die. People we love, people we hate. 531 00:25:39,520 --> 00:25:40,920 Speaker 2: I hope there's a lot of consequences. 532 00:25:41,119 --> 00:25:46,040 Speaker 1: It's dope. Twenty eight years Later the Bone Temple, like 533 00:25:46,119 --> 00:25:46,600 Speaker 1: the trailer. 534 00:25:47,000 --> 00:25:50,280 Speaker 2: Yeah, so this, uh, twenty eight years later came out 535 00:25:50,359 --> 00:25:52,440 Speaker 2: this year, gue the year of twenty twenty five, and 536 00:25:52,520 --> 00:25:54,280 Speaker 2: I believe I still have a number two on the year. 537 00:25:54,320 --> 00:25:57,639 Speaker 2: I thought it was fucking tremendous, really emotional, great story, 538 00:25:57,760 --> 00:26:01,000 Speaker 2: great movie. This is the direct seque that gets teased 539 00:26:01,040 --> 00:26:03,800 Speaker 2: in the final two minutes of that movie. And this 540 00:26:03,880 --> 00:26:06,280 Speaker 2: looks like it's gonna be more fast paced, action packed, 541 00:26:06,320 --> 00:26:09,200 Speaker 2: whereas twenty eight years Later was a little bit more emotional, 542 00:26:09,840 --> 00:26:12,720 Speaker 2: a human story set amongst the backdrop of the zombie world. 543 00:26:12,960 --> 00:26:15,720 Speaker 2: This looks like it's more like zombie killing fun. I'm 544 00:26:15,880 --> 00:26:18,320 Speaker 2: very much looking forward to it because twenty eight years 545 00:26:18,400 --> 00:26:19,359 Speaker 2: later was so great. 546 00:26:19,520 --> 00:26:23,000 Speaker 1: News dep ready or not too. We got a trailer 547 00:26:23,080 --> 00:26:26,160 Speaker 1: for this. We see that Sarah Michelle Geller has joined 548 00:26:26,640 --> 00:26:27,399 Speaker 1: the Ensombre. 549 00:26:27,640 --> 00:26:30,160 Speaker 2: Yeah. Uh, Samara Weaving is pretty great in the first movie. 550 00:26:30,160 --> 00:26:34,040 Speaker 2: The first movie is a nice, fun surprise, really fun movie, 551 00:26:34,359 --> 00:26:36,920 Speaker 2: and this movie looks like it's gonna also be fun. 552 00:26:37,040 --> 00:26:41,400 Speaker 1: News DP Silent Night, Deadly Knight. You got a clip 553 00:26:41,480 --> 00:26:44,280 Speaker 1: for this. It's Santa Claus killing Nazis. My guess is 554 00:26:44,680 --> 00:26:46,720 Speaker 1: they got tattoos that year, so he wasn't gonna give 555 00:26:46,720 --> 00:26:49,520 Speaker 1: them gifts. This will be in theaters this week. 556 00:26:49,720 --> 00:26:51,320 Speaker 2: Yeah, this looks like it's a movie. Right up your 557 00:26:51,320 --> 00:26:53,159 Speaker 2: alley go. I think you should go and see this. 558 00:26:54,040 --> 00:26:57,960 Speaker 2: You're a big fan of Santa Claus Lore and he's 559 00:26:58,000 --> 00:27:00,480 Speaker 2: gonna be killing Nazis'. What's not the lie about that? 560 00:27:00,800 --> 00:27:03,040 Speaker 1: Speaking of Santa Claus Lower, I'm not gonna tell you 561 00:27:03,160 --> 00:27:04,640 Speaker 1: what the episode is at the end of the week, 562 00:27:04,760 --> 00:27:06,000 Speaker 1: but I'm gonna surprise you. 563 00:27:06,240 --> 00:27:08,600 Speaker 2: Oh all right, you're gonna come down my chimney. 564 00:27:08,720 --> 00:27:10,640 Speaker 1: I'm gonna come down your chimney and we're gonna record 565 00:27:10,640 --> 00:27:11,760 Speaker 1: a podcast face to face. 566 00:27:12,119 --> 00:27:13,040 Speaker 2: Oh how about that. 567 00:27:13,320 --> 00:27:16,760 Speaker 1: We're not doing that, news Dip. It will be Santa 568 00:27:16,800 --> 00:27:20,400 Speaker 1: Claus related. So bone up, bone temple up. I'll tell 569 00:27:20,400 --> 00:27:24,160 Speaker 1: you that much. Get a teaser for super Girl this week. 570 00:27:24,240 --> 00:27:27,000 Speaker 1: We don't know when, but we got a little ten seconds. 571 00:27:27,240 --> 00:27:29,000 Speaker 1: She's just sitting there and there's shit happening. 572 00:27:29,080 --> 00:27:31,800 Speaker 2: Yeah, Millie Alcock sitting down with sunglasses on. Looks a 573 00:27:31,840 --> 00:27:33,840 Speaker 2: lot like Will Polter. That was my takeaway. 574 00:27:35,600 --> 00:27:37,000 Speaker 1: That was my first thought, and I was kind of 575 00:27:37,040 --> 00:27:42,320 Speaker 1: turned on news Dip picking up Supergirl. James Gunn said, 576 00:27:42,440 --> 00:27:44,960 Speaker 1: if you're gonna make a Batman movie, it better be 577 00:27:45,160 --> 00:27:46,879 Speaker 1: fucking awesome. This is via business. 578 00:27:47,280 --> 00:27:49,959 Speaker 2: I mean, is there anyone that disagrees with that? It's 579 00:27:50,000 --> 00:27:51,040 Speaker 2: a really obvious statement. 580 00:27:51,200 --> 00:27:53,600 Speaker 1: I should have clicked through what business meant? What just 581 00:27:53,720 --> 00:27:54,359 Speaker 1: at business? 582 00:27:54,480 --> 00:27:56,520 Speaker 2: Probably business insider. I'm guessing, do you. 583 00:27:56,560 --> 00:28:01,120 Speaker 1: Think it's Nick Kroll's company? Good at business? Good at business? 584 00:28:01,640 --> 00:28:04,760 Speaker 2: I uh? I think my least favorite thing about you 585 00:28:04,920 --> 00:28:06,280 Speaker 2: is how much you love the Kroll Show. 586 00:28:06,520 --> 00:28:09,600 Speaker 1: I love the Kroll Show. I would I'd put it 587 00:28:09,720 --> 00:28:15,080 Speaker 1: up there. Mount rushmore of a sketch comedy shows disagree. 588 00:28:15,359 --> 00:28:17,600 Speaker 1: Oh my god, there's a lot of John Mulaney on there, 589 00:28:18,480 --> 00:28:22,240 Speaker 1: Ron Funches. I do love Run Jason Mansukus. Oh, I 590 00:28:22,320 --> 00:28:26,480 Speaker 1: love that show. Its dompe right now. There are talks, 591 00:28:26,520 --> 00:28:29,880 Speaker 1: there are rumors of what could be happening here. Scarlett 592 00:28:29,960 --> 00:28:33,520 Speaker 1: Johansson and talks to star in The Batman Part two. 593 00:28:34,080 --> 00:28:35,680 Speaker 1: I don't know when this movie's coming out. I don't 594 00:28:35,680 --> 00:28:38,240 Speaker 1: know what's happening. I don't know it, but uh, Emma 595 00:28:38,320 --> 00:28:41,920 Speaker 1: Stone reportedly passed on it, and Zoe Kravitz is not 596 00:28:42,200 --> 00:28:46,200 Speaker 1: expected to return. I've seen a lot of hubbabaloo hullabaloo 597 00:28:46,440 --> 00:28:51,440 Speaker 1: that she could be Mask of the Phantasm. Interesting, Yeah, so. 598 00:28:51,840 --> 00:28:54,760 Speaker 2: To me, it speaks probably more towards like a poison 599 00:28:54,800 --> 00:28:58,120 Speaker 2: ivy right now because Emma Stone noted. 600 00:28:58,000 --> 00:28:59,880 Speaker 1: Ginger so I was in Mask of the Phantasm. 601 00:29:00,120 --> 00:29:05,000 Speaker 2: Scarlet Johansson noted noted notably has played a famous ginger 602 00:29:05,160 --> 00:29:08,840 Speaker 2: black widow. So I'm curious in not for nothing, she's 603 00:29:08,880 --> 00:29:11,440 Speaker 2: little curvy, curious if it's poison, if it could be 604 00:29:11,560 --> 00:29:14,720 Speaker 2: could be phantasm. He could be right for The Batman too, though, 605 00:29:14,800 --> 00:29:15,760 Speaker 2: you think they're gonna do that? 606 00:29:16,080 --> 00:29:20,480 Speaker 1: Yeah, Andrea Beaumont by the way, Barbara Gordon, Ah, she's no. 607 00:29:20,680 --> 00:29:23,800 Speaker 1: I don't want to say too old, but I think 608 00:29:23,880 --> 00:29:28,080 Speaker 1: that if you're looking at how old Patterson is Pattinson 609 00:29:28,160 --> 00:29:34,400 Speaker 1: sorry not Corey Patterson, cub center fielder, but comparing the ages, 610 00:29:34,520 --> 00:29:35,920 Speaker 1: it doesn't line up properly. 611 00:29:36,080 --> 00:29:39,120 Speaker 2: Yeah, And also you'd probably want a mixed person considering 612 00:29:39,200 --> 00:29:40,280 Speaker 2: Jim Gordon's black. 613 00:29:40,200 --> 00:29:44,280 Speaker 1: I'm gonna say it's gonna be Andrea Beaumont. It's gonna 614 00:29:44,320 --> 00:29:47,200 Speaker 1: be mask of the phantasm if they're going this road. 615 00:29:47,200 --> 00:29:49,880 Speaker 1: Because this also this explores because we didn't get a 616 00:29:50,000 --> 00:29:53,520 Speaker 1: lot of this in The Batman. It really explores the 617 00:29:53,720 --> 00:29:58,120 Speaker 1: human element and aspects of Bruce Wayne and him really 618 00:29:58,320 --> 00:30:02,240 Speaker 1: debating like why can't I be happy as just me? 619 00:30:02,640 --> 00:30:05,440 Speaker 2: And I also think it's a good taku and it's 620 00:30:05,680 --> 00:30:07,920 Speaker 2: it's a fun thing to think about because I think 621 00:30:08,680 --> 00:30:11,520 Speaker 2: that character calls for some strong acting. 622 00:30:11,600 --> 00:30:14,640 Speaker 1: The Batman also didn't have a ton of Bruce Wayne stuff. 623 00:30:14,800 --> 00:30:17,760 Speaker 2: I think the character calls for some strong acting to 624 00:30:17,920 --> 00:30:20,720 Speaker 2: the best out there is Emma Stone, Scarlett Johnson, and 625 00:30:20,840 --> 00:30:22,640 Speaker 2: you'd kind of be wasting them on boys and Ivy. 626 00:30:23,000 --> 00:30:23,520 Speaker 1: Who's dope? 627 00:30:24,600 --> 00:30:24,880 Speaker 2: All right? 628 00:30:24,920 --> 00:30:27,520 Speaker 1: Break down? Nick Cage is Spider Noir spinoff. 629 00:30:27,720 --> 00:30:31,360 Speaker 2: Yep, so Nick Cage's Spider Newall spinoff coming to Prime 630 00:30:31,440 --> 00:30:34,880 Speaker 2: in twenty twenty six. He's actually, as we learned a 631 00:30:34,920 --> 00:30:38,040 Speaker 2: few days ago, playing Ben Riley, not Peter Parker, and 632 00:30:38,760 --> 00:30:42,760 Speaker 2: the premise of this character, this series, this show. Ben 633 00:30:42,840 --> 00:30:45,440 Speaker 2: Riley is an aging down on his luck private investigator 634 00:30:45,440 --> 00:30:48,040 Speaker 2: in nineteen thirties New York who was forced to grapple 635 00:30:48,120 --> 00:30:51,360 Speaker 2: with his past life as the city's one and only superhero. 636 00:30:51,840 --> 00:30:54,920 Speaker 2: In the comics, Ben Riley was first introduced as the 637 00:30:54,960 --> 00:30:58,640 Speaker 2: Scarlett Spider, who was a clone of Peter Parker tasked 638 00:30:58,680 --> 00:31:01,280 Speaker 2: with fighting him, but ultimately became an ally that was 639 00:31:01,320 --> 00:31:04,160 Speaker 2: first introduced in October of seventy five The Amazing Spider 640 00:31:04,200 --> 00:31:06,520 Speaker 2: Man Number one forty nine. Of course, we saw Ben 641 00:31:06,640 --> 00:31:10,280 Speaker 2: Riley in across the Spider Verse, voiced by Andy Samberg. 642 00:31:10,280 --> 00:31:13,800 Speaker 2: He was like the beefy, dumb Spider Man. Go, this 643 00:31:13,840 --> 00:31:16,400 Speaker 2: show's gonna be given to us in both black and 644 00:31:16,440 --> 00:31:18,280 Speaker 2: white and color, so you can watch it in whichever 645 00:31:18,400 --> 00:31:20,560 Speaker 2: form you prefer. I think I will watch it in 646 00:31:20,720 --> 00:31:22,120 Speaker 2: color and then go back and watch it. 647 00:31:22,280 --> 00:31:24,200 Speaker 1: I'm gonna try and read ahead of time. 648 00:31:24,280 --> 00:31:28,960 Speaker 2: What was it shot for okay, sure, sure again released 649 00:31:29,000 --> 00:31:31,360 Speaker 2: in twenty twenty six. Really interesting thing here, I've never 650 00:31:31,440 --> 00:31:34,080 Speaker 2: heard of this. This is gonna first release on MGM 651 00:31:34,160 --> 00:31:36,600 Speaker 2: Plus's linear channel. I don't know what the fuck that means. 652 00:31:37,160 --> 00:31:37,280 Speaker 1: Uh. 653 00:31:37,360 --> 00:31:39,360 Speaker 2: And then it's gonna be next day on Prime, so 654 00:31:39,600 --> 00:31:42,360 Speaker 2: the Prime releases will be technically a day behind. The 655 00:31:42,520 --> 00:31:46,440 Speaker 2: show's co runners are Orin Uziel you'd know him from 656 00:31:46,480 --> 00:31:49,120 Speaker 2: The Lost City in twenty two Jump Street and Steve Lightfoot, 657 00:31:49,400 --> 00:31:51,360 Speaker 2: who was the show run of the Puttet and o Foot. 658 00:31:53,000 --> 00:31:55,920 Speaker 2: They developed this series, of course, with the Spider Verse 659 00:31:55,960 --> 00:31:59,520 Speaker 2: team Lord Miller and Amy Pascal. I'm curious, though, so 660 00:31:59,640 --> 00:32:02,760 Speaker 2: does this mean the noir we saw in the animated 661 00:32:02,840 --> 00:32:04,200 Speaker 2: version is also a Ben Riley. 662 00:32:04,360 --> 00:32:05,280 Speaker 1: Maybe they'll explain it. 663 00:32:05,520 --> 00:32:08,120 Speaker 2: Yeah, maybe they will. Maybe they will, But I think 664 00:32:08,200 --> 00:32:11,720 Speaker 2: we're all looking forward to Nick Cage as a live 665 00:32:11,800 --> 00:32:15,840 Speaker 2: action Spider noir, and he'd be on the short list 666 00:32:15,880 --> 00:32:17,560 Speaker 2: of someone I would like to see have fun in 667 00:32:17,680 --> 00:32:19,000 Speaker 2: the nineteen thirty settings. 668 00:32:19,080 --> 00:32:21,320 Speaker 1: So this is I'm very much like, well he was 669 00:32:21,360 --> 00:32:24,719 Speaker 1: around for that time, him being an undead vampire. Yes, right, right, right, 670 00:32:24,960 --> 00:32:29,000 Speaker 1: there's Depp. Daniel Kaua confirms that he is developing a 671 00:32:29,120 --> 00:32:30,560 Speaker 1: spider Punk animated film. 672 00:32:30,880 --> 00:32:35,960 Speaker 2: Yep, another great character in the Spider Verse franchise. I 673 00:32:36,080 --> 00:32:38,280 Speaker 2: think we're gonna see a couple more spin offs from 674 00:32:38,320 --> 00:32:40,880 Speaker 2: the Spider Verse franchise, although I don't know, because we 675 00:32:40,960 --> 00:32:43,760 Speaker 2: mean that we may never see the third movie, so 676 00:32:44,000 --> 00:32:45,840 Speaker 2: I don't even know if this universe exists anymore. 677 00:32:46,120 --> 00:32:52,240 Speaker 1: Dep Miles Morale's co creator, Sarah Piccilli Billy says that 678 00:32:52,480 --> 00:32:56,040 Speaker 1: she does not get any royalties from the Spider Verse films, 679 00:32:56,200 --> 00:32:57,800 Speaker 1: Insomniac Games or March. 680 00:32:58,240 --> 00:33:00,560 Speaker 2: So, yeah, I'm curious what happened. It seems like she 681 00:33:00,760 --> 00:33:03,440 Speaker 2: fucked us up right, Like, yeah, that sucks because always 682 00:33:03,480 --> 00:33:04,400 Speaker 2: felt bad for. 683 00:33:04,560 --> 00:33:06,280 Speaker 1: Like these people always come on like I don't get 684 00:33:06,280 --> 00:33:09,920 Speaker 1: anything and yeah, and usually it's because someone signed a contract, 685 00:33:10,120 --> 00:33:13,080 Speaker 1: signed a bad deal, Like the guy who did the 686 00:33:13,280 --> 00:33:17,120 Speaker 1: voice in NBA Jams, the Broadcaster. He came out recently, 687 00:33:17,240 --> 00:33:19,120 Speaker 1: is like I got eight hundred dollars for that and 688 00:33:19,200 --> 00:33:21,040 Speaker 1: that's it, and I've never gotten It's like, well, that's 689 00:33:21,080 --> 00:33:24,240 Speaker 1: probably what the contract was. It sucks, Yeah, like Mike 690 00:33:24,320 --> 00:33:27,840 Speaker 1: Tyson got pretty much nothing for Mike Tyson punch Out, 691 00:33:28,520 --> 00:33:31,000 Speaker 1: but that's what the contract was. It sucks. 692 00:33:31,160 --> 00:33:33,880 Speaker 2: It sucks because Miles Morales has become such a popular 693 00:33:33,960 --> 00:33:36,120 Speaker 2: character over the last decade. And I'm sure she maybe 694 00:33:36,200 --> 00:33:39,000 Speaker 2: never really saw that coming. She said, it's the saddest 695 00:33:39,040 --> 00:33:40,800 Speaker 2: part of her life. But you know, now that makes 696 00:33:40,840 --> 00:33:43,160 Speaker 2: me feel bad for saying that you played some part 697 00:33:43,200 --> 00:33:45,320 Speaker 2: in this. You signed a bad deal or your manager 698 00:33:45,400 --> 00:33:47,160 Speaker 2: had just had you sign a bad deal. I don't 699 00:33:47,200 --> 00:33:48,160 Speaker 2: feel that bad for you. 700 00:33:48,360 --> 00:33:51,440 Speaker 1: The one thing that's good about present day with the 701 00:33:51,600 --> 00:33:55,160 Speaker 1: people that signed bad contracts, that might have not gotten 702 00:33:55,240 --> 00:33:59,000 Speaker 1: enough credit for a movie or a book, or there's 703 00:33:59,080 --> 00:34:01,120 Speaker 1: so many cons And I know that you have to 704 00:34:01,240 --> 00:34:04,120 Speaker 1: travel you do this, but like you can make money 705 00:34:04,200 --> 00:34:06,240 Speaker 1: off of this stuff. Still, you're just not gonna make 706 00:34:06,320 --> 00:34:08,080 Speaker 1: these these Buco bucks. 707 00:34:08,400 --> 00:34:11,040 Speaker 2: But I don't want to create the creator of Miles Morales. 708 00:34:11,080 --> 00:34:12,920 Speaker 2: I got nothing. I'm not gonna ask in it. Like 709 00:34:13,040 --> 00:34:15,720 Speaker 2: that's not for me. There are compook nerds who will. 710 00:34:16,000 --> 00:34:17,919 Speaker 1: No, I mean you might not. You want to meet 711 00:34:18,000 --> 00:34:21,799 Speaker 1: fucking Amy Joe Johnson. Yeah, again to Panga. 712 00:34:21,640 --> 00:34:26,480 Speaker 2: I would like to have Amy Joe Johnson, Danielle Fischel, 713 00:34:27,360 --> 00:34:30,160 Speaker 2: and Hilary duff all in the same room. 714 00:34:30,280 --> 00:34:33,000 Speaker 1: I will say that daniel Fishle she is planning her 715 00:34:33,160 --> 00:34:37,000 Speaker 1: post Pod Meet World's podcast. Now she is now starting 716 00:34:37,040 --> 00:34:40,600 Speaker 1: her own interview podcast that'll take over for her Dancing 717 00:34:40,680 --> 00:34:44,200 Speaker 1: with the Stars podcast. And my brother who I so 718 00:34:44,360 --> 00:34:46,359 Speaker 1: I listen to the Pod Meets World when every once 719 00:34:46,360 --> 00:34:48,839 Speaker 1: in a while he's telling me that what he thinks 720 00:34:48,960 --> 00:34:51,320 Speaker 1: is gonna happen. He's got a little inside thought on 721 00:34:51,400 --> 00:34:54,600 Speaker 1: this is that once Pod Meets World wraps up, so 722 00:34:54,719 --> 00:34:57,879 Speaker 1: they're gonna be doing season seven starting in twenty twenty six. 723 00:34:58,000 --> 00:35:01,200 Speaker 1: Once that wraps up, he believes that Ryder's strong will 724 00:35:01,280 --> 00:35:03,560 Speaker 1: bow out say I've had enough podcasting. I'm not the 725 00:35:03,600 --> 00:35:06,680 Speaker 1: biggest fan of this, But then Daniel Fischel and will 726 00:35:06,760 --> 00:35:10,560 Speaker 1: Fardell will continue on this interview podcast route. 727 00:35:10,840 --> 00:35:13,080 Speaker 2: Here's my take on it. First of all, I think 728 00:35:13,160 --> 00:35:18,400 Speaker 2: she's parlayed the somewhat popularity of that podcast and her 729 00:35:18,680 --> 00:35:22,760 Speaker 2: newfound popularity from Dancing with the Stars. She's really grasping 730 00:35:22,840 --> 00:35:26,360 Speaker 2: onto that nineties, you know, heart throb stuff, and it 731 00:35:26,440 --> 00:35:28,560 Speaker 2: seems like the premise of that next podcast can be 732 00:35:28,640 --> 00:35:31,399 Speaker 2: her interviewing other nineties heart throbs and of that ILK. 733 00:35:31,800 --> 00:35:34,480 Speaker 2: I don't think Wilfredell's gonna be involved at all because 734 00:35:34,640 --> 00:35:35,799 Speaker 2: that's less money for her. 735 00:35:36,080 --> 00:35:39,600 Speaker 1: Wil Fredell's already doing his one with Sabrino whatever her 736 00:35:39,719 --> 00:35:42,240 Speaker 1: name is on Disney Channel Original Movies. 737 00:35:42,400 --> 00:35:45,880 Speaker 2: Brata Carpenter, No, the one who was in Chea Brian. 738 00:35:45,800 --> 00:35:47,640 Speaker 1: Thank You. He's already doing that. 739 00:35:47,840 --> 00:35:50,480 Speaker 2: I think he's not gonna be doing this podcast with her. 740 00:35:50,640 --> 00:35:52,560 Speaker 1: Is he still doing I think he was doing one 741 00:35:52,640 --> 00:35:56,000 Speaker 1: with Christy Carlson Romano. My guess is she sucks, by 742 00:35:56,040 --> 00:35:58,800 Speaker 1: the way, Yeah, she's not interesting. 743 00:35:59,160 --> 00:36:02,480 Speaker 2: So my guess is daniel Fischle is gonna be Danielle 744 00:36:02,600 --> 00:36:07,520 Speaker 2: Fachell is going to kind of mimic call her Daddy's format, 745 00:36:07,560 --> 00:36:09,719 Speaker 2: and it's gonna be more that one. I did see 746 00:36:09,840 --> 00:36:10,600 Speaker 2: with that type of thing. 747 00:36:10,640 --> 00:36:14,640 Speaker 1: I think she recently interviewed Arkle Oh, Jalil White, Julia White. 748 00:36:14,800 --> 00:36:18,600 Speaker 1: I also saw that Jaliel White recently met Ben Schwartz 749 00:36:19,520 --> 00:36:23,520 Speaker 1: Sonics face to face, which I'm still pissed that Jealiel 750 00:36:23,560 --> 00:36:25,680 Speaker 1: White has not been in the Sonic movies so far. 751 00:36:25,800 --> 00:36:27,520 Speaker 2: Play a time left. I think they're gonna make eighty 752 00:36:27,600 --> 00:36:28,080 Speaker 2: five of them. 753 00:36:28,160 --> 00:36:30,879 Speaker 1: You either let him enter the movie or at one 754 00:36:31,000 --> 00:36:33,600 Speaker 1: point Sonic does something and he says, did I do that? 755 00:36:35,640 --> 00:36:39,000 Speaker 1: Take a little nod did Jaleel. Sure, I know that 756 00:36:39,480 --> 00:36:43,680 Speaker 1: the mother on the show, Missus Winslow, the actress Harriet, No, 757 00:36:43,800 --> 00:36:48,480 Speaker 1: Harriet was the character Harriet Winslow correct. The actress hated 758 00:36:48,520 --> 00:36:49,480 Speaker 1: Jaliel white. 759 00:36:51,400 --> 00:36:53,160 Speaker 2: Well because it wasn't a show, and then it became 760 00:36:53,200 --> 00:36:55,200 Speaker 2: a show. She was supposed to be the star of 761 00:36:55,239 --> 00:36:55,520 Speaker 2: the show. 762 00:36:55,600 --> 00:36:57,399 Speaker 1: And then he strong armed everyone out of the way, 763 00:36:58,280 --> 00:37:01,200 Speaker 1: and then uh Velveda Johnson. 764 00:37:02,000 --> 00:37:04,200 Speaker 2: He's like, now Cheetah is velvida. 765 00:37:04,480 --> 00:37:07,239 Speaker 1: I am gonna get out of the way. I would 766 00:37:07,360 --> 00:37:09,839 Speaker 1: like to get my nine seasons of pay and then 767 00:37:09,960 --> 00:37:12,480 Speaker 1: my royalties after I'll let Juliel take the show. 768 00:37:12,680 --> 00:37:13,440 Speaker 2: Sure you know what. 769 00:37:13,560 --> 00:37:18,160 Speaker 1: The mother left midway through season nine, and they recasted 770 00:37:18,200 --> 00:37:19,880 Speaker 1: the mother in the final season. 771 00:37:20,400 --> 00:37:22,080 Speaker 2: I don't know if I ever made it to season nine. 772 00:37:22,120 --> 00:37:24,080 Speaker 2: I know we were alive when it was coming out live, 773 00:37:24,160 --> 00:37:27,200 Speaker 2: but I disliked Arcle that much. I mean, how do 774 00:37:27,280 --> 00:37:28,879 Speaker 2: you make it through eight seasons and then quit? 775 00:37:30,840 --> 00:37:32,960 Speaker 1: I bet you was like, we're going to CBS. We're 776 00:37:33,040 --> 00:37:37,680 Speaker 1: still hanging around. ABC just canceled us. How are we 777 00:37:37,800 --> 00:37:38,399 Speaker 1: still going? 778 00:37:38,760 --> 00:37:38,960 Speaker 2: Yeah? 779 00:37:39,320 --> 00:37:40,919 Speaker 1: What are we talking about? News? 780 00:37:41,000 --> 00:37:41,200 Speaker 2: Dope? 781 00:37:42,560 --> 00:37:45,480 Speaker 1: John Barenthal says The Punisher special will release around the 782 00:37:45,520 --> 00:37:48,920 Speaker 1: same time as Spider Man Brand New Day. I think 783 00:37:48,960 --> 00:37:52,560 Speaker 1: it'll be a high octane, punished sure that you'll ever 784 00:37:52,680 --> 00:37:55,200 Speaker 1: see this from screen rants Brand New Day comes out 785 00:37:55,239 --> 00:37:57,279 Speaker 1: on July thirty first, twenty twenty six. What's up? 786 00:37:57,400 --> 00:37:59,680 Speaker 2: You pronounce his name as if he's a Barenthal. 787 00:38:00,440 --> 00:38:03,399 Speaker 1: He is a Barenthal. Yeah, what did I say? 788 00:38:03,960 --> 00:38:09,080 Speaker 2: Barenthal? Berenstain bears Well, brother Bear was voiced by Michael Sarah. Okay, 789 00:38:09,239 --> 00:38:13,520 Speaker 2: so that was no connection whatsoever. I think that a 790 00:38:13,600 --> 00:38:16,480 Speaker 2: lot of what happens in this Punisher special is gonna 791 00:38:16,520 --> 00:38:19,920 Speaker 2: be basically laying groundwork for Brand New Day. And it 792 00:38:20,080 --> 00:38:23,239 Speaker 2: sounds like what's a Brand New Day? It sounds like 793 00:38:23,360 --> 00:38:27,240 Speaker 2: Sadie Sink's character is also gonna play a decent portion 794 00:38:27,800 --> 00:38:31,880 Speaker 2: in Brand New Day, so I'm sure she gets introduced 795 00:38:31,920 --> 00:38:33,319 Speaker 2: in this Punisher special. Oh. 796 00:38:33,400 --> 00:38:37,000 Speaker 1: You know what sucks is that so Netflix bought WB 797 00:38:37,560 --> 00:38:41,359 Speaker 1: if Netflix had bought Disney, well, if Netflix buys WB now, 798 00:38:41,480 --> 00:38:43,959 Speaker 1: they're gonna eventually buy Disney too, and we're just gonna 799 00:38:43,960 --> 00:38:46,120 Speaker 1: be all owned by one thing. Sure, and you know 800 00:38:46,239 --> 00:38:48,960 Speaker 1: who Sadie Sink could have played if that happened. What 801 00:38:49,480 --> 00:38:54,640 Speaker 1: Max just from stranger things. It doesn't matter anymore. We're 802 00:38:54,719 --> 00:38:57,200 Speaker 1: all in the same toy chest. It doesn't matter no more. 803 00:38:57,320 --> 00:39:01,040 Speaker 2: Yeah, the the Upside Down is just a pocket universe. 804 00:39:01,120 --> 00:39:05,960 Speaker 1: In DC news Dump, Avengers Endgame is returning to theaters 805 00:39:06,000 --> 00:39:09,719 Speaker 1: on September twenty fifth, twenty twenty six. Presumably there will 806 00:39:09,840 --> 00:39:12,160 Speaker 1: be some sort of doomsday post credit. 807 00:39:13,400 --> 00:39:17,040 Speaker 2: I'm assuming that's a big reason why they're doing this. Also, 808 00:39:17,120 --> 00:39:19,800 Speaker 2: maybe they're just trying to cash grab defeat Avatar again. 809 00:39:20,360 --> 00:39:22,200 Speaker 2: A cash grabs, a cash grab. 810 00:39:22,320 --> 00:39:23,080 Speaker 1: It's for jocks. 811 00:39:24,000 --> 00:39:26,760 Speaker 2: I will probably see it. I'll probably see. 812 00:39:26,560 --> 00:39:27,600 Speaker 1: It again in theaters. 813 00:39:27,680 --> 00:39:29,640 Speaker 2: I probably will. I probably will. 814 00:39:29,920 --> 00:39:34,160 Speaker 1: Let's hope you're still around. News Dump. A newly restored 815 00:39:34,239 --> 00:39:37,680 Speaker 1: version of the original Star Wars version of Star Wars 816 00:39:37,800 --> 00:39:39,839 Speaker 1: A brand new Hope that's not what it's called. Star 817 00:39:39,920 --> 00:39:44,880 Speaker 1: Wars I Hope is getting a re release on February nineteenth, 818 00:39:45,000 --> 00:39:47,719 Speaker 1: twenty twenty seven, in honor of its fiftieth the anniversary. 819 00:39:48,360 --> 00:39:51,200 Speaker 1: Do you want to see the original film as it 820 00:39:51,400 --> 00:39:54,560 Speaker 1: was originally given to the audience back in nineteen seventy 821 00:39:54,600 --> 00:39:59,680 Speaker 1: seven on the big screen. Jeffrey McNamara, My Dad's Birthdays. 822 00:39:59,680 --> 00:40:02,600 Speaker 2: A couple weeks later, Wow, he is the man who 823 00:40:02,680 --> 00:40:05,920 Speaker 2: got me into Star Wars loves the original trilogy. That 824 00:40:06,080 --> 00:40:07,800 Speaker 2: movie came out when he was eight years old. I 825 00:40:07,840 --> 00:40:10,560 Speaker 2: think for Father's Day we will go see Star Wars 826 00:40:10,600 --> 00:40:11,279 Speaker 2: A New Hope together. 827 00:40:11,400 --> 00:40:13,040 Speaker 1: I can tell you this, I will not be seeing 828 00:40:13,040 --> 00:40:15,719 Speaker 1: this with my father, not a Star Wars guy. Not 829 00:40:15,800 --> 00:40:18,040 Speaker 1: a Star Wars guy. And if I say anything to him, 830 00:40:18,440 --> 00:40:19,920 Speaker 1: he's gonna give me the opposite opinion. 831 00:40:20,760 --> 00:40:23,400 Speaker 2: So that's easy to use though, easy reverse psychology. 832 00:40:23,520 --> 00:40:25,799 Speaker 1: Right, there's the complete opposite of what I just said, 833 00:40:26,960 --> 00:40:28,800 Speaker 1: or why do you say that? Let me explain it 834 00:40:28,880 --> 00:40:30,840 Speaker 1: to you. Don't cut me off when I'm in the 835 00:40:30,880 --> 00:40:32,360 Speaker 1: middle of a sentence, and I'll tell you why this 836 00:40:32,520 --> 00:40:34,840 Speaker 1: is going to happen. You want to know why raccoons 837 00:40:34,880 --> 00:40:37,520 Speaker 1: are going to be domesticated within my son's lifetime because 838 00:40:37,560 --> 00:40:39,439 Speaker 1: their snouts are fucking shrink and that's why. 839 00:40:40,400 --> 00:40:42,080 Speaker 2: And they're cute and they're cute. 840 00:40:42,640 --> 00:40:46,120 Speaker 1: Something wrong with their medulla abdem Gatta. Speaking of Kathy 841 00:40:46,160 --> 00:40:53,600 Speaker 1: Bates back on the headlines, he's dump Jonathan E. Steinberg 842 00:40:53,800 --> 00:40:58,000 Speaker 1: and Dan Schotz. That's the Percy Jackson guys confirm that 843 00:40:58,080 --> 00:41:00,840 Speaker 1: they are developing a live action Power Rangers series for 844 00:41:00,920 --> 00:41:02,200 Speaker 1: Disney Plus. I like this. 845 00:41:02,560 --> 00:41:05,040 Speaker 2: This is interesting, This is intriguing. I mean, there's been 846 00:41:05,160 --> 00:41:09,239 Speaker 2: forty eight seasons of Power Rangers already, but I'm intrigued 847 00:41:09,360 --> 00:41:11,279 Speaker 2: by uh where this may go? 848 00:41:11,680 --> 00:41:13,920 Speaker 1: I only Fox with Mighty morphin keep that shrined. 849 00:41:14,160 --> 00:41:15,680 Speaker 2: Sure ze O was decent too. 850 00:41:15,920 --> 00:41:18,439 Speaker 1: Is that when they had like division signs on their 851 00:41:18,840 --> 00:41:29,160 Speaker 1: faces and shit, alright, multiplication table, Dewey decimal system. 852 00:41:30,600 --> 00:41:33,240 Speaker 2: That's that's. 853 00:41:34,719 --> 00:41:42,320 Speaker 1: That's how they morph. There's dope. Oh boy. Vin Diesel 854 00:41:42,360 --> 00:41:45,520 Speaker 1: will star in and write a live action rock em 855 00:41:45,680 --> 00:41:49,279 Speaker 1: Sock Them robot movie for Mattel. Diesel said the film 856 00:41:49,320 --> 00:41:53,160 Speaker 1: will examine the role of competition in the world, often 857 00:41:53,239 --> 00:41:56,120 Speaker 1: measured by strength and dominance, that dares to reveal the 858 00:41:56,239 --> 00:41:59,760 Speaker 1: power of compassion at its core. The sourus is deadline. 859 00:42:00,080 --> 00:42:01,960 Speaker 1: I thought that this was too much tuna, that this 860 00:42:02,120 --> 00:42:02,920 Speaker 1: was a fucking prank. 861 00:42:03,760 --> 00:42:06,120 Speaker 2: This Zord is the form of a bookshelf of just 862 00:42:06,239 --> 00:42:09,880 Speaker 2: laughing at the zord possibilities of math and libraries. 863 00:42:11,280 --> 00:42:12,920 Speaker 1: Let's tell you know, that's how you teach kids. You 864 00:42:13,000 --> 00:42:16,200 Speaker 1: know you gonna slip it in there. Who wins in 865 00:42:16,239 --> 00:42:19,520 Speaker 1: a fight? The fucking Megazord of the Magic School Bus. 866 00:42:21,719 --> 00:42:23,800 Speaker 2: I couldn't think of anyone more fit to write a 867 00:42:24,000 --> 00:42:26,440 Speaker 2: rock 'em stockem Robots movie than Vin Diesel. 868 00:42:27,160 --> 00:42:29,920 Speaker 1: A toy as simple as rock em sock and Robots, 869 00:42:30,600 --> 00:42:35,600 Speaker 1: then Diesel, It's perfect. He's done. Paramount is focused on 870 00:42:35,760 --> 00:42:40,640 Speaker 1: making IP and commercial films going forward. They've dramatically scaled 871 00:42:40,719 --> 00:42:45,160 Speaker 1: back their budget in award campaigns. One source says they 872 00:42:45,280 --> 00:42:48,400 Speaker 1: have no interest in anything but down at the middle. 873 00:42:48,480 --> 00:42:53,200 Speaker 1: I P it's all about commercial reality via THHR. 874 00:42:54,480 --> 00:42:58,960 Speaker 2: Commerciality is the word you were saying there. This is 875 00:42:59,239 --> 00:43:02,080 Speaker 2: this is way worse for the film industry than anything 876 00:43:02,200 --> 00:43:05,200 Speaker 2: Netflix is doing. This is how you get legacy sequels. 877 00:43:05,480 --> 00:43:07,840 Speaker 2: This is how you get twenty year later comedic sequels. 878 00:43:08,280 --> 00:43:10,160 Speaker 2: This is how you get third and fourth movies in 879 00:43:10,200 --> 00:43:13,040 Speaker 2: a franchise that no one wants to see anymore. Paramount 880 00:43:13,200 --> 00:43:16,800 Speaker 2: is fucking dumb paras and their app stinks. 881 00:43:16,960 --> 00:43:20,120 Speaker 1: They're doing everything sucks. Okay, so hold up. I was 882 00:43:20,239 --> 00:43:23,680 Speaker 1: trying to finish what the hell is the Lindsay Lohan 883 00:43:23,840 --> 00:43:26,280 Speaker 1: movie Freak Your Friday? Okay, I was trying to finish 884 00:43:26,320 --> 00:43:28,399 Speaker 1: freakyr Friday. I had watched an hour on the plane. 885 00:43:28,400 --> 00:43:29,320 Speaker 1: I'm like, let me just fuck it. 886 00:43:29,360 --> 00:43:31,520 Speaker 2: By the way, saw that movie is better than it has. 887 00:43:32,239 --> 00:43:35,640 Speaker 1: First off, all the screen time with Lindsay Lohan and 888 00:43:35,760 --> 00:43:39,200 Speaker 1: Jamie Lee Curtis is a blast, pretty good. It is 889 00:43:39,600 --> 00:43:41,600 Speaker 1: the best version of what it could have been. 890 00:43:41,760 --> 00:43:45,080 Speaker 2: Yes, it was never gonna be legitimately good, but it's 891 00:43:45,200 --> 00:43:46,560 Speaker 2: much better than we all thought. 892 00:43:46,360 --> 00:43:49,160 Speaker 1: It was good. But me trying to skip an hour 893 00:43:49,320 --> 00:43:50,520 Speaker 1: into I tried. 894 00:43:50,360 --> 00:43:54,280 Speaker 2: On trying to skip on the paramounts. 895 00:43:54,360 --> 00:43:57,399 Speaker 1: To Disney Plus. It took me an hour to skip 896 00:43:57,440 --> 00:43:59,879 Speaker 1: an hour. I sort to just fucking rewatch the goddamn hour. 897 00:44:00,320 --> 00:44:02,680 Speaker 2: I haven't added the issue in those on paramount It's 898 00:44:02,719 --> 00:44:03,600 Speaker 2: impossible to do it. 899 00:44:03,840 --> 00:44:08,719 Speaker 1: Like let me fast forward, give me a VCR the 900 00:44:08,840 --> 00:44:15,080 Speaker 1: hell yeah whatever, paramount news dump. Timothy Chalamagne names his 901 00:44:15,200 --> 00:44:19,120 Speaker 1: greatest actors of all time. Denzel's the goat, Christian Bales 902 00:44:19,160 --> 00:44:21,640 Speaker 1: the second goat, that's not how it works, and Joaquin 903 00:44:21,840 --> 00:44:23,839 Speaker 1: is the third is the strange goat. 904 00:44:23,880 --> 00:44:25,719 Speaker 2: I like that act I'll accept that. Ye yeah, I'll 905 00:44:25,760 --> 00:44:28,320 Speaker 2: accept that. He was one short of a Rushmore. He 906 00:44:28,400 --> 00:44:31,319 Speaker 2: fucking blew it there. Yeah, who are you gonna add 907 00:44:31,360 --> 00:44:33,840 Speaker 2: to his Rushmore? Though? Or like you got Denzel, you 908 00:44:33,880 --> 00:44:35,880 Speaker 2: got Christian Bill, you got Joaquin, you gotta go for 909 00:44:36,080 --> 00:44:37,840 Speaker 2: an older like de Niro or something. 910 00:44:37,680 --> 00:44:41,480 Speaker 1: You know, Matthew Lillard. He's taking a lot of shots 911 00:44:41,520 --> 00:44:42,520 Speaker 1: right now. Building back up. 912 00:44:42,800 --> 00:44:46,879 Speaker 2: This speaks to how young Chalame is. That he's calling 913 00:44:46,960 --> 00:44:50,759 Speaker 2: someone the second goat. You just don't fundamentally understand what 914 00:44:50,880 --> 00:44:52,080 Speaker 2: it means to call someone of the goat. 915 00:44:52,200 --> 00:44:55,399 Speaker 1: He's dumpe man. Finally, we got our parings for season 916 00:44:55,480 --> 00:44:58,480 Speaker 1: twenty three of Variety's Actors on Actors, the ones that 917 00:44:58,680 --> 00:45:02,360 Speaker 1: I am excited for. We have Ariana Grande, Adam Sandler. 918 00:45:02,600 --> 00:45:10,200 Speaker 1: We have Michael B. Jordan and Jesse Plemons. I'm reading through. Sorry, sure, sure, 919 00:45:10,280 --> 00:45:13,160 Speaker 1: And there's one more, Oh, Dwayne the Rock Johnson and 920 00:45:13,280 --> 00:45:14,040 Speaker 1: Brendan Fraser. 921 00:45:14,360 --> 00:45:16,920 Speaker 2: I also am intrigued by Grande and Sandler. I think 922 00:45:17,000 --> 00:45:19,359 Speaker 2: Julia Roberts and Sean Penn is gonna be really good 923 00:45:19,440 --> 00:45:21,200 Speaker 2: because they've been in the film industry both. 924 00:45:22,360 --> 00:45:24,160 Speaker 1: And this is what I've read is that Sean Penn 925 00:45:24,280 --> 00:45:26,800 Speaker 1: likes to talk and Julia Roberts likes to listen, so 926 00:45:26,960 --> 00:45:29,399 Speaker 1: it might just be a lot of Penn talking fair fair. 927 00:45:29,960 --> 00:45:32,160 Speaker 2: The two Scars guards is interesting because they could get 928 00:45:32,160 --> 00:45:35,560 Speaker 2: it into some weird territory there. Arrivo and Jackman is 929 00:45:35,600 --> 00:45:38,319 Speaker 2: fun because they're both musicals. 930 00:45:38,440 --> 00:45:41,560 Speaker 1: They're only gonna talk about musical shit. Holy shit. 931 00:45:41,760 --> 00:45:44,240 Speaker 2: And if you go, one of my favorite YouTube videos 932 00:45:44,440 --> 00:45:47,680 Speaker 2: is watching like the pre stuff of them trying to 933 00:45:47,840 --> 00:45:51,320 Speaker 2: get the greatest Showman lit. Jackman and Arrival both in 934 00:45:51,360 --> 00:45:54,319 Speaker 2: that room working on that movie. Sidney Sweeney and Ethan 935 00:45:54,400 --> 00:45:58,200 Speaker 2: Hawk is interesting because Sidney Sweeney is hot, Michael B. Jordan, 936 00:45:58,320 --> 00:46:01,280 Speaker 2: Jesse Plemmons could be fucking awesome. I'm very much intrigued 937 00:46:01,320 --> 00:46:04,239 Speaker 2: by that. So those are the ones I'd like to see. 938 00:46:06,040 --> 00:46:07,320 Speaker 1: Check us out at the end of the week for 939 00:46:07,680 --> 00:46:09,880 Speaker 1: Santa Claus, we'll talk to you then. 940 00:46:10,040 --> 00:46:15,320 Speaker 2: Santa Claus is coming down. Santa Claus is coming to town. 941 00:46:15,920 --> 00:46:19,400 Speaker 2: Santa Claus is coming to town.