1 00:00:00,520 --> 00:00:30,639 Speaker 1: You're listening to KF I am six forty on demand. 2 00:00:32,840 --> 00:00:33,440 Speaker 2: Hey is camp. 3 00:00:33,520 --> 00:00:34,520 Speaker 3: I am six forty. 4 00:00:34,520 --> 00:00:38,239 Speaker 4: I'm Andy Reesmeyer here on this Sunday, December fourteenth. 5 00:00:38,240 --> 00:00:39,520 Speaker 3: This is the Andy Reesmeyer Show. 6 00:00:39,600 --> 00:00:41,600 Speaker 4: Be with you all the way up until four o'clock. 7 00:00:41,720 --> 00:00:43,159 Speaker 4: Still got a lot to get to and then I'll 8 00:00:43,159 --> 00:00:45,640 Speaker 4: be back with you tomorrow night, starting at seven pm, 9 00:00:45,720 --> 00:00:50,159 Speaker 4: all the way till ten pm, going from Conway to 10 00:00:50,280 --> 00:00:54,160 Speaker 4: coast to coast. I believe k Earth one oh one 11 00:00:54,600 --> 00:01:00,280 Speaker 4: legendary DJ Shotgun Tom Kelly will be joining us via 12 00:01:00,320 --> 00:01:03,960 Speaker 4: the phone. Unfortunately, he's gonna call it. Lives down in 13 00:01:04,000 --> 00:01:04,600 Speaker 4: San Diego. 14 00:01:04,959 --> 00:01:05,600 Speaker 3: Believe it or not. 15 00:01:06,360 --> 00:01:08,520 Speaker 4: He's got a new book out, did a book signing here. 16 00:01:08,600 --> 00:01:11,000 Speaker 4: I interviewed him last week, and. 17 00:01:10,920 --> 00:01:12,520 Speaker 3: It's for fun. I love, you know. 18 00:01:12,560 --> 00:01:15,039 Speaker 4: I love old school La stuff. I love anything with 19 00:01:15,200 --> 00:01:18,360 Speaker 4: La legacy. I love anything that has survived in this 20 00:01:18,480 --> 00:01:23,360 Speaker 4: town where we tear everything down and rebuild with something else, 21 00:01:23,400 --> 00:01:26,240 Speaker 4: anything that has staying power. I am fascinated by give 22 00:01:26,240 --> 00:01:27,959 Speaker 4: me a Musso and Frank any day of the week. 23 00:01:29,760 --> 00:01:32,600 Speaker 4: I had a lot of real, sort of fun, old 24 00:01:32,640 --> 00:01:35,360 Speaker 4: school fuzzy feelings of Los Angeles. Last week I went 25 00:01:35,400 --> 00:01:39,440 Speaker 4: to this concert for the Dirty Knobs, which is Mike 26 00:01:39,480 --> 00:01:42,560 Speaker 4: Campbell's band. Mike Campbell, of course, was the longtime guitarist 27 00:01:42,640 --> 00:01:46,240 Speaker 4: and songwriting partner of Tom Petty. He just reade a 28 00:01:46,240 --> 00:01:51,040 Speaker 4: book called Heartbreaker, and as part of his book tour, 29 00:01:51,840 --> 00:01:53,240 Speaker 4: he did something much I think is the best way 30 00:01:53,240 --> 00:01:55,160 Speaker 4: to do a book tour, which is basically just a concert. 31 00:01:56,320 --> 00:01:57,960 Speaker 4: So he was playing down there at the United Artists 32 00:01:58,000 --> 00:02:01,560 Speaker 4: Theater on Broadway, which is based I think it's the 33 00:02:01,600 --> 00:02:04,880 Speaker 4: same building that was the Ace Hotel on Broadway in 34 00:02:04,920 --> 00:02:08,240 Speaker 4: downtown LA and the beautiful theater. You walk in, it 35 00:02:08,240 --> 00:02:11,320 Speaker 4: looks almost like a cave. It's this very cool old 36 00:02:11,360 --> 00:02:15,480 Speaker 4: school I think it's maybe it's Beaux Arts. I don't 37 00:02:15,520 --> 00:02:18,000 Speaker 4: know the architectural style. I don't know if anybody cares 38 00:02:18,000 --> 00:02:20,480 Speaker 4: what it is, but it's kind of like being in 39 00:02:20,520 --> 00:02:26,280 Speaker 4: a little cave. Stalagtites and stalagmite look in architecture. And 40 00:02:26,320 --> 00:02:29,840 Speaker 4: he did a show which was like two hours of 41 00:02:30,880 --> 00:02:34,200 Speaker 4: mostly all the songs that he wrote with Tom Petty 42 00:02:34,280 --> 00:02:36,440 Speaker 4: over the course of their career, dating back to the 43 00:02:36,480 --> 00:02:40,280 Speaker 4: nineteen seventies, and then in between the songs, he'd tell 44 00:02:40,320 --> 00:02:43,440 Speaker 4: stories about what it was like being in a band, 45 00:02:43,520 --> 00:02:48,280 Speaker 4: and he'd come up with the song and then Tom 46 00:02:48,280 --> 00:02:50,120 Speaker 4: Petty would say, I think I know what I can 47 00:02:50,160 --> 00:02:51,520 Speaker 4: do with that, and then he'd turn it into something 48 00:02:51,520 --> 00:02:54,600 Speaker 4: and then he'd start playing even the Losers, you know, 49 00:02:54,760 --> 00:02:58,240 Speaker 4: or then he'd start playing Running Down a Dream and 50 00:02:58,280 --> 00:03:01,040 Speaker 4: it was great. I was one hundred percent the youngest 51 00:03:01,040 --> 00:03:05,399 Speaker 4: person there by like forty years maybe not forty. 52 00:03:05,280 --> 00:03:06,960 Speaker 5: Did you say that was a Dirty Knobs or who 53 00:03:07,200 --> 00:03:08,040 Speaker 5: is this a solo show? 54 00:03:08,200 --> 00:03:09,440 Speaker 3: It was Mike Campbell and the Dirty Knobs. 55 00:03:09,480 --> 00:03:12,600 Speaker 6: Okay, so my friend used to play for Dirty Knobs. Yeah, 56 00:03:12,600 --> 00:03:15,160 Speaker 6: and I didn't even know that connection. Oh yeah, So 57 00:03:15,200 --> 00:03:17,840 Speaker 6: it's Matt log and he now plays for drums for 58 00:03:17,880 --> 00:03:18,480 Speaker 6: ac DC. 59 00:03:18,880 --> 00:03:20,600 Speaker 5: Wow, yeah, is he single? 60 00:03:21,480 --> 00:03:21,679 Speaker 4: Yeah? 61 00:03:21,840 --> 00:03:24,160 Speaker 3: Nicky is always looking for a good musician. 62 00:03:24,680 --> 00:03:27,720 Speaker 5: Oh, I'll guilty. I can reach out found out. 63 00:03:27,680 --> 00:03:27,880 Speaker 2: You know. 64 00:03:28,880 --> 00:03:31,160 Speaker 4: So Steve Ferroni is actually the guy who played drums 65 00:03:31,160 --> 00:03:33,799 Speaker 4: with him on this show. And I don't know if 66 00:03:34,160 --> 00:03:37,720 Speaker 4: you're a Dirty Knobs guy, you know, got a different gig. 67 00:03:37,720 --> 00:03:38,080 Speaker 3: I don't know. 68 00:03:38,120 --> 00:03:40,160 Speaker 4: I mean ACDC sounds like it's a pretty good show too. 69 00:03:40,160 --> 00:03:45,080 Speaker 4: But Steve Ferronie was also then basically post nineteen ninety two, 70 00:03:45,400 --> 00:03:49,960 Speaker 4: Tiny ninety three, the drummer for Tom Petty forever, so 71 00:03:50,520 --> 00:03:52,560 Speaker 4: you know, basically since the early nineteen nineties, and so 72 00:03:52,680 --> 00:03:54,840 Speaker 4: it's awesome to be able to go and to listen 73 00:03:54,840 --> 00:03:58,440 Speaker 4: to Mike play these songs, and Mike sounds a lot 74 00:03:58,480 --> 00:03:58,880 Speaker 4: like Tom. 75 00:03:59,160 --> 00:04:01,760 Speaker 5: That sounds like a great show. I love Tom Petty. 76 00:04:02,040 --> 00:04:03,360 Speaker 5: I missed his last show. 77 00:04:03,880 --> 00:04:05,240 Speaker 3: It was so unbelievable. 78 00:04:05,600 --> 00:04:07,480 Speaker 6: I mean, but I did see him front row one time. 79 00:04:07,640 --> 00:04:10,960 Speaker 6: Oh no way experience, where was that? That was in 80 00:04:11,000 --> 00:04:13,320 Speaker 6: San Antonio, Texas many years ago. But I was a 81 00:04:13,320 --> 00:04:14,920 Speaker 6: front row and it felt like he was singing to 82 00:04:14,920 --> 00:04:15,520 Speaker 6: me the whole time. 83 00:04:15,560 --> 00:04:17,200 Speaker 3: I'm sure he was amazing. 84 00:04:17,200 --> 00:04:19,440 Speaker 4: I was there at the second to the last show, 85 00:04:19,480 --> 00:04:21,120 Speaker 4: I think, and obviously we didn't know it was going 86 00:04:21,160 --> 00:04:25,359 Speaker 4: to be his last shows, but I had, you know, 87 00:04:25,440 --> 00:04:30,440 Speaker 4: grown up, you don't realize how much Tom Petty, you know, 88 00:04:31,320 --> 00:04:33,720 Speaker 4: until you listen to like a Greatest Hits record or 89 00:04:33,760 --> 00:04:35,280 Speaker 4: you go to see him live and you're like. 90 00:04:35,279 --> 00:04:37,880 Speaker 3: Every song is a mega hit and you're like, oh yeah, 91 00:04:38,000 --> 00:04:38,840 Speaker 3: it takes you back. 92 00:04:39,040 --> 00:04:41,279 Speaker 4: It takes you back, And especially if you're learning to 93 00:04:41,279 --> 00:04:44,039 Speaker 4: play music or to write music. Tom Petty is like 94 00:04:44,040 --> 00:04:46,120 Speaker 4: the Beatles in terms of like you got to study 95 00:04:46,400 --> 00:04:51,320 Speaker 4: him because the efficiency that he has with writing, with recording. 96 00:04:51,680 --> 00:04:54,600 Speaker 4: You know, there's might there might be only four or 97 00:04:54,680 --> 00:04:57,839 Speaker 4: five lines in a tom Petty chorus or a verse. 98 00:04:58,920 --> 00:05:03,719 Speaker 4: They're not very complicated lines. He doesn't have overly worthy 99 00:05:05,480 --> 00:05:09,440 Speaker 4: lyric stanzas, but they are perfectly efficient. 100 00:05:09,600 --> 00:05:11,760 Speaker 6: Yeah, he's one of those artists and there's certain artists 101 00:05:11,880 --> 00:05:13,600 Speaker 6: and he's not like the best singer. 102 00:05:13,680 --> 00:05:16,760 Speaker 5: He's not like nobody's got it, but it's their soul 103 00:05:16,880 --> 00:05:19,160 Speaker 5: to it. Just it's amazing, it's just beautiful. 104 00:05:19,240 --> 00:05:21,120 Speaker 4: It was really cool to listen to do even the Losers, 105 00:05:21,800 --> 00:05:23,760 Speaker 4: which you know is always like a favorite for sure 106 00:05:23,880 --> 00:05:26,640 Speaker 4: from from the early eighties. 107 00:05:26,720 --> 00:05:28,000 Speaker 3: I think, is you know this? 108 00:05:28,320 --> 00:05:30,280 Speaker 5: I mean, you're you're a little young frist Did your 109 00:05:30,279 --> 00:05:30,960 Speaker 5: mom listen to this? 110 00:05:31,120 --> 00:05:33,000 Speaker 4: Not? Really, My mom was not a big petty person. 111 00:05:33,080 --> 00:05:35,520 Speaker 4: My parents were into Van Morrison almost exclusively, like in 112 00:05:35,560 --> 00:05:37,120 Speaker 4: the sense that like that's the only band that they 113 00:05:37,160 --> 00:05:40,280 Speaker 4: ever listened to, only artists they ever listened to. So 114 00:05:40,320 --> 00:05:42,120 Speaker 4: I could, like I have, I could like fall asleep 115 00:05:43,279 --> 00:05:45,000 Speaker 4: with my eyes closed, I could probably recite all the 116 00:05:45,080 --> 00:05:49,919 Speaker 4: lyrics to Moondance avalon Sunset whatever. But the you know, 117 00:05:50,000 --> 00:05:53,119 Speaker 4: I think being in the Midwest and being in a band, 118 00:05:53,320 --> 00:05:56,680 Speaker 4: and especially Indiana Boys on the Indiana Nights, you know, 119 00:05:56,760 --> 00:05:59,279 Speaker 4: like that kind of thing. We all just learned how 120 00:05:59,320 --> 00:06:01,919 Speaker 4: to play songs like Tom Petty and he just he 121 00:06:02,040 --> 00:06:04,159 Speaker 4: just made you feel like you could be anybody and 122 00:06:04,200 --> 00:06:06,039 Speaker 4: look like anybody and be a rock star. And I 123 00:06:06,040 --> 00:06:08,719 Speaker 4: think that that was why it was such a big deal. 124 00:06:08,720 --> 00:06:11,760 Speaker 4: And then my band for years, you know, we covered 125 00:06:11,800 --> 00:06:13,080 Speaker 4: Petty every once in a while. You got to throw 126 00:06:13,080 --> 00:06:15,360 Speaker 4: in a Petty Everybody knows it, you know. I think 127 00:06:15,560 --> 00:06:18,679 Speaker 4: I think Tom Petty also before he died, people didn't 128 00:06:18,720 --> 00:06:22,960 Speaker 4: really respect and appreciate him for who he is and 129 00:06:23,000 --> 00:06:25,600 Speaker 4: who he was and how influential he was. Now he 130 00:06:25,640 --> 00:06:27,559 Speaker 4: does have sort of because it's what happens when people 131 00:06:27,600 --> 00:06:31,040 Speaker 4: passed away, celebrities especially, you know, they become these legends, 132 00:06:31,080 --> 00:06:38,719 Speaker 4: They become these big, bigger than themselves stories. But I 133 00:06:38,720 --> 00:06:40,800 Speaker 4: think that there was just sort of this understanding that like, yeah, 134 00:06:40,800 --> 00:06:42,400 Speaker 4: it's a Petty song, he was there or whatever. But 135 00:06:42,520 --> 00:06:44,839 Speaker 4: I don't know that people really cared about it like 136 00:06:44,880 --> 00:06:46,799 Speaker 4: they do now. I'm glad they do it, because man, 137 00:06:47,560 --> 00:06:52,480 Speaker 4: what a show. And like I said, Thursday night, got 138 00:06:52,480 --> 00:06:55,120 Speaker 4: home real late, had to work the morning show on 139 00:06:55,200 --> 00:06:56,560 Speaker 4: KTLA Friday morning. 140 00:06:57,080 --> 00:06:57,560 Speaker 3: Felt it. 141 00:06:57,880 --> 00:07:01,200 Speaker 4: I remember leaving going to the show like six thirty pm, 142 00:07:01,360 --> 00:07:03,680 Speaker 4: passing KTLA down the one o one, being like, I 143 00:07:03,720 --> 00:07:06,960 Speaker 4: gotta be back there on TV in twelve hours, and 144 00:07:07,080 --> 00:07:08,120 Speaker 4: I was like, oh God. 145 00:07:08,520 --> 00:07:09,840 Speaker 3: And then coming home and. 146 00:07:09,960 --> 00:07:12,480 Speaker 4: My buddy, who is the greatest, the greatest dude ever, 147 00:07:12,840 --> 00:07:16,680 Speaker 4: oldest friend of all time, his birthday was last week 148 00:07:16,720 --> 00:07:19,360 Speaker 4: and he's also a huge Petty fan, and he was like, man, 149 00:07:19,840 --> 00:07:21,360 Speaker 4: I'd love to go see the show. Let's go do 150 00:07:21,400 --> 00:07:23,600 Speaker 4: it cool because we had seen Petty before together, we 151 00:07:23,640 --> 00:07:25,840 Speaker 4: saw Mike and the Dirty Knobs at the Mint in 152 00:07:25,880 --> 00:07:28,800 Speaker 4: the past. And we go down there and I drove 153 00:07:28,920 --> 00:07:32,520 Speaker 4: down he Hubert and we're leaving and it's like ten fifteen, 154 00:07:32,600 --> 00:07:35,560 Speaker 4: ten thirty and he's like, hey, can you give me 155 00:07:35,600 --> 00:07:36,280 Speaker 4: a ride home? 156 00:07:36,680 --> 00:07:37,400 Speaker 1: And it's the. 157 00:07:37,360 --> 00:07:42,360 Speaker 4: Guy's birthday, right, so I can't say no. And he 158 00:07:42,440 --> 00:07:46,120 Speaker 4: lives in the Grove area, like Fairfax. I'm up in 159 00:07:46,160 --> 00:07:50,640 Speaker 4: the valley. The concert's downtown do the math here. There's 160 00:07:50,720 --> 00:07:54,440 Speaker 4: no freeway that gets anywhere close to the Grove, so 161 00:07:54,680 --> 00:07:58,080 Speaker 4: I gotta drive up. I drive up and it's like 162 00:07:58,120 --> 00:08:00,320 Speaker 4: I added probably forty five minutes to my to my 163 00:08:00,360 --> 00:08:02,080 Speaker 4: commute going home, and I had to wake up the 164 00:08:02,120 --> 00:08:04,160 Speaker 4: next morning and then go do the show. But listen, 165 00:08:04,240 --> 00:08:05,920 Speaker 4: these are all things that I did to myself. And 166 00:08:05,920 --> 00:08:09,240 Speaker 4: I would always give my buddy a ride no matter 167 00:08:09,280 --> 00:08:11,880 Speaker 4: what birthday are not somebody. 168 00:08:12,680 --> 00:08:13,600 Speaker 3: Yeah, he was very nice. 169 00:08:14,120 --> 00:08:15,480 Speaker 4: But then you don't want to say, like, I do 170 00:08:15,560 --> 00:08:17,560 Speaker 4: have to wake up to it because it's his birthday, 171 00:08:17,720 --> 00:08:17,920 Speaker 4: you know. 172 00:08:18,160 --> 00:08:20,360 Speaker 6: Yeah, you know, you say, I've got to wake up early, 173 00:08:20,400 --> 00:08:22,520 Speaker 6: but hey, let's go out when I have a day off. 174 00:08:22,600 --> 00:08:24,840 Speaker 4: No, no, but and I'm glad I did it, you know. 175 00:08:24,960 --> 00:08:27,200 Speaker 4: And and the reality is I was tired that morning. 176 00:08:27,720 --> 00:08:32,280 Speaker 4: But luckily caffeine exists, and it's a there's no cap 177 00:08:32,320 --> 00:08:33,760 Speaker 4: on how much legally you can drink. 178 00:08:33,880 --> 00:08:36,480 Speaker 5: So you gotta have balance, right, and you work hard. 179 00:08:36,520 --> 00:08:37,199 Speaker 5: You gotta play. 180 00:08:37,280 --> 00:08:40,079 Speaker 3: You gotta play hard, work hard. As Michael Scott said, 181 00:08:40,600 --> 00:08:43,360 Speaker 3: it's IM six forty. We're live everywhere on the iHeartRadio app. 182 00:08:43,840 --> 00:08:47,280 Speaker 1: You're listening to KFI AM six forty on demand. 183 00:08:49,040 --> 00:08:50,840 Speaker 4: When you cover a Tom Petty song or you sing 184 00:08:50,880 --> 00:08:52,840 Speaker 4: a Tom Petty song, you can't not sing like it. 185 00:08:54,280 --> 00:08:55,160 Speaker 3: You know, you gotta do. 186 00:08:55,160 --> 00:09:01,520 Speaker 4: The well wall back now, won't we turned around? 187 00:09:01,640 --> 00:09:03,720 Speaker 3: It just it feels good. It feels good to do that. 188 00:09:03,840 --> 00:09:06,800 Speaker 3: You just feel it's like, no. 189 00:09:06,600 --> 00:09:10,160 Speaker 4: Matter what, you get a little bit more Gainesville, Florida, 190 00:09:10,880 --> 00:09:14,680 Speaker 4: it just sounds like a Nasali Bob Dylan. Yeah, that 191 00:09:14,840 --> 00:09:16,520 Speaker 4: I think is kind of what he was going for, 192 00:09:16,600 --> 00:09:18,400 Speaker 4: and I was, I think he's a better singer than 193 00:09:18,400 --> 00:09:21,079 Speaker 4: Bob Dylan. You listened to like the Traveling Wilbury's you 194 00:09:21,120 --> 00:09:23,800 Speaker 4: know where he ended up actually singing with Bob Dylan 195 00:09:23,880 --> 00:09:27,280 Speaker 4: and a bunch of other legends from that era, Roy Orbison. 196 00:09:27,120 --> 00:09:29,280 Speaker 3: Jeff Lynn from Yes Well you. 197 00:09:29,200 --> 00:09:32,720 Speaker 4: Know in Jefferson It's right, George Harrison too, and Jeff Lynn, 198 00:09:32,960 --> 00:09:35,640 Speaker 4: and he produced a bunch of records. I think Into 199 00:09:35,679 --> 00:09:37,480 Speaker 4: the Great White Open was a jeff Lynn album, and 200 00:09:37,600 --> 00:09:43,800 Speaker 4: so was Full Moon Fever and those are you know, 201 00:09:43,840 --> 00:09:46,280 Speaker 4: those are just iconic. He did Mike. Mike Campbell did 202 00:09:46,840 --> 00:09:49,640 Speaker 4: one of the Traveling Wilburry song by the way, Sam, Hello, 203 00:09:49,920 --> 00:09:52,480 Speaker 4: nice to hear from you, buddy. Yeah, Hey, it's really 204 00:09:52,520 --> 00:09:53,679 Speaker 4: good hearing from you too. 205 00:09:53,679 --> 00:09:53,880 Speaker 2: Man. 206 00:09:53,920 --> 00:09:54,600 Speaker 3: Where are you? 207 00:09:55,120 --> 00:09:57,120 Speaker 7: I'm right here in the studio here, it's actually upstairs 208 00:09:57,160 --> 00:09:59,120 Speaker 7: running the Chargers game. And then I saw a client 209 00:09:59,160 --> 00:10:02,120 Speaker 7: and now I'm here. Oh you saw a client. They 210 00:10:02,240 --> 00:10:04,600 Speaker 7: let you do that here at work, Hey, you give it. 211 00:10:04,600 --> 00:10:06,880 Speaker 7: They could be soundproof booths here. It's great. 212 00:10:09,000 --> 00:10:10,960 Speaker 4: I also heard the shout out to Marlee, and I 213 00:10:11,000 --> 00:10:13,400 Speaker 4: was loving that. 214 00:10:12,679 --> 00:10:13,760 Speaker 3: Marley gets all the love. 215 00:10:14,400 --> 00:10:17,480 Speaker 7: He's like the workhorse of the of the Chargers football team. 216 00:10:17,480 --> 00:10:18,320 Speaker 3: He goes and what he said. 217 00:10:18,320 --> 00:10:22,280 Speaker 4: I think that the line was like Charlie who incidentally 218 00:10:23,240 --> 00:10:26,600 Speaker 4: Marley rather who incidentally is a dog or something like that. 219 00:10:26,880 --> 00:10:28,199 Speaker 5: To be a dog that happens to be a dog. 220 00:10:28,240 --> 00:10:30,960 Speaker 4: That's right. Yeah, it's really good stuff. Is Marley with 221 00:10:31,040 --> 00:10:34,000 Speaker 4: us today? Yes, Marley's here, of course. Well I have 222 00:10:34,040 --> 00:10:35,440 Speaker 4: to go over and say hello in a little bit. 223 00:10:35,600 --> 00:10:37,439 Speaker 5: I think Marley needs to come visit us all. 224 00:10:37,720 --> 00:10:41,600 Speaker 4: Oh man, that guy he's like up there as a 225 00:10:41,640 --> 00:10:42,760 Speaker 4: mascot of this station. 226 00:10:43,440 --> 00:10:44,560 Speaker 3: He really is. 227 00:10:44,600 --> 00:10:48,360 Speaker 7: He Handel has told me himself that if he's in 228 00:10:48,400 --> 00:10:50,920 Speaker 7: the building, I'm not allowed here without Marley. 229 00:10:52,679 --> 00:10:53,720 Speaker 5: I think that's a good rule. 230 00:10:54,720 --> 00:10:58,560 Speaker 4: Yeah, did you? That's that's what that Zelman's money can 231 00:10:58,600 --> 00:11:01,320 Speaker 4: allow you to do. They need to have doggies, amons, 232 00:11:01,360 --> 00:11:05,600 Speaker 4: because Marley's breadth of buddy. I'll tell you it's amazing 233 00:11:05,640 --> 00:11:08,000 Speaker 4: that that stuff. Actually, it does work very well. Hey, 234 00:11:08,040 --> 00:11:11,440 Speaker 4: speaking of rank, did you hear about this guy? The 235 00:11:11,480 --> 00:11:14,320 Speaker 4: director of forty seven rown in. His name is Eric Rinch, 236 00:11:14,760 --> 00:11:22,200 Speaker 4: Carl Eric Rinch. He had been on trial for basically 237 00:11:22,280 --> 00:11:27,520 Speaker 4: ripping off Netflix for eleven million dollars. He was convicted 238 00:11:27,520 --> 00:11:31,679 Speaker 4: on Thursday in New York at Federal prosecutors say that 239 00:11:31,760 --> 00:11:34,320 Speaker 4: eleven million dollars was meant to go to finish a 240 00:11:34,360 --> 00:11:37,800 Speaker 4: TV show that Netflix had already invested forty four million 241 00:11:37,840 --> 00:11:40,959 Speaker 4: dollars in. The show was a sci fi epic called 242 00:11:41,040 --> 00:11:46,640 Speaker 4: White Horse. Allegedly, it was going well enough that Netflix said, Okay, 243 00:11:46,679 --> 00:11:49,360 Speaker 4: we'll give you another eleven million dollars to finish this show. 244 00:11:50,120 --> 00:11:52,760 Speaker 4: And did the money go to make the show well not, 245 00:11:52,800 --> 00:11:58,880 Speaker 4: according to Netflix and a US district judge, ten million 246 00:11:58,920 --> 00:12:03,160 Speaker 4: dollars of that money, after it was wired over to 247 00:12:03,200 --> 00:12:07,200 Speaker 4: the production company in twenty twenty, went to a personal 248 00:12:07,200 --> 00:12:11,760 Speaker 4: brokerage account, and half of that money in two months 249 00:12:12,240 --> 00:12:15,200 Speaker 4: was lost via investments in the stock market and crypto, 250 00:12:16,200 --> 00:12:20,640 Speaker 4: according to the indictment. The other amount of money was 251 00:12:20,679 --> 00:12:25,520 Speaker 4: spent on things like a Ferrari five, rolls, Royces, watches, clothing, 252 00:12:25,920 --> 00:12:29,520 Speaker 4: luxury betting, and Linen's credit card bills. Attorneys that he 253 00:12:29,600 --> 00:12:34,319 Speaker 4: could then pay to sue Netflix for more money, and 254 00:12:34,360 --> 00:12:37,320 Speaker 4: some lawyers who were working on his divorce. You got 255 00:12:37,440 --> 00:12:39,120 Speaker 4: to feel for this guy a little bit. I don't 256 00:12:39,120 --> 00:12:40,480 Speaker 4: know if you do, but I think that is an 257 00:12:40,480 --> 00:12:43,360 Speaker 4: immense amount of craziness going on in your life, sir. 258 00:12:44,760 --> 00:12:48,600 Speaker 4: Around four million was spent on furniture and antiques. The cars, though, 259 00:12:48,800 --> 00:12:51,720 Speaker 4: cost over two and a half million. But look at this. 260 00:12:52,679 --> 00:13:00,199 Speaker 4: Two mattresses and betting nearly a million dollars on two mattresses, 261 00:13:01,040 --> 00:13:02,760 Speaker 4: and you might be like, well, that is insane. What 262 00:13:02,840 --> 00:13:06,120 Speaker 4: kind of mattresses are they? They're Swedish mattresses. They're from 263 00:13:06,120 --> 00:13:09,560 Speaker 4: a company called Hastens, and they have one of these 264 00:13:10,400 --> 00:13:13,839 Speaker 4: a few of these mattress stores in Los Angeles. When 265 00:13:13,840 --> 00:13:15,960 Speaker 4: I first moved to LA fifteen years ago or so, 266 00:13:16,880 --> 00:13:19,680 Speaker 4: got a little apartment in West Hollywood. It was me 267 00:13:19,760 --> 00:13:22,720 Speaker 4: and a bunch of divorced momps, kind of a fun vibe. 268 00:13:23,040 --> 00:13:24,599 Speaker 4: Didn't know what I was walking into, but hey, it 269 00:13:24,640 --> 00:13:25,080 Speaker 4: worked out. 270 00:13:25,520 --> 00:13:26,719 Speaker 5: Oh they would have loved you. 271 00:13:26,800 --> 00:13:28,120 Speaker 3: It was really fun. 272 00:13:28,679 --> 00:13:31,320 Speaker 4: It was like like I have an upstairs neighbor would 273 00:13:31,360 --> 00:13:35,800 Speaker 4: just come down randomly, just completely blotto, her mouth covered 274 00:13:35,960 --> 00:13:38,680 Speaker 4: in red wine. You know, like the teeth staining. You're like, 275 00:13:38,679 --> 00:13:41,320 Speaker 4: oh no, and she'd bust through the door. I'd be like, 276 00:13:41,400 --> 00:13:44,600 Speaker 4: sitting there, didn't have any money, didn't do anything, was 277 00:13:44,600 --> 00:13:46,720 Speaker 4: just sitting there watching TV. And she'd come in with 278 00:13:46,760 --> 00:13:49,040 Speaker 4: like a pair of keys, just drunk and be like, 279 00:13:50,679 --> 00:13:54,800 Speaker 4: I stole the laugh Factory owner's car. Can you help 280 00:13:54,840 --> 00:13:57,880 Speaker 4: me get rid of what's going on in this place? 281 00:13:59,280 --> 00:14:02,440 Speaker 4: But I was looking for a bed because I just 282 00:14:02,520 --> 00:14:05,560 Speaker 4: moved in. So I'm walking down Robertson Boulevard and I'm like, oh, 283 00:14:05,559 --> 00:14:07,839 Speaker 4: there's a there's a mattress store. Let me go check 284 00:14:07,880 --> 00:14:10,320 Speaker 4: it out. So I go in and I'm inquiring and 285 00:14:10,360 --> 00:14:13,280 Speaker 4: it seems nice. And I lay down on the mattress 286 00:14:13,280 --> 00:14:15,000 Speaker 4: and I'm checking it out, and he's like, yeah, this 287 00:14:15,040 --> 00:14:18,599 Speaker 4: is this one starts at forty and I was like 288 00:14:18,720 --> 00:14:23,080 Speaker 4: forty what forty dollars? It's like, no, forty thousand dollars. 289 00:14:23,640 --> 00:14:27,280 Speaker 4: Their starting mattress starts at forty thousand dollars. It's made 290 00:14:27,320 --> 00:14:32,520 Speaker 4: of like horsehair, Swedish craftsmanship. 291 00:14:32,560 --> 00:14:34,840 Speaker 5: I don't know, man, worse here, there's not sound like 292 00:14:35,000 --> 00:14:36,000 Speaker 5: something I want to sleep on. 293 00:14:36,160 --> 00:14:38,600 Speaker 4: I cannot I cannot tell you how. And I so 294 00:14:38,800 --> 00:14:40,880 Speaker 4: it was so so comfortable, and it goes. They have 295 00:14:40,920 --> 00:14:42,440 Speaker 4: mattresses that go all the way up to like five 296 00:14:42,480 --> 00:14:46,280 Speaker 4: hundred thousand dollars apiece, and Hastens, you know, like I said, 297 00:14:46,280 --> 00:14:48,120 Speaker 4: they're still in business somehow because I guess there's enough 298 00:14:48,160 --> 00:14:51,600 Speaker 4: rigche people to keep this keep this thing going. It's 299 00:14:51,600 --> 00:14:54,800 Speaker 4: all natural, you know, there's no off gassing. They say 300 00:14:54,800 --> 00:14:57,160 Speaker 4: that it's really you know, better for you or whatever, 301 00:14:57,200 --> 00:15:00,760 Speaker 4: and it is really comfortable. And over the years, I 302 00:15:00,800 --> 00:15:03,040 Speaker 4: still don't have money to afford a forty thousand dollars 303 00:15:03,040 --> 00:15:06,360 Speaker 4: mattress by any stretch of the imagination, but I have 304 00:15:06,520 --> 00:15:09,400 Speaker 4: been back. I was killing some time in Santa Monica. 305 00:15:09,400 --> 00:15:13,000 Speaker 4: There was one on Montana, and I popped in to 306 00:15:13,080 --> 00:15:15,560 Speaker 4: the Hasting store and I took another little quick trip 307 00:15:15,600 --> 00:15:18,440 Speaker 4: down the forty thousand dollars mattress road just to see 308 00:15:18,440 --> 00:15:21,000 Speaker 4: what that was like, just a quick fifteen minute nap. 309 00:15:22,160 --> 00:15:25,920 Speaker 4: And the guy said, yeah, you know, it's still forty 310 00:15:25,960 --> 00:15:28,760 Speaker 4: thousand dollars, and here you can try the one that's fifty, 311 00:15:28,840 --> 00:15:30,400 Speaker 4: and then the one that's eighty, and the one that's 312 00:15:30,400 --> 00:15:34,120 Speaker 4: two hundred and the one that's four hundred. And now 313 00:15:34,160 --> 00:15:37,040 Speaker 4: that he calls me. Almost every every month I get 314 00:15:37,040 --> 00:15:41,000 Speaker 4: a phone call from him. Still can't afford a mattress. 315 00:15:41,040 --> 00:15:43,600 Speaker 4: But anyway, So Carl Rinch was convicted. He could face 316 00:15:43,680 --> 00:15:48,360 Speaker 4: up to ninety years in prison, but it looks like 317 00:15:48,360 --> 00:15:51,040 Speaker 4: he probably will not serve that much time. There was 318 00:15:51,120 --> 00:15:57,680 Speaker 4: no comment from Netflix to MSN on Thursday his attorney. 319 00:15:58,400 --> 00:16:01,400 Speaker 4: Rynch's attorney, though, denounced the verse predict and said it 320 00:16:01,400 --> 00:16:09,480 Speaker 4: was more of a contract dispute. Okay, sounds good. Do 321 00:16:09,520 --> 00:16:13,680 Speaker 4: you ever do those year wrapped things from Spotify? 322 00:16:15,040 --> 00:16:15,200 Speaker 2: Oh? 323 00:16:15,280 --> 00:16:17,440 Speaker 3: Yeah, yeah? What was on your top this year? 324 00:16:17,920 --> 00:16:18,600 Speaker 5: The Beatles? 325 00:16:18,720 --> 00:16:19,720 Speaker 3: Oh that's a great one. 326 00:16:19,800 --> 00:16:21,680 Speaker 5: That's a little bit bad. 327 00:16:21,960 --> 00:16:26,080 Speaker 4: Oh shots fire right, you are right? 328 00:16:26,200 --> 00:16:26,920 Speaker 2: Bring it? Yeah? 329 00:16:26,960 --> 00:16:28,160 Speaker 3: What was it? What was yours? 330 00:16:28,320 --> 00:16:33,560 Speaker 5: I was the top five percent for Rue Paul. Now 331 00:16:33,600 --> 00:16:34,680 Speaker 5: she's got great taste. 332 00:16:34,720 --> 00:16:35,200 Speaker 8: There you go. 333 00:16:35,600 --> 00:16:40,440 Speaker 5: Trumps the Beatles any day, right on. Songs are so fun. 334 00:16:41,680 --> 00:16:43,200 Speaker 4: Yeah, I agree with you. Also, I don't think the 335 00:16:43,200 --> 00:16:45,520 Speaker 4: Beatles is embarrassment at all. It is just kind of 336 00:16:45,560 --> 00:16:48,440 Speaker 4: surprising because I feel like the ubiquity of the Beatles 337 00:16:48,680 --> 00:16:50,720 Speaker 4: means that you are actually going out and seeking out 338 00:16:51,200 --> 00:16:53,320 Speaker 4: listening to the Beatles albums over and over and over again. 339 00:16:53,360 --> 00:16:55,120 Speaker 3: What were the songs that are. 340 00:16:55,120 --> 00:16:57,600 Speaker 5: Or what listening age seventy eight. 341 00:16:59,360 --> 00:17:00,640 Speaker 3: Mine's like a D and five. 342 00:17:01,400 --> 00:17:03,920 Speaker 4: Mine was all like jazz, like low fi jazz and 343 00:17:04,000 --> 00:17:04,960 Speaker 4: stupid stuff like that. 344 00:17:05,119 --> 00:17:07,280 Speaker 5: Apparently I'm a twenty four year old twink. 345 00:17:07,680 --> 00:17:09,800 Speaker 3: Oh good, well, I mean there you go. 346 00:17:10,880 --> 00:17:13,400 Speaker 5: You know we're a well rounded group. 347 00:17:13,400 --> 00:17:15,440 Speaker 3: Pe that's right, we're representing everybody. Well. 348 00:17:15,520 --> 00:17:18,000 Speaker 4: SNL has a sketch that I will play for you 349 00:17:18,080 --> 00:17:20,000 Speaker 4: when we come back about a different kind of wrapped. 350 00:17:21,040 --> 00:17:22,359 Speaker 3: Very funny. You don't want to miss it. 351 00:17:22,760 --> 00:17:24,760 Speaker 4: IM six forty, I'm Andy Reesmeyer're live everywhere on the 352 00:17:24,800 --> 00:17:25,560 Speaker 4: iHeartRadio app. 353 00:17:25,960 --> 00:17:29,400 Speaker 1: You're listening to KFI AM six forty on demand. 354 00:17:31,240 --> 00:17:33,760 Speaker 4: I think I will also be Andy Reesmier tomorrow on Monday, 355 00:17:33,760 --> 00:17:36,560 Speaker 4: December fifteenth, when I'm here from seven to ten pm. 356 00:17:36,800 --> 00:17:41,199 Speaker 4: Anytime after that, I cannot guarantee who I will be. 357 00:17:41,880 --> 00:17:44,000 Speaker 4: You know, it's all about reinvention in the new year. 358 00:17:44,400 --> 00:17:46,880 Speaker 4: Been looking for things to do for New Year's Eve 359 00:17:47,880 --> 00:17:51,239 Speaker 4: and if you have any recommendations, please let us know 360 00:17:51,280 --> 00:17:53,720 Speaker 4: what would be a fun thing to do at Andy 361 00:17:53,760 --> 00:17:56,600 Speaker 4: Reesmier on Instagram. You could message me there, or you 362 00:17:56,600 --> 00:17:59,280 Speaker 4: can also leave us a message on the iHeartRadio app. 363 00:18:00,800 --> 00:18:03,200 Speaker 4: I think that I may ask tomorrow, like, what's the 364 00:18:03,240 --> 00:18:04,960 Speaker 4: New Year's Eve plan? I know it's a little far 365 00:18:05,080 --> 00:18:07,440 Speaker 4: from now, But the problem is that like New Year's 366 00:18:07,480 --> 00:18:08,639 Speaker 4: Eve is one of those things where it's like an 367 00:18:08,640 --> 00:18:15,440 Speaker 4: obligatory party. It costs bookoo bucks, as the French would say, 368 00:18:16,600 --> 00:18:19,040 Speaker 4: and if you don't do it right, you feel like 369 00:18:20,560 --> 00:18:22,080 Speaker 4: you only get one chance to do it right. 370 00:18:22,119 --> 00:18:22,240 Speaker 9: You know. 371 00:18:22,280 --> 00:18:23,840 Speaker 3: I've done things in the past and went down to. 372 00:18:23,800 --> 00:18:27,080 Speaker 4: The Queen Mary that did that a couple of years ago. 373 00:18:27,119 --> 00:18:29,159 Speaker 3: That was really fun. I did the Union Station party 374 00:18:29,160 --> 00:18:32,320 Speaker 3: that was really cool too. Yeah, sometimes you just like 375 00:18:32,320 --> 00:18:34,160 Speaker 3: to sit at home, sit at home on the couch. 376 00:18:36,040 --> 00:18:37,080 Speaker 3: I missed it one year. 377 00:18:37,119 --> 00:18:40,040 Speaker 4: I missed the ball drop because I like was so 378 00:18:40,160 --> 00:18:44,600 Speaker 4: bored watching Anderson Cooper and Andy Cohen that I like, 379 00:18:44,600 --> 00:18:46,000 Speaker 4: I just got up to go to the bathroom, and 380 00:18:46,040 --> 00:18:49,399 Speaker 4: I like realized while I was in the bathroom, I 381 00:18:49,400 --> 00:18:56,480 Speaker 4: was like, Oh, it's happening. It's New Year's The group 382 00:18:56,520 --> 00:18:59,840 Speaker 4: that I was with was displeased. Also been up to 383 00:18:59,880 --> 00:19:01,280 Speaker 4: Saya Barber that was kind of fun. Did that a 384 00:19:01,320 --> 00:19:04,880 Speaker 4: couple of years ago. Anyway, let us know, we will 385 00:19:05,440 --> 00:19:08,560 Speaker 4: play your messages on the iHeartRadio app coming up also. 386 00:19:08,640 --> 00:19:10,919 Speaker 4: Chris Merrill will be joining us in ten minutes or so, 387 00:19:10,960 --> 00:19:13,080 Speaker 4: maybe a little bit longer, and we'll talk about what's 388 00:19:13,080 --> 00:19:15,000 Speaker 4: happening in his show. A lot of stuff going on, 389 00:19:15,040 --> 00:19:18,560 Speaker 4: a lot of live content happening all night tonight. And 390 00:19:18,600 --> 00:19:21,119 Speaker 4: one of the things that we love talking about is 391 00:19:21,240 --> 00:19:26,760 Speaker 4: ooh the pit in your stomach when you receive the 392 00:19:26,840 --> 00:19:34,080 Speaker 4: DWP bill. It comes but every two months through the 393 00:19:34,080 --> 00:19:36,480 Speaker 4: mail slot. Oh, look at that, it's the DWP bill. 394 00:19:36,520 --> 00:19:37,640 Speaker 4: What will it be this year? 395 00:19:38,160 --> 00:19:40,720 Speaker 3: This month? Rather will it? 396 00:19:40,920 --> 00:19:44,800 Speaker 4: Will the number start with a one thousand? Will it 397 00:19:44,880 --> 00:19:46,440 Speaker 4: start with a thirteen thousand? 398 00:19:47,760 --> 00:19:48,240 Speaker 3: For this guy? 399 00:19:48,359 --> 00:19:51,600 Speaker 8: Did your payment of thirteen thousand, sixty three dollars and 400 00:19:51,640 --> 00:19:52,600 Speaker 8: forty five cents. 401 00:19:52,840 --> 00:19:57,080 Speaker 9: March twenty twenty five water and power dis connection notice 402 00:19:57,080 --> 00:20:00,000 Speaker 9: sent to the Van Night's home. Will Ventries moved into 403 00:20:00,119 --> 00:20:03,199 Speaker 9: you back in twenty twenty. That's when he insists he 404 00:20:03,359 --> 00:20:06,560 Speaker 9: notified the agency of his new address repeatedly. 405 00:20:07,000 --> 00:20:09,760 Speaker 8: I was not getting bills then, and this was all 406 00:20:09,840 --> 00:20:14,040 Speaker 8: before the COVID moratorium began in March twenty twenty. Once 407 00:20:14,160 --> 00:20:17,960 Speaker 8: that began, then I started getting on holds and they're like, oh, 408 00:20:18,000 --> 00:20:20,399 Speaker 8: it's going to be forty five minutes on holds. You know, 409 00:20:20,600 --> 00:20:22,760 Speaker 8: but we're not going to shut off anyone's power. Don't 410 00:20:22,760 --> 00:20:25,359 Speaker 8: worry about it. And I was like, okay, well I've tried. 411 00:20:25,400 --> 00:20:27,200 Speaker 8: I've asked them so many times to send the bill. 412 00:20:27,280 --> 00:20:33,600 Speaker 9: Five years later, that thirteen thousand dollars plus bill. So 413 00:20:33,840 --> 00:20:35,400 Speaker 9: he gets to writing emails. 414 00:20:35,640 --> 00:20:39,480 Speaker 4: We call this NAT sound in a package. It doesn't 415 00:20:39,520 --> 00:20:40,520 Speaker 4: work as well on radio. 416 00:20:40,640 --> 00:20:46,639 Speaker 9: I earned that thirteen thousand dollars plus bill. So he 417 00:20:46,840 --> 00:20:49,720 Speaker 9: gets to writing emails. He's making phone calls until he 418 00:20:49,800 --> 00:20:53,560 Speaker 9: finally reaches a supervisor at LEDWP and he. 419 00:20:53,520 --> 00:20:56,560 Speaker 8: Says, you know what I think and quote fifty to 420 00:20:56,560 --> 00:20:59,480 Speaker 8: fifty our fault, your fault for a WHI sending you 421 00:20:59,520 --> 00:21:00,840 Speaker 8: the bill for us? 422 00:21:01,080 --> 00:21:03,920 Speaker 4: And he's been trying to get them to send him 423 00:21:03,920 --> 00:21:07,080 Speaker 4: the bill. You're obviously not just gonna pay Willy nearly 424 00:21:07,160 --> 00:21:09,639 Speaker 4: anything to DWP. You don't know where it's gonna go. 425 00:21:09,840 --> 00:21:11,600 Speaker 4: It sounds like he didn't even have an account at 426 00:21:11,600 --> 00:21:15,320 Speaker 4: some point. How hard did he try to get them 427 00:21:15,400 --> 00:21:16,240 Speaker 4: to send him a bill? 428 00:21:16,320 --> 00:21:19,320 Speaker 8: I don't know for us not sending you the bills 429 00:21:19,560 --> 00:21:22,880 Speaker 8: for us, ignoring your many attempts to get the bill 430 00:21:22,920 --> 00:21:27,120 Speaker 8: sent many attempts get the bill sent to the correct address. 431 00:21:27,520 --> 00:21:29,840 Speaker 4: I feel like, if you are trying in earnest to 432 00:21:29,880 --> 00:21:31,600 Speaker 4: get the government to send you this is the only 433 00:21:31,640 --> 00:21:34,560 Speaker 4: time in your life ever where the government won't send 434 00:21:34,560 --> 00:21:36,720 Speaker 4: you a bill for something for some reason. You're falling 435 00:21:36,720 --> 00:21:38,439 Speaker 4: through the cracks, and you are being the stand up 436 00:21:38,480 --> 00:21:40,080 Speaker 4: citizen to go out and to try to get them 437 00:21:40,119 --> 00:21:42,440 Speaker 4: to send you the bill so you can pay them 438 00:21:42,480 --> 00:21:46,640 Speaker 4: what you owe. It's on them. If they're not doing it, 439 00:21:46,640 --> 00:21:48,159 Speaker 4: it's on them. I think this guy gets. 440 00:21:48,040 --> 00:21:51,560 Speaker 8: A pass address for us not following the standard protocol, 441 00:21:51,600 --> 00:21:54,000 Speaker 8: which is sending the delinquency and the shut off notice 442 00:21:54,040 --> 00:21:57,679 Speaker 8: to the service address regardless of the billing address. 443 00:21:57,720 --> 00:21:59,199 Speaker 3: Oh, he's getting in the weeds. Now, I love it. 444 00:21:59,240 --> 00:22:01,680 Speaker 4: Okay, So it sounds like they were setting They even 445 00:22:01,680 --> 00:22:04,119 Speaker 4: acknowledged that they didn't send the shut off notice to 446 00:22:04,160 --> 00:22:04,760 Speaker 4: the right place. 447 00:22:05,800 --> 00:22:07,679 Speaker 8: He says, fifty to fifty our fault, your fault, so 448 00:22:07,760 --> 00:22:10,200 Speaker 8: let me take off two five hundred dollars. 449 00:22:10,280 --> 00:22:14,439 Speaker 9: Paperwork shows that reduction, as well as Will's three thousand 450 00:22:14,480 --> 00:22:17,480 Speaker 9: dollars payment, with the remainder going on a payment planted. 451 00:22:17,800 --> 00:22:20,760 Speaker 9: But then he gets a new bill with more new charges. 452 00:22:21,000 --> 00:22:24,480 Speaker 8: They said, well, since twenty twenty two, for the past 453 00:22:24,520 --> 00:22:27,960 Speaker 8: three years, we've not been reading your water meter. 454 00:22:29,359 --> 00:22:33,239 Speaker 4: So these are some estimated charges. Even if you are 455 00:22:33,280 --> 00:22:35,720 Speaker 4: paying your bill. Do you know that your your water 456 00:22:36,040 --> 00:22:39,760 Speaker 4: bill mostly is an estimated charge. They basically say, we 457 00:22:39,840 --> 00:22:42,639 Speaker 4: think you probably are using this much. That's if you 458 00:22:42,680 --> 00:22:46,400 Speaker 4: don't have a smart meter. So these are some estimated charges. 459 00:22:46,760 --> 00:22:50,040 Speaker 4: So much around five thousand dollars, So. 460 00:22:50,040 --> 00:22:52,720 Speaker 3: We're back to a how much then it was up 461 00:22:52,800 --> 00:22:54,280 Speaker 3: to like seven what was that? 462 00:22:55,800 --> 00:22:58,520 Speaker 5: So we're back to a home mucht Then it. 463 00:22:58,440 --> 00:22:58,800 Speaker 2: Was up to. 464 00:23:00,640 --> 00:23:01,439 Speaker 5: Someone's tummy. 465 00:23:01,680 --> 00:23:03,440 Speaker 3: He has like a little snarl in his throat. 466 00:23:03,440 --> 00:23:05,280 Speaker 4: You know, you're like a little bit of spit gets 467 00:23:05,280 --> 00:23:06,639 Speaker 4: stuck in your throat a little bit there. 468 00:23:06,480 --> 00:23:07,480 Speaker 3: And you got a much. 469 00:23:13,520 --> 00:23:14,000 Speaker 5: He gurgle. 470 00:23:14,600 --> 00:23:17,040 Speaker 3: It's like his inner child is just you get all theirs. 471 00:23:17,840 --> 00:23:20,520 Speaker 8: So we're back to a low much now it was 472 00:23:20,600 --> 00:23:22,800 Speaker 8: up to like seventeen thousand dollars in total. 473 00:23:22,880 --> 00:23:25,960 Speaker 10: Now it doesn't surprise me at all, unfortunately, you know, 474 00:23:26,240 --> 00:23:30,080 Speaker 10: I have I get calls and emails on a regular 475 00:23:30,119 --> 00:23:34,080 Speaker 10: basis from people who have generally similar situations. 476 00:23:34,320 --> 00:23:38,520 Speaker 9: Timothy Blood was one of the attorneys representing LADWP customers 477 00:23:38,520 --> 00:23:42,400 Speaker 9: in twenty seventeen. The agency then agreed to a multi 478 00:23:42,400 --> 00:23:47,280 Speaker 9: million dollar settlement paying customers claiming they were overcharged during 479 00:23:47,320 --> 00:23:49,000 Speaker 9: the rollout of a new billing system. 480 00:23:49,160 --> 00:23:51,800 Speaker 10: There's no reason that they should be having so many 481 00:23:51,800 --> 00:23:54,399 Speaker 10: customer service problems over so many years. 482 00:23:54,680 --> 00:23:56,760 Speaker 3: That the rate payers are not their enemy. The rate 483 00:23:56,800 --> 00:23:59,560 Speaker 3: payers are their customers, and they really need to treat 484 00:23:59,600 --> 00:24:00,200 Speaker 3: them asself. 485 00:24:01,720 --> 00:24:05,480 Speaker 4: Preach sister, and they really need to treat them as such. 486 00:24:05,920 --> 00:24:09,879 Speaker 9: Now. Late tonight I did hear from LEDWP. We've been 487 00:24:09,920 --> 00:24:12,000 Speaker 9: going back and forth, and you know what, I just 488 00:24:12,040 --> 00:24:14,560 Speaker 9: got a statement from them saying that they are, after 489 00:24:14,640 --> 00:24:17,239 Speaker 9: looking at this very unique case, they are going to 490 00:24:17,400 --> 00:24:22,240 Speaker 9: waive the majority of the disputed ballance on his unpaid water. 491 00:24:22,720 --> 00:24:25,400 Speaker 4: Isn't it unreal that if he had not ended up 492 00:24:25,720 --> 00:24:31,439 Speaker 4: as an investigation on Fox eleven, that this never would 493 00:24:31,440 --> 00:24:36,840 Speaker 4: have resolved this way. The only reason he isn't paying 494 00:24:36,880 --> 00:24:41,199 Speaker 4: thirteen thousand dollars is because they do not want the 495 00:24:41,359 --> 00:24:45,320 Speaker 4: bad press, not because it's the right thing to do, 496 00:24:45,400 --> 00:24:49,399 Speaker 4: and that the bureaucracy has sorted itself out and power bill. 497 00:24:49,640 --> 00:24:52,159 Speaker 9: I'm waiting to see what amount that is, but it 498 00:24:52,200 --> 00:24:55,960 Speaker 9: does seem that they're understanding that something really unique happened 499 00:24:56,000 --> 00:24:57,160 Speaker 9: here and. 500 00:24:57,280 --> 00:24:58,600 Speaker 3: Will unique is like. 501 00:25:00,359 --> 00:25:02,639 Speaker 4: Unique has something of value, I think right, like the 502 00:25:02,720 --> 00:25:07,800 Speaker 4: unique seems like, oh, that's like a different flavor, that's 503 00:25:07,840 --> 00:25:11,640 Speaker 4: a cool color, that's an odd hat, it's unique. 504 00:25:13,520 --> 00:25:14,800 Speaker 3: Ain't nothing unique about this. 505 00:25:15,359 --> 00:25:17,560 Speaker 9: And we'll be able to help them out, so we'll 506 00:25:17,600 --> 00:25:21,159 Speaker 9: see what happens. But it's a problem for a lot 507 00:25:21,200 --> 00:25:23,040 Speaker 9: of people. We're gonna put their entire statement on our 508 00:25:23,080 --> 00:25:25,520 Speaker 9: website at foxlay dot com and some of the links 509 00:25:25,520 --> 00:25:27,200 Speaker 9: of some of the groups and some of the efforts 510 00:25:27,280 --> 00:25:29,320 Speaker 9: to try to ban people together so they can try to. 511 00:25:29,280 --> 00:25:29,880 Speaker 1: Get someone help. 512 00:25:29,960 --> 00:25:32,119 Speaker 4: Yeah, it's so true, and it's interesting what he was 513 00:25:32,119 --> 00:25:34,879 Speaker 4: saying about how like, look, the LEDWP shouldn't treat you 514 00:25:34,880 --> 00:25:37,800 Speaker 4: as the enemy the Department of Power and Water that 515 00:25:37,840 --> 00:25:44,080 Speaker 4: we are their customers. Doesn't feel like it. I moved 516 00:25:44,080 --> 00:25:47,640 Speaker 4: into a new place about a year ago, had the inspection, 517 00:25:47,720 --> 00:25:54,120 Speaker 4: everything went well, got a notification that the LEDWP had 518 00:25:54,160 --> 00:25:59,160 Speaker 4: not completed hooking up the power back to the house 519 00:25:59,200 --> 00:26:04,919 Speaker 4: when they had replace the box, the electrical box. It 520 00:26:05,040 --> 00:26:07,440 Speaker 4: was like a temporary fix, so the cables were coming 521 00:26:07,440 --> 00:26:09,159 Speaker 4: from the power line hanging on the roof, right kind 522 00:26:09,160 --> 00:26:13,520 Speaker 4: of dangerous. So I said, all right, fair enough, called LEDWP. 523 00:26:15,240 --> 00:26:18,320 Speaker 4: They sent a guy out. This is months afterwards, of course, 524 00:26:19,640 --> 00:26:20,840 Speaker 4: and they looked at it and they said, oh, yeah, 525 00:26:20,840 --> 00:26:24,880 Speaker 4: you're right, but also we don't have any record that 526 00:26:24,920 --> 00:26:29,320 Speaker 4: this was approved, this changing of this, this box, upgrading 527 00:26:29,320 --> 00:26:32,320 Speaker 4: your service. And I said, well I don't I wouldn't 528 00:26:32,320 --> 00:26:33,680 Speaker 4: even live here. I had nothing to do with any 529 00:26:33,680 --> 00:26:35,879 Speaker 4: of that. That happened years before. They remodeled the house, way 530 00:26:35,960 --> 00:26:38,959 Speaker 4: before I ever bought it. Well, sorry, who cares. What 531 00:26:39,000 --> 00:26:40,480 Speaker 4: you're going to have to do is have a guy 532 00:26:40,480 --> 00:26:43,520 Speaker 4: come out. You got to know all this, like, got 533 00:26:43,560 --> 00:26:45,920 Speaker 4: to move this pipe over two inches, got to drop 534 00:26:45,920 --> 00:26:47,960 Speaker 4: it down three inches, The conduit has to be I 535 00:26:48,000 --> 00:26:49,800 Speaker 4: got to pull out the pipe from the stucco, got 536 00:26:49,800 --> 00:26:52,440 Speaker 4: to redo it, you know, five thousand dollars of course, 537 00:26:53,359 --> 00:26:56,359 Speaker 4: and hey, if you don't do it, you're going to 538 00:26:56,400 --> 00:27:00,000 Speaker 4: get charged every single day for being in violation. 539 00:27:02,280 --> 00:27:06,800 Speaker 3: LEDWP. Can you help me out here? Nope? So I 540 00:27:06,840 --> 00:27:07,159 Speaker 3: did it. 541 00:27:07,200 --> 00:27:08,919 Speaker 4: I had it done when they had a guy come 542 00:27:08,960 --> 00:27:12,840 Speaker 4: out and guess what, still wasn't right. So I had 543 00:27:12,880 --> 00:27:14,359 Speaker 4: to have the guy come back out and fix it, 544 00:27:14,480 --> 00:27:17,640 Speaker 4: do something different. And finally when he got there, the 545 00:27:17,680 --> 00:27:21,000 Speaker 4: inspector from LEDWP came over and looked at the house 546 00:27:21,040 --> 00:27:23,320 Speaker 4: and said, okay, great, you did the work. 547 00:27:23,840 --> 00:27:27,280 Speaker 3: Your gate is swinging the wrong way. You just can't win. 548 00:27:28,040 --> 00:27:28,640 Speaker 3: You can't win. 549 00:27:29,359 --> 00:27:31,280 Speaker 4: This is the Andy Reesmire Show. We are live everywhere 550 00:27:31,280 --> 00:27:33,560 Speaker 4: on the iHeartRadio app on KFI. 551 00:27:34,240 --> 00:27:38,080 Speaker 1: You're listening to KFI AM six forty on demand. 552 00:27:41,960 --> 00:27:45,840 Speaker 4: If you're looking for a fun time in fantasy land. 553 00:27:46,359 --> 00:27:48,840 Speaker 4: Old Boy, Oh Boys, Los Angeles is the place to be. 554 00:27:50,000 --> 00:27:53,399 Speaker 4: Broadway in Hollywood. They are the group of promoters that 555 00:27:53,440 --> 00:27:56,000 Speaker 4: are bringing I think some of the greatest shows here 556 00:27:56,200 --> 00:27:59,280 Speaker 4: from Broadway to of course Hollywood. I've told you about 557 00:27:59,280 --> 00:28:01,879 Speaker 4: the Back to the Future musical that's always fun, the 558 00:28:01,880 --> 00:28:02,640 Speaker 4: Harry Potter musical. 559 00:28:02,720 --> 00:28:03,560 Speaker 3: They did that last year. 560 00:28:03,840 --> 00:28:07,440 Speaker 4: Now at the Mantlebain Theater in Hollywood, Dungeons and Dragons 561 00:28:08,440 --> 00:28:12,560 Speaker 4: becomes more immersive than ever in a stage play called 562 00:28:12,600 --> 00:28:14,120 Speaker 4: The Twenty Sided Tavern. 563 00:28:15,200 --> 00:28:15,840 Speaker 3: Take a listen. 564 00:28:16,359 --> 00:28:19,520 Speaker 11: The stage is set for a unique adventure every night 565 00:28:19,600 --> 00:28:21,240 Speaker 11: at the Twenty Sided Tavern. 566 00:28:22,240 --> 00:28:24,040 Speaker 3: Whether they're toasting the shots. 567 00:28:23,680 --> 00:28:27,400 Speaker 11: Of celebration or rolling TORNI ship, it's dangerous bones. 568 00:28:27,640 --> 00:28:31,120 Speaker 5: Every decision is yours to make join the action on. 569 00:28:31,200 --> 00:28:34,640 Speaker 11: Stage or choose your hero's backways from your seat. The 570 00:28:34,720 --> 00:28:38,640 Speaker 11: spell has been cast and the only missing ingredient is 571 00:28:38,800 --> 00:28:40,040 Speaker 11: you welcome. 572 00:28:39,680 --> 00:28:41,960 Speaker 4: Adventures with the Bundy sided tag. 573 00:28:46,800 --> 00:28:47,800 Speaker 3: How hype it is that? 574 00:28:47,920 --> 00:28:49,520 Speaker 4: Here to tell us more about the twenty side of 575 00:28:49,520 --> 00:28:52,040 Speaker 4: Tavern is one of the cast members from the play. 576 00:28:52,520 --> 00:28:55,120 Speaker 4: Will Champion joins us here on the Andy Reesemeyer Show. 577 00:28:55,160 --> 00:28:56,240 Speaker 4: Good afternoon to you, sir. 578 00:28:56,320 --> 00:28:56,840 Speaker 3: How you doing. 579 00:28:57,720 --> 00:29:00,000 Speaker 2: I'm absolutely fabulous. Thank you for having me mate. 580 00:29:00,120 --> 00:29:02,360 Speaker 4: Now you are a brit Does that mean that you 581 00:29:02,400 --> 00:29:04,600 Speaker 4: are also the drummer of Coldplay? 582 00:29:04,680 --> 00:29:05,960 Speaker 3: Or is that just a coincidence? 583 00:29:06,880 --> 00:29:10,360 Speaker 2: You know what. We haven't checked all the record there, 584 00:29:10,400 --> 00:29:12,880 Speaker 2: but we have a suspicion he may be related to us. 585 00:29:13,240 --> 00:29:16,800 Speaker 2: It's made for some very confusing private messages, I perceived. 586 00:29:16,840 --> 00:29:18,080 Speaker 2: I'll tell you about I'm. 587 00:29:17,960 --> 00:29:19,920 Speaker 4: Sure so if anybody doesn't know, Wild Champion is also 588 00:29:19,960 --> 00:29:22,760 Speaker 4: the drummer of Coldplay, and of course being a British 589 00:29:22,840 --> 00:29:27,920 Speaker 4: person in performing something. What is your he's very famously 590 00:29:28,840 --> 00:29:29,320 Speaker 4: rocking the. 591 00:29:30,840 --> 00:29:33,360 Speaker 3: Exposed dome. What's your hair situation? 592 00:29:34,560 --> 00:29:37,080 Speaker 2: I thankfully at the moment, will have a very full 593 00:29:37,080 --> 00:29:39,200 Speaker 2: head of hair, and that's a nice differential between the parent. 594 00:29:39,320 --> 00:29:41,440 Speaker 4: There you go, that's it. And also how many millions 595 00:29:41,440 --> 00:29:43,720 Speaker 4: of dollars. We will not get into that, but let's 596 00:29:44,560 --> 00:29:46,840 Speaker 4: talk about this show. I was so lucky to meet 597 00:29:46,920 --> 00:29:49,040 Speaker 4: many of the cast members. I'm going to do a 598 00:29:49,120 --> 00:29:51,760 Speaker 4: piece I believe it'll air on Tuesday about this show 599 00:29:51,800 --> 00:29:54,320 Speaker 4: that is playing right now at the Montleban Theater in Hollywood, 600 00:29:54,920 --> 00:29:58,160 Speaker 4: and it's a nine hundred person venue and people are 601 00:29:58,160 --> 00:30:01,440 Speaker 4: going to experience Dungeons and Dragon in a stage play 602 00:30:01,520 --> 00:30:04,320 Speaker 4: situation that's interactive. Now, for anybody who doesn't know, can 603 00:30:04,360 --> 00:30:06,680 Speaker 4: you just tell us what Dungeons and Dragons is? 604 00:30:07,840 --> 00:30:07,920 Speaker 9: So? 605 00:30:08,280 --> 00:30:10,960 Speaker 2: At its most base level, Dungeons and Dragons is what's 606 00:30:10,960 --> 00:30:14,520 Speaker 2: called a table top role playing game where you traditionally 607 00:30:14,520 --> 00:30:16,719 Speaker 2: are all sitting around like your living room table or 608 00:30:16,760 --> 00:30:19,600 Speaker 2: like on the floor in your basement, and you're telling 609 00:30:19,600 --> 00:30:23,440 Speaker 2: a story together. You've created these fantasy characters using a 610 00:30:23,560 --> 00:30:26,120 Speaker 2: systems of rules and guidelines that's now and it's fifth 611 00:30:26,200 --> 00:30:30,440 Speaker 2: or sixth edition, depending on who you ask, and you're 612 00:30:30,760 --> 00:30:33,200 Speaker 2: working together with a dungeon master who's sort of creating 613 00:30:33,200 --> 00:30:35,600 Speaker 2: the framework for the story you're telling. And then all 614 00:30:35,640 --> 00:30:38,040 Speaker 2: the choices that you and your friends around that table 615 00:30:38,080 --> 00:30:41,320 Speaker 2: make will tell a completely unique fantasy adventure. 616 00:30:41,440 --> 00:30:43,320 Speaker 4: Now this is something that was for a long time 617 00:30:43,400 --> 00:30:46,200 Speaker 4: kind of like nerdy do weebe? But now I feel 618 00:30:46,240 --> 00:30:49,800 Speaker 4: like is very much mainstream, Like people are to know 619 00:30:49,840 --> 00:30:53,840 Speaker 4: about this everywhere, and you now are also taking an 620 00:30:53,880 --> 00:30:58,960 Speaker 4: opportunity here to move from the basement into the big 621 00:30:59,040 --> 00:31:05,320 Speaker 4: stage with a full on, real production, big. 622 00:31:05,120 --> 00:31:07,080 Speaker 2: Time, you know. I mean, it's sort of like it 623 00:31:07,200 --> 00:31:10,080 Speaker 2: feels kind of what you dream of when you start 624 00:31:10,120 --> 00:31:13,240 Speaker 2: playing a game like Dungeon and Dragons in your parents' basement, 625 00:31:14,000 --> 00:31:17,160 Speaker 2: that your imagination is picturing something much larger and much 626 00:31:17,160 --> 00:31:20,560 Speaker 2: more grand, with all the costumes and set pieces and whatnot. 627 00:31:20,800 --> 00:31:24,000 Speaker 2: And what this play does is actually brings that to life. 628 00:31:24,000 --> 00:31:28,280 Speaker 2: We have a brilliant, massive screen that projects a lot 629 00:31:28,320 --> 00:31:30,360 Speaker 2: of the images and actually that you see happening on stage. 630 00:31:30,400 --> 00:31:33,600 Speaker 2: People are making sound effects in real time, and whatever 631 00:31:33,720 --> 00:31:37,400 Speaker 2: characters the audience chooses the three players to be that 632 00:31:37,480 --> 00:31:41,240 Speaker 2: particular evening have their own unique fantastical outfits that get 633 00:31:41,240 --> 00:31:42,840 Speaker 2: put on right at the beginning of the show. 634 00:31:42,880 --> 00:31:45,200 Speaker 4: And then there's something with the QR codes where all 635 00:31:45,240 --> 00:31:47,320 Speaker 4: the audience members go in, they scan a QR code, 636 00:31:47,320 --> 00:31:49,920 Speaker 4: and then throughout the show they can vote on the 637 00:31:49,960 --> 00:31:53,080 Speaker 4: things that are happening and sort of inform what goes 638 00:31:53,160 --> 00:31:54,880 Speaker 4: next with the play. 639 00:31:55,760 --> 00:31:59,000 Speaker 2: It's not even sort of inform anybody who comes to 640 00:31:59,040 --> 00:32:01,480 Speaker 2: see the show. We don't just all the audience. They're 641 00:32:01,520 --> 00:32:03,960 Speaker 2: our fellow adventurers. They're the other players at the table. 642 00:32:04,280 --> 00:32:06,800 Speaker 2: Because the power for what we do, who we meet, 643 00:32:06,920 --> 00:32:11,080 Speaker 2: and truthfully, where our story honestly ends is completely in 644 00:32:11,120 --> 00:32:12,720 Speaker 2: the hands of the audience. We make some of the 645 00:32:12,760 --> 00:32:15,600 Speaker 2: decisions for sure, and there's a sort of a skeletal 646 00:32:15,640 --> 00:32:18,080 Speaker 2: framework for how this show is supposed to move, but 647 00:32:18,160 --> 00:32:20,240 Speaker 2: what the audience wants, what you guys coming to see 648 00:32:20,240 --> 00:32:22,520 Speaker 2: the show want to happen, is what is going to happen. 649 00:32:22,600 --> 00:32:26,800 Speaker 4: It's two hours of complete improv with a sort of 650 00:32:26,960 --> 00:32:29,000 Speaker 4: general base of where we're going to go. But that 651 00:32:29,080 --> 00:32:31,480 Speaker 4: makes it special and different for every night, which I 652 00:32:31,480 --> 00:32:33,160 Speaker 4: will say is exactly like this radio show. 653 00:32:33,200 --> 00:32:33,600 Speaker 3: Isn't that I. 654 00:32:34,880 --> 00:32:36,440 Speaker 4: Try to figure out what I'm going to say, but 655 00:32:36,440 --> 00:32:38,240 Speaker 4: when I get in there, it sort of completely changes 656 00:32:38,280 --> 00:32:40,680 Speaker 4: its different. How have the audiences been here in LA? 657 00:32:40,720 --> 00:32:42,840 Speaker 4: You guys have been playing since just after Thanksgiving? 658 00:32:43,560 --> 00:32:45,840 Speaker 2: Yeah, I mean it shouldn't come as a surprise, give 659 00:32:45,880 --> 00:32:48,160 Speaker 2: that LA is sort of the hub for all things 660 00:32:48,200 --> 00:32:51,200 Speaker 2: nerdy these days, and I would really credit that the 661 00:32:51,240 --> 00:32:53,960 Speaker 2: renaissance of D and D over the last ten years 662 00:32:54,080 --> 00:32:56,640 Speaker 2: has been based here in LA and the audiences here 663 00:32:56,640 --> 00:32:59,880 Speaker 2: have reflected that they've been absolutely phenomenal. How is a 664 00:33:00,080 --> 00:33:02,000 Speaker 2: nice mix of people who have played before and people 665 00:33:02,000 --> 00:33:04,880 Speaker 2: who are completely new to it. But everyone here is 666 00:33:04,960 --> 00:33:08,360 Speaker 2: so willing to completely invest and buy into the story, 667 00:33:09,080 --> 00:33:10,920 Speaker 2: and even people who have never rolled the twenty sided 668 00:33:10,960 --> 00:33:14,040 Speaker 2: by before in their life find themselves screaming and hollering 669 00:33:14,080 --> 00:33:15,760 Speaker 2: at the top of their lungs when somebody rolled the 670 00:33:15,800 --> 00:33:18,880 Speaker 2: nactual twenty. You know, it's a really special experience out 671 00:33:18,880 --> 00:33:19,640 Speaker 2: here at mufvel Man. 672 00:33:19,800 --> 00:33:22,320 Speaker 4: Yeah, I'm excited for you. I know you're going to 673 00:33:22,400 --> 00:33:25,760 Speaker 4: Scottsdale next, which is great because you will be there 674 00:33:25,800 --> 00:33:28,240 Speaker 4: at least until the twenty first, at least in LA. 675 00:33:29,200 --> 00:33:31,040 Speaker 3: But you're going to stay in the warm, and I 676 00:33:31,080 --> 00:33:31,320 Speaker 3: love that. 677 00:33:31,320 --> 00:33:33,240 Speaker 4: We've got a beautiful day, yeah, and there's no better 678 00:33:33,280 --> 00:33:35,479 Speaker 4: way I think to spend it a beautiful day than 679 00:33:35,480 --> 00:33:36,520 Speaker 4: inside watching a play. 680 00:33:38,160 --> 00:33:39,520 Speaker 2: I happen to agree review. 681 00:33:39,560 --> 00:33:41,680 Speaker 3: But so, do you have a show tonight? 682 00:33:43,080 --> 00:33:45,280 Speaker 2: Yes, we're actually in the middle of a matinee right now. 683 00:33:45,320 --> 00:33:47,800 Speaker 2: And then there's another show. Oh my god, what are 684 00:33:47,920 --> 00:33:48,600 Speaker 2: they a Sunday? 685 00:33:48,640 --> 00:33:50,400 Speaker 3: So do you need to get back on stage? 686 00:33:50,800 --> 00:33:51,160 Speaker 10: No? 687 00:33:51,400 --> 00:33:53,080 Speaker 2: So that's the beauty of it is. There are nine 688 00:33:53,080 --> 00:33:56,480 Speaker 2: of us in the cast, and there are five positions 689 00:33:56,520 --> 00:33:59,320 Speaker 2: on stage, a couple of which, in fact, three of 690 00:33:59,360 --> 00:34:02,040 Speaker 2: which today are filled by our guest stars, some of 691 00:34:02,080 --> 00:34:05,120 Speaker 2: these sort of icons in the D and D world. 692 00:34:05,120 --> 00:34:05,720 Speaker 3: Oh that's fun. 693 00:34:05,840 --> 00:34:08,239 Speaker 2: So we get to rotate in and out a lot, 694 00:34:08,280 --> 00:34:10,680 Speaker 2: and most of us, in fact all of us, play 695 00:34:10,760 --> 00:34:13,440 Speaker 2: multiple roles in the show, so you're always seeing the 696 00:34:13,520 --> 00:34:16,360 Speaker 2: same group of people in different roles every night. And 697 00:34:16,400 --> 00:34:18,560 Speaker 2: as a result, I'm just here is back up today 698 00:34:18,680 --> 00:34:22,280 Speaker 2: just in case anyone happens to have a nasty fall 699 00:34:22,320 --> 00:34:24,200 Speaker 2: on stage. I'm there just in case. 700 00:34:24,360 --> 00:34:27,239 Speaker 4: You know, hopefully that will not happen, but at least 701 00:34:27,239 --> 00:34:30,120 Speaker 4: you'll be ready in the case that it does. Will 702 00:34:30,200 --> 00:34:34,400 Speaker 4: Champion from Dungeons and Dragons the twenty Sided Tavern. It 703 00:34:34,480 --> 00:34:37,680 Speaker 4: is now playing at the Monobne Theater. The shows last 704 00:34:37,800 --> 00:34:40,000 Speaker 4: all the way through Sunday, December twenty first, So if 705 00:34:40,040 --> 00:34:42,719 Speaker 4: you want to get tickets, how can people find it? 706 00:34:44,200 --> 00:34:47,200 Speaker 2: Honestly, you can find them online at our website or 707 00:34:47,520 --> 00:34:49,680 Speaker 2: you can come straight to the box office here on 708 00:34:49,719 --> 00:34:53,120 Speaker 2: Hollywood and Vine and get rush tickets to day off. 709 00:34:53,520 --> 00:34:56,319 Speaker 2: It's a great way to come see it if you're 710 00:34:56,480 --> 00:34:58,000 Speaker 2: feeling spur of the moment. Love it. 711 00:34:58,080 --> 00:35:00,400 Speaker 4: That website Broadway in Hollywood, dot com of course, and 712 00:35:00,400 --> 00:35:02,920 Speaker 4: you can also just google the Dungeons and Dragons twenty 713 00:35:02,960 --> 00:35:06,360 Speaker 4: sided Tavern show playing at the Mantleblane Theater in Hollywood. 714 00:35:06,400 --> 00:35:09,200 Speaker 3: Will break a leg. Thank you so much for being 715 00:35:09,320 --> 00:35:09,880 Speaker 3: on the show. 716 00:35:10,120 --> 00:35:13,240 Speaker 4: I appreciate you, and we'll see you out there hoping 717 00:35:13,280 --> 00:35:15,040 Speaker 4: to roll twenties for sure. 718 00:35:15,640 --> 00:35:17,040 Speaker 2: Absolutely, thank you. Mate. 719 00:35:17,040 --> 00:35:19,200 Speaker 4: There he goes Will Champion, not from Coldplay, but I 720 00:35:19,239 --> 00:35:22,399 Speaker 4: don't mind. I Actually I prefer talk to that guy 721 00:35:22,440 --> 00:35:24,799 Speaker 4: than the guy from Coldplay. I bet the guy from 722 00:35:24,800 --> 00:35:27,719 Speaker 4: Coldplace is nice too. Really good voice, don't you think, 723 00:35:27,719 --> 00:35:29,400 Speaker 4: Eileen one hundred? 724 00:35:30,080 --> 00:35:30,680 Speaker 3: That accent. 725 00:35:31,400 --> 00:35:34,680 Speaker 4: They could say literally anything and I would be like, yeah, okay, sure, 726 00:35:35,280 --> 00:35:36,160 Speaker 4: well that sounds right. 727 00:35:37,040 --> 00:35:37,880 Speaker 5: No, it's great. 728 00:35:38,120 --> 00:35:41,799 Speaker 4: Another hour show coming up here, including a director who 729 00:35:42,040 --> 00:35:45,280 Speaker 4: defrauded Netflix out of eleven million dollars. 730 00:35:45,320 --> 00:35:46,000 Speaker 3: Will tell you what. 731 00:35:45,920 --> 00:35:49,920 Speaker 4: Crazy things he spent it on he was convicted. And 732 00:35:50,520 --> 00:35:54,080 Speaker 4: have you been on a Hollywood backlot tour? Lately, as 733 00:35:54,120 --> 00:35:57,920 Speaker 4: Hollywood changes, as we move from the backlot to the 734 00:35:57,920 --> 00:36:03,200 Speaker 4: green screen to the volume. Unfortunately, going by the wayside 735 00:36:03,280 --> 00:36:06,960 Speaker 4: is the relevance of the Hollywood Backlot Tour. We'll get 736 00:36:07,000 --> 00:36:10,680 Speaker 4: into that, plus the latest news from the KFI twenty 737 00:36:10,680 --> 00:36:11,640 Speaker 4: four hour newsroom. 738 00:36:11,800 --> 00:36:13,640 Speaker 3: It's KFI AM six forty. We're live everywhere on the 739 00:36:13,680 --> 00:36:14,319 Speaker 3: iHeartRadio 740 00:36:14,360 --> 00:36:17,600 Speaker 1: App, KFI AM six forty on demand